Podcasts about Waddesdon Manor

Adam is at Waddesdon Manor to experience their brand new Christmas lights trail. Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

In this episode, Geoff, Ben and Rory chat about the Rothschild's larger than life Waddesdon Manor. With steeply-pitched roofs and ornate decoration, it is a taste of Loire Valley in Buckingham!

On this week's episode, Eleanor and Martin are off to Buckinghamshire, one of England's 'Home Counties.'With no particular Saints Days to mark they get cracking quickly and set about unearthing the history and folklore of Buckinghamshire, from the many stately homes owned by the Rothschild family and others, such as Waddesdon Manor, Mentmore Towers, and Bletchley Park, to tales of Little Witches, the Gib Lane Ghost, a rector who trapped the devil in a shoe, and much more besides! Then it's time for the main event: Eleanor's telling of a tale of friendship enduring beyond the grave, "A Promise Kept."The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...With Bonus Episodes released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus a range of exclusive content on Patreon, audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

It's a Christmas lights special in this week's episode of Activity Quest. Bex is on-location at Kew Gardens and Adam's visiting Waddesdon Manor for their Christmas experience!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

On this episode (18) - Greg visits the jobcentre to discuss podcasts and voice over work, Greg shares his homemade voice over demo reel, local vs world news, True Geordie's "interview" with David Icke, The Great British Voice Off, an advert for Waddesdon Manor's xmas lights, The Flog It conspiracy, Netflix's 'Get Gotti', GB News, a quiz of some sort?, a new comic book character?, the movie based on the videogame 'Five Night's at Freddy's'. Saw X, John Kramer reads out the rules to some new games, scrums in Rugby, Katie Price's podcast, some songs from a musical of 'The Shining', new character (Chip Surf), an ad for 'Smoothie Soups', a leftover Halloween story and a whole lot more!

Unless you're very lucky, the path to happiness in life is usually a little squiggly. Ok, let's get real! Sometimes the path can be as winding and bendy as Mr Tickle's arms, can't it? And if you're in a job that doesn't light you up, it can feel like you're stuck in quicksand. If you can relate, you'll love Louise Bailey's story. As a student in one of our first cohorts, Louise is a TechPixie OG and proof that doing the work works. Because after cutting her teeth working with Joy on a client's social media account and getting some incredible experience under her belt with the marketing team at Waddesdon Manor, she's now working in her dream role as a digital communications officer at the Ashmolean Museum in Oxford. It couldn't be more perfect for this self-confessed history geek. So how did she get there? Here's why you should tune inDiscover the journey that led Louise to land her dream job and how she overcame her limiting beliefs about whether she could do the role (with a little nudge from Joy). You'll love the side note on Adam Koszary and his viral Absolute Unit post. Plus, hear how the Ashmolean Museum gave student animators the opportunity to put their own spin on pieces from the collection. Here's what to listen out for:[03:27] Louise realises she's meant for more.[05:02] Feeling like a square peg in a round hole.[08:05] Louise's light-bulb moment about her career.[13:02] Louise lands her dream job.[14:25] The ANTs come marching in. [17:16] The impact of the man behind the ‘absolute unit' meme.[19:29] How to be creative in the heritage space.[21:21] Why you should never dismiss your dreams.  If you want to follow in Louise's footsteps and pursue your dream job, press play now. ▶️▶️▶️ Love our podcast? Leave a review and get hold of our Quick Start Podcast Guide.For details of links and resources mentioned  in this episode, please visit TechPixies.comWant to get in touch? We'd love to hear from you.Follow us on social media @techpixies and ping us a DM or drop us a line at support@techpixies.com Thanks for listening!

On our last podcast of the summer, we're talking to Pippa Shirley, Director of Waddeson Manor and to Lorraine Lecourtois, Head of Public Exhibitions at Wakehurst, about two of Britain's most beautiful outdoor spaces, both showcasing some wonderful art.  Waddesdon Manor is the Renaissance-style chateau built in Buckinghamshire by Baron Ferdinand de Rothschild in 1874, with extensive Victorian-style gardens, a parterre and a Rococo-style aviary and woodland. The two major artists exhibiting there are the British artist Catherine Goodman, who also co-founded the Royal Drawing School with King Charles III, and the celebrated Portuguese artist, Joanna Vasconcelos.   Joanna has installed a 12-metre-high sculptural pavilion called ‘Wedding Cake' next to the 19th century dairy, clad entirely in colourful ceramic tiles.  Joanna describes this beautiful architectural folly and sculpture, her most ambitious commission to date, as ‘a temple to love'. It's fully immersive and you can walk around it – and even get married in it.  Meanwhile, Catherine Goodman is showing her paintings inspired by the beautiful olive trees in the Rothschild estate in Corfu and by Ovid's ‘Metmorphoses'. The wild botanic garden of Wakehurst, which is part of Kew, has over 500 acres in Sussex of diverse landscape and is home to the Millennium Seed Bank.  There's the epic ‘Planet Wakehurst', the UK's largest art installation, by Catherine Nelson and a new exhibition ‘Rooted', showing Chila Kumari Burman's largest neon work to date (ten metres high) and works by Joseph Hillier, Little Lost Robot and Geraldine Pilgrim. There's also an audio work from Hidden Orchestra and Tim Southern that promises to bathe people in calming sounds.  We'll be back in September. Have a great summer.

If there was one thing you think society should talk more about, what would it be?“Something that I am passionate about because we get it so wrong is; How we value and remunerate our work?”_________If you've been lucky enough to travel to Uluru and see the breathtaking light installation at the base of the monolith you'll be excited to meet my guest today! The ‘Field of Light' as that art installation is known, was a project that initially was only going to showcase for a few short months but has become so popular that it's been extended time & again. It truly is a breathtaking sight. The Field of Light is the brainchild and magical work of British artist Bruce Munro who is very well-known for producing large immersive light-based installations in many locations around the world. These dynamic exhibitions are made up of thousands of components and incredible logistic feats in their own right - let alone being so beautiful and bringing so much joy to all those that see them. Bruce is an artistic diarist, who has spent over 30 years collecting and recording ideas and images in his sketchbooks, which he returns to over time as source material. Language, literature, science, and music have also greatly influenced his work. Frequently, Bruce's subject matter is his own experience of fleeting moments of rapport with the world and existence in its largest sense of being part of life's essential pattern. His reoccurring motif is the use of light on an environmental scale in order to create an emotional response for the viewer. Bruce completed a B.A. in Fine Arts at Bristol in 1982. Shortly after he moved to Sydney where he worked in design and lighting, inspired by Australia's natural light and landscape. Returning to England in 1992 he settled in Wiltshire, but his love for Australia was never lost and it was fitting when he finally got to realise his dream to light up the Central desert in such a magical way. Bruce's work has been shown at Museums and Botanical Gardens internationally, notably, Longwood Gardens, Pennsylvania, The Victoria & Albert Museum, London; Waddesdon Manor for the Rothschild Collection, Buckinghamshire; Beyond Limits 2016 for Sothebys at Chatsworth House; Messums, Wiltshire and the Heide Museum of Modern Art in Melbourne. His work Field of Light continues to be exhibited at Uluru, NT, Australia, Sensorio, California, USA and at the LBJ Wildflower Centre in Austin, TX, USA. Bruce's work is held in private and public museum collections internationally including Cheekwood Garden and Art Museum, TN, the Ashmolean Museum, Oxford and Texas Tech University TX.Whilst he's a global superstar in this world as his work has been featured at Museums and Botanical Gardens internationally, it was Bruce's down to earth manner and sheer love of creativity and the process that I remembered fondly the first time I met him all those years ago. I'm so happy to be sitting down with him once again. I hope you enjoy this conversation as much as I did - Bruce is such a wonderful being and brings such joy to the world.For more information about Bruce, check out these places;-Website: www.brucemunro.co.uk Instagram: @brucemunrostudioFacebook: @brucemunrostudioHead to michellejcox.com for more information about the ONE QUESTION podcast, your host or today's guestsConnect with Michelle on Linkedin here:- @MichelleJCoxConnect with Michelle on Instagram here:- @michellejcoxConnect with Michelle on Facebook here - @michellejcoxAND, if you have a burning topic you'd love people to talk more about, or know someone who'd be great to come on the One Question podcast, please get in touch;- hello@michellejcox.com

