Podcast appearances and mentions of doug murray

Today’s headline news for Canadian IT solution providers. ChannelBuzz.ca is on site at this week’s SAS Innovate 2026 in Grapevine, Texas. Here’s some of the major news from the event. SAS announced a Viya MCP (Model Context Protocol) server at Innovate 2026, enabling external AI agents to invoke SAS capabilities – fraud detection models, statistical engines, forecasting tools – without being inside the Viya platform. Integrations with Microsoft Copilot and Anthropic’s Claude are live now, with additional LLMs coming later this year. It’s a significant architectural shift: SAS Viya becomes a callable intelligence layer inside any enterprise AI workflow, rather than a destination platform customers have to enter directly. SAS AI Navigator is the company’s new AI governance tool, a SaaS solution designed to help organizations compile a complete AI inventory and govern AI use cases, including the models and agents that power them. Navigator is coming to Azure Marketplace in both public and private configurations – lowering the entry point for governance conversations to well below a full Viya deployment. SAS’s vice president of AI ethics, governance and social impact Reggie Townsend frames the shift plainly: governance is no longer a compliance checkbox, it’s a competitive differentiator. SAS Studio is being rebranded as SAS Data and AI Studio, arriving later in 2026, alongside expanded native support for open table formats and the governed orchestration for building, deploying, and scaling trusted analytics and AI across the enterprise. A free, open-source Agentic AI Accelerator for is available now on GitHub, along with a free course to learn how to build Agents in SAS Viya. In conversation at the show, SAS chief operating officer Gavin Day offered the most candid enterprise AI market read of the week: productivity gains are real – SAS internally cut its own development lifecycle by roughly 60% using AI techniques – but for high-stakes use cases the precision problem remains unsolved. “If I ask an LLM the same question ten times, I don’t get the same answer ten times. If I’m working on anti-money laundering, that’s never gonna be okay.” Day also confirmed that as of Q3 2025, SAS automated inbound partner lead routing to go directly to qualified partners without SAS in the middle – and said the partner board acknowledged it at their meeting this week. Full interviews with SAS senior vice president of global channels John Carey and SAS Canada’s Ryan MacDonald are coming to the In The Channel feed. Elsewhere in the news: Microsoft reported fiscal Q3 2026 results after the bell on Wednesday, beating expectations on both revenue and earnings. Azure grew 40% year-over-year, ahead of the 39% consensus, and the company’s AI business crossed a $37 billion annualized revenue run rate, up 123%. Microsoft 365 Copilot now has over 20 million paid commercial seats, up from 15 million in January, with Satya Nadella noting weekly engagement is now at the same level as Outlook. For solution providers, the more immediate data point: M365 E7 at $99 per user per month goes generally available today, bundling Copilot, Entra Suite, and advanced compliance capabilities into a single commercial tier – and Microsoft is guiding for Azure growth of 39 to 40 percent next quarter at constant currency. Lenovo has acquired the firmware BIOS business, intellectual property, and engineering team of Phoenix Technologies, the company whose firmware runs on over one billion devices globally, in a deal that ends a 20-plus year vendor relationship by converting it into vertical ownership. The acquisition covers four Phoenix product lines – FirmCare, SecureCore, ServerBMC, and OmniCore – and Lenovo is framing the deal around faster security patch delivery, tighter firmware integration across its ThinkPad and commercial PC lines, and cost efficiencies. For Lenovo resellers, the practical implication is a more consistent firmware and security update story across the full portfolio, without the coordination lag that comes with a third-party BIOS vendor relationship. Canadian network management platform Auvik launched Auvik Aurora, a suite of AI agents embedded directly into its platform for MSPs and IT teams. Drawing on Auvik’s network data lake of real-world device topology, relationships, and vulnerability insights, the agents proactively flag issues, prioritize alerts, and surface device-specific command recommendations before problems escalate. CEO Doug Murray frames Aurora as the “Do” layer of Auvik’s “See, Tell, Do” framework – and notably, the agents are designed to identify devices in need of patching or replacement, surfacing revenue opportunities MSPs can bring to clients proactively rather than reactively. Cloud networking vendor Aviatrix launched AgentGuard, positioning it as the first agentic AI security platform built around containment rather than detection and remediation. The premise: most enterprises have no architectural constraints on where a compromised AI agent can move, making the blast radius of an AI agent breach effectively the entire environment. AgentGuard discovers agents across VMs, Kubernetes clusters, and serverless functions – including shadow agents – maps their connections, and enforces communication governance. CEO Doug Merritt was direct about the channel opportunity: “There’s a significant services revenue stream about to be unleashed for channel partners who understand AI containment.” Aviatrix operates 100 percent through the channel. Read Full Transcript Welcome to The Buzz from ChannelBuzz.ca, I’m Robert Dutt, today is Thursday, April 30th, and here’s what’s happening in the channel today. A special edition today. I’ve spent the last couple of days at SAS Innovate 2026 in Washington, and there’s enough here to warrant its own episode before we get to the rest of the week’s news. Product announcements, some candid conversations with SAS leadership, and an honest read on where the enterprise AI market actually stands right now. Let’s get into it. The headline from the show floor is that SAS is opening up the Viya platform in a way it hasn’t before. They’ve launched a Viya MCP server – Model Context Protocol – which means SAS capabilities, whether that’s a fraud detection model, a forecasting engine, or a statistical analysis tool, can now be called directly by external AI agents. If your client is running Claude or Microsoft Teams as their AI interface, they can now reach into a SAS Viya model and invoke it as a tool, without being inside Viya at all. Microsoft and Anthropic integrations are live now, with more LLM support coming later this year. Alongside that, SAS Studio is being rebranded as SAS Workbench, arriving later this year, and SAS is also expanding native support for open table formats – which they’re framing as finally making cloud migration financially viable rather than painful. And for partners and developers interested in building on top of all this: an Agent AI with SAS Viya certification is available now, and a free open-source Agent AI Accelerator framework is up on GitHub. SAS has been making governance noise for a few years. This week, the company introduced AI Navigator, a SaaS solution designed to help organizations compile a complete AI inventory and govern AI use cases, including the models and agents that power them. Agent sprawl is real, and this is a direct response to it. Navigator is coming to Azure Marketplace in both public and private configurations – meaning you don’t need to be a Viya customer to have a governance conversation. I sat down with Reggie Townsend, SAS’s vice president of AI ethics, governance and social impact. His framing is worth repeating: governance is no longer a compliance checkbox – it’s a competitive differentiator. In his words, the AI debate is no longer innovation versus trust. He also told us that the Navigator product grew directly out of an internal SAS problem – they discovered five different business units were using five different AI models to respond to RFPs. They consolidated to one champion model, one challenger. That specific use case became a product feature. The most useful conversation of the week was with Gavin Day, SAS’s chief operating officer, who oversees all revenue-generating functions including channel. He gave the most honest market read I heard at the show. On AI ROI: productivity gains are real. SAS internally cut their development lifecycle by roughly 60% using AI techniques. But for high-stakes, mission-critical use cases, the precision problem remains unsolved. His line: if you ask an LLM the same question ten times, you don’t get the same answer ten times – and if you’re working on anti-money laundering, that’s never going to be okay. That’s the gap. He also confirmed what a lot of people in this industry are probably already sensing: behind closed doors, CIOs are telling him that IT budgets are being quietly redirected to AI experimentation. Nobody says it out loud. But the investment is real, and the ROI conversation is still very much open. Day confirmed that as of last summer, SAS automated their inbound partner lead routing – leads that fit a partner profile now go directly to that partner without SAS in the middle. Small operational detail, real signal about where their head is at on the partner motion. He also flagged something worth watching on pricing: his prediction is the industry is moving toward outcome-based models, where customers start paying when the technology is implemented and actually delivering value – not on a multi-year implementation runway. That’s a shift worth tracking. In addition to this episode of the Buzz, tune in later today for an In The Channel episode where I sit down with Ryan MacDonald, country manager for SAS Canada to find out about top opportunities for the company's partners back home, and tomorrow I'll bring you an interview with John Carey, who has signficantly ramped up the company's partnering efforts over the last four years. Of course, there’s plenty going on beyond SAS Innovate this week. Here are a few headlines that caught our eye – and for more detail on any of them, check the show notes or blog post for this episode. “Microsoft beat Q3 expectations last night – Azure up 40%, Copilot crosses 20 million paid commercial seats – and M365 E7 launches tomorrow.” “Lenovo has acquired Phoenix Technologies’ firmware business, bringing in-house the firmware running on over a billion devices worldwide.” “Auvik has launched Aurora AI agents, embedded directly into its platform for proactive MSP network management.” “And Aviatrix is out with AgentGuard – an agentic AI security platform built around containment, delivered entirely through the channel.” That’s how we’re seeing the headlines today. I’m Robert Dutt for ChannelBuzz.ca, thanks for listening. Have a great day.

