Podcasts about Cassatt

In Part 2 of our Impressionism series, we leave the floating world of Japan behind and step into the bustling studios, salons, and sun-drenched riverbanks of 19th-century France. This time, we meet the artists who dared to defy the rules (Monet, Morisot, Manet, Degas, Renoir, Cassatt) and the dealer, Paul Durand-Ruel, who bet everything on their vision. We'll explore how these painters broke with tradition to capture the modern world around them…and how their movement spread, against all odds, to American collectors, museums, and artists. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast

Pennsylvania has graced the world with an inordinate number of influential women throughout its history but looking with a sharper lens at four women in particular highlights not just their achievements, but also key trends in the U.S. and Pennsylvania in the 1800’s. Dr. Christine Senecal, Medieval Historian, shared some of the most important women from Pennsylvania whose lives made a positive impact on the world today. Mary Cassatt was the only American to exhibit alongside the French Impressionists in France. Cassatt’s artwork was very radical for her time, that is still celebrated to this day. “So, she did many pictures and paintings of women with children, and while that had been a pretty common scene in art, like Renoir did a lot of that, he was an imperious artist, she tended to focus on women, the labor that women did in care taking. So, if you look at a Renoir and you look at, um, like the women with the children, they're both smiling, sort of smiling for the camera, so to speak. Mary Cassatt's women are like tending to the children. And there's a lot of love and affection in her paintings, but also it shows women working. Moreover, there's pictures of women, many women, looking intently at things.” Nellie Bly was an investigative journalist who was known for her undercover reporting on a mental asylum, her trip around the world, and her advocacy for women’s rights. “She would throw herself into some news, a kind of important journalistic story. The most infamous or famous of this is a piece she wrote called Ten Days in the Madhouse. Off of the coast of New York, Manhattan, there's an island, it's an island that's now called Roosevelt Island and there was a woman's lunatic asylum, and it was supposed to be really corrupt. Nellie Bly got herself into the asylum. She did it by like going overnight, like she didn't let herself sleep. And so, she looked all crazy. And she checked herself into a kind of like dormitory to get into it and acted really crazy. Once she was in, she was eventually accepted into the woman's lunatic asylum. She was, you know, able to really record the horrible abuses and broke the story.” Listen to the podcast to hear about Union Organizer Fannie Sellins, and abolitionist Sarah Mapps Douglass.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Tonalist is the sire of multiple Grade 1 winner Country Grammer, who won the Dubai World Cup (G1) and was second in the Saudi Cup (G1), making his career earnings over $10.8 million. He is also the sire of Tonalist's Shape (G2) and Sovereign Award winner Who's the Star.In 2023 he sired Saratoga stakes winners Drake's Passage and New Ginya, as well as stakes winners Betsy Blue and Lightning Tones. In 2024 he was represented by stakes winners Misty Veil and again Drake's Passage, both were also graded stakes placed. Tonalist got off to fast start in 2025 with new stakes winner Lightning Tones on January 11.In an impressive racing career, Tonalist won four Grade 1 races and is a leading son of Champion sire Tapit. The G1 Belmont winner ran triple digit Beyers in 11 graded stakes starts, including the Cigar Mile (G1) and in repeat wins in the Jockey Club Gold Cup (G1). Through sixteen lifetime starts, nine of which came in G1 company, he was off the board only twice, amassing over $3,600,000 in earnings.Tonalist is out of the Pleasant Colony dam Settling Mist and is from the family of Champions Havre de Grace and Plugged Nickel, as well as G1 winners Christiecat and Riskaverse.His sire Tapit has enjoyed considerable success with broodmare sires noted for their speed, including Distorted Humor (Constitution), Mr. Greeley (Zazu, Flashback), More Than Ready (Race Day), Carson City (Teen Pauline) and most particularly Storm Cat and/or his sons (Hansen, Careless Jewel, Tell a Kelly, Coup de Grace, Just Wicked, Divining Rod, Cassatt).(UPDATED FEB 1, 2025)

Don't forget to SUBSCRIBE to our YouTube Channel! Here's the link:    / @avantgardebooks   It's 1892. Charlotte and her family have lived abroad in the famous artist colony in Giverny, France, for a year, when an exciting invitation arrives. The celebrated impressionist Mary Cassatt is having an exhibition in Paris. While in Paris, Charlotte dines at a cafe on the Champs-Elysees, watches a marionette show in the Tuileries gardens and celebrates her birthday at the Eiffel Tower. Illustrated with stunning museum reproductions of works by artists such as Monet, Degas, Cassatt, Renoir and Rodin as well as lovely watercolor collages, this sequel to Charlotte in Giverny also includes biographical sketches of the featured painters. Charlotte's charming scrapbook will leave fans of the first book, art lovers, Francophiles and readers of all ages shouting, "Vive Charlotte!" --- Support this podcast: https://podcasters.spotify.com/pod/show/avant-garde-books/support

I denne episoden besøker vi Metropolitan Museum of Art, som ligger på Manhattan i New York City. Vi lærer litt om historien, og vi ser flere flotte kunstverk, blant annet av Vermeer og Cassatt. Her kan du lese mer om mine nettkurs: https://www.kristinetghardeberg.no/no/kurs-i-kunsthistorie/   Har du noe du ønsker jeg snakker om i podcasten? Har du et spørsmål du ønsker jeg svarer på? Send meg en email på info@kristinetghardeberg.no   HER kan du kjøpe signert utgave av min bok Kunsthistorie for alle. Og HER kan du lære mer om kunst sammen med meg: KUNSTHISTORIER.NO

Don't forget to SUBSCRIBE to our YouTube Channel! Here's the link:    / @avantgardebooks   It's 1892. Charlotte and her family have lived abroad in the famous artist colony in Giverny, France, for a year, when an exciting invitation arrives. The celebrated impressionist Mary Cassatt is having an exhibition in Paris. While in Paris, Charlotte dines at a cafe on the Champs-Elysees, watches a marionette show in the Tuileries gardens and celebrates her birthday at the Eiffel Tower. Illustrated with stunning museum reproductions of works by artists such as Monet, Degas, Cassatt, Renoir and Rodin as well as lovely watercolor collages, this sequel to Charlotte in Giverny also includes biographical sketches of the featured painters. Charlotte's charming scrapbook will leave fans of the first book, art lovers, Francophiles and readers of all ages shouting, "Vive Charlotte!" --- Support this podcast: https://podcasters.spotify.com/pod/show/avant-garde-books/support

Don't forget to SUBSCRIBE to our YouTube Channel! Here's the link: https://www.youtube.com/channel/UCxtDczKFAGnBkpECH3kjziA It's 1892. Charlotte and her family have lived abroad in the famous artist colony in Giverny, France, for a year, when an exciting invitation arrives. The celebrated impressionist Mary Cassatt is having an exhibition in Paris. While in Paris, Charlotte dines at a cafe on the Champs-Elysees, watches a marionette show in the Tuileries gardens and celebrates her birthday at the Eiffel Tower. Illustrated with stunning museum reproductions of works by artists such as Monet, Degas, Cassatt, Renoir and Rodin as well as lovely watercolor collages, this sequel to Charlotte in Giverny also includes biographical sketches of the featured painters. Charlotte's charming scrapbook will leave fans of the first book, art lovers, Francophiles and readers of all ages shouting, "Vive Charlotte!" --- Support this podcast: https://podcasters.spotify.com/pod/show/avant-garde-books/support

Don't forget to SUBSCRIBE to our YouTube Channel! Here's the link: https://www.youtube.com/channel/UCxtDczKFAGnBkpECH3kjziA It's 1892. Charlotte and her family have lived abroad in the famous artist colony in Giverny, France, for a year, when an exciting invitation arrives. The celebrated impressionist Mary Cassatt is having an exhibition in Paris. While in Paris, Charlotte dines at a cafe on the Champs-Elysees, watches a marionette show in the Tuileries gardens and celebrates her birthday at the Eiffel Tower. Illustrated with stunning museum reproductions of works by artists such as Monet, Degas, Cassatt, Renoir and Rodin as well as lovely watercolor collages, this sequel to Charlotte in Giverny also includes biographical sketches of the featured painters. Charlotte's charming scrapbook will leave fans of the first book, art lovers, Francophiles and readers of all ages shouting, "Vive Charlotte!" --- Send in a voice message: https://podcasters.spotify.com/pod/show/avant-garde-books/message Support this podcast: https://podcasters.spotify.com/pod/show/avant-garde-books/support

It's 1892. Charlotte and her family have lived abroad in the famous artist colony in Giverny, France, for a year, when an exciting invitation arrives. The celebrated impressionist Mary Cassatt is having an exhibition in Paris. While in Paris, Charlotte dines at a cafe on the Champs-Elysees, watches a marionette show in the Tuileries gardens and celebrates her birthday at the Eiffel Tower. Illustrated with stunning museum reproductions of works by artists such as Monet, Degas, Cassatt, Renoir and Rodin as well as lovely watercolor collages, this sequel to Charlotte in Giverny also includes biographical sketches of the featured painters. Charlotte's charming scrapbook will leave fans of the first book, art lovers, Francophiles and readers of all ages shouting, "Vive Charlotte!" --- Send in a voice message: https://podcasters.spotify.com/pod/show/avant-garde-books/message Support this podcast: https://podcasters.spotify.com/pod/show/avant-garde-books/support

durée : 01:24:26 - Toute une vie - par : Brigitte Masson - Mary Cassatt est une peintre reconnue impressionniste mais qui aime les diagonales. Reconnue dès la fin des années 1860 par le Salon officiel, elle s'installe en France en 1874. Si elle expose plusieurs fois avec les Impressionnistes, elle ne s'enferme jamais ni dans un style ni dans une technique.

Hello everyone, This week's guest is Amanda Cassatt, Founder & CEO Serotonin, a Web3 Marketing agency. I brought her on to chat about * Scaling a Web3 native agency & what founders should choose as Marketers * Go-to market strategies that you think still work in 2024* Community launch and growth tactics * loyalty programs and the bridge to Web3* 2024 trends to watch out for and more Support the show here https://linktr.ee/supporttheooo Mint the episode here: https://pods.media/assets/10/0xf26e8f0f60ab30c4c301ad8a54bc0b00372fb337/1 Get in touch: Amanda - https://twitter.com/amandacassatt Serotonin - https://www.serotonin.co/

Join us for another episode talking about another famous Mary Cassatt painting called In the Loge. Thank you to Wilder Things Than Us (formerly My Girl, My Whiskey and Me) for our intro and outro music.

Join us as we discuss the painting A Child's Bath by Mary Cassatt.

In this episode Bill talks with Lisa Tillman and Brittany Cassatt of Beyond The Shadows. We talk about Lisa’s influence to join the Air Force and some of her experiences there, some of the oddest things the military taught her and how it’s transferred over to a love for the paranormal, mutual friends in the […] The post #260 Today's Boondoggle going Beyond The Shadows with Lisa Tillman and Brittany Cassatt first appeared on Domain Cleveland.

Special Halloween Episode!! In this episode Bill talks with Lisa Tillman and Brittany Cassatt of Beyond The Shadows. We talk about Lisa's influence to join the Air Force and some of her experiences there, some of the oddest things the military taught her and how it's transferred over to a love for the paranormal, mutual friends in the music scene, our love for Astronomicon, and why teaming up with Brittany has catapulted their pursuit of paranormal investigations with Beyond The Shadows.We also talk about their past Ghost Hunts, the glass man, certain locations they've had the most experiences at, providing healing for spirits to pass into the next world, what NFG means, future music benefits as well as planned ghost hunts, what they have planned for Halloween 2023, plus so much more. Today's Boondoggle fans can receive 10% off their orders at dreemnutrition.com by using the promo codeBOONDOG10 at checkout.Today's Boondoggle fans can receive 10% off their orders at TNT-Health.com by using the promo codeBOONDOGGLE at checkout.So kick back with your headphones and cold one for this latest episode.Enjoy our additional segments featuring music from the Flo White Show and Stories from the VFW Hall.Please Follow us on Instagram, Facebook, Twitter, and TikTok.Please subscribe to our YouTube, Rumble, Odysee, Brighteon, and Bitchute channels, and hit the notificationbutton. Remember Boondoggle Listeners Matter, so e-mail us at todaysboondoggle@gmail.com and let us knowyour thoughts so we can read them on air.Tweet us @2daysBoondoggle and Follow us on Instagram @todaysboondoggle as well as on Facebook.Please subscribe and give 5 stars and review. Every review we receive on either Apple Podcast or GoogleMusic we will mention you on a future episode and our Social Media pages.Follow Today's Boondoggle also on DomainCle.com and on Anchor.fmToday's Boondoggle logo designed by Stacy Candow. Additional music by Evan CrouseAlso please consider financially supporting us at Todays Boondoggle using Venmo, our GoFundMe, orsponsoring us on our Anchor.fm page, so we can continue to provide you with quality entertainment. --- Send in a voice message: https://podcasters.spotify.com/pod/show/todaysboondoggle/message Support this podcast: https://podcasters.spotify.com/pod/show/todaysboondoggle/support

In this episode Bill talks with Lisa Tillman and Brittany Cassatt of Beyond The Shadows. We talk about Lisa's influence to join the Air Force and some of her experiences there, some of the oddest things the military taught her and how it's transferred over to a love for the paranormal, mutual friends in the music scene, our love for Astronomicon, and why teaming up with Brittany has catapulted their pursuit of paranormal investigations with Beyond The Shadows. We also talk about their past Ghost Hunts, the glass man, certain locations they've had the most experiences at, providing healing for spirits to pass into the next world, what NFG means, future music benefits as well as planned ghost hunts, what they have planned for Halloween 2023, plus so much more. Today's Boondoggle fans can receive 10% off their orders at dreemnutrition.com by using the promo code BOONDOG10 at checkout. Today's Boondoggle fans can receive 10% off their orders at TNT-Health.com by using the promo code BOONDOGGLE at checkout. So kick back with your headphones and cold one for this latest episode. Enjoy our additional segments featuring music from the Flo White Show and Stories from the VFW Hall. Please Follow us on Instagram, Facebook, Twitter, and TikTok. Please subscribe to our YouTube, Rumble, Odysee, Brighteon, and Bitchute channels, and hit the notification button. Remember Boondoggle Listeners Matter, so e-mail us at todaysboondoggle@gmail.com and let us know your thoughts so we can read them on air. Tweet us @2daysBoondoggle and Follow us on Instagram @todaysboondoggle as well as on Facebook. Please subscribe and give 5 stars and review. Every review we receive on either Apple Podcast or Google Music we will mention you on a future episode and our Social Media pages. Follow Today's Boondoggle also on DomainCle.com and on Anchor.fm Today's Boondoggle logo designed by Stacy Candow. Additional music by Evan Crouse. Also please consider financially supporting us at Todays Boondoggle using Venmo, our GoFundMe, or sponsoring us on our Anchor.fm page, so we can continue to provide you with quality entertainment. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message

Not really a pretty day today, we undid the progress from yesterday in stocks roughly 75%. Interest rates are something to watch out for, it seems like we are selling off. the markets are more in line with the narrative of the FED as opposed to the standoff we were eexperiencing earlier this week. Crypto doesn't have much to talk about, we have been in a tight 10pt range with out much action. BTC and ETH are experiencing their lowest volumes in a long time. The Alts have also seemed to pull back today, likely some profit taking going on there. The FCC ETF approval is rumored to happen in 2024, but OSF points out that even at the point it could take more time. The Sam Spratt news has been taking over the timeline. He is launching the Monument game and releasing different hints and bits of information. It is all set to be an interactive chapter in Lucy's story, where members of the council have selected people to play. Very little information has been released yet but he is set to be on the show next week. Machi has accumulated over 200 Degods at this point. This is also following the excessive FUD they have received following the season III announcement. It seems to be a question at this point of who is holding a major bag. Yesterday Reptjar, a community member of the overlord creeps, made a proposal to farokh to change his pfp to a creep in exchange for a tattoo of farokhs punk on his arm. Argentina is looking to get rid of their native currency and adopt crypto to transact. Many currencies are collapsing against the dollar. It's interesting to see a national currency fail and create a lane for Crypto, very far from ideal but it has created an avenue none the less. Europes first spot bitcoin ETF lists in Amsterdam, great news. Zynga stepped into web3 gaming, which is huge as they are a billion dollar mobile gaming company. We had Amanda Cassatt on stage to join us. she started contributing to the space in 2015! she was CMO at Consensys during the time that Ethereum was introduced! "The market is an aggregation of vibes" "Getting people through the bear market is something we can all do together." - AmandaShe blessed us with some amazing insight and quotes along with a perspective that this the best possible time to be building. Hosted on Acast. See acast.com/privacy for more information.

