Podcast appearances and mentions of doug murray

Disney Channel has made a frenemy out of us with this movie...yikesFrenemies (January 13, 2012)IMDB WikipediaDirected by Daisy von Scherler Mayer (TV director, Nurse Jackie, House of Lies, Chicago Med, Bosch, Made for Love, Yellowjackets)Written by Alexa Young (only credit), Dava Savel (Dinosaurs, Ellen, That's So Raven, Sonny with a Chance, Raven's Home, Bubble Guppies), Wendy Weiner (The Talent Show, Dating Rules from My Future Self - this was last credit)Starring: Bella Thorne as Avalon Greene (Shake it Up, The Duff, Famous in Love, Paradise City, music videos)Zendaya as Halley Brandon (Shake it Up, Spider Man, KC Undercover, The Greatest Showman, Dune, Euphoria Challengers, music videos)Mary Mouser as Savannah O'Neal / Emma Reynolds (voice of Eloise, NCIS, Body of Proof, Cobra Kai)Nick Robinson as Jake Logan (Jurassic World, Melissa & Joey, Love Simon, Love Victor, Maid, History of the World: Part II)Stefanie Scott as Julianne Bryan (A.N.T. Farm, Jem and the Holograms, The Girl in the Woods)Connor Price as Walker (Cinderella Man, Murdoch Mysteries, Being Human, X Company) Jascha Washington as Kendall Brandon (Da Boom Crew - this was last credit)Dylan Everett as Lance Lancaster (How to Be Indie, Wingin' It, Degrassi: the Next Generation, Pure)Kathryn Greenwood as Lisa Logan (George & Martha, Wind at My Back, My Big Fat Greek Weddings 2 & 3, character actor)Doug Murray as Roger O'Neal (How to Lose a Guy in 10 Days, Family Biz, Miss Sloane, Blues Clues)Synopsis: Bella Thorne and Zendaya Coleman, who play Rocky and CeCe in hit Disney Channel series Shake It Up, star in this Disney Channel Original Movie. It is a comedy about three pairs of friends whose relationships go from good to bad and back again. Several couples fall out over girls, boys and work. Can all these couples settle their differences and be friends again?Fun Facts: Bella & Zendaya were on a show together at the time of this movie's filmingBased a BookNext Movie: Radio Rebel ★ Support this podcast on Patreon ★

For this week's podcast, we're digging out a treasure from the CBCC Patreon Feed: our deep-dive conversation with Daniel Warren Johnson about The Nam # 9. This thorough discussion launched our "Married to Singles" Patreon exclusive series, where we examine the favorite single issues of various comic book creators and critics. It's one thing to dissect an artist's work alongside or in front of them, as we often do, but it's an entirely different thing to scrutinize an artist's work with another artist. Daniel Warren Johnson is a can't-miss cartoonist. If he's on a book, you want that book in your pullbox. Extremity, Murder Falcon, Do a Powerbomb!, and Transformers are essential reads for those obsessed with the comic form. If you want to understand what DWJ does so well, our conversation with him about his passion for Michael Golden gives you another angle. As Johnson remarks in our chat, Michael Golden in The 'Nam # 9 does things he would never do, and those choices mystify and compel him. Johnson came to the Marvel series late in his comic reading history, picking up the first two issues and enjoying them but only coming across the rest of those Golden books years later at C2E2. He profoundly appreciates all those early 'Nam issues, but the ninth one just hits differently. Why? We get into it. After you enjoy our conversation with Daniel Warren Johnson, consider digging into the rest of our "Married to Singles" episodes. We have thorough inspections with Jason Ayers on Uncanny X-Men # 183, Christian Ward on Arkham Asylum, and more. The CBCC Patreon costs as little as $1 a month or $12 a year. You can also purchase these episodes individually, without joining the Patreon, for $3 an episode via our Online Shop. The 'Nam # 9 was originally published by Marvel Comics on May 19, 1987. It was written by Doug Murray, penciled by Michael Golden, inked by John Beatty, and lettered and colored by Phil Felix. G.I. Joe mastermind Larry Hama served as editor, while Jim Shooterwas Editor-in-Chief. You can continue this conversation by following Daniel Warren Johnson on Twitter, Instagram, and his Website. Other Relevant Links: Robert Kirkman, Joshua Williamson, and Daniel Warren Johnson at SDCC Appreciating Daniel Warren Johnson's Transformers, an essay Joshua Williamson and Tom Reilly on Duke The Ultimate Do a Powerbomb! Daniel Warren Johnson Interview The Ultimate Beta Ray Bill Daniel Warren Jonson Interview Subscribe to the Free CBCC Newsletter Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY Join us at the Alamo Drafthouse in Winchester, Virginia, on 5/19 at 4:00 PM for our Batman (1989) screening, co-sponsored by Four Color Fantasies. Watch the latest episode of The B&B Show, where Brad and Bryan Review the Hottest Cinematic Releases. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Twitter @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts.

