Podcasts about Sound Team

"The Wild Robot" had its world premiere at the 2024 Toronto International Film Festival, where it received enthusiastic reviews for its animation, story, heart, and music. An adaptation of Peter Brown's beloved, award-winning, No. 1 New York Times bestseller, the Dreamworks Animation film has gone on to gross over $300 million worldwide, won more Best Animated Feature prizes than any other film in 2024, including the Critics Choice Award, Annie Award, and Producers Guild Of America Award. And now, it's been nominated for three Academy Awards, including Best Animated Feature, Best Original Score, and Best Sound. Composer Kris Bowers, supervising sound designer Randy Thom, supervising sound editor Brian Chumney, re-recording mixer Gary A. Rizzo, and supervising sound editor Leff Lefferts were all kind enough to spend some time speaking with us about their work on the film's soundscape, which you can listen to below. Please be sure to check out the film, which is now available to stream on Peacock from Universal Pictures and is up for your consideration for this year's Academy Awards for Best Animated Feature, Best Original Score, and Best Sound. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

At the premier of Saturday Night at The Toronto International Film Festival, Director Jason Reitman made a special point of telling the audience that the sound team "put in a lot of work into making it feel like they didn't do any work at all". This is not the kind of film that you would think would have tricky sound obstacles, but that was not the case at all. Supervising Sound Editors Will Files, Lee Gilmore and David Butler, join production sound mixer Steven Morrow and music editor Chris Newlin to talk about the challenges they faced on this film. Don't miss part 2 of our coverage coming out next, featuring Jon Batiste about how the score was recorded on set during production?! This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. www.sound-ideas.com/Product/2400/Ju…-Sound-Effects- 
Show Notes: tonebenderspodcast.com/281-the-sound…turday-night/ Homepage: tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead

"Shōgun" has become one of the most talked-about and acclaimed shows of 2024 since it premiered on FX earlier this year. Nominated already for Gotham TV and Television Critics Association Awards, the show is an epic transportation to a time and a place in history with a grand sense of scale rarely seen in television. To create the sound of the world, 16-time Academy Award-nominated Sound Effects Mixer Greg P. Russell, Oscar-winning Dialogue Mixer Steve Pederson, and Emmy-nominated Supervising Sound Editor Bryan Armstrong had a daunting task ahead of them, but they all rose to the challenge, creating one of the best sounding shows of 2024. All of them were kind enough to sit down with us for 40 minutes, going into the details behind their work, which you can listen to below. Please be sure to check out the show, which is now available to stream on Hulu & Disney+ and is up for your consideration in all eligible Emmy categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Chalin and the talented Sound Team as they reflect on their experiences working on this season of The Delve. From tackling global issues to navigating remote work, this conversation highlights the challenges and triumphs of creating seamless audio. Get a glimpse into their process. Don't miss out on our upcoming summer projects and the exciting return for season eight!

Church musicians and sound teams aren’t always on the same page. Sometimes they rarely talk to each other! In this Sound Plus Doctrine episode, Bob, David, and Devon dive into practical ways bands and tech teams can work together to serve their churches more effectively for the glory of Christ. Have a question about this […]

We are back with another Geektown Behind The Scenes Podcast, and this week Dave is chatting with the sound team behind Apple TV+'s epic WW II drama ‘Masters Of The Air' - Supervising Sound Editor, Jack Whittaker, and Re-Recording Mixers Duncan McRae and Michael Minkler.‘Masters Of The Air' stars Austin Butler and Callum Turner, and follows the incredible true story of the 100th Bomb Group, a B-17 Flying Fortress heavy bomber unit in the US Eighth Air Force, based in England during World War II. It is the third series from the creative team behind both ‘Band Of Brothers' and ‘The Pacific'.In the epic drama, Jack's expertise as a Supervising Sound Editor ensures that every auditory detail, from the roar of engines to the subtle nuances of dialogue, contributes to the immersive storytelling experience. He collaborates with Re-Recording Mixers Michael & Duncan, whose mastery lies in blending and enhancing different audio elements, the sound team meticulously crafts a sonic landscape that transports viewers into the heart of World War II aviation.Their work goes beyond mere technicality – it becomes a narrative force. The rumble of engines becomes a heartbeat, the soaring planes echo the bravery of young pilots, and the silence between explosions creates tension that underscores the gravity of their missions. Through their artistry, the sound team adds layers of emotion, suspense, and authenticity, enriching the narrative and ensuring that the audience feels the intensity of the story on a visceral level.Jack Whittaker's previous work includes films such as Marvel's ‘Shang-Chi', Ryan Reynolds ‘Free Guy', and the Oscar-winning short ‘War Is Over!'. Duncan McRae also worked on ‘War Is Over!', along with the films ‘One Night in Miami', ‘Hamilton', and ‘John Wick: Chapter 3'. Michael Minkler's extensive CV includes ‘The Pacific', ‘Elvis' (also starring Austin Butler), Tom Hanks film ‘Greyhound', plus ‘Once Upon a Time... in Hollywood', ‘Mamma Mia!', ‘Dreamgirls', and even goes back to 'Star Wars: A New Hope'.If you've yet to catch ‘Masters Of The Air' the entire series is available now on Apple TV+ worldwide.Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

"The Creator" contained one of the most fascinating productions of 2023 as it was shot uncommonly compared to other studio-backed sci-fi blockbusters of today to keep its budget low. The work throughout post-production was equally as interesting as the Oscar-nominated Sound Editor and Sound Designers Erik Aadahl, Ethan Van Der Ryn, and Production Sound Mixer Ian Voigt were kind enough to lend us their perspective on what went into creating the sound for Gareth Edwards' film. Please be sure to check out the film, which is available to stream now on Disney+ and is up for your consideration for Best Sound & Best Visual Effects at the 96th Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Programa de Radio No.281, Podcast No. 430Transmitido el 21 de febrero de 2024 por Radio y TV. Querétaro 100.3 FMRendimos un tributo musical celebrando el 35 aniversario de lo que se considera como la primea banda de Rock que toca música de videojuegos en el mundo, la Sea Sound Team o mejor conocida como la S.S.T. BAND quienes interpretaron fabulosos arreglos crossover de Música electrónica, jazz y Rock de juegos como Golden Axe, After Burner, Monaco GP y más.

Continuing our coverage of the 2024 Academy Awards®, we have another all-star team of sound artists whose work on “Maestro” is nominated in the Best Sound category.Today's panel includes:- Richard King, Sound Designer & Supervising Sound Editor.- Tom Ozanich, Re-recording Mixer.- Dean A. Zupancic, Re-recording Mixer.- Steven Morrow, Production Sound Mixer.“Maestro” is a highly stylized yet intimate film about Leonard Bernstein: his fraught marriage, his affairs, his family, and - of course - his storied career. This gave director Bradley Cooper an amazing opportunity to conduct extensive recreations of some of the composer's famous concerts, all recorded live on set — including that unforgettable concert at Ely Cathedral:“We shot for the first day and, in Bradley's words, he was saying he wasn't really feeling it. He was just nervous about the whole thing. Because it's decades of building up to this moment, in front of the best orchestra in the world, and you're pretending to be the conductor. And the pressure that you're putting on yourself to be perfect and you're just not hitting it. And so he came in the next day and said, ‘let me do it one more time, and let's just do this one shot where the camera goes around… Our film is really just this big wide shot. Let's shoot this shot with a crane. Come all the way around, come back around, by the end of the song, be over Felicia's shoulder, and that's it.' We shot that on the last day, the last take. And that was it. I mean, that was done. As soon as that take was over, everybody knew we had it.”—Steven Morrow, Sound Mixer, “Maestro”Be sure to check out “Maestro,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®, ahead of the Academy Awards, live from the Dolby Theatre® on March 10th!For more awards season coverage, please subscribe to The Dolby Creator Talks Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