Exposition Pastels. De Millet à Redon. Du 14 mars au 2 juillet 2023Enregistrement de la conférence inaugurale du 24 mars 2023Ni dessin, ni peinture, le pastel offre une matière vibrante et fragile telle une peau frémissante. Millet, Degas, Manet, Cassatt, Redon, Lévy-Dhurmer et bien d'autres artistes moins connus incarnent le renouveau exceptionnel du pastel au XIXe siècle, qui poursuit son cours au début du XXe. Avec Caroline Corbeau-Parsons, conservatrice des arts graphiques au musée d'Orsay, commissaire de l'exposition. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Wood Green and Broadstairs, 1903, from Gower Sketchbook, graphite and watercolour on wove paper, Art Gallery of Ontario, Gift of Jane and John McNicoll, 2002, 2002/9441. Displayed on a table and under Plexiglas, this is one of 8 sketchbooks at the centre of the last room in the exhibition. This room displays the two artists' works in their own right. A series of five colour prints on paper by Cassatt are on one wall, and on the others are paintings from McNicoll's travels of landscapes and figures. The vertically oriented sketchbook is 20 cm tall by 16 cm wide and is open to a small watercolour sketch and life drawings of figures in pencil on both of its off-white pages. In the right upper half of the top page is the watercolour which is slightly larger than a business card. Two thirds is of a dramatic sky with towering grey clouds and one patch of pastel blue near the top. The lower third is a landscape with still waters on the left and a sandy beach and an escarpment rising on the right. Patches of grey, blue and brown dot the beach and indicate bathers at the shore. Under the watercolour is a sketch of the rear view of a child holding a pail and walking in the sand wearing a sunhat with a ribboned band. In a sketch to the left, another child, also seen from behind, sways in a swimming dress with horizontal stripes. To the top left and bottom right of the bottom page are inscriptions. The writing at the top left reads: Wood Green May 1903. Under this are three rear view sketches of a barefoot adolescent figure in a skirt. One is standing with their arms in front of them, presumably carrying something. The remaining two sit perched on a ledge, with one facing left with their left knee raised to also rest on the wall. Writing at the bottom right reads Broadstairs 1903. Spaced around the bottom page are 6 walnut sized sketches of scenes that the artist would have seen during a trip to Broadstairs, on the coast of England. Two depict a child in a sun hat playing with a bucket on the beach. Four are of a person in what resembles a long wool bathing dress and beret-shaped swimming cap. They alternately sit up and recline, leaning on an elbow in the sand, with two sketched as outlines with only a few short strokes of pencil. Around 60 additional images from all the sketchbooks are shown on a monitor mounted on the wall nearby. The other sketchbooks in the case are opened to show drawings such as: sketches of models, females in the nude and males wearing only loincloths, seaside landscapes and village scenes, pencil portrait sketches, a young boy leaning on a staircase, women beside an easel talking in an art class, and a man standing behind a tripod with a surveyor's instrument called a Survey Transit Telescope.

Portrait of Madame J (Young Woman in Black), 1883, oil on canvas, Collection of the Maryland State Archives, MSA SC 4680-10-0010. This work is one of 5 spotlit paintings in this section of the exhibition which has 5 angled walls, giving each work its own wall. Here, each of three works by McNicoll and two by Cassatt present us with an elegantly dressed woman posed indoors. In three paintings the woman is positioned on or beside a Chintz sofa or chair. This work is 80 by 64 cm hung and in portrait orientation. The work is framed by a gold-coloured wood frame which is 10 cm wide and embellished with carved rope and ribbon patterns. A slim young white woman sits forward on an upholstered chair in a tasteful interior. She rests her left elbow on the arm of the chair and gazes off to the left, thinking. The young woman is dressed in a black, long sleeve riding jacket. It has a high collar with a small decorative swatch of white fabric at the left of her neck. Her dark hair is almost completely covered by a short brimmed black hat with feathers and a thin veil which comes down to just under her lips. The veil gives her face a light greyish hue, making her face appear to be bright between the blacks of her outfit. Her lips are rosy and suggest a slight smile. The chair's fabric is pale yellow with a floral pattern in red and dark green. Thick, long brushstrokes create the flowers and leaves of the fabric behind the woman and in a small triangle between her side and the bend of her elbow on the armrest. The wall behind her is a brownish purple of mauve and taupe hues with two horizontal lines of gold chair rail moulding on it. Hung above this and behind the top of her hat is a rectangular artwork. Against a white background it features the shape of an arch in brown and yellow which resembles the shape of a handheld fan when opened. The artist's signature is in black at the bottom right of the work. Also on display nearby is a video of a discussion in ASL between artists Rae Rezwell and Peter Owusu-Ansah about the work of McNicoll who was also d/Deaf.

The Open Door, around 1913, oil on canvas, Lent by Samuel & Esther Sarick. First, a moment to discuss the painting techniques which are hallmarks of these impressionist works that will be described in this exhibition. Impressionism is an art movement that was first named in France in the 1870s. Artists took their subject matter from contemporary life, and instead of using a highly realistic style of painting, artists created an ‘impression' of what they saw through light and colour. In each of the audio described paintings the directionality of light is evident. The artists' techniques vary but can include thick layers of paint, visible brushstrokes such as cross hatching and the layering of colours. This work is 76 by 63 cm and in portrait orientation. The work is framed by a gold-coloured wood frame which is 8 cm wide and embellished with ornate carved curlicues. In The Open Door, a vibrantly painted thicket, viewed through a door which sits opened, takes up much of the left half of the painting. A white woman stands just inside the door on the right, focused on her sewing held in her hands. The colours in this piece are muted bluish greys with the exception of the brilliant bright yellows of the foliage, which is one the painting's focal points. The woman is slim, young and dark haired with her hair pulled back and worn up. She wears a collared, white floor-length dress cinched at the waist with the sleeves folded to her elbows. Her back is to the door and her slightly raised shoulders are curled forward. Her mouth has fallen slightly open as she focuses on a small swatch of gauzy white fabric or lace. She holds the cloth up for examination close to her face, the tail end of which falls to her waist. Inside the door to her right is a dresser with a mirror that has a gold candlestick and silver metal kettle on it. Out the door, the lush tangle of bushes and a tree glistens with the daylight that filters inside and highlights the woman's right shoulder, collar, knuckles and skirt. Leaves are indicated with a cross-hatched texture that fill the entire outdoor view. On the far left, on the back of the open door, hang a coat and hat. The woman's short shadow is cast against the wooden floor. This work is paired with a Cassatt painting which hangs to its left and is called Young Girl at a Window. It features a young elegantly dressed woman sitting with her back to a window opened to the Paris skyline.

Amanda Cassatt, the founder of Web3 marketing firm Serotonin (the world's leading Web3 marketing firm and product studio) and a former Chief Marketing Officer at ConsenSys, joins Randi Zuckerberg in the Crypto Café to talk about her new book "Web3 Marketing: A Handbook for the Next Internet Revolution”!

My guest on today's podcast is Amanda Cassatt, Founder & CEO of Serotonin, a leading Web3 marketing agency and product studio, and Co-Founder & President of Mojito, the first venture to spin out of Serotonin.  Most importantly Amanda has written an awesome book, Web3 Marketing: A Handbook for the Next Internet Revolution, which has just hit the market, so make sure you grab a copy for yourself!  This was such an awesome interview and I'm sure you'll get a lot out of it. 

Natasha and Deana interview Amanda Cassatt, founder of Serotonin and author of the new book Web3 Marketing: A Handbook for the Next Internet Revolution. They talk about brands entering the space, and the importance of root ownership for consumer onboarding. They also discuss the differences of marketing in web3 vs. web2, and the unique incentives in web3 that create long-term sustainability.  A must-listen for marketers! --Subscribe to the free Boys Club weekly newsletter.--

“Pastels du musée d'Orsay” de Millet à Redonau Musée d'Orsay, Parisdu 14 mars au 2 juillet 2023Interview de Caroline Corbeau-Parsons, Conservatrice des arts graphiques au Musée d'Orsay, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 13 mars 2023, durée 17'35.© FranceFineArt.https://francefineart.com/2023/03/16/3405_pastels_musee-d-orsay/Communiqué de presseCommissaire :Caroline Corbeau-Parsons, Conservatrice des arts graphiques au Musée d'OrsayLe musée d'Orsay exposera au printemps prochain une centaine des pastels de sa collection, riche d'environ 500 oeuvres. La dernière exposition de cette ampleur à avoir été consacrée aux pastels du musée (Le Mystère et l'éclat) datant déjà de 2009, cette nouvelle présentation permettra au public de découvrir ou de redécouvrir ces joyaux de la collection où brillent les oeuvres de Millet, Degas, Manet, Cassatt, Redon, Lévy-Dhurmer et bien d'autres.Le XVIIIe siècle est traditionnellement considéré comme l'âge d'or du pastel. Médium sans égal pour rendre les effets de matière et le velouté de la carnation, le pastel est d'un usage alors bien souvent restreint au portrait, auquel il se prête particulièrement bien. Si son art passe de mode au moment de la révolution française, il connaît toutefois une véritable réinvention entre la seconde moitié du XIXe siècle et le début du XXe, ce dont témoigne de manière exceptionnelle la collection du musée d'Orsay. La gamme de pastels disponibles s'étend alors aussi considérablement tant en termes de nuances que de textures, ce qui ouvre la porte à tous types d'expérimentations et de pratiques.L'exposition mettra en avant la singularité du pastel, ni véritablement dessin, ni peinture, et le rapport immédiat avec la matière qui lui est propre. Le pastel est en effet essentiellement constitué de pigments purs, et crée une fleur en suspension sur le grain du papier ou la toile, dont la vibration fait la beauté, mais aussi la grande fragilité. Pour Ernst Juünger, la sensation tactile relayée par l'oeil que suscite le pastel le classe parmi les « arts érotiques, et il y a quelque chose de symbolique dans le fait que son velouté, le prime émail de ses couleurs, soit si prompt à s'effacer ». Multiforme, il permet toutes les modulations, du vaporeux de l'estompe aux hachures les plus vigoureuses, en passant par l'ondulation, la virgule et le pointillé. Il est significatif qu'un artiste comme Degas l'utilise de manière quasi-exclusive à partir de 1888-90, l'élection du pastel marquant l'aboutissement de ses recherches assidues sur le dessin et la couleur.L'exposition s'articulera autour de huit grands thèmes soulignant le renouveau du pastel à partir de la seconde moitié du XIXe siècle. Les thèmes en question correspondent aux nouveaux sujets et genres auxquels s'étend la technique sous la période. Après une introduction sur le pastel et sa singularité, « mariage d'amour de la couleur et du dessin » (José de Hérédia), la première salle, Sociabilités, s'intéressera au portrait au pastel, dans la continuité du XVIIIe siècle. Terre et mer, où Millet régnera en maître, mettra en lumière en quoi le pastel passe outre les sphères mondaines pour s'atteler à la noblesse de la vie rurale. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Amanda is the Founder & CEO of Serotonin, the leading web3 marketing agency and product studio. Amanda sat down with us to discuss 6 web3 concepts that businesses and creators must plan for in 2023. They are; the future adoption of NFTs, what community means to web3, web3 marketing, web3 social and the creator economy, the conflict of open and closed worlds, and the new economic survival of DAOs.

Web3 allows for new and exciting ways to market your products or services but it doesn't allow you to skip over the fundamentals. Amanda Cassatt explains this beautifully in this clip from our DOer Spotlight with her.

Amanda Cassatt joins to highlight what strategies are helping Web3 brands stay aloft in the bear market. Plus: Cam goes to CES, yells into a box.On “Carpe Consensus,” hosts Ben Schiller, Danny Nelson and Cam Thompson take a look at the state of non-fungible tokens, Web3 and the metaverse with Amanda Cassatt.[1:50] Inside the Desk: NFT marketplace SuperRare cuts staff by 30% and Cam gifts her dad an NFT, with mixed success.[9:19] Amanda Cassat: Where can Web3 companies go from here? Cassatt emphasizes the need for utility that lasts beyond the hype.[22:00] Cam's Corner: Cam recaps the Consumer Electronics Show (CES), where Web2- and Web3-native companies showcased competing views on the future of the metaverse. [28:41] Cam's Corner IRL: Cam features audio from CES interviews with Justin Hochberg and Sandy Carter.What's “Carpe Consensus?” CoinDesk's newest podcast is for crypto fans and fiends, DeFi degens and non-fungible enthusiasts, while welcoming the crypto curious. Each week, hosts Ben Schiller, Danny Nelson and Cam Thompson thread together the biggest themes in crypto. Consensus speakers and guest experts join the hosts to pull back the curtain on all things crypto and Web3, providing listeners with a balanced look at the state of the industry. Tune in weekly on Thursdays on the CoinDesk Podcast Network.Join the most important conversation in crypto and Web3 at Consensus 2023, happening April 26–28 in Austin, Texas. Come and immerse yourself in all that Web3, crypto, blockchain and the metaverse have to offer. Use code CARPE to get 15% off your pass. Visit https://consensus.coindesk.com.-“Carpe Consensus” is executive produced by Jared Schwartz and produced and edited by Eleanor Pahl.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Amanda Cassatt joins to highlight what strategies are helping Web3 brands stay aloft in the bear market. Plus: Cam goes to CES, yells into a box.On “Carpe Consensus,” hosts Ben Schiller, Danny Nelson and Cam Thompson take a look at the state of non-fungible tokens, Web3 and the metaverse with Amanda Cassatt.[1:50] Inside the Desk: NFT marketplace SuperRare cuts staff by 30% and Cam gifts her dad an NFT, with mixed success.[9:19] Amanda Cassatt: Where can Web3 companies go from here? Cassatt emphasizes the need for utility that lasts beyond the hype.[22:00] Cam's Corner: Cam recaps the Consumer Electronics Show (CES), where Web2- and Web3-native companies showcased competing views on the future of the metaverse. [28:41] Cam's Corner IRL: Cam features audio from CES interviews with Justin Hochberg and Sandy Carter.What's “Carpe Consensus?” CoinDesk's newest podcast is for crypto fans and fiends, DeFi degens and non-fungible enthusiasts, while welcoming the crypto curious. Each week, hosts Ben Schiller, Danny Nelson and Cam Thompson thread together the biggest themes in crypto. Consensus speakers and guest experts join the hosts to pull back the curtain on all things crypto and Web3, providing listeners with a balanced look at the state of the industry. Tune in weekly on Thursdays on the CoinDesk Podcast Network.Join the most important conversation in crypto and Web3 at Consensus 2023, happening April 26–28 in Austin, Texas. Come and immerse yourself in all that Web3, crypto, blockchain and the metaverse have to offer. Use code CARPE to get 15% off your pass. Visit https://consensus.coindesk.com.-“Carpe Consensus” is executive produced by Jared Schwartz and produced and edited by Eleanor Pahl.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Regina Barzilay, a mathematician, comes on the show to talk about her work on decimalizations and decubitus.