Guest Preacher Rev. Doug Murray's sermon came from Mark 1:21–28  and is titled, "The One Who Was Left, and the Ones Who Did the Leaving" — First Baptist Church of Sylva, January 21, 2024

In this captivating episode of The Digital Executive Podcast, host Brian Thomas interviews Doug Murray, CEO of Auvik Networks, a leading provider of cloud-based network management software. With over 25 years of experience in the network and security industry, Murray shares his journey and insights, including his tenure as CEO at Baltics and Big Switch Networks, and his roles at Juniper Networks, Sun Microsystems, and AT&T.Murray discusses the importance of embracing diverse roles and international experiences in career growth, highlighting the critical role of company culture in driving success and innovation. He emphasizes the pivotal role of Auvik Networks in the evolution of hybrid and remote work environments. Auvik's focus on SaaS-based IT operations management plays a vital role in reducing friction for IT teams, allowing for seamless operations across various environments - a necessity amplified by the pandemic.The conversation also touches on the integration of new technologies like AI in network management. Murray underlines the significance of AI and cybersecurity in the rapidly changing landscape of IT, emphasizing Auvik's commitment to security and innovation in their SaaS platform.Murray's advice for IT professionals is to never stop learning and to embrace change, suggesting that continuous education and adaptation are key to career advancement in the IT sector. This insightful episode ends with Murray's reflections on the future of network management and the importance of innovation in an increasingly digital world.

Is the Democrat version of The Schlieffen Plan? Pennsylvania Voters Tell NBC the economy doesn't feel like it's working out for them now. Latest on the Israel/Hamas war - throwdown between Doug Murray & Cenk Uygur. Buck waxes eloquent on gratitude for the year, Christmas and his birthday. Follow Clay & Buck on YouTube: https://www.youtube.com/c/clayandbuckSee omnystudio.com/listener for privacy information.

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Vince sits down with Doug Murray and Paul Harris for a special edition episode, where Doug and Paul promote their show "A Backstage Pass From the Crew". Doug Murray is one of the best Production Manager, Stage Manager, and Technical Director in the business, who has worked with artists from Harry Connick to Huey Lewis. Paul Harris is a badass LD and longtime member of Local 16. He is also the Director of "A Backstage Pass".

Fire Walk With Me - David Lynch's haunting prequel to the legendary Twin Peaks series - turns 30 this year, and we're excited to be able to bring you the exclusive story behind the sound of the film in our in-depth talk with Emmy & MPSE award-winning supervising sound editor/sound designer Doug Murray. We also highlight some of the most interesting new independent sound releases. Interview by Jennifer Walden, hosted by Asbjoern Andersen, and with library highlights by Christian Hagelskjaer From

Dr. Doug Murray's sermon came from Psalm 71:1–21 and is titled, "Refuge" — First Baptist Church of Sylva, August 21, 2022

-Getting your chance on the top line with Tavares and running a muck for the next 4 years -Getting cut from nearly every junior team to becoming an NHL Star -The Cornell Big Red and Doug Murray dominating the little boys of college hockey -Derek Armstrong, Doug Weight, Mr. Blake and treating the youngsters the right way -The Guelph Dominators & the epic 2001/02 scoring race

In this episode, we're off to Myanmar. Also known as Burma, this southeast Asian country offers scenic beauty, cultural riches and deep spirituality. Sadly, it is also a place that has endured the world's longest running civil war and successive military coups including one in 2021 that ousted Aung San Suu Kyi's democratically elected government. Before the latest military take over, British expat Dominic Horner was teaching English in Yangon and writing for local publications as well as filing stories for Lonely Planet and the Independent. He's a passionate advocate for wild swimming and in his love letter, recorded before he left Myanmar in 2021, Dominic shares some of his adventures as he sought out some of the Golden Land's best water holes. Also in this episode we hear from award-winning, Yangon-based blogger Su Wai Phyo; journalist, author and Myanmar expert Jessica Mudditt; and Tony Wheeler, founder of Lonely Planet Publications whose travels in Myanmar span five decades. 01.48 – A Love Letter to Wild Swimming in Myanmar by Dominic Horner. 10.08 – Su Wai Phyo, lifestyle and travel blogger based in Yangon. 19.25 – Jessica Mudditt is a journalist who lived in Myanmar between 2012 and 2016 and is the author of Our Home in Myanmar, Four Years in Yangon. 28.38 – Tony Wheeler, founder, along with his wife Maureen, of Lonely Planet Publications. After selling the company in 2011, they set up the charitable foundation Planet Wheeler which supports various projects in Myanmar. Episode producer: Simon Richmond Presenters: Belinda Dixon & Simon Richmond Sound editing: Doug Murray Co-producers: Kate Armstrong, Doug Murray & Tasmin Waby Theme Music Instant by Nettson Feeling that wanderlust? Longing to hear more Love Letters from locals? Please subscribe and give your rating for our podcast, it makes an enormous difference to our listenership. Follow us for travel updates on Instagram and Facebook.

