POPULARITY
3 episodes with Bart Layton
2 episodes with Bart Layton
2 episodes with Bart Layton
2 episodes with Bart Layton
2 episodes with Bart Layton
2 episodes with Bart Layton
2 episodes with Bart Layton
2 episodes with Bart Layton
2 episodes with Bart Layton
On the afternoon of June 19, 1994, thirteen-year-old Nicholas Barclay left his home in San Antonio, Texas to play basketball with some friends. Hours later, he called home to ask his mother for a ride, but was told he would have to walk home, but Nicholas never came back. His mother reported him missing and an investigation was started, but it quickly stalled when there was no evidence of what happened to Nicholas.Three years passed and one day, out of the blue, the family received a call from the US Embassy. Nicholas had been discovered in Spain, they said. He had endured terrible trauma at the hands of a human trafficking ring and he was desperate to come home. The family was elated and eagerly welcomed Nicholas back into their home. But to some of the people involved in the boy's return to Texas, there were just too many things about his story that didn't quite add up.Thank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!ReferencesAssociated Press. 1998. "Fugitive poses as teenager." Orange Leader (Orange, TX), September 12: 5.Davies, Nick. 1998. "The Lost boy." The Guardian, October 17.Flynn, Sheila. 2023. A French serial imposter convinced everyone he was a missing Texas teen. This PI convinced him to confess. January 27. Accessed May 24, 2025. https://www.independent.co.uk/news/world/americas/imposter-netflix-frederic-bourdin-nicholas-barclay-b2269897.html.Grann, David. 2008. "The Chaemeleon." New Yorker, August 8.2012. The Imposter. Directed by Bart Layton. Performed by Bart Layton.Stay in the know - wondery.fm/morbid-wondery.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
« Il y a pire qu'être démasqué, c'est de ne pas être démasqué. »Victoire, Pascale, Jeanne, Hugo et Louis comparent le récit d'Emmanuel Carrère, L'Adversaire, à son adaptation en film réalisée par Nicole Garcia avec Daniel Auteuil, Géraldine Pailhas, François Cluzet et Emmanuelle Devos. Jean-Claude Romand est un mari attentionné, un père aimant, un médecin respecté : mais un matin de janvier 1993, il assassine sa femme, ses enfants et ses parents avant de tenter de mettre fin à ses jours. La police découvre alors qu'il n'a jamais été médecin, ni même terminé ses études de médecine... Fasciné par ce mensonge vertigineux qui a duré 18 ans, Emmanuel Carrère décide d'écrire à Romand afin de percer sa psychologie.Le film de Nicole Garcia est-il fidèle au livre dont il est tiré ? Réponse dans l'épisode !4 min 06 : On commence par parler du récit L'Adversaire d'Emmanuel Carrère, paru en 2000.58 min 32 : On enchaîne sur l'adaptation en film sortie en 2002 et réalisée par Nicole Garcia avec Daniel Auteuil, Géraldine Pailhas, François Cluzet et Emmanuelle Devos.1 h 40 min 55 : On termine sur nos recommandations autour des true crime et des histoires de mensonges.Avez-vous lu ou vu L'Adversaire ?Recommandations :Ne réveille pas les enfants, écrit par Ariane Chemin (2023)Les pistolets en plastique, réalisé par Jean-Christophe Meurisse (2023)Yellowface, écrit par R. F. Kuang (2022)The Imposter, réalisé par Bart Layton (2012)De sang froid, écrit par Truman Capote (2022)Xavier Dupont de Ligonnès - L'enquête culte de Society (2020)V13, écrit par Emmanuel Carrère (2022)L'écrivain et l'assassin, réalisé par Camille Juza (2024)Sambre, écrit par Alice Géraud (2023)Crédits :The Adversary - Angelo Badalamenti (tiré de la bande-originale L'Adversaire) - 2002
emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Barry Keoghan, originally episode 226 from 2018-08-29.Below is the original writeup for context - but as you will know, the years since this was recorded have seen Barry find new audiences while revealing all sorts of new levels to his skills and talents. So enjoy this flashback to the 2018 era Barry! Note - this writeup was for the original episode where Barry shared it with Bart Layton - just a quick FYI.–––––––––––––––––––––––––An amazing chance to catch up with the pair as Pip rocks it tag-team style, starting the podcast with director Bart Layton and concluding halfway through with actor Barry Keoghan. Needless to say, with two sides of the story covered you get a comprehensive and detailed look at a unique pocket of the movie industry, a fascinating side of the indie film world and certainly longer than a regular press junket. You'll get to hear about the realities of making and marketing a movie in a world of cinema and Netflix (or dare I say, cinema versus Netflix), the differences in those two worlds as well as the merits of both, the ludicrous nature of the premise of ‘American Animals' and how it works as a film, how Barry is a grade A actor without formal training and how acting was not a conventional pursuit being where he is from. Naturally there is more besides but that's down to YOU, dear listener, to unravel and enjoy. Which you shall. The recording is a touch on the reverberant side, which you might pick up on, but in headphones your ears will rapidly attune and all will be well. Now go see their filmographies already!PIP'S PATREON PAGE if you're of a supporting natureIMDBSALTBURN TRAILERBIRD TRAILERBANSHEES OF INISHERIN TRAILERPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
A João conta à Paula a história de um impostor internacional com síndrome de Peter Pan, que se consegue transformar noutras pessoas à vista de todos, com consequências inesperadas. Para este episódio recomendamos o filme "The Imposter" de Bart Layton, 2012 (Mubi e Prime Video), e o artigo "The Chameleon" de David Grann para a New Yorker.
This is episode 21 in our second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Paul Davies, the legendary Sound Designer who is best known for being one of Director Lynne Ramsay's closest collaborators, with their relationship spanning all the way back to her first feature film, Ratcatcher. He is exceptional in his own right however and his unique style has landed him work with directors such as Stephen Frears, Yann Demange, Rose Glass, Steve McQueen and Guillermo Del Toro amongst countless others. Sound is as important if not more so than the image itself, so we are super excited to bring you a conversation with one of the absolute best in the business. This conversation covers: -What is Sound Design? -What was his journey into the industry like? -The importance of mentors? -How did he come to meet Lynne Ramsay and build that relationship? -Why do people keep coming back to him? -How to sync up the process between sound and the edit? -How does he approach character and perspective with sound? -What are the mistakes that directors make when working with sound designers? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Paul's Bio With a background in music recording and composition, Paul Davies graduated from the sound department at the National Film and Television School (UK) in 1993. After graduation Paul worked as a freelance sound record recordist, sound editor and re-recording mixer on a variety of feature, broadcast, and corporate projects. In 1995 Paul joined the sound post production company VideoSonics as a sound editor, rising to become head of the sound editorial department. Whilst with VideoSonics Paul continued to hone his craft on a large range of feature film and television dramas. In 2000 Paul left VideoSonics to become a freelance supervising sound editor and Sound Designer and continues to work in these roles to this day. Notable directors he has with with include Stephen Frears, John Hillcoat, Lynne Ramsay, Guillermo Del Toro, Steve McQueen, Hideo Nakata, Rose Glass, Bart Layton, Anton Corijn, Saul Dibb, Julian Jarrold, Nick Broomfield and Julien Temple amongst many others, on films such as The Queen, Kinky Boots, You Were Never Really HEre, American Animals, Hunger, Mrs HEnderson Presents, The American, The Proposition, We need to Talk about Kevin, Saint Maud and Mogul Mowgli. In addition to his work in sound production, Paul is a regular visiting tutor at the National Film and Television School in the UK The Baltic Film School in Estonia and the IFS in Cologne. Paul has also held Sound Design workshops at the School of sound, BAFTA, CPH Dox Festival-Denmark and The Sound of Story in Brighton UK. Paul is a voting member of BAFTA and AMPAS and a past chair of AMPS the UK's film and television sound craft guild. Paul has received nominations from BAFTA and The Royal Television Society for his sound design work in 2018, and won a BIFA for his Sound Design in You Were Never Really Here. Nugget of the week Paul: Beth Gibbons - Portishead lead singer & the strength of performance. Oz: Godzilla Minus One Marcus: How Liquid Death's Founder Started a $700million Water Brand | Found Effect Credits Music by Oliver Wegmüller Socials Paul Davies: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com
This episode of Target Audience welcomes writer and podcaster Abe Friedtanzer. Abe is targeted by Bart Layton's 2018 crime docu-drama American Animals. Join us as we discuss the blurring fictional lines, the promise of young actors, and the art of the heist film. Abe on Twitter Abe on Muckrack Ben on Twitter Ben on Letterboxd Ben on Instagram Ben's Website (IceCream4Freaks) Opening/Closing Song - "Can't Slow Down" by Almost Monday
Marvel icons Mark Ruffalo and Chris Hemsworth are set to star in Crime 101, a jewel heist film directed by Bart Layton, known for The Tinder Swindler. The film, an adaptation of Don Winslow's novel, will see Hemsworth also producing alongside Elsa Pataky and Ben Grayson. Crime 101, compared to the classic heist thriller Heat, involves a series of jewel thefts linked to Colombian cartels. Although plot details remain secretive, the project promises to be a major draw for Marvel fans and is scheduled for a 2025 theatrical release.
