Podcast appearances and mentions of Max Weinberg

Max sits down with Kendrick "Kendo" Smith, creator and producer of Tales Yet Told, to chat about the many-sided medium of actual play. Do you prefer heavily produced actual plays or ones that feel more like home games? Max and Kendo discuss this question and more on this special interview episode of Mage Hand High Five. CW: mention of spiders, suggestive humor   Listen to Tales Yet Told here! Find Kendo on Bluesky at @kendomakesfilms.bsky.social   Join us on Patreon and get early access to future merch drops as well as our after-show talkback, Mage Hand Down Low. Merch is now available now at magehandhighfive.com/store!   Other APs referenced in this episode: Dice Tower Theatre The Heart is a Dungeon Friends at the Table   Music by Jacob Kerzner Edited by Max Weinberg & Rowan McStay MHH5 Logo by Shane Smith Cover Art by Robin Langenhop   magehandhighfive.com Follow your new third-favorite actual play podcast on socials: Discord Facebook Instagram TikTok Bluesky

Joining me today is Jay Weinberg. Jay is best know as the drummer in Slipknot from from 2014 to 2023 replacing the late great Joey Jordison, he also filled in for his father Max Weinberg for a tour with Bruce Springsteen and the E Street Band in 2009. Since Jay's departure from Slipknot he now plays for Suicidal Tendencies and Infectious Grooves. Join Jay and myself as we talk about his amazing career so far (he is still only 34 years old) we talk about his early days with his parents musical influences, through to sitting in with Bruce Springsteen and the E Street Band for the first time as a kid! no oressure eh? Jay tells us how he was taken along to the Tonight Show with Conan O'Brien (Jays dad Max is the drummer on this show and has been for a long time) to see a new upcoming Nu Metal Band called Slipknot play, and how taken he was with them as a youngster, of course we all know this would eventually be his gig! i dont want to give too much away as Jay is a wonderful talker and quite happy to share his story with us, we had a good long chat. Jay, thank you so much for giving up your time so generously, especially on Superbowl Sunday!! its really appreciated. please enjoy this conversation, and do feel free to share it with your friends.

This is Play That Rock n' Roll's interview with Corey Spector! Corey visited the show to discuss his Jimmy Buffett tribute show, "MARGARITAS IN PARADISE"! In this conversation, we talk about what fans can expect at a Margaritas In Paradise show, how they pick the setlist, and what Jimmy's music means to Corey. He also shares his experiences of seeing Jimmy in concert and visiting the original Margaritaville! Now Corey is also a solo performer with a career outside Margaritas in Paradise as well, so we also discuss how he got into the music business, his favorite songs to perform live, and he even shares some great stories about crossing paths with music legends like James Taylor and Max Weinberg. Learn more at https://www.coreyspector.com/ and https://tadmgmt.com/ Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Back with another chapter in The Dialogue Series - A chill ‘n chat with authors, fellow podcasters, musicians, and more. Our guest is musician and music journalist Tom Guerra.Since the late 1970s, Guerra has been a popular guitarist on the New England club circuit, playing with a host of leading blues, rock n' roll, and R&B acts. Influenced by Rory Gallagher, Paul Kossoff, Jimmy Page, Keith Richards, Ronnie Wood, Muddy Waters, Buddy Guy, and Joe Walsh, Guerra gained notoriety after being featured in Guitar Player magazine in March 1991. Over the years, Guerra has recorded or played with Rick Derringer, The Dirty Bones Blues Band', Max Weinberg, Mark Nomad, Sticky Fingers (Tom wrote and arranged original music for the group's debut CD), The Easton Brothers with Muddy Waters bassist Charles Calmese, Jai Johanny “Jaimoe” Johanson from The Allman Brothers Band, Second Son, Guitar Shorty, Adolph Jacobs of The Coasters, Kenny Aaronson, and The Delrays, for which he received acclaim from Buddy Guy. He's also been a writer for Vintage Guitar magazine since 1998. His work has also been published in Premier Guitar, The ToneQuest Report, and Modern Guitars magazine. Tom has some great stories about working with these amazing musicians, his work for Guitar Player magazine, and his music including his recent single Good Times Big Fun, and his upcoming album, a collaboration with legendary Saturday Night Live vocalist Christine Ohlman.Visit Tom Guerra's websiteEpisode Playlist  ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Be sure to see Mindi Abair live in concert on Friday, December 20 at the Capitol Theatre in Clearwater, FL. You can learn more at RuthEckerdHall.com.“ She'll Move You” – Keb' Mo'“Forget You, Who's Your Sax Player? – Steven Tyler on American Idol“21st Century Sophistication, A Gritty, Raucous Spirit, And Exceptional Creative Imagination” – Allmusic.ComDuring her remarkable 24-year recording career, saxophonist/vocalist Mindi Abair has garnered 2 GRAMMY nominations, recorded with some of the biggest names in music, and built a substantial following among jazz and blues audiences with her soaring melodies and powerhouse style. In 2014, Mindi received her first GRAMMY nomination in the Best Pop Instrumental Album category for Summer Horns with Dave Koz, Richard Elliot and Gerald Albright, followed by a 2015 GRAMMY nomination for Best Contemporary Instrumental Album for her solo LP Wild Heart featuring the late Gregg Allman, Joe Perry, Trombone Shorty, Booker T. Jones, Keb' Mo', and Max Weinberg.You might know her as the featured saxophonist on American Idol, sitting in with Paul Shaffer on The Late Show with David Letterman and The Roots on The Tonight Show Starring Jimmy Fallon, or from moonlighting on tour with Duran Duran or Aerosmith. As a solo artist, she has consistently topped the Billboard Contemporary Jazz and Blues charts. In 2018, Mindi Abair and The Boneshakers won 8 Independent Blues Awards including Artist of the Year, and an Independent Music Award for Best Blues Song Fan Award for “Pretty Good For A Girl” featuring Joe Bonamassa. They won the 2019 LA Critics Award for Best Holiday Album for All I Got For Christmas Is The Blues. And in 2019, 2020 and 2021 Mindi was nominated by the Blues Music Awards as the Best Instrumentalist: Horn.As creator, designer and owner, Mindi launched www.wineandjazz.com in 2019 as a lifestyle concept that brings together the worlds of wine and music through members-only exclusive wines paired with personally curated music playlists, label art and branded wine and music worldwide adventures and festivals.Mindi wrote the book “How To Play Madison Square Garden – A Guide To Stage Performance” and served 10 years as an LA Chapter Governor, President and National Trustee for The Recording Academy.Mindi has toured and/or recorded with: Aerosmith, Joe Bonamassa, Smokey Robinson, Joe Perry, Trombone Shorty, Booker T. Jones, Gregg Allman, Kenny Wayne Shepherd, Fantastic Negrito, Waddy Wachtel, Bobby Rush, Keb' Mo', Teena Marie, Lee Ritenour, Adam Sandler, Duran Duran, Bill Champlin, Richard Elliott, Jimmy Webb, Max Weinberg, Dave Koz, Peter White, Gerald Albright, Mandy Moore, Lalah Hathaway and the Backstreet Boys.Today's audio was recorded over Zoom. Production assistance by Chandler Balkcom, Adam Darbyshire, and Arantza Romero. Host and editor: Warren Buchholz. Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay, the Gobioff Foundation with support from the Palladium by you. Thank you for your support. Learn more about Jazz on Arts Axis Florida by visiting our website at wusfjazz.org. Copyright 2024 WUSF.

In this interview, Max talks about his favourite Beatle albums, Ringo's profound influence on rock drummers, and what happened onstage at a Springsteen concert the night Lennon was murdered. Hosted on Acast. See acast.com/privacy for more information.

E Street Band legends Max Weinberg and Roy Bittan look back at the making of Bruce Springsteen's Born in the U.S.A. on its 40th anniversary in exclusive new interviews with host Brian Hiatt Learn more about your ad choices. Visit podcastchoices.com/adchoices

Been a minute since Biff Joe and Jacques were on a pod together! Chatted being on a show (and Joe being part of the fun) this past weekend (thanks to pals Wayne and Anthony from Open Mic Pain Podcast) – with them AND Boston Comedy Fest 2024 Co-Champ Casey Crawford (who is our guest in 3 weeks!) As a legit news source for so many, we'd be doing a disservice if we didn't weigh in with our well-educated opinions on the Kendrick v Drake kerfuffle, the Tyson v Jake Paul upcoming bout and Netflix editing Kim Kardashian being boo-ed edit out of Brady Roast. Also yap - Jay Weinberg being MORE then Max Weinberg's son, Boston's PWHL triple OT playoff win (a little NHL stuff), New Batman video game JUST being on Meta VR (maybe), parenting tips and a show stopping – pulled from the CPP Vault, Joe's self-indulgent theater rendition of Paul Lynde singing Sinatra's “My Way!” Jacques on IG/FB: Carnivalpersonnelpodcast – TiKTok: JacquesFunny                  Twitter is @CarnivalPodcast @TheJacques4 Biff on Twitter is @BiffPlaysHockey Joe on Twitter is: @Optigrabber   Opening: Gomer by Beyond Id (The Stovin' Years On Spotify)   Closing Song: 614 by Beyond Id (The Stovin' Years On Spotify)  

Max and Casey sit down with game designer Evan Noone of Imp Games to chat about writing western-themed RPG adventures, exploring new genres in 5E, and the process of building new mechanics. Plus, Evan gives us a sneak preview of his new western fantasy adventure, Twice Dead in Terminus.Ready to run your own western-themed adventure? Mage Hand High Five listeners will get 20% off Twice Dead in Terminus and the Holy Book of Armaments at the links below:Twice Dead in Terminus 20% offHoly Book of Armaments 20% offFollow Evan's work at @impgames_ on Twitter!Join us on Patreon!Leave us a review! If you do, we may shout you out on the show!Edited by Max Weinberg and Rowan McStayMage Hand High Five and Badlands logos by Shane Smithmagehandhighfive.comFollow your new third-favorite actual play podcast on our socials:DiscordFacebookInstagramTikTokTwitter Hosted on Acast. See acast.com/privacy for more information.

