Podcast appearances and mentions of Stanley Donwood

In this episode, Adam Biles is joined by writer Dan Richards to talk about his new book Overnight, a deep dive into the world of the night and the people who live and work while the rest of us sleep. From ferry captains and bakers to ICU nurses, researchers, and racing drivers, Richards explores the unseen rhythms and quiet heroism of nocturnal life. The conversation touches on the origins of the book—an unexpected night stranded on a mountain with his father—and how a life-threatening experience during the pandemic reshaped his understanding of vulnerability, care, and community. With warmth, wit, and poetic insight, Richards discusses circadian myths, the industrialisation of sleep, bats, and the benevolence of those who keep the world turning in the dark. Overnight is a tribute to those who inhabit the night, and this conversation shines a light on their often-unseen contributions.Buy Overnight: https://www.shakespeareandcompany.com/books/overnight*Dan Richards is the co-author of Holloway (with Robert Macfarlane and Stanley Donwood), and the author of The Beechwood Airship Interviews, Climbing Days, Outpost and Overnight. Only After Dark, a BBC Radio 4 series about the nocturnal world, was broadcast to acclaim in 2022. Dan has written for the Guardian, Economist, Esquire and Monocle.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dan Richards is the co-author of Holloway (with Robert Macfarlane and Stanley Donwood), and the author of The Beechwood Airship Interviews, Climbing Days, and Outpost. Only After Dark, a BBC Radio 4 series about the nocturnal world, was broadcast to acclaim in 2022. Dan has written for the Guardian, Economist, Esquire and Monocle. On this episode of Little Atoms he talks to Neil Denny about his latest book Overnight: Journeys, Conversations and Stories After Dark. Hosted on Acast. See acast.com/privacy for more information.

La comédienne, réalisatrice et artiste-plasticienne, âgée de 38 ans, nous reçoit chez Idem, un atelier de lithographie situé à Paris dans le 14e arrondissement, à l'occasion de la sortie en salle du film « Niki », signé Céline Sallette, dans lequel elle incarne Niki de Saint Phalle. Charlotte Le Bon évoque son enfance à Montréal, au Canada, auprès d'une mère et d'un beau-père comédiens. Elle évoque le décès de son père alors qu'elle avait 10 ans et sa passion précoce pour le dessin et le plongeon. Elle commence à la fin de l'adolescence une carrière de mannequin dont elle garde un souvenir assez sombre puis pendant une année joue les Miss Météo sur Canal +, une expérience libératrice qui la mènera ensuite à faire du cinéma. C'est aujourd'hui dans la réalisation qu'elle s'épanouit le plus, regrettant la passivité attendue souvent des comédiens. Charlotte Le Bon aborde également son travail de plasticienne, son attrait pour les aspérités et son admiration pour le travail de Stanley Donwood, Carl Gustav Jung, David Lynch, Claire Tabouret ou Christo et Jeanne-Claude. Elle revient longuement sur son admiration pour le travail de Jane Campion : « J'ai découvert récemment ses deux premiers films, “Sweetie” et “Un ange à ma table”. Ce sont de grands films. C'est tellement risqué, tellement audacieux. Et puis il y a un truc qui est génial aussi avec Jane Campion, c'est qu'on ne s'ennuie jamais. Je sens vraiment ce désir chez elle. C'est tout sauf prétentieux. »Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Juliette SavardRéalisation : Guillaume GiraultMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Le musicologue et enseignant français Matthieu Thibault pour son livre "Radiohead" (Le Mot et le Reste). Fondé près d'Oxford au milieu des années quatre-vingt, héritier du rock indépendant anglais (Magazine, The Smiths) et alternatif étasunien (Sonic Youth, R.E.M.), Radiohead rencontre le succès dès son premier single « Creep », avant de convaincre la critique avec OK Computer (1997). Le groupe ne cessera pour autant de remettre en question son style et de se réinventer, à l'image du diptyque Kid A (2000) et Amnesiac (2001) qui accompagne avec brio le changement de siècle. Ses membres (Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway) cumulent neuf albums en groupe, une dizaine en solo ou en collaboration et une douzaine de bandes originales de film, étoffant au fil des années leurs racines rock au contact des musiques électroniques et savantes, et du jazz, tout en préservant une sensibilité pop inimitable. Ce livre retrace leur histoire en détaillant les sessions d'enregistrement produites par Nigel Godrich, en proposant une analyse des chansons, des pochettes signées Stanley Donwood, sans oublier les tournées et les innovations promotionnelles et esthétiques constantes qui sont autant de marqueurs d'une longévité à ce jour inébranlable. Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

