Podcast appearances and mentions of david ulin

In this week's episode, we are talking about the wildfires that have ravaged L.A. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA here. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery. 

David Ulin, one of Los Angeles's most perceptive chroniclers and an editor of Joan Didion's collected works, reflects on the city's unprecedented urban wildfires through the lens of history, identity, and belonging. Ulin talks about how disasters in Los Angeles paradoxically forge deeper connections between Angelenos and their landscape. Drawing parallels to 9/11 and the 1906 San Francisco earthquake, he explores how this watershed moment — with its destruction of thousands of structures across a burn area of roughly 60 square miles — may reshape Southern California's future. 

David L. Ulin is the author, most recently, of the novel, Thirteen Question Method. His other books include Sidewalking: Coming to Terms with Los Angeles, The Lost Art of Reading: Books and Resistance in a Troubled Time; and Writing Los Angeles: A Literary Anthology, which won a California Book Award. For Library of America, he has edited Didion: The 1960s and 70s and Didion: The 1980s and 90s. David Ulin is the books editor of Alta and the former book editor and book critic of the Los Angeles Times. His work has appeared in The Atlantic, The New York Times, Harper's, The Paris Review, and The Best American Essays 2020. The recipient of fellowships from the Guggenheim Foundation, the Lannan Foundation, and Ucross Foundation, as well as a COLA Individual Master Artist Grant from the City of Los Angeles. He is a Professor of English at the University of Southern California, where he edits the journal Air/Light. David Ulin joined Barbara DeMarco-Barrett to talk about cinematic writing, Chekhov's gun, embodying a protagonist, the “literature of disintegration” and why he's a fan, tulpas, noir, and much more. For more information on Writers on Writing and additional writing tips, visit our Patreon page. To listen to past interviews, visit our website. We're also excited to announce the opening of our new bookstore on bookshop.org. We've stocked it with titles from our guests, as well as some of our own personal favorites. By purchasing through the store, you'll support both independent bookstores and our show. New titles will be added all the time (it's a work in progress). Finally, on Spotify you can listen to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We like to hear from our listeners. (Recorded on September 22, 2023)  Host: Barbara DeMarco-Barrett Co-Host: Marrie Stone Music and sound editing: Travis Barrett

The queens hypothesize that erotic/love poems must always have one "f*ckstick." Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.      James's ROMANTIC COMEDY is available from Four Way Books.Please consider buying your books from Bluestockings Cooperative, a feminist and queer indie bookselling cooperative.We talk about the difficulty of language and words that “shouldn't” be in poems in Crimes Against Diction, episode 95. Read “Dick Pics” by Sarah Tsiang.Read Jack Gilbert's “Michiko Dead."Linda Gregg, “Kept Burning and Distant” from The Sacraments of Desire.Read H.D.'s “Sea Poppies."Read Sharon Olds's, “The Pope's Penis”Read Adrienne Rich's "The Floating Poem" in Twenty-One Love Poems. Kim Addonizio's poem “Penis Blues” can be read here.  Louise Glück's “The Encounter” can be found here and is from The Triumph of AchillesRead Emma Lazarus's “Assurance”We reference Russell Edson's poem “Conjugal” and Mark Strand's “Courtship”Read Jill Alexander Esbaum's awesomely funny “On Reading Poorly Transcribed Erotica” Wallace Stevens's first book of poems is Harmonium, published by Knopf in 1923. A Palm at the End of the Mind is a Selected Poems and a play.Lynn Melnick's third book of poetry is Refusenik. You can watch Lynn read from it and talk about it with David Ulin of the New York Public Library. Watch James Hoch talk about Miscreants and the backstory behind "Bobby" here (~17 min mark).  You can read the Publisher's Weekly review of Miscreants here. Donika Kelly's first book is called Bestiary. Her second book is called The Renunciations pub'd by Graywolf. Watch Lucas Mann read "Conversion" from Matthew Olzmann's book Constellations.Read Charles Olsen's essay “Projective Verse."

Hola, bienvenidos, and welcome to another episode of the Latinx Identity Project This is a podcast where we tell stories for us and by us. I am your host, Elsa Iris ReyesIn today's episode we will get to know Natalia Molina, the author of a Place at the Nayarit and Distinguished Professor of American Studies and Ethnicity at the University of Southern California,  and a 2020 MacArthur "Genius" FellowAs a child, Molina spent her evenings at the Nayarit, a Mexican restaurant and neighborhood staple her grandmother Doña Natalia Barraza founded in 1951 that was frequented by a cross-section of the city and owned by her mother at a time when L.A. was so segregated, it was known as "America's white spot." The Nayarit was much more than a popular eating spot for Hollywood stars and restaurant workers from across the city: it served as an urban anchor for a robust community, a gathering space where ethnic Mexican workers and customers connected with their patria chica (their “small country”) and most importantly, a place where ethnic Mexicans and other Latinx L.A. residents could step into the fullness of their lives, nourishing themselves and one another in the city they now called home. Through deep research and vivid storytelling, Molina follows restaurant workers from the kitchen and the front of the house across borders and through the decades.A Place at the Nayarit illuminates the many facets of the immigrant experience, from the pressures of racism and segregation to the complex networks of family and the various cross-currents of gender and sexuality, as well as the small but essential pleasures of daily (immigrant) life. The question of "who gets to belong" or how racialized minorities create a sense of belonging, one still haunting Mexican immigrants, is also central to the book's themes. For these reasons and more, Molina's work has been praised by historians of Los Angeles, feminist scholars, foodies, and famous Angelenos, including Gustavo Arellano, David Ulin, Jaime Jarrín, and more.All 2022 proceeds from the sale of her book, A Place at the Nayarit, will go to No Us Without You, a 501c3 charity that provides food relief for the hospitality workers who have been disenfranchised in the pandemic.To donate, click here:https://www.nouswithoutyou.la/donateFollow Natalia on Twitter: @Prof_NataliaMAnd if you like this episode - be sure to leave a review, subscribe, and of course, follow me on Instagram @thelatinxidentityprojectThanks and enjoy the showLearn more about Echo Park: https://laist.com/news/entertainment/echo-park-10-thingsMusic and artwork by Emmanuel ReyesSupport the show

Back in 1952, the great American science fiction writer Ray Bradbury published a short story called “The Pedestrian” in a small antifascist publication. The story, which was based on Bradbury's own experience of being hassled by the cops while walking the streets of Los Angeles, imagined a world in which automobile dominance was so complete that walking for any purpose would be seen as a sign of mental illness. We take a look back at Bradbury's dystopian vision, and talk with four people — paleoanthropologist Jeremy DeSilva and writers Garnette Cadogan, David Ulin and Antonia Malchik — about how walking contributes to our essential humanity, and what we lose when we build environments that make it impossible for people to walk

In December 2021, we lost two of the West Coast's literary greats: Eve Babitz and Joan Didion. This week, Robert Bound is joined by Lili Anolik, author of ‘Hollywood's Eve: Eve Babitz and the Secret History of LA', and David Ulin, books editor of ‘Alta Journal', a quarterly publication that celebrates California and the West. They discuss the imprint that Didion and Babitz left on the Los Angeles literary scene and how they expanded what women's writing was and could be.