"Everyone in here thinks that they're gonna win the lottery, but no one likes a ticket." For Episode 314, Thomas and Brandon discuss a favorite of theirs for this month's True Crime series. Listen as they talk about the real story behind AMERICAN ANIMALS, how it was developed, and how the film was a part of the downfall of MoviePass. Also, don't forget to join our Patreon for more exclusive content: Opening Banter (00:00:10) Recap of True Crime Month (00:04:46) Intro to American Animals (00:12:47) How American Animals Got to Production (00:20:47) Favorite Scenes (00:34:36) On Set Life - (01:01:31) Aftermath: Release and Legacy (01:03:53) What Worked and What Didn't (01:14:21) Film Facts (01:27:19) Awards (01:30:44) Final Questions (01:33:51) Preview of Patreon (01:45:36) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com
For Tate's first pick of the year, he selects 2018's American Animals starring Evan Peters and Barry Keoghan. We talk about the stupidity of teenagers/young adults, Jacob's publishing mistake, Sage getting very upset and saying lots of bad words, and much more! This movie was directed by Bart Layton. GD4AM: 77/100 IMDb: 7.0/10 Metacritic: 68/100 Letterboxd: 3.7/5 RT: 88% Four young men mistake their lives for a movie and attempt one of the most audacious heists in U.S. history. This movie is currently streaming on Amazon Prime. NEXT MOVIE REVIEW: Into the Wild (2007), which is currently streaming on Showtime.
We get to be a couple of American Animals this week on Scene Stealers! When we go into the Vault Charles is stepping into the ring to talk about a classic Best Picture winner Rocky. Leo is all about Samuel L. Jackson in 1998's The Negotiator, which makes it the third F. Gary Gray movie talked about on Scene Stealers. The main event is director Bart Layton's 2018 True Story Art Heist- American Animals. Leo and Charles discuss the films mixed in documentary style, whether it was a good heist to pull off in the first place, and why you can't assume someone is joking when they talk about a pulling off a heist. Be a good Animal and give a listen!
Lucky 13! We're over halfway through the season taking a detour into art theft. Join us as we dissect Bart Layton's awesome American Animals. Chat with us at : Instagram, Twitter or Threads Support us at : Patreon
En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: – «El impostor” (2012) [documental] de Bart Layton - https://youtu.be/g06ryBuleMA – «Alien, el octavo pasajero» (1979) de Ridley Scott - https://amzn.to/44UF9Ua – «Sin novedad en el frente» (2021) de Edward Berger - https://www.netflix.com/es/title/81260280 - "Half Life" [videojuego] - https://half-life.com/es/alyx Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #impostor #alien Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
American Animals is a 2018 heist film written and directed by Bart Layton. Starring Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, and Ann Dowd. It follows four college friends who plan a heist of their library. It tells the story of an actual heist which took place at Transylvania University in Lexington, Kentucky in 2004. Ah, the days of being young We have the world at our feet yet our heads are kinda dumb and our paths are determined by the friends we meet -Spro Want to change your life? Steal a book about birds Try to plan a heist but realize it's absurd. -MC
On this episode of MWMH, Payton and Garrett discuss the disappearance and mysterious discovery of Nicholas Barclay. Links: https://linktr.ee/murderwithmyhusband Case Sources: “The Imposter,” documentary, directed by Bart Layton, released 2012 Ksat.com, “Case of missing San Antonio boy from 1994 remains a mystery,” by Erica Hernandez, May 2, 2019 History101.com, “The incredible, disturbing true story of Nicholas Barclay and his masterful imposter,” copyright 2022 Wise Elements Inc. Allthatsinteresting.com, “The Mystery of Nicholas Barclay and His Impostor, Frederic Bourdin,” by Katie Serena, March 6, 2018, updated October 18, 2018 Websleuths.com, TX – Nicholas Barclay, 13, San Antonio, 13 June 1994, Noirdame79, October 27, 2021 Brenmar71.medium.com, photo of Nicholas Barclay Historybyday.com, “The True Story of a Missing Boy and His Imposter.” Livingmgz.com, Living Magazine, “Social Media Photo Brings a Breakthrough in Missing Persons Case,” by Hadar Gerlitz, no date provided Mysanantonio.com, “These San Antonio residents vanished and have never been found,” by Mark Dunphy, November 13, 2020, updated September 22, 2021 Newyorker.com, The New Yorker, “The Chameleon; The many lives of Frederic Bourdin,” by David Grann, August 4, 2008 Charleyproject.org, The Charley Project, “Nicholas Patrick Barclay,” last updated July 16, 2022 U.S. Census Bureau, San Antonio population (1994) Assisted research and writing by Diane Birnholz Learn more about your ad choices. Visit podcastchoices.com/adchoices
Join Nick, Tom, KJ and Chris as they explore movies through trivia. In this episode of the Talking Pictures Trivia podcast, they discuss American Animals (2018), directed by Bart Layton.https://talkingpicturestrivia.com/
In the forty-fifth episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by a panel of guests, script supervisor Katy Baldwin, actor Dan Bauer, and fellow critic Tyler Harlow, to discuss Bart Layton's docu-realist retelling of a tale stranger than fiction and how fragmented perception makes for an elusive idea of truth in American Animals (2018).
Join us for this episode of The CyberPHIx podcast where we hear from Bart Layton, VP of Product for CORL Technologies, who was also a leader on the team that overhauled and secured healthcare.gov. In this two-part conversation, we discuss Bart's insights into the deployment and security of healthcare.gov as well as his perspectives on third- and fourth-party cyber risks for healthcare organizations. About Healthcare.gov Healthcare.gov is the nation's federal exchange for health insurance coverage that was created from the passing of the Patient Protection and Affordable Care Act (ACA). The initial launch of the website was fraught with challenges and was ultimately "rescued" by a large team contracted to get the site operating in tip-top shape. About Fourth-Party Vendor Risks Cybercriminals and nation-states have also unleashed relentless cyber-attacks on the U.S. healthcare industry and its suppliers this year. Unfortunately, cyber risk exposures have not been limited to third-party vendors, and risks to sensitive data and systems often extend across the full supply chain including fourth-party vendors and open-sourced products. Topics covered in this session include: What is healthcare.gov? How and why was healthcare.gov overhauled in the early stages of its development? Security challenges and solutions for healthcare.gov that arose during implementation Cloud security considerations for hosted healthcare applications including healthcare.gov What is fourth-party vendor risk and how is it impacting healthcare organizations? Examples and case studies of prominent fourth-party vendor breaches in healthcare Emerging solutions and innovations in third- and fourth-party vendor risk management New federal regulations and standards for managing supply chain risks
For the second week in a row, we welcome a female composer to Soundtracking, which is a delight, given the underrepresentation of women in the industry. Anne Nikitin's star is very much on the rise, after she made her big breakthrough working with Bart Layton on The Imposter and American Animals. She has several exciting projects on the go, including the prequel to Dangerous Liaisons.
