Podcast appearances and mentions of Danielle Evans

Notes and Links to Annell Lopez's Work          Annell López is the winner of the Louise Meriwether First Book Prize and the author of the short story collection I'LL GIVE YOU A REASON from the Feminist Press. A Peter Taylor Fellow at the Kenyon Review Writers Workshops, her work has also received support from Tin House and has appeared in Guernica, American Short Fiction, Michigan Quarterly Review, Brooklyn Rail, The Common, Refinery29 and elsewhere. López received her MFA from the University of New Orleans. She is working on a novel. Buy I'll Give You a Reason   Annell Lopez's Instagram   For The Rumpus: “There's Always a Little Light, a Glimmer of Hope: A Conversation with Annell López” At about 2:05, Annell talks about her early relationship with bilingualism,  At about 4:50, Annell shouts ut the “great place” that is Newark, NJ, and recounts early memories after her immigration  At about 6:25, Annell talks about how learning English helped her develop her already burgeoning writing ability  At about 8:25, Annell highlights Garcia Marquez's work in Spanish  At about 9:35, Annell lists books and writers that were formative and transformative for her At about 13:25, Deesha Philyaw, Carlos Maurice Ruffin, Danielle Evans, and Chris Stuck, are referenced as inspiring contemporary writers At about 14:40, Annell talks about seeds for her short story collection and its makeup At about 16:10, the two discuss the collection's first story and the title character's anxiety around possible deportation   At about 19:05, Annell reflects on the dynamics of older sibling and young sibling and mother-daughter relationships, as evidenced in the “Dark Vader” At about 20:30, Annell responds to Pete's questions about colorism as shown in some of her stories  At about 22:35, from “Dark Vader,” a “problematic” Mateo is discussed, along with power dynamics, and Vanessa's reluctance to pass her GED  At about 27:00, Annell talks about a character's unnamed bipolar condition, and his son's motivations in being angry towards his father  At about 30:30, Pete asks about online news madness as referenced in the story collection   At about 32:35, Pete links two stories and the two talk about gentrification and its treatment in the collection, and Pete is complimentary of Annell's plot structure and what is “left unsaid” At about 34:35, “Love gone stale” as a theme of the book is lauded and discussed At about 37:00, Grief and depression and the bird and beautiful “Bear Hunting Season” are discussed At about 41:30, Annell talks about how her teaching did and did not inform the treatment of teachers in her collection  At about 44:30, Trauma in its many forms in the collection is discussed  At about 45:45, The two explore the title story and its focus on emotional response At about 47:50, Pete highlights a story that focuses on objectification and racism and Annell's apt second-person usage and diction; she focuses on the story's universality and realism  At about 50:05, “The Other Carmen” is explored, including ideas of body shaming, body positivity  At about 52:40, Annell explains some “Easter eggs” and “crossover characters” and Pete is complimentary of story endings At about 53:40, Pete asks Annell about the importance of staged photoshoots in a story in the collection At about 55:55, Annell talks about the importance of titles after Pete cites her prowess with same At about 57:45, Pete fanboys about the collection's last story At about 59:30, Annell responds to Pete's question about significance of the collection  At about 1:00:45, Annell gives social media and other contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His latest conversation, with Episode 265 guest Carvell Wallace, is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 275 with Deborah Jackson-Taffa, whose 2024 memoir Whiskey Tender was a finalist for the 2024 National Book Award for Nonfiction; earned a MFA in nonfiction writing from the Univ of IA; director of the MFA creative writing program at the Institute of American Indian Arts in Santa Fe, NM     The episode airs on March 11.

Notes and Links to Shannon Sanders' Work      For Episode 245, Pete welcomes Shannon Sanders, and the two discuss, among other topics, her childhood love of books, Toni Morrison and her powerful and pivotal work, Shannon's writing for her job as a lawyer, rocking sneakers at a prize-winning, and salient themes and issues in her collection like generational differences, sacrifice, family bonds, motherhood, the title's connection to guests and hosts(esses), and racism and sexism and the ways in which they work on the characters' pasts and presents.      Shannon Sanders is the author of the linked short story collection Company, which won the 2024 Los Angeles Times Book Prize's Art Seidenbaum Award for First Fiction, was named a Publishers Weekly and Debutiful Best Book of 2023, and was shortlisted for the 2024 William Saroyan International Prize for Writing. Her short fiction has appeared in One Story, Sewanee Review, Virginia Quarterly Review, Electric Literature, and elsewhere, and received a PEN/Robert J. Dau Short Story Prize for Emerging Writers. She lives in Silver Spring with her husband and three sons.   Buy Company   Review of Company in Washington Post   Shannon Sanders' Website   At about 1:35, Pete shouts out Shannon's stellar Twitter presence  At about 3:00, Shannon charts her childhood reading journey, and how she became an active writer from high school on At about 5:40, Shannon talks about chill-inducing writing and writers, including Toni Morrison, Octavia Butler, Stephen King, and VC Andrews, with modern writers like Lisa Taddeo, Deesha Philyaw, Danielle Evans,  At about 9:15, Shannon responds to Pete's questions about representation in what she has read, and she shouts out Toni Morrison (including Jazz) and Octavia Butler, to whom she was introduced in Vicki Adamson's high school class At about 11:55, Shannon talks about the writing in her lawyerly life and how it informs her fiction At about 13:50, Shannon details the wonderful experience of winning her prize at the LA Times Book Festival and her unique footwear At about 16:10, Shannon talks about Company's genre and the links between stories At about 17:30, Shannon outlines the background and rationale for using a family tree at the beginning of the book At about 19:15, Pete highlights a Sebastian Maniscalco skit that has to do with the shift in the last few decades in having “company” at home, and Shannon explains her collection's stories' connections to the idea of hosts(esses) and guests At about 21:00, Pete gives background on “The Good, Good Men,” the collection's first story, and alludes to Antonya Nelson's “In the Land of Men” At about 23:30, Birds of paradise as a story and the birds themselves are discussed as Pete asks about debts and generational expectations for all women and for Black women At about 27:35, Shannon talks about a story where you uses second person, its inspirations in Jamaica Kincaid's legendary “Girl” and others, and birth order and generational differences At about 30:50, The two discuss the theme of sacrifice through a flashback story At about 34:35, Pete highlights a story based on flashback and incredible selflessness and the ways in which the collection felt “finished” At about 38:00, Ideas of “old money” and treasured memories and empathy are discussed  At about 39:15, Shannon talks about the story “Rioja” and traces the family's machinations and subtleties At about 41:35, “La Belle Hottentot” is discussed, including the sordid and tragic history, and how it is one of two stories that are different perspectives from the  At about 44:00, Opal, the family matriarch is analyzed through a pivotal story in the collection At about 47:45, Shannon responds to Pete's questions about maintaining continuity in her story collection At about 50:50, Shannon answers Pete's questions about how much she herself shows up in the collection's characters  At about 53:00, Pete quotes Ruth Madievsky about the ways in which different writers write and edit, and Shannon discusses her own style(s) At about 54:55, The two explore ghosts and their significance in the collection At about 56:00, Shannon gives interesting background on the character Lucy and her childhood friend and the storyline At about 57:30, a “literal” ghost story is probed At about 1:01:15, Shannon talks about exciting new projects and whether characters from Company will be expanded upon At about 1:02:50, Shannon gives contact info and info for buying her book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 246 with Ruben Reyes, Jr. He is the son of two Salvadoran immigrants, completed his MFA in fiction at the Iowa Writers' Workshop; and is a graduate of Harvard College. His writing has appeared in Audible Originals, The Boston Globe, The Washington Post, The Acentos Review, Strange Horizons, Poynter, and other publications. His debut story collection, There is a Rio Grande in Heaven, is out as of today, August 6, along with our wonderful conversation. Happy Pub Day, Ruben! Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Gregory and guest co-hosts, Julie Ziemann from the Star of Saugatuck and Jim Babcock from Isabel's and Coast 236, talk about the goings on in the Saugatuck/Douglas area.  Today's guests include: Danielle Evans from Resilience: Advocates for Ending Violence; Mary Campell talks about senior services in Allegan County; and Scott Sullivan from The Commercial Record.  Happy Sunday Funday.  7-14-24.See omnystudio.com/listener for privacy information.