The Interview:For over 50 years, Joan Didion, a daughter of California, has been in a league all her own, as a writer and novelist. Unlike many critics, she is capable of writing memorable fiction that, although not as widely read as her reportage and singular essays, stands the test of time. The Library of America Series recently published their second Joan Didion volume featuring the novels Democracy and The Last Thing He Wanted, as well as nonfiction works like Salvador, Miami and After Henry, her third major essay collection. Edited by former LA Times book editor, author, and critic David Ulin, the collection is brimming with her enduring legacy and highlights her works from the 1980s and 1990s, which are not as well known. In this episode, Ulin helps us unpack why Didion's later work and overall influence cannot be underestimated among several younger generations of novelists and essayists. The Reading:For the reading this episode, journalist and author Steffie Nelson reads the piece “A Trip to Xanadu” from the recently published collection of odds and ends by Didion, entitled Let Me Tell You What I Mean (Knopf). Nelson is the author of Slouching Toward Los Angeles (Rare Bird Books), a collection of essays about Didion and the City of Angels.Music by Yusef Lateef

Episode 414 also includes an E.W. Essay titled "Stardust." Our Associate Producer Dr. Michael Pavese shares an Original Radio Play titled "The Shut-in's Bitter Cousin Mary Stops By." We have an E.W. poem called "Place."  Our music this go round is provided by these wonderful artists: Django Reinhardt, Stephane Grapelli, the Beatles, Dr. Lonnie Smith & Iggy Pop, Mdou Moctar, the Rebirth Brass Band, Jimi Hendrix, Bransford Marsalis and Terence Blanchard.  Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors...

He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want To Do is Direct tackles Hollywood myths through Ken Kwapis’s highly entertaining experiences. It’s a rollercoaster ride fueled by brawls with the top brass, clashes over budgets, and the passion that makes it all worthwhile.This humorous and refreshingly personal memoir is filled with inspiring instruction, behind-the-scenes hilarity, and unabashed joy. It’s a celebration of the director’s craft, and what it takes to succeed in show business on your own terms. Kwapis is in conversation with critic David Ulin. ________________________________________________ Produced by Maddie Gobbo & Michael Kowaleski Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang. Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

On episode 085 of the Quarantine Tapes, Paul Holdengräber is joined by writer David Ulin. Their conversation stays close to home for David, talking about his experience of Los Angeles in the last few months. They dig into how the pandemic is changing public space and speculate on what city life might look like as we move through this time. David and Paul also talk about walking, monuments, and the consolation they can draw from reading literature about previous plagues throughout history.DAVID L. ULIN is the author or editor of a dozen books, including Sidewalking: Coming to Terms with Los Angeles, shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. He has received fellowships from the Guggenheim Foundation and the Lannan Foundation, and teaches at the University of Southern California.

5/30/20Episode 2: things we learned/things we got wrong:News:Robert Mueller's Report (Russia / 2016 election)Roky EricksonU.S. considered tariffs on MexicoSpelling BeeGeorgia and Missouri abortion lawsLouvre https://www.nytimes.com/2019/11/06/arts/design/mona-lisa-louvre-overcrowding.htmlMLBVirginia Beach shooting https://en.wikipedia.org/wiki/List_of_mass_shootings_in_the_United_States_in_2019Topics:Head-in/reverse parkingYou May Also Like by Tom VanderbiltPavementTim Robbinson's I Think You Should Leave"Fight to the teeth" vs "fight tooth and nail"The relationship between preference and welfare / preference and choicehttps://www.sciencedirect.com/science/article/abs/pii/S1053535702001397TED Radio Hour: Jumpstarting Creativity.Brian Eno's Oblique Strategist is actually called Oblique StrategiesSteve Engels creativity and AIThe BeatlesSidewalking by David Ulin came out 2015A+D MuseumLACMA redesign: April 2020 LACMA began demolition https://www.latimes.com/entertainment-arts/story/2020-04-17/former-lacma-curator-on-renegade-design-jury-alternative-to-peter-zumthor https://www.kcrw.com/news/shows/greater-la/lacmas-controversial-redesign-art-fairs-galore/art-world-is-conflicted-over-lacmas-redesignwhy we fight change https://www.huffpost.com/entry/why-we-dont-like-change_b_1072702Dodger Stadium / Chavez RavineThe Grove and outdoor shopping centers

David Ulin, the former L.A. Times book editor, interprets Joan Didion, just as she interpreted California. As the editor of the new multi-volume edition of her collected works, Ulin shares insights about Didion as a writer and cultural figure and about her vision of California.

The Fall, 2019 issue of Alta features the magazine’s first standalone section on books and literature spearheaded by our books editor, David Ulin. In this podcast, we’ll explore how Alta’s Book Guide came to fruition with Ulin, as well as hear from included authors Carolina De Robertis, Matthew Zapruder. The Book Guide adds some serious pages to the magazine. Pick up this issue and you can tell, we’ve gained some paper weight. According to Ulin, now is absolutely the right time for Alta to invest our ink in covering literature. The 28 books highlighted in this special magazine section address topics ranging from immigration, race, and gender—to skateboards, drugs, and the wonders of nature. Each title is by a Western author, and is reviewed by a Western writer such as, Pam Houston on Terry Tempest WIlliams’ Erosion, Alexander Chee on Alex Epsinosa’s Cruising, and Emily Rapp Black on Téa Obreht’s Inland, to name just a few. The section also includes excerpts by Joan Didion and Kimi Eisele. Pick up your copy today!  

David Ulin, the former book editor of the L.A. Times, points out that few American cities have changed more in the past two decades than Los Angeles. The city that existed at the turn of the century has been reinvented, and the longtime social and cultural critic takes us on a journey through today’s L.A.

In this episode of A Phone Call With Paul, Paul Holdengraber speaks with David Ulin about the dramatic changes in Los Angeles, the literature of the city, and his work on Joan Didion. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, book critic David Ulin and author Matthew Zapruder discuss how reading can function as an act of engaged citizenship and resistance.

David Ulin is the author of The Lost Art of Reading: Books and Resistance in a Troubled Time and Sidewalking: Coming to Terms with Los Angeles. He edited the Books […]

A new theatrical version of To Kill a Mockingbird is opening on Broadway next month, adapted for the stage by Aaron Sorkin and starring Jeff Daniels as Atticus Finch. So in anticipation of this Broadway debut, we’ve put together some of our favorite segments about America’s most beloved novel. First, we check in with the residents of Monroeville, Alabama — Lee’s hometown and the real-life "Maycomb" — to see how public opinion about the book has changed since its initial chilly reception in 1960. Psychologist Mufid James Hannush weighs in on Atticus Finch’s parenting methods. And indie rocker Wes Miles of Ra Ra Riot explains how the band found inspiration in the novel. Lastly, Kurt talks to book critic David Ulin about the controversy surrounding the publication of Harper Lee’s Go Set a Watchman in 2015. This podcast was produced by Studio 360’s Zoe Saunders, along with Anna Boiko-Weyrauch, Jenny Lawton, Becky Sullivan, and Lynn Levy. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new theatrical version of To Kill a Mockingbird is opening on Broadway next month, adapted for the stage by Aaron Sorkin and starring Jeff Daniels as Atticus Finch. So in anticipation of this Broadway debut, we’ve put together some of our favorite segments about America’s most beloved novel. First, we check in with the residents of Monroeville, Alabama — Lee’s hometown and the real-life "Maycomb" — to see how public opinion about the book has changed since its initial chilly reception in 1960. Psychologist Mufid James Hannush weighs in on Atticus Finch’s parenting methods. And indie rocker Wes Miles of Ra Ra Riot explains how the band found inspiration in the novel. Lastly, Kurt talks to book critic David Ulin about the controversy surrounding the publication of Harper Lee’s Go Set a Watchman in 2015. This podcast was produced by Studio 360’s Zoe Saunders, along with Anna Boiko-Weyrauch, Jenny Lawton, Becky Sullivan, and Lynn Levy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Alta Podcast, Cathy Cassady and journalist David Ulin discuss the famous letter Cathy's dad, Neal Cassady, wrote author Jack Kerouac, its impact on American literature, Neal Cassady’s major role in the Beat Generation and the little-known but vital work of author Carolyn Cassady.

