Podcasts about Far from Heaven

Emily and Phil continue their deep dive into The Todds—Haynes, Phillips, Solondz, and Field—with Todd Haynes' lush and heartbreaking 2002 masterpiece Far From Heaven. Joining them is writer and culture critic Marie Bardi-Salinas (@mariebardi), bringing her sharp insight and deep love for this era of filmmaking.Together, they explore how Haynes channels Douglas Sirk to tell a daring, subversive story about race, sexuality, and suburban repression in 1950s America. From Julianne Moore's tour-de-force performance to the evocative Elmer Bernstein score and Edward Lachman's exquisite cinematography, this conversation celebrates the film's style and its urgent relevance.Don't miss this conversation about one of the most visually rich and emotionally complex films of the decade.

SEASON 2 - EPISODE 132 - Post - with Ed Lachman In this special episode of the Team Deakins Podcast, cinematographer Ed Lachman (Season 1, Episode 77) joins us to talk about post-production from the point-of-view of a cinematographer. Throughout the episode, Ed shares a bounty of his own observations regarding colour, luminosity, and depth of field, and we share our own perspectives on the perceived effects of anamorphic and spherical lenses. We later discuss the fatiguing effect of a monotonous montage of dark images, and Ed reveals a recent revelation about the relationship between resolution and colour. We also discuss the different (and complicated) methods of mimicking film in digital images, and we reflect on the importance of making your image look the way you want in-camera. We also ask Ed what he might do differently today to achieve the same Douglas Sirk-inspired look of Todd Haynes' FAR FROM HEAVEN, and Ed even brainstorms what he might do on his upcoming film shooting later this year. - This episode is sponsored by Aputure

This season, I am focused on stories with negative or neutral character arcs. Sometimes, finding out what a character doesn't want is the first step to discovery. On the surface, Cathy Whitaker has a perfect life. However, it's a shallow life. Cathy's choices are symbolically represented by her husband, Frank, and her gardener, Raymond. The two male characters are interesting external representations of Cathy's internal choices. There's a small amount of exposition in Far From Heaven, but when it features, it's done straightforwardly and with simplicity. -M“The interesting events in Cathy's arc happen side by side in the movie. She shows an interest in Raymond at the same time, she discovers Frank with another man. While Cathy is trying to maintain one life, she's also growing in another part of her life.” - Melanie HillRelated Story Nerd EpisodesThe Accidental Tourist (Season 5, Episode 3) For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Original Release Date: Monday 23 September 2024    Description:   On this week's episode, Dean and Phil answer the following questions: 1) Was Vincent Van Gogh a mathematics genius? 2) What does a Frisbee have to do with airline aviation? 3) Does Phil's hatred of The Fall Guy know no bounds? Then, a review of the neo-noir pastiche Love Lies Bleeding leads into a brief discussion about distributor A24's output. The recent Chillpak discussion of Joaquin Phoenix bailing on his planned collaboration with Todd Haynes, caused Phil to revisit Todd Haynes' 2002 almost-masterpiece Far From Heaven, and the death of the legendary leading man Alain Delon led Phil to watch three of the actor's greatest successes on the big screen this week. The result is not only a discussion of Le Cercle Rouge, Purple Noon and La Piscine (aka The Swimming Pool), but a full deep dive into "heist" pictures, film critics, and more.

Fortunes change with the seasons in this 2002 exploration of social consequences set in 1950s Hartford, Connecticut. Kathy Whittaker, played by Julianne Moore, achieves peak surburbia just as her husband Frank (Dennis Quaid) begins having gay dalliances and Raymond, a new gardener, awakens Kathy's need for romantic connection. That Raymond, played by Dennis Haysbert, is Black, allows Kathy to experience an instructive dose of otherness on her visit with him to the Black parts of town. This translates to very real social shunning once her bigoted peers learn of her relationship, and Kathy's standing is threatened on nearly all sides. Haynes serves up this compelling parable in the unblemished jewel-tones and maudlin violins of mid-century melodrama. With dialogue as stiff as Frank's starched collars juxtaposed with unexpectedly naturalistic performances, more than a few scenes combust to devastating effect within the button-down milieu. Dave delights in the throw-back nod to Douglas Sirk and the genre of the ‘women's picture,' and in the uncanny blend of cliches and earnest heartbreak. Jeremy questions the narrative goals at work in the movie, musing on the resistance the film offers to any easy moral judgments. Did Kathy change, or was she a fish-out-of-water the whole time? Is the audience–or even the whole film–complicit in a white lady pity-party? And does anyone who lives in a split-level house still wear a tux to their own holiday party?

My Sin (1924) + Arpege (1927) by Lanvin + Vent Vert by Balmain (1947) + White Shoulders by Evyan (1943) + Magnificent Obsession by Lloyd C. Douglas (1929) + Leave Her to Heaven by Ben Ames Williams (1944) + Imitation of Life by Fannie Hurst (1933) + Douglas Sirk's Magnificent Obsession (1954) + All That Heaven Allows (1955) + Imitation of Life (1959) + John M. Stahl's Imitation of Life (1934) + Leave Her to Heaven (1945) + John Waters' Polyester (1981) + Todd Haynes' Far From Heaven (2002)  with Kylie White 3/27/23, 4/25/24, 9/16/24 S5E30, S6E32, S6E70 9/16/24 S6E71 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

We conclude our Camp Cinema season with our eighth episode covering Johnny Guitar (1954) and Imitation of Life (1959).In our finale, we delve into the origins of Camp Cinema in the 1950s, spotlighting Nicholas Ray's flamboyant western Johnny Guitar and Douglas Sirk's melodramatic Imitation of Life. Johnny Guitar subverts the traditional male bravado typical of most westerns by pitting two powerful women against each other. The visual artistry of Ray and his cinematographer, Harry Stradling, reveals the campy essense of the film with a rich palette of canary yellows, baked terra cottas, and deep azures. Imitation of Life achieves a similar feat, but with emotional resonance rather than visual flair. During our 1950s season, we explored Todd Haynes' commendable Douglas Sirk hommage, Far From Heaven. But nothing compares to the authentic touch of Sirk himself. Sirk masterfully understood cinema's power over an audience, manipulating emotions with precision in Imitation of Life. Its finale is one of the most emotionally explosive moments ever captured on celluloid. Camp manifest is many forms. Here we have two films that seem diametrically opposed in genre, but both use camp to full effect to elicit a deep response.

A leading ladies game leads to a tombstone-poetry pop quiz before Monica Farrell reads a poem by Michael Dumanis. Happy Pride Month!Watch Anne Sexton respond to a vile review (published in The Southern Review) of Live or Die.  Read "Menstruation at Forty" from Live or Die.  Read "Rapunzel" from Sexton's Transformations.On Watch What Happens Live with Andy Cohen, appearing with Natalie Portman to promote May December, Julianne Moore names her performance in Far From Heaven as her "personal best performance." On another episode, Moore talks about being fired from CanYou Every Forgive Me?  by Nicole Holofcener. Here's the receipts for why.It's not just Aaron who doesn't think of Moonstruck as romantic comedy.Read "The Wicked Candor of Wanda Coleman." Read this terrific appreciation of Kathy Acker in The LA Review of Books.Here's the New Yorker profile in which Judith Butler tells the story of her job interview at Williams in the late 1980s. James Wright's first book The Green Wall won the Yale Younger  in 1957 (chosen by Auden) and is full of formal verse. Compare "On the Skeleton of a Hound" (from The Green Wall) with "A Blessing" (from his 3rd book, The Branch Will Not Break).Kim Addonizio's poem "What Women Want" is the poem James was thinking about. It was first published in Tell Me.  You can buy Diannely Antigua's new book Good Monster, just out from Copper Canyon Press.The epitaph on Auden's grave is from his poem "In Memory of WB Yeats," which you can listen to Auden reading here.Read Dorothy Parker's "Interview."Watch this intro to the project at Canterbury Christchurch University's celebrating Aphra Behn. Read her poem "Love Armed."The epitaph on Kenyon's and Hall's tombstone is from her poem "Afternoon at MacDowell"At the end of the episode, Monica Ferrell reads Michael Dumanis's poem "East Liverpool, Ohio" from his new book Creature. Read a conversation with Michael in Adroit here.

Biografía El inicio de la carrera de la banda se dio cuando fue el soporte de 4 de los 5 shows de Blaze Bayley (ex- Iron Maiden) en Finlandia, también cuando resultó ganador del Wacken Open Air Metal Battle 2010, organizada por la emisora finlandesa Radio Rock Starba y apareció en la Expo de Metal finlandés de 2011. La banda pronto consiguió un contrato de grabación con la compañía Hype Records a finales de 2010. Lanzado en abril de 2011, el álbum debut Steel llegó a las listas de ventas finlandesas al número 6. Los comentarios de Steel variaron de muy bueno a excelente en casi todos los medios de comunicación locales. El verano siguiente la banda se lanzó a girar extensivamente por su Finlandia natal, teniendo también una corta estancia en Alemania, apoyando a Poisonblack. A finales del 2011 se produjo el lanzamiento mundial de Steel mediante la multinacional Nuclear Blast. Poco después el grupo ganó el honor de salir de gira junto a Nightwish en su gigantesca gira europea Imaginaerum, que ofreció más de 20 conciertos en 13 países diferentes. La gira resultó de gran éxito. Se aprovechó para grabar un vídeo en directo de la canción "Iron Hand" durante uno de sus espectáculos en Francia. En septiembre de 2012 Noora Louhimo fue presentada como la nueva cantante, en sustitución de Nitte Valo. En noviembre de 2012 se embarcan de nuevo por Europa junto a sus compañeros de sello Sonata Arctica para ofrecer más de 20 conciertos en vivo. La banda lanzó en mayo de 2013, su segundo álbum homónimo, Battle Beast. En enero de 2015 Battle Beast lanza su tercer álbum, Unholy Savior. En agosto del 2015 la banda participa en el prestigioso festival alemán Summer-Breeze, en Dinkelsbühl. A finales de febrero de 2015 la banda da un cambio drástico en la formación al expulsar a Anton Kabanen, quien no sólo era el guitarrista sino que era el líder, fundador y compositor principal de la banda. En febrero del 2017 Battle Beast lanza su cuarto álbum, Bringer of Pain. En marzo de 2019 Battle Beast lanza su quinto álbum, No More Hollywood Endings. En enero de 2022 Battle Beat lanza su sexto álbum de estudio, Circus of Doom. Noora Louhimo – Voz líder (2012–presente) Juuso Soinio – Guitarra rítmica (2008–presente) Pyry Vikki – Batería (2008–presente) Eero Sipilä – Bajo, coros (2008–presente) Janne Björkroth – Teclado, coros (2008–presente) Joona Björkroth – Guitarra líder y coros (2016–presente) Antiguos miembros Nitte Valo – Voz líder (2008–2012) Anton Kabanen – Guitarra líder, coros (2008–2015) Fuente : Wikipedia esto fue lo que sonón en el programa: Steel (Japanese Edition)3. The Band of the Hawk. Steel (Japanese Edition)1. Enter the Metal World. Steel (Japanese Edition)4. Justice And Metal. Steel (Japanese Edition)8. Show Me How To Die. Steel (Japanese Edition)10. Iron Hand. Steel (Japanese Edition)5. Steel. Battle Beast (Japanese Edition)1. Let It Roar. Battle Beast (Japanese Edition)9. Kingdom. Battle Beast (Japanese Edition)2. Out Of Control. Battle Beast (Japanese Edition)12. Black Ninja. Battle Beast (Japanese Edition)3. Out On The Streets. Unholy Savior (Japanese Edition)1. Lionheart. Unholy Savior (Japanese Edition)2. Unholy Savior. Unholy Savior (Japanese Edition)7. Touch In The Night. Unholy Savior (Japanese Edition)4. Madness. Unholy Savior (Japanese Edition)9. Hero's Quest. Bringer Of Pain (Japanese Edition)1. Straight To The Heart. Bringer Of Pain (Japanese Edition)3. King For A Day. Bringer Of Pain (Japanese Edition)10. Far From Heaven. Bringer Of Pain (Japanese Edition)9. Dancing With The Beast. Bringer Of Pain (Japanese Edition)5. Familiar Hell. No More Hollywood Endings (Japanese Edition)1. Unbroken. No More Hollywood Endings (Japanese Edition)2. No More Hollywood Endings. No More Hollywood Endings (Japanese Edition)3. Eden. No More Hollywood Endings (Japanese Edition)9. Raise Your Fists. No More Hollywood Endings (Japanese Edition)5. Endless Summer. Circus of Doom (Limited Edition, Digibook) (2CD)CD11. Circus of Doom. Circus of Doom (Limited Edition, Digibook) (2CD)CD13. Master of Illusion. Circus of Doom (Limited Edition, Digibook) (2CD)CD16. Russian Roulette. Circus of Doom (Limited Edition, Digibook) (2CD)CD19. Armageddon. Circus of Doom (Limited Edition, Digibook) (2CD)CD18. The Road to Avalon. Circus of Doom (Limited Edition, Digibook) (2CD)CD21. The Lightbringer. Circus of Doom (Limited Edition, Digibook) (2CD)CD22. Tempest of Blades.

