Podcasts about wastin

Wastin' Time, Havin' Fun is a new dance party music podcast. Please give this a listen. Song titles and artist names are in order of play... CANET-WASTING MY TIME WITH YOU, PURPLE DISCO MACHINE-BODY FUNK, BEACON BLOOM-WITHOUT A SOUND, HARRY ROMERO-VAMPIRES, THE MELODY MEN-BETTER ON MY OWN, SUPERLOVER-WORK MY BODY, ORDONEZ-WHAT'S WRONG, ANDRUSS-THIS FUNKY, KAMARENA-NA NA NA, SENTIMENTAL ANIMALS-LOVE VIBRATION, IGOR GONYA-RESPECT OVER LOVE, THE SPONGES-GOTTA MOVE ON, BLONDISH-WE LIKE TO PARTY, FATBOY SLIM-BUS STOP PLEASE, DE SOFFER-PUMPED UP KICKS, METRO BOOMIN-GOSH FATHER, J PAUL GETTO-STOP MESSING WITH MY LOVE, LUBELSKI-TEAR OFF THE ROOF, PAT LOK-LOOK AT MINE. End. Thanks for listening from Ken Steele. 

Canada avoids Trump's tariffs – for now / How Trump is setting the tone for his 2nd term (1:40); Deadlines! Inspired by the tariff Feb 1st 'deadline'... what's a memorable deadline for you? Work? School? Life? (9:25); Latest on the Tik Tok ban... non-ban in the US... where does this end up? (16:10); Breakfast with the Bombers - Blue Bomber Defensive Back Evan Holm (23:45); Deadlines! Greg's legendary story from high school (33:00); Is the latest ER show THE PITT fact or fiction... a tale from two nurses with CJOB's Hal Anderson (36:15); HSC Radiothon wrap-up - announced on Friday, $310,852.25 -- Now bumped up to... (42:00); Winning story on deadlines (49:25); What's it like being an ice road trucker?? (52:10).

Por definición, todo equipo al que derrote el Real Madrid pasará a engrosar las filas de los flojos, de los mediocres, cuando no de los malos. Y no importa que antes de perder fuese bueno, no. De hecho, podría volver a serlo en los siguientes partidos, pero justo en ése, en el que pierde con el Madrid, sufre un repentino ataque de flojera. De ahí que, para el Real Madrid, sea tan complicado encontrar una buena piedra de toque que nos indique el verdadero nivel del equipo. Becarios: @norlex1508 @jackiller74 @Pudimos_ @franarranz77 @BlancoDoble @vice169494 @RJ_PL87 Min. 01 Seg. 45 – Intro Min. 12 Seg. 53 – El aficionado ya no les necesita Min. 20 Seg. 10 – El mismo partido de todos los años Min. 27 Seg. 40 – Un equipo aún en construcción Min. 37 Seg. 20 – Cansado, pero no deprimido Min. 43 Seg. 30 – Ya no volverá a ser el que era Min. 53 Seg. 58 – La osadía de atenerse al reglamento Min. 58 Seg. 20 – Despedida Gregg Allman (Macon, GA 14/01/2014) One Way Out Ain't Wastin' Time No More Queen Of Hearts These Days Hot 'Lanta Melissa Before The Bullets Fly Whipping Post I've Found A Love John Lennon - Come Together (New York 30/08/1972)

This week we are doing something a little different and taking a look back at Season 8 and The Lone Gunmen as a whole! We argue about whether or not sloughing off all your skin would be relaxing or not, add Chris Owens to the Famous Chris ranking (naturally), wonder if we need to do a T2 bonus episode, discuss the pros and cons of Mulder and Scully as parents, and have a very controversial ranking of “Patience”. We rank the episodes, recommend a few The Lone Gunmen episodes, answer emails and questions, assemble a bingo card/drinking game for listening to our podcast, and each assemble our own Topgolf Fantasy team and pit them head to head. It gets pretty intense.Note: Check out our Topgolf Fantasy team poll on Instagram on December 5!Send us an email at scullynationpod@gmail.com or follow us on Instagram!

Rave Warm Ups is back spinning a variety of Disco, Tech House and Garage tunes. This month's edition includes a vinyl only release from Soul Mass Transit System that I cannot get enough of. Tracklist "1. Custodian Dub - Tom Paris 2. Nimrod - Malin Genie & Frits Wentink 3. Keep On - D Stone 4. Dance Crip (Jordano Roosevelt Edit) - Jordano Roosevelt 5. We Don't Need - Piero Pirupa 6. Da Fonk - Mochakk, Joni 7. Feel Good - Sven Tasnadi 8. I Got All This Love - Extended Mix - Mark Knight,Darius Syrossian,James Hurr 9. Gypsy Woman (Richey Profond Remix) - Crystal Waters, Richey Profond 10. Back To The Start - Ben Santiago & Lovely Laura feat Kuuda 11. Wastin' - SHRWM 12. Crasher - DiSKOP 13. Dread (Seb Zito Remix) - Frankel & Harper 14. It Wasn't Me - Soul Mass Transit System 15. Wine - INSTINCT 16. Okay - Oppidan & The Illustration 17. Pon de Replay (OJ's Speed Garage Remix) - Rihanna"

The Kinks-You Really Got Me The Beach Boys-California Girls Jelly Roll-I Am Not Okay Aretha Franklin-Come Back Baby Beach Weather-High In Low Places Chicago-Saturday In The Park Jackson Browne-Tender Is The Night Luke Combs-Remember Him That Way WAR-Summer Mike Campbell & The Dirty Knobs-Shake These Blues The Allman Brothers Band-Ain't Wastin' Time No More Simple Minds-Don't You (Forget About Me) Alan Jackson-Summertime Blues Nick Lowe & Los Strait Jackets-Went To A Party Ruby & The Romantics-My Summer Love Lynyrd Skynyrd-Saturday Night Special

This edition of the Jones and Mego show with Arcand went all over the map of New England! Hour 1: Wastin' Swayman Hour 2: Celtics better win; Zappe got more snaps than Maye day one Hour 3: The Bruins are too comfortable losing. Get rid of everyone Hour 4: Offense or defense? | Bad Movies | How good are the Wolves?

10:01 PM | Allman Brothers Band | Ain't Wastin' Time No More10:04 PM | Cloud Nothings | Common Mistake 10:07 PM | Talking Heads | The Lady Don't Mind 10:12 PM | Phoebe Go | 7 Up 10:15 PM | Dirt Devil | Desert Moon 10:19 PM | Wallows | Calling After Me10:24 PM | The Allman Brothers Band | No One to Run With 10:30 PM | Rami Gabriel | That's what I been sayin' 10:32 PM | Hüsker Dü | Love Is All Around 10:35 PM | DIIV | Everyone Out 10:40 PM | Firewater | 3-Legged Dog 10:44 PM | The Fabulous Thunderbirds | Tip On In10:48 PM | Generationals | Spinoza 10:52 PM | Louisa Stancioff | Alice

Boy, oh boy - did The Girl in Lovers Lane set us to dreaming about a place we've never seen.Host segments: spring break antics; everyone check on everyone else; Go-bos; dealing with street toughs; a brief history of Jack Elam; f**k politeness; Danny and the City; I can't live in Dannysburg, but I'd love to visit. 

House passes bill that would ban TikTok if its Chinese owners don't sell the popular app.

Short is the time to love.

Playlist: Dolly Parton - These Old BonesWilliam Prince - Peace of MindWilli Carlisle - Higher LonesomeRoy Orbison - Plain Jane Country (Come To Town)The Maddox Brothers & Rose - Let Me Love YouTexas Toothpicks - On The Country RadioStompin' Tom Connors - Lukes Guitar (Twang Twang)Steve Earle - Until The Day I DieCowboy Junkies - Walking After MidnightBonnie & The Mere Mortals - Whiskey on the PorchVincent Neil Emerson - 25 & Wastin' TimeDan Getkin and the Twelve Six - Where Could I Go?Jake Ian - The Sounds Of The WindTrent Agecoutay - Going to California

WASTIN' AWAY AGAIN IN SLOPPYTOPPYVILLE Slap City picks: "Pancho & Lefty" by Willie Nelson & Merle Haggard, "Come Monday" by Jimmy Buffett. Listen to our playlist here Join us in 2 weeks when we'll discuss our 45th Patreon pick, Stray Kids' NOEASY!

-It's a Bugaboo Tuesday for Bill…what's bothering him today?-Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers): "Ain't Wastin' Time No More" - The Allman Brothers (1972)Show sponsored by GANA TRUCKINGAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Show #403 - November 30, 2023 :: Deep Expressions ~ Our show broadcast on the weekend of November 30, 2023 as heard on 96.1 WURD-FM and funkypeopleradio.net. Guest mixer, Jerry Cunningham & Cash Ellis are featured. Follow our archives for missed shows using the air date (MMDDYY). Hour 1 - Guest Set by Jerry Cunningham - BASF - Mr. Ho, Florian Blauensteiner Has To Be This Way (DjPope Funkhut Vocal Remix) - DjPope, Dana Weaver No Boundaries (Intr0beatz Remix) - KVRVBO Time's A Wastin' - Mark F. The Spirit Alive (Original Mix) - Life Recorder Only You (Soulfrequency's Larry Love Remix) - Lindsey Webster Treat Me Right (Distant Music Mix) - Kim English Diamond (Cafe 432 Remix) - Rhemi feat. Hanlei Express Yourself (Main Mix) - Michele Chiavarini, Carmichael Musiclover Baby Powda (Original Mix) - Doug Gomez Love Me Right (Yoruba Soul Mix) - J.A.E, Osunlade 4 Ever A Thing (Blackk Vokal) - Shino Blackk Rebirth - Human Space Machine // Hour 2 - Guest set by DJ BIg Dinero - C'mon Let's Groove – DJ Crime & DJ JAZZY B Mix Love & War (DJ Beloved Remix) – Tamar Braxton Boyfriend (David Michael House Remix) - Ariana Grande & Social House Igobolo (Expansions NYC Dub) - Louie Vega, Joe Claussell Send For Me - Consuela Ivy As Swaylo, K'Ture, DJ Oji Savage (Major Lazer Remix) - Megan Thee Stallion You Know How To Love Me (Hakeem Syrbram Keemix) - Phyllis Hyman, Hakeem Syrbram Their Flowers (Kelvin Sylvester Afro Mix) - Mike City, Mark Francis, Kelvin Sylvester Don't Deny Love (Souldynamic Club Mix) - Boyd Jarvis, Lisa Rudolph, Souldynamic + Trinidad (Beats) - Groove Assassin Keep Wondering - Kelly G + Fixation (Da Beats) - Louis Benedetti Phenomenal - Shino Blackk I Feel - Ann Nesby, DJ Spen, David Morales // Contact: info@funkypeopleonline.com, Websites: mixcloud.com/J_Goodwill / facebook.com/DJBigDinerosBeatPage / funkypeopleonline.com / WURDRadio.com / soul, funk, disco, deep house, funky people radio, funky people music, tech house, house music, afro house, vocal house, soulful house, dj mixes, deep house, deep, soulful, classic house, deep, dance, r&b, edm, tee alford, jerry cunningham, cash ellis.

Relegation special. J tells us who he does and does not want to get relegated.

Full Disclosure. This was recorded way in advance and we had no idea, so let's celebrate the man one more time by talking about one of the most monumental One Piece Events to date. Make sure you're following us across all social media @YaYoTalkShow! Support the show by picking up a piece of Ya Yo Talk Show Merch, including our Forever Pride Gear! - ⁠⁠⁠⁠⁠⁠tinyurl.com/YYTShop⁠⁠⁠⁠⁠⁠ Also make sure to follow and subscribe to our Twitch Channel for more chances to interact with us directly! Twitch.tv/YaYoTalkShow --- Send in a voice message: https://podcasters.spotify.com/pod/show/yayotalkshow/message

Schweezy attempts to cancel himself by talking about Steve from Smash Mouth, season one of The Sopranos, Stephen King's love for Mambo No 5, The Tonight Show with Jimmy Fallon being a toxic work environment, Warner Brothers Discovery giving up on Aquaman 2, and advice on hints women give to men, dating someone older than you, figuring out if you're attractive, and more. . Listen to "dry sp3ll": https://distrokid.com/hyperfollow/schweezy/dry-sp3ll . . Patreon: Patreon.com/TheSchwegCast . . . Follow Schweezy: linktr.ee/TheSchweezy . . Sponsors: Novilla: https://www.novilla.net/?rfsn=5637876... FNX Fitness: fnx.grsm.io/schwegcast​​​​​​​ CashApp: https://cash.app/app/VFPZ69S Drizly: drizly.com/i/rkqax​​​​​ Honey: joinhoney.com/ref/odmta0f

After reminiscing about Jimmy Buffet, David and Brad turn their attention to the upcoming Presidential election, and the future looks grim. Despite the vice president's announcement that she “may have to take over,” apparently 27% of Americans think Biden is doing just fine. In other perplexing news, a self-proclaimed shark expert blames humans for causing anxiety in the shark population, and a World War I artillery shell is discovered buried deep in the most unlikely of places.