This week's interview is with Lizzie Gillet, the Director of the Feature Documentary Department at Passion Pictures, whose credits include the Oscar-winning SEARCHING FOR SUGAR MAN, Bart Layton's THE IMPOSTER, James Marsh' PROJECT NIM and more recently THE RESCUE. Lizzie recently produced THE TERRITORY, a feature documentary co-produced with an Indigenous community in Brazil about their fight to protect their ancestral land in the Amazon rainforest, which the World Cinema Documentary Award at this year's Sundance. Lizzie also produced LADY BOSS, a feature documentary directed by Laura Fairrie about trailblazing life of novelist Jackie Collins. We talk about her first foray into producing feature docs by making the climate change documentary THE AGE OF STUPID and how that led to the 10:10 global campaign to cut carbon emissions, how crowdfunding played a big part in financing that film before crowdfunding was a thing and whether she felt any pressure to replicate the success of that. We also discuss how she arrived at Passion Pictures, what she's responsible for and what it means to direct a department, supporting the filmmakers she works with and what she's learnt along the way. Lizzie was brilliant interviewee and someone I thoroughly enjoyed speaking with, so I hope you enjoy listening to our conversation.
The guys (and the corpse of Jordan) get around to watching 2018's American Animals directed by Bart Layton. We discuss the other movies we watched and Jordan picks a classic all on this weeks episode.
I feel we should apologise in advance dear listener. Our topic of choice for our Top 5 discussion is movie masturbation moments. As feared the Dads regressed into their teenage selves and lots of daft giggling and infantile chat ensued.Our movie choice, inspired by a tweet, is 2018's American Animals. Directed by first timer Bart Layton, the movie shows us the true story of four college students library heist gone wrong. The movie uses some interesting devices to engage the audience, including using the real life protagonists as talking heads, but also within the dramatisation of the story itself. Sidey in particular was a big fan of this film!Another listener recommendation for our children's tv offering. Darren Leathley subjected us to Netflix's latest cute animal animation - Dogs In Space. This is an all round meh from the guys. But perhaps we expect too much. You should tweet us your own thoughts on any of this week's programming.We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com. Until next time, we remain... Bad Dad
As film enthusiasts, Cotton and I have made a tradition out of regularly spending a weekend watching several films across 2 days, trying to explore films neither of us has ever seen before. For our first episode back, we decided to record our thoughts on this latest marathon and share our explorations with you. For this marathon, we left our comfort zone of narrative films and chose to explore 6 documentary features along with several shorts. For Part 1 of our marathon discussion, here are the films we covered: • Timelapse of the Universe, by John D. Boswell & melodysheep (2019) (short) • Koyaanisqatsi, by Godfrey Reggio (1983) • The Imposter, by Bart Layton (2012) • Into the Inferno, by Werner Herzog (2016) • Electric Boogaloo: The Wild, Untold Story of Cannon Films, by Mark Hartley (2014) If you'd like to suggest topics for future episodes, please leave a comment or critique for us on your preferred podcast app. And don't forget to leave a review if our show intrigued or inspired you. Hosted By: Jonathan Leiter Co-Host: Cotton Ciaverelli SOUND FX & MUSIC: All tracks and songs sourced from Storyblocks.com Podcast Logo: Designed by Jonathan Leiter
Celebrating their tenth episode of The M.A.D. Podcast, Dylan's album pick, Taylor Swift's "Fearless" (2008), and Marley's film choice, Bart Layton's "The Imposter" (2012), fit this week's special theme of Switching It Up.
For their collective #3 film of 2018, the boys are discussing Bart Layton’s Docu-Drama American Animals! Join them as they delve into the film’s unique structure and format, the career-best performance on display from Evan Peters, and the stylish direction from Bart Layton that makes this film so slick and effective. Also, Tyler actively tries to derail the podcast with discussion of the Ice Age franchise.
Happy Spooktober, listeners! This week we're going international (sorta). We watched The Imposter (2012) directed by Bart Layton, starring the imposter himself, Frederic Bourdin. Natalie tells us the true life story of Bourdin, notorious French identity thief who somehow wound up stealing the identity of missing Texan boy, Nicholas Barclay. We chat about the insane, winding story of the hundreds of made-up characters Freddie became - and the two identities of the missing children he stole. Caroline finally confesses her wild amnesiac fever dreams and we both admit to our middle-school Wattpad dreams... We've got a face for radio and a voice for print, so sit back, relax, and we apologize in advance!(This episode was pre-recorded on August 5, 2020)Email us at filmnoirpodcast@gmail.comFind us on Instagram @filmnoirpodcastAnd support us on Patreon @Film Noir
Featuring the 2012 documentary "The Imposter" by Bart Layton, Gideon and Glenn discuss the twisted story of a man who impersonated a missing child. --- Send in a voice message: https://anchor.fm/creepsilog/message
Welcome, welcome, welcome to episode 284 of the Distraction Pieces Podcast with Scroobius Pip! The fabulous JOE GILGUN is this week’s guest, star of THIS IS ENGLAND, PREACHER and currently BRASSIC!Indeed - this is the week, people. Pip’s been hyping it up for a while now, rightfully so, as Joe is an awesome guest who fits right in like hands to a pair of gloves. And boy howdy do Pip and Joe get into it all… From his appearances on the brilliant Two Shot Podcast, to his own dealing with bipolar (including the importance of having characters who deal with the condition but not as their only character asset), not being the condition you have, working with the powerful Shane Meadows and the many actors under his expansive wings, his bipolar purchase decisions (including parrots and many, many pairs of trainers), living in a derelict house in the woods, social media and its many pitfalls including reasons for him to not use it, all his acting work from Corrie to Brassic and all in between, the lush countryside of the Midlands, being a ‘tall poppy’ - the one who isn’t allowed to get above his station back in the days, learning words through context clues, learning the hard way with a strict teacher, the freedom of taking ideas to Sky, and dealing with memory problems. Yes it’s rammed. Yes you’ll enjoy it. GO IN!Pip Outro Thoughts: Joe’s incredible openness – White Wine Question Time – the Podbible podcast which is out NOW!EPISODE LINKS:• JOSEPH on TWITTER (not often!)• JOSEPH on THE INTERNET• JOSEPH on IMDB• BRASSIC• PREACHERTHIS EPISODES SPIRIT ANIMALS:• DPP #231 • Dominic Monoghan• DPP #226 • Bart Layton & Barry KeoghanLINKS FOR SCROOBIUS PIP & SPEECH DEVELOPMENT:• SCROOBIUS PIP on TWITTER!• SCROOBIUS PIP on INSTAGRAM!• SCROOBIUS PIP on PATREON!• POD BIBLE!• SPEECH DEVELOPMENT RECORDS • DISTRACTION PIECES NETWORK on FACEBOOK• DISTRACTION PIECES NETWORK on INSTAGRAM• NEW LISTENERS TAKE NOTE • You can find the full DISTRACTION PIECES episode list HERE! See acast.com/privacy for privacy and opt-out information.
In questo episodio parliamo del film "American Animals" di Bart Layton.
Aldo e Federica parlano del film di Bart Layton, che però non ha acceso gli entusiasmi né dell'una né dell'altro.
Aldo e Federica parlano del film di Bart Layton, che però non ha acceso gli entusiasmi né dell'una né dell'altro.
Aldo e Federica parlano del film di Bart Layton, che però non ha acceso gli entusiasmi né dell'una né dell'altro.
