Podcasts about Hockett

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues   RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025   Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.

Scripture FocusActs 17:1-9Big IdeaFollowing Jesus means giving him ultimate allegiance and allowing his upside down kingdom to reshape every part of life.Key InsightsThe early church was known for challenging the status quo because they proclaimed another King—Jesus.Civil authorities hold only the authority God permits, so every government stands under God's judgment.We often seek a gospel that blesses our plans instead of living lives that bless God.True renewal comes not through programs but through people who take Jesus seriously and follow his way of sacrificial love.Kingdom VisionForgiveness over revenge (Luke 15).Extravagant generosity that levels the field (Matthew 20).Humility that serves from the bottom up, not commands from the top down (John 13; Philippians 2).Reflection QuestionsWhere do I give Caesar-like powers more loyalty than Jesus?How might I respond to today's headlines if I viewed them through the gospel first?What practical step can I take this week to embody Christ's generous, servant-hearted kingdom?Next StepsPray daily, “Lord, turn my world right-side up for Your kingdom.”Look for one tangible way to serve someone on the margins.Share a story this week of where you saw God's upside down kingdom break in—then invite a friend to do the same.

Sermon Title: Gathered and SentScripture: Acts 13:1–31. Everything flows from the heart.Howard Thurman said, “Everything we do flows from our center.” If our heart is centered in God, our actions will reflect God's love.2. Worship, prayer, and fasting come before mission.The early church didn't start with strategy or structure—they started with spiritual practices, then sent Paul and Barnabas into the world.3. We are not just gathered—we are sent.The church is called to gather for spiritual renewal and then go into the world to serve, love, and witness to Christ.4. Mission begins here.You don't have to go overseas to be a missionary. Your mission field is your workplace, your school, your neighborhood.5. You are a minister of the gospel.Your baptism is your commissioning. Whether or not you're a pastor, you are called to be a witness of God's love.6. Keep the rhythm.A healthy church (and believer) balances both gathering and sending. Leaning too far into one or the other weakens the body.7. The mission of God has a church.God's desire to love and save the world has us—the church—as its instrument. It's our shared calling to live this out daily.Reflection Question:Are you leaning too much into gathering or too much into going? How is God calling you to embrace both?Closing Encouragement:You are part of something bigger. You are gathered to be empowered—and sent to make a difference. Let's be the church our world needs.

Scripture Focus: Acts 7 – The Martyrdom of StephenKey Themes:Stephen's Legacy: Stephen was a young man “full of grace,” chosen to serve the early Christian community. He was killed not for his works, but for speaking the truth of Jesus.Martyria = Witness: The Greek word for martyr also means witness. Stephen's death bore witness to the radical love of Christ—even forgiving his killers, just as Jesus did.Faith Isn't Always Safe: Jesus warned his followers that discipleship would be hard and would not guarantee safety. True faith is not a self-help strategy but a risky, countercultural way of living.Fear vs. Love: Fear often drives people to violence, division, and control. Love, by contrast, expands and frees us—even when it leads us into difficult places.Comfort Can Be a Temptation: The church today may be tempted to keep the “safe” parts of ministry—traditions, programs, professionalism—while leaving out Jesus, whose radical grace and call to servanthood makes people uncomfortable.A Call to Examine Ourselves: Like the religious leaders, we can be threatened by new movements of God's Spirit. Ask: What am I afraid of? Where am I resisting love's call because it feels unsafe?Faithfulness Over Safety: We are not promised safety. We are promised God's presence. Like Stephen, we can risk boldly for love, trusting we are always in God's hands.Reflection Questions:Where in my life am I playing it safe instead of following where love leads?How might fear be limiting my faith or my ability to witness to Christ?What does love require of me today—even if it feels risky or hard?Quote to Remember:“Of course he's not safe. But he is good.” – C.S. Lewis, The Lion, the Witch and the WardrobeClosing Challenge:Don't tiptoe through life. Run, hop, skip, risk, and love boldly. Because even in the hard places, God is already there.

Roger and Darin welcome MWB Derik L. Hockett. Derik is the current Grandmaster, presiding over the Most Worshipful Grand Lodge of Kansas, AF&AM. We discuss topics regarding the Masonic Experience in Kansas, The upcoming Kansas Masonic-Con and much more!

“Devoted: Living a Long Obedience Together”Part of our series on the Book of ActsScripture Focus: Acts 2:42–47

Sermon Take-Home Notes“Re-Rigging the Boat: Love in Action After Easter”John 21:1–19 | Rev. David Hockett | May 11, 20241. Faith is more than belief—it's a call to action.Jesus doesn't just ask Peter if he loves Him—He tells him to feed His sheep. Our faith is meant to be lived out in how we care, serve, and love others.2. Love requires embodiment.Saying we love Christ is just the start. The world will know we follow Jesus not by our words alone, but by how we live, how we love, and how we serve.3. Sometimes following Jesus means “re-rigging the boat.”Casting nets on the other side wasn't easy for the disciples—it meant reworking everything. Likewise, we're often called to adapt, risk, and step outside our comfort zones for the sake of the Gospel.4. The Church isn't a destination—it's a mission.We aren't called to simply fill seats, but to fill hearts. Church isn't about buildings; it's about being Christ's body in the world—feeding His sheep wherever they are.5. Everyone matters to God.Jesus sought out Peter even after denial and failure. That same grace is offered to us—and we're invited to extend it to others. Everyone, everywhere, matters to God.Reflection Questions:Where is Jesus calling me to “re-rig the boat” in my life or ministry?Who in my life needs to hear or experience Christ's love this week?How can I embody the love of Christ beyond the walls of the church?