Harriet Hastings launched Biscuiteers in 2007 after identifying a gap in the market for luxury food gifting. Over the past 15 years she has grown the business from a small startup to a unique artisan business working at scale and employing over 150 people. Biscuiteers' beautiful hand-iced biscuits are sold directly online as post-able biscuits and are available to buy in retailers including Selfridge's, Hamley's, Harvey Nichols, and at the Royal Palaces. Outside of the UK, Biscuiteers ships to countries around the world, with the US and Australia the next biggest markets after the UK. Corporate clients include Google, Barclays, Chanel and Christian Dior.  The business is headquartered in Wimbledon at the Ministry of Biscuits, a purpose-built head office and bakery, where over 3 million biscuits are iced each year. In 2012, Biscuiteers expanded its offering, opening the world's first ever Icing Cafe located in Notting Hill where both adults and children can learn how to ice like a Biscuiteer. It now has an additional flagship location in Belgravia (opened in 2021) where customers can see live icing on display for the first time. Biscuiteers holds the license for Paddington, Mr Men, Beatrix Potter, The Snowman, the RHS and Monopoly, and has achieved some impressive biscuit feats over the years, having recreated Covent Garden, Leeds Castle and Waddesdon Manor in gingerbread, the latter taking 500 hours to complete. In 2022 it even got the royal seal of approval with a Biscuiteers x Buckingham Palace collection created with the Royal Collection for the Queen's Platinum Jubilee. Listen in to find out more about Harriet's journey and how she was able to collaborate with fantastic brands.Find out more about Harriet Hastings via: LinkedIn.Find out more about Biscuiteers via: website, Instagram, Facebook, TikTok and LinkedIn.A new episode EVERY WEEK, showcasing the journeys of inspirational entrepreneurs, side hustlers and their mentors. We discuss their successes, challenges and how they overcame setbacks. Focusing mainly on what they wish they had known when starting out. The podcast aims to give aspiring entrepreneurs the confidence to START UP and START NOW by showcasing real and relatable entrepreneurs. After all, seeing is believing! Join the conversation using #startupstartnow and tagging us on Instagram, Twitter, Facebook and LinkedIn. Don't forget to leave a review as it really helps us reach those who need it and allows us to get the best guests for you! Connect with START UP. START NOW. and to nominate a guest please visit: www.startupstartnow.co.uk.  To connect with Sharena Shiv please visit: www.sharena.co.uk.

Bex hosts this week's Activity Quest from Kew Gardens brand new Christmas lights trail, Christmas at Kew! Adam's off to Waddesdon Manor to find out about their Christmas offering and Lloydie's paying a visit to Birmingham Christmas market. Plus, Meg makes a Santa Advent Calendar that you can have at home!See omnystudio.com/listener for privacy information.