Guest: Danielle Evans, Gateway Appraisal Services In this episode, we dive into the crucial steps to take when faced with a low appraisal. Joined by expert Danielle Evans from Gateway Appraisal Services, we discuss how to navigate this challenging situation effectively. Key Topics Covered: Understanding the type of appraisal report you have. Reviewing the appraisal in detail and considering hiring an expert to interpret the report. Identifying and addressing missing or incorrect information (common mistakes to look out for). Gathering good comparables using the same parameters as the appraiser. Requesting a reconsideration of value or a different type of appraisal. Discussing the appraisal with your lender and exploring options. Considering switching lenders if necessary. Filing a complaint with a higher authority, such as the state appraisal board or a consumer protection agency, for serious concerns. Tune in to learn how to handle low appraisals with confidence and make informed decisions in your property transactions.

2020 NEA Literature Fellow Danielle Evans is author of two collections of stories  Before You Suffocate Your Own Fool Self and The Office of Historical Corrections, published ten years apart and to great acclaim. Today, we're revisiting my 2021 interview with Danielle. In this podcast, we explore her intricate narratives that weave through the themes of history, race, and grief. Danielle shares her approach to writing, the importance of allowing stories to develop organically, and her commitment to fostering depth and cohesion in her collections. She discusses the recurring motifs in her work, including the impact of history and memory on identity, the complexities of grief, and the nuances of racial and societal dynamics. We discuss *The Office of Historical Corrections *and the titular novella which introduces an imaginative agency dedicated to correcting historical inaccuracies. Evans explains the genesis of this idea and its reflection on our contemporary struggles with truth and reconciliation. She reflects on the shifts in the publishing industry regarding diversity and representation, acknowledging progress while also pointing to the ongoing challenges in creating equitable spaces for diverse voices. And finally, Danielle shares how the NEA Literature Fellowship has supported her creative process, allowing her to research and develop her forthcoming work.

2020 NEA Literature Fellow Danielle Evans is author of two collections of stories  Before You Suffocate Your Own Fool Self and The Office of Historical Corrections, published ten years apart and to great acclaim. Today, we're revisiting my 2021 interview with Danielle. In this podcast, we explore her intricate narratives that weave through the themes of history, race, and grief. Danielle shares her approach to writing, the importance of allowing stories to develop organically, and her commitment to fostering depth and cohesion in her collections. She discusses the recurring motifs in her work, including the impact of history and memory on identity, the complexities of grief, and the nuances of racial and societal dynamics. We discuss *The Office of Historical Corrections *and the titular novella which introduces an imaginative agency dedicated to correcting historical inaccuracies. Evans explains the genesis of this idea and its reflection on our contemporary struggles with truth and reconciliation. She reflects on the shifts in the publishing industry regarding diversity and representation, acknowledging progress while also pointing to the ongoing challenges in creating equitable spaces for diverse voices. And finally, Danielle shares how the NEA Literature Fellowship has supported her creative process, allowing her to research and develop her forthcoming work.

The Guests: Aaron Draplin - http://draplin.com/ Meg Hunt - http://meghunt.com/ Dan Cassaro - http://www.youngjerks.com/ Little Friends of Printmaking - http://thelittlefriendsofprintmaking.com/ Chris Piascik - http://chrispiascik.com/ Stefan Sagmeister - http://sagmeisterwalsh.com/ Mary Kate McDevitt - http://marykatemcdevitt.com/ Nathaniel Russell - http://nathanielrussell.com/ Kate Bingaman Burt - http://www.katebingamanburt.com/ Chuck Anderson / No Pattern - http://www.nopattern.com/ Nate Utesch - http://nthnl.com/ Danielle Evans - https://marmaladebleue.com/ Darren Booth - http://darrenbooth.com/ Debbie Millman - http://www.debbiemillman.com/ Christopher David Ryan - https://hellocdr.com/ Sarah Walsh - sarahwalshmakesthings.com Tad Carpenter - http://carpentercollective.com/ Teagan White - http://www.teaganwhite.com/

Thanks to Yoni Wolf and the band WHY? for our theme music. Thanks to my man Nate Utesch and his band Metavari for all the other tunes! soundcloud.com/metavari

