Podcasts about frc

Avec le soutien d'Eurochannel. Films exclusifs et séries TV inédites, le meilleur de la production européenne est sur Eurochannel. Vous pouvez retrouver Eurochannel sur les offres de Bouygues (chaîne 86), Orange (65) et Free (119). Plus d'informations sur https://www.eurochannel.frC'est la rentrée de SALE TEMPS POUR UN FILM. Et soyons honnêtes, la rentrée, ça gonfle tout le monde ! Y compris nos chers chroniqueurs, qui se rejoignent autour du micro de Clémence Gueidan pour parler de l'actualité cinématographique absolument pas folichonne : EXIT 8, LES ORPHELINS, PRIS AU PIÈGE - CAUGHT STEALING, LA GUERRE DES ROSE et HIGHEST 2 LOWEST... Et malheureusement aucun de ces films ne trouvent vraiment grâce à leurs yeux. Espérons que la prochaine programmation sera plus clémente !Présentation : Clémence GueidanRédacteur en chef : Stéphane MoïssakisRéalisation : Jeanne DamatoChroniqueurs : Vincent Guignebert, Julien Dupuy, Érich Vogel, Marie Casabonne et Stéphane MoïssakisProduction : Clémence Gueidan et Stéphane MoïssakisMontage : Anthony NavarroRetrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/00:00 LES ORPHELINS de Olivier Schneider35:26 PRIS AU PIÈGE - CAUGHT STEALING de Darren Aronofsky59:09 LA GUERRE DES ROSE de Jay Roach01:24:04 EXIT 8 de Genki Kawamura01:50:47 HIGHEST 2 LOWEST de Spike LeeEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#spikelee #albanlenoir #laguerredesrose #exit8 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

OVERVIEWCody Stephenson is the Education Program Manager at TrainingPeaks, meaning he teaches coaches how to properly utilize training data to improve performance. He's the perfect sports scientist to discuss the similarities and differences between Functional Threshold Power (FTP) and Critical Power (CP), Functional Reserve Capacity (FRC) and W Prime, and how all these training metrics and methodologies relate to each other. Best of all, he and Coach Adam Pulford are pragmatists, so they explain the strengths and weaknesses of each, without bias or hidden agendas.TOPICS COVEREDIs FTP dead?What is Functional Reserve Capacity (FRC)?Explaining P MaxAre Critical Power and W Prime better than FTP and FRC?How to choose between FTP/FRC vs. CP/W PrimeWhy is "clean data" so important?ASK A QUESTION FOR A FUTURE PODCASTGuest Bio – Cody StephensonCody grew up racing mountain bikes in Durango, Colorado where he developed a passion for endurance sports, science, math and technology. He switched to the road and track while racing for Fort Lewis College, where he also managed to get a couple of science degrees. Now he gets to write and talk about his favorite topics every day as Education Program Manager at TrainingPeaks. When he's not helping coaches learn to leverage technology to reach their goals he's trying to become as good of a mountain bike racer as he was when he was 13 years old.Resources:- Cody Stephenson LinkedIn - Articles: https://www.trainingpeaks.com/coach-blog/how-to-coach-athletes-who-arent-racing/- CP W' vs FTP alone- Analyzing FTP by Joe Friel- Power Training with WKO: - Why Train Submaximally? WKO Case Study - Targeting Specific PDC Improvements  - Learning More about LLM's and AIHOSTAdam Pulford has been a CTS Coach for nearly two decades and holds a B.S. in Exercise Physiology. He's participated in and coached hundreds of athletes for endurance events all around the world.Listen to the episode on Apple Podcasts, Spotify, Stitcher, Google Podcasts, or on your favorite podcast platformGET FREE TRAINING CONTENTJoin our weekly newsletterCONNECT WITH CTSWebsite: trainright.comInstagram: @cts_trainrightTwitter: @trainrightFacebook: @CTSAthlete

In today's episode of IA on AI, we cover an AI voice scam impersonating a high-ranking official, the sweeping new “Big Beautiful Bill” on AI regulations, and landmark AI guidance just released by the FRC. They break down:   •   A Marco Rubio impostor is using AI voice to call high-level officials - washingtonpost.com   •  ‘Big Beautiful Bill' Leaves AI Regulation to States and Localities … For Now - lawandtheworkplace.com   •  FRC publishes landmark guidance providing clarity to audit profession on the uses of AI - FRC.org   Be sure to follow us on our social media accounts on  LinkedIn: https://www.linkedin.com/company/the-audit-podcast Instagram: https://www.instagram.com/theauditpodcast TikTok: https://www.tiktok.com/@theauditpodcast?lang=en   Also be sure to sign up for The Audit Podcast newsletter and to check the full video interview on The Audit Podcast YouTube channel.  * This podcast is brought to you by Greenskies Analytics. the services firm that helps auditors leapfrog up the analytics maturity model. Their approach for launching audit analytics programs with a series of proven quick-win analytics will guarantee the results worthy of the analytics hype.   Whether your audit team needs a data strategy, methodology, governance, literacy, or anything else related to audit and analytics, schedule time with Greenskies Analytics.

Dr. Greg Murphy, U.S. Representative for the 3rd District of North Carolina, applauds the Department of Agriculture's new ban on the sale of U.S. farmland to foreign adversaries like China. Brent Keilen, FRC's Vice President for Strategic

Pop Arthur, c'est le podcast créé pour assurer les bases indispensables de pop culture pour Arthur et vos enfants. Et leur prouver qu'il y a un monde après Les mômes de l'apocalypse !

On Today's Independence Day Special: Tony Perkins shares excerpts from FRC's God and Government course where he highlights the Christian heritage of America and offers action steps Christians can take to engage and steward this country God has

Your 4th of July Celebration - Virginia Prodan  At Courageous Leadership with Virginia Prodan Podcast - the host - answers your question : How You can Celebrate Your 4th of July every day?   Protect freedom in America and fight against Socialism - a land of lies and a prison land. Helping you to lead with Courage, and to live a life of significance and success. Virginia Prodan is - A Socialist dissident from #Romania in #America - an International Human Rights Attorney, Author at Tyndale House Publishers, International Key Note Speaker, Allied Attorney with Alliance Defending Freedom; and Host of Courageous Leadership with Virginia Prodan #Podcast. Her message will encourage you and motivate you to fight and How to Protect Freedom.  Virginia Prodan has few very helpful examples and suggestions for you. For more of our trainings go to: https://www.virginiaprodanbooks.com/freedom-coaching             Follow Courageous Leadership with Virginia Prodan #Podcast at: https://open.spotify.com/show/7kHPeoAgbkAHCg2C6RApEZ - to hear encouraging & inspiring messages.         ------- Order your signed copy(s) of Virginia Prodan  #memoir #SavingMyAssassin - learn about the atrocities of Socialism and how to fight against it - you can purchase the memoir directly here: https://virginiaprodanbooks.com/product/book/       ------ Invite Virginia Prodan  to speak at your events -: https://virginiaprodanbooks.com/invite-virginia/   ----- Donate to Virginia Prodan  #Ministries - here: https://www.virginiaprodan.com/donate/   ----- Subscribe to Virginia Prodan Youtube Channel - here: https://www.youtube.com/channel/UCSlM_aAfLxHXTaI05Skv1WQ We love to hear from you; your comments or questions. Please share this message with others on your social media.    #network #podcast #film #events #training  #leadership #coaching #people #community #australia #motivation #share #like #power #romania #america #FRC  #Newsmedia 

On this week's podcast, Sinead and Gavin toast the extraordinary work of Jim Gavin and his Football Rules Committee, which has successfully saved Gaelic football. They discuss how the FRC pulled off the job, and where it stands among other ingenious rule changes in other sports. They then make the point that if Gaelic football can be saved, then anything is possible: what lessons can the government learn from the FRC in tackling the housing crisis, or regulating Big Tech?And, if the GAA can fix Gaelic football in less than a year, why can't they accelerate the process of integration?Get in touch - sinead@thejournal.ie and gavincooney@the42.ie Hosted on Acast. See acast.com/privacy for more information.

