Podcasts about poiesis

In this episode, Matt and Justin Speak with Professor Elliot Wolfson about his book Heidegger and Kabbalah: Hidden Gnosis and the Path of Poiesis. Wolfson is a renowned scholar of Jewish mysticism, philosophy of religion, and comparative mysticism. His work blends rigorous textual scholarship with insights from literary theory, feminist thought, postmodern hermeneutics, phenomenology, and Eastern mystical traditions. Widely regarded as the leading scholarly interpreter of Rabbi Menachem Mendel Schneerson, Wolfson has significantly reshaped contemporary understandings of Jewish esotericism. In addition to his academic writing, Wolfson is also a poet and visual artist, with several published volumes of poetry and a gallery exhibition. He served as founding editor of the Journal of Jewish Thought and Philosophy and remains an influential voice in the study of religion and mysticism. Heidegger and Kabbalah: https://iupress.org/9780253042576/heidegger-and-kabbalah/ Music for this episode: Prey, Niky Nine Dunes, Jonathan Fitoussi

Janko Rožič je arhitekt, urbanist, predavatelj in esejist. Je pobudnik in arhitekt večkrat nagrajenega in svetovno znanega Hostla Celica. Skupaj s sodelavci je za različne projekte dobil več slovenskih in mednarodnih nagrad. Skozi teoretično in praktično delo, ki temelji na prostorskih principih, semiotičnih vzorcih in jezikovnih uvidih, lastno ustvarjalnost povezuje z najsodobnejšimi umetniškimi, znanstvenimi in filozofskimi spoznanji ter z najstarejšo modrostjo umeščanja v prostor in rabe jezika. Zaveda se, da bistvo prostora zares odpira šele prostost, podobno kot izvirno misel v svetu podpira le smisel. Objavil je več esejev o Kocbeku, Pahorju, Starčeviću, Svetini, Hamvasu, Premku, Ravnikarju idr. Razmišljanje Pesem Krasa in »poiesis« Zemlje je pripravil za simpozij ob 120. Obletnici Srečka Kosovela in Edvarda Kocbeka. Organizirala ga je Neža Zajc v okviru ZRC SAZU 15. oktobra 2024.

Dive into Martin Heidegger's profound exploration of technology and its impact on 20th-century post-industrial life. In this episode, we examine the essence and fundamental nature of technology through Heidegger's lens, focusing on key concepts like the 'standing reserve' and the 'poiesis' of past and present. How does technology shape our modern world and perception? Join us for an in-depth analysis and reflection. 0:00: Introduction2:54: Essence of Technology7:10: Standing Reserve11:20: Poiesis of Past and Present12:20: Modern Implications15:41: Ending Message #MartinHeidegger #technology #20thcentury #post-industriallife #essenceoftechnology #standingreserve #poiesis #modernimplications Learn more about your ad choices. Visit podcastchoices.com/adchoices

Olá a todas, todes e todos. Sejam muito bem-vindos ao Lavadeiras do São Francisco. O que decolonialidade? Talvez essa seja a pergunta que esteja se fazendo. Ivandro e João Matias convidaram a pesquisadora Mylena Queiroz para responder a essa pergunta e as suas relações e conexões com a Literatura. SOBRE A NOSSA CONVIDADA MYLENA QUEIROZ é Doutora em Literatura pelo Programa de Pós-Graduação em Literatura e Interculturalidade da Universidade Estadual da Paraíba (PPGLI/UEPB), com projeto sobre Transfronteira na obra de Guimarães Rosa e bolsa CAPES (2020-2022). Realizou estágio doutoral na Universidade de Hamburgo (2021-2022). Tem Mestrado (2018) pelo mesmo programa e mesma instituição. Graduada em Letras Vernáculas e suas Literaturas (UEPB), tem experiência em docência de Língua Portuguesa e Literaturas no ensino básico e no ensino superior. Foi agraciada com a bolsa de excelência acadêmica Deutschlandkundlichen Winterkurs (2019/2020), pelo DAAD. Em sua produção bibliográfica constam, dentre outras, participações em livros voltados para a área de Letras - alguns dos quais podem ser encontrados no Banco de Dados bibliográfico João Guimarães Rosa, da USP - como o publicado pela EDUEPB "Poiesis do Real: Literatura e Multiplicidade", com capítulo que versa sobre a obra Guimarães Rosa enquanto literatura de multidão. Junto a Annie Figueiredo, organizou o livro "Literatura, Ética e Política" (2020), publicado pela editora Bordô-Grená. Publicou o livro "Pacto diabólico [e outros pactos] em Grande Sertão: Veredas" (2022), pela Editora Benares. Possui interesses principalmente em Teoria e crítica literárias contemporâneas, Narratologia Contemporânea e nas relações entre Literatura, Ética e Política. Primeira pessoa de toda sua árvore genealógica a frequentar uma universidade, acredita na educação como promotora de mobilidade social. FICHA TÉCNICA Produção: LiteraturaBr (Colabore com o nosso ⁠⁠⁠catarse⁠⁠⁠) Gravação e edição:⁠⁠⁠ ⁠⁠Ivandro Menezes⁠⁠⁠⁠⁠ Apresentação e Roteiro: ⁠⁠⁠⁠⁠João Matias⁠⁠⁠⁠ ⁠e Ivandro Menezes Participação: Mylena Queiroz Ouça a playlist das trilhas e vinhetas usadas nesse episódio.  REDES SOCIAIS O Lavadeiras do São Francisco está no⁠⁠⁠ ⁠⁠Instagram⁠⁠⁠⁠⁠,⁠⁠⁠ ⁠⁠Twitter⁠⁠⁠⁠⁠ e⁠⁠⁠ ⁠⁠Facebook⁠⁠⁠⁠⁠. O Lavadeiras do São Francisco é uma produção independente e o conteúdo é disponibilizado gratuitamente nas plataformas de podcast.  As opiniões emitidas pelos convidados são livres e de inteira responsabilidade dos mesmos. OUÇA, CURTA, COMENTE E COMPARTILHE