It's not exactly Millennials' fault that many of us are stuck in extended adolescence. We're bearing a wound around adulthood that didn't start with our generation. We're working under fluorescent lighting instead of under the sun, hustling in the city instead of in the small tribes we evolved from, and striving for the “empowerment” the Spice Girls promised. Endocrine disruptors surround us. We work with screens instead of with our hands. The conveniences of living non-biologically are certainly comfortable, but they come with consequences: we've become soft, immature, our vitality compromised. Many women in our thirties are rethinking the cultural programming that discouraged us from having our babies at an age that would afford us the energy and resilience to more easily bear the challenges of motherhood, while garnering the support from our own parents. There are plenty of benefits to building up wisdom, life experience, and financial resources before you have kids, but there's grief, too. What happens we exclusively put our self-worth into our careers or accomplishments instead of embodying the portal of life and death that is our birthright as women? Today's guest, body worker and poly-vagal nerve practitioner Danielle Evans, helps people heal their nervous system. Danielle share about her process deprogramming from liberal feminist rhetoric and discusses how the surface of our skin connects to the deepest layers of our nervous system. Danielle reminds us that the body remembers everything from pre-birth to our present moment, and explains how we can self-source safety in our body and quiet the anxious mind. Follow Danielle Evans on Instagram →⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Support the Whose Body Is It Podcast⁠⁠⁠⁠⁠ →⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Shop Activist Stickers⁠⁠⁠⁠⁠ →⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Whose Body Is It Website⁠⁠⁠⁠⁠ →⁠⁠⁠⁠⁠⁠⁠ Music //⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Time by ASHUTOSH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music promoted by Free Stock Music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Commons Attribution 3.0 Unported License⁠⁠⁠⁠⁠⁠⁠

On this Episide Danielle Evans joins Leo Cannyn in discussing how appraisers see market comps compared to how real estate agents might look at market statistics to help determine the direction of the market. Real estate pros like Katrina Madewell will look at market statistics such as: what percentage of the list price are home sellers getting in the current real estate market How fast are homes selling How many homes are on the market for buyer to choose from While appraisers, Like Danielle Evans, will look at features and benefits that a prospective buyer may place on certain things like: A pool Fences Specific Floor plans Listen in as they discuss this topic, while Katrina is out this week attending her sons wedding.

Show air date 7/29/2022. We discuss how the housing market is changing in Tampa Bay and trends we are seeing in the housing market. Adam Talley from Talley Insurance discusses Florida Insurance Companies being downgraded, and what that means for Florida Homeowners and getting or keeping insurance on your property. Danielle Evans with Gateway Appraisals discusses what we are seeing regarding changes in Appraisals in todays market. Tom Brubaker TamBay has an update on the commercial and business sales in the Tampa Market.

Air Date 7/29 - Danielle evans and Tom Brubaker are in the house to discuss appraisals, business sales, commercial transactions and more

Today, two takes on stories we tell to make ourselves feel better and the consequences of believing them. First, author Danielle Evans' short story collection, The Office of Historical Corrections. The title story is about a fictional agency that fact checks in real time but, as she told former NPR host Noel King, it's less powerful than you might think. Then, the story of a Black woman's decision to pass as white and the decades-long fallout of that choice, in The Vanishing Half. Author Brit Bennett told NPR's Mary Louise Kelly that the point of the story isn't to moralize.

Writer and educator Amye Archer joins co-hosts V.V. Ganeshananthan and Whitney Terrell to discuss her 2019 anthology, If I Don't Make It, I Love You: Survivors in the Aftermath of School Shootings, co-edited with Loren Kleinman. Archer explains how hearing the heartbreaking details of loss can prevent us from glossing over the staggering trauma of these events. Archer also reads from the anthology's section on the 2012 Sandy Hook Elementary School shootings, and questions why, as a nation, we haven't changed the Second Amendment in response to modern weapons.  To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/. This podcast is produced by Anne Kniggendorf. Selected Readings: Amye Archer  If I Don't Make It, I Love You: Survivors in the Aftermath of School Shootings (pre-order paperback) “Holding the Pain,” Longreads, July 2019 Others: Gun Violence Archive “What to Know About the School Shooting in Uvalde, Texas,” | The New York Times | May 30, 2022 “Medical Worker Rushed to Escape 'Labyrinth' of Offices in Tulsa,” by Alex Traub | The New York Times | June 2, 2022 “Gunman Kills 10 at Buffalo Supermarket in Racist Attack,” | The New York Times | May 17, 2022  “California Church Shooting Was 'Hate Incident,' Sheriff Says,” by Livia Albeck-Ripka, Shawn Hubler and Eduardo Medina | The New York Times | May 16, 2022 Full Transcript: Biden's Speech on Gun Control - The New York Times  “From Sandy Hook to Uvalde, the Violent Images Never Seen,” by Elizabeth Williamson | The New York Times | May 30, 2022 “For Uvalde, Caskets Adorned in Childhood Dreams,” by Emily Rhyne and Mark Abramson | The New York Times | June 2, 2022 “The Fourth State of Matter,” by Jo Ann Beard | The New Yorker, June 17, 1996 Elephant (2003) dir. Gus Van Sant “Gun Violence, #NeverAgain and the Power of Teenage Protest,” Jim Shepard and Danielle Evans, Fiction/Non/Fiction Season 1, Episode 12 New York Times Sunday Review tweet of gun violence graphic Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we talk to our first mystery series author: Jess Montgomery. The first book in her 4-book Kinship mystery series is The Widows which introduces us to Lilly Ross, a wife and mother in 1920s rural Ohio whose husband Daniel, the county sheriff, is killed in the line of duty.  The town council asks Lilly to take over the sheriff's position for the rest of the term and the first crime she wants to investigate is the murder of her husband.  Lilly Ross is inspired by a real Ohio woman named Maud Colins who also became one of the first female sheriffs in the United States after her husband, also the sheriff, was murdered.     Jess' most recent novel, The Echoes, was published this past March and follows Lilly and the townspeople of Kinship, OH as they reckon with ghosts of World War 1 some 10 years later.  Many of the men served. While some, like Lilly's brother, died in The Great War, many others came back with emotional scars that affect their personal choices and the town at large.  You can find Jess Montgomery on instagram at @jessmontgomeryauthor or on her author website, www.jessmontgomeryauthor.com . Follow us on Facebook at The Perks of Being a Book Lover Instagram at @perksofbeingabookoverpod. For show notes for any episode, go to our website at www.perksofbeingabooklover.com.   Books Mentioned in this Episode: 1- The Widows by Jess Montgomery (Kinship series) 2- The Echoes by Jess Montgomery (Kinship series) 3- Shit Cassandra Saw by Gwen Kirby  4- Deer Season by Erin Flanagan 5- How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith 6- The Office of Historical Corrections by Danielle Evans              