For as long as I've been a devotee of cinema, I've followed the career of Patricia Clarkson. Patricia is a genuine queen of the screen, featuring in films like The Station Agent, Far From Heaven, The Green Mile, and Pieces of April, for which she received an Academy Award nomination. Her latest films is the magnificent drama film Monica, featuring Trace Lysette (Transparent, Hustlers) who plays the titular character, a trans woman who poses as a support worker to visit her dying mother, Eugenia (Patricia Clarkson). Due to Eugenia's abusive nature, Monica left the family years ago, only to be drawn back into the fold by her sister-in-law, Laura (Emily Browning), to make amends with her mother.Unresolved trauma hovers under the surface of Monica's exterior, with Trace Lysette delivering a performance that stuns with its authenticity and complexity, and when she shares the screen with Patricia Clarkson, the film truly soars. Director Andrea Pallaoro, alongside co-writer Orlando Tirado, has crafted a masterful trans narrative which was part of a landmark year of LGBTIQA+ cinema in 2023.In the above interview, Patricia talks about her work throughout the years, the importance of celebrating and championing queer voices, and the joy of working alongside Trace Lysette.Monica screens at the upcoming Mardis Gras Queer Screen festival, running in cinemas in Sydney from 15-29 February 2024, with select films heading online for on demand screenings across Australia from 1-11 March 2024. Tickets can be purchased at QueerScreen.com.au. The festival features an array of panel discussions including chats about Queer Tropes and Trauma on Screen, Films That Made You Feel Seen, and more, alongside a wide array of features, documentaries, and short films, including All of Us Strangers, Mutt, The Missing, Isla's Way, The People's Joker, Kokomo City, a celebration of the work of John Waters with a screening of Female Trouble, and even a sing-along of The Sound of Music. There's something for everyone.Monica screens at Queer Screen on Tuesday 27 February 2024. Hosted on Acast. See acast.com/privacy for more information.

For as long as I've been a devotee of cinema, I've followed the career of Patricia Clarkson. Patricia is a genuine queen of the screen, featuring in films like The Station Agent, Far From Heaven, The Green Mile, and Pieces of April, for which she received an Academy Award nomination. Her latest films is the magnificent drama film Monica, featuring Trace Lysette (Transparent, Hustlers) who plays the titular character, a trans woman who poses as a support worker to visit her dying mother, Eugenia (Patricia Clarkson). Due to Eugenia's abusive nature, Monica left the family years ago, only to be drawn back into the fold by her sister-in-law, Laura (Emily Browning), to make amends with her mother.Unresolved trauma hovers under the surface of Monica's exterior, with Trace Lysette delivering a performance that stuns with its authenticity and complexity, and when she shares the screen with Patricia Clarkson, the film truly soars. Director Andrea Pallaoro, alongside co-writer Orlando Tirado, has crafted a masterful trans narrative which was part of a landmark year of LGBTIQA+ cinema in 2023.In the above interview, Patricia talks about her work throughout the years, the importance of celebrating and championing queer voices, and the joy of working alongside Trace Lysette.Monica screens at the upcoming Mardis Gras Queer Screen festival, running in cinemas in Sydney from 15-29 February 2024, with select films heading online for on demand screenings across Australia from 1-11 March 2024. Tickets can be purchased at QueerScreen.com.au. The festival features an array of panel discussions including chats about Queer Tropes and Trauma on Screen, Films That Made You Feel Seen, and more, alongside a wide array of features, documentaries, and short films, including All of Us Strangers, Mutt, The Missing, Isla's Way, The People's Joker, Kokomo City, a celebration of the work of John Waters with a screening of Female Trouble, and even a sing-along of The Sound of Music. There's something for everyone.Monica screens at Queer Screen on Tuesday 27 February 2024. Hosted on Acast. See acast.com/privacy for more information.

SEASON 20 BEGINS!!! We meet ICON of film and Hollywood costumes SANDY POWELL OBE!!!! We discuss her love of art, collaborating with legendary queer artists/creative minds Derek Jarman and Lindsay Kemp, a 25 year collaboration with choreographer Lea Anderson, and how art informs her costume design. Sandy is a multi award-winning Costume Designer who has won three Academy Awards, three BAFTA Awards for Best Costume Design, plus the recent honour of BAFTA Fellowship 2023, and a Costume Designers Guild Award.Londoner, Sandy, studied at St Martins School of Art and the Central School of Art and Design where she specialised in theatre design. She started her professional career in fringe with the National Theatre working on numerous productions including Orders of Obedience and Rococo. She went on to design sets and costumes for productions of Lumiere and Son, Bright Side and Culture Vulture. As a student and one of the leading lights of the international theatre scene she most admired was Lindsay Kemp, the gifted director, designer and performer. On impulse she spoke to him on the phone and said how much she wanted to work with him. After seeing samples of her work he asked her to join him in Milan as costume designer for his theatre company. During her 3 year spell with him she worked on Nijinsky which was a study of the start and madness of the great Russian dancer. She also designed the costumes for The Big Parade, a tragic- comic homage to the silent screen, and the stage and screen versions of A Midsummer Nights Dream. In 1985 she rapidly established herself in the world of video working on many pop promos with director Derek Jarman and with him on his film Caravaggio, and Zenith's For Queen and Country.Born in 1960, she was raised in south London, where she was taught to sew by her mother on a Singer sewing machine, and began experimenting with cutting and adapting patterns at a young age. Educated at Sydenham High School, she went on to complete an Art Foundation at Saint Martins in 1978, and in 1979 she began a BA in Theatre Design at Central School of Art and Design (now Central Saint Martins.)In 1981 she withdrew from her degree to assist a costume designer who worked for a fringe theatre company called Rational Theatre, and also began a long collaboration with Lindsay Kemp designing for him in Italy and Spain.In 1984 when, after a spell as a costume designer on music videos, she moved into the film industry. Her break came when the film director and stage designer Derek Jarman appointed her costume designer on his film, Caravaggio (1986), starring Tilda Swinton and Sean Bean. To date, Powell has worked as Costume Designer on over 50 films, including Orlando (1992);The Crying Game (1992); Interview with the Vampire (1994); Michael Collins (1996); The Wings of The Dove (1997); Hilary and Jackie (1998); The End of the Affair (1999); Gangs of New York (2002); Far From Heaven (2002); Sylvia (2003); The Aviator (2005); The Departed (2006); Shutter Island (2010) Hugo (2011) The Wolf of Wall Street (2013); Cinderella (2015); Carol (2015); Mary Poppins Returns (2018); and Living (2022). She has earned 76 award nominations and won 27 awards in her career, including Academy Awards for Shakespeare in Love (1998) and The Aviator (2004), a BAFTA Award for Velvet Goldmine (1998), and both an Academy Award and a BAFTA Award for The Young Victoria (2010).Follow @TheSandyPowell on Instagram.Thanks for listening!!! This season is shaping up to be one of the most fascinating so far!!! Thanks for listening. Follow us @TalkArt for images of works we discuss in today's episode. Hosted on Acast. See acast.com/privacy for more information.

On the two hundred and thirtieth episode of THE THIRD ACT PODCAST the crew don't have enough hot dogs.Christian and Jericho get in front of the mics to talk about a pair of Todd Haynes films about trouble in suburbia for a theme we're calling Wait 'Til We Get our Haynes On You. Before that we discuss a few titles in Recently Watched, including- Queens of the Qing Dynasty, Love Life, Silent Night, and Godzilla Minus One. Then, we discuss a complicated family in MAY DECEMBER. We also discuss a different complicated family in FAR FROM HEAVEN. We also discuss Riverdale, Allstate, and Dragonheart.Keep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

Todd Haynes (Carol, Far From Heaven) directs this domestic drama/psychological thriller starring Oscar-winner Julianne Moore as a suburban woman who had an affair with an underage boy more than twenty years prior and ended up marrying him after she was eventually released from prison.  This young boy has grown up into Charles Melton (Riverdale) and the two eventually had a family....now with three teenagers, two of whom are about to graduated high school.  Their lives together have seemingly become more mundane now more than two decades removed from scandal....but complicating matters is the introduction of Elizabeth (Oscar-winner Natalie Portman) who is a TV actress who has come to visit them for an extended period of time.  She will soon be starring in a film production recounting their affair so she has taken it upon herself to not only "study" Gracie as a person but to become involved with every one else in their lives.  And what results is a truly unique story of love, loss, and regret which is unlike anything else you might have seen in recent years....and it's playing on Netflix!Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Old Time Movie Machine month continues with Todd Haynes rolling a grenade into 1957 with the 2002 banger, Far From Heaven! We're going deep into mid-century race relations, human sexuality, and what different types of skirts represent in a semiotic sense. Who knew? Featuring Carolyn Naoroz, Katherine Sherlock, and Justin Zeppa. Far From Heaven was directed by Todd Haynes and stars Julianne Moore and Dennis Haysbert.Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes: patreon.com/oldmovietimemachine We appreciate your support, so please subscribe, rate, review, and follow the show: YouTube: youtube.com/@oldmovietimemachineInstagram: @timemachinepodcasts Facebook: facebook.com/oldmovietimemachine Email: partyline@oldmovietimemachine.com Buy our luxurious merchandise: www.teepublic.com/user/old-movie-time-machine  ★ Support this podcast on Patreon ★

This week, Kate and Brodie recap the last few weeks of movies, meals and parties. Jinx went to see the girlbosses at SXSW Sydney, heard about Naomi Watts' menopause products, learned she's married to Billy Crudup and barely saw Nicole Kidman's ankles. She did not cook her own meat at Le Foote and visited Vermuteria, meanwhile BL remembers a fight she had with Siri in The Rocks and recounts a night at French Saloon. Together they went to celebrate Melbourne icon Beci Orpin's birthday, and reminisce about their prom looks – one of which was far more iconic than the other. Then, they recap the movies they've seen recently and discuss how JTFirstman makes fun of himself in Rotting in the Sun, You Hurt My Feelings is the film of the year, why can't everyone make movies like Far From Heaven, we both liked the kooky A Haunting in Venice, The Exorcist: The Believer is trash, remember the tiny sunglasses in My Best Friend's Wedding.Also: Alsos!Also AlsosCOMEDY ALSO: Zoë Coombs Marr's new show Every Single Thing in My Whole Entire Life (A Perpetual Work in Progress) is on at Comedy Republic on 23 November and 7 DecemberSWIM ALSO: YouSwimPROTECT ALSO: Moth spray from GramQUIZ ALSO: Trivia @ the Keys on Wednesday NightsSTORE ALSO: Kowtow has opened on Gertrude St in Melbourne!CLASS ALSO: BL is hosting a Writer's Vic event on writing and money on November 28Find us on Instagram @seealsopodcast Hosted on Acast. See acast.com/privacy for more information.

Get ready to unleash your inner rocker with the Triple M's Gig Review, the ultimate podcast series for live music aficionados. In this week's episode, we take you on a sonic journey through Evanescence's electrifying concert at Sydney's famous Qudos Bank Arena. With over 20 years in the alternative music scene, Evanescence showed why they are still the titans of goth metal. Amy Lee's timeless voice resounded through the venue, leaving the audience spellbound. Our episode dives deep into the performance, analyzing the nuances of both the band and their stellar production team. Get the scoop on the night's setlist, featuring hits like 'Going Under,' 'Call Me When You're Sober,' and 'Far From Heaven.' Experience the emotional highs and the melodic lows, and find out why the concert was a rollercoaster of auditory delights from start to finish. We wrap it up with a look back at two of the band's seminal tracks, 'My Immortal' and 'Bring Me To Life,' which closed the show to thunderous applause. Whether you're a die-hard Evanescence fan or new to the goth rock scene, this episode is your ultimate guide. Don't miss out on this aural experience, exclusively available on the LiSTNR app!See omnystudio.com/listener for privacy information.

In the third episode of our Set in the 1950s cycle, we compare two hommages to the post war decade: Todd Haynes' Far from Heaven and Frank Darabont's The Majestic.Special guests: Brian Eggert from Deep Focus Reviews, Rotten Tomato Approved and frequent KARE 11 guest film critic What started out as a random pairing of two 1950s period pieces from the early Aughts became a rather interesting juxtaposition on the potency and fugility of worshiping art from the past. Far From Heaven was born from a love and respect for Douglas Sirk's fifties melodramas, and The Majestic has Frank Darabont donning his best Capra impression. While both films have inherited riches from the past, their contemporary narratives tend to sizzle instead of sparkle. Far From Heaven is beautifully shot and acted with an intricate and immaculate product design. But we wonder if there is anything happening beyond a Sirk lovefest. The Majestic has a prefab Americana store of redemption that is instantly gripping. But while the trim looks polished and proper, the rooms feel empty. Both films demonstrate how hommage can result is both a dissonant feedback loop as well as an illuminating ouroboros. Note: This podcast was recorded and produced during the 2023 WGA and SAG-AFTRA strike. Without the labor of writers and actors currently on strike, Asteroid City and The Fabelmans would not exist. Support the artists who make the art you love.