La chronique de Josef Schovanec : "Le Papier peint jaune", une nouvelle de Charlotte Perkins Gilman parue pour la première fois en janvier 1892 à Boston dans le New England Magazine et considérée comme une oeuvre importante des débuts du féminisme aux États-Unis. Le musicologue et enseignant français Matthieu Thibault pour son livre "Radiohead" (Le Mot et le Reste). Fondé près d'Oxford au milieu des années quatre-vingt, héritier du rock indépendant anglais (Magazine, The Smiths) et alternatif étasunien (Sonic Youth, R.E.M.), Radiohead rencontre le succès dès son premier single « Creep », avant de convaincre la critique avec OK Computer (1997). Le groupe ne cessera pour autant de remettre en question son style et de se réinventer, à l'image du diptyque Kid A (2000) et Amnesiac (2001) qui accompagne avec brio le changement de siècle. Ses membres (Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway) cumulent neuf albums en groupe, une dizaine en solo ou en collaboration et une douzaine de bandes originales de film, étoffant au fil des années leurs racines rock au contact des musiques électroniques et savantes, et du jazz, tout en préservant une sensibilité pop inimitable. Ce livre retrace leur histoire en détaillant les sessions d'enregistrement produites par Nigel Godrich, en proposant une analyse des chansons, des pochettes signées Stanley Donwood, sans oublier les tournées et les innovations promotionnelles et esthétiques constantes qui sont autant de marqueurs d'une longévité à ce jour inébranlable. Le coup de coeur de Gorian Delpâture : "Birnam Wood" de Eleanor Catton (Buchet Chastel). Un grand naïf, une militante écologiste, un milliardaire aux ambitions démesurées. De quels compromis, de quels renoncements seront-ils capables à l'heure où leurs idéaux sont mis à l'épreuve ? Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Twenty years ago Radiohead released their lengthy fifth album and we want to celebrate it in all its chaotic glory! We reminisce about Hail to the Thief's release in 2003 and how its themes resonante still today. Plus we compare Thom's alternate playlist to the official release. We also discuss at length Jarak Qaribak, Jonny Greenwood's fantastic collab with Dudu Tassa. As always the newspile is ever-growing as we cover the Smile's impending NA tour, when the next album might drop, Stanley Donwood's silly fake band names, Creep being used (yet again) in different media, and Kristina's sleuthing around an unreleased the Smile song that curiously resembles a song from the 70s. Pay attention!

This week: Thom Yorke and Stanley Donwood on their collaborative art, Wayne McGregor on his new choreographic work—a collaboration with the late Carmen Herrera—and Whistler's Mother returns to Philadelphia.Ahead of an exhibition of their work in London in September, we talk to Radiohead's Thom Yorke and Stanley Donwood—who has created the artwork with Yorke for every Radiohead album since 1994, as well the visuals accompanying Thom's solo records and side projects including the recent records by The Smile—about their collaboration. A new work for the UK's Royal Ballet by the choreographer Wayne McGregor premieres at the Royal Opera House in London on 9 June. Untitled, 2023 is a collaboration with the Cuban-American artist Carmen Herrera, developed before Herrera's death last year at the age of 106. We talk to McGregor about the piece and the intersection between visual art and choreography. And this episode's Work of the Week is one of the most famous pictures in the world: Arrangement in Grey and Black, better known as Whistler's Mother, by James Abbott McNeill Whistler. It's part of an exhibition called The Artist's Mother: Whistler and Philadelphia, curated by Jenny Thompson, and we speak to Jenny about the work and the show.Thom Yorke and Stanley Donwood: The Crow Flies will be at Tin Man Art, Cromwell Place, London in September – exact dates to be confirmed, visit tinmanart.com.Untitled, 2023, is at the Royal Opera House in London until 17 June, as part of the triple bill with Corybantic Games, a tribute to Leonard Bernstein by the Royal Ballet's artistic associate Christopher Wheeldon, and a revival of Anastasia Act III by Kenneth MacMillan.The Artist's Mother: Whistler and Philadelphia, Philadelphia Museum of Art, 10 June-29 October. Hosted on Acast. See acast.com/privacy for more information.

As the end of the 20th century approached, Radiohead took to the recording studio to capture the sound of a society that felt like it was fraying at the edges. Many people had high hopes for the new millennium, but for others a low hum of anxiety lurked just beneath the surface as the world changed rapidly and fears of a Y2K meltdown loomed.Amidst all the unease, the famed British band began recording their highly anticipated follow ups to their career-changing album OK Computer. Those two albums, Kid A and Amnesiac, released in 2000 and 2001, were entrancing and eerie — they documented the struggle to redefine humanity, recalibrate, and get a grip on an uncertain world. In this episode, we travel back to the turn of the millennium with Thom Yorke and Stanley Donwood and the music of Kid A and Amnesiac.

Make sure to have your rat poison and morphine ready, because we're diving into the psychedelic nightmarish wasteland that is 2003's Deloused in the Comatorium by progressive-rock band The Mars Volta - AKA the rise and fall of Cerpin Taxt. While Alex has been somewhat of a fan of them for over a decade, this is Austin's first foray into the bands music. We talk about the bands prior history as At the Drive-In, the songwriting duo of Cedric Zavala-Bixler and Omar Rodriguez-Lopez, the revolving door of musicians (including RHCP's Flea and John Frusciante), the incredible drumming by Jon Theodore, Rick Rubin and the importance of a good producer (where Alex accidentally credits Stanley Donwood instead of Nigel Godrich for Radiohead), and the albums unique mix of prog-rock, post-hardcore, psychedelic, and droning ambience. Outside of the topical discussion, we get into how busy Austin's life is getting with an upcoming wedding, house-hunting, and infatuation with emulating old SNES and gameboy games, plus the overall nothing-happening going ons of Alex's life at the moment (RIP). We're drinking Urban Artifact's berry-heavy fruited sour Audion for this one. Looks like we're doing The Last Samurai next. Want to reach us on social media? We're on Instagram and Twitter (@thewhitestguys), TikTok (@twodudesbrewsreviews), and we have an official TDBR Facebook page. For business inquires, please reach out to us at tdbr.ap.ag@gmail.com

Walker and Zach wade through the dystopian techno-hell of ANIMA, Thom Yorke's 2019 solo album/short film collaboration with PT Anderson. Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach welcome Kilani Glenn - a guest with deep insight into the visual art of Radiohead's albums, and even deeper insight into one of your hosts- to the bunker for a discussion of Stanley Donwood's work with the band.Follow Kilani's work: Flux + Flow GlassFollow us on Instagram @idiotalk.podcast

Rosie Perez talks about her starring role in the new series Now & Then, plus, her journey from dancer to Oscar-nominated actor. Donna Summer's former producer Pete Bellotte pays tribute to the Queen of Disco on the 10th anniversary of her death. Writer Liz Howard reads a poem from her latest collection, Letters in a Bruised Cosmos, which is shortlisted for the 2022 Griffin Poetry Prize. Radiohead's Thom Yorke and artist Stanley Donwood talk about the band's new book and virtual exhibition, which dive into the symbiotic relationship between sound and art in the Radiohead universe.