In this episode we're off to Alentejo, Portugal's largest and one of its most beautiful regions. Located in the country's southern half, its landscapes vary from rugged coastal cliffs and cork tree covered plains to vineyards bursting with grapes. This is the place for slow travel; it's the perfect place for walking. We explore Alentejo's historic villages, landscapes and the region's local culture with Ana Palma, its walking trails and sustainable travel options with Ana Carla Cabrita, and get some top tips for travelling responsibly around the region with João Ministro. 01.52 - A Love Letter to Alentejo by local Ana Palma 11.02 - Insider insights into exploring Alentejo with Ana Carla Cabrita 22:03 - Tips on experiencing Alentejo yourself, from sustainable tour operator João Ministro Resources & Links Ana Palma Ana Carla Cabrita Walkin' Sagres João Ministro Proactivetur Episode producer Kate Armstrong Presenters Kate Armstrong & Simon Richmond Sound editing Belinda Dixon Thanks to co-producers Doug Murray & Tasmin Waby Theme Music Instant by Nettson

In this episode we take you on a journey through London from three very different perspectives. You'll benefit from the insider travel tips from celebrated Blue Badge guide Katie Wignell from Look Up London, explore London by bike with American expat and long-time Londoner, Martin T Sherman, and find out about the fascinating subculture on London's canals. Riverboat dweller, John Kenton tells us about the history and lifestyle of London's canal barge community. 01.00 - Learning London by bike Our love letter was written and delivered by actor, writer and inventor, Martin T. Sherman (with Bespoke Voices). 07.10 - London's canal boats John Kenton is a singer-songwriter, a much loved London boater, and owner of the Thames Queen. 18.55 - Why London is best explored by foot Katie Wignell, Blue Badge London guide and owner of the award-winning walking tours outfit, Look Up London Feeling that wanderlust? Longing to hear more Love Letters from locals? Please subscribe and give your rating for our podcast, it makes an enormous difference to our listenership. Follow us for travel updates on Instagram and Facebook. Producer: Tasmin Waby Presenters: Belinda Dixon & Simon Richmond Sound editing: Belinda Dixon & Tasmin Waby Thanks also to Doug Murray & Kate Armstrong Theme Music: Instant by Nettson Sound credits: Cycling and breathing, Creative Commons Piccadilly circus, talking, horns, siren, cars, Creative Commons Busy London cafe, Creative Commons Road sounds & Big Ben, Creative Commons Construction sounds (jackhammer), Creative Commons Nightclub and siren sound, Creative Commons Nightclub techno music, Creative Commons 8-bit Electro, Creative Commons Tube from Tower Hill to Aldgate East Tube sounds, recorded by Tasmin Waby 3 April 2021

In this episode we're off to Dartmoor - a magical, mercurial, 368-square mile wilderness in south west England. Here undulating moorland is dotted with prehistoric sites, rocky outcrops and ancient woods crowded with moss-smothered trees. We'll explore Dartmoor's icy rivers with swimmer and writer Sophie Pierce, its hiking routes with travel publisher Hilary Bradt, and the moor's adventure potential with guidebook author Daniel Start. 01.33 - A Love Letter to Dartmoor from writer & outdoor swimmer Sophie Pierce 07.58 - Insider insights into exploring Dartmoor from travel writer & publisher Hillary Bradt 16.09 - Tips on experiencing Dartmoor yourself, from Wild Things author Daniel Start Resources & Links Sophie Pierce Wild Swimming Walks Dartmoor & South Devon; The Green Hill: Letters to a Son, about the loss of Sophie's son Felix and the role of the natural world in her mourning, will be published by Unbound in Spring 2023. Hillary Bradt South Devon & Dartmoor - Slow Travel Bradt Guides are offering listeners to This Place, This Story a 25% discount on Hilary Bradt and Janice Booth's Slow Travel: South Devon & Dartmoor. To claim your discount, visit bradtguides.com and enter the code THISPLACE25 at checkout. The offer ends 30th June 2022 and can't be used in conjunction with any other offers. Daniel Start Wild Swimming Walks, Dartmoor & South Devon; The Wild Guide to the South West Episode producer Belinda Dixon Presenters Belinda Dixon & Simon Richmond Sound editing Belinda Dixon Thanks also to Doug Murray & Kate Armstrong Theme Music: Instant by Nettson