Indie Comic Book Noise Episode 597 – Supposed to Read Comics not Buy Them Red skies threaten as Phil, Steve, Kevin, and Andy are here to steer the ICBN ship through the super flow. Assorted News, publisher websites, and Andy not finding anything worthwhile to buy on a certain week Twilight Zone #2 by Tom Scioli (IDW) Wally Wood book of the week: The Spawn of Venus & other stories (Fantagraphics)https://www.fantagraphics.com/products/spawn-of-venus-and-other-stories Fabulous Freak Brothers collections & Omnibus talkhttps://www.fantagraphics.com/collections/shop?q=Fabalous+Freak+Brothers Comic Grading/condition talk Assorted Crisis Events #8 by Deniz Camp, Eric Zawadzki (Image)https://imagecomics.com/comics/releases/assorted-crisis-events-8 The Savage Sword of Conan Vol. 18 by Charles Dixon, Doug Murray, Larry Yakata, Michael Docherty, Ernie Chan (Dark Horse)https://www.darkhorse.com/books/25-252/savage-sword-of-conan-volume-18-tpb/ Love Everlasting Vol. 3 by Tom King, Elsa Charretier, Matt Hollingsworth (Image)https://imagecomics.com/comics/releases/love-everlasting-tp-vol-3 X-O Manowar #1 (2025) by Steve Orlando, Guillermo Fajardo, Lautaro Ftuli (Valiant/Alien Books/IDW)https://www.alienbooks.com/valiant-beyond-the-xo-manowar Back Issue Magazine #162 – TwoMorrows (Back Issue goes MAD)https://twomorrows.com/index.php?main_page=product_info&products_id=1836 Shout OutsDerek Enjoy! Twitter: @indiecomicbookn, Bluesky: @marvelicbnoise.bsky.social #CombineTheShows

Red skies threaten as Phil, Steve, Kevin, and Andy are here to steer the ICBN ship through the super flow. Assorted News, publisher websites, and Andy not finding anything worthwhile to buy on a certain week Twilight Zone #2 by Tom Scioli (IDW) Wally Wood book of the week: The Spawn of Venus & other stories (Fantagraphics)https://www.fantagraphics.com/products/spawn-of-venus-and-other-stories Fabulous Freak Brothers collections & Omnibus talkhttps://www.fantagraphics.com/collections/shop?q=Fabalous+Freak+Brothers Comic Grading/condition talk Assorted Crisis Events #8 by Deniz Camp, Eric Zawadzki (Image)https://imagecomics.com/comics/releases/assorted-crisis-events-8 The Savage Sword of Conan Vol. 18 by Charles Dixon, Doug Murray, Larry Yakata, Michael Docherty, Ernie Chan (Dark Horse)https://www.darkhorse.com/books/25-252/savage-sword-of-conan-volume-18-tpb/ Love Everlasting Vol. 3 by Tom King, Elsa Charretier, Matt Hollingsworth (Image)https://imagecomics.com/comics/releases/love-everlasting-tp-vol-3 X-O Manowar #1 (2025) by Steve Orlando, Guillermo Fajardo, Lautaro Ftuli (Valiant/Alien Books/IDW)https://www.alienbooks.com/valiant-beyond-the-xo-manowar Back Issue Magazine #162 – TwoMorrows (Back Issue goes MAD)https://twomorrows.com/index.php?main_page=product_info&products_id=1836 Shout OutsDerek Enjoy! Twitter: @indiecomicbookn, Bluesky: @marvelicbnoise.bsky.social

Doug Murray has been an instructor at Juneau Shotokan Karate Club for more than forty years. He sat down with reporter Joe Allgood after the roof of the dojo collapsed due to heavy snowfall in Southeast Alaska. While the loss of their dojo is unfortunate, he's hopeful about the future of the club. Here is an extended version of that conversation. 