Dark Side of the Library Podcast Episode #44: Dark Non-Fiction Books Coming Out February 2022 Show Notes: (Disclosure: Some of the links in this post are affiliate links. This means if you click on the link and purchase the item, we will receive an affiliate commission at no extra cost to you)   Bloody Women: Women Directors of Horror (Critical Conversations in Horror Studies), by Victoria McCollum (March 15) https://amzn.to/34neqVQ   In Defense of Witches: The Legacy of the Witch Hunts and Why Women Are Still on Trial https://amzn.to/3HluLJn Ghost Channels: Paranormal Reality Television and the Haunting of Twenty-First-Century America https://amzn.to/3L4ZBIv   Hell's Half-Acre: The Untold Story of the Benders, a Serial Killer Family on the American Frontier, by Susan Jonusas  (Author) – March 1, 2022 https://amzn.to/3o4EbBr   Into Every Generation a Slayer Is Born: How Buffy Staked Our Hearts https://amzn.to/3n1TDxq Kid A Mnesia: A Book of Radiohead Artwork by Thom Yorke (Author), Stanley Donwood  (Author) – March 8, 2022 https://amzn.to/3g27L5Q   Joseph Sheridan Le Fanu (Gothic Authors: Critical Revisions), by Aoife Mary Dempsey (March 8) https://amzn.to/3gdSwXK   ShadowMan: An Elusive Psycho Killer and the Birth of FBI Profiling https://amzn.to/3t4nKs4   Tell Me Everything: The Story of a Private Investigation, by Erika Krouse  (Author)  – March 15, 2022 https://amzn.to/3KRYBr2

As the end of the 20th century approached, Radiohead took to the recording studio to capture the sound of a society that felt like it was fraying at the edges. Many people had high hopes for the new millennium, but for others a low hum of anxiety lurked just beneath the surface as the world changed rapidly and fears of a Y2K meltdown loomed.Amidst all the unease, the famed British band began recording their highly anticipated follow ups to their career-changing album OK Computer. Those two albums, Kid A and Amnesiac, released in 2000 and 2001, were entrancing and eerie — they documented the struggle to redefine humanity, recalibrate, and get a grip on an uncertain world. In this episode, we travel back to the turn of the millennium with Thom Yorke and Stanley Donwood and the music of Kid A and Amnesiac.

Radiohead's Thom Yorke and artist Stanley Donwood talk about the band's new book and virtual exhibition, which dive into the symbiotic relationship between sound and art in the Radiohead universe. Our Q This music panellists, A. Harmony and Elamin Abdelmahmoud, discuss the New York Times's latest documentary, Malfunction: The Dressing Down of Janet Jackson. Music critic, author and producer Jessica Hopper takes us through a gateway to Joni Mitchell's Blue on the landmark album's 50th anniversary.

“I don't just sit there bashing out chords and sweating out words.“ The Radiohead frontman and his collaborator on the band's artwork discuss the creative process.

Yes, this is how kick off a new season of the Radio Juxtapoz podcast, and boy, do we have a banger. When you think of Radiohead, you automatically think of the story of one of the most critically acclaimed and popular bands in the world reimagining themselves at the turn of the century and becoming... well, bigger and more popular and more critically acclaimed. These weren't easy years for the band, and shedding their sound to become the rich, textured and nuanced electronics meets traditional instruments became their calling. And it started with Kid A and Amnesiac. For frontman Thom Yorke and his artistic collaborator Stanley Donwood, this was a time of experimentation as well. With a studio focus, they created a massive body of work that stretches over the course of two albums, and with the 21st anniversary reissue, the made Kid A Mnesia focus on the artwork as well. And that is where Radio Juxtapoz caught the two, talking about art school, creating in the studio, experimenting, having fun, being manic, how they decided to package the two decades old artwork, how Hockney influenced them and what painting means to them and Radiohead as a whole. This is a special one you don't want to miss. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 076 was recorded October 12, 2021 at XL Recordings in London. Follow us on @radiojuxtapoz

RADIOHEAD Talk Art EXCLUSIVE EPISODE! Russell and Robert meet Thom Yorke and Stanley Donwood at the Standard Hotel in London to discuss 30 years of friendship and their ongoing, longterm artistic collaboration. Initially meeting at Exeter University, Donwood has created the cover art for Radiohead's ground-breaking albums since The Bends in 1996. Six of his paintings from the album sleeves were recently on display at Christie's headquarters in London, alongside drawings, lyrics and digital art curated by the artists.We explore Radiohead's forthcoming release KID A MNESIA EXHIBITION: an upside-down digital/analogue universe created from original artwork by Thom Yorke and Stanley Donwood and sound design by Nigel Godrich to commemorate 21 years of Radiohead's Kid A and Amnesiac albums. KID A MNESIA EXHIBITION will be available beginning November 18th as a FREE download for PlayStation 5 (HERE), PC and Mac at EPIC GAMES STORE. A trailer is now live at: https://youtu.be/AOinMjQ9jo8Follow @Radiohead, @ThomYorke, @StanleyDonwood on Instagram. Special thanks to @TheStandardLondon.For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