What a week! Frankie's first accident, College football party, Jimmy Buffett tribute, Family food quirks, and more!

Stigall reminisces over the music of Jimmy Buffett after his death over the weekend. Democrats in multiple states are now plotting a new way to stop Trump if they can't keep him from winning the Republican primary. Plug-in cars are catching fire in the Florida hurricane aftermath. And Dr. Michael Schwartz visits to discuss his new book "Fauci's Fiction" as the good doctor returns to cable news to discuss masks, yet again. - For more info visit the official website: https://chrisstigall.com Instagram: https://www.instagram.com/chrisstigallshow/ Twitter: https://twitter.com/ChrisStigall Facebook: https://www.facebook.com/chris.stigall/ Listen on Spotify: https://tinyurl.com/StigallPod Listen on Apple Podcasts: https://bit.ly/StigallShowSee omnystudio.com/listener for privacy information.

“Wastin' Away Again” The ‘Sterds™ spend at least two minutes mourning the loss of a musical legend and also talk about current events | Creative Commons Music: "Habitual Ritual" by Revolution Void freemusicarchive.org/music/Revolution_Void/ | *** Warning: NSFW due to some harsh language, a few sexual references, and potential drunkenness of the hosts and/or guests. Listener discretion advised. | © 2015-2023, JonSquared Media

Long Con is a series of conversations between Director Sterlin Harjo and Artist Cannupa Hanska Luger about life, art, film, history and everything in between - informally shared from the lens of two contemporary Native American artists and friends actively participating in the record of the 21st century. This episode is the fifth conversation between Harjo and Luger on Broken Boxes, and the artists dive right in, chatting about conspiracy theories, aliens, AI, Indigenous ceramic practices, the current state of the film industry and the writers strike, how creating sanctuary for producing big ideas is important and how everyone's creative process is different, so it's about finding what your groove is. They also speak about fatherhood, the importance of storytelling, and of course the final season of Reservation Dogs - Season 3 - which premieres August 2nd, just days after this episode airs. Sterlin shares why he decided to complete the series after three seasons and reflects on his adventures of being a showrunner for a production that has changed the face of television for Indigenous people, and how making this work has, in turn, changed him. I am excited to see what comes next for our dear friend Sterlin. Broken Boxes will continue to produce these long conversations between the two artists and also we are so excited for Sterlin's podcast The Cuts to activate again, please go listen to his podcast archive If you have not yet! Sterlin Harjo is an award winning Seminole/Muscogee Creek filmmaker who has directed three feature films and a feature documentary all of which address the contemporary Native American lived experience. Harjo is a founding member of the five-member Native American comedy group, The 1491s. Sterlin's latest project Reservation Dogs, is a television show created in collaboration with Taika Waititi, now available to watch on FX. Cannupa Hanska Luger is a multidisciplinary artist who creates monumental and situational installations and durational performance and often initiates community participation and social collaboration. Raised on the Standing Rock Reservation in North Dakota, he is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is of Mandan, Hidatsa, Arikara and Lakota descent. Music featured: 25 and Wastin' Time by Vincent Neil Emerson Broken Boxes intro track by India Sky

"With the help of God and true friends, I come to realize / I still had two strong legs and even wings to fly."   Those are among some of the first lines of the first song ("Ain't Wastin' Time No More") from "Eat a Peach," the double album by the Allman Brothers Band, which was released in early 1972. The lines and the song  -- heck, SEVERAL of the songs -- underscore a lot of what the Allman Brothers were all about throughout their career -- but perhaps never more so than at this point. They were a brotherhood -- but one that was shattered by the 1971 death of leader Duane Allman in a motorcycle accident in Macon, Ga. But the band soldiered on, finishing an album of Allman classics like "Blue Sky" and "Melissa" (which Gregg Allman performed at his big brother's funeral). "Eat a Peach" also showcases the Allman Brothers' true magic: on stage. Live versions of "One Way Out," "Trouble No More" and the epic (33+ minutes long!) "Mountain Jam" give us still today a taste of why they were considered one of the best live bands of all time. Tragedy and loss would continue to follow the Allman Brothers, yet they found a way through it. "Bearing sorrow, having fun" as Gregg sings on "Melissa." Sounds about right.

A hangover, a laugh, a realization, a sprint, a crate. The mission is almost complete.Be sure to like us on Facebook for special behind the scenes conversations about the entire production of the show! https://www.facebook.com/profile.php?id=100092686299124For information about our fantastic cast, please visit the Reformation Abroad IMDB page:https://www.imdb.com/title/tt27820441/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_reformation%2520abrAll sounds not created by Stove Leg Media organically were sampled from Motion Array and are covered under their standard universal license.For more information about the licensed sounds: https://drive.google.com/file/d/1k3N99UNcRxOFpJcomev6fSvcDPaGSTJa/view?usp=sharingThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5858837/advertisement

Donna Reed and Eric Seemann are both professional real estate agents. Donna lives and works in Tucson Arizona with Keller Williams Southern Arizona while Eric lives and works in San Antonio Texas with Keller Williams Heritage. They are also siblings, and they grew up in a small Northwest Ohio village of Lindsey. Their idyllic small-town childhood laid the foundation for what would become the structure of their lives and careers in real estate. We hope you will join us as we reminisce, reflect, and correlate how our childhood and life in rural Ohio still impacts our dealings with our clients today. What started out as a light, gets intense and deep as we Trash Talk.  Could say we wasted time.  Is one person's trash really another's treasure?  Have you ever been Junkin?  How much trash do you produce and how does what you think compare to EPA averages?  Well listen as we Talk Trash and find out! Website:  www.realsiblings.com   Watch Episodes on YouTube at:  REAL Siblings, It Ain't Easy   To reach out to Donna: Email:  donna@reedtucson.com Phone: (520) 631-4638 Facebook: (2) Donna Seemann Reed | Facebook   To Connect with Eric: Email:  eric@victorsgrouptx.com Phone: (210) 389-6324 Facebook: (2) Eric V. Seemann | Facebook   And for more info on TRASH numbers and averages... National Averages from Dumpsters.com

After years of suffering through mainstream country radio, Mike & Josh have made their own radio show to spread the music of underappreciated country artists. We are actively working with several radio stations to bring this show to the airwaves near you! If we are not yet on your local station, enjoy our show right here, and let your station know you want to hear us on it! Thanks for helping to get better music to more ears! In this week's show: "Southside of Heaven" - Ryan Bingham "Slow Burn" Kacey Musgraves "Wrong Way to Run" - Willy Tea Taylor "Beaumont" - Hayes Carll "Ragtime Troubles" - Luke Bell "You're Lucky She's Lonely" - Summer Dean "25 & Wastin' Time" - Vincent Neil Emerson "The Road" - Danno Simpson "Wait so Long" - Trampled by Turtles

This week, the SPORTS BOIS™️ are together to talk about the phenomenon of time-wasting in sports — how it differs from soccer to basketball and baseball, if there's anything that can be done about it, etc.MUSIC: "College Try" – FuturebirdsADDITIONAL MATERIAL: "'I Can't Speak!': The Craziest Game in Darts History, Explained" (ESPN Daily on Apple Podcasts) Hosted on Acast. See acast.com/privacy for more information.

WHO IS JACK THE UNDERDOG? In just over half a decade, Jack The Underdog has reinvented the pop-punk genre. He fuses pop-punk styles with electronic and hip-hop elements to create a totally original sound, dubbed “R&P” (rhythm and punk). Inspired by social justice, Jack The Underdog writes music for the misfits. Jack understands the battles of feeling unheard, and he aims to be a voice for the marginalized and misunderstood, hoping they can find some solace in his melodies. Jack The Underdog began his career as Jack Ohmes (old miss), writing songs in his hometown of Saint Paul, Minnesota. Music has always been in his bones - beginning at a young age, Jack took piano lessons, played in the school orchestra, picked up other instrument lessons, and attended School of Rock, where he was coached on performance and songwriting. Just a few years later, he formed a band with his high school peers called Painting Stars. As he began to emerge as Jack The Underdog, Jack's music led him to Nashville as he continued his music education at Belmont University. Jack majored in songwriting and music business and minored in social justice. Within his first few months in Nashville, Jack and his band, Painting Stars, were given the opportunity to open for the punk rock group The Story So Far. Jack The Underdog's songs, “Dolly,” “Hard To Read,” “Sleepless,” and “Writing My Future” have been featured on popular Minnesota radio stations. His song “Dolly” gained popularity on the social platform Tik Tok as it was being used by popular content creators. With the release of “Wastin' Away” in March of 2022, Jack The Underdog established himself in the pop-punk genre. He continues to represent the underdogs, finding ways to aid people however he can. Inspired by his mother's battle with cancer, Jack donated all of the proceeds generated by one of his songs to Gilda's Club, a support community for those living with cancer. Jack also works full-time at a non-profit that works to prevent sexual violence across the state of Tennessee. Jack The Underdog's most recent release was his 7 song project, ‘Acoustic Variants.' His progressive attitude and hard-hitting lyrics will undoubtedly catapult him all the way to the top. Jack will continue to release music through 2023, most recently collaborating with artists such as Kellin Quinn of Sleeping With Sirens and more.

Part 2 of our Rialto Report interview with Sue Nero, a golden age adult performer in film, on stage, and in men's magazines. The post Sue Nero: Ain't Wastin' Time No More (Part 2) – Podcast 126 appeared first on The Rialto Report.

Track listing for the full show available on my Patreon.Original Fire – AudioslaveHunger Strike - Temple of the DogAin't Wastin' Time No More - Allman Brothers BandYou're the One - Greta Van FleetEverybody Rock and Roll The Place - Eddie MoneyMemphis Sun - Rival SonsHouse of Doom - Black Label SocietyPeace Dog - The CultCan't You See - Black Stone CherryGypsy Caravan – WolfmotherLove Her Madly - The DoorsAint No Easy Way - Black Rebel Motorcycle ClubStarseed - Our Lady PeacePhotograph (live) - Def LeppardGel - Collective SoulShe Talks to Angels - Black CrowesWiser Time - The Black CrowesTangled Up in Blue - Bob DylanBad Girlfriend - Theory of a DeadmanCumbersome - 7 Mary 3The Damage You've Done - Tom Petty and the HeartbreakersI Wonder – Kid RockBurnin' Down One Side - Robert PlantOur Sponsors:* Check out Factor 75 and use my code zane50 for a great deal: https://www.factor75.com/Support this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sue Nero was a larger than life, super-hero of a porn star - she talks about her eventful life in this Rialto Report interview. The post Sue Nero: Ain't Wastin' Time No More (Part 1) – Podcast 125 appeared first on The Rialto Report.

The boys discuss a myriad of topics ranging from gimme protocol, long birdie putts, and skiing? Tune in to hear more! Now through December 31st, visit the link below to get 20% off your entire order from Pinned Golf! Link: https://pinnedgolf.com/?ref=LifeInTheRough Promo Code: Lifeintherough

Jus is back! The guys discuss the intro song Li-Lo, some NFL news, Kanye is crazy, Eagles are 6-0, Georg Floyd did porn, Russell Wilson sucks, politicians are making sex tapes and rubbing one out near a near a preschool, and more!

Featured Songs: 00:38 - Pigeons Playing Ping Pong - 08-20-22 - Elephante - Bell's Back Room Beer Garden - Kalamazoo, MI  10:14 - Goose - 08-21-22 - Rockdale - The Greek Theatre - Los Angeles, CA  21:28 - Widespread Panic - 08-26-22 - Goin Out West - Oxbow Riverstage - Napa, CA  33:15 - Umphrey's McGee - 08-27-22 - Hurt Bird Bath - Sacred Rose Festival - Bridgeview, IL 50:30 - Greensky Bluegrass - 08-27-22 - Ain't Wastin' Time No More - Grind City Brewing Company - Memphis, TN See omnystudio.com/listener for privacy information.