The new introduction and afterword bring fresh relevance to this insightful rumination on the act of reading--as a path to critical thinking, individual and political identity, civic engagement, and resistance. Former LA Times book critic David Ulin expands his short book The Lost Art of Reading, rich in ideas, on the consequence of reading to include the considerations of fake news, siloed information, and the connections between critical thinking as the key component of engaged citizenship and resistance. Here is the case for reading as a political act in both public and private gestures, and for the ways it enlarges the world and our frames of reference, all the while keeping us engaged.

A masterpiece of noir, Raymond Chandler’s The Big Sleep helped to define a genre and remains one of the most celebrated and stylish novels of the twentieth century. Now, this comprehensive, annotated edition offers a fascinating look behind the scenes of the novel, bringing the gritty and seductive world of Chandler’s iconic private eye Philip Marlowe into full color. Notes on the historical context of Chandler’s Los Angeles; excerpts from the author’s personal letters and source texts; explorations of the issues of gender, sexuality, race, and ethnicity that permeate the story; and important interpretations and clarifications enrich the reader’s understanding and situate the novel within the tradition of crime fiction that Chandler both built upon and made new. The annotators have asked a group of LA authors to read favorite passages from the novel, followed by a talk by the annotators. Readers include Judith Freeman, David Ulin, Steph Cha, Kim Cooper and Gary Phillips.

Today our podcast connects with David Ulin, book critic (formerly of the Los Angeles Times; Guggenheim Fellow; author of books such as Sidewalking: Coming to Terms with Los Angeles (University of California Press), The Lost Art of Reading: Why Books Matter in a Distracted Time (Sasquatch Books), Writing Los Angeles: A Literary Anthology (Library of America), and the upcoming novel Ear to the Ground with Paul Kolsby (Unnamed Press); and 2016 The Plaza Literary Prize Judge. Photo by Heather Conley. Producer: Jon-Barrett Ingels and Kevin Staniec Manager: Sarah Becker Host: Jon-Barrett Ingels Guest: David Ulin

Catalina (Farrar/MCD) A magnetic, provocative debut novel chronicling a young woman’s downward spiral following the end of an affair Elsa Fisher is headed for rock bottom. At least, that’s her plan. She has just been fired from MoMA on the heels of an affair with her married boss, and she retreats to Los Angeles to blow her severance package on whatever it takes to numb the pain. Her abandoned crew of college friends (childhood friend Charlotte and her wayward husband, Jared; and Elsa’s ex-husband, Robby) receive her with open arms, and, thinking she’s on vacation, a plan to celebrate their reunion on a booze-soaked sailing trip to Catalina Island. But Elsa doesn’t want to celebrate. She is lost, lonely, and full of rage, and only wants to sink as low as the drugs and alcohol will take her. On Catalina, her determined unraveling and recklessness expose painful memories and dark desires, putting everyone in the group at risk. With the creeping menace of Patricia Highsmith and the bender-chic of Bret Easton Ellis, Liska Jacobs brings you inside the mind of an angry, reckless young woman hell-bent on destruction—every page taut with the knowledge that Elsa’s path does not lead to a happy place. Catalina is a compulsive, deliciously dark exploration of beauty, love, and friendship, and the sometimes toxic desires that drive us. Praise for Catalina “Catalina is an extraordinarily engaging study in the tension of opposing forces: youth and world-weariness, beauty and unreliability, good intentions and roads to hell. The backbone of the novel is its relentless unwillingness to apologize for its main character—not for her faults, not for her complexities. Hot damn and about time. Liska Jacobs writes with teeth; this book’s got bite.”—Jill Alexander Essbaum, New York Times-bestselling author of Hausfrau “Catalina’s feminist fatale narrator, Elsa, has both the heartbroken cynicism of Daisy Buchanan and the inscrutable seductiveness of Carmen in The Big Sleep. Liska Jacobs writes crystal-clear, hypnotically sensual prose, and Catalina is California noir at its darkest and sharpest.”—Kate Christensen, author of The Great Man and In the Drink “In her propulsive debut, Liska Jacobs tells the story of a beautiful young woman’s dissolute downward spiral with precision and insight. Catalina deftly explores the desperate social frontiers where the morals of the privileged class dissolve. You won’t be able to look away.”—J. Ryan Stradal, New York Times-bestselling author of Kitchens of the Great Midwest? “Catalina is true California, down to the bones and skin, a novel about the places Liska Jacobs knows in her soul. Beauty and the body as currency and betrayal, seekers of love and comfort—her characters blow all that up, and just when you think you know what will happen, Catalina swerves and you are along for the ride.”—Susan Straight, author of Between Heaven and Here and Highwire Moon “Sophisticated and surprising, Catalina brings an excitingly modern vibe to the time-honored story of a young woman coming undone in California. Like a love child of Joan Didion and Kate Braverman, Liska Jacobs is a master of menacing cool and the seductive havoc wreaked by self-destruction.”—Gina Frangello, author of A Life in Men and Every Kind of Wanting Liska Jacobs holds an MFA from the University of California, Riverside. Her essays and short fiction have appeared in The Rumpus, the Los Angeles Review of Books, Literary Hub, The Millions, and The Hairpin, among other publications. Catalina is her first novel. Photo by Jordan Bryant David L. Ulin is the author, most recently, of the novel Ear to the Ground.A 2015 Guggenheim Fellow, his other books include Sidewalking: Coming to Terms with Los Angeles, a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, and the Library of America's Writing Los Angeles: A Literary Anthology, which won a California Book Award.

Hostage (Drawn + Quarterly)  Join award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) for the launch of his highly anticipated, non-fiction page-turner: Hostage. Set in the Caucasus region in 1997, Hostage tells the true story of Doctors Without Borders administrator Christophe Andre who was held captive for over three months. Recounting his day-to-day survival while conveying the psychological effects of solitary confinement, Delisle’s storytelling doesn’t just show André’s experiences, but brings you into the room alongside him. Hostage is a thoughtful, intense, and undeniably moving graphic novel that takes a profound look at what drives our will to survive in the darkest of moments. Guy Delisle is a cartoonist and animator from Québec City, Canada. Delisle spent ten years working in animation, which allowed him to learn about movement and drawing. He is best known for his bestselling travelogues about life in faraway countries, Burma Chronicles, Jerusalem: Chronicles from the Holy City, Pyongyang, and Shenzhen. In 2012, Guy Delisle was awarded the Prize for Best Album for the French edition of Jerusalem at the Angoulême International Comics Festival. Delisle now lives in the south of France with his wife and two children. David L. Ulin is the author, most recently, of the novel Ear to the Ground. A 2015 Guggenheim Fellow, his other books include Sidewalking: Coming to Terms with Los Angeles, shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay; The Lost Art of Reading: Why Books Matter in a Distracted Time; and the Library of America's Writing Los Angeles: A Literary Anthology, which won a California Book Award. He is the former book editor and book critic of the Los Angeles Times.   David Ulin photo by Noah Ulin       "This tour was supported by the Cultural Services of the French Embassy in the United States."