The mild weather continued into November but plenty of rain and wind brought the garden to a colourful if damp end to autumn. Peter Brown and Chris Day prepare for the bare-root planting season, delve into some of the popular news stories making the headlines, plus a look at some of those pressing jobs in the garden and with our beloved houseplants.What's onMonday 7th November: Wilding Rural Enfield is an online talk by Ian Russell, principal engineer at Enfield Council's Watercourse Team. Open 6-7pm. More details hereThursday 17th November: Gardens in My Life is the title of the 2022 annual lecture of the National Garden Scheme given by garden designer Arabella Lennox-Boyd.In the newsAmersham in Bloom crowned overall winner of this year's RHS Britain in Bloom UK finals.Are gardener's losing their parliamentary voice, asks Matthew Appleby? Featured in Amateur Gardening magazine, 23rd October issue.Garden Organic fighting for the future, plus their excellent Heritage Seed Library.Our Houseplant department at the Garden Centre has received a fantastic makeover. Look out for Beautanic Lifestyle range of hydroculture plants from Javado.Garden visiting remained as popular as ever this year with increased visitor numbers including Royal Botanic Gardens at Kew (top spot), RHS Wisley, in the third spot and Trentham Gardens in fifth spot.Do not forget to look for the spectacular magical illumination shows over the next couple of months at Waddesdon Manor, RHS Glow Gardens and the beautiful lakes and gardens at Leonardslee in West Sussex.A reminder about checking for hedgehogs prior to lighting a bonfire in the garden, plus The British Hedgehog Preservation Society are encouraging schools and colleges to take part in their ‘Pick litter to help hogs' campaign.British Garden Centre group increases numbers to 62 with the acquisition of Mirfield Garden Centre in West Yorkshire.Plants mentionedBare-root planting season begins, including native hedges, roses, ornamental and fruit trees.Dahlia, Leylandii, Spotted Laurel, English Yew and Hollies. Plants suitable to take as hardwood cuttings include Willow, Dogwood and Hazel. Continue spring bulbs planting - Tulips, Narcissi and Crocus if you plan to create lasagna bulb displaysSow a few Broad beans (varieties such as ‘Aquadulce' and ‘Super Aquadulce'), pot up bare-root strawberries for an early crop and sow Sweet Peas for earlier flowering next summer.Product mentionsRootGrow (Mycorrhizal friendly fungi). Potting or horticultural grit for soil improvement. Use a net over your pond to clear any leaves and use a wheatgerm feed for your fish. Plants that create aerial roots such as Monstera may need support so install a moss pole, which must be kept moist.Our thanks to Chiltern Music Therapy for providing the music. Hosted on Acast. See acast.com/privacy for more information.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, MD of Rubber Cheese.Download our free ebook The Ultimate Guide to Doubling Your Visitor NumbersIf you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcastIf you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this episode.Competition ends August  27th 2021. The winner will be contacted via Twitter. Show references:www.twitter.com/bernarddonoghuewww.linkedin.com/in/bernard-donoghue-0aa9b97www.twitter.com/alva_ukwww.alva.org.uk/index.cfmBernard Donoghue is the Chief Executive of the Association of Leading Visitor Attractions (ALVA), the umbrella body for the UK's most popular, important and iconic palaces, castles, museums, galleries, heritage sites, stately homes, cathedrals, churches, gardens, zoos and leisure attractions. ALVA is a powerful advocate for the sector to Government, the media and business; it organises events, benchmarking, training, commissions research and the sharing of best practice for members across marketing, visitor experience, fundraising, public engagement, security, education, retail and a variety of other areas.In May 2017 he was appointed to be a member of the Mayor of London's Cultural Leadership Board and is the Mayor's Ambassador for Culture. He has been a member of the UK Government's Tourism Industry Council since 2014. In January 2021 he became Co-Chair of the London Tourism Recovery Board, to plan and deliver the strategic recovery of London's visitor economy and sits on the GLA's COVID Business Forum and various London Mayoral cultural and business recovery taskforces.Bernard has been Chair of the award-winning London International Festival of Theatre (LIFT) since 2010, having been a Board member since 2005 and Deputy Chair between 2007 and 2010. In June 2021 he became Chair of the Board of the Bristol Old Vic, the oldest continually operating theatre in the English-speaking world. He is a Trustee of the People's History Museum – the Museum of Democracy, in Manchester, and will take over as Chair of the Board in November 2021.He is a member of the Cathedral Council of St Paul's Cathedral, London, and a member of the Exhibition Advisory Board for Two Temple Place and the Hoare Trust. He was Chairman of WWF-UK's Council for 10 years, until 2020, and is a former trustee of WWF-UK. He has been a trustee of Centrepoint, Kids in Museums, the Museum of The Home and the Heritage Alliance. He has been a judge for the Museum and Heritage Awards since 2003.In October 2020 Bernard was named by Blooloop, the world's leading online resource for professionals working in visitor attractions, as one of the world's 50 most influential people in the museum sector. Transcription:Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. Each episode, I speak with industry experts from the attractions world. In today's episode, I speak with Bernard Donoghue, CEO of ALVA. We discuss what the fast-approaching end of restrictions mean for attractions, how to balance digital engagement with an overseas audience and what these past 15 months have really been like for Bernard personally. If you like what you hear, subscribe on all the usual channels by searching Skip the Queue. Kelly Molson: Bernard, I am so happy to have you on the podcast today. Thank you so much for coming on and joining us.Bernard Donoghue: It is my absolute pleasure. It was a choice between you and a meeting with four MPs so here we are.Kelly Molson: Well, I mean, I have to say, I'm clearly the better choice here. Thank you. Okay. As ever, we're going to start off with our ice breaker questions. If you had a time machine and you could travel backwards or forwards, what year would you go to and why?Bernard Donoghue: Oh, good lord. Sorry, by the way, this reminds me of the brilliant line by Sandi Toksvig. She was in a café in York once and there was a sign saying we serve tea at all times so she asked for a tea in the Renaissance, and they didn't understand her.Bernard Donoghue: I don't know. Wow. I don't know. I think possibly in the 1920s because you're just at the cusp of so many things. You're at the tail end of the Edwardian period so you've got all of that and then you're at the cusp of electricity and technology and radio and aeroplanes so probably then.Kelly Molson: We're hearing a lot about it being like the Roaring Twenties as well, aren't we? Once we get through all of this too. It's probably quite current that you've chosen that as well. Bernard Donoghue: Yeah. Kelly Molson: Obviously, flapper dresses because all of those were completely beautiful. I mean, I would be down with that.Bernard Donoghue: No. Seriously, I do look good in beads. It's true.Kelly Molson: I could see that about you. You've got that look. Great. Okay. If you were a WWF wrestler, which I can see actually, I feel like you've got the look of a wrestler about you as well, maybe not in beads, what would your entrance song be?Bernard Donoghue: For years, by the way, I used to be a trustee of WWF UK and all of my friends just assumed that I had a sort of parallel existence in spandex somewhere and I had to remind them that actually, no, it was about conservation. What would it be? Something from RuPaul's Drag Race actually because they're always fantastic. Yeah. When they come back on the stage at the end, that's the music.Kelly Molson: Okay. Something really flamboyant I feel like.Bernard Donoghue: Yeah. You know, you can strut ... I mean, I know strutting is not necessarily a WWF thing but presence is all.Kelly Molson: Absolutely. We can make it a thing. It can be whatever we want.Bernard Donoghue: Thank you.Kelly Molson: Okay. If you could give one piece of advice to your younger self, what would it be?Bernard Donoghue: If I was 20, I think my advice to my 20-year-old self would be to make the ... This sounds a bit professional. Just make loads and loads of connections, network, network madly, even though, and this will come as a bit of a surprise, even though, I'm an introvert, get out there and network because it suddenly dawned on me in the last few years, when I was in my twenties, I was a campaigner, I was a young lobbyist and I worked for disability charities and all the people who did the same kind of job as me then, are all chief executives like me now. Bernard Donoghue: Of course, that makes sense because you grow through the ranks so now I've got a peer group of lots of chief executives in lots of very varied, different spheres and realms. It's been brilliant because we've all come through the ranks together and in good times and bad and now we've got a ready-made oven-roasted peer group that we can all rely on. There's about six of us. I think that.Bernard Donoghue: And B, take your job seriously but don't take yourself too seriously.Kelly Molson: That's good advice. That's really good advice. The networking thing is really interesting, somebody asked me a couple of weeks ago what has been the thing that ... What's been the one thing that I've invested the most in over the last few years that has made the biggest difference to my business and I completely agree with you and I said it is about building your network and it's about getting out there and making those connections because such incredible things come from knowing such a variety of different people in all kinds of sectors. You just never know what kind of opportunities and doors are going to be open for you from doing that.Kelly Molson: Also, you just can't grow a business on your own or do anything on your own. You need that peer support around you. Bernard Donoghue: Yeah. You're absolutely right. The key to that is knowing people who are not like you and in businesses that are not like yours. In ALVA, for example, I hear it time and time again that museums and galleries don't actually learn much from other museums and galleries because they're all kind of in the same boats and cathedrals don't learn much from other cathedrals, but they will learn things from Zooms or Harry Potter or Warner Bros, so places that are very different to them and, therefore, come at an issue from a very different perspective. That's where you learn most.Kelly Molson: Absolutely. I completely agree with you on that one as well. That might come up later actually in our chat. Okay. Last one but it's your one, what's your unpopular opinion?Bernard Donoghue: I hate the phrases going forward, and very much, as in, "I am very much looking forward to it" or, "I am very much committed to this." I hate those phrases with a passion whereas it's clear other people don't. They would be capital punishments when I take over the rule. Bernard Donoghue: What's another unpopular opinion? I cannot see how people can watch Jeremy Clarkson. I don't get it. Absolutely don't get it at all. Oh, oh, here's one actually and it's only because it was his birthday last week, I have never understood Bob Dylan and his popularity.Kelly Molson: Wow. Gosh, that's quite a strong one.Bernard Donoghue: Yeah. I don't get it. Kelly Molson: Okay. Bernard Donoghue: Glad he's around, glad he's there, not for me, thank you.Kelly Molson: I like that. Bob Dylan and Jeremy Clarkson was not a mix I was expecting to get on the podcast today.Bernard Donoghue: They're not a duo that has ever performed together as far as I'm aware, or likely to. It's probably just as well.Kelly Molson: It wouldn't make either of them even more appealing to you, though, would it? Not really.Bernard Donoghue: No. I think I would have to take out a restraining order if they decided that they wanted to come around.Kelly Molson: I love that. Well, let's see what our listeners think, Jeremy Clarkson fans out there? I don't know. It's not my cup of tea. Tweet us and let us know what you think about that. Kelly Molson: Now, Bernard, I don't even know where to start with this list so Mayor of London's Cultural Ambassador, CEO of ALVA, Co-chair of the London Tourism Recovery Board, Chair of LIFT Festival and Trustee of People's History Museum. Quite an impressive list that you've got going on there. What I want to know is where did it actually begin, though? Where did your connection with cultural heritage and attractions organisations start?Bernard Donoghue: I've always absolutely loved ... I'm kind of being paid for all the things that I would do at a weekend. Kelly Molson: Nice.Bernard Donoghue: You know, when I was a kid, my parents would take us around National Trust properties and English Heritage properties and stately homes and places like that so the first place that I went to was Waddesdon Manor, which if people don't know it, it's the maddest, most beautiful Loire valley style chateau but in the vale of Aylesbury, just outside Aylesbury. Built by the Rothschilds as kind of an entertaining pad. Absolutely beautiful, absolutely stunning.Bernard Donoghue: My first stately home ... Well, that's kind of a stately home. The first stately home is Blenheim Palace. I just got the bug. I just have loved history, heritage, visitor attractions since I was a kid. I went off to do political jobs and then back in '97 I joined Visit Britain as their first-ever head of government affairs, not quite a lobbyist because it's a government agency and so you're not allowed to be called a lobbyist, but it was all but a lobbyist. That just opened my eyes to tourism and then visitor attractions. Bernard Donoghue: On the culture side, the theatre side, the theatre has always been a complete passion so I stepped down this year as chair of LIFT London International Festival of Theatre after 11 years and I'm just about to go onto the board of the British [inaudible 00:09:15]. My theatre passion continues.Kelly Molson: I love that. I love what you said, I get paid to do all the things that I would love to do on the weekend. What a fantastic role to be in. Bernard Donoghue: It's absolutely true. I should show you my wallet actually. My wallet is full of membership cards, as in 30 of them, so occasionally I'll look at my wallet and think, "This is money laundering essentially." I'm being paid and I'm paying them back in return. This is just a circular economy.Kelly Molson: That's one of the things that you've done really well throughout the pandemic is you've been so supportive and you've been really proactive on Twitter about saying to people, "Look, if you want these places to still be around when we come out of this, buy the membership, buy something from their shop when their shops are open, or buy something from them online" and I think it's been such a positive message to send out the whole way through, so not money laundering, supportive. Being very supportive in your role.Bernard Donoghue: You'd have to talk to my bank manager because some days it was like money laundering.Kelly Molson: There are loads of things that I want to talk about going forward, even though you don't like that but what I want to go back to is a little bit in the past as well. I really want to talk about what it's been like for you personally. I think you have been a real kind of pillar of strength to the sector and huge support and I think that as wonderful as that's been, that can bring its own challenges on yourself as well. Kelly Molson: Ultimately, you're the person that's putting out this kind of positive message all the time and being really actively encouraging but I could imagine that's had