This week we're excited to present a conversation with director Todd Haynes. Haynes's new film, May December, will make its North American premiere as the Opening Night selection of the 61st New York Film Festival on September 29th. In this archival conversation with Haynes, the director discusses his mid-90s classic, Safe, starring his May December and Far From Heaven leading actress, Julianne Moore. While Haynes shot Safe in 1994, he set it at the height of the AIDS epidemic seven years earlier. The unnamed disease at the center of this indelible, shuddering movie—widely considered one of Haynes's masterpieces—has taken on new, unexpected meanings since the film's release, and yet much of what makes Safe revelatory to watch is the uncanny precision of its setting, look, and tone. Carol (Julianne Moore), whose mysterious breakdown from perfect housewife to cloistered invalid drives the movie's plot, is a character couldn't live anywhere but suburban L.A. in the late '80s—a landscape Haynes captures in a strange, piercing, hyperreal light. Jonathan Rosenbaum called Safe “the most provocative American art film of the year” in 1995. It's hard to imagine any movie topping it were it released now. This conversation was moderated by NYFF Artistic Director, Dennis Lim.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 3 of the Director Watch Podcast, they are joined by AwardsWatch contributor Sophia Ciminello discuss the latest film in their Todd Haynes series, I'm Not There (2007). Following up his most successful film to date, Todd Haynes pivoted from the Douglas Sirk inspired world of Far From Heaven to tackle a music biopic about one of the greatest American figures in music history, Bob Dylan. Unlike Velvet Goldmine, where he wasn't granted access to use the songs of the iconic singer David Bowie, Dylan gave his blessing to Haynes for this project, which explore the multiple personas of the legendary singer songwriter performed by six different actors of various age, gender and race. With this, Haynes made a film that is now celebrated amongst the other outstanding films of the vastly rich year that was 2007. On this episode, Ryan, Jay and Sophia breakdown if Haynes was able to stick this landing for this ambitious film, if it does right by Dylan's legacy, why more modern biopics aren't made this way, they aren't looking forward to the new Bob Dylan biopic from director James Mangold, and which other music genius could get a similar I'm Not There style of film made about their life and career. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h37m. The guys will be back next week to continue their Todd Haynes series with a look at Carol. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this brand new AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 2 of the Director Watch Podcast, they are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the latest film in their Todd Haynes series, Far from Heaven (2002). Right off at the top of the show, we address that there won't be an episode on Velvet Goldmine, as an error was made, and the episode has been lost forever. But Ryan, Jay and Erik give some brief thoughts on the 1998 film before diving into Haynes's 2002 follow up. In a pivot away from the glam rock drama, he found his way back into the cinematic world with another look at the domestic life of a wife played by Julianne Moore. Unlike Safe, Far From Heaven takes place in the 1950s, and explores a traditional 50's family crumbling due to sexual and racial relationships the married couple form in the film that were taboo for the time. Known for being one of the best films of the year 2002, Ryan, Jay, and Erik breakdown the film from every angle, from the brilliant score, Moore's performance, Haynes's screenplay, the homages to the genius director Douglas Sirk, and so much more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h31m. The guys will be back next week to continue their Todd Haynes series with a look at I'm Not There. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

A look back at Todd Haynes's 2002 melodrama that pulls off a nearly miraculous balance of past and present. Plus, Franklin Leonard joins to discuss the Academy's recent theatrical requirements and which films might suffer as a result; a discussion of the newly announced Governors Awards winners; a look at Asteroid City's surprising box office success; and rumors that the Emmys might be delayed as the writers strike continues. Follow us on Twitter and Instagram @vfawardsinsider Email us at littlegoldmen@vf.com Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97  Our editor and producer is Brett Fuchs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A look back at Todd Haynes's 2002 melodrama that pulls off a nearly miraculous balance of past and present. Plus, Franklin Leonard joins to discuss the Academy's recent theatrical requirements and which films might suffer as a result; a discussion of the newly announced Governors Awards winners; a look at Asteroid City's surprising box office success; and rumors that the Emmys might be delayed as the writers strike continues.Follow us on Twitter and Instagram @vfawardsinsiderEmail us at littlegoldmen@vf.comFollow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97 Our editor and producer is Brett Fuchs.

Sean Comer and Mark Radulich review movies currently on streaming services: Far From Heaven/American Beauty/The Kids Are All Right Review! First up is Far From Heaven (2002) (PVOD). Then we move on to American Beauty (1999) (PVOD). Finally we review The Kids Are All Right (2010) (Amazon Prime).Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsosnapchat: markkind76FB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulich

My Sin (1924) and Arpege (1927) by Lanvin + Lloyd C. Douglas's Magnificent Obsession (1929) + Douglas Sirk's Magnificent Obsession (1954) + All That Heaven Allows (1955) + Todd Haynes's Far From Heaven (2002) with Kylie White  To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.  3/27/23 S5E30

Hello, everybody. We're back. First, we offer our heartfelt condolences to those affected by the recent earthquakes in Southern Turkey and Northern Syria. We want to suggest a link for those who would like to donate money to help the relief efforts in the area. Ahbap.org is a trustworthy place to donate to as they are working diligently with government bodies to ensure the people in the area are well taken care of. In this week's episode, Wickham and Colleen are discussing the filmography of Todd Haynes in the context of his films "Carol" (2015) and "Far From Heaven" (2002). *Disclaimer*: This episode was recorded before the tragic earthquakes occurred in Southern Turkey and Northern Syria.

Aaron and Rob are back for the Autumn installment of the Four Series Of Film podcast series! This time they're talking about a film that is absolutely Fall AF: Todd Haynes' 2002 film, Far From Heaven. Join them as they peel back the sanguine veneer of this beautifully rendered 50s melodrama and discuss its many layers and themes. 

Passi più tempo a scegliere un film piuttosto che a guardarlo? Ogni giorno la speaker di Radio Capital Betty Senatore ti toglie dall'imbarazzo e sceglie un film al posto tuo.See omnystudio.com/listener for privacy information.

THE GAUNTLET MOVIE MIXTAPE – VOLUME TWO A SONIC JOURNEY through THE GAUNTLET From No Escape to All Creatures Great and Small Music and Sounds from Episodes 11-20 La fin du monde (1930) – No Greater Glory (1934) – The Lusty Men (1957) – The Incredible Journey (1963) – Salto (1965) – My Little Loves (1974) – McQ (1974) – First Graders (1984) – Three O'Clock High (1987) – Exorcist II: Heretic (1977) – Knightriders (1981) – An Autumn's Tale (1987) – Clearcut (1991) – Stalin (1992) – Most Valuable Primate 2 (2001) – Police Beat (2005) – Far From Heaven (2002) – Halloween: Resurrection (2002) – Stemple Pass (2012) – Yakuza Apocalypse (2015)

In Far From Heaven, Todd Haynes pays loving homage to sumptuous 1950's Douglas Sirk melodramas. This movie is actually more ambitious than anything Sirk ever did though. Haynes tackles multiple controversies in his "Issues Film", including closeted homosexuality and romance between a black man & a white woman. The actors---especially Julianne Moore---are excellent. Moore, Dennis Quaid and Dennis Haysbert play it very close to the chest and they make their director's deliberately phony-sounding dialogue come across as true and accurate. These characters have three-dimensions and many shades of grey and they all get hurt by the way society was back then...and in some ways still is. Incidentally, we neglected to mention that Haynes himself is gay. We also skated over the horrible act of conversion therapy, which no one should have ever had to go through. And we didn't make the connection that Moore played ANOTHER desperately suppressed '50s housewife in her other 2002 Oscar nomination (The Hours). So don't ask who on Earth is politely knocking at your door, by golly. Just download the 453rd Ellises' Analysis, Pop, but also buy a bunch of Sparkplug Coffee. You can nab a 20% discount by using our "top100project" promo code. Also, shoot us some tweets (@moviefiend51 and @bevellisellis) and perhaps try gazing at the offerings on Ryan's sports movie podcast ("Scoring At The Movies").

Far From Heaven, The Plot Against America, a Super Bowl TV commercial. What do they all have in common? All had scenes shot in Cranford. The town is frequently showcased in movies, TV shows and commercials. What is it about Cranford that's attractive to the creative people behind these productions? Listen as Cranford Radio talks to David W. Schoner, Jr., the Associate Director of the New Jersey Motion Picture and TV Commission.

Josh, what is your problem? The Prince Podcast featuring....... What's This Shit?!?! - "Some kind of new fixation he's having with whatever's going on with his little body" - the lamp explodes. What We're Watching: The Unbearable Weight of Massive Talent; Mija; Far From Heaven; Spider-Man (2002)

Paul and Erin review two films from the 2000s that emulate the style of films from four decades earlier: Todd Haynes' Sirkian 2002 melodrama FAR FROM HEAVEN, and Peyton Reed's 2003 Rock Hudson/Doris Day romcom pastiche DOWN WITH LOVE. Plus: our quick takes on THE BATMAN, EVERYTHING EVERYWHERE ALL AT ONCE, DR. STRANGE IN THE MULTIVERSE OF MADNESS, AMBULANCE and THE UNBEARABLE WEIGHT OF MASSIVE TALENT.

On this episode of Daly Notes, Adam shares with you a few reviews all sharing anniversaries of some kind! He also take another Journey with Spielberg as well! Then he spins that Wheel of Blind Spots! Today's Reviews - The Lost World: Jurassic Park -1997- (25 Year Anniversary) Far From Heaven -2002- (20 Year Anniversary) The Heartbreak Kid -2007- (15 Year Anniversary) Jurassic Park (1992) Review - https://www.youtube.com/watch?v=Q5Rg7-Xcb8o Daly Notes is hosted by Adam Daly and is a part of the AlmostSideways family. Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter: @almostsideways Terry's Twitter: @almostsideterry Zach's Twitter: @pro_zach36 Adam's Twitter: @adamsideways iTunes https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022 Spotify https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m Stitcher https://www.stitcher.com/podcast/almost-sideways-movie-podcast YouTube https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber Pandora https://pandora.app.link/hfYGimTce8

All aboard as we celebrate one, two, three, four, scratch that, fifty episodes of Overlapping Dialogue with a movie so big that even this podcast couldn't sink it: Titanic! But before we rally to the lifeboats or slide hopelessly to our chilly doom, this week's Blue Plate Special finds us chowing down on a whole host of recent watches, including Smooth Talk, The Green Fog, Kameradschaft, Mud, and Far From Heaven. Once the appetizers are dispatched, we feast on James Cameron's gargantuan main course of a production, working our way through the various historical contexts the movie situates itself in, unpack the film's at once broad yet entirely effective characterizations of class, and answer the question of whether or not this really was the last great Hollywood movie made at this scale and execution. Spoiler alert: it was. It really was... Feel free to skip to 3:11:33 for the beginning of our audio commentary. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

In this episode of the Don't Know Her? podcast we are back to chat about another performer we feel deserving of a lot more recognition than they have received so far. This time we are delighted to be joined by a guest from all the way Down Under, it's James Kunovski - host of the Out of Oscar podcast - who has brought the delightful Patricia Clarkson to round off our miniseries focussing in on one-time Oscar Nominees Patricia will be a familiar face to many for her eclectic work in American indie cinema and for her award-winning supporting turns in TV shows like Sharp Objects and Six Feet Under. In this episode we focus on a few of her many film performances, including The Station Agent, Far From Heaven, Easy A, and her Oscar-nominated turn in Pieces of April. We even dip into her less celebrated work in the 2002 TV adaptation of Stephen King's Carrie, where she plays iconic literary/screen mother, Margaret White. In the quiz this time Michael pits James against Scott to establish who is the bigger fan of Ms. Clarkson. Following on from this we all make our suggestions for what we'd love to see from Patricia down the line. Will any of these choices get picked up for development - we certainly hope so. We hope you enjoy this episode and that if you haven't already you'll join us on social media. Follow @dontknow_her on Twitter and Instagram to keep updated on upcoming episodes and to have your say on future episodes. Link to Don't Know Her? on Twitter: https://twitter.com/dontknowher_pod Link to Don't Know Her? on Instagram: https://www.instagram.com/dontknowher_pod/ Link to Out of Oscar podcast: https://linktr.ee/outofoscarpod --- Send in a voice message: https://anchor.fm/dontknowherpod/message

Welcome to MASTADQ: Mark And Sarah Talk About Dennis Quaid! Mark Blankenship slid into the guest chair (not a euphemism) to discuss Far From Heaven, the line between melodrama and tragedy, and how Todd Haynes's 2002 homage to Douglas Sirk and "women's pictures" lets the paintings that are Cathy and Frank Whitaker become real. Sarah revisits a ten-year-old review that wasn't fair to Quaid's performance; Jeb files his ratings from his score-poisoning sickbed (and unearths another DQ-blocking runner); and we all wonder how to rate a performance that won awards, but isn't very Quaidy. Take a break from sourcing the Whitakers' living-room furniture and listen to an all-new Quaid In Full. Overall score: 7 QQQ score: 8.33 Days since a lost Kuffs accident: 112 SHOW NOTES Follow us on Twitter (http://twitter.com/quaidinfullpod) Get EVEN MORE Qontent (...sorry) at our Patreon page (https://www.patreon.com/quaidinfull) "Hey, was that the Dan Cassino sound drop from Extra Hot Great?" 'Twas. (https://extrahotgreat.com) Stephen Hunter's review in WaPo (https://www.washingtonpost.com/wp-dyn/content/article/2002/11/15/AR2005033116900.html) We'll have what Manohla Dargis was having (https://www.latimes.com/archives/la-xpm-2002-nov-08-et-dargis8-story.html) Ebert's review (https://www.rogerebert.com/reviews/far-from-heaven-2002) SDB's from 2012 (https://tomatonation.com/culture-and-criticism/the-crushed-film-festival-presents-far-from-heaven/) Mark Blankenship at Primetimer (https://www.primetimer.com/about/mark_blankenship) and on Mark And Sarah Talk About Songs (https://markandsarahtalkaboutsongs.com) Special Guest: Mark Blankenship.