Sometimes you need to be more than a realtor, you need to be a local celebrity brand. This means staying on the forefront of your database in more than one way. Don't just talk to your clients, love on them.Amy Stockberger, founder of Amy Stockberger Real Estate, is the Broker/Owner of one of the top 50 highest producing teams in the nation. Amy and her team have helped thousands of people find their dream home.Three Things You'll Learn in This EpisodeHow to diversify your offering.The difference between marketing and advertising.How you can stay top of mind with your database.ResourceCheck Out Amy's WebsiteReal Estate Marketing DudeThe Listing Advocate (Earn more listings!)REMD on YouTubeREMD on InstagramTranscript:So how do you attract new business, you constantly don't have to chase it. Hi, I'm Mike Cuevas a real estate marketing. This podcast is all about building a strong personal brand people have come to know, like trust and most importantly, refer. But remember, it is not their job to remember what you do for a living. It's your job to remind them. Let's get started.What's up ladies and gentlemen, welcome another episode of the real estate marketing dude, podcast, what we're doing here today focuses, we're going to talk about how you run a local celebrity brand. Start loving on your clients, not just loving on your clients, but obsessively loving on your clients, and how and why that turns into business. Before we introduce our guests, I'm gonna paint the picture very, very clearly for you guys. Andthe client experience matters period. All right, people don't remember what you did from remember how you made them feel. And the highest likelihood of generating more business in a real estate transaction is during the transaction with a client. The number one goal of each transaction that you're doing when you're working with a client is not to sell the house. That's the number three goals. The number one goal is to first impress the client so you can lock them in for a long time and repeat business. Number two goal is to create spin off business from that transaction so you can make more money. And then the number three goals actually sell the house and close the deal in that order. Now, what I want you to challenge you guys with today is what did you do during the course of the transaction that people actually remembered? Because that's what we're gonna be talking about today. The reality is that 80% of buyers forget their agents name within six months of closing the transaction. And in a business that's dominated by 80 plus percent, being referral. Using the past or people you personally met, it is impossible to run a long term real estate business without running a business and building a brand and creating an experience that people come back to. Can you imaginegoingto like a Michelin restaurantand having a shitty experience?No, that's why you're paying $800 A plate. And people will gladly pay for things and will gladly refer things that they enjoy that other people will enjoy too. So what I want to dial in today, so much is about the customer experience and how you're conducting yourself throughout the course of the transaction. And that's what our guest today is going to chat about. So without further ado, we're gonna introduce our guests coming straight out of Sioux Falls. I think it's South Dakota, South Dakota. Amy stock burger. Hi, Amy. How are you? I'm great. Thanks for having me. Mike. Why don't you tell our listeners a little bit who you are, who the hell you are, what you do and where you're at. And we're gonna get into this questions about what you're doing with your VIP program that had you guys close it what 159 closings last year? So like, we did 559 559 Whoa, 400 Okay, yeah. Go out again. Introduce yourself a little bit. Yeah, I mean, me stockbroker, ami stockbroker real estate. So I'm a broker owner of a team ridge. So we still run as a team. I've been doing this for 22 years, my husband and I run this together, we're family owned, we have a tenure of our agents of about an average of six years. So we have a system and strategy to keep our process sticky for agents as well as a lifetime leads strategy that keeps our business as a referral based business. So working with the clients that we want to work with, they don't drag us down. And having that referral, this base business being the the far, far screaming majority of our business, providing lifetime home support, which you said it. It's before, during and after. That's what we really excel at. And that's what my whole model is built around our foundation is being there for our clients before, during and after. Because the before and the after are oftentimes more important than the during it's that relationship base. Yes. And that's a more one of my brokerages core core values is that we're relationship based people because humans crave that they crave that relationship and know that they're being cared for and taken care of for life. And by doing that, we turn our clients into referring machines. So I actually termed the the term lifetime lead strategy because that's what I built my foundation on is that it uses unique propositions to stay top of mind as our clients lifetime Home Support Team, which results in them being our lifetime referral partner. I like it. Um, I actually met Amy, and I didn't know who she got, I get we get I tell you guys every week you pitch on the show. Oh, really? Sure. We're gonna show most we want to sell the shit. Great. If you have good content, you come on the show. But I knew Amy from somewhere. And thesecond time I talked to her I was like, Hey, I know you from somewhere and Amy's in Sioux Falls and Ramsey if you're listening to this, I'm calling you out right now.We're doing videos for a guy in in Sioux Falls. Ramsey we blew his shit up. We got him picked up on the news within 10 weeks of starting video. He got picked up on the new station brand new agent crushed it and then he stopped doing video. Listen, dudeWhatever brings you to the promised land you never stopped doing, you double down on that, because this gal is now kicking his ass, because she just started doing consistently and she got into the game probably eight months after him. And you just blew him away because you started creating more content and all that. So we're going to talk about your content creation a little bit. But hey, I gotta call you out Ramsey because I told you what not to do. And now Amy is eating your lunch. So don't let her eat your lunch anymore. Okay. All right. So let's get down to the work can work for my brokerage, let's go together, come over here. That could also be an option. All right. So what we what's so impressive with Amy's doing you guys is that she really understands customer experience. So we're gonna dial this in. And Amy has not only several different profit centers around the transaction in addition to commission, but she positions herself as like the one stop shop and so many real estate agents say this Oh, I'm a one stop shop. No, you're not. Here's what a one stop shop is okay. You have the attorneys, you have the contractors, you have places to buy heating lamps, you have rugs, you have carpet cleaning, you have movers, you have this, that's a one stop shop, like actually having every resource surrounded around home remedy is the one stop shop agents who claim their one stop shop, a lot of them are just like, oh yeah, I help people buy, sell and rent. I'm a one stop shop.That makes sense. 100%. So how are you guys just one stop shop, I want you to tell everyone from yesterday and I want you to walk through and I'm a buyer or I'm a seller, what's the difference between you and everyone else so everyone understands what your unique selling proposition is? Okay. Besides being the most specialized experts and connecting buyers and sellers, investors Reapers within our market, we also have a lifetime Home Support Foundation. And what that means is our clients get access to our VIP Club, which is one of the pillars of our lifetime home support. We have a lot of pillars of them, but that's one of them. So one of the pillars is that our moving trucks, they get free access to our moving trucks buy or sell one time free access for life. We have a enclosed trailer as well. We have moving supplies, there's a pain point and moving no matter what price point you're in, whether you're in a 2 million, or you're in that 200,000. So I have people who are sold houses to 20 years ago who come back and use my trucks to go buy a couch, they don't want to pay 100 bucks for on a $10,000 couch so they get access to our moving trucks. But when I put that moving truck VIP part into our pillar into my business, I also monetized it right away. So I make money off of my truck right away even though it's being used by my clients. That's the foremost the fourth most important part of that filler is I get client experience out of that it has the second part is I'm making revenue on it. And then right next to that is my market share and getting because my branding is out there on everything. So my trucks are on the road, they get 600 impressions per mile. And it's it's monetized going you bought a truck, moving truck. I've seen people buy moving trucks and then usually like the time they let the clients use it as either just part of the move. But you actually keep this moving truck open for any client to use it at any time. Yep. And and you charge for it too, right? What do you make more money on? Yeah, we charge advertising space on it so so I sell the ad space out to my affiliate partners. And so we have two trucks now adding our third and 23 and we also have an enclosed trailer and a flatbed trailer but again, everything has my brand on it My brand is part of my soul. And if you're not branding, your your business you are missing out on so much. I think that's a big you, people. Yeah, if you're not branding your business, you're just a salesperson chasing the check. Oh 100% 100% And if you're not into speak to lifetime home support, same thing with just chasing a check if you're not in this to really help people it isn't going to last anyway. So So again, our foundation is Lifetime support. So we got it that was our first pillar but almost at the exact same time and my VIP club, I decided to add my party and tool sheds shed concept as well. And basically what that is is anything that they would ever need to have a party so banquet tables and chairs, bouncy houses, commercial grade food warmers, cotton candy, snow cone, popcorn, hot dog machines, so splattered anything but what I did with all those though, is I blasted my brand on all of them. So I have my stickers everywhere so people go out they'd get my stuff can rent it for free for their parties, graduations everything. They have all their friends and family over my brand is everywhere. Where do you get all this free stuff? Maybe stockbroker? Why would they not use this? So you buy you buy? That's genius. So let me make sure so everyone understands us. So you got so one, you have a truck that you sell ad space on and you give to your clients for free to trucks and you're going to be three then you created basically a party rental company that you let your clients use again for free. So if I'm having my kids graduation, I could call you up and get a bouncy house. And and some tables and chairs. Yes. And some heat lamps because I'm freezing my ass off in South Dakota right now. Yeah, you can get all that but because because we like we have over 2000 reservations a year from our VIP program. I had software created to make it a one stop shop for our clients which I'll jump back into but again myAs team leaders in brokerages, you have to think about the consumer mindset, after they buy, you need them that the reason we advertise, you know, I did billboards forever and ever and ever I spent, you know, 25 to $30,000, a year on billboards, and those billboards were out there not necessarily to attract a new client, they were out there to remind the people who already know liked and trusted me to refer me to all their people who are making life changes. Yeah. So the software I had created is a one stop shop for my team leaders and brokers. Because again, once that consumer is done with a transaction, they're not going back to your website. They were there to research you, they were there to look at houses, they're not going back to your website. And they're either looking at your social media, yes, of course, they're out there looking at those things, but you need a place that's engaging for them to be that you're top of mind. You know, a Millionaire Real Estate agent said it the humans had two spaces in their brain. For realtors, our job is to pop the other one out of their brain and just stay forefront state and stay relevant for them. So I had software created, where our clients can go out and get access to all of our equipment, they can prove that their own time, make the reservation, all my feeds, my social media feeds are up there, my blogs are up there, they can refer us easily they can review us easily they can check out our listings, I sell ad space on a tour HST our home support team partners, and it just keeps us relevant and top of mind in front of them. So they can do that with our party shed our moving supplies, which we also have boxes and things like that, that we give out for free. The boxes branded to I don't we just burned up on Amy, you're slipping.I burned through them so fast because like she says get them get them going. But then then we have our tool shed. So our tool shed is consist of things that people don't want to rent buy or store that they're going to need for every season of homeownership. So it's like wheelbarrows, ladders, different tools. We have commercial grade paint sprayers, carpet cleaners, things like that, that they can come in use for life for free as well. Interesting. Sounds like what you got your own little Home Depot? Exactly. Commercial grade, you know, fans to get water in their basement. We have the carpet fans, we have the carpet, stretchers. I mean, it's literally anything that they wouldn't need for homeownership. I have and let me just rewind real quick. All right, this is the third VIP product that she has, okay, look, do you not notice what she's saying here guys, is the content of the show every single week is top of mind, top of mind, Top of Mind top of mind, we have to be marketing, always art marketing isn't advertising marketing is a subtle reminder that you're still there to remain on top of mind. Because if you're always advertising to your database, you're just another, you're just selling them stuff and they're eventually going to tune you out. Same way, if you talk about work with your wife all day long, she's going to tune you out too and start cheating on you with the milkman. So the whole point of being is that you have to remain in communication with your database. Not always through verbal, but sometimes through visual sometimes through social all of the above. And what she's doing is she's interjecting her brand, into a value added proposition around home remedy. So number one is you have a moving truck for any and all is like I just bought a couch or not a car, I didn't buy the couch, I was going to buy this couch, I want to buy it off of Facebook. But this a great deal, I'm gonna put this thing in my garage is perfect. But I didn't have a truck to go out there and like pick it up, and I wasn't gonna hire the truck to go and pick it up. So it's better off just buying a new one to have it delivered to me. So in your case, you're saying, Hey, I have all these I have this truck you could use whatever you want. That's part of being a client of mine is this the right role that you have has a party thing. So if you have parties, you can rent her stuff and because that's something that you would do at your house, obviously, she has a tool shed for like that's, that's amazing. Think about how many people need to clean their carpets once a year and what who's going to not hire youever if you're giving them all this stuff for free. So that's product number three of the VIP program. So there's three so far. And again, keep in mind that that this is not just for that first time second time buyer I have I tell the story all the time. I have a physician, a physician I work with this one just slays me because he can afford to buy rent and store anything he wants. He's never done it. He comes down he wants something new to my club. I add it in I put it in there because he's here using knowing that he doesn't have to deal with that shit. It's just all there. And again, my name is on everything. I have stickers big and bold. My brand is everywhere. So there's it's not even on like the carpet cleaner. Like your stickers around the carpet cleaner. I'm thinking of the one I just bought. I bought I rented from Home Depot. Like last like six months ago, I was doing the carpets in our house and ran it from Home Depot which they never worked by the way. They're always broken. Yep. And but you would have like your stickers all over that. Oh my gosh, I have them everywhere. And since I've done this for so long, I started my VIP club end of 14 beginning of 15. We know what products are durable in which ones consumers our clients want and need. So we've we've already done all the heavy lifting on this because we've been through the equipment. We know what bouncy houses suck. We know which ones are gonna last half the summer. You know we have all that taken care of like it. All right, do we have morethan we have a discount center that our clients get access to for life and this has a lot of additional lead generation attacks.add to this, as does my truck, and my party and tool sheds. But it's a discount center where our clients can save over $5,300 a year on big brands over 100,000 big brand products and in retailers like Nike Walmart, Under Armour, there's free travel in it, there's free hotel stays, it's just a really great product that they can implement in to their normal buying of what they're going to get throughout the year. And they also get cashback so they get a discount center that I bought exclusivity for all the South Dakota, nobody else can offer that up in South Dakota.Gotta get that. So I'm looking at like, this is probably equivalent. I don't know if I have one here my wallet I'm looking but I got a I think this is for my one of my kids has like a I think it was the baseball or soccer league, where they give you like a card that has like a 15% discount towards the following retails retailers, right. And like ones like the bagel shop, one's a local pizza shop. And as long as you have this card, you can always get 15% off. And so same concept, same concept, but it's national retailers. So it's the big brands, and you can get up to 85% off on some of these big brands. Same concept on that, though. Correct. And then there's a lot of you have your own.You have your own Costco. Yep, we have our own discount center there. Yes. And then another part of it is my home support team partners. Again, there's a lot of a lot of seasons of homeownership, and they need a lot of different vendors, services, things that are going to come up during the all those stages. So what I've done is I partnered with, I feel the best of the best. And we're constantly growing our home support team, with every type of industry that our buyers and sellers are going to need throughout those stages. So obviously the lenders and inspectors and title companies yet, but we have H back we have young carpet cleaners, we have restoration companies we have we now are putting you know services on there. We have restaurants in there, we have entertainment venues in there, we have all these, these people in my home support team that we're offering up to our clients that give them preferential treatment, because they're a stockbroker, real estate clients, and oftentimes preferential pricing. So again, and I have one in my my software I created, it's just that one stop shop for them to go to, to have access to all of these things right there. So they also get access to that.Anything else in this VIP? Well, then another big thing on this is what we do, again, just thinking as the team leader broker on this, we offer all of these things out to nonprofits for free. So again, great, it's great for your community, give back data. And that's what you want to do. And if you're not an entrepreneur who wants to give back to your community, again, you're not in it for the right reason, you should want to do that. So how do you get back into your commissions as a broker to one of these charities on top of that? Yep, so CASA is one we give a percentage back every month to our Casa that's a big part of my heart. I worked in an abuse shelter in college. And now the director of our local Cassatt actually was one I worked with back in the day and she's she does such an amazing job with our kiddos here in town. So yeah, we get a portion of everything every home we sell we as the brokers give back to Casa. So I mean, just the loan on that I've seen people we created pro get back programs for that are just millionaires today, because I think that's how God repays you, but it's justwow, like, you're literally chucking on all cylinders, theart she's got, she'sgoing, all right. This is not a new concept. But this is when I don't think is really used to the level it can be used is your client events. We host big client events in the give back we have on that is huge, I usually get anywhere between three to four new leads every event we do from these people, again, who can't it's a law of reciprocity, my entire foundation on top of giving, serving and and wanting to build my business is, is again the law of reciprocity, they somebody gets something they want to give you something back and kind so they it's just making them more obligated just by human nature to refer us and review us. And so like our client event, we just hosted our 17th annual Turkey giveaway and we do a free Santa Claus pictures at the same same thing we gave away close to 600 turkeys, we had over 1100 clients in our building, which was friggin amazing, you know, to have that many intercompany events per year are you guys doing? Well, we do a minimum of three this next year we're going to be doing six we do a lot of little ones. But we do three big ones. We do our turkey and Santa event. We do an ice skating event, and we do it on an ax throwing bar. And so we do a date night a lot of our kids kid based and so we shut down our bar and let them throw axes and give them drinks and food and have abeer you can't go wrong with beer and axes like no matter what like if you give me some beer give me an x go with it like your You had me at beerin September when the when the parents are like, Oh, we're going back to school. It's time for us to go out.Smart. Yeah, soLet me just sort of unpack here for the audience, you're creating a whole lot of different local community based services that keep you at the forefront in a value serve first way without ever having to talk about real estate's genius.Now, this doesn't happen overnight, I'm gonna segments a show into another direction in a second. But I'm sure you started one of these at a time, like you probably started with a truck. And then you started with this. And then you went over here into that just so people don't feel overwhelmed, like you could do this, you guys. There are so many different transactions circulating around a real estate closing, that it represents roughly 25% of the services or the workforce in America. And like, we don't think that way, though, typically. And the reason why you have so many of these, like, a lot, some of them are going out of business now. But the reason why you'd have like, the Zelos, and the open doors, because they're making money on the escrow and the mortgage and everything else around the transaction, not necessarily buying the transaction, right. So this is a mindset shift, I've seen a lot of people look at selling solar, we're about to start selling solar leads to real estate agents, because they're making money on solar. But that's another ancillary service, maybe not in South Dakota. But that's another ancillary service that is a profit center that a realtor can get paid on.But whether you're getting paid on these or not, it's just a bunch of excuses to stay at the forefront. So next question I have is how do we market this? Okay, how do you get people to know about this? How do I tie in the VIP program throughout the course of the transaction? And then how do I get them actually using it? Because it all sounds really good. But then how do I actually get them to start calling me entire? How are you marking this? I'm sure you got some kind of thing going on, like walk me through all that. Yep. So Mark Twain said, There's no such thing as a original idea. It's just impossible. So again, I did create this I, I used it from all these different things that I learned and I went through and I fail forward over and over and over, I say all the time I have a PhD and failing forward, I can fail forward over and pivot and make the mistakes. So I've made all the mistakes to perfect the process. So what I've done is I I've created a course called the copy and paste formula to implement and monetize your VIP club, that basically within six weeks, somebody can take everything I've done since 2015, and implemented into their business then to their business. So we have a step by step, no shiny object process to give them everything they need to get the VIP club into their business, and then how to monetize it, and then how to use it for the additional additional lead generation options that are out there because there's so many additional lead generations that bring in more clients more market share for us from this, because it's just easy is once it's out there, it's just easy. But you but I have everything they need from marketing, every marketing template they have from press releases to their scripts for their agents, their killer 32nd. Elevator Pitch is for their agents, their isa scripts, down to all their operations. I'm a Systems girl and I truly believe you cannot scale without systems. And so I'm very systemized And so giving them all of our systems we have for operations from onboarding and offboarding admin and agents with your VIP just to make sure your brand consistency is huge. And I'm sure you know this, but brand consistency is like one of the biggest things you need to have. And I think there's a stat I just read that your business will sell for 20% more if you have brand consistency, and agents it's the reason why when you go into a Hyatt The pillows are fluffed the same fucking way every single time. Yeah, it's the reason when you go into a high end restaurant that the food doesn't taste different every single time because if it did, that wouldn't be a high end restaurant. Yep. And like, what's crazy to me is that nobody has a system in this business. I'm system students all I care, I never, I just have a system and your business is just something you do over and over again. Alright, let's not make this overcomplicated. It could be I'm gonna walk you through a couple super simple, stupid, simple systems that you can implement in your business. And all it is is a checklist item. Yep. Right. So here would be a stupid simple system. Every time I got a referral, I would send out a million dollar bill with a $10 gift card that says Thanks a million. That's just a small system. Every time I had a closing at the final walkthrough, I would make sure to get the Testimonial Request at that point because I would never get it post. That's a system. Yeah. We're seeing the referral behavior is what I call it. You're reinforcing referral behavior. Done. Yeah. Like it. Yeah. Yeah. And I agree. There's justwithout systems you can't say like, it's kind of a joke in my business that when I say checklists, they say drink because my checklists are living breathing things. Okay, we're updating it. We're changing and they live and breathe within there because they have to. We see I mean, and I tell my agents, you know, one of the benefits of working for my brokerage is I've made all the shit and mistakes so everythingthat you that I'm giving you is a checklist and the processes that you don't have to make them because I've done it. And so now I have a system to make sure that those things don't happen. I have everything in place to make sure you can scale. And my vision is to build big juicy legacies for everybody within my ecosystem. And so I'm doing that through my systemization of what I've given as a proven process of success.We're the highest producing team in the state of South Dakota. mine personally the highest producing agent in the state of South Dakota. We are number 23. In the United States, we're a small team, we're Small Giants, you know, we had 15 agents 23 in the United States on transaction count. Yep. Transaction. Yeah, cuz volume in South Dakota is not going to be like volume in Southern California. No, no. Yeah, our average like, it's like 315 for sales price. Yeah. 2500 deals, it'sno, when you're so like, this was when I'm your client, I'm a buyer. I'm buying a house. How walk me through just like how you position the VIP club? And and at what point is it like at the buyer presentation to consult when I heard before I start working with them? Is it is it always like throughout the course of the transaction, and your agents like saying, oh, when you have a quote, like because certain things are gonna happen, it's like, oh, when we get a home inspection, so here's what you could do. Here's our VIP cup. So this carpet isn't that clean, but you could rent this from us, we'll give it to you for free, you could clean it afterwards. It's from the very beginning, depending on if it's a face to face, or even if it's a web lead, I can talk you through like maybe a web lead coming in web lead, it's in every drip every isa script that they get that that's what they're being told right away that our lifetime home support model. So they're being told about everything that they get with us. It's also it's a marketing sheet that we have, if it's the driveway buyer presentation, if they're not coming in, and it's just they want to show, they're getting that right there. It's the hook. Because again, consumers humans, I should say, in general, are so so so impatient, we want instant gratification with everything. So we need those hooks to keep them with us. Because we know what they're calling us. They're calling five other brokers to so my agents are trained to use our scripting on our homes of our lifetime home support model right away, because why wouldn't they go anywhere else. And that's a big thing, too, I guess to speak to, I have, I'm creating this other course my homes, how to how to, you know, monetize your home support team partners, because that program, that part of that pillar of my business, brought in close to $300,000 last year, because I charged my vendors $3,300a year to be a part of that program. And I have a whole system I put together and how we advertise for them what they get all this process, and they pay to be a part of it, because they want to first they're gonna get good branding and marketing out of it. And they get to be in front of my clients. But I did that again, threefold first for my clients to have lifetime home support. So they get access to all these great vendors that they're going to need to help them then build those those peoples those local people's business, second revenue, obviously getting my additional revenue for my bottom line. Third, to get in front of their employees, I want market share, I want market share, I want market share, I want market share. So to be a part of my home support team, I have to have certain amount of times that I get to present my lifetime home support model to their employees. So once I get in front of them and tell them about what we're up when they have a life change of anybody they know why the heck would they haven't looked at anybody else? Yeah.You're like one of the few people I've met that can literally answer like we brand people and I'll get like, you know, way to build someone's video series or whatever. And I was asking what's, what's the difference between you and every other agent? And no one can answer that question.You canvery easily and you could do it without thinking about it. And most times, it's sort of like this. They're like, Well,I really look out for my clients.That's your fucking fiduciary. Okay, yeah.Like, that's not a pitch anymore. It's not a USP, like, I care about you.What?You should be in the business because you care that should be given 100% the best one I like is when a lender is like, Oh, I'm going to answer my phone.Isn't that your job? Yeah. Or like when someone hasn't like these are assumptions, right? And even like for you mortgage brokers listening, or any other service provider, telling us or telling like when they're trying to recruit real is telling us that you're gonna do have good service isn't a USP that's expected. Like no one ever says, Hey, come eat my food. It's gonna fucking suck. Yeah.Break. Yeah. Oh, I have the best service. Well, that's why your business you shouldn't have to say that. Because the fact that you have to say it already tells me that you don't have confidence in doing it anyways. And so does everybody else knows the same thing. Yep. Yep, one thing too, I feel.And if you're if some agencies or teams are completely against it against this, I get it. But when I started my VIP club, I also added a transaction coordination fee for my clients. I started at $199. We now charge 499.We don't get anybody toscoff at it because the value of what they get even in one year between my discount center all my HS HS t my home, you could justify you could justify no down when Sam Yeah, they're getting likely $10,000 a year worth of savings, can they opt out of it? Wait, really they have to, they have to the agent, if they opt out and the agent can't get him to sign it, then it's an agent paid. So I'm just gonna do the math on that. Okay, you guys we're talking about and this is buyer or seller? Yep, $500 times 539 transaction. This is another 260 $270,000 of annual revenue just off of a transaction fee. So people are like, Hey, how do you pay for this stuff? I think it pays for itself. Oh, gosh.And again, I have the whole system on how to monetize it all. So my trucks, my trucks, it's not a big thing that my trucks make us about $22,000 a year because of the ad space. And we just added an additionaladvertisers row is what we call it sponsors row on them. So I'll have additional ad or revenue on those. So my trucks in my enclosed trailer. But so I have a whole system to monetize it, how to sell it to the contracts, all of that to get your trucks monetized. And again, agents in teams of brokers need to keep this in mind that this is a marketing vehicle for you. Branding vehicle for you. Yeah, this is a what kind ofwhat lead sources would you stop paying for that had a shitty ROI? I mean, what? Yes, exactly. There's so many lead sources that agents just because I think our industry is the biggest one that just throws money at dumb things that don't then they don't check their ROI. But this is a branding vehicle that's out here you're making money off of we don't throw money. This industry throws money at bad things that doesn't follow up on I mean, it's ridiculous. Like, we're so in the pray and spray mentality where we just try to hire somebody, like people will try to hire us think that we're gonna fucking make them rich, okay, no, we can't make you rich, you have to do the videos, and then you will be or you'll be successful, right? You still have to put in the work whether or not you're hiring us or somebody else that's going to get in there and, and help you build your brand or whatever you're hiring for. Right there. You still have to perform on your end, there is no such thing as a magical bullet. Like everyone likes to go out and get this great big tech and these auto responders that no one ever actually builds out, because it's way too advanced for them. But it feels good to have it because someone else said you should. Mm hmm. And you want to try to get it because you think your competitor will and so you want to compete and pick up that and and right now more than anything, don't you feel this is when you should do it in every market, every market but with this market shift, knowing that there's less opportunities, there's going to be less opportunities next year in our market, there's just going to be less houses that are going to sell there just will be what's going on. Now it's time to lean in to your only thing I would be doing right now is loving on my soI and I'm going to focus on any type of prospecting or lead gen. It's going to be a very specific niche. We're doing it we're doing motivated seller leads. That's it. That's our advertising and motivated seller leads we're looking for high distressed people. Those are all I'm spending money on for Legion. Everything else is brand smart. Yep, that makes complete sense. People ever wants Leads leads leads, but who cares? I want closings closings, closings. Oh yeah. I don't like chasing after people that I like when people come to me. That's what happens when you have a brand guys and there is a difference between branding and marketing. And I would say you're you see a lot of the same gurus I do. But even within the last two to four years, I started to seven years ago and I'm like You guys gotta be marketers. I'm gonna talk about marketing then in content creation, literally, the industry Evers lead gen, everyone's talking about how to convert Zillow leads realtor.com leads how to call expireds how to call for sale by owners and all these old school type prospecting techniques that the reality is is that are really cut out for maybe about 4% of the industry that will actually succeed at those types of tactics. But the only tactic or any marketing thing that will work equally with every single person that implements that is marketing and building a brand off the database you already have because within that database they already know like trust and love you and a certain percentage of those people to the tune of 10 to 15% will be moving this year with 100% of them having a referral for you the question is whether or not they're going to use you or not. When you're top of mind those chances increase very greatly. This isn't rocket science is it Alma is that that is the biggest that's what I built it off of and before I started this like just a little background on me, I started with my broke is can be had a brand new baby at home they weren't my youngest went to his first closing when he was two weeks he's now he got licensed when he was in high school sold his first house in high school he now works for us but heI was busting my ass at open houses. I was running 15 to 25 open houses a weekend and I was doing good because we didn't you know at that time my biggest ad spend was print because that's how long I've been in the business.So busting my ass and it got to a point where I was like this does not make any sense I need I need to sendmenten my clients had that they should go nowhere else ever again, because of the service I'm giving them. And if I'm not giving it an I'm big on mine, I expect good service where I go, if I'm not giving that to them that they can't refer me right away to anybody who's making a life change. Everybody knows somebody making a life change, not Hey, who do you know who's buying who wants to buy or sell? That's the shittiest thing to ask, like, who do you know that's in a life change, anybody in a life change is likely going to be somebody I can help, you know. And so that's what that's what really the whole, this whole thing was born, it's like, there has to be a better way for me to have a foundation to make sure that I'm being referred out as much as possible and taking care of my ecosystem so well, that they have, they wouldn't never think of not referring me, you have to have a brand. Otherwise you'll never attract. Yeah, and there's a lot of ways to build the brand, folks. One, you do it through an experience. Like with what you're doing. Yeah. But you also got to do through ongoing marketing to like, there's nothing and everything you do in the business is marketing, the views you see the kitchens, you walk through the clients you meet, it's all marketing and storytelling at the end of the day. But if you don't put yourself out there and put yourself in that position, quite frankly, people just forget what you do, because you're not that important. And no one's thinking about you 24/7. But it's not their job to do that, even though we think it should be your job to remind them, they don't work for you, you work for them. Okay? So therefore, you have to take the earnest here and do it yourself, because no one can do it for you. And if Amy's not doing this in her market, trust me, there's somebody else that is infiltrating it. And that's how competitive real estate is. Everybody's selling the same shit. But there's only one person that I know of now with a VIP club that has their own trucks that has a tool shed a storefront, their own Costco, different home services, you can save up to $10,000 a year on and they happen to sell real estate.And we're the best at connecting buyers and sellers toYeah, yeah, folks, there's a lot to unpack out of this episode today. My I'm gonna do my closing thoughts and let me share hers. But it's very simple. You got to start doing something different, and create the experience that people remember. And your experience then becomes what you mark it. Amy, what are your closing thoughts? Yeah, my closing thoughts are that lifetime lead strategy has changed the way we do business for everybody I've sold my courses to it's changed the way they're doing business. So because again, it's real estate will always be a relationship, a relationship based business. And it will make you sticky to your clients. And it'll make you sticky to your agents, my average agent sells close to 30 homes a year, most of them are above 30 homes a year. And again, my 10 years with my agents is six years. average tenure is six years, so my agent stays. So again, the software I put together makes you sticky for your agents, so you're providing nothing but value. And that's what we need. As brokers and team leads, we need to provide the value of these with the built in leads. And I'll tell you what, my isa has an 8% conversion rate. You know, that's way that's like was it 1% or less than 1%? And ers is on what leads but it's the hook of lifetime home support that they get that why would they go anywhere else? So if they're interested in my course, they can certainly look me up and I'll shoot him out the information. Yeah, why don't you share your website so people know where to go and then we'll get this wrap. Okay, well, they can head out to for the course itself they can just put it out on a Asare academy.com backslash start your VIP club.And then they can reach reach me with any questions just let me stack burger.com are all my handles are at Amy at Amy sack burger real estate. Pretty easy to Google. He can't miss me.I like it, folks. This is a really really great job. You mean congrats on all your success. I love it. What you're doing I mean, like this is this is the business guys like I couldn't have put it up better. You're not gonna make in this business without branding and marketing. I don't care who you are, what you do, I don't care how good looking you are, or maybe not. Without marketing and branding, you're not going to succeed in this business. It is the number one reason we have the show. It's the number one reason why every other Guru is finally starting the same the same things. And everyone's telling you to go ahead and create content consistently to do that. And there's no one better to do that with than us. So whether you wanted to sign up with our platform referral suite, we help you create content that puts you on the map or we do it for you and turn you into a local celebrity just like we did with Ramsey who was also in Amy's market who Amy has just passed up and notoriety and YouTube use.You call real estate marketing dude very, very simple. Appreciate guys listen to their episode. And thanks for liking and subscribing to our show. Follow us on social the rest of our channels. And don't forget to tune in next week. And more importantly, I want you to go right now to www dot referral suite.com and sign up and start building a brand that people will stop forgetting what you do because that is the baseline and where you start with everything we chatted about today. Have a great week and we'll see you guys next Thank you for watching another episode of the real estate marketing dude podcast. If you need help with video or finding out what your brand is Visit our webset at WWW dot real estate marketing dude.com We make branding and video content creation simple and do everything for you. So if you have any additional questions, visit the site, download the training, and then schedule time to speak with a dude and get you rolling in your local marketplace. Thanks for watching another episode of the podcast. We'll see you next time.

