Podcast appearances and mentions of george harrison living

Today's episode is on "George Harrison: Living in the Material World", a 2011 film about The Quiet One directed by Martin Scorsese. It's available on Max. Our guest today is George Harrison and Bob Dylan superfan Britt Eisnor. Check out her excellent Dylan content on Instagram. This movie is about George's mysticism, more or less, and weaves in and out of his very famous life story. There are some great talking heads, not all of whom are great people (I'm looking at you, Phil Spector) or come of as well as they think they do (and now I'm looking at you, Eric Clapton), and one conspicuous absence. Also, this movie would have you believe that George Harrison only recorded one solo album. It seems like his career as a musician continued on past 1970, but who can really tell for sure? Check out the Treble review of "All Things Must Pass": https://www.treblezine.com/george-harrison-all-things-must-pass/ Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt  

In this special episode, Warren Zanes joins us to share the incredible journey of his life—from his teenage years playing in The Del Fuegos to his remarkable career as an author. He talks about his books on Tom Petty, Dusty Springfield, and his latest work, Deliver Me From Nowhere, which is soon to be adapted into a film. The book dives into the making of Bruce Springsteen's iconic Nebraska album.From https://www.warren-zanes.comWarren Zanes is a New York Times bestselling author, a Grammy-nominated documentary producer, and a professor currently teaching at at New York University. As a teenager, Warren Zanes joined The Del Fuegos, making three records for Slash/Warner Bros.. Later, after earning his Ph.D in Visual and Cultural Studies from The University of Rochester, Zanes released Memory Girls, the first of four solo recordings made for Dualtone Nashville. In the non-profit area, Warren was the Vice President of Education and Public Programs at The Rock and Roll Hall of Fame and, for ten years, Executive Director of The Rock and Roll Forever Foundation. His books include Dusty in Memphis, the first volume in the celebrated 33 1/3 Series, Petty: The Biography, Revolutions in Sound: Warner Bros. Records, and his new book about Bruce Springsteen's Nebraska, Deliver Me from Nowhere. With Garth Brooks, Zanes has worked on five books in the artist's Anthology Series. Among his work in film, Zanes was a consulting producer on the Oscar-winning Twenty Feet from Stardom, a producer on the Grammy-nominated PBS/Soundbreaking series, conducted interviews for Martin Scorsese's George Harrison: Living in the Material World, and served as writer for The Gift: The Journey of Johnny Cash. He is an active member of both poet Paul Muldoon's Rogue Oliphant collective and a family that includes his sons, Lucian and Piero.MusicWarren Zanes "I'll Never Forget That Day With You"Additional Music The Charms "So Pretty"The Dogmatics "I Love Rock N Roll"Produced and Hosted by Steev Riccardo

"Beatles '64" is an all-new documentary from producer Martin Scorsese and director David Tedeschi. The documentary is currently streaming exclusively on Disney+. The film captures the electrifying moment of The Beatles' first visit to America. Featuring never-before-seen footage of the band and the legions of young fans who helped fuel their ascendance, the film gives a rare glimpse into when The Beatles became the most influential and beloved band of all time.  For over 20 years, award-winning filmmaker David Tedeschi has worked in creative collaboration with Martin Scorsese. Alongside the legendary filmmaker, Tedeschi's directing credits include the critically acclaimed feature documentaries "Personality Crisis: One Night Only" (Showtime, 2022) and "The Fifty Year Argument" (HBO, 2014). "Beatles '64" marks Tedeschi's solo feature directorial debut, which is produced by Scorsese and executive produced by Paul McCartney and Ringo Starr. Margaret Bodde is a two-time Emmy Award-winning documentary producer whose credits include Ron Howard's "Jim Henson Idea Man" (Disney+, 2024, “Outstanding Documentary”) and Martin Scorsese's "George Harrison: Living in the Material World" (HBO, 2011, Outstanding Non Fiction Special). She is also a Grammy and Peabody Award winner for Scorsese's "No Direction Home: Bob Dylan" (PBS, 2005), and a Grammy nominee for the PBS series "The Blues" (2003). 

In this episode of the Watchung Booksellers Podcast, authors Warren Zanes and Thad Ziolkowski talk about writing and addiction. From their personal struggles in using drugs while creating art to the complexities in writing about addiction in general, their conversation is thought-provoking, sincere, and often very funny. Our Guests:Warren Zanes is the New York Times bestselling author of Dusty in Memphis, the first volume in the celebrated 33 1/3 Series, Petty: The Biography; Revolutions in Sound: Warner Bros. Records; and Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska. With Garth Brooks, Zanes has worked on five books in the artist's Anthology Series. As a teenager he was a member of the Del Fuegos and made three records for Slash/Warner Bros.  Zanes holds a PhD in visual and cultural studies from the University of Rochester and presently teaches at New York University. He is a Grammy-nominated producer of the PBS series Soundbreaking and was a consulting producer on the Oscar-winning documentary 20 Feet from Stardom. He conducted interviews for Martin Scorsese's George Harrison: Living in the Material World, and served as writer for The Gift: The Journey of Johnny Cash. Zane's work has appeared in Rolling Stone and the Oxford American, and he has served as Vice President of Education and Public Programs at The Rock and Roll Hall of Fame and, for ten years, Executive Director of The Rock and Roll Forever Foundation.  Thad Ziolkowski is the author of Our Son the Arson, a collection of poems, the memoir On a Wave, which was a finalist for the PEN/Martha Albrand Award in 2003, and Wichita, a novel. His most recent book, The Drop, which explores the relationship between surfing and addiction, was published by HarperWave, an imprint of HarperCollins, in 2021. His essays and reviews have appeared in The New York Times, Slate, Bookforum, Artforum, Travel & Leisure, Interview Magazine, 4Columns, and Galerie. He is the recipient of a Guggenheim Fellowship and has a PhD in English Literature from Yale University. Books:A full list of the books and authors mentioned in this episode is available on our website.Resources:The Washington Post George Harrison: Living in the Material WorldRoom at the Top - Tom PettyRThe Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup. Recording and editing by Timmy Kellenyi, Bree Testa, and Derek Mattheiss at Silver Stream Studio in Montclair, NJ. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thank you to the staff at Watchung Booksellers and The Kids' Room for their hard work and love of books! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Neste programa especial de nº 50, Fernando Machado, Marina Oliveira e Leandro Luz convidam Rafael Arineli e Daniel Cury para debater sobre vida e obra do cineasta estadunidense Martin Scorsese. Pegue o seu fone de ouvido, prepare o café e nos acompanhe nesta jornada, pois a partir de agora você está em um plano-sequência! ================================================= Ficha Técnica: Duração: 03h10min | Pauta: Fernando Machado | Arte da Capa: Marina Oliveira | Edição e Montagem: Fernando Machado | Sonorização: Fernando Machado | Publicação: Fernando Machado ================================================= Caso você queira ouvir os comentários apenas sobre um dos filmes, confira a minutagem em que cada um entra: 00:28:50 - Alice não mora mais aqui (Alice Doesn't Live Here Anymore, 1974) 01:00:51 - Touro indomável (Raging Bull, 1980) 01:30:04 - Cabo do Medo (Cape Fear, 1991) 01:51:28 - A Invenção de Hugo Cabret (Hugo, 2011) 02:21:37 - George Harrison: Living in the Material World (2011) 02:46:30 - Top 3, considerações finais, etc… ================================================ Dúvidas, sugestões, críticas ou feedbacks podem ser enviados para o e-mail contato@plano-sequencia.com ou através de nossas redes sociais. Estamos no Twitter @planoseqcast, no Instagram @planoseqcast e no Facebook/planosequenciapodcast. Não deixe de avaliar o podcast no iTunes para que possamos ter mais visibilidade dentro da plataforma. =================================================