Take-Home Notes for the Congregation:1. God's Love Is Relentless and UnconditionalJust like the mother bunny in The Runaway Bunny, God's love follows us wherever we go. Nothing can separate us from it—not fear, failure, distance, or doubt.2. The Good Shepherd Leads—He Doesn't DriveSheep follow the voice they know. Jesus doesn't push us forward; He goes ahead of us, calling us to follow Him in trust and love.3. God Comes to Find Us, Not Just Wait for UsThe gospel isn't just about a light on a distant hill—it's about the God who leaves the fire, steps into the cold night, and brings us home.4. The Image of the Shepherd Is a Comfort—And a CallJesus seeks the lost and brings them home, but He also calls us to do the same. We are invited to follow Him by becoming shepherds—agents of love, compassion, justice, and healing.5. Our Response Is to Follow and Reflect the ShepherdTo live as Easter people is to go where Jesus goes—into the valleys, into the suffering, into the lost places—bringing the light of God's love with us.Reflection Question for the Week:Who in your life might be longing for the warmth of God's love? How can you reflect the heart of the Good Shepherd to them this week?

Easter Is Now:Easter isn't just a past event—it's the beginning of a new and abundant life today. Christ's resurrection means life, hope, and freedom are already breaking into the world.Faith Is Encounter:The earliest Christians didn't believe simply because of an empty tomb; they believed because they encountered the living Christ. Our faith is built on meeting Jesus personally.Hope for a Hurting World:Even when life feels like Good Friday, Easter reminds us that the worst is never the end. If everything is not yet all right, it's not the end.Easter Is for Everyone:In the Eastern Church, resurrection is seen not just as personal victory but communal transformation. Christ's resurrection lifts up all of humanity.Living the Resurrection:Because Christ lives, we are called to live differently—with courage, compassion, hope, and community. Our lives are meant to reflect the reality of Easter every day.Everything Will Be All Right:Easter assures us that, through Christ, life and love have the final word. No matter the darkness we face, God's love is making all things new.

Disordered Love: Sin isn't just bad behavior—it's often loving the wrong things too much, and the right things too little. Pride begins here.Pride vs. Humility: Pride makes everything transactional and self-centered. Humility asks, "Who are you?"—not "What can you do for me?"Jesus' Example: On Palm Sunday, Jesus entered Jerusalem in humility, not power. He modeled a life of service, not domination.The Way of the Cross: Jesus invites us to follow him by dying to pride and embracing the humility that sees every person as sacred.Freedom in Identity: We are “dust”—but sacred dust, made in God's image. Knowing this frees us from chasing status and lets us love well.Holy Week Question: Do we really believe that humble, sacrificial love is the path to life? Are we willing to follow it?

Scripture Focus: Micah 6:8"What does the Lord require of you but to do justice, love kindness, and walk humbly with your God?"

Sermon Notes – “Who Am I Becoming?”Fourth Sunday in Lent | Rev. David Hockett | Luke 15:11-32✝️ Key ScriptureLuke 15:11-32 — The Parable of the Prodigal Son

✨ Take Home Notes – March 3rd Sunday of LentSermon Title: "God Loves Us Because God Is Good"Scripture: Luke 13:1–9Rev. David Hockett

Sermon Notes: Trusting God in the WildernessRev. David Hockett | Davidson UMCKey Scripture:Luke 4:1-13 – Jesus' temptation in the wildernessMain Themes:Jesus Was Tempted, Like UsJesus faced the temptation to seek power, control, and efficiency over love and trust in God.His humanity makes His struggles relatable, yet He chose a different way—showing us a better way to live.The Purpose of LentA time to prepare our hearts for Easter.A season of letting go—of control, power, self-sufficiency—and learning to trust in God.A chance to reflect on our own temptations and realign our hearts with God's love.The Nature of TemptationTemptation is often about disordered love—loving the wrong things or the right things for the wrong reasons.The temptation to control others can feel easier than loving them.The Church's Struggle with Power & ControlEven in ministry, we often seek efficiency and results instead of trust and spiritual transformation.True faithfulness comes not from working harder but from drawing closer to Jesus.What We Truly NeedNot more programs, strategies, or skills—but more time with Jesus.Like Mary sitting at Jesus' feet (Luke 10:38-42), we are called to be still and listen.The most important practices:Prayer & WorshipConfession & ForgivenessSilence & ListeningThe Central Question: Do We Trust God?Jesus rejected power and control because He trusted God completely.We are called to move beyond curiosity about Jesus to trusting in His way of love.The Journey Out of the WildernessTrue faith is not about having all the answers but about trusting God in uncertainty.We remember:Who we are – God's belovedTo whom we belong – ChristWho holds our future – God aloneReflection Questions:Where in my life am I tempted to seek power or control instead of trusting God?How can I use this season of Lent to deepen my relationship with Christ?Am I making space to listen to God, or am I relying on my own strength?Prayer for the Week:"God, help me to trust You more. In moments of uncertainty, remind me that You hold my future. Teach me to love as You love and to follow Jesus' path, even when it is difficult. Amen."Next Steps:Spend time in prayer and silence this week.Reflect on where you may be resisting trust in God.Consider ways to practice letting go and surrendering to God's love.

Sermon NotesSeries: Questions Jesus AskedTitle: “What Are You Looking For?”Scripture: John 1:35-39Preacher: Rev. David HockettMain Question:

Part 1:We talk with Francesca D'Annunzio, Reporting Fellow at the Texas Observer.We discuss the appointments made by Trump to the DEA leadership. On January 21, Trump announced that Derek Maltz would head the agency. This week, he announced that it would be Terry Cole. Cole's appointment seems to be targeted at Mexico, since Cole is a Mexico hawk. We discuss the kinds of surveillance that we can expect , because of Cole's connection to PenLink, a surveillance technology company, that is able to spy on phone calls and texts without obtaining search warrants.Part 2:We talk with Bill Curry and Robert Hockett. Curry is a two-time candidate for Governor of Connecticut, a writer, and served in the Clinton White House. Hockett is a professor and author, dealing with company ownership and the role of Labor in our economy.We discuss how Democrats were unable to showcase their accomplishments for the US infrastructure. We discuss the multiplier effect of infrastructure spending by the government, and how it affects the economy as a whole. The role of media and the messages conveyed is also discussed. The Electorate seems oblivious to how choices will affect their daily lives.  WNHNFM.ORG  productionMusic: David Rovics, "Time to Act", for Will Von Sproson