In this episode, we talk about marketing in the Web3 space with Amanda Cassatt from Seratonin and Mojito. Amanda is a marketing genius who helped start some of the most well-known projects in web3 she has helped grow Decentraland, PROOF, Moonbirds, gmoney, Ethereum and many more. As we all know, the marketing landscape is changing faster than ever before. Web2 and Web3 are both drastically different and it's hard to keep up! In this episode, we discuss the difference between the two eras, the importance of communities, and what questions you should ask yourself to improve your overall marketing strategy for your Web3 project. The 3 things you will learn:  Differences between Web2 and Web3 marketing How to avoid common pitfalls when launching a new Web3 project How to grow your first 1000 community members RESOURCES DISCUSSED: Seratonin | https://serotonin.co/ (Website) Mojito | https://mojito.xyz/ (Website) PROOF | https://www.proof.xyz/ (Website) Moonbirds | https://www.moonbirds.xyz/ (Website) gmoney | https://g.money/ (Website) Ender's Game | https://www.amazon.co.uk/Enders-Game-Ender-Wiggin-Saga/dp/0812550706 (Amazon) Snow Crash | https://www.amazon.co.uk/Snow-Crash-Neal-Stephenson/dp/0241953189/ref=asc_df_0241953189/?tag=googshopuk-21&linkCode=df0&hvadid=310817467131&hvpos=&hvnetw=g&hvrand=12139327398136247610&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9046561&hvtargid=pla-524671764479&psc=1&th=1&psc=1 (Amazon) The Three-Body Problem | https://www.amazon.co.uk/Three-Body-Problem-Cixin-Liu/dp/1784971553 (Amazon) Diaspora | https://www.amazon.co.uk/Diaspora-Greg-Egan/dp/0575082097 (Amazon) Nexus by Ramez Naam | https://www.amazon.co.uk/Nexus-Book-1/dp/B00E5LBKR2/ref=sr_1_2?keywords=Ramez+Naam&qid=1664882095&qu=eyJxc2MiOiIzLjA1IiwicXNhIjoiMi43MCIsInFzcCI6IjIuNTcifQ%3D%3D&s=audible&sr=1-2 (Amazon) ConsenSys | https://consensys.net/ (Website) MetaMask | https://metamask.io/ (Website) Infura | https://infura.io/use-cases/nft (Website) Gitcoin | https://gitcoin.co/ (Website) Ujo | https://twitter.com/ujomusic?lang=en (Twitter) Audius | https://audius.co/ (Website) Ethereum | https://ethereum.org/en/ (Website) Truffle | https://trufflesuite.com/ (Website) Polygon | https://polygon.technology/ (Website) Decentraland | https://decentraland.org/ (Website) World of Women | https://www.worldofwomen.art/ (Website) 1,000 True Fans | https://kk.org/thetechnium/1000-true-fans/ (Article) Franklin | https://www.hellofranklin.co/ (Website) Why We Sleep by Matthew Walker  | https://www.amazon.co.uk/Why-We-Sleep-Science-Dreams/dp/0141983760 (Amazon) PEOPLE: Howard Kingston | https://twitter.com/howardvk (Twitter) Amanda Cassatt | https://twitter.com/amandacassatt?lang=en (Twitter) P.S. Whenever you are ready, here are 3 ways we can help you become a Metaverse Expert Follow Howard on Twitter for daily tips: https://twitter.com/howardvk (https://twitter.com/howardvk) Be sure to subscribe so that you never miss an episode! https://frontierofthemetaverse.com/listen (https://frontierofthemetaverse.com/listen)  Subscribe to our Newsletter for weekly insights: https://www.getrevue.co/profile/howardvk (https://www.getrevue.co/profile/howardvk)