Did you miss Taylor Swift's The Eras Tour or Beyoncé's Renaissance World Tour? Fear not Swifties and fans of Queen Bey as they both have concert films due out soon. Concert films are nothing new. Since "Woodstock" in 1970 — and even some earlier films that The Beatles did as they slowed and stopped touring — films have captured important festivals and tours, and provided insight into bands as well as the fans during specific time periods. And even acclaimed directors have gotten into the act. Martin Scorsese has directed some of the most notable concert and musician biopics of all-time when not busy with gritty dramas. Crank up the volume as co-hosts Bruce Miller and Terry Lipshetz talk about their favorite concert films of all time, discuss the marketing genius that is Taylor Swift, and share additional stories and thoughts as well.  Where to watch "Taylor Swift: The Eras Tour" in theaters Oct. 13 "Renaissance: A Film By Beyoncé" in theaters Dec. 1 "Woodstock" (1970) "One Direction: This Is Us" (2013) "The Last Waltz" (1978) "No Direction Home: Bob Dylan" (2005) "George Harrison: Living in the Material World" (2011) "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese" (2019) "Michael Jackson's This Is It" (2009) "Diana Ross" Live in Central Park" (1983) "The Song Remains the Same" (1976) "Led Zeppelin: Celebration Day" (2012) "A Hard Day's Night" (1964) "Help!" (1965) "Gimme Shelter" (1970) "Les Misérables 25th Anniversary Concert at the O2" (2010) "Springsteen on Broadway" (2018) "U2: Rattle and Hum" (1988) "Medusa: Dare to Be Truthful" (1991) "Hamilton" (2020) "1991: The Year Punk Broke" (1992) Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co host of the program with our band leader Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. So if you're John Lennon, does that. Bruce Miller: Make me Ringo? No Paul McCartney. Oh, I'mccartney you get to be the big one. Why not go for the good one, right? Terry Lipshetz: Exactly. Taylor Swift's concert film is coming out next week Terry Lipshetz: So music. Taylor this is the week. Bruce Miller: This is the week. Did you know this? If you were a Swiftie, you would know these kinds of things, and that is that Taylor Swift's movie is coming out in the next week, and it's based on her era's tour. What I like to look at this as those of us who couldn't afford or get tickets to her tour will be able to see it without having to really bust a hump. Terry Lipshetz: That's the best part to me about concert films is that it's a great way to get you to the show, if you can't get to the show, because sometimes some of these tour stops and, I mean, you're in Iowa, so for you, how often does I mean, you'll get shows. Sure, come to Iowa, but not something this big, right? Bruce Miller: Yeah. Terry Lipshetz: You got to travel. You got to go to Chicago or, Minneapolis. Bruce Miller: I had friends tell me they spent $12,000 to see Taylor Swift. Terry Lipshetz: Holy cow. Bruce Miller: $12,000. Someday this will sound like I'm, absurd thinking that that's a lot of money, but in this day, it's a lot of money. It factors in the price of the tickets, the cost of getting there, the hotel room you have to have. I mean, it's like, I don't know that there's anybody on this earth that I would spend $12,000 to see. Terry Lipshetz: I don't have that kind of spending cash. Bruce Miller: But knowing that it is coming out on film, on DVD, I'm sure eventually all those kinds of things, it's an opportunity for all of us to enjoy whatever it was that was put out there and then maybe be even a little more critical about what they saw. Because I think they were all caught up in the enthusiasm of the moment. So I don't know. Maybe it isn't that good. Maybe 44 songs is too many. Who knows? Terry Lipshetz: It sounds like, from what I've heard, it's a really good show. I've seen a lot of clips of it. If you like Taylor Swift, I think it's definitely a show you want to see. I keep hearing 44 songs, but it's not like she performs them in full. There are some snippets here and there, and she kind of goes through the eras. No word if there is ranch dressing involved. Did you hear about no, no. So she's dating or at least seeing Travis Kelsey from the Kansas. You can't escape. Bruce Miller: Right. Terry Lipshetz: So every little thing she does now gets dissected, and on social media. They were looking when she was at the Chiefs game in her luxury suite, somebody spotted a picture of her with a chicken finger on a plate with what appeared to be ketchup and then a white substance that was labeled as seemingly ranch. Seemingly ranch. So ranch dressing companies, are like, running with it. Taylor eats ranch dressing. Bruce Miller: Who knew that she had such clout? Right. Terry Lipshetz: Right. It's crazy. Bruce Miller: Anything she does when she was here, she did play here way back in the early, early days when she was considered a country artist, if you dare say that. And, the thing I found most amazing about her is that she didn't do her t shirt in one style. She did the look of it in like five different colors. So these fans would want all five of them. And I thought that is a brilliant marketing decision by somebody that you weren't just getting the tour shirt, you were getting all of them. Because, if I'm going to get one, I got to have them all. What color do I pick? How do I pick? What am I going to do? So marketing genius. I think she's far more skilled at selling herself than she is at anything else. And that is not a diss. That means that she is just a genius at it. She should be teaching this at Harvard. Terry Lipshetz: Well, you know, with me, I'm, a record collector because you've seen my music collection and stuff in the background. Taylor. It extends to releasing physical media. So with the, album, actually, all of her recent albums, she'll release it on vinyl on a standard black edition. Limited. Limited, but well, the black is always that's standard. You can get that anytime you want. But then there is a different colored version that you can buy at Target. And then you can buy four different versions with four different album covers on four different colors through her website. And she puts them up at these intervals, like for the next 48 hours, only you can buy this one. And then it goes away. And then people freak out because they're like, you're making me buy it multiple times and you're charging me shipping multiple times. Why can't you just put it all up? But people will do that. I've seen people on social media sharing out. She's only got it's not like she's got 35 albums. She's got a solid catalog of a dozen different albums or so. But each one has like five or six or ten variants. Like you could literally have a, ah, collection of 200 Taylor Swift records. And it's just like a dozen albums. Bruce Miller: At this point, which is kind of unreal. That is crazy. Terry Lipshetz: And people buy like Taylor's army. They will buy it. And it's like, as I said, I'm a record collector. I do have multiple copies of certain albums, but it's less about like, I need a black version and I need a green version and a red version. It's like I've got the original pressing, an early pressing of Born to Run by Bruce Springsteen. I have a Japanese copy. I have a UK copy. They're pressed in different places, so the sound might be a little bit different. Bruce Miller: Are they unplayed? Do you keep them so that nobody touches them? Terry Lipshetz: No, I play them. And that's a little bit of the difference with some of the Taylor Swift fans is they might play one copy, but then they've got 13 that sit on a shelf or they hang on a wall or something. Bruce Miller: That could end up being the Beanie Babies of our era. It's going to be, should I say eras? Terry Lipshetz: eras. yes, Beanie Babies of our so. But yeah, like shameless self promotion. Beyoncé's film drops after the end of her tour Terry Lipshetz: Bruce, if you do want to check me out on social media, my Instagram handle is at vinyl underscore Terry. And you can just see what music I'm listening to. Bruce Miller: I will look. That's great. Check it out. The Beehive is also or the Beehive, I should say, is going to have its film in. Know, she's once she sees what Taylor does, she's got to do one better. Terry Lipshetz: well, and her strategy is a little different. So with Taylor, she's a little bit on hiatus at the moment. She's taking a small break in her tour. Right. Well, she goes I think in another month she heads down to South America. She's going to do like, Argentina and all that. So her film is going to drop October 13, I believe. And then, with Queen Bey, her tour is over. So she's going to drop hers on, I believe it's December 1 and it's going to air in theaters on Thursdays, Fridays, Saturdays, and Sundays for about four weeks. So it's going to be like a limited run month of December. But her tour is done. So it's not like right. You either saw it and want to relive the moment or you missed it and here's your opportunity. Whereas with Taylor, this is just kind of just another opportunity to see her. And then you can fly off to South America or you can wait for her to circle back in North America next summer. Bruce Miller: We've got to spend $12,000 and follow her around. Terry Lipshetz: Yeah. Bruce Miller: And then go to all the, Chiefs games to make sure that we see that in case she happens to wave to the audience from the skybox. You know how it is. Well, I must tell you, I have followed these kinds of films for know going Back to Woodstock was probably the first good concert ish film because it did give you a sense of it and made me glad I never went there because I don't think I could have withstood Mud and all that kind of whatever crap was invited. I was in California one summer and I was invited. I think it was summer. It either was summer or January, but it was the, preview of, One Direction's film. One Direction had a film called this Is US. I think it is. This is us. Terry Lipshetz: Okay? Bruce Miller: And they were having this sneak in the Grove, which is a kind of upscale shopping center in Los Angeles, okay? And somehow the word got out that this was going on and all these little girls who were fans of One Direction gathered there. They were outside this theater like you couldn't believe. It was like the scene in Frankenstein where the villagers are going to storm the castle because they want in. And they had heard that One Direction was going to be there. That they were going to turn up for, this screening that they weren't invited to that they couldn't get into. And so I'm sitting in the theater, right? And we get the manager of the theater looking just really whipped and he says, whatever you do, do not leave your seat. If you leave your seat and you leave the theater, you will not get your seat back. Because if somehow they break in and they start sitting in the seats where there aren't people, we can't kick them out, huh? We have no way of doing it. So please do not leave your seat. And we heard people pounding at the door outside and this made news. You'll find if you want to go back and look it up, pounding at the door, insistent that Harry Styles was in there somewhere and we were keeping them from meeting him. It was unlike any situation I've ever been in that's, a preview of anything. Was the movie okay? I have no clue. I was worried that I was going to be beaten by a twelve year old at some point because I was in there sitting and watching this movie that meant so much to them. Terry Lipshetz: But they weren't well, they, didn't show up, right? Bruce Miller: They were out there, but the cops came and the cops kept them and got them out of the theater. So they were not in the theater at all. And then when we walked out, you could see that there was like you who was in there? Who was in there with you? Did you see Niall? Was he in there with were the kids were real questioning. I thought they could kill people. I think they really could kill people. Terry Lipshetz: They probably could if you're determined. If you're determined. Bruce Miller: And so then I said, oh, it was wonderful. You've got to see this film. It's just so yeah, yeah. Scorsese directed a documentary about Bob Dylan's 1975 concert tour Terry Lipshetz: Woodstock, though. That's probably the first concert film I had ever seen. It was actually one I'm trying to think when my dad let me see it because it's a know, there's some language in it, there's some drug use in it, there's definitely some nudity in it. And it may have even been the first movie I had seen with nudity. But it's really a fascinating look at what went on. I think my dad always had a real connection with it too, because he bought tickets with friends to Woodstock. Yeah, he didn't get to it. He got stuck on the New York State throughway and eventually had to turn around because they left a little too late on whatever day it was. And by that time it was crazy. People had stormed the grounds. It had become a free concert. And he was angry. So he did what any other person who bought a ticket tickets? No, he sent it back and got a refund. And he regrets it. he regretted it for the rest of his life because he wished he could have had that ticket stub of like, I actually bought a ticket and I couldn't get there. But yeah, it was all of his favorite bands were playing. It's an incredible thing. So I think he always wanted us to, my siblings to really feel that connection with him, with Woodstock. But it's a fascinating film too, because Woodstock, up until that movie, was just a financial disaster. And it took that movie to kind of help them break even, basically. Bruce Miller: Well, and it showed you how acts that they weren't counting on turned out to be the stars really made their fortunes for them. Whereas other ones that they were counting on, it's like, well, not so sure here. This is not necessarily the star. Terry Lipshetz: Yeah. And you know who, not a director of the film, but one of the film editors of it. Do you know what famous, director Scorsese was? One of his earliest, works was as a film editor on Woodstock. Bruce Miller: See what happens see what happens when you're available and you can get to that place. Terry Lipshetz: Right. Bruce Miller: Only but he wouldn't have gotten a t shirt because he probably weren't selling any. Terry Lipshetz: yeah, but Marty, and we know Martin Scorsese by Marty because we're. Bruce Miller: He'S one of our pals, right, right. Terry Lipshetz: But he's got a long history in doing movies, documentaries, know musicians. He directed The Last Waltz, which was the final concert of the Band. He did, ah, no Direction Home, which was the documentary about the early life of Bob Dylan. They captured him leaving Minnesota and then going to New York and kind of rising through the folk scene. And then it kind of ended, when he plugged in. He did a documentary on, George Harrison. did you ever see the one he did called, Rolling Thunder Review a Bob Dylan Story. Do you remember that one? Bruce Miller: No. Terry Lipshetz: So he directed this and it was the most bizarre thing. So it's based on Dylan's concert tour during I think it was 1975, it was a transitional stage in Dylan's career. But he went out with this huge group of people. It was like 20 people on stage. It was almost like a circus dylan painted his face. He had like white makeup on every night and wore a big hat. And it captures a lot of those performances. But the film that Scorsese did was almost part fiction because it plays into the myth that is Dylan. And it talks like, I think Sharon Stone was in it and she talks about how she was a groupie during but she wasn't, she wasn't on the tour with Dylan at all. But they added in, for whatever reason, different moments of fiction to what was actually supposed to be a documentary of his tour of the mid seventy s. So it's kind of a crazy oh, my crazy thing. Yeah. Bruce Miller: One that I am fascinated by is the Michael Jackson one. Supposed to be about his last concert tour. And they kind of created it into that tour. I mean, if you were there, you would see all of the numbers that they were planning to do, but you realize in the course of that somewhere, there was no way he was going to be able to produce this every night. He couldn't. He didn't have the energy, he didn't have the stamina. I mean, it was fascinating when they did each number, but you'd think somebody's got to go get some oxygen at some point because it's just way too much. And it's telling because it shows how talented he was, but also how old he was. And the idea that you can do that maybe past your prime is unreal. But if you haven't seen that one, please watch it because it's unbelievable. Terry Lipshetz: This is it, right? Yeah. And that came out in 2009. I remember watching that one and it was really fascinating because it took you inside of the prep for the tour. But it was also really sad too, because you were seeing his decline basically too at the time. Obviously, in retrospect, when you see it, you're like, well, okay, that makes sense. But at the time you probably didn't even realize that he was nearing the end of his life. Bruce Miller: Right? Well, I think it's one of those things where he thought, too, I'm not going to do it. I'm not going to be able to do this. This isn't going to happen. Instead of doing it once and doing it for film it and then you never have to do it again, why know, right. Do you remember when HBO was real big about doing these live, specials? And there was a Diana Ross one live from Central Park, and it started to rain, and it was like the worst rain ever. And not as bad as the one they've had recently, but it was bad so that the people were like, well, she just kept on going. She was the bunny and wouldn't let it up and come on, everybody, sing with me. And it's like, wow, this is real. But I think they like that document of their time because it is a way to mark certain hallmarks of their career. And then also it's a way for fans to say, you know what, she or he really was that good. Terry Lipshetz: Yeah, I won't watch every concert documentary out there. But if it's a musician that I at least either like or respect, I like to check it out. Because it's always a good time capsule to kind of see what happens. Led Zeppelin's concert films bookend two eras Terry Lipshetz: An interesting one for me is, The Song Remains the Same, the documentary concert film, about the, Led Zeppelins tour from 1973, where they filmed it at Madison Square Garden. And here is that band at, really the height of their popularity, right? It's middle of their career. Things are crazy. And it captures the moment. And that came out in 76. And then years, years later, they did another concert film. And it's called Celebration Day. And that came out in 2012. Now, this is after John Bonham had died. And after John Bonham died, the band broke up. And they swore, we're never getting back together. And there were little things here and there, like Robert Plant and Jimmy Page did a side project together. But they never really went back out. I think they had that one off, like at Live Aid, where they came together and played. But they never again really did any sort of tour or anything. They swore we're never going to reunite. But then they ended up doing, a benefit concert at the Two Arena in London. And it was just a one off. And they said, we're going to do it. We're doing this benefit. It's for one of their early managers or promoters. So that's the only reason we're going to do it. And it's sold out in minutes. And the cool thing about it, though, is that they brought in Jason Bonham, who is John Bonham's son, to play on drums. And I always thought it was cool watching that concert. Know, you knew that this is know, you're not going to be able to see them again. They're never going to get back again. But they opened it up with the song Good, Times, Bad Times. And it was very much like a drum driven song. So we're going to open it up. We're going