Onze KINK FAST DJ’s Bart en Lesley nemen het er even van en zijn met vakantie. Vanaf 22 augustus is er weer een reguliere aflevering van KINK FAST. Tot die tijd laten de heren je achter met een fijne playlist om de zomer door te komen.  Playlist: 01. Fountains of Wayne – Stacy’s Mom 02. Forever The Sickest Kid – She’s A Lady 03. Jimmy It World – Let It Happen04. A Wilhelm Scream – The King is Dead 05. Touche Amore – Flowers and You06. Transit – The Only One08. The Story So Far – Keep This Up 09. We Are The Ocean – The Waiting Room 10. Vanilla Sky – Wastin’ All My Time 11. Bring Me The Horizon – Go To Hell, For Heavens Sake 12. Chuck! No, Captain Chunk – The Other Line 13. Close Your Eyes – Heavy Hearts 14. Descendents – She Don’t Care 15. Green Day – Holiday 16. Knuckle Puck – Breathe (ft. Derek Sanders) 17. Less Than Jake – Look What Happened   

Onze KINK FAST DJ’s Bart en Lesley nemen het er even van en zijn met vakantie. Vanaf 22 augustus is er weer een reguliere aflevering van KINK FAST. Tot die tijd laten de heren je achter met een fijne playlist om de zomer door te komen.  Playlist: 01. Fountains of Wayne – Stacy’s Mom 02. Forever The Sickest Kid – She’s A Lady 03. Jimmy It World – Let It Happen04. A Wilhelm Scream – The King is Dead 05. Touche Amore – Flowers and You06. Transit – The Only One08. The Story So Far – Keep This Up 09. We Are The Ocean – The Waiting Room 10. Vanilla Sky – Wastin’ All My Time 11. Bring Me The Horizon – Go To Hell, For Heavens Sake 12. Chuck! No, Captain Chunk – The Other Line 13. Close Your Eyes – Heavy Hearts 14. Descendents – She Don’t Care 15. Green Day – Holiday 16. Knuckle Puck – Breathe (ft. Derek Sanders) 17. Less Than Jake – Look What Happened   

Our Hard'N'Heavy series of podcasts focuses on new traditional metal and hard rock releases ... along with the odd hard rock'n'roll and melodic punk outing. Basically anything that doesn't fit on our Extreme Metal, Hardcore Punk or Doom series! This edition we focus on May and June 2022 releases. Horns up! (00:00) "A Rider in the Rain" MIRROR QUEEN - Inviolate Mirror Queen - Inviolate - OUT 6/24/22! | Tee Pee Records Webstore (03:50) "Wastin' Away" POISONED CHALICE - Poisoned Chalice Poisoned Chalice | Poisoned Chalice (bandcamp.com) (6:49) "Fly To The Moonlight" FAIR FIGHT - Until The End of Time Fair Fight | Facebook (12:47) "Rider of the Night" HARDROCKER - Rider of the Night Härdrocker (bandcamp.com) (19:05) "Grown Up Fucks" KISS DISEASE - You Met Me At A Strange Time Kiss Disease (bandcamp.com) (21:45) "Tiden Sjunger" STROM - Strom STRÖM (bandcamp.com) (25:57) "Minneapolis" EMERALD DREAM - Cosmogonia Emerald Dream | Facebook (33:16) "Imposter" GRAHAM BONNET BAND - Day Out In Nowhere GRAHAM BONNET BAND - Day Out In Nowhere - Ltd. Gatefold WHITE LP | Frontiers Music Official Shop (36:54) "Au Revoir" MSG - Universal MSG (MICHAEL SCHENKER GROUP) - Universal WHITE/BLACK SPLATTER VINYL - LP white/black - Nuclear Blast

Bowls & Bottles will take you places! Especially if you have the pure talent that is AMH! and I wasn't "Wastin' Time" when I got the pure lucky chance of chatting up the viral sensation that is Adam & The Metal Hawks. Touring with @revivetherose and @sonsofbutcher for their "Hurry Up & Wait" 2022 tour. AMH spared some of their majesty and shared some sneak peek exclusives with me at Sneaky Dee's. I got an origin story, musical inspirations and even a window behind the making of their music video for their 2021 single "Backwards". Watch it HERE: youtu.be/GLMq91Q5lBw Tell me, WHICH Stephen King story do YOU think would make for excellent song lyrics?! Let me know in the comments! And become as much of a super fan as I am of AMH by supporting/following and all around idolizing them HERE www.facebook.com/amhband www.instagram.com/amhband www.youtube.com/amhband www.tiktok.com/amhband @amhband Spotify/Itunes = Adam & The Metal Hawks (AMH) Who...me?!? Like this track! Send me a follow www.facebook.com/drtshow www.youtube.com/DrTaylornorthshow www.instagram.com/drtshow www.twitter.com/drtshow

Sintonía: "The Wreck Of The Old ´97" - Johnny Cash "Can The Circle Be Unbroken?" - The Carter Family; "Rock With Me Baby" - Billy Lee Riley; "Dark Was The Night (Cold Was The Ground)" - Blind Willie Johnson; "Milk Cow Blues" - Bob Wills & His Texas Playboys; "Defrost Your Heart" - Charlie Feathers; "Wildwood Flower" - The Carter Family; "Boogie Blues" - Earl Peterson; "That´s All Right" - Elvis Presley; "Feelin´Good" - Little Junior´s Blue Flames; "Time´s A-Wastin´" - June Carter & Carl Smith; "Candy Man" - Mississippi John Hurt; "Didn´t It Rain" - Sister Rosetta Tharpe; "On The Sea Of Galilee" - The Carter Family; "Bop Bop Baby" - Wade & Dick; "Try Me One More Time" - Ernest Tubb; "Cocaine Blues" - Roy Hogsed Todas las músicas extraídas de la recopilación "Johnny Cash And The Music That Inspired "Walk The Line" (3xCD, Big3 Records, 2008) Escuchar audio

The American Confederacy in Brazil? This week we talk about the southern rebels who took the L in the Civil War and picked up shop to continue their Dixieland Delight in South America.

We find the Phoenix Pham at a literal crossroad. In one direction they have a mob of Sporans closing in on their hallway, in another a door covered in vines with the bodies of several Sporans littering the walk up to it, and in the last direction "Cold Storage" which could have anything behind it's doors -- it could even have more Sporans! As our heroes venture deeper into this abandoned lab what other plant-based horrors will they discover?

This week the team wanders on in to the Skullpants Bar and Grill for some good ol' fashioned jalepeno poppers with a side of murder hobo-ing for hire. Anton meets a few of his heroes from back home and CB proves that just because you aren't good at stealth doesn't mean you shouldn't keep trying to pickpocket folks anyway. It's a wild night on the town for our intrepid crew so hit that button and find out what happens on this installment of Astronomica!If you enjoy the show, please follow us on your favorite platform for new episodes every Wednesday.  Can't get enough of Team Meatbag? You can check us out online at www.astronomicapodcast.com; here you'll find links to all of our social media as well as an open invite to our Discord server. If you have questions, comments, or general observations you can email them to astronomicapodcast@gmail.com. And finally, if you just absolutely love us and wish to provide support in a monetary manner, you can check out our Patreon at patreon.com/AstronomicaPodcast. Not only will you enjoy the warm fuzzy feeling of helping us foot production costs, you'll also find a number of fantastic extra perks plus get bragging rights with all your nerdiest friends. Thanks as always for listening and we'll see ya next week!   The Admiral Grace (main theme) composed by Jackson SeibEditing by Kristen Schebler             Support the show (https://www.patreon.com/AstronomicaPodcast)

Trying to stay positive during some rough to watch stretches of basketball for Texas. Our most in depth Rockets segment to date where Eric stakes his claim on Silas island, lots of Spurs riffin and discussion on the Mavs without Luka as well. This sandwich comes with "extra Mike."

Ya no se trata ni tan siquiera de Justicia con mayúscula, no, simplemente se trata de equidad, de darle a todos lo mismo cuando la situación es idéntica. Que tres o cuatro minutos pueden no servir para nada, es verdad, pero dámelos si en justicia me corresponden, y ya veré lo que puedo hacer con ellos. Y, sobre todo, no me los niegues si a otros, en el mismo supuesto, se los concedes. Becario: @Band336 Min. 01 Seg. 46 - Intro Min. 08 Seg. 18 - Denunciamos el racismo, depende Min. 18 Seg. 56 - La pierna con movimiento autónomo Min. 23 Seg. 51 - Palos al discreto portavoz Min. 28 Seg. 34 - Indigencia intelectual a sueldo Min. 36 Seg. 08 - La misma pareja, diferente criterio Min. 41 Seg. 55 - A vueltas con los frames Min. 46 Seg. 33 - El tiempo es relativo Min. 53 Seg. 36 - La misma falsa justificación de siempre Min. 59 Seg. 08 - El caso Gutiérrez Min. 64 Seg. 27 - Despedida The Allman Brothers Band (New York 28/10/2014) One Way Out JaMaBuBu Blue Sky Ain't Wastin' Time No More Southbound In Memory Of Elizabeth Reed Melissa Elvis Presley & The Royal Philharmonic Orchestra - Always On My Mind

☎️ How much time have we wasted planning the life we could be living? This week I am checking in with you all and share my weekend wedding experience and then seeing Tinashe live in concert. I am #HangingUp on Dave Chapelle who has once again found himself in the middle of controversy with the LQBTQ+ community, GLAAD, and the National Black Justice Coalition over his transphobic comments made in his recent Netflix special, The Closer. | Intro: Fannie Lou Hamer Interview (1968) Article Shared: Dave Chappelle faces backlash over new Netflix special 'ridiculing trans people' By Suzy Byrne

Vincent Neil Emerson is a torchbearer of the Texas songwriter tradition. He channels the straightforward truth-telling and resonance of his songwriting heroes in Townes Van Zandt, Guy Clark, and Steve Earle into something fresh and distinctly his own. Where his 2019 debut Fried Chicken and Evil Women proved that he is one of the most reverent students of country and Western musical traditions, his follow-up LP, the masterful Rodney Crowell-produced Vincent Neil Emerson, which is out June 25 via La Honda Records/Thirty Tigers, is a brave step forward that solidifies his place as one of music's most compelling and emotionally clarifying storytellers. His songs are cathartic and bluntly honest, never mincing words or dancing around uncomfortable truths. Raised in Van Zandt County in East Texas by a single mother of Choctaw-Apache descent, Emerson's world changed when he first heard Townes Van Zandt's music. "To hear a guy from Fort Worth say those kinds of things and make those songs was pretty eye opening," the now 29-year-old songwriter says. "I had never heard songwriting like that before." He's spent the better part of the past decade honing his songwriting and performance chops playing bars, honky-tonks, and BBQ joints across the Fort Worth area. His first album Fried Chicken and Evil Women, which he wrote in his mid-twenties and came out on La Honda Records—the label he co-founded that now includes a roster of Colter Wall, Local Honeys, and Riddy Arman—is a snapshot of his growth as a songwriter and stage-tested charm with songs like "Willie Nelson's Wall" and "25 and Wastin' Time" expertly combining humor and tragedy. These marathon gigs and the undeniable songs on his debut introduced Emerson to Canadian songwriter Colter Wall, who quickly became a close friend and took him on tour. With Wall's audience, and sold out theater shows on runs with Charley Crockett, Turnpike Troubadours, and many others, Emerson found his niche. "It took a guy from Canada bringing me on tour for people to actually start paying attention," says Emerson. "Before that it was a grind like anything else, just trying to make a living." Crockett is another staunch early supporter of Emerson's and covered Fried Chicken highlight "7 Come 11" on his 2019 LP The Valley. Like every working musician, 2020 pulled the rug out from under Emerson. With the pandemic shuttering live music venues and cancelling promising tours, he processed the upheaval the only way he knew how: by writing his ass off. "At the beginning of quarantine, I was really frustrated with everything else going on," says Emerson. "Everything was falling apart around me, and I didn't know what to do." He took to his writing shed and came up with the single "High On Gettin' By," a gorgeous song full of self reflection and resilience: the most autobiographical thing he's ever written. He sings, "I got my first child on the way / And the bills are all unpaid / I should have finished high school / Got a job and learned to save / But the words keep on fallin' / And the highway keeps on callin' / To my pen." That song proved to be a turning point for Emerson. "After I wrote it, the floodgates opened up for me in my songwriting and emotionally," he says. " Songwriting has always been a therapeutic thing for me. So I just started writing more from the heart." Allowing himself to be open and revealing some of the most intimate details of his life was a scary, yet freeing, prospect for Emerson, especially on the raw and devastating "Learnin' To Drown," which addresses his father's suicide. "I've been trying to write a song about my father's passing for a while," he says. "I was just having a hard time processing that emotionally. Before I was always trying to find a way to kind of dance around it and not really give too much away. But there's no beating around the bush here." He sings, "Well there ain't much that lasts too long / All the rig

Wastin my time by Nikki Nikkole --- Send in a voice message: https://anchor.fm/rashid-boone/message Support this podcast: https://anchor.fm/rashid-boone/support