William Hoy ACE, Tyler Nelson, Will Files, Douglas Murray THE BATMAN post production team of editors Bill Hoy and Tyler Nelson, along with supervising sound editors Will Files and Doug Murray, are justifiably proud of the film they've made.  In breaking the mold of the superhero archetype, they achieved director Matt Reeves' vision of a noir murder mystery that's more in the vein of classis 70's cinema than the glossy blockbusters of the 21st century.  Adding to this feat is the fact that they were forced to shut down one month into production only to return to action in a much more restrictive model of collaboration than they were used to.  In spite of those challenges, audiences and critics alike have responded in a big way to the remarkably fresh take on DC Films' dark knight. The story of THE BATMAN begins two years into his crimefighting legacy, forgoing the usual origin story elements often found in super hero tales, and follows Batman / Bruce Wayne as he ventures into Gotham City's underworld where he must track a sadistic killer prone to leaving behind a trail of cryptic clues. As the evidence begins to lead closer to home and the scale of the perpetrator's plans becomes clearer, he must forge new relationships, unmask the culprit and bring justice to the abuse of power and corruption that has long plagued the city. WILLIAM HOY ACE William Hoy is known for his work on NO WAY OUT (1987), DANCES WITH WOLVES (1990), THE BONE COLLECTOR (1999), DAWN OF THE PLANET OF THE APES (2014) and WAR FOR THE PLANET OF THE APES (2017). TYLER NELSON Tyler Nelson is known for his assistant editing work on THE SOCIAL NETWORK (2010), THE GIRL WITH THE DRAGON TATTOO (2011) and GONE GIRL (2014); as well as his editing work on MINDHUNTER (2017-2019) and SHADOW AND BONE (2021). WILL FILES Will Files is known for his work on CLOVERFIELD (2008), DAWN OF THE PLANET OF THE APES (2014), WAR FOR THE PLANET OF THE APES (2017), STAR WARS:  EPISODE VII - THE FORCE AWAKENS (2017) and VENOM (2018). DOUGLAS MURRAY Douglas Murray is known for his work on THE ENGLISH PATIENT (1996), CLOVERFIELD (2008), DAWN OF THE PLANET OF THE APES (2014), WAR FOR THE PLANET OF THE APES (2017) and ANT-MAN AND THE WASP (2018). Making The Batman In our discussion with THE BATMAN post production team, we talk about: The influence of 70's cinema on THE BATMAN Using POV driven sound to internalize character feelings Building the “voice” of the Batmobile The anatomy of a chase scene Futzing music on the fly The Credits Get your free 100GB of media transfer at MASV Visit ExtremeMusic for all your production audio needs See what's new in the latest versions of Media Composer and Pro Tools Hear editor Bill Hoy talk about editing THE CALL OF THE WILD See re-recording mixer and sound designer Will Files and the post production team from STRANGER THINGS discuss Season Three Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

In this episode we're off to Penang, the fabled island off the northwest coast of Peninsular Malaysia. Colonised by the British in the early 1700s, Penang today is one of Malaysia's most ethnically diverse and cosmopolitan regions, a dynamic business hub as well as a repository of local cultural history. Its capital George Town is known for its Unesco World Heritage listed zone, but there is much more to discover on the island - as you'll find out in this episode's love letter, narrated by local journalist Marco Ferrarese, who leads us on a two-day hike from the north to the south of Penang via its mountainous, rainforest-clad interior. Penangite Alan Tan, managing director of Habitat Penang Hill, shines a light on the island's lush environment and its complex, fascinating mingling of cultures. Rounding out the episode is Bettina Chua Abdullah, a local broadcaster, writer and passionate foodie, who waxes lyrical about Penang's lip-smacking culinary scene, one of the best in Asia. Bettina is also director of Hikayat, bookshop and events space in George Town. Episode producer: Simon Richmond Presenters: Belinda Dixon & Simon Richmond Sound editing: Belinda Dixon Co-producers: Kate Armstrong, Doug Murray & Tasmin Waby Theme Music: Instant by Nettson Music in episode: Buddha Beat

Fall in! Shag and Rob celebrate Veterans Day and #WarComicsMonth by looking at two classic war comics stories: Sgt. Rock's "What's The Color of Your Blood?" by Bob Kanigher and Joe Kubert from OUR ARMY AT WAR #160, and The 'Nam "5th To The 1st" by Doug Murray and Michael Golden, from SAVAGE TALES #1! Have a question or comment? Be sure to use the hashtag #WarComicsMonth when discussing this issue online! Leave comments on our website: http://fireandwaterpodcast.com/podcast/fwpvet2021 Images from this episode: http://fireandwaterpodcast.com/podcast/fwpvet2021-gallery e-mail: firewaterpodcast@comcast.net Subscribe to the FW PRESENTS: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/fw-presents/id1207382042 Subscribe via other podcatchers: http://feeds.feedburner.com/fwpresents Also available on Spotify, Stitcher, Amazon Music and Google Podcasts This episode brought to you by InStockTrades. This week's selection: JOE KUBERT ENEMY ACE ARTISTS EDITION HC: https://www.instocktrades.com/products/aug140447/joe-kubert-enemy-ace-artist-ed-hc-(net) THE 'NAM VOL. 3: https://www.instocktrades.com/products/jul110758/nam-tp-vol-03 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening! At ease, soldier!

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design. The post Day Two Cloud 119: Unifying Multi-Cloud Security With Valtix (Sponsored) appeared first on Packet Pushers.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design. The post Day Two Cloud 119: Unifying Multi-Cloud Security With Valtix (Sponsored) appeared first on Packet Pushers.

Ethan Banks & Ned Bellavance have a tech discussion with CEO Doug Murray and CTO Vishal Jain about multi-cloud security startup Valtix. Along the way, we find out that Valtix is a cloud-delivered security control-plane paired with a data-plane of enforcement points (sort of firewalls, but not exactly) delivered between any two points in the cloud you need them. Engineers should walk away from this chat with a solid idea of Valtix architecture and how it fits into their cloud design. The post Day Two Cloud 119: Unifying Multi-Cloud Security With Valtix (Sponsored) appeared first on Packet Pushers.