We're excited to announce the launch of our mini Art on a Postcard Auction curated by Jealous Gallery. Spring has Sprung is packed full of all the idiosyncrasies we love about Jealous, the artwork is playful, has a sense of humour and is imbued with optimism. Artists such as Stanley Donwood, who has a number of print releases and a forthcoming solo exhibition with Jealous, is most famous for Radiohead's artwork and his numerous prints for Glastonbury; Miss Buggs who had an eye-poppingly great show at Jealous Gallery prior to lockdown with subverted resin ice lollies containing syringes, razors and pills; The acclaimed artist and illustrator Paul Davis, and Jealous' very own Ally McIntyre who was awarded the Jealous Prize 2014/2015 and HIX Award 2015. In this episode, Rosa chats to Director of Jealous Dario Illari and and Galleries Director Louise Fitzjohn to learn how Jealous has managed to keep a visual arts company going during this tough year, what Jealous look for in new artists to work with and the process of their job as curator for our upcoming auction Spring has Sprung. "We chose the title Spring has Sprung as we are all emerging from a long dark, hard winter and we need some fun and colour now. We are happy to play a part in making this 20 year anniversary special and contribute to the great work The Hepatitis C Trust does.” - Louise Fitzjohn Bidding starts at just £50 on all lots 14-28 April https://artonapostcard.com/pages/spring-has-sprung-auction

Richard and Sol chat to Stanley Donwood and Mat Consume. The pair take us on a mesmerising journey from discount raves with brain machines in Plymouth to working with Radiohead to their recent collaborative project - the enigmatic, profound and utterly fantastic ‘Broadmead The Movie'. The film examines Bristol's slightly outdated shopping district, transfiguring it into a sublime landscape of brutalist angles, indifferent expanses of sky, melancholy meditations on consumerism, hyperreality and existence, all accompanied by John Matthias' and Jay Auborn's moving and haunting score that evokes both medieval music and trip-hop.We hope to do a special Tangent showing of ‘Broadmead: The Movie' as soon as possible, so keep an eye out for that as it will be an event you won't want to miss.As this is an old episode from the Youtube series, discount codes no longer work form this episode.https://www.tangentbooks.co.uk/shop?category=Podcast

World-renowned nature writer Robert Macfarlane shares why certain places have a strong energy or vibe about them, how to talk to our kids about haunted places, and what it's like to stand face to face with a nuclear bomb. Robert's latest book, co-created with Stanley Donwood and Dan Richards, is Ghostways: Two Journeys in Unquiet Places.

It's rare for a band's tour documentary to appeal beyond its fanbase. But with Grant Gee's documentary Meeting People is Easy, it's even more of a miracle to come near the artistic breadth of Radiohead's OK Computer, an album which has been periodically voted the greatest of all time since its release in 1997. On today's episode we talk how Gee managed to sustain the heightened style of a music video through the feature's length, using overlapping images, an emphasis on lyricism, non-sync sound, all trying to mimic not just the band's sound, but also the visual style of Thom Yorke and designer Stanley Donwood. Also: how Gee originally was called in for the original idea to make a video for each of OK Computer's songs, the thought process of putting then-unreleased songs snippets into the cut, the “amazing” unused Kid A footage he shot that was just “wrong,” writer Patricia Lockwood's thoughtful description a moment in the film, and matching the album's particular innovation of mixing digital and analogue with his own multiple visual formats like Super 8mm, 16mm Bolex, and B&W digital video.Along with Meeting People is Easy, Gee has also directed the documentary Joy Division, music videos for Radiohead, Blur, Spooky, and worked with acts ranging from Coldplay, Nick Cave, and Scott Walker. He's currently at work on the documentary The Gold Machine about Welsh writer Iain Sinclair, the third in his trilogy of feature cityscapes about writers.Meeting People is Easy is streaming for free online at Radiohead's Public Library and is also available on PAL VHS from the W.A.S.T.E. HQ.

Robert Macfarlane, whose latest book is “Ghostways: Two Journeys in Unquiet Places,” written in collaboration with artist Stanley Donwood and writer Dan Richards, is interviewed by host Richard Wolinsky. This short book examines two strange areas in England, Orford Ness, a spit of sand in the southeast of England, not far from Cambridge, which was used as a weapons testing site in the Cold War, and the holloways of Dorset, strange paths beaten over centuries, and often covered over by trees, almost as caves. In this interview, recorded December 8, 2020, he talks about the book, both places in England, how the pandemic has affected his life, and how climate change is affected by the shutdown. The author of several books, including “Underland,” “Mountains of the Mind” and “The Old Ways,” Robert Macfarlane teaches at Cambridge University. Front photo: The Holloways. Below photo: Orford Ness The post Robert Macfarlane, “Ghostways” appeared first on KPFA.