Local. It's what FRC Locker is all about.  Anyone who knows Texas City knows that refineries are a big partof our local community. Like thousands in our city, FRC Locker owner Ericworked at a plant.  He was driving 45 minutes to find the specialized clothing he andhis coworkers needed, and he wanted to help. He began ordering FRC clothing,eventually turning his dining room into a makeshift warehouse.  His business has now grown and expanded to a new store at Tanger,where he and wife Lindsay focus on providing all of the specialized items ourindustrial workers need. They also take pride in carrying items from several other localbusinesses, making it a one stop shop where you can support several smallbusinesses all at the same time.  In this episode of “Texas City Tells” find out more about thenewest addition to Tanger, how they are constantly evolving and how they'reworking to fill a big need in our community.

On today's program: Matt Rice, Solicitor General of Tennessee, celebrates the Supreme Court's 6-3 decision to uphold Tennessee's protections for children against mutilating gender procedures. Quena Gonzalez, FRC's Senior Director of Government

David Closson - returns as our guest at Courageous Leadership with Virginia Prodan Podcast - with a great message - Life After Roe: Equipping Christians in the Fight for Life Today. David Closson serves as the Director of the Center for Biblical Worldview at Family Research Council where he researches, writes, and speaks about life, human sexuality, religious liberty, and related issues from a biblical worldview. He is the author of FRC's Biblical Worldview Series, which seeks to help Christians and Christian leaders apply the teachings of the Bible to difficult moral questions. David's work has appeared at Fox News, Real Clear Politics, National Review, The Council for Biblical Manhood and Womanhood, Decision Magazine, WORLD Opinions, The Gospel Coalition, Townhall, and Christian Post. He is the author of Life After Roe: Equipping Christians in the Fight for Life Today (B&H Academic, 2025) and is the co-author of Male and Female He Created Them: A Study on Identity, Sexuality, and Marriage (Christian Focus, 2023). David is a regular guest on Washington Watch, FRC's national television and radio program heard on over 800 stations in forty-eight states. While in seminary, David served as a Teaching Assistant and as an assistant to the Dean of the School of Theology at Southern Seminary. He has also served as a Program Leader for Covenant Journey, leading trips to Israel designed to strengthen Christian college students in their faith through an experiential journey of biblical and modern Israel. David has served on staff or as an ordained deacon at churches in Florida and Kentucky. He also interned for the Ethics and Religious Liberty Commission of the Southern Baptist Convention. Since 2024, David has served as a Fellow for Human Dignity and Public Policy at the Land Center for Cultural Engagement at Southwestern Baptist Theological Seminary. Currently, David is a Ph.D. candidate in Christian Ethics at Southwestern Seminary. David is a graduate of The Southern Baptist Theological Seminary (M.Div., Th.M.) and the University of Central Florida (B.A., political science, cum laude). David lives in the Washington, D.C. area and is a member of Capitol Hill Baptist Church. We love to hear your comments, questions or share what you have learned from this podcast. Or to help you with any questions, concerns you might have or trainings . You can apply for our training and coaching sessions - here: https://www.virginiaprodanbooks.com/freedom-coaching Follow Courageous Leadership with Virginia Prodan #Podcast on: https://open.spotify.com/show/7kHPeoAgbkAHCg2C6RApEZ - to hear encouraging & inspiring messages ‬. Order your autographed copy(s) of #SavingMyAssassin by Virginia Prodan - directly here: https://virginiaprodanbooks.com/product/book/- Invite Virginia Prodan to speak at your events - go to: https://lnkd.in/eQwj4R2u Subscribe to Virginia Prodan Youtube Channel - https://www.youtube.com/user/VirginiaProd Follow Virginia Prodan on: Twitter : https://twitter.com/VirginiaProdan Face Book: https://www.facebook.com/virginia.prodan.1 LinkedIn:https://www.linkedin.com/in/virginia-prodan-0244581b Instagram: https://www.instagram.com/virginiaprodan/ Youtube: https://www.youtube.com/user/VirginiaProd Courageous Leadership with Virginia Prodan #Podcast : https://open.spotify.com/show/7kHPeoAgbkAHCg2C6RApEZ - ------ Invite Virginia Prodan to speak at your events -: https://virginiaprodanbooks.com/invite-virginia/ ----- Donate to Virginia Prodan #Ministries - here: https://www.virginiaprodan.com/donate/ We love to hear from you; your comments or questions. Please share it with others. #network #podcast #film #events #training #training #leadership #coaching #people #community #australia #motivation #share #like #power #romania #america @frcdc @AllianceDefends @focusonthefamily @VirginiaProd

On today's program hosted by Joseph Backholm: Ken Blackwell, FRC's Senior Fellow for Human Rights and Constitutional Governance, dissects the war of words between President Trump and Elon Musk and weighs in on whether the former DOGE chief's

Pop Arthur, c'est le podcast créé pour assurer les bases indispensables de pop culture pour Arthur et vos enfants. Et leur prouver qu'il y a un monde après Astérix et Obélix le combat des chefs !

For this week's episode of Fearless, I sat down with Tony Perkins, president of the Family Research Council (FRC), to unpack what it means to live with moral courage in today's culture of confusion and compromise. Tony draws from his decades of experience in public service, ministry, and policy advocacy to talk about how to stand for truth—even when it costs you.Together we explore the alarming lack of moral courage among today's leaders and the pressing need for Christians to fear God more than man. Tony highlights FRC's ongoing efforts to equip pastors and believers through resources like the Stand Firm app and the Center for Biblical Worldview. He also addresses misconceptions about the separation of church and state, outlines the importance of the Free Speech Fairness Act, and assesses the Trump administration's policies supporting religious freedom and life.As we take a deeper look at the spiritual battles often found behind political struggles, we emphasize that true hope lies in a national spiritual awakening, not political reform alone. If you've ever wondered how to speak truth in love, stand firm in a hostile world, or what it really means to be fearless—I hope this conversation will compel you to be the salt and light our world needs in your sphere of influence. Learn more about the Family Research Council on their website: https://www.frc.org/#gsc.tab=0. 

On today's program: Dr. Jennifer Bauwens, Director of FRC's Center for Family Studies, highlights an HHS study that finds no strong evidence supporting transgender procedures. Joey Sandlin, Pastor and Portsmouth City Council Member, speaks out

On today's program: Meg Kilgannon, FRC's Senior Fellow for Education Studies, shares key takeaways from the oral arguments of a groundbreaking parental rights case at the Supreme Court. Chuck Edwards, U.S. Representative for North Carolina's 11th

On today's program: Chris Smith, U.S. Representative for the 4th District of New Jersey, highlights the latest instance of Russian aggression in Ukraine and the plight of persecuted Christians in Nigeria. Brent Keilen, FRC's Vice President for

Pop Arthur, c'est le podcast créé pour assurer les bases indispensables de pop culture pour Arthur et vos enfants. Et leur prouver qu'il y a un monde après Dragon Ball Daima !