Today I'm really pleased to welcome one of our foremothers of Goddess Spirituality, Dr.Glenys Livingstone, to the show. Dr. Livingstone has been on a Goddess path since 1979. She is the author of PaGaian Cosmology: Re-inventing Earth-based Goddess Religion, which fuses the indigenous traditions of Old Europe with scientific theory, feminism, and a poetic relationship with place. Her new book A Poiesis of the Creative Cosmos: Celebrating Her within PaGaian Sacred Ceremony documents the synthesis of her work over the past decades. She is the author of the children's book My Name is Medusa, and co-editor of the anthology Re-visioning Medusa: from Monster to Divine Wisdom. Glenys has contributed to eleven other anthologies, including Goddesses in World Culture edited by Patricia Monaghan (2011), Foremothers of the Women's Spirituality Movement edited by Miriam Robbins Dexter and Vicki Noble (2015), and Goddesses in Myth, History and Culture, edited my Mary Ann Beavis and Helen Hye-Sook Hwang (2018). In 2014, Glenys co-facilitated the Mago Pilgrimage to Korea with Dr. Helen Hye-Sook Hwang. She produced PaGaian Cosmology Meditations CDs and teaches a year-long on-line course "Celebrating Goddess and Cosmogenesis in the Wheel of the Year". SUPPORT: You can purchase a copy Glenys' new book, A Poiesis of the Creative Cosmos, through Girl God Books or buy a signed copy directly from Glenys on her website at pagaian.org/a-poiesis-of-the-creative-cosmos/signed. Although Glenys' first book, PaGaian Cosmology: Re-inventing Earth-based Goddess Religion, is available for free on her website, you can also purchase a softcover copy from Amazon or an eBook from iUniverse so royalty proceeds go to Glenys. The pagaian.org website also has PaGaian Cosmology meditation CDs for sale, links to buy Glenys' My Name is Medusa book, and other PaGaian goodies. Or sign up for Glenys' year-long course, Celebrating Goddess and Cosmogenesis in the Wheel of the Year. FOLLOW: You can find Glenys online at her website, pagaian.org on YouTube @paGaian, and on Facebook @glenys.livingstone or @PagaianCosmology or join her Facebook group at facebook.com/pagaian/group --- Send in a voice message: https://podcasters.spotify.com/pod/show/thegirlfriendgod/message

Neste episódio Dani Torres e Marcel Vitorino trazem uma proposta diferente, em formato de "pílula do conhecimento", e abordam o tema Captação de Recursos. Daniele Torres é graduada em Museologia, com pós-graduações em História da Arte, Gestão da Cultura e Comunicação Empresarial. Atuou em diferentes empresas como produtora e gestora de espaços culturais, bem como em organizações sociais. Foi coordenadora de projetos culturais da Fundação CSN e gestora de patrocínios da VALE. Integrou o Conselho Municipal de Cultura em Volta Redonda. Prestou serviços para Prefeituras como as de Búzios e Volta Redonda. Foi consultora das ONGs Instituto Rio (RJ) e RENCTAS (DF). De 2012 a 2015 foi gestora responsável pela captação de recursos do Instituto Brasileiro de Gestão Cultural e do Instituto Brasil Leitor, tendo atuado na captação de recursos do Theatro Municipal de São Paulo. É sócia da Companhia da Cultura desde 2004 e do Cultura e Mercado desde 2016. Foi diretora estatutária do Instituto AES no biênio 2016-2018. Membro do Fórum Brasileiro pelos Direitos Culturais e da Associação Brasileira de Captação de Recursos. Foi Conselheira Consultiva da Comissão de Direito das Artes da OAB-SP (2019 a 2021). Escreveu um Manual de Captação de Recursos para Museus para o IBRAM – Instituto Brasileiro de Museus. Dá aulas e palestras por todo o Brasil, por diversas instituições como UEA – Universidade do Estado do Amazonas, FDR – Fundação Demócrito Rocha, SEBRAE-SP, FUNARTE, UFRJ, Poiesis, ABGC, entre outras.

Francesco De Girolamo"Luci segrete"Il ramo e la foglia edizionihttps://ilramoelafogliaedizioni.itAttraverso la forma poetica dell'haiku, Luci segrete illumina oggetti e azioni del reale concedendo uno sguardo che penetra e attraversa l'evidenza per mostrare altro. La lingua, essenziale ma intensa, riverbera tra i risvolti del quotidiano, arrivando ad accendere pensieri nitidi, schietti e liberatori. Sono frammenti di voci accorate che polverizzano l'afasia dei nostri tempi e mostrano l'aura del mondo. Spetta all'accorto “destinatario” dell'opera, lacerato il velo di una inerzia emotiva assuefatta, smascherare il volto umano dietro questa tessitura di laicale sudario e riconoscersi in esso suo “simile e fratello”.Ombra e luce coesistono e si avvicendano in rapidi passaggi «[…] è quanto il libro Luci segrete annuncia, haiku dopo haiku. Sarà ogni lettore a leggervi un tema privilegiato o anche un topos tradizionale, o a cogliervi quella più radicale questione propria al compito essenziale della poesia. Come nelle bellissime immagini di Laura Medei che affiancano i testi: a una prima percezione estremamente eleganti e decorative, ma misteriose e “segrete” anch'esse.» dalla postfazione di Carla De BellisFrancesco De Girolamo è nato a Taranto, ma vive da molti anni a Roma, dove, oltre che di poesia, si è occupato di teatro, avendo curato la regia di diversi spettacoli, tra cui: “Testa di Medusa” di Boris Vian (1991); “Le sette maschere” ispirato a Kahlil Gibran (1992) e “Il piacere di dirsi addio” di Jules Renard (1996).Ha pubblicato le raccolte poetiche: “Piccolo libro da guanciale” (Dalia Editrice, 1990), con introduzione di Gabriella Sobrino; “Bambocciate” (Edizioni del Leone, 1995); “La lingua degli angeli” (Edizioni del Leone, 1997); “Nel nome dell'ombra” (Ibiskos Editrice, 1998), con una nota critica di Gino Scartaghiande; “La radice e l'ala” (Edizioni del Leone, 2000), con prefazione di Elio Pecora; “Fruscio d'assenza” - Haiku della quinta stagione - (Gazebo verde, 2009); e “Paradigma” (LietoColle, 2010), con introduzione di Giorgio Linguaglossa.È presente nelle antologie: “Poesia dell'esilio” (Arlem Edizioni, 1998), “Poesia degli anni 90” (Edizioni Scettro del Re, 2000), “Haiku negli anni” (Empiria, 2005), “Calpestare l'oblio” (Cento poeti italiani contro la minaccia incostituzionale, per la resistenza della memoria repubblicana, Argo, 2010) e “Quanti di poesia” - Nelle forme la cifra nascosta di una scrittura straordinaria - a cura di Roberto Maggiani (Edizioni L'Arca Felice, 2011).Suoi articoli letterari e recensioni sono stati pubblicati su: “Tempi Moderni”, “Le reti di Dedalus”, “La Mosca di Milano”, “Polimnia” e su diversi blog e siti specializzati di poesia e critica.Nel 1999 è stato scelto tra i rappresentanti della poesia italiana alla Fiera del libro di Gerusalemme.Ha collaborato dal 1994 al 2000 con l'organizzazione di “Invito alla lettura a Castel Sant'Angelo” e nel 2006 con il “RomaPoesia” - Festival della Parola. Nel 2007 è stato Responsabile per il Lazio del Sindacato Nazionale Scrittori - European Writers' Congress.Si sono occupate criticamente della sua opera, tra le altre, le riviste: Poesia, Folium, Poiesis, La Recherche e Atelier.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Humberto R. Maturana hat den Begriff geprägt. Niklas Luhmann hat ihn aufgegriffen. Die Autopoiesis ist ein Herzstück des Systemischen und Luhmann sprach mit Maturana über den Ursprung des Wortes. Er hat mit Aristoteles zu tun. Du erfährst in der Episode den Unterschied von Praxis und Poiesis, warum diese Unterscheidung eine wichtige Frage für den Sinn (d)eines Lebens darstellen kann und wie es zur Autopoiesis kam. Viel Spaß beim hören!