Han pasado 18 años. Y Justin Currie y Ian Harvey recuperan la etiqueta de garantía y vuelven el 30 de abril con "Fatal mistakes" el que será el séptimo disco de la banda escocesa que tocaron el techo con aquel "Waking hours" que tenía dentro "Nothing ever happens". A las órdenes de Dan Austin llega esta nueva entrega para Cooking Vinyl que tiene de anticipo una canción (mensaje de despedida a Europa) que es una balada llena de bilis y puro remordimiento endulzada con sarcasmo. Se estrenó el viernes pasado dentro de una acción de Children in Need Scotland. Y hablando de Children in Need (ayuda a los niños), Kylie Minogue comanda una constelación de hasta veinticinco estrellas (Cher, Nile Rodgers, Jess Glynne, Clean Bandit, Jaime Cullum, Lenny Kravitz, Bryan Adams...) que han hecho una versión de Oasis de su disco de 2002 por iniciativa de la BBC 2 como ocurriera meses atrás con una pieza de Foo Fighters. "Si siempre se necesitan estas acciones, ahora con más motivo" dice Kylie. Versiones por aquí y por allá. Porque sale la que hicieron Morrissey y David Bowie de un tema de Marc Bolan para un siete pulgadas, en tanto que Charlotte (Le Volume Courbe) echa mano de Terry hall y Noel, Gallagher para leer a Daniel Johnstone en un EP y Phoebe Bridgers y Maggic Rogers celebran la derrota de Trum fijándose en Goo Goo Dolls. Novedad internacional es el directo de Keith Richards con X-Pensive Winos, la reedición de "Brothers" de Black Keys y la nueva versión de aquel hit de Sophie Ellis-Bextor con el dj italiano Spiller. Mientras Graham Coxon se alía con Z2 Comics y publicará una novela ilustrada ("Superstate"), hay nuevo single y clip de Fleet Foxes y las vallas de muchas ciudades de UK aparecen con imágenes de Stanley Donwood que ha trabajado con Radiohead. Apenas dos ilustraciones de aquí. La vuelta de quien fuera Apenino y miembro de Dar Ful Ful, ahora en nombre propio (Marco Maril) y con el avance de un disco que lleva fecha (15-11-18) del día en que un piano entró en su vida y se produjo la grieta por la que entró la luz. También una nueva canción del disco "Poderosos y fuertes" de León de Pelea. Escuchar audio

Artist and writer Stanley Donwood, who has created all the artwork for the rock band Radiohead since 1994, talks about how we can prevent humanity from destroying the world, how much we should tell our kids about the harsh realities of life, and how art and music could evolve in the time of COVID. Stanley's latest book is Bad Island.

¿Qué se puede y qué no se puede deshacer en la vida? Exploramos cómo ha impactado el poder o no poder desandar lo andado en las artes, comenzando por los videoclips de Ok Go! y Phoenix, las performance de Charly García y las historias caóticas provocadas por Keith Moon, el batería de The Who. Más en profundidad conoceremos la historia de Chilly Gonzales, recogida en un documental. Además, recorremos un ranking muy especial de música íntegramente en vivo, donde escucharemos entre otros a David Bowie, Gustavo Cerati, Kurt Cobain, Amy Winehouse o Chester Bennington, para cerrar con Stanley Donwood, la figura tras el arte visual de Radiohead, una historia repleta de casualidades, pasos en falso, creaciones, y la búsqueda del artista que cada uno llevamos dentro, porque hay cosas que se pueden borrar, pero en la vida no hay opción de deshacer.

Talk Art Season 6 continues! Recorded during lockdown on 19th April 2020 from the Mexican jungle, Russell & Robert chat to Rose McGowan, leading activist, author, singer, actress and creative polymath.We discuss her debut album 'Planet 9', how creativity can promote healing, why Rose sees America as a cult, growing up as a child in the Children of God cult, Rose & Robert's shared admiration for her previous partner Marilyn Manson's Mechanical Animals album & the song Coma White that written about Rose's life story. We discover why she loves collecting art and how the works she's chosen are closely linked to her own life story, including a painting she bought, whilst filming Charmed, by artist Eric Blum of an invisible woman and more recently works by Claire Falkenstein, Grant Haffner and Stanley Donwood of a figure "holding back the waves of the ocean" which she sees as representing her strength in the face of adversity.We learn about Rose's father, a skilled painter & airbrush artist, who made futuristic surreal paintings as well as Kodak commercials and Baci chocolate box packaging designs, the inspiration she drew from Edward Hopper works while directing 2014 thriller 'Dawn', her love of Ernest Hemingway, a memorable visit to Rothko's Chapel of fourteen black paintings at the Menil Collection in Houston, her admiration for latter-day Magritte, buying a fake Magritte painting from a garage sale as a teenager and her passion for Rodin & Camille Claudel's sculptures.We reminisce about her 2018 collaboration with shoe designer Nicholas Kirkwood for the 'Hacker' live show in London, and her later performance at Venice Biennale 2019. Rose is also influenced by architecture including Zaha Hadid and Frank Lloyd Wright's Ennis House in LA. and her loves of two time periods 1930s and 1970s, her respect for "seminal artist" Yoko Ono and Artemisia Gentileschi, the 17th Century Baroque painter and Frida Kahlo whose house she visited recently in Mexico City!Rose's debut album 'Planet 9' is OUT NOW! We also recommend reading her memoir 'Brave'. Follow @RoseMcGowan on Instagram, @RoseMcGowan on Twitter, her official website https://www.rosemcgowan.com/. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArtPodcast. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. See acast.com/privacy for privacy and opt-out information.

¿Recuerdas lo que tu cuerpo sintió la primera vez que sonó Radiohead? En nuestra emisión de hoy repasamos su segundo disco, The Bends, lanzado en 1995 y donde encontramos las bases de los Radiohead del futuro. Desde la mítica portada de Stanley Donwood hasta las primeras grabaciones a cargo de Nigel Godrich.

¿Recuerdas lo que tu cuerpo sintió la primera vez que sonó Radiohead? En nuestra emisión de hoy repasamos su segundo disco, The Bends, lanzado en 1995 y donde encontramos las bases de los Radiohead del futuro. Desde la mítica portada de Stanley Donwood hasta las primeras grabaciones a cargo de Nigel Godrich.

