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In the early 1980s, producer Joseph Tandet put the failure of the 1974 movie musical of The Little Prince behind him and set his sights on Broadway. He secured the rights and assembled an award-winning creative team—including Academy Award-winning composer John Barry and his lyricist Don Black as well as three-time Tony winner Hugh Wheeler. But what unfolded behind the scenes was anything but magical. From rewrites and cast changes to last-minute creative disagreements, The Little Prince and the Aviator was plagued by setbacks from the very beginning. The show never officially opened on Broadway, but it made it all the way to the theater, with sets built, actors rehearsed, and a score ready to be sung—until everything fell apart. In this episode, we explore the chaotic and fascinating path of a musical that almost was, using firsthand accounts from Tandet's revealing memoir and a personal interview with Anthony Rapp, who was just 10 years old when he was cast in the title role. It's a story of ambition, mismanagement, and the delicate balance between creative vision and theatrical reality—and why some shows never make it to opening night. --- Theme Music created by Blake Stadnik. Click here for a transcript and list of all resources used. Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Award-winning lyricist of ‘Born Free' and ‘Diamonds Are Forever' Don Black joins Tanya Rose to share his travel secrets this week.In this episode, Don shares how he first started writing songs, why he believes Venice is a lyricist's dream and why he thinks the Empire State Building is overrated…Plus, he discusses playing snooker at the most famous billiards table in Singapore and reveals his most poignant travel memory meeting a fellow songwriter in Manhattan.Don't forget to follow @travelsecretsthepodcast and remember, you can watch all of our episodes on YouTube.Places mentioned:Hotel Cipriani, VeniceHarry's Bar, VeniceRaffels, SingaporeEmpire State Building, New YorkSardi's, New YorkShanghai, ChinaForte dei Marmi, Italy Hosted on Acast. See acast.com/privacy for more information.
Derek Black was raised to take over the white nationalist movement in the United States. Their father, Don Black, was a former Grand Wizard in the Ku Klux Klan and started Stormfront, the internet's first white supremacist website.
Send us a Text Message.Hey everyone! In this thrilling episode of "The Music in Me," I'm diving headfirst into the electrifying world of "Bonnie and Clyde: The Musical." These legendary bank robbers have always been my favorite outlaws, and the musical brings their story to life in the most exciting way. We'll explore the dramatic tale of Bonnie and Clyde, from their daring heists to their tragic love story, all set to an unforgettable soundtrack. I'll also share some juicy behind-the-scenes details about the creators, Frank Wildhorn and Don Black, and the original cast that brought these characters to life. Get ready to hear about my personal connection to this musical, the standout songs that made me fall in love with it, and even a special verse from one of Bonnie Parker's poems. Plus, I'll give you the scoop on how you can watch the live recording of this spectacular show! So buckle up and join me on this wild musical journey. If you love true crime, musicals, or just a great story, you won't want to miss this episode! Don't forget to share this episode with your friends and fellow musical lovers. Let's keep the music alive!BONNIE AND CLYDE LIVE RENTALSONGE MENTIONED: Picture ShowThis World Will Remember MeYou're Going Back To JailHow 'Bout a DanceYou Can Do Better Than HimYou Love Who You LoveRaise a Little HellThis World Will Remember UsWhat Was Good Enough For YouDyin' Ain't So Bad Support the Show.Keep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno
This week, Larry Smith joins the Idiots. 00:00 Introductions 02:25 Life Coaches 13:39 Cults 27:35 Trump vs. Biden 34:02 Gordon Black —The Idiots do a little victim blaming, because my God… Why would you ever hire a “Life Coach” to tell you what to do? A completely untrained, unregulated nitwit with no special skills who gladly takes as much of your money as you're willing to give. Even better, a life coach can be someone who failed out of (or was fired from) another profession: therapy. (Note: therapists are a favorite topic for Jake, so we linger here a wile.) Anyway, Jodi Hildebrandt was an Utah-based therapist who felt to constrained by all the rules and regulations Big Gubment held over her, so she became a life coach. Currently in prison after being convicted of abusing two children, she bilked people like Ethan Prete out of thousands of dollars. Thing is, if you're dumb enough to listen to an un-credentialed Life Coach, ya kinda deserve to lose your money. Chances are, you weren't going to do anything smart with it anyway. —Without meaning to, the Idiots segue into people so bereft of common sense, they join a cult. Jake begins by bringing up Dancing for the Devil, the new documentary on Netflix that covers a TikTok trend, and then it moves to David Koresh and the Branch Davidians in Waco, and MAGA Trumpers. Following that, R. Derek Black is discussed, because of the wonderful prank she played on her racist father. (Spoiler alert, her dad is Don Black, founder of Stormfront, the hate-site visited by intellectually-challenged mouth-breathers, and she was born he, and transitioned.) Side note: Hawk Tuah girl Katie Vickers is discussed in this segment. —Democrats are in the upcoming election to lose it. Instead of hammering home solid talking points, they're spending $50 million on an advertising campaign to tell people Donald J. Trump is a convicted felon. Which, as we all know, is something no one cares about. At all. Sure, they could hammer home his Supreme Court picks, three liars who said they believe in Roe v. Wade, or the border crisis Republicans are fueling, as they didn't vote on the legislation they wrote, but why try that? —Injustice moves fast in Russia. A few weeks ago, the Idiots discussed Staff Sgt. Gordon Black, a United States solider who was in an… “interesting” (read contentious) relationship with a Russian woman. Black followed her to Russia, where, OF COURSE he was arrested. Well, he was tried and thrown in jail, because who could have ever seen this happening, except everyone. Hey, here's an idea: don't go to Russia. Anyone. Especially U.S. soldiers. Idiots on Parade: we mock the news, so you don't have to. Tune in and get your giggle on. Find Jake at @jakevevera Find nathan at nathantimmel.com #hawktuah #news #politics #humor
The Klansman's Son: My Journey from White Nationalism to Antiracism: A Memoir by R. Derek Black https://amzn.to/3V1mTF0 From the former heir-apparent to white nationalism, The Klansman's Son is an astonishing memoir of a childhood built on fear, of breaking from a community of hate. Derek Black was raised to take over the white nationalist movement in the United States. Their father, Don Black, was a former Grand Wizard in the Ku Klux Klan and started Stormfront, the internet's first white supremacist website—Derek built the kids' page. David Duke, was also their close family friend and mentor. Racist hatred, though often wrapped up in respectability, was all Derek knew. Then, while in college in 2013, Derek publicly renounced white nationalism and apologized for their actions and the suffering that they had caused. The majority of their family stopped speaking to them, and they disappeared into academia, convinced that they had done so much harm that there was no place for them in public life. But in 2016, as they watched the rise of Donald Trump, they immediately recognized what they were hearing—the spread and mainstreaming of the hate they had helped cultivate—and they knew that they couldn't stay silent. This is a thoughtful, insightful, and moving account of a singular life, with important lessons for our troubled times. Derek can trace a uniquely insider account of the rise of white nationalism, and how a child indoctrinated with hate can become an anti-racist adult. Few understand the ideology, motivations, or tactics of the white nationalist movement like Derek, and few have ever made so profound a change. When coded language and creeping authoritarianism spread the ideas of white nationalists, this is an essential book with a powerful voice.
How seriously should we take the white nationalist threat in the United States? Very seriously, at least according to R. Derek Black, a young man who knows a thing or two about the US white nationalist movement. The son of a Grand Wizard of the KKK and a close family friend of David Duke, Black believes that white nationalism is no longer a fringe feature of the Trumpist Republican party. And it's this fear of the mainstreaming of overt racism that triggered Black's new book, The Klansman's Son: My Journey from White Nationalism to Antiracism, an account of his rebellion not just against racism, but against his family, particularly his Grand Wizard father, Don Black. Derek Black is an American former white supremacist. He is the son of Don Black, founder of the Stormfront online community, and godson of former Ku Klux Klan Grand Wizard David Duke. He publicly renounced white nationalism and chronicled his personal journey away from his family's beliefs.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Alex James-Hatton is currently starring as Clyde in the UK & Ireland tour of Bonnie & Clyde The Musical.The show features music by Frank Wildhorn, lyrics by Don Black and book by Ivan Menchell. Having opened on Broadway in 2011, Bonnie & Clyde received two West End runs ahead of this tour which marks the first time the musical has travelled across the UK & Ireland. Alex made his professional debut covering JD, Ram and Kurt in the original cast of Heathers (The Other Palace / Theatre Royal Haymarket). His other theatre credits include: cover Elder Price in The Book of Mormon (UK & International Tour / West End), Lewis in Pippin (Charing Cross Theatre), Oscar Delancey in the UK premiere of Newsies (Troubadour Wembley Park) and Stranger Things: The First Shadow (workshop).In this episode, Alex discusses raising a little hell as Clyde, landing his first principal contract, his path into theatre and lots more. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
This is a SAMPLE version of the episode, access the full episode via patreon.com/nicemangos *** Join me for an unexpected but fascinating chat that arose from the previous panel episodes on Germany, Identity & Palestine. I knew that one of my panelists (Claus) had been raised far-right and since shed those beliefs, but I had no idea just *how* far-right … Strap yourselves in for a very wild, rollercoaster of a conversation. Major CONTENT WARNING: There's talk of bigotry, nazi cults, smuggling, murder, suicide, white supremacy, and more horrific stuff. So please proceed with caution. We discuss the skeptic scene and how rapidly it's devolved, Michael Shermer in particular comes up. I also try to gauge and assess just how fashy Claus's upbringing was, was it overtly and explicitly fash, was it IDWesque in trying to mask the bigotry… or was it a bit of both? Claus peels back the layers and helps us understand what got him out of that bigoted worldview, what kind of damage it did to the people around him, and how he sees echoes of it in present day culty, conspiracist circles. —— Links Eric Ludendorff: “The Nazis distanced themselves from Ludendorff because of his eccentric conspiracy theories In 1926, Ludendorff divorced Margarethe Schmidt and married his second wife Mathilde von Kemnitz (1877–1966). They published books and essays claiming that the world's problems were the result of Christianity, especially the Jesuits and Catholics, but also conspiracies by Jews and the Freemasons. https://en.wikipedia.org/wiki/Erich_Ludendorff Claus briefly mentioned Derek Black's story: Derek Black is an American former white supremacist. He is the son of Don Black, founder of the Stormfront online community, and godson of former Ku Klux Klan Grand Wizard David Duke. He publicly renounced white nationalism and chronicled his personal journey away from his family's beliefs. https://en.wikipedia.org/wiki/Derek_Black https://www.npr.org/2018/09/24/651052970/how-a-rising-star-of-white-nationalism-broke-free-from-the-movement https://slate.com/news-and-politics/2023/01/derek-black-new-college-desantis-plan.html Claus Also mentioned Zundel: https://en.wikipedia.org/wiki/Ernst_Zündel Ernst Christof Friedrich Zündel (German: [ˈtsʏndl̩]; 24 April 1939 – 5 August 2017) was a German neo-Nazi publisher and pamphleteer of Holocaust denial literature. He was jailed several times: in Canada for publishing literature "likely to incite hatred against an identifiable group", and on charges of being a threat to national security; in the United States, for overstaying his visa; and in Germany for charges of "inciting racial hatred". He lived in Canada from 1958 to 2000. David Silverman: https://www.buzzfeednews.com/article/peteraldhous/david-silverman-atheist-fired-sexual-misconduct