“Yeni Dünya ” di Sabahattin Ali è una raccolta di 13 racconti ambientati dal “36 al “42 che vi faranno scoprire al meglio l'anima dell'AnatoliaQui invece trovi il mio articolo a riguardoClicca qui per ascoltare la serie dedicata a "Le perle del Corano" di al GhazaliQui per la prima stagione de "Dal Masnavi di Rumi", mentre qui per la seconda stagionee qui per i 40 hadith di NawawiInfine, qui trovi Medio Oriente e Dintorni Music, un mio podcast uscito 1 anno fa solo per Spotify in cui scoprirai la storia e le canzoni di artisti e band che hanno fatto (o stanno facendo) la storiaMentre qui trovate tutti i link di Medio Oriente e Dintorni: Linktree, ma, andando un po' nel dettaglio: -Tutti gli aggiornamenti sulla pagina instagram @medioorienteedintorni -Per articoli visitate il sito https://mediorientedintorni.com/ trovate anche la "versione articolo" di questo podcast. - Qui il link al canale Youtube- Podcast su tutte le principali piattaforme in Italia e del mondo-Vuoi tutte le uscite in tempo reale? Iscriviti al gruppo Telegram: https://t.me/mediorientedintorniOgni like, condivisione o supporto è ben accetto e mi aiuta a dedicarmi sempre di più alla mia passione: raccontare il Medio Oriente ed il "mondo islamico"Se volete aiutare le persone colpite dal terremoto in Siria e Turchia qui ci sono i link di alcune associazioni umanitarie che operano nella zona:-AKUT (Organizzazione di volontariato non-governativa impegnata nella ricerca, nell'assistenza e nel soccorso alle vittime del terremoto)-White Helmets (organizzazione no-profit che di volontari che da anni è una delle uniche ad aiutare attivamente sul campo tutti i civili siriani) -Save The Children (storica associazione specializzata sui bambini)

We are excited to have Sue Cunningham, who is acclaimed by Dan Allender as the officially-unofficial Poet Laureate of the Allender Center, back with us. In this discussion, we're taking on the term "poiesis," which comes from the Greek word "to make" and is related to "poetry." At the Allender Center, we believe that writing and telling your story is an essential part of the process of understanding and processing traumatic experiences. We explore how poetry relates to this process in our conversation with Sue Cunningham, Dan Allender, and Rachael Clinton Chen. They also discuss the effects of the creative process on the brain and the power of using descriptive language to make meaning. We encourage you, our listeners, to be bold this week and try writing some poetry to see what insights you can gain from the experience. Sue invites us: “Will you have the courage to just say one true thing? And whether it's like you speak it and I'll write it down for you and then give it to you, or you scribble it in a journal or you write it on the back of a napkin, anything to say, it's honoring, you matter. You exist.”