Back in 2018 Ethan and Lou had the opportunity to spend a few minutes with Max Weinberg of the E Street Band and the Conan O'Brien Show.

Disaster has struck at the Silly Goose Convention! Join the crew as special guest GM and TTRPG creator Elliot Davis guides us through his brand new game, Welcome to the Silly Goose Convention. Milk will spill and feathers will fly as our trio of chaotic geese attempt to save the Silly Goose Convention from all things Boring and Serious.Support Elliot's newest game, Rom Com Drama Bomb, on Kickstarter!Join us on Patreon and receive a free PDF copy of Welcome to the Silly Goose Convention! Leave us a review! If you do, we may shout you out on the show!GM: Elliot DavisT.K. Gander: Casey PapasDame Deliah Downeybottom: Robin LangenhopBrian Gosling: Rowan McStayMusic by Arthur Benson, courtesy of Epidemic SoundEdited by Max Weinberg and Rowan McStayMage Hand High Five logo by Shane SmithCover art by Robin Langenhop and Elliot Davismagehandhighfive.comFollow your new third-favorite actual play podcast on our socials:DiscordFacebookInstagramTikTokTwitter Hosted on Acast. See acast.com/privacy for more information.

My guest is legendary drummer Max Weinberg of Bruce Springsteen & The E Street Band! In this episode we discuss Max's audition for Bruce & The E Street Band in August of 1974. What it's like to be approaching 50 years with Bruce. His 16 years as bandleader for Conan O'Brien on The Late Show and The Tonight Show, Max's son, Jay Weinberg, the drummer for Slipknot, his fantastic book, "The Big Beat" scheduled to be re-released in 2024, his drumming influences Buddy Rich, Hal Blaine, DJ Fontana. We also discuss his Big Band, Max Weinberg's Jukebox and more! Check out Max Weinberg's Jukebox website for a show near you! https://www.maxweinberg.com/https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Did you miss Taylor Swift's The Eras Tour or Beyoncé's Renaissance World Tour? Fear not Swifties and fans of Queen Bey as they both have concert films due out soon. Concert films are nothing new. Since "Woodstock" in 1970 — and even some earlier films that The Beatles did as they slowed and stopped touring — films have captured important festivals and tours, and provided insight into bands as well as the fans during specific time periods. And even acclaimed directors have gotten into the act. Martin Scorsese has directed some of the most notable concert and musician biopics of all-time when not busy with gritty dramas. Crank up the volume as co-hosts Bruce Miller and Terry Lipshetz talk about their favorite concert films of all time, discuss the marketing genius that is Taylor Swift, and share additional stories and thoughts as well.  Where to watch "Taylor Swift: The Eras Tour" in theaters Oct. 13 "Renaissance: A Film By Beyoncé" in theaters Dec. 1 "Woodstock" (1970) "One Direction: This Is Us" (2013) "The Last Waltz" (1978) "No Direction Home: Bob Dylan" (2005) "George Harrison: Living in the Material World" (2011) "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese" (2019) "Michael Jackson's This Is It" (2009) "Diana Ross" Live in Central Park" (1983) "The Song Remains the Same" (1976) "Led Zeppelin: Celebration Day" (2012) "A Hard Day's Night" (1964) "Help!" (1965) "Gimme Shelter" (1970) "Les Misérables 25th Anniversary Concert at the O2" (2010) "Springsteen on Broadway" (2018) "U2: Rattle and Hum" (1988) "Medusa: Dare to Be Truthful" (1991) "Hamilton" (2020) "1991: The Year Punk Broke" (1992) Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co host of the program with our band leader Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. So if you're John Lennon, does that. Bruce Miller: Make me Ringo? No Paul McCartney. Oh, I'mccartney you get to be the big one. Why not go for the good one, right? Terry Lipshetz: Exactly. Taylor Swift's concert film is coming out next week Terry Lipshetz: So music. Taylor this is the week. Bruce Miller: This is the week. Did you know this? If you were a Swiftie, you would know these kinds of things, and that is that Taylor Swift's movie is coming out in the next week, and it's based on her era's tour. What I like to look at this as those of us who couldn't afford or get tickets to her tour will be able to see it without having to really bust a hump. Terry Lipshetz: That's the best part to me about concert films is that it's a great way to get you to the show, if you can't get to the show, because sometimes some of these tour stops and, I mean, you're in Iowa, so for you, how often does I mean, you'll get shows. Sure, come to Iowa, but not something this big, right? Bruce Miller: Yeah. Terry Lipshetz: You got to travel. You got to go to Chicago or, Minneapolis. Bruce Miller: I had friends tell me they spent $12,000 to see Taylor Swift. Terry Lipshetz: Holy cow. Bruce Miller: $12,000. Someday this will sound like I'm, absurd thinking that that's a lot of money, but in this day, it's a lot of money. It factors in the price of the tickets, the cost of getting there, the hotel room you have to have. I mean, it's like, I don't know that there's anybody on this earth that I would spend $12,000 to see. Terry Lipshetz: I don't have that kind of spending cash. Bruce Miller: But knowing that it is coming out on film, on DVD, I'm sure eventually all those kinds of things, it's an opportunity for all of us to enjoy whatever it was that was put out there and then maybe be even a little more critical about what they saw. Because I think they were all caught up in the enthusiasm of the moment. So I don't know. Maybe it isn't that good. Maybe 44 songs is too many. Who knows? Terry Lipshetz: It sounds like, from what I've heard, it's a really good show. I've seen a lot of clips of it. If you like Taylor Swift, I think it's definitely a show you want to see. I keep hearing 44 songs, but it's not like she performs them in full. There are some snippets here and there, and she kind of goes through the eras. No word if there is ranch dressing involved. Did you hear about no, no. So she's dating or at least seeing Travis Kelsey from the Kansas. You can't escape. Bruce Miller: Right. Terry Lipshetz: So every little thing she does now gets dissected, and on social media. They were looking when she was at the Chiefs game in her luxury suite, somebody spotted a picture of her with a chicken finger on a plate with what appeared to be ketchup and then a white substance that was labeled as seemingly ranch. Seemingly ranch. So ranch dressing companies, are like, running with it. Taylor eats ranch dressing. Bruce Miller: Who knew that she had such clout? Right. Terry Lipshetz: Right. It's crazy. Bruce Miller: Anything she does when she was here, she did play here way back in the early, early days when she was considered a country artist, if you dare say that. And, the thing I found most amazing about her is that she didn't do her t shirt in one style. She did the look of it in like five different colors. So these fans would want all five of them. And I thought that is a brilliant marketing decision by somebody that you weren't just getting the tour shirt, you were getting all of them. Because, if I'm going to get one, I got to have them all. What color do I pick? How do I pick? What am I going to do? So marketing genius. I think she's far more skilled at selling herself than she is at anything else. And that is not a diss. That means that she is just a genius at it. She should be teaching this at Harvard. Terry Lipshetz: Well, you know, with me, I'm, a record collector because you've seen my music collection and stuff in the background. Taylor. It extends to releasing physical media. So with the, album, actually, all of her recent albums, she'll release it on vinyl on a standard black edition. Limited. Limited, but well, the black is always that's standard. You can get that anytime you want. But then there is a different colored version that you can buy at Target. And then you can buy four different versions with four different album covers on four different colors through her website. And she puts them up at these intervals, like for the next 48 hours, only you can buy this one. And then it goes away. And then people freak out because they're like, you're making me buy it multiple times and you're charging me shipping multiple times. Why can't you just put it all up? But people will do that. I've seen people on social media sharing out. She's only got it's not like she's got 35 albums. She's got a solid catalog of a dozen different albums or so. But each one has like five or six or ten variants. Like you could literally have a, ah, collection of 200 Taylor Swift records. And it's just like a dozen albums. Bruce Miller: At this point, which is kind of unreal. That is crazy. Terry Lipshetz: And people buy like Taylor's army. They will buy it. And it's like, as I said, I'm a record collector. I do have multiple copies of certain albums, but it's less about like, I need a black version and I need a green version and a red version. It's like I've got the original pressing, an early pressing of Born to Run by Bruce Springsteen. I have a Japanese copy. I have a UK copy. They're pressed in different places, so the sound might be a little bit different. Bruce Miller: Are they unplayed? Do you keep them so that nobody touches them? Terry Lipshetz: No, I play them. And that's a little bit of the difference with some of the Taylor Swift fans is they might play one copy, but then they've got 13 that sit on a shelf or they hang on a wall or something. Bruce Miller: That could end up being the Beanie Babies of our era. It's going to be, should I say eras? Terry Lipshetz: eras. yes, Beanie Babies of our so. But yeah, like shameless self promotion. Beyoncé's film drops after the end of her tour Terry Lipshetz: Bruce, if you do want to check me out on social media, my Instagram handle is at vinyl underscore Terry. And you can just see what music I'm listening to. Bruce Miller: I will look. That's great. Check it out. The Beehive is also or the Beehive, I should say, is going to have its film in. Know, she's once she sees what Taylor does, she's got to do one better. Terry Lipshetz: well, and her strategy is a little different. So with Taylor, she's a little bit on hiatus at the moment. She's taking a small break in her tour. Right. Well, she goes I think in another month she heads down to South America. She's going to do like, Argentina and all that. So her film is going to drop October 13, I believe. And then, with Queen Bey, her tour is over. So she's going to drop hers on, I believe it's December 1 and it's going to air in theaters on Thursdays, Fridays, Saturdays, and Sundays for about four weeks. So it's going to be like a limited run month of December. But her tour is done. So it's not like right. You either saw it and want to relive the moment or you missed it and here's your opportunity. Whereas with Taylor, this is just kind of just another opportunity to see her. And then you can fly off to South America or you can wait for her to circle back in North America next summer. Bruce Miller: We've got to spend $12,000 and follow her around. Terry Lipshetz: Yeah. Bruce Miller: And then go to all the, Chiefs games to make sure that we see that in case she happens to wave to the audience from the skybox. You know how it is. Well, I must tell you, I have followed these kinds of films for know going Back to Woodstock was probably the first good concert ish film because it did give you a sense of it and made me glad I never went there because I don't think I could have withstood Mud and all that kind of whatever crap was invited. I was in California one summer and I was invited. I think it was summer. It either was summer or January, but it was the, preview of, One Direction's film. One Direction had a film called this Is US. I think it is. This is us. Terry Lipshetz: Okay? Bruce Miller: And they were having this sneak in the Grove, which is a kind of upscale shopping center in Los Angeles, okay? And somehow the word got out that this was going on and all these little girls who were fans of One Direction gathered there. They were outside this theater like you couldn't believe. It was like the scene in Frankenstein where the villagers are going to storm the castle because they want in. And they had heard that One Direction was going to be there. That they were going to turn up for, this screening that they weren't invited to that they couldn't get into. And so I'm sitting in the theater, right? And we get the manager of the theater looking just really whipped and he says, whatever you do, do not leave your seat. If you leave your seat and you leave the theater, you will not get your seat back. Because if somehow they break in and they start sitting in the seats where there aren't people, we can't kick them out, huh? We have no way of doing it. So please do not leave your seat. And we heard people pounding at the door outside and this made news. You'll find if you want to go back and look it up, pounding at the door, insistent that Harry Styles was in there somewhere and we were keeping them from meeting him. It was unlike any situation I've ever been in that's, a preview of anything. Was the movie okay? I have no clue. I was worried that I was going to be beaten by a twelve year old at some point because I was in there sitting and watching this movie that meant so much to them. Terry Lipshetz: But they weren't well, they, didn't show up, right? Bruce Miller: They were out there, but the cops came and the cops kept them and got them out of the theater. So they were not in the theater at all. And then when we walked out, you could see that there was like you who was in there? Who was in there with you? Did you see Niall? Was he in there with were the kids were real questioning. I thought they could kill people. I think they really could kill people. Terry Lipshetz: They probably could if you're determined. If you're determined. Bruce Miller: And so then I said, oh, it was wonderful. You've got to see this film. It's just so yeah, yeah. Scorsese directed a documentary about Bob Dylan's 1975 concert tour Terry Lipshetz: Woodstock, though. That's probably the first concert film I had ever seen. It was actually one I'm trying to think when my dad let me see it because it's a know, there's some language in it, there's some drug use in it, there's definitely some nudity in it. And it may have even been the first movie I had seen with nudity. But it's really a fascinating look at what went on. I think my dad always had a real connection with it too, because he bought tickets with friends to Woodstock. Yeah, he didn't get to it. He got stuck on the New York State throughway and eventually had to turn around because they left a little too late on whatever day it was. And by that time it was crazy. People had stormed the grounds. It had become a free concert. And he was angry. So he did what any other person who bought a ticket tickets? No, he sent it back and got a refund. And he regrets it. he regretted it for the rest of his life because he wished he could have had that ticket stub of like, I actually bought a ticket and I couldn't get there. But yeah, it was all of his favorite bands were playing. It's an incredible thing. So I think he always wanted us to, my siblings to really feel that connection with him, with Woodstock. But it's a fascinating film too, because Woodstock, up until that movie, was just a financial disaster. And it took that movie to kind of help them break even, basically. Bruce Miller: Well, and it showed you how acts that they weren't counting on turned out to be the stars really made their fortunes for them. Whereas other ones that they were counting on, it's like, well, not so sure here. This is not necessarily the star. Terry Lipshetz: Yeah. And you know who, not a director of the film, but one of the film editors of it. Do you know what famous, director Scorsese was? One of his earliest, works was as a film editor on Woodstock. Bruce Miller: See what happens see what happens when you're available and you can get to that place. Terry Lipshetz: Right. Bruce Miller: Only but he wouldn't have gotten a t shirt because he probably weren't selling any. Terry Lipshetz: yeah, but Marty, and we know Martin Scorsese by Marty because we're. Bruce Miller: He'S one of our pals, right, right. Terry Lipshetz: But he's got a long history in doing movies, documentaries, know musicians. He directed The Last Waltz, which was the final concert of the Band. He did, ah, no Direction Home, which was the documentary about the early life of Bob Dylan. They captured him leaving Minnesota and then going to New York and kind of rising through the folk scene. And then it kind of ended, when he plugged in. He did a documentary on, George Harrison. did you ever see the one he did called, Rolling Thunder Review a Bob Dylan Story. Do you remember that one? Bruce Miller: No. Terry Lipshetz: So he directed this and it was the most bizarre thing. So it's based on Dylan's concert tour during I think it was 1975, it was a transitional stage in Dylan's career. But he went out with this huge group of people. It was like 20 people on stage. It was almost like a circus dylan painted his face. He had like white makeup on every night and wore a big hat. And it captures a lot of those performances. But the film that Scorsese did was almost part fiction because it plays into the myth that is Dylan. And it talks like, I think Sharon Stone was in it and she talks about how she was a groupie during but she wasn't, she wasn't on the tour with Dylan at all. But they added in, for whatever reason, different moments of fiction to what was actually supposed to be a documentary of his tour of the mid seventy s. So it's kind of a crazy oh, my crazy thing. Yeah. Bruce Miller: One that I am fascinated by is the Michael Jackson one. Supposed to be about his last concert tour. And they kind of created it into that tour. I mean, if you were there, you would see all of the numbers that they were planning to do, but you realize in the course of that somewhere, there was no way he was going to be able to produce this every night. He couldn't. He didn't have the energy, he didn't have the stamina. I mean, it was fascinating when they did each number, but you'd think somebody's got to go get some oxygen at some point because it's just way too much. And it's telling because it shows how talented he was, but also how old he was. And the idea that you can do that maybe past your prime is unreal. But if you haven't seen that one, please watch it because it's unbelievable. Terry Lipshetz: This is it, right? Yeah. And that came out in 2009. I remember watching that one and it was really fascinating because it took you inside of the prep for the tour. But it was also really sad too, because you were seeing his decline basically too at the time. Obviously, in retrospect, when you see it, you're like, well, okay, that makes sense. But at the time you probably didn't even realize that he was nearing the end of his life. Bruce Miller: Right? Well, I think it's one of those things where he thought, too, I'm not going to do it. I'm not going to be able to do this. This isn't going to happen. Instead of doing it once and doing it for film it and then you never have to do it again, why know, right. Do you remember when HBO was real big about doing these live, specials? And there was a Diana Ross one live from Central Park, and it started to rain, and it was like the worst rain ever. And not as bad as the one they've had recently, but it was bad so that the people were like, well, she just kept on going. She was the bunny and wouldn't let it up and come on, everybody, sing with me. And it's like, wow, this is real. But I think they like that document of their time because it is a way to mark certain hallmarks of their career. And then also it's a way for fans to say, you know what, she or he really was that good. Terry Lipshetz: Yeah, I won't watch every concert documentary out there. But if it's a musician that I at least either like or respect, I like to check it out. Because it's always a good time capsule to kind of see what happens. Led Zeppelin's concert films bookend two eras Terry Lipshetz: An interesting one for me is, The Song Remains the Same, the documentary concert film, about the, Led Zeppelins tour from 1973, where they filmed it at Madison Square Garden. And here is that band at, really the height of their popularity, right? It's middle of their career. Things are crazy. And it captures the moment. And that came out in 76. And then years, years later, they did another concert film. And it's called Celebration Day. And that came out in 2012. Now, this is after John Bonham had died. And after John Bonham died, the band broke up. And they swore, we're never getting back together. And there were little things here and there, like Robert Plant and Jimmy Page did a side project together. But they never really went