Yesterday Mickey-Jo finally headed to the Savoy Theatre in the West End in London to see the hotly anticipated new revival of SUNSET BOULEVARD. The musical, which features a score by Andrew Lloyd Webber and lyrics and a book from Don Black and Christopher Hampton, has been revived by Jamie Lloyd with Nicole Scherzinger starring as Norma Desmond. On Monday night performances however, the role of Norma Desmond is played by another star: West End leading lady Rachel Tucker (Wicked, Come From Away). Check out the review for a recap of Mickey-Jo's thoughts on this bold new production, how they have changed after seeing it a second time and, of course, what his opinion is of Rachel Tucker's performance... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Olivier winner David Thaxton is playing Max von Mayerling in Jamie Lloyd's revival of Sunset Boulevard at the Savoy Theatre. Andrew Lloyd Webber, Don Black and Christopher Hampton's musical stars Nicole Scherzinger as Norma Desmond, with Rachel Tucker guest starring as Norma on Mondays. Tom Francis plays Joe Gillis and Grace Hodgett Young plays Betty Schaefer. Set and costume design is by Soutra Gilmour and choreography is by Fabian Aloise.On stage David has played Enjolras and Javert in Les Misérables, Raoul in Love Never Dies, The Phantom in The Phantom of the Opera and Kevin T in Come From Away. Some of his other credits include Candide, Jesus Christ Superstar, The Sorcerer's Apprentice, She Loves Me, Only The Brave and many more.David first worked with Jamie Lloyd when he played Giorgio in Passion at the Donmar Warehouse, winning the 2011 Olivier Award for Best Actor in a Musical. In this episode, David gives an amazing insight into the process of creating this production of Sunset Boulevard, he reveals the advice he gave his colleague Tom Francis and delves into the parallels between Sunset and Passion. Sunset Boulevard runs at the Savoy Theatre until 6th January 2024. Visit www.sunsetboulevardwestend.com for info and tickets. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Yesterday, Mickey-Jo finally headed to the Savoy Theatre in the West End in London to see the hotly anticipated new revival of SUNSET BOULEVARD. The musical, which features a score by Andrew Lloyd Webber and lyrics and a book from Don Black and Christopher Hampton, has been revived by Jamie Lloyd with Nicole Scherzinger starring as Norma Desmond alongside Tom Francis, Grace Hodgett-Young and David Thaxton with Rachel Tucker as Norma at certain performances. Check out the new review for Mickey-Jo's thoughts on this bold new staging of the show... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
In this special bonus episode, we're pleased to be joined by the legendary lyricist Don Black OBE. Don's list of credits, awards and accolades goes back decades and right back up to the present day. From walls adorned with gold and platinum plaques and shelves decorated with six Ivor Novello Awards and a Golden Globe Award to five Oscars, Don Black is a stalwart in popular music. In this exclusive interview, Don takes us back to the moment he wrote Ben for Michael Jackson, the classic ode to friendship that made the world sing about a rodent. He also shares the story of some of his holy grail classics, including, Walk Away by Matt Munro, With One Look by Barbara Streisand, Tell Me On A Sunday by Marti Webb, and the five James Bond themes he penned, such as Diamonds Are Forever and Thunderball. The Songwriters Hall of Fame inductee and BMI Icon also opens up about his collaborations with fellow legend Quincy Jones, theatre work with Andrew Lloyd Webber, and how he feels about his mark in Hip Hop after hearing his work sampled by the likes of Eminem, Lupe Fiasco, Dead Prez and Kanye West. Hosted on Acast. See acast.com/privacy for more information.
Get ready for a royal riot of laughter in this week's episode! The Crown Jewels boasts an all-star line-up that's nothing short of spectacular. With the "King of Comedy" himself, Al Murray, and the incomparable Mel Giedroyc, who's been hailed as being "at her comedy peak," this outrageous production will have you in stitches, as attested by The Stage. The audience's laughter rings loud, a fact not lost on the Daily Express.But that's just the beginning – this side-splitting show features an ensemble cast that reads like a who's who of comedic talent. Joe Thomas, Neil Morrissey, Carrie Hope Fletcher, Aidan McArdle, Adonis Siddique, and Tanvi Virmani share the stage, their performances brilliantly interwoven by the BAFTA award-winning mastermind behind The Durrells and Men Behaving Badly, Simon Nye. Under the deft direction of multi-Olivier Award winner Sean Foley(known for Upstart Crow and The Ladykillers), this uproarious royal spectacle promises an evening of entertainment you can't afford to miss.Steering the ship toward musical territory, we delve into the enthralling world of Graham Greene's iconic tale, The Third Man. Once a celebrated film and novella, it now takes centre stage as a captivating musical. The creative forces of Don Black and Christopher Hampton have masterfully crafted the book and lyrics, while George Fenton's music sets the scene. Guided by the renowned Trevor Nunn, this production breathes new life into a classic narrative.As our final treat, we've secured an exclusive Back to the Future the Musical interview with none other than Cory English who plays the masterful Doc in the show. This special glimpse into the musical sensation gives you an insider's view of the creative process and the magic behind the scenes.With laughter, drama, and exclusive insights, this episode is a rollercoaster of theatrical excitement that'll keep you on the edge of your seat. Tune in and let the show begin!
Yesterday brought the shocking news that the West End revival of ASPECTS OF LOVE would close earlier than originally planned. The show, which features a score by Andrew Lloyd Webber, Charles Hart and Don Black, currently stars Michael Ball, Laura Pitt-Pulford, Jamie Bogyo, and Danielle de Niese. Mickey-Jo discusses why this might be happening and what it means for the show, the West End and Sir Andrew Lloyd Webber... • • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
After recently turning 40, Laura Pitt-Pulford has returned to the West End in a revival of Andrew Lloyd Webber and Don Black's Aspects of Love. This also marks the first time Laura has played a West End run of a show as a mother. In recent years, Laura has worked on various concert productions of musicals such as Gypsy at Alexandra Palace as Gypsy Rose Lee, The Witches of Eastwick as Jane Smart and also reprised Petra in A Little Night Music at Holland Park. She's been described as one of the most versatile and brilliant performers of her generation - often delivering showstopping numbers whilst also demonstrating a very natural talent for playing compelling characters. In Aspects of Love, she plays Rose, a struggling actress who finds herself in a love triangle with Alex played by Jamie Bogyo and his uncle George, played by West End icon Michael Ball.In this brand new interview, Laura Pitt-Pulford opens up about her journey to becoming everyone's favourite theatre actress. She talks about the importance of being a good, reliable company member and praises her peers she's gotten to work with from veteran performers like Sally Ann Triplet and Janie Dee to newer faces on the scene like Jamie Bogyo and Alfie Friedman. In our interview, Laura also takes time to reflect on her roots as well as to talk about the experience of getting older as she looks forward to tackling roles that are to come her way. She also opens up as well about life now as a mother and a wife to fellow actor George Blagden who she worked with on Hampstead Theatre's Platinum. Throughout the conversation, Laura remains as charming as ever proving herself to be a great leading lady both on stage and off stage.
Last week Mickey-Jo was invited to attend the opening night of the new revival of ASPECTS OF LOVE at the Lyric Theatre in the West End. The show, which features a score by Andrew Lloyd Webber, Charles Hart and Don Black, currently stars Michael Ball, Laura Pitt-Pulford, Jamie Bogyo, and Danielle de Niese. Check out the new review for all of Mickey-Jo's thoughts on this polarising new production... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
#842 - Don Black Are you here? Let's all take in a deep breath. Now, let's all exhale. Go ahead, you'll thank me. Now that we've all shared a moment of quiet, let's begin another episode of The Paul Leslie Hour. Welcome! We've got an interview from the archives with Sir Don Black. There are so many great talks out there and it is our goal to make them available on as many platforms as possible. Sir Don Black is a lyricist and inductee of the Songwriters Hall of Fame who has written songs with some of the most celebrated composers in history: Andrew Lloyd Webber, Quincy Jones, John Barry, Michel Legrand, Henry Mancini, Michael Jackson, Marvin Hamlisch, and Charles Strouse, just to name a few. In addition to being a lyricist, Black has worked as a stand-up comedian, song plugger, radio personality and personal manager to the late Matt Monro. It was a great pleasure for Paul to interview him. We think you'll enjoy listening. We thank each and everyone for listening to the show. We also like to give extra thanks to everyone who supports independent media by going to thepaulleslie.com/support We thank every single person who contributes. And now folks, we have nothing left to do but sit back and listen to this interview with lyricist Don Black. Let's listen together.
Director and screenwriter Georgia Oakley talks about her BAFTA nominated debut feature film Blue Jean, which tells the story of a female closeted PE teacher in Newcastle in 1988 when Section 28 came into effect. The death of Burt Bacharach has been announced. The acclaimed lyricist Don Black pays tribute to the extraordinary composer and we hear archive of him talking on Front Row. Salman Rushdie was violently attacked last summer but before that had completed the novel Victory City, about a fantastical empire brought into existence by a woman, Pampa Kampana, who is given powers by the goddess Parvati. Bidisha Mamata and Ingrid Persaud review the novel and also visit the Peter Doig exhibition at the Courtauld Gallery in London highlighting recent work from the highly acclaimed artist who has returned from Trinidad to live in London. Presenter: Tom Sutcliffe Producer: Sarah Johnson Photo from Blue Jean credit Altitude Film Distribution
This week on Rockonteurs, Guy and Gary chat with one of the most prolific songwriters this country has ever produced. He's written 5 Bond songs and shaped lyrics for the likes of John Barry, Michael Jackson, Lulu, Meat Loaf, Van Morrison, Scott Walker, and Quincy Jones. We welcome the Academy Award-winning Don Black to the podcast for a fascinating discussion into his amazing career that continues to this day…Rockonteurs is produced by Ben Jones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.
This week on Rockonteurs, Guy and Gary chat with one of the most prolific songwriters this country has ever produced. He's written 5 Bond songs and shaped lyrics for the likes of John Barry, Michael Jackson, Lulu, Meat Loaf, Van Morrison, Scott Walker, and Quincy Jones. We welcome the Academy Award-winning Don Black to the podcast for a fascinating discussion into his amazing career that continues to this day…Rockonteurs is produced by Ben Jones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.