Auvik is network management software that lets users monitor, manage, and troubleshoot their networks. On today’s sponsored episode we talk with Doug Murray, CEO; and John Harden, Director of Strategy & Technology Evangelism, both from Auvik, about the challenges facing today’s network operators. We look at the rise of the IT generalist, workloads and burnout,... Read more »

Auvik is network management software that lets users monitor, manage, and troubleshoot their networks. On today’s sponsored episode we talk with Doug Murray, CEO; and John Harden, Director of Strategy & Technology Evangelism, both from Auvik, about the challenges facing today’s network operators. We look at the rise of the IT generalist, workloads and burnout,... Read more »

Be sure to subscribe I did a 6hour woodshed on this fool This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.ryandawson.org/subscribe

I removed the first 47 minutes because it was just a pedantic hissy fit by Murray about who is allowed to talk about what him self a f****t with a degree in English talking to a comedian about Geo politics. The whole set up was stupid. The other reason is the woodshed file size wont fit on substack anyway so i had to remove something. The whole thing is on rumble though if you wan to see the parts on Churchill and Cooper. So consider getting something at the shop as a means of donating for these woodsheds. Or subscribe. SHOP This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.ryandawson.org/subscribe

Disney Channel has made a frenemy out of us with this movie...yikesFrenemies (January 13, 2012)IMDB WikipediaDirected by Daisy von Scherler Mayer (TV director, Nurse Jackie, House of Lies, Chicago Med, Bosch, Made for Love, Yellowjackets)Written by Alexa Young (only credit), Dava Savel (Dinosaurs, Ellen, That's So Raven, Sonny with a Chance, Raven's Home, Bubble Guppies), Wendy Weiner (The Talent Show, Dating Rules from My Future Self - this was last credit)Starring: Bella Thorne as Avalon Greene (Shake it Up, The Duff, Famous in Love, Paradise City, music videos)Zendaya as Halley Brandon (Shake it Up, Spider Man, KC Undercover, The Greatest Showman, Dune, Euphoria Challengers, music videos)Mary Mouser as Savannah O'Neal / Emma Reynolds (voice of Eloise, NCIS, Body of Proof, Cobra Kai)Nick Robinson as Jake Logan (Jurassic World, Melissa & Joey, Love Simon, Love Victor, Maid, History of the World: Part II)Stefanie Scott as Julianne Bryan (A.N.T. Farm, Jem and the Holograms, The Girl in the Woods)Connor Price as Walker (Cinderella Man, Murdoch Mysteries, Being Human, X Company) Jascha Washington as Kendall Brandon (Da Boom Crew - this was last credit)Dylan Everett as Lance Lancaster (How to Be Indie, Wingin' It, Degrassi: the Next Generation, Pure)Kathryn Greenwood as Lisa Logan (George & Martha, Wind at My Back, My Big Fat Greek Weddings 2 & 3, character actor)Doug Murray as Roger O'Neal (How to Lose a Guy in 10 Days, Family Biz, Miss Sloane, Blues Clues)Synopsis: Bella Thorne and Zendaya Coleman, who play Rocky and CeCe in hit Disney Channel series Shake It Up, star in this Disney Channel Original Movie. It is a comedy about three pairs of friends whose relationships go from good to bad and back again. Several couples fall out over girls, boys and work. Can all these couples settle their differences and be friends again?Fun Facts: Bella & Zendaya were on a show together at the time of this movie's filmingBased a BookNext Movie: Radio Rebel ★ Support this podcast on Patreon ★

For this week's podcast, we're digging out a treasure from the CBCC Patreon Feed: our deep-dive conversation with Daniel Warren Johnson about The Nam # 9. This thorough discussion launched our "Married to Singles" Patreon exclusive series, where we examine the favorite single issues of various comic book creators and critics. It's one thing to dissect an artist's work alongside or in front of them, as we often do, but it's an entirely different thing to scrutinize an artist's work with another artist. Daniel Warren Johnson is a can't-miss cartoonist. If he's on a book, you want that book in your pullbox. Extremity, Murder Falcon, Do a Powerbomb!, and Transformers are essential reads for those obsessed with the comic form. If you want to understand what DWJ does so well, our conversation with him about his passion for Michael Golden gives you another angle. As Johnson remarks in our chat, Michael Golden in The 'Nam # 9 does things he would never do, and those choices mystify and compel him. Johnson came to the Marvel series late in his comic reading history, picking up the first two issues and enjoying them but only coming across the rest of those Golden books years later at C2E2. He profoundly appreciates all those early 'Nam issues, but the ninth one just hits differently. Why? We get into it. After you enjoy our conversation with Daniel Warren Johnson, consider digging into the rest of our "Married to Singles" episodes. We have thorough inspections with Jason Ayers on Uncanny X-Men # 183, Christian Ward on Arkham Asylum, and more. The CBCC Patreon costs as little as $1 a month or $12 a year. You can also purchase these episodes individually, without joining the Patreon, for $3 an episode via our Online Shop. The 'Nam # 9 was originally published by Marvel Comics on May 19, 1987. It was written by Doug Murray, penciled by Michael Golden, inked by John Beatty, and lettered and colored by Phil Felix. G.I. Joe mastermind Larry Hama served as editor, while Jim Shooterwas Editor-in-Chief. You can continue this conversation by following Daniel Warren Johnson on Twitter, Instagram, and his Website. Other Relevant Links: Robert Kirkman, Joshua Williamson, and Daniel Warren Johnson at SDCC Appreciating Daniel Warren Johnson's Transformers, an essay Joshua Williamson and Tom Reilly on Duke The Ultimate Do a Powerbomb! Daniel Warren Johnson Interview The Ultimate Beta Ray Bill Daniel Warren Jonson Interview Subscribe to the Free CBCC Newsletter Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY Join us at the Alamo Drafthouse in Winchester, Virginia, on 5/19 at 4:00 PM for our Batman (1989) screening, co-sponsored by Four Color Fantasies. Watch the latest episode of The B&B Show, where Brad and Bryan Review the Hottest Cinematic Releases. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Twitter @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts.