On today's program: Suzanne Bowdey, Editorial Director and Senior Writer for The Washington Stand, talks about the gulf between the House and Senate budget blueprints and what's next for the "one, big, beautiful bill." Meg Kilgannon, FRC's Senior

In this episode of the Braun Performance & Rehab Podcast, Dan is joined by Missy Mitchell-McBeth to discuss conditioning considerations for volleyball athletes.Missy Mitchell-McBeth has over 20 years of experiencein the volleyball strength and conditioning space. She is the author of Developmental to Division I: Strength &Conditioning for the Volleyball Athlete and the owner of Missy Mitchell-McBeth Sports Performance, a consulting company that teaches sport coaches strength and conditioning principles they can adapt to any environment.Additionally, she serves as the Director of SportsPerformance at Fieldhouse Volleyball Club in the DFW metro area where she oversees the athletic development of all top level teams in the 11U through 18U age groups. Before her time at Fieldhouse, she spent 6 years as the Head Strength and Conditioning Coach at Byron Nelson High School in Trophy Club, Texas. While at Byron, she oversaw the development of 13 different sports and over 500 athletes, including the 2019 UIL 6A State Champion and USA Today#1 Ranked volleyball program. Earlier in her career, she was the Senior Assistant Strength and Conditioning Coach at TCU in Fort Worth, TX for 7 years. There she handled the development of the Women's Indoor Volleyball, Women's Basketball, and Women's Golf programs.Before her time as a full-time strength andconditioning professional, Mitchell-McBeth was a High School volleyball coach for 4 years in Copperas Cove, Texas. She holds a Master's degree in Exercise Physiology from Baylor University, and holds SCCC, CSCS, USAW, FRC, and RPR-1 certifications. She and her husband, Brian - a high school coach, reside in the DFW area and have four dogs: Maui, Kona, Violet, and Indigo. In her free time, Missy enjoys playing beach volleyball. For more on Missy be sure to follow @missymmcbeth*SEASON 6 of the Braun Performance & Rehab Podcast is brought to you by Isophit. For more on Isophit, please check out isophit.com and @isophit -BE SURE to use coupon code BraunPR25% to save 25% on your Isophit order!**Season 6 of the Braun Performance & Rehab Podcast is also brought to you by Oro Muscles. For more on Oro, please check out www.oromuscles.com***Season 6 of the Braun Performance & Rehab Podcast is also brought to you by Firefly Recovery, the official recovery provider for Braun Performance & Rehab. For more on Firefly, please check out https://www.recoveryfirefly.com/ or email jake@recoveryfirefly.comEpisode Affiliates:MoboBoard: BRAWNBODY10 saves 10% at checkout!AliRx: DBraunRx = 20% off at checkout! https://alirx.health/MedBridge: https://www.medbridgeeducation.com/brawn-body-training or Coupon Code "BRAWN" for 40% off your annual subscription!CTM Band: https://ctm.band/collections/ctm-band coupon code "BRAWN10" = 10% off!Ice shaker affiliate link: https://www.iceshaker.com?sca_ref=1520881.zOJLysQzKeMake sure you SHARE this episode with a friend who could benefit from the information we shared!Check out everything Dan is up to by clicking here: https://linktr.ee/braun_prLiked this episode? Leave a 5-star review on your favorite podcast platform

Today's podcast features Bren Veziroglu. Bren is a movement educator, blending scientific principles with personal exploration in his teaching. He has studied globally with top instructors across disciplines, emphasizing scalability, engagement, and physicality in his approach. Bren is an outspoken proponent of the constraint-led approach to sport, particularly in the martial arts. In many sports and strength training programs, skill development is often reduced to rigid drills and dry repetition. While foundational qualities like strength and endurance can be trained straightforwardly, complex skills require a richer, more dynamic approach—one that embraces the full range of movement our bodies are capable of. Research consistently supports a learner-centered, constraint-led method as being more effective for long-term learning and performance. In this episode, Bren dives into the integration of traditional strength and mobility work with dynamic movement and motor learning concepts. He shares practical insights on skill acquisition, mobility, jump training, and the role of partner-based work in foundational strength exercises—offering a fresh perspective on how we can build more effective and engaging training environments. Today's episode is brought to you by TeamBuildr's GymStudio. For a Gym Studio 14-day free trial, head to gymstudio.com Use the code “justfly25” for 25% off any Lila Exogen wearable resistance training, including the popular Exogen Calf Sleeves. For this offer, head to: Lilateam.com View more podcast episodes at the podcast homepage. (https://www.just-fly-sports.com/podcast-home/) Timestamps 2:00- Bren's Background in Athletics, Strength Training, and Movement 15:50- What “Movement” Concepts Can Offer a Traditional Sport or Sports Performance Practice 22:18- Levels of Richness and Time-Efficiency in Standard Training Exercises and the Impact of Movement Games 30:57- Dynamic Target-Reaching Exercises for Enhanced Mobility 34:37- Dynamic Partner-Assisted Exercises for Injury Prevention 45:16- Dynamic Jumping Training for Enhanced Athletic Performance 45:16- Dynamic Warm-Up Challenges for Better Athlete Engagement 46:00- Movement Variability, Differential Learning and Improved Athletic Outcomes 1:00:14- Partner Training Strength and Performance Concepts Quotes (7:00) "The whole paradigm of you just build your physical attributes, and you can use them on the field in sport, was so clearly not what I was experiencing." - Bren Veziroglu (20:00) "On one end of the polarization, you have FRC, you are going to lock everything down… it's great, but it takes an enormous amount of time, versus mobility games are the total opposite of that." - Bren Veziroglu (46:06) "What are compensations if not the skill of self-organization?" - Bren Veziroglu (50:19) "There's one speed skating study he did and one of the variations is literally listed is like, do a pirouette before the start. Like they're doing a sprint. Do a pirouette. And so that's how wide these variations can be." - Bren Veziroglu (1:00:30) "Those (partner guided) mobility tasks. I think those are enormous when we're getting more out of it. Should be easier to recover from. Should be lower injury risk, should be more fun. I mean, big wins." - Bren Veziroglu (1:02:46) "If you're just developing the strength and you're never applying it to like, how do I lift another person? Not so useful maybe." - Bren Veziroglu About Bren Veziroglu Bren Veziroglu is a movement educator with over 11 years of experience teaching in both private and group settings. He utilizes a unique interdisciplinary approach that blends modern scientific understanding with personal exploration and constant refinement and testing. He has traveled the world to study intensively with many of the world's greatest teachers in a wide variety of disciplines. His academic and physical practices inform his teaching style,