Welcome, welcome, welcome to episode 268 of the Distraction Pieces Podcast with Scroobius Pip! Ladies and gentlemen, please set aside a nice chunk of time to get properly acquainted with superstar director and actor DEXTER FLETCHER!The man behind the blockbusting Elton John biopic ‘Rockteman’, the wonderful Proclaimers musical ‘Sunshine On Leith’ and one of the team behind the phenomenal ‘Bohemian Rhapsody’, Deter has been doing more in the world of cinema than can be fully documented right here… Add to that his extensive work in front of the camera in a good handful of Guy Ritchie flicks, Bugsy Malone and of course, who could forget Press Gang, this is the guy to talk to about film and television. And this is exactly what Pip does, my friends. And it is a thorough scorcher. Everything from the ramping up of Dexter’s career, to his work on Wild Bill, walking before he could run with his film career, techniques behind Sunshine On Leith, learning on the job, how memory plays into biopics - reliable or not, the ‘f*ck it’ vs ‘f*ck you’ attitude, being ‘exposed’ - as in out in the open - when it comes to some jobs, navigating the challenge of directing and the personal cost of everything we do - a lot going on, you’ll love it. And you’ll love ROCKETMAN too!EPISODE LINKS:• DEXTER FLETCHER on TWITTER• DEXTER FLETCHER on IMDB• ROCKETMANTHIS EPISODES SPIRIT ANIMALS:• DPP #87 • Stephen Graham• DPP #226 • Bart Layton & Barry KeoghanLINKS FOR SCROOBIUS PIP & SPEECH DEVELOPMENT:• SCROOBIUS PIP on TWITTER!• SCROOBIUS PIP on INSTAGRAM!• SCROOBIUS PIP on PATREON!• POD BIBLE!• SPEECH DEVELOPMENT RECORDS • DISTRACTION PIECES NETWORK on FACEBOOK• DISTRACTION PIECES NETWORK on INSTAGRAM• NEW LISTENERS TAKE NOTE • You can find the full DISTRACTION PIECES episode list HERE! See acast.com/privacy for privacy and opt-out information.
La Ciencia Ficción en su faceta animada puede convertirse en un obscuro objeto de deseo para el público especializado, y “Love, Death & Robots”aka ”LOVE DEATH + ROBOTS”, producida por Joshua Donen, David Fincher, Jennifer Miller y Tim Miller, es uno de esos casos. Además, la experiencia real contada en “American Animals”, de Bart Layton; […]
Hallo zusammen. In der heutigen Folge besprechen wir den neuesten Film von Bart Layton: American Animals More
In unserem zuckersüßen Podcast gab es in den letzten Wochen so viele Neuerungen, dass wir euch mal wieder Vertrautes präsentieren wollen. Deshalb picken wir uns einen Film heraus und gehen tief in die Analyse. Erwischt hat es American Animals, den wir beide in unserer Top 10 von 2018 hatten. Wie immer gilt: Nicht verpassen! Und damit herzlich Willkommen zu Review #8 von NSRT - Nerd Science Recorded on Tape. Dem einzigen Podcast über Filme, den ihr wirklich braucht. Details zur Folge: https://nsrtpodcast.podigee.io/11-review8 Video zur Folge: https://youtu.be/bmtNA1BhqIc
The Cinema Sideshow this week is hosted by Zeke Morgan-Hind and Jake De Agrela. This week on the show, a review for Bart Layton's "American Animals" (2018).
If you're new to the podcast, Corey (@coreyrstarr) and Jonathan (@berkreviews) both realized they had a ton of movies they'd never seen, but really wanted to knock off their gap list. In an effort to work through their respective lists, they started this podcast to ensure they at least check one new film off the list almost every week. American Animals is a film that Corey has been wanting to watch for a while. Jonathan was actually able to see it with the cast in the audience at SXSW this year. It was one of his favorites of the festival so he's all in on watching it again. It is directed by Bart Layton and stars Evan Peters, Blake Jenner, Barry Keoghan, and Jared Abrahamson in a true story that you probably know nothing about. This film features the actual people involved in that story through interviews and embedded reenactments. --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support
Writer, director and actor Scott Ryan is in the studio to talk about his new TV series Mr Inbetween. British documentary filmmaker Bart Layton has blended fact and fiction in his art heist movie American Animals, and we meet Palestinian filmmaker Annemarie Jacir.
Writer, director and actor Scott Ryan is in the studio to talk about his new TV series Mr Inbetween. British documentary filmmaker Bart Layton has blended fact and fiction in his art heist movie American Animals, and we meet Palestinian filmmaker Annemarie Jacir.
This week we get into Bart Layton's narrative/documentary movie that we don't necessarily agree about... Paul also recaps his most recent play experiences. Enjoy! Subscribe on iTunes or Apple Podcasts: https://itun.es/i6gB67Y Check out our Facebook page: www.facebook.com/actorandengineer and follow us on twitter @actorengineer.
On this week's show we're checking out post-summer cinema offerings including Shane Black's return to the Predator franchise, Bart Layton's curious documentary-heist hybrid, American Animals, the latest Conjuring spin-off, The Nun and lots more besides. Suffice it to say it's turning into quite the year for horror movies. All this and more on yet another movie-focused #NOTwatching Podcast!Contact us on Email at: notwatchingpodcast@gmail.comFollow us on Twitter: @notwatchingpodYou can find the show notes for this show at www.notlistening.co.ukIf you're listening on iTunes, please give us a review!To Check out other shows in the Collection visit:http://barkerpodcasts.webs.com
American Animals director Bart Layton discusses walking the line between dramatic and documentary filmmaking, the mythological way we talk about crime and how the form of a film can illustrate the state of its characters.
In the second in our early season doubleheader, we present a live Q&A from the Duke of York's Picturehouse in Brighton with Dario talking to the director of American Animals Bart Layton. The discussion touches on the amalgamations of fictional and documentary aesthetics (linked also to Bart's previous Bafta award-winning film The Imposter, the development of a script that changes over time, actors playing real-life characters who also appear in the film, and the current social and political climate as a backdrop for stories about white masculinity.
Our latest edition of Soundtracking features British writer / director Bart Layton. Bart won widespread critical acclaim for his debut The Imposter, a documentary about the case of the French conman Frédéric Bourdin, who impersonated a Texas boy who disappeared at the age of 13 in 1994. His new film is also inspired by an extraordinary true story about a group of ordinary everyday guys who plan to steal the most expensive book in America. Unlike The Imposter, though, it's predominantly a work of 'based on real events' fiction, with great performances by all of the actors in the central roles. It also features a banging soundtrack and excellent score by Anne Nikitin.
This much is true: we made a podcast about the film American Animals and the spate of docu-dramas (The Imposter, The Act of Killing, Catfish etc) between 2010-12 that muddled fact and fiction into an entertaining, ethically-iffy new artform.American Animals, directed by Bart Layton, is the true-ish story of four college kids who decided to rob some rare books from their local university library. Told via interviews with the robbers and dramatisations of their story, the film leaves you with the impression that you're never quite being told the whole truth.Back in the 2010s there was a whole spate of films that did this. Films like Catfish, The Act of Killing, I'm Still Here and The Imposter (also directed by Bart Layton). We talk about why this moment happened, what it meant and where it's left us now. Plus, we hear from Bart about the importance of truth in documentary, even when you're repeating a lie.The BFI Podcast is ...BFI Southbank Programmer Anna BogutskayaBFI Digital editor Henry BarnesProducer Peter SaleTrust us, these are good:• The Vanity Fair story on the Transy Book Heist.• The original, true (?) story of The Imposter's Frederic Bourdain.• Why Catfish is cooked (Vulture) See acast.com/privacy for privacy and opt-out information.