back out. I think they had that one off, like at Live Aid, where they came together and played. But they never again really did any sort of tour or anything. They swore we're never going to reunite. But then they ended up doing, a benefit concert at the Two Arena in London. And it was just a one off. And they said, we're going to do it. We're doing this benefit. It's for one of their early managers or promoters. So that's the only reason we're going to do it. And it's sold out in minutes. And the cool thing about it, though, is that they brought in Jason Bonham, who is John Bonham's son, to play on drums. And I always thought it was cool watching that concert. Know, you knew that this is know, you're not going to be able to see them again. They're never going to get back again. But they opened it up with the song Good, Times, Bad Times. And it was very much like a drum driven song. So we're going to open it up. We're going to let Jason Bonham kind of take center stage in honor of his dad kind of thing. And then they kind of tore through like 16 songs after that. So it was a really nice moment. And there's a band that kind of had two ends of the spectrum. Like one at the height of craziness in the we're like grandparents now. But this is us. We're going to get back to one more time. We're going to honor a friend of ours and do it one more time. And I thought that was pretty cool. Bruce Miller: Well, and we look at the Beatles really did concert films too. They just did them more like music videos, right, with all of their kind of help and you name it, Let It Be, all that kind of stuff. Had a moment. They never really sat it down and did, something that we're seeing a lot of, but so we still have that kind of record of their time on earth. The Rolling Stones, however, had, give me shelter. Terry Lipshetz: And do you? Bruce Miller: That was like, wow, yeah, those times. I don't know that I would have been eager to go to those concerts at the time. But in retrospect, as an older person with more hopefully smarts about what I'm doing, I can appreciate it much more than I would have at the time. I would have been worried about getting out. Are we getting out time? Ah, is the parking going to be bad? Do I have to worry about all that? You know what I mean? Now it's a lot of fun to watch it, and especially when they're still performing. I'm sure every move they make now when they're in concert is photographed somewhere, somehow. We didn't have social media back in the day, so everybody wasn't holding a phone up and, recording it. They were just appreciating what it was at the time. Terry Lipshetz: The Beatles, it's an interesting example because they had several movies that are still popular to this know, like A Hard Day's Night, and there were concert elements within the film, but it was more of a traditional film. But it captured Beetlemania, ah, at the height of Beetlemania. So if you weren't there in the experience, Beetlemania, even though it's kind of a light hearted film, you still got the essence of it. And then you got some of the goofiness with help and all that. But it's really a shame with them because they stopped touring in the mid 60s because they couldn't hear themselves. And if you ever get a chance, I have like a bootleg DVD of their Shay Stadium concert. And it's the craziest thing. It's like a 25 minutes concert. I mean, that's all their concerts were back there. They would do 20 songs in 25 minutes and then they were done. Bruce Miller: Wow. I've been to the theater, the Ed Sullivan Theater, where they did their big performance on television, the first one. And the place is small. It's really small. And I remember seeing people in the balcony, like they were jumping up and down and were so excited that they thought it was going to come down. And you realize, wow, we were really kind of duped back in the day thinking that it was just this huge Madison Square Garden kind of experience. And it was just a small you know, the cameras made it look like it was much bigger than it actually was. Terry Lipshetz: If you ever get a chance in New York City, you take the NBC Studios tour and they usually will take you to a couple different sets, including it's like they always do Saturday Night Live, and then they'll give you like, one or two. And I remember when I took the tour one time we went to the Saturday Night Live set, and you're just kind of blown away because you realize you actually can't see some of if you're in that studio audience. Because of the way they have to arrange the floor. They might be filming part of it off to the side where the audience can't actually see it. And you have to watch it on monitors. You just see where they come out for the monologue and you see where the band performs. But then some of the other configurations are all over the place. And then we also went out to, I think it was Conan O'Brien's when he was still it was before he the Tonight Show, and he had that late, night program. And I remember going there and we saw the Max Weinberg drum kit sitting out there and Conan's desk. But it's tiny. It's a tiny little. Bruce Miller: Sneaky. Yes. Bruce Miller: you mentioned Saturday night. I was lucky enough to have been there during the early years. I saw an episode that, I don't know if you remember any of these things, but there was a dance that Gilda Radner and Steve Martin did and they were, like, going all around the whole area and they came near me, and I was able to get on camera at some point with them. So if you ever have access to that, go back and look. But it was fascinating because you could not see all of the skits. There could be a skit right down below you, but, you can't lean in and look at that. And so you'd basically get to see a couple and that's about it. But, the flurry of activity that's going on between the skits is just amazing. And then the sound is really good for, the guest artist, whoever is singing that week or whatever. It's really good. a couple of times I've gotten to go to Saturday Night Live. It's like the most impossible ticket to get because, at best, you're going to get a rehearsal ticket at this point because they do a rehearsal before they do the final show, right? And, somehow they'll let people in there. But you really need to know somebody if you're going to go to the actual show itself. So put that on a bucket list. It's really worth it. Bruce Miller: You had mentioned back a little bit earlier about the two this huge venue in London, and, every year, it seems they're rerunning this on PBS. And that's the Les Miz anniversary special. And it's just unbelievable. I love the show. Les Miz arabla. As a musical, it's wonderful. But this they combined a whole bunch of old stars, people who had been in it before, made this kind of masterful thing. And then you saw these people walking up the aisles of this show and it was like, oh my God, I can't believe this. And those are those once in a lifetime experiences that somehow need to be captured on film. But The Two is a place where they all play at some point. Look at all the things they did when Prince Charles and, when Queen Elizabeth had her anniversary. You name it, they did something there. And it's a place I'd love to go to just to see what it's like in person. Terry Lipshetz: Yeah, that would be a fun one. And then you think about entertainment destinations now, too, with The Sphere in Las Vegas with U Two and U Two, because U Two is such a visual band that they're able to utilize the interior. I mean, that's just amazing. It's just a giant Led screen, basically. But they had a concert film as well. I don't know. Do you remember Ratle and Hum? Bruce Miller: Oh, yes, I think we got them. And get it free. If you had like, some Apple product, they gave it to you. Terry Lipshetz: I don't know, you might have, but no, I think that might be something else. But Ratle and the Hum came out in, I think it was 1988. And it was a combination, album. It was like a live album that came out after The Joshua Tree. And it also had a companion film that went with it. The companion film. Some people love it, some people hate it. I don't know if there's very many people that are kind of like in the middle on this one. It's really bizarre. So on one hand, you get a lot of performances from the Joshua Tree tour, which is really at that know, they had a few earlier albums that did were critically acclaimed, but they didn't necessarily explode commercially. But The Joshua Tree exploded commercially and they had huge hits. So they documented parts of this tour and they shot a lot of it in black and white. But then near the end, they went into color. But then they had these intermittent weird side journeys where they went to Graceland and they talked about their love for Elvis and they met with BB. King and they did this. And it was just kind of a strange document of the time. I would have been happier with. Just give me 25 songs of a straight YouTube concert. If you got to take a few performances from a few different shows, so be it. But, I don't know. I could probably have done without the side commentary. Yeah, exactly. Because I love you two and I've seen them in concert and I have all their albums. But Bono has a certain way about them, I guess is a way of saying it. And it's just like they're a little bit too over the top sometimes, even for me. I think Rattle and Hum really, it sums up that time, at least, even though. Bruce Miller: All those little pop stars. Anna Montana, right? bieber had one. I think it was 3D. Katy Perry, you name them, they all get these movies at some point. And it's somebody saying, you know, here's how we can make the budget on that tour. That didn't go so well. We'll put out a movie, and then we'll make up the difference that we lost in, know, having that big set piece that you had. There was a great mockumentary about Madonna's tour. Remember how Madonna had the cone bra and all that? And Julie Brown. Not the Julie Brown that you remember from MTB, but a different Julie Brown who was a comedian, did her spoof of was. So I think she called herself Medusa or something. Terry Lipshetz: Okay. Yeah. Bruce Miller: But if you ever get to see that, it is such a hoot. It makes fun of these in the best way. The best way. And Madonna had to have loved it. And she's another one who should look at those things and say, I'm glad I have this document. I really am. Because I don't know that her tours now are as iconic as they should be. Gaga she has done things. She's done films or specials, but I don't know that she's done one of these kind of big movie things that would have told all or showed all or whatever. And maybe she's ripe for one. Terry Lipshetz: Maybe. You know which one I really like, too. And this was an opportunity because I couldn't get to New York, and I'm a huge Springsteen fan. And then this is like my other Broadway. Yeah. In my other shameless self promotion, I have another Instagram account called at Bruce Springsteen Collection, where I document all of the Springsteen albums in my collection. And I'm not just talking about the regular stuff. I've got some things that were not officially released that I show off on this thing. Bruce Miller: But does Bruce know? Terry Lipshetz: He knows this stuff is out there. Bruce Miller: Okay. Terry Lipshetz: but, yeah, no, I'm a huge hardcore. I've seen him in concert 1314 times at this point. Bruce Miller: Why didn't you go to the Broadway show? Come on. Terry Lipshetz: Yeah, I mean, I really wanted to, but the cost for tickets, I got to travel from the Midwest to the city. Yeah, it's an expensive show. So, when Netflix made the deal to air, know, one of the performances of Spring Scene on Broadway, it was a really good opportunity. And I would have loved to have gone to the Walter Kerr Theater to see it live. But I think in this type of setting, the way they filmed it, you felt like you were right there. Terry Lipshetz: It was a very well done documentary, know, whatever you want to call it. it captured the know, it was kind of like, with Hamilton, because if you couldn't see the original cast, you at least got to see it on Apple TV. And I think that was a good second opportunity. And I think that's what this is. Bruce Miller: I told you my story about Hamilton, right? That I was determined to see Hamilton no matter what. Terry Lipshetz: No, I don't think I heard this one. Bruce Miller: Oh, do you mind if I go ahead. Story. The thing about me is I have to see the original cast. I have to see the original actor in a Broadway show or I don't feel like if it's a big thing sure. And I knew that Hamilton was going to be a big thing even before Hamilton was a spark on anybody's radar. And then it got out there and I thought, I've got to go, but when am I going and how do I get tickets? And it was like this whole thing where I couldn't get the tickets. The tickets were just outrageous. And I decided I was going to go on StubHub. And so StubHub I went on, and it was like, 1000 something for the tickets, and am I going to spend $1,000? And then I start rationalizing all these things. Well, life is short. You're not going to be around that much longer. You want to see it, you should go. The original cast was breaking up after that. I was rationalizing. Terry Lipshetz: Right. You played it out, like, 15 steps and you're like, I'm on board. Bruce Miller: And it got down to the point where it was $777. Terry Lipshetz: Oh, you got to do it. Bruce Miller: And I did it. I jumped. And then I was at a hotel and we had to add, you know, how this thing is where you print out the tickets, but you're not really sure about all this, and you think, oh, they're going to take money to the cleaners and I'm going to lose $700, and it's going to be just the worst, right? Terry Lipshetz: Yes. Bruce Miller: And so I went to the business office at the hotel and they said, yeah, these are pretty good. You should be all right. You shouldn't have a problem. But if I were you, I'd get to the theater early, because if somebody sold this ticket twice, which could happen, you won't be the one who gets in. It'll go the one who got in before you. I made a beeline to that theater as fast as I could. And when I heard that M of the ticket, it was like, yes. So I get to my seat, and the seat was really good. And I'm talking to the people next to me. And there was a family from Los Angeles who came because the daughter had been listening to the album all along and wanted to see this. Right. This was her goal. And they gave up going to any other shows. They weren't going to any kind of theme parks. They weren't doing anything but Hamilton. And they spent $10,000. And they were sitting next to me. And we talked to people, like, in the row before us. They spent nothing. Somebody handed them tickets at the theater. So there were all these kind of stories that were going around among the people, and you felt lucky. You felt like, I have won the lottery. I am here. And then you hear and you think, this is, like, the most unbelievable experience I've ever been in my life. It was everything. And then a little bit more. And I'll tell you an, intermission. I ran to the merchandise table and bought $200 worth of crap just because I wanted to prove that I had been to Hamilton, right? So it was my thing. And I realized, you know what? It was money well spent. It was really money well spent. Now, when I saw the Apple version of or I mean, the Disney version, disney plus version of, Hamilton, it was perfect. It lived up to all of the things that I remember, because after that cast, the original cast left. I did go see it again, and it did not live up to the hype. But having seen the original cast and then seeing the original cast do the filmed version of Was, if you want to know how good it was, watch that. It was very good. And I think they did a great job of capturing that whole moment. But, yeah, that's cool. My Hamilton story. So for the next year after that, I got more Hamilton crap from people because they said, well, you're the one that really likes Hamilton, don't you? Here's a hamilton. Whatever. But I had talked to Lin Manuel Miranda before he was even writing it. He was on a TV series as, like, a third stringer. And I said, well, what are you working on? Because he had done some other stuff for the theater. And that if you know anything about me, I'm just a hardcore theater person. I live for that. And he said, well, I'm working on a little thing I call the Hamilton mixtape. It's a show about Alexander Hamilton, but it's done with rapid hip hop and that kind of stuff. He says, we'll see where it goes. And I'll look where it went. Terry Lipshetz: We'll see where it goes. It may pan out. Who knows? Bruce Miller: It's a fascinating story. And then to even take it further, while he was doing Hamilton, he was writing the songs for Moana. He would do zoom calls with the directors of Moana, who one of them happens to be from Sioux City. And he would tell me about how yeah, he'd come after before they start the show or during an intermission or whatever, and they would like, work well, this song needs to be this, and this song needs to be that. Okay, I'll work on it, and I'll get you another one. And then he'd go out and do the show. Terry Lipshetz: That's crazy. Bruce Miller: Yeah, it's weird, but there's your $0.02 worth on those kind of direct to the screen versions. Bruce Miller: But you know what? I think these are ways for all of us to enjoy entertainment that we maybe don't have the access to. Terry Lipshetz: Absolutely. Bruce Miller: It's an affordable way and you still get all the bells and whistles. And even if you had a bad seat at the show itself, if you did go, here's a way to see things that maybe you didn't see. Terry Lipshetz: Yeah, and it's a cool way too, because it captures the moment of the time. So if you're like me, who I'm in my later forty s and I was born after Woodstock. I can see what m people of my parents age looked like and acted like ah, as youngsters and realized that some of the things that they yelled at me for, they were doing them also back in. Bruce Miller: As someone who was around, I will tell you they were just as bad, if not worse than we see kids today. Terry Lipshetz: Yeah, exactly. And then I look back at something like 1991, the film The Year Punk Broke, which looks at bands like Sonic Youth and Nirvana when they exploded in the early ninety s. And I watched those and I'm like, oh, did I really dress that way in high school? Yeah. Oh man. Bruce Miller: No, it's fascinating. I was talking to a college student today, and she was doing a project for one of her design classes. And she says, I am going back to the I'm trying to kind of conjure all those things that were big in the some of these things that you're coming up with weren't in the little careful, because I don't remember this stuff. And I remember the 70s like nobody. Terry Lipshetz: You do. Yeah, you absolutely remember them. So again, we've got October 13, Taylor Swift's, the Era's tour film, coming out. Beyonce has her film coming out in December. And check out some of these films that we talked about opportunities like Woodstock, Ratle and lot of like Scorsese has done a lot of if you're into like like you know, he's got a lot of things besides, the gangster films. He loves music and it plays into all of his films and he's done quite a few, so a lot of good things. And he's got a new movie coming up and then we have another episode coming out next week. You have an interview with that, right? Bruce Miller: With Goosebumps? Yeah. Get ready. We're getting closer to Halloween and they've rebooted Goosebumps. They had a series where they would do a different book for each episode. Now they've created a kind of a mashup where they put the characters together and they're telling stories from four or five different books in the course of a season. And you'll get a chance to hear the producers talk about why they did what they did with this. And it's a little more adult than you may remember the Goosebumps book being. So look for that. That's next week when we come back on Streamed and Screened. Terry Lipshetz: Sounds good. So we'll talk about Goosebumps and we'll talk about maybe some other family friendly ish kind of Halloween things that we can dive into if you must. Bruce Miller: If you're not we're talking about saw. Terry Lipshetz: I will tap out. If we're talking horror movies, I am tapping out before we get started. We won't do saw. None of that stuff. I like to get a solid night's sleep, Bruce. I don't need horror things flashing through my head. That stuff's scary. I don't like scary things. Bruce Miller: Yeah, we'll play the Springsteen white noise machine, and you'll be able to go to sleep. Terry Lipshetz: Sounds good. All right. We'll be back again next week with another episode of Streamed and Screened.See omnystudio.com/listener for privacy information.