Episode 129 of A History of Rock Music in Five Hundred Songs looks at “(I Can't Get No) Satisfaction” by the Rolling Stones, and how they went from being a moderately successful beat group to being the only serious rivals to the Beatles. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have an eleven-minute bonus episode available, on "I'll Never Find Another You" by the Seekers. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. i used a lot of resources for this episode. Two resources that I've used for this and all future Stones episodes — The Rolling Stones: All The Songs by Phillipe Margotin and Jean-Michel Guesden is an invaluable reference book, while Old Gods Almost Dead by Stephen Davis is the least inaccurate biography. When in doubt, the version of the narrative I've chosen to use is the one from Davis' book. I've also used Andrew Loog Oldham's autobiography Stoned, and Keith Richards' Life, though be warned that both casually use slurs. Sympathy for the Devil: The Birth of the Rolling Stones and the Death of Brian Jones by Paul Trynka is, as the title might suggest, essentially special pleading for Jones. It's as well-researched and well-written as a pro-Jones book can be, and is worth reading for balance, though I find it unconvincing. This web page seems to have the most accurate details of the precise dates of sessions and gigs. And this three-CD set contains the A and B sides of all the Stones' singles up to 1971, including every Stones track I excerpt in this episode. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today, we're going to look at one of the most important riffs in rock and roll history -- the record that turned the distorted guitar riff into the defining feature of the genre, even though the man who played that riff never liked it. We're going to look at a record that took the social protest of the folk-rock movement, aligned it with the misogyny its singer had found in many blues songs, and turned it into the most powerful expression of male adolescent frustration ever recorded to that point. We're going to look at "Satisfaction" by the Rolling Stones: [Excerpt: The Rolling Stones, "Satisfaction"] A note before we start this -- this episode deals with violence against women, and with rape. If you're likely to be upset hearing about those things, you might want to either skip this episode, or read the transcript on the website first. The relevant section comes right at the end of the episode, so you can also listen through to the point where I give another warning, without missing any of the rest of the episode. Another point I should make here -- most of the great sixties groups have very accurate biographies written about them. The Stones, even more than the Beatles, have kept a surprising amount of control over their public image, with the result that the only sources about them are either rather sanitised things made with their co-operation, or rather tabloidy things whose information mostly comes from people who are holding a grudge or have a particular agenda. I believe that everything in this episode is the most likely of the various competing narratives, but if you check out the books I used, which are listed on the blog post associated with this episode, you'll see that there are several different tellings of almost every bit of this story. So bear that in mind as you're listening. I've done my best. Anyway, on with the episode.  When we left the Rolling Stones, they were at the very start of their recording career, having just released their first big hit single, a version of "I Wanna Be Your Man", which had been written for them by Lennon and McCartney.  The day after they first appeared on Top of the Pops, they were back in the recording studio, but not to record for themselves. The five Stones, plus Ian Stewart, were being paid two pounds a head by their manager/producer Andrew Oldham to be someone else's backing group. Oldham was producing a version of "To Know Him is to Love Him", the first hit by his idol Phil Spector, for a new singer he was managing named Cleo Sylvester: [Excerpt: Cleo, "To Know Him is to Love Him"] In a further emulation of Spector, the B-side was a throwaway instrumental. Credited to "the Andrew Oldham Orchestra", and with Mike Leander supervising, the song's title, "There Are But Five Rolling Stones", gave away who the performers actually were: [Excerpt: The Andrew Oldham Orchestra, "There Are But Five Rolling Stones"] At this point, the Stones were still not writing their own material, but Oldham had already seen the writing on the wall -- there was going to be no place in the new world opened up by the Beatles for bands that couldn't generate their own hits, and he had already decided who was going to be doing that for his group.  It would have been natural for him to turn to Brian Jones, still at this point the undisputed leader of the group, and someone who had a marvellous musical mind. But possibly in order to strengthen the group's identity as a group rather than a leader and his followers -- Oldham has made different statements about this at different points -- or possibly just because they were living in the same flat as him at the time, while Jones was living elsewhere, he decided that the Rolling Stones' equivalent of Lennon and McCartney was going to be Jagger and Richards. There are several inconsistencies in the stories of how Jagger and Richards started writing together -- and things like what the actual first song they wrote together was, or when they wrote it, will probably always be lost to the combination of self-aggrandisement and drug-fuelled memory loss that makes it difficult to say anything definitive about much of their career. But we do know that one of the earliest songs they wrote together was "As Tears Go By", a song that wasn't considered suitable for the group -- though they did later record a version of it -- and was given instead to Marianne Faithfull, a young singer with whom Jagger was about to enter into a relationship: [Excerpt: Marianne Faithfull, "As Tears Go By"] It's not entirely clear who wrote what on that song -- it's usually referred to as a Jagger/Richards collaboration, but it's credited to Jagger, Richards, and Oldham, and at least one source claims it was actually written by Jagger and the session guitarist Big Jim Sullivan -- and if so, this would be the first time of many that a song written by Jagger or Richards in collaboration with someone else would be credited to Jagger and Richards without any credit going to their co-writer. But the consensus story, as far as there is a consensus, seems to be that Oldham locked Jagger and Richards into a kitchen, and told them they weren't coming out until they had a song written. And it had to be a proper song, not a pastiche of something else, and it had to be the kind of song you could release as a single, not a blues song. After spending all night in the kitchen, Richards eventually got bored of being stuck in there, and started strumming his guitar and singing "it is the evening of the day", and the two of them quickly came up with the rest of the song. After "As Tears Go By", they wrote a lot of songs that they didn't feel were right for the group, but gave them away to other people, like Gene Pitney, who recorded "That Girl Belongs to Yesterday": [Excerpt: Gene Pitney, "That Girl Belongs to Yesterday"] Pitney, and his former record producer Phil Spector, had visited the Stones during the sessions for their first album, which started the day after that Cleo session, and had added a little piano and percussion to a blues jam called "Little by Little", which also featured Allan Clarke and Graham Nash of the Hollies on backing vocals. The songwriting on that track was credited to Spector and Nanker Phelge, a group pseudonym that was used for jam sessions and instrumentals. It was one of two Nanker Phelge songs on the album, and there was also an early Jagger and Richards song, "Tell Me", an unoriginal Merseybeat pastiche: [Excerpt: The Rolling Stones, "Tell Me"] But the bulk of the album was made up of cover versions of songs by Bo Diddley, Chuck Berry, Rufus Thomas, Marvin Gaye, and other Black American musicians. The album went to number one in the UK album charts, which is a much more impressive achievement than it might sound. At this point, albums sold primarily to adults with spending money, and the album charts changed very slowly. Between May 1963 and February 1968, the *only* artists to have number one albums in the UK were the Beatles, the Stones, Dylan, the Monkees, the cast of The Sound of Music, and Val Doonican. And between May 63 and April 65 it was *only* the Beatles and the Stones. But while they'd had a number one album, they'd still not had a number one single, or even a top ten one. "I Wanna Be Your Man" had been written for them and had hit number twelve, but they were still not writing songs that they thought were suited for release as singles, and they couldn't keep asking the Beatles to help them out, so while Jagger and Richards kept improving as songwriters, for their next single they chose a Buddy Holly B-side: [Excerpt: Buddy Holly, "Not Fade Away"] The group had latched on to the Bo Diddley rhythm in that song, along with its machismo -- many of the cover versions they chose in this period seem to have not just a sexual subtext but to be overtly bragging, and if Little Richard is to be believed on the subject, Holly's line "My love is bigger than a Cadillac" isn't that much of an exaggeration. It's often claimed that the Stones exaggerated and emphasised the Bo Diddley sound, and made their version more of an R&B number than Holly's, but if anything their version owes more to someone else.  The Stones' first real UK tour had been on a bill with Mickie Most, Bo Diddley, Little Richard, and the Everly Brothers, and Keith Richards in particular had been amazed by the Everlys. He said later "The best rhythm guitar playing I ever heard was from Don Everly. Nobody ever thinks about that, but their rhythm guitar playing is perfect". Don Everly, of course, was himself very influenced by Bo Diddley, and learned to play in open-G tuning from Diddley -- and several years later, Keith Richards would make that tuning his own, after being inspired by Everly and Ry Cooder.  The Stones' version of "Not Fade Away" owes at least as much to Don Everly's rhythm guitar style as to that of Holly or Diddley. Compare, say, the opening of "Wake Up Little Suzie": [Excerpt: The Everly Brothers, "Wake Up Little Suzie"] The rhythm guitar on the Stones version of "Not Fade Away" is definitely Keith Richards doing Don Everly doing Bo Diddley: [Excerpt: The Rolling Stones, "Not Fade Away"] That was recorded during the sessions for their first album, and was, depending on whose story you believe, another track that featured Phil Spector and Gene Pitney on percussion, recorded at the same session as "Little by Little", which became its B-side. Bill Wyman, who kept copious notes of the group's activities, has always said that the idea that it was recorded at that session was nonsense, and that it was recorded weeks later, and Oldham merely claimed Spector was on the record for publicity purposes. On the other hand, Gene Pitney had a very strong memory of being at that session. Spector had been in the country because the Ronettes had been touring the UK with the Stones as one of their support acts, along with the Swinging Blue Jeans and Marty Wilde, and Spector was worried that Ronnie might end up with one of the British musicians. He wasn't wrong to worry -- according to Ronnie's autobiography, there were several occasions when she came very close to sleeping with John Lennon, though they never ended up doing anything and remained just friends, while according to Keith Richards' autobiography he and Ronnie had a chaste affair on that tour which became less chaste when the Stones later hit America. But Spector had flown over to the UK to make sure that he remained in control of the young woman who he considered his property. Pitney, meanwhile, according to his recollection, turned up to the session at the request of Oldham, as the group were fighting in the studio and not getting the track recorded. Pitney arrived with cognac, telling the group that it was his birthday and that they all needed to get drunk with him. They did, they stopped fighting, and they recorded the track: [Excerpt: The Rolling Stones, "Not Fade Away"] "Not Fade Away" made number three on the UK charts, and also became the first Stones record to chart in the US at all, though it only scraped its way to number forty-eight, not any higher. But in itself that was a lot -- it meant that the Stones had a record doing well enough to justify them going to the US for their first American tour.  But before that, they had to go through yet another UK tour -- though this isn't counted as an official tour in the listings of their tours, it's just a bunch of shows, in different places, that happened to be almost every night for a couple of months. By this time, the audience response was getting overwhelming, and shows often had to be cut short to keep the group safe. At one show, in Birkenhead, the show had to be stopped after the band played *three bars*, with the group running off stage after that as the audience invaded the stage. And then it was off to the US, where they were nowhere near as big, though while they were over there, "Tell Me" was also released as a single to tie in with the tour, and that did surprisingly well, making number twenty-four. The group's first experience of the US wasn't an entirely positive one -- there was a disastrous appearance on the Dean Martin Show on TV, with Martin mocking the group both before and after their performance, to the extent that Bob Dylan felt moved to write in the liner notes to his next album “Dean Martin should apologise t'the Rolling Stones”. But on the other hand, there were some good experiences. They got to see James Brown at the Apollo, and Jagger started taking notes -- though Richards also noted *what* Jagger was noting, saying "James wanted to show off to these English folk. He's got the Famous Flames, and he's sending one out for a hamburger, he's ordering another to polish his shoes and he's humiliating his own band. To me, it was the Famous Flames, and James Brown happened to be the lead singer. But the way he lorded it over his minions, his minders and the actual band, to Mick was fascinating" They also met up with Murray the K, the DJ who had started the career of the Ronettes among others. Murray had unilaterally declared himself "the fifth Beatle", and was making much of his supposed connections with British pop stars, most of whom either had no idea who he was or actively disliked him (Richards, when talking about him, would often replace the K with a four-letter word usually spelled with a "c"). The Stones didn't like him any more than any of the other groups did, but Murray played them a record he thought they'd be interested in -- "It's All Over Now" by the Valentinos, the song that Bobby Womack had written and which was on Sam Cooke's record label: [Excerpt: The Valentinos, "It's All Over Now"] They decided that they were going to record that, and handily Oldham had already arranged some studio time for them. As Giorgio Gomelsky would soon find with the Yardbirds, Oldham was convinced that British studios were simply unsuitable for recording loud blues-based rock and roll music, and Phil Spector had suggested to him that if the Stones loved Chess records so much, they might as well record at Chess studios.  So while the group were in Chicago, they were booked in for a couple of days in the studio at Chess, where they were horrified to discover that their musical idol Muddy Waters was earning a little extra cash painting the studio ceiling and acting as a roadie, helping them in with their equipment.  (It should be noted here that Marshall Chess, Leonard Chess' son who worked with the Stones in the seventies, has denied this happened. Keith Richards insists it did.) But after that shock, they found working at Chess a great experience. Not only did various of their musical idols, like Willie Dixon and Chuck Berry, as well as Waters, pop in to encourage them, and not only were they working with the same engineer who had recorded many of those people's records, but they were working in a recording studio with an actual multi-track system rather than a shoddy two-track tape recorder. From this point on, while they would still record in the UK on occasion, they increasingly chose to use American studios.  