Gestur þáttarins að þessu sinni er Jón Bjarki Bentsson aðal hagfræðingur Íslandsbanka. Hann mætir með uppáhalds ROKKplötuna kl. 21.00 Við fáum lag frá vini þáttarins kl. 19.45 og plata þáttarins sem við heyrum amk. þrjú lög af er önnur plata Radiohead, The Bends, sem kom út fyrir nákvæmlega 25 árum. Þessi tímamótaplata kom semssagt út 13. Mars árið 1995 á vegum Parlaphone í Bretlandi og Capitol Records í Ameríku. Upptökustjóri var John Leckie og upptökumaður var Nigel Goodrich sem hefur unnið sem upptökustjóri með Radiohead að öllum þeirra plötum síðan. Og umslagið hannaði maður sem heitir Stanley Donwood sem hefur gert öll umslög Radiohead síðan ásamt söngvaranum Thom Yorke. Það er annar stíll og stefna á The Bends en á fyrstu Radiohead plötunni, Pablo Honey sem kom út 1993. Það er minna Grugg í gangi og annað sánd. Meiri hljómborð og skrýtnari og sérkennilegri gítarar. Það er fullt af lögum á The Bends sem heyrast enn reglulega í útvarpi um allan heim, og fimm laga plötunnar voru gefin út á smáskífum sem náðu inn á vinsældalista, lögin My Iron Lung, High and Dry, Fake Plastic Trees, Just, og Street Spirit (Fade Out) sem er fyrsta lag Radiohead sem náði inn á topp 5 á breska vinsældalistanum. Platan fór hæst í fjórða sæti breska plötulistans en náði ekki þá að fylgja eftir vinsældum lagsins Creep sem er á P Pablo Honey og er enn sungið á söngkeppnum ungs fólks um allan heim. Platan fór t.d. aldrei hærra en í sæti 88 á Bandaríska vinsældalistanum, en hefur síðan selst jafnt og þétt um allan heim og er gríðarlega hátt skrifuð plata almennt. Platan er frábær, fékk frábæra dóma á sínum tíma og Rolling Stone setti hana í 110 sæti yfir bestu plötur allra tíma í lista sem var settur saman árið 2003.

Gestur þáttarins að þessu sinni er Jón Bjarki Bentsson aðal hagfræðingur Íslandsbanka. Hann mætir með uppáhalds ROKKplötuna kl. 21.00 Við fáum lag frá vini þáttarins kl. 19.45 og plata þáttarins sem við heyrum amk. þrjú lög af er önnur plata Radiohead, The Bends, sem kom út fyrir nákvæmlega 25 árum. Þessi tímamótaplata kom semssagt út 13. Mars árið 1995 á vegum Parlaphone í Bretlandi og Capitol Records í Ameríku. Upptökustjóri var John Leckie og upptökumaður var Nigel Goodrich sem hefur unnið sem upptökustjóri með Radiohead að öllum þeirra plötum síðan. Og umslagið hannaði maður sem heitir Stanley Donwood sem hefur gert öll umslög Radiohead síðan ásamt söngvaranum Thom Yorke. Það er annar stíll og stefna á The Bends en á fyrstu Radiohead plötunni, Pablo Honey sem kom út 1993. Það er minna Grugg í gangi og annað sánd. Meiri hljómborð og skrýtnari og sérkennilegri gítarar. Það er fullt af lögum á The Bends sem heyrast enn reglulega í útvarpi um allan heim, og fimm laga plötunnar voru gefin út á smáskífum sem náðu inn á vinsældalista, lögin My Iron Lung, High and Dry, Fake Plastic Trees, Just, og Street Spirit (Fade Out) sem er fyrsta lag Radiohead sem náði inn á topp 5 á breska vinsældalistanum. Platan fór hæst í fjórða sæti breska plötulistans en náði ekki þá að fylgja eftir vinsældum lagsins Creep sem er á P Pablo Honey og er enn sungið á söngkeppnum ungs fólks um allan heim. Platan fór t.d. aldrei hærra en í sæti 88 á Bandaríska vinsældalistanum, en hefur síðan selst jafnt og þétt um allan heim og er gríðarlega hátt skrifuð plata almennt. Platan er frábær, fékk frábæra dóma á sínum tíma og Rolling Stone setti hana í 110 sæti yfir bestu plötur allra tíma í lista sem var settur saman árið 2003.

Gestur þáttarins að þessu sinni er Jón Bjarki Bentsson aðal hagfræðingur Íslandsbanka. Hann mætir með uppáhalds ROKKplötuna kl. 21.00 Við fáum lag frá vini þáttarins kl. 19.45 og plata þáttarins sem við heyrum amk. þrjú lög af er önnur plata Radiohead, The Bends, sem kom út fyrir nákvæmlega 25 árum. Þessi tímamótaplata kom semssagt út 13. Mars árið 1995 á vegum Parlaphone í Bretlandi og Capitol Records í Ameríku. Upptökustjóri var John Leckie og upptökumaður var Nigel Goodrich sem hefur unnið sem upptökustjóri með Radiohead að öllum þeirra plötum síðan. Og umslagið hannaði maður sem heitir Stanley Donwood sem hefur gert öll umslög Radiohead síðan ásamt söngvaranum Thom Yorke. Það er annar stíll og stefna á The Bends en á fyrstu Radiohead plötunni, Pablo Honey sem kom út 1993. Það er minna Grugg í gangi og annað sánd. Meiri hljómborð og skrýtnari og sérkennilegri gítarar. Það er fullt af lögum á The Bends sem heyrast enn reglulega í útvarpi um allan heim, og fimm laga plötunnar voru gefin út á smáskífum sem náðu inn á vinsældalista, lögin My Iron Lung, High and Dry, Fake Plastic Trees, Just, og Street Spirit (Fade Out) sem er fyrsta lag Radiohead sem náði inn á topp 5 á breska vinsældalistanum. Platan fór hæst í fjórða sæti breska plötulistans en náði ekki þá að fylgja eftir vinsældum lagsins Creep sem er á P Pablo Honey og er enn sungið á söngkeppnum ungs fólks um allan heim. Platan fór t.d. aldrei hærra en í sæti 88 á Bandaríska vinsældalistanum, en hefur síðan selst jafnt og þétt um allan heim og er gríðarlega hátt skrifuð plata almennt. Platan er frábær, fékk frábæra dóma á sínum tíma og Rolling Stone setti hana í 110 sæti yfir bestu plötur allra tíma í lista sem var settur saman árið 2003.