We are thrilled to introduce our next guest, who had the incredible opportunity to work on the Page Desk during Saturday Night Live's 25th Anniversary. He also collaborated with numerous cast members throughout his tenure, including iconic figures like Billy Crystal and Dennis Miller. In fact, he continued to work alongside them for nearly two decades, and he's here today to share all the exciting details of his journey. Can you believe that even a well-known personality like Bill Murray couldn't get past security? Our upcoming guest had to step in and vouch for him! You won't want to miss the wild and entertaining story behind it! Have you ever found the Weekend Update jokes on SNL hilarious? Well, get this: our next guest sold one of his jokes to Colin Quinn. Stay tuned as he shares the joke and reveals how much he made! While Kristin Chenoweth is undoubtedly a talented and delightful performer, can you imagine having her join one of your tours and talking non-stop? Our next guest is here to share the unforgettable 'nails on a blackboard' story from that experience. And Rosie O'Donnell, the fun-loving, candy-throwing talk show host, uniquely prefers riding elevators alone. Stay tuned to hear our guest's amusing encounter when the elevator doors opened and Rosie O'Donnell walked in! Plus, Max Weinberg, the legendary drummer for Conan, not only masters the drumsticks but also wields a pair of barbells like a pro. Get ready to be inspired by his powerful story! And find out how a Writer's assistant wrote an odd note when they tried to pick up our next guest.  And discover why securing standby tickets for Saturday Night Live can often feel like they mean absolutely nothing. And you'll get an inside look at what it was like to meet Monica Lewinsky, the former President's gal pal. Tune in to find out if there were any intriguing new developments or scandals when she visited the set. So get ready to hear about the NBC Page experience, which our guest likens to a summer camp adventure.  This person also worked on a variety of shows, including Conan O'Brien, Forgive or Forget, Curtis Court, Law & Order: Dennis Miller, and a slew of others. Please enjoy this comedic and engaging conversation with Christian Bladt!