On today's episode of Smart Franchising Podcast, we sit down with Steve Hockett, CEO of Great Clips, to talk about what it takes to build a legacy business in franchising. Before leading one of the most recognizable brands in the industry, Steve started as a franchisee with a vision. Over the past 36 years, he's helped transform Great Clips from 150 salons to over 4,450—all while keeping the business model simple, efficient, and franchisee-focused. His journey is a testament to the power of disciplined growth, strong relationships, and a commitment to what works. Steve shares how the International Franchise Association (IFA) has helped protect and strengthen the franchising community, why staying laser-focused on haircuts has been a winning strategy, and how Great Clips has managed to avoid franchise litigation for nearly two decades. He also highlights the importance of franchisee involvement in decision-making through committees and task forces, fostering a culture of collaboration that has driven the brand's success. Whether you're a franchisor, franchisee, or just love a great business success story, this episode is packed with insights you won't want to miss!

SERMON TAKE-HOME NOTES"Why Are You Afraid?" – Rev. David HockettDate: February 2, 2025Key Scripture:Matthew 8:23-27 – Jesus calms the storm and asks His disciples, “Why are you afraid, you of little faith?”Main Points:1. Fear is Powerful but Not in ControlFear can shape our decisions, impact our health, and limit our ability to trust.Society often fuels our fears—whether through politics, news, or personal anxieties.Many of the things we fear never actually happen.2. Jesus Asks, Not AccusesInstead of scolding, Jesus' question invites reflection: Why are you afraid?Like a loving parent comforting a child, Jesus asks us to name our fears.Naming our fears is the first step toward moving through them.3. Storms Are Inevitable, But We Are Not AloneThe disciples panicked, but Jesus was with them the entire time.The same God who calmed the sea walks with us through every storm.Faith doesn't remove life's challenges—it gives us peace amid them.4. Moving from Fear to FaithScripture tells us “Do not be afraid” at least 140 times.Trusting in Christ means we don't have to be ruled by fear.Jesus' presence in our lives helps us navigate uncertainty with confidence.Reflection Questions:-) What fears are currently shaping your thoughts and decisions?-) How might you hear Jesus' question—Why are you afraid?—with curiosity instead of guilt?-) Where in your life do you need to trust that Jesus is in the boat with you?Application This Week:-) Identify Your Fears – Write them down and pray about them.-) Reframe Your Perspective – Ask “What happened to me?” instead of “What's wrong with me?”-) Lean Into Faith – Read a scripture passage each day that reminds you of God's presence.-) Encourage Someone Else – Be a reminder of God's peace to someone facing their own storm.Take Heart:Jesus is not distant in our struggles—He is right there with us. His love is greater than fear. Trust Him, and find peace in the storm.Prayer:Lord, help me to trust You more than my fears. When the storms of life arise, remind me that You are always with me. Strengthen my faith and guide me toward peace. Amen.

Take-Home Notes: “Who Do You Say That I Am?”Key Scripture:“But what about you?” he asked. “Who do you say I am?” Peter answered, “God's Messiah.” — Luke 9:20Main Points:Jesus' Transformative Questions:Jesus asked over 300 questions during His ministry, often leaving them open-ended to spark reflection and transformation.Today's focus: “Who do you say that I am?”The question isn't just about correct knowledge—it's about the impact your answer has on how you live your life.Three Types of Questions Jesus Asked (from Magrey deVega):Factual Questions: Straightforward answers (Who, What, When, Where, etc.).Interpretive Questions: Encouraging deeper thought and opinions.Evaluative Questions: Calling us to examine the impact of the answer on our hearts, minds, and lives.Peter's Answer:Peter boldly declared, “You are the Christ of God.”While the answer was factually correct, Jesus urged Peter (and us) to let the truth change how we live.Living the Answer:Believing Jesus is the Christ means reorienting our lives to reflect His kingdom values:Selflessness: Deny yourself and take up your cross daily.Service: Extend mercy and love to others, just as God has shown mercy to you.Sacrifice: Be willing to give up personal gain for the sake of others and the kingdom.Faith in Action:Jesus calls us to love our neighbors and even our enemies, live generously, and seek justice.The true marker of discipleship is not being “right” but being known by our love.Reflection Questions:Who do you say Jesus is in your life today?How does your answer shape your actions, priorities, and relationships?What is one way you can reflect Christ's love, generosity, or justice this week?Call to Action:Join us in the Questions Jesus Asked study on Wednesdays at 5:45 PM in the Seymour Building.Take time this week to meditate on Luke 9:20 and ask yourself, “What would Jesus have me do?”

Take-Home Notes: "Beloved: Living into Our True Identity"Our Core IdentityAt the heart of who we are lies a simple truth: We are God's beloved.This identity is not based on what we do, what we have, or how others define us. It's given by God through grace.Baptism as a ReminderBaptism symbolizes being "dipped into" God's love and truth, washing away all false identities.Just as Jesus was named God's beloved at His baptism, we too are claimed as God's own children.The Power of BelongingKnowing we are God's beloved gives us freedom—not to prove our worth but to live in love, grace, and purpose.This truth shapes how we see ourselves, treat others, and live out our faith.The Call to Live the TruthEach day, we are called to say no to false stories and yes to God's story about who we are.Living as God's beloved means reflecting His love in our words and actions, especially toward those who feel unseen or unloved.A Vision for the ChurchDUMC's mission is to live and share this truth: You are God's beloved.Imagine the impact if we carried this message into our homes, communities, and world in 2025.Reflection Questions:How do you currently define yourself?What would it look like to embrace your identity as God's beloved?How can you share this truth with someone this week?Key Scripture:"This is my Son, the Beloved, with whom I am well pleased." – Matthew 3:17Challenge for the Week:Find a quiet moment each day to remind yourself: I am God's beloved. Let that truth guide how you live, love, and interact with others.