In Today's episode of the CBL Podcast, William Wolfe sits down with David Closson, Director of the Center for Biblical Worldview at the Family Research Council, to discuss the state of the pro-life movement, challenges after the Dobbs decision, the federal vs. state debate, and Closson's new book "Life After Roe: Equipping Christians in the Fight for Life Today." Show Notes: Purchase "Life After Roe" – https://www.lifeway.com/en/product/life-after-roe-P005846462 Timestamps: 0:01:19 - Introduction of David Closson 0:05:00 - Discussion of COVID-19 experiences 0:06:42 - Dobbs decision leak and initial reactions 0:10:00 - Media commentary on Christians and abortion 0:14:23 - George Barna survey on church views about abortion 0:25:00 - Biblical passages about life (Luke 1 example) 0:37:08 - Christianity historical stance on abortion 0:44:04 - State-level ballot measures after Dobbs decision 0:52:55 - Equal protection under law for unborn children 0:54:30 - Chemical abortion pills and challenges 1:00:28 - Moral and spiritual reflection on the scourge of abortion 1:04:00 - Book availability and resources David Closson serves as the Director of the Center for Biblical Worldview at Family Research Council where he researches, writes, and speaks about life, human sexuality, religious liberty, and related issues from a biblical worldview. He is the author of FRC's Biblical Worldview Series, which seeks to help Christians and Christian leaders apply the teachings of the Bible to difficult moral questions. Currently, David is a Ph.D. candidate in Christian Ethics at Southwestern Seminary. David is a graduate of The Southern Baptist Theological Seminary (M.Div., Th.M.) and the University of Central Florida (B.A., political science, cum laude). David lives in the Washington, D.C. area and is a member of Capitol Hill Baptist Church. Learn more about David's work: https://www.frc.org/david-closson#gsc.tab=0 https://x.com/DavidClosson –––––– Follow Center for Baptist Leadership across Social Media: X / Twitter – https://twitter.com/BaptistLeaders Facebook – https://www.facebook.com/people/Center-For-Baptist-Leadership/61556762144277/ Rumble – https://rumble.com/c/c-6157089 YouTube – https://www.youtube.com/@CenterforBaptistLeadership Website – https://centerforbaptistleadership.org/ To book William for media appearances or speaking engagements, please contact him at media@centerfor­baptistleadership.org. Follow Us on Twitter: William Wolfe - https://twitter.com/William_E_Wolfe Richard Henry - https://twitter.com/RThenry83 Renew the SBC from within and defend the SBC from those who seek its destruction, donate today: https://centerforbaptistleadership.org/donate/   The Center for Baptist Leadership Podcast is powered by American Reformer, recorded remotely in the United States by William Wolfe, and edited by Jared Cummings.   Subscribe to the Center for Baptist Leadership Podcast: Distribute our RSS Feed – https://centerforbaptistleadership.podbean.com/ Apple Podcasts – https://podcasts.apple.com/us/podcast/center-for-baptist-leadership/id1743074575 Spotify – https://open.spotify.com/show/0npXohTYKWYmWLsHkalF9t Amazon Music // Audible – https://music.amazon.com/podcasts/9ababbdd-6c6b-4ab9-b21a-eed951e1e67b BoomPlay – https://www.boomplaymusic.com/podcasts/96624 TuneIn – Coming Soon iHeartRadio – https://iheart.com/podcast/170321203 Listen Notes – https://www.listennotes.com/podcasts/center-for-baptist-leadership-center-for-3liUZaE_Tnq/ Pandora – Coming Soon PlayerFM – https://player.fm/series/3570081 Podchaser – https://www.podchaser.com/podcasts/the-center-for-baptist-leaders-5696654 YouTube Podcasts – https://www.youtube.com/playlist?list=PLFMvfuzJKMICA7wi3CXvQxdNtA_lqDFV

On today's program: Quena Gonzalez, FRC's Senior Director of Government Affairs, shares highlights from the Defund Big Abortion lobbying day held on Capitol Hill, as well as President Trump's decision to pause taxpayer dollars for Planned

On today's program: Quena Gonzalez, FRC's Senior Director of Government Affairs, discusses the GOP's efforts to require proof of citizenship to vote and President Trump's decision to pause funding for Planned Parenthood. Tim Burchett, U.S.

We're diving deep into the world of professional cycling camps as we hear first-hand from some of the leading coaches and nutritionists in pro cycling. Reporting from the picturesque coastal climbs of the Costa Blanca in Spain, our host, Dirk Friel, brings you insights from performance coaches like Lieselot Decroix and Mattia Michelusi, who reveal the critical training techniques employed to enhance rider performance. Learn how pro teams leverage lactate testing, hear what metrics WorldTour coaches focus on around functional reserve capacity (FRC), and background on the growing importance of heat training. Nutritionist Nicki Strobel gives us a taste of what meal planning looks like during grueling tours and how data from TrainingPeaks is used to tailor nutrition strategies. Plus, Stephen Barrett explains the significance of durability in today's WorldTour races, while Liam Holohan shares insights on hypoxic training. Whether you're a coach, athlete, or enthusiast, this episode is packed with proven takeaways to help elevate your training to the next level. Special thanks to   FDJ-Suez — https://www.fdj-suez.fr/ Decathlon AG2R La Mondiale — https://decathlonag2rlamondialeteam.com/ Team Cofidis — https://www.equipecofidis.com/uk/home Israel-Premier Tech — https://israelpremiertech.com/

Assurances, conso, nouvelles technologies… "On en parle" vous oriente dans tout ce qui fait votre quotidien. 1) Etiquetage : la FRC dit non à l'information par QR code 2) Je dois travailler après lʹâge de la retraite 3) Guichet : Travailler après l'âge de référence AVS

Pop Arthur, c'est le podcast créé pour assurer les bases indispensables de pop culture pour Arthur et vos enfants. Et leur prouver qu'il y a un monde après Yu Gi Oh! Duel Monster !