Scott and Scott go track-by-track through Born to Run—Springsteen's third studio album and the first featuring Little Steven and Max Weinberg as official members of the Edible Street Band. They also discuss the bands at the recent Lost 80s Live! show at the Greek Theatre, talk in depth about their bad headshot experiences, and ask important music questions like, "What if the Sharp Dressed Man met the Uptown Girl?"

My guest this week is Jay Weinberg, drummer for Slipknot. Coming from a musical background, (his Dad is Max Weinberg of The E Street Band) Jay is a super humble, hospitable human and phenomenal drummer. We talked about his time in Slipknot of course but also about learning 200+songs for Bruce Springsteen at 16 years old. We also chat about drums, tattoos, doom metal, and much much more. This episode of the Downbeat is the first of a trip to Nashville, which was actually born out of Jay himself expressing an interest in doing the show. Thanks to the patreon we were able to make it work. Enjoy

Slipknot drummer Jay Weinberg spent time with us to chat about their new live album, 'Live at MSG,' as well as his own history with the band—both as a fan and as a member.

Three strangers meet on a train heading out into the desolate wastes. What awaits them in that blighted desert? Find out in The Badlands, a Dungeons & Dragons 5th Edition Campaign from your new third-favorite RPG Podcast, Mage Hand High Five!Mage Hand High Five logo and Badlands logo and cover art by Shane Smith.Music by Jacob Kerzner.Sarah McStay as Salome Briar.Robin Langenhop as Hayden Kincaide.Max Weinberg as Stuhmp Steenling.Casey Papas as Dungeon Master.http://magehandhighfive.com/ Hosted on Acast. See acast.com/privacy for more information.