We meet Secret Cinema CEO Max Alexander to learn about experiential cinema and artist Stanley Donwood to discuss creativity in the anthropocene and his new book of linocuts, ‘Bad Island’. Plus, as a new documentary on Toni Morrison hits cinemas, we talk about the author’s legacy with Oxford academic Dr Tessa Roynon.

Our first episode of the year is here and there is much to talk about! Radiohead has opened the doors to their very own Public Library filled to the brim with exciting treasures. We dig through puzzling webcasts of yesteryear, a plethora of fantastic concert videos and tv appearances, wild stories in newsletters from the 90s, and never before seen artwork. We also had a great time vibing with Ed at one of his first solo shows in NYC! Plus, we discuss Stanley Donwood’s graphic novel release, Thom’s upcoming tour, and a film that contains a surprising Radiohead song.

In this episode Philippa is on a diet, so be warned, she can barely talk. Thank goodness there are some decent books to discuss! Philippa reviews "Bad Island" by Stanley Donwood, "The Babysitter" by Phoebe Morgan (now Philippa has finished the book) and "Agency" by William Gibson. Also reviewed is "Fence Volume 3" by C S Pacat and others, as well as the audiobook "Sleeping Giants" by Sylvain Neuvel, which Philippa has just finished listening to. 

Did Byron have an eating disorder? Mummy issues? Daddy issues? Does it matter? Emily A. Bernhard Jackson joins us to discuss; Stanley Donwood, the artist and designer of Radiohead's record covers, makes the case for this most democratic of artforms; Keith Miller on the work of the designer and architect Charlotte Perriand, a high-minded high modernist whose life spanned the whole of the twentieth centuryThe Private Life of Lord Byron by Antony PeattieCharlotte Perriand: Complete works, by Jacques Barsac See acast.com/privacy for privacy and opt-out information.

Alison Balsom, Britain's leading trumpet soloist, talks about her new album Royal Fireworks, a collection of Baroque pieces by Bach, Telemann, Handel and Purcell, played on the "natural" trumpet, a baroque instrument without any valves, which means that each note is made by the shape of the lips. The inaugural Drake YolanDa British Producer and Songwriter Prize has been won by the jazz musician Fez, who had to compete against other producers to write and record a new song in front of the judges in 45 minutes! Writer Robert Macfarlane and artist Stanley Donwood talk about their new work Ness, which is part novella, part prose poem and part mystery play, about the land reclaiming a place which once threatened its very existence, an atomic weapons test centre. Presenter: Kirsty Lang Producer: Timothy Prosser

Ever wanted to learn where the bone comes from in a bone nut?The hunks talk: Gear overkill for a podcast, setting up Dave’s 80s Paisley Strat, D’addario strings, glass on a chalkboard, updating the Symphony of Corrections, Chicago’s Terry Kath, & Stanley Donwood’s new Radiohead bookMore: Catalinbread Karma Suture and Henry’s quest for all of the Harmonic Percolators, J Masking tape, tips for upgrading cheap guitars, every rockstar you know someday will die, reckoning with influence, & cutting your own vinyl

Click here to buy: https://adbl.co/2IPLl8l Various Artists: Gemma Whelan, Louise Brealey, Oliver Ford Davies, Lauren Laverne, Jamael Westman Glastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world. Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams. Together they bring you the magic that makes Glastonbury, Glastonbury.

Click here to buy: https://adbl.co/2IPLl8l Various Artists: Gemma Whelan, Louise Brealey, Oliver Ford Davies, Lauren Laverne, Jamael Westman Glastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world. Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams. Together they bring you the magic that makes Glastonbury, Glastonbury.

Click here to buy: https://adbl.co/2IPLl8l Various Artists: Gemma Whelan, Louise Brealey, Oliver Ford Davies, Lauren Laverne, Jamael Westman Glastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world. Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams. Together they bring you the magic that makes Glastonbury, Glastonbury.

Click here to buy: https://adbl.co/2IPLl8l Various Artists: Gemma Whelan, Louise Brealey, Oliver Ford Davies, Lauren Laverne, Jamael Westman Glastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world. Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams. Together they bring you the magic that makes Glastonbury, Glastonbury.