The version of "It's All Over Now" they recorded there was released as their next single. It only made the top thirty in the US -- they had still not properly broken through there -- but it became their first British number one: [Excerpt: The Rolling Stones, "It's All Over Now"] Bobby Womack was furious that the Stones had recorded his song while his version was still new, but Sam Cooke talked him down, explaining that if Womack played his cards right he could have a lot of success through his connection with these British musicians. Once the first royalty cheques came in, Womack wasn't too upset any more. When they returned to the UK, they had another busy schedule of touring and recording -- and not all of it just for Rolling Stones work. There was, for example, an Andrew Oldham Orchestra session, featuring many people from the British session world who we've noted before -- Joe Moretti from Vince Taylor's band, John Paul Jones, Jimmy Page, Andy White, Mike Leander, and more. Mick Jagger added vocals to their version of "I Get Around": [Excerpt: The Andrew Oldham Orchestra, "I Get Around"] It's possible that Oldham had multiple motives for recording that -- Oldham was always a fan of Beach Boys style pop music more than he was of R&B, but he also was in the process of setting up his own publishing company, and knew that the Beach Boys' publishers didn't operate in the UK. In 1965, Oldham's company would become the Beach Boys' UK publishers, and he would get a chunk of every cover version of their songs, including his own. There were also a lot of demo sessions for Jagger/Richards songs intended for other artists, with Mick and Keith working with those same session musicians -- like this song that they wrote for the comedian Jimmy Tarbuck, demoed by Jagger and Richards with Moretti, Page, Jones, John McLaughlin, Big Jim Sullivan, and Andy White: [Excerpt: Mick Jagger and Keith Richards, "We're Wastin' Time"] But of course there were also sessions for Rolling Stones records, like their next UK number one single, "Little Red Rooster": [Excerpt: The Rolling Stones, "Little Red Rooster"] "Little Red Rooster" is a song that is credited to Willie Dixon, but which actually combines several elements from earlier blues songs, including a riff inspired by the one from Son House's "Death Letter Blues": [Excerpt: Son House, "Death Letter Blues"] A melody line and some lines of lyric from Memphis Minnie's "If You See My Rooster": [Excerpt: Memphis Minnie, "If You See My Rooster"] And some lines from Charley Patton's "Banty Rooster Blues": [Excerpt: Charley Patton, "Banty Rooster Blues"] Dixon's resulting song had been recorded by Howlin' Wolf in 1961: [Excerpt: Howlin' Wolf, "Little Red Rooster"] That hadn't been a hit, but Sam Cooke had recorded a cover version, in a very different style, that made the US top twenty and proved the song had chart potential: [Excerpt: Sam Cooke, "Little Red Rooster"] The Rolling Stones version followed Howlin' Wolf's version very closely, except that Jagger states that he *is* a cock -- I'm sorry, a rooster -- rather than that he merely has one. And this would normally be something that would please Brian Jones immensely -- that the group he had formed to promote Delta and Chicago blues had managed to get a song like that to number one in the UK charts, especially as it was dominated by his slide playing. But in fact the record just symbolised the growing estrangement between Jones and the rest of his band. When he turned up at the session to record "Little Red Rooster", he was dismayed to find out that the rest of the group had deliberately told him the wrong date. They'd recorded the track the day before, without him, and just left a note from Jagger to tell him where to put his slide fills. They spent the next few months ping-ponging between the UK and the US. In late 1964 they made another US tour, during which at one point Brian Jones collapsed with what has been variously reported as stress and alcohol poisoning, and had to miss several shows, leaving the group to carry on without him. There was much discussion at this point of just kicking him out of the band, but they decided against it -- he was still perceived as the group's leader and most popular member. They also appeared on the TAMI show, which we've mentioned before, and which we'll look at in more detail when we next look at James Brown, but which is notable here for two things. The first is that they once again saw how good James Brown was, and at this point Jagger decided that he was going to do his best to emulate Brown's performance -- to the extent that he asked a choreographer to figure out what Brown was doing and teach it to him, but the choreographer told Jagger that Brown moved too fast to figure out all his steps. The other is that the musical director for the TAMI Show was Jack Nitzsche, and this would be the start of a professional relationship that would last for many years. We've seen Nitzsche before in various roles -- he was the co-writer of "Needles and Pins", and he was also the arranger on almost all of Phil Spector's hits. He was so important to Spector's sound that Keith Richards has said “Jack was the Genius, not Phil. Rather, Phil took on Jack's eccentric persona and sucked his insides out.” Nitzsche guested on piano when the Stones went into the studio in LA to record a chunk of their next album, including the ballad "Heart of Stone", which would become a single in the US. From that point on, whenever the Stones recorded in LA, Nitzsche would be there, adding keyboards and percussion and acting as an uncredited co-producer and arranger. He was apparently unpaid for this work, which he did just because he enjoyed being around the band. Nitzsche would also play on the group's next UK single, recorded a couple of months later. This would be their third UK number one, and the first one credited to Jagger and Richards as songwriters, though the credit is a rather misleading one in this case, as the chorus is taken directly from a gospel song by Pops Staples, recorded by the Staple Singers: [Excerpt: The Staple Singers, "This May Be The Last Time"] Jagger and Richards took that chorus and reworked it into a snarling song whose lyrics were based around Jagger's then favourite theme -- how annoying it is when women want to do things other than whatever their man wants them to do: [Excerpt: The Rolling Stones, "The Last Time"] There is a deep, deep misogyny in the Stones' lyrics in the mid sixties, partly inspired by the personas taken on by some blues men (though there are very few blues singers who stuck so unrelentingly to a single theme), and partly inspired by Jagger's own relationship with Chrissie Shrimpton, who he regarded as his inferior, even though she was his superior in terms of the British class system. That's even more noticeable on "Play With Fire", the B-side to "The Last Time". "The Last Time" had been recorded in such a long session that Jones, Watts, and Wyman went off to bed, exhausted. But Jagger and Richards wanted to record a demo of another song, which definitely seems to have been inspired by Shrimpton, so they got Jack Nitzsche to play harpsichord and Phil Spector to play (depending on which source you believe) either a bass or a detuned electric guitar: [Excerpt: The Rolling Stones, "Play With Fire"] The demo was considered good enough to release, and put out as the B-side without any contribution from the other three Stones. Other songs Chrissie Shrimpton would inspire over the next couple of years would include "Under My Thumb", "19th Nervous Breakdown", and "Stupid Girl". It's safe to say that Mick Jagger wasn't going to win any boyfriend of the year awards. "The Last Time" was a big hit, but the follow-up was the song that turned the Stones from being one of several British bands who were very successful to being the only real challengers to the Beatles for commercial success. And it was a song whose main riff came to Keith Richards in a dream: [Excerpt: The Rolling Stones, "(I Can't Get No) Satisfaction)"] Richards apparently had a tape recorder by the side of his bed, and when the riff came to him he woke up enough to quickly record it before falling back to sleep with the tape running. When he woke up, he'd forgotten the riff, but found it at the beginning of a recording that was otherwise just snoring. For a while Richards was worried he'd ripped the riff off from something else, and he's later said that he thinks that it was inspired by "Dancing in the Street". In fact, it's much closer to the horn line from another Vandellas record, "Nowhere to Run", which also has a similar stomping rhythm: [Excerpt: Martha and the Vandellas, "Nowhere to Run"] You can see how similar the two songs are by overlaying the riff from “Satisfaction” on the chorus to “Nowhere to Run”: [Excerpt “Nowhere to Run”/”Satisfaction”] "Nowhere to Run" also has a similar breakdown. Compare the Vandellas: [Excerpt: Martha and the Vandellas, "Nowhere to Run"] to the Stones: [Excerpt: The Rolling Stones, "(I Can't Get No) Satisfaction"] So it's fairly clear where the song's inspiration came from, but it's also clear that unlike a song like "The Last Time" this *was* just inspiration, rather than plagiarism.  The recorded version of "Satisfaction" was never one that its main composer was happy with. The group, apart from Brian Jones, who may have added a harmonica part that was later wiped, depending on what sources you read, but is otherwise absent from the track, recorded the basic track at Chess studios, and at this point it was mostly acoustic. Richards thought it had come out sounding too folk-rock, and didn't work at all. At this point Richards was still thinking of the track as a demo -- though by this point he was already aware of Andrew Oldham's tendency to take things that Richards thought were demos and release them. When Richards had come up with the riff, he had imagined it as a horn line, something like the version that Otis Redding eventually recorded: [Excerpt: Otis Redding, "(I Can't Get No) Satisfaction"] So when they went into the studio in LA with Jack Nitzsche to work on some tracks there including some more work on the demo for “Satisfaction”, as well as Nitzsche adding some piano, Richards also wanted to do something to sketch out what the horn part would be. He tried playing it on his guitar, and it didn't sound right, and so Ian Stewart had an idea, went to a music shop, and got one of the first ever fuzz pedals, to see if Richards' guitar could sound like a horn. Now, people have, over the years, said that "Satisfaction" was the first record ever to use a fuzz tone. This is nonsense. We saw *way* back in the episode on “Rocket '88” a use of a damaged amp as an inspired accident, getting a fuzzy tone, though nobody picked up on that and it was just a one-off thing. Paul Burlison, the guitarist with the Rock 'n' Roll Trio, had a similar accident a few years later, as we also saw, and went with it, deliberately loosening tubes in his amp to get the sound audible on their version of "Train Kept A-Rollin'": [Excerpt: Johnny Burnette and the Rock 'n' Roll Trio, "Train Kept A-Rollin'"] A few years later, Grady Martin, the Nashville session player who was the other guitarist on that track, got a similar effect on his six-string bass solo on Marty Robbins' "Don't Worry", possibly partly inspired by Burlison's sound: [Excerpt: Marty Robbins, "Don't Worry"] That tends to be considered the real birth of fuzz, because that time it was picked up by the whole industry. Martin recorded an instrumental showing off the technique: [Excerpt: Grady Martin, "The Fuzz"] And more or less simultaneously, Wrecking Crew guitarist Al Casey used an early fuzz tone on a country record by Sanford Clark: [Excerpt: Sanford Clark, "Go On Home"] And the pedal steel player Red Rhodes had invented his own fuzz box, which he gave to another Wrecking Crew player, Billy Strange, who used it on records like Ann-Margret's "I Just Don't Understand": [Excerpt: Ann-Margret, "I Just Don't Understand"] All those last four tracks, and many more, were from 1960 or 1961. So far from being something unprecedented in recording history, as all too many rock histories will tell you, fuzz guitar was somewhat passe by 1965 -- it had been the big thing on records made by the Nashville A-Team and the Wrecking Crew four or five years earlier, and everyone had moved on to the next gimmick long ago. But it was good enough to use to impersonate a horn to sketch out a line for a demo. Except, of course, that while Jagger and Richards disliked the track as recorded, the other members of the band, and Ian Stewart (who still had a vote even though he was no longer a full member) and Andrew Oldham all thought it was a hit single as it was. They overruled Jagger and Richards and released it complete with fuzz guitar riff, which became one of the most well-known examples of the sound in rock history. To this day, though, when Richards plays the song live, he plays it without the fuzztone effect. Lyrically, the song sees Mick Jagger reaching for the influence of Bob Dylan and trying to write a piece of social commentary. The title line seems, appropriately for a song partly recorded at Chess studios, to have come from a line in a Chuck Berry record, "Thirty Days": [Excerpt: Chuck Berry, "Thirty Days"] But the sentiment also owes more than a little to another record by a Chess star, one recorded so early that it was originally released when Chess was still called Aristocrat Records -- Muddy Waters'  "I Can't Be Satisfied": [Excerpt: Muddy Waters, "I Can't Be Satisfied"] “Satisfaction” is the ultimate exercise in adolescent male frustration. I once read something, and I can't for the life of me remember where or who the author was, that struck me as the most insightful critique of the sixties British blues bands I've ever heard. That person said that by taking the blues out of the context in which the music had been created, they fundamentally changed the meaning of it -- that when Bo Diddley sang "I'm a Man", the subtext was "so don't call me 'boy', cracker". Meanwhile, when some British white teenagers from Essex sang the same words, in complete ignorance of the world in which Diddley lived, what they were singing was "I'm a man now, mummy, so you can't make me tidy my room if I don't want to". But the thing is, there are a lot of teenagers out there who don't want to tidy their rooms, and that kind of message does resonate. And here, Jagger is expressing the kind of aggressive sulk that pretty much every teenager, especially every frustrated male teenager will relate to. The protagonist is dissatisfied with everything in his life, so criticism of the vapidity of advertising is mixed in with sexual frustration because women won't sleep with the protagonist when they're menstruating: [Excerpt: The Rolling Stones, "(I Can't Get No) Satisfaction"] It is the most adolescent lyric imaginable, but pop music is an adolescent medium. The song went to number one in the UK, and also became the group's first American number one. But Brian Jones resented it, so much so that when they performed the song live, he'd often start playing “I'm Popeye the Sailor Man”. This was partly because it wasn't the blues he loved, but also because it was the first Stones single he wasn't on (again, at least according to most sources. Some say he played acoustic rhythm guitar, but most say he's not on it and that Richards plays all the guitar parts). And to explain why, I have to get into the unpleasant details I talked about at the start. If you're likely to be upset by discussion of rape or domestic violence, stop the episode now. Now, there are a number of different versions of this story. This is the one that seems most plausible to me, based on what else I know about the Stones, and the different accounts, but some of the details might be wrong, so I don't want anyone to think that I'm saying that this is absolutely exactly what happened. But if it isn't, it's the *kind* of thing that happened many times, and something very like it definitely happened. You see, Brian Jones was a sadist, and not in a good way. There are people who engage in consensual BDSM, in which everyone involved is having a good time, and those people include some of my closest friends. This will never be a podcast that engages in kink-shaming of consensual kinks, and I want to make clear that what I have to say about Jones has nothing to do with that. Because Jones was not into consent. He was into physically injuring non-consenting young women, and he got his sexual kicks from things like beating them with chains. Again, if everyone is involved is consenting, this is perfectly fine, but Jones didn't care about anyone other than himself. At a hotel in Clearwater, Florida, on the sixth of May 1965, the same day that Jagger and Richards finished writing "Satisfaction", a girl that Bill Wyman had slept with the night before came to him in tears. She'd been with a friend the day before, and the friend had gone off with Jones while she'd gone off with Wyman. Jones had raped her friend, and had beaten her up -- he'd blackened both her eyes and done other damage. Jones had hurt this girl so badly that even the other Stones, who as we have seen were very far from winning any awards for being feminists of the year, were horrified. There was some discussion of calling the police on him, but eventually they decided to take matters into their own hands, or at least into one of their employees' hands. They got their roadie Mike Dorsey to teach him a lesson, though Oldham was insistent that Dorsey not mess up Jones' face. Dorsey dangled Jones by his collar and belt out of an upstairs window and told Jones that if he ever did anything like that again, he'd drop him. He also beat him up, cracking two of Jones' ribs. And so Jones was not in any state to play on the group's first US number one, or to play much at all at the session, because of the painkillers he was on for the cracked ribs.  Jones would remain in the band for the next few years, but he had gone from being the group's leader to someone they disliked and were disgusted by. And as we'll see the next couple of times we look at the Stones, he would only get worse.