to let Jason Bonham kind of take center stage in honor of his dad kind of thing. And then they kind of tore through like 16 songs after that. So it was a really nice moment. And there's a band that kind of had two ends of the spectrum. Like one at the height of craziness in the we're like grandparents now. But this is us. We're going to get back to one more time. We're going to honor a friend of ours and do it one more time. And I thought that was pretty cool. Bruce Miller: Well, and we look at the Beatles really did concert films too. They just did them more like music videos, right, with all of their kind of help and you name it, Let It Be, all that kind of stuff. Had a moment. They never really sat it down and did, something that we're seeing a lot of, but so we still have that kind of record of their time on earth. The Rolling Stones, however, had, give me shelter. Terry Lipshetz: And do you? Bruce Miller: That was like, wow, yeah, those times. I don't know that I would have been eager to go to those concerts at the time. But in retrospect, as an older person with more hopefully smarts about what I'm doing, I can appreciate it much more than I would have at the time. I would have been worried about getting out. Are we getting out time? Ah, is the parking going to be bad? Do I have to worry about all that? You know what I mean? Now it's a lot of fun to watch it, and especially when they're still performing. I'm sure every move they make now when they're in concert is photographed somewhere, somehow. We didn't have social media back in the day, so everybody wasn't holding a phone up and, recording it. They were just appreciating what it was at the time. Terry Lipshetz: The Beatles, it's an interesting example because they had several movies that are still popular to this know, like A Hard Day's Night, and there were concert elements within the film, but it was more of a traditional film. But it captured Beetlemania, ah, at the height of Beetlemania. So if you weren't there in the experience, Beetlemania, even though it's kind of a light hearted film, you still got the essence of it. And then you got some of the goofiness with help and all that. But it's really a shame with them because they stopped touring in the mid 60s because they couldn't hear themselves. And if you ever get a chance, I have like a bootleg DVD of their Shay Stadium concert. And it's the craziest thing. It's like a 25 minutes concert. I mean, that's all their concerts were back there. They would do 20 songs in 25 minutes and then they were done. Bruce Miller: Wow. I've been to the theater, the Ed Sullivan Theater, where they did their big performance on television, the first one. And the place is small. It's really small. And I remember seeing people in the balcony, like they were jumping up and down and were so excited that they thought it was going to come down. And you realize, wow, we were really kind of duped back in the day thinking that it was just this huge Madison Square Garden kind of experience. And it was just a small you know, the cameras made it look like it was much bigger than it actually was. Terry Lipshetz: If you ever get a chance in New York City, you take the NBC Studios tour and they usually will take you to a couple different sets, including it's like they always do Saturday Night Live, and then they'll give you like, one or two. And I remember when I took the tour one time we went to the Saturday Night Live set, and you're just kind of blown away because you realize you actually can't see some of if you're in that studio audience. Because of the way they have to arrange the floor. They might be filming part of it off to the side where the audience can't actually see it. And you have to watch it on monitors. You just see where they come out for the monologue and you see where the band performs. But then some of the other configurations are all over the place. And then we also went out to, I think it was Conan O'Brien's when he was still it was before he the Tonight Show, and he had that late, night program. And I remember going there and we saw the Max Weinberg drum kit sitting out there and Conan's desk. But it's tiny. It's a tiny little. Bruce Miller: Sneaky. Yes. Bruce Miller: you mentioned Saturday night. I was lucky enough to have been there during the early years. I saw an episode that, I don't know if you remember any of these things, but there was a dance that Gilda Radner and Steve Martin did and they were, like, going all around the whole area and they came near me, and I was able to get on camera at some point with them. So if you ever have access to that, go back and look. But it was fascinating because you could not see all of the skits. There could be a skit right down below you, but, you can't lean in and look at that. And so you'd basically get to see a couple and that's about it. But, the flurry of activity that's going on between the skits is just amazing. And then the sound is really good for, the guest artist, whoever is singing that week or whatever. It's really good. a couple of times I've gotten to go to Saturday Night Live. It's like the most impossible ticket to get because, at best, you're going to get a rehearsal ticket at this point because they do a rehearsal before they do the final show, right? And, somehow they'll let people in there. But you really need to know somebody if you're going to go to the actual show itself. So put that on a bucket list. It's really worth it. Bruce Miller: You had mentioned back a little bit earlier about the two this huge venue in London, and, every year, it seems they're rerunning this on PBS. And that's the Les Miz anniversary special. And it's just unbelievable. I love the show. Les Miz arabla. As a musical, it's wonderful. But this they combined a whole bunch of old stars, people who had been in it before, made this kind of masterful thing. And then you saw these people walking up the aisles of this show and it was like, oh my God, I can't believe this. And those are those once in a lifetime experiences that somehow need to be captured on film. But The Two is a place where they all play at some point. Look at all the things they did when Prince Charles and, when Queen Elizabeth had her anniversary. You name it, they did something there. And it's a place I'd love to go to just to see what it's like in person. Terry Lipshetz: Yeah, that would be a fun one. And then you think about entertainment destinations now, too, with The Sphere in Las Vegas with U Two and U Two, because U Two is such a visual band that they're able to utilize the interior. I mean, that's just amazing. It's just a giant Led screen, basically. But they had a concert film as well. I don't know. Do you remember Ratle and Hum? Bruce Miller: Oh, yes, I think we got them. And get it free. If you had like, some Apple product, they gave it to you. Terry Lipshetz: I don't know, you might have, but no, I think that might be something else. But Ratle and the Hum came out in, I think it was 1988. And it was a combination, album. It was like a live album that came out after The Joshua Tree. And it also had a companion film that went with it. The companion film. Some people love it, some people hate it. I don't know if there's very many people that are kind of like in the middle on this one. It's really bizarre. So on one hand, you get a lot of performances from the Joshua Tree tour, which is really at that know, they had a few earlier albums that did were critically acclaimed, but they didn't necessarily explode commercially. But The Joshua Tree exploded commercially and they had huge hits. So they documented parts of this tour and they shot a lot of it in black and white. But then near the end, they went into color. But then they had these intermittent weird side journeys where they went to Graceland and they talked about their love for Elvis and they met with BB. King and they did this. And it was just kind of a strange document of the time. I would have been happier with. Just give me 25 songs of a straight YouTube concert. If you got to take a few performances from a few different shows, so be it. But, I don't know. I could probably have done without the side commentary. Yeah, exactly. Because I love you two and I've seen them in concert and I have all their albums. But Bono has a certain way about them, I guess is a way of saying it. And it's just like they're a little bit too over the top sometimes, even for me. I think Rattle and Hum really, it sums up that time, at least, even though. Bruce Miller: All those little pop stars. Anna Montana, right? bieber had one. I think it was 3D. Katy Perry, you name them, they all get these movies at some point. And it's somebody saying, you know, here's how we can make the budget on that tour. That didn't go so well. We'll put out a movie, and then we'll make up the difference that we lost in, know, having that big set piece that you had. There was a great mockumentary about Madonna's tour. Remember how Madonna had the cone bra and all that? And Julie Brown. Not the Julie Brown that you remember from MTB, but a different Julie Brown who was a comedian, did her spoof of was. So I think she called herself Medusa or something. Terry Lipshetz: Okay. Yeah. Bruce Miller: But if you ever get to see that, it is such a hoot. It makes fun of these in the best way. The best way. And Madonna had to have loved it. And she's another one who should look at those things and say, I'm glad I have this document. I really am. Because I don't know that her tours now are as iconic as they should be. Gaga she has done things. She's done films or specials, but I don't know that she's done one of these kind of big movie things that would have told all or showed all or whatever. And maybe she's ripe for one. Terry Lipshetz: Maybe. You know which one I really like, too. And this was an opportunity because I couldn't get to New York, and I'm a huge Springsteen fan. And then this is like my other Broadway. Yeah. In my other shameless self promotion, I have another Instagram account called at Bruce Springsteen Collection, where I document all of the Springsteen albums in my collection. And I'm not just talking about the regular stuff. I've got some things that were not officially released that I show off on this thing. Bruce Miller: But does Bruce know? Terry Lipshetz: He knows this stuff is out there. Bruce Miller: Okay. Terry Lipshetz: but, yeah, no, I'm a huge hardcore. I've seen him in concert 1314 times at this point. Bruce Miller: Why didn't you go to the Broadway show? Come on. Terry Lipshetz: Yeah, I mean, I really wanted to, but the cost for tickets, I got to travel from the Midwest to the city. Yeah, it's an expensive show. So, when Netflix made the deal to air, know, one of the performances of Spring Scene on Broadway, it was a really good opportunity. And I would have loved to have gone to the Walter Kerr Theater to see it live. But I think in this type of setting, the way they filmed it, you felt like you were right there. Terry Lipshetz: It was a very well done documentary, know, whatever you want to call it. it captured the know, it was kind of like, with Hamilton, because if you couldn't see the original cast, you at least got to see it on Apple TV. And I think that was a good second opportunity. And I think that's what this is. Bruce Miller: I told you my story about Hamilton, right? That I was determined to see Hamilton no matter what. Terry Lipshetz: No, I don't think I heard this one. Bruce Miller: Oh, do you mind if I go ahead. Story. The thing about me is I have to see the original cast. I have to see the original actor in a Broadway show or I don't feel like if it's a big thing sure. And I knew that Hamilton was going to be a big thing even before Hamilton was a spark on anybody's radar. And then it got out there and I thought, I've got to go, but when am I going and how do I get tickets? And it was like this whole thing where I couldn't get the tickets. The tickets were just outrageous. And I decided I was going to go on StubHub. And so StubHub I went on, and it was like, 1000 something for the tickets, and am I going to spend $1,000? And then I start rationalizing all these things. Well, life is short. You're not going to be around that much longer. You want to see it, you should go. The original cast was breaking up after that. I was rationalizing. Terry Lipshetz: Right. You played it out, like, 15 steps and you're like, I'm on board. Bruce Miller: And it got down to the point where it was $777. Terry Lipshetz: Oh, you got to do it. Bruce Miller: And I did it. I jumped. And then I was at a hotel and we had to add, you know, how this thing is where you print out the tickets, but you're not really sure about all this, and you think, oh, they're going to take money to the cleaners and I'm going to lose $700, and it's going to be just the worst, right? Terry Lipshetz: Yes. Bruce Miller: And so I went to the business office at the hotel and they said, yeah, these are pretty good. You should be all right. You shouldn't have a problem. But if I were you, I'd get to the theater early, because if somebody sold this ticket twice, which could happen, you won't be the one who gets in. It'll go the one who got in before you. I made a beeline to that theater as fast as I could. And when I heard that M of the ticket, it was like, yes. So I get to my seat, and the seat was really good. And I'm talking to the people next to me. And there was a family from Los Angeles who came because the daughter had been listening to the album all along and wanted to see this. Right. This was her goal. And they gave up going to any other shows. They weren't going to any kind of theme parks. They weren't doing anything but Hamilton. And they spent $10,000. And they were sitting next to me. And we talked to people, like, in the row before us. They spent nothing. Somebody handed them tickets at the theater. So there were all these kind of stories that were going around among the people, and you felt lucky. You felt like, I have won the lottery. I am here. And then you hear and you think, this is, like, the most unbelievable experience I've ever been in my life. It was everything. And then a little bit more. And I'll tell you an, intermission. I ran to the merchandise table and bought $200 worth of crap just because I wanted to prove that I had been to Hamilton, right? So it was my thing. And I realized, you know what? It was money well spent. It was really money well spent. Now, when I saw the Apple version of or I mean, the Disney version, disney plus version of, Hamilton, it was perfect. It lived up to all of the things that I remember, because after that cast, the original cast left. I did go see it again, and it did not live up to the hype. But having seen the original cast and then seeing the original cast do the filmed version of Was, if you want to know how good it was, watch that. It was very good. And I think they did a great job of capturing that whole moment. But, yeah, that's cool. My Hamilton story. So for the next year after that, I got more Hamilton crap from people because they said, well, you're the one that really likes Hamilton, don't you? Here's a hamilton. Whatever. But I had talked to Lin Manuel Miranda before he was even writing it. He was on a TV series as, like, a third stringer. And I said, well, what are you working on? Because he had done some other stuff for the theater. And that if you know anything about me, I'm just a hardcore theater person. I live for that. And he said, well, I'm working on a little thing I call the Hamilton mixtape. It's a show about Alexander Hamilton, but it's done with rapid hip hop and that kind of stuff. He says, we'll see where it goes. And I'll look where it went. Terry Lipshetz: We'll see where it goes. It may pan out. Who knows? Bruce Miller: It's a fascinating story. And then to even take it further, while he was doing Hamilton, he was writing the songs for Moana. He would do zoom calls with the directors of Moana, who one of them happens to be from Sioux City. And he would tell me about how yeah, he'd come after before they start the show or during an intermission or whatever, and they would like, work well, this song needs to be this, and this song needs to be that. Okay, I'll work on it, and I'll get you another one. And then he'd go out and do the show. Terry Lipshetz: That's crazy. Bruce Miller: Yeah, it's weird, but there's your $0.02 worth on those kind of direct to the screen versions. Bruce Miller: But you know what? I think these are ways for all of us to enjoy entertainment that we maybe don't have the access to. Terry Lipshetz: Absolutely. Bruce Miller: It's an affordable way and you still get all the bells and whistles. And even if you had a bad seat at the show itself, if you did go, here's a way to see things that maybe you didn't see. Terry Lipshetz: Yeah, and it's a cool way too, because it captures the moment of the time. So if you're like me, who I'm in my later forty s and I was born after Woodstock. I can see what m people of my parents age looked like and acted like ah, as youngsters and realized that some of the things that they yelled at me for, they were doing them also back in. Bruce Miller: As someone who was around, I will tell you they were just as bad, if not worse than we see kids today. Terry Lipshetz: Yeah, exactly. And then I look back at something like 1991, the film The Year Punk Broke, which looks at bands like Sonic Youth and Nirvana when they exploded in the early ninety s. And I watched those and I'm like, oh, did I really dress that way in high school? Yeah. Oh man. Bruce Miller: No, it's fascinating. I was talking to a college student today, and she was doing a project for one of her design classes. And she says, I am going back to the I'm trying to kind of conjure all those things that were big in the some of these things that you're coming up with weren't in the little careful, because I don't remember this stuff. And I remember the 70s like nobody. Terry Lipshetz: You do. Yeah, you absolutely remember them. So again, we've got October 13, Taylor Swift's, the Era's tour film, coming out. Beyonce has her film coming out in December. And check out some of these films that we talked about opportunities like Woodstock, Ratle and lot of like Scorsese has done a lot of if you're into like like you know, he's got a lot of things besides, the gangster films. He loves music and it plays into all of his films and he's done quite a few, so a lot of good things. And he's got a new movie coming up and then we have another episode coming out next week. You have an interview with that, right? Bruce Miller: With Goosebumps? Yeah. Get ready. We're getting closer to Halloween and they've rebooted Goosebumps. They had a series where they would do a different book for each episode. Now they've created a kind of a mashup where they put the characters together and they're telling stories from four or five different books in the course of a season. And you'll get a chance to hear the producers talk about why they did what they did with this. And it's a little more adult than you may remember the Goosebumps book being. So look for that. That's next week when we come back on Streamed and Screened. Terry Lipshetz: Sounds good. So we'll talk about Goosebumps and we'll talk about maybe some other family friendly ish kind of Halloween things that we can dive into if you must. Bruce Miller: If you're not we're talking about saw. Terry Lipshetz: I will tap out. If we're talking horror movies, I am tapping out before we get started. We won't do saw. None of that stuff. I like to get a solid night's sleep, Bruce. I don't need horror things flashing through my head. That stuff's scary. I don't like scary things. Bruce Miller: Yeah, we'll play the Springsteen white noise machine, and you'll be able to go to sleep. Terry Lipshetz: Sounds good. All right. We'll be back again next week with another episode of Streamed and Screened.See omnystudio.com/listener for privacy information.