The breakout hit of the year is here! Jamie and Hanna talk Crazy Rich Asians, the re-invigoration of The Predator franchise and the second Hatton Garden robbery movie in 12 months - King of Thieves with it's rather impressive cast.Bart Layton also called in to discuss American Animals and how that may well have opened a few doors over at MI6 if you catch my drift... For your eyes only..!As ever, we'd really love to know what you think of the podcast - contact us on twitter - @talkradio with the hashtag #talkfilm or speak to Jamie and Hanna directly on @jamieeast and @hannaflint. We live or die based on your ratings and feedback, so please review and recommend wherever you get your podcast from! KISSES ON THE MOUTH.Ps. There is swearing in this podcast, so don't play to children or boring people. See acast.com/privacy for privacy and opt-out information.
Sam Clements talks to writer-director Bart Layton about his new film, American Animals. In cinemas now. Director: Bart Layton. Starring: Evan Peters, Barry Keoghan, Ann Dowd When Spencer (Keoghan) is shown around his college’s rare book collection – he forms a plan to steal the valuable first editions. But not before recruiting two trusty accomplices: nervy maths geek Eric (Jared Abrahamson) and wealthy jock Chas (Blake Jenner). Based on true events at the library of Transylvania University in 2004, and blending fiction with fact, this is a slick and innovative heist thriller with attitude.
In this episode of the podcast, we welcome Bart Layton, director of the BAFTA winning 'The Imposter', to the show with his new film 'American Animals', a stranger-than-fiction heist thriller set in suburban Kentucky.This isn't based on a true story, this happened. Writer-director Bart Layton (The Imposter) takes the heist movie into bold new territory with this unbelievable but true story of four young men who attempt one of the most audacious art heists in US history.Barry Keoghan and Evan Peters play two friends from the middle-class suburbs of Lexington, Kentucky, who upon enrolling in college realise that their lives may in fact never be important or special in any way. Determined to live lives that are out of the ordinary, they plan the brazen theft of some of the world's most valuable books from the special collections room of the college Library.Follow the team on Twitter:@SamHowlett_1 - Sam@ks_powell - Kelly@jakehcunningham - JakeProduced and edited by Jake CunninghamMusic from incompetech.com Hosted on Acast. See acast.com/privacy for more information.
In the first of a new series of official Galway Film Fleadh podcasts, GFF programme director Will Fitzgerald chats with the American Animals director about moving from reality TV to blurring the lines of reality in his films, the advantages of cinema over television, learning how to write a script, casting Barry Keoghan, his favourite […]
Sweet Jesus and mother of Christ in heaven, it's time for the show that's truly a gift from God. It's in the Bible, so it must be true. This week, Paul Moore has been BANISHED from the Garden Of Eden (AKA the podcast studio) because he ate all the fancy magic apples. Sad times. In happy times though, host Eoghan Doherty is delighted to be joined by the Adam and Eve of the film review world... it's Rory Cashin and Cara O'Doherty! As well as a clergy-themed Big Question On The Big Reviewski, there's a terrifyingly screechy review of The Nun and the gang are joined by not one... not two... not three... but FOUR superstar guests. Barry Keoghan and Bart Layton pop by to talk American Animals, while Stephen Rea and Lance Daly also call in to say hello and chat about their brand new Famine-set revenge thriller, Black '47. Plus, there are bad jokes about popcorn boxes, even worse jokes about fart noises and one really good joke about The Predator. Don't ask, just listen...
On the latest Truth & Movies, Michael Leader, Rowan Woods and James Luxford take in two new releases about the pitfalls of youth. First up is Desiree Akhavan’s sparkling second feature, The Miseducation of Cameron Post, set in a conversion therapy camp in the early 1990s, followed by Bart Layton’s unconventional heist caper, American Animals. And continuing the conversion therapy theme, this week’s Film Club offering is Jamie Babbit’s cult LGBT comedy, But I’m a Cheerleader. See acast.com/privacy for privacy and opt-out information.
If this week's Empire Podcast were any more jam-packed, you could pop a label on it and call it a jar of Hartley's. We are joined by not one, not two, not three, but FOUR guests this week. First up is Chloe Grace Moretz, the former Hit-Girl herself, who talks to Chris Hewitt about her new movie, The Miseducation Of Cameron Post, falling in and out of love with acting, and being a DJ. [00:11:55 - 00:31:02] Then Chris talks to the man mountain that is Dave Bautista [00:52:09 - 01:07:05] about his new movie, football-based thriller Final Score, and introduces him (figuratively, not literally) to Trent Alexander-Arnold. And last but not least, Chris and Nick de Semlyen natter to American Animals director Bart Layton and his star, Irish actor Barry Keoghan. [01:08:14 - 01:28:35] Meanwhile, in the podbooth, Chris is joined by Helen O'Hara and James Dyer to 'answer' a listener's question, dissect the week's movie news, and review Upgrade and Cold War. Jammy gits.
Welcome, welcome, welcome to episode 226 of the Distraction Pieces Podcast with Scroobius Pip! A perfect movie based follow up to the incredible previous episode with Spike Lee, as Pip is joined by director Bart Layton and actor Barry Keoghan - both of ‘American Animals’!An amazing chance to catch up with the pair as Pip rocks it tag-team style, starting the podcast with director Bart Layton and concluding halfway through with actor Barry Keoghan. Needless to say, with two sides of the story covered you get a comprehensive and detailed look at a unique pocket of the movie industry, a fascinating side of the indie film world and certainly longer than a regular press junket. You’ll get to hear about the realities of making and marketing a movie in a world of cinema and Netflix (or dare I say, cinema versus Netflix), the differences in those two worlds as well as the merits of both, the ludicrous nature of the premise of ‘American Animals’ and how it works as a film, how Barry is a grade A actor without formal training and how acting was not a conventional pursuit being where he is from. Naturally there is more besides but that’s down to YOU, dear listener, to unravel and enjoy. Which you shall. The recording is a touch on the reverberant side, which you might pick up on, but in headphones your ears will rapidly attune and all will be well. Now go see their filmographies already!––––– ––––– –––––THIS EPISODE'S LINKS:• BART LAYTON!• BARRY KEOGHAN!• AMERICAN ANIMALS!• THE IMPOSTER!• SCROOBUS PIP on TWITTER!• SCROOBIUS PIP on INSTAGRAM!• SPEECH DEVELOPMENT RECORDS • DISTRACTION PIECES NETWORK on FACEBOOK• DISTRACTION PIECES NETWORK on INSTAGRAM• NEW LISTENERS TAKE NOTE!!! You can find the full DISTRACTION PIECES episode list HERE!• FOLLOW AND ENJOY!!! See acast.com/privacy for privacy and opt-out information.
This week we’re joining by special guest Bart Layton, director of the upcoming heist caper American Animals. He previews the film ahead of its UK premiere at Film 4’s Sumer Screen at Somerset House, where this episode was recorded. Up for review are Richard Ayre’s high court drama, The Children Act, and Spike Lee’s white supremacist-skewering BlacKkKlansman. Michael Leader, David Jenkins and Hannah Woodhead also look back at Lee’s hit comedy from 1986, She’s Gotta Have It, for Film Club. See acast.com/privacy for privacy and opt-out information.
An interview with writer/director Bart Layton ahead of the UK premiere of American Animals, a true-crime tale full of high tension, bold style, and black humour. A group of four students come together in classic heist movie fashion (think Reservoir Dogs, because that's what they do) to steal some of the world's rarest books from the special collections room of their college library. Quite why they decided to do this, or why they these juvenile amateur criminals thought they were capable of pulling it off, are just some of the deeper currents that run through this irrepressible thriller that may ostensibly conform to crime film conventions but has a way of telling a story that is very much all its own. American Animals asserts both that “This is” and “This is Not Based on a True Story” right from the opening titles, making it very clear that doubt is going to play a very big part in what's to come. Credit writer-director Bart Layton with the high-wire narrative risks, his skill as a documentarian providing an unexpected extra level to the film that really increases its emotional power. What really gives the action its zest and freshness are the performances from the four young leads – mischievous looking star Evan Peters (Quicksilver in the X-Men franchise and a series regular in American Horror Story), the wonderful Irish actor Barry Keoghan (unforgettable in both Dunkirk and The Killing of a Sacred Deer), Blake Jenner (Supergirl and The Edge of Seventeen) and Jared Abrahamson. Each member of the group is distinctive in their own right, but the best scenes are when they come together as a perfectly imperfect gang of thieves. The UK premiere of American Animals is at Film4 Summer Screen at Somerset House on 22 Aug 2018.