1) Taiwan - https://www.news.com.au/world/asia/taiwans-election-results-a-major-blow-to-chinese-president-xi-jinping/news-story/0f1de2d24ba2d19a17b5a1187d0ccbfe 2) North Korea – BBC Today https://www.bbc.co.uk/sounds/play/m000d84y   3) Sheffield Students- https://www.bbc.com/news/education-51098539 4) Gender Reassignment and Conversion Therapy  https://www.youtube.com/watch?v=1miVuv8_SkM&feature=youtu.be&utm_source=feedblitz&utm_medium=FeedBlitzEmail&utm_campaign=Nightly_2020-01-12_08%3A30%3A00&utm_conten Women removed from Birmingham gynaecological health charity - https://www.birminghammail.co.uk/news/midlands-news/we-same-pain-birmingham-gynecological-17478251 Pakistan – Pink News celebrating…https://twitter.com/titaniamcgrath/status/1216358989010817024?s=12 5) Roger Scruton. https://vimeo.com/101804860 First 90 seconds 6) Neil Peart of Rush https://www.youtube.com/watch?v=auLBLk4ibAk&list=PLnIc8l-6P2z5EQ4soX1AnbH_kp3P_auAK 6) Carla Lockhart - https://www.facebook.com/725725965/posts/10156558382655966/?d=n 7) Sinclair Ferguson – prayer and natural disasters https://www.ligonier.org/blog/ask-ligonier-sinclair-ferguson-january-8/?utm_source=feedblitz&utm_medium=FeedBlitzEmail&utm_campaign=Nightly_2020-01-11_08%3a30%3a00&utm_content=5575   https://www.bbc.co.uk/sounds/play/m000czlw 8) Doug Murray on Australia - https://johnanderson.net.au/conversations-douglas-murray/ Final Song – https://www.youtube.com/watch?v=KYaQhgmOT24  Quote from Roger Scruton “During this year much was taken from me — my reputation, my standing as a public intellectual, my position in the Conservative movement, my peace of mind, my health. But much more was given back: by Douglas Murray’s generous defence, by the friends who rallied behind him, by the rheumatologist who saved my life and by the doctor to whose care I am now entrusted. Falling to the bottom in my own country, I have been raised to the top elsewhere, and looking back over the sequence of events I can only be glad that I have lived long enough to see this happen. Coming close to death you begin to know what life means, and what it means is gratitude.”   

Quarter-Bin Podcast #17Original release date: February 9, 2014.The 'Nam #15, cover-dated February 1988."Notes From The World," by Doug Murray, with art by Wayne Vansant and Geof Isherwood.Right-click to download episode directly Next Episode: Adam Strange: The Man of Two Worlds, Book #2, cover-dated April 1990.Send e-mail feedback to relativelygeeky@gmail.com, no matter how long ago this episode originally posted.

Heart to heart conversation with writer Doug Murray on his ground breaking Marvel Comic Book series, THE NAM; chronicled in real time by real folks who were there. Get schooled here and meet the charming gentlemen behind this epic series. Some comic bizz talk and Stan Lee as well. #THENAMcomic #DougMurray #MarvelComics @Marvel @fairlydark @YardPanther www.fairlydarkproductions.com #StanLee

It is an extra-sized episode and an extra-sized issue as The 'Nam hits issue #75. In four different stories that take us in country and back again, we look at events and perspectives surrounding the My Lai massacre. Creators in this one include original 'Nam writer Doug Murray, Scott Lobdell, Don Lomax, Mike Harris, Jimmy Palmiotti, and Herb Trimpe. Plus, I also take a long look at the final season of China Beach with expanded coverage of the events of the season and its final three episodes.

It is an extra-sized episode and an extra-sized issue as The 'Nam hits issue #75. In four different stories that take us in country and back again, we look at events and perspectives surrounding the My Lai massacre. Creators in this one include original 'Nam writer Doug Murray, Scott Lobdell, Don Lomax, Mike Harris, Jimmy Palmiotti, and Herb Trimpe. Plus, I also take a long look at the final season of China Beach with expanded coverage of the events of the season and its final three episodes.