2015 film masterpiece. For those acknowledged by the director Todd Haynes - David Lean's Brief Encounter - to others we gleaned from watching the film many times - the films of George Cukor, Deborah Kerr in The End of the Affair and Haynes' own Far From Heaven. For this conversation Murtada welcomes back Izzy from Be Kind Rewind to discuss these topics and how forming a relationship with a film changes the way you view over time.Hosted, Produced and Edited by Murtada Elfadl.Support the show (https://ko-fi.com/sundayswithcate)

Well known as writer of The Angry Filmmaker Survival Guides, Kelley has also directed various short and feature films. He has an extensive career working in sound design on films such as Good Will Hunting and Far From Heaven. In the late 90's Kelley would make his first feature film, Birddog, putting it all on the line to see his project through. In the interview, he talks with Poxy and Ragan about his early days as a father and filmmaker, the transition to Hollywood, and his career as an author, all of which would help make Kelley Baker who he is today, and that's The Angry Filmmaker.Support the show (https://interland3.donorperfect.net/weblink/WebLink.aspx?name=E9988&id=1)

Will Putney joins us again this week! We discuss Fit For an Autopsy's latest album, Oh What The Future Holds, producing the latest Every Time I Die record, Radical, the importance of having a message in his lyrical output, how he finds it difficult to support artists whose messages misalign with his own, why he is happy to be “a little dumber” so modern issues don't consume him, his upcoming tour cycle with END, and what his home stereo system is like as a music producer. Petar and Brandon discuss what Judas Priest would sound like as a four-piece, Bruce Dickinson recording a new solo album, and Metallica and Tool employing Covid-sniffing dogs for tour safety. Thank you to our sponsor, Metal Blade Records, for their continued support! Songs: Fit For An Autopsy - "Two Towers" and “Far From Heaven," END - “Hesitation Wounds”

Come one, come all to the Sirk Du Soleil as the Deep Cut trio discusses Todd Hayne's Far From Heaven. Ben compares his Deep Cut Pick to Haynes' critically acclaimed, subsequent melodrama Carol to show the breadth of the director's approach to melodrama, but Eli and Wilson aren't so convinced. Wilson feels that it's a shallow imitation of the Women's Picture auteur Douglas Sirk, while Eli questions the movie's sociopolitical outlook from the early 2000's. Can Ben open the discussion to the movie's merits? What's a color score? And will Eli ever shut up about Psycho (1998)? Wistfully contemplate your loves of yore in our Discord server. Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd. Read Scott Higgins' essay on the color score in Far From Heaven (Chapter 9, pages 101-113).

Rebecca Hall's new PASSING takes a more restrained, internal approach to its story about racial identity and the rejection thereof than Douglas Sirk's 1959 classic IMITATION OF LIFE, but the two films share an awareness of how style and subject matter can work hand in hand. We're joined again this week by critic Odie Henderson to discuss how each film balances its messaging, storytelling, and style, after digging into PASSING's black-and-white cinematography, literary source material, and ambiguous ending. Plus Your Next Picture Show, where we share recent viewing experiences in hopes of putting something new on your radar. Please share your comments, thoughts, and questions about IMITATION OF LIFE, PASSING, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.  Show Notes: Works Cited: • “One Last Bit of Black History” by Odie Henderson (Big Media Vandalism) • “Angels of Death: A Prairie Home Companion and All That Jazz” by Odie Henderson (Slant Magazine) Your Next Picture Show: • Odie: Douglas Sirk's LURED; Lewis Seiler's WOMEN'S PRISON; Mamoru Hosada's BELLE • Tasha: Hayao Miyazaki's FUTURE BOY CONAN • Genevieve: Penny Lane's LISTENING TO KENNY G • Keith: Todd Haynes' FAR FROM HEAVEN; Mike Mills' C'MON C'MON Outro music: “Irene and Claire” by Devonté Hynes Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Haynes is co-host Dolores McElroy's “favorite living director” for his films' “meticulousness” and “visual splendor,” but above all the way he loves his subjects and makes them “vibrant and romantic”! Dressed for life at the front of a classroom, Haynes always projects the air of a nice, well-adjusted teacher--and indeed, he figured he'd wind up as a teacher who made experimental films on the side. But he made a splash in the late 1980s film world with his surprisingly moving film Superstar: The Karen Carpenter Story, done in stop-motion animation using Barbie dolls as his cast, quickly became a leading light of the New Queen Cinema movement with his film Poison under conservative right-wing attack, and he's been with us as a fascinating filmmaker ever since, with films as varied in content and approach as Safe, Far From Heaven, I'm Not There, Mildred Pierce, Carol, Wonderstruck, Dark Waters, and the new documentary The Velvet Underground.      [MIND THE GAP: We got so embroiled in talking about Haynes, we talked right through a gap in the sound around the ten-minute mark. Just keep on listening, we come back strong!]  

Douglas Sirk (1897 - 1987) - All That Heaven Allows (1955) Sirk was a Dane born in Germany and became very successful in Germany as a theater director. His 1st wife joined the Nazi Party. He left Germany primarily because of the danger the rise of the Nazi Party created for his 2nd wife who was a Jew.  The core and substance of Sirk's oeuvre was created in Hollywood in the 1950's in so-called women's films. Sirk's greatest works depicted social constraints from the woman's point of view and offered full-bodied characters to his female stars. Sirk uses sweeping music, vivid technicolor, and lush scenery in opposition to emotional suppression and the heavy hand of systemic oppression. He hides his true anti-fascist message behind the tissue-thin glamor of Hollywood.    At the time of their release, Sirk's movies were critically sneered at for their swollen emotions and woman-centric themes. It was, per usual, the French New Wave directors and Cahiers du Cinema who embraced, lauded, and raised to the pantheon Douglas Sirk's 1950's films. Perhaps, the French could appreciate the films in depth because they were not afraid of the romantic stylistic grandeur and the anti-bourgeoises subtext.    ATHA stars the almost forgotten Jane Wyman (Ronald Reagan's 1st wife in real life) opposite the younger Rock Hudson. Wyman is an upper class widow in love with a younger, working class man. And all the forces of her class, family, and larger social circle put pressure on her to forego an alliance with an “unsuitable” man. Her family and society's discomfort come from her crossing the class barrier and more, fundamentally, her implicitly asserting her sexual desire by making this choice. Sirk uses lighting, imagery, and mise en scene to evoke Wyman's inner life, which she keeps buttoned up as required by her training and social position.   To my mind, Sirk's greatest film is his last, Imitation of Life (1959). It is a remake of the equally good 1934 black-and-white version starring Claudette Colbert and Louise Beavers as two women whose lives are bound together. They are bonded emotionally and economically, yet divided by race and class. Sirk's remake starring Lana Turner and Juanita Moore is more stylish and emotionally febrile as he builds an edifice of intersectional inequality with gowns by Jean Louis. The major difference between the films is that in the 1934 version Louise Beaver's black maid character plays a major role in raising the family's fortunes by her own talents. Sirk retired in 1959 after Imitation of Life. But continues to influence and inspire filmmakers, particularly male filmmakers.   Todd Haynes (b. 1961) - Far From Heaven (2002)  Todd Haynes has a strong sympathy and insight into the female point of view. He has directed films in many genres but he brings a complex compassion no matter the form he is using. Far From Heaven is a remake of All That Heaven Allows (1955) with a large dollop of Imitation of Life (1959) folded in.    In FFH, Julianne Moore is not a widow but a woman married to a closeted gay man, who falls in love with a straight, working-class, black man; thereby, challenging all the taboos. Haynes adopts all the hallmarks of Sirk's style - oceanic musical score, colors so rich you can taste them, and pulsating, barely expressed emotions shifting the tectonic plates of the character's lives.    Rainer Werner Fassbinder (1945 - 1982) Ali: Fear Eats the Soul (1974) This is one of the best out of Fassbinder's enormous catalog of 44 films directed during his 18-year career. Fassbinder lived an openly queer lifestyle, indulged in, and eventually died from drugs. Basically, Fassbinder did not give shit what conventional and middle-class morality dictated. All of his films were political in that they spit in the face of the establishment.    In Ali, Fassbinder has the courage to cast a man and woman whose demographics really challenges normative attitudes about heterosexual relationships. Brigitte Mira is actually 25 years older than her love interest played by El Hedi Ben Salem. She is not cosmetically enhanced with surgery, weight-loss, or special undergarments. Salem is a man of color, originally from Morocco, making him an immigrant and non-white. Every element is spectacularly transgressive in the 1970's and still challenging today.  Unlike Douglas Sirk and Todd Haynes, Fassbinder had no ties to the filmmaking establishment. He rebels stridently in his raw, unlovely mise en scene. Yet, at the same time, he pays homage to Sirk's visual vocabulary.  

An Autumn's Tale (1987) / Far From Heaven (2002) This week autumn leaves are falling as we discuss two tales of love and transition in Todd Haynes' modernist melodrama and Mabel Cheung's immigration romantic comedy

This week, Morgan and Gavia dive into Todd Haynes' 2002 masterpiece "Far From Heaven," starring Julianne Moore as a 1950s housewife, Dennis Quaid as her closeted husband, and Dennis Haysbert as the gardener with whom she falls in love. They discuss the film's relationship to Douglas Sirk's 1950s women's pictures, its recreation and subversion of period aesthetics and attitudes, the stunning performances from the main cast members, and much more.

With autumn knocking on our door, our summer podcast fest comes to a close. I hope you've enjoyed hearing some of the other original Fallout 76 storytelling podcasts that were born from our Writer's Campfire Guild. These shows ALSO take place in the same universe as our show and you can expect to see some crossover in the lead up to next year's Season 2 finale. How does the song Country Roads begin? Almost heaven, West Virginia. A lot has changed in Appalachia since the Scorched plague and it is far from heaven. Far From Heaven: A Fallout 76 Story is a rich and immersive audio drama based upon the popular video game. With strong storytelling and fascinating characters from across many familiar factions, Far From Heaven: A Fallout 76 Story is a podcast fans of the video game will love. Listen and subscribe to this show: https://open.spotify.com/show/7DcPllnDZ4T9gWwJ3ifRwO?si=aPY8yHhIRf-tD1u8maShOg&dl_branch=1 https://www.audible.com/pd/Far-From-Heaven-A-Fallout-76-Story-Podcast/B08JJNTDYF --- Send in a voice message: https://anchor.fm/fallout76podcast/message

Pour cette émission 'équipe d'Inspecteurs des Riffs hésitera entre l'enfer, le paradis, voire l'éternité... La Playlist: COBRA : Notre Prière / J’Honore Le Bouc RITA MITSOUKO : Godfather Of Soul THE WHO : Heaven & Hell Générique « L’Ile Aux Enfants » CHARLIE PARKER : Bird Of Paradise THE JAM : Private Hell RAMONES : Mental Hell DAVID MANSFIELD & The TUMBLEWEEDS : Ella’s Waltz THE SMITHS : Heaven Knows I’m Miserable Now RICHARD HELL & THE VOIDOIDS : I Could Live With You BESSIE SMITH : Honey Man Blues MONSTER MAGNET : See You In Hell LE GRAND ORCHESTRE DU SPLENDID : Salsa Du Démon LUCIENNE DELYSLE : Paradis Perdu AIRBOURNE : Breakin’ Outta Hell THE DANDY WARHOLS : Hell’s Bells FRANKIE VALLI : Can’t Take My Eyes Of You CAKE : Sheep Go To Heaven OZZY OSBOURNE : Centre Of Eternity TOM YORKE : Suspirium GUNS’N’ROSES : Paradise City EL BAD : Eternity For Men ELMER BERNSTEIN : B.O.F « Far From Heaven »

Evanescence far from heaven!! Exclusive first listen!! --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

On the 180th episode of Audioface:REVIEWS: "El Dorado" by 24kGoldn, "The Bitter Truth" by Evanescence, and "OH NO" by Xiu XiuNew singles: "Buzzcut" by BROCKHAMPTON feat. Danny Brown, "Last Day On Earth" by beabadoobee, and "Follow You/Cutthroat" by Imagine Dragons".Lil Nas X's "Montero/Call Me By Your Name" video proves he's the undisputed king of trolling. The El Dorado review. Dan criticizes Gorillaz for their NFT giveaway. This year's "First on Soundcloud" class gets announced. 10 Ways to Fix Music Streaming. The Bitter Truth review. System of a Down faces internal strife over band members' political beliefs. Ted Nugent brags about using the N word. The OH NO review. Pop Smoke's posthumous album breaks a record, and YoungBoy NBA adds to his record. Subscribe to Audioface wherever you're listening so you always get new episodes. Follow @audiofacepod on Twitter, Instagram, or YouTube for extra Audioface.  Check out Syndicate 23's semi-monthly news and politics show Power Report if you haven't already (and catch videos on the Dan From The Internet YouTube channel).  We appreciate it, and you.