Karen Stefano, author of The Secret Games of Words, in conversation with David Ulin, author of The Lost Art of Reading: Why Books Matter in a Distracted Time.

This month on The Writer and the Critic your hosts, Kirstyn McDermott and Ian Mond, plunge straight into discussing two short story collections, Get in Trouble by Kelly Link [1:30] and What Is Not Yours Is Not Yours by Helen Oyeyemi [40:10].  Listeners might like to check out the following links mentioned during the podcast: Get in Trouble reviewed by David Ulin in the Los Angeles Times What is Not Yours is Not Yours reviewed by Nina Allan in Strange Horizons What is Not Yours is Not Yours reviewed by Kate Clanchy in the Guardian If you've skipped ahead to avoid spoilers, please come back at 1:33:30 for final remarks. Up for discussion on the next episode - which will be the first episode of 2017! - are two more  short story collections: Bødy by Asa Nonami Ghost Summer: Stories by Tananarive Due Read ahead and join in the spoilerific fun!

This episode features a discussion of David Ulin’s Sidewalking: Coming to Terms with Los Angeles. A transplant to Los Angeles from New York, Ulin’s long essay/memoir is a meditation on moving through and defining his relationship with the sprawling diversity that is the City of Angels. The book begins with an essay on how walking can be a way to discover the city (any city or town) through serendipity. Ulin describes the discovery of an interesting church by turning a different way on a usual route. Through this personal journey of exploration, Ulin “comes to terms” with Los Angeles. While marketed as a book about walking in the city where no one walks, our readers found this book to be an exploration of how one makes memories, how one interprets those memories through time, and how Ulin makes peace with his adopted home.

Political Journalist Walter Shapiro joins Seth and Tom to discuss his new book Hustling Hitler: The Jewish Vaudvillian Who Fooled thew Fuhrer; it's about Walter's Great Uncle Freeman Bernstein - one of the legendary grifters of his time. Then David Ulin discusses the satirical novel he co-authored with Paul Kolsby in the 1990s, Ear to the Ground. Recently published in book form for the first time; Ear to the Ground originally appeared in weekly serial installments in the LA Reader.

Grace (Counterpoint Press) For a runaway slave in the 1840s south, life on the run can be just as dangerous as life under a sadistic Massa. That’s what fifteen-year-old Naomi learns after she escapes the brutal confines of life on an Alabama plantation. In Natashia Deón’s debut Grace: A Novel Naomi must leave behind her beloved Momma and sister Hazel and take refuge in a Georgia brothel run by a freewheeling, gun-toting Jewish madam named Cynthia. There, amidst a revolving door of gamblers, prostitutes, and drunks, Naomi falls into a star-crossed love affair with a smooth-talking white man named Jeremy who frequents the brothel’s dice tables too often. The product of Naomi and Jeremy’s union is Josey, whose white skin and blonde hair mark her as different from the other slave children on the plantation. Having been taken in as an infant by a free slave named Charles, Josey has never known her mother, who was murdered at her birth. Josey soon becomes caught in the tide of history when news of the Emancipation Proclamation reaches the declining estate and a day of supposed freedom quickly turns into a day of unfathomable violence that will define Josey—and her lost mother—for years to come. Deftly weaving together the stories of Josey and Naomi—who narrates the entire novel unable to leave her daughter alone in the land of the living—Grace is a sweeping, intergenerational saga featuring a group of outcast women during one of the most compelling eras in American history.  It is a universal story of freedom, love, and motherhood, told in a dazzling and original voice set against a rich and transporting historical backdrop. Praise for Grace “Deón’s powerful debut is a moving, mystical family saga . . . The book provides penetrating insight into how confusing, violent, and treacherous life remained in the South after the Emancipation Proclamation, and how little life improved for freed slaves, even after the war. The omnipresences of Naomi’s ghost renders the story wide-angled, vast, and magical. Deón is a writer of great talent, using lyrical language and convincing, unobtrusive dialect to build portraits of each tragic individual as the sprawling story moves to its redemptive end.”—Publishers Weekly Starred Review “[T]his is a brave story, necessary and poignant; it is a story that demands to be heard. This is the violent, terrifying world of the antebellum South, where African-American women were prey and their babies sold like livestock. This is the story of mothers and daughters—of violence, absence, love, and legacies. Deón's vivid imagery, deft characterization, and spellbinding language carry the reader through this suspenseful tale. A haunting, visceral novel that heralds the birth of a powerful new voice in American fiction.” —Kirkus Starred Review  “In her gripping debut novel, Deón, awarded a PEN Center USA Emerging Voices Fellowship, among other honors, dramatizes alliances formed by women in a violent place and time with adroit characterizations, a powerful narrative voice, and the propulsive plotting of a suspense novel… Deón stays in control of her complex material, from its clever parallel structure to the women’s psychological reactions to relentless tension. Readers will ache for these strong characters and yearn for them to find freedom and peace.” —Booklist Starred Review “There are moments of love in this harsh, affecting first novel, but the story mostly conveys the taking of personal freedom and human dignity. The presence of the apparition is fanciful, but it works well in bringing resolution to an imbalanced set of happenings.”—Library Journal “One of those rare novels so assured, so beautiful and so singular in voice that it almost seems besides the point to say it's a debut (and yet it is). Natashia Deón's Grace is a powerfully telling tale of two generations of women and those in their lives over a nation-defining period of American history. This is when slavery was fought for and ended on this very ground. This is also when tribulation and hardship did not just end because slavery finally did. The sparks of determination, resilience, aspiration, hope, and, grace (yes), all burn, even against great odds, helping light the way. Set 150 years and more ago, Grace carries resonance and meaning for us today. I can't wait to put this in readers' hands.”—Rick Simonson, Elliott Bay Book Company  “Natashia Deón’s gorgeous debut is not only a piercing and unwavering exploration of slavery and its legacy, but also a fierce insistence that we honor and acknowledge the ghosts that haunt our America today. Like all important, classic books, Grace makes a story we think we know, the story of our country and its people, dazzling and new. This is not a book anyone is going to be able to put down—or forget.” —Dana Johnson, author ofElsewhere, California, nominee for the Hurston/Wright Legacy Award "The ghost narrator in Grace articulates how she feels when she falls in love: filled. It is precisely how this flawlessly constructed novel will leave you. With muscular prose whose poetry is unforced, Deón lights a fire under the feet of her characters, women and men consumed by their fidelity to each other and untamed by their circumstances, who charge through history at the speed of thought. Deón makes the case anew that the facts of the past can only be understood by training an unflinching gaze upon the human beings who survived its horrors and proves on every page that only a consummate writer is equal to the task." —Ru Freeman, author of A Disobedient Girl and On Sal Mal Lane “Natashia Deón’s superlative, gorgeously written debut grips you by the throat, exploring a teeming, post-Civil War world where the emancipation of slaves can be anything but freedom, violence is as casual as a cough, and love between a mother and a daughter can transcend even death. Scorchingly brilliant, this is one novel that already feels like a classic.” —Caroline Leavitt, New York Times Bestselling author of Is This Tomorrow and Pictures of You “People will compare this book to Twelve Years a Slave, Cold Mountain, andBeloved, and those are fair comparisons for the kind of time and place here, and the evocation of the south 150 years ago. But reading it, I thought of murder ballads, those songs of melancholy and injustice. Natashia Deón’s genius lies, in part, in writing a book that sustains a murder ballad’s intensity for hundreds of pages and gets into your bones like a song.”—Rebecca Solnit, author of Men Explain Things to Me and The Faraway Nearby Natashia Deón is the recipient of a PEN Center US Emerging Voices Fellowship and has been awarded fellowships and residencies at Yale, Bread Loaf, Dickinson House in Belgium, and the Virginia Center for Creative Arts. Named one of 2013’s Most Fascinating People by LA Weekly, she has a MFA from UC Riverside and is the creator of the popular LA-based reading series, Dirty Laundry Lit. A practicing lawyer, she currently teaches law at Trinity Law School and Mount Saint Mary’s College. David L. Ulin is the author or editor of eight previous books, including The Lost Art of Reading: Why Books Matter in a Distracted Time and the Library of America’s Writing Los Angeles: A Literary Anthology, which won a California Book Award. A 2015 Guggenheim Fellow, he is book critic of the Los Angeles Times.