This week we talk colonics, Bill Cosby, Sha Carri Richardson, men needing to give their lady a solid 60 minutes of thoughtful time per month, and of course, which Disney Princess was the baddest bish. For our main jawn, we discuss time & whether or not we truly understand its value. Join us.General Inquiries: Contact Us: IG: @aroundthewaycurls Hotline: (215) 948-2780 Email: aroundthewaycurls@gmail.com Patreon: www.com/aroundthewaycurlsShop ATWC Merch: https://www.aroundthewaycurls.com/collectionsBuy Erykah Badu's, Time's A Wastin here: https://music.apple.com/us/album/times-a-wastin/1440755899?i=1440756683

For the season finale of Object of Sound, a reminder that you are an artist, regardless of what you do for work. Before Brittany Howard became a striking soloist and lead singer of Alabama Shakes, she worked at Cracker Barrel, sold cars, and even delivered mail in rural Alabama. In this episode, Hanif and Brittany reflect on how they preserved their creative lives and taught themselves writing and music while on the job. They dive into a shared love of funk and Brittany reveals how she learned to play guitar as a kid from reading magazines. Plus, a playlist of songs to soundtrack your work day. After this episode, we're going to take a break. Season Two of Object of Sound picks up June 18th! Stay tuned. For the playlist of songs curated for this episode, visit http://bit.ly/oos-work/Show Notes/Brittany Howard's most recent album is Jaime. Hanif and Brittany talk about Bill Withers and Brittany's cover of Parliament Funkadelic's “You and Your Folks.”Brittany cites Vulfpeck and BadBadNotGood as the bands with funk rhythm sections that she admires. Brittany adds “Ain't It Hard” by Sharon Jones,“Cold Sweat” by James Brown, “Oh Marie”by Louis Prima and “The Prophet's Song” by Queen to a playlist of songs for the work day./Music In This Week's Playlist/You and Your Folks, Me and My Folks, Brittany Howard covering FunkadelicThe Prophet's Song, QueenPressure, ParamoreAin't it Hard, Sharon Jones & The Dap KingsTears of Rage, The BandPeople Everyday, Arrested DevelopmentTime's a Wastin, Erykah Badu/ Credits / Object of Sound is a Sonos show produced by work x work: Scott Newman, Jemma Rose Brown, and Babette Thomas. The show is additionally produced by Hanif Abdurraqib. Our engineers are Sam Bair and Josh Hahn of The Relic Room. 

The Eric Roberts obsession continues for Sarah and Mary in their recap of Lifetime’s “Stalked By My Doctor: Patient’s Revenge.”  As the third in the “Stalked By My Doctor” series, this one does NOT disappoint. Sarah is over the moon with the double dose of Eric Roberts (since Eric Roberts’ inner-voice of reason  is played by, well, Dr. Mr. Eric Roberts). Mary is genuinely pleased that he finally “gets the girl” in this one - or so it would seem - and still isn’t really concerned that he wants to cut off the arms and legs of his love interests when his plans go sideways. Love hurts, right? Subscribe, follow, like, and review wherever you get your podcasts. Follow us on Twitter, Instagram, Facebook and Patreon.  sarahcolonna.com  maryradzinski.com   © 2020-2021 Are You My Podcast?

BOOTS & SADDLE - March 30, 2021 1. False Eyelashes - Dolly Parton (Just Because I'm A Woman - 1968) 2. Daddy's Advice - Asleep at the Wheel (Comin' Right At Ya - 1973) 3. The Son Shines Down On Me - Asleep at the Wheel (Comin' Right At Ya - 1973) 4. My Tormentor - Robbie Fulks (Couples in Trouble - 2001) 5. I Wanna Be Mama'd - Jimmie Logsdon (Single - 1952) 6. Over There That's Frank - Charley Crockett (10 for Slim: Charley Crockett Sings James Hand - 2021)  7. Arkansas Hills - Melissa Carper (Daddy's Country Gold - 2021) 8. Guide Me In - James Steinle (Same Ol' Stuff - 2021)  9. Lucky When It Rains - Hank & Ella with The Fine Country Band (Good at Being Lonely - 2021) 10. Lonesome 77203 - Floyed Turcotte (Country) 11. Beer Drinkers, Born Losers and Me - Joe Firth w/ Paul Weber (Me And The Old Promised Land - 1981) 12. The River - Skinny Dyck (Get To Know Lonesome - 2020)  13. Fiddle Texas Style - Cindi Cain (Single - 1988) 14. Big Beaver - Jeff Bradshaw & Dave Hamilton (Swingin' Country Dance Toons - 2003) 15. Everybody's Darlin' Plus Mine - Marty Robbins (R.F.D. - 1964) 16. You Put Me Here - Amber Digby (The World You're Living In - 2013) 17. La Mafia Muere - Los Tigres del Norte (Corridos Prohibidos - 1989) 18. 25 & Wastin' Time - Vincent Neil Emerson (Fried Chicken & Evil Women - 2019) 19. Ain't Done Loving You Yet - John Paul Keith (The Rhythm Of The City - 2021) 20. Going Going Gone - The Golden Roses (Devil's In The Details - 2021)  21.  Good at a Bad Job - Jim Bachmann (Single - 2021) 22. Pawn Shop Queen - Katie Jo (Pawn Shop Queen - 2021) 23. This Fool - West of Texas (Heartache, Hangovers & Honky Tonks - 2021) 24. Walk Between the Raindrops - Thelonious Hank (Walk Between the Raindrops - 2017) 25. May You Never Be Alone - Hank Williams (Single - 1950) 26. Right on Time - Leo Rondeau (Right on Time - 2019) 27. I love the Lonesome Prairie (Prairie Love Letter - 2020)  28. My Heart Knows Why - Lynette Wolfe (A Hard Place to Be - 2019) 29. I Don't Trust You Anymore - Lefty Frizzell (The Sad Side of Love - 1965) 30. When I Come Driving Through - The Willis Brothers (Single - 1965) 31. Dalynn Grace - Dale Watson (Dale Watson Presents: The Memphians - 2021) 32. Our First Bluebonnet Spring - Junior Brown (Mixed Bag - 2001)

From the human perspective, Paul’s sea voyage to Rome seems like a huge waste of time. In reality, it is full of great spiritual benefit and opportunity. (Gene Pensiero Jr)

From the human perspective, Paul’s sea voyage to Rome seems like a huge waste of time. In reality, it is full of great spiritual benefit and opportunity. (Gene Pensiero Jr)

We are celebrating a full month of having a new POTUS in the White House, Shonali's new jumpsuit, expectant father Justin the Intern and comedian Anuvab Pal guest joining us all the way from the UK where it is 2AM.  Anuvab is a comedian, screenwriter, playwright, author among many other things.  We discuss finding humor in the complicated history between Indian and Great Britain, the emerging Indian comedy scene, millenials and history, Zoom yoga, surviving the pandemic in India & the great Bollywood Classic Disco Dancer.  Our longtime WDEK friend & bartender Lori Schwarz joins us from the Red Room our old stomping grounds before the pandemic.  She teaches us how to make a Flirtini: 2 oz Vodka, 3/4 oz Chambord or any raspberry liqueur, 2 oz pineapple juice.  Make sure to listen to her shaker shaking techniques!   Musician Bryan Malone joins from Atlanta, GA!  Bryan is the frontman of the band The Forty-Fives and Bad Spell & pre- pandemic was the club booker/promoter for the legendary Star Community Bar.  He currently hosts the Post-Apocalyptic Malone Show weekly on Thursday nights on FB Live.  Bryan has come up with a way of staying creative &  connected to friends and the outside world during a time when we have all been trapped at home.  Christian reminds us of the importance of hygiene during the pandemic.   Bryan performs one of his Bad Spell songs called Wastin' Time On You.  Check them out on Bandcamp! and don't miss him every Thursday night 8PM EST on The Post-Apocalyptic Malone Show.  The WDEK Crew regroups to congratulate Justin The Intern on the big news! Justin and his fiancee Laura are expecting a little boy this year!  We will consider changing his nickname when he becomes a father to Justin the Father Intern.  

Show #884 Worldclass Blues For A Troubled Planet 01. Robson Fernandes - Blues In The Dark (Sampa Blues, self-release, 2002) 02. Trevor B. Power - World Gone Madd (3:46) (What Is Real, Farm 189 Records, 2021) 03. Wildcat O'Halloran Band - Angel Of Mercy (6:30) (You Can’t Fall Off the Floor, self-release, 2021) 04. Joe Lewis Band - Hot Lovin' Momma (3:14) (Up Next, self-release, 2021) 05. Urban Ladder Society - Juke Joint Lover (5:05) (The Summit, KP Music Group, 2020) 06. Bob Wineland & the House Band - Trouble All Over The World (3:27) (Backyard Blues-Blues Society Of Central PA, Blue Heart Records, 2021) 07. Brigitte Purdy - Memphis Hotline (3:23) (Blind Raccoon Nola Blue Collection Vol.3, Blue Heart Records, 2021) 08. John Campbell - World Of Trouble (6:09) (One Believer, Elektra Records, 1991) 09. Blu Acid (ft. John Blake) - No Time (3:28) (Blu Acid Featuring John Blake EP, Blu ACiD Records, 2021) 10. Curtis Salgado - The Fix Is In (5:00) (Damage Control, Alligator Records, 2021) 11. The WildRoots - Easy Chair (4:58) (WildRoots Sessions Vol.1, WildRoots Records, 2021) 12. Nighthawks - I Hate A Nickel (3:31) (Tryin' To Get To You, EllerSoul Records, 2020) 13. Riff Riders - Trouble (4:29) (Hit The Road, Power Waggin' Records, 2015) 14. Miss Bix (ft. Keeshea Pratt) - Red Walls (6:00) (Single, Blue Heart Records, 2020) 15. Blind Willie Johnson - Dark Was The Night, Cold Was The Ground (78 RPM Single, Columbia Records, 1927) 16. Dave Fields - DF's Blues (7:12) (Time's A Wastin', FMI Records, 2007) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

“I tell all my staff to have your hearts, your minds and your ears open to new ideas. It doesn't have to come from you to be a great idea.” - Adam BedoianMargaritaville isn’t just a state of mind, it’s a real place. Seniors can live out their Buffett-inspired retirement dreams at the three Latitude Margaritaville retirement communities in Daytona Beach and Watersound, Florida, and Hilton Head, South Carolina.When moving into a retirement community, people care greatly about what their community will be like. The Margaritaville theme communicates a clear identity of fun, food, music and escapism. The theme has resonated. People camped out overnight to be the first to secure spots the Margaritaville development in Daytona Beach.In this interview, Bailey chats with Adam Bedoian whose team is responsible for bringing the Margaritaville lifestyle to life. Each week they host 10 hours of live music, pickleball games, and a number of programs at their restaurants, fitness centers, amphitheater shell, and pool. Residents have stepped up officially and unofficially to support the community as resident advisors, hostess, and even with behind the scenes aspects of running the community, like accounting.We were delighted to see how clear Adam and his team took a “build with” approach to establishing the community at Margaritaville and hope you enjoy the story. Highlights, inspiration, & key learnings:You can’t fake the funk. Adam’s early career in hospitality and transition to community-building.Prototyping Margaritaville. Running the idea by the “Parrottheads,” Jimmy Buffett’s super fans, before launching.Programs that prompt connection. Listening and having ongoing, open conversations.Managing expectations. “I can take care of everything except for who your neighbors are.”Supercharging leaders. Unofficially and officially, residents have stepped up and brought the escapism lifestyle to life.