Actor Dennis Quaid (The Right Stuff, The Rookie, The Parent Trap, Far From Heaven, A Dog's Purpose) and I catch up on Zoom. He has a new podcast called The Dennissance. Catch it now! We talk: Interviewing and interrupting Podcasting His podcast, The Dennissance Press junkets Publicists What he doesn't like to be asked about Getting personal Optimism His career ups and downs His life ups and downs Being guarded His recent engagement and upcoming wedding Being married to, and in the spotlight with, Meg Ryan Social media and film critics and comments Therapy My inside scoop on therapists' strategies Which reminds me...Dennis also interviews me... Addiction Becoming a father A Sleepless in Seattle story Searching for answers in India Feeling bitter and beating yourself up The Oscar nomination trap The Rookie, Far from Heaven, The Parent Trap, The Right Stuff and more Dennis Quaid movies Join us! SWEET! You get a bonus ZOOM video of us recording this podcast! Watch us now on YouTube.com/reallyfamous. (Seriously, if you're not subscribed to my YouTube channel by now...it's time!) Links! Watch Dennis & me on YouTube: https://youtu.be/anjCN2M0ecQ Listen to THE DENNISSANCE podcast Watch Dennis Quaid in his movies ➤ The Right Stuff https://amzn.to/38bOUC7  The Rookie https://amzn.to/3sUvR7k  The Parent Trap https://amzn.to/3sQE38h  Far From Heaven https://amzn.to/3sVKneH  A Dog's Purpose https://amzn.to/30dttfx  Shop my new AMAZON STOREFRONT ➤  https://www.amazon.com/shop/reallyfamous Get a Really Famous MUG ➤ https://shop.spreadshirt.com/really-famous/really+famous-A5d211932162c5f1ba0e0ae33?productType=949&sellable=xrOAqlvEk1UqmOlaDVqJ-949-32&size=29 Fun + funky GOODIES for TV + film lovers ➤ https://www.amazon.com/shop/reallyfamous SUBSCRIBE to Really Famous on YOUTUBE ➤ https://www.youtube.com/channel/UCbR3_S40FqVaWfKhYOTneSQ?sub_confirmation=1 New live shows: I'll be back with live shows in NYC and maybe other locations. Get word as soon as we book new dates: reallyfamouspodcast.com/live-shows # GET IN TOUCH: Instagram - @karamayerrobinson TikTok - @karamayerrobinson Facebook - @karamayerrobinson Twitter - @kara1to1 Subscribe to my YouTube channel - YouTube.com/ReallyFamous Email - reallyfamouspodcast@gmail.com Insider news - ReallyFamousPodcast.com/contact # Donate $1 or $5 or anything you like to Really Famous and get a shoutout from me on the show - ReallyFamousPodcast.com/donate # Celebrity interview by Kara Mayer Robinson. Music - Take a Chance by Kevin MacLeod - incompetech - Creative Commons  

The Artistic Parenting Series Special Guest: Isaiah JohnsonOn the show today I’ll be sharing parts of my conversation with Isaiah Johnson. Isaiah is an actor, professor at SCAD (Savanah College of Art & Design), married to singer, songwriter Stacie Orrico and they have two little munchkins together. Isaiah has appeared on and off Broadway, working with actors such as Al Pacino in The Merchant of Venice, Kevin Spacey in Richard III, Kelli O'Hara in Far From Heaven, Roger Rees in Peter and the Starcatcher, Lin-Manuel Miranda in Hamilton, and so much more. He received his BFA from Howard University and his MFA from NYU's Tisch Grad Acting program. In our conversation today we talk about failure, fatherhood, being a citizen, trust, being of service and of course we’ll get a magical moment with each of his kids. Ways to show love and support to this show:Leave a review of this episode: RateThisPodcast.com/mfaparentingeditionFollow on Instagram: @mfaparentingeditionShare the episode with friends: click here to shareBuy Me a Drink: https://www.buymeacoffee.com/mfaparentingSupport the show (https://www.buymeacoffee.com/mfaparenting)

This week we chat with Paul Taylor Mills about this year’s MTFestUK which will take place online following the new National Lockdown. The festival, which celebrates new musicals, runs from 1 to 13 February 2021 at London’s Turbine Theatre. We chat with Andrew Lippa about The Man In The Ceiling; Caroline Kay about Daisy and Scott Frankel about Far From Heaven. All three musicals can be seen as part of MTFestUK. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

We are in the presence of greatness this week with Celia Weston, an incredible actor who joined us remotely despite not even having the internet. Can you believe? You Might Know Her From Dead Man Walking, In the Bedroom, Junebug, Alice, The Talented Mr. Ripley, How to Lose a Guy in 10 Days, Igby Goes Down, Far From Heaven, and The Village. Celia, one of the truest embodiments of the premise of this show, talked to us about bringing improv to Jody Hill’s set but not being encouraged to do so on Nancy’s Meyer’s The Intern, working with auteurs like Todd Haynes and M. Night Shyamalan, sinking her teeth into accents whether Staten Island or Bavarian, and the complexities of joining the sitcom Alice in its fifth season. There was just so so much.  Follow us on social media: @damianbellino || @rodemanne  Celia Weston IMDB Charlotte Raines (daughter of Ron Raines and Dona Vaughn, Celia’s goddaughter) facilitated our interview, shout out to her.  Nominated for Best Supporting Actress Indie Spirit  Award for Dead Man Walking Susan Sarandon as Sister Helen Prejean was very generous during their filming Had extremely emotional scene opposite Sissy Spacek in In the Bedroom (2001, Todd Field) Directed actors turned directors: Jodie Foster (Little Man Tate), Diane Keaton (Hanging Up), Todd Field (In the Bedroom), Tim Robbins (Dead Man Walking). Todd Haynes (Far From Heaven) was a tribute to Douglas Sirk (All That Heaven Allows, Imitation of Life)  Female directors: Poms (Zara Hayes), The Intern (Nancy Meyers), Jodie, Diane Improvised with Anne Hathaway in The Intern (Meyers not into it) Loved working with director, Jody Hill (Observe and Report). He also directed her in an excellent episode of Vice Principals with Danny McBride where she gets fired and destroys the office.  Joined the sitcom Alice in season 5 as Jolene Honeycutt. Was almost in the Private Benjamin tv series but ultimately landed on Alice. Sitcom money paid for her UES apartment.  Nancy Walker directed many episodes of Alice, and once came over and told her she was “a real lady.” Matthew McCounaghey’s character in How to Lose a Guy in 10 Days was originally supposed to be from Staten Island.  Has performed Bavarian (Snow Falling on Cedars) and Czech (The Invasion) accents M Night Shyamalan put the cast of The Village through a 19th century bootcamp so they could get that authenticity right Cast as Tom Cruise’s mom in Knight and Day (she’s 10 years older than him) Plays Lady Ambrosia on a crazy episode of The Blacklist. If she fell down a well in real life and could only call one person from the cast of Poms, she’d call Diane Keaton. Did not read The Secret but co-starred in the film.  Plays Cate Blanchett’s aunt in The Talented Mr. Ripley and was in the opera scene when Matt Damon had to produce a single tear.  While on Alice, she competed on Battle of the Network Stars (1984) and her CBS team beat ABC and NBC

I'm joined once again by the highly entertaining, encyclopedic film critic and lawyer Nell Minow of MovieMom.com and RogerEbert.com for a timely episode on fall and Halloween movies you're sure to enjoy.Fast-paced and fresh, whether she's discussing the vacations taken by Alan Alda and Carol Burnett in The Four Seasons, Haynes at his most Sirkian in Far From Heaven, the nonsensical joys of Hitchcock's The Trouble With Harry, or those geniuses at Laika studios, Nell delivers great film insights with a friendliness that makes her both a must-listen and a must-read.Originally Posted on Patreon (10/24/20) here: https://www.patreon.com/posts/43110692Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

We celebrate curiosity’s role in discovery, and regret its potential for damage. Mature curiosity demands that we embrace the confusion, doubt and anxiety inherent in engaging new ideas and complex problems. Social curiosity requires discernment: are we genuinely and empathically interested in others, or simply indulging voyeurism via social media? Curiosity can lead us into thrill seeking, but lack of it dulls our libido for life. Is it grandiosity, ambition, or impulsive desire that is tweaking our interest—or is curiosity leading us into purpose, service and the numinous? We need to be curious about curiosity: what are we enacting--and why? In the unrestrained theater of our dreams even the most disallowed outer-world scenarios are played out. Dreams can do much to satiate and integrate the shadowy curiosities of the inner world if we remember, record, and reflect on them.    Dream I am in a dreary kind of industrial place full of single-story warehouse or farm type sheds/buildings - everything is grey. I don't relish being there but I am resigned to it. I look up again at the shed I'm standing next to and am surprised to see a beautiful mural has appeared on it's concrete apex (the triangular bit under the roof) - I don't remember exactly the image but it is full of blue and movement. I walk on to the next smaller row of sheds and in one I find skeletal figure of a man who is very sick and being tended to. The man is more skeleton than person, he has no eyes, only eye sockets for example, and is blackened/scorched: parts of his flesh seem about to fall away. I remember him as a famous actor, someone once very charismatic and good-looking, it is terrible to see him reduced to this. He is being moved from bed to chair by two nurse-type figures whom I do not see clearly. I go to help and hold his head - I am disgusted a little but also terrified that his head will come away in my hands if I am not careful enough. Once he is installed I move away. I find myself in another larger room next door where a group of people I do not know are gathered for a purpose I do not understand. I leave and go back out into the grey yard, but then feel an urge to reconnect with the man. I find another of these nurse-type figures who tells me he is with his wife and family now. I feel a little disappointed/left out but also glad for him that even in his repulsive/decrepit state he is surrounded by loved ones and is cared for.    References:Giorgio Tricarico. Lost Goddesses: A Kaleidoscope on Porn. Verena Kast. Father-Daughter, Mother-Son: Freeing Ourselves from the Complexes that Bind Us. Far From Heaven (film with Julianne Moore and Dennis Quaid).

After a longer than intended hiatus (it was meant to be a 'slow' podcast, but not this slow...), the That's Not My Age podcast is back with a magnificent guest. One of my Style Heroines, the Academy-Award-Winning costume designer Sandy Powell. With three Oscars on her South London mantlepiece, for: Shakespeare in Love (1999), The Aviator (2005) and The Young Victoria (2010), Powell's creative talent is undoubtable. Beginning in 1992 with a nomination for Orlando, directed by Sally Potter and starring Tilda Swinton, she has been nominated for 15 Academy Awards and 16 Baftas. The 60-year-old costume designer has worked on over 40 films including five Martin Scorsese flicks, probably because, ‘Scorsese is a shoe man. He always gets in a good shot of the shoes.’ As well as behind the scenes on iconic fashion movies such as Todd Haynes' Far From Heaven, Velvet Goldmine and Carol; and The Favourite by Yorgos Latimos (Olivia Coleman won an Oscar for her performance as Queen Anne).In this special episode we chat about her philanthropic work, her exciting career, sustainability and how Sandy feels about ageing. Producer and audio engineer: Linda Ara-TebaldiHost: Alyson WalshGuest: Sandy PowellMusic: David SchweitzerArtwork: Ayumi TakahashiCoordinator: Helen Johnson

Welcome back to the latest episode of BETWEEN THE NOTES...Your hosts, Tony Black & Sean Wilson, are this week celebrating the life and work of the late, great Elmer Bernstein.Along the way, they choose 10 tracks between them from across Bernstein's filmography, as you can see below. Don't forget to enjoy our playlists compiled for your enjoyment alongside our film music discussion.00:00-13:10 - Intro13:43-19:40 - To Kill a Mockingbird (1962)19:41-29:02 - The Great Escape (1963)29:03-35:30 - The Man With the Golden Arm (1955)35:31-42:09 - Cape Fear (1991)42:10-49:37 - Airplane! (1980)49:38-55:06 - The Ten Commandments (1956)55:07-1:00:11 - Heavy Metal (1981)1:00:12-1:05:08 - Animal House (1978)1:05:09-1:10:56 - Far From Heaven (2002)1:10:57-1:15:56 - The Magnificent Seven (1960)1:15:42 - OutroHost / EditorTony BlackCo-HostSean WilsonClassic Composers: Elmer Bernstein on Spotify playlist: https://open.spotify.com/playlist/7MwnsVSThrtLY8y0NVZu4g?si=BB5TRfe3R6mR6B7OrcQvjQTwitter: @btw_notesWe Made This on Twitter: @wemadethispod / www.wemadethispod.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Welcome back to the latest episode of BETWEEN THE NOTES... Your hosts, Tony Black & Sean Wilson, are this week celebrating the life and work of the late, great Elmer Bernstein. Along the way, they choose 10 tracks between them from across Bernstein's filmography, as you can see below. Don't forget to enjoy our playlists compiled for your enjoyment alongside our film music discussion. 00:00-13:10 - Intro 13:43-19:40 - To Kill a Mockingbird (1962) 19:41-29:02 - The Great Escape (1963) 29:03-35:30 - The Man With the Golden Arm (1955) 35:31-42:09 - Cape Fear (1991) 42:10-49:37 - Airplane! (1980) 49:38-55:06 - The Ten Commandments (1956) 55:07-1:00:11 - Heavy Metal (1981) 1:00:12-1:05:08 - Animal House (1978) 1:05:09-1:10:56 - Far From Heaven (2002) 1:10:57-1:15:56 - The Magnificent Seven (1960) 1:15:42 - Outro Host / Editor Tony Black Co-Host Sean Wilson Classic Composers: Elmer Bernstein on Spotify playlist: https://open.spotify.com/playlist/7MwnsVSThrtLY8y0NVZu4g?si=BB5TRfe3R6mR6B7OrcQvjQ Twitter: @btw_notes We Made This on Twitter: @wemadethispod / www.wemadethispod.com Title music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Welcome back to the latest episode of BETWEEN THE NOTES...Your hosts, Tony Black & Sean Wilson, are this week celebrating the life and work of the late, great Elmer Bernstein.Along the way, they choose 10 tracks between them from across Bernstein's filmography, as you can see below. Don't forget to enjoy our playlists compiled for your enjoyment alongside our film music discussion.00:00-13:10 - Intro13:43-19:40 - To Kill a Mockingbird (1962)19:41-29:02 - The Great Escape (1963)29:03-35:30 - The Man With the Golden Arm (1955)35:31-42:09 - Cape Fear (1991)42:10-49:37 - Airplane! (1980)49:38-55:06 - The Ten Commandments (1956)55:07-1:00:11 - Heavy Metal (1981)1:00:12-1:05:08 - Animal House (1978)1:05:09-1:10:56 - Far From Heaven (2002)1:10:57-1:15:56 - The Magnificent Seven (1960)1:15:42 - OutroHost / EditorTony BlackCo-HostSean WilsonClassic Composers: Elmer Bernstein on Spotify playlist: https://open.spotify.com/playlist/7MwnsVSThrtLY8y0NVZu4g?si=BB5TRfe3R6mR6B7OrcQvjQTwitter: @btw_notesWe Made This on Twitter: @wemadethispod / www.wemadethispod.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Be sure to subscribe for more - Creation Grounds Podcast For a list of NYC, LA and Southeast casting directors, the shows they cast as of 5/11/20 & their assistants, associates and a way to track your auditions and workshops with them check out The Audition/Workshop Tracker! ________ Isaiah Johnson Imdb Isaiah Johnson is an American actor and singer who portrayed George Washington in 2013 The Hamilton Mixtape as well as in the National Tour. Johnson has appeared on and off Broadway, working with Al Pacino and Daniel Sullivan in The Merchant of Venice, Kevin Spacey and Sam Mendes in Richard III, Kelli O'Hara and Michael Greif in Far From Heaven, Roger Rees and Alex Timbers in Peter and the Starcatcher, Lin-Manuel Miranda and Thomas Kail in Hamilton (Vassar Workshop Cast 2013), and on various projects with Norm Lewis, Bill Condon and Randy Newman. He has also been a guest star on CBS' "Person of Interest" and the Cinemax series "The Knick." Isaiah received a BFA from Howard University and an MFA from NYU's Tisch Grad Acting. He played Mister in the Oprah produced Broadway production of The Color Purple. Kendra has been a great friend of mine for many years and we met at an audition in NYC. We've been close ever since! I know you all are going to enjoy this one. Join me on Episode 8 to learn and hear from Isaiah about Unity & Encouragement. ________ Some Questions I Ask: Where he calls home? (:50) His experience at Howard University? (1:13) NYU? (2:08) On craft and it's importance? (3:10) What does artistry mean to you? (4:08) Favorite 3 books on craft? (4:27) Advice for actors who want to be on Broadway? (7:55) How to find Unity within cast from meet & greet & beyond (9:30) On The Color Purple on Broadway (10:36) On 8x a week performances for Broadway and self care? (12:05) On process of creating Mister in the Color Purple. (15:40) Interests and Hobbies (17:48) What does Unity mean to you & how do you stay encouraged? (23:10) How do people contact you? (26:00) ____________ You can follow Arron at: Website: ArronLloyd.com Instagram: https://www.instagram.com/arronlloyd/ Facebook: Arron Lloyd Twitter: https://twitter.com/ArronLloyd Twitch: https://www.twitch.tv/arronsl316 TikTok:Arronslloyd Youtube: Arron Lloyd This is NYC merch -