This week, actor Lauren Weedman talks about her collection of funny, personal essays 'Miss Fortune: Fresh Perspectives on Having It All from Someone Who Is Not Okay.' Plus David Ulin stops by to talk about Donald Trump.

Liar: A Memoir (Crown Publishing)Indie darling and novelist Rob Roberge makes his major-house debut with Liar: A Memoir, an intense, darkly funny book of addiction and mental illness, relapse, recovery, and the nature of memory. Liar is Roberge’s desperate attempt to document his life when faced with the prospect of forgetting it after years of hard living and too frequent concussions suffered during substance-induced blackouts.In an effort to preserve his identity (for what is identity if not memories?), Roberge records the most formative moments of his life—ranging from the brutal murder of his childhood girlfriend, to a diagnosis of rapid-cycling bipolar disorder, to singing and playing guitar with his band the Urinals as an opening act for famed indie band Yo La Tengo at The Fillmore in San Francisco. But the process of trying to remember his past only exposes just how fragile are the stories that lie at the heart of who we think we are.As Liar twists and turns through Roberge’s life, it turns the familiar story of sex, drugs, and rock ’n’ roll on its head. Darkly comic and brutally frank, it offers a remarkable portrait of a down-and-out existence scattered across the country, from musicians’ crashpads around Boston, to seedy bars in Florida popular with sideshow freaks, to a painful moment of reckoning in the scorched Wonder Valley desert of California. As Roberge struggles to keep his demons from destroying the good things he has built in his better moments, he is forced to acknowledge the increasingly blurred line between the lies we tell others and the lies we tell ourselves. A reflection on memory and an intimate look at recovery and redemption, Liar delves into the complications of the healing process and the challenges faced in trying to rebuild a life, all while Roberge infuses the narrative with candor and humor.Liar is a memoir that will provoke and engage.Praise for Liar“Roberge’s writing is both drop-dead gorgeous and mind-bendingly smart.” —Cheryl Strayed, New York Times bestselling author of Wild“Roberge is a modern master of the down-and-out-that-just-got-worse. His stories are dark and thrilling. They take hold of the reader like some bad, bracing dope and don’t let go until you feel the full measure of your own humanity. Prose this carefully wrought and true puts him in the tradition of Bukowski, Hammett, and Denis Johnson.” —Steve Almond“Roberge is the bard of the rough road, singer of the long haul, both lyrical and ferociously realistic.”—Janet Fitch“Roberge’s words bring it all back to life for me—the sounds, the sights, the smells, and the tastes. And it’s not always a pretty ride. I like that Roberge never takes the easy way out.” —Steve Wynn, The Dream SyndicateRob Roberge is the author of four books of fiction, most recently The Cost of Living. He is a core faculty member at UCR/Palm Desert’s MFA program and has taught at several universities, including the University of California’s MFA programs at the main campuses of Riverside, Antioch, and Los Angeles, and the UCLA Extension Writers’ Program. His work has been featured in Penthouse, The Rumpus, and The Nervous Breakdown, and his stories have been widely anthologized. Roberge also plays guitar and sings with the Los Angeles–based band the Urinals.David L. Ulin is the author, most recently, of Sidewalking: Coming to Terms with Los Angeles, which was longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. His novel, Ear to the Ground, will be published in April. A 2015 Guggenheim Fellow, he spent ten years as book editor and book critic of the Los Angeles Times.

Sidewalking: Coming to Terms with Los Angeles (University of California Press)In Sidewalking, David L. Ulin offers a compelling inquiry into the evolving landscape of Los Angeles. Part personal narrative, part investigation of the city as both idea and environment, Sidewalking is many things: a discussion of Los Angeles as urban space, a history of the city’s built environment, a meditation on the author’s relationship to the city, and a rumination on the art of urban walking. Exploring Los Angeles through the soles of his feet, Ulin gets at the experience of its street life, drawing from urban theory, pop culture, and literature. For readers interested in the culture of Los Angeles, this book offers a pointed look beneath the surface in order to see, and engage with, the city on its own terms."Sidewalking is a profound and poetic book. It is a meditation not only on the strange and marvelous nature of Los Angeles but also on the nature of history, memory, and community itself. This is nonfiction writing at its very best."—Susan Orlean, staff writer for the New Yorker and author of seven books, including the New York Times bestseller The Orchid Thief“Sidewalking will cement David Ulin’s already well-deserved reputation. Like a good, long walk, his book is an exercise in patience, observation, and reflection. At the end of the journey, you feel you’ve been someplace—and you feel illuminated and enlightened."—Héctor Tobar, author of the New York Times bestseller Deep Down Dark: The Untold Stories of 33 Men Buried in a Chilean Mine, and the Miracle That Set Them Free"An inspiring challenge to engage with urban life, Sidewalking raises unprejudiced questions about city and 'city'—the built environment and the individual’s own experience of it. L.A.'s famous sprawl and very human neighborhoods, its uneasy meld of public and private spaces, its legendary gridlock, its organic and artificial environments, all feature in what is no less than the teasing out of a new and nuanced interpretation of the nature of 'urbanity’ itself."—Janet Fitch, author of Paint It Black and White Oleander"I see this book as a benign remake of [the movie] Falling Down. In this version, Michael Douglas, after abandoning his car, has the good fortune to bump into David Ulin, who not only offers to accompany him on his journey home but also suggests a few extensive detours. In the course of their walking-talk tour, Douglas learns that he has the good fortune to reside in a fascinating city and goes on to live a fulfilled—and inquiring—life."  —Geoff Dyer, author of numerous books, including But Beautiful, winner of the Somerset Maugham Prize"There are so many lines in this book I’d like to have at my fingertips, so many rational, logical, wholly original arguments for why Los Angeles is deeper and more soulful than it can seem, that I almost wish I could keep it in my pocket for whenever an outsider coughs up the usual hoary insults. As it is, Sidewalking has taken up welcome and necessary residence in my mind. And, to be precise, David Ulin doesn’t argue on behalf of his adopted city. He observes, he challenges, he shows his abiding and complicated love for the place. Which is only right, since when it comes to L.A.’s status as the most surprising and mysterious city in America, there is no argument." —Meghan Daum, author of The Unspeakable: And Other Subjects of Discussion"In this brief but engaging book, the author chronicles his wanderings through the streets and his conversations with friends, entrepreneurs, and officials, and he makes it clear that he has read every book and seen every movie on his subject. Those who know the city will have the advantage, but Ulin casts his net widely, so most readers will enjoy his observations of Los Angeles in literary and popular art as well as his thoughtful personal views."—KirkusDavid L. Ulin is the author or editor of eight previous books, including The Lost Art of Reading: Why Books Matter in a Distracted Time and the Library of America’s Writing Los Angeles: A Literary Anthology, which won a California Book Award. A 2015 Guggenheim Fellow, he is book critic of the Los Angeles Times.