Deborah Paulmann joined me to discuss starting work in the makeup industry; not liking working in a salon; trying to get in the union; Bert Ruff; how the rules are different now; make-up is a dying art on the internet; SFX Youtubers; microblading; starting free lancing for Barbara Armstrong in 1978 and working exclusively at NBC for five years (1984 - 1989); going to As the World Turns, One Life to Live, then Another World, came back to NBC in 2000 and stayed to 2010; first regular job at NBC was Phil Donahue; sees a mother / mother-in-law feud in the makeup chair; Live at 5 allows her to makeup Bette Davis; memorable working moments with Steven Tyler, Seth Green, Anthony Michael Hall and Robert Downey, Jr.; Chuck Scarborough; starting SNL at the end of the '84-'85 season; doing makeup for extras in the original era; crawling on the ground on air to retrieve a prop for Nora Dunn; Kevin Meaney and her getting locked in the makeup closet and missing his cue; working with Louis Zakarian on SNL and Conan; working with Pamela Stephenson as Joan Collins, Cindy Lauper, Madonna, and Billy Idol; various hosts; young stars brought their makeup teams who couldn't do prosthetics; some favorite people Jon Bon Jovi, Richard Gere, Sir Anthony Hopkins, Rosie O'Donnell, Martha Stewart, Paget Brewster; memories of working with Norm MacDonald, Jimmy Fallon, Will Ferrell, and Darrell Hammond; meeting the SNL host on Thursday's Conan; Jennifer Lopez white towels; working with SNL cast members Will Forte, Fred Armisen. Tiny Fey, Victoria Jackson, Dana Carvey, Phil Hartman, and Kevin Nealon; dealing with showbusiness legends Mel Brooks, Carl Reiner, Bob Newhart, George Burns, and handsy Milton Berle; doing the makeup nightly for Conan O'Brien, Andy Richter, and Max Weinberg; going to HD; Gwyneth Paltrow seeing her legs on HD for the first time; Conan going on TV on the road not done up by her and it going bad; getting paid by Conan for the year NBC wouldn't let him work and the writer's strike; David Letterman unleashes the monkey cam on Live at 5.

Mick joins Jesse to share his love of Ian Hunter and talks about the many connections between Ian and the E Street Band, including how The core of the E Street Band: Garry Tallent (bass), Roy Bittan (keyboards), and drummer Max Weinberg, are the backing band on You're Never Alone with a Schizophrenic, the fourth solo studio album by Ian Hunter.  Contact TheDoctorOfDigital@proton.me, read his novel at Burning America https://www.amazon.com/Burning-America-Best-Interest-Children/dp/1956353259/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=, or join his community at Burning America Community on Instagram https://www.instagram.com/burningamericacommunity/  as well as for coaching, and your internet, voice, and social media needs.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlie FARREN burst onto the national scene in the early 80's as lead singer of THE JOE PERRY PROJECT, teaming up with Aerosmith lead guitarist Joe Perry and releasing an acclaimed album on Columbia Records. Farren penned the Billboard charting classics “Listen To The Rock” and “East Coast, West Coast”, also co-writing four songs with Perry including the hit “I've Got The Rock ‘N' Rolls Again”.The Joe Perry Project sold out theaters across the country and toured arena's & stadium's around the world with artists such as Ozzy Osbourne, Rush, Heart,  ZZ Top, and Alice Cooper.FARREN subsequently formed FARRENHEIT, a trio releasing a self-titled debut album on Warner Brothers, produced by Keith Olsen. Three singles from that album, “Fool in Love”, “Bad Habit”, & “Lost in Loveland”, as well as video exposure on MTV, established FARRENHEIT as one of the era's premier rock acts. Highlights for FARRENHEIT included the coveted opening slot on the 75+ date BOSTON ‘Third Stage Tour', sold out from coast to coast, including a performance at the ‘Texxas Jam' to a sold out crowd of 85,000 people at the Cotton Bowl in Dallas, TX.More recently, Charlie has been touring North America as ‘America's Special Guest' with Three Dog Night, REO Speedwagon, Cheap Trick, and many others. This Summer he's performed as a Special Guest with ZZ Topp, Joe Perry, Max Weinberg, Three Dog Night, Average White Band, Elliot Easton and others. His latest project, CHARLIE FARREN: GUITAR & VOICE has been rolling out with regular releases of compelling new original music that has been resonating with audiences across the United States.Charlie continues to be one of America's most original and compelling musical artists. He takes the stage alone, and leaves with a roomful of new believers.https://charliefarren.com/

As Mike Schur joins us for his Stat of the Day, the show concludes the best investigative journalism it's ever done. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Book of Joe Podcast begins with Hosts Tom Verducci and World Series Champion Joe Maddon welcoming legendary musician Max Weinberg to the show.  We've been talking about 'Glue Guys' and how important they are in keeping a team together.  Max explores the importance of having chemistry in a band or team and the hurdles it can bring.  Max was inducted into the NJ Hall of Fame and discusses some of the special moments of his ceremony.  As in sports, being on stage is all about being nimble and adjusting to what's in front of you.  No matter the obstacle, Max tells us what it takes to keep the music going.  Max compares holding his drumsticks to an MLB player holding his bat and how he had to learn new grips to play more relaxed. Max takes us through his journey of trying out for Little League, auditioning for Bruce Springsteen, and being named as the leader of The Tonight Show Band.  Max reveals that Bruce is a big baseball fan and gives us a scouting report on The Boss playing shortstop! The Book of Joe Podcast is a production of iHeart Radio. #fsrSee omnystudio.com/listener for privacy information.

The Book of Joe Podcast begins with Hosts Tom Verducci and World Series Champion Joe Maddon welcoming legendary musician Max Weinberg to the show.  We've been talking about 'Glue Guys' and how important they are in keeping a team together.  Max explores the importance of having chemistry in a band or team and the hurdles it can bring.  Max was inducted into the NJ Hall of Fame and discusses some of the special moments of his ceremony.  As in sports, being on stage is all about being nimble and adjusting to what's in front of you.  No matter the obstacle, Max tells us what it takes to keep the music going.  Max compares holding his drumsticks to an MLB player holding his bat and how he had to learn new grips to play more relaxed. Max takes us through his journey of trying out for Little League, auditioning for Bruce Springsteen, and being named as the leader of The Tonight Show Band.  Max reveals that Bruce is a big baseball fan and gives us a scouting report on The Boss playing shortstop! The Book of Joe Podcast is a production of iHeart Radio. #fsrSee omnystudio.com/listener for privacy information.

John saw the Goo Goo Dolls and met Max Weinberg in the same week.   David wonders why Cowboy Hats aren't acceptable to wear in society?  Gorbachev is dead.  Harry Styles is the new King of Pop? News story they discuss this week.  David and John end the show by discussing the best Michael Jackson songs.  Go check out the merch from LocalSixOneFive.  We highly recommend it. Want to follow us: FACEBOOK: http://facebook.com/bybpod TWITTER: http://twitter.com/bybpod INSTAGRAM: https://instagram.com/blameyourbro TIK TOK: https://www.tiktok.com/@blameyourbrother

After Barnet's solid opening day win vs Halifax, the Bees headed up to Gateshead hoping to make it 2 in 2. BeesPod newcomer Max Weinberg gives us his take on the Bees' game of two halves. Twitter/Facebook: @beespod

Shanghai Jazz has been a staple of the Madison, NJ community since 1995 and in that time was recognized as one of the top-100 jazz clubs in the world! Eventually Tom Donohoe purchased the restaurant from the original owners and has managed to maintain the reputation of the restaurant, but also add his own flair to the menu.Segment 1Tom takes us through his background working around the country in high-end kitchens. Eventually he returned to his home state of New Jersey, working at various restaurants and as a consultant before purchasing Shanghai Jazz from the original owners, David & Martha in 2017. He also took us through the history of the restaurant. Today in New Jersey HistoryDick Button was born in Englewood, New Jersey on July 18, 1929. He was a figure skater who is credited with being the first skater to successfully land the double axel jump in competition in 1948. He also completed the first triple jump of any kind, a triple loop, in 1952. Button is also credited with inventing the flying camel spin, also called the Button Camel. He was inducted into the World Figure Skating Hall of Fame in 1976.Segment 2We discuss how the menu has evolved since Tom took over the restaurant in 2017. He takes us through the heavy hitters and what people order the most. Mike also offers up some of his favorites on the menu. The two also discuss the downstairs area, Encore Speakeasy, which has evolved to be an exciting and unique experience with incredible cocktails. New Jersey Fun FactNew Jersey is home to 11 state forests and 42 state parks.Segment 3Tom describes the importance of Shanghai Jazz in not only the Madison, NJ community but in the music community. Performers such as Max Weinberg and other notable acts have reached out to Shanghai Jazz directly to perform because they understand the importance of the restaurant within the jazz community. Shanghai Jazz: https://www.shanghaijazz.com/Instagram: @shanghaijazznj @encorebarmadisonAddress: 24 Main Street Madison, NJ Thank you to our sponsors:Albert & Whitney CPAs:  awcpasllc.comContact the show: mike@greetingsfromthegardenstate.comSupport the show

In hour 3: Max Weinberg is coming to town and talking about it, Brandon Liguori tells Tua to step up plus Listeners List and Big Deal or Not A Big Deal.

Drummer of The E Street Band & Late Night w/ Conan O'Brian, Max Weinber and his Jukebox and coming to play The Broward Center for Performing Arts in Fort Lauderdale on May 27th, he talks about the upcoming show, playing with Bruce Springsteen & hanging with Conan O'Brien.

This week Ken welcomes writer, director and former Mr. Belvedere actor Rob Stone to the show. Ken and Rob discuss how Ken has now had all THREE actors who played the kids on Mr. Belvedere on the show, Rob growing up in Dallas Texas, loving movies growing up, feeling a million miles away from the Entertainment industry, working in theater, not growing up in the business, wanting to be a stunt man, directing part I of the Mr. Belvedere finale, the family atmosphere on set, Bob Uker, the strange origins of Mr. Belvedere, Noam Pitlik, writing and directing short films, being fascinated with the behind the scenes. documentary films, The Blue Angels, going to USC, Very Special Episodes, doing a play every week, Facts of Life, 21 Jump Street, meeting guest stars, mid-season replacements, Jason Priestly, realizing later how important very special episodes were to the culture, having communal experiences, how the internet allows your kids to watch your most embarrassing moments, The Revenge of the Nerds pilot, Robbie Rist, Kay Lenz, The Infinity War of Sitcoms- Crash Course, BD Wong, one of the few things Rob didn't have to audition for, loving Family Ties, IMAX, the improving technology of filmmaking, how documentaries have become very mainstream, Filmmakers Journey, George Stevens, The Who in concert, being a drummer, Midnight Movies, The Sidewalk Motel, Max Weinberg, getting Bruce Springsteen to donate a song to you, filming in the same studio as It's Gary Shandling's Show!, Dolly Parton's variety show, loving Henry Winkler, THE urban legend or not Mr. Belvedere question, having Doug Benson as a roommate and beating Lorenzo Lamas during the Battle of the Network Stars. 