We have an all-star team of sound artists whose work on “Oppenheimer” is nominated for a 2024 Academy Award®. They are certainly no strangers to that award show, as they already have NINE Oscars between them!Today's panel includes:- Richard King - Sound Designer and Supervising Sound Editor- Gary A. Rizzo - Re-recording Mixer- Kevin O'Connell - Re-recording Mixer- Willie D. Burton - Production Sound MixerWe discussed how they approached getting inside the head of the brilliant but troubled “Father of the Atomic Bomb,” J. Robert Oppenheimer, as well as working with the brilliant, and very particular director Christopher Nolan, who loves working with IMAX cameras so much, he used some unconventional methods to record the dialogue.“The IMAX camera is very noisy. Usually [Nolan] would do the wide shots with the IMAX camera and then he'll use the 70mm for dialogue. But there's times that we have short scenes — like three, four, five lines. But what we have to do is — he will say, ‘cut, print,' and the actors will re-act that scene, just like they did it on camera. Re-doing it, wild. The same pacing. Oh yeah… We try to get everything we can for post, knowing that he wants to use all his original track on production. Now, whether he totally used it all? [But] I think he used most of it.”—Willie D. Burton, Production Sound Mixer, “Oppenheimer”Be sure to check out “Oppenheimer” ahead of the Academy Awards, live from the Dolby Theatre® on March 10th!For more awards season coverage, please subscribe to The Dolby Creator Talks Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Blog Link: https://videogamegrooves.com/2023/06/22/episode-106-kaze-no-notam-notam-of-wind-jet-lancer-mat-ombler Up, up and away, in our beautiful balloon! Luxuriate in the wind, in our beautiful balloon! We are joined by first-time guest cohost Mat Ombler from the GXM Podcast, lover of math rock (or was it numbercore?) to feature some very noticeable and discoverable albums. First, we tap into that balloon-DJ lifestyle with Kaze no NOTAM, also known as NOTAM of Wind. This aeronautic oddity is simultaneously chill and kickin, cerebral and meditative, and it's just not something we expected to exist. We spend some time appreciating Artdink as a studio and as a "Sound Team", which is the only credit offered for this one-of-a-kind soundtrack. The record can still be imported from Japan, but is it worth the trouble? Next, we climb into the cockpit of Jet Lancer, a "Luftrauser-like" which adopts a sound that's far different from the Robotech-esque looking style and jetting gameplay. Mat shows us an example of how the game's mathy sounds can either get our toes tapping or emotionally drain us with sheer brute force. St. Louis duo Fat Bard works overtime to give us the best of what math nerds demand. We cover recent releases and offer our opinions on their relative worth (links below) and in our final segment we discuss whether vinyl is actually a good medium for discovery of music, or whether it always has to follow a noticeable moment on a digital playlist. Outro: "The Black Knight" - Jet Lancer, by Fat Bard Twitter – @vg_grooves, @jeremy_lamont, @ajohnagnello, @matombler GXM Podcast: Twitter, Linktree Release Links Suikoden II (Ship To Shore PhonoCo.)    https://shiptoshoremedia.com/products/suikoden-ii-original-video-game-soundtrack Gradius Gaiden (Ship To Shore PhonoCo.) https://shiptoshoremedia.com/products/gradius-gaiden Warhammer 40,000: Mechanicus (Laced Records) https://www.lacedrecords.co/products/warhammer-40-000-mechanicus-deluxe-double-vinyl Dragon Age: Selections From The Original Soundtrack (Spacelab9)    https://spacelab9.com/products/dragon_age Citizen Sleeper (Lost In Cult Records)(Stumpy Frog Records) https://www.lostincult.co.uk/shop/p/citizenvinyl https://www.stumpyfrog.com/sfr10 Airborne Kingdom (Mana Wave Media) https://manawave.co/products/airborne-kingdom LISA: Pain & Joy (Serenity Forge) https://store.serenityforge.com/products/lisa-pain-joy-2xlp-vinyl-soundtrack Neversong (Serenity Forge)    https://store.serenityforge.com/products/neversong-1xlp-vinyl-soundtrack Detroit: Become Human Vol. 3 (Quantic Dream) https://shop.quanticdream.com/products/detroit-become-human-original-soundtrack-volume-3 Video Game LoFi: NieR Automata (Curaga Records) https://floopy.bandcamp.com/album/video-game-lofi-nier-automata Lame Genie Presents: Turtles In Time The Metal Album (Deep South Minneapolis Records) https://dsmrecords.net/product/865003 You Are Filled With Determination (Undertale ska arrangement) (Fangamer) https://www.fangamer.com/collections/undertale/products/skatune-network-undertale-vinyl Mega Remix Man (2).EXE (Firaga Records) https://roborobmusic.bandcamp.com/album/mega-remix-man-2-exe-2 Knockout City (Velan Studio) https://thekoyostore.com/collections/knockout-city/products/knockout-city-original-game-soundtrack-3xlp Soup's On (The 7th Guest & The 11th Hour arrangement album) | Two Guys Records | €50-200 (Kickstarter) https://www.kickstarter.com/projects/twoguysrecords/soups-on-music-from-the-7th-guest-and-the-11th-hour-on-vinyl Media Gallery  

 I better get this episode out pretty quick. Since I released Ep49 the other day. But who's counting anyways. This is actually the first of three episodes about Sound Team, Sound Techs, Soundboard life, being Sound Bored ;)Our verse is Psalm 100 and Romans 12:1&2 talking about a Joyful noise with gladness, thanksgiving, and praise. While presenting ourselves and how we serve as a living sacrifice "holy and acceptable". We talk about a Spicy Worship Burrito, two recently released hardcore bands "HolyName" with my friend Tommy Green from Sleeping  Giant and then the other band is "Project 86". Both have some epic new releases that you must go have a listen to. Our conversation is about serving in the church, maybe not feeling very qualified to serve there but willing to learn and find an opportunity to worship while you serve. So though we are talking about our sound teams this kind of attitude isn't exclusive to this area; you can find it in all areas of your church ministries. You might be asking yourself if there is any random nonsense about this episode and you are right, this seems to be more serious than other episodes we usually do. I hate to disappoint but I'm even disappointed in the level of banter this time. But that doesn't take away from what we do talk about. We also talk about #mostlyworship #firstservicewarmup #papercuts #beingsomewhatcapableoratleastwillingThanks for joining in on the conversation. We hope you enjoy this time together. I promise, going forward, we will make sure we turn our banter to 11 as we have done so many time before. But I'm crossing my fingers that somewhere in this Sound Boredom you might find some little bytes of smrtness. Don't forget to remember to tell a friend about us, give us a review or at least throw us some stars, this all helps others find us. Thank you for supporting us. BlessingsSupport the show

"Top Gun: Maverick" has succeeded in every possible area of this industry, from critical to the box office to awards season. The over $1 billion grosser has been nominated for 6 Academy Awards, including Best Picture, Best Film Editing, and Best Sound. Oscar-nominated film editor Eddie Hamilton was kind enough to spend some time with Ema Sasic discussing his work and experience on the film, while Will Mavity was fortunate to speak with three members of the Oscar-nominated sound team: Re-Recording Mixer Chris Burdon, Supervising Sound Editor Al Nelson, and Sound Mixer Mark Weingarten. We hope you enjoy this behind-the-scenes look at one of the biggest films of 2022. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