a lot of pressures and challenges for you personally as well. What has it been like, the last 15 months? How have you motivated yourself to be upbeat and positive throughout all of this?Bernard Donoghue: Well, that's very kind, first of all. Thank you. I think I divide it between last March until Christmas and then sort of Christmas onwards. Last March until Christmas, there was a sense of really being able to cope because the adrenaline was getting you through. It was all novel and new and I've always thrived in crisis management. In all the roles that I've had over the last 20 years, crisis management has been at the heart of that, whether that's about actively managing crises or the corporate PR response or being a spokesperson or whatever.Bernard Donoghue: In some ways, I sort of thrived on all of that through adrenaline. It's been much, much more draining and exhausting since Christmas and I think that's probably the same for everybody actually. We've gone through it again and actually, it's no longer new and it's no longer novel and now it's just sapping.Bernard Donoghue: I have often felt on an almost kind of daily basis, and this is just honest, I'm not exaggerating, there's quite a lot resting on my shoulders and it feels quite lonely because the advice from the government has been so inconsistent and so unclear and often contradictory. There's a small group of about three or four of us in the tourism sector who have had to daily unpick all of that and interpret it for our respective sectors.Bernard Donoghue: I know that if I weren't doing that then it just wouldn't get done ... It would probably get done somewhere at somehow at some point but, as you know, I do a daily bulletin so it goes out every evening at six o'clock with the latest information. There's a real sense of I need to get this out and get it done every day. Bernard Donoghue: I've made a rod and back really because there was nothing that I would love more than stop doing these bulletins. That's not possible while we're still in a state of flux. It's been a bit lonely. It's been odd working from home when normally I would be a consummate traveller and visit loads of my members around the country. There's been a lot of pressure but the feedback from people about the vital nature of the information and the advocacy and all the rest of it, and the achievements actually, has been extraordinary.Bernard Donoghue: I don't think myself, my work has ever been more exposed than it has in the course of the last 15 months. Sometimes that felt scary and sometimes that felt brilliant.Kelly Molson: I think as well it's never been more celebrated as well because you have had so much support from the sector. There are a lot of people looking for you. Like you say, you're delivering daily bulletins, you've been doing incredible webinars with ALVA so regularly, you've opened those up to non-members as well so everybody can benefit from the knowledge on them. There's a lot of eyes on you as well. That's a lot of pressure. I think from a positive perspective, what I see being delivered back to you is nothing but encouragement. Everybody has been so incredibly supportive of what you're doing and so grateful for the things that you're doing for them. I think that's been really lovely to see.Bernard Donoghue: Yeah. It absolutely has and, in particular, from those organisations and businesses who, as you say, are not members of ALVA, I mean, I took the decision on day one that although ALVA is a tiny organisation and people will probably be really surprised, there's me and one other member of staff.Kelly Molson: Wow. I'm surprised.Bernard Donoghue: We're just two people. Lucy is brilliant. She's our finance and business manager. She's living in Norwich and I'm here in London. It's just the two of us. It's a tiny organisation so we're spread very, very thin. But given the nature of our members and my role of years in getting high-level meetings with government and all of that, I just thought we're in a leadership role here, we should use that for the benefit of everybody, let's be generous, let's not be parochial.Bernard Donoghue: We made the decision to commission all the research and give it out for free, and that visitor sentiment research has just been vital. It was one of the best things that we did. Open up our webinars to everybody. If anybody wants a bulletin, they could go on the mailing list. Whether they're members of ALVA or not because there was the analogy, it's been used a lot of times but I think it's true, we're not actually all in the same boat. We're all in the same storm but we're in very, very different boats and some are bigger and more stable than others. We happen to be in a relatively stable, well-structured boat so I think it's beholden on me and us to try and help everybody as much as possible.Kelly Molson: I am absolutely gobsmacked that it's just the two of you. I did not know that myself and I think that's an incredible achievement, what you've been doing, just the two of you to organise all of that. Wow. Hats off to you both there.Bernard Donoghue: It's exhausting. I mean, look at me. I'm actually 47 in real life.Kelly Molson: Yeah. Me too. That's what I tell to everyone, Bernard. Gosh, that really has surprised me. Just go back because you said about you're a big traveller, you would be out and about all over the place and up and down the country, I'm sure, what do you think that you'll take away as a positive from the time that you spent working at home? Are there any kinds of changes that you'll make to your working habits? Kelly Molson: For example, I would commute to my office on a daily basis, I would often be out in London or all over the place doing meetings. Now I start to think, well, some of them I'm really missing but some of them are actually probably a bit unnecessary, we can cut down on the fuels that we're burning, we can cut down on the time that we have, and I've actually quite enjoyed having a little bit more personal time to do things like eating better because you don't eat that well when you're travelling or doing a little bit more exercise. Have you found that there are some positive things that you can take from this that you'd continue?Bernard Donoghue: Yeah. There's a number. I mean, one was we made the decision, we used to have an office in Somerset House on the Strand, a beautiful, beautiful room in grade one listed former palace. Absolutely gorgeous. Looking down onto the piazza, currently covered in trees. I couldn't justify the cost because Lucy, my colleague, went over to Norwich to be near her parents. We very sadly lost one of our colleagues. There used to be three of us in the office and we lost one of our colleagues last year to cancer. Bernard Donoghue: There were just the two of us and I thought I can't justify an office just for me, lovely, though, it is so actually we haven't had an office. We've given it up, which means that I am, for the foreseeable future, working at home. There are plus things to that ... Well, this is a plus and a minus, this is no particular priority order, we've got a cat, Tom, he's a badsy cat. I think he's going to go into trauma whenever we leave the house.Kelly Molson: Oh gosh. Yeah. Bernard Donoghue: We've been around 24/7. We are now more grateful ... When I say we, this isn't a royal we. This is me and my partner. We are now more grateful than we ever thought possible to have a garden in central London. That's just been fantastic. Bernard Donoghue: But I am looking forward to getting back to some degree of working normality because I have to say I've never worked longer or harder than I have over the course of the last 15 months. It's been exhausting.Bernard Donoghue: On a normal day, I would probably have five or six, at least, one-hour Zoom meetings back to back. And then write the bulletin at six o'clock in the evening. Typically, I'm working from about 7:30 in the morning until about seven in the evening. I was doing a bit of that pre-COVID but it's pretty unsustainable so I'd like to get back to a degree of normality.Kelly Molson: Yeah. Definitely. I think that the difference between having multiple face to face meetings during the day is very different to the Zoom meetings. I don't know about you but my diary gets crazy and I look and I think, "I've got four back to back" and there's no time to process in-between. It's that cognitive overload whereas if you had back-to-back face-to-face meetings you don't get the same kind of drained feeling. Yeah. I really feel you on that. It's definitely been longer working hours for us here as well. I really sympathise.Bernard Donoghue: Also, I mean, the meetings that I'm having, bluntly, you can't coast because either I'm the guest speaker so you can't wing it, or it's a meeting with ministers or SAGE or public health England and so it's serious grownup stuff. You can't step back, you can't just switch off, you can't think I'm going to coast this for half an hour, I hope that nobody asks me a question because they're not those kinds of meetings.Kelly Molson: No. You can't switch off your Zoom and quickly grab a cup of tea and a biscuit while everyone else is talking, can you? It's not the done thing. Bernard Donoghue: It's not really, no. Kelly Molson: That was a good segue into something that's going to happen today. We are recording this and it is the seventh of June. There are reports that Matt Hancock is going to give us another COVID statement this afternoon and, potentially, that is about the dates that we are due to be opening up with no restrictions.Kelly Molson: Now I want to ask you a little bit about what that means for attractions and what we could potentially now be looking at. We are hopefully coming through to the other side. The vaccine program is doing phenomenal things. What does this fast-approaching end to restrictions mean for attractions now? Do you think that we're going to see this extended?Bernard Donoghue: It's a really good question. I've been talking to about five or six chief execs over the course of the weekend just about guidance and advice. I think there are two very significant things and at first glance, they're in contradiction with each other. The first is that the longer we have social distancing measures and face mask use and mitigation measures in place, the longer it will take for the sector to recover.Bernard Donoghue: When we have businesses, whether it's a hotel or bar or restaurant, a theatre or an attraction when we have those businesses opening up one-third capacity, none of them is making a profit. Actually, they're opening for PR purposes and in order to achieve fuller visitor figures down the track so no one is operating profitably.Bernard Donoghue: Getting those backup and running is really critical but we know from all of our visitor sentiment that still 80%, eight zero, 80% of the British public are uneasy or cautious about those very mitigation measures, like social distancing and face mask use, being eased too early. Bernard Donoghue: Visitor attractions are faced with a real dilemma I think, which is if it's announced that on the 21st of June all social distancing measures are lifted throughout England and, therefore, visitor attractions can up the numbers, don't have to do face mask use measures, abandon social distancing, still the vast majority of their visitors won't like that and will feel uncomfortable and a tiny minority will think they're in bliss and think that they're liberated and all the rest of it.Bernard Donoghue: My advice has been to visitor attractions, you and your visitors have to be the ultimate arbiter of the visitor experience. It may well be that you have to keep social distancing and face mask use measures in a place way beyond the 21st of September because that's what the public wants so, even though, you are technically allowed to get rid of those things by government, actually, take your lead from the public because they're going to be the ultimate arbiters. Bernard Donoghue: Those things are potentially in contradiction with each other. One of the things I'm constructing literally this week is some ALVA national advice to visitor attractions so that front of house staff can basically say to an irate guest on the 22nd of June, "I know the government has just announced that but actually, we're adhering to ALVA national advice" in order that they don't get than that confrontational pushback from members of the public because I genuinely feel that the loudest voices are for liberation but the quietest voices are for care, safety, sensible precautions and we need to manage that really, really carefully.Kelly Molson: That's a really difficult challenge, isn't it? For front of house staff that will be in that position of having to push back on people. I can see it in my head happening. There's an encounter where people are angry about the fact they're being told that they still have to wear their mask, yet the government has said that they don't need to do this anymore. I can't imagine how difficult that's going to be so I think what you're putting in place is a really valuable kind of asset for the organisations to have.Bernard Donoghue: We saw some examples, relatively limited, but we saw some examples of poor behaviour on the parts of the public last year when attractions reopened for, frankly ... It's not an excuse but it is understandable. They, like us, we're tired, fraught, and quick to anger, end of their tether, and they just wanted to get out and be in nice places. We've seen some of that poor behaviour on the part of the public again this time round as indoor and outdoor attractions. Bernard Donoghue: Honestly, for every one person who pushes back saying, "Don't make me wear a mask. Don't manage my social distancing", there are nine others watching saying, "Well done, you. You're doing exactly the right thing." That, I think should be the barometer of safety.Kelly Molson: How does this work with ... What we want to see is attractions open and open at full capacity. But we, obviously, have got this challenge around overseas visitors and many of them not being able to come here, many of them not feeling safe to come here at the moment, understandably. How do attractions manage that? If they can open at full capacity, is the reality that they're not going to be at full capacity because we just don't have that influx of people that we need?Bernard Donoghue: Yeah. That's right. I mean, bluntly, there are some visitor attractions in the UK and just off the top of my head, they're places like the British Museum, Edinburgh Castle, Stonehenge, Westminster Abbey, St. Paul's Cathedral, Tower of London that are so heavily dependent on overseas visitors, inbound visitors coming from the rest of the world, that even the best ever staycation this summer won't help them repair their balance sheets. Bernard Donoghue: We've made it really clear to ministers ... I took the minister for London and the minister for tourism round four visitor attractions in London a couple of weeks ago to Westminster Abbey, Tower of London, London Transport Museum and the Royal Opera House and, at each one, showed them what a COVID safe welcome and visitor experience looks so they were comfortable with that but also made it clear to them that some of those, particularly, the Royal Opera House, Tower of London, Westminster Abbey are so dependent on inbound visitors that they will require additional support way beyond the rest of the sector to really recover sustainably because their visitors, their market won't come back in any meaningful numbers until next year.Bernard Donoghue: It was really to peg to ministers even if you lift all restrictions on the 21st of June, that's not the end of the story. Kelly Molson: Yeah. Yeah. You have to be prepared to give more support past that point as well. Those attractions, in particular, that do rely really heavily on overseas visitors, what can they start to think about putting in place at this point? I know there are many attractions that have put on lots of digital events or things that people can engage with online. Do you see that continuing hugely for the rest of