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese's documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we've learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and Chair The Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature.Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).Please enjoy my conversation with Margaret Bodde.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In this third installment on what the solo Beatles were doing 50 years ago in 1973 we take a look at George Harrison and his "Living in the Material World" album which went all the way to number 1 in 1973.

https://www.filmlinc.org/nyff2022/films/personality-crisis-one-night-only/ON SHOWTIME: MARTIN SCORSESE PRESENTSPERSONALITY CRISIS: ONE NIGHT ONLYContinuing his vibrant and invaluable documentaries about iconic American artists and musicians such as George Harrison: Living in the Material World, No Direction Home: Bob Dylan, and the Fran Lebowitz portrait Public Speaking, Martin Scorsese turns his camera on another beloved New York institution: the singular David Johansen. Equally celebrated as the lead singer-songwriter of the androgynous '70s glam punk groundbreakers The New York Dolls and for his complete reinvention as hepcat lounge lizard Buster Poindexter in the '80s, the chameleonic Johansen has created an entire genre unto himself, combining swing, blues, and rock for something at once mischievous and deeply personal. In Personality Crisis: One Night Only, Scorsese and co-director David Tedeschi (The 50 Year Argument), with the help of cinematographer Ellen Kuras (American Utopia), luminously capture the entertainer's January 2020 Cafe Carlyle set, where he performs as Poindexter singing the Johansen songbook, bringing downtown irreverence to this storied uptown joint. Presented alongside new and archival interviews, the concert is marvelously intimate and a testament to both a lost New York and a performer who remains as fresh and exciting as ever. A Showtime release.