TALK A DI TOWN (BLACK OUT AUDIO) DJ BREAD , KIDDXENTOURAGE , GSIXX SOUND, TEAM SHELLA by DJ BREAD MUSIC PRODUCTION

Today's broadcast is  C1E71 for Theme Thursday, January 26th, 2023. Today marks the precise 10yr anniversary of the launch of Nerd Noise Radio as a social media VGM aggregator service (podcast came along four years later), and to celebrate the occasion, today's episode features music we shared on social media and YouTube prior to the launch of the show, which had until now never appeared on the show – on a program we're calling "The Wonder Years"    Tracklist:    Track# / Game / System / Track / Composer(s) / Timestamp    A1) Season 6 Earcatcher – 00:00:00      A2) Intro – 00:00:03      01) Ninja Gaiden – NES – Intro - Keiji Yamagishi, Ryuichi Nitta, and/or Ichiro Nakagawa – 00:05:29      02) Alisia Dragoon – Genesis – Stage 1-1 - Mecano Associates – 00:05:48      03) Thunder Force IV – Space Walk - Toshiharu Yamanishi, Takeshi Yoshida, and/or Naosuke Arai – 00:08:15      04) TMNT: Turtles in Time – SNES – Technodrome: Let's Kick Shell – c: Mutsuhiko Izumi  / a: Kazuhiko Uehara and/or Harumi Ueko – 00:11:09      05) Metal Slug – Neo Geo – Ridge 256 (Mission 4) - Takushi Hiyamuta – 00:12:57      06) Batman – TG16 – HES 5 - Nobuyuki Hara – 00:16:00      07) Super Street Fighter II – 3DO [/ FM Towns] – Ryu's Theme Street – c: Yoko Shimomura / a: Eurocom Sound Team – 00:18:40      08) Ristar - Genesis - Busy Flare – Tomoko Sasaki – 00:20:39      09) Bomberman 93 – TG16 – Intro – Jun Chikuma – 00:23:19      10) Rayman Origins – Multi – Jibberish Jungle: The Darktoon Chase - Christophe Héral, and/or Billy Martin – 00:24:32      11) Rockman and Forte – Super Famicom – Tengu Man – Kirikiri-chan, Naoshi Mizuta, and/or Akari Kaida – 00:27:19    12) Super Mario 3D World – Wii U / Switch – Double Cherry Pass - Mahito Yokota, Toru Minegishi, Koji Kondo, and/or Yasuaki Iwata – 00:29:00      13) Super Bonk – SNES – Blue Sky - Masaaki Nishizawa, Keiji Ueki, and/or Kennosuke Suemura – 00:31:15      14) Kirby's Dreamland 3 – SNES – Sand Canyon 1 – Jun Ishikawa – 00:33:08      15) Magical Chase - TG16 – It's Not Ice (Stage 4) - Hitoshi Sakimoto and/or Masaharu Iwata – 00:33:58      16) Bonk's Revenge – TG16 – Piranha River - Hirohiko Takayama – 00:38:44      17) Dick Tracy – Genesis – Car Chase – STI Sound Team – 00:40:48      18) ESWAT – Genesis – BGM 3 - Yō Takada, and/or Takayuki Nakamura – 00:42:40      19) Mortal Kombat – PC DOS (AdLib) - Palace Gates – c: Dan Forden / a: Allister Brimble and/or Dan Forden – 00:44:34      20) Space Harrier II – Genesis – Mind Quake – Tokuhiko Uwabo – 00:47:17      21) Snake's Revenge – NES – Forest Area - Tsutomu Ogura – 00:49:13      22) Soldier Blade – PC Engine – Operation 3 - Keita Hoshi and/or Makiko Tanifuji – 00:50:54      23) Target Earth – Genesis – Main Theme - Takayuki Suzuki – 00:53:10      24) Corvette – GameBoy Advance – Car Selection / Gallery – Shin'en Sound Team – 00:55:10      25) Gunstar Heroes – Genesis – Empire Spacecraft – Norio Hanzawa – 00:55:48      26) Skate or Die – NES – Skate Shop – Rob Hubbard and/or Kyle Granger – 00:58:12      27) Pat Riley Basketball - Genesis - Team Select – Hikoshi Hashimoto – 00:59:44      28) NCAA Basketball – SNES – Coach's Menu - H. Kingsley Thurber, Paul Webb,  and/or Mark Ganus – 01:00:59      29) Maerchen Maze – PC Engine – Unknown Track 5 – c: Satoshi Kabayashi / a: Norihiko Togashi, and/or Kaeru Taniguchi – 01:02:42      30) Super Valis IV – SNES – Castle Vanity – Junta – 01:04:44      31) Jaki Crush – Super Famicom – Title - Masanobu Tsukamoto – 01:07:58      32) Galaxy Force II – Arcade – Defeat – Katsuhiro Hayashi and/or Koichi Namiki – 01:08:59      33) Akumajou Densetsu – Famicom (VRC6) - Rising – Konami Kukeiha Club – 01:11:44      34) Soul Star – Sega CD – Track 06 – Nathan McCree – 01:13:24      35) Sonic CD (NA) - Sega CD – Palmtree Panic Zone Bad Future – Spencer Nilssen, David Young, and Pastiche – 01:16:53      36) Moryou Senki Madara 2 - SFC - The Hunter's Repose – Konami Kukeiha Club – 01:19:47      37) Clue: Murder at Boddy Mansion – PC – Track 4 – Unknown – 01:22:04      38) Last Resort – Neo Geo AES/MVS - The Sunset Sky – Toshio Shimizu, and/or  Yasuo Yamate – 01:25:50      39) Military Madness – TG16 – Ending – Jun Chikuma – 01:27:46      40) Super Street Fighter II HD Remix – PS3 - True Ending – c: Yoko Shimomura / a: Another Soundscape [OCRemix] - 01:30:08      B1) Outro – 01:31:49     B2) Outtakes – 01:47:11     Music Block Runtime: 01:26:22    Total Episode Runtime: 01:51:08     Our Intro and Outro Music is Funky Radio, from Jet Grind Radio on the Sega Dreamcast, composed by BB Rights.    Produced using Ardour 7.x / Audacity 3.x in Linux (either Ubuntu Studio, KDE Neon, Manjaro, Fedora, or SteamOS on any combination of the Gaming PC "Big Rig", the Steam Deck, or one of three Linux laptops) - and in the case of today's episode: in SteamOS on the STEAM DECK!! Recorded with a Shure SM7B XLR dynamic microphone on a RØDE PSA1+ boom arm through a Cloudlifter and a Focusrite 4i4 XLR-to-USB interface!    You can also find all of our audio episodes on Archive.org as well as the occasional additional release only available there, such as remixes of previous releases and other content.    Our YouTube Channel, for the time being is in dormancy, but will be returning with content, hopefully, in 2022. Meanwhile, all the old stuff is still there, and can be found here:     https://www.youtube.com/user/NerdNoiseRadio    Occasional blogs and sometimes expanded show notes can be found here:    nerdnoiseradio.blogspot.com.    Nerd Noise Radio is also available on The Retro Junkies Network at www.theretrojunkies.com, and is a member of the VGM Podcast Fans community at     https://www.facebook.com/groups/VGMPodcastFans/    We are also a member of Podcasters of Des Moines at https://www.facebook.com/groups/1782895868426870/    Or, if you wish to connect with us directly, we have two groups of our own:     Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom.    Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory.    Or you can reach us by e-mail at nerd.noise.radio@gmail.com    You can also follow us on Twitter at @NerdNoiseRadio. And we are also now on Spotify, TuneIn, Pandora, iHeartRadio, Stitcher, and Vurbl. Amazon and Audible coming soon! Also, be on the lookout for a Discord channel!    Link to the promised collection of "anonymous 'Exhibit A' vs 'Exhibit B'" mic comparisons between the Podmic and the SM7B (or vice versa):   https://drive.google.com/drive/folders/1vdokkXFmxnkpULRWYVp3YQyrcagr2-um?usp=share_link   Thanks for listening! Join us again February 13th for C1E72 (Channel 1, Episode 72): "Mishmash Monday – vol 13, and again February 23rd for C2E11 (Channel 2, Episode 11) for "It's Space Time!" - Tasty VGM and Talk on Nerd Noise Game Club (Ch 2) as well as Delicious VGM on "Noise from the Hearts of Nerds" (Ch 1)! And wherever you are - Fly the N!    Cheers! 

Patriots quarterbacks coach Joe Judge addresses the media on Saturday, November 26, 2022.See omnystudio.com/listener for privacy information.

Summer is usually a time in church world where we catch our breath a little due to the the nature of the church calendar. So we hope you are getting some rest and maybe even a little vacation. We have a lot of audio listeners to our podcast that listen on drives or on vacation or while they are setting lyrics for Sunday in the booth - you know who you are. Today on the podcast we're talking with Church Audio master James Attaway. James is a church sound tech, he is a YouTuber, he has extensive experience with audio and mixing, training volunteers in this area and more. We're going to be talking about how to lead your Church Sound Team, the uphill battle audio techs face, how to cast vision and direction to your sound team and more. SHOW NOTES --- Support this podcast: https://anchor.fm/makingsundayhappen/support

Go behind the inventive sound of 'Everything Everywhere All At Once' here, in Jennifer Walden's excellent group interview with supervising sound editor/re-recording mixer Brent Kiser, ADR supervisor Julie Diaz, sound designer Andrew Twite, and re-recording mixer Alex Fehrman. Take part in the sound design contest at asoundeffect.com/contest and get 1000 sound effects at asoundeffect.com/free - hosted by Asbjoern Andersen

Cardinals broadcaster Mike Claiborne joins Tom Ackerman talking about spring training coming to an end, the offense, and the surprise of Andre Pallante making the team.