the year and then into 2022 as well?Bernard Donoghue: Yeah. Yeah. I do. I mean, we've talked about this actually. At the VAC conference, one of the great achievements of last year was the explosion in digital content and not just the amount of it but the diversity and the brilliance and the innovative use of digital. I think because the last year has been sort of chaotic and odd and no holds barred, it's just liberated a lot of organisations to take risks with their programming and their content and their decision making in a way that they would never have conceived of before and to speed up some of their decision makings and just to think actually let's just do it and see what happens.Bernard Donoghue: I think the digital explosion has been absolutely phenomenal so downloadable jigsaws and recipe books and maps and behind the scenes tours and going up into the attic of buildings and into the archives, all of that, absolutely phenomenal. Bernard Donoghue: It hasn't particularly connected with audiences who weren't already interested in those buildings so it's had some public engagement successes but not massive but what it has made people do is get on the customer journey so if they're seeing the stuff online, they'll one day aspire to be there and stand there on the spot because it can't replace the actual physical experience of being there.Bernard Donoghue: In terms of digital output, the Bristol Old Vic, and the London Symphony Orchestra, they've both made decisions recently that in addition to their live performances, they're going to broadcast their performances on digital as well. If you're in Tokyo or San Francisco, you can subscribe to watch these performances, a bit like a Netflix subscription, so you buy a book of 10 performances at reduced costs.Bernard Donoghue: What this means, of course, is that those theatres, that orchestra is getting a whole new audience who are paying money that they never had before but they're also starting them on a customer journey so that person in Tokyo one day, hopefully, will want to stand in the Bristol Old Vic and see where David Garrick performed. You're getting them on that customer journey whilst also monetizing it as well.Bernard Donoghue: I think that's probably the biggest evolution and change to businesses in the course of the last year. You may have got round to it in about three or four years time but all of that has just been sort of contracted and sped up in an extraordinary way.Kelly Molson: It's what you said, it's about risk-taking. I can remember having this conversation with Laura Crossley from the National Football Museum. They came on the podcast to talk about their podcast and they said that actually, it was something they'd been talking about for ages, they were going to do it, and then things kept getting in the way. Ultimately, they just got to a point where they were like, "Let's just try it. Let's just throw something at it. Let's see if it sticks and let's just do it." Kelly Molson: I loved that attitude that has been taken by so many different organisations this year and it's propelled them forward in a digital sense because let's just try it, who knows what's going to happen? None of us had a clue what was going to happen last March. That whole attitude about risk-taking I think is really important and I'd really like to see that continue as well.Bernard Donoghue: Yeah. Me too. I mean, two years ago, people would have thought it would be utterly impossible to run a business with nearly all of their staff working from home and even if they thought it was possible, it didn't sound particularly attractive because it just sounded too complicated and messy. Look where we are now.Bernard Donoghue: Things can be done. I think one of the things that we've done for years is collect all of the visitor numbers from all of our members and then publish them in the media in March. I've done some longitudinal research to look at are there common characteristics or behaviours on the part of those visitor attractions that sustainably and successfully grow their visitor numbers but also diversify their business numbers as well? Bernard Donoghue: I do a presentation and a workshop on this and, funnily enough, there are. There are common behaviours. You can absolutely see them. In that group of about six or seven behaviours, one of them is about the appetite for risk on the part of the board and senior management. The other one is about the confidence to foster creative partnerships with unusual suspects. Don't just work with the people who are your natural neighbours, either physically or theoretically, but actually, this is something we were talking about at the beginning, try and foster creative partnerships with people who are not like you and, therefore, they bring something completely different to the party.Kelly Molson: That's going back to what we talked about, about museums not learning from other museums and theatres not learning from other theatres because you're just in the same challenges all the time. Looking at that kind of wider sector communication of sector cooperation even and seeing where the boundaries overlap and what you can do that like you said, the theme park or the zoo down the road might be doing but you're a theatre. How can you embrace some of the things that they're using?Bernard Donoghue: Yeah. Yeah. One of my favourite examples recently is that I was down ... I've managed to get out of London a couple of times since September in the last three weeks and I was down at Bristol going to see the Bristol Old Vic. They're doing something really, really clever, which is they have just parted ways with their in-house catering company and they've just decided that they want to be a community showcase so they're getting in local Bristol restaurants and chefs to be their in-house caterer for a month and they have a different one every month.Bernard Donoghue: It's just blindingly brilliant because, A, they're connecting with their communities, they're showcasing the diversity of food in the local area, it's all five-mile menu stuff so it's all locally sourced. But it also means there's a new reason to come back every month, even if you don't go to the theatre to see a show, you'll go there to eat. I just think that was genius.Kelly Molson: It is genius.Bernard Donoghue: I've been sharing that with a lot of museums and galleries and heritage attractions saying actually if you're in-between contracts and you're thinking about an interim period between catering contracts, why don't you think about this?Kelly Molson: That is an absolutely brilliant idea because I love attractions but I'm a big foodie as well so, for me, I'd be looking and going, "Oh, well, I need to book a table at that place at least once a month now because I'm going to go back and I'm going to experience a different food" or, "I've really wanted to go to that person's restaurant, how amazing, I can combine eating that person's food with a show that's on at the same time." It's a genius idea.Bernard Donoghue: It really anchors the theatre in its community. We've seen over the course of the last year that the wreaking of your community and understanding your community and reflecting back who your community are through your work and your HR programs and your staff recruitment measures and all those kind of things, that's been absolutely key because if you lose your connection with the community, you're lost and wondering.Kelly Molson: Yeah. Completely agree. I think, for me, personally, that's one of the best things that have come out of this. As an individual, I've always been really keen on supporting local independents and shopping locally anyway but even more so since this happened because you can see the effect of what's happened so drastically on your own community. You want to be able to do as much to support that as possible. That is such a great idea. I hope everyone that's listening picks up on that because I just think that is awesome. Well done, them. Kelly Molson: We're coming to the end of the podcast interview but I can't not ask you what's next for ALVA? What have you got planned that's coming next? It's been a pretty full-on year. Are the webinars going to continue? Are your daily bulletins going to continue for the foreseeable future? Sounds like you might need a little bit of a break at some point.Bernard Donoghue: Yeah. Well, the daily bulletins will certainly continue because I don't think anything is going to change significantly until September or such. The webinars are coming back. We took a month off from the weekly webinars so we had a webinar every Wednesday from the beginning of January until last month with over 50 case studies from across the UK. I mean, they were all amazing. Absolutely amazing.Bernard Donoghue: I think, by the way, that it's been through the webinars and also your work as well, that we've got to know what people are doing in a little bit more detail and from unusual suspects in a way that we didn't really before. We always used to rely on big annual conferences to get case studies and stuff. Now we're just full of case studies everywhere. I love that more generous, more open, more accessible, more sharing environment that we now inhabit.Bernard Donoghue: The webinars are coming back at the end of June. They'll probably be fortnightly and our first webinars will be the latest wave of visitor sentiment research so what are people thinking about now? Are they confident about going back into attractions? Are they confident about social distancing measures and those kinds of things?Bernard Donoghue: Also, we'll be doing case studies about post-21st of June, how visitor attractions are going to cope with that dilemma about being told, on the one hand, you can open with no restrictions, on the other hand, knowing well, that their visitors require and expect some degree of social distancing and protection of safety measures. How do you balance those two things? Those will be the first two webinars.Bernard Donoghue: Then beyond that, I suspect global domination. Kelly Molson: Of course. It's the obvious next step, isn't it?Bernard Donoghue: Yeah. I mean, I don't want to get Napoleonic about it all but I think we could be replicated around the world.Kelly Molson: Well, actually, on that note, what can people that are listening, what can our listeners do to support ALVA? Bearing in mind that I've had the bombshell that it's just the two of you that are doing all of these things. What can our listeners do to help you back?Bernard Donoghue: Oh, well, the most useful thing and I've said this a lot, honestly, it's been my complete saviour, is that we wouldn't have been able to achieve things like the reduced rate of VAT for visitor attractions, the continuation of furlough, the construction and the creation of the Cultural Recovery Fund, I mean, all of those critical measures for the tourism sector ... I mean, the tourism sector, by a long country mile, has been the part of the economy that's received the most financial support from the government. Bernard Donoghue: I think it's partly because we were hit first, hit hardest, and we'll take the longest to recover but it's also because we've had amazing data. I know data is a bit un-sexy but, honestly, we couldn't have got through the meetings that we've had with treasury and number 10 and DCMS and public health England and the Scottish, Welsh, and Northern Ireland governments without the depth of really, really useful data that visitor attractions have been able to provide us, what their percentage of furlough rates are, where they've had to make staff redundancies in what areas, where their visitor numbers have been affected, the difference between the dependence on domestic and inbound tourism, conversion rates in shops, average transaction values.Bernard Donoghue: All of that kind of stuff has just been bliss to work with because it's really good, really solid, well-evidenced data and as a lobbyist, that's just gold. Keep giving us information, anecdotes, case studies, and experiences as well. Those case studies can often feed through to government ministers in a way that just a raft of figures can't. If you can bring it to life, particularly, in small kind of epithets like sanitise the site, not the visitor experience and you can't furlough a penguin. Really short, understandable, Sesame Street type lobbying, that works.Kelly Molson: I love that. Keep sharing, keep cooperating, keep helping others, and we'll get through the other side in the best position that we possibly can.Bernard Donoghue: Yeah. I'm confident of it. Absolutely confident of it.Kelly Molson: Good. I'm really glad to hear that. Last question for you, we always end our podcast by asking our guests for a book that they love or a book that's helped shape their career in some way. Can you suggest one for us today?Bernard Donoghue: Actually, if I'm going to be really, really honest I'm not sure that I'd be in my job today were it not for Lady Bird books, that I had when I was a kid. Everything from Marie Curie to the plant life of Africa through Joan of Arc through to Christopher Columbus. Honestly, those Lady Bird books ignited my curiosity and the more I got, the more I started just reading about heritage and history and sciences and those kinds of things. Bernard Donoghue: Yeah. I mean, it's not quite Brideshead Revisited but if I was going to be completely honest, it would be the collection of Lady Bird books that my parents got for me from car boot sales and secondhand shops when I was a kid.Kelly Molson: Oh, I love that. I can remember them all lined up on the bookshelf as well with all the different coloured spines. Beautiful. All right. We'll choose one. Let's have a think, off-podcast, and we'll choose one. Then as ever, if you want to win that book when we decide what it is if you head over to our Twitter account and you retweet this episode announcement with, "I want Bernard's book" then you're going to be in with the chance of winning it.Bernard Donoghue: Actually, I have got spare copies of the Lady Bird book of London from about 1960. I'm very, very happy to donate it.Kelly Molson: Oh my gosh. Well, that would be fantastic. If you're happy to do that then all right, listeners, get tweeting and you could be in with the chance of winning. That's a really lovely gift. Thank you. Bernard, I've loved having you on today. Thank you so much. You are our season finale as well because we're going to have a little bit of a break over summer and we're going to come back again in October once all of you listeners will be so busy over summer with plenty to do. You'll have more interesting things to do than listen to this podcast every day. Kelly Molson: I'm really delighted that you could be our season finale. Thank you. I know how busy you are and, even more so, having had a chat today. We'll put all of your contact details and everything into the show notes so people can find where you are. If you're not following Bernard on Twitter, then, one, you're a fool and, two, where have you been for the last 15 months? Because, for me, personally, if there's been anything that I've needed to understand about what the sector is going through or go and find, it's either speaking to people on this podcast or it's go and follow ALVA and Bernard on Twitter and I'll always find out the answer to what I want. Thank you for being such constant support and thank you for all of the hard work that you've been putting out there through this pandemic. Really appreciate it.Bernard Donoghue: Oh, no. It's my pleasure and for those of you who do follow me on Twitter, I can only apologise for my behaviour on Eurovision song contest night. I just got carried away and it was inappropriate.Kelly Molson: What goes on on Eurovision, stays on Eurovision, Bernard. Don't worry about that.Bernard Donoghue: Thank you very much.Kelly Molson: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five-star review. It really helps others find us. Remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip the Queue is brought to you by rubber cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast.