In an extraordinarily intimate feature documentary premiering Friday April 14, on SHOWTIME, Martin Scorsese's Personality Crisis: One Night Only reveals the many faces of David Johansen. Continuing his vibrant and invaluable documentaries about iconic American artists and musicians such as George Harrison: Living in the Material World, No Direction Home: Bob Dylan, and the Fran Lebowitz portrait Public Speaking, Scorsese, with an assist from co-director David Tedeschi, turns his camera on another beloved New York institution: the singular David Johansen. Equally celebrated as the lead singer-songwriter of the androgynous '70s glam punk groundbreakers The New York Dolls and for his complete reinvention as hepcat Buster Poindexter in the '80s, the chameleonic Johansen has created an entire genre unto himself, combining swing, blues, and rock for something at once mischievous and deeply personal. In Personality Crisis: One Night Only, Scorsese and co-director David Tedeschi (The 50 Year Argument), with the help of cinematographer Ellen Kuras (American Utopia), luminously capture the entertainer's January 2020 Cafe Carlyle set, where he performs as Poindexter singing the Johansen songbook, bringing downtown irreverence to this storied uptown joint. Presented alongside new and archival interviews, the concert is marvelously intimate and a testament to both a lost New York and a performer who remains as fresh and exciting as ever. Co-director David Tedeschi, Co-writer, Editor (Rolling Thunder Revue) joins us to talk about his personal recollections on the meteoric rise of the Dolls, what makes David Johansen such an compelling storyteller and performer and his 20-year long working relationship Martin Scorsese. For more go to: sho.com/personality-crisis-one-night-only

In this episode of 92NY Talks, join producer and philanthropist Olivia Harrison and Academy Award-winning director Martin Scorsese on the life of Olivia's late husband, the great George Harrison — and her debut book of poems, Came the Lightening: Twenty Poems for George. On the 20th anniversary of his passing, Harrison and Scorsese candidly discuss the incandescent life behind George's songs, as they did in Scorsese's 2011 documentary George Harrison: Living in a Material World. The conversation was recorded on November 20, 2022, in front of a live audience, at The 92nd Street Y, New York.

This week on the Film at Lincoln Center podcast, we're featuring a special introduction from Martin Scorsese ahead of the premiere of Personality Crisis: One Night Only at the 60th New York Film Festival, followed by a Q&A with directors Martin Scorsese and David Tedeschi, subject David Johansen, Executive Producer Mara Hennessey, producer Margaret Bodde, and Leah Hennessey, moderated by FLC Programmer Dan Sullivan. Continuing his vibrant and invaluable documentaries about iconic American artists and musicians such as George Harrison: Living in the Material World, No Direction Home: Bob Dylan, and the Fran Lebowitz portrait Public Speaking, Martin Scorsese turns his camera on another beloved New York institution: the singular David Johansen. Equally celebrated as the lead singer-songwriter of the androgynous '70s glam punk groundbreakers The New York Dolls and for his complete reinvention as hepcat lounge lizard Buster Poindexter in the '80s, the chameleonic Johansen has created an entire genre unto himself, combining swing, blues, and rock for something at once mischievous and deeply personal. In Personality Crisis: One Night Only, Scorsese and co-director David Tedeschi (The 50 Year Argument), with the help of cinematographer Ellen Kuras (American Utopia), luminously capture the entertainer's January 2020 Cafe Carlyle set, where he performs as Poindexter singing the Johansen songbook, bringing downtown irreverence to this storied uptown joint. Presented alongside new and archival interviews, the concert is marvelously intimate and a testament to both a lost New York and a performer who remains as fresh and exciting as ever. All NYFF60 documentaries were sponsored by HBO.

We started 2020 with a Scorsese anniversary knowing full well that there would be one more before 2020 ended. As we proceed to 1990 we proceed to one of our favorite films here at 1001 by 1: “Goodfellas”. Adam and Ian try to limit how much they gush about this film, but cannot help but discuss the wonderful cast, glorious dialogue, and iconic tracking shots. Also, we learn that Adam drove hundreds of miles to complete his Nolan ranking and Ian gives some strong indications as to what next week's film is. This week both gents recommend other Scorsese films: Adam recommends “Casino” (available on Fubo) and Ian recommends “George Harrison: Living in the Material World” (available on HBO).

Eric & Jeremy discuss the Martin Scorsese George Harrison documentary "George Harrison: Living in the Material World" Go to patreon.com/ericandjeremy for more stuff!