On the latest episode I'm joined by Glenys Livingstone, a pioneering researcher and thought leader who's been walking the Goddess path since 1979. Glenys is the author of "PaGaian Cosmology: Re-inventing Earth-based Goddess Religion, which fuses the indigenous traditions of Old Europe with scientific theory, feminism, and a poetic relationship with place." This book was an outcome of her doctoral work in Social Ecology. Her newest book is "A Poiesis of the Creative Cosmos: Celebrating Her within PaGaian Sacred Ceremony," which synthesizes much of her work over the years.On today's episode we discuss:* Glenys' spiritual background, including her conversion to Catholicism in her teens, as well as her growing disillusionment with Christianity*  The "a-ha" moment that occurred when she realized, pregnant and unmarried, that knowing a female deity would allow her to view her situation without shame* What "PaGaian cosmology" means, including how it combines pagan spirituality with scientific theory to give us a new way to recognize and honor Her (the Goddess) as creative life force* Why it's important that we recognize the inherent power in language and the naming of things and life experiences  * How honoring the equinoxes, solstice and cross-quarter days found on the pagan Wheel of the Year can bring us closer to the Sacred Feminine and provides an opportunity to consciously participate in the creative dance of the cosmosShow Notes If you'd like to know whose ancestral tribal lands you currently reside on, you can look up your address here: https://native-land.ca/My book, “Home to Her: Walking the Transformative Path of the Sacred Feminine,” is now available Womancraft Publishing! To learn more, read endorsements and purchase, please visit  https://womancraftpublishing.com/product/home-to-her/. It is also available for sale via Amazon, Bookshop.org, and you can order it from your favorite local bookstore, too.Please – if you love this podcast and/or have read my book, please consider leaving me a review! For the podcast, reviews on iTunes are extremely helpful, and for the book, reviews on Amazon and Goodreads are equally helpful. Thank you for supporting my work!You can watch this and other podcast episodes at the Home to Her YouTube Channel: https://www.youtube.com/@hometoherYou can learn more about Glenys and her work at http://pagaian.org. You can also find her on Facebook at https://www.facebook.com/PagaianCosmology, and join her PaGaian Cosmology Facebook group: https://www.facebook.com/groups/257877322873Glenys referenced so many excellent resources during our conversation! I've done my best to capture them all for you below: Helen Reddy's ("I Am Woman" singer) Grammy acceptance speech, in which she referred to God as "she": https://youtu.be/HWkk9rKZyZUThe work of feminist theologians Rosemary Radford Ruether and Mary DalyStarhawk, whose book "The Spiral Dance," was instrumental in launching the modern witchcraft movementWorks/groups that influenced her early on included Lux Madriana;  "Children of the Dream;" and "Immaculate Deception," by Suzanne ArmsThe works of Sonia Johnson and Miriam Robbins DexterMonique Wittig's "Les Guerilles"Caitlin Matthews is an expert in Celtic lore; Glenys referenced her work while we were discussing the triskele, or Triple Spiral seen at the entrance of Newgrange in Ireland. the work of feminist Charlene SpretnakGaia Theory, developed by James Lovelock and Lynn Margulis Brian Swimme, who together with Thomas Berry, wrote "The Universe Story," which Glenys references in her most recent bookMiriam Robbins Dexter and her book, "Whence the Goddesses: A Source Book"The wonderful poet/writer Adrienne Rich, and her book "Of Woman Born: Motherhood as Experience and Institution"  Similar/relevant Home to Her episodes include: I referenced my discussion with poet Joy Ladin during this conversation. You can listen here: https://hometoher.simplecast.com/episodes/shekhinah-speaks-with-joy-ladinReclaiming Women's Histories with Max Dashu:  https://hometoher.simplecast.com/episodes/reclaiming-womens-histories-with-max-dashuThe Legacy of Marija Gimbutas with Joan Marler: https://hometoher.simplecast.com/episodes/the-legacy-of-marija-gimbutas-with-joan-marler-v2vWO3gAMaking Matriarchy Great Again with Vicki Noble and Dawn Alden: https://hometoher.simplecast.com/episodes/making-matriarchy-great-again-with-dawn-alden-and-vicki-noble Telling the Stories of the Sacred Feminine with Trista Hendren: https://hometoher.simplecast.com/episodes/telling-the-stories-of-the-sacred-feminine-with-trista-hendren

O Autores e Livros Dose Extra dessa semana destaca as Fábricas de Cultura, um programa da Secretaria de Cultura e Economia Criativa do Estado de São Paulo, gerenciado pela Poiesis. As Fábricas de Cultura são espaços de acesso gratuito que disponibilizam diversas atividades artísticas. Atualmente, as bibliotecas das Fábricas de Cultura contam com um acervo de aproximadamente 45 mil livros distribuídos entre as oito unidades gerenciadas pela Poiesis, espalhadas pelas periferias das zonas norte e sul de São Paulo, de Diadema, Osasco e Iguape. Além do empréstimo de obras, os espaços das bibliotecas oferecem laboratório multimídia com acesso à internet; 110 exemplares em braille (livros e audiobooks), além de impressoras braille e leitor de audiobooks; acesso à rede Wi-Fi; e programação cultural, como contação de histórias e exibições de filmes. Para além dos livros, as bibliotecas das Fábricas de Cultura exploram a literatura também com podcasts. O podcast “Podtudo!Podtudo?” traz reflexões sobre literatura, universo LGBTQIAP+ e feminismo a partir do acervo da biblioteca. A produção é gravada com o apoio dos Estúdios das Fábricas de Cultura, espaços com inscrições abertas para artistas e produtores de conteúdos independentes das periferias. Publicado mensalmente no perfil das Fábricas de Cultura no SoundCloud, os episódios têm apresentadores rotativos e contam com a participação de funcionários de outros setores das Fábricas e externos.

Lorenzo Amparo Báez, Poeta. 8 de diciembre de 1985. Salcedo, República Dominicana. -Germinar Sobre el Asfalto, Antología Poética Dominicana. -Eros y Poiesis, Antología Temática de la Poesía Dominicana. -Zile a/La isla, Antología de Poesía Haitiana y Dominicana. -Sobre un Costado del Planeta, Muestra de Poesía Dominicana en Guatemala. Sus libros continúan inéditos.

Would you like to receive a daily, random quote by email from my Little Box of Quotes?https://constantine.name/lboqA long long time ago I began collecting inspirational quotes and aphorisms. I kept them on the first version of my web site, where they were displayed randomly. But as time went on, I realized I wanted them where I would see them. Eventually I copied the fledgeling collection onto 3×5 cards and put them in a small box. As I find new ones, I add cards. Today, there are nearly 1,000 quotes and the collection continues to grow.My mission is creating better conversations to spread understanding and compassion. This podcast is a small part of what I do. Drop by https://constantine.name for my weekly email, podcasts, writing and more.