Today's guest is Amanda Cassatt, Founder and CEO of Serotonin. Serotonin is the leading crypto marketing practice, with over 40 employees worldwide, supporting the top teams pushing the decentralization movement forward. With expertise spanning DeFi, DAOs, and NFTs, Serotonin supports premier projects like IPFS, major brands like Sotheby's, and everything in between. Serotonin is the leading web3 marketing firm specializing in companies both native and new to web3. Their services take products and brands to market with brand positioning, visual design, content, PR, community, growth, events, and more. In addition to marketing services, Serotonin has invested in creating an in-house product and engineering team that builds and spins out software companies. The first such spinout is Mojito, the NFT commerce suite that is the top choice by major brands and rights holders for engaging in d-commerce on web3. Amanda is an explorer of technology, economics, and culture. An early crypto entrepreneur, Amanda brought Ethereum to market as ConsenSys' Chief Marketing Officer from 2016 through 2019. During that time, Amanda also created Ethereal, the crypto cultural event series that hosted some of the first NFT galleries and popularized Ethereum from SXSW to Davos. After working on Ethereum through its initial growth period, she co-founded Serotonin. Amanda currently serves as CEO of Serotonin and President of Mojito. We discuss various topics, including Marketing within Web3, Building Decentralized Brands, ConsenSys, Crypto Twitter, Community, and more. We begin our conversation by discussing what content someone new to the space should consume. Amanda stresses the importance of immersing yourself in Crypto Twitter and how Twitter is the best place to learn about recent trends and concepts at the forefront of crypto. We discuss the value proposition of web3 social networks and the benefits from a censorship-resistant and audience portability standpoint. Amanda explains the platform risks that persist throughout traditional social networks and how web3 allows creators to have more autonomy. Our next conversation topic was centered around Amanda's time working at ConsenSys. She shares how while at ConsenSys was able to spearhead many of the marketing practices now widely used throughout the crypto industry. Amanda explains how Serotonin is helping many Web 3 companies go to market and figure out the best way to grow their brand, engage with their audience and navigate web 3. We discuss the importance of community and how the strength of a crypto project's community is vital for its success. Amanda shares nuances to help evaluate the value of a project's community better to assess the project's long-term viability. Our final conversation topic focused on the role of marketing within Web 3. Amanda explains why there will always be a need for marketing in Web 3. She also details how as a project matures, the need for marketing becomes less critical because of the incentives that exist within crypto innately. Please enjoy my conversation with Amanda Cassatt. -- BingX is a crypto social trading exchange with over 3M users. BingX offers CFDs, futures, spot, derivatives, and copy trading services to more than 100 countries worldwide and connects users with expert traders on the platform in a safe, simple, and transparent way through social trading networks. For Charlie's listeners only, register using this link for a 155 USDT Welcome Gift: https://untoldstories.link/bingx  -- This podcast is powered by Blockworks. For exclusive content and events that provide insights into the crypto and blockchain space, visit them at https://blockworks.co

✨ SUBSCRIBE TO THE OVERPRICED JPEGS CHANNEL ✨ https://bankless.cc/jpegs  Carly is taking Overpriced JPEGs on the road and her first stop is Puerto Rico! This is Overpriced JPEGs' first ever episode of our “On the Road” interview-series leading up to the release of our first documentary! Carly conducted many interviews during her time in Puerto Rico and you'll see several of them in the documentary itself airing at the end of July/early August. But we also wanted to share some of the full length interviews in advance. In this episode, Carly sits down in person in Puerto Rico with Amanda Cassatt, Founder & CEO of Serotonin, the largest and leading web3 marketing agency! Amanda was also the former CMO of ConsenSys making her practically the CMO of Ethereum itself! Amanda shares how she fell down the crypto rabbit hole, how she built the largest web3 marketing agency, crypto's biggest misconceptions, why she's bullish Puerto Rico, and more. Overpriced JPEGs On the Road is brought to you by MetaMask. ------

✨ SUBSCRIBE TO THE OVERPRICED JPEGS CHANNEL ✨ https://bankless.cc/jpegs  Carly is taking Overpriced JPEGs on the road and her first stop is Puerto Rico! This is Overpriced JPEGs' first ever episode of our “On the Road” interview-series leading up to the release of our first documentary! Carly conducted many interviews during her time in Puerto Rico and you'll see several of them in the documentary itself airing at the end of July/early August. But we also wanted to share some of the full length interviews in advance. In this episode, Carly sits down in person in Puerto Rico with Amanda Cassatt, Founder & CEO of Serotonin, the largest and leading web3 marketing agency! Amanda was also the former CMO of ConsenSys making her practically the CMO of Ethereum itself! Amanda shares how she fell down the crypto rabbit hole, how she built the largest web3 marketing agency, crypto's biggest misconceptions, why she's bullish Puerto Rico, and more. Overpriced JPEGs On the Road is brought to you by MetaMask. ------

Hola Hola Hola! How do you adjust in seasons of transition? Do you beat yourself on what you're not doing? Do you need to discover new ways to reconnect yourself? In todays episode we have Latoya Portee, United States Army retired Captain, Founder of international bookclub “L'Portee Reading Lounge”.In this episode, Latoya and I talk about her Army transition, sacrifices and enjoying life of independence and freedom. BIO: LaToya Portee is a native from Cassatt, South Carolina, and is a mother to one beautiful 22-year-old daughter.  LaToya served for 24 years and 5 months on active duty in the Army and seven months ago retired as a Captain, culminating her career as the Deputy of Human Resources at the Regional Headquarters in Sembach, Germany. Connect with Latoya's bookclub: https://bookclubs.com/clubs/5964162/join/dbc84b/

Amanda Cassatt has been active within the Ethereum ecosystem almost from the very beginning as she led marketing for ConsenSys, the Ethereum application development studio built by Ethereum co-founder Joe Lubin. She has since gone on to co-found Serotonin, a web3 professional services firm and Mojito, an NFT infrastructure firm. Amanda is a former special projects editor for the Huffington Post and interned at the New Yorker magazine, and co-founded Slant in 2015, so we naturally dove deep into media revenue models and how web2 didn't quite get it right. Amanda is one of the most-connected people you'll find in crypto and is helping bring to life Crypto: The Musical which plans to utilize a decentralized autonomous organization to raise money to produce the first Broadway musical about well, crypto. There is also a bonus mention of the best football club the world has ever known, Liverpool FC. Follow developments in Crypto: The Musical Learn more about Serotonin and Mojito Follow Amanda on Twitter

Asteria Cassatt is a professional performer, cinematographer, film editor-grader, and escort. Currently in her mid 20's, Asteria has been doing porn and full service sex work since 2020. She has shot with a number of professional studios including Grooby and PureTS. She also maintains an active subscription site and clip sales listed at ACxxx.biz. Asteria lives in Chicago, but grew up all across the midwest. After serving in the US Army Combat Arms and Afghanistan, she went to college for painting and graphic design, only then deciding to jump into porn and escorting. Polyamorous and pansexual, she loves to fuck all manner of people. Experiencing others' humanity and creating memorable stories are her favorite aspects of sex work. Participating in such a crucial aspect of humanity and society continues to drive and inspire her. Asteria Cassatt loves to travel and has been to several countries abroad and all across the US on her motorcycle. Find her on Twitter and other social media @AsteriaCassatt All of my links to onlyfans, subscription sites, social media and cllip sales are on: ACxxx.biz Meet Ups: AsteriaCassatt.me

“Le décor impressionniste“Aux sources des Nymphéasau Musée de l'Orangerie, Parisdu 2 mars au 11 juillet 2022Interview de Anne Robbins, conservatrice peinture, musée d'Orsay, co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 1er mars 2022, durée 20'37.© FranceFineArt.Communiqué de presseCommissariat :Sylvie Patry, conservatrice générale, directrice de la conservation et des collections, musée d'OrsayAnne Robbins, conservatrice peinture, musée d'OrsayAssistées de : Isabelle Gaëtan, chargée d'études documentaires au musée d'OrsayEn 1952, dans une formule restée célèbre, André Masson saluait Les Nymphéas de Monet, installés à l'Orangerie 25 ans auparavant, comme la « chapelle Sixtine de l'Impressionnisme ». Avec cette comparaison si élogieuse, Masson contribuait à remettre à l'honneur un ensemble alors négligé ; surtout, portant ainsi les Nymphéas au pinacle de l'art mural, il en affirmait avec force la fonction éminemment décorative. Le décor impressionniste. Aux sources des Nymphéas invite à explorer cette dimension essentielle : Les Nymphéas, que Monet lui-même, dès 1915, appelle ses « grandes décorations », sont le couronnement de cinq décennies de pratique et de réflexion de l'artiste – et plus largement des impressionnistes – autour de la question de la « décoration », notion cruciale tout au long du XIXe siècle.En effet, si les impressionnistes n'ont pas reçu les commandes officielles espérées pour les mairies, les gares et autres édifices publics qu'érigent le Second Empire et la IIIe République, ils ont toutefois, au fil de leur carrière, réalisé nombre de peintures et d'objets décoratifs. Caillebotte, Cassatt, Cézanne, Monet, Morisot, Pissarro, Renoir, mais aussi Marie et Félix Bracquemond et Manet, se sont ainsi essayé à des techniques, formats et motifs variés, redéfinissant chacun(e) à leur manière l'idée même de « décoratif ». Cette notion paradoxale, alors à la fois positive et dépréciative, est au coeur de la pratique artistique, de la pensée esthétique et sociale de la fin du XIXe siècle. « Ç'a été le rêve de toute ma vie de peindre des murs », confiait Degas, comme en écho à Renoir qui voulait « transformer des murs entiers en Olympe ». Les impressionnistes ont ainsi pris part à la réflexion sur la place du beau dans la vie quotidienne, que redéfinissent alors l'industrialisation et la diffusion à une échelle inédite des arts visuels et des objets. On connaît l'apport de Gauguin et des Nabis à cette question du décor. On oublie que, de la fin des années 1860 au début du XXe siècle, les impressionnistes s'en sont emparés et ont brouillé les frontières et la hiérarchie entre tableaux de chevalet et décorations.[...]Publication – Catalogue de l'exposition sous la direction de Sylvie Patry et Anne Robbins, coédition musées d'Orsay et de l'orangerie / Hazan. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

While some brands are flocking to the blockchain by launching NFTs or establishing themselves in the metaverse, other companies are still on either side of the spectrum. From contemplating whether their customers are ready for a new virtual shopping reality, or if the crypto-native internet users will be receptive to their brand's debut in Web3, not all companies are ready to embrace the blockchain. But in these early stages of blockchain development, what a lot of brands aren't realizing is that the move to Web3 doesn't have to be an all-or-nothing transition and can be taken gradually and thoughtfully. That's how Amanda Cassatt sees it, according to the latest episode of the Digiday Podcast. Cassatt is a pioneer in Web3, having assisted in the launch of the Ethereum blockchain as well as co-founding two companies, Serotonin and its subsidiary Mojito, both of which work with companies to find their footing in the Web3 space. As CEO of marketing agency Serotonin, her team works on customer acquisition strategies that are directed to crypto-native audiences, and as president of Mojito, a NFT studio and tech platform company, clients like Sotheby's have worked with her team to execute NFT drops and develop metaverse presence in some cases for the first time. While there is a lot to understand about the blockchain, Cassatt said the strongest approach a brand can take to entering this space is to remain focused on the unique value proposition of a company.