After Cavan beat Wicklow in the League we hear from Tom Mannion. The county minors start their league and Bailieborough CS are ready for their All-Ireland final. Paul and Damien discuss the FRC changes and the structure of the club calander.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers         The Man Called X An espionage radio drama that aired on CBS and NBC from July 10, 1944, to May 20, 1952. The radio series was later adapted for television and was broadcast for one season, 1956–1957. People Herbert Marshall had the lead role of agent Ken Thurston/"Mr. X", an American intelligence agent who took on dangerous cases in a variety of exotic locations. Leon Belasco played Mr. X's comedic sidekick, Pegon Zellschmidt, who always turned up in remote parts of the world because he had a "cousin" there. Zellschmidt annoyed and helped Mr. X. Jack Latham was an announcer for the program, and Wendell Niles was the announcer from 1947 to 1948. Orchestras led by Milton Charles, Johnny Green, Felix Mills, and Gordon Jenkins supplied the background music. William N. Robson was the producer and director. Stephen Longstreet was the writer. Production The Man Called X replaced America — Ceiling Unlimited on the CBS schedule. Television The series was later adapted to a 39-episode syndicated television series (1956–1957) starring Barry Sullivan as Thurston for Ziv Television. Episodes Season 1 (1956) 1 1 "For External Use Only" Eddie Davis Story by : Ladislas Farago Teleplay by : Stuart Jerome, Harold Swanton, and William P. Templeton January 27, 1956 2 2 "Ballerina Story" Eddie Davis Leonard Heideman February 3, 1956 3 3 "Extradition" Eddie Davis Ellis Marcus February 10, 1956 4 4 "Assassination" William Castle Stuart Jerome February 17, 1956 5 5 "Truth Serum" Eddie Davis Harold Swanton February 24, 1956 6 6 "Afghanistan" Eddie Davis Leonard Heidman March 2, 1956 7 7 "Embassy" Herbert L. Strock Laurence Heath and Jack Rock March 9, 1956 8 8 "Dangerous" Eddie Davis George Callahan March 16, 1956 9 9 "Provocateur" Eddie Davis Arthur Weiss March 23, 1956 10 10 "Local Hero" Leon Benson Ellis Marcus March 30, 1956 11 11 "Maps" Eddie Davis Jack Rock May 4, 1956 12 12 "U.S. Planes" Eddie Davis William L. Stuart April 13, 1956 13 13 "Acoustics" Eddie Davis Orville H. Hampton April 20, 1956 14 14 "The General" Eddie Davis Leonard Heideman April 27, 1956 Season 2 (1956–1957) 15 1 "Missing Plates" Eddie Davis Jack Rock September 27, 1956 16 2 "Enemy Agent" Eddie Davis Teleplay by : Gene Levitt October 4, 1956 17 3 "Gold" Eddie Davis Jack Laird October 11, 1956 18 4 "Operation Janus" Eddie Davis Teleplay by : Jack Rock and Art Wallace October 18, 1956 19 5 "Staff Headquarters" Eddie Davis Leonard Heideman October 25, 1956 20 6 "Underground" Eddie Davis William L. Stuart November 1, 1956 21 7 "Spare Parts" Eddie Davis Jack Laird November 8, 1956 22 8 "Fallout" Eddie Davis Teleplay by : Arthur Weiss November 15, 1956 23 9 "Speech" Eddie Davis Teleplay by : Ande Lamb November 22, 1956 24 10 "Ship Sabotage" Eddie Davis Jack Rock November 29, 1956 25 11 "Rendezvous" Eddie Davis Ellis Marcus December 5, 1956 26 12 "Switzerland" Eddie Davis Leonard Heideman December 12, 1956 27 13 "Voice On Tape" Eddie Davis Teleplay by : Leonard Heideman December 19, 1956 28 14 "Code W" Eddie Davis Arthur Weiss December 26, 1956 29 15 "Gas Masks" Eddie Davis Teleplay by : Jack Rock January 3, 1957 30 16 "Murder" Eddie Davis Lee Berg January 10, 1957 31 17 "Train Blow-Up" Eddie Davis Ellis Marcus February 6, 1957 32 18 "Powder Keg" Jack Herzberg Les Crutchfield and Jack Rock February 13, 1957 33 19 "Passport" Eddie Davis Norman Jolley February 20, 1957 34 20 "Forged Documents" Eddie Davis Charles Mergendahl February 27, 1957 35 21 "Australia" Lambert Hill Jack Rock March 6, 1957 36 22 "Radio" Eddie Davis George Callahan March 13, 1957 37 23 "Business Empire" Leslie Goodwins Herbert Purdum and Jack Rock March 20, 1957 38 24 "Hungary" Eddie Davis Fritz Blocki and George Callahan March 27, 1957 39 25 "Kidnap" Eddie Davis George Callahan April 4, 1957 sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia         The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 331⁄3 rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the centre of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations. When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were moulded in a record press. Armed Forces Radio Service Frank Sinatra and Alida Valli converse over Armed Forces Radio Service during World War II The Armed Forces Radio Service (AFRS) had its origins in the U.S. War Department's quest to improve troop morale. This quest began with short-wave broadcasts of educational and information programs to troops in 1940. In 1941, the War Department began issuing "Buddy Kits" (B-Kits) to departing troops, which consisted of radios, 78 rpm records and electrical transcription discs of radio shows. However, with the entrance of the United States into World War II, the War Department decided that it needed to improve the quality and quantity of its offerings. This began with the broadcasting of its own original variety programs. Command Performance was the first of these, produced for the first time on March 1, 1942. On May 26, 1942, the Armed Forces Radio Service was formally established. Originally, its programming comprised network radio shows with the commercials removed. However, it soon began producing original programming, such as Mail Call, G.I. Journal, Jubilee and GI Jive. At its peak in 1945, the Service produced around 20 hours of original programming each week. From 1943 until 1949 the AFRS also broadcast programs developed through the collaborative efforts of the Office of the Coordinator of Inter-American Affairs and the Columbia Broadcasting System in support of America's cultural diplomacy initiatives and President Franklin Roosevelt's Good Neighbour policy. Included among the popular shows was Viva America which showcased leading musical artists from both North and South America for the entertainment of America's troops. Included among the regular performers were: Alfredo Antonini, Juan Arvizu, Nestor Mesta Chayres, Kate Smith,[26] and John Serry Sr. After the war, the AFRS continued providing programming to troops in Europe. During the 1950s and early 1960s it presented performances by the Army's only symphonic orchestra ensemble—the Seventh Army Symphony Orchestra. It also provided programming for future wars that the United States was involved in. It survives today as a component of the American Forces Network (AFN). All of the shows aired by the AFRS during the Golden Age were recorded as electrical transcription discs, vinyl copies of which were shipped to stations overseas to be broadcast to the troops. People in the United States rarely ever heard programming from the AFRS,[31] though AFRS recordings of Golden Age network shows were occasionally broadcast on some domestic stations beginning in the 1950s. In some cases, the AFRS disc is the only surviving recording of a program. Home radio recordings in the United States There was some home recording of radio broadcasts in the 1930s and 1940s. Examples from as early as 1930 have been documented. During these years, home recordings were made with disc recorders, most of which were only capable of storing about four minutes of a radio program on each side of a twelve-inch 78 rpm record. Most home recordings were made on even shorter-playing ten-inch or smaller discs. Some home disc recorders offered the option of the 331⁄3 rpm speed used for electrical transcriptions, allowing a recording more than twice as long to be made, although with reduced audio quality. Office dictation equipment was sometimes pressed into service for making recordings of radio broadcasts, but the audio quality of these devices was poor and the resulting recordings were in odd formats that had to be played back on similar equipment. Due to the expense of recorders and the limitations of the recording media, home recording of broadcasts was not common during this period and it was usually limited to brief excerpts. The lack of suitable home recording equipment was somewhat relieved in 1947 with the availability of magnetic wire recorders for domestic use. These were capable of recording an hour-long broadcast on a single small spool of wire, and if a high-quality radio's audio output was recorded directly, rather than by holding a microphone up to its speaker, the recorded sound quality was very good. However, because the wire cost money and, like magnetic tape, could be repeatedly re-used to make new recordings, only a few complete broadcasts appear to have survived on this medium. In fact, there was little home recording of complete radio programs until the early 1950s, when increasingly affordable reel-to-reel tape recorders for home use were introduced to the market. Recording media Electrical