Wendy Grace a single mom of two was finding it hard to sell her house so she came up with an amazing idea to raffle her home away. Follow @prizehomebukes to enter On winning the raffle, you will have yourself a lovely, light and spacious 2 bed and 2 bathroom 2nd-floor apartment a short distance from Waddesdon Manor and it's rural surroundings in Buckinghamshire. The apartment is a short walk from Aylesbury Vale Parkway train station (linking to London), local schools, shops, cafes and restaurants with plenty of children's play areas and beautiful rural walks on the doorstep too. Help a single mummy out

IN THE FOOTSTEPS OF MARIE-ANTOINETTE | EPISODE 2 CATRIONA SETH, Marshal Foch Professor of French Literature at the UNIVERSITY OF OXFORD (https://www.ox.ac.uk/news-and-events/find-an-expert/professor-catriona-seth), visits WADDESDON MANOR in Buckinghamshire, built in the 19th century by Baron Ferdinand de Rothschild, a great collector of 18th century decorative arts, especially objects associated with Marie-Antoinette. With PIPPA SHIRLEY, Head of Collections & Gardens, and curators RACHEL JACOBS & DR MIA JACKSON, WADDESDON MANOR, Buckinghamshire. waddesdon.org.uk/ MUSIC | Excerpts from HAYDN's SYMPHONY NO 85 in B-flat Major ('LA REINE'), licensed courtesy of NAXOS MUSIC UK LTD. COVER IMAGE | © Waddesdon Manor PRODUCTION | ChromeRadio for TORCH (https://torch.ox.ac.uk/) / Faculty of Medieval and Modern Languages, University of Oxford (www.mod-langs.ox.ac.uk/) | Producer - Catriona Oliphant.