Open your mind as today's guest shares her story of struggling with her identity throughout school and the fear of being ridiculed and shamed for trying to find her true identity. Asteria Cassatt is a professional performer, cinematographer, film editor-grader, and performer. She is also openenly Transexual, Polyamorous and pansexual, After serving in the US Army Combat Arms and Afghanistan, she went to college for painting and graphic design and when the pandemic hit her job let her go and she made her way into the Adult Industry. She has shot with a number of professional studios including Grooby and PureTS. She also maintains an active subscription site and clip sales listed at ACxxx.biz. Find her on Twitter and other social media @AsteriaCassatt --- Support this podcast: https://anchor.fm/high-profile-podcast/support

Mary Cassatt is one of the most important artists in American history, and much of her time was spent in Paris, France. But as we return to the Columbian Exposition for our latest Who Knew? episode, Mrs. Allgood and Mr. Rixon will dive into Cassatt's impact and influence in Chicago, her travels throughout Europe, and what makes something a distinct "Cassatt" painting. --- Send in a voice message: https://anchor.fm/allgood-rixondjo/message

A collection of the best women artists of their day.

Hoy tenemos como invitado a Oskar Espina, Profesor de Clarinete en University of North Carolina School of the Arts, en Estados Unidos. Clarinetista de Bilbao, inició sus estudios musicales a una temprana edad tocando instrumentos tradicionales vascos, y posteriormente, decidió estudiar clarinete en el conservatorio. Con tan solo 16 años de edad, empezó a colaborar con la Orquesta Sinfónica de Bilbao y en 1991 se fue a Nueva York a continuar sus estudios con el clarinete. Oskar es Doctor en Artes Musicales, título que consiguió en Stony Brook University y además, estudió un Master en Purchase College Conservatory of Music, donde sus profesores principales fueron Charles Neidich y Ayako Oshima. Involucrado con la música de nuestro tiempo, ha estrenado obras de diferentes compositores escritas para él. Ha tocado en diferentes salas de conciertos alrededor del mundo, como en Rusia, Nueva York, Washington, Madrid, Tokyo, Beijing, Shangai y Hong Kong. Como intérprete, ha colaborado con cuartetos de cuerda como The American, Argus, Ariel, Cassatt, Daedalus, Escher, Shangai y Verona. Además de su actividad como profesor e intérprete, es director artístico de tres festivales de música de cámara, el Chamber Music Wilmington, Treetops Chamber Music Society y el Music Mountain Festival, mientras mantiene una agenda apretada de conciertos. Oskar dedica gran parte de su tiempo a la investigación musical. Su trabajo sobre el compositor español Julián Menéndez le permitió ganar el primer premio del Concurso de Investigación de la Asociación Internacional de Clarinete en 2006. Más adelante escribió un artículo para la edición de marzo de 2007 de la revista “The Clarinet”, y pudo adquirir uno de los clarinetes de Menéndez para ser expuesto en la Galería de Intrumentos Musicales del Museo Metropolitano de Nueva York. También ha realizado tres grabaciones de CD´s, donde ha grabado obras de Julián Menéndez, música tradicional vasca y artistas contemporáneos. Una trayectoria interesantísima y que tenemos la oportunidad de escuchar hoy aquí. En este episodio hablaremos de: Sus inicios con la música, con qué instrumentos empezó y por qué decidió estudiar clarinete Hablaremos de su etapa en Nueva York y de sus profesores principales, Charles Neidich y Ayako Oshima De sus estudios de Doctorodo y cómo se ganaba la vida mientras estudiaba Del proceso de selección y requisitos necesarios para convertirse en Profesor de Universidad en EEUU De las posibilidades que ofrece la ciudad de Nueva York como músico freelance Hablaremos de las pruebas para estudiar en la Universidad de Carolina del Norte, del coste de las universidades americanas y cómo los estudiantes pueden conseguir becas o trabajar para la universidad para costear los estudios De workshops, intensive arts y proyectos de colaboración como el que realizó junto a Ágata Ruiz de la Prada De la importancia de pensar como emprendedores, tener una mentalidad abierta y no pensar únicamente como clarinetistas en un entorno tan competitivo como en el que vivimos hoy en día De la flexibilidad que se requiere en el entorno laboral De grabaciones de CD, próximos proyectos... Y muchas cosas más… Te dejo aquí los enlaces a la página web de Oskar Espina y a la Universidad de Carolina del Norte. Para ponerte en contacto directamente con Oskar puedes pinchar en este enlace. Recuerda que en academiadeclarinete.com tienes a tu disposición cientos de clases grabadas en vídeo con ejercicios, técnicas, partituras y todo lo que necesitas, para mejorar como clarinetista. También tienes disponible la sección de Masterclasses, donde grandes clarinetistas colaboran regularmente compartiendo todo lo que saben con los estudiantes de la academia, y de esta manera, hacer de esta plataforma un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Muchas cosas están por llegar. No te lo pierdas. Descarga gratis la Guía de estudio del Clarinetista. *Fotografía: Siiri Padar (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

Steven Levine   – The Insurance Marketing Organization Podcastwith Seth GreeneEpisode010Steven Levine Steve brings extensive marketing and sales experience to his role. Most recently, he led marketing for Civic Connect, a GovTech startup. He has consulted for a number of cybersecurity companies including Flashpoint, RiskSense, Qualys & Panda Security. Previously, Steve was Chief Marketing Officer at publicly-traded Edgar-Online and financial services startup UB matrix. Steve has held VP of Marketing positions at Oracle, Cassatt, Ketera and Arcot. While at Oracle, he led Oracle's first global e-commerce marketing campaign. Steve also brings a sales perspective having held business development and sales roles at Tektronix and ParcPlace Systems. Steve has a B.S. Computer Science from Southern Methodist University. Listen to this insightfulepisode with Steven, chock-full of valuable financial tips: Here is what to expect on this week's show: Ways the business world is looking to neuroscience for new, exciting technology How the new technology can save time and money for businesses How machine learning, AI, and big data have shaped the business landscape The challenges that new tech faces to break into the mainstream   Connect withSteven: Guest Contact Info: Website: https://www.cortical.io/ Brighttalk: https://www.brighttalk.com/channel/18693/ Twitter: https://twitter.com/cortical_io YouTube: https://www.youtube.com/user/ceptsystems Linkedin: https://www.linkedin.com/company/cortical-io/     Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Instant Trivia podcast episode 97, where we ask the best trivia on the Internet. Round 1. Category: Haydn 1: Haydn's "Farewell" Symphony was written this period in his work that translates into "storm and stress". Sturm und Drang. 2: In 1781 Haydn befriended this composer from Salzburg, 10 years before his all-too-premature death. Mozart. 3: Joseph Haydn was born in 1732 in Rohrau, 25 miles east of this world capital to which he moved in 1740. Vienna. 4: Symphony No. 94 is called this for its unexpected loud chord shortly after the soft beginning of the 2nd movement. the "Surprise Symphony". 5: Let me pump... you up (with info)--Joseph Haydn's middle name; this was his first name. Franz. Round 2. Category: First Name's The Same 1: Wallace,Tyson,Doonesbury. Mike. 2: Carver,Chandler,Kroc. Ray. 3: Astor, Quant, Baker Eddy. Mary. 4: Harry,Kerr,Norville. Deborah. 5: Magdalene,Cassatt,Worth. Mary. Round 3. Category: Tell Me "Y" 1: It's the primary source of nourishment for an embryo in an egg. a yolk. 2: Aden is the second-largest city in this Middle Eastern hot spot. Yemen. 3: It can be a standard for comparison, or a measuring rod 3 feet in length. Yardstick. 4: This black and white comedy film starred Peter Boyle as the manmade man. Young Frankenstein. 5: First name shared by monsieurs Saint Laurent and Montand. Yves. Round 4. Category: Dogs 1: The Keeshond, or barge dog, is considered the national dog of this country. the Netherlands. 2: Miniature poodles are 10 to 15" tall, while these poodles are 10" or less. Toy Poodles. 3: Of the three breeds of this dog, the Gordon is the darkest and heaviest. a setter. 4: Despite its name, the Great Dane originated in this country, as did the Rottweiler. Germany. 5: In Scotland it was once forbidden for anyone below the rank of earl to own this stag-hunting hound. a deerhound. Round 5. Category: Arthurian Legend 1: Some accounts say Arthur still lives on this mythic island. Avalon. 2: This witch's name means she's a "fairy". Morgan Le Fay. 3: We learned more about this nephew of Arthur in the 14th century tale titled him "and the Green Knight". Sir Gawain. 4: Leodegrance, King of Cameliard, had Arthur as a son-in-law after this daughter's marriage. Guinevere. 5: Merlin didn't design this or buy it at Ikea--he copied it from Joseph of Arimathea. the Round Table. Thanks for listening! Come back tomorrow for more exciting trivia!

Sam Cassatt is the Founder at Aligned Capital. He is the former Chief Strategy Officer at Consensys. In this conversation, we discuss Ethereum, Decentralized Finance, Degens, Yield Farming, Asymmetric Investments, the dark corners of Crypto, and where Sam sees opportunity.  ======================= Did you know nearly 338 million dollars worth of NFTs were sent last year? And in 2021 that number is growing faster than ever. Looking to make your first NFT? Check out NEAR’s fast, scalable, low-cost, open-source platform. Learn why NEAR is the infrastructure for innovation at near.org: https://near.org/?utm_campaign=pomp  ======================= Exodus is an absolute game changer in the crypto wallet space, and we’ve teamed up to offer an exclusive discount for you, as listeners of the podcast. Sign up for Exodus today using my promo code Exodus.com/pomp. This is a no brainer for both newcomers and crypto heavyweights - go sign up today.  ======================= With 10M+ users, Crypto.com is the easiest place to buy, and sell 100+ cryptocurrencies. The Crypto.com Visa Card gives you up to 8% back instantly, and 100% back on Spotify and Netflix. Also, Crypto.com lets you earn up to 8.5% p.a. on BTC, and 14% p.a. on stablecoins. Get $25 when you download the Crypto.com App with code "pomp". Download the App now: https://crypto.onelink.me/J9Lg/pomppodcast2021 =======================

Amanda Cassatt is the CEO of Serotonin, a marketing firm and product studio for transformative technologies. She is the former Chief Marketing Officer of Consensys. In this conversation, we discuss brand positioning, public relations, marketing, what most teams get wrong, how to talk about your product, and the positive impact of marketing.  ======================= Circle is a global financial technology firm that enables businesses of all sizes to harness the power of stablecoins and public blockchains for payments, commerce and financial applications worldwide. Circle is also a principal developer of USD Coin (USDC), the fastest growing, fully reserved and regulated dollar stablecoin in the world. The free Circle Account and suite of platform API services bridge the gap between traditional payments and crypto for trading, DeFi, and NFT marketplaces. Create seamless, user-friendly, mainstream customer experiences with crypto-native infrastructure under the hood with Circle. Learn more at circle.com ======================= OKEx is a leading crypto exchange known for providing the most options for crypto traders and investors. Whether you want to trade spot, futures, options or swaps, OKEx gives you institutional-grade tools and a best-in-class trading engine. The platform offers credit and debit card funding options and supports 40 different fiat currencies, including EUR, CAD, GBP, TRY, INR and RUB, to name just a few. You can invest, trade, and earn yield, all within one place at okex.com. OKEx is not available to customers in the United States.  ======================= Exodus is an absolute game changer in the crypto wallet space, and we’ve teamed up to offer an exclusive discount for you, as listeners of the podcast. Sign up for Exodus today using my promo code Exodus.com/pomp. This is a no brainer for both newcomers and crypto heavyweights - go sign up today.  =======================

Esta vez les contamos la historia de Mary Cassatt. La artista nació en una época en la que las mujeres no tenían acceso a los mismos lugares que los hombres. Ella no podía entrar tras bambalinas en la ópera para pintar a las bailarinas, como tantas veces lo hizo su amigo el pintor Edgar Degas. También hubiera sido muy mal visto que siendo una señorita de alta sociedad, retratara actrices y prostitutas como lo hizo Tolousse-Lautrec. Lo que sí podía hacer y lo hizo de un modo maravilloso fue representar al universo de las mujeres que hasta ese momento no había sido considerado ni interesante, ni digno de ser representado por medio del arte. Así que fue Cassatt, junto con otras artistas de su época quienes mostraron  el trabajo, cariño y paciencia de las madres de su tiempo y de todos los tiempos. Bibliografía Art Institute of Chicago. “The Child’s Bath.” [Internet]. Accesible en https://www.artic.edu/artworks/111442/the-child-s-bath [28 de abril, 2021]. Bochicchio, Sarah. (2017). Artsy. “Mary Cassatt Painted Domestic Life in a Way Male Impressionists Couldn’t.” [Internet]. Accesible en https://www.artsy.net/article/artsy-editorial-mary-cassatt-painted-domestic-life-way-male-impressionists [27 de abril, 2021].Borromeo, Linda (2018). “Mary Cassatt and the Vanishing Mural.” [Internet]. Accesible en https://www.lindaborromeo.com/post/2018/02/01/mary-cassatt-and-the-vanishing-mural [27 de abril, 2021].Chernick, Karen. (2017). Artsy. “How Mary Cassatt’s Brother Introduced French Impressionism to Americans.”[Internet]. Accesible en  https://www.artsy.net/article/artsy-editorial-mary-cassatts-brother-introduced-french-impressionism-americans [28 de abril, 2021]. Google Arts & Culture. “10 Things You Might Not Know About Mary Cassatt.” [Internet]. Accesible en https://artsandculture.google.com/story/10-things-you-might-not-know-about-mary-cassatt/1wJSL2AtXwWJJA [27 de abril, 2021]. Madsen, Annelise K.(2020).The Art Institute of Chicago. “Cassatt’s Modern Vision of the Everyday: The Child’s Bath.” [Internet]. Accesible enhttps://www.artic.edu/articles/818/cassatts-modern-vision-of-the-everyday-2 [30 de abril, 2021].National Gallery of Art, Washington, D.C. (n.d) Mary Cassatt — Selected Paintings. [Internet]. Accesible en https://www.nga.gov/features/slideshows/mary-cassatt-selected-paintings.html?view=grid [26 de abril, 2021]. Paton, Kathleen (2020). “Mary Cassatt at The Met. The work of the celebrated American-born Impressionist offers multiple themes to explore.” [Internet]. Accesible en https://www.metstoreblog.org/mary-cassatt-at-the-met/ [ 28 de abril, 2021].Pollock, Griselda. (2018). Frieze. “The Overlooked Radicalism of Impressionist Mary Cassatt”. [Internet]. Accesible en https://www.frieze.com/article/overlooked-radicalism-impressionist-mary-cassatt [26 de abril, 2021].White, Margie. (2014). American Girls Art Club In Paris. . . and Beyond. “Mary Cassatt Chicago Mural.” [Internet]. AccesCorte Musical : Blue Danube Waltz de Johann Strauss