transcription discs         The War of the Worlds radio broadcast by Orson Welles on electrical transcription disc Before the early 1950s, when radio networks and local stations wanted to preserve a live broadcast, they did so by means of special phonograph records known as "electrical transcriptions" (ETs), made by cutting a sound-modulated groove into a blank disc. At first, in the early 1930s, the blanks varied in both size and composition, but most often they were simply bare aluminum and the groove was indented rather than cut. Typically, these very early recordings were not made by the network or radio station, but by a private recording service contracted by the broadcast sponsor or one of the performers. The bare aluminum discs were typically 10 or 12 inches in diameter and recorded at the then-standard speed of 78 rpm, which meant that several disc sides were required to accommodate even a 15-minute program. By about 1936, 16-inch aluminum-based discs coated with cellulose nitrate lacquer, commonly known as acetates and recorded at a speed of 331⁄3 rpm, had been adopted by the networks and individual radio stations as the standard medium for recording broadcasts. The making of such recordings, at least for some purposes, then became routine. Some discs were recorded using a "hill and dale" vertically modulated groove, rather than the "lateral" side-to-side modulation found on the records being made for home use at that time. The large slow-speed discs could easily contain fifteen minutes on each side, allowing an hour-long program to be recorded on only two discs. The lacquer was softer than shellac or vinyl and wore more rapidly, allowing only a few playbacks with the heavy pickups and steel needles then in use before deterioration became audible. During World War II, aluminum became a necessary material for the war effort and was in short supply. This caused an alternative to be sought for the base on which to coat the lacquer. Glass, despite its obvious disadvantage of fragility, had occasionally been used in earlier years because it could provide a perfectly smooth and even supporting surface for mastering and other critical applications. Glass base recording blanks came into general use for the duration of the war. Magnetic wire recording In the late 1940s, wire recorders became a readily obtainable means of recording radio programs. On a per-minute basis, it was less expensive to record a broadcast on wire than on discs. The one-hour program that required the four sides of two 16-inch discs could be recorded intact on a single spool of wire less than three inches in diameter and about half an inch thick. The audio fidelity of a good wire recording was comparable to acetate discs and by comparison the wire was practically indestructible, but it was soon rendered obsolete by the more manageable and easily edited medium of magnetic tape. Reel-to-reel tape recording Bing Crosby became the first major proponent of magnetic tape recording for radio, and he was the first to use it on network radio, after he did a demonstration program in 1947. Tape had several advantages over earlier recording methods. Running at a sufficiently high speed, it could achieve higher fidelity than both electrical transcription discs and magnetic wire. Discs could be edited only by copying parts of them to a new disc, and the copying entailed a loss of audio quality. Wire could be divided up and the ends spliced together by knotting, but wire was difficult to handle and the crude splices were too noticeable. Tape could be edited by cutting it with a blade and neatly joining ends together with adhesive tape. By early 1949, the transition from live performances preserved on discs to performances pre-recorded on magnetic tape for later broadcast was complete for network radio programs. However, for the physical distribution of pre-recorded programming to individual stations, 16-inch 331⁄3 rpm vinyl pressings, less expensive to produce in quantities of identical copies than tapes, continued to be standard throughout the 1950s. Availability of recordings The great majority of pre-World War II live radio broadcasts are lost. Many were never recorded; few recordings antedate the early 1930s. Beginning then several of the longer-running radio dramas have their archives complete or nearly complete. The earlier the date, the less likely it is that a recording survives. However, a good number of syndicated programs from this period have survived because copies were distributed far and wide. Recordings of live network broadcasts from the World War II years were preserved in the form of pressed vinyl copies issued by the Armed Forces Radio Service (AFRS) and survive in relative abundance. Syndicated programs from World War II and later years have nearly all survived. The survival of network programming from this time frame is more inconsistent; the networks started prerecording their formerly live shows on magnetic tape for subsequent network broadcast, but did not physically distribute copies, and the expensive tapes, unlike electrical transcription ("ET") discs, could be "wiped" and re-used (especially since, in the age of emerging trends such as television and music radio, such recordings were believed to have virtually no rerun or resale value). Thus, while some prime time network radio series from this era exist in full or almost in full, especially the most famous and longest-lived of them, less prominent or shorter-lived series (such as serials) may have only a handful of extant episodes. Airchecks, off-the-air recordings of complete shows made by, or at the behest of, individuals for their own private use, sometimes help to fill in such gaps. The contents of privately made recordings of live broadcasts from the first half of the 1930s can be of particular interest, as little live material from that period survives. Unfortunately, the sound quality of very early private recordings is often very poor, although in some cases this is largely due to the use of an incorrect playback stylus, which can also badly damage some unusual types of discs. Most of the Golden Age programs in circulation among collectors—whether on analogue tape, CD, or in the form of MP3s—originated from analogue 16-inch transcription disc, although some are off-the-air AM recordings. But in many cases, the circulating recordings are corrupted (decreased in quality), because lossless digital recording for the home market did not come until the very end of the twentieth century. Collectors made and shared recordings on analogue magnetic tapes, the only practical, relatively inexpensive medium, first on reels, then cassettes. "Sharing" usually meant making a duplicate tape. They connected two recorders, playing on one and recording on the other. Analog recordings are never perfect, and copying an analogue recording multiplies the imperfections. With the oldest recordings this can even mean it went out the speaker of one machine and in via the microphone of the other. The muffled sound, dropouts, sudden changes in sound quality, unsteady pitch, and other defects heard all too often are almost always accumulated tape copy defects. In addition, magnetic recordings, unless preserved archivally, are gradually damaged by the Earth's magnetic field. The audio quality of the source discs, when they have survived unscathed and are accessed and dubbed anew, is usually found to be reasonably clear and undistorted, sometimes startlingly good, although like all phonograph records they are vulnerable to wear and the effects of scuffs, scratches, and ground-in dust. Many shows from the 1940s have survived only in edited AFRS versions, although some exist in both the original and AFRS forms. As of 2020, the Old Time Radio collection at the Internet Archive contains 5,121 recordings. An active group of collectors makes digitally available, via CD or download, large collections of programs. RadioEchoes.com offers 98,949 episodes in their collection, but not all is old-time radio. Copyright status Unlike film, television, and print items from the era, the copyright status of most recordings from the Golden Age of Radio is unclear. This is because, prior to 1972, the United States delegated the copyrighting of sound recordings to the individual states, many of which offered more generous common law copyright protections than the federal government offered for other media (some offered perpetual copyright, which has since been abolished; under the Music Modernization Act of September 2018, any sound recording 95 years old or older will be thrust into the public domain regardless of state law). The only exceptions are AFRS original productions, which are considered work of the United States government and thus both ineligible for federal copyright and outside the jurisdiction of any state; these programs are firmly in the public domain (this does not apply to programs carried by AFRS but produced by commercial networks). In practice, most old-time radio recordings are treated as orphan works: although there may still be a valid copyright on the program, it is seldom enforced. The copyright on an individual sound recording is distinct from the federal copyright for the underlying material (such as a published script, music, or in the case of adaptations, the original film or television material), and in many cases it is impossible to determine where or when the original recording was made or if the recording was copyrighted in that state. The U.S. Copyright Office states "there are a variety of legal regimes governing protection of pre-1972 sound recordings in the various states, and the scope of protection and of exceptions and limitations to that protection is unclear."