We celebrate episode 100 of the podcast with the talented and legendary Jean Beauvoir. Jean just released his new book "Bet My Soul on Rock 'n' Roll: Diary of a Black Punk Icon" so discuss the book plus:- Differences of producing a new band versus an established band- The surreality of someone fact checking your life- Berklee trained musicians who can't play a Ramones song the right way- The youthful confidence it takes to play on stage with Chuck Berry and Bo Diddley when you're only a teenager- Why its important to have actual music producers and engineers and the skill behind it- Brining "Motown-punk" basslines to the Plasmatics- Hearing music in your head before the song is even written- Not being being pigeonholed to one genre or skill & much moreJean Beauvoir - https://www.jeanbeauvoir.comhttp://instagram.com/jbeauvoirhttps://www.facebook.com/JeanBeauvoirOFFICIALhttp://www.twitter.com/jeanbeauvoirhttps://www.youtube.com/user/jeanbeauvoirhttps://www.chicagoreviewpress.comCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

After an unexpected delay, we're finally making our way up to the Swiss Alps with Episode 113, the first of our two-part look at the classic novel Heidi! In this episode, we discuss: Johanna Spyri's original 1881 novel Heidi, the 1937 theatrical movie directed by Allan Dwan, written by Julian Josephson and Walter Ferris, and starring Shirley Temple, Jean Hersholt, and Arthur Treacher Heidi, the 1952 Swiss theatrical movie directed by Luigi Comencini, written by Robert Schweizer, William Michael Treichlinger, and Max Weinberg, and starring Elsbeth Sigmund, Heinrich Gretler, and Theo Lingen Heidi, the 1968 TV movie directed by Delbert Mann, written by Earl Hamner Jr., and starring Jennifer Edwards, Michael Redgrave, Maximilian Schell, and Jean Simmons Heidi, Girl of the Alps, the 1974 anime series directed by Isao Takahata and written by Isao Matsuki, recut, dubbed in English, and released as The Story of Heidi by Claudio Guzman and Charles Ver Halen Heidi, the 1974 BBC miniseries directed by June Wyndham-Davies, written by Martin Worth, and starring Emma Blake, Hans Meyer, and Flora Robson The New Adventures of Heidi, the 1978 TV movie musical directed by Ralph Senensky, written by John McGreevey, and starring Katy Kurtzman, Burl Ives, John Gavin, and Marlyn Mason Footnotes: Do Phool (1958) on YouTube Martha Finley's Elsie Dinsmore book series Take Up Thy Bed and Walk: Death, Disability and Cure in Classic Fiction for Girls by Lois Keith "Hygge" Run don't walk to watch the 1974 BBC Heidi miniseries on YouTube, because we're pretty sure that's the only way you can You don't need to watch The New Adventures of Heidi, but if you want to watch a grown woman singing and doing her best to get into a coat, here you go You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

From the E Street Band drummer Max Weinberg joins the show.

Join Michael Litten "The Last DJ" for an in-depth conversation. Playing Tom's entire NEW album, Sentimental Junk. Sponsored by Cathead Distillery Theme music provided by Peter Perkins Special Thank You to Lucy Piller/ARN Entertainment for providing the talent Tom Guerra Bio Since the late 1970s, Tom Guerra has been a popular guitarist on the New England club circuit, playing with a host of leading blues, rock n' roll and R&B acts. Influenced by Rory Gallagher, Paul Kossoff, Jimmy Page, Keith Richards, Ronnie Wood, Muddy Waters, Buddy Guy, and Joe Walsh, Guerra first gained notoriety after being featured in Guitar Player magazine (3/91). Over the years, Guerra has recorded or played with Rick Derringer, The Dirty Bones Blues Band', Max Weinberg, Mark Nomad, Sticky Fingers (for which Tom wrote and arranged original music for the group's debut cd), The Easton Brothers with Muddy Waters bassist Charles Calmese, Jai Johanny "Jaimoe" Johanson from The Allman Brothers Band, Second Son, Guitar Shorty, Adolph Jacobs of The Coasters, Kenny Aaronson, and The Delrays, for which he received acclaim from Buddy Guy. In 1999, he formed Mambo Sons with singer Scott Lawson, based upon a songwriting partnership that dated back to the early 1980s. Their debut album, released in 1999, featured guitar legend Rick Derringer. This twelve-song effort contained both new music as well as songs the two had originally written a decade before, and yet was immediately met with very positive reviews. Read more  https://tomguerra.com/

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 113 : Stickin' Your Dick In The Till - Artists That Screwed The Crew..  It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band: www.rewind80sband.com Facebook: the80smontagepodcast twitter: 80_montage instagram: the80smontage Links from Episode 113 : Stickin' Your Dick In The Till - Artists That Screwed The Crew..Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: https://www.youtube.com/watch?v=aCWCF19nUhATom Tom Club - Genius Of Love (Official Music Video)https://www.youtube.com/watch?v=mwgg1Pu6cNgFleetwood Mac - Gypsy (Official Music Video)You're watching the official music video for Fleetwood Mac - "Gypsy" from the 1982 album "Mirage". The new Fleetwood Mac collection '50 Years – Don't Stop' is available now. Get your copy here https://lnk.to/FM50 and check out North American tour dates below to see if the band is coming to a town near you.The video for 'Gypsy', directed by Russell Mulcahy, was the very first 'World Premiere Video' on MTV in 1982.Subscribe to the channel! http://bit.ly/SubscribetoFleetwoodMacWatch all the Fleetwood Mac videos http://bit.ly/FleetwoodMacVideosStay in touch with Fleetwood Mac...Official Website https://www.fleetwoodmac.comFacebook https://www.facebook.com/FleetwoodMacTwitter https://twitter.com/fleetwoodmacWhite Boy - Culture Clubhttps://youtu.be/YGEj68bEjNQProvided to YouTube by Universal Music GroupWhite Boy · Culture ClubGreatest Hits℗ 2003 Virgin Records LimitedReleased on: 2005-01-01Associated  Performer, Piano, Keyboards, Guitar, Electric  Sitar: Roy HayProducer, Studio  Personnel, Mixer, Engineer: Steve LevineAssociated  Performer, Saxophone, Flute, Harmonica: Nick PayneAssociated  Performer, Background  Vocalist, Keyboards: Phil PickettAssociated  Performer, Background  Vocalist: Denise SpoonerAssociated  Performer, Vocals: Boy GeorgeStudio  Personnel, Mixer, Associated  Performer, Drum  Programming, Drums, Percussion: Jon MossAssociated  Performer, Bass (vocal): Michael CraigAssociated  Performer, Background  Vocalist: Colin CampsieAssociated  Performer, Trumpet: Terry BaileyAssociated  Performer, Bass (vocal): Michael Emile CraigAssociated  Performer, Background  Vocalist: Colin CampsieProducer, Studio  Personnel, Engineer, Mixer: Steve LevineAssociated  Performer, Background  Vocalist, Additional  Keyboards: Phil PickettComposer: George O'DowdComposer, Composer  Lyricist: Roy HayComposer: Michael CraigComposer, Composer  Lyricist: Jon MossComposer  Lyricist: Boy GeorgeComposer  Lyricist: Michael Emile CraigListen to the new album: https://abba.lnk.to/VoyageAlbumListen to more music by ABBA: https://abba.lnk.to/musicIDFollow ABBA:Facebook: https://www.facebook.com/ABBA/ Instagram: https://www.instagram.com/abba/Twitter: https://twitter.com/abbaTikTok: https://www.tiktok.com/@abba Read More About ABBA: http://www.abbasite.com/(Benny Andersson and Björn Ulvaeus)© 1979 Polar Music International ABPublished by: Universal/Union Songs ABVideo produced by: Lasse Hallström#ABBAhttps://www.youtube.com/watch?v=WkL7Fkigfn8Bruce Springsteen - Out In The Street [Philadelphia, August 14, 1985]https://www.youtube.com/watch?v=9TTLxfeJhGgVeterans Stadium, Philadelphia, PA, August 14, 1985Bruce Springsteen (vocals, guitar)Roy Bittan (piano, keyboards)Clarence Clemons (tenor and baritone saxophones, backing vocals, percussion)Danny Federici (organ, accordion, keyboards)Nils Lofgren (guitar, backing vocals)Patti Scialfa (backing vocals, percussion)Garry Tallent (bass, percussion)Max Weinberg (drums)#BruceSpringsteen #BornInTheUSA #ClassicRockBruce Springsteen - Born in the U.S.A. (Official Video)https://www.youtube.com/watch?v=EPhWR4d3FJQPrince - Computer Blue #prince #wendyandLisahttps://www.youtube.com/watch?v=szs4bWoul8wComputer Blue Band - Sammy & Boys Australia ( Rewind 80's Band)https://www.youtube.com/watch?v=wqVACqFpkawMother Of Pearl · Wendy & LisaEroica℗ 1990 Virgin Records LimitedReleased on: 1990-01-01Associated  Performer, Vocals, Producer: Wendy MelvoinAssociated  Performer, Vocals, Keyboards, Producer: Lisa ColemanAssociated  Performer, Drums, Percussion: Carla AzarProducer: Tony BergAssociated  Performer, Vocals: K.D. LangStudio  Personnel, Mastering  Engineer: Bob LudwigComposer: Lisa ColemanComposer: Wendy MelvoinComposer: Michael PennComposer: Tony Berghttps://www.youtube.com/watch?v=5AqLpE4Jh-8The Cars - Drive (Official Music Video)You're watching the official music video for The Cars - "Drive" from the album 'Heartbeat City' (1984). "Drive" reached No. 3 on the Billboard Hot 100 and was The Cars' biggest international hit.Subscribe to the Rhino Channel! https://Rhino.lnk.to/YouTubeSubID Check Out Our Favorite Playlists:Classic Rock https://Rhino.lnk.to/YTClassicRockID80s Hits https://Rhino.lnk.to/YT80sHitsID80s Hard Rock https://Rhino.lnk.to/YT80sHardRockID80s Alternative https://Rhino.lnk.to/YT80sAlternativeID90s Hits https://Rhino.lnk.to/YT90sHitsIDStay connected with RHINO on...Facebook https://www.facebook.com/RHINO/Instagram https://www.instagram.com/rhino_recordsTwitter https://twitter.com/Rhino_Recordshttps://www.rhino.com/Thanks for listening! www.the80smontage.com