Today's rerun is C1E28, originally released Scene Sunday, May 6th, 2018. Today's Episode was a free play of elements found throughout the space just outside of video game music, covers, remixes, chiptunes, karaoke, and so much more, on a program we called "Sense of the Scene - vol. 1"  Amended 02/06/22 to include an all call for tracks for our upcoming "Best of 2020 / 2021" feature. The track list below has been amended to include updated timestamps and track numbers that account for the addition of the 2022 add-on.    Note: I apologize for the poor audio quality on my voice in the 2022 earcactcher. I didn't have access to the studio and "the good mic" at the time, so I just did the best I could with my built-in laptop mic.    Tracklist - provided in various formats depending on "scene subgenre":    01) Best of 2020 / 2021 Earcatcher: 00:00:00  02) Intro - 00:01:34  03) ["Real Instruments" VGM Cover]: Stemage - Metroid Metal - The Tunnel (orig. comp: Ryoji Yoshitomi) - 00:03:57  04) [Original Chiptune]: Kulor - My First LSDJ - Gameboy - 00:08:05  05) [Non-VGM by VGM composer - Ryuichi Sakamoto]: Akiko Yano - Aisuru Hito Yo - Ai Ga Nakucha Ne (1982) - 00:10:13  06) [Original Chiptune]: Mr Sonic699 - Segadore Genesid 64 - Genesis - 00:14:39  07) [Chip Cover of Non-VGM music]: Joe Jackson - Steppin' Out - Gameboy (MicroD) - 00:16:44  08) ["Real Instruments" VGM Cover]: SST Band - Defeat - Galaxy Force 2- (orig. comp: Koichi Namiki) - 00:20:18  09) [Non-VGM by VGM Composer - Martin Iveson]: Soulstice - Colour (AtJazz Remix) - 00:24:45  10) [Original Chiptune]: Freezedream - Lullaby - 00:31:00  11) [Doujin Music]: Summer Style '96 (PC98) - FMP Music Disk Vol.4 - Ryu Umemoto - 00:33:11  12) ["System X" Chip Cover of "System Y" VGM]: Savaged Regime - Beach - Plok (Sega Genesis cover) (orig. comp: Tim and/or Geoff Follin / orig. sys: SNES) - 00:36:37  13) [Original Chiptune]: TQ_Jam - Squash (2A03 + VRC7 + N163) - 00:41:45  14) [Non-VGM that presaged VGM]: Logic System - Unit - Logic (1981) - 00:44:45  15) ["Real Instruments" VGM Cover]: Super Soul Bros. Hydrocity (orig. comp: Sonic 3 Sound Team) - 00:49:30  16) ["System X" Chip Cover of "System Y" VGM]: Thunder Force IV - Fighting Back (PC Engine) - by Michirin9801 (orig comp:  Toshiharu Yamanishi / orig sys: Genesis) - 00:53:06  17) ["Real Instruments" VGM Cover]: Symphonic Actraiser - Northwall (orig. comp: Yuzo Koshiro) - 00:55:50  18) [Non-Video Game computer program music]: Microsoft Interactive Sampler 1996 - Main Theme - Unknown - 00:58:53  19) [Chip Cover of non-VGM - Mario Paint]: Sgt Pepper's Lonely Hearts Club Band - Mario Paint - by:  YouTuber "oShockwave" (orig. comp: Lennon-McCartney) - 00:59:54  20) [Original Chiptune - Tracker Music]: Beek - Pleadians (Amiga) - 01:01:53  21) [Non-VGM inspired by VGM]: Hiatus Kaiyote - Atari - Choose Your Weapon (2015) - 01:04:02  22) [Original Chiptune]: Commandycan - Ice Boat - NES - 01:10:10  23) ["System X" Chip Cover of "System Y" VGM]: C64 cover of Chronos - Main Theme - by YouTuber "MovieMovies1" (orig. comp: Tim Follin / orig sys: ZX Spectrum PC Speaker) - 01:10:56  24) [Floppy Drive Matrix cover of VGM]: The Floppotron - At Doom's Gate - Pawel Zadrozniak (orig. comp: Bobby Prince) - 01:14:00  25) [Original Chiptune]: Goluigi - Popping Corners (SNES) - BotB Winterchip X - 01:15:33  26) ["Real Instruments" VGM Cover]: David KBD - Golden Axe - Stage 1 (orig. comp: You Takada) - 01:18:20  27) ["VGM Karaoke" (original lyrics and vocals over VGM never intended for lyrics or vocals)]: Pieness 64 - Coldman (Rockman and Fortissimo) (orig. comp: Toshihiko Horiyama, Naoshi Mizuta, and/or Akari Kaida) - 01:21:14  28) [Original Chiptune]: DYA - Homecoming (Chiptunes = Win) - PC Engine and C64 Duet - 01:23:24  29) [Non-VGM by VGM Composer - Daniel Capo]: Daniel Capo - A Stroll Through Dreamland  - 01:27:03  30) Outro - 01:29:02    Music Block Runtime: 01:25:09, Original Total Episode Runtime: 01:35:01, 2022 Amended Total Episode Runtime: 01:36:34    Link to to the eligible tracklist for our upcoming Listener-selected "Best of 2020 / 2021" Episode. Notes at the top of the file explain everything! :-)    https://docs.google.com/spreadsheets/d/1NdwSzNDnoFoho7TzDHkA1Pkfe1O5WMgqEd4Bx2sSoG4/edit?usp=sharing 

Part of this Oscar nominated team for Sound, David Wyman Sound Mixer , Warren Shaw Supervising Sound Editor & Beau Borders Re-recording Mixer talk about their work on the Tom Hanks film.

Visionary director Denis Villeneuve discusses the creative benefits of early collaboration with his sound team, the process of crafting Dune's unique soundscapes including: Arrakis desert, sandworm, ornithopter, spice (melange) and the voice of the Bene Gesserit. Featuring Supervising Sound Editor & Sound Designer Mark Mangini, Supervising Sound Editor & Sound Designer Theo Green and Re-recording Mixer Ron Bartlett. AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com

The BTS team discusses the filmmaking behind the film's immersive power, how it deftly handles mountains of exposition, and the stellar performances by all the actors. Sponsor

The incredible new adaptation of "Dune," from director Denis Villeneuve, has some astonishing sound work, fully embracing the immersive capabilities of Dolby Atmos®. Creating this soundtrack was a long and painstaking process, which began in pre-production, as Denis took a novel approach by bringing his sound team and composer on board very early in the process. This gave them extra time and creative freedom to unlock some truly next-level artistry on this film. We recently sat down with Denis and his all-star sound team of Mark Mangini, Theo Green, and Ron Bartlett, to discuss this and their approach to this very ambitious project.  "[A]t the end of the day, you're not mixing sound, you're mixing an image. It's storytelling. And everything that pulls you away from the screen is bad for me. But with the sound of Atmos, what I like is that I just have the impression that I'm diving INTO the image." — Denis Villeneuve, Director, "Dune" In the US, https://www.dunemovie.com/ ("Dune" is available to watch in a Dolby Cinema near you and on HBO Max). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

This week's Out Now with Aaron and Abe is catching its breath and talking video games. Aaron and Abe are joined by CinemaBlend's Eric Eisenberg and Dadward Spiral host Aaron Pruner to talk all about Don't Breathe 2and Free Guy. Hear what the group has to say about these two films and what value they have as a thriller and another video game-inspired blockbuster. Also enjoy some trailer discussion, games, and more. Tune in for Out Now Quickies™ (7:48), Trailer Talk for House of Gucci and Malignant (20:13), the first review for Don't Breathe 2 (34:57), a Game (1:05:57), the second review Free Guy (1:17:00), a second game (1:42:30), and Out Now Feedback (1:41:50). So now, if you've got an hour or so to kill... Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @Eeisenberg, @AaronFlux Check out all of our sites and blogs:  TheCodeIsZeek.com, Why So Blu?, We Live Entertainment, Dadward Spiral, CinemaBlend  Check out Aaron's reviews for Don't Breathe 2and Free Guy. Check out Eric's reviews for Don't Breathe 2. Check out Aaron Pruner's review for Don't Breathe 2. Read Aaron's interview with the Don't Breathe 2 Sound Team. Trailer: House of Gucci and Malignant Next Week: Reminiscence #FreeGuy #DontBreathe2 #RyanReynolds #JodieComer #StephenLang #OutNowPodcast #OutNowWithAaronAndAbe #LilRelHowery #TaikaWaititi #JoeKeery #utkarshambudkar #horror #videogames #film #movie #entertainment

This week on All N: a Nintendo podcast! ★ What have we been up to? ★ ☆ A wrestling game that Eric hasn't heard of?! ☆ Eric's plugging back away at Yoshi's Crafted World ☆ Seth's impressions of Godzilla Vs. Kong ☆ We finally got Ask Iwata (although not without hiccups)! ★ News ★ - 10:55 ★ Indie Showcase: Minit ★ - 1:12:40 ★ Top 5 Nintendo Indie Dream Games ★ - 1:45:29 ★ Review Discussion: Monster Hunter Rise ★ - 2:21:33 As always -- huge thanks to GrooveCube for the use of our theme song! Check them out over at: bit.ly/39SZ1Ne @groovecubemusic ~☆★ LINKS ★☆~ "StarTropics Dungeon Theme Cover by Matthew Taranto" on YouTube: bit.ly/32oCTWs "Monster Hunter Rise Interview with the Sound Team" on the Capcom-Unity blog: bit.ly/3srVuLR

Part of this Oscar nominated team for Sound, David Wyman Sound Mixer , Warren Shaw Supervising Sound Editor & Beau Borders Re-recording Mixer talk about their work on the Tom Hanks film.