Would you like to receive a daily, random quote by email from my Little Box of Quotes? https://constantine.name/lboq A long long time ago I began collecting inspirational quotes and aphorisms. I kept them on the first version of my web site, where they were displayed randomly. But as time went on, I realized I wanted them where I would see them. Eventually I copied the fledgeling collection onto 3×5 cards and put them in a small box. As I find new ones, I add cards. Today, there are more than 1,000 quotes and the collection continues to grow. Hello, I'm Craig Constantine

“Minha primeira formação foi em Ciências Biológicas. Pertenci à primeira turma de Pós-Graduação em Genética Humana da Universidade de São Paulo, onde defendi Mestrado em 1971 e Doutorado em 1973 sobre “Aconselhamento Genético de famílias com afetados por Distrofia Muscular Progressiva”. Nessa época, o tema de minhas teses foi pensar como transmitir o risco de repetição dessa doença hereditária para as famílias, fardo este, muito pesado. Deparei-me com conflitos conjugais e familiares com os quais não sabia lidar. Casais que acusavam o responsável pela transmissão da doença, a culpa de quem transmitiu o gene, além de casais que desenvolviam mecanismos de negação, apoiados pelos destinos divinos. “Deus quis assim e essa é a nossa cruz”. Trabalhei em Paris, no Institut de Pathologie Moleculaire e Hôpital des enfants malades, com Dr. Jean Démos, de 1973-1974, e obtive uma bolsa de pós-doutorado do INSERM. Senti que não tinha condições para lidar com esses conflitos. Fiz Psicologia e ao mesmo tempo, formação em Psicanálise de Grupo, pois na época ainda não existia especialização na área de família. Batalhei muito para encontrar minha identidade profissional. Fiz análises didática em psicanálise de grupo, individual e supervisões, que contribuíram para vivenciar e perceber aspectos inconscientes de minha personalidade, para um maior conhecimento de mim mesma e consequentemente, para o desenvolvimento de minha função analítica. Dei aulas no curso de formação em Psicoterapia Analítica de Grupo, no Núcleo de Estudos em Saúde Mental e Psicanálise das Configurações Vinculares (NESME), no qual coordenei o grupo de psicanálise de casal e família e na PUC-SP (COGEAE), no curso de especialização em Terapia familiar. Hoje sou psicanalista de casais e famílias e tenho me dedicado à expansão dessa área de especialização em nosso país, na organização de eventos e congressos, publicações, grupos de estudos, além de termos criado a Associação Brasileira de Psicanálise de Casal e Família (ABPCF), da qual fui presidente, desde sua fundação em 2017 até maio de 2021.. Fui organizadora e presidente do Congresso da Associação internacional de Psiicnálise de Casal e Família, realizado em São Paulo no ano de 2016. Dou supervisões para alunos em formação no curso de especialização Poiesis, em Lisboa. Esse foi meu percurso.” Publicações: Blay Levisky R. (1973) Aconselhamento genético de famílias com Distrofia muscular progressiva In: Genética Humana, org. FrotaPessoa, O. Beçak, W. 2 ed,. Ed. Mec_ Blay Levisky,e Zatz, M. Miopatias hereditárias (1978), Org. Levy, J.A., E. Sarvier, Blay Levisky, R. Les enfants parlent au nom des parents. (2000)- Le divan familial, Paris. Blay Levisky, R. Le marriage est-il une menace pour le couple? (2005) Rev. Le divan familial- Paris Blay Levisky, R.9 (2009) - A traição como meio de comunicação perversa de um casal (2009) - In: Clínica Psicanalítica de Casal e família- Gomes, I. C., ed. Gen Blay Levisky R. Vínculos fanáticos: uma encruzilhda entre o casamento e a religião (2012) -. In:.Diálogos Psicanalíticos sobre Casal e Família Org: Gomes, I.C, Fernandes. M.I. e Blay Levisky, R, Ed. Zagodoni. Blay Levisky, R. ((2014) - Amores reais e virtuais: estamos falando da mesma coisa? - In :Diálogos psicanalíticos sobre Casal e família: org. Blay Levisky, R. Gomes, I.C. e Fernandes, M.I.,Ed. Zagodoni Ramos, M. Gomes. I. C., Fernandes, M. I., Paiva, M.L., Blay Levisky, R., Brasiliano, B., 2018- Psicanálise de casal e Família: desafios clínicos e ampliações teóricas: ed. Escuta Baly Levisky, R. Expressões da intimidade nos vínculos: interferências da cultura (2017) -Rerv. Id, 63. SBPSP e muito mais

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Antiphanes, (born c. 408–404 BC, Chios [Greek island near modern Turkey] or Rhodes [Greece] or Smyrna [now İzmir, Tur.]—died  c. 334–330 BC, Chios), was a prolific and influential Greek writer of Middle Comedy, which succeeded Old Comedy (known from the 5th-century plays of Aristophanes).Antiphanes, son of Demophanes (or of Stephanus), began producing comedies at Athens in the second half of the 380s BC. In the festival contests Antiphanes won 13 victories, of which 8 were awarded at the small Lenaea festival held in January and 5 at the more impressive Great Dionysia, held in late March. Although he died in Chios, he was buried in Athens, the site of his literary triumphs.Ancient sources attribute to him variously 260 to 365 plays, none of which has survived. He was often quoted by later writers, who preserve more than 330 fragments from plays with 134 titles. An analysis of the fragments and titles shows that the themes of his plays included mythological farce (e.g., Minos and Cyclops), stories about hetairai, highly cultivated courtesans (e.g., Malthace and Melitta), everyday occupations (e.g., Kithara-Player and Doctor), family affairs (e.g., Sisters and Ancestors), and social relations (e.g., Resident Alien and Lover of Thebes). A long fragment of the comedy Poiesis is important for its exposition of the differences between comedy and tragedy. According to this passage, writers of comedy have the more difficult task, since they must invent names and plots for each play, while the tragic poet writes about well-known myths.The Athenian scholar and politician Demetrius of Phaleron composed About Antiphanes, and Dorotheus of Ascalon, a grammarian of the early Roman Empire (1st century AD), also wrote about him. Athenaeus (late 2nd century AD), whose work is the source for many fragments of Antiphanes, praised him for his graceful style.From https://www.britannica.com/biography/Antiphanes. For more information about Antiphanes:Athenaeus, The Deipnosophists: http://www.perseus.tufts.edu/hopper/text?doc=Perseus:abo:tlg,0008,001:13“A Line Between Careless and Pensive: More Ancient Words on Drinking”: https://sententiaeantiquae.com/2018/12/30/a-line-between-careless-and-pensive-more-ancient-words-on-drinking/

Omelia della III domenica di Quaresima C.Il male ci mette a dura prova. Ma cos'è il male? Perché abbiamo sempre bisogno di dargli un volto?Eppure la risposta al male non è trovarne l'origine, ma lavorare su di me, perché non smetta di dare frutti buoni. Poiesis è l'energia creativa che fa passare dal non essere all'essere ogni cosa che la accoglie. Sprigiona la tua Poiesis, lascia che fluisca attraverso di te e si irradi dovunque.