I’ve been wanting to have Luc Sante on the show for some time now, and a recently appearance at the Brooklyn Book Fair finally afforded the opportunity to sit down with the author. Immediately after a panel with Vivian Gornick and David Ulin on the topic of writing about cities, Sante and I sat down in a courtyard on a windy Sunday. Published the same year I moved to New York, the author’s book Low Life might well be my favorite book I’ve ever read about the city, peering into the crime dens and slums often whitewashed out of portraits of Gotham’s golden age. Sante was at the show promoting his most recent work, The Other Paris, which offers similar insight into the city of light. He happily agreed to discuss the two vastly different, yet eternally link metropolises, while giving candid look into what keeps him writing.

On this week's show, Los Angeles Times book critic David L. Ulin joins to talk about his latest book Sidewalking: Coming to Terms with Los Angeles, the artifice and authenticity of the popular entertainment complex The Grove, and the urban qualities of New York compared with Los Angeles. Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

Wide Awake: Poets of Los Angeles and Beyond (Beyond Baroque Books)Join us for a special evening with four poets from one of our favorite local publishers."What is this aesthetic? I’d call it offhand if that didn’t sound dismissive. Perhaps a better word is “self-aware.” This is how Lummis refers to it in her introduction, which cites, as emblematic, Florence Weinberger’s “The Light Gatherers,” with its stirring image of those who “poke around the blasted pieces / for traces of what newspapers call ‘human remains’ / … Impossible to get it all.”...That sensibility — of poetry as observation, of poetry as piecing together, of poetry as a way to see beneath the surfaces of a city that still, to some extent, defines itself by surfaces — is central to Wide Awake. It is both a diverse collection and a consistent one, a framing of voices, all trying to make sense of not Los Angeles in the abstract, but on the most concrete, experiential terms.Lummis is an ideal guide for this endeavor — poet, anthologist, long-time L.A. literary booster — although perhaps the most essential aspect of the book is her generosity. As with its predecessor, 1997’s Grand Passion: The Poets of Los Angeles and Beyond, her intent here is not to showcase any particular school or aesthetic, but rather the range of Southern California poetry.Praise for Wide Awake"There is little myth in Wide Awake, just a set of personalities, perspectives: the poets of Los Angeles. Like L.A. itself, the book is a shifting landscape, formal and informal, collective and individual. The conversation it provokes insists we ask the most fundamental questions: Who are we? How do we live here? What is the essence of our engagement with this place?" - David Ulin, LA Times Book CriticS.A. Griffin lives, loves and works in Los Angeles. Editor, The Outlaw Bible of American Poetry (Firecracker Award), Mr. Griffin has been appeared in many poetry zines and anthologies including the upcoming Cross-Strokes edited by Neeli Cherkovski and Bill Mohr. In 2014 he released his newest collection of poetry Dreams Gone Mad With Hope on Punk Hostage Press. Since 1985 he has been touring extensively throughout the U.S. and Canada with poetry performance super groups The Lost Tribe, White Trash Apocalypse and The Carma Bums. From April-June of 2010 he toured the United States with his Poetry Bomb, “Elsie”. Named Best Performance Poet for The LA Weekly by Wanda Coleman, in 2011 he honored to be the first recipient of Beyond Baroque's Distinguished Service Award. On his blog talk radio show Onword he has had the real honor and privilege to interview many world class poets and writers including three time Poet Laureate of the United States Robert Pinsky, beat poet and writer Hettie Jones and Elizabeth Bishop, editor Poet Laureates of The United States. In 2014 he edited and published Michael Lane Bruner's Natural Geographics (Rose of Sharon Press) and most recently had the privilege to edit Scott Wannberg's newest book The Official Language of Yes for Perceval Press scheduled for release in August 2015. Father, husband and Vietnam era vet; he is owned by two beautiful cats.Suzanne Lummis studied poetry at CSU Fresno, and has been a longtime teacher for the UCLA Extension Writers' Program. Open 24 Hours received the Blue Lynx Poetry Prize, and she's had poems in The New Yorker, The Antioch Review,Ploughshares, Hotel Amerika. Together with her students she wrote, The Poetry Mystique: Inside the Contemporary Poetry Workshop (2015). She's the 2015 recipient of Beyond Baroque's George Drury Smith Outstanding Achievement in Poetry Award. And she's one of the Nearly Fatal Women.Harry E. Northup has had ten poetry books published, including Where Bodies Again Recline.  Harry was an original member of the Wednesday night poetry workshop that began in early 1969 at Beyond Baroque.  Northup received his B.A. in English, at CSUN, where he studied verse with Ann Stanford.  He is a founding member of Cahuenga Press and is married to the poet Holly Prado.Holly Prado's eleventh book, Oh, Salt/Oh, Desiring Hand, was published in Fall, 2013 by Cahuenga Press. She's been an active part of the Los Angeles poetry community since the early 1970s. Poet Holly Prado was born in 1938 in Lincoln, Nebraska. She received a B.A. from Albion College in 1960. After graduating, she moved to Los Angeles, where she remained to become an active, influential member of the Southern California literary community as a poet, educator, and regular participant in live poetry readings and literary events. She married actor and poet Harry Northup in 1990.

The lyrics say that “nobody walks in L.A.”  That certainly has been true, in a city whose inhabitants were long hermetically sealed inside their cars...as if in a pneumatic tube shuttling from place to pace.  L.A. was for a long time, a place where as John Didion said, “the entire quality of life  accentuates it impermanence and unreliability.”Today’s Los Angeles is a vastly different place.  A city of neighborhoods and of Freeways; a city both urban and suburban, a kind of hybrid that sits at the cutting edge America’s movement toward cities, while still trying to hang on to its suburban trappings.In short, L.A. just might be some kind of cultural or urban capital of the 21st century  Few appreciate and understand the city more than former L.A. Times book editor David Ulin. His new book is Sidewalking: Coming to Terms with Los Angeles.My conversation with David Ulin: 

PEN Center USA presents Rattling Wall Issue 5Join us as LA literary journal The Rattling Wall presents writers from Issue 5 reading their work.The readers will include: David UlinCecil CastellucciRita WilliamsDavid FrancisJulianne Ortale Susan Berman 