Portland Entertainer TOX!C released her dance worthy first EP after spending a year largely dancing alone in isolation. We discuss how the pandemic affected sex work, the influences for her music, the struggle of finding the right people to work with and the creative support that got her through. From touching on mental health and geeking out about karaoke this is a perfect “Valentine's Date” to get you up and grooving. TOX!C's Dichotomy of Love now available to stream everywhere! https://allmylinks.com/yourtoxicaddiction CONNECT ON INSTAGRAM: Follow @yourtoxicaddition & link in her bio for all that she is up to! Follow the podcast at @isolationreflections & host at @juiceboxsays. Mental Health & Sexual Violence Resources: - Suicide Prevention Lifeline 1-800-273-TALK (8255) - Crisis Text Line / Text HOME to 741741 - Help Someone Else at suicidepreventionlifeline.org/help-someone-else - Learn about Bipolar & Mental Illness at https://www.nami.org - Sexual Violence Hotline 1-800-656-4673 - Anti-Sexual Violence Org: https://www.rainn.org/ SONGS FEATURED: 1. Wastin' My Time by Tox!c 2. Difficult by Tox!c 3.Hooked On You by Sweet Sensation 4. Get Over You by Tox!c

Season 4 of Rap Rankings, Moulz & Mel At The Movies, kicks off with a review of 8 Mile, starring Eminem, and a review of 8 Mile: Music From And Inspired By The Motion Picture. SPECIAL GUEST REVIEWER: @https://twitter.com/jeremylambert88 (jeremylambert88) --------- Intro (0:00) -- The Rating System, Explained (15:50 - 18:34) -- 8 Mile: Music From And Inspired By The Motion Picture Info (1:00:37) -- Moulz & Mel At The Movies: 8 Mile (1:28:12 - 2:31:05) -- Track 1: "Lose Yourself" (2:34:32) -- Track 2: "Love Me" (2:53:15) -- Track 3: "8 Mile" [w/ @https://twitter.com/jeremylambert88 (jeremylambert88)] (3:19:27) -- Track 4: "Adrenaline Rush" (4:23:24) -- Track 5: "Places To Go" (4:32:23) -- Track 6: "Rap Game" (4:43:25) -- Track 7: "8 Miles And Runnin' (4:53:05) -- Track 8: "Spitshine" (5:03:03) -- Track 9: "Time Of My Life" (5:09:00) -- Track 10: "U Wanna Be Me" (5:22:35) -- Track 11: "Wanksta" (5:33:23) -- Track 12: "Wastin' My Time" (5:33:47) -- Track 13: "R.A.K.I.M." (5:40:43) -- Track 14: "That's My Nigga Fo' Real" (5:47:00) -- Track 15: "Battle" (5:52:40) -- Track 16: "Rabbit Run" (6:01:23) -- Ranking 8 Mile: Music From And Inspired By The Motion Picture (6:06:35) -- Outro (6:12:20) Support this podcast

With a solid lead and smoothies in hand, Xen, Wrat, and Stay-C pack themselves in the van and cruise southwest on the Metroway (Interstate 99) in the search of the elusive Gizmo model from the Gremlins line of Furby toys. Our players (and you) will discover more about the world, its denizens, and the non-perishable, cream-filled sponge cakes that they enjoy! ----- The SpellCast brings you a new campaign that is drenched in the glow of neon lights and suffused with the sounds of synthwave! Sunset Grid transports our listeners to the Retroverse setting from the Lasers & Liches supplement for 5e D&D! Our party has been tasked by their employer, an ancient laser dragon who goes by Reggie, to find the rarest collectible items ever to cross over into the Retroverse for his hoard. This quest will lead them across all nine quadrants on this face of the planet Cube. They will face off against shady paramilitary organizations, cosmic horrors, radioactive sludge cultists, and much, much more! Will they collect 'em all and mark off everything on Reggie's list? ----- Discover more at https://www.lasersandliches.com/!

Patterson Hood of the Drive-by Truckers joins me from Portland, Oregon, to discuss his music and the state of affairs in America.   Included music: Disappear, Puttin' People on the Moon, What it Means, (Something's Got to) Give Pretty Soon, Saturday Night Special, Ain't Wastin' Time No More, Homefront, Heathens.

Featured Songs: 1. 00:38 - Billy Strings - She Makes My Love - 07-25-2019 2. 05:15 - Pigeons Playing Ping Pong - King Kong - 07-25-2019 3. 15:10 - Infamous Stringdusters - Rubin and Cherise Jam > I Think I'll Just Stay Here and Drink - 07-26-2019 4. 24:22 - Goose - Arcadia - 07-27-2019 5. 33:28 - Greensky Bluegrass - Ain't Wastin' Time No More - 07-27-2019 See omnystudio.com/listener for privacy information.

The Alan Cox Show

Seconda tappa con la musica rap ed r&b proposta da D.J. Whip, con uno sguardo particolare ad alcune delle più belle produzioni di J Dilla. Sigla di 17IAM, selezione e mix a cura di Marco Brogno a.k.a. D.J. Whip, voce di Gianpaolo Negro, regia di Pantu. 01. Erykah Badu - Time's A Wastin (prod. Erykah Badu)02. D'angelo - Another Life (prod. D'angelo)03. J Dilla Ft. Bilal - The Ex (prod. J Dilla)04. J Dilla Ft. Dwele - Dime Piece (Remix) (prod. J Dilla)05. Slum Village Ft. D'Angelo - Tell Me (prod. J Dilla)06. Talib Kweli Ft. Mike Posner - Colors Of You (prod. J Dilla)07. Bilal Ft. Mos Def & Common - Reminisce (prod. J Dilla)08. Reverie - Give It Time (prod. J Dilla)09. Erykah Badu - Fall In Love (your Funeral) (prod. Karriem Riggins)10. Joey Bada$$ Ft. Kirk Knight - Where It'$ At? (prod. J Dilla)11. The Roots Ft. D'Angelo - The 'Notic (prod. The Roots)12. Amp Fiddler - You Play Me (prod. J Dilla)13. The Brand New Heavies & Q-tip - Sometimes (Remix) (prod. J Dilla)14. Q-tip Ft. D'angelo - Believe (prod. Q-Tip)15. Slum Village Ft. Jazzy Jeff - I Don't Know (prod. J Dilla)16. Common Ft. Erykah Badu - All Night Long (prod. The Roots)17. Guru's Jazzmatazz Ft. Bilal - Certified (prod. J Dilla)18. J Dilla Ft. Kenny Wray - The Shining Pt. 1 (diamonds) (prod. J Dilla)19. De La Soul Ft. Yummy - Much More (prod. J Dilla)20. Phife - Nutshell (prod. J Dilla)21. The Roots - Dynamite! (prod. J Dilla)22. Common - Dooinit (prod. J Dilla)23. The Roots - Wicked Ways (prod. J Dilla)24. Phife - Dear Dilla (prod. J Dilla)25. Jay Dee - Think Twice (prod. J Dilla)

We get a visit from Duncan Milsap, our local fly fishing camp counselor and take a call from Jake Ellington, guide extraordenaire

As broadcast @ www.totallywiredradio.com Tuesday 17.03.20 Hour One with Ket Shah 01. Matthew Kyle - Off My Mind (Editorial 2011) 02. Jade Novah - Somebody Son (Let There Be Art 2020) 03. Pete Philly - Game (Open Loops 2020) 04. Kenny Barron & Dave Holland Trio feat Jonathan Blake - Port Alegre (Dare2 2020) 05. Grayson Brockamp and the New Orleans Wildlife Band - Got Your Back Yes Indeed (Ropeadope 2020) 06. Casbah 73 - Sweet Maybe (Synthstrumental Mix) (Lovemonk 2020) 07. Black Loops - Blue Pills (Freerange 2020) 08. Andy Compton ft Kafele Bandele - Above The Sky (Peng 2020) 09. Los Charly's Orchestra Feat. Andre Espeut - Soul Unity (John Morales M+M Remix) (Imagenes 2020) 10. Damond Ramsey - Let's Make Love (Greg Lewis & Thommy Davis remix) (Quantize 2020) 11. Matthias Matty Heilbronn - Cant Hide (Mattys Out From Hiding Mix) (Peppermint Jam 2020) Hour Two with Alan Kenny Arscott (DJ A.K.A) The Sound Of Neo Soul - A Rewind & Revisit Mixtape Selection 01. Dwele - A.N.G.E.L (Virgin 1993) 02. Erykah Badu - Time’s A Wastin’ (Motown 2000) 03. D’Angelo & The Vanguard - Really Love (RCA 2014) 04. Eric Benet - That’s Just My Way (Warner Bros 1999) 05. Kindred the Family Soul - Stars (Hidden Beach 2003) 06. Lauryn Hill Ft. D’Angelo - Nothing Even Matters (Ruffhouse Recs 1998) 07. Alicia Keys - Diary (J Records 2003) 08. Jill Scott - Hear My Call (Warner Bros 2011). 09. Jaguar Wright - Self Love (MCA 2002) 10. Frank Ocean - Sweet Life (Island/Def Jam 2012) 11. Maxwell - Ascension (Don’t Ever Wonder) (Columbia 1996)

L'histoire du blues de Robert Johnson à Stevie Ray Vaughan, et celle de la Soul de Sam Cooke à Amy Winehouse, ne manquent pas de jeunes prodiges. Trop souvent ça ne leur porte pas chance. Nous souhaitons vivement qu'il n'en soit pas de même pour Marcus King, qui se révèle un des plus fins musiciens de la nouvelle génération et qui puise largement son inspiration dans nos musiques préférées. Qui c'est le King ? C'est Marcus cette semaine dans Bon Temps Rouler...        Playlist    1 The Well - Marcus King - El Dorado   2 Wildflowers & Wine - Marcus King - El Dorado   3 Going Down - Freddie King - The Best Of Freddie King: The Shelter Years   4 Rita Is Gone - The Marcus King Band - The Marcus King Band   5 Belly Button Window - Jimi Hendrix - The Cry of Love   6 Welcome 'Round Here - The Marcus King Band - Carolina Confessions   7 Don't You Want To Join That Number - Original (Mono) - Dixie Hummingbirds - Dixie Hummingbirds Selected Favorites   8 One Day She?s Here - Marcus King - El Dorado   9 Bring It on Baby - Ronnie Bowman - Drinking Bluegrass   10 Say You Will - Marcus King - El Dorado   11 Virginia - The Marcus King Band, Warren Haynes - The Marcus King Band   12 Ain't Wastin' Time No More - The Allman Brothers Band - Eat A Peach (Deluxe Edition)   13 Lonesome Road - Robin Trower - Lonesome RoadHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

As the party makes their way to Dalerly, arguments ensue between all of them until they finally decide to split. --- WafflesMapleSyrup present an actual play Pathfinder 2e podcast, authentic, uncut, and hilarious from our live stream for your enjoyment! So come join us at our table as we fly by the seat of our pants. The way TTRPGs are intended! Want to say hi? You can catch us on Twitter (@wafflesmaple) or Instagram (@wmspod). As always, we want to hear how we're doing. So please make sure to leave a review, subscribe for future episodes, and show us your kind hearts! The best way to help is to tell a friend :) (Royalty Free Music provided by BenSound) (In-Game Music provided by SyrinScape) Support this podcast

As the party makes their way to Dalerly, arguments ensue between all of them until they finally decide to split. --- WafflesMapleSyrup present an actual play Pathfinder 2e podcast, authentic, uncut, and hilarious from our live stream for your enjoyment! So come join us at our table as we fly by the seat of our pants. The way TTRPGs are intended! Want to say hi? You can catch us on Twitter (@wafflesmaple) or Instagram (@wmspod). As always, we want to hear how we're doing. So please make sure to leave a review, subscribe for future episodes, and show us your kind hearts! The best way to help is to tell a friend :) (Royalty Free Music provided by BenSound) (In-Game Music provided by SyrinScape) Support this podcast

In this episode, Maddy Jane tells it like it is in a new segment commenting on the ineptitude of the franchise. Freddie does some fantasizing about dream scenarios for the skins. And of course we show some love to a few players on the weekly edition of “Props”. It’s all here and it’s raw this week. We got REAL. It’s what we do. It’s who we are. HTWeAre!