This week we talk to our first mystery series author: Jess Montgomery. The first book in her 4-book Kinship mystery series is The Widows which introduces us to Lilly Ross, a wife and mother in 1920s rural Ohio whose husband Daniel, the county sheriff, is killed in the line of duty.  The town council asks Lilly to take over the sheriff's position for the rest of the term and the first crime she wants to investigate is the murder of her husband.  Lilly Ross is inspired by a real Ohio woman named Maud Colins who also became one of the first female sheriffs in the United States after her husband, also the sherrif, was murdered.     Jess' most recent novel, The Echoes, was published this past March and follows Lilly and the townspeople of Kinship, OH as they reckon with ghosts of World War 1 some 10 years later.  Many of the men served. While some, like Lilly's brother, died in The Great War, many others came back with emotional scars that affect their personal choices and the town at large.  You can find Jess Montgomery on instagram at @jessmontgomeryauthor or on her author website, www.jessmontgomeryauthor.com . Follow us on Facebook at The Perks of Being a Book Lover Instagram at @perksofbeingabookoverpod. For show notes for any episode, go to our website at www.perksofbeingabooklover.com. Books Mentioned in this Episode: 1- The Widows by Jess Montgomery (Kinship series) 2- The Echoes by Jess Montgomery (Kinship series) 3- Shit Cassandra Saw by Gwen Kirby  4- Deer Season by Erin Flanagan 5- How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith 6- The Office of Historical Corrections by Danielle Evans

We all have a past and we all are afraid of something from it. In this episode we discuss ways we can approach our past traumas and overcome the hindrances they bring to us in the present, to prepare for a better future. Danielle discusses ways in which she overcame the most traumatic events in her life including but not limited to, sexual abuse, bullying, self-harm, and an eating disorder that shifted her life.

Katrina Madewell of THT, Leo of Beryl Engineering and Inspection, Adam Talley of Talley Insurance, Danielle Evans of Gateway Appraisal are here to give us advices and three different ways on how we will build our house and how it will last longer. 

Katrina Madewell of THT, Leo of Beryl Engineering and Inspection, Adam Talley of Talley Insurance, Danielle Evans of Gateway Appraisal are here to give us advices and three different ways on how we will build our house and how it will last longer.  Know the price point of building your own house!

Our guest this week is Danielle Evans (The Office of Historical Corrections), who chose the 1929 Harlem Renaissance novel Plum Bun, in part because she's lately found herself interested in narratives about passing. We talk about how Jessie Redmon Fauset's novel compares to other passing novels, how Danielle's students respond to the book, and the complicated politics of writing about race and gender in the late '20s. 

The third summer of conversations recorded at the Sewanee Writers' Conference (2021) opens with the brilliance of Katie Kitamura (Intimacies, A Separation), who talks to James about pushing back on expectations, writing things you don't think you can, having your best reader in your own house, and the ghosts of edits past. Plus, the also brilliant author (The Office of Historical Corrections) and The Sewanee Review Editor-at-Large Danielle Evans.      Sewanee Writers' Conference 2022 Applications due March 15!  Subscribe to The Sewanee Review.  Buy Katie and Danielle's books from independent booksellers.  Music courtesy of Bea Troxel.  Produced/ Mixed by Ryan Shea.  Insta: tkwithjs / Tw: @JamesScottTK / https://tkpod.com

D & B sit down with Danielle Evans of Dollarswithdani to hear her advice for those looking to get ahead financially. She shares how anyone can start to feel stable and successful by personalizing their budget to match their financial goals, building a rainy-day fund, and recognizing their power when accepting your next job offer! It's a great episode for all who are feeling anxious and strained to help establish a strong foundation at the beginning of the year. --- Send in a voice message: https://anchor.fm/willwork4podcast/message

D & B sit down with Danielle Evans of Dollarswithdani to hear her advice for those looking to get ahead financially. She shares how anyone can start to feel stable and successful by personalizing their budget to match their financial goals, building a rainy-day fund, and recognizing their power when accepting your next job offer! It's a great episode for all who are feeling anxious and strained to help establish a strong foundation at the beginning of the year. --- Send in a voice message: https://anchor.fm/willwork4podcast/message

Catherine and I share our most anticipated books coming out January – March 2022 (and one early April release). Also, stay tuned for my Most Anticipated Books of Winter 2022 blog post, coming out soon. On there, I'll share some of the books I talked about in this episode, but also some I didn't. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). Announcement Join our Patreon Community ($5/mo) to get our bonus podcast episode series called Book Preview Extras! In these episodes, Catherine and I share at least 4 bonus books we are excited about that we did not share in the regular preview episode. Get more details about all the goodies available to our patrons and sign up here! Highlights Sarah's first 5-star book since July 2021! Catherine and Sarah each pick their #1 winter release. Sarah brings back a sun sub-genre coined from her early blog days. Winter 2022 Book Preview [4:01] January Sarah's Picks: Beautiful Little Fools by Jillian Cantor (February 1*) | Buy from Amazon | Bookshop.org [4:12] Fiona and Jane by Jean Chen Ho (January 4) | Buy from Amazon | Bookshop.org [13:41] I Came All This Way to Meet You by Jami Attenberg (January 11) | Buy from Amazon | Bookshop.org [19:26]  Catherine's Picks: Honor by Thrity Umrigar (January 4) | Buy from Amazon | Bookshop.org [8:35] No Land to Light On by Yara Zgheib (January 4) | Buy from Amazon | Bookshop.org [16:36]  To Paradise by Hanya Yanagihara (January 11) | Buy from Amazon | Bookshop.org [24:18]  The Department of Rare Books and Special Collections by Eva Jurczyk (January 25) | Buy from Amazon | Bookshop.org [31:47] Notes on an Execution by Danya Kukafka (January 25) | Buy from Amazon | Bookshop.org [37:13] February Sarah's Picks: What the Fireflies Knew by Kai Harris (February 1) | Buy from Amazon | Bookshop.org [28:13] Our American Friend by Anna Pitoniak (February 15) | Buy from Amazon | Bookshop.org [33:52] Fake by Erica Katz (February 22) | Buy from Amazon | Bookshop.org [38:53]  Catherine's Pick: Love and Saffron by Kim Fay (February 8) | Buy from Amazon | Bookshop.org [41:23] March Sarah's Pick: Don't Know Tough by Eli Cranor (March 8) | Buy from Amazon | Bookshop.org [44:08] Catherine's Picks: One Italian Summer by Rebecca Serle (March 1) | Buy from Amazon [46:46] Dilettante by Dana Brown (March 22) | Buy from Amazon | Bookshop.org [51:50] April Sarah's Pick: Memphis by Tara M. Stringfellow (April 5) | Buy from Amazon | Bookshop.org [49:04] Other Books Mentioned The Great Gatsby by F. Scott Fitzgerald [4:39]  The Chosen and the Beautiful by Nghi Vo [6:25]  The Charm Offensive by Alison Cochrun [11:54] The Sympathizer by Viet Thanh Nguyen [14:33] The Ensemble by Aja Gabel [14:37] The Girls from Corona del Mar by Rufi Thorpe [15:54]  All This Could Be Yours by Jami Attenberg [20:06]  Saint Mazie by Jami Attenberg [20:13]  All Grown Up by Jami Attenberg [20:16]  The Middlesteins by Jami Attenberg [20:18]  Bird by Bird by Anne Lamott [23:50]  What I Talk About When I Talk About Running by Haruki Murakami [23:55]  On Writing by Stephen King [23:58]  Cloud Cuckoo Land by Anthony Doerr [25:12]  Cloud Atlas by David Mitchell [25:16]  Washington Square by Henry James [26:50]  A Little Life by Hanya Yanagihara [27:30]  The Secret Lives of Church Ladies by Deesha Philyaw [29:20]  The Office of Historical Corrections by Danielle Evans [29:26] The Girl with the Louding Voice by Abi Daré [29:34] The Star Side of Bird Hill by Naomi Jackson [30:53] Necessary People by Anna Pitoniak [34:17] The Futures by Anna Pitoniak [34:24] The Secrets We Kept by Lara Prescott [35:55] American Wife by Curtis Sittenfeld [35:59] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid [36:09] Girl in Snow by Danya Kukafka [37:57] The Boys' Club by Erica Katz [39:13] The Art Forger by B. A. Shapiro [41:10] The Map of Lost Memories by Kim Fay [41:30] Beautiful World, Where Are You by Sally Rooney [42:47] Your House Will Pay by Steph Cha [45:05] Razorblade Tears by S. A. Cosby [45:14] The Bright Lands by John Fram [45:58] In Five Years by Rebecca Serle [47:01] Saving Ruby King by Catherine Adel West [51:37] Other Links Sarah's Bookshelves | Biogossip Books *Book's release date changed since the time of recording. About Catherine Gilmore Blog | Facebook | Twitter | Instagram Catherine started The Gilmore Guide to Books over 6 years ago after wrapping up a career as a corporate librarian. She loves books and reading (surprise!) and currently lives in Ann Arbor, MI.