The Deeper Meaning of Christmas Joy: Mary's joy wasn't rooted in comfort or circumstances but in being part of God's transformative story for the world. Christmas invites us to this same joy—beyond happiness and festivity.The Magnificat's Call to Action: Mary's song proclaims justice, hope, and liberation. It reminds us that God works through the lowly and powerless, turning the world's values upside down.Becoming Signs of Christ: We are not the solution or savior but are called to point to Jesus through lives that uplift the lowly, pursue justice, and offer hope to the weary.The Work of Christmas Begins: After the lights and celebrations, our faithful response is to seek the lost, heal the broken, feed the hungry, and make peace in our communities.A Lasting Commitment: True joy comes from allowing Christ to dwell within us daily, embodying His love and presence long after the Christmas season fades.

Take-Home Notes: Don't Miss ChristmasSlow Down and Create SpaceAdvent invites us to pause and prepare our hearts for Christ.Take intentional moments to step away from the busyness and reflect on God's presence in your life.Hear John's Call to “Turn Around”Repentance means making a 180-degree turn toward God.Identify distractions or habits that pull you away from experiencing God's love fully.Embrace God's WhisperChristmas comes quietly, like a whisper of love.Look for God's presence in simple, unexpected moments this season.Be Open to TransformationGod enters both the beauty and the messiness of our lives to make us whole.Ask: What can I turn away from or towards to experience God's love anew?Don't Let the Season Slip ByEnjoy the traditions—decorating, baking, and gift-giving—but remember, they're incidental to the deeper meaning of Christmas.Focus on God's gift of life and love through Jesus.Reflection Questions:How can I create space in my life this week to focus on God?What might I need to turn away from or toward to prepare my heart for Christ?Where have I seen God whispering His love to me recently?Prayer for the Week:Lord, help me slow down and prepare my heart for You this Advent. Let me turn away from distractions and turn toward Your love. Whisper Your presence into my life, and may I not miss the gift of Christmas. Amen.

Sermon Take-Home NotesMain Scripture Focus: Luke 21:25-36Key Points:Advent: A Season of Preparation and WaitingSimilar to Lent, Advent prepares our hearts for Jesus' coming.It's a time to focus on God's presence, not perfection.The Reality of the First ChristmasFar from perfect: Mary and Joseph were exhausted, frightened, and living in less-than-ideal conditions.Jesus entered the world in vulnerability, identifying with the broken and the hurting.The Illusion of the “Perfect Christmas”Advertisements promise perfection through consumption, but true joy isn't found in decorations or gifts.Christmas speaks to our real, imperfect lives, offering hope and healing.God Meets Us in the MessGod comes into our chaos to disrupt, redeem, and restore.Christmas is about God showing up in our brokenness, bringing love and renewal.Advent as a Call to ActionAlign your life with God's mission of justice, peace, and love.Be a bearer of light, hope, and generosity in a hurting world.Reflection Questions:What imperfections in your life do you need to invite God into this season?How can you embody God's hope and love for others during Advent?What steps can you take to focus on Christ's coming rather than the pressures of holiday perfection?Action Steps for the Week:Dedicate time for prayer and reflection each day.Perform an act of generosity or kindness for someone in need.Commit to attending worship and engaging in Advent traditions.Remember: The perfect Christmas comes not through striving for perfection but by welcoming God's perfect love into our imperfect lives.

Sermon Notes: Rooted in Christ – Bearing Fruit That LastsRev. David HockettKey ScriptureJohn 15:5 – "I am the vine, you are the branches. When you are joined with me and I with you, the relationship intimate and organic, the harvest is sure to be abundant."Main MessageLike an acorn putting down roots to grow into a mighty tree, our lives must be deeply rooted in Christ. Through abiding in Him, we bear fruit that restores hope and transforms lives.How We Abide in ChristWorshipGather to connect with God and one another.Spiritual FormationGrow through education, prayer, and small groups.FellowshipShare life together and support one another.ServiceEngage in acts of kindness and make a tangible impact in the community.Kingdom Fruit in ActionProviding hope through ministries like Room in the Inn and global missions (e.g., Guatemala and Kenya).Supporting children, families, and neighbors through partnerships with local organizations.Inspiring worship through music and community events like the Live Nativity.Reflection QuestionsHow is God calling me to abide more deeply in Christ?What gifts or talents can I offer to bear “kingdom fruit”?How can I help restore hope in someone's life this week?Next StepsPray about how you can serve and give.Commit your time, talents, and resources to support God's work through DUMC.Trust in God's power to work through you to change lives."Commit your way to the Lord, trust in God, and God will act." – Psalm 37:5Let's grow together and bear fruit that lasts!

Sermon Notes: All In: A Life of Faithful Giving and True Discipleship1. The Widow's Offering: A Model of Faithful GenerosityScripture Reference: Mark 12:41-44Key Insight: Jesus highlights the widow who, despite her poverty, gives everything she has—two small coins—as an act of worship and trust in God.Takeaway: The size of our gift matters less than the heart behind it. True discipleship means giving out of love, not for recognition or reward.2. Discipleship as a Wholehearted CommitmentChallenge of Faith: Are we "all in" for God, like the widow, or is our faith just one commitment among many?Reflection Question: Is my life centered on Christ, or divided by competing commitments and securities?3. Stewardship Beyond FinancesBroad View of Stewardship: It's not just about money. Stewardship includes how we use our time, presence, and resources to reflect God's love and mercy.Application: Consider how all aspects of life can express faithfulness to God's mission.4. Living in a "Purple" ChurchUnity in Diversity: In a diverse congregation, we are called to humility, understanding, and shared purpose.Our Mission Stands Firm: Regardless of external influences, our mission is clear: to embody Christ's love, mercy, and justice.5. Our Baptismal VowsReaffirming Commitments: As baptized Christians, we have committed to resisting evil, embracing justice, and walking humbly with God.Living These Vows: Following Christ's example means caring for the vulnerable, sharing generously, and loving our neighbors.6. The Path of Abundant LifeAbundant Life in Christ: Our stewardship theme this year, “Abundant Life,” invites us to trust God fully and live free from worry, knowing that God provides.Going "All In": Like the widow, may we give our whole hearts and lives to God, embracing true discipleship and trusting in His goodness.Reflection for the Week:How can I embody the widow's faith and trust in my own life? In what ways am I called to “go all in” for God?Take Home Thought:Our mission remains constant, regardless of the changing world: to be the hands and feet of Christ, seeking justice, showing mercy, and walking humbly with God.