This week, we’re talking about the casting of Ethan Peck as a young Spock in Star Trek: Discovery, CBS expands its subscription options for All Access on Amazon Prime Video channels, and WORF is watching you...from the International Space Station. In Star Trek Online and gaming news, we’re catching up on all the latest that the gaming world has to offer...and later Jayce is here with another Trek Lit 101. Finally, we’ve got a real treat for you: an interview with Doug Murray, show manager for Creation Entertainment, about his experiences managing the DeForest Kelley theatre, and what it’s like running a fan convention behind the scenes. And as always, before we wrap up the show, we’ll open hailing frequencies for your incoming messages! THIS WEEK'S COMMUNITY QUESTION Do you or did you subscribe to CBS All Access? Will you subscribe again when new Trek content starts coming out? TOPICS DISCUSSED Trek It Out Spockbound CBS All-Access Commercial Subscription Available on Amazon Channels WORF is Watching Star Trek Gaming News New Destroyer Class Starships Now Available in STO Star Trek Online Foundry Contest Star Trek Adversaries Romulan Invasion Trailer Trek Lit 101 Interview with Doug Murray, show manager for Creation Entertainment FIND US ON SOCIAL MEDIA Facebook: facebook.com/priorityonepodcast Twitter: twitter.com/priorityonepod (@priorityonepod) Instagram: instagram.com/priorityonepod (@priorityonepod) JOIN THE PRIORITY ONE ARMADA AND GAME WITH US! YouTube: Priority One Network Twitch: twitch.tv/priorityone Chat with us on Discord! HELP WANTED Priority One Productions is always looking for new team members that have a passion for Star Trek. All of our positions are volunteer, but we do offer a well-known outlet for your work. If you have a skill that you believe could enhance our content, then send your contact information and experience along with a few samples to incoming@priorityonepodcast.com. Winters’s Top Tip is underscored by: Hero Down Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

This week, we're talking about the casting of Ethan Peck as a young Spock in Star Trek: Discovery, CBS expands its subscription options for All Access on Amazon Prime Video channels, and WORF is watching you...from the International Space Station. In Star Trek Online and gaming news, we're catching up on all the latest that the gaming world has to offer...and later Jayce is here with another Trek Lit 101. Finally, we've got a real treat for you: an interview with Doug Murray, show manager for Creation Entertainment, about his experiences managing the DeForest Kelley theatre, and what it's like running a fan convention behind the scenes. And as always, before we wrap up the show, we'll open hailing frequencies for your incoming messages! THIS WEEK'S COMMUNITY QUESTION Do you or did you subscribe to CBS All Access? Will you subscribe again when new Trek content starts coming out? TOPICS DISCUSSED Trek It Out Spockbound CBS All-Access Commercial Subscription Available on Amazon Channels WORF is Watching Star Trek Gaming News New Destroyer Class Starships Now Available in STO Star Trek Online Foundry Contest Star Trek Adversaries Romulan Invasion Trailer Trek Lit 101 Interview with Doug Murray, show manager for Creation Entertainment FIND US ON SOCIAL MEDIA Facebook: facebook.com/priorityonepodcast Twitter: twitter.com/priorityonepod (@priorityonepod) Instagram: instagram.com/priorityonepod (@priorityonepod) JOIN THE PRIORITY ONE ARMADA AND GAME WITH US! YouTube: Priority One Network Twitch: twitch.tv/priorityone Chat with us on Discord! HELP WANTED Priority One Productions is always looking for new team members that have a passion for Star Trek. All of our positions are volunteer, but we do offer a well-known outlet for your work. If you have a skill that you believe could enhance our content, then send your contact information and experience along with a few samples to incoming@priorityonepodcast.com. Winters's Top Tip is underscored by: Hero Down Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Thanks for joining us at the Clive Barker Podcast. The only podcast dedicated to the imagination of Clive Barker. This episode 174, Jose and Ryan return to the Marvel / Epic Hellraiser comics, books 8-10.  Keep listening, we've got some doosies of voice-mails at the end. Show Notes Book 8 - 1991 Homecoming (w - John Rozum, a - Mark Texiera) Devil's Brigade Part 2: Heaven on Hell Street (w - Ron Wolfe, a - John Van Fleete) Losing Herself in the Part (w — Doug Murray, Dwayne McDuffie, a — Gray Morrow) Devil's Brigade Part 3: Inside the Laager (w — Larry Wachowski, a — Joe Barruso) Book 9 - 1991 Closets (w - Larry Wachowski, a — Miran Kim) The Tontine (w/a - Scott Hampton, a - John Van Fleet) The Devil's Brigade Part Four: Shoot High Break Low The Devil's Brigade Part Five: Passion Book 10 - 1991 Devil's Brigade Part 6: One True Faith (W - Nicholas Vince, A - Joe Barruso) The Sweet Science (W - Erik Saltzgaber, A - Mike Zeck) Devil's Brigade Part 7: Commitment (W - DG Chichester, Dwayne McDuffie, A - Mike McMahon)   "Homecoming" was changed editorially into something far too gentle for the Hellraiser universe, and into something disappointingly unrecognizable from the script I turned in, so I don't really consider it something I wrote, but I'm still pretty pleased with the other too stories. I really dug getting to play with Clive Barker's creations and had even written a tie in comic detailing the origins of the lament configurations (the deadly puzzle boxes) and further three stories which never saw print because the series was cancelled before they could be run. I'd love to be able to return to Hellraiser some day. From   The first of the stories I wrote for this series, "Homecoming," was also the first narrative comic book story I wrote for publication. I worked really hard to make it tight, seamless, and brutal, only to see something published which represented the story I turned in only in the most superficial level, completely removing the brutal ending and replacing it with one of redemption and responsibility. The Cenobite in my story, was really a cenobite pet, who escapes hell, and his masters, and heads home to the family he left on earth decades ago. This pet was taken to hell as a child, because his older brother sacrificed him to the Cenobites rather than go himself, as was supposed to happen. When the cenobites come to retrieve their pet, they demand to take the older brother back as well for their trouble. In my version the older brother surrenders his young son instead, remaining a coward and never taking responsibility for his actions. In the altered version, he owns up for what he has done and goes along himself. I was pissed, and disowned the story after this, despite some lovely art by Mark Texiera. I later wondered if maybe my script, being my first was bad and required the changes, but having found it in my files years later, so that it still held up, and remains stronger than what saw print. My next story fared a lot better, though I had to fight for it. From Gray Morrow died of a self inflicted gunshot. He suffered from Parkinson's disease.Morrow was nominated for the Hugo Award for best professional artist in 1966,[30] 1967,[31] and 1968. From The Tontine - Episode 1 Discussion: Voice Mails Facebook Event: The BarkerCast Listener party and screening for Barn of the Blood Llama before Texas Frightmare Weekend.  If you don't have Facebook, and are interested in joining us.  Please email mefor details. And this podcast, having no beginning, will have no end. The Clive Barker Podcast (or @Barkercast) is an independent editorial fan site and podcast that is not affiliated with or under contract by Clive Barker or Seraphim Films. This is a labor of love by the fans, for the fans. web www.clivebarkercast.com iOS App| Android App, iTunes (Leave a review!), Stitcher,Libsyn, Tunein, Pocket Casts, Google Play, DoubleTwistand YouTube Facebook and Join the Occupy Midian group Twitter: @BarkerCast| @OccupyMidian  