Came the Lightening: Twenty Poems for George By Olivia HarrisonMaggie goes in-depth about Olivia's reason for celebrating her husband, George Harrison, 20 years after his passing with a book of poems for him. Olivia also reads from her timeless and beautiful tribute to George. 'Here on the shore, twenty years later, my message in a bottle has reached dry land. Words about our life, his death but mostly love and our journey to the end.' – Olivia HarrisonOlivia Harrison presents Came the Lightening, a book of twenty poems dedicated to George, marking the twentieth year since his passing.The poetry is accompanied by a selection of photographs and mementos curated by Olivia.Martin Scorsese, a long-time friend, and director of the 2011 documentary, George Harrison: Living in the Material World, writes:“Olivia evokes the most fleeting gestures and instants, plucked from the flow of time and memory and felt through her choice of words and the overall rhythm.“She might have done an oral history or a memoir. Instead, she composed a work of poetic autobiography.”Source: https://www.genesis-publications.com/book/9781905662814/came-the-lighteningSource: https://www.oliviaharrison.comThis episode is from an archive from the KPFK program Profiles adapted for podcast.Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese's documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we've learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and ChairThe Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature. Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).

Marty is back to his music documentary ways with this look at the life of George Harrison, the quiet Beatle. It covers every facet of his career from The Beatles, to his solo work, to the Traveling Wilburys. But is it the tell-all our Grouches hope it will be?

Madison authors, topics, book events and publishers.Stu Levitan welcomes back to the program the Rock and Roll Detective himself, Madison's own Jim Berkenstadt, to talk about his latest book Mysteries in the Music: Case Closed.Who really discovered Elvis Presley? What role did the CIA play in the gun attack on Bob Marley and his eventual death from cancer? How seriously did the FBI take its investigation into whether the lyrics to Louie, Louie were dirty? Did the Beach Boys steal a song from Charles Manson? Did Bob Dylan really record an album with members of the Beatles and the Rolling Stones?These are just some of the controversies and conspiracy theories Jim Berkenstadt investigates as only he can, before providing definitive answers. It's a book he is uniquely qualified to write.He is, after all, the Rock and Roll Detective, LLC, specializing in uncovering the lost histories and solving the mysteries of pop music. And because musicians know and trust him, he has great access to the people who were there when the deals went down. The book is filled with revealing interviews with such legendary musicians as Elvis's late great guitarist Scotty Moore, drummers Hal Blaine and Jim Keltner, producer Glyn Johns, and my old cab driving colleague Butch Vig, who also wrote the forward, and more. And not just musicians – this may be the only book which features interviews with Rolling Stone founder Jann Wenner, disgraced Col. Oliver North, a sitting federal judge, and even a former CIA agent.Jim is especially authoritative about the Beatles, serving as historical consultant for Martin Scorcese's HBO Emmy-wining film, George Harrison: Living in the Material World, as well as to the estate of George Harrison and the Beatles' Apple Corps. Itself. Sharp-eyed viewers will have spotted his name among those thanked in the credits to Peter Jackson's majestic new 8-hour film about the recording of the Beatles' Let It Be album, Get Back.In addition to the new book tour, Jim is currently serving as co-executive producer and script consultant on the feature film adaptation of his book The Beatle Who Vanished, about the drummer Jimmie Nicol, who at the height of Beatlemania in 1964 filled in for a fortnight when Ringo Starr was felled by tonsilitis just before a world tour. That best-seller has been included in the Library and Archives of the Rock and Roll Hall of Fame, as have his earlier books Black Market Beatles and Classic Rock Albums: Nirvana-Neverrmind,. He was also a featured expert for several seasons on the Reelz Channel TV series Celebrity Legacies and Celebrity Damage Control.He lives north side with his wife, Holly Cremer Berkenstadt.Jim was with us last fall to discuss The Beatle Who Vanished, and it is a pleasure to welcome him back to MBB.

This week we are re-releasing  George Harrison Living In The Material World. We had a family health scare, not covid related, and that took precedence over our time. We hope to be back next week with a new episode, 

Neste programa, Fernando Machado (@femesmo), Leandro Luz (@leandro_luz) e Marina Oliveira (@coelho_limao) convidam Daniel Cury (@danielcury) e Rafael Arinelli (@rafaarinelli) do Cinem(ação) (@cinemacao) para um especial de 50 episódios para debater as obras e as influências de um dos maiores cineastas de todos os tempos, Martin Scorsese, responsável por obras como Taxi Driver, Touro Indomável e Os Bons Companheiros. Caso esteja escutando no Spotify, participe da nossa enquete e ajude-nos na pauta dos próximos programas. Portanto, pegue seu fone de ouvido, prepare o café e nos acompanhe nesta jornada, pois a partir de agora você está em um plano-sequência! Ficha Técnica: Duração: 03h09min. | Apresentação: Fernando Machado | Pauta: Fernando Machado | Arte da Capa: Marina Oliveira | Edição e Montagem: Fernando Machado | Sonorização: Fernando Machado | Publicação: Fernando Machado ===================================================== Caso você queira ouvir os comentários apenas sobre um dos filmes, confira a minutagem em que cada um entra: 00:29:06 - Alice não mora mais aqui (Alice Doesn't Live Here Anymore, 1974) 01:00:50 - Touro indomável (Raging Bull, 1980) 01:29:44 - Cabo do Medo (Cape Fear, 1991) 01:50:40 - A Invenção de Hugo Cabret (Hugo, 2011) 02:20:26 - George Harrison: Living in the Material World (2011) 02:45:59 - Top 3, considerações finais, etc… ===================================================== Dúvidas, sugestões, críticas ou feedbacks podem ser enviados para o e-mail contato@plano-sequencia.com ou através de nossas redes sociais. Estamos no Twitter @planoseqcast, no Instagram @planoseqcast e no Facebook/planosequenciapodcast. Não deixe de avaliar o podcast no iTunes para que possamos ter mais visibilidade dentro da plataforma.

For today's movie review:It's a double header of Johnny Depp films this week, as first Adam & Andy discuss Benny & Joon! Tune in to find out their thoughts on this 1993 film which also stars Aidan Quinn & Mary Stuart Masterson as the titular duo!Check out Benny & Joon (1993)Show Notes:What We've Been Watching:Adam: The Lincoln Lawyer, The Game, Angels & Demons, InfernoAndy: The Beatles: Eight Days a Week, George Harrison: Living in the Material World, Shine a Light, Bob Dylan: Don't Look Back, No Direction Home: Bob DylanChapters:(~0:00:08) Introduction(~0:00:33) What We've Been Watching(~0:06:51) Featured Review(~0:27:07) Up Next(~0:27:50) ClosingLike, comment, or subscribe if you'd want to see more episodes.Feel free to send us a question we can answer on the air to ReelShame@gmail.com or follow us on Instagram @ReelShame.

The History of Rock 'N Roll Part VI: The Dream is Over - John Lennon & George Harrison On this week's episode of WatchThis W/RickRamos, Ibrahim & I continue our discussion of The Beatles with a special focus on John Lennon & George Harrison. This week we look at the late career work of these exceptional artists; From hit recordings through political stances and spiritual explorations, both of these men made incredible contributions to the society  of the 1960's, 70's, 80's, and 90's. This week we take a look at these two artists as they are profiled in Martin Scorsese's George Harrison: Living in the Material World (2011), Andrew Solt's Imagine (1988), David Leaf & John Scheinfeld's The U.S. Vs. John Lennon (2006), and Michael Epstein's John & Yoko: Above Us Only Sky. Take a listen as we discuss their creative, culture-changing, and controversial lives. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

George Harrison Living In The Material World is a gift from the documentary gods!!!! An absolute treat from beginning to end.  Sarah and Kenny discuss everything in this Martin Scorsese directed masterpiece. Enjoy.......

- RIP Christopher Plummer - 00:00:28 - The Sparks Brothers Trailer - 00:03:57 - Sundance! - 00:06:35 - The Golden Globes and SAG Nominations - 00:12:05 - Malcolm and Marie - 00:28:34 - In and Of Itself - 00:58:38 - Don't Look Back - 01:23:30 - George Harrison: Living in the Material World - 01:26:10

We started 2020 with a Scorsese anniversary knowing full well that there would be one more before 2020 ended. As we proceed to 1990 we proceed to one of our favorite films here at 1001 by 1: “Goodfellas”. Adam and Ian try to limit how much they gush about this film, but cannot help but discuss the wonderful cast, glorious dialogue, and iconic tracking shots. Also, we learn that Adam drove hundreds of miles to complete his Nolan ranking and Ian gives some strong indications as to what next week’s film is. This week both gents recommend other Scorsese films: Adam recommends “Casino” (available on Fubo) and Ian recommends “George Harrison: Living in the Material World” (available on HBO). Want to suggest a film for us to review on the show? You can support us at patreon.com/1001by1. You can listen to us on iTunes, Stitcher, Spotify, & Google Play. You can find us on Facebook at facebook.com/1001by1. You can find us on Twitter at twitter.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.