Have you thought about what kind of games you've been playing, if not then maybe you should?'Finite And Infinite Games' by James P. Carse is somewhat of a philosophy that divides human actions and interactions into two types of games. The finite game is bounded, has fixed rules, is serious and theatrical. The infinite game on the other hand has no end, with constantly changing rules/players and has a more casual feeling.I summarised the book as follows. "This is the type of philosophy I can actually enjoy. Carse's general distinction of finite & infinite seemed to make a lot of intuitive sense to me. There were certainly some strange parts of the book but these only minorly subtracted from my overall impression. This is not a book for everybody but has had an impact on me and questioning what games I'm playing in."I hope you have a fantastic day wherever you are in the world. Kyrin out!Timeline:(0:00) - Intro(0:30) - Synopsis(3:05) - Finite vs Infinite: What game are you playing?(12:26) - Genius & Poiesis: Diving nature and creation(20:57) - Observations/Takeaways(23:33) - SummaryConnect with Mere Mortals:Website: https://www.meremortalspodcast.com/Discord: https://discord.gg/jjfq9eGReUInstagram: https://www.instagram.com/meremortalspodcast/

Jovelina Maria Ramos de Souza (UFPA), nossa próxima presidente da SBEC, nos fala neste episódio sobre Eros. Por estudar Francês, Inglês e Alemão, prestou vestibular inicialmente para Turismo. Mas foram as aulas de Filosofia - junto com amigos - e um curso como ouvinte de Filosofia da Arte ministrado pelo professor Benedito Nunes que despertou uma paixão fulminante em Jovelina por estudar Platão, filósofos e poetas. Trocou Turismo por Filosofia e desde então pesquisa filósofos e poetas gregos: o modo como Platão recepciona os poetas na escrita de seus diálogos (UFMG) e como Platão ressignifica as representações poéticas de Eros na série de elogios a Eros no Banquete (UFRN). Coordena o grupo de pesquisa POIESIS que envolve Filosofia Platônica e Poesia Grega, além da Recepção dos clássicos na filosofia e na literatura moderna e contemporânea. Embora falar de Eros possa parecer ser uma missão quase impossível, Jovelina nos fala como as representações poéticas de Eros se entrelaçam com a dimensão filosófica em Cármides, Fedro e Banquete, sempre a citar os versos de cada fonte. Explica que do período arcaico ao helenístico há no imaginário grego o efeito arrebatador de Eros sobre alma e corpo. Após explicar a etimologia, destaca os sentidos e as representações de Eros, nos possibilitando uma visão completa de como o conhecimento é impulsionado por Eros.

Pour ce troisième épisode de notre série estivale, on mène l'enquête sur Google Maps à la recherche de lieux magiques dans le monde réel ! Poiesis est partie sur les traces de Little Whinging, pour tenter de retrouver où Harry Potter aurait-il grandi avec les Dursley. Pantalaemon alimente lui depuis dix ans la Pottercarte, pour recenser les lieux de tournage, d'inspiration pour les films et J.K. Rowling, et de pèlerinage pour les Potterheads. De quoi préparer vos prochains voyages potteriens ?

Cet été, ASPIC est en mode PLAGE, le Podcast de Lecture Analytique Gazettienne Estivale. Dans cet épisode, plongez dans les coulisses de l'enquête de Poiesis sur le phénomène "My Immortal", fanfiction réputée comment étant "la pire potterfiction jamais écrite", et sur le mystère qui entoure son auteur.trice.

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham's 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Conversamos con el autor, profesor de literatura y editor Emilio del Carril sobre su poemario Hoy he soñado conmigo y muchas otras cosas. Para contactarle pueden escribirle a su página https://www.facebook.com/emiliosincamisa Les invitamos a seguirnos en: https://www.facebook.com/paquedigasalgo https://www.instagram.com/paquedigasalgo Y nuestra tienda: https://viralstyle.com/store/sanvega/paquedigasalgo/1 100% DE NUESTRAS GANANCIAS VAN DIRECTO A ARTISTAS DE PUERTO RICO.

Sounds of words. Sounds of the time. Sounds of spaces. A sort of DJ set if you will. Almost all of these works were created in or around this unique time of the pandemic. They all contain truth and hope in a paradoxical communion with grief, despair, and longing. These spoken confessions of prose contain a healing quality in and of themselves to be shared with others. You, artists longing to reimagine. Featuring works by spivey k, Courtney Ariel, Josephine Parker, Joel Markus Antson, & Dana Jo Cooley.   With Courtney Ariel as host & introductions by DJSEE   Music & Sound Design by Michael Knight    We are Poiesis. 

An interview with RA Judy, professor of English at the University of Pittsburgh. The interview focuses on RA Judy's research and writing, in particular his recently published book Sentient Flesh: Thinking in Disorder, Poiesis in Black. The interview with Fred Moten we discuss can be found here: www.boundary2.org/2020/05/of-human…y-by-fred-moten/. A citation and abstract for the boundary2 essay "Restless Flying" can be found here: read.dukeupress.edu/boundary-2/arti…/47/2/91/164269. Professor Judy's interview for the Minneapolis Interview Project can be found here: turtleroad.org/2020/08/02/ronald-judy/.      