For nearly 30 years, Radiohead's visual identity has been established from the mind and evolving style of artist, Stanley Donwood. Like a 6th member of the band, his experiments in his own creative process have gone hand-in-hand with the band's constant reimagining of their own sound. Often embedded in the studio while album's are being made, Donwood listens, expands, visualizes and tells his own creative story while one of the biggest bands in the world tells their own. The bond has made for a consistent and special conversation between artist and musicians, one that rarely gets to grow together as music packaging has become more of a luxury. On the eve of the release of his first monograph, There Will Be No Quiet, Radio Juxtapoz sat down with the British artist in Shoreditch before a few appearances he was making around London to coincide with the book. We talked about Donwood's unique partnership with Radiohead, his relationship to the early days of London street art and Lazarides Gallery and some of the newest collaborative work and public art projects that coincided with Thom Yorke's ANIMA record. Donwood's history is an incredible journey through music, literature and underground art, and in a candid interview, we get his story. Subscribe to the Radio Juxtapoz podcast HERE. The Radio Juxtapoz Podcast is hosted by Doug Gillen of Fifth Wall TV and Juxtapoz Editor, Evan Pricco.

We speak to the artist, illustrator and designer about his new book, ‘There will be no Quiet’, collecting his designs for Radiohead album covers over the past three decades. Plus: production designer Anna Rhodes on making music videos for artists including Kanye West, Rufus Wainwright and Laura Marling.

Dan Richards is the co-author of Holloway (with Robert Macfarlane and Stanley Donwood) and the author of The Beechwood Airship Interviews and Climbing Days. He has written for the Guardian, Harper’s Bazaar, Caught by the River, Monocle and the Quietus. He is an RLF Fellow at Bristol University. Dan's latest book is Outpost: A Journey to the Wild Ends of the Earth. See acast.com/privacy for privacy and opt-out information.

We’re back with an episode filled with hot takes for a hot hot summer! Our special guest Steve Ward joins us to discuss the ever-present debate amongst all Radiohead Heads: which album is better, Kid A or Amnesiac? We answer all sorts of questions in the process: which album is better live, should it have been a double album, and which album is ultimately more influential? Also, quite possibly our most exciting Song Sommelier yet! Plus, we chat about the Suspiria trailer, Thom and Nigel’s European holiday tour, and Stanley Donwood’s collaboration with a brewery. Check out Steve’s podcast “I Need My Space” over at https://www.inverse.com/i-need-my-space-podcast

Dan is the author of 'Climbing Days' in which he retraces the steps of his great-great-aunt and uncle, the mountaineers Dorothy Pilley and I.A. Richards . He is also the author of 'The Beechwood Airship Interviews', and co-authored 'Holloway' with Robert Macfarlane and Stanley Donwood. He is currently working on his next book, Outpost. DAN'S BOOK CHOICES: But Beautiful by Geoff DyerThe Book of Fame by Lloyd Jones Bluets by Maggie Nelson Dan tweets @Dan_Zep   If you haven't already, please consider leaving the podcast a review on iTunes. It makes a massive difference and helps new people discover the show.  

In our spoooooky Halloween episode we explore the murky depths of the art and writing of Radiohead’s resident artist, Stanley Donwood. We discuss the origins of each album cover, his aborted album artwork ideas and our favorite Donwood pieces. Also, we (reluctantly) cover the growing feud between Radiohead and Fox News. Plus, the Oxford boys may be heading to Cleveland!

A graphic artist against nuclear weapons. The post Stanley Donwood – The Bomb #Berlinale appeared first on Fred Film Radio.

A graphic artist against nuclear weapons. The post Stanley Donwood – The Bomb #Berlinale appeared first on Fred Film Radio.

A graphic artist against nuclear weapons. The post Stanley Donwood – The Bomb #Berlinale appeared first on Fred Film Radio.

A graphic artist against nuclear weapons. The post Stanley Donwood – The Bomb #Berlinale appeared first on Fred Film Radio.

A graphic artist against nuclear weapons. The post Stanley Donwood – The Bomb #Berlinale appeared first on Fred Film Radio.

A graphic artist against nuclear weapons. The post Stanley Donwood – The Bomb #Berlinale appeared first on Fred Film Radio.

In this special bonus interview edition of the podcast, Tim Barnes talks to artist and writer Stanley Donwood about the re-release of his comedic noir crime thriller "Catacombs of Terror." Catacombs of Terror! is a noir crime thriller set in Bath, England, in which private investigator Martin Valpolicella receives a tip that he will soon be framed for a future murder— that of his former lover – one that is set to take place in the catacombs buried beneath the city. Can he save the girl, and himself? A drug-fueled escapade takes place in the seedy subterranean of the countryside better known for hot springs and Jane Austen.

Cal Flyn is a freelance journalist from the Highlands of Scotland. She has been a reporter for the Sunday Times and the Daily Telegraph, and a contributing editor at The Week magazine. She has been published in the New Statesman, The Observer, The Independent, Telegraph Magazine and FT Weekend, and won the 2013 Brandt/Independent on Sunday travel writing prize. Her first book is Thicker Than Water. Dan Richards studied at UEA and Norwich Arts School. He is co-author of Holloway with Robert Macfarlane and Stanley Donwood, and The Beechwood Airship Interviews, a book about the creative process and the importance of art for art’s sake, which we talked about last year on Little Atoms. His latest book is Climbing Days. See acast.com/privacy for privacy and opt-out information.

Time is a slippery thing: it can speed up and it can slow down, it can propel us through life or keep us standing still, In the first part of our ride on the wheels of time we hear from Stanley Donwood and Nick hand on how to step away from the clock. Additional linked features in issues 2-6 and 14 of Boneshaker http://boneshakermag.com/in-print/ read and see more at http://boneshakermag.com/podcasts/ Music by Sean Derrick Cooper Marquardt with Rosendo Rocha, as well as The Agrarians and Eartheater. Presented and Produced by Gary Fawle at http://eventsinsound.com/

Stanley Donwood in conversation with John Kennedy on X-Posure, XFM.