Special Guest Host: Jamee Steele Recommendations Jamee: Crying in H Mart by Michelle Zauner Jamie: State of Terror by Louise Penny & Hillary Clinton Jamee: The Art of Showing Up by Rachel Wilkerson Miller Weekly Tea Breakfast by August Uncommon Tea Keeping Us Sane Jamee: writing for fun every day Jamie: getting house organized Currently Reading Jamee: Tell Me Who You Are by Priya Vulchi and Winona Guo Jamie: Murder at the Breakers by Alyssa Maxwell, Morning Star by Pierce Brown, The Office of Historical Corrections by Danielle Evans, The Paris Bookseller by Kerri Maher Also Mentioned When Breath Becomes Air by Paul Kalanithi Save Me the Plums by Ruth Reichl The President is Missing by James Patterson & Bill Clinton The President's Daughter by James Patterson & Bill Clinton

Today, two takes on stories we tell to make ourselves feel better and the consequences of believing them. First, author Danielle Evans' short story collection, The Office of Historical Corrections. The title story is about a fictional agency that fact checks in real time but, as she told former NPR host Noel King, it's less powerful than you might think. Then, the story of a Black woman's decision to pass as white and the decades-long fallout of that choice, in The Vanishing Half. Author Brit Bennett told NPR's Mary Louise Kelly that the point of the story isn't to moralize.

In this episode, Gabi and Megan discuss the books they're thankful for and why. They also chat about Thanksgiving traditions and their favorite dishes!I'm thankful for books I can get lost in:Megan's Picks: Legendborn by Tracy Deonn, Happily Ever Afters by Elise BryantGabi's Picks: Truly Devious by Maureen Johnson, A Good Girl's Guide to Murder by Holly JacksonI'm thankful for books that made me fall in love with reading:Megan's Picks: Inkheart by Cornelia Funke, The Tale of Despereaux by Kate DiCamilloGabi's Picks: Ramona Quimby, Age 8 by Beverly Cleary, Nancy Drew Series by Carolyn KeeneI'm thankful for books that teach me/pull me into someone else's experience:Megan's Picks: Velvet Was the Night by Silvia Moreno-Garcia, Infinite Country by Patricia EngelGabi's Picks: Infinite Country by Patricia Engel, Detransition, Baby by Torrey PetersI'm thankful for short stories/short novels:Megan's Picks: The Office of Historical Corrections by Danielle Evans, Matrix by Lauren GroffGabi's Picks: Orange World by Karen Russell, Fraternity by Benjamin NugentI'm thankful for books with a strong setting:Megan's Picks: The Blue Castle by L.M. Montgomery, The Jane Austen Society by Natalie JennerGabi's Picks: I Who Have Never Known Men by Jacqueline Harpman, Cooking for Picasso by Camille Aubray

Mahyar Amouzegar, a New Orleans-based author and academic, joins us this week to talk about reading, writing and Zombie movies. Mahyar shares the story of immigrating to the United States shortly before the revolution in Iran, how he gets to know the characters in his books and what he would do in a Zombie apocalypse. His newest book The Hubris of an Empty Hand is available on November 18th. Follow @findingfavspod on Instagram and Twitter. Rate and review on Apple Podcasts Show Notes Dawn of the Dead Night of the Living Dead Shawn of the Dead The Cured The Walking Dead Station Eleven by Emily St. John Mandel Daniel Suarez - Daemon and Freedom Jasper Fforde Sorrow and Bliss by Meg Mason The Office of Historical Corrections by Danielle Evans    

Jennie Restrepo with ITA, gives us information on why title insurance is needed and how it protects the buyer.   Danielle Evans with www.gatewayappraisals.com shares with us the new condo safety inspections that appraisers are not expected to complete since the condo disaster is Brevard County.

In which Danielle Evans discusses characterological framework, the coincidence of unintentional motif, and the underpinnings of a successful short story.

Danielle Evans https://www.gatewayappraisalservices.com/shares with us what appraisers actually look for when appraising the home. Their home's purchase is the biggest transaction most of us may ever make. Whether it's a main residence, a seasonal vacation property or one of many rentals, purchasing real property is a detailed transaction that requires multiple people working in concert to pull it all off.