Breath, part II   In this episode we explore breath from a biological, cellular level through the lens of a medical professional working on a Covid 19 unit of a hospital. Lauren Pantazi is a registered nurse in Northeast Florida and the sister of MotA editor & producer, spivey k.   Joel Markus Antson is a spoken word artist sharing his experiences with labored breathing in this episode. You can follow Joel on social media @jmantson   Artwork is by Ezra Howe. With Courtney Ariel as host.  And we are Poiesis:  instagram: @poiesisvds email us at: poiesisvds@protonmail.com

Das Symposium leitet die Arbeit an den begrifflichen Grundlagen der IAG ein und zeichnet die historische, regionale und kulturelle Entwicklung bzw. Poiesis der Begriffe »Gesundheit« und »Prävention« nach. Interessant ist, dass mit verschiedenen Definitionen von »Krankheit« auch die Aufgaben der Medizin unterschiedlich definiert werden – was jedoch Konstanten und Gemeinsamkeiten nicht ausschließt. Neben einer kultur- und begriffsgeschichtlichen Untersuchung der historischen Semantik und theoretischen Reflexionen werden auch philosophische Aspekte (Verantwortung für die eigene Gesundheit) bearbeitet und historischer Dimensionen (Prophylaxe in der Medizin, Diätetik) aufgezeigt. Prof. Dr. Martin Grötschel, Präsident der Berlin-Brandenburgischen Akademie der Wissenschaften, begrüßt die Teilnehmer bevor Prof. Dr. Philip van der Eijk, Humboldt-Universität Berlin, über Definitionen von Gesundheit sowie die Verbindung von Gesundheit und Glück spricht. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/verstaendis_se_von_gesundheit?nav_id=9235

Das Symposium leitet die Arbeit an den begrifflichen Grundlagen der IAG ein und zeichnet die historische, regionale und kulturelle Entwicklung bzw. Poiesis der Begriffe »Gesundheit« und »Prävention« nach. Interessant ist, dass mit verschiedenen Definitionen von »Krankheit« auch die Aufgaben der Medizin unterschiedlich definiert werden – was jedoch Konstanten und Gemeinsamkeiten nicht ausschließt. Neben einer kultur- und begriffsgeschichtlichen Untersuchung der historischen Semantik und theoretischen Reflexionen werden auch philosophische Aspekte (Verantwortung für die eigene Gesundheit) bearbeitet und historischer Dimensionen (Prophylaxe in der Medizin, Diätetik) aufgezeigt. Prof. Dr. Martin Grötschel, Präsident der Berlin-Brandenburgischen Akademie der Wissenschaften, begrüßt die Teilnehmer bevor Prof. Dr. Philip van der Eijk, Humboldt-Universität Berlin, über Definitionen von Gesundheit sowie die Verbindung von Gesundheit und Glück spricht. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/verstaendis_se_von_gesundheit?nav_id=9235

O podcast Diários da Quarentena é uma coletânea de narrativas sonoras com histórias reais produzidas durante a pandemia causada pelo Covid-19. Novos episódios disponíveis nas principais plataformas de podcast às terças e quintas. Um registro para as gerações futuras. Assine para ouvir em outras plataformas de podcasts: www.radio.ueg.br/referencia/11424 Envie sua história em áudio para o e-mail radio@ueg.br ou para o WhatsApp (62) 98325-0227. Coordenação de Radioteledifusão: Marcelo Costa Coordenação da Rádio UEG Educativa: Thais Oliveira Direção: Thais Oliveira e Samuel Peregrino Edição de áudio: Thais Oliveira e Iara Daniel Realização: Rádio UEG Educativa e Crialab-UEG #históriasdetodosnós #pandemia #coronavírus #quarentena #diáriosdaquarentena

Doug talks about having faith that inspires our daily journey. He looks at the difference between Praxis and Poiesis living, how to live a life that has value in the doing.

In this episode the Mind Mode crew recites poems they wrote in about 10 minutes before the cast. Are the poems any good? Well, you get final say on that one pardner. Now mosey on outta here before you 'n' me get involved in a conflict of a more explosive nature. No? Alrighty then. 3... 2... 1... Draw.

THROWBACK EPISODE: Grant Colthup has walked away from some very big funds to stake his claim on the world of crypto and blockchain. We discuss why he has taken this dive head first, what the future holds for Poiesis Capital and the need for the security token to bring a new wave of investor and regulation to the space. See acast.com/privacy for privacy and opt-out information.

Grant Colthup has walked away from some very big funds to stake his claim on the world of crypto and blockchain. We discuss why he has taken this dive head first, what the future holds for Poiesis Capital and the need for the security token to bring a new wave of investor and regulation to the space. See acast.com/privacy for privacy and opt-out information.

What the heck does "poiesis" even mean? Why should I care? These questions will come to light as we reveal our purpose together.

I recently met Miranda Aisling Hynes at a event called Makers Monday at the Artist's Asylum in Somerville, MA. The event itself is sponsored by Miranda's Hearth, an Organization founded by Miranda with the mission of bringing people together around doing creative work and building relationships.  Maker's Monday is one of a number of recurring, monthly event's run by Miranda's Hearth members (aka. Embers). Other monthly events include a potluck dinner, a waltz night (often with live music), book club gatherings, a creative writing night, and more.. Talking with Miranda that night I became intrigued by her philosophy on art and making, and sensed a potential connection with what she is  doing and my own explorations around the concept of Poiesis.  Miranda studied fine art painting during her undergrad years and went on to earn a masters in Community Art Education from Lesley University.  In this episode Miranda shares many useful insights on a range of topics including: the creative process the notion of Art vs. making how to build relationships  entrepreneurship for artists and makers and more... Links from the show: Miranda's Hearth Miranda's paintings Don't Make Art, Just Make Something Abstract Expressionism ​Stanley Lewis Ablerto Giacometti ​The Tempest Museum of Fine Arts, Boston Masters program at Lesley Community Art Hotel People mentioned: Jaclyn Wood Mathew Reese Kara Kulpa ​Show notes: Origins of the name Miranda’s Hearth. [4:09] A community based on creative exploration and authentic relationship. [6:42] One of the most common forms of creating common shared experiences is creativity. [8:06]  Miranda talks about viewing Art as a vehicle for creating community. [8:35] Don’t Make Art, Just Make Something. [9:53] Because I couldn’t draw realistically with a Pencil,  thought I couldn’t be an artist. [12:16]  Abstract Expressionism and Miranda’s thought’s where her paintings might go. [16:34] How Miranda is able to be attentive to the many varied projects of the ‘Hearth’. [19:32] Why most entrepreneurial ventures fail. [20:54] An introverted extrovert. [24:12] Inviting to participate vs. asking people for help. [26:08]    Making a business out of confronting your flaws and working your growth edge. [27:22] Miranda talks about finding a healthy relationship between business and Art. [30:43] ‘…just make something…’  [33:51]