Guest Preacher Rev. Doug Murray's sermon came from Mark 1:21–28  and is titled, "The One Who Was Left, and the Ones Who Did the Leaving" — First Baptist Church of Sylva, January 21, 2024

In this captivating episode of The Digital Executive Podcast, host Brian Thomas interviews Doug Murray, CEO of Auvik Networks, a leading provider of cloud-based network management software. With over 25 years of experience in the network and security industry, Murray shares his journey and insights, including his tenure as CEO at Baltics and Big Switch Networks, and his roles at Juniper Networks, Sun Microsystems, and AT&T.Murray discusses the importance of embracing diverse roles and international experiences in career growth, highlighting the critical role of company culture in driving success and innovation. He emphasizes the pivotal role of Auvik Networks in the evolution of hybrid and remote work environments. Auvik's focus on SaaS-based IT operations management plays a vital role in reducing friction for IT teams, allowing for seamless operations across various environments - a necessity amplified by the pandemic.The conversation also touches on the integration of new technologies like AI in network management. Murray underlines the significance of AI and cybersecurity in the rapidly changing landscape of IT, emphasizing Auvik's commitment to security and innovation in their SaaS platform.Murray's advice for IT professionals is to never stop learning and to embrace change, suggesting that continuous education and adaptation are key to career advancement in the IT sector. This insightful episode ends with Murray's reflections on the future of network management and the importance of innovation in an increasingly digital world.

Is the Democrat version of The Schlieffen Plan? Pennsylvania Voters Tell NBC the economy doesn't feel like it's working out for them now. Latest on the Israel/Hamas war - throwdown between Doug Murray & Cenk Uygur. Buck waxes eloquent on gratitude for the year, Christmas and his birthday. Follow Clay & Buck on YouTube: https://www.youtube.com/c/clayandbuckSee omnystudio.com/listener for privacy information.

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Vince sits down with Doug Murray and Paul Harris for a special edition episode, where Doug and Paul promote their show "A Backstage Pass From the Crew". Doug Murray is one of the best Production Manager, Stage Manager, and Technical Director in the business, who has worked with artists from Harry Connick to Huey Lewis. Paul Harris is a badass LD and longtime member of Local 16. He is also the Director of "A Backstage Pass".

Fire Walk With Me - David Lynch's haunting prequel to the legendary Twin Peaks series - turns 30 this year, and we're excited to be able to bring you the exclusive story behind the sound of the film in our in-depth talk with Emmy & MPSE award-winning supervising sound editor/sound designer Doug Murray. We also highlight some of the most interesting new independent sound releases. Interview by Jennifer Walden, hosted by Asbjoern Andersen, and with library highlights by Christian Hagelskjaer From

Dr. Doug Murray's sermon came from Psalm 71:1–21 and is titled, "Refuge" — First Baptist Church of Sylva, August 21, 2022

-Getting your chance on the top line with Tavares and running a muck for the next 4 years -Getting cut from nearly every junior team to becoming an NHL Star -The Cornell Big Red and Doug Murray dominating the little boys of college hockey -Derek Armstrong, Doug Weight, Mr. Blake and treating the youngsters the right way -The Guelph Dominators & the epic 2001/02 scoring race

In this episode, we're off to Myanmar. Also known as Burma, this southeast Asian country offers scenic beauty, cultural riches and deep spirituality. Sadly, it is also a place that has endured the world's longest running civil war and successive military coups including one in 2021 that ousted Aung San Suu Kyi's democratically elected government. Before the latest military take over, British expat Dominic Horner was teaching English in Yangon and writing for local publications as well as filing stories for Lonely Planet and the Independent. He's a passionate advocate for wild swimming and in his love letter, recorded before he left Myanmar in 2021, Dominic shares some of his adventures as he sought out some of the Golden Land's best water holes. Also in this episode we hear from award-winning, Yangon-based blogger Su Wai Phyo; journalist, author and Myanmar expert Jessica Mudditt; and Tony Wheeler, founder of Lonely Planet Publications whose travels in Myanmar span five decades. 01.48 – A Love Letter to Wild Swimming in Myanmar by Dominic Horner. 10.08 – Su Wai Phyo, lifestyle and travel blogger based in Yangon. 19.25 – Jessica Mudditt is a journalist who lived in Myanmar between 2012 and 2016 and is the author of Our Home in Myanmar, Four Years in Yangon. 28.38 – Tony Wheeler, founder, along with his wife Maureen, of Lonely Planet Publications. After selling the company in 2011, they set up the charitable foundation Planet Wheeler which supports various projects in Myanmar. Episode producer: Simon Richmond Presenters: Belinda Dixon & Simon Richmond Sound editing: Doug Murray Co-producers: Kate Armstrong, Doug Murray & Tasmin Waby Theme Music Instant by Nettson Feeling that wanderlust? Longing to hear more Love Letters from locals? Please subscribe and give your rating for our podcast, it makes an enormous difference to our listenership. Follow us for travel updates on Instagram and Facebook.