Through the power of an unexplained and perhaps inexplicable cosmic phenomena, two pop culture observers/zany podcast sidekicks/most excellent friends are here to give you some fun and maybe a little hope through a breakdown of time travel media. We had an amazing time recording this month's show and the proof is in this pudding, the bonus episode. It also seems to have turned into something of a book club meeting. Check out the links below for all the books recommended in the course of the session. Such a Fun Age by Kiley Reid https://www.goodreads.com/book/show/43923951-such-a-fun-ageThe Office of Historical Corrections by Danielle Evans https://www.goodreads.com/en/book/show/51777605-the-office-of-historical-correctionsStar Trek Generations (novel) by J.M. Dillard, Rick Berman, Ronald D. Moore https://www.goodreads.com/book/show/422938.Star_Trek_GenerationsThe Transformed Man by William Shatner https://youtu.be/Iuf3ljBJ_fABen is @Bsilverio20 on twitter and IG. Erin is @NYDErnGenC on IG. Stella is @Stella_Cheeks on twitter and @stellacheeks on IG. Ansel is @Indecisionist on Twitter and @TheIndecisionist on IG. Next month, we're watching the 1992 cult classic, “Army of Darkness”. You know the drinking game for this movie is going to be amazing. So, get it queued up, pop some popcorn and prepare for the second to last episode of our first season releasing on Monday, 10/4.

In this episode, Audra and Sadie discuss the novella “The Office of Historical Corrections” by Danielle Evans. Thank you to Kendrick Zane for editing. Follow us on Instagram @litandlibation. Don't forget to drop a review and check out our other episodes! The next book we will be covering is Something Wicked This Way Comes by Ray Bradbury! --- Send in a voice message: https://anchor.fm/litandlibation/message

In conversation with Danielle Evans Pulling the delicate threads of ''fear and vulnerability, joy and passion, the capacity for love and pain and grief'' (The Washington Post), Alice McDermott's fictional narratives explore intersecting stories of familial love, Irish American culture and assimilation, and the lessons of adulthood. Her novels include Someone; Charming Billy, winner of the 1998 National Book Award; That Night; At Weddings and Wakes; and After This, all of which were finalists for the Pulitzer Prize. For more than 20 years McDermott was the Richard A. Macksey Professor of the Humanities at Johns Hopkins University and on the Sewanee Writers Conference faculty. She has contributed writing to The New Yorker, Harper's Magazine, and The New York Times, among many other periodicals. In What About the Baby?, McDermott shares a collection of essays inspired from a lifetime of reading, writing, and teaching literature. Danielle Evans is the author of the story collections The Office of Historical Corrections and Before You Suffocate Your Own Fool Self, winner of the PEN America PEN/Robert W. Bingham prize, the Hurston/Wright Legacy Award, and the Paterson Prize, and a National Book Foundation 5 under 35 selection. She teaches in The Writing Seminars at Johns Hopkins University. (recorded 9/20/2021)