Sermon Notes: Living as Saints - A Glimpse of Heaven on EarthScripture Reference: Revelation 7:9-17Key Themes:The Meaning of All Saints' DayA day to honor the "saints"—those who have lived lives of faith, love, and service in Christ.Saints are not only historical figures like St. Paul or St. Teresa but also all who follow Jesus.Broad Definition of SaintsIn the New Testament, “saints” refers to all believers who strive to follow Christ's way of righteousness and love.Saints include friends, family members, and church members who have passed but continue to impact our lives.Unity in WorshipWhen we gather for worship, we are united with all saints, past and present, in a shared offering of praise to God.Worship brings us closer to God and each other, strengthening the "communion of saints."A Vision of HeavenRevelation gives us an image of heaven as a diverse and inclusive gathering of people from every background, united in worship.Saints are called to offer the world an alternative to division and hostility—a glimpse of heaven on earth through love and unity.The Call to Live DifferentlyAs saints, we are called to be a “living sign” of God's hope and vision for the world, embodying Christ's love for all.By focusing our worship and devotion on God, we shape our lives to reflect justice, mercy, and inclusivity.Reflection Questions:Who are the saints in your life—those who have influenced you and helped you grow in faith?How can you live in a way that reflects God's love and hope for the world?In what ways can worship help align your life with God's vision of unity and compassion?Practice This Week:Remember and Give Thanks: Take time to remember loved ones who have passed and reflect on the ways their lives continue to inspire you.Acts of Kindness: Emulate the saints by engaging in small, intentional acts of love and kindness toward others.Reflect in Prayer: Each day, ask God to help you live as a “glimpse of heaven on earth” by embracing unity, love, and forgiveness in your interactions.Closing Thought: As saints, we are invited to give our best to God, living lives of faith and love that offer the world hope and beauty. Today, let us be encouraged by the “great cloud of witnesses” who cheer us on to be faithful and to do “something beautiful for God.”

Picture this: One minute you're driving down the road looking to scout for some geese and turkeys and the next minute you've been ejected from your vehicle, shot through the air, and can no longer move your legs or hands. This is exactly what happened to Ty Hockett. At 17 years old Ty was in a horrendous car crash and as a result, will never walk again. Ty went from hunting and fishing every single day of his life to bound to a chair. Despite the incredible struggles ahead of him, Ty found a way to push on and make the most of every day. Since the accident, Ty has killed multiple deer with a bow and countless birds – all without adaptive equipment. Just a man, a wheelchair, and a bow/gun. Ty has defied all odds, and his story has truly changed my life. Please enjoy this excellent conversation I was blessed to have with an absolutely remarkable human being. Ty's Instagram/Photography Page - https://www.instagram.com/thetyhockett/?igsh=NndnZXdremYyamh0 The Video in Which Jacob Meets Chris Hockett - https://www.youtube.com/watch?v=dO-dFNzxtPA Take time to visit our partners! Brush Creek Monsters Scents - Click HERE! Satties LLC - Click ⁠HERE!⁠ Hooked Up Bowstrings - Click HERE! Code: MobileHunter10 for 10% off Hooked Up Strings We would love to hear your thoughts on this one as well so feel free to hit us up in the email or send us a message! If you haven't already check out our YouTube page and subscribe! As always if you enjoy listening to the podcast please like, share, and give us 5 stars on any of the major podcast platforms we are found on. Hear something we missed? Let us know what we are doing wrong or doing right, or if you have a question; Email us at Richardcates@themobilehuntersexpo.com Happy Hunting and Tight Lines!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff is the Owner of Hockett Tax and has been doing taxes since 1993. As an EA, Jeff has helped clients save money on taxes, negotiate offers in compromise, provided audit services, and helped many companies get started. Jeff has been a member of several organizations over the years and has always donated his time too many volunteer positions. Jeff is Past President of the West Valley Nation Association of Property Managers (NARPM), Past Treasure for West and SouthEast REALTORS of the Valley (WESERV), served 8 years as Arizona Association of REALTORS Professional Standards Committee (AAR), as a Mediator for the Arizona Association of REALTORS (AAR), Current member of National Association of Tax Professionals (NATP), Current member of American Society of Tax Problem Solvers (ASTPS), and a consultant for many small businesses and Brokerages. Connect with Jeff Hockett:Website: http://www.hocketttax.com Facebook: https://www.facebook.com/hocketttaxandpayroll/ Instagram: https://www.instagram.com/hocketttax/ LinkedIn: https://www.linkedin.com/in/hocketttax Podcast, More Money in Your Pocket:https://podcasts.apple.com/us/podcast/more-money-in-your-pocket/id1656050908 TurnKey Podcast Productions Important Links:Guest to Gold Video Series: www.TurnkeyPodcast.com/gold The Ultimate Podcast Launch Formula- www.TurnkeyPodcast.com/UPLFplusFREE workshop on how to "Be A Great Guest."Free E-Book 5 Ways to Make Money Podcasting at www.Turnkeypodcast.com/gift Ready to earn 6-figures with your podcast? See if you've got what it takes at TurnkeyPodcast.com/quizSales Training for Podcasters: https://podcasts.apple.com/us/podcast/sales-training-for-podcasters/id1540644376Nice Guys on Business: http://www.niceguysonbusiness.com/subscribe/The Turnkey Podcast: https://podcasts.apple.com/us/podcast/turnkey-podcast/id1485077152