Doug Murray joins Larry, talking about the best films of the 1970s. Ashton Wolf is the guest and tells us about his days working in the Hollywood film business.

A suspected torn rotator cuff tear in a 20 year old with no red flags end up being diagnosed with a different form of rotator cuff pathology. Listen in to physiotherapist Doug Murray's story to find out more. Please subscribe and rate us on iTunes! Subscribe on Google Play Music Untold Physio Stories is sponsored by the EDGE Mobility System, featuring the EDGE Mobility Tool for IASTM, EDGE Mobility Bands, webinars, ebooks, Pain Science Education products and more! Check it out at edgemobilitysystem.com .  Be sure to also connect with Dr. Erson Religioso at Modern Manual Therapy and Jason Shane at Shane Physiotherapy.

A suspected torn rotator cuff tear in a 20 year old with no red flags end up being diagnosed with a different form of rotator cuff pathology. Listen in to physiotherapist Doug Murray’s story to find out more. Untold Physio Stories is sponsored by the EDGE Mobility System, featuring the EDGE Mobility Tool for IASTM, EDGE Mobility Bands, webinars, ebooks, Pain Science Education products and more! Check it out at  .  Be sure to also connect with Dr. Erson Religioso at  and Jason Shane at 

Episode Description You have likely had someone pitch or discuss with you the idea of introducing financial wellness to your employee population, or if you haven’t, the conversation is undoubtedly coming soon!  In this episode we tackle the not so simple questions of what is financial wellness, how do we know if someone is financially healthy and is Financial Wellness here to stay or is this another passing fad in the benefits arena.  To help explore the topic I have Doug Murray, EVP and Mary Hollingsworth, SVP and Director of Product Strategy at Wells Fargo Institutional Retirement. A few key points to listen for are who should be defining what financial wellness means, employers or their service providers, the motivations around introducing financial wellness to your workforce and how to set goals and measure outcomes for a financial wellness offering. An interesting point that we discuss and one to ponder, if you shift your focus to promoting more holistic financial wellness within your workforce, are you okay that the message some of your employees could get is that it doesn’t make sense for them to participate in your 401(k) plan right now?  Love to hear your feedback on that, send me an email at info@401kfridays.com.  If you’re not subscribed to our email list already, go to www.401kfridays.com/subscribe, going forward we’ll be notifying our email subscribers of future podcast guests and you will have the exclusive opportunity to submit topics or questions for me to address with them on the show!  Guest Bios Doug Murray is part of the senior leadership team for Wells Fargo Institutional Retirement and Trust. In this role, he is actively involved in setting overall strategic direction for the group. As the national director of institutional sales, Doug leads distribution efforts across all products and market segments. Doug has more than 30 years of experience in the financial services industry. He received his bachelor’s degree from the University of Wisconsin, Madison, with majors in finance and risk/insurance. He holds the Chartered Financial Analyst (CFA) designation and is a member of the CFA Institute. Doug is active in the retirement industry and in his community. He serves on the Board of Trustees for the Employee Benefit Research Institute (EBRI) and on the Board of Directors at Partnership Resources, Inc., a local nonprofit organization. Doug is also a member of Wells Fargo’s Minnesota Leadership Council.  Doug lives in Minneapolis, MN with his wife Karen and teenage children Madison and Ian. His interests include traveling with his family, golf, and cooking. Mary Hollingsworth is the director of Product Strategy and Positioning for Wells Fargo Institutional Retirement and Trust. In this role, Mary leads institutional product strategy for defined contribution, defined benefit, trust and custody, investments and digital strategies. She also is responsible for the overall positioning and communication of products and services to clients and the external market place. ​Prior to her current role, Mary was director of Participant Solutions. She oversaw the participant experience including the call center, participant education and communication services, and asset retention. Mary joined Wells Fargo in 1999 with responsibility for the call center, client services, training and development, and quality. ​Mary came to Wells Fargo from Fidelity Investments where she served as national director of quality for Retail Operations. Prior to Fidelity Investments, Mary worked at Arthur Andersen as quality officer for the Chicago office operations. Mary received her bachelor’s degree in accounting from Marquette University. 401(k) Fridays Podcast Overview Helps employers navigate the evolving retirement benefits landscape through weekly engaging interviews with industry leaders, subject matter experts and progressive employers with unique viewpoints. The diverse in-depth perspectives and relevant topics help employers make more informed decisions about their retirement benefit programs which will positively impact their employees and business.  For more information please visit www.401kfridays.com/podcasts.  