Today’s rerun is Episode 28 originally released Scene Sunday, May 6th, 2018. Today’s Episode is a free play of elements found throughout the space just outside of video game music, covers, remixes, chiptunes, karaoke, and so much more, on a program we're calling "Sense of the Scene - vol. 1"      Tracklist - provided in various formats depending on "scene subgenre":    01: Intro - 00:00:00  02: ["Real Instruments" VGM Cover]: Stemage - Metroid Metal - The Tunnel (orig. comp: Ryoji Yoshitomi) - 00:02:23  03: [Original Chiptune]: Kulor - My First LSDJ - Gameboy - 00:06:31  04: [Non-VGM by VGM composer - Ryuichi Sakamoto]: Akiko Yano - Aisuru Hito Yo - Ai Ga Nakucha Ne (1982) - 00:08:40  05: [Original Chiptune]: Mr Sonic699 - Segadore Genesid 64 - Genesis - 00:13:05  06: [Chip Cover of Non-VGM music]: Joe Jackson - Steppin' Out - Gameboy (MicroD) - 00:15:11  07: ["Real Instruments" VGM Cover]: SST Band - Defeat - Galaxy Force 2- (orig. comp: Koichi Namiki) - 00:18:44  08: [Non-VGM by VGM Composer - Martin Iveson]: Soulstice - Colour (AtJazz Remix) - 00:23:12  09: [Original Chiptune]: Freezedream - Lullaby - 00:29:26  10: [Doujin Music]: Summer Style '96 (PC98) - FMP Music Disk Vol.4 - Ryu Umemoto - 00:31:37  11: ["System X" Chip Cover of "System Y" VGM]: Savaged Regime - Beach - Plok (Sega Genesis cover) (orig. comp: Tim and/or Geoff Follin / orig. sys: SNES) - 00:35:02  12: [Original Chiptune]: TQ_Jam - Squash (2A03 + VRC7 + N163) - 00:40:12  13: [Non-VGM that presaged VGM]: Logic System - Unit - Logic (1981) - 00:43:11  14: ["Real Instruments" VGM Cover]: Super Soul Bros. Hydrocity (orig. comp: Sonic 3 Sound Team) - 00:47:56  15: ["System X" Chip Cover of "System Y" VGM]: Thunder Force IV - Fighting Back (PC Engine) - by Michirin9801 (orig comp:  Toshiharu Yamanishi / orig sys: Genesis) - 00:51:33  16: ["Real Instruments" VGM Cover]: Symphonic Actraiser - Northwall (orig. comp: Yuzo Koshiro) - 00:54:16  17: [Non-Video Game computer program music]: Microsoft Interactive Sampler 1996 - Main Theme - Unknown - 00:57:20  18: [Chip Cover of non-VGM - Mario Paint]: Sgt Pepper's Lonely Hearts Club Band - Mario Paint - by:  YouTuber "oShockwave" (orig. comp: Lennon-McCartney) - 00:58:20  19: [Original Chiptune - Tracker Music]: Beek - Pleadians (Amiga) - 01:00:20  20: [Non-VGM inspired by VGM]: Hiatus Kaiyote - Atari - Choose Your Weapon (2015) - 01:02:28  21: [Original Chiptune]: Commandycan - Ice Boat - NES - 01:08:36  22: ["System X" Chip Cover of "System Y" VGM]: C64 cover of Chronos - Main Theme - by YouTuber "MovieMovies1" (orig. comp: Tim Follin / orig sys: ZX Spectrum PC Speaker) - 01:09:22  23: [Floppy Drive Matrix cover of VGM]: The Floppotron - At Doom's Gate - Pawel Zadrozniak (orig. comp: Bobby Prince) - 01:12:27  24: [Original Chiptune]: Goluigi - Popping Corners (SNES) - BotB Winterchip X - 01:13:59  25: ["Real Instruments" VGM Cover]: David KBD - Golden Axe - Stage 1 (orig. comp: You Takada) - 01:16:46  26: ["VGM Karaoke" (original lyrics and vocals over VGM never intended for lyrics or vocals)]: Pieness 64 - Coldman (Rockman and Fortissimo) (orig. comp: Toshihiko Horiyama, Naoshi Mizuta, and/or Akari Kaida) - 01:19:40  27: [Original Chiptune]: DYA - Homecoming (Chiptunes = Win) - PC Engine and C64 Duet - 01:21:50  28: [Non-VGM by VGM Composer - Daniel Capo]: Daniel Capo - A Stroll Through Dreamland  - 01:25:30  29: Outro - 01:27:29    Music Block Runtime: 01:25:09, Total Episode Runtime: 01:35:01    Our Intro and Outro Music is Funky Radio - Dreamcast - BB Rights    December may seem like a long ways away, but as a content creator, I can assure you it's not. Indeed, it feels like it's right around the corner. C1E60 will be a listener picks free play. So, please start getting me tracks - any tracks that move your heart, your feet, or your mind. You can get them to me by any available means, be that by e-mail at nerdnoiseradio@gmail.com, or on social media, or via the comments section on the blog. However you choose to get me tracks, just start sending them my way! And in December, we'll make an episode out of it! 

Hello World! This episode of the Let's Talk ... Audio podcast was recorded just before Austin, TX's first Corona Shutdown in Spring 2020. Alena Lecorchick is a foley artist, sound designer, and sound editor for the Sound Team of Rooster Teeth's Animation Department since 2016. Previously, she graduated from University of North Texas in Denton, north of the DFW metroplex. Alena interned and then freelanced for the Dallas Audio Post. She later freelanced for the educational game company Istation, before coming to Austin. We met because she was on a panel at an Audio Engineering Society event in Austin. Beginning this conversation, we visit a bit about Texas weather and Austin driving culture. To get into the meat of the interview, I ask her what the nuances are among the jobs of foley, sound design, editing, and mixing, in the context of film. Next she takes us through what workflow is like for a Rooster Teeth show such as Camp Camp or RWBY.  We also discussed the SXSW cancellation before moving on to the subject of job hunting. She shares some of her experience looking at sound engineer applicant resumes at Rooster Teeth. We also discuss reels, cover letters, and redesigns. Alena shares with us how she has studied genre with regards to sound design. For instance she used My Little Pony and Ed, Edd, and Eddy for reference when she was working on RWBY Chibis for Rooster Teeth. Alena adds that Invader Zim is a great study to think about building uncomfortable moods. She also shares with us some of the genius of Better Call Saul. Before leaving us, Alena gives an example of one of her favorite foley accomplishments for the final episodes of RWBY. Alena's IMDB is here: https://www.imdb.com/name/nm4552923/ (https://www.imdb.com/name/nm4552923/) and she can be found on Twitter @AlenaLecorchick And as usual, Please Like, Share, Subscribe, Review, and all the fun stuff! + you can find Tangela on IG @beatsinabottle and @letstalkaudio, as well as her website http://beatsinabottle.com/ (beatsinabottle.com)

"Nomadland" is easily the most critically acclaimed film of the year. Winning the coveted Golden Lion at the Venice Film Festival, the Audience Award at the Toronto International Film Festival, the most critics prizes for Best Picture, Director, Actress, Cinematography, Editing & Adapted Screenplay, there is barely any aspect of this film that has not been praised. One area you wouldn't necessarily expect to be just as meticulously crafted though is the sound of the film. We were lucky enough to speak with Supervising Sound Editor/Sound Designer/Additional Re-Recording Mixer, Sergio Diaz, Supervising Sound Editor/Re-Recording Mixer, Zach Seivers, and Production Sound Mixer, M. Wolf Snyder about their nuanced work on the film. Take a listen down below and enjoy this deep dive into the sound of "Nomadland," now currently streaming on Hulu. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Welcome to the last episode of the Sight and Sound Podcast for 2020. We want to go out with a bang and we have something very exciting to reveal! We're delighted to introduce the Envision Smart Glasses, which have just joined our product range. Stuart meets Pierre Kegels to find out all about these exciting AI wearables. Stuart Beveridge from Scotland has been using these glasses since the start of November. Stuart, who is totally blind has been blown away by what they can do, and we find out more when we chat with him. Finally, many of our colleagues across the Sight and Sound company want to send you their very own greetings for Christmas and new year.