[39] For example, New York has issued contradicting rulings on whether or not common law exists in that state; the most recent ruling, 2016's Flo & Eddie, Inc. v. Sirius XM Radio, holds that there is no such copyright in New York in regard to public performance.[40] Further complicating matters is that certain examples in case law have implied that radio broadcasts (and faithful reproductions thereof), because they were distributed freely to the public over the air, may not be eligible for copyright in and of themselves. The Internet Archive and other organizations that distribute public domain and open-source audio recordings maintain extensive archives of old-time radio programs. Legacy United States Some old-time radio shows continued on the air, although in ever-dwindling numbers, throughout the 1950s, even after their television equivalents had conquered the general public. One factor which helped to kill off old-time radio entirely was the evolution of popular music (including the development of rock and roll), which led to the birth of the top 40 radio format. A top 40 show could be produced in a small studio in a local station with minimal staff. This displaced full-service network radio and hastened the end of the golden-age era of radio drama by 1962. (Radio as a broadcast medium would survive, thanks in part to the proliferation of the transistor radio, and permanent installation in vehicles, making the medium far more portable than television). Full-service stations that did not adopt either top 40 or the mellower beautiful music or MOR formats eventually developed all-news radio in the mid-1960s. Scripted radio comedy and drama in the vein of old-time radio has a limited presence on U.S. radio. Several radio theatre series are still in production in the United States, usually airing on Sunday nights. These include original series such as Imagination Theatre and a radio adaptation of The Twilight Zone TV series, as well as rerun compilations such as the popular daily series When Radio Was and USA Radio Network's Golden Age of Radio Theatre, and weekly programs such as The Big Broadcast on WAMU, hosted by Murray Horwitz. These shows usually air in late nights and/or on weekends on small AM stations. Carl Amari's nationally syndicated radio show Hollywood 360 features 5 old-time radio episodes each week during his 5-hour broadcast. Amari's show is heard on 100+ radio stations coast-to-coast and in 168 countries on American Forces Radio. Local rerun compilations are also heard, primarily on public radio stations. Sirius XM Radio maintains a full-time Radio Classics channel devoted to rebroadcasts of vintage radio shows. Starting in 1974, Garrison Keillor, through his syndicated two-hour-long program A Prairie Home Companion, has provided a living museum of the production, tone and listener's experience of this era of radio for several generations after its demise. Produced live in theaters throughout the country, using the same sound effects and techniques of the era, it ran through 2016 with Keillor as host. The program included segments that were close renditions (in the form of parody) of specific genres of this era, including Westerns ("Dusty and Lefty, The Lives of the Cowboys"), detective procedurals ("Guy Noir, Private Eye") and even advertising through fictional commercials. Keillor also wrote a novel, WLT: A Radio Romance based on a radio station of this era—including a personally narrated version for the ultimate in verisimilitude. Upon Keillor's retirement, replacement host Chris Thile chose to reboot the show (since renamed Live from Here after the syndicator cut ties with Keillor) and eliminate much of the old-time radio trappings of the format; the show was ultimately canceled in 2020 due to financial and logistics problems. Vintage shows and new audio productions in America are accessible more widely from recordings or by satellite and web broadcasters, rather than over conventional AM and FM radio. The National Audio Theatre Festival is a national organization and yearly conference keeping the audio arts—especially audio drama—alive, and continues to involve long-time voice actors and OTR veterans in its ranks. Its predecessor, the Midwest Radio Theatre Workshop, was first hosted by Jim Jordan, of Fibber McGee and Molly fame, and Norman Corwin advised the organization. One of the longest running radio programs celebrating this era is The Golden Days of Radio, which was hosted on the Armed Forces Radio Service for more than 20 years and overall for more than 50 years by Frank Bresee, who also played "Little Beaver" on the Red Ryder program as a child actor. One of the very few still-running shows from the earlier era of radio is a Christian program entitled Unshackled! The weekly half-hour show, produced in Chicago by Pacific Garden Mission, has been continuously broadcast since 1950. The shows are created using techniques from the 1950s (including home-made sound effects) and are broadcast across the U.S. and around the world by thousands of radio stations. Today, radio performers of the past appear at conventions that feature re-creations of classic shows, as well as music, memorabilia and historical panels. The largest of these events was the Friends of Old Time Radio Convention, held in Newark, New Jersey, which held its final convention in October 2011 after 36 years. Others include REPS in Seattle (June), SPERDVAC in California, the Cincinnati OTR & Nostalgia Convention (April), and the Mid-Atlantic Nostalgia Convention (September). Veterans of the Friends of Old Time Radio Convention, including Chairperson Steven M. Lewis of The Gotham Radio Players, Maggie Thompson, publisher of the Comic Book Buyer's Guide, Craig Wichman of audio drama troupe Quicksilver Audio Theater and long-time FOTR Publicist Sean Dougherty have launched a successor event, Celebrating Audio Theater – Old & New, scheduled for October 12–13, 2012. Radio dramas from the golden age are sometimes recreated as live stage performances at such events. One such group, led by director Daniel Smith, has been performing re-creations of old-time radio dramas at Fairfield University's Regina A. Quick Center for the Arts since the year 2000. The 40th anniversary of what is widely considered the end of the old time radio era (the final broadcasts of Yours Truly, Johnny Dollar and Suspense on September 30, 1962) was marked with a commentary on NPR's All Things Considered. A handful of radio programs from the old-time era remain in production, all from the genres of news, music, or religious broadcasting: the Grand Ole Opry (1925), Music and the Spoken Word (1929), The Lutheran Hour (1930), the CBS World News Roundup (1938), King Biscuit Time (1941) and the Renfro Valley Gatherin' (1943). Of those, all but the Opry maintain their original short-form length of 30 minutes or less. The Wheeling Jamboree counts an earlier program on a competing station as part of its history, tracing its lineage back to 1933. Western revival/comedy act Riders in the Sky produced a radio serial Riders Radio Theatre in the 1980s and 1990s and continues to provide sketch comedy on existing radio programs including the Grand Ole Opry, Midnite Jamboree and WoodSongs Old-Time Radio Hour. Elsewhere Regular broadcasts of radio plays are also heard in—among other countries—Australia, Croatia, Estonia,[46] France, Germany, Ireland, Japan, New Zealand, Norway, Romania, and Sweden. In the United Kingdom, such scripted radio drama continues on BBC Radio 3 and (principally) BBC Radio 4, the second-most popular radio station in the country, as well as on the rerun channel BBC Radio 4 Extra, which is the seventh-most popular station there. #starradio #totalstar #star1075 #heart #heartradio #lbc #bbc #bbcradio #bbcradio1 #bbcradio2 #bbcradio3 #bbcradio4 #radio4extra #absoluteradio #absolute #capital #capitalradio #greatesthitsradio #hitsradio #radio #adultcontemporary #spain #bristol #frenchay #colyton #lymeregis #seaton #beer #devon #eastdevon #brettorchard #brettsoldtimeradioshow #sundaynightmystery #lymebayradio fe2f4df62ffeeb8c30c04d3d3454779ca91a4871