If you want to know why WS boldy exist online, thank Stormfront's founder Don Black. Black's abomination inspired many WS websites to spread anti-Black racism online and even violence in real life... Find us @ http://swarthynerd.com/ https://twitter.com/swarthynerd https://www.youtube.com/channel/UC-E7IKrrIY3WTEi-2--RYAw Hit us up at swarthynerd@gmail.com Yuki's Social Media https://www.facebook.com/yukithesnowman/ https://yukithesnowman.com/ https://www.youtube.com/channel/UCnW2H7VD6ahR4xXPba-DYLQ https://twitter.com/weebtrashyuki Cash App: $BenjaminASnow Tv Guru's Social Media https://www.youtube.com/channel/UCxRviGx_yUWnDD0oABAT85g https://mobile.twitter.com/superlostfan108 Cash App: $superlostfan108
It's time for this month's Tailoring Talk Bondathon episode and it's a very full house as Phil, Jon, Alex and I review the 9th 007 James Bond movie: yes it's time for The Man With The Golden Gun!WARNING: This episode contains a vast amount of spoilers so if you haven't seen The Man With The Golden Gun and don't want to know what happens, go watch the movie and come back to the episode straight after!This start to finish run through of Roger Moore's second 007 outing includes the boys discussing the outfits, gadgets, villains and Bond girls plus all the key plot points... and going off on the usual tangents of course!Enjoy!Get in touch! Got a particular Bond film you love? Would you like to be on the show to review and discuss it with Roberto and our co-hosts? Then what are you waiting for, get in touch! Email Roberto at tailoringtalkpodcast@gmail.com or get in touch via the show's new Instagram page @tailoringtalkpodcast ! Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastConnect with Philip Rahman on LinkedIn https://www.linkedin.com/in/philip-rahman-276b871/The Play Pause Turn Podcast https://playpauseturn.showPlay Pause Turn on Twitter https://twitter.com/playpauseturnJon Evans https://twitter.com/jonprevans Alex Hansford https://twitter.com/alexhansfordCredits:Tailoring Talk intro and outro music by Wataboy on PixabayProduced & Edited by Roberto RevillaThe Man With The Golden Gun is an EON ProductionThe Theme The Man With The Golden Gun was composed by John Barry and Don Black and performed by Lulu, Copyright EMI Support the show
David Arnold is one of the UK's most respected film and television composers. A Grammy and Emmy winner best known for his scores for Independence Day and 5 James Bond films, his output is huge and wide-ranging. In this second part we talk about working with Don Black, John Barry, scoring the 2012 Olympics and the Royal Albert Hall's 150th Birthday celebrations and much, much more. Hosted on Acast. See acast.com/privacy for more information.
It's time for this month's Tailoring Talk Bondathon episode as Phil, Jon and I review the 7th 007 James bond movie: yes it's time to delve into Diamonds Are Forever!WARNING: This episode contains a vast amount of spoilers so if you haven't seen Diamonds Are Forever and don't want to know what happens, go watch the movie and come back to the episode straight after!This start to finish run through of Sean Connery's penultimate 007 outing also includes the boys discussing the outfits, gadgets, villains and Bond girls plus all the key plot points... and going off on a big tangent over which Transformers toy was the best... Enjoy!Get in touch! Got a particular Bond film you love? Would you like to be on the show to review and discuss it with Roberto and our co-hosts? Then what are you waiting for, get in touch! Email Roberto at tailoringtalkpodcast@gmail.com or get in touch via the show's new Instagram page @tailoringtalkpodcast ! Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastConnect with Philip Rahman on LinkedIn https://www.linkedin.com/in/philip-rahman-276b871/The Play Pause Turn Podcast https://playpauseturn.showPlay Pause Turn on Twitter https://twitter.com/playpauseturnJon Evans https://twitter.com/jonprevans Credits:Tailoring Talk intro and outro music by Wataboy on PixabayProduced & Edited by Roberto RevillaDiamonds Are Forever is an EON ProductionThe Theme Song Diamonds Are Forever was written by John Barry with lyrics by Don Black and performed by Shirley Bassey, soundtrack copyright 2003 EMI RecordsSupport the show
CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of manipulation, murder, insurance fraud, jealousy, death. Our director series continues this week with a film steeped in Hollywood lore while being utterly disdainful of its treatment of actors. It's a near masterpiece, but as we talk through it, it's Billy Wilder's directing that shines a bit more than his writing. Still, even the last 5 minutes of this film are enough to etch it as an instant classic, and the first two hours are pretty great as well. Equal parts dark comedy, thriller, and anti-romance, this movie defies description and style at numerous turns, and garnered 11 Oscar nominations in a year that is one of the best movies have ever seen. Open the gates for an undeniable star as we continue our Billy Wilder series with 1950's Sunset Blvd., this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film Sunset Blvd. is © 1950 by Paramount Pictures; Renewed 1978. All Rights Reserved. TM & 2008 by Paramount Pictures. All Rights Reserved. Excerpt taken from the “Overture” to the World Premiere Recording of the musical Sunset Boulevard, written and composed by Don Black, Christopher Hampton and Andrew Lloyd Webber. Copyright 1993 The Really Useful Group, Ltd. Excerpt taken from “Episode 13,” retitled “Demons,” of Twin Peaks, © CBS Corp 2010. Excerpt taken from the film Stalag 17 is © 1952 Paramount Pictures.
Denis' career encompasses almost every aspect of show business from singing and performing to recording and composing. His musical career began at the age of six as a banjolele-playing singer at children's matinees. By the 1950s and early 60s, he was a member of Britain's first ever boy band The King Brothers, one of the most successful pop groups of that era and the youngest Variety act to play the London Palladium. From pop star to award-winning TV composer (including the Black Beauty theme and Lovejoy), to award-winning theatre composer (Privates On Parade) and songwriter, and collaborating along the way with such legends as Alan Ayckbourn, Sammy Cahn and Don Black, the artists with whom Denis has worked (and played) read like a who's who of British and American stage and screen--Tony Bennett, Nina Simone, Peter Sellers, Howard Keel, Sophie Tucker, Lena Horne, Alma Cogan, Albert Finney, Dame Edna Everage, Maureen Lipman, Elaine Stritch, Dudley Moore, Bruce Forsyth, Ronnie Corbett, Judy Garland, Frank Sinatra and even Jimi Hendrix. His highly acclaimed and entertaining memoir KEY CHANGES revised and updated 2020 edition can be purchased from our SHOP.For more career information and a full archive see deniskingmusiclibrary.com See acast.com/privacy for privacy and opt-out information.
This is our last podcast before our summer break, so we've selected some of our favourite conversations of the last year. ART: We celebrate Patrick Hughes's birthday, talk to Tracey Emin about battling cancer and to gallerist James Burch about drinking with Francis Bacon. BOOKS: Rose Tremain tells us about her novel ‘Lily', Barbara Taylor Bradford explains how she found inspiration to write the prequel to ‘A Woman of Substance', Ben Okri inspires to see trees in a totally new light, we discuss culture wars with Bernardine Evaristo and lyricist Don Black, while talking at Jewish Book Week, makes us laugh. THEATRE: We talk to playwright David Hare about ‘Straight Line Crazy' and the death of the avant garde, actor Nathaniel Parker about playing Henry VIII in Hilary Mantel's ‘The Mirror and the Light', Nick Allott from Cameron Mackintosh regales us with hilarious theatrical anecdotes and Creative Director of the Young Vic, Kwame Kwei-Armah, praises playwright James Graham. HISTORY: Andrew Roberts tells us about George III and A.N. Wilson explains how our Trafalgar Square Christmas tree was a gift from the King of Norway during World War II. MUSIC and DANCE: We talk to ballet-dancer Marcelino Sambé about playing Romeo in Kevin McMillan's ballet, to choreographer Matthew Bourne about his stellar career, to soprano Anush Hovvanisyan about all the Armenians at the Royal Opera House and playing Violetta in Richard Eyre's ‘Traviata' and finally Dylan Jones, polymath and long-standing editor of GQ, tells us what David Bowie was really like. Enjoy the summer. Ed and Charlotte will be back on Sunday September 11th September.
Words and Music by Don Black and Walter Scharf 19721972 Film BenRecorded by Michael Jackson 1971Official YouTube Channelhttps://www.youtube.com/c/Michael JacksonCover by Franco Cianflone at GS studios Hosted on Acast. See acast.com/privacy for more information.
Amy Powers -- the original lyricist attached to Sunset Boulevard -- was instrumental in shaping Sunset's score. And with co-lyricist Don Black, she put the stamp on the show's iconic ballads. However, after working on the project for over a year with ALW, she opened up the New York Times to discover she was fired. What did she learn from that experience and how did it inform her decades-long career as a successful artist and song writer? Tune in!Contact Broadway Bob at thebroadwaybob@gmail.com
Olivier nominee Cleve September is preparing to star as Ted Hinton in the original West End production of Bonnie and Clyde. Directed by Nick Winston, this marks Bonnie and Clyde's West End premiere, ten years after the Broadway production. The show has music by Frank Wildhorn, lyrics by Don Black and book by Ivan Menchell.Cleve was nominated for an Olivier Award for his performance as Philip Hamilton/John Laurens in the West End premiere of Hamilton (Victoria Palace).His theatre credits also include: Sonny & understudy Usnavi in In The Heights (King's Cross Theatre), Dick Whittington (National Theatre), Hair (Norwich Theatre), Jesus Christ Superstar (Regent's Park Open Air Theatre), Tommy Keeler in Annie Get Your Gun (Crucible Theatre), Elaine Paige's 50th Anniversary Farewell Tour (Royal Albert Hall) and The Last Days of Troy (The Globe Theatre).Bonnie and Clyde opens at the Arts Theatre on 9th April 2022. Visit www.bonnieandclydemusical.com for info and tickets.Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Did you know Jewish Book Week is London's longest running literary festival? Claudia Rubenstein, Director of Jewish Book Week, tells us about its extraordinary history and what to look forward to amongst the host of fun events that begin on Saturday 26th February. Those taking part include Elif Shafak, Michael Ignatieff, Julia Neuberger, Claudia Roden with Jay Rayner, Simon Schama, Howard Jacobson in conversation with Melvyn Bragg, Mike Leigh, Amy Bloom and Edmund de Waal delivering the 70th anniversary keynote speech. Plus Simon Kuper on football and celebrations of Sondheim and Lehrer, Dylan and Cohen. Closing the festival with a celebratory flourish on 6th March will be Don Black, talking to Michael Grade about his long, distinguished career and his book ‘The Sanest Guy in the Room'. Don puts his sanity down to having a loving family and never having had an unhappy day in his life. To round off Marti Webb, Don's long-time collaborator, will perform some of his best-known songs. Don also regales with us some hilarious anecdotes about working with a host of legends from Barbara Streisand to a young Michael Jackson. ‘She was so ordinary,' he says of Barbara Streisand, ‘but when you hear her sing you run out of goosebumps.' Tune in to hear more. Jewish Book runs at Kings Place from 26th February till 6th March Produced by Audio Coast
This week we're joined by West End LEGEND, Mazz Murray. Mazz is currently starring as Donna in the West End production of Mamma Mia!, having previously played Tanya in the show. Mazz famously starred as Killer Queen in We Will Rock You at the Dominion Theatre for seven triumphant years. She made her theatre debut playing Patsy Cline in The Roy Orbison Story. Other credits include: Mama Morton in the recent production of Chicago (Phoenix Theatre) as well as A Girl Called Dusty, Rent, Smokey Joe's Café, Fame, Only the Lonely, Boogie Nights and Pippin. Most recently Mazz played Norma Desmond in a concert staging of Andrew Lloyd Webber and Don Black's musical Sunset Boulevard at the Alexandra Palace Theatre. After receiving tremendous acclaim, it was announced that Mazz would once again play the role for a second staging at the Royal Albert Hall. Mazz's portrayal of Norma was named West End Frame's top performance of 2021. You can see Mazz in Mamma Mia! at the Novello Theatre. Visit www.mamma-mia.com for info and tickets.Hosted by Andrew Tomlins. @AndrewTomlins32Thanks for listening! Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts.