Actor Dennis Quaid (The Right Stuff, The Rookie, The Parent Trap, Far From Heaven, A Dog's Purpose) and I catch up on Zoom. He has a new podcast called The Dennissance. Catch it now! We talk: Interviewing and interrupting Podcasting His new podcast, The Dennissance Press junkets Publicists What he doesn't like to be asked about Getting personal Optimism His career ups and downs His life ups and downs Being guarded His recent engagement and upcoming wedding Being married to, and in the spotlight with, Meg Ryan Social media and film critics and comments Therapy My inside scoop on therapists' strategies Which reminds me...Dennis also interviews me... Addiction Becoming a father A Sleepless in Seattle story Searching for answers in India Feeling bitter and beating yourself up The Oscar nomination trap The Rookie, Far from Heaven, The Parent Trap, The Right Stuff and more Dennis Quaid movies Join us! SWEET! You get a bonus ZOOM video of us recording this podcast! See it now on YouTube.com/reallyfamous. (Seriously, if you're not subscribed to my YouTube channel by now...it's time!) # Love ya, Really Famous supporters! Shout-out to Pat! Thanks for your support. Get your own shout-out - Patreon.com/reallyfamous # New live shows: I'll be back with live shows in NYC and maybe other locations. Get word as soon as we book new dates. reallyfamouspodcast.com/live-shows # GET IN TOUCH: Insider news - ReallyFamousPodcast.com/contact Instagram - @karamayerrobinson Facebook - @karamayerrobinson Twitter - @kara1to1 Subscribe to my YouTube channel - YouTube.com/ReallyFamous Email - reallyfamouspodcast@gmail.com # Donate $1 or $5 or anything you like to Really Famous and get a shoutout from me on the show - ReallyFamousPodcast.com/donate # Celebrity interview by Kara Mayer Robinson. Music - Take a Chance by Kevin MacLeod - incompetech - Creative Commons

Far from each other and far from studio kitchen, Brandon & Tyler are joined together by the power of the internet and movies in order to discuss Todd Haynes' 2002 Melodrama "Far From Heaven" Dinosaur Vacation Info: beatricecommunityplayers.com/dinosaur-vacation Follow us on on Twitter, @FilmFoilPodcast, and Facebook Brandon’s Twitter: @BrandoV2 Tyler’s Twitter: @TylerJRinne Music - "Golden Sunrise" by Josh Woodward. Free download: http://joshwoodward.com/ Elevator Music - "Local Forecast - Elevator Music" by Kevin Macleod: http://www.orangefreesounds.com/

In the latest episode of Captured on Celluloid, Adam and Andrew continue their cinematic journey through the 21st century, on this occasion focusing on the films of the year 2002. As well as a wider look at the movies released in that year, Andrew and Adam discuss their personal favorites from the year in detail: Steven Spielberg's Catch Me If You Can and Paul Thomas Anderson's Punch-Drunk Love. If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation with special guest Jordan Snyder about Portrait of a Lady on Fire. Running order: Intro to 2002 movies - (0:25 - 16:01) Prestige pictures and the Oscars - (16:02 - 44:44) Blockbusters and the box office - (44:45 - 51:51) Honorable mentions - (51:52 - 65:20) Catch Me If You Can - (65:21 - 93:01) Punch-Drunk Love - (93:02 - 135:23) Wrap-up - (135:24 - end) Note – Movies discussed in this episode include (in alphabetical order): About Schmidt, Adaptation, The Bourne Identity, Catch Me If You Can, Chicago, Far From Heaven, Insomnia, The Pianist, Punch-Drunk Love

First Draft Episode #227: Courtenay Hameister Courtenay Hameister, debut author of memoir Okay Fine Whatever: The Year I Went From Being Afraid of Everything to Only Being Afraid of Most Things, and former host, co-producer and head writer of Live Wire Radio. Links and Topics Mentioned In This Episode Books by Beverly Cleary (author of Ramona Quimby, Age 8, Beezus and Ramona, and The Mouse and the Motorcycle) and and Judy Blume (author of Are You There, God? It’s Me, Margaret, Forever, and Tales of a Fourth Grade Nothing) and The Crystal Cave series by Mary Stewart were some of Courtenay’s favorites growing up Create More, Fear Less is an organization in Portland Courtenay volunteers with that works with anxious kids While Courtenay went to New York University, she had the chance to work with legendary comedy group The State. The State — made up of Kevin Allison, Michael Ian Black, Robert Ben Garant, Todd Holoubek, Michael Patrick Jann, Kerri Kenney-Silver, Thomas Lennon, Joe Lo Truglio, Ken Marino, Michael Showalter, and David Wain — was formed in 1998 and had a self-titled comedy sketch show on MTV from 1992-1995. You can learn more about the history of the group in The Union of the State by Corey Stulce. Members of The State went on to create Reno 911, which is coming back! “The 7,000 Dollar Pyramid,” is one of The State’s sketches that Courtenay remembers Robert Ben Garant writing Writing Movies For Fun and Profit: How We Made a Billion Dollars at the Box Office, and You Can, Too! by former State members and co-writers Thomas Lennon and Robert Ben Garant The Joan Didion quote Courtenay paraphrases is, “I don't know what I think until I write it down.” Some of Courtenay’s favorite guests from her many years of hosting Live Wire include: comedian, storyteller, director and actor Mike Birbiglia, who is best known for Sleepwalk With Me, which was also a comedy special and a New York Times bestselling book, Sleepwalk with Me and Other Painfully True Stories, and his new comedy special, The New One is also going to be a book, coming out in May 20202, The New One: Painfully True Stories from a Reluctant Dad; Carrie Brownstein, guitarist with Sleater-Kinney (who have a new CD in 2019, The Center Won’t Hold), co-creator and writer of TV show Portlandia, and author of memoir Hunger Makes Me a Modern Girl; director Todd Haynes (who has directed Velvet Goldmine, Far From Heaven, and this year’s Dark Waters; Cheryl Strayed, author of Tiny Beautiful Things: Advice on Love and Life From Dear Sugar and memoir Wild: From Lost to Found on the Pacific Crest Trail; and David Rakoff, humorist and author of Fraud: Essays, Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never- Ending Quest for Artisanal Olive Oil, and Other First World Problems Courtenay’s friend Daniel H. Wilson wrote Robopocalypse: A Novel (which was optioned by Steven Spielberg, but after some delays has now been thrown over to Michael Bay) was the one who introduced Courtenay to his agent, Laurie Fox, who is an author in her own right, of The Lost Girls: A Novel and My Sister From the Black Lagoon: A Novel of My Life. Jean Garnett at Little, Brown was Courtenay’s editor Courtenay super recommends Sleepwalking with Einstein by Joshua Foer (and, oh my god, would you look at that, he also has a TED talk!) The Oprah and James Frey controversy which exploded over his memoir, A Million Little Pieces, is an inevitable reference point for a conversation about what “truth” means in the memoir category Courtenay’s recommendation for David Carr’s memoir, Night of the Gun: A Reporter Investigates the Darkest Story of His Life. His Own, was so persuasive that I bought the audiobook that night! I admit to being a complete comedy nerd, and having recently mightily enjoyed John Hodgman’s collection of personal essays, Medallion Status: True Stories From Secret Rooms. Jennifer Pastiloff (author of On Being Human: A Memoir of Waking Up, Living Real, and Listening Hard) and Lidia Yuknavitch (author of memoir The Chronology of Water and Verge: Stories, out Feb. 4, 2020!) teach a class called “Writing and the Body” that incorporates yoga and writing to enrich personal stories. Humor writer Steve Almond, author of Bad Stories: What Just Happened to Our Country? and William Stoner and the Battle For the Inner Life: Bookmarked. Writers Samantha Irby (author of We Are Never Meeting in Real Life: Essays, Meaty: Essays and omg she has a new one coming out this year, Wow, No Thank You!) and Jenny Lawson, aka The Blogess (author of Let’s Pretend This Never Happened: A Mostly True Memoir and Furiously Happy: A Funny Book About Horrible Things), were bloggers before they had books, and they indicate the kind of conversational writing style that Courtenay tends to naturally align with in her writing Elizabeth Gilbert’s 2009 TED Talk, “Your Elusive Creative Genius” Dan Harris, author of 10% Happier Revised Edition: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works--A True Story, and Meditation for Fidgety Skeptics: A 10% Happier How-to Book Susan Cain, author of Quiet: The Power of Introverts in a World That Can't Stop Talking and her TED talk on the subject of introverts Courtenay admires Michael Ian Black’s evolution as a writer. Especially significant to her was his honesty in the memoir Navel Gazing: True Stories of Bodies, Mostly Mine (But Also My Mom’s, Which I Know Sounds Weird). His newest book, A Better Man, tackles toxic masculinity in the form of letters to his son as he goes off to college. I have always dreamt of being able to link to an article about Jeff Bezos’s dick pics (just kidding but here we go): this incident was wild - The National Enquirer allegedly tried to blackmail Jeff Bezos, threatening to release intimate pictures of him unless he paid up. Instead, Bezos released the pics himself and told them to screw off. It was wild. It was great. That incident calls to mind So You’ve Been Publicly Shamed by Jon Ronson “To Fall in Love With Anyone, Do This,” the Modern Love essay by Mandy Len Catron, references Dr. Arthur Aron’s study, which included 36 questions to generate intimacy. (And hey, look at that, Mandy has TED talks about love stories, too!) I want to hear from you! Have a question about writing or creativity for Sarah Enni or her guests to answer? To leave a voicemail, call (818) 533-1998. Subscribe To First Draft with Sarah Enni Every Tuesday, I speak to storytellers like Veronica Roth, author of Divergent; Linda Holmes, author and host of NPR’s Pop Culture Happy Hour podcast; Jonny Sun, internet superstar, illustrator of Lin-Manuel Miranda’s Gmorning, Gnight! and author and illustrator of Everyone’s an Aliebn When Ur a Aliebn Too;  Michael Dante  DiMartino, co-creator of Avatar: The Last Airbender; John August, screenwriter of Big Fish, Charlie’s Angels, and Charlie and the Chocolate Factory; or Rhett Miller, musician and frontman for The Old 97s. Together, we take deep dives on their careers and creative works. Don’t miss an episode! Subscribe in Apple Podcasts, Spotify, Stitcher, or wherever you get your podcasts. It’s free!   Rate, Review, and Recommend How do you like the show? Please take a moment to rate and review First Draft with Sarah Enni in Apple Podcasts, Google Play, or wherever you listen to podcasts. Your honest and positive review helps others discover the show -- so thank you! Is there someone you think would love this podcast as much as you do? Please share this episode on Facebook, Twitter, Pinterest, or via carrier pigeon (maybe try a text or e-mail, come to think of it). Just click the Share button at the bottom of this post! Thanks again!