On today's program: Lt. General (Ret.) Jerry Boykin, FRC's Executive Vice President and former Deputy Undersecretary of Defense for Intelligence, analyzes President Trump and Vice President Vance's Oval Office meeting with President Zelensky and

Paddy, James and Tommy get stuck into Round 4 of the National Football League on the latest episode of The Football Pod, we're focusing on some of the shining stars, and wonder will we start to see some innovation, as the FRC get ready for their mid-season review and much more too. Enjoy.(01:00) - Paddy in Luxury, James in Liverpool(05:00) - Galway impress, Donegal disappointed or content?(15:00) - Keepers and kickouts, 12th man theories and future innovation(26:00) - Stars in form: Clifford and Canavan return with goals, Walsh and Bugler flying!(45:00) - Around the Grounds: Div1 to Div4 standout momentsWe've got a Members Football Pod coming for you later this week ft. an interview with Offaly goalkeeper, and former soccer star - Paddy Dunican on The Football Pod Fifteen. Become an Off The Ball member, or download the Off The Ball app to get three free listens every month.The Football Pod Club is brought to you by AIB. Proud sponsors of the Football, Ladies Football, Hurling and Camogie All Ireland Club Championships.Check out #TheToughest for more.

Paddy, James and Tommy get stuck into Round 4 of the National Football League on the latest episode of The Football Pod, we're focusing on some of the shining stars, and wonder will we start to see some innovation, as the FRC get ready for their mid-season review and much more too. Enjoy.(01:00) - Paddy in Luxury, James in Liverpool(05:00) - Galway impress, Donegal disappointed or content?(15:00) - Keepers and kickouts, 12th man theories and future innovation(26:00) - Stars in form: Clifford and Canavan return with goals, Walsh and Bugler flying!(45:00) - Around the Grounds: Div1 to Div4 standout momentsWe've got a Members Football Pod coming for you later this week ft. an interview with Offaly goalkeeper, and former soccer star - Paddy Dunican on The Football Pod Fifteen. Become an Off The Ball member, or download the Off The Ball app to get three free listens every month.The Football Pod Club is brought to you by AIB. Proud sponsors of the Football, Ladies Football, Hurling and Camogie All Ireland Club Championships.Check out #TheToughest for more.

On today's program: Meg Kilgannon, FRC's Senior Fellow for Education Studies, comments on the Kansas legislature's override of the governor's veto of the Help Not Harm Act, the Department of Education's Office for Civil Rights investigation into

Coming up on the show, we will look ahead to Clare's second outing in the National Hurling League as Salthill's new lights are the destination for the defending champions tomorrow evening. We reflect on St Flannan's Harty Cup final loss, and look ahead to their All Ireland quarter-final clash with Athenry next week There's also details of an exhibition club football game to showcase the new FRC rules, local soccer, ladies football and Greyhound Focus too

On today's program: Harriet Hageman, U.S. Representative for Wyoming's At-Large District, discusses today's headlines, including President Trump's executive order to end the weaponization of the Department of Justice. Meg Kilgannon, FRC's Senior

The Allianz National Football League returned this weekend, and it was the first time fans got to see the new rules created by the FRC in an attempt to improve the state of the game.Which rules were a success, and will teams become more attack-focused because of them?Matt spoke to former Mayo footballer David Brady and Will O'Callaghan from Off The Ball about what we learned from the weekend's fixtures.Hit the ‘Play' button on this page to hear their chat.

On today's program: Robert Aderholt, U.S. Representative for the 4th District of Alabama, shares his reflections on the second inauguration of President Donald Trump. Tony Perkins, President of Family Research Council, shares a message at FRC and

On today's program: Mark Alford, U.S. Representative for Missouri's 4th district, gives an update on the Laken Riley Act. Meg Kilgannon, FRC's Senior Fellow for Education Studies, comments on a federal court's decision to strike down the Biden

Happy New Year! On today's program: Cheryl Chumley, Online Opinion Editor at the Washington Times, sheds light on the power of the importance and power of personal Bible study. Kenyn Cureton, FRC's Vice President for Christian Resources, invites you

It's the final instalment of our special series on the evolution of Gaelic football.We hear the thoughts of Eamonn Fitzmaurice before James Horan, Paul Rouse and Maurice Brosnan reflect on what we've learned over the past few weeks and consider where the game can go from here.This is Episode 10 in a 10-part series which was initially produced for Irish Examiner subscribers earlier this year - before the FRC devised radical new rule enhancements -- in which we explore the development of Gaelic football over the decades.Subscribe to the Irish Examiner for more exclusive podcasts like the Gaelic Football Show and Dalo's Hurling Show, columns and other benefits. Hosted on Acast. See acast.com/privacy for more information.

On today's program, we feature a couple of our favorite messages from the 2024 Pray Vote Stand Summit: Katy Faust, Founder of Them Before Us, exposes the threats facing our children today and draws parallels with the early church. Walt Heyer, FRC's

On today's program, hosted by Jody Hice: Andrew Clyde, U.S. Representative for the 9th District of Georgia, shares the latest on the government funding fight. Quena Gonzalez, FRC's Senior Director of Government Affairs, offers good news on the

On today's program: Steve Marshall, Alabama Attorney General, reacts to the Supreme Court's oral arguments on Tennessee's law protecting children from the harms of so-called "gender transition" procedures. Dr. Jennifer Bauwens, FRC's Director of the

Welcome along to the latest episode of The Football Pod as James O'Donoghue, Paddy Andrews and Tommy Rooney look at the new world of Gaelic Football as Special Congress say yes to the FRC's proposals for 2025, the club All-Ireland series keeps on giving, and some stars of the game say goodbye.(01:00) - Welcome to the new World and TFP Christmas Party(04:00) - Cuala and Coolera/Strandhill win, All-Ireland favourites?(15:00) - New Rules - Gavin masterclass, which Counties will it suit, refs?(26:00) - The Football Pod listener Q+A on the new rules.(41:00) - Dublin retirements - how will they cope in 2025?(47:00) - Cillian O'Connor and Mayo Football - what's going on?(55:00) - Derry get Paddy Tally from Kerry, but lose Chrissy McKaigue…The Football Pod Club is brought to you by AIB. Proud sponsors of the Football, Ladies Football, Hurling and Camogie All Ireland Club Championships . Check out #TheToughest for more.

Mike & Nick are joined by Congressman Pat Ryan (D-NY) for a look at how he won his district this past election cycle, his message to the Democratic Party at-large, the recent Cabinet nominations by President-elect Trump, and ways he is looking to work with the incoming administration to help his district. We are brought to you by - Fresh Roasted Coffee - Black Friday deals are here at FRC! Great coffee plus march and more. Visit - https://lddy.no/1hvgr & use our promo code CANWEPLEASEGET20 for 20% off that purchase!SeatGeek -  NFL, NBA, NHL, concerts, you name it, SeatGeek has the tickets! Use our promo code CANWEPLEASETALK at checkout to get $20 off that ticket purchase!Support this show http://supporter.acast.com/can-we-please-talk. Become a member at https://plus.acast.com/s/can-we-please-talk. Hosted on Acast. See acast.com/privacy for more information.

On today's program, hosted by Joseph Backholm: Paige Hauser, Center for Renewing America Policy Director, suggests the steps needed to root out the DEI and woke policies of the federal government. Meg Kilgannon, FRC's Senior Fellow for Education

On today's program, hosted by Jody Hice: Meg Kilgannon, FRC's Senior Fellow for Education Studies, reacts to President-elect Trump's selection of Robert F. Kennedy Jr. as Secretary of the Department of Health and Human Services. Doug LaMalfa, U.S.

Election 2024 is in the books, and there's never been one like it. Donald Trump's "red wave" victory was preceded by assassination attempts, an opponent swap, and a hostile media. Host Joseph Backholm is joined by FRC Action's Matt Carpenter and FRC's Quena Gonzalez as they drill down on the results and analyze what they mean for Christians in America.

Donald Trump is riding the “red wave” all the way to the Oval Office. The American people have reelected him to be the 47th president of the United States. Host Joseph Backholm is joined by FRC Action's Matt Carpenter and FRC's Quena Gonzalez as they break down the results from the election of the ages. While some were convinced Trump was going to win, many were surprised at the scale of his landslide win. Matt and Quena weigh in on the shift we saw in voter values, the wins for life in Florida and Nebraska and offer some insight into what we can expect to see from this new Trump administration. As Christians, our hope is not in politicians but in Christ Jesus. May the Lord use this moment to bring glory to Him and turn American's hearts back to truth.

On today's program: Chris Gacek, FRC's Senior Fellow for Regulatory Affairs, comments on the Left's threats to battle President-elect Trump's executive orders on the border and predicts what he needs to do to restore law and order at the Department