Matt Monro, John Barry, and Don Black.
Mike Parry and Lesley-Ann Jones are back for more exciting tales from Planet Porky. Topics today include: Henry's professional panto debut, HOGO syndrome, Benny Hill making a return, craving a past that didn't exist, Freddie Mercury's enduring legend, stereoscopy, the death of Mick Rock, getting vertigo from an observation deck, the cost of a pint in London, Don Black, the art of writing lyrics, how the subscription services are taking over, single sex awards, The Princes and The Press, Tom Stoddart, council tax increases in Wales, and Porky's caravan of love. It's the podcast that welcomes you knocking even when it's rocking, it's Life on Planet Porky. Follow the show on Twitter: @PlanetPorky or Mike is: @MikeParry8 while you can find Lesley-Ann: @LAJwriter. Or you can email us questions or comments to: planetporkypod@gmail.com. We'd love to hear from you!
John Barry el creador del estilo que a las películas de James Bond ya ha aparecido en algunos podcasts anteriores. Los productores de las películas no confiaron en él para que compusiera las canciones de las películas hasta que escribió “Goldfinger” y ganó el Oscar a mejor banda sonora y mejor canción por “Nacida libre”. John Barry también escribió musicales como “PASSION FLOWER HOTEL” (1965), “BILLY” (1974), basado en “Billy el mentiroso”, “LOLITA, MY LOVE” (1971), basada en “Lolita” de Nabokov, “THE LITTLE PRINCE AND THE AVIATOR” (1981), basada en “El principito” de Antoine de Saint Exupery, y hasta una película musical “ALICE’S ADVENTURES IN WONDERLAND” (1972) basada en el cuento de Lewis G. Carroll. Uno de sus letristas más habituales es Don Black con el que escribió también otro musical “BRIGHTON ROCK” (2004), que no pasó de las funciones previas. Te invitamos a dar una vuelta por algunas de las melodías del gran John Barry para sus musicales y películas que aunque quisimos evitar las que hizo para las películas de 007 no nos hemos podido resistir a incluir un par de ellas. Espero la disfrutes. 00h 00’00” Presentación 00h 01’59” Cabecera 00h 02’36” SUNSILK TV COMMERCIAL 00h 02’36” The girl with the sun in her hair – Dave Clinton 00h 05’58” SOPHIA LOREN IN ROME 00h 05’58” Secrets of Rome – Sophia Loren 00h 08’41” PASSION FLOWER HOTEL 00h 08’41” How much of the dream comes true – Barbra Streisand 00h 11’43” Something different – Jeremy Clyde & Karin Fernald 00h 15’47” What a question- Jeremy Clyde & Nicky Henson 00h 18’08” THE KNACK 00h 18’08” The knack – Johnny DeLittle 00h 20’53” BORN FREE 00h 20’53” Born free – Matt Monro 00h 23’36” THE QUILLER MEMORANDUM 00h 23’36” Wednesday’s child – Matt Monro 00h 26’08” YOU ONLY LIVE TWICE 00h 26’08” You only live twice – The ten tenors 00h 29’24” DEADFALL 00h 29’24” My love has two faces – Shirley Bassey 00h 33’11” MIDNIGHT COWBOY 00h 33’11” Midnight cowboy – Johnny Mathis 00h 35’53” ON HER MAJESTY’S SECRET SERVICE 00h 35’53” We have all the time in the world – The ten tenors 00h 39’46” MONTE WALSH 00h 39’46” The good times are coming – Mamma Cass 00h 42’37” LOLITA, MY LOVE 00h 42’37” Going, going gone – Shirley Bassey 00h 44’50” MARY, QUEEN OF SCOTS 00h 44’50” This way, Mary – Matt Monro 00h 47’38” Wish now, was then – Matt Monro 00h 50’18” WALKABOUT 00h 50’18” Walkabout – Tony Bennett 00h 53’00” ALICE’S ADVENTURES IN WONDERLAND 00h 53’00” Curiouser and curiouser – Matt Monro 00h 55’31” The last word is mine – Michael Crawford & Fiona Fullerton 00h 57’29” The me I never knew – Matt Monro 01h 00’49” You’ve got to know when you to stop – Dave Kaye 01h 02’55” FOLLOW ME 01h 02’55” Follow me – Thelma Keating 01h 06’16” BILLY 01h 06’16” Any minute now – Gay Soper & Elaine Paige 01h 09’50” Billy – Lena Martell 01h 12’30” I missed the last rainbow – Michael Crawford 01h 15’04” Someone of us belong to the stars – Michael Crawford 01h 16’56” Ambrosia – Michael Crawford 01h 18’01” THE DOVE 01h 18’01” Sail the summer winds – Lyn Paul 01h 21’09” THE TAMARIND SEED 01h 21’09” Play it again – Wilma Reading 01h 24’51” THE DAY FROM THE LOCUST 01h 24’51” Lonely hearts – Paul Williams 01h 28’00” KING KONG 01h 28’00” Are you in there? - Andy Williams 01h 31’46” THE DEEP 01h 31’46” Down, deep inside – Donna Summer 01h 37’38” GAME OF DEATH 01h 37’38” Will this song I’ll be sing tomorrow? – Colleen Camp 01h 40’00” SOMEWHERE IN TIME 01h 40’00” Somewhere in time – The ten tenors 01h 43’53” THE LEGEND OF THE LONE RANGER 01h 43’53” The man in the mask – Merle Haggard 01h 46’23” FRANCES 01h 46’23” Close your eyes – Sarah Brightman 01h 49’55” THE GOLDEN SEAL 01h 49’55” Letting go – Glen Campbell 01h 53’18” OUT OF AFRICA 01h 53’18” Places – The ten tenors 01h 57’06” The music of goodbye – Al Jarreau & Melissa Manchester 02h 00’56” THE GOLDEN CHILD 02h 00’56” The best man in the world – Ann Wilson 02h 04’11” DANCES WITH WOLVES 02h 04’11” Here’s to the heroes – The ten tenors 02h 07’41” INDECENT PROPOSAL 02h 07’41” In all the right places – Lisa Stansfield 02h 13’11” RUBY CAIRO 02h 13’11” The secrets of my heart – Kristina Nichols 02h 17’17” SWEPT FROM THE SEA 02h 17’17” To love and be loved – Corinna Brouder 02h 00’00” OTHER SONGS 02h 21’27” Just to see each other again – The ten tenors 02h 25’45” There’ll come a day – The ten tenors 02h 29’16” Our time is now – Shirley Bassey
Michael Allan Patton (born January 27, 1968) is an American singer, producer, film composer and voice actor, best known as the lead vocalist of the alternative metal band Faith No More. Noted for his vocal proficiency, diverse singing techniques, wide range of projects, style-transcending influences, eccentric public image and contempt for the music industry, Patton has earned critical praise and influenced many contemporary singers. One of the most versatile, innately talented, and idiosyncratic singers in rock music, Mike Patton is also one of the genre's most valuable players, since he has divided his time between a host of diverse projects including Faith No More, Mr. Bungle, Fantômas, Tomahawk, Peeping Tom, Nevermen, Dead Cross, and an experimental solo career. In addition to his band and solo work, Patton is a gifted actor and producer who has collaborated with a wide array of artists, including John Zorn, Sepultura, Melvins, Melt Banana, and Kool Keith. Lineup: Bad Brains, Don Black, John Barry, Tom Jones, Young Fathers, Quincy Jones, Don Elliott, Terveet Kädet, Dead Cross, Jacques Brel, Tom Dissevelt, White Noise, Charlie Parr, Messer Chups, João Gilberto, Funkadelic, Die Kreuzen, Adriano Celentano, Conlon Nancarrow, Bösendorfer Grand Piano, Dion Mcgregor, Basil Kirchin, Chet Baker, Nino Rota, Sun Ra, The Cosmic Rays
Tonight, we delve into "A Frightful Night For Halloween" written & originally performed by Bobby Goldsboro and "Anything Can Happen On Halloween" written by Charles Strouse & Don Black, originally performed by Tim Curry. You can watch the full special "Lumpkin The Pumpkin" on YouTube here. You can watch the original performance of "Anything Can Happen On Halloween" right here and you can see an animatic of the iconic Justin McElroy rendition here. Follow us on social media for more spooky content! For links to full songs and more information, check out the the page for this episode on radiotransylvania.com
The Halloween Special No One Asked For.Dance of the Vampires- The Minskoff Theatre- 2002Book- David Ives and Michael KunzeLyrics- Jim Steinman and Don Black
"Embrace it", "there's always a tomorrow" as hosts Bobby and Kristina discuss 2004's Dracula, The Musical and 2006's Lestat on episode eighteen of My Favorite Flop. ABOUT DRACULA, THE MUSICAL Based on the Victorian novel by Bram Stoker, Dracula, The Musical tells the story of the famed vampire as he lusts for new blood. Jonathan Harker and Mina Murray fall victim to Dracula's unnatural charm and, along with Doctor Van Helsing, must fight Dracula's supernatural powers. The musical features music by Frank Wildhorn and book and lyrics by Christopher Hampton and Don Black. Following a record-breaking run at the La Jolla Playhouse in 2001, the musical finally opened on Broadway to mostly negative reviews 3 years later in 2004. Though this production was intended as a serious, dramatic interpretation of the source material, critics complained of a complete lack of emotion in general, and of suspense and horror in particular. Also, while the plot of the musical hits all the major points of Stoker's novel, critics felt it did so in such an obtuse way that audience members unfamiliar with the story may find themselves unable to comprehend the action. Despite failing on Broadway, the musical has gone on to become extremely popular throughout Europe and Asia. The musical made its international debut at Theater St. Gallen, Switzerland in 2005, with notable productions following in the UK, Tokyo, and Seoul. Original Broadway Cast Melissa Errico as Mina Murray Tom Hewitt as Dracula Stephen McKinley Henderson as Abraham Van Helsing Chris Hoch as Arthur Holmwood Kelli O'Hara as Lucy Westenra Darren Ritchie as Jonathan Harker Bart Shatto as Quincey Morris Don Stephenson as Renfield Shonn Wiley as Jack Seward Lena Hall as Second Vampire Melissa Fagan as Third Vampire Jenifer Foote as First Vampire Michael Herwitz as Child Pamela Jordan as Third Vampire (Alternate) Elizabeth Loyacano as Second Vampire (Alternate) Tracy Miller as First Vampire (Alternate) Matthew Nardozzi as Child (Alternate) Graham Rowat as Ensemble ABOUT LESTAT Inspired by three of the novels in Anne Rice's The Vampire Chronicles, Lestat tells the story of a man who escapes the tyranny of his oppressive family only to have his life taken from him by the vampire, Magnus. The musical features music by Elton John, lyrics by Bernie Taupin, and a book by Linda Woolverton. Officially the highest-earning pre-Broadway play in San Francisco history (beating out Wicked AND Cats), Lestat finally opened on Broadway at the Palace Theater on March 25, 2006 after a series of drastic revisions. Reviews of the Broadway production were uniformly negative. Ben Brantley famously described the show as a "musical sleeping pill" and Peter Marks of the Washington Post remarked that apparently "a gay vampire with a two-octave range can be just as dull as a straight one." The musical closed on May 28, 2006, after 33 previews and 39 performances. An Original Broadway Cast Recording was recorded by Mercury Records a week earlier, however, after the show's closing, Elton John's management stated "there are no plans to release the recording..." Lestat has not been seen again (at least officially) since its original run. Original Off-Broadway Cast Hugh Panaro as Lestat Carolee Carmello as Gabrielle Allison Fischer as Claudia Michael Genet as Marius Roderick Hill as Nicolas Drew Sarich as Armand Jim Stanek as Louis Rachel Coloff as Ensemble Nikki Renée Daniels as Eleni Joseph Dellger as Magnus Colleen Fitzpatrick as Ensemble Patrick Mellen as Ensemble Chris Peluso as Ensemble Dominique Plaisant as Ensemble Megan Reinking as Beautiful Woman Will Swenson as Marquis/Laurent Tommar Wilson as Ensemble
This week, it's Seen Any Bond Films Lately? On a brilliant Bond takeover, I'm joined by Bond guardians/producers Barbara Broccoli, Michael G Wilson and five-time Bond composer Don Black to talk about their favourite Bond songs, cars, locations, posters. It's about family, film and the Daniel Craig-era finale. Plus I deliver the first review of No Time To Die.Music by Lee Rosevere. See acast.com/privacy for privacy and opt-out information.