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po’ più in là per un’anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

Poesie sparse di Maurizio Virdis. Quasi un gioco, ma non solo, di sentimenti giovanili celati nella poesia. Parole che danzano tra desiderio e dilettata fresca ambizione, stupore. Un piccolo omaggio al giogo della vita e per quel che poi verrà. O forse, chissà, un diritto alla leggiadria e un dovere per chi oramai ci sta, quaggiù, o da qualche altra parte; e s'ha da trascinare comunque, tra i solchi segnati dalle ruote ferrose, il carro di una vita. Ricordi e nostalgie. Speranza. Dunque, sia leggerezza e inganno velato di un'ultima menzogna, seppur s'attende, un po' più in là per un'anima velata.

I first encountered Stephen Levine through his writing. In particular his book, Poiesis: The  Language of Psychology and The Speech of the Soul, which I began reading in the summer of 2004, before I started the Expressive Therapies graduate program at Lesley University. If you have noticed the name of my blog and my podcast, you can see that this book, along with Steve's chapters in the book Principles and Practices of Expressive Therapies, made just a wee bit of an impression on me. While I was at Lesley, Steve was not faculty there, and I only encountered him once in a brief workshop on creative process. I remember thinking that the way he talked reminded me of Christopher Walken. I now know Steve is a Brooklyn boy. Maybe there’s a connection? A quick google search reveals that Christopher Walken grew up worlds apart, in Queens. In any case, Steve’s accomplishments are too numerous to cover here. Briefly though, he is the Paul Celan Chair of Philosopy and Poetics in the Arts, Health, and Society Division at The European Graduate School in Switzerland. He is also the Dean of the Doctoral Program in Expressive Arts there. He along with his wife, Ellen Levine, founded THE CREATE INSTITUTE in Toronto, in 1994. He holds a Ph.D. in philosophy, and another in anthropology. He is a trained psychotherapist and Expressive Arts Therapist. He has authored numerous books, and is a passionate social/political activist. I was both thrilled and terrified when he agreed to be on my podcast. I felt as though I had wandered into a dragon’s den. As it turned out, the dragon was exceptionally kind hearted and down to earth.  In this episode, we cover a lot. Steve shares some of the stories and numerous pearls of wisdom from his poietic life journey. I can't help but feel we only scratched the surface. There are a couple of glitches with the sound, but over all it does not interfere, or matter so much, as we settle into our conversation. There is one point around the 20 minute mark where my audio freaks out and goes into skip mode. You might notice a quality change in the microphones I'm using after that.  I didn't edit this out because I feel like the discussion around this part is an important part of the conversation. So listen in as Steve shares stories on everything from:       -  his involvement with Students for a Democratic Society     -  his thoughts on social political critique     -  the meaning and practice of poiesis     -  therapeutic presence     -  approaching art-making     -  the history of philosophy and Heidegger and more... Links: The European Graduate School CAET Creative Arts in Education Therapy: Eastern and Western Perspectives THE CREATE INSTITUTE The Living Theater Poiesis: The Language of the Psychology, and the Speech of the Soul SDS Lesley University Principles and Practices of Expressive Therapy: Toward a Therapeutic Aesthetics The Imperative of Responsibility Being and Time The Denial of Death I am Love The Golden Notebook Giovanni’s Room Rashomon Butoh People mentioned: Martin Luther King Jr.Paul Celan Denise Fujiwara Heidegger Ellen G. Levine Judith Malina Julian Beck Hans Jonas Aron Gurwitsch Husserl Ernest Becker Paolo Knill Shaun McNiff Elizabeth Gordon McKim Hegel MarxJacob Moreno Donald Trump Bernie Sanders Doris Lessing James Baldwin Roy Hart

framework:afield produced in maribor, si, using recordings from berlin, de, by OR poiesis. for more info see http://orpoiesis.blogspot.si.

framework:afield produced in maribor, si, using recordings from berlin, de, by OR poiesis. for more info see https://orpoiesis.blogspot.si.

POIESIS: Interdisciplinary Interventions on Urban Transformation Urban Democracy by Design? Introduction: Poiesis and Cross-Sectoral Work Markus Hipp (Executive Director, BMW Foundation Herbert Quandt) Panelists: Michael Arad (Partner, Handel Architects) Ricky Burdett (Professor of Urban Studies and Director of the Cities and the Urban Age Programme, London School of Economics) Saskia Sasen (Robert S Lynd Professor of Sociology, Columbia University) Richard Sennett (University Professor, New York University and Centennial Visiting Professor, London School of Economics) Chair: Ash Amin (1931 Chair in Geography, University of Cambridge) The Poiesis symposium is the culmination of a three year research project on the making and remaking of cities led by Richard Sennett and Craig Calhoun in partnership with the Herbert Quandt and Gerda Henkel Foundations. Over three days, the international, interdisciplinary, group of scholars and practitioners involved in the project – from architects and filmmakers to physicists, sociologists and lawyers – will be convened by Cambridge geographer Ash Amin to discuss the future city. Combining plenaries, workshops and roundtable discussions, the symposium will debate the salience of reading the city from its physical and cultural infrastructures, the potential of urban democracy 'by design', and the implications of comprehensive urbanism for social thought and political practice.

Professor Andy Pickering, University of Exeter, gives a talk for the Environmental Governance and Resilience series.

Mon, 1 Jan 1573 12:00:00 +0100 http://epub.ub.uni-muenchen.de/10877/ http://epub.ub.uni-muenchen.de/10877/1/8Coll.142.pdf Unbekannter Autor Poiesis philosophos. [Geneva]: Stephanus, 1573 0