Crash previews the 2020 Colts season, discussing why they will be a force in the AFC South. Also, he predicts how the rest of the NFL will play out and who will win Super Bowl LV. Have a listen!  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/crashcourse/support

Do you hear that sound? Can you feel it? The cool ocean breeze in your hair, the salt on your tongue. It's the smooth crash of the Last Wave on KVGM with your host, Hammock, bringing you thirty minutes of the best video game jams(z) from all your favorite composers and consoles, each and every week from our beachside studio on sunny Aqua City Island. Sit back, relax, and get ready to catch...the Last Wave.How about some coffee with your Last Wave? We got you covered...as well as cat food, in case your kitty gets hungry. There's a lot going on this week in terms of the jammage, from magical advice to using logic to managing train time tables, ob boy! We've even got a special guest appearance from the almighty Disney. Bow down and jam out.DOWNLOAD - THE LAST WAVE (7/26/20)PlaylistA Day With Coffee - Andrew Jeremy(Coffee Talk, Nintendo Switch)Title - Unknown(Minna de Dokusho: Keatai Shousetsu Desu, Nintendo DS)Cat Food - Osamu Yoshida(A-Train 6, Playstation 2)Advice Store - Yuji Nomi and Hiroki Kamata(Wondrous Magic, Super Famicom)Let's Logic - Kim Baeheon and Lee Yonggam(Logic Pro Adventure, Playstation)Ending - Nobuyuki Nakamura(The Space Adventure, Sega CD)Unknown 1 - Ben Cullum(Mickey's Speedway USA, Nintendo 64)Staff Roll - Funkid(Roadster, Game Boy)Special RequestStage 3: Nile - pepo Sound Team(Pharaoh Rebirth+, PC)

Transmitido el 8 de julio de 2020 por Radio Querétaro 100.3 FMPodcast No.244 Programa de Radio No.95Éste Miércoles en el programa de radio por Radio y Televisión Querétarode 16 a 17hrs. Centro de México, tendremos un programa dedicado a hablar de la agrupación original y la nueva alineación de la unidad de sonido de la firma desarrolladora de software #SNK, dados los anuncios que la marca ha hecho recientemente sobre la salida de nuevas versiones de sus videojuegos mas significativos como #MetalSlug y la selección de juegos a salir en la Neo Geo Pocket Color para la consola Switch. No se pierdan el programa cómo de costumbre, todos los miércoles en el 100.3 de FM en el estado de Querétaro o por internet en: www.rtq.mx

Transmitido el 8 de julio de 2020 por Radio Querétaro 100.3 FMPodcast No.244 Programa de Radio No.95Éste Miércoles en el programa de radio por Radio y Televisión Querétarode 16 a 17hrs. Centro de México, tendremos un programa dedicado a hablar de la agrupación original y la nueva alineación de la unidad de sonido de la firma desarrolladora de software #SNK, dados los anuncios que la marca ha hecho recientemente sobre la salida de nuevas versiones de sus videojuegos mas significativos como #MetalSlug y la selección de juegos a salir en la Neo Geo Pocket Color para la consola Switch. No se pierdan el programa cómo de costumbre, todos los miércoles en el 100.3 de FM en el estado de Querétaro o por internet en: www.rtq.mx

Jeffree and Kellen Bloomer - Sound TeamProduced/Edited by Nicholas BrownSound Mix by Sean MillsapMusic by Azar RahmouniComments or Questions? Email: thesecondstickspodcast@gmail.comInstagram: @thesecondstickspodcastTwitter: @secondstickspod

The third episode features discussions about the recording of 1917 with; Production Sound Mixers Stuart Wilson AMPS and Tim White, 1st AS's Thomas Fennell and Hugh Sherlock, Supervising Dialogue Editor Rachel Tate, and Supervising Sound Editor Oliver Tarney. The AMPS Podcast is presented by Owen Peters and Owen Shirley

The Sound Team worked through a few seconds of low sound. We tried a mic and you may hear a different sound. The current installment of Sausage and Lemons discusses issues that Sybil had with her Yoni Egg. Could the yoni egg be responsible for the blood pressure spike? We will see. Sybil walked out 153 miles in the month of November. Sybil is eating, drinking and being merry before the fast begins. You can support at $sybilsatt or PayPal.me/sybilsatt. Thank you for listening and for sharing. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/741Empire/message Support this podcast: https://anchor.fm/741Empire/support

Join us as we talk to Meason Wiley! He's on Sound Team (which is confusingly not our team) and he's working on a lot of physical pieces that make our exhibitions come alive with music and noise. The stuff he's doing is so awesome it's top secret so we bleep(beep) some stuff but it's still a wonderful conversation. 

Olá, pessoas! Neste semana, encerrando com chave de ouro a primeira temporada do Som do Cartucho, trago para você um episódio mega especial sobre a 'in house band' da SEGA, a Sega Sound Team. Neste episódio você conhece um pouquinho da história dessa banda maravilhosa, seus integrantes e entende como era feita a divulgação da VGM na década de 90. Este é o primeiro episódio do Som do Cartucho que vai abordar exclusivamente as versões de arcade de alguns dos maiores jogos da SEGA. De quebra, ainda ganha a versão em estúdio das músicas abordadas neste episódio. Está imperdível! Nos encontramos na próxima temporada. Até lá, um forte abraço! Este episódio foi publicado originalmente em 05/12/2017PLAYLIST DESTE EPISÓDIOCOMPOSITOR - JOGO - MÚSICA - CONSOLE - ANOHiroshi Kawaguchi - Space Harrier - Main Theme - Arcade - 1985 Hiroshi Kawaguchi - After Burner II - After Burner - Arcade - 1987 Katsuhiro Hayashi, Koichi Namiki - Super Hang-On - Sprinter - Arcade - 1987 Koichi Namiki, Katsuhiro Hayashi - Galaxy Force - Beyond the Galaxy - Arcade - 1988 Hiroshi Kawaguchi - Power Drift - Like the Wind (Course B) - Arcade - 1988 Takenobu Mitsuyoshi - Strike Fighter - Born Out - Arcade - 1991 Hiroshi Kawaguchi - OutRun - Passing Breeze - Arcade - 1986 S.S.T.BAND, Issei Noro - Space Harrier (Arrange Version)S.S.T.BAND, Issei Noro - After Burner (Version II)S.S.T.BAND, Issei Noro - SprinterS.S.T.BAND, Issei Noro - Beyond the GalaxyS.S.T.BAND, Issei Noro - Like the Wind (Arrange Version)S.S.T.BAND, Issei Noro - Born OutS.S.T.BAND, Issei Noro - Passing BreezeS.S.T.BAND - Last Wave (Live) - (Bônus)Você encontra o Som do Cartucho nas seguintes plataformas:Twitter, Blogger, GMail (osomdocartucho@gmail.com)Você ouve O Som do Cartucho também em:iTunes, Google Podcasts, SpotifyFeed do Som do Cartucho:https://feed.megafono.host/osomdocartucho

Whether you're a musician, worship leader, sound engineer, lighting director, or part of your production team at church, episode 61 is for you! We're back with our panel to discuss bridging the gap between sound team (production team) and worship team. The panel today is Jordan Holt (Guitarist - Kari Jobe, Cody Carnes, The Belonging Co - Blog Writer and Guitar instructor for Worship Online), Libby Lewis (Worship Leader, Songwriter, and Worship Online Project Manager), and Brenton Miles (Worship Leader & Audio Lead - The Belonging Co, Songwriter, Producer). At the end of the day, we are all on the SAME team - there should be no difference in the heart behind what we do - just the instrument we're playing. We are a ALL worship leaders, and we're all setting the tone and curating a space for people to encounter God. All this and more in Episode 61! --- Leave us a review or shoot us an e-mail if you'd like to join the conversation with Worship Online about this podcast and ways we can better help you on your journey as a worship leader & musician! Don't forget to sign up for a subscription to Worship Online just by signing up at worshiponline.com/podcast - Get a two week free trial! This episode of the Worship Online Podcast is produced by Key Eye Productions LLC in Nashville, TN.

Oh, hi there! Haven’t done one of these in a while! 😛 Next week’s halfpisode is a very special one! Can you figure out which Smash Bros. game I’m talking about? There’s only one way to find out! Note: This preview is a work in progress. The final version may have parts cut out or reworked for clarity and flow. Technical info:Executive Producer - Gary Rodriguez Album Art created by Julian TaylorRecorded with a SamsonGo Microphone and Adobe Audition CC by Arlill RodriguezEdited with Adobe Audition CC by Arlill Rodriguez “Main Menu [Sonic Mania OST]” composed by Tee Lopes "Knuckles Theme (from Sonic 3)" composed by Brad Buxer and Bobby Brooks “Norfair Remix [Super Smash Bros. Brawl OST]” remixed by Smash Bros. Sound Team 2018 http://archive.org/download/PreviewSmashBros/Preview%20-%20Smash%20Bros.mp3

Sermon from the May 6, 2018 service. Reference text includes 2 Samuel 9:1-12, 1 Corinthians 1:26-28, Psalm 107:10-16, Hebrews 12:28-29, Psalm 34:6, Ephesians 2:4-6, Psalm 78:70-72, 2 Samuel 4:4, 1 Samuel 20:42, 1 Peter 2:9, and Philippians 3:13. NOTE: Due to technical issues outside the Sound Team's control, the audio quality is extremely poor.