Don Black is a lyricist has provided lyrics for numerous musicals, movie, television themes and hit songs for the likes of Andrew Lloyd Webber, Quincy Jones, Meat Loaf and Lulu… and many many more. Don has also co-wrote three James Bond themes… Thunderball, Diamonds Are Forever and The Man with the Golden Gun. Now it's his turn to choose three items from his life to tell Christopher Biggins all about. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Mike: I assure you there are fascists in the US. [Theme song] Nazi SS UFOs Lizards wearing human clothes Hinduism's secret codes These are nazi lies Race and IQ are in genes Warfare keeps the nation clean Whiteness is an AIDS vaccine These are nazi lies Hollow earth, white genocide Muslim's rampant femicide Shooting suspects named Sam Hyde Hiter lived and no Jews died Army, navy, and the cops Secret service, special ops They protect us, not sweatshops These are nazi lies Mike: One of the more pernicious lies I hear about US fascism is that it doesn't exist, particularly in the present day. So I'm here today with journalist and sociologist Dr. Spencer Sunshine, PhD from CUNY's Grad School. Spencer has written for Colorlines, Truthout, and The Daily Beast and has an organizing guide out through PopMob called 40 Ways to Fight Fascists: Street-Legal Tactics for Community Activists. Thanks for coming on the pod. Spencer Sunshine: Thanks for having me on the show, Mike. Mike: Of course! So Spencer's here to talk about the American Nazi Party; its successor, the National Socialist White People's Party; and its remnants today. So let's start with a brief history of US fascism before the American Nazi Party. Spencer: Sure, so fascism as an actual political current is about 100 years old in the United States. The first Nazi group, or Nazi cell, in the United States formed in 1922 by German expats in the Bronx. And there were probably earlier groups that were Italian Fascist groups. Like many radical political traditions that started in Europe, in the United States these were first brought to the country by immigrants from Europe. If we look further than that, if we use fascism as a broader term involving any organized white supremacist groups, of course we'd easily go back to the 1860s and the Ku Klux Klan and similarly styled far right groups go back in the United States well before that. So fascism is a longstanding political tradition in our country. It's a century old. The fact that people can't acknowledge this shows something interesting about the psyche of the United States where people just can't admit that there are radical political movements here, or that such a noxious political movement such as fascism could take fairly, what looks like permanent roots in our country. Mike: Okay, so let's talk about the American Nazi Party itself. How was it founded? What did it do? Spencer: So before the war there were two groups that were pro-Nazi. There was the German American Bund, who were tied to the Nazi Party in various ways; and an American group called the Silver Shirts. As you may imagine, during the war, nazism became taboo in the country. A lot of the leaders were arrested. After the war it took quite a while for, what then became neo-nazism, neo-nazi groups to establish themselves. There was a group called the National States Rights Party who mostly recruited from Klan members and were the core organizers for nazis, but they did not say on the– On the outside of the package it did not say that; although on the inside it was. So the American Nazi Party was sort of special because it was the first group to openly declare itself a nazi group and to, the phrase they used was, “raise the swastika,” to actually appear in public. You know, at the time they used the old stormtrooper uniforms, these brown uniforms with a swastika armband. You rarely see it these days, but this was pretty common through the early 90s for nazi groups to do this. So the American Nazi Party was founded in 1959. There was a precursor group in 1958 by George Lincoln Rockwell. He had done advertising; was very good. And came from a vaudeville family. This is a really crazy story, but Bob Hope was actually at his christening. He used these advertising techniques to form this group. It was designed to get media attention, and the idea was for him that conservatives could never become radical enough and could never really attract the people they needed. So by using this imagery, he could attract the kinds of people that he wanted, and he could use the presence of nazis– He used to say, “No one can ignore nazis marching in the streets.” –use this public image to gain media attention which he could then use as a recruiting tool. The party was never very big. It continued through the 60s. They did a lot of– It was almost an agitprop kind of project. The kind of murders that we associate with the nazi movement these days– They had punch ups at rallies and stuff. But the kind of violence and murders that we associate with neo-nazism these days did not come until later, which is an interesting thing. He was assassinated by a fellow party member in 1967. Right before then he had changed his organizing strategy. He had a very successful rally in Marquette Park, Chicago, which was actually against Martin Luther King's plan to desegregate. It was some of his late marches doing housing desegregation in Chicago. It was in an Eastern European neighborhood, a lot of Eastern European immigrants who were resisting Black Chicagoans from moving into their neighborhood. Thousands of people came to this rally. He then changed his tack a bit. He renamed the party the National Socialist White People's Party which is a mouthful, and we'll call it the NSWPP from now on. And he renamed the party newspaper to White Power which is the slogan we know today that he coined. So it was a move from being an antisemitic nazi party to kind of being an aggressive white nationalist party because it was the first time that he had drawn a lot of grassroots support. He was assassinated. He was replaced by his subordinate Matt Koehl. At first it was three people. It was Robert Lloyd, Koehl, and William Pierce (Who's important. He later formed his own party called the National Alliance. Mike: We'll talk about them in a bit. Spencer: And he wrote a very influential book called The Turner Diaries. These three that ran the party for a while, and then, what's a nazi party without a führer? Or tin pot führer at least? Kicks the other two out. And runs the party until his death a few years ago. In 1983 the party became called New Order and actually degenerated into a Hitler-worshipping, almost private Hitler-worshipping cult. It still exists. Koehl died a few years ago and was replaced by his subordinate Martin Kerr. Mike: So before we talk about the remnants today, I want to talk about some of the splinter groups that formed in the 70s. I'm thinking the second NSLF, the National Alliance that you mentioned, the NSPA, the NSWWP. Spencer: A mouthful of alphabet soup. Mike: Yes. Spencer: So the importance of Koehl taking control is that Rockwell was a very charismatic guy. A lot of his followers really adored him. They ended up fetishizing him almost as a god-like figure. The way they had– Some of them, you know, praised him the way they had Adolf Hitler before him. In the post-war period, people had started almost worshipping and sometimes literally worshipping Hitler and made altars to him and treated him as a kind of demigod. So Koehl did not have charisma and acted in ways that alienated most of his party membership. Over the years, especially between 1973 and 1974, a lot of the party members left; the active units, they called them units the chapters, left and formed their own groups. And this became very important because this is what laid the groundwork for there to be a decentralized neo-nazi movement in the United States, the kind of which we see today. So it laid the epistemological foundation for it because before there had been a single party, a single organization with chapters. Now there were all these separate groups that had different relationships with them and that could pursue different strategies. And they did pursue different strategies. So the first big split was in 1970 when William Pierce is kicked out. This takes a little while for the real splintering to happen. So the first group I'll talk about is the National Socialist Liberation Front because their influence can be felt today on the alt-right, on the terrorist wing of the neo-nazis today. It was originally the name was used in the late 60s as a college student group that William Pierce actually ran that was associated with the party. They were trying to take off the energy of the New Left. You know, there were a lot of liberation fronts was a popular name for armed new left groups. This was an attempt to recruit college students. It only got one good organizer which we can talk about later which was David Duke. It was never an independent entity. The name was revived in 1974 when, probably the best organizer in the United States, Joseph Tommasi, who was based in Los Angeles, was suspended by the party, and he founded his own group. They used the NSLF name. Mike: Can you talk about why he was suspended? Spencer: He was– There's a lot of discussion about this. Accusations that he was– Some of it was cultural clashes within the nazis. He was pulling off the counterculture. He had long hair. They didn't like to dress in uniform. They wore like fatigues and stuff. He was accused of bringing his girlfriends over to the party headquarters. Koehl was making all of the party members (They had bought their own headquarters. This was a time they still had physical headquarters was an emphasis.) sell their headquarters. They made all the chapters sell their headquarters buildings and give the proceeds to Koehl which angered a lot of people and caused a lot of these splits because the people themselves had bought them, and they just thought he was trying to enrich himself which he probably was. He was basically shutting the party down and making a cult around himself and taking all the money. But there was a very interesting– What probably really prompted it is– It's attached to the Watergate scandal. Someone in the C.R.E.E.P. (The group, the Nixon support group that got involved in Watergate, it was an acronym for them.) hired Tommasi's nazis to help get another far right, a little more moderate, party on the ballot in California to pull votes away from Republicans. This was the American Independent Party. It has a funny history. It comes out of the George Wallace campaigns earlier. Then later, I think Cliven Bundy from the Bundy ranch actually joined. Remnants of the party exist today and have attracted people from the militia movement. [Spencer's correction to this story: https://twitter.com/transform6789/status/1388206831630180362?s=19] Anyway, these nazis were hired by Republicans to get another far right party on the ballot to pull votes away in a certain election. I forget the details now. I'm sorry. The party– Koehl was angry that he had made this deal. This made the newspapers. It made the New York Times and stuff. This angered the party that he had done this without their permission. And they took money from it. So that may have been– A lot of more serious people think that was the actual reason for the initial suspension. And then there was a break when Tommasi formed his own group. The NSLF was important because they openly advocated armed resistance and bombings and such and did do a few of these, although rather moderate in Los Angeles. This was a break from the parent party which always stressed legality. While there had been violent currents in it, they were really kept kind of under the rug, and it was just a sort of wing of the party of certain people including William Pierce. And then Tommasi didn't last long, though. He was killed in a scuffle with members of the former party at his former headquarters. He accosted one and the guy had this kid, an 18-year-old, and he shot him. Tommasi again, another charismatic organizer, founded this group, but didn't last long. That group however did continue it had four different leaders and continued until 1986. James Mason, who we'll talk about later, joined that group after Tommasi's passing. Mike: Okay so that's the NSLF. What about the National Alliance? Spencer: The National Alliance is a group founded by William Pierce after he got kicked out of the NSWPP. He was flirting with Willis Carto, another major nazi leader who became, amongst other things, the main popularizer of Holocaust denial in America. They had a falling out. Carto had a falling out with