Hoy Trasnoche no es otro podcast de cine. Es "el otro" podcast de cine. Para los que saben que hay mucho más que los estrenos de la semana. Conducen Santiago Calori y Fiorella Sargenti. En el portarretratos de esta semana: Frank Henenlotter, director de Basket Case, Brain Damage y Frankenhooker. Se estrenó Una Obra Maestra, de Gastón Duprat, y nos preguntamos: ¿esta sí tiene director de fotografía? Además: Megalodón y qué hace buena a una mala película. Y en el videoclub de Calu: American Animals, de Bart Layton. Flor, otra vez, se olvidó de preparar su sección. Este episodio de Hoy Trasnoche está presentado por Cinemark y Hoyts. Si escuchás Hoy Trasnoche, te gusta el cine. Y si te gusta el cine, vas a Cinemark y Hoyts.
Is it a documentary or a drama? In the case of “American Animals,” the answer to both is, “Yes.” This unique hybrid from filmmaker Bart Layton (“The Imposter”) is a true […] The post Take Two: “American Animals” (R) appeared first on KKFI.
On the 16th episode of Piecing It Together, co-host Josh Bell and I discuss American Animals. It's a true story that's so crazy they had to make a point to tell us in the beginning that it's not "based on a true story," but it "is a true story." From director Bart Layton, the story focuses on a group of four guys, led by Warren (Evan Peters) and Spencer (Barry Keoghan), who bored with their mundane existences decide to try to rob priceless books from a museum to sell on the black market. Yes it really happened, and yes it goes horribly wrong. The movie blends the lines between cinema and reality by also including documentary style interviews with the real guys, as well as including them in scenes with their actor counterparts. Puzzle pieces include The Bling Ring, Reservoir Dogs, The Thin Blue Line and I, Tonya.
We focus in on the new Bart Layton true crime drama American Animals. Email us @ currentlyconsidered@gmail.com
Darren’s back from New York, and Anthony is ill; neither event is related. We review Leigh Whannell’s gruesome action flick, ‘Upgrade’ (Logan Marshall-Green, Betty Gabriel, Harrison Gilbertson), Ari Aster’s directorial debut ‘Hereditary’ (Toni Collette, Milly Shapiro, Alex Wolff, Gabriel Byrne) and Bart Layton’s ‘American Animals’ (Evan Peters, Blake Jenner, Barry Keoghan). But we don’t stop there, so get comfortable! Darren speaks on the Andre Leon Talley documentary ‘The Gospel According to Andre’, Anthony gives a very timely rundown of James Cameron’s least successful record breaking film, ‘Titanic’, and Ann Dowd is in everything. A ghoulish friend makes his return.
Barry Keoghan joins Cinema Royale to talk about his starring role in American Animals, the new heist movie from writer/director Bart Layton that blurs the line between fact and fiction.
An American Icons special segment about “Fahrenheit 451,” the cautionary tale about authoritarianism and free speech that has seen a sales surge since the 2016 election. How Tony Visconti, Bowie's longtime producer, captured the artist's career in a 15-minute remix for the exhibit “David Bowie is.” And why filmmaker Bart Layton included documentary elements in his feature “American Animals.” Learn more about your ad choices. Visit megaphone.fm/adchoices
An American Icons special segment about “Fahrenheit 451,” the cautionary tale about authoritarianism and free speech that has seen a sales surge since the 2016 election. How Tony Visconti, Bowie's longtime producer, captured the artist's career in a 15-minute remix for the exhibit “David Bowie is.” And why filmmaker Bart Layton included documentary elements in his feature “American Animals.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Boredom, boldness and a proper mark — those are the three ingredients shared by today's category of "American" criminal films. It matters not if it's New York in the '70s or a sleepy college campus in 2004; flying too close to the sun for that big score is apparently a national pastime. We start the episode in the true crime realm with a discussion of the new film "American Animals" and the dramatization of its stranger-than-fiction premise. Chance interviews director Bart Layton to ask about connecting with the real people who tried to steal $12 million worth of rare books and the world view of the four young men who seemingly set out to create havoc in their own lives. Then, it's on to "American Made," last year's Tom Cruise extravaganza. We consider whether this silly, slippery movie is a proper crime epic or a ridiculous highlight reel of faux-history. And speaking of faux-history, we wrap up with "American Hustle," revisiting the film five years after we were both initially dazzled by its star-studded cast and lively David O. Russell script. Don't con yourself; just press play.
Director Bart Layton discusses Darwinistic irony in “American Animals."
This week Sean and Steven talk about the blurred the lines of narrative and documentary film. First, they talk about the new movie American Animals written and directed by Bart Layton. This movie does things with the narrative and documentary form that we have never seen before. They also talk about his first movie, which is a documentary called The Imposter from 2012 as well as a movie that interweaved documentary-style footage into a narrative true crime story in Alpha Dog from 2007, written and directed by Nick Cassavetes about the murder of a teenager in Southern California. ALSO, we give our thoughts on a movie coming out this week called Hotel Artemis, which has a large cast and a first time writer/director. Rate and review us on Apple Podcasts, and enjoy!
David, Jeff, Kristy and Alan Scherstuhl discuss writer-director Bart Layton's latest film American Animals starring Evan Peters, Blake Jenner, Ann Dowd and Barry Keoghan. Make sure to check out Alan's review of American Animals at Village Voice (https://www.villagevoice.com/2018/05/29/in-the-infuriating-american-animals-dumb-criminals-remorse-is-their-reward/) as well as Kristy's review at Riot Material (https://www.riotmaterial.com/american-animals-doc-fiction-wild-fun-disturbing/) . Lastly, David and Jeff conclude this episode with an 'After Dark' segment discussing the fallout of Solo: A Star Wars Story. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter (https://twitter.com/slashfilmcast) or like us on Facebook. (https://facebook.com/slashfilmcast) Shownotes Featured Review American Animals Credits: Editing assistance for this episode was provided by Brian Davids (http://apple.co/1Unwxgf) . Our sponsors this episode are Intel, RxBar, and LinkedIn. Learn more about the 8th Gen Intel Core processor with Intel Optane Memory at http://www.intel.com/youcould For 25 percent off your first order at Rxbar, visit RXBAR.com/filmcast (http://www.rxbar.com/filmcast) and enter promo code filmcast at checkout. For a limited time, every order will receive 6 free samples – 3 of the new RxBar flavors and 3 of the new RX Nut Butters. Free sample offer ends June 30th. Go to LinkedIn.com/filmcast (http://www.linkedin.com/filmcast) and get a 50-dollar credit toward your first job post. Our music sometimes comes from the work of Adam Warrock (http://www.adamwarrock.com/) . You can download our theme song here. (http://www.adamwarrock.com/?p=3174) Our Slashfilmcourt music comes from Simonmharris.com (http://www.simonmharris.com/) . Our spoiler bumper comes from filmmaker Kyle Hillinger. (http://www.imdb.com/name/nm6902426/) If you’d like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. Contact us at our voicemail number: 781-583-1993 You can donate and support the /Filmcast by going to slashfilm.com, clicking on the /Filmcast tab, and clicking on the sidebar “Donate” links! Thanks to all our donors this week! Learn more about your ad choices. Visit https://megaphone.fm/adchoices For information regarding your data privacy, visit https://www.acast.com/privacy
Episode 115 of One Week Only! It's the first weekend of the Hola Mexico Film Festival in downtown LA, but we've got new film reviews! Our key film this week is "Satellite Girl and Milk Cow," a wacky and unique South Korean anime fantasy about a satellite who gains sentience and becomes a girl, and a boy with a broken heart who becomes a cow. Directed by Chang Hyung-yun, it's an utterly unique and supremely charming romantic comedy about the most unlikely duo (24:40). We also review the stylish true-crime thriller "American Animals" (4:00) directed by Bart Layton, the Brazilian football documentary "Nossa Chape" directed by Jeff Zimbalist, Michael Zimbalist & Julián Duque (12:50), and the Australian surfing drama "Breath" directed by Simon Baker (20:15). Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com
On the June 1, 2018 episode of /Film Daily, /Film senior writer Ben Pearson presents an interview with Bart Layton, the writer/director of a new heist movie called American Animals that's based on a wild true story. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotifyand all the popular podcast apps (here is the RSSURL if you need it). In our Feature Presentation: 'American Animals' Director Bart Layton Talks His Heist Film, The Fluidity of Memory, and More [Interview] Other articles mentioned: 'American Animals' Review: A Quasi-True Story of an Audacious Art Heist All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotifyand all the popular podcast apps (RSS). Please feel free to send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.