Today’s broadcast is Episode 28 for Scene Sunday, May 6th, 2018. Today’s Episode is a free play of elements found throughout the space just outside of video game music, covers, remixes, chiptunes, karaoke, and so much more, on a program we're calling "Sense of the Scene - vol. 1"    Tracklist - provided in various formats depending on "scene subgenre":   01: Intro - 00:00:00 02: Stemage - Metroid Metal - The Tunnel (orig. comp: Ryoji Yoshitomi) - 00:02:23 03: Kulor - My First LSDJ - 00:06:31 04: Akiko Yano - Aisuru Hito Yo - Ai Ga Nakucha Ne (1982) - 00:08:40 05: Mr Sonic699 - Segadore Genesid 64 - 00:13:05 06: Joe Jackson - Steppin' Out - Gameboy (MicroD) - 00:15:11 07: SST Band - Defeat - Galaxy Force 2- (orig. comp: Koichi Namiki) - 00:18:44 08: Soulstice - Colour (AtJazz Remix) - 00:23:12 09: Freezedream - Lullaby - 00:29:26 10: Summer Style '96 (PC98) - FMP Music Disk Vol.4 - Ryu Umemoto - 00:31:37 11: Savaged Regime - Beach - Plok (Sega Genesis cover) (orig. comp: Tim and/or Geoff Follin) - 00:35:02 12: TQ_Jam - Squash (2A03 + VRC7 + N163) - 00:40:12 13: Logic System - Unit - Logic (1981) - 00:43:11 14: Super Soul Bros. Hydrocity (orig. comp: Sonic 3 Sound Team) - 00:47:56 15: Thunder Force IV - Fighting Back (HuC6280) - by Michirin9801 (orig comp:  Toshiharu Yamanishi) - 00:51:33 16: Symphonic Actraiser - Northwall (orig. comp: Yuzo Koshiro) - 00:54:16 17: Microsoft Interactive Sampler 1996 - Main Theme - Unknown - 00:57:20 18: Sgt Pepper's Lonely Hearts Club Band - Mario Paint - by:  YouTuber "oShockwave" (orig. comp: Lennon-McCartney) - 00:58:20 19: Beek - Pleadians (Amiga) - 01:00:20 20: Hiatus Kaiyote - Atari - Choose Your Weapon (2015) - 01:02:28 21: Commandycan - Ice Boat - 2A03 - 01:08:36 22: C64 cover of Chronos - Main Theme - by YouTuber "MovieMovies1" (orig. comp: Tim Follin) - 01:09:22 23: The Floppotron - At Doom's Gate - Pawel Zadrozniak (orig. comp: Bobby Prince) - 01:12:27 24: Goluigi - Popping Corners (SNES) - BotB Winterchip X - 01:13:59 25: David KBD - Golden Axe - Stage 1 (orig. comp: You Takada) - 01:16:46 26: Pieness 64 - Coldman (Rockman and Fortissimo) (orig. comp: Toshihiko Horiyama, Naoshi Mizuta, and/or Akari Kaida) - 01:19:40 27: DYA - Homecoming (Chiptunes = Win) - 01:21:50 28: Daniel Capo - A Stroll Through Dreamland  - 01:25:30 29: Outro - 01:27:29   Music Block Runtime: 01:25:09, Total Episode Runtime: 01:35:01   Our Intro and Outro Music is Funky Radio - Dreamcast - BB Rights     If you wish to subscribe to the "Noise from the Hearts of Nerds" podcast - audio-only, there are two options:   Option 1: Subscribe right here to the "Nerd Noise Radio Network - All Channels" podcast feed. Feed will include Channels 1, 2, 3, and any future channels not yet planned. Feed will also include podcasts in high quality, stereo where applicable, and episodes will never expire off the feed. Therefore it is STRONGLY recommended that you subscribe to this Nerd Noise Radio feed and bypass all others. This one will contain all their content anyway.   Option 2: If you're ONLY interested in Channel 1  ("Noise from the Hearts of Nerds") episodes, and not in any of the other content that is or will be offered by Nerd Noise Radio, there is a Channel 1-specific feed. But it's hosted on a free account, rather than an upgraded account like the "All Channels Feed" with lower quality sound (mono, I believe), a maximum 2hrs per month of content (so if the month's episodes run longer than that, they may need to be trimmed), and episodes expire off the feed forever after 90 days. It is STRONGLY recommended for most listeners to subscribe to the All-Channels feed instead. However, if you really are only interested in Channel 1 content, here's the RSS:    http://www.buzzsprout.com/77944.rss   Our episodes will also appear on our Nerd Noise Radio YouTube Channel - just search for Nerd Noise Radio, you'll find us! Here's today's episode:   https://youtu.be/emxo82umxFY   Additionally, there are YouTube Playlists you can follow, both an "All Channels" Feed (recommended), as well as channel-specific feeds. You can find them here:   Nerd Noise Radio Network - All Channels Podcast Feed   Nerd Noise Radio - Channel 1 podcast   Nerd Noise Radio is now available on Twitch as well! Episodes 21 and forward will be uploaded as they're released, with the backlog of earlier episodes to follow. You can find us here:   https://www.twitch.tv/nerdnoiseradio   The specific episode can be found here:   https://www.twitch.tv/videos/244613327   You can also find us on The Retro Junkies Network:   www.retrojunkies.com   You can find us (and all of our episodes) as "Nerd Noise Radio" on Archive.org and can also find us and join the conversation on both our Nerd Noise Radio Network Facebook, Google+, and Twitter pages, as well as our Facebook and Google+ "Nerd Noise Radio - Easy Mode" and "Nerd Noise Radio - Expert Mode" groups.    https://archive.org/details/@nerd_noise_radio https://twitter.com/NerdNoiseRadio https://www.facebook.com/NerdNoiseRadioNetwork/ https://www.facebook.com/groups/276843385859797/ https://www.facebook.com/groups/381475162016534/ https://plus.google.com/u/0/116712079232328588606 https://plus.google.com/u/0/b/115513825710696980758/116712079232328588606?pageId=115513825710696980758   Lastly, we share our episodes as well on our blog at nerdnoiseradio.blogspot.com. This specific episode can be found here:   https://nerdnoiseradio.blogspot.com/2018/05/nerd-noise-radio-channel-1-noise-from.html   As always, your feedback and input is DEEPLY appreciated, so we cheerfully invite you to "blow up the comments section", or you can always reach us by e-mail at nerdnoiseradio@gmail.com as well as all the aforementioned social media outlets.   Thanks for listening! Join us again Sunday, May 27th for C1E29 (Channel 1, Episode 29): "VCO Metroid" - Delicious VGM on "Noise from the Hearts of Nerds"! And wherever you are - Fly the N!   Cheers!

Announcements from the May 6, 2018 service. Donna Schneider talks about Prayer Walking in Asheville. NOTE: Due to technical issues outside the Sound Team's control, the audio quality is extremely poor.

Das heutige Geschwafel dreht sich auch wieder um eine kommentierte Zusammenfassung von Around the Verse, dort lege ich meinen Fokus auf die im AtV vorgestellte Mining-Mechanik und den Charaktergenerator. Weiter geht’s mit Calling all Devs, das ich auch für euch zusammengefasst habe, bis hin zu Reverse the Verse, wo sich das Sound-Team aus England die Ehre gab. Dort gab es auch interessante Möglichkeiten, wie CIG mit Sounds unsere Spielerfahrung vertiefen möchte. Den Abschluss des heutigen Podcasts bildet ein Geschwafel über die eventuellen Änderungen der LTI bei den Konzeptverkäufen. Eine kleine Anmerkung habe ich noch: Ich bin bei dieser Aufnahme leider erkältet, ihr wisst schon, die lebensbedrohliche Männergrippe hat mich erwischt. Falls ich mich also etwas komisch anhöre, liegt das daran ;) Wie sonst auch gilt heute wieder, dass ich keinen Anspruch auf Vollständigkeit erhebe und durchaus das eine oder andere falsch interpretiert haben kann. Wenn ich aber eurer Meinung nach etwas Elementares vergessen haben sollte, schickt mir doch bitte eine E-Mail unter Knaarks(@)gmx.de

The Skywalker Sound sound team behind the documentary In Pursuit of Silence - A Documentary Film recently discussed their approach for creating a dynamic mix and creative sound design to a film about silence. Featuring sound designer & supervising sound editor Steve Bissinger, re-recording mixer & additional effects editor Zach Martin and dialogue editor Shaun Farley. Moderator: Michael Coleman of Soundworks Collection In Pursuit of Silence (www.pursuitofsilence.com) is a fascinating and meditative film and exploration of silence and the impact of noise on our lives. Filmed in eight countries, it immerses us in a cinematic journey around the globe—from a traditional tea ceremony in Kyoto, to the streets of Mumbai, the loudest city on the planet—and inspires us to both experience silence and celebrate the wonders of our world. Other highlights include filming in the anechoic chamber at Orfield Labs in Minneapolis (the “Quietest Place on Earth”), Alaska’s Denali Memorial Park and Trappist and Zen monasteries, as the filmmakers distill our experience of the world and challenge us to see it anew.