Pat welcomes Mike Schmidt back to the co-host chair for an epic 4 hour dive into Meat Loaf's "Bat Out Of Hell" trilogy! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GET THE BOOK: https://amzn.to/3r8sR7OPATREON: https://www.patreon.com/minddogtvTRUE FIRE GUITAR MASTERY: http://prf.hn/click/camref:1101lkzyk/pubref:minddogSponsors:Oddball https://shareasale.com/r.cfm?b=1763361&u=1659788&m=109984&urllink=&afftrack=https://ada6fetbh2x45nefxism5wyv3r.hop.clickbank.net/?tid=MINDDOGTVhttps://podmatch.com/signup/minddogtvhttps://mybookie.com Promo Code minddoghttps://record.webpartners.co/_6_DFqqtZcLQWqcfzuvZcQGNd7ZgqdRLk/1https://apply.fundwise.com/minddoghttps://myvitalc.com/minddog. promo code minddogtvhttps://skillbuilder.academy/dashboard?view_sequence=1601856764231x540742189759856640&promoCode=MINDDOG100OFFhttps://shareasale.com/r.cfm?b=599839&u=1659788&m=52971&urllink=&afftrack=https://enticeme.com/#minddog

Visit us for all things DRUMS: http://www.drummersonly.co.uk/ We chat with Jay Weinberg! Jay is the current drummer for the Metal band Slipknot but also has quite a musical heritage. His father, Max Weinberg, played for "The Boss" Bruce Springsteen and his E Street Band, for which Jay himself also spent some time performing for. We chat with Jay about what it's like joining Slipknot, his new SJC gear, his legendary musical heritage and MUCH more! Follow Jay On The Socials https://www.jayweinbergofficial.com/ https://linktr.ee/jayweinberg SHOP Deals: https://bit.ly/31uhnTk GET IN TOUCH Got any questions or looking for more personal advice? Get in touch - we'd love to help! ✉️ Email: info@drummersonly.co.uk leeds@drummersonly.co.uk

On this episode of Agent Provocateur with Allan Walsh and Adam Wylde, The Mighty Max Weinberg joins the show to talk share stories about his career as a member of Bruce Springsteen's band, the intensity of being a drummer, and likening sports to being in a band.Originally aired: December 14, 2021Visit https://sdpn.ca/agentprovocateur for more episodes of Agent Provocateur with Allan Walsh and Adam Wylde.Follow us on Twitter: @walsha & @AdamWyldeAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Classically trained and with years of experience in Cuban and American salsa, jazz, and big orchestra bands, the Havana-born Gerardo Contino is a multi-talented singer and songwriter. He created the band Los Habaneros in 2012, which has gone on to become the "Best Band in Manhattan" (WNYC/NPR), and "Best Cuban Dance Band" (NY Latin Culture Magazine). Gerardo is also the lead-Latin singer for the famed Max Weinberg Orchestra, and lead vocalist for the Larry Harlow's Latin Legend's Band. Los Habaneros released their debut album, Somos Latinos, in 2013 to very high critical acclaim. He has toured internationally and in their hometown, NYC, they have performed in Brooklyn Academy of Music, BB King Blues Club, Subrosa, Sounds of Brazil (SOBs), Le Poisson Rouge, The Bronx Museum, Subrosa, Live at the Gantries, Roulette, Gonzalez y Gonzalez, Taj, and many others. With the Max Weinberg Orchestra, he has performed at The Rainbow Room, Rockefeller Center. With his own projects, Gerardo has toured in Italy, France, Spain, Denmark, Germany, Switzerland, Venezuela, Mexico, Peru, and Canada. He has played in international festivals of salsa and jazz such as: Toulouse Festival, France; Latin American Festival of Milan, Italy; Festival Fiesta, Rome, Italy; Festival of Munich, Switzerland, Copenhagen Festival, Denmark; Salsa Festival of Verona, Italy, Time Out New York Afro-American Roots of Maracay, Venezuela. Gerardo has also shared the stage with such artists as Oscar de Leon, Roberto Roena, El Gran Combo, La India, Los Van Van, Xiomara Laugart, Carlos Varela, Alexander Abreu, Frank Fernandez, Osdalgia, Giovanni Hidalgo, Kelvis Ochoa, David Torrens, and Jose Armando Gola. Gerardo is a recipient of the 2015 and 2014 Lower Manhattan Cultural Council grant for Manhattan Community Arts Fund. Gerardo is endorsed by Gorilla Ears, is an active member of Musicians on Call, and was a performer at the Kennedy Center for the Arts. Recently, Gerardo has also embarked on a career in theater. He is currently working on a new musical theater project set in late 19th century Cuba. https://www.gerardocontino.com/

  Join Michael Zeldin for this extraordinary 90-minute conversation with Max Weinberg, Rock and Roll Hall Of Fame drummer from Bruce Springsteen's E Street Band, as they discuss Max's musical career, his thoughts on music and drumming, his recollections of other great drummers, especially the late Rolling Stones drummer Charlie Watts, and much more. Guest Max Weinberg, Rock and Roll Hall Of Fame drummer from Bruce Springsteen's E Street Band Max “the Mighty Max” Weinberg. A bundle of drive, neurosis and wily suburban street smarts, and source of great humor, Max found a place where Bernard Purdie, Buddy Rich and Keith Moon intersected and made it his own. The soul of dedication and commitment, each night in the midst of the continuous hurricane our sets are designed to be, the sheer physical pressure of three hours of nonstop, steamrolling rock music lies upon his shoulders more heavily than anyone else's. Onstage, Max goes beyond listening to what I'm saying, signaling; he “hears” what I'm thinking, feeling. He anticipates my thoughts as they come rolling full bore toward the drum riser. It's a near telepathy that comes from years of playing and living together. It's a real-world miracle and it's why people love musicians. They show us how deeply we can experience one another's minds and hearts, and how perfectly we can work in congress. With Max at my back, the questions are answered before they're asked. There are twenty thousand people, all about to take a breath; we're moving in for the kill, the band, all steel on an iron track, and that snare shot, the one I'm just thinking about but haven't told or signaled anyone outside of this on-fire little corner of my mind about, the one I want right . . . and there it is! Rumble young man, rumble! -Bruce Springsteen “Born To Run” (2016) Max Weinberg's Jukebox A truly interactive experience, Weinberg invites the audience to create the set list, in real time, that he and his crack four piece group will play that night. Performing songs from the glory days of rock and roll your guests get to choose from a video menu of over 200 songs — everything from the Beatles to the Stones to Bruce and The E Street Band's biggest hits — and hear the group play ‘em the way they want to hear them played! That's right—the crowd gets to yell out their choices and Max plays them! This unique approach is fun and satisfying. How many times have you attended a show where you yearned to hear your favorite performer play your favorite song? With Max Weinberg's Jukebox your dream will be realized. MaxWeinberg.com Follow Max on Twitter:@EStreetMax Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin

  Join Michael Zeldin for this extraordinary 90-minute conversation with Max Weinberg, Rock and Roll Hall Of Fame drummer from Bruce Springsteen's E Street Band, as they discuss Max's musical career, his thoughts on music and drumming, his recollections of other great drummers, especially the late Rolling Stones drummer Charlie Watts, and much more. Guest Max Weinberg, Rock and Roll Hall Of Fame drummer from Bruce Springsteen's E Street Band Max “the Mighty Max” Weinberg. A bundle of drive, neurosis and wily suburban street smarts, and source of great humor, Max found a place where Bernard Purdie, Buddy Rich and Keith Moon intersected and made it his own. The soul of dedication and commitment, each night in the midst of the continuous hurricane our sets are designed to be, the sheer physical pressure of three hours of nonstop, steamrolling rock music lies upon his shoulders more heavily than anyone else's. Onstage, Max goes beyond listening to what I'm saying, signaling; he “hears” what I'm thinking, feeling. He anticipates my thoughts as they come rolling full bore toward the drum riser. It's a near telepathy that comes from years of playing and living together. It's a real-world miracle and it's why people love musicians. They show us how deeply we can experience one another's minds and hearts, and how perfectly we can work in congress. With Max at my back, the questions are answered before they're asked. There are twenty thousand people, all about to take a breath; we're moving in for the kill, the band, all steel on an iron track, and that snare shot, the one I'm just thinking about but haven't told or signaled anyone outside of this on-fire little corner of my mind about, the one I want right . . . and there it is! Rumble young man, rumble! -Bruce Springsteen “Born To