País Estados Unidos Director Thomas McCarthy Guión Thomas McCarthy, Josh Singer Música Howard Shore Fotografía Masanobu Takayanagi Reparto Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci, Brian d'Arcy James, Gene Amoroso, Billy Crudup, Elena Wohl, Doug Murray, Sharon McFarlane, Jamey Sheridan, Neal Huff, Robert B. Kennedy, Duane Murray, Brian Chamberlain, Michael Cyril Creighton, Paul Guilfoyle, Michael Countryman Sinopsis En el año 2002, un reducido equipo de reporteros de investigación del Boston Globe destapó los escándalos de pederastia cometidos durante décadas por curas del estado de Massachussets. La publicación de estos hechos, que la archidiócesis de Boston intentó ocultar, sacudió a la Iglesia Católica como institución.

Our three-part chopper pilot and donut dolly romance story comes to an end as does Doug Murray's run as the writer of The 'Nam with issue #51, "Stone Age," which has art by Herb Trimpel. Plus, in a Halloween-themed extra feature, I take a look at "A Spectre Stalks Saigon" from an issue of DC Comics' Ghosts from the 1970s, which includes some historical context of its own.

Our three-part chopper pilot and donut dolly romance story comes to an end as does Doug Murray's run as the writer of The 'Nam with issue #51, "Stone Age," which has art by Herb Trimpel. Plus, in a Halloween-themed extra feature, I take a look at "A Spectre Stalks Saigon" from an issue of DC Comics' Ghosts from the 1970s, which includes some historical context of its own.

The 'Nam reaches a milestone with issue #50 and I continue my look at series creator Doug Murray's final story arc with this second part of a three-part story about a donut dolly and a chopper pilot. It's "Between a Rock and a Hard Place" by Doug Murray and Herb Trimpe. Plus, in the second half of the episode, I take a look at the first episode of the 1988 coming-of-age sitcom, The Wonder Years.

https://archive.org/download/83015NIghtBishopMarquis_201510/9-27-15%20Doug%20Murray.mp3

The 'Nam reaches a milestone with issue #50 and I continue my look at series creator Doug Murray's final story arc with this second part of a three-part story about a donut dolly and a chopper pilot. It's "Between a Rock and a Hard Place" by Doug Murray and Herb Trimpe. Plus, in the second half of the episode, I take a look at the first episode of the 1988 coming-of-age sitcom, The Wonder Years.

Everything you thought you knew about negotiating rights, royalties and license fees changed when your content moved from the traditional distributors across platforms to the digital space. Learn from those who have been there and done that in the new marketplace, with experience negotiating with broadcasters, technology companies, other content creators and streaming services for screen-based, music and published content. Explore new revenue sources through collaboration. Moderators: Chris Taylor and Doug Murray, Taylor Klein Oballa Panelists: Barbara Howson, Vice-President, Sales and Licensing, House of Anansi and Groundwood Books Michael Perlmutter, Music Supervisor, Producer, Instinct Entertainment Nathan Vella, President and Co-Founder, Capybara Games

1-Terremoto Nepal : si organizzano gli aiuti per soccorrere i sopravvissuti.( da Nuova Delhi Daniele Pagani, da Pechino Gabriele Battaglia, Gabriele Eminente Msf, Alberto Michelini Ingv) ..2-Siria: l'esercito di assad in difficoltà nella strategica regione di idlib. Sul campo la strana alleanza tra Qaeda e l'esercito libero considerato movimento laico. ..3-Sudan: confermato presidente Omar al-Bashir, al potere da oltre 25 anni. ( Raffaele Masto) ..4-Boxe e politica: Wladimir Klitschko  resta il re dei massimi. Il fratello Vtali, ex campione del mondo, è ..l'attuale sindaco di Kiev. ( dario Falcini) ..5-Romanzo a fumetti: “ the nam “ la graphic novell di Doug Murray e Mike Golden. ( Maurizio Principato)

Follow the tour of duty of Private Ed Marks in the 'Nam vol.1 by writer and Vietnam vet Doug Murray with art by Michael Golden, Wayne Vansant and others and edited by Larry Hama. Listen in as we discuss this classic Marvel title from the '80s. (57:17)