In the last episode of season 1 Kara & Amber discuss each others favourite Beatles George Harrison & John Lennon. George Refs: WIKI https://www.cheatsheet.com/entertainment/when-george-harrison-had-an-affair-with-ringos-wife-maureen.html/ https://www.heraldsun.com.au/news/george-harrison-devoted-to-other-mens-wives/news-story/2ac22349e6f1a95be0f2f410bf00c684?sv=8b510ae48758a0d013ce82b032d82ae https://www.theguardian.com/music/2011/sep/04/beatles-george-harrison-martin-scorsese https://www.thesun.co.uk/archives/bizarre/814510/wife-swapping-free-love-drugs-dark-side-of-the-quiet-beatle/ George Harrison : Living in the Material World HBO Documentary by Martin Scorsese. Trashy Divorces Podcast Pattie Boyd Episode John Refs: PODCASTS The Penguin Podcast Michael Hobbes & Sarah Marshall, “Yoko Ono Broke Up The Beatles”, You're Wrong About That, September 10th, 2019. https://www.stitcher.com/podcast/michael-hobbes/youre-wrong-about/e/63802932 Chanty & Lynx, “Cynthia Lennon” Muses, episode 81, July 18th, 2018. https://musespod.com/ep-81-cynthia-lennon/ Chanty & Lynx, “Yoko Ono” Muses, episode 50, October 17th, 2017. https://musespod.com/ep-50-yoko-ono/ Antony Rotunno, Glass Onion: On John Lennon, various episodes. https://www.stitcher.com/podcast/antony-rotunno/glass-onion-on-john-lennon Stacie & Alicia, “My Heart Will Go On, James Cameron and Linda Hamilton & John Lennon and Cynthia Lennon”, Trashy Divorces, season 6, episode 2, April 12th, 2020. https://www.trashydivorces.com/2020/04/12/s6e2-my-heart-will-go-on-james-cameron-and-linda-hamilton-john-lennon-and-cynthia-lennon/ Jake Brennan, “John Lennon (Part 1): John Lennon, I'm going to kill you, you phony bastard.”, Disgraceland, episode 13, July 10th, 2018. https://www.disgracelandpod.com/s2-episode-1 Jake Brennan, “John Lennon (Part 2): The Phony must die, said the catcher in the rye”, Disgraceland, episode 13, July 10th, 2018. https://www.disgracelandpod.com/s2-episode-2

Today we'll be practicing mindfulness through fully noticing things around us and you'll get the chance to bring that mindfulness into your home as a collage. To reflect further or for more inspiration, listen to "Living in the Moment" by Jason Mraz or "Be Here Now" by George Harrison: - "Living in the Moment": https://www.youtube.com/watch?v=YUFs_1vKYlY - "Be Here Now": on YouTube https://www.youtube.com/watch?v=He2yrzwgTtI or on Spotify https://open.spotify.com/track/3j5WRdUx0G6fY5oZNYtOTw?si=h4dySS9USUaKXWLEJNiUcw Music in this episode by Lee Rosevere (listed in the order it appears); available at https://leerosevere.bandcamp.com/ - Music for Podcasts 1: Featherlight - Music for Podcasts 2: Reflections - The Complete Meditations: Morning Walk - The Complete Meditations: Sunrays - Music for Yoga: Song for the New Year - Music for Podcasts 2: In a Moment - Music for Podcasts 6: The Little Painter Man - Music for Podcasts 2: Wandering If you'd like to support the show, please visit https://www.patreon.com/guidedheartjourneys

Sarah Anthony is a dear friend and an award winning documentary producer. She produced the Netflix film Bikram: Yogi, Guru, Predator. She was the lead Producer on the Grammy-winning HBO documentary series, The Defiant Ones, and on The Price of Free (formerly titled Kailash), a documentary about child slavery which won the 2018 Sundance Festival Grand Jury Prize. Sarah began her documentary career in London, with films on subjects ranging from the Iraq war to the Ming Voyages of the 1400’s. She was Associate Producer for PBS FRONTLINE on The Age of AIDS, a four hour series covering the history of the HIV/AIDS pandemic. In 2007 Sarah moved to Los Angeles and joined Exclusive Media as the Co-head of Documentary Features. Public art, music and social reform make her heart sing. At Exclusive she supervised development, production and distribution on multiple documentaries including Martin Scorsese’s George Harrison: Living in the Material World, Billy Joel’s Last Play at Shea, and the Academy Award-winning Undefeated. Sarah has worked extensively with director Davis Guggenheim and the Emerson Collective on a variety of social justice issues, from immigration reform to re-designing the American high school system. This week, we discuss how she manages being on the front lines of telling stories that impact change, our mutual love for budgeting, and how George Harrison helped her become a better human.⁣ Can’t wait to hear what you think of this week’s episode! Beijos, Caca

Democracy is under worldwide threat, from dictators, would-be dictators and those followers who seek power at the expense of liberty. In this week’s episode, we discuss two recent documentaries about this very trend. First, with guest host Mirella Martinelli – a Brazilian filmmaker living in Florida – we review Petra Costa’s Oscar-nominated The Edge of Democracy, which tells the disturbing tale of Brazil’s takeover by right-wing forces. After that, Bart and Chris interview prolific documentarian Alex Gibney on his latest movie, Citizen K, about formerly imprisoned, and now exiled, Russian oligarch Mikhail Khodorkovsky. These are scary times. Be afraid, be very afraid!* Group Review Documentary: THE EDGE OF DEMOCRACY (Petra Costa, 2019) Now playing on Netflix Film Featured in Interview Portion: CITIZEN K(Alex Gibney, 2019) Now playing in theaters Other Films Mentioned: American Look (Jam Handy Organization, 1958) The Armstrong Lie (Alex Gibney, 2013) Catching Hell (Alex Gibney, 2011) Citizen Kane (Orson Welles, 1941) Enron: The Smartest Guys in the Room (Alex Gibney, 2005) The Fly (David Cronenberg, 1986) Frenemies (Mirella Martinelli, 2020) George Harrison: Living in the Material World (Martin Scorsese, 2011) The Inventor: Out for Blood in Silicon Valley (Alex Gibney, 2019) The Kingmaker (Lauren Greenfield, 2019) Mea Maxima Culpa:Silence in the House of God (Alex Gibney, 2012) No Stone Unturned (Alex Gibney, 2017) Steve Jobs: The Man in the Machine (Alex Gibney, 2015) Taxi to the Dark Side (Alex Gibney, 2007) Three Colors: Blue (Krzysztof Kieslowski, 1993) Links to reviews by Christopher Llewellyn Reed: Hammer to Nail review of The Edge of Democracy Film Festival Todayreview of Citizen K Timestamps: 00:38 – Intro 03:37 – Group Discussion of THE EDGE OF DEMOCRACY 16:11 – Bart and Chris interview Alex Gibney of CITIZEN K 40:43­­ – Doc Talk Website/Email: www.fogoftruth.com disinfo@fogoftruth.com Credits: Artwork by Hilary Campbell Intro music by Jeremiah Moore Transitional music by BELLS (thanks to Christopher Ernst) Editing and shownotes by Christopher Llewellyn Reed   *A quote from the ad campaign for David Cronenberg’s 1986 The Fly, which we reference within the episode.

In this fast-paced episode, Lanea Stagg of The Recipe Records Series and Jude Southerland Kessler of The John Lennon Series sit down with the Rock'n'Roll Detective, Jim Berkenstadt to talk about his best-seller, The Beatle Who Vanished: The Life of Jimmie Nicol. Nicol sat in for Ringo for 13 days on The Beatles' 1964 World Tour, and prior to Berkenstadt's book, very, very little had been written about this charismatic performer who coined the phrase, "Getting better all the time." Berkenstadt reveals that his biography of Nicol is being made into a motion picture for which he is the screen writer and executive producer.  In addition, Berkenstadt talks about his upcoming role as Featured Author for Beatles at the Ridge, in a 2-day Beatles Symposium and festival in Walnut Ridge, AR, to take place on Sept. 20-21. Berkenstadt will be speaking on Friday night, Sept. 20, about major pieces of Beatles memorabilia, and in this episode he talks about scams that are prevalent in The Beatles World  involving "rare collectibles" .  Jim also shares wonderful memories of the time he spent with Olivia and Dhani Harrison when he served as the official historian for Martin Scorsese's film, "George Harrison: Living in the Material World." He'll be showing that film at Beatles at the Ridge on Saturday, 21 September, and answering questions about the film for Ridge viewers. Finally, Jim is joined by the official Emcee for Beatles at the Ridge, Susan Ryan, host of Fab 4 NYC Walking Tours which takes Beatles fans all over Manhattan, sleuthing out the places where The Beatles performed, lived, and enjoyed the city. Susan introduces the other authors and artists who will participate in the Ridge including Rande Kessler, Terry Crain, Sara Schmidt, Terri Whitney, Patti Gallo-Stenman, Cameron Hicks, Lanea Stagg, Jude Southerland Kessler and Featured Artist, Ken Orth. She also reminds people that on Friday night, 20 Sept.,  Beatles at the Ridge will be hosting the official Book Launch Party for Bruce Spizer's new book, The Beatles Get Back to Abbey Road.  This episode is jam-packed with great info, good laughs, and lots of Beatles fab fun!!!  