everyone. Pierce founded– The group was originally the National Youth Alliance, then became the National Alliance. It was a membership based group. They tried to recruit professionals. Pierce had been an engineering professor out in Oregon before he joined the party. He was very articulate. He did not have the sort of crass approach, you know. He produced more sophisticated propaganda as well as sort of more interesting theoretical documents. So they continued. The remnants of the group exists today. They had up to a thousand members. They ended up having a huge group property out in West Virginia. It was the headquarters building. He lived there. He wrote a book in the 70s called The Turner Diaries which is a really badly written book. It's a fantasy novel about how some white supremacists will form a terrorist movement, and they will help promote a race war, through terrorism will promote a race war in America. And you know this will end up in the Day of the Rope where the white supremacists kill people of color and Jews and create a white ethnostate. It's a tremendously popular book around the world. It's sold up to a half a million copies. You can still get it today. It still inspires people today. So Pierce's group, they didn't do a lot of public actions especially till later in life. Although, their probably biggest rally was in 2002. It was a supposedly pro-Palestine rally in Washington, D.C., that blamed Israel for 9/11, and hundreds of people came to it. They tended to shy away from this stuff. But it was the biggest group, and the most serious group, in the United States for many years. After Pierce died, of course they tried to continue the group and everyone broke up into squabbling. One of the main organizers who's come out of it who's still active today is Billy Roper who's part of the Shield Wall project in Arkansas. I think there's one chapter left. The headquarters of the party still exists. There's been a bunch of legal fights with everyone engaged in lawsuits and various other physical conflicts with each other, and the group has sort of degenerated. So that's the second one, that's the National Alliance. Mike: Okay, so let's talk about–you actually mentioned this on Twitter kind of the other day–the NSPA. Spencer: The NSPA actually was another one of the early splinters that left in 1970. Led by a fellow named Michael Collin. [The name is actually Frank Collin -Mike] They were based in Chicago. They had seen or taken part in Rockwell's popular organizing in Marquette Park in the 60s, and they didn't understand why the party wouldn't follow up with that. And that's what they wanted to do. Again, there was a fighting over the headquarters building. They split off formed their own group. A very small group until they started having rallies in Marquette Park that were still resisting desegregation and attracted community support. Basically, no one wanted to side with this white community that did not want Black people to move in, and they became their champions. And part of the– The thing here is that people in the neighborhood, there were a lot of like Ukrainian immigrants, people who had been from countries that were occupied by the Nazis, who were pro-Nazi. A lot of the areas the Nazis occupied people, you know what I mean, supported them. There were a lot of people, basically, with collaborationist backgrounds, and they didn't have a problem with this. And the nazis championed their cause. And they would hold large rallies in Marquette Park. Some of them attracted thousands of people. They became most famous for the Skokie incident which apparently is being forgotten today by younger people. but was known to everybody in the United States of a certain age. The Chicago city tried to stop them from having their Marquette rallies by putting a bunch of legal barriers. They had to have a huge insurance– Had to take insurance out to do it that was unaffordable. So to get around this they threatened a march in Skokie, Illinois, which was a largely Jewish suburb, wealthy suburb. A lot of Holocaust survivors lived there. Skokie resisted them through legal means. Eventually the case went to the Supreme Court. It was in the national news for like a year or so. It started in 1977. Went to the Supreme Court. The ACLU championed it. The ACLU had been defending nazis before this but this became what they're famous for. Their most famous case. The Supreme Court upheld that local cities could not put unreasonable blocks such as insurance requirements on political groups from marching including nazis. They couldn't stop them from using particular symbols or something. They attempted to ban that. So everyone knew there were neo-nazis in America. It also made the NSPA briefly the most important nazi group, neo-nazi group in America, because at this point there was all these splinter factions from the NSWPP and were all vying to be the most important group or to set up, or attract other groups to them, or to lead coalitions of them. There were different formulations of this. They all had, you know, weird relationships with each other as they were doing this. So the NSPA, because of this lawsuit and the attention it got, became the most popular of these groups, and certainly the most well known of these groups briefly. It eclipsed even the parent party for a while. So that was probably the high point of attention of neo-nazism in America in the 70s. Although, throughout the decade, nazis would consistently make the newspapers. They were a very small movement; had maybe a thousand people in the movement in the US. It became, unlike in the 60s, newspapers, the media started to really love them. So there's tons of coverage of various nazi splinter groups in the various cities for all of their actions. There's a documentary film called California Reich. You can watch it on YouTube. We'll talk about it in a minute. It's about a group in California and such. There was lots of stuff like that. These two things weren't outliers. Mike: Okay, so– Spencer: So Collin– Oh there's a funny ending to it. Collin and his people, they started running for alderman and like city council in Chicago. Some of them did quite well, got like 16% of the vote. But quickly the party started to wane in popularity. Collin's subordinates wanted to get rid of him, so they rifled through his desk and found child porn of him with young teenage boys. They turn him in to the police. He was arrested for child molestation. It also came out his father was a Jewish man who had been in a concentration camp. So there was some real deep stuff going on here. Even though he was a successful organizer, right, against the odds. He went to jail. He was replaced by Harold Covington. We can talk about Covington if we want. He's important in the Greensboro Massacre and then died only a few years ago. Remained an organizer. And then Covington was replaced by someone else and the party frittered away. But yeah, there was a real plot twist in that one after Skokie. Mike: Okay, do you want to talk about the NSWWP? Spencer: Sure, so this was a group– This was the California leader Allen Vincent. He, like everyone else, broke off of the parent party. Founded– He was important cause he was– He wasn't a charismatic organizer, but he could attract followers, and he really liked to get in street fights just as a person. He was a good, stable organizer unlike a lot of these people. Did a lot of crazy rallies in San Francisco. So of course there were fights at his events. At one point he opened a bookstore I believe in the Sunset neighborhood of San Francisco on the same block as a synagogue that a bunch of survivors went to. His bookstore was quickly burned down. He worked with James Mason. Worked with him for a while between 1978 and 1980. Was the editor of his paper The Stormer. Briefly, after the NSPA star faded, his group became a national group. This lasted a few years and it faded away like many of these other groups. So he was well known for the documentary California Reich was filmed about his group while it was still a chapter of the NSWPP before he broke away and became the NSWWP, just to totally confuse anybody about these acronyms. Mike: The National Socialist White– Spencer: White Workers Party. The original group is the National Socialist White People's Party. His group is the National Socialist White Workers Party. Although you might think they're more of an anticapitalist group from the parent party that wasn't true. He lived quite a while through the late 90s. He popped back up in the late 90s, met Jeff Shoep who at the time was running the National Socialist Movement, and became his mentor for a brief period of time. Then he passed away. Mike: Now let's talk about the groups that exist today or the various remnants of it today. So I was going to start with Don Black and Stormfront. Spencer: So Don Black was originally in the National Socialist Youth Movement. It was sort of part of the parent party for people who were under eighteen. There were all these names of these other groups, so people didn't– Their membership card didn't say American Nazi Party or NSWPP. You know he left like many other people. Many neo-nazis, almost all neo-nazis from the 70s were in the party at least at first. That was everybody's entre into this world. So he had been involved in the Dominica debacle. This was in 1981. A group of white supremacists were hired to invade the Caribbean island of Dominica and overthrow the government. They'd made a deal with the– The leader had been deposed and they were going to allow the white supremacists to keep a base there. They were turned in, of course, by somebody, and they all went to jail including Don Black. Later however, he founded Stormfront. It was an early– It wasn't the first at all, but it became the first very popular neo-nazi website. The important thing, it had all these forums where people could have discussions. And it was publicly available, so it was easy for reporters, especially, to go look at the discussions and be able to quote from them which became very important for its visibility. And this was the biggest neo-nazi or white nationalist website really until The Daily Stormer I believe in 2016-2017. So now it's a bit– If you look at it, it's clearly a web 1.0 website and looks a little old school. But it's still the main popular site throughout the 90s and the 00s. And it's still I think for people who are probably gen X and older who are white supremacists, it's still the place that they hang out at. So it had a very important place in the– You know, nazis and other white nationalists have always had a hard time because they were locked out–especially before social media in the last few years even–they were locked out of mainstream platforms. And they need to have alternative platforms. Nazis are actually early adopters to the bbs. The first Nazi or white supremacist bbs opened in 1983. It was actually founded by a former member of Hitler Youth that moved to the United States. And so they were very early adapters to this technology because it was a way for them to get around the media block out. I mean even if they printed newspapers, they couldn't sell them at newsstands. You know even these weird tankie communist sects could sell their newspapers at least some newsstands. Mike: Right. Okay so next up, I guess his story intersects with Don Black's story. We'll talk about occasional political candidate, former Klan leader, former NSLF member David Duke. Spencer: So Duke was a member of the original college student NSLF. He essentially took it over. He was at a party conference in the early 70s, and at this conference, they said NSLF will be– The group itself is changing its name to the White Student Alliance and Duke will be the leader. And this is interesting because it shows Duke's evolution from an outright neo-nazi– He went to school in Louisiana and would go do these free speech– There was a free speech zone, and he would go sell the NSLF newspaper and give neo-nazi speeches. It was a big– You know, he was very well known on campus for this and attracted a lot of attention. There's pictures of him in a Nazi uniform demonstrating against one of the lefty Jewish lawyers Kunstler who had gone to speak at his school. He had a sign that said “Gas the Chicago Seven” who was this left leaning, it was this left leaning political trial in the late 60s. So he took over this new group, and the group kept evolving. So it's originally the National Socialist Liberation Front; then it's the White Student Alliance; then it's the White Youth Alliance; and then it's the Nationalist Party. And then he forms a Ku Klux Klan group or joins one, it's a little vague, the