Catriona Seth, visits Waddesdon Manor in Buckinghamshire, built in the 19th century by Baron Ferdinand de Rothschild, a great collector of 18th century decorative arts, especially objects associated with Marie-Antoinette. Catriona Seth is Marshal Foch Professor of French Literature, at the University Of Oxford. With Pippa Shirley, Head of Collections and Gardens, and curators Rachel Jacobs and Dr Mia Jackson, Waddesdon Manor, Buckinghamshire. Music - Excerpts From Haydn's Symphony No 85 In B-Flat Major ('La Reine'), Licensed Courtesy Of Naxos Music Uk Ltd. Production - ChromeRadio for TORCH / Faculty of Medieval and Modern Languages, University of Oxford - Producer - Catriona Oliphant.

Catriona Seth, visits Waddesdon Manor in Buckinghamshire, built in the 19th century by Baron Ferdinand de Rothschild, a great collector of 18th century decorative arts, especially objects associated with Marie-Antoinette. Catriona Seth is Marshal Foch Professor of French Literature, at the University Of Oxford. With Pippa Shirley, Head of Collections and Gardens, and curators Rachel Jacobs and Dr Mia Jackson, Waddesdon Manor, Buckinghamshire. Music - Excerpts From Haydn's Symphony No 85 In B-Flat Major ('La Reine'), Licensed Courtesy Of Naxos Music Uk Ltd. Production - ChromeRadio for TORCH / Faculty of Medieval and Modern Languages, University of Oxford - Producer - Catriona Oliphant.

When I arrived at Waddesdon Manor I almost felt as if I’d been transported to France! The architecture is distinctly European. Inside it is breathtakingly opulent and reminiscent of Versailles in places. We’re so lucky to have a place like this to explore! The Rothschild family were and still are such enthusiastic collectors and how [...]

Argentinian film Rojo is set just before the 1975 military coup, looking at the simmering tensions and the complicity that made it happen and the way so many people turned a blind eye Hansard at London's National Theatre is a debut play. A junior Tory minister under Margaret Thatcher comes into deeply personal conflict with his politically-opposed wife over Clause 28 James Meek's novel 'To Calais In Ordinary Time' tells a story about 14th century Europe, written in a distinctive argot scattered with arcane language, following the lives of several characters dealing with - among other things - the approaching Black Death. A new display of items owned by The Rothschilds has opened at Waddesdon Manor in Buckinghamshire. Items of immense value from ruby and emerald jewellery to Roman glassware and amber caskets, many of these items haven't been on public display before Defending The Guilty is a comedy series on BBC2 exploring the world of barristers Tom Sutcliffe's guests are Mark Billingham, Barb Jungr and Julia Raeside. The producer is Oliver Jones Podcast Extra recommendations Julia: The Dublin Murders by Sarah Phelps + The Portland Brothers + Box Of Delights podcast Barb: Edna O'Brien -The Little Red Chairs + Jazzmeia Horn + Bob, Brel and Me Mark: Peaky Blinders + Nick Lowe Tom: Robert Harris - The Second Sleep + Mortimer and Whitehouse go Fishing

Art, dogs, and a famous royal mistress... what more could you want from a podcast episode? To round off Season 1 of Past Matters, journalist Ploy Radford talks to Dr Mia Jackson, Curator of Decorative Arts at Waddesdon Manor in Buckinghamshire, about a beautiful snuffbox depicting the beloved dogs and birds of Madame de Pompadour, the mistress of Louis XV of France. Listen in to learn more about France's most famous mistress, the complicated art of porcelain making, and Mia's thoughts on the identity of the pampered pooches depicted. You can view a picture of the object on Ployradford.com.