In this fast-paced episode, Lanea Stagg of The Recipe Records Series and Jude Southerland Kessler of The John Lennon Series sit down with the Rock'n'Roll Detective, Jim Berkenstadt to talk about his best-seller, The Beatle Who Vanished: The Life of Jimmie Nicol. Nicol sat in for Ringo for 13 days on The Beatles' 1964 World Tour, and prior to Berkenstadt's book, very, very little had been written about this charismatic performer who coined the phrase, "Getting better all the time." Berkenstadt reveals that his biography of Nicol is being made into a motion picture for which he is the screen writer and executive producer. In addition, Berkenstadt talks about his upcoming role as Featured Author for Beatles at the Ridge, in a 2-day Beatles Symposium and festival in Walnut Ridge, AR, to take place on Sept. 20-21. Berkenstadt will be speaking on Friday night, Sept. 20, about major pieces of Beatles memorabilia, and in this episode he talks about scams that are prevalent in The Beatles World involving "rare collectibles" . Jim also shares wonderful memories of the time he spent with Olivia and Dhani Harrison when he served as the official historian for Martin Scorsese's film, "George Harrison: Living in the Material World." He'll be showing that film at Beatles at the Ridge on Saturday, 21 September, and answering questions about the film for Ridge viewers.Finally, Jim is joined by the official Emcee for Beatles at the Ridge, Susan Ryan, host of Fab 4 NYC Walking Tours which takes Beatles fans all over Manhattan, sleuthing out the places where The Beatles performed, lived, and enjoyed the city. Susan introduces the other authors and artists who will participate in the Ridge including Rande Kessler, Terry Crain, Sara Schmidt, Terri Whitney, Patti Gallo-Stenman, Cameron Hicks, Lanea Stagg, Jude Southerland Kessler and Featured Artist, Ken Orth. She also reminds people that on Friday night, 20 Sept., Beatles at the Ridge will be hosting the official Book Launch Party for Bruce Spizer's new book, The Beatles Get Back to Abbey Road. This episode is jam-packed with great info, good laughs, and lots of Beatles fab fun!!!

De los miles que hay disponibles para ver, recomendamos tres documentales de Netflix imperdibles: 'The act of killing', 'La sal de la Tierra' y 'George Harrison: Living in the material world'. Ver más

Award-winning executive producer Nigel Sinclair's Hollywood film collaborations include George Clooney's Oscar-winning Ides of March and Ron Howard's Formula 1 epic, Rush. Sinclair's responsible for some of the finest music documentaries of our time as well. His credits include Martin Scorsese's No Direction Home: Bob Dylan (won a Grammy, Emmy, Peabody and Dupont Award), Foo Fighters: Back and Forth, Amazing Journey: The Story of The Who, and George Harrison: Living in the Material World. Sinclair's latest project is the story of Luciano Pavarotti directed by Ron Howard. ??? Follow us on social: @SayItForwardPod - Facebook.com/sayitforwardpod Instagram.com/sayitforwardpod Twitter.com/sayitforwardpod via Knit

Today I am honoured to interview Mike Williams otherwise known as the Sage of Quay. Mike had been a big influence on me with his wisdom and greater understanding of the world. We discuss Martin Scorsese’s 2011 documentary around George Harrison's life, inner battles and search for meaning and spiritual growth. Please contact me at www.amidalifecoach.co.uk if you are interested in coaching sessions and support with current issues. Please look up mike at* Patreon: https://www.patreon.com/sageofquay* Sage of Quay Hub Website: http://www.sageofquay.com/* Sage of Quay blog: https://sageofquayradio.blogspot.com/* Sage of Quay on DTube: https://d.tube/#!/c/sageofquay * Sage of Quay on Mixcloud: https://www.mixcloud.com/SageOfQuay/* Sage of Quay on Spreaker: https://tinyurl.com/yabek6x6 * Twitter: https://twitter.com/sageofquay

In this second installment about Beatles-related films, we examine Martin Scorsese's 2011 film "George Harrison: Living In The Material World," now showing on Netflix. We share our thoughts about the movie's main thrust, as well as discuss many discoveries and stories told in the film.

We talk about our Watchlists, spend some time on the divisive A Ghost Story (featuring Casey Affleck wearing a sheet), Survivor talk about Episode 3 , and a little bit of Breezy on the Streets (week's news in film, TV and games). > Direct podcast RSS feed: here!  > Contact: email, Facebook (movies, TV, games), and Twitter! > Check out The Media By Us Facebook Page too! > Review us on iTunes, Google Play, or anywhere! The Watchlist (1:47): Brent: Colossal (1:47), American Made (3:10), George Harrison: Living in the Material World (4:45), American Gods, Season 1 (6:38), American Vandal, S1 (10:20), Survivor "My Kisses Are Very Private" (12:53) Chris: Cuphead (18:10), Blade Runner 2049 (21:28), A Ghost Story (25:52), #REALITYHIGH (36:25), Lady GaGa: Five Foot Two (38:09), Rock Dog (40:04), The Last Word (42:35), The Ticket (43:21) TJ: Spielberg (44:23), Song to Song (46:01) Breezy on the Streets (50:51): 51:10 - New Star Wars: The Last Jedi Trailer 54:46 - Microtransaction controversies in monetizing games 58:29 - Best Bet this Weekend: The Snowman? Warning: Some mild language. Some language is picante. > Intro theme courtesy of The Willow Walkers > Outro song "Extemporaneous  Birth" courtesy of Boo Reefa 

Em comemoração ao aniversário de 50 anos do lançamento do álbum Revolver, o Podcast Cinema em Cena presta uma homenagem aos Beatles. Dividido em três partes, o programa mostra como a história da banda formada por John Lennon, Paul McCartney, George Harrison e Ringo Starr é contada no cinema, através dos longas-metragens que eles estrelaram e também dos documentários e filmes que dramatizam episódios da vida dos músicos. Destacamos ainda como os Beatles foram influentes não só para a música, mas também para o cinema e para os videoclipes. Nesta terceira e última parte, nós falamos sobre os documentários What's Happening! The Beatles in the U.S.A. (1964), The Beatles at Shea Stadium (1965), The Compleat Beatles (1982), The Beatles Anthology (1995), Imagine: John Lennon (1988), George Harrison: Living in the Material World (2011), além de filmes ficcionais sobre os Beatles, como The Rutles: All You Need Is Cash (1978), Backbeat - Os 5 Rapazes de Liverpool (1994) e O Garoto de Liverpool (2009), entre outros. Obs.: caso você queira escutar o programa completo, sem divisão por partes, baixe o arquivo aqui. Para este podcast, nós contamos com um convidado especial: o cineasta Paulo Henrique Fontenelle, diretor dos documentários Loki - Arnaldo Baptista e Cássia Eller. Programa apresentado e produzido por Renato Silveira, com os comentários de Stephania Amaral, da equipe Cinema em Cena, e de Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG. Edição e mixagem de áudio: Eduardo Garcia. Interaja com os demais ouvintes nos comentários abaixo. Tem um recado para a nossa equipe? Envie sua mensagem para o e-mail cinema@cinemaemcena.com.br Confira os extras na página do podcast no Cinema em Cena.

De The Band (The Last Waltz) aux Rolling Stones (Shine a Light), de George Harrison (Living in the Material World) à Bob Dylan (No Direction Home), Martin Scorsese n'a cessé de consacrer des documentaires à la musique, au live et à des performers de la scène. Autant de films, peu souvent commentés, d'un cinéaste qui, pourtant, a toujours considéré la musique populaire comme la bande originale de son existence.

De The Band (The Last Waltz) aux Rolling Stones (Shine a Light), de George Harrison (Living in the Material World) à Bob Dylan (No Direction Home), Martin Scorsese n'a cessé de consacrer des documentaires à la musique, au live et à des performers de la scène. Autant de films, peu souvent commentés, d'un cinéaste qui, pourtant, a toujours considéré la musique populaire comme la bande originale de son existence.

Äntligen dags för det efterlängtade 11:e avsnittet av Filmaddict podcasts andra säsong. Denna gång har vi bl.a. sett Flygplan 2, Good Will Hunting, The Angriest Man in Brooklyn,, The Lincoln Lawyer, A Million Ways to Die in the West, Chronicle, Rushmore, George Harrison: Living in the Material World och Years of Living Dangerously.

原案「George Harrison: Living in the Material World」　言わずと知れた伝説的バンド，ビートルズのギタリスト，ジョージ・ハリスン．そのビートルズ結成から解散，そしてその後の生涯をやる夫化（あずにゃん化）．　2012/07/22 から 2012/12/02 までやる夫スレヒロイン板にて連載．全 20 話．

原案「George Harrison: Living in the Material World」　言わずと知れた伝説的バンド，ビートルズのギタリスト，ジョージ・ハリスン．そのビートルズ結成から解散，そしてその後の生涯をやる夫化（あずにゃん化）．　2012/07/22 から 2012/12/02 までやる夫スレヒロイン板にて連載．全 20 話．

Dopo due inutili parole sulla tragedia avvenuta durante la prima di Batman, si parte con il film della settimana, dopo averlo anticipato per un buon mesetto: La leggenda del cacciatore in 3D. Siccome è estate si passa ad un onesto ma poco riuscito B movie, Contraband e del tenero La memoria del cuore, per questo si passa a consigliare qualche altro film di cazzottoni (ma con stile) e l'uscita Home Video del mese: George Harrison - Living in the material world...

Dopo due inutili parole sulla tragedia avvenuta durante la prima di Batman, si parte con il film della settimana, dopo averlo anticipato per un buon mesetto: La leggenda del cacciatore in 3D. Siccome è estate si passa ad un onesto ma poco riuscito B movie, Contraband e del tenero La memoria del cuore, per questo si passa a consigliare qualche altro film di cazzottoni (ma con stile) e l'uscita Home Video del mese: George Harrison - Living in the material world...