World Dairy Expo always creates a lot of excitement and this year, STgenetics® was delighted to talk all about Farmfit® with the attendees and exhibitors! In this STtalks episode we sit down with Farmfit® Manager, Mitch Hockett as he shares with us how Farmfit® conversations and feedback went and then we dive into the most FAQ's he and his team received throughout the week. 00:00 Introduction to Farmfit® at World Dairy Expo02:36 Positive Feedback from Expo Attendees04:31 Frequently Asked Questions about Farmfit®05:04 Farmfit® Hardware and Setup Requirements07:57 Handling Connectivity Issues10:41 Farmfit® Installation and Support13:49 Installing Outlets for Farmfit®14:33 Introducing Farmfit® to Calves16:22 Farmfit® Data Collection and Analysis18:41 Farmfit®'s Role in Dairy Farms20:28 Traceability and Public Perception25:29 Farmfit®'s Versatility and Future26:42 Conclusion and Contact Information

Sermon Take-Home NotesTitle: The Cost of Freedom: Letting Go to Follow ChristScripture: Mark 10:17-31 (The Rich Young Ruler)Wealth and Possessions Can Hinder Our FaithLike the rich young ruler, we often hold onto things (wealth, status, comfort) that prevent us from fully embracing the life Jesus offers.Jesus invites us to let go of what binds us so we can be free to follow Him.True Discipleship Requires Total CommitmentFollowing Christ isn't something we do in moderation or on our terms. It's a call to reorder our lives and put Jesus first in everything.Partial faith or selective obedience leaves us unfulfilled, as real freedom comes from fully trusting in God.God Empowers What Seems ImpossibleJesus reminds us that what seems too difficult for us to give up or do is possible with God's help.We are called to take small steps of faith, trusting that God will guide and strengthen us along the way.Reflection: What is Jesus inviting me to let go of in order to follow Him more closely? How can I take one small step toward deeper faith this week?Action Step: Reflect on the areas of life where possessions, status, or comfort are holding you back, and ask God for the courage to take a step toward greater freedom in Him.

Sermon Title: Expanding the Circle of CompassionScripture Reference: Mark 10:13-16I. Introduction:Reflect on Jesus welcoming women and children in Mark 10:13-16.Acknowledge how societal norms often exclude the vulnerable.Connect the scripture to real-life experiences of marginalized groups.II. Point 1: Compassion in ActionDavidson UMC's response to the devastation in Western NC is an example of living out Christ's love.Mention financial donations, emergency relief teams, and ongoing efforts to help.Key Takeaway: True compassion is not a one-time act, but a commitment to walking alongside others in their recovery and healing.III. Point 2: Jesus' Radical InclusionIn the Gospel, the disciples attempt to send away women and children based on social norms.Jesus rejects this and welcomes those on the margins.Key Takeaway: Jesus' ministry is not about maintaining order, but about expanding the circle of love and inclusion for all.IV. Point 3: A Call to Transform Our CommunitiesReflect on how modern-day disasters, like Hurricane Helene, disproportionately affect the most vulnerable—those on the margins.We are called to remember these moments and work toward a world where fewer people are left vulnerable.Key Takeaway: Following Jesus means questioning who is excluded in our communities and expanding our circle to include them.V. Conclusion:As disciples, we are called to continually expand our circle, making room for the vulnerable, marginalized, and overlooked.Just as Jesus included women and children, we must challenge our own ideas of order and inclusion.Call to Action: Let's reflect on how we can create a world where everyone is invited to the center, where no one is left behind.Closing Prayer:Ask God for the wisdom and courage to expand our circles of compassion, and to follow Jesus' example in including all people.

Sermon Title: Witnesses of Christ: Walking the Wesleyan WaySubtitle: Embracing Wisdom, Wonder, and Service for the WorldIntroductionKey Scripture: Acts 1:8 – "You will be my witnesses..."Thesis: As United Methodists, we are called to embody Christ's love in the world, through wisdom, wonder, and outward-focused service.Series Context: Third part of a series on Wesleyan discipleship, exploring Paul Chilcote and Steve Harper's Upward.I. The Upward Way of Wesleyan DiscipleshipReview of Series:The Way of Wisdom: Embodying Jesus' compassion, kindness, and love.The Way of Wonder: Recognizing God's love creates a more wonder-filled world.Today's Focus: The Way of Christ in and for the world—our outward mission as witnesses.II. Called to Be WitnessesJesus' Commission (Acts 1:8):To be witnesses in Jerusalem (our immediate community), Judea and Samaria (broader regions), and to the ends of the earth.Witnesses of Christ's love, not just in words, but in actions.Wesleyan Perspective:Methodism is outward-focused—caring for others, not inwardly centered on the church institution.The Church's mission: healing and serving the world, partnering with God's purposes.III. Wesleyan DNA: Service to the WorldJohn Wesley's Vision:Methodism was raised to fill the world with God's love, not for securing personal salvation or church growth.The early Methodist movement emphasized serving the poor, healing the sick, educating the unlearned, and bringing Christ's presence to everyday life.The Church's Purpose:To demonstrate God's love through acts of justice, mercy, and peace.Focused outward, not just on internal worship or community gatherings.IV. The Mission of the ChurchFollowing Jesus' Example:Jesus' mission (Luke 4:18-19): Bringing good news to the poor, releasing the captives, and healing the oppressed.Our life as a church must align with this mission—worship and study are the starting point, not the end goal.Self-Examination:Are we, as Davidson UMC, bringing good news, freedom, and healing to those in need? If not, we must reevaluate our actions.V. Authentic DiscipleshipJohn Wesley's Challenge:Discipleship isn't about numbers; it's about helping people love God and neighbor more deeply.Let love, kindness, and compassion define our actions, both within the church and beyond.Practical Service:Embody the image of a church community serving with a "towel and basin" like Jesus, caring for others with humility.VI. Covenant Prayer: Commitment to the MissionPrayer Reflection: Wesley's Covenant Prayer is a commitment to being used by God for His purposes—whether in comfort or sacrifice.Invitation: Pray for the strength and willingness to be Christ's hands and feet in the world.ConclusionCall to Action: We are called not to focus inwardly, but to serve as Christ's witnesses in all areas of life.Key Question: How will we, as a church, live out the mission to be Christ in and for the world?Closing Prayer:Wesley's Covenant Prayer.