Notes and Links to References from Episode 77 with Danielle Fuentes Morgan    On Episode 77, Pete is happy to welcome Danielle Fuentes Morgan, and the two talk about her reading and writing influences, and go into great detail about her nuanced and interesting and important book, Laughing to Keep from Dying: African American Satire in the Twenty-First Century. Dr. Danielle Fuentes Morgan is an assistant professor in the Department of English at Santa Clara University in Santa Clara, California. She specializes in African American literature and culture in the 20th and 21st centuries and is interested in the ways that literature, popular culture, and humor shape identity formation. In particular, her research and teaching reflect her interests in African American satire and comedy, literature and the arts as activism, and the continuing influence of history on contemporary articulations of Black selfhood. Danielle has written a variety of both scholarly and popular articles and has been interviewed on topics as varied as Black Lives Matter, the dangers of the “Karen” figure, race and sexuality on the Broadway stage, and Beyoncé. Her book, Laughing to Keep from Dying: African American Satire in the Twenty-First Century (published Fall 2020 by University of Illinois Press as a part of the New Black Studies Series), addresses the contemporary role of African American satire as a critical realm for social justice. Her writing has appeared in a variety of publications including on Racialicious and Al Jazeera, in Post-Soul Satire: Black Identity after Civil Rights, Humanities, Biography: An Interdisciplinary Quarterly, Pre/Text: A Journal of Rhetorical Theory, Journal of Science Fiction, College Literature, and Post45 Contemporaries. She is a member of the Center for the Arts and Humanities Faculty Advisory Board and has served as the Frank Sinatra Faculty Fellow for the Center working with W. Kamau Bell and Taye Diggs.  Danielle earned her B.A. in English with a minor in African American studies from the University of North Carolina at Chapel Hill and an M.A.T. in secondary English education at Duke University. After teaching high school English, she returned to school and received an M.A. in English literature from North Carolina State University. She earned her Ph.D. in English literature from Cornell University with focuses in African American literature, African American studies, and American literature. She hails from Durham, North Carolina.   Buy Laughing to Keep from Dying: African American Satire in the Twenty-First Century    Danielle Fuentes Morgan's Writer Website  At about 3:20, Danielle talks about her allegiances to The University of North Carolina    At about 5:10, Danielle describes the myriad ways in which she was a “bookworm” as a kid, and how her daughter shares this love for words   At about 7:45, Danielle details the books that thrilled her as a kid, including The Outsiders and Anne of Green Gables, and works by Lois Duncan, Nikki Giovanni, and Eleanor E. Tate   At about 10:00, Danielle lists contemporary writers like Sharon Draper, and texts about kids of various backgrounds, Radiant Child about Basquiat and Front Desk by Kelly Yang, that she has enjoyed with her children   At about 15:00, Danielle talks about the eternal pull for her of Ponyboy Curtis and The Outsiders   At about 17:15, Pete asks Danielle about her relationship with pop culture as a kid, and her Uncle Kevin's outsized impact on her pop culture experiences; she describes watching tv as an “active experience”    At about 21:00, Pete asks Danielle about moments in which her desire to write for a living became manifest, including her reading of Their Eyes Were Watching God during her junior year in college and her future dissertation advisor asked a key question   At about 23:45, Pete and    At about 24:15, Pete notes Zora Neale Hurston's puré sense of individuality as described in Scott Ellsworth's writing, and Danielle notes Zora's inspiration to her, especially in the ways that Hurston wrote as an anthropologist    At about 26:10, Pete and Danielle discuss the power of Hurston's “How it Feels to be Colored Me”   At about 27:20, Danielle talks about writers and texts who thrill her these days, including James Baldwin, Danielle Evans and her The Office of Historical Corrections, and R. Eric Thomas    At about 30:30, Danielle and Pete discuss the iconic A Separate Peace and Romeo and Juliet, texts that Danielle says really spoke to her high school students   At about 33:30, Pete references Natalie Lima and he discussing A Separate Peace and asks Danielle her thoughts on the book's climactic event   At about 34:25, Pete asks Danielle to describe her “average” writing and teaching day   At about 37:00, Pete shouts out Danielle's colleague and Pete's first guest, fabulous SCU prof Claudia Monpere McIsaac, in asking Danielle about the status of “publish or perish” in 2021 academia   At about 39:10, Pete asks Danielle about her thoughts on seeing her name on a book jacket, and she describes the two events of Dave Chappelle having disappeared and Barack Obama just having been elected as the beginning of a long, serpentine process in publishing the book   At about 43:10, Pete and Danielle discuss satire and Danielle's take on satire in her book   At about 47:10, Danielle explains the significance of the book's title and its connection the famous saying, “laughing to keep from crying”   At about 47:58, Pete's son makes a short appearance!   At about 49:15, Danielle responds to hearing her introduction, including the book's thesis    At about 50:50, Danielle defines and describes “post-black” as used in the book and how it differs from “post-racial”   At about 52:45, Danielle discusses the reexamination of minstrel shows and blackface in earlier times, as now often seen as winking, nodding   At about 55:00, Danielle and Pete reflect on Richard Pryor's stunning and profound ending for his comedy album, the ending of Danielle's introduction   At about 57:00, Pete points out a parallel in a Dave Chappelle skit in which there is a moment of seriousness juxtaposed against a comedic scene   At about 58:25, Danielle and Pete discuss the first chapter of the book, which brings in Tarantino's Django, (and he shouts out Traci and The Stacks Podcast and its strong interview of Quentin Tarantino) discussed by Danielle for the film's misses     At about 1:03:15, Pete asks Danielle if the premise was flawed from the beginning for Django, and Danielle talks about ways in which slaves were given humanity in Octavia Butler's work and Key and Peele   At about 1:05:20, Danielle describes Jordan Anderson's stunning work and post-slavery story, a part of the book   At about 1:07:20, Danielle talks about ayo's work in satire, “How tas described in the book   At about 1:08:40, Danielle talks about her book's second chapter and ideas about race as a construct, including “Blackness” being put up for sale on EBay by Keith Obadike as performance and activist art   At about 1:10:40, Danielle juxtaposes the book and movie versions of Precious and how satire fell a little flat in the movie (lesser so in the book)   At around 1:13:35,    At about 1:14:00, Pete and Danielle discuss her chapter on the performative, which touches upon Erasure by Percival Everett, an episode of Atlanta, and Barack Obama's “dad jeans,” as well as a piece by Touré   At about 1:16:10, Chapter Three is discussed, with its focus on satirical misfires, and when “keeping it real goes wrong”; Danielle details Chris Rock and Leslie Jones and their hiccups; “in group” and “out group” is probed   At about 1:19:55, Pete and Danielle discuss Chapter Four, starting with Get Out and its connection to Bell's 1992 poetry; Danielle discusses her visceral reaction to her first viewing of the movie    At about 1:23:10, Danielle highlights the standout points from Issa Rae's Insecure and its focus on agency and platonic love with and among Black women   At about 1:24:55, Danielle discusses the last chapter of her book, its focus on Dave Chappelle and his SNL skit (with Chris Rock) and statement right after Donald Trump's election victory, as well as the future of African-American satire and humor   At about 1:30:10, Danielle explains “just jokes” and the idea of doing satire in the chaotic world of 2021-the basis of the end of the book-with some reflections on what can be done to continue productive satire in the future   At about 1:31:55, Danielle details future projects, including the ever-decreasing line between comedy and horror in the 21st century   At about 1:33:10, Danielle shouts out Brian Tyree Henry and Donald Glover and their greatness  You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. I'm excited to share my next episode with Adam O'Fallon Price on September 10. Adam is the author of much great work, including 2020 Edgar Award Winner THE HOTEL NEVERSINK. I hope you can tune in.

D & B sit down with Danielle Evans of Dollarswithdani to hear her advice for those looking to get ahead financially. Personalize your budget to match your financial goals, start building your rainy-day fund, and recognize your power when accepting your next job offer! Magic Witch Beat /in work/ by Tigoolio (c) copyright 2013 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/Tigoolio/42255 Jobcentre Plus by texasradiofish (c) copyright 2018 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/texasradiofish/58473 Ft: Javolenus, Martijn de Boer, Speck, grapes, tigabetaz, Bucky Jonson --- Send in a voice message: https://anchor.fm/willwork4podcast/message

We sit down with Danielle Evans! author of "The Office of Historical Corrections" and READ 07 of the Cove Collective Book Club. We ask her about her writing process, the intention behind some of the stories' common themes, and her advice for aspiring BIPOC women authors. Purchase our “Forgotten Black women writers & storytellers” PDF hereFollow us on InstagramPurchase our  30-day JournalCheck us out on Twitter

In The Office of Historical Corrections., Danielle Evans weaves themes of race, memory, and history throughout her finely-crafted stories.  With extraordinary artistry, she complicates these issues with sensitivity, imagination, and wit. “You know how white people love their history right up until it's true,” observes a character in the title story who works for a fictional government agency whose aim is to correct historical inaccuracies.  Well, Evans shows us in beautifully-realized stories with no easy answers-- only complicated questions. How do you make things right—either personally or collectively? Who gets that second chance? How do you find a past that's been erased? How/where do you place yourself in it? These are just some of the questions animating her stories…and our conversation about The Office of Historical Corrections.    