Abigail Green (Faculty of History), Nino Strachey (National Trust), and Silvia Davoli, (Strawberry Hill House) give a presentation on their Knowledge Exchange research project on Jewish Country Houses Professor Abigail Green is Tutorial Fellow in History at Brasenose College. She works at the interface between modern European history and international Jewish history, and is the author of Fatherlands: State-building and Nationhood in Nineteenth-Century Germany (2001), which was shortlisted in the Historisches Buch awards, and of Moses Montefiore: Jewish Hero, Imperial Liberator (2010), which won the Sami Rohr Choice Award, and was nominated a TLS Book of the Year and a New Republic Best Book of 2010. She is working on a book tentatively entitled Children of 1848: Liberalism and the Jews from the Revolutions to Human Rights, to be published by Princeton University Press, and has just been awarded a 4 year AHRC Research Grant to lead a major collaborative project ‘Jewish Country Houses – Objects, Networks People’. Nino Strachey, National Trust Nino Strachey is Head of Research and Specialist Advice for the National Trust. Since starting her career with the Landmark Trust, she has worked for English Heritage and the National Trust, curating the homes of scientists (Darwin), politicians (Churchill) and writers (Shaw). Her research focuses on the expression of personality through place, interpreting the biography of buildings and collections. Her recent book 'Rooms of their own: Eddy Sackville-West, Virginia Woolf, Vita Sackville-West' looks at the homes of three writers linked to the Bloomsbury Group, and explores changing attitudes to sexuality and gender in the 1920s and 30s. She is a Trustee of the Strawberry Hill Collections Trust, a member of the Mercers Heritage and Arts Advisory Group, and has been a Guardian of the Society for the Preservation of Ancient Buildings Silvia Davoli, Strawberry Hill House Dr Silvia Davoli is the Research Curator at Strawberry Hill House and is a specialist in the history of collecting. Since 2013 she has been researching the whereabouts of the Horace Walpole Collection. She recently curated the exhibition Strawberry Hill Lost Treasures. Masterpieces from the Horace Walpole Collection (Oct. 2018- Feb.2019). In the past years she has conducted provenance research for a number of museums such as the Wallace Collection, National Gallery of London, Waddesdon Manor and the Museum of Asian Art in Berlin. She is one of the core members of the Jewish Country House Project. Her contribution in particular focus on Jewish Collectors and art dealers.

Hannah Rothschild tells her aunt Nica's extraordinary, thrilling journey – from England's stately homes to the battlefields of Africa, passing under the shadow of the Holocaust, and finally to the creative ferment of the New York jazz scene. Hannah Rothschild is a writer, a filmmaker and a company director. She also serves on boards of various philanthropic trusts and museums. Her biography, 'The Baroness', was published in the UK, USA and seven other territories. Her first novel, 'The Improbability of Love', was published by Bloomsbury in May 2015 and in the USA by Knopf in November 2015. Her features and interviews appear in W, Vanity Fair, The Telegraph, The Times, The New York Times, The Spectator, British and American Vogue. Her documentaries have been shown on the BBC, HBO and at film festivals including Telluride, the London Film Festival and Sheffield. Working Title and Ridley Scott optioned her original screenplays. In August 2015 Hannah became Chair of the Trustees of the National Gallery. She is the co-founder of the Artist on Film trust and a trustee of Waddesdon Manor. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

#348 Hyundai Kona Rally. Gareth and Zog compete against 6 other teams in a road rally challenge in Hyundai’s latest EV. Driving hundreds of miles through the night in a game designed to test the car's abilities and the drivers’ endurance.

Bettany visits Waddesdon Manor in Buckinghamshire, an extraordinary French chateau built as a fairy-tale castle by Baron Ferdinand de Rothschild in the heart of the English countryside. Here Bettany meets Pippa Shirley, Head of Collections and Gardens, to discuss the contradictions at the heart of the house, which showcases the best of 18th century French decorative art. Ferdinand devised the house in part as a stage set to court power and for a ‘wow’ factor, and this very much paid off when Queen Victoria asked to visit. The Queen became obsessed with the new electric light switches, which she kept turning on and off. Later, Margaret Thatcher chose to host President Mitterand here during the 1990 summit: an event about which Lord Rothschild spills the beans in an illuminating chat with Bettany. For more information about Waddesdon, including opening times and dates, go to: www.nationaltrust.org.uk/waddesdon-manor See acast.com/privacy for privacy and opt-out information.

Waddesdon Manor is near Aylesbury in Buckinghamshire, it is an delightful building and wonderful garden built in the style of a 16th century French chateau. It is managed by the charitable trust the Rothschild Foundation on behalf of the National Trust. Ken Crowther spoke to the assistant head gardener Richard Ernst who gave him a tour of the property.

Juliet Carey discusses "Faces for a House Party: British Portraits at Waddesdon Manor.” Carey is curator at Codart, Dutch and Flemish art in museums worldwide.

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Collections Management in a Historic House: Emily Roy, Assistant Registrar and Joint Collections Manager, Waddesdon Manor, National Trust

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Collections Management in a Historic House: Emily Roy, Assistant Registrar and Joint Collections Manager, Waddesdon Manor, National Trust

A talk by Edmund de Waal on his installation 'A Local History' for the Alison Richard Building. A Local History A local history is an installation of three vitrines filled with porcelain, sunk below the paving outside the Alison Richard Building on the Sidgwick Site of Cambridge University. These vitrines are meant to be discovered, to be happened upon as you come and go across the site. They are there to make you pause momentarily. They are not sculpture as a Grand Statement. If you find them and look down through the gridded glass you will see piles of porcelain dishes, cylinders arranged in rows, and aluminium boxes filled with shards. The dishes are taken from moulds that I made from a Chinese Ming Dynasty dish, a plate from the French Sèvres porcelain factory, and a Staffordshire serving dish. These three dishes are iconic in form: they exemplify porcelain from three of the greatest places where it has been manufactured over the last thousand years. You will see that these pieces are glazed in whites, creams and celadons, and that there are also glimpses of gilding. Gold was used to highlight the value of porcelain, a material so prized that it was often called white gold. It was also used in Chinese and Japanese art when a vessel had been broken: to mend the porcelain with a seam of golden lacquer emphasized that it had been used and appreciated. I hope the flashes of gold, the fragments of broken vessels and the memories of ancient dishes act as a kind of palimpsest: a writing, erasing, and rewriting using objects. If you look up inside the atrium of the building you will see another vitrine, this time full of shelves holding celadon vessels. This vitrine, atlas, is my record of lost pots. It holds 120 lids from lidded jars that I have made over the last twenty years and broken because they were not quite right, because the glaze ran, because of a crack along a rim. If the structure of the vitrine looks familiar, it is because it is a gentle echo of a manuscript page with texts, footnotes and commentaries in intimate conjunction. All these vitrines are a kind of archive. They record my thinking about the history of porcelain, my travels, my love of fragments, my obsession with shadows, my reading. They are for this particular place – a threshold into a building, and a threshold into a site full of libraries and archives, and the people who care about libraries and archives. About Edmund de Waal Edmund de Waal is one of the world’s leading artists working in ceramics today. He is best known for his large-scale installations of porcelain vessels, with interventions at Waddesdon Manor, the Victoria & Albert Museum, Tate Britain and MIMA. Much of his recent work has been concerned with ideas of collecting and collections: how objects are kept together, lost, stolen, or dispersed. Increasingly, Edmund’s work has come from a dialogue between minimalism, sound and space, seen in his two permanent installations: Signs & Wonders at the V&A and a sounding line at Chatsworth House. In September 2012, Edmund will take his work beyond the museum space in his first piece of public sculpture, a local history, to be installed at the new Alison Richard’s Building at the University of Cambridge. Other future projects include working with the Chinese porcelain collections at the Fitzwilliam Museum, for an exhibition opening in February 2013, and a collaborative project with the Rijksmuseum, Amsterdam. Edmund is also widely known as a writer. In 2010, Chatto & Windus published his family memoir, The Hare with Amber Eyes, which has become an international bestseller. It has won many literary prizes, including the Costa Biography Award, the Galaxy New Writer of the Year Book Award and the Royal Society of Literature Ondaatje Prize. By 2013, it will be published in over twenty-three languages. In 2011 Edmund was commissioned by Phaidon to write The Pot Book, a colour-illustrated anthology of 300 ceramic vessels. His other publications include a monograph on Bernard Leach (1997) and a survey of 20th Century Ceramics (2003). Edmund was appointed a Trustee of the V&A and awarded an OBE for his services to art in 2011. In June 2012, he was made a Senior Fellow at the Royal College of Art. Edmund was born in Nottingham in 1964. During his school years in Canterbury, he was apprenticed to the potter Geoffrey Whiting. After reading English at Cambridge, Edmund spent a further year studying at the Mejiro Ceramics Studio in Tokyo. He lives and works in London.

Recorded in summer 2009, husband and wife design team Isabel and Julian Bannerman talk about their work at gardens including Waddesdon Manor, Arundel Castle and Highgrove.