Ringer editor-in-chief Sean Fennessey chats with writer-director Bart Layton about his path from unconventional documentaries to his ambitious new docufiction heist movie, ‘American Animals.'
Ringer editor-in-chief Sean Fennessey chats with writer-director Bart Layton about his path from unconventional documentaries to his ambitious new docufiction heist movie, ‘American Animals.'
In 2012, Bart Layton made his directorial debut with The Imposter — an ambitious true crime story that mixes documentary and narrative filmmaking. His latest movie further blurs the lines between fiction and reality: American Animals depicts a 2004 book heist by interspersing interviews with real people and the fictionalized version of the events. “I found myself thinking maybe there’s a new way to tell a true story,” Bart Layton tells Kurt Andersen. “Where you kind of get to have your cake and eat it.” Layton breaks down how he made one of the inventive, meta moments of the film, and discusses the possible motivations behind the senseless crime. “We’re all inhabiting a culture where we’re told that we have to be special,” he says. “It came from a place of wanting to leave a mark on the world.” American Animals opens in theaters on June 1, 2018. This podcast was produced by Studio 360's Sam Kim. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 2012, Bart Layton made his directorial debut with The Imposter — an ambitious true crime story that mixes documentary and narrative filmmaking. His latest movie further blurs the lines between fiction and reality: American Animals depicts a 2004 book heist by interspersing interviews with real people and the fictionalized version of the events. “I found myself thinking maybe there’s a new way to tell a true story,” Bart Layton tells Kurt Andersen. “Where you kind of get to have your cake and eat it.” Layton breaks down how he made one of the inventive, meta moments of the film, and discusses the possible motivations behind the senseless crime. “We’re all inhabiting a culture where we’re told that we have to be special,” he says. “It came from a place of wanting to leave a mark on the world.” American Animals opens in theaters on June 1, 2018. This podcast was produced by Studio 360's Sam Kim. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jeremy sits down with director Bart Layton (2012's THE IMPOSTER) to discuss his amazing new heist film AMERICAN ANIMALS, starring Evan Peters and Barry Keoghan, screening at SIFF 2018.
Composer Anne Nikitin has established herself as an extremely versatile composer by tackling different genres with her unique voice as a storyteller. Some of her notable scores include The Imposter, This Beautiful Fantastic and the docuseries Locked Up Abroad. She reunites with director Bart Layton for the upcoming crime drama, American Animals. We discuss her approach for American Animals as well as her approach in general. Anne talks about her background and how she carved her path in the industry. Enjoy this extremely interesting and insightful interview with the delightful Anne Nikitin!Interview Produced & Presented By:Kaya SavasSpecial Thanks: Anne Nikitin, Stephanie Pfingsten, Jana Davidoff, Impact24 PR
Santiago Calori y Sebastián Rotstein son guionistas y hacen un podcast sobre cine diferente, para todos los perversos que quieran saber más sobre cómo se hace y cómo se analiza el guión de una película. En este episodio: el documental The Imposter, de Bart Layton.
Episode 10! What a milestone. And like the mad scientist in The Human Centipede, we're celebrating with an extra segment.All Is Lost (2013, J.C. Chandor)Robert Redford in all his craggy glory plays a yachtsman contending with errant shipping containers, wild storms, and the kind of mast problems that are bound to affect a man of his vintage.Manhunter (1986, Michael Mann)As the sun sets over the ocean, throwing pastel pinks onto the cirrus-ridged sky, Michael Mann downs a whiskey and leans against the wall of his minimally furnished, impossibly white shoreside mansion, and contemplates the suspense-inducing qualities of "In A Gadda Da Vita". That is how a master filmmaker rolls.The Imposter (2012, Bart Layton)Crazy goings-on down in Texas, as a boy goes missing only to turn up three years later looking significantly older and sounding significantly Frencher than before. Somehow, his family buy it, albeit briefly. This is a true story.School holiday wrap-upI am joined by a special guest to discuss the school holiday movie season just concluded, as well as Dirty Dancing, because why not.
¡Bienvenidos al trigésimo programa de la segunda temporada (o el 68 contando todos)! ¡Hola amiguitos! Esta semana comenzamos con la "Semana en Serie" hablando del resultado de la I Liga de los Seriéfilos Extraordinarios (y, ¡recordad que ya tenemos el nuevo #memeupfronts montado, con premios y todo!) del piloto de Family Tree [HBO] y, claro, episodio de esta semana de Mad Men [AMC], el 6x07, Man with a plan, por supuesto con spoilers y un comentario para quien ya haya visto el episodio. Después nos vamos a la "Cata de pelis" donde esta semana os hablamos del documental The Imposter (El impostor) [Bart Layton, 2012] y de la película Jagten (The Hunt/La caza) [Thomas Vintenberg, 2012]. La semana que viene esperamos hablar, por fin, de El Cosmonauta [Nicolas Alcalá, 2013], como mínimo. Nos vamos después "A la Cocina", donde os decimos cómo hacer un clásico Cocktail de gambas, con una receta saca del libro The Unofficial Mad Men Cookbook, que le ha regalado Dani a Valen. Para acabar comentaremos algunos de vuestros mensajes de Twitter. Muchísimas gracias a todos por vuestro apoyo. Seguid así, preguntando, comentando, reseñando en iTunes y todo lo que queráis. ¡Queremos vuestro feedback! Ah, ¡y participad en el #Memeupfronts de este año! Si queréis comentar libremente detalles de las tramas de las series de las que hablamos, podéis hacerlo escribiendo entre las etiquetas de spoiler el texto que queráis ocultar, tal como muestra la imagen: Por si os da pereza escuchar todo el podcast (o tenéis que saltaros cosas por los spoilers), aquí os dejamos los tiempos para que vayáis directamente a lo que más os interese, esperamos que os guste mucho y que, si no os gusta, nos digáis por qué, para que podamos mejorar: 0:00'00 PRESENTACIÓN 0:02'12 SEMANA EN SERIE: 0:02'37 - Resultados de la I Liga de Seriéfilos Extraordinarios (#memeupfronts). 0:07'46 - Family Tree (Piloto, HBO). 0:16'15 - Mad Men (S06E07 con spoilers). 0:54'12 CATA DE PELIS: 0:55'02 - The Imposter (Bart Layton, 2012). 1:06'33 - The Hunt (Thomas Vintenberg, 2012). 1:16'24 A LA COCINA: 1:16'50 - Receta: Cóctel de gambas clásico (The Unofficial Mad Men Cookbook). 1:23'21 PROMO: Agencia ROM. 1:24'07 LA SOBREMESA 1:39'08 DISCLAIMER La música que se puede escuchar durante el podcast la hemos sacado de Jamendo y los temas son, por orden de aparición: Mai en l'oblit (Clepton/Seguint el joc), FunkyYeahYeah (Rod/You Are The One), Alien Rampage (Marc Teichert/The Founder), Comedy & Drama Demo (Cesc Vilà/Drama & Comedy Demo), Not in service (Freeze/Freeze - Volume 2), VoxyClavi (Rod/Yoy Are The One) y À la légère (Chriss Onac/Resonance). También nos podéis escuchar en iVoox y en iTunes.