We'll be back with a new episode, featuring T.C. Boyle, on January 2. Until then, please enjoy this holiday re-broadcast of our April 4, 2019 episode of the Fiction/Non/Fiction podcast. In this episode, editors Brigid Hughes of A Public Space and Jennifer Baker of Electric Literature and the Minorities in Publishing podcast discuss the world of literary journals with hosts V.V. Ganeshananthan and Whitney Terrell. What gets an editor's attention? How much editing do they really do? And where was the AWP hotel bar in Portland? This episode, recorded during the annual AWP conference, has the answers. Readings for the Episode: ·    A Public Space, Issue 27, ed. Brigid Hughes ·    Calm Sea and Prosperous Voyage by Bette Howland (forthcoming, APS Books) ·    Everyday People: The Color of Lifeed. Jennifer Baker ·    Acentos Review ·    As/Us ·    Kweli Journal ·    Callaloo ·    Lambda Literary ·    Papercuts ·    Paper Darts ·    Tayo Literary Magazine ·    Tin House ·    Copper Nickel ·    The Golden State by Lydia Kiesling ·    The Incendiaries by R.O. Kwon ·    Before You Suffocate Your Own Fool Self by Danielle Evans ·    The Bible of Dirty Jokes by Eileen Pollack Guests: ·    Brigid Hughes ·    Jennifer Baker Live from the FSG Originals Party  ·   Jessica Eckerstorfer ·   Danielle Evans ·   Lydia Kiesling ·   Dan Kois ·   R.O. Kwon ·   Wayne Miller ·   Eileen Pollack Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is Danielle Evans. She is a Dimensional Typographer at Marmalade Bleue in Columbus OH. She has worked with clients like Target, Kellogs, Disney, McDonalds, (RED), Cadillac and more.During this episode we talk about:-her experience politely pointing out to a fellow artist that she felt they were crossing the line from being inspired by Danielle's work, to copying, and how it turned into a really tough situation for her. -her writing for WorkingNotWorking Magazine.-a project she was a part of where the service of others was missed, the focus was only on making it look good, and what that caused.-the exhibit that sent her off on a personal project that involved a lot of R&D and testing to create, and the results of that. Hint, it involves Jello. There is so much in the episode. Danielle has a very unique career that comes with very unique challenges and she is open and honest about sharing them all. @marmaladebleue

Today's guest is Danielle Evans. She is a Dimensional Typographer at Marmalade Bleue in Columbus OH. She has worked with clients like Target, Kellogs, Disney, McDonalds, (RED), Cadillac and more.During this episode we talk about:-how she was raised in a non-privileged household with taught her to be creative and resourceful in finding things to be creative with. -her journey to find her designer identity and where she fit in the creative world.-some of the wild food and objects she has used to create typography.-a poster design contest she was a part of where some of the most memorable posters used print in a way that engaged other senses.There is so much in the episode. Danielle has a very unique career that comes with very unique challenges and she is open and honest about sharing them all. @marmaladebleue

In this episode of the Fiction/Non/Fiction podcast, editors Brigid Hughes of A Public Space and Jennifer Baker of Electric Literature and the Minorities in Publishing podcast discuss the world of literary journals with hosts V.V. Ganeshananthan and Whitney Terrell. What gets an editor's attention? How much editing do they really do? And where was the AWP hotel bar in Portland? This episode, recorded during the annual AWP conference, has the answers. Readings for the Episode: ·       A Public Space, Issue 27, ed. Brigid Hughes ·       Calm Sea and Prosperous Voyage by Bette Howland (forthcoming, APS Books) ·       Everyday People: The Color of Lifeed. Jennifer Baker ·       Acentos Review ·       As/Us ·       Kweli Journal ·       Callaloo ·       Lambda Literary ·       Papercuts ·       Paper Darts ·       Tayo Literary Magazine ·       Tin House ·       Copper Nickel ·       The Golden State by Lydia Kiesling ·       The Incendiaries by R.O. Kwon ·       Before You Suffocate Your Own Fool Self by Danielle Evans ·       The Bible of Dirty Jokes by Eileen Pollack Guests: ·       Brigid Hughes ·       Jennifer Baker Live from the FSG Originals Party  ·     Jessica Eckerstorfer ·      Danielle Evans ·      Lydia Kiesling ·      Dan Kois ·      R.O. Kwon ·      Wayne Miller ·      Eileen Pollack Learn more about your ad choices. Visit megaphone.fm/adchoices

2-08-2018 - Difference between Inspection and Appraisal, a Client's Guide Off air Number #813-377-2775 Text the word “Appraisal” to get in touch with Danielle Text the word “Inspection” to reach Leo Text the word “Insurance” to reach Adam Guest: Show Sponsor - Danielle Evans - Gateway Appraisal Services, Inc Guest: Show Sponsor - Adam Talley - Talley Insurance Guest Show Sponsor - Leo Cannyn - Beryl Engineering   We're talking the importance of Home Inspection and how it's different from a Home Appraisal

In mid-February, seventeen students and adults were shot at Marjory Stoneman Douglas High School in Parkland, Florida. In the aftermath, surviving students have led a powerful campaign for gun control. In episode 12, V.V. Ganeshananthan and Whitney Terrell bring you two authors—and a pile of books—that have covered the territory of school shootings, activism, and coming of age. First, Jim Shepard discusses his 2004 novel Project X, which is told from the POV of an eighth-grader who decides to commit a Columbine-style shooting. Shepard offers his thoughts on empathy, alienation, and how schools tend to treat their outcasts. Then Danielle Evans shares her read on the students activists in the #neveragain movement and the longstanding literary trope of child narrators who outwit adults. Adolescent anger and activism play out in Evans's story "Robert E. Lee is Dead," set in a high school in the south; she also points us to Edward P. Jones's story “The First Day” for a particularly poignant phrasing of the transition of adolescence. Readings: Project X by Jim Shepard (2004); "Robert E. Lee is Dead" by Danielle Evans, from the collection Before You Suffocate Your Own Fool Self (2011); "The First Day" by Edward P. Jones, from the collection Lost in the City (2004); The Bluest Eye by Toni Morrison (1970). Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2013 Danielle Evans combined her love of lettering, design, photography, and eating to create food typography.  In this episode, Danielle discusses the courageous move to become a full-time artist in a niche field. We also talk about knowing your worth as an artist and being comfortable charging for your work and time. Danielle also describes her recent experiences working for clients like John Frieda and McDonald's. In a bonus segment, we discuss The Babadook's role as a gay icon and Kimora Lee Simmons' taste in men.

We knew that Danielle would be the perfect columbus creative entrepreneur to feature for our last podcast of Creative Entrepreneur Week. When I emailed to set up this interview, Danielle asked me to meet at her house in Schumacher Place to save on her car2go bill, “just let me know if you can accommodate my … Continue reading "Danielle Evans – Marmalade Bleue – Episode 19"

Danielle Evans with Gateway Appraisal Services stops by to discuss everything related to appraisals and being an appraiser.

Danielle's studio, Marmalade Bleue, is nothing like any design studio you've ever seen. Her design vehicle of choice isn't Illustrator or Photoshop. It's food. As a designer and illustrator, she found her passion for creating typographic art with everything from candy corn to coffee cake. You can follow her on Twitter here. In this episode, we discuss: How she initially found her obsession with typography and illustration. Graduating during the great recession and surviving as a starving designer. Her thoughts on self-promotion and building your business from the ground up. Show notes are available at ObsessedShow.com.