In this episode we're off to Alentejo, Portugal's largest and one of its most beautiful regions. Located in the country's southern half, its landscapes vary from rugged coastal cliffs and cork tree covered plains to vineyards bursting with grapes. This is the place for slow travel; it's the perfect place for walking. We explore Alentejo's historic villages, landscapes and the region's local culture with Ana Palma, its walking trails and sustainable travel options with Ana Carla Cabrita, and get some top tips for travelling responsibly around the region with João Ministro. 01.52 - A Love Letter to Alentejo by local Ana Palma 11.02 - Insider insights into exploring Alentejo with Ana Carla Cabrita 22:03 - Tips on experiencing Alentejo yourself, from sustainable tour operator João Ministro Resources & Links Ana Palma Ana Carla Cabrita Walkin' Sagres João Ministro Proactivetur Episode producer Kate Armstrong Presenters Kate Armstrong & Simon Richmond Sound editing Belinda Dixon Thanks to co-producers Doug Murray & Tasmin Waby Theme Music Instant by Nettson

In this episode we take you on a journey through London from three very different perspectives. You'll benefit from the insider travel tips from celebrated Blue Badge guide Katie Wignell from Look Up London, explore London by bike with American expat and long-time Londoner, Martin T Sherman, and find out about the fascinating subculture on London's canals. Riverboat dweller, John Kenton tells us about the history and lifestyle of London's canal barge community. 01.00 - Learning London by bike Our love letter was written and delivered by actor, writer and inventor, Martin T. Sherman (with Bespoke Voices). 07.10 - London's canal boats John Kenton is a singer-songwriter, a much loved London boater, and owner of the Thames Queen. 18.55 - Why London is best explored by foot Katie Wignell, Blue Badge London guide and owner of the award-winning walking tours outfit, Look Up London Feeling that wanderlust? Longing to hear more Love Letters from locals? Please subscribe and give your rating for our podcast, it makes an enormous difference to our listenership. Follow us for travel updates on Instagram and Facebook. Producer: Tasmin Waby Presenters: Belinda Dixon & Simon Richmond Sound editing: Belinda Dixon & Tasmin Waby Thanks also to Doug Murray & Kate Armstrong Theme Music: Instant by Nettson Sound credits: Cycling and breathing, Creative Commons Piccadilly circus, talking, horns, siren, cars, Creative Commons Busy London cafe, Creative Commons Road sounds & Big Ben, Creative Commons Construction sounds (jackhammer), Creative Commons Nightclub and siren sound, Creative Commons Nightclub techno music, Creative Commons 8-bit Electro, Creative Commons Tube from Tower Hill to Aldgate East Tube sounds, recorded by Tasmin Waby 3 April 2021

In this episode we're off to Dartmoor - a magical, mercurial, 368-square mile wilderness in south west England. Here undulating moorland is dotted with prehistoric sites, rocky outcrops and ancient woods crowded with moss-smothered trees. We'll explore Dartmoor's icy rivers with swimmer and writer Sophie Pierce, its hiking routes with travel publisher Hilary Bradt, and the moor's adventure potential with guidebook author Daniel Start. 01.33 - A Love Letter to Dartmoor from writer & outdoor swimmer Sophie Pierce 07.58 - Insider insights into exploring Dartmoor from travel writer & publisher Hillary Bradt 16.09 - Tips on experiencing Dartmoor yourself, from Wild Things author Daniel Start Resources & Links Sophie Pierce Wild Swimming Walks Dartmoor & South Devon; The Green Hill: Letters to a Son, about the loss of Sophie's son Felix and the role of the natural world in her mourning, will be published by Unbound in Spring 2023. Hillary Bradt South Devon & Dartmoor - Slow Travel Bradt Guides are offering listeners to This Place, This Story a 25% discount on Hilary Bradt and Janice Booth's Slow Travel: South Devon & Dartmoor. To claim your discount, visit bradtguides.com and enter the code THISPLACE25 at checkout. The offer ends 30th June 2022 and can't be used in conjunction with any other offers. Daniel Start Wild Swimming Walks, Dartmoor & South Devon; The Wild Guide to the South West Episode producer Belinda Dixon Presenters Belinda Dixon & Simon Richmond Sound editing Belinda Dixon Thanks also to Doug Murray & Kate Armstrong Theme Music: Instant by Nettson

William Hoy ACE, Tyler Nelson, Will Files, Douglas Murray THE BATMAN post production team of editors Bill Hoy and Tyler Nelson, along with supervising sound editors Will Files and Doug Murray, are justifiably proud of the film they've made.  In breaking the mold of the superhero archetype, they achieved director Matt Reeves' vision of a noir murder mystery that's more in the vein of classis 70's cinema than the glossy blockbusters of the 21st century.  Adding to this feat is the fact that they were forced to shut down one month into production only to return to action in a much more restrictive model of collaboration than they were used to.  In spite of those challenges, audiences and critics alike have responded in a big way to the remarkably fresh take on DC Films' dark knight. The story of THE BATMAN begins two years into his crimefighting legacy, forgoing the usual origin story elements often found in super hero tales, and follows Batman / Bruce Wayne as he ventures into Gotham City's underworld where he must track a sadistic killer prone to leaving behind a trail of cryptic clues. As the evidence begins to lead closer to home and the scale of the perpetrator's plans becomes clearer, he must forge new relationships, unmask the culprit and bring justice to the abuse of power and corruption that has long plagued the city. WILLIAM HOY ACE William Hoy is known for his work on NO WAY OUT (1987), DANCES WITH WOLVES (1990), THE BONE COLLECTOR (1999), DAWN OF THE PLANET OF THE APES (2014) and WAR FOR THE PLANET OF THE APES (2017). TYLER NELSON Tyler Nelson is known for his assistant editing work on THE SOCIAL NETWORK (2010), THE GIRL WITH THE DRAGON TATTOO (2011) and GONE GIRL (2014); as well as his editing work on MINDHUNTER (2017-2019) and SHADOW AND BONE (2021). WILL FILES Will Files is known for his work on CLOVERFIELD (2008), DAWN OF THE PLANET OF THE APES (2014), WAR FOR THE PLANET OF THE APES (2017), STAR WARS:  EPISODE VII - THE FORCE AWAKENS (2017) and VENOM (2018). DOUGLAS MURRAY Douglas Murray is known for his work on THE ENGLISH PATIENT (1996), CLOVERFIELD (2008), DAWN OF THE PLANET OF THE APES (2014), WAR FOR THE PLANET OF THE APES (2017) and ANT-MAN AND THE WASP (2018). Making The Batman In our discussion with THE BATMAN post production team, we talk about: The influence of 70's cinema on THE BATMAN Using POV driven sound to internalize character feelings Building the “voice” of the Batmobile The anatomy of a chase scene Futzing music on the fly The Credits Get your free 100GB of media transfer at MASV Visit ExtremeMusic for all your production audio needs See what's new in the latest versions of Media Composer and Pro Tools Hear editor Bill Hoy talk about editing THE CALL OF THE WILD See re-recording mixer and sound designer Will Files and the post production team from STRANGER THINGS discuss Season Three Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