Knights of the Ku Klux Klan. And this is important because it shows his evolution from a nazi to a kind of white nationalist youth organizer– to a white nationalist student organizer to a white nationalist youth organizer to just a white nationalist organizer. So each time the pool is rippling out, and he's trying to find the right formula that attracts the most people, from very niche to much broader. He becomes– So he forms this newfangled Klan group that doesn't wear hoods, and he's very good with media. This was sort of a new thing to have somebody appear in media who was dressed nice and could talk well, wasn't trying to– You know, Rockwell had waved swastikas in people's faces and was trying to infuriate them, and Duke was doing exactly the opposite. Became very successful. Was very young. He was still in his twenties. He was running one of the more successful Klan groups. One of the things he's remembered for today, he started a Klan Border Watch on the California border to attempt to patrol for illegal immigrants. There he was working with Tom Metzger who later became popular for other things as well as Louis Beam. These were two white supremacist leaders in the 80's who promoted armed struggle. Were the most militant leaders. Started out in Duke's Klan. And as well as Don Black. And I believe Duke married Black's ex-wife. They were all entangled in these ways. So after the Klan stuff he starts running for office in Louisiana and does quite well. And at one point is elected state representative in Louisiana in 1989. This is sort of the high point of the wave of conservatism that goes along with Reagan's reign of power from 1980 to 88, which continues with Bush I to 92. There becomes a revival of popular mainstream American racism. And sort of white flight that had started is very ensconced. There's all these racial conflicts in the late 80s and early 90s like Howard Beach and the Hasidic Jewish and Black riots in Crown Heights. So there's an incredible amount of violent racial tension in the country at the time, and so he's sort of taking advantage of this. He runs for other offices, does quite well, but can't get elected again. And then he's mostly well known for this, and it's the slow burn for the next few decades. He was at Charlottesville which was an interesting moment. To me, this was a sort of handing of the torch from from him to Richard Spencer as the mainstream white nationalist leader. That's how I saw what went on. Although, you know, they didn't actually rally at Charlottesville. The rally itself was dispersed by the police before it began. There was no speeches or ceremony which he could do this, although there was some speeches in a park later. Mike: Let's talk about the National Socialist Movement. Spencer: Yes. The NSM was yet another splinter party. It was formed in 1975 by people who again had come out of the NSWPP. Robert Brannan was its leader. They were sort of going in different directions at the same time. Some of the elements, which included James Mason as well as a guy named Greg Hurls, wanted a more pro-armed struggle line. They were very close to the NSLF. Brannan wanted a more sort of traditional thing, what was called the “uniform and demonstrate” which meant that they would get people in nazi uniforms and hold a rally in public and attract a lot of media attention. People would come and protest and that would just spur that. One of the things they did–they were based in Ohio, southern Ohio–they used to hold a “Free Rudolph Hess” rally I think for over a dozen years in Cincinnati. He was a Nazi leader. He had parachuted to Britain with the intent of creating a peace deal with the British in the early 40s I believe, and then remained imprisoned until his death. I think he committed suicide in the– I think he died in the late 80s early 90s. He lived a long time in Spandau Prison. So this group had some popularity in the early-mid 70s. There was of course splintering of this as Mason left it and went to work with Allen Vincent's group. And it remained a tiny group with one or two units until the 90s when the then-leader, second leader Clifford Harrington, recruited a teenager named Jeff Shoep. Harrington wasn't a great organizer, but he did, unlike some people, understood there was a revival in neo-nazism in the 80s and 90s through the skinhead thing and wanted to recruit nazi skinheads. Got Shoep to take the party over for him, and then Shoep grew it into the leading neo-nazi party in the United States. It had dozens of chapters in the 00s in particular. I think around 2006 was its height which is a very unusual time for it to be successful. Partly they were pulling from the rest of the movement. The National Alliance collapsed, and other groups in the movement collapsed and they were able to sort of steal their local units and absorb them. But that group still exists today. They were at Charlottesville. They make the news. They just were in the news. There was a rally in Arizona. They're the main group, if you want a nazi group that's going to go and march in uniforms or use nazi symbols–instead of the old brownshirt uniforms, they use black uniforms–and put swastikas on a flag to get attention, that's the group that will do that. So they are on their fourth leader now, Burt Colucci I believe, who like many of them just got arrested. A number of the members have murdered people over the years. A lot of people who– They're sort of the least together group. Yeah they're the kind of group that if you have some sort of countercultural affiliation, if you're not interested in being a professional organizer that you might want to join, if you're a biker, if you're like a skinhead, and if its important for you to have a card saying you belong to a nazi party and you want to yell at people in public that you're a nazi and beat your chest about that and talk about how much you love Adolf Hitler, this is the group for you. It's not a sophisticated organizing project. Mike: Alright, so you have a book in the works about this next one. Let's talk about James Mason, Universal Order, and Siege. Spencer: So I've been working on this book for a while. One day it will be done. James Mason was a teenage member of the American Nazi Party in the 1960s although he never met Rockwell. His mentor in the party was William Pierce. So he met Pierce when he was I believe sixteen years old. Pierce let Mason, who was having a hard time at home, run away from home and stay with him at the party headquarters. Taught him how to– Or got him to learn how to use a printing press which was important before computers. A lot of groups would physically produce their own newspapers themselves with their own printing presses. This helped him out since it was very difficult for nazis to find a printer that would print their publications. So he was in the American Nazi Party. He was in it as it became the NSWPP. He hung around for a while and didn't leave until later. But then he ended up starting to join these other splinter groups while staying in the party. He left in 76. By that time he had already helped form the NSM, and he had also joined secretly the NSLF. This was after Tommasi died, so under the second leader. And he was a supporter of the National Alliance. So at one point, he's a super insider who's like a member of four different neo-nazi parties. And he's always wrangling in the mid 70s as the different groups try to create– try to become the lead group or create an alliance of different groups to overtake the NSWPP. What unites them is that they all hate Koehl who's that leader. They can't do it, as I said before. The NSPA become the leader for a moment because of the Skokie incident. Mason fought with everyone. He did this thing you see from some activists who are sort of sectarian, is they get more and more theoretically specific and crankier and crankier; they fall out with more and more people until they run a project that's really just them and whoever is helping them directly. So he has a falling out with the NSM, and he joins Allen Vincent's group. Runs his newspaper, but he doesn't really like Vincent because he's not radical enough. Mason is deciding more and more that it's hopeless to do public organizing. He comes up with some very strange ideas, not just that nazis should engage in guerilla warfare, but at the time there starts to be these nazi serial killers. Nazis start doing these multiple murders, like Joseph Paul Franklin are serial killers. He killed up to 22 people. He was another former NSWPP member. Roved around he country as a sniper killing mixed race and other couples– Mixed race couples and others, Black people, Jews. And other people just start butchering people, either just doing these random murders or doing workplace massacres. One of the first of them was in New Rochelle by Fred Cowan in New Rochelle, New York. It's just north of New York City in 1977. And there's a lot of serial killers at this time. It's the height for serial killers in America. And so Mason comes up with this theory that not just is guerilla warfare good but these racially based murders are good by nazis and by others. And that the nazis can use them as an attempt to destabilize the system–he starts calling it the system–because nazis can never work through legal means to build a party that will be able to take over the system. He's like every time we try to do this, we get shut down. We either get shut down in the streets, or the courts shut us down, or just shut out of the media. That had been Rockwell's strategy was to attract media attention and build an organization. He's like, “We can't do any of that. We really don't need organization. We need mass chaos to disrupt the system, and only after the system is disrupted will nazis have a chance to take power. He eventually later on starts to praise armed radical left and Black nationalist groups who are coming into conflict with the system, which he doesn't in the 70s but he starts doing it in the 80s. So he has a falling out with Vincent. The NSLF, this is revived under its third leader in 1980, becomes public again. It had actually been absorbed into Allen Vincent's group and then it comes back out as a separate group. He restarts Siege. It's originally the NSLF newspaper. It's sort of their theoretical paper. But it's just him running it, and he's developing these ideas about how murder can be used to forward the nazi cause. Then he comes into contact with Charles Manson. Starts to promote that Manson should be the new nazi guru, just like George Lincoln Rockwell had been, just like Adolf Hitler had been. Portrays him as this spiritual racist figure. Manson had carved a swastika in his head in prison and was sympathetic. He mentions– A lot of people don't know he was extremely racist and antisemitic. This creates yet another tiff between James Mason and the people he's working with. The leader of the party at that point, the fourth leader Karl Hand, who by the way is a big fan of yours. Can I tell a story on your podcast? Mike: Yeah. Spencer: So do you know about the interest of Karl Hand in you? Mike: No. Spencer: Oh you don't? So I actually wrote– As part of this book, I'm writing people who were involved in this movement. And Karl Hand lives upstate, runs a party called the Racial Nationalist Party of America, and he was based for a long time in upstate New York. He is obsessed with you, Mike. After your appearance on Tucker Carlson, he wanted to have a fight with you. Like some sort of, go into a boxing ring, and have a fight. He's an older man now, he's in his 70s. And so I wrote him, and he sent back a whole packet of literature and it included a flier about you with a description of his attempts to contact you and arrange a fist fight with you. Mike: Huh… Spencer: So you have a fan. You have a fan. I think he said he wrote to the school you were teaching at. Anyways you have a fan in this generation of neo-nazis. And so, anyway, Hand and Mason had a falling out. In what must have been unique in the anals of– the annals? I don't know. You can see I read a lot and don't know how to say certain words. In the history of American neo-nazism, they had an amicable split. Hand actually gave Mason some money to continue Siege. So after 1982 until 1986 Siege is just run by James Mason. It's a very small. It's like a newsletter. He printed it himself. It was six pages long. There was almost no graphics in it. It had a sort of red– It doesn't– Although Mason was a talented graphic designer, I think, it was very plain. It was mostly text. It had a red banner that was it. He ran it off on his own mimeograph machine. Made like 75 copies of it. So this small newsletter that was running 75 