Hello, again. Look at all of this content we are putting out now! How long do you think it will last? Two more weeks? Maybe a month. We'll see. This week, my movie pass buddy and I saw Dark Waters. Here are some of my thoughts. For some of you who would rather read than listen, here are a few things. Dark Waters: A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. While trying to expose the truth, he soon finds himself risking his future, his family and his own life. Todd Haynes movies: Carol, Far From Heaven, Wonderstruck (2017), I'm Not There, Velvet Goldmine. You can see more of Todd Haynes work here: https://www.imdb.com/name/nm0001331/ The Know Nothing Nerds is a podcast hosted by two nerds who know nothing, talk nerdy topics in order to learn something. You can find us on Facebook at Know Nothing Nerds, or facebook.com/knownothingnerds. You can find us at twitter @KNNerds, or you can email us at knownothingnerds@gmail.com. Send us your fact checks, new topic ideas, or just to say hello. We’re on patreon if you want to make us rich, you can head to patreon.com/knownothingnerds. All music in the podcast was written and produced by me Luke, if you need any music made for anything you can contact me through all the KNN social medias. I do take commissions. In the description of this podcast, you can find our show notes. They will also be added to a blog somewhere at some point. Thanks for listening, we’ll see you next week with a rant episode, and then shorty after that we will discuss Star Wars: The Rise of Skywalker. A film I am way too excited about. Be sure to follow and subscribe for more amazing and knowledgable content.

Career Retrospective with Patricia Clarkson on November 28, 2018. Moderated by Dave Karger. Academy Award nominee and Emmy Award-winning actress, Patricia Clarkson takes on roles as varied as the platforms for which she plays them. This multi-faceted approach makes her one of today's most respected actresses. Clarkson's continuous innovative work in independent film most recently earned her the 2018 British Independent Film Award for Best Supporting Actress for her role in Sally Potter’s film “The Party.” In 2010 she received rave reviews for her starring role in the award winning romantic drama, “Cairo Time,” which put her career in the American spotlight. She won the Independent Award for Acting Excellence at the 2009 ShoWest Awards. In 2003, her role in “Pieces of April” earned her nominations for an Academy Award, Golden Globe, SAG, Broadcast Film Critics and Independent Spirit awards. The National Board of Review and the National Society of Film Critics named her Best Supporting Actress of the Year for her work in “Pieces of April” and “The Station Agent.” Currently, Clarkson can be seen in the independent film drama “Jonathan,” opposite Ansel Elgort and in the sixth and final season of “House of Cards” on Netflix. She was most recently seen in Isabel Coixet’s “The Bookshop,” the HBO limited series “Sharp Objects” alongside Amy Adams, based on the novel by Gillian Flynn, directed by Jean-Marc Vallée; in the final installment of the Maze Runner trilogy, and Sally Potter’s film “The Party,” for which she won the 2018 British Independent Film Award for Best Supporting Actress. 2019 will see Clarkson in the detective film “Out of Blue” based on the Martin Amis novel, in which she plays the lead character. “Out of Blue” Premiered at the Toronto Film Festival in their Platform Series in 2018 and was also seen at the 2018 London Film Festival. She will next film “Light on Broken Glass” in the leading role. In 2014 she starred alongside Sir Ben Kingsley in “Learning to Drive” directed by Isabel Coixet. The film won runner up honors for the People’s Choice Award at the 2014 Toronto International Film Festival and was released in August 2015 and opened to critical acclaim. Other recent films include the timely thriller “The East,” opposite Brit Marling and Alexander Skarsgård, the comedy “Friends with Benefits,” in which she co-stars with Justin Timberlake and Mila Kunis and the Lone Scherfig directed drama, “One Day” with Anne Hathaway and Jim Sturgess. In 2010, she was seen in the box office hit “Easy A.” Clarkson and the cast of “Good Night, and Good Luck.” with George Clooney and David Straithairn, received both Screen Actors Guild and Gotham Award nominations for Best Ensemble. “Far From Heaven” won her a New York Film Critics Circle Award for Supporting Actress, “All The Real Girls” won her a Special Jury Prize at the Sundance Film Festival, and “The Safety of Objects” earned her an Acting Prize at the Deauville Film Festival. “The Green Mile” earned Clarkson and cast (including Tom Hanks and James Cromwell) a Screen Actors Guild Best Ensemble Award nomination, and “High Art” earned her an Independent Spirit Award nomination for Supporting Actress. Other film credits include: Martin Scorsese's thriller “Shutter Island,” Woody Allen's “Whatever Works” and “Vicky Christina Barcelona,” “Blind Date” with Stanley Tucci, “Elegy,” “No Reservations,” “All The King’s Men,” “Lars and the Real Girl,” “Simply Irresistible,” “The Pledge,” “Jumanji,” “Rocket Gibraltar” and “The Untouchables.”

Christine Vachon is one of the most celebrated producers in the world of film and if I told you some of the movies she's made, your head would spin: Carol, Still Alice, Far From Heaven, Happiness, Velvet Goldmine, Kids, Boys Don't Cry, I Shot Andy Warhol, Craig's favorite movie ("Safe" by Todd Haynes) and one of my favorite movies ("Hedwig and the Angry Inch" by John Cameron Mitchell). On today's podcast, find out what she eats for lunch, what she considers the cinematic equivalent of a chicken Caesar salad, what she cooks for her family, and how she deals with the food Nazis at her daughter's school. We also cover her favorite food films (not what you'd guess!), her favorite food city in the world (spoiler: it's San Sebastian), and why one of the worst nights of her life was dinner at Blue Hill Stone Barns. See acast.com/privacy for privacy and opt-out information.

Susan and Laura sit down with Oscar-winning actress Julianne Moore (Still Alice, The Hunger Games, Far From Heaven, The Kids are All Right, After the Wedding) and writer/director/filmmaker Bart Freundlich (The Myth of Fingerprints, Wolves, After the Wedding). Award winning creatives in their own right, they also merge creative endeavors with marriage and parenthood. In Part One of our conversation, we learn what creative risks Julianne and Bart have been taking recently, how they mix their personal and creative energies and what makes for a creatively satisfying experience.

On this episode of G&T, Greta & Taylor consider two movies starring the good and great Patricia Clarkson. Can she make enough of a stamp as a character actress to put her identity onto the larger canvasses of her projects? Does white performative 'wokeness' affect a 2019 reading of Far From Heaven? Can Welcome to Collinwood rise above the moniker of "greaseball Ocean's Eleven?" We'll get into all this and more on this week's G&T! 

With Pride Month 2019 winding down, James and Brian take a look at two queer films that share more than just an actress in Julianne Moore. For the first time, we're talking two queer films from two queer filmmakers! Each film takes a look back at where we've been with Far From Heaven taking place in the 1950's. In the era of Leave It to Beaver and Donna Reed, Todd Haynes' film showcases a woman who learns her loving husband is gay and must deal with the fallout. First time filmmaker Tom Ford takes us to the 1960's, where the titular single man, Colin Firth, loses his lover in a tragedy and spends the film planning his last day on Earth. 

ISAIAH JOHNSON has appeared on and off Broadway, working with Al Pacino and Daniel Sullivan in The Merchant of Venice, Kevin Spacey and Sam Mendes in Richard III, Kelli O'Hara and Michael Greif in Far From Heaven, Roger Rees and Alex Timbers in Peter and the Starcatcher, Lin-Manuel Miranda and Thomas Kail in Hamilton (lab production), and on various projects with Norm Lewis, Bill Condon and Randy Newman. He has also been a guest star on CBS' "Person of Interest" and the Cinemax series "The Knick." Isaiah received a BFA from Howard University and an MFA from NYU's Tisch Grad Acting. Legomyankles.com https://www.theatrebayarea.org/page/sparkhttps://www.theatrebayarea.org/page/sparkThe Instagram and Facebook: isaiahslamentTwitter as @ZaiahJohnson

In this episode, I explore Todd Haynes's 2002 film, "Far From Heaven." It's an homage to 1950s melodramas and stars Julianne Moore as Cathy Whitaker, a Connecticut housewife who develops a deep connection to her African American gardener (Dennis Haysbert) while her marriage starts to crumble when her husband (Dennis Quaid) starts struggling with his repressed homosexuality. I talk about melodrama, woman's films, Douglas Sirk, Rainer Werner Fassbinder, how the film looks at race, sexuality, and gender, and much more! Spoilers are in this episode. Consider making this podcast sustainable by supporting it on Patreon. Subscribe to the Her Head in Films Newsletter. Follow me on Facebook, Twitter, and Instagram. Original logo by Dhiyanah Hassan Full Show Notes: My episode on Birth Douglas Sirk films: All That Heaven Allows, Written on the Wind, Magnificent Obsession, Imitation of Life Frida by Julie Taymor The Hours by Stephen Daldry Melodrama Woman's film Rainer Werner Fassbinder Ali: Fear Eats the Soul by Fassbinder My Safe episode "Shallow" by Lady Gaga "Hey Jupiter" by Tori Amos My episode on Brief Encounter Carol by Todd Haynes All My Sources Todd Haynes: Interviews (Conversations with Filmmakers Series), edited by Julia Leyda Todd Haynes: From Fassbinder to Sirk and Back (A 2003 interview with the Criterion Collection) Todd Haynes interview with BBC Julianne Moore interview with Film Monthly Douglas Sirk interview with Film Comment Richard Brody - "Douglas Sirk's Glorious Cinema of Outsiders" (The New Yorker)

Dan and Josh talk RiffTrax Live: Octaman, After, and Missing Link, and then dive into 2002’s Far From Heaven.

Main Review:Far From HeavenRecommendations:Neil - Wild Wild Country (stream on Netflix)Ben - Documentary Now! Season 3 - Batshit Valley (NOTE: this has already been removed from Youtube. Sorry!!)Tyler - Normal, Joywave - Somebody New (stream on Spotify)Extra Credits: Apex LegendsFollow Ben on Twitter at @CroghanMaster. Follow Neil on Twitter at @dinoneilman. Tyler on Twitter at @TylerOwen and find his game at randomseedgames.com.Follow Credits Due on Twitter at @CreditsDuePod and on Instagram at @CreditsDuePodWatch along or look ahead at our planned list for the season over at Letterboxd.Email any questions at creditsduepodcast@gmail.comJoin us in two weeks for our next episode where we discuss THE HOURS (watch on Showtime)

Main Review:Evolution (available to stream on Amazon Prime or watch free w/ads on Vudu)Recommendations:Neil - Red Dead Redemption 2Tyler - The Stormlight Archives Book 1 - The Way of Kings Ben - Velvet Buzzsaw (Stream on Netflix)Follow Ben on Twitter at @CroghanMaster. Follow Neil on Twitter at @dinoneilman. Tyler on Twitter at @TylerOwen and find his game at randomseedgames.com.Follow Credits Due on Twitter at @CreditsDuePod and on Instagram at @CreditsDuePodWatch along or look ahead at our planned list for the season over at Letterboxd.Email any questions at creditsduepodcast@gmail.comJoin us in two weeks for our next episode where we discuss FAR FROM HEAVEN

Matt and Dave are live from the Provincetown Film Festival with iconic film producer Christine Vachon (Carol, Hedwig and the Angry Inch, Far From Heaven, Still Alice)! They get into her long experience in filmmaking, the looseness of identity back in the day, and moving in with her partner after 3 or 4 dates. Plus, an audience q+a, Hereditary heat and Matt and Dave get into what happened after the recording.  This episode is sponsored by Mack Weldon (www.mackweldon.com code: HOMO), Gunpowder & Sky, Dollar Shave Club (www.dollarshaveclub.com/HOMO) and Phlur (www.phlur.com code: HOMO).

We discuss the work of writer/director Todd Haynes and his films POISON, SUPERSTAR, VELVET GODLDMINE, and FAR FROM HEAVEN. If you have any questions or comments, feel free to drop us a line at importantcinemaclubpodcast@gmail.com On this week's Patreon episodes, we pick our favorite films about filmmaking. Join for five dollars a month and get a brand new exclusive episode of ICC every week. WWW.PATREON.COM/THEIMPORTANTCINEMACLUB

This week's episode has been a long-time coming. We reckon Edith spoke to director Todd Haynes just before Christmas - after his latest film Wonderstruck received a 3 minute standing ovation at last year's Cannes film festival - and we've been desperate to share our chat ever since. Well, the moment has come, as Wonderstruck finally gets an official UK release - though you may already have been lucky enough to see it on Amazon.  Based on the bestselling novel by Brian Selznick, who also wrote the screenplay, Wonderstruck intertwines two stories set 50 years apart about children Rose and Ben, both of whom are on quests to find their parents. In a novel twist, Rose's story plays out as a black and white silent movie, which presented various challenges for composer Carter Burwell.  As well of plenty of examples of Carter's score, you'll also hear music from Thom Yorke, David Bowie, Bob Dylan, Billie Holiday and more.

Michael Korie is a librettist and lyricist whose writing for musical theater and opera includes the musicals Grey Gardens and Far From Heaven, and the operas Harvey Milk and The Grapes of Wrath. His works have been produced on Broadway, Off-Broadway, and internationally. His lyrics have been nominated for the Tony Award and the Drama Desk Award, and won the Outer Critics Circle Award. In 2016, Korie was awarded the Marc Blitzstein Award from the American Academy of Arts and Letters. Michael Korie, the lyricist of Grey Gardens, War Paint, and more, talked about the similarities between writing for the theatre and for the papers, as well as . . . Why he does so much research for his shows and why you should too. The biggest mistake beginning songwriters make . . . and it’s an easy one to fix. Why he never speaks his lyrics out loud when working with a composer on a song. Rhyme . . . and the purpose of it, and how to use it for the greatest impact. A secret method to making sure a song that you love stays in your show. Keep up with me: @KenDavenportBway www.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Play;Write is a podcast about creating and sharing new ways to play. We workshop seedlings of ideas for video games in hopes of coming up with something timeless. It's not just about us, though! Join in the conversation! Pitch your own game ideas to be read and explored on air on our website at www.playwritecast.com, tweet us @playwritecast, or email us at playwritecast@gmail.com. In this episode of the podcast, Ryan Hamann (@InsrtCoins) and Ryan Quintal (@ryanquintal) explore a time-reversing shooter, a train-based adventure through the wasteland, and a jigglin' rhythm game. The community pitch was submitted by Spencer Saunders. Our theme song is "Hello World." by PROTODOME from the album BLUENOISE.