Ep. 198: Growing up in rural South Dakota, this CEO learned to play golf on some of the roughest terrain: sand. While he cheerfully concedes he isn't the world's best golfer, Steve, who played on his high school's team, took what he learned about persistence and applied it to his career at Great Clips. Our BONUS RESOURCE for this episode includes Don's favorite quotes from today's episode and a reflection question so you can apply today's insights.  Listeners looking to expand their operations will learn lessons including: How franchises should push each other to make sure they all improve. The importance of the three Ps: patience, performance, and presence. Looking for a speaker for your next event? From more than 30 years of interviewing and studying the greatest winners of all time Don offers these live and virtual presentations built to inspire your team towards personal and professional greatness.  Special thanks to Lilly Mae Stewart and Ethan Salzberg for making this episode possible.

Sermon Notes: Living in Awe – Rediscovering God's Wisdom and WonderIntroduction:Series based on Upward by Paul Chilcote & Steve Harper.Recap of last week's focus on wisdom.Today's focus: The "upward movement" of wonder.I. Worldly Wisdom vs. God's WisdomWorldly wisdom: Focused on self—ego, pride, acquisition.Leads to emptiness despite promises of security and success.God's wisdom: Rooted in loving-kindness, compassion, humility.Methodist Christians are called to live by Jesus' example (compassion, patience, forgiveness).II. Rediscovering the Power of WonderPersonal story about Rev. Hockett's granddaughter, Eloise.Wonder through a child's eyes: Seeing the world afresh, with awe.God's creation, relationships, art, and music are all sources of wonder.Charles Wesley's hymn: "Lost in wonder, love, and praise."Reminder: When was the last time we were “lost in wonder”?III. Living in Love and FreedomGod's love is unconditional: No need to prove ourselves.Freedom in Christ: Free from fear, guilt, and the pressure to measure up.Experiencing God's love brings healing, wholeness, and restoration.Life "to the full" = Resting in God's love, being free to live in the present.IV. Final Reflection and Call to ActionEncouragement to silence worldly noise and distractions (media, partisanship).People are not problems to be solved: They are children of God to be loved.God's love is for everyone, including those we struggle to love.Living by God's wisdom means embracing the wonder and freedom of being loved.Closing Thought:God's love is wonderful, and life lived in His wisdom is full of awe, healing, and purpose.

I. Introduction: The Importance of WisdomDefinition and value of wisdom in shaping lives and communities.Questioning by whose wisdom we order our lives.Relevance for the church and followers of Jesus.II. Exploring the Wisdom of ChristA. The Study of UpwardIntroduction to the four-week study of Paul Chilcote and Steve Harper's book.Encouragement to engage with the book and small groups.B. The Wesleyan Understanding of WisdomMovement and progress towards holiness.The Wesley brothers' reform of the Church of England and focus on practical faith.III. Grace as a Foundation of WisdomA. Redefining GraceShift from medieval understanding of grace as a controlled substance.Grace as God's unconditional and relational love.B. The Implications of GraceGrace leads to mercy, kindness, and radical hospitality.Contrast with worldly wisdom focused on self-interest and exclusion.IV. Living Out Christlike WisdomA. Characteristics of Christlike WisdomCompassion, kindness, humility, meekness, and patience.The call to love even one's enemies.B. The Transformative ImpactHumility and gratitude as expressions of wisdom.The church's role in embodying this wisdom and offering hope to the world.V. Conclusion: Embracing the "Foolishness" of God's WisdomA. The "Foolishness" of Selfless LoveThe wisdom of selfless love as seen in Jesus' actions.Encouragement to be “fools for Christ.”B. The Hope and Power of Christ's WisdomThis wisdom has the power to heal and transform.The church's mission to live out this wisdom for the benefit of the world.

Embrace Your Divine Calling:Each of us is filled with the power and presence of God, called to live Christ-like lives that embody kindness, patience, love, and generosity. Our mission is to trust in Christ's love for us and the world, and to give ourselves fully to that love.Unity and Inclusion in Christ:The church is a community where old divisions are broken down, and all are welcomed as gifts from God. We are incomplete without each other and must welcome everyone as we would welcome Christ, recognizing that people are not problems to be solved but beloved gifts to be cherished.God's Abundant Provision:Despite the overwhelming challenges in the world, we are reminded that God is able to accomplish far more than we can ask or imagine. God has richly gifted the church with all that we need to be the body of Christ, embodying hope and love to change the world together.

Rev. David Hockett emphasizes the importance of acknowledging our weaknesses and dependence on God. He argues that modern society values self-sufficiency and strength, leading us to hide our vulnerabilities. Drawing from scripture and personal anecdotes, he highlights how true spiritual growth begins with admitting our powerlessness. He uses the imagery of a broken vase repaired with gold to illustrate that God's strength is made perfect in our weakness. Ultimately, he calls for humility, surrender to God's will, and trust in God's sufficiency, especially as we face personal and communal challenges.

Rev. David Hockett's sermon reflects on the true nature of freedom, using the example of his friends who find joy and lightness in their travels. He explains that genuine freedom, as exemplified by Jesus and the saints, comes from living in the present and focusing on God's love. He acknowledges the struggles we face in truly living free due to our own choices and external circumstances, yet emphasizes that true freedom is found in following Jesus' way. As we approach July 4th, he encourages gratitude for our freedoms and reminds us to seek and proclaim liberation for those who are still captive.