Are you where you want to be and doing what you want to do in real time? Do you know someone who is constantly complaining about their life and how they imagined being further? This message for them, of course not you. Is anyone else battling the Winter blues like today's member of Get High On Motivation? It happens to many of. Get tips on how to prepare for your dormant season. Become a member.Read today's blog.Be happy. Be healthy. Be You! Mimi the Motivator loves you!Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=EX8HZPL96EADY&source=url)

Peace Kings and Queens, this topic focuses solely on making the most of right now. I hope this inspires you to take the first step out on faith. I love y’all. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/love-yosh/support

Featured Songs: First Song: 01:52 - moe. - Buster - Summer Camp Music Festival - Chilicothe, Illinois - 05-25-19 Second Song: 18:16 - Greensky Bluegrass - Ain't Wastin' Time No More - Augusta, Georgia - 05-24-19 Third Song: 23:00 - Spafford - Whipping Post - Milwaukee, Wisconsin - 05-25-19 Fourth Song: 33:10 - Leftover Salmon - Up On The On The Hill Where They Do The Boogie - Thornville, Ohio - 05-26-19 Fifth Song: 39:02 - Dead & Company - Mr. Charlie - Mountain View, California - 06-01-19 See omnystudio.com/listener for privacy information.

Goodness do I hate time! No, like I don't hate having it, but thinking about it always ticking away drives me nuts sometimes... What about you? Do you care about how much time you have, or what you're spending it on? Do you prefer to party hardy, or try to cram as much stuff into your life as possible? Either way I'd love to hear your thoughts on the subject, and maybe you can check out mine!

Sermon: PastorBryan Introduction Years ago when my son was very young I remember pulling into a gas station to get us some drinks. While we were inside he was viewing …

Learning can come from unexpected places. From a cookbook, a colleague, and sometimes, the operating room. http://lfs400media.landfood.ubc.ca/OnTheBeet/Episode02_ThreeCourseMeal.mp3 Download here Music featured in this episode: Wastin’ Time by Ryan Andersen People are Spinning by Loyalty Freak Music Wind on my Legs … Continue reading →

“Brian experiences the weirdest version of the Notebook when he hears a song that he wrote and recorded, but has no recollection of doing it. Back in 1999 or so we recorded a parody of Kid Rock's Wastin' Time. We called it the Herper Anthem. So fun that Brian actually forgot he did this. We...

“Brian experiences the weirdest version of the Notebook when he hears a song that he wrote and recorded, but has no recollection of doing it. Back in 1999 or so we recorded a parody of Kid Rock’s Wastin’ Time. We called it the Herper Anthem. So fun that Brian actually forgot he did this. We... The post Animal Talk – A weird version of the Notebook – Episode 4 first appeared on PodcastDetroit.com.

“Brian experiences the weirdest version of the Notebook when he hears a song that he wrote and recorded, but has no recollection of doing it. Back in 1999 or so we recorded a parody of Kid Rock’s Wastin’ Time. We called it the Herper Anthem. So fun that Brian actually forgot he did this. We...

“Love? I don’t really know yet” - Darcy Justice ---Track List--- Sade - Cherish the day (1992) --- Michael Jackson - Ain’t No Sunshine (1972) --- D’Angelo - Cruisin’ (1995) --- Erykah Badu - Time’s a Wastin (2000) --- Fat Back Band - Baby Doll (1973) --- Stevie Wonder - Rocket Love (1980) --- The Beatles - Don’t Let Me Down (1988) --- Jill Scott - It’s Love (2000) --- UB40 - Don’t Break My Heart (1985) --- ???? - Miss You In The Morning (????) --- Roberta Flack - Killing Me Softly (1973) --- A Tribe Called Quest - Bonita Applebum (1990) --- Destiny’s Child - Apple Pie A La Mode (2001) --- Guru’s Jazzmatazz - Trust Me (1993) --- Q-Tip, Violator - Vivrant Thing ft. Q-Tip (1999) --- Missy Elliot - X-tasy (2001) --- Mf Doom - Doomsday (1999) --- Bob Marley - Satisfy My Soul (1978) ---

Garage rock musician Willa Rae of Willa Rae & The Minor Arcana (sans The Minor Arcana) joins us to discuss her influences, her operatic background, Girls Rock Detroit, and to play some WICKED tunes! Also: Professional Friend Ryan Flanagan joins us to discuss his failed past jobs and his more successful brother.Credits: Willa Rae, Scott IcenogleAttributions:“Bad Ideas” by Willa Rae“Met the Devil in St. Paul” by Willa Rae“Love's Wastin' My Time” by Willa RaeIntro Theme:“Somewhere In My Mind” by Apache Tomcat

#257 I Hate Valentine!1.Rose Mitchell -Baby please don't go-19542.Sugar Pie DeSanto-Can't Let You Go-19613.Holly Golightly-Tell Me Now So I Know-20034.Timi Yuro-Ain't Gonna Cry No More-19625.Ernestine Anderson-Keep an eye on love-19636.Bobbie Smith & The Dream Girls-Don't Break My Heart-19607.Rev-Lons-I Can't Forget About You-19638.2 Of Clubs-My first heartbreak-19669.Ike & Tina Turner -Am I A Fool In Love-196410.Carl Smith & June Carter -Time's A Wastin'-195311.Sammi Smith -Why Do You Do Me Like You Do-196812.Dolly Parton-It's Sure Gonna Hurt -196213.The Stereos-I Really Love You -198914.Brook Benton -Hurtin' Inside-195915.The Blenders-Don't fuck around with love-196016.Lucille Bogan aka Bessie Jackson-Shave 'em dry -193517.Mary Wells-Bye Bye Baby-196118.Mitty Collier-Pain-196319.Mamie Perry-Lament-195920.Frances Burr-I say no, no more-196421.Jimmy Norman-I Don't Love You No More (I Don't Care About You)-196222.Gloria Jones-Tainted Love-196423.Bobby Nelson Quartet-There Ain't Nothin' True About You-195824.Dennis Smith -This Little Heart-196525.Wanda Jackson-Whirlpool-196026.Ella Mae Morse & Tennessee Ernie Ford -False Hearted Girl-195227.Brigitte and the Fire Strings -Waarom vertrouw je mij niet meer-196428.The Booby Traps-Shoulda Known Better-200629.The Routes-Tell Me Ain't So-200630.The Sonics-Psycho-196531.The Fabulous Wailers-I Idolize You-196132.The Donnas-Get Rid Of That Girl-199733.Gravy Train!!!!-I Wanna Wanna Wanna Wanna Get Rid of You- 200534.The Mummies-I'm Gonna Kill My Baby Tonight-200435.The Reatards-Sick When I See-1999DOWNLOAD | SUBSCRIBE TO RAMPAGE | SUBSCRIBE TO RADIOMUTATION | FACEBOOK | ITUNES | TWITTER| MIXCLOUD

NEW FOR AUGUST 15, 2015 Only my hairdresser really knows for sure . . Grey Masquerade - The Best Radio You Have Never Heard Vol. 265 1. Touch Of Grey (live) - The Grateful Dead Buy From iTunes* 2. Ain't Wastin' Time No More (live) - Gregg Allman Buy From iTunes 3. Like A Rolling Stone (live) - Jimi Hendrix w/ B.B. King and The Paul Butterfield Blues Band Buy From iTunes* 4. Eight Miles High (live) - Roger McGuinn Buy From iTunes* 5. Box Of Rain (live) - The Grateful Dead Buy From iTunes* 6. Bring It On Home (early) - Led Zeppelin Buy From iTunes 7. Heartbreaker (live) - Jimmy Page w/ The Black Crowes 8. White Room (alt + live) - Cream Buy From iTunes* 9. I'm So Bored With The U.S.A. - The Clash Buy From iTunes* 10. Journey To The Center Of The Mind - The Ramones Buy From iTunes 11. Rattle That Lock - David Gilmour Buy From iTunes 12. This Must Be The Place (Naive Melody) (live) - David Byrne Buy From iTunes* 13. Mood For A Day (live) - The Steve Howe Trio Buy From iTunes* 14. Get Back (live) - Paul McCartney w/ Brittany Howard Buy From iTunes* The Best Radio You Have Never Heard. Henna kind of music played here since 2004 . . . Accept No Substitute Click to leave comments on the Facebook page. And it's Happy Birthday to my Mom, Teddy! Please wish my Mom, Teddy Bax, a very happy 88th Birthday (with where you are listening from of course) all this week of August 15 in the comment box below this post or on the Facebook page

NEW FOR NOVEMBER 1, 2014 The podcast so good, you'll want to play it twice . . . Hot L'Apple - The Best Radio You Have Never Heard Vol. 245 1. Back In NYC - Genesis Buy From iTunes 2. Turn To Stone (live) - Jeff Lynne's Electric Light Orchestra Buy From iTunes* 3. Something From Nothing (live) - Foo Fighters w/ Rick Nielsen Buy From iTunes* 4. Lye - Stormy Strong Buy From iTunes 5. NYCNY - (live) - Hall and Oates Buy From iTunes* 6. Little Martha (live) - The Allman Brothers Band Buy From iTunes* 7. Dreams (live) - The Allman Brothers Band Buy From iTunes* 8. Politician (live) - The Allman Brothers Band 9. Whipping Post (live) - The Allman Brothers Band Buy From iTunes* 10. Hot 'Lanta (live) - The Allman Brothers Band Buy From iTunes* 11. Ain't Wastin' Time No More (live) - The Allman Brothers Band Buy From iTunes* 12. Farewell - Gregg Allman, Butch Trucks, Jai Johanny Johanson 13. Trouble No More (live) - The Allman Brothers Band Buy From iTunes* The Best Radio You Have Never Heard. Pastrami, pizza and bagel powered . . . Accept No Substitute Click to leave comments on the Facebook page.

NEW FOR FEBRUARY 15, 2009 Things are never as they seem. Or are they . . . ? Smoke and Mirrors - The Best Radio You Have Never Heard Vol. 104 1. If I Could Fly - Joe Satriani Buy From iTunes 2. Everyone's At It - Lily Allen Buy From iTunes 3. The Man Who Sold The World - Lulu & David Bowie Buy From iTunes 4. Ain't That a Shame (live) - Joe Jackson 5. Everybody's Got Something to Hide Except Me and My Monkey - Fats Domino Buy From iTunes 6. Strawberry Fields Forever / Help! / Give Peace A Chance (live) - Paul McCartney 7. That's How I Got To Memphis - Buddy & Julie Miller Buy From iTunes 8. Gone Gone Gone (live) - Robert Plant and Alison Krauss Buy From iTunes* 9. Bastard of Midnight - The Damnwells Buy From iTunes 10. Back To You - Chrissy Coughlin Buy From iTunes 11. Cooling The Medium - M+M 12. Ulysses - Franz Ferdinand Buy From iTunes 13. Hypnotized (live) - Fleetwood Mac 14. Ain't Wastin' Time No More (live) - The Allman Brothers Band Buy From iTunes* 15. Take A Pebble / Lucky Man (live) - Emerson, Lake & Palmer Buy From iTunes* 16. Long Ago, So Clear - Vangelis w/ Jon Anderson Buy From iTunes The Best Radio You Have Never Heard. Always has something up it's sleeve . . . Accept No Substitute.

Wastin’ Time With Atomic Brother Episode 11: January 9, 2009 Atomic Brother took a road trip up to Portsmouth, NH to visit WHEB and WSKX radio stations to do some promotion for the Teen Strong: New Hampshire teen center benefit concert, to be held Saturday, Jan. 24. James and Sebastian played a short acoustic set [...]

In this episode of Wastin’ Time With Atomic Brother we take a look into Sebastian’s home recording studio to watch the band write the music and lyrics, and record the demo for the song Wastin’ All My Time, from the band’s first album, See Me Comin. Go behind the scenes with the band as the [...]

In this first episode of Season 2 of Wastin’ Time with Atomic Brother, meet James and Sebastian as they take you behind the scenes recording their debut album See Me Comin’ in Lausanne, Switzerland. Get introduced to drummer Pat Aeby and take a look inside the big box and take a tour of the small [...]

show#21611.11.07Dave Fields > DF's Blues @Dave Fields ^Time's A Wastin' < (7:12)                Spinner's Section:more tracks of travelingSugar Ray & the Bluetones: dark roads are calling (Norcia) (Hands Across The Table, Severn, 2005)Bonnie Raitt: big road (T. Johnson) (-, Warner Bros, 1971)Bob Dylan: dirt road blues (Dylan) (Time Out Of Mind, Columbia, 1997)Bill Kinnear & Carlos del Junco: gravel road blues (Fred McDowell) (Blues, Big Reed, 1993)Dave Alvin: new highway (Alvin) (Blackjack David, Hightone, 1998)Back To Beardo: Tony Vega Band > Phone Call From Leavenworth @Whitley/Vega ^Glory Baby The Rocker @ ^Rocket Number 9 < (6:59)                 Mason Casey > It's That Time of Year Again @Jon Tiven ^Sofa King Blues I'm Gonna Move to Another Country @Mike Welch ^Just Like It Is Clear My Head @Randy McAllister ^Dope Slap Soup