Get out your controllers and settle in for a long night of not communicating with the outside world, because this time around, the Screeners are reviewing 2K Games’ blockbuster Bioshock Infinite. If you’re not a gamer, though, not to worry; there’s still plenty of movie and TV talk to go around.The Lightning Round ReduxBefore getting into the meat of this episode’s lightning round, the Screeners take a minute to confess that they haven’t really been sticking to a 60-second answer limit in previous episodes (though we’re sure no one would have known if they hadn’t pointed it out). They then introduce the nemesis of any long-winded Screener, the Jump Cut buzzer. We’ll see if they need it...who are we kidding? Of course they’ll need it.The questions start out with Gerard Butler and Olympus Has Fallen, the White House-levelling action thriller. Melody and Chad take turns mocking the amateurish visual effects and praising the...delightfully campy visual effects. There might have been some talk about the acting and the script too, but let's just say there was only one Screener who liked the movie unconditionally. Guess who that was?From DC to Marvel; topic 2 is the new Wolverine trailer—err, “tweaser”. Seems the kids are using this thing called “Vine” to do...whatever kids do with 6 seconds of video, and film studios may have picked this to be the one time they’re ahead of the content distribution curve. Josh complains that he’d like to see just a few more cuts in the trailer, and everyone else agrees. Wait; that can’t be right...The next jump is from movies to metrics, as the Screeners observe a moment of silence for Neilsen’s decades-old ratings model. With an in-depth Wired piece as a reference, they consider that the week-long ratings cycle might finally be dead, especially for cable-scorning hipsters like Chris and Melody. Oh, and let's have a moment of silence for that poor Neilsen family. All they ever did wrong was like bad TV.Rounding out the lightning round is a quick review of the Screeners’ personal favorites in the podcast world. Here’s a shocker: Josh hasn’t heard any of the others’ favorites. Notable mentions include A Cast of Kings and The Q & A Podcast.Into InfiniteFor this week’s main event, you may want to crack open your favorite secessionist American history book and a copy of Atlas Shrugged, because the Screeners are reviewing a video game. (If you can think of a less likely second half for that last sentence, please let us know in the comments.)Bioshock has always been a genre-defier, and the latest incarnation is no exception. It’s won awards and nearly universal acclaim, but do the Screeners agree? As of this recording, they’ve all played it, but they’re at different points in the story, so Josh refuses to let Chris and Chad (those overachievers) spoil the ending for anyone.Ha ha, Made you WatchFor this episode’s Cutting Room Floor, the Screeners have come up with a new game to enlighten and/or torment each other. They’re calling it “Convince Me to Watch”—each Screener picks a movie specifically for one other host to watch, and the pair convene during the episode to discuss.As a side note, all these movies are streaming on Netflix as of this writing, so if you have a subscription, you won’t have to spend any money to join in this segment’s fun.First up is Melody, who tells Josh he really should watch Side By Side, a documentary about the movie industry and the reception of digital production in a world ruled by film for so long. The movie’s discussion is moderated by Keanu Reeves, and Josh’s main complaint about the film (can we call them “films” anymore?) is that Keanu has apparently judged himself competent enough to say more than “Whoa.” in a movie.Switching roles from reviewer to presenter, Josh has selected Visioneers, an offbeat dystopian comedy built around a growing epidemic of people spontaneously exploding. He’s picked this for Chris, and he’s positively giddy about his choice because he loved the movie and thinks there’s a small chance Chris liked it too. He’s guessing, though, that Chris's lack of experience with soul-crushing jobs, existential crises, and introspection about the nihilism lurking behind every corner of modern life might lead him to a somewhat...different reaction than his own. Either way, at least one of them will be happy.Chris then introduces The Imposter, another documentary about the disappearance of a small boy and his possible reappearance over a decade later. This one’s for Chad to comment on, and he spends much of his time remarking on the way director Bart Layton has used the documentary format in a somewhat unconventional way. No plot spoilers here; the less you know about the movie, the better; but it’s worth listening to Chad’s review so you can be on the lookout for some of the film’s finer production details.Last up is Chad, who takes great joy in having recommended a movie about the world of mixed martial arts to a mother of two young children. Melody admits that she wasn’t too excited by Warrior at first, but what did she think by the end of it? Well, we're not giving away the ending of that one either.That does it for this episode; if the Screeners convinced you to watch (or play) something, let them know what you thought of it in the comments. See you next time!
Roel Bentz van den Berg bespreekt de documentaire The Imposter van de Engelse regisseur Bart Layton: een 23-jarige Franse jongen van deels Algerijnse afkomst geeft zich uit voor een vermiste Amerikaanse jongen van zestien en komt ermee weg. De bleke koning was nog niet voltooid toen David Foster Wallace (1962-2008) overleed. [...]
American Cinematographer's Jim Hemphill talks with director Bart Layton and cinematographer Erik Wilson about the art of creating dramatic, cinematic reenactments in the context of a documentary as well as having two different cinematographers on the film
American Cinematographer's Jim Hemphill talks with director Bart Layton and cinematographer Erik Wilson about the art of creating dramatic, cinematic reenactments in the context of a documentary as well as having two different cinematographers on the film
Simon Mayo talks to Toby Jones about his new film Berberian Sound Studio, and director Bart Layton about his documentary The Imposter. James King reviews the week's new releases, including Keith Lemon: The Film and Shadow Dancer. Plus the Box Office Top 10.Download the Kermode and Mayo podcast at bbc.co.uk/podcasts/5live.
Three interviews make this a jam-packed Empire Podcast this week, with Imposter director Bart Layton, Shadow Dancer (and Man On Wire) director James Marsh and veritable Podcast king, Adam Buxton, all coming round for a chat with the team. Elsewhere, we pay tribute to the one and only Tony Scott, review The Three Stooges (but not Keith Lemon) and discuss the fear-enducing powers of the Stay Puft Marshmallow Man.
The Imposter Paul Gallagher and Stephen Carty discuss Bart Layton's fascinating, mind-boggling, documentary/ 360 Fernando Meireilles discusses his adaptation of La Ronde, with a cast including Jude Law, Rachel Weisz and Anthony Hopkins/ An exhibition at the National Library of Scotland in Edinburgh - “Going to the Pictures, Scotland at the Cinema” Jackpot Norwegian director Magnus Martens talks about some of the challenges of transferring Jo Nesbo's Jackpot to the big screen/ Shadow Dancer –Director James Marsh discusses his slow-burning, but compelling thriller about the compulsions of terrorism.
Director Bart Layton leverages his history with documentaries in American Animals, a bold feature debut about four privileged real-life college friends who rely on their knowledge of movies to plan and execute a rare book heist. With a unique style that overlays interviews of the actual subjects into the narrative, this exhilarating crime drama is notable in how it depicts differing perspectives of how the events unfolded. Aaron sat down with Bart to discuss why he is fascinated with stranger-than-fiction tales, what it was like using the real life heist participants in this film, and what one film that impacted him emotionally was. Contact Aaron Twitter Facebook Patrick Twitter Facebook Feelin' Film Facebook Twitter Website Email feelinfilm@gmail.com Feelin' Film on Apple Podcasts Feelin' Film on Google Play Feelin' Film on Stitcher Feelin' Film on TuneIn Feelin' Film on Overcast Feelin' Film on Spotify Join the Facebook Discussion Group Support us on Patreon & get awesome rewards Music: Going Higher - Bensound.com Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!Support this podcast at — https://redcircle.com/feelin-film/donations
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