In this episode we're off to Penang, the fabled island off the northwest coast of Peninsular Malaysia. Colonised by the British in the early 1700s, Penang today is one of Malaysia's most ethnically diverse and cosmopolitan regions, a dynamic business hub as well as a repository of local cultural history. Its capital George Town is known for its Unesco World Heritage listed zone, but there is much more to discover on the island - as you'll find out in this episode's love letter, narrated by local journalist Marco Ferrarese, who leads us on a two-day hike from the north to the south of Penang via its mountainous, rainforest-clad interior. Penangite Alan Tan, managing director of Habitat Penang Hill, shines a light on the island's lush environment and its complex, fascinating mingling of cultures. Rounding out the episode is Bettina Chua Abdullah, a local broadcaster, writer and passionate foodie, who waxes lyrical about Penang's lip-smacking culinary scene, one of the best in Asia. Bettina is also director of Hikayat, bookshop and events space in George Town. Episode producer: Simon Richmond Presenters: Belinda Dixon & Simon Richmond Sound editing: Belinda Dixon Co-producers: Kate Armstrong, Doug Murray & Tasmin Waby Theme Music: Instant by Nettson Music in episode: Buddha Beat

Fall in! Shag and Rob celebrate Veterans Day and #WarComicsMonth by looking at two classic war comics stories: Sgt. Rock's "What's The Color of Your Blood?" by Bob Kanigher and Joe Kubert from OUR ARMY AT WAR #160, and The 'Nam "5th To The 1st" by Doug Murray and Michael Golden, from SAVAGE TALES #1! Have a question or comment? Be sure to use the hashtag #WarComicsMonth when discussing this issue online! Leave comments on our website: http://fireandwaterpodcast.com/podcast/fwpvet2021 Images from this episode: http://fireandwaterpodcast.com/podcast/fwpvet2021-gallery e-mail: firewaterpodcast@comcast.net Subscribe to the FW PRESENTS: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/fw-presents/id1207382042 Subscribe via other podcatchers: http://feeds.feedburner.com/fwpresents Also available on Spotify, Stitcher, Amazon Music and Google Podcasts This episode brought to you by InStockTrades. This week's selection: JOE KUBERT ENEMY ACE ARTISTS EDITION HC: https://www.instocktrades.com/products/aug140447/joe-kubert-enemy-ace-artist-ed-hc-(net) THE 'NAM VOL. 3: https://www.instocktrades.com/products/jul110758/nam-tp-vol-03 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening! At ease, soldier!

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design. The post Day Two Cloud 119: Unifying Multi-Cloud Security With Valtix (Sponsored) appeared first on Packet Pushers.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design. The post Day Two Cloud 119: Unifying Multi-Cloud Security With Valtix (Sponsored) appeared first on Packet Pushers.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design. The post Day Two Cloud 119: Unifying Multi-Cloud Security With Valtix (Sponsored) appeared first on Packet Pushers.

1) Taiwan - https://www.news.com.au/world/asia/taiwans-election-results-a-major-blow-to-chinese-president-xi-jinping/news-story/0f1de2d24ba2d19a17b5a1187d0ccbfe 2) North Korea – BBC Today https://www.bbc.co.uk/sounds/play/m000d84y   3) Sheffield Students- https://www.bbc.com/news/education-51098539 4) Gender Reassignment and Conversion Therapy  https://www.youtube.com/watch?v=1miVuv8_SkM&feature=youtu.be&utm_source=feedblitz&utm_medium=FeedBlitzEmail&utm_campaign=Nightly_2020-01-12_08%3A30%3A00&utm_conten Women removed from Birmingham gynaecological health charity - https://www.birminghammail.co.uk/news/midlands-news/we-same-pain-birmingham-gynecological-17478251 Pakistan – Pink News celebrating…https://twitter.com/titaniamcgrath/status/1216358989010817024?s=12 5) Roger Scruton. https://vimeo.com/101804860 First 90 seconds 6) Neil Peart of Rush https://www.youtube.com/watch?v=auLBLk4ibAk&list=PLnIc8l-6P2z5EQ4soX1AnbH_kp3P_auAK 6) Carla Lockhart - https://www.facebook.com/725725965/posts/10156558382655966/?d=n 7) Sinclair Ferguson – prayer and natural disasters https://www.ligonier.org/blog/ask-ligonier-sinclair-ferguson-january-8/?utm_source=feedblitz&utm_medium=FeedBlitzEmail&utm_campaign=Nightly_2020-01-11_08%3a30%3a00&utm_content=5575   https://www.bbc.co.uk/sounds/play/m000czlw 8) Doug Murray on Australia - https://johnanderson.net.au/conversations-douglas-murray/ Final Song – https://www.youtube.com/watch?v=KYaQhgmOT24  Quote from Roger Scruton “During this year much was taken from me — my reputation, my standing as a public intellectual, my position in the Conservative movement, my peace of mind, my health. But much more was given back: by Douglas Murray’s generous defence, by the friends who rallied behind him, by the rheumatologist who saved my life and by the doctor to whose care I am now entrusted. Falling to the bottom in my own country, I have been raised to the top elsewhere, and looking back over the sequence of events I can only be glad that I have lived long enough to see this happen. Coming close to death you begin to know what life means, and what it means is gratitude.”   