Preparing the Ghost: An Essay Concerning the Giant Squid and Its First Photographer (Liveright Publishing) Moses Harvey was the eccentric Newfoundland reverend and amateur naturalist who first photographed the near-mythic giant squid in 1874, draping it over a shower curtain rod to display its magnitude. In Preparing the Ghost, what begins as Moses s story becomes much more, as fellow squid-enthusiast Matthew Gavin Frank boldly winds his narrative tentacles around history, creative nonfiction, science, memoir, and meditations about the interrelated nature of them all. In a full-hearted, lyrical style reminiscent of Geoff Dyer, Frank weaves in playful forays about his research trip to Moses' Newfoundland home, Frank's own childhood and family history, and a catalog of bizarre facts and lists that recall Melville's story of obsession with another deep-sea dwelling leviathan. Though Frank is armed with impressive research, what he can't know about Harvey he fictionalizes, quite explicitly, as a way of both illuminating the scene and exploring his central theme: the big, beautiful human impulse to obsess. For tonight's reading, Matthew Gavin Frank will be joined by Los Angeles Times book critic (and author himself) David Ulin. Praise for Preparing the Ghost: "Preparing the Ghost is a triumph of obsession, a masterful weaving of myth and science, of exploration and mystery, of love and nature. Here Matthew Gavin Frank delivers my favorite book-length essay since John D'Agata'sAbout a Mountain, and with it he stakes a claim to his own share of the new territory being forged by such innovators of the lyric essay as Eula Biss and Ander Monson." --Matt Bell, author of In the House upon the Dirt between the Lake and the Woods "Matthew Gavin Frank has made a book into a curiosity cabinet, one dedicated to the storied giant squid. A mysterious but seductive mix of history, creative non-fiction, memoir, and poetry, Preparing the Ghost is written with contagious passion. In this original book, Frank weaves his imagination through history s gaps, and keeps the reader riveted with the lure of the unknown and dark, sultry prose." --Megan Mayhew Bergman, author of Birds of a Lesser Paradise "Preparing the Ghost reads like a cross between Walt Whitman and a fever dream. Who would think squid and ice cream go together? I remained riveted to the very last word." --Sy Montgomery, author of The Good Good Pig "Matthew Gavin Frank has fashioned a book-length essay marked by unforeseen oneiric asides, and of real and imaginary escapades in search of one Newfoundlander s giant squid. Preparing the Ghost is a mash-up of a meditation on the nature of myth, the magnetic distance between preservation and perseverance, and the sympathetic cravings that undergird pain. In Frank's heart-thumping taxonomy, monstrous behemoths square nicely with butterflies and ice cream. Don t ask me how: read this book!" --Mary Cappello, author of Swallow: Foreign Bodies, Their Ingestion, Inspiration, and the Curious Doctor who Extracted Them "What a marvelous essay Matthew Gavin Frank has written. Preparing the Ghost is driven by narrative, by lyric association, by memoir, by lists, by research, by imagination. Frank delivers this story of Moses Harvey, the first person to photograph the giant squid, with a passion as supercharged as Harvey s own. Above all, this is an essay about obsession, mystery, mythmaking, and the colossal size of our lives. Take it all in. Revel in its majesty." --Lee Martin, author of Such a Life "Like the giant squid at the center of this enchanting inquiry, Mathew Gavin Frank's Preparing the Ghost is a multi-tentacled and entirely captivating saga of profound mystery and relentless pursuit." --Dinty W. Moore, author of Between Panic & Desire "Part history, part lyric poem, part detective novel Matthew Gavin Frank's Preparing the Ghost is just as intriguing and hard to classify as its subject. I never thought I'd care so much about the elusive giant squid, but thanks to this book, I can t help but see its shadow everywhere." --Brenda Miller, author of Season of the Body and Listening Against the Stone "A great essay takes us into the author's polymathic mind and out to the wondrous world, teaching us something we didn t know we wanted to know. In Preparing the Ghost's deliciously delirious layering of science, biography, history, mystery, linguistics, myth, philosophy, epistemology, adventure, travel Matthew Gavin Frank has given us a truly great essay." --Patrick Madden, author of Quotidiana The shortest distance between two people is a great story. This one is incredible. You will embrace Preparing the Ghost like a friend you won't want to leave." --Bob Dotson, New York Times bestselling author of American Story: A Lifetime Search for Ordinary People Doing Extraordinary Things "Matthew Gavin Frank reinvents the art of research in extraordinarily imaginative ways. His meditation on the briefly known and the forever unknowable courts lore (both family and creaturely), invites the fantastical, heeds fact, and turns the human drive to notate and list into a gesture of lyrical beauty". --Lia Purpura, author of On Looking and Rough Likeness "Fans of Federico Fellini and, most especially, of Georges Perec, will adore Mr. Frank's infuriatingly baroque, charmingly eccentric and utterly unforgettable book. And with hand on heart I can truly say that I also loved every word of it." --Simon Winchester, author of The Professor and the Madman and Krakatoa: The Day the World Exploded "Inventive, original, and endlessly interesting, Preparing the Ghost is a gorgeous exploration of myth, history, language, and imagination, all swirling around the mysterious and evocative figure of the giant squid. This book is a journey through passion, obsession, fear, and adventure, and the hunger to behold what lurks within the depths of the sea. "To look into a squid's eyes is like looking into infinity," one squid-obsessed character declares, as Matthew Gavin Frank leads us deeper and deeper into this dazzling account of strangeness, and danger, and the longing to see." --Catherine Chung, author of Forgotten Country "Preparing the Ghost is the most original book I have read in years. Opening with an arresting image that literally haunts him, Matthew Gavin Frank unstrings history and reweaves a narrative from its threads, from fiction and news reporting and his own life, to remind us that every experience is a story braid. To remind us that life and love and death all are beauty." --Lidia Yuknavitch, author of The Chronology of Water and Dora: A Headcase Matthew Gavin Frank has previously written about everything from wine-making in a tent in Italy to the social hierarchies of a pot farm in California. He teaches creative writing and lives in Marquette, Michigan. 

100 Not So Famous Views of L.A. (Prospect Park Books) Join us tonight for a very special visual presentation by local painter Barbara Thomason. For four years, artist Barbara Thomason roamed her beloved Los Angeles, seeking the vistas, nooks, bridges, signs, streets, and landmarks that most captivated her. Inspired by the color, compositions, and tonal changes of Hiroshige's acclaimed print series One Hundred Famous Views of Edo, this grand project resulted in one hundred paintings, all of which Thomason executed in Cel-Vinyl to resemble woodblock ink in texture and tone. Each of these original paintings have now been beautifully reproduced and are accompanied by the artist's personal commentary and historical insight about her subject matter—an alchemical mix that results in a unique and splendid tour of the vibrancy, quirkiness, charm, and essential personality of a great American city. Praise for 100 Not So Famous Views of L.A. “This is Los Angeles without its history of forgetting, no longer rootless, placeless, but instead, through Thomason's transforming imagination, the embodiment of place.”—David L. Ulin, Los Angeles Times book critic (from the Foreword) “Everyone who loves L.A. is going to want this book. Once you get the idea, it becomes addicting—you're compelled to pore over each page. She had me at Felix, the strangely ironic cat that lorded over all of my really awful late-night food choices as an undergrad at USC. It's the perfect hostess/Christmas/Hanukkah/Kwanzaa/anyone who lives in or has ever loved L.A. gift.” —Greg Freitas, Traveler's Bookcase (Los Angeles, CA) Barbara Thomason is a Los Angeles-based artist and professor of printmaking, sculpture, and painting at California Polytechnic University, Pomona. Her paintings, drawings, and prints have been shown in exhibitions at many galleries, museums, and universities. She received a masters degree in printmaking from California State University, Long Beach, and worked as a master printer in lithography at the renowned Gemini G.E.L., where she printed for Robert Rauschenberg, Claes Oldenberg, Jasper Johns, Frank Stella, Ed Ruscha, Ellsworh Kelly, and many others. She has been on the art faculty at the University of California, Santa Cruz; University of Redlands; Otis College of Art and Design; and other fine institutions. David Ulin" is a book critic for the Los Angeles Times and the editor of The Library of America's Writing Los Angeles.