copies will become quite influential in retrospect. He ran this till 1986. After the split with the NSLF in 1982, Mason started saying it was published by the Universal Order which directly said that Charles Manson was their spiritual leader. Although, he didn't talk about Manson that much. He never describes what Manson's supposed to do other than, they're not just a neo-nazi group. It's neo-nazism and more. It was a kind of really spiritual national socialism. Although, he's never specific about what that means. But he clearly has been enchanted by Charles Manson and essentially become a follower of him. So this sort of peters out. He becomes more and more cynical. He even gives up that these random murders are going to do anything. He doesn't think that the system will be able to be destabilized, but he does advocate–and this is what's influential today– He says, “Either you can drop out and wait through the apocalypse,” you know that's coming. He becomes convinced that the whole system is going to crumble. And this sort of pessimism is very popular in the 80s across the political spectrum. Partly driven by the Cold War and the survivalist movement. But he says, “You can hide out and wait for the end to come, and then live through it, and we'll have our chance. Or if you're going to go be a terrorist, do it with style. Do it in a way– Don't just kill somebody and be killed. Do it in a way that has panache, and that will inspire people, and that's done well. Plan it well. Don't just freak out and shoot somebody and be killed by the police.” And this philosophy is what becomes popular with Atomwaffen remnants and others today. Like these are your two options. I think it was called “Total attack or total drop out.” By 1986, he's pretty burned out, and that's the end of it. Basically in short order, his book becomes– His newsletters become found by people in the industrial music scene, by Boyd Rice, who's this industrial musician, who's still alive today, and that denies all of this stuff that happened. He recruits several other people. He's in contact with Adam Parfrey, who founded Feral House Press which is still around today; [Michael] Moynihan, who was an industrial and then neo-folk musician; and Nicholas Schreck, a Satanist who's married to Anton LaVey's daughter Zeena. They all work to promote James Mason. They start publishing him in various things. Moynihan takes the newsletters and turns them into a book.which he publishes. It's an anthology of the newsletters. He publishes them himself called Siege in 1993. It becomes a cult classic. It's promoted by this network of people. Basically it's part of the punk rock and assorted underground music and cultural scene, there was a real right wing edge to it, part of which is a predecessor to the alt-right. People like Jim Goad who was the direct inspiration for people like Gavin McInnes of the Proud Boys. There's a lot of nazi imagery circulating, so actual nazis can function in the scene, and it's never clear who's using nazi imagery ironically, or with some interest in nazism but they're not an actual nazi, and who's an actual nazi. It's very unclear, and in this confusion, they can hide, circulate their things, and get some attention. And they do get attention with this book. It gets– There are interviews and it's covered in the alternative weekly newspapers, which were very popular at the time since the internet wasn't what it is now, many which had circulation in tens of thousands in different cities. So they were able to use this network to popularize James Mason's ideas. The book goes out of print. Gets reprinted in 2003 by a fellow in Montana. And he keeps it in circulation, and then it gets picked up with the alt-right, with the Iron March platform which is a discussion board that all these contemporary terrorists, alt-right terrorist groups, neo-nazi terrorist groups come out of, Atomwaffen and others come out of. And they reprint the book yet again. It continues to be circulated as a pro-terrorism cult classic. Mike: So do you think there are any other individuals or groups worth mentioning? Spencer: There are like scattered ones. There's a guy named Rocky Suhayda, I believe is his name who runs a group called the American Nazi Party. It used to get a lot of attention because he was good at using social media and various internet media. So people could always quote him and say the American Nazi Party says X or Y. Although, he was just a random NSWPP member. Art Jones came out of the party while he was in Chicago, and he's a sort of perennial candidate there. But in 2016, the Republicans failed to run someone against him in the primary. It was in a heavily Democratic district. And so in lieu of that he became the Republican candidate for– I forget what it was, US rep or something. And he's a nazi, a Holocaust denier. And so this was all in the news, you know “How is a Holocaust denier the Republican candidate?” This had been– This was a strategy that Nazis developed in the 70s. They would run for offices. Until the late 70s, it was a much more kind of benign movement in a way, not ideologically, but in their tactics, they had not moved into this murderous terrorism phase until a little later on. And so he continues that kind of– It's actually a toolbox of tactics that go back into the 60s: doing things that are kind of publicity stunts to get attention, one of which is running for office. So briefly Jones got in the press. He was in the press again. He tried to run again in 2020, but the Republicans finally like, they put somebody up. I mean, this is the problem, parties have limited resources. If you're putting someone up just to defeat somebody else in the primary even though you know you won't win in the general, that's a waste of your resources. It shows how nazis and other white supremacists can sort of drain resources from the mainstream in an attempt to just not let them get a foothold in the various places that they're trying to– In the various little cracks they're trying to stick their fingers in. Mike: And you mentioned Harold Covington. Do you want to talk about him too? Spencer: Sure. Covington died a couple years ago but had some influence even on the alt-right. He was again a member of the NSWPP. He had taken over the NSPA from Collin after he'd gotten Collin arrested for being a child molester and exposed him as of Jewish descent. Ran that party for a bit. He was also– Some members of his party–he was in North Carolina–took part in the Greensboro massacre in 1979 where a joint group of nazis and Klansmen had killed communists who unwisely held a “Death to the Klan” march but were not prepared for what they had prodded. He ran for attorney general around the same time in North Carolina, state attorney general, and got 40% of the vote. There are a few other instances like this where neo-nazis were able to get a huge amount of votes around this time period. This is around the period where Duke's– Well Duke's elected later, I guess. So he goes to this– He does all this crazy stuff. He goes to Africa to fight in Rhodesia. He was this contentious fellow. Had falling outs with everyone. Moves to the Pacific Northwest, and becomes the last of this old guard of people who are advocating the states in the Pacific Northwest, which are overwhelmingly white, break off from the rest of the country and form a white ethnostate. His last group was called the Northwest Front which I believe still exists today. And they would both advocate this idea, try to get involved in the various– There's a regionalist/independence movement called Cascadia that wants to break some of that area off, but it wants a kind of lefty leaning, ecological state or regionalist entity, and so he tried to give that a specifically racist cast. So this created, again, a lot of these groups in the Cascadian movement, whatever you think about it (There's a lot of kooks.) they had to move and take their resources just to fight the white nationalists within their ranks, to make sure the white na– Because it was popular. You go to Portland; you see people with Cascadian flags on their porches and stuff. There's a sort of intuitive popularity for it there. So they then had to redirect resources to fight against these people, to show that they weren't racist. It might have been good in a way because it forces groups to commit to an anti-racist stance. The presence of white nationalists sometimes does shape up these majority groups to affirm anti-racism. So maybe there is a silver lining to that. Mike: Dr. Sunshine, thank you again for coming on The Nazi Lies Podcast. You can keep up to date with Dr. Sunshine's writings through his newsletter the Sonnenschein Update which you can find on his website. And you can donate to his Patreon. It's also on his website, spencersunshine.com. This has been real fun. Hope we can have you back again for a book release. Spencer: Yeah, it was great chatting with you as always, Mike. [Theme song]
On this show, hosts Tom Butler, Brendan Duffy and Tom Wheatley explore the work of Maurice Binder, the man responsible for James Bond's iconic gun barrel design, and countless 007 title sequences. They talk about the life and career of Don Black, the Oscar-winning lyricist who wrote a number of James Bond theme songs including 'Thunderball' and 'Diamonds Are Forever', and one-time screenwriter Harold Jack Bloom. Also explored is the franchise's relationship with BMW in the 1990s, skiing cameraman extraordinaire Willy Bogner Jr, and we talk about the origins of James Bond, and the man who inspired 007's name. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
What a cracking guest to open season two of Songstripper! David Arnold scored five Bond films, the 2012 Olympics closing ceremony and countless other Hollywood blockbusters as well as having pop success with Bond title songs recorded by the band Garbage and the late Chris Cornell of Soundgarden. Tim and Phil were lucky enough to chat in person with David in December 2020 before the latest UK lockdown. He even pushed Tim off the piano to illustrate his scoring style and how he mixes sweeping orchestras with cutting edge dance music technology. We concentrate his wit and wisdom on ‘The World Is Not Enough' with lyrics, by the maestro of lyricists Don Black, and how the unusual collaboration with Garbage came together whilst working across continents. Tim and Phil ask the question "how did a six form student working in a video rental store in Luton come to dominate Hollywood?" https://facebook.com/songstrippr https://twitter.com/songstripper https://instagram.com/songstripper https://anchor.fm/songstripper
This week on the Magic Book Club Podcast Tom Price catches up with Mike Gayle on his 18th (yes, 18th!) novel, All The Lovely People. The pair chat all about writing in a lock-down world, and the loneliness epidemic. We also hear from Magic's own Richard Allinson as he catches up with famed lyricist Don Black about his favourite moments throughout his career, and Louise Candlish takes us behind the scenes of her writing and reveals just what inspires her.
Richard Coles and Anita Anand meet Britain's leading lyricist Don Black who has worked with most of the top songwriters and composers including John Barry and Andrew Lloyd Webber and put words in the mouths of everyone from Matt Monro to Michael Jackson. 'Lost' actor Jeff Fahey tells about his work with refugees in Syria, the woman who invented the phrase explains why a dog is for life not just for Christmas, and we hear how the world's wackiest records are checked out in South America. Plus your Thanks and Sir Cliff Richard's Inheritance Tracks.
As Andrew Lloyd Webber prepares to open his new musical about Profumo and Stephen Ward, Matthew Sweet explores 1963 - the year that 'sexual intercourse began' according to Philip Larkin's poem. Joining Matthew are Lord Hutchinson who defended Christine Keeler; journalist and campaigner Bea Campbell; actress and singer Lynda Baron; Don Black, lyricist for the musical Stephen Ward; Richard Davenport-Hines, author of An English Affair; and Geoffrey Robertson QC, leader of a campaign to clear Stephen Ward's name.
Tell Me on a Sunday lyricist Don Black and singer-songwriter Barb Jungr discuss the great musical wordsmiths and reveal their personal favourites, as well as the great lyrics that work even though they really shouldn't. Matthew Sweet presents.
Colin Paterson sits in for Mark and Simon.The current James Bond composer David Arnold and Oscar winning composer Don Black talk about a tribute concert for John Barry. Plus the usual film reviews which this week include Scream 4 and Red Riding Hood.
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