Top Five Movies episode 076 - Period Pieces Top Five Movies episode 076 - Period Pieces has Jonathan, Corey, and Michael discussing their favorite films set in a specific time or during a historical event. There's a lot of films that qualify for this and the trio had to make some tough decisions about what to include and what to save for another list. All three had some good choices though, and there was no overlap. Jonathan's list: 5. The Devil's Backbone (2001) 4. The Nice Guys (2016) 3. There will be blood (2007) 2. A league of their own (1992) 1. Zodiac (2007) Mike's list: 5. Quills (2000) 4. From Hell (2001) 3. Dazed and Confused (1993) 2. Gone With The Wind (1939) 1. Crouching Tiger, Hidden Dragon (2000) Corey list: 5. Woman in Black (2012) 4. Far From Heaven (2002) 3. Suffragette (2015) 2. Inside Llewyn Davis (2013) 1. Jane Eyre (2011) Top Five Movies Episode 077 - Movie Bands The next episode will feature Jonathan, Corey, and Michael discussing their favorite fictio --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support

With a deluge of great stuff heading to theaters over the next couple of weeks, Adam and Josh devote this week’s show to the latest from three great directors: Todd Haynes ("Carol," "Far From Heaven") brings his experimental rigor to the adaptation of Brian Selznick's novel-with-pictures WONDERSTRUCK; former Golden Brick-winner Yorgos Lanthimos delivers Kubrick-inspired horror with THE KILLING OF A SACRED DEER; and the 89-year-old French New Wave pioneer Agnes Varda ends a decade-long hiatus with her joyous new doc FACES PLACES. Plus, results from the latest Filmspotting Death Match. 0:00-1:46 - Intro 2:36-26:29 - Review: "Faces Places" Destroyer, "In the Morning" 30:53-36:55 - Larsen Recommends: "Wonderstruck" 36:55-43:22 - Notes 43:22-54:30 - Polls: Death Match / "The Room" 54:30-1:00:29 - "The Killing of a Sacred Deer" 1:00:29-1:10:46 - Close / Hot Mics Learn more about your ad choices. Visit megaphone.fm/adchoices

In the second episode of Truth & Movies this week (you lucky people), James Richardson, Adam Woodward and David Jenkins are back in the studio to pick over another trio of films. In this podcast, there’s the second instalment of the Kingsman franchise (The Golden Circle), plus off-beat Hungarian romance, On Body And Soul. And, for the Film Club, there’s Todd Haynes’ Far From Heaven, his 2002 tip of the hat to 1950s Hollywood melodramas, starring Julianne Moore. See acast.com/privacy for privacy and opt-out information.

This week we welcome legendary indie film producer Christine Vachon of Killer Films. Vachon has produced such works as Far From Heaven (nominated for four academy awards), Boys Don’t Cry (Academy Award winner), Hedwig and the Angry Inch, One Hour Photo, Velvet Goldmine, I Shot Andy Warhol, Read More

http://kxci.org/wp-content/uploads/2017/07/Julianne-Moore_Final.mp3 Film Club Rule #1,814: When you want more there’s always Moore, Julianne Moore. This week we look at the career of one of the greatest working female actors today, Julianne Moore. After a career in television, she turned to film at the age of 29. Early on she worked with Robert Altman on Short Cuts. Her turn in Todd Haynes’ film Safe continues to amaze. In this episode we also discuss Far From Heaven, Still Alice, Savage Grace, and more. music: bensound.com

The Doctors go deep cover to examine the soft underbelly of the Medellín cartel and expose: Bryan Cranston; John Leguizamo; Benjamin Bratt; Diane Kruger; Olympia Dukakis; Amy Ryan; Juliet Aubrey; Brad Furman; Blow; Johnny Depp; The Departed; Martin Scorsese; Breaking Bad (TV); The Rockford Files (TV); James Garner; Bloodline (TV, 2016); Kyle Chandler; Ben Mendelsohn; Linda Cardellini; Scooby Doo, Where Are You?; Pyromaniacs: A Love Story; William Baldwin; Sadie Frost; To Wong Foo, Thanks for Everything, Julie Newmar; Puerto Rican Mambo; Romeo + Juliet (1996); Baz Luhrmann; Claire Danes; Ghetto Klown (TV); Inglourious Basterds; Heat; Al Pacino; Serpico; Antonio Esfandiari; Malcolm in the Middle (TV); All the Way (TV); Shark Talk; Walter Brennan; Donnie Brasco; Betrayed (1988); Debra Winger; Tom Berenger; Costa-Gavras; Modern Family (TV); Sofia Vergara; Ed O’Neill; Jimmy Smits; L.A. Law (TV); Russell Crowe; Joseph Gilgun; Preacher (TV); Seth Rogen; Jason Isaacs; Jonathan Katz; Michael Paré; The Philadelphia Experiment; Streets of Fire.  TRAILER TRASH TALK: Loving (2016); Jeff Nichols; Midnight Special; Far From Heaven; Ruth Negga; Joel Edgerton; Michael Shannon; Nick Kroll; Anthropoid; Cillian Murphy; Jamie Dornan; Valkyrie; Peaky Blinders (TV); Florence Foster Jenkins; Meryl Streep; Julie & Julia; Anna Russell; P.D.Q. Bach; Simon Helberg; The Big Bang Theory (TV); Johnny Galecki; Saving Mr. Banks; and America’s Got Talent (TV) Questions or comments? Contact: Adam & Gregor at: show@hollywoodrx.net or tweet them at @hollywood_rx. Review us on iTunes... Today! Like us on Facebook. Or both. Read more at http://hollywoodrx.libsyn.com/#9VfpmPPE0qlX7t6T.99 Read more at http://hollywoodrx.libsyn.com/#pvE2MmQTgekbGVLh.99    

Celebrate the SCORSESE exhibition and join one of the master filmmaker’s long time collaborators, BAFTA and Oscar winning designer Sandy Powell OBE, as she delivers a masterclass on costume design and gives a fascinating insight into her extraordinary career. From working closely with Scorsese on films including The Aviator, Gangs of New York and Wolf of Wall Street, to the collaborative process of designing costume for celebrated films such as Carol and Cinderella, the acclaimed designer will appear at ACMI for a special night of conversation hosted by Associate Professor Jessica Bugg (School of Fashion and Textiles, RMIT) to explore her iconic work, her influences, and her creative partnerships with Scorsese and a range of legendary filmmakers. Powell, who has won the Academy Award for Costume Design three times for Shakespeare in Love (1998), The Aviator (2004), and The Young Victoria (2009), and has been nominated a total of twelve times, is renowned for her ability to form long lasting, creative collaborations with a diverse range of auteurs. Across a career spanning over 3 decades, Powell has helped shape the celebrated films of Derek Jarman (Caravaggio, The Last of England), Neil Jordan (The Crying Game, Michael Collins, The Butcher Boy), Todd Hayes (Velvet Goldmine, Far From Heaven, Carol) and of course, Martin Scorsese. When it comes to working with Scorsese – with whom she has worked with on six films to date – Powell says there is always serious attention to detail. "When an actor comes onto the set wearing a costume for the first time, he'll actually go and touch them and touch the cloth," she states. "He's always very interested." Providing a rare insight into her interconnected work with such celebrated directors, Powell will explore her own creative processes and will look back over a body of work that has positioned her as one of the most highly acclaimed designers in the film industry in this very special masterclass event.

The two fascinating collaborations between director Todd Haynes and actor Julianne Moore, 1995's SAFE and 2002's FAR FROM HEAVEN are the primary topics of this episode. Detours include: what defines a movie musical, unseen Altman movies and Pacific Rim vs. Godzilla. Recorded at Vidiots in Santa Monica. Hosted by Clay Keller and Darren Franich. 

Main Review: Mission Impossible: Rogue Nation Main Review: Ant-Man Main Review: Trainwreck Top 5 Summer 2015 Movies What Else We Watched (Bone Tomahawk, The Man From UNCLE, Mississippi Grind, The Ridiculous 6, The Conversation, Crimes and Misdemeanors, Last Days, Far From Heaven, Waitress, Experimenter, Almost Famous, Ricki and the Flash, Mistress America, Pan, The Longest Ride, Insurgent, For Your Consideration, The Iron Giant, Shaun the Sheep, A Christmas Story, Christmas Vacation, Star Wars Original Tr

On this episode Todd Haynes' new film CAROL inspires NOT ONLY a conversation with Dave from Pop Culture Case Study on this Cate Blanchett/Rooney Mara romance, but ALSO a previous Haynes' movie in FAR FROM HEAVEN. That film was inspired by Douglas Sirk melodramas such as ALL THAT HEAVEN ALLOWS and for that particular Julianne Moore/Jane Wyman throwdown, I bring in the only podcaster I know with a Jane Wyman calendar on his wall, Andrew of the great AB Film Review!

John Malkovich make a record, a Southern rocker relocates to Portland, kids confront gentrification and sneakers become high fashion. Change is afoot in this week’s State of Wonder.Malkovich On VinylActor and director John Malkovich has powerhouse interpretive skills and a knack for transformation that has carried iconic performances in films such as “Dangerous Liaisons,” “Of Mice and Men,” “In the Line of Fire” and, of course, as a fictional actor-turned-puppeteer in "Being John Malkovich." His greatest asset might be his voice, which is front and center in a new avant-garde record, “Like a Puppet Show.” We talked with him during the album's national release at Music Millennium.Portland filmmaker Todd Haynes’ "Carol"One of Portland’s most famous directors, Todd Haynes, captured our attention with experimental classics “Superstar: The Karen Carpenter Story” and “Poison” and held it with "Far From Heaven” and the HBO miniseries “Mildred Pierce.” His latest film, "Carol," about the love that dare not speak its name, stars Cate Blanchett and Rooney Mara. It’s racking up raves, including a best actress award for Mara at Cannes, and one of the most insightful reviews comes from critic David Edelstein for Fresh Air. It opens in Portland on Dec. 25.Dreamscapes in AstoriaDarren Orange of Astoria paints large, bold, abstract landscapes that are collected inside and outside Oregon. His moody treatments and strong color communicate coastal land and water with force and energy. He tells us about his latest exhibition, “Cascadian Slipstream,” which opens in downtown Astoria at 1198 Commercial St. on Dec. 12 and runs through Jan. 3. Drive-By Trucker Rolls Into PortlandOver the past couple of decades, Patterson Hood and his band, the Drive-By Truckers, have become standard-bearers for a unique strain of Southern rock – scorching and also super-thoughtful. Now, as the band releases a sprawling live album, Hood is spreading his wings. He turned heads with a recent essay in The New York Times Magazine about the Confederate flag and he recently relocated to Portland. Jerad Walker of opbmusic caught up with Patterson at Wordstock. Hood plays solo shows at the Doug Fir Lounge Dec. 9 and 16.A YA Sensation About Portland GentrificationAs a teenager in the 1990s, Renee Watson watched her friends and neighbors get priced out of Northeast Portland. Although she has since moved to New York, Watson’s new young adult novel, “This Side of Home,” is set in Portland and explores gentrification through the eyes of teenaged twins who come down on different sides of the issue. What’s The Most Expensive Book At Powell’s?Thousands wander through Powell’s City of Books in downtown Portland everyday, browsing through more than one million titles. As OPB’s John Rosman learned, there is one book that almost no one — including staff — is able to see. It’s locked away in a secret location and only taken out for serious buyers.Portland: The Center Of The Sneaker Universe? Portland has been called the Paris or Milan of sneakers, and that’s a big deal. “Sneakerheads,” who collect the shoes, have helped U.S. sales for Nike, Adidas and Under Armour sneakers soar 47 percent since 2009, and all three companies have major presences in Portland. OPB’s John Sepulvado hit the pavement to find out more about how sneaker fashion transforms Portland’s streets.Rapping Like The PopeThis week, Pope Francis set the Twitterverse on fire with a photo taken during his historic tour of Africa that looks like his Holiness is … well, rapping. Wags have been posting papal rhymes to Twitter with the hashtag #popebars. We asked Portland’s own Elton Cray, of Elton Cray and the Pariahs, to read some of the best ones for us. For example:“I murder these bars like Cain did to Abel /Better call me Charlie cause I'm surrounded by angels"

BHL: Next – In this episode Black Hollywood Live host Megan Thomas and Courtney Tezeno discuss the biggest casting news for the week of April 17th, 2015. Also joining the conversation is the special guest Harold House Moore. Megan starts with "New Casting" featuring Ice-T and wife Coco getting a new Daytime Talk Show, as well as rapper The Game looking for love on a new reality show. Courtney then discusses "Fresh Beatz" with Jojo - "Far From Heaven". They wrap things up by Interviewing special guest Harold House Moore. Actor born and raised in Detroit, MI. He actually Worked as a behavioral therapist before becoming an actor. He has appeared in several music videos. He then Competed on the 2004 reality series Next Action Star and is an advocate for youth development and education. Ice-T and Coco land a day time Talk Show, Rapper The Game looks for love on New Reality Show, New Music from Jojo called “Far From Heaven.”