Rev. David Hockett's sermon reflects on the story of David and Goliath, emphasizing the importance of faith and trust in God amidst fear and division. He suggests that David's true significance lies not in his courage but in his ability to tune out the noise and listen to God. Hockett encourages us to follow David's example by focusing on five "smooth stones"—speaking the truth in love, practicing Sabbath, loving others, allowing Christ to shape our imagination, and embodying humility. By doing so, we can navigate our own challenges and offer hope and peace to the world.

Rev. Hockett's sermon emphasized the importance of moving beyond "dead orthodoxy" to a living faith that truly embodies God's love. He shared a personal story about navigating COVID restrictions at a restaurant, illustrating how following the letter of the law can sometimes miss the spirit of it. Drawing from John Wesley's transformative experience at Aldersgate, Rev. Hockett reminded us that true faith combines correct beliefs with heartfelt love for God and neighbor. He encouraged us to be a missional people, actively loving and serving others, especially in these challenging times. In essence, the world needs more people who love like Jesus.

Rev. David Hockett's sermon on Pentecost Sunday reflects on the dichotomy of life's beauty and challenges. He begins with personal anecdotes about movable feasts like Easter and Christmas, humorously illustrating the concept. He then delves into the complexities of life, acknowledging moments of celebration as well as tragedy, referencing recent events and existential questions. Drawing from Ezekiel's vision of the valley of dry bones, Hockett reflects on how life can feel barren and devoid of hope, akin to the exiled Israelites' sense of loss and disconnection from God. However, he emphasizes that the Spirit of God can bring life even in the most desolate places, challenging the notion that life is solely contingent on physical circumstances or locations. Highlighting the significance of Pentecost, Hockett celebrates the ongoing presence of Christ through the Holy Spirit, empowering believers and the Church to overcome challenges and experience renewal. He stresses that the Spirit breathes life into the Church, sustaining its vitality and purpose beyond human efforts. Hockett concludes with optimism, suggesting that the current moment may be a "holy moment" akin to Ezekiel's experience in the valley, calling for a forward-looking perspective filled with hope and anticipation of God's future. He encourages the congregation to embrace the transformative power of the Spirit and to move forward with faith and openness to God's possibilities.

Hello, and welcome to another episode of the podcast. I've talked a lot about traditional and self-publishing on the podcast. I've noticed recently that some beautiful cookbooks aren't traditional or self-published but hybrid or custom-published. Today, on the podcast, I have an interview with Georgie Hockett. Georgie is the Marketing Director at Flashpoint Books. Georgie joined Girl Friday Productions (the parent company) in 2018 as a marketing professional with over 20 years of experience in media and magazines. At Flashpoint, Georgie's passion for helping authors achieve their unique version of success makes her a client favorite, and her support of her talented marketing strategists makes her beloved by her team as well. Today on the podcast, Georgie and I talk about the definitions of hybrid and custom publishing, the ideal client for a hybrid book, and the mindset of the ideal client for Flashpoint. We also dive into a hybrid publisher's services, how to know if hybrid publishing is for you, and Georgie's advice to a cookbook writer considering hybrid or custom publishing.  Things We Mention In This Episode: Flashpoint Books Lil' Luna's So Easy So Yummy by Kristyn Merkley The Kitchen Commune by Chay Wike  

Rev. David Hockett delivers a sermon reflecting on the recent United Methodist General Conference, emphasizing its diversity and the importance of love and unity in making decisions. He discusses significant conference outcomes, such as removing language excluding LGBTQ individuals and adopting revised social principles. Hockett underscores the Methodist tradition of connection, highlighting its global impact through missions and support for various causes. He invokes John Wesley's vision of Methodism as a community grounded in love, advocating for unity amidst diversity. The sermon concludes with a call to embrace Wesley's rules of doing no harm, doing good, and staying in love with God as a means to embody the body of Christ in their community.

Recently, there has been a lot written and said about how churches are declining, becoming less relevant, and what needs to be done to reverse that trend. This week's reading from John suggests that the answer is not another program or strategy, or in clever leadership techniques. What is required is our remaining in Christ. Discipleship requires us to remain connected to the One whose promise couldn't be more clear, “I am the Vine, you are the branches. When you're joined with me and I with you, when the relationship intimate and organic, the fruit will come.” God's mission through the Church, to love and heal the world is about a practice, a way of life in which we stay connected to Christ who loves us in order that we might love others well.

Hear the good news of Easter. The crucified Son is also the risen Lord. The victim is also the Victor. The stone is rolled away, the tomb is empty, the darkness is dispelled, the light shines, a new day is dawned. We are an Easter people. Not a Good Friday people, not a Saturday-life-in-between kind of people, but an Easter people. So, whatever fear, or loss, or guilt, or shame, or brokenness, or grief, or sin we carry - hear the good news and cling to hope. As Bishop Willimon noted, “Beyond the pain, beyond the loss, beyond the cross, there is an empty tomb. And there - new life begins.”

Have you ever thought about how a leader's different experiences can influence an entire industry? Vince Hockett, President of XY Planning Network, will share his varied career, from manufacturing to international business, and how these roles shaped his leadership style at XYPN. He will discuss the importance of learning and mentorship in building a community and support system at XYPN.Vince also does an amazing job at highlighting what sets XYPN apart in a competitive field, such as its principles, leadership, and culture. Insights on the role of empathy in leadership and the psychological aspects crucial in financial planning will be shared. The talk aims to inspire with a vision of a mission-driven organization that impacts lives beyond just numbers. Join to discover how having a purpose can transform your approach to work, growth, and success at xyplanningnetwork.comVince's Linkedin: https://www.linkedin.com/in/vhockett-take-a-look/Music in this episode was obtained from Bensound.