The Object Parade (Counterpoint) This new collection of interconnected essays marches to a provocative premise: what if one way to understand your life was to examine the objects within it? Which objects would you choose? What memories do they hold? And lined up in a row, what stories do they have to tell?  For tonight's reading, Dinah Lenney will be joined by Los Angeles Times book critic (and author himself) David Ulin. In recalling her experience, Dinah Lenney's essays each begin with one thing -- real or imaginary, lost or found, rare or ordinary, animal, vegetable, mineral, edible. Each object comes with a memory or a story, and so sparks an opportunity for rue or reflection or confession or revelation, having to do with her coming of age as a daughter, mother, actor, and writer: the piano that holds secrets to family history and inheritance; the gifted watches that tell so much more than time; the little black dress that carries all of youth's love and longing; the purple scarf that stands in for her journey from New York to Los Angeles, across stage and screen, to pursue her acting dream.  Read together or apart, the essays project the bountiful mosaic of life and love, of moving to Los Angeles and raising a family; of coming to terms with place, relationship, failures, and success; of dealing with up-ended notions about home and family and career and aging, too. Taken together, they add up to a pastiche of an artful and quirky life, lovingly remembered, compellingly told, wrapped up in the ties that bind the passage of time.  Dinah Lenney is the author of Bigger than Life, published in the American Lives Series at the University of Nebraska Press, and excerpted for the “Lives” column in The New York Times Sunday Magazine. She serves as core faculty for the Bennington Writing Seminars and for the Rainier Writing Workshop, and in the writing program at the University of Southern California. She has played a wide range of roles in theater and television, on shows such as ER, Murphy Brown, Law and Order, Monk, The Sarah Connor Chronicles, and Sons of Anarchy. She lives in Los Angeles. 

Traveling Sprinkler (Blue Rider Press) We're very excited to host acclaimed and best-selling novelist Nicholson Baker (The Mezzanine, The Anthologist, House of Holes) at Skylight for his new novel, Traveling Sprinkler!  Baker will be in conversation with Los Angeles Times book critic (and author himself) David Ulin. As with all Skylight Books events, this discussion is free and open to the public (first come, first served).  But, because we're expecting a large crowd at this event, we'll be giving out numbered tickets to the signing line to keep things organized.  To get a ticket, you must purchase a copy of Traveling Sprinkler here at Skylight Books.  The tickets will be available starting Tuesday, September 17, when the book goes on sale.  They will be available in-store, or you can order on our website and leave a note in the "Order Comments" field.  We will also hold a ticket for you if you order and pay for a book over the phone.  There's no limit on the number of copies of Traveling Sprinker you can get signed, but we are limiting the number of backlist titles to three per ticket holder.  Thank you for your cooperation! Paul Chowder, the poet protagonist of Nicholson Baker's widely acclaimed novel The Anthologist, is turning fifty-five and missing his ex-girlfriend Roz rather desperately. As he approaches the dreaded birthday, Paul is uninspired by his usual artistic outlet (although he's pleased that his poetry anthology, Only Rhyme, is selling “fairly well in a steady sort of way”).  Putting aside poetry in favor of music, and drawing on his classical bassoon training, Paul turns instead to his new acoustic guitar with one goal in mind: to learn songwriting. As he struggles to come to terms with the horror of America's drone wars and Roz's recent relationship with a doctor whose voice can often be heard on a local NPR station, Paul fills his days with Quaker meetings, Planet Fitness workouts, and some experiments with tobacco.  Written in Baker's beautifully unconventional prose, and scored with musical influences from Debussy to Tracy Chapman to Paul himself, Traveling Sprinkler is an enchanting, hilarious—and very necessary—novel by one of the most beloved and influential writers today. The author has recorded an album of songs in the style of his protagonist.  Check one out here!   Nicholson Baker was born in New York City in 1957 and grew up in Rochester, where he played bassoon in high school and spent a year at the Eastman School of Music before transferring to Haverford College. His first novel, The Mezzanine, was about a man riding an escalator.  His second novel, Room Temperature, was about a man feeding a bottle to his baby.  In his many other works of fiction and nonfiction, he has written about John Updike, about getting up early in the morning, about the inner life of a nine-year-old girl, about the beginnings of the Second World War, and about sex. His book Double Fold, about libraries shedding their paper holdings, won a National Book Critics Circle Award.  His poet protagonist Paul Chowder, who first appeared in The Anthologist, is reintroduced in the forthcoming Traveling Sprinkler, his tenth novel, and fifteenth book overall.  He lives in Maine with his family.

MARY COIN (Blue Rider Press) In her first novel since "The God of War, " critically acclaimed author Marisa Silver takes Dorothea Lange's "Migrant Mother" photograph as inspiration for a breathtaking reinvention--a story of two women, one famous and one forgotten, and of the remarkable legacy of their singular encounter. In 1936, a young mother resting by the side of a road in Central California is spontaneously photographed by a woman documenting the migrant laborers who have taken to America's farms in search of work--little personal information is exchanged and neither has any way of knowing that their chance encounter has produced the most iconic image of the Great Depression. Three vibrant characters anchor the narrative of "Mary Coin" Mary, the migrant mother herself, who emerges as a woman with deep reserves of courage and nerve, with private passions and carefully-guarded secrets. Vera Dare, the photographer wrestling with creative ambition who makes the choice to leave her children in order to pursue her work. And Walker Dodge, a present-day professor of cultural history, who discovers a family mystery embedded in the picture. In luminous, exquisitely observed prose, Silver creates an extraordinary tale from a brief moment in history, and reminds us that though a great photograph can capture the essence of a moment, it only scratches the surface of a life. Mary Coin is quite simply one of the best novels I have read in years . . . In her portrayal of a time in American history when survival was often a day-to-day thing, Silver drills down to the absolute essentials: family, love, loss, the perpetual uncertainty of life. Again and again I found myself wondering: How does she know that? Silver's wisdom is rare, and her novel is the work of a master.--Ben Fountain, author of the 2012 National Book Award finalist "Billy Lynn's Long Halftime Walk Marisa Silver is the author of two novels, The God of War (a Los Angeles Times Book Prize finalist) and No Direction Home, and two story collections, Alone With You and Babe in Paradise (a New York Times Notable Book and a Los Angeles Times Best Book of the Year). Her work has appeared in The New Yorker, The Best American Short Stories, and the O. Henry Prize Stories. Silver lives in Los Angeles. Los Angeles Times book critic David L. Ulin authored The Myth of Solid Ground: Earthquakes, Prediction, and the Fault Line Between Reason and Faith and The Lost Art of Reading: Why Books Are So Important in a Distracted Time. Photo by Bader Howar THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS ON APRIL 6, 2013 COPIES OF THE BOOK FROM THIS EVENT CAN BE PURCHASED HERE: http://www.skylightbooks.com/book/9780399160707

It's been 15 years since the 1994 quake. Is L.A. more prepared for the next one? Are WE? A panel of experts air their views: Mariana Amatullo, director, The L.A. Earthquake: Get Ready project at Art Center College of Design; Michael Dear, Professor of Geography and Urban Planning at USC; Lucy Jones, Caltech and USGS seismologist; Dennis Mileti, Director of the University of Colorado Natural Hazards Center; David Ulin, author, The Myth of Solid Ground: Earthquakes, Prediction and the Fault Line Between Reason and Faith.