Presented by Recording Connection, Film Connection, Radio Connection and CASA Schools AUDIO JOBS - FILM JOBS - RADIO JOBS - CULINARY JOBS Connected is Five New Job Opportunities Every Week BECAUSE LOOKING FOR WORK DOESN'T HAVE TO SUCK Sound Engineer – Louisville, KY. • Kids' theme park is seeking a sound engineer for special events. Production Assistant – Dallas, TX. • AMS Pictures Original Programming Team is looking for a qualified, assertive, energetic production assistant. Video Script Writer – St. Joseph, MI. • Production company is seeking video copywriters to work in the St. Joseph, Michigan office under the direction of the Creative Director, Video Copywriters. Sound Designer – San Mateo, CA. • Gaming Entertainment company is seeking a Sound Designer to join the Sound Team to craft high quality audio content for 1st party product development projects. Radio Assistant Producer- Norfolk, VA. • Award-Winning Executive Producer seeking assistant producer that will support productions for broadcast, web and social media. Web experience preferred. Also, DJ IZ offers career advice from the School of Hard Knocks. Today's topic is "Why the real world answer isn't always what you learned in school" To apply for this week's Grind Opps watch the show for job details then apply at https://www.rrfedu.com/connected-shows/show-43/ Make sure you customize your resume to reflect your skills that apply to the job position and craft a good cover letter. For advice on resumes and cover letters visit https://www.rrfedu.com/connected/vault/ Each Monday at 11AM PST, Connected hooks you up LIVE with five job openings (what we call grind opps) in audio, film, broadcasting and the culinary arts. Join hosts DJ IZ and Cloie Wyatt Taylor as this week we connect you with the following job opportunities: Also, check out our website for five additional grind opps at https://www.rrfedu.com/connected-shows/show-43/ #IZCONNECTED #OVERPERFORM #THISISMYCLASSROOM #GETOFFYOURMOMMASCOUCH https://www.facebook.com/IZconnected https://twitter.com/IZconnected https://www.instagram.com/IZconnected/ https://www.youtube.com/channel/UCa8qmf62FK6F2dMgQcy2_7g RRFEDU RECORDING-FILM-RADIO-CULINARY PROGRAMS https://www.rrfedu.com http://www.recordingconnection.com http://www.filmconnection.com https://www.radioconnection.com https://www.casaschools.com RRFC 1201 West 5th Street, Suite M130 Los Angeles, CA 90017

Presented by Recording Connection, Film Connection, Radio Connection and CASA Schools AUDIO JOBS - FILM JOBS - RADIO JOBS - CULINARY JOBS Connected is Five New Job Opportunities Every Week BECAUSE LOOKING FOR WORK DOESN'T HAVE TO SUCK Sound Engineer – Louisville, KY. • Kids’ theme park is seeking a sound engineer for special events. Production Assistant – Dallas, TX. • AMS Pictures Original Programming Team is looking for a qualified, assertive, energetic production assistant. Video Script Writer – St. Joseph, MI. • Production company is seeking video copywriters to work in the St. Joseph, Michigan office under the direction of the Creative Director, Video Copywriters. Sound Designer – San Mateo, CA. • Gaming Entertainment company is seeking a Sound Designer to join the Sound Team to craft high quality audio content for 1st party product development projects. Radio Assistant Producer- Norfolk, VA. • Award-Winning Executive Producer seeking assistant producer that will support productions for broadcast, web and social media. Web experience preferred. Also, DJ IZ offers career advice from the School of Hard Knocks. Today's topic is "Why the real world answer isn't always what you learned in school" To apply for this week's Grind Opps watch the show for job details then apply at https://www.rrfedu.com/connected-shows/show-43/ Make sure you customize your resume to reflect your skills that apply to the job position and craft a good cover letter. For advice on resumes and cover letters visit https://www.rrfedu.com/connected/vault/ Each Monday at 11AM PST, Connected hooks you up LIVE with five job openings (what we call grind opps) in audio, film, broadcasting and the culinary arts. Join hosts DJ IZ and Cloie Wyatt Taylor as this week we connect you with the following job opportunities: Also, check out our website for five additional grind opps at https://www.rrfedu.com/connected-shows/show-43/ #IZCONNECTED #OVERPERFORM #THISISMYCLASSROOM #GETOFFYOURMOMMASCOUCH https://www.facebook.com/IZconnected https://twitter.com/IZconnected https://www.instagram.com/IZconnected/ https://www.youtube.com/channel/UCa8qmf62FK6F2dMgQcy2_7g RRFEDU RECORDING-FILM-RADIO-CULINARY PROGRAMS https://www.rrfedu.com http://www.recordingconnection.com http://www.filmconnection.com https://www.radioconnection.com https://www.casaschools.com RRFC 1201 West 5th Street, Suite M130 Los Angeles, CA 90017

In this podcast, I talked to Greg Zeller from the Sabian Sound team who explains what it takes to find the perfect cymbal.  Greg has been with Sabian for years and gives great insight on what should go into finding the perfect cymbal for you.  After listening to this interview you will have a complete […] The post 036 – Find the Perfect Cymbal with Greg Zeller (Sabian Sound Team) appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

[Show Notes Link]Direct Download Link | | Direct download link Another adventure with the podcasting project, RadioZoom gets the opportunity to hang out with Jim Ward, front man for the band Sparta, during their one night visit on their current tour. Richards on Richards was the venue for this evening, and both Rebecca and I had a really great time. We discuss a variety of topics, ranging from what life on the road is like, the making of the latest album, Jim’s prior experiences with Vancouver, a little bit of politics, and we discover a little more of what life is like in Jim’s hometown of El Paso, Texas. (Note: explicit language) It was an amazing opportunity for the interview, and the performance that night was nothing short of being absolutely stellar. We take a moment back in “the studio” to reflect on the overall experience and review what we saw on stage that night. Sparta (Official Website) MySpace.com/Sparta Rebecca’s blog – Miss604.com “Jim Ward from Sparta and RadioZoom“ The FebruarysSound Team Music featured in this episode is all by Sparta breaking the brokensyncopep.o.m.e.the most vicious crime 59:48 minutesradiozoom.net Subscribe: RSS Podcast Feed Subscribe on iTunes © Copyright Creative Commons: Attribution-NonCommercial 4.0 International (CC BY-NC 4.0), RadioZoom (John Bollwitt)

Birdmonster entered bloggers' and critics' consciousness in October of last year on the strength of a self-released EP that, with its brash Springsteen-meets-Fugazi aesthetic, opened doors to high profile supporting slots with the likes of Art Brut, Sound Team, Catfish Haven, and Division Day, not to mention the type of buzz that forces Pitchfork to wallow in its limitations as a credible source for anything. The San Francisco quartet's storied live shows and unique D.I.Y. sensibility very much paved that road, but, as they revealed last month on an eerie Dallas night, Birdmonster's true ambitions are focused on the songs and an ever-growing sonic palette. This week, Birdmonster's Peter Arcuni and David Klein sit down to discuss their just-released debut long player, No Midnight, and how the experience of communicating their live energy on that record whet the band's appetite to develop their studio sound and the burgeoning songwriting methodologies that will shape their sophomore effort.The Birdmonster Beauty Bar photo and more by Chad Wadsworth.Mp3: Birdmonster - "'Cause You Can"Mp3: IndieInterviews podcast

What’s up in Boston this week. Featuring The Self Righteous Brothers, The Animal Closet, The Cassavettes, Jake Brennan and the Confidence Men, The Zutons, Beck, A Band of Horses, The End of the World, Sound Team, Dan Costello, Jean Claude Jam Band, Someone Still Loves You Boris Yeltsin, Catfish Haven, The Shills, and The Flaming […]

On the eve of the release of their highly anticipated Capitol Records debut, "Movie Monster," Sound Team's Matt Oliver and Sam Sanford discuss, among other things, the band's rigorous approach to multimedia filtration and typographic design, their give-and-take collaboration with famed indie producer, Mike McCarthy, and their multi-pronged songwriting aesthetic. Full Downloads from Movie MonsterSound Team - Movie MonsterSound Team - Your Eyes Are Liars Stream the Born to Please video clip.(Broadband) (Dial-up) Previous Sound Team IndieInterviews Bill Baird from early August 2005"My friend's band is" by Sam Sanford"The new record I'm into is" by Sam Sanford "My favorite city to play in is" by Sam Sanford "Explains 'Your Eyes Are Liars" by Sam Sanford"If I could ask" by Sam Sanford

Here it is folks. We'd like to thank Bill Baird and the band for working with us. Again there will be more posted throughout the week.