Quarter-Bin Podcast #17Original release date: February 9, 2014.The 'Nam #15, cover-dated February 1988."Notes From The World," by Doug Murray, with art by Wayne Vansant and Geof Isherwood.Right-click to download episode directly Next Episode: Adam Strange: The Man of Two Worlds, Book #2, cover-dated April 1990.Send e-mail feedback to relativelygeeky@gmail.com, no matter how long ago this episode originally posted.

Heart to heart conversation with writer Doug Murray on his ground breaking Marvel Comic Book series, THE NAM; chronicled in real time by real folks who were there. Get schooled here and meet the charming gentlemen behind this epic series. Some comic bizz talk and Stan Lee as well. #THENAMcomic #DougMurray #MarvelComics @Marvel @fairlydark @YardPanther www.fairlydarkproductions.com #StanLee

It is an extra-sized episode and an extra-sized issue as The 'Nam hits issue #75. In four different stories that take us in country and back again, we look at events and perspectives surrounding the My Lai massacre. Creators in this one include original 'Nam writer Doug Murray, Scott Lobdell, Don Lomax, Mike Harris, Jimmy Palmiotti, and Herb Trimpe. Plus, I also take a long look at the final season of China Beach with expanded coverage of the events of the season and its final three episodes.

It is an extra-sized episode and an extra-sized issue as The 'Nam hits issue #75. In four different stories that take us in country and back again, we look at events and perspectives surrounding the My Lai massacre. Creators in this one include original 'Nam writer Doug Murray, Scott Lobdell, Don Lomax, Mike Harris, Jimmy Palmiotti, and Herb Trimpe. Plus, I also take a long look at the final season of China Beach with expanded coverage of the events of the season and its final three episodes.

This week, we're talking about the casting of Ethan Peck as a young Spock in Star Trek: Discovery, CBS expands its subscription options for All Access on Amazon Prime Video channels, and WORF is watching you...from the International Space Station. In Star Trek Online and gaming news, we're catching up on all the latest that the gaming world has to offer...and later Jayce is here with another Trek Lit 101. Finally, we've got a real treat for you: an interview with Doug Murray, show manager for Creation Entertainment, about his experiences managing the DeForest Kelley theatre, and what it's like running a fan convention behind the scenes. And as always, before we wrap up the show, we'll open hailing frequencies for your incoming messages! THIS WEEK'S COMMUNITY QUESTION Do you or did you subscribe to CBS All Access? Will you subscribe again when new Trek content starts coming out? TOPICS DISCUSSED Trek It Out Spockbound CBS All-Access Commercial Subscription Available on Amazon Channels WORF is Watching Star Trek Gaming News New Destroyer Class Starships Now Available in STO Star Trek Online Foundry Contest Star Trek Adversaries Romulan Invasion Trailer Trek Lit 101 Interview with Doug Murray, show manager for Creation Entertainment FIND US ON SOCIAL MEDIA Facebook: facebook.com/priorityonepodcast Twitter: twitter.com/priorityonepod (@priorityonepod) Instagram: instagram.com/priorityonepod (@priorityonepod) JOIN THE PRIORITY ONE ARMADA AND GAME WITH US! YouTube: Priority One Network Twitch: twitch.tv/priorityone Chat with us on Discord! HELP WANTED Priority One Productions is always looking for new team members that have a passion for Star Trek. All of our positions are volunteer, but we do offer a well-known outlet for your work. If you have a skill that you believe could enhance our content, then send your contact information and experience along with a few samples to incoming@priorityonepodcast.com. Winters's Top Tip is underscored by: Hero Down Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