In the first episode of season 3, Kendra brings you to the Hill-Stead Museum in Farmington, Connecticut. Theodate Pope Riddle designed this home, her first architectural project, as a retirement home for her parents. Throughout the episode, we learn about her close friendship with Mary Hillard, her fixation on communicating with the dead, and her near-death experience on the sinking of the Lusitania. Theodate's father, Alfred Pope, was Theodate's biggest supporter and a lover of the arts. The family's collection of French Impressionist paintings can still be found in the Hill-Stead Museum today. The home was built around the paintings of Monet, Cassatt, Degas, and Manet. Theodate Pope Riddle lived from 1867 to 1946. As an architect, Theodate designed homes and schools throughout Connecticut and New York, including Westover School, Avon Old Farms School, and a reconstruction of Theodore Roosevelt's birthplace. Thank you to the Hill-Stead Museum: Executive Director - Dr. Anna Swinbourne, Curator - Melanie Bourbeau, and Chief Advancement Officer - Beth Brett. The book Dearest of Geniuses: A Life of Theodate Pope Riddle by Sandra L Katz was key in making this episode. Links mentioned in the episode: The new shop: https://someonelivedhere.com/shop/ Find the history of your NYC apartment (or Monica Geller’s): https://www.youtube.com/watch?v=-dw_4nSog8g&t=1s Charmingly Quaint and Still Modern: The Paradox of Colonial Revival Needlework in America 1875-1940 by Beverly Gordon: https://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=2052&context=tsaconf  

Impressionist Mary Cassatt captures a serene moment in time for The Boating Party (1893). This work is one of the many Impressionist works in the National Gallery of Art's collection, but it is one of the few works by a female artist. Let's talk about impressionism and how Cassatt put her own spin on it in this podcast! --- Support this podcast: https://anchor.fm/before-you-go/support

“Édition Limitée”Vollard, Petiet et l'estampe de maîtresau Petit Palais, Parisdu 26 janvier au 23 mai 2021Extrait du communiqué de presse :Commissariat :Clara Roca, conservatrice des arts graphiques et photographies des XIXe et XXe siècles au Petit PalaisLe Petit Palais explore avec cette exposition inédite l'activité d'éditeur d'estampes et de livres illustrés de l'emblématique marchand d'art Ambroise Vollard. Vollard travailla avec les plus grands artistes de son temps : Picasso, Bonnard, Cassatt, Chagall, Maillol, Redon, Rouault et tant d'autres. Passionné par l'édition, il y a investi l'essentiel de sa fortune tirée de la vente des toiles des maîtres modernes et hissa cette activité à un niveau d'exigence jamais vu jusqu'alors. Bénéficiaire de nombreux dons et legs de Vollard lui‑même et de ses héritiers, le Petit Palais a choisi de mettre en valeur cet ensemble exceptionnel d'estampes, livres illustrés et objets d'édition (bronzes et céramiques), enrichi de nombreux prêts d'autres institutions et collections.L'exposition sera l'occasion d'évoquer également la personnalité d'Henri Marie Petiet, successeur de Vollard et figure majeure du commerce de l'estampe d'après-guerre. L'exposition rend donc un double hommage au rôle de ces deux marchands et éditeurs d'art.La carrière de marchand d'Ambroise Vollard (1866-1939) le situe comme une figure essentielle du commerce de l'art au tournant des XIXe et XXe siècles, entre Paul Durand-Ruel et Daniel-Henry Kahnweiler. C'est lui qui promeut Cézanne, Gauguin et qui ouvre sa galerie au jeune Picasso.En plus de ses activités de marchand de tableaux, il se lance avec passion dans l'édition d'estampes dès 1894 en rééditant la Suite Volpini de Gauguin. Mais l'aventure débute réellement lorsqu'il réalise les deux fameux Album des peintres-graveurs (1896 et 1897), qui réunissent les planches de maîtres comme Fantin-Latour, Puvis de Chavannes, ou de jeunes artistes qui incarnent une nouvelle modernité comme les Nabis, dans le sillage de Redon. Vollard diffuse les oeuvres de Mary Cassatt mais édite aussi la fameuse suite des Saltimbanques de Picasso ainsi que des albums individuels de Bonnard, Vuillard et Denis en misant sur le même principe de l'édition d'estampes d'artistes à tirage limité. En parallèle, il développe une activité d'éditeur de livres d'artiste. Il s'y investit entièrement, tant financièrement que personnellement. Il lui faut pourtant attendre les années 1920 et surtout 1930 pour voir les ventes se multiplier et un engouement se créer autour de ses éditions. Son perfectionnisme le conduit à sélectionner et à commander lui-même les papiers et les caractères d'imprimerie. Vollard prend ainsi un rôle de créateur à part entière, en coordonnant tous les acteurs d'une aventure éditoriale titanesque.Dès ses premières éditions, notamment son magistral Parallèlement de Verlaine illustré par Bonnard (1900), Vollard choque les bibliophiles par ses partis pris, et surtout par son affection pour la lithographie en couleurs. Sa réputation est faite. Suivront de nombreuses réalisations d'envergure, comme Le Jardin des supplices (illustrations de Rodin, 1902), Sagesse (Maurice Denis, 1911), Les Fleurs du mal (Émile Bernard, 1916), Le Chef-d'oeuvre inconnu (Picasso, 1931) ou encore Passion (Rouault, 1939). Son influence auprès des artistes est telle qu'il encourage les peintres à s'intéresser parfois durablement à l'estampe bien sûr, mais aussi à s'essayer à la peinture sur céramique ou encore à la sculpture, comme c'est le cas pour Maillol.En 1939, il décède brutalement dans un accident de voiture. Henri Marie Petiet (1894-1980), qui se fourni auprès de Vollard depuis les années 20, rachète l'essentiel de son stock d'estampes, dont la fameuse Suite Vollard de Picasso, dont il va assurer la diffusion. Il s'impose d'emblée comme son successeur en tant que marchand d'estampes, mais aussi comme passeur de la modernité française à l'étranger et notamment aux États-Unis. Petiet édite lui-même certains créateurs qui ont travaillé avec Vollard, comme Maillol ou Derain, et se lance à son tour dans l'édition d'un livre d'artiste, Les Contrerimes de Toulet illustré par Jean-Émile Laboureur, son graveur fétiche. Enfin, il soutient de nouveaux artistes comme Marie Laurencin, Marcel Gromaire ou encore Edouard Goerg qui le présente comme le « plus Vollard des marchands ».La médiation de l'exposition permettra de mieux comprendre les techniques de l'estampe et de l'imprimerie avec notamment la présentation d'outils et d'une presse taille-douce prêtée par l'Imprimerie nationale et activée lors de démonstrations. Enfin, un parcours dédié à l'exposition sera disponible en téléchargeant l'application de visite du Petit Palais lancée au même moment que l'exposition. L'application, dont le contenu sera également disponible sur le visioguide du musée, offrira une visite guidée très vivante de l'exposition à travers quelques oeuvres clés et grâce aux propres anecdotes de Vollard et de Petiet, dont les personnalités atypiques et attachantes seront ainsi mises en valeur. Il y aura en outre un mini-site ludique permettant de composer une page d'édition avec des typographies et des motifs ornementaux.Catalogue de l'exposition aux Éditions Paris MuséesFigure hors norme du marché de l'art au tournant du siècle, Ambroise Vollard (1866-1939) se distingue par son audace qui le fit soutenir des artistes modernes comme Cézanne, Gauguin ou encore le jeune Picasso et Rouault. Caractère difficile et énigmatique, il se passionne également pour l'édition d'estampes et le livre illustré, déployant beaucoup de son énergie et de ses moyens pour solliciter inlassablement créateurs et collectionneurs. À la fin de la guerre, Henri Petiet (1894-1980) rachète le fonds de la galerie Vollard, dont il était client, s'approvisionnant régulièrement en planches de Bonnard ou Picasso (il fera notamment signer par Picasso la fameuse « Suite Vollard »). Superbement illustré, cet ouvrage met en lumière le rôle capital de ces deux marchands dans le domaine spécifique de l'édition d'estampes et de livres d'artiste. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

When the Impressionist artists ruled Paris, there were a few women that made their way into the exclusive club. Known as Les Trois Grandes Dames, Berthe Morisot, Mary Cassatt, and Marie Bracquemond mixed and mingled with the likes of Manet, Degas, and Renoir. Marie Bracquemond however had a very different life than Morisot or Cassatt. Raised in a family that had very little money but with a love of painting early on, she created her own paint colors using flower petals. Without money or family support it was difficult to find a teacher until Auguste Vassor agreed to take her on. Under Vassor at just seventeen years old she finished and presented her first painting to the Paris Salon. The painting of her mother and sister was accepted and displayed for all to see including Ingres. Quite impressed with the young girl's talent, he invited her to his atelier to learn under the master. Ingres didn't take women very seriously and only gave them images of flowers and fruit to paint. Marie grew very tired and left looking for other challenges. Empress Eugene, wife of Napoleon III and a big promoter of women in art saw her work and commissioned her to paint a few paintings for her. Marie's career was really taking off until she met her future husband Felix Bracquemond. At first, he was supportive of her art, he was an artist himself. As an engraver and porcelain painter he would share his craft with her and also become angrier with her talent. Marie today is mostly forgotten and little of her work remains. Listen to her whole story and the few things that kept her going during her unhappy marriage in this week's episodeMore info and photos: https://www.claudinehemingway.com/paris-history-avec-a-hemingway-podcast-1Support Claudine on Patreon and get more of Paris and all her stories and benefits like discounts on her tours, custom history, and exclusive content  https://www.patreon.com/bleublonderougeFacebook https://www.facebook.com/BleuBlondeRougeInstagram https://www.instagram.com/claudinebleublonderouge/Sign up for the weekly Blue Blonde Rouge newsletter  https://view.flodesk.com/pages/5e8f6d73375c490028be6a76Support the show (https://www.patreon.com/join/Laviecreative)

On January 1, 2021 Moynihan Train Hallofficially opens to the public, a new commuters' wing catering to both Amtrak and Long Island Railroad train passengers at New York's underground (and mostly unloved) Penn Station. To celebrate this big moment in New York City transportation history, we’re going to tell the entire story of Pennsylvania Station and Pennsylvania Railroad over two episodes, using a couple older shows from our back catalog.  The story of Pennsylvania Station involves more than just nostalgia for the long-gone temple of transportation as designed by the great McKim, Mead and White. It's a tale of incredible tunnels, political haggling and big visions.  Pennsylvania Railroad was the largest railroad in the world by the 1880s, but thanks to Cornelius Vanderbilt's New York Central Railroad, one prize was strategically out of their grasp -- direct access to Manhattan. An ambitious plan to link New Jersey to New York via a gigantic bridge fell apart, and it looked like Pennsylvania passengers would have to forever disembark in Jersey City.  But Penn Railroad president Alexander Cassatt was not satisfied. Visiting his sister Mary Cassatt -- the exquisite Impressionist painter -- in Paris, Cassatt observed the use of electrically run trains in underground tunnels. Why couldn't Penn Railroad build something similar? One problem -- the mile-wide Hudson River (or in historical parlance, the North River).  This is the tale of an engineering miracle, the construction of miles of underground tunnels and the idea of an ambitious train station to rival the world's greatest architectural marvels. ORIGINALLY RELEASED AS EPISODE 80 -- APRIL 10, 2009  boweryboyshistory.com   Support the show: https://www.patreon.com/boweryboys See omnystudio.com/listener for privacy information.

Beyond the Canvas explores the art history that inspires the Musée Beauty brand. On this episode, we looked into the Impressionist movement, which inspired the Musée Beauty Impressionism Collection! Hosted by Montserrat Hernandez and Francisco Rivera. Timestamps: (0:45): Impressionism Overview (4:45): Origins of Impressionism (8:50): Impressionist Artists: Monet, Degas, Renoir, Cassatt, Pissarro (10:30): Gauguin: Problems in Art History (13:50): Monet: The Gare St. Lazare (16:45): Cassatt: Little Girl in a Blue Armchair (19:20): Van Gogh and his Night Cafe (25:45): Impressionism’s Impact (27:00): Quote (27:50): Outro Shop the Impressionism Collection and the brand new Van Gogh Palette at museebeauty.com! Follow us on Instagram! @museebeauty // @glazezine // @montse_hernandez // @frxnkrivera

For the latest Stacks podcast, Patrick Stanley — Founder of Freehold, the newest addition to the Stacks ecosystem — chatted with Amanda Cassatt, advisor and former CMO of ConsenSys.Cassatt joined ConsenSys during Ethereum's crucial growth period from 2016 to 2018, when she created, grew, and managed the company’s marketing function. Now she works with some of the most prominent projects in the blockchain and crypto spheres, helping them go to market.See omnystudio.com/listener for privacy information.