This week, we’re talking about the casting of Ethan Peck as a young Spock in Star Trek: Discovery, CBS expands its subscription options for All Access on Amazon Prime Video channels, and WORF is watching you...from the International Space Station. In Star Trek Online and gaming news, we’re catching up on all the latest that the gaming world has to offer...and later Jayce is here with another Trek Lit 101. Finally, we’ve got a real treat for you: an interview with Doug Murray, show manager for Creation Entertainment, about his experiences managing the DeForest Kelley theatre, and what it’s like running a fan convention behind the scenes. And as always, before we wrap up the show, we’ll open hailing frequencies for your incoming messages! THIS WEEK'S COMMUNITY QUESTION Do you or did you subscribe to CBS All Access? Will you subscribe again when new Trek content starts coming out? TOPICS DISCUSSED Trek It Out Spockbound CBS All-Access Commercial Subscription Available on Amazon Channels WORF is Watching Star Trek Gaming News New Destroyer Class Starships Now Available in STO Star Trek Online Foundry Contest Star Trek Adversaries Romulan Invasion Trailer Trek Lit 101 Interview with Doug Murray, show manager for Creation Entertainment FIND US ON SOCIAL MEDIA Facebook: facebook.com/priorityonepodcast Twitter: twitter.com/priorityonepod (@priorityonepod) Instagram: instagram.com/priorityonepod (@priorityonepod) JOIN THE PRIORITY ONE ARMADA AND GAME WITH US! YouTube: Priority One Network Twitch: twitch.tv/priorityone Chat with us on Discord! HELP WANTED Priority One Productions is always looking for new team members that have a passion for Star Trek. All of our positions are volunteer, but we do offer a well-known outlet for your work. If you have a skill that you believe could enhance our content, then send your contact information and experience along with a few samples to incoming@priorityonepodcast.com. Winters’s Top Tip is underscored by: Hero Down Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Thanks for joining us at the Clive Barker Podcast. The only podcast dedicated to the imagination of Clive Barker. This episode 174, Jose and Ryan return to the Marvel / Epic Hellraiser comics, books 8-10.  Keep listening, we've got some doosies of voice-mails at the end. Show Notes Book 8 - 1991 Homecoming (w - John Rozum, a - Mark Texiera) Devil's Brigade Part 2: Heaven on Hell Street (w - Ron Wolfe, a - John Van Fleete) Losing Herself in the Part (w — Doug Murray, Dwayne McDuffie, a — Gray Morrow) Devil's Brigade Part 3: Inside the Laager (w — Larry Wachowski, a — Joe Barruso) Book 9 - 1991 Closets (w - Larry Wachowski, a — Miran Kim) The Tontine (w/a - Scott Hampton, a - John Van Fleet) The Devil's Brigade Part Four: Shoot High Break Low The Devil's Brigade Part Five: Passion Book 10 - 1991 Devil's Brigade Part 6: One True Faith (W - Nicholas Vince, A - Joe Barruso) The Sweet Science (W - Erik Saltzgaber, A - Mike Zeck) Devil's Brigade Part 7: Commitment (W - DG Chichester, Dwayne McDuffie, A - Mike McMahon)   "Homecoming" was changed editorially into something far too gentle for the Hellraiser universe, and into something disappointingly unrecognizable from the script I turned in, so I don't really consider it something I wrote, but I'm still pretty pleased with the other too stories. I really dug getting to play with Clive Barker's creations and had even written a tie in comic detailing the origins of the lament configurations (the deadly puzzle boxes) and further three stories which never saw print because the series was cancelled before they could be run. I'd love to be able to return to Hellraiser some day. From   The first of the stories I wrote for this series, "Homecoming," was also the first narrative comic book story I wrote for publication. I worked really hard to make it tight, seamless, and brutal, only to see something published which represented the story I turned in only in the most superficial level, completely removing the brutal ending and replacing it with one of redemption and responsibility. The Cenobite in my story, was really a cenobite pet, who escapes hell, and his masters, and heads home to the family he left on earth decades ago. This pet was taken to hell as a child, because his older brother sacrificed him to the Cenobites rather than go himself, as was supposed to happen. When the cenobites come to retrieve their pet, they demand to take the older brother back as well for their trouble. In my version the older brother surrenders his young son instead, remaining a coward and never taking responsibility for his actions. In the altered version, he owns up for what he has done and goes along himself. I was pissed, and disowned the story after this, despite some lovely art by Mark Texiera. I later wondered if maybe my script, being my first was bad and required the changes, but having found it in my files years later, so that it still held up, and remains stronger than what saw print. My next story fared a lot better, though I had to fight for it. From Gray Morrow died of a self inflicted gunshot. He suffered from Parkinson's disease.Morrow was nominated for the Hugo Award for best professional artist in 1966,[30] 1967,[31] and 1968. From The Tontine - Episode 1 Discussion: Voice Mails Facebook Event: The BarkerCast Listener party and screening for Barn of the Blood Llama before Texas Frightmare Weekend.  If you don't have Facebook, and are interested in joining us.  Please email mefor details. And this podcast, having no beginning, will have no end. The Clive Barker Podcast (or @Barkercast) is an independent editorial fan site and podcast that is not affiliated with or under contract by Clive Barker or Seraphim Films. This is a labor of love by the fans, for the fans. web www.clivebarkercast.com iOS App| Android App, iTunes (Leave a review!), Stitcher,Libsyn, Tunein, Pocket Casts, Google Play, DoubleTwistand YouTube Facebook and Join the Occupy Midian group Twitter: @BarkerCast| @OccupyMidian  

Doug Murray joins Larry, talking about the best films of the 1970s. Ashton Wolf is the guest and tells us about his days working in the Hollywood film business.

A suspected torn rotator cuff tear in a 20 year old with no red flags end up being diagnosed with a different form of rotator cuff pathology. Listen in to physiotherapist Doug Murray's story to find out more. Please subscribe and rate us on iTunes! Subscribe on Google Play Music Untold Physio Stories is sponsored by the EDGE Mobility System, featuring the EDGE Mobility Tool for IASTM, EDGE Mobility Bands, webinars, ebooks, Pain Science Education products and more! Check it out at edgemobilitysystem.com .  Be sure to also connect with Dr. Erson Religioso at Modern Manual Therapy and Jason Shane at Shane Physiotherapy.

A suspected torn rotator cuff tear in a 20 year old with no red flags end up being diagnosed with a different form of rotator cuff pathology. Listen in to physiotherapist Doug Murray’s story to find out more. Untold Physio Stories is sponsored by the EDGE Mobility System, featuring the EDGE Mobility Tool for IASTM, EDGE Mobility Bands, webinars, ebooks, Pain Science Education products and more! Check it out at  .  Be sure to also connect with Dr. Erson Religioso at  and Jason Shane at 

1-Terremoto Nepal : si organizzano gli aiuti per soccorrere i sopravvissuti.( da Nuova Delhi Daniele Pagani, da Pechino Gabriele Battaglia, Gabriele Eminente Msf, Alberto Michelini Ingv) ..2-Siria: l'esercito di assad in difficoltà nella strategica regione di idlib. Sul campo la strana alleanza tra Qaeda e l'esercito libero considerato movimento laico. ..3-Sudan: confermato presidente Omar al-Bashir, al potere da oltre 25 anni. ( Raffaele Masto) ..4-Boxe e politica: Wladimir Klitschko  resta il re dei massimi. Il fratello Vtali, ex campione del mondo, è ..l'attuale sindaco di Kiev. ( dario Falcini) ..5-Romanzo a fumetti: “ the nam “ la graphic novell di Doug Murray e Mike Golden. ( Maurizio Principato)

Follow the tour of duty of Private Ed Marks in the 'Nam vol.1 by writer and Vietnam vet Doug Murray with art by Michael Golden, Wayne Vansant and others and edited by Larry Hama. Listen in as we discuss this classic Marvel title from the '80s. (57:17)