Mary Cassatt’s painting Mother About to Wash Her Sleepy Child dwells in motherhood. Its careful composition combines with a smudgy Impressionist technique. This painting captures a moment of messy mothering. A child’s face tells the story. In fact, we don’t even see the mother’s face. She seems lost in the toddler’s expression. Cassatt directs our attention to how the child feels. The mother’s priority thus becomes the viewer’s focus. Moments like this mark motherhood transitions. Getting a toddler’s bath in before bedtime can be a challenge. But it’s also sweet and cuddly in this painting. There’s trust in the child’s face combined with resistance in their awkward position. Cassatt’s cold blue paint traces frame those squirming legs. While coral smudges color and highlight sweet vulnerability in the child’s face. Sometimes cranky can be cute, especially when it’s your kid. These are classic toddler traits, after all. It’s natural. Growing up means lots of combos and transitions like this. Learn more with a click through to LadyKflo's site: https://www.ladykflo.com/mother-about-to-wash-her-sleepy-child/

The Charmed Studio Podcast and Blog is a resource for heart centered artists like you who want to feel better, write better and sell better---by being yourself.  Please come on over and comment on the post or subscribe to the blog here:https://thecharmedstudio.com/do-you-need-a-rival/

Charlotte Appleyard is joined by her friend and fellow Art Historian Harriet Bullough who is a new mother. This episode will explore themes of childbirth, breastfeeding and single parenthood from the perspective of the 18th and 19th century and compared to modern day experiences. As well as historic examples such as the story of the Foundling Hospital, the romantic depiction of motherhood in art is analysed through the work of American Impressionist Mary Cassatt. In addition, this episode delves further into the narrative of the fallen women and issues of double standards particularly with unwed mothers and those of a lower class. For reference images please follow us on Instagram @themuseumoffemininity Sourceshttps://foundlingmuseum.org.uk/about/our-history/https://www.artsy.net/article/artsy-editorial-mary-cassatt-painted-domestic-life-way-male-impressionists Images of Modern Motherhood in the Art of Morisot, Cassatt, Modersohn-Becker, Kollwitz Stewart Buettner, Woman's Art Journal, Vol. 7, No. 2 (Autumn, 1986 - Winter, 1987), pp. 14-21https://www.bbc.co.uk/news/magazine-25629934https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2684040/https://www.theguardian.com/lifeandstyle/2019/jun/20/is-breast-really-best-i-looked-at-all-the-data-to-find-out

This week, I have the incredible honor of welcoming renowned pianist Ursula Oppens to the show. A legend among American pianists, Ursula is widely admired for both her original and perceptive readings of new music, and for her knowing interpretations of the standard repertoire. As you'll hear in the episode, she's an incredibly passionate and wise musician!  Her and I covered several topics, from the reality of a career in music today, to how she approaches learning repertoire, and how she's stays focused in the practice room! In this episode, Ursula expands on: Her love of new music and how it developed early on in her life How she approaches bringing new music to life Why she doesn't think musicians should have a niche but should, instead, be interested in learning Her view of the musical landscape of today What improvisation can bring to our playing How she loves practicing (and I love that she said that so much!) How mental and muscle memory develop together Why she thinks it's important to memorize music in order to learn it better Her strategies to find energy, motivation, and focus to practice Why flexibility is a crucial skill to develop How a well-rounded education is also very helpful Her very wise piece of advice for young musicians Ursula is a force of nature and very generous with her insight. I know you'll love this discussion!     The Mind Over Finger Podcast on YouTube: https://www.youtube.com/channel/UCtQSB1IVNJ4a2afT1iUtSfA/videos   Sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY! Click HERE or visit www.mindoverfinger.com!   MORE ABOUT URSULA: Website: https://colbertartists.com/artists/ursula-oppens/ YouTube channel: https://www.youtube.com/channel/UCqj7e-6dIIBw2OkKmHxYItw   Ursula Oppens, a legend among American pianists, is widely admired particularly for her original and perceptive readings of new music, but also for her knowing interpretations of the standard repertoire. No other artist alive today has commissioned and premiered more new works for the piano. A prolific and critically acclaimed recording artist with five Grammy nominations, Ms. Oppens most recently released a new recording of Frederic Rzewski's The People United Will Never Be Defeated, nominated for a Grammy in 2016, and Piano Songs, a collaboration with Meredith Monk. Earlier Grammy nominations were for Winging It: Piano Music of John Corigliano; Oppens Plays Carter; a recording of the complete piano works of Elliott Carter for Cedille Records (also was named a “Best of the Year” selection by The New York Times long-time music critic Allan Kozinn); Piano Music of Our Time featuring compositions by John Adams, Elliott Carter, Julius Hemphill, and Conlon Nancarrow for the Music and Arts label, and her cult classic The People United Will Never Be Defeated by Frederic Rzewski on Vanguard. Ms. Oppens recently added to her extensive discography by releasing a two-piano CD for Cedille Records devoted to Visions de l'Amenof Oliver Messiaen and Debussy's En blanc et noir performed with pianist Jerome Lowenthal. Over the years, Ms. Oppens has premiered works by such leading composers as John Adams, Luciano Berio, William Bolcom, Anthony Braxton, Elliott Carter, John Corigliano, Anthony Davis, John Harbison, Julius Hemphill, Laura Kaminsky, Tania Leon, György Ligeti, Witold Lutoslawski, Harold Meltzer, Meredith Monk, Conlon Nancarrow, Tobias Picker, Bernard Rands, Frederic Rzewski, Allen Shawn, Alvin Singleton, Joan Tower, Lois V Vierk, Amy Williams, Christian Wolff, Amnon Wolman, and Charles Wuorinen. As an orchestral guest soloist, Ms. Oppens has performed with virtually all of the world's major orchestras, including the New York Philharmonic, the Boston Symphony Orchestra, the Los Angeles Philharmonic, the American Composers Orchestra, the Boston Modern Orchestra Project (BMOP), and the orchestras of Chicago, Cleveland, San Francisco, and Milwaukee. Abroad, she has appeared with such ensembles as the Berlin Symphony, Orchestre de la Suisse Romande, the Deutsche Symphonie, the Scottish BBC, and the London Philharmonic Orchestras.  Ms. Oppens is also an avid chamber musician and has performed with the Arditti, Cassatt, JACK, Juilliard, and Pacifica quartets, among other chamber ensembles. Ursula Oppens joined the faculty of the Mannes College of Music in the fall of 2017, and is a Distinguished Professor of Music at Brooklyn College and the CUNY Graduate Center in New York City. From 1994 through the end of the 2007-08 academic year she served as John Evans Distinguished Professor of Music at Northwestern University in Evanston, IL. In addition, Ms. Oppens has served as a juror for many international competitions, such as the Concert Artists Guild, Young Concert Artists, Young Pianists Foundation (Amsterdam), and Cincinnati Piano World Competition.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

En el capítulo 35 platicamos acerca de las experiencias más memorables que hemos vivido en festivales y conciertos, además de discutir los carteles de los festivales que vienen en 2020 y sus respectivos predecesores.

Hoy, en Capital del Mundo Radio, Cesar nos cuenta una historia de la vida real que involucra a una de las iglesias más poderosas del momento, además de eso, escupimos mierda por media hora y luego nos ponemos serios al hablar de los horrores del país y soltar nuestro enojo; en este capítulo nos acompaña Lil Chep, quien forma parte de Cassatt.

Episode 3: Let’s talk about artists. Are you an artist? Am I an artist? Most of us, if asked, “are you an artist?” would hesitate to answer “yes.” After all, that label applies to the great ones: Michelangelo, Rembrandt, Cassatt, Picasso, Monet, O’Keeffe and the list goes on. Do we dare compare ourselves to that brilliant assembly? How do we define art, talent, beauty, if we do not have some form of creativity within ourselves?

Our CEO Ryan sat down with Sam Cassatt to talk about the state of ConsenSys and the Ethereum ecosystem.

Sam Cassatt is the CSO of ConsenSys. In this conversation, Sam and Anthony Pompliano discuss the history of ConsenSys, Sam's perspective of foreign governments' views on liquid crypto, why Maker is so interesting, and the current scalability conversation around Ethereum. ----- This show is sponsored by The Grove: thegrove.co/pomp Your branding and website are the first things your customers will see.  You never get a second chance at a first impression, which is why it's so important that your website is sending the right message to the world.  Luckily, you have The Grove to help you with that. The Grove is a full service creative and design agency that helps new and established companies tell their stories.  The Grove firmly believes that a brand is more than just a logo - it is the entire essence of who a company is.  That's why The Grove works with companies on every aspect of their marketing, from brand identity, to web development and design, to SEO, to specialized graphic design projects. The Grove has helped grow companies like Tiffany and Co, Bloq, AAA, The Red Cross, and the Chamber of Digital Commerce by amplifying their branding and web presence.  Get big results today, and visit thegrove.co/pomp. ----- Join the Off the Chain newsletter. Pomp's daily email analyzes the crypto market for institutional investors. Simply, it’s the best crypto newsletter delivered to your inbox every morning. No frills. No bullsh*t. Just everything you need to know in a 3-minute read. https://offthechain.substack.com/ ----- If you enjoyed this conversation, share it with your colleagues & friends, rate, review, and subscribe. This podcast is presented by BlockWorks Group. For exclusive content and events that provide insights into the crypto and blockchain space, visit them at: https://www.blockworksgroup.io

There is perhaps no firm that has done as much to promote the adoption of Ethereum as the dominant cryptocurrency platform for actual product development as Consensys. Founded by Ethereum Foundation co-founder Joe Lubin, Consensys has emerged as an investor, accelerator, educator and product developer in its own right in little more than three years that it has been in existence.

Corey Jackson grew up in Cassatt, SC (with a population of 3,000) where he lived with his parents and four siblings in a singlewide mobile home. Although the Jacksons didn’t have much, Corey had extremely big and ambitious goals. At the age of five, he decided that he wanted to be a pro athlete and play in the NBA. Corey attended North Central High School where he became a basketball star. After a great high school basketball career, he expected to be recruited and receive multiple scholarship offers. However, to his surprise, he didn’t receive one offer.    Shortly after graduation, Corey took a seven dollar an hour job at Walmart. Fed up with his situation, Corey quit his job one year later and purchased a one-way ticket to Ranger, TX with his mind set on attending Ranger College, where he neither applied nor was accepted. Professional Football Career:  In 2003, Corey joined the Cleveland Browns as a defensive end and played two and a half seasons with the Browns. In 2004, Corey earned defensive player of the year in NFL Europe while playing for the Frankfurt Galaxy. In the Fall of 2005, Corey signed a two-year deal with the Denver Broncos. After several nagging injuries, Corey officially retired in 2008.   Life After Football: Corey is an entrepreneur at heart. While playing in the NFL, Corey, along with a partner, started a real estate company that he and his partner dissolved after several years. As well, Corey began speaking professionally while playing in the NFL. In 2016, he published his first book Think Different. Be Different. Live Different. and he started a technology company called Qwerkz. In February of 2017, Qwerkz produced an application that connects professional athletes, brands and fans. In the Summer of 2017, Corey is releasing his documentary called From Walmart to The NFL: The Corey Jackson Story.    

If you've ever been to New York City, there's a good chance you traveled through Penn Station at some point. And then you instantly regretted it. On today's episode, my guest is Greg Young of the famous Bowery Boys podcast, and we talk about the sad history of Penn Station, and what it can mean for the rest of the country, not just New York City. And while the story of Penn Station is sad, Greg promises to wrap it up in an optimistic, or hopeful, package. Does he succeed? You'll have to listen to this week's episode to find out. The early days of Penn Station After sharing my Penn Station horror story (many New Yorkers and visitors have one or a dozen), Greg and I chatted about the early days of the transit hub, which didn't always double as hell on Earth. These days, the station sits beneath Madison Square Garden, which opened in 1968. But that wasn't always the case. Greg told me about the original design of the station, which opened in 1910 as the fourth-largest building in the world, with beautiful colonnades and shopping arcades and a beautiful concourse for catching a train. And what's more, it had tons of natural light, something that the modern-day, underground Penn Station eschews like a vampire. But one fascinating bit of information Greg shared: How impressionist painter Mary Cassatt influenced Penn Station's design.   Why New Yorkers stopped caring about Penn Station What's fascinating about this time is that Penn Station was sort of the crown jewel of the Pennsylvania Railroad, the largest rail line in the country. But just a couple years later, the Vanderbilt family, which owned the New York Central Railroad, built Grand Central Station. And the ownership of these enormously important landmarks by private companies may have paved while the way for their construction, as we see with Penn Station, it also contributed to its downfall. Greg told me about how both the automobile industry and the airline industry forced rail to take a nosedive, and dragged down the grandeur of rail stations with it. And as the stations fell into disrepair, New Yorkers used them less and less, and cared about them less and less. Madison Square Garden and Penn Station As you may know, in the middle of the 20th century, New York City hit financial hard times, and the railroads were no different. Penn Station, not being in the center of New York, Greg told me, really bore the brunt of the financial struggles of the city, whereas Grand Central benefited from being in the center of town. So in the 1950s, in an effort to revitalize the station and the area, the city announced it would tear down the station but keep the railroad infrastructure below it intact, and then build something above it that would benefit from the railway. That became Madison Square Garden, and Penn Station became the underground place no one wants to visit. JPenn Station and the landmark movement As Greg tells me, the movement to mark buildings as landmarks and preserve the city's history was just getting started when the news that Penn Station would be torn down was released. There were no laws on the books to protect old buildings, no landmarks commission. There was a small but powerful group standing up to the city, but it wasn't a fight they could win. In fact, Greg says Penn Station is often considered the sacrificial lamb to the cause of historic preservation, because after it was torn down, people saw what they had lost. that This was a really fun episode with a guest who helped further my love of history before I ever talked with him. Outline of This Episode [4:10] Penn Station's early days [8:53] Cassatt and Penn Station [15:00] The decline of railroads [21:17] Reaction to the station being torn down [27:45] Sacrificial lamb [30:50] Landmarking process Resources Mentioned Bowery Boys Podcast Adventures in Old New York Connect With Stephanie stephanie@historyfangirl.com https://historyfangirl.com Support Stephanie on Patreon Featuring the song “Places Unseen” by Lee Rosevere. More info and photographs for this episode at: https://historyfangirl.com/penn-station-sacrificial-lamb/  

There was a time when one of the most popular forms of entertainment was to see an impressionist.  I’m not talking about going to an art gallery to see the works of Pissarro, Monet, Renoir, Degas, or Cassatt.  I’m talking about people like Rich Little...

Today we are pleased to announce four new artists have been added to our collection of Picture Study Portfolios. You may recognize some of their names: Raphael, Cassatt, Rubens, and Homer. Raphael is known for his portrayals of cherubic angels and peaceful Madonnas, but there is more to his work than that. He also composed […] Announcing Four Wonderful New Picture Study Portfolios originally appeared on Simply Charlotte Mason.

In this episode I am joined by another Tales of Poe actor - Bette Cassatt! She is a beautiful girl who likes to wield a sword or two (depending on her foe), games, Star Trek, and acting in quality productions on the stage and screen. Listen to the end of the episode where she drops a bomb I wasn't ready for, leaving me a bit star struck and babbling like a geeky kid... Bette Online  Trivia from her IMDB Became legally handicapped following a severe knee injury. After reconstructive surgery and lengthy physical therapy, Bette is back in fighting form. Has studied stage combat under Brad Waller at The Shakespeare Theatre as well as trained with various fight masters including the legendary Paddy Crean. She has worked as a fight choreographer for various theatres, and has taught stage combat for The Catholic University of America's master program. Trains award-winning Shetland Sheepdogs, who have appeared on film, television, stage, parades, and other live events. One dog, D'Artagnan, will appear in the upcoming PBS documentary "History Through Deaf Eyes.". Is a cancer survivor. Mucoepidermoid Carcinoma of the Parotid (Salivary Gland Cancer). Wrote (adapted and translated from the novel) a four-actor version of The Three Musketeers, by Alexander Dumas. The production with In-School Players and The National Theatre garnered great praise from audiences. Bette played D'Artagnan and Queen Anne, was one of the three costumers, and was fight captain.

The NPG's Cara Fama discusses a portrait of American artist Mary Cassatt by Edgar Degas.

Aspire Episode 54: Jan. 13, 2008 The Train Stations of AJ Cassatt, the works of Daniel Burnham, the Chicago World's Fair of 1893, and more. Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2008 Szilverwolf LLC

Aspire Episode 54: Jan. 13, 2008 The Train Stations of AJ Cassatt, the works of Daniel Burnham, the Chicago World's Fair of 1893, and more. Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2008 Szilverwolf LLC

Aspire Episode 53: Jan. 06, 2008 Two Famous Pittsburgh Born Cassatt Children who grew up to become designers: Mary Cassatt and Alexander Cassatt Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2008 Szilverwolf LLC

Aspire Episode 53: Jan. 06, 2008 Two Famous Pittsburgh Born Cassatt Children who grew up to become designers: Mary Cassatt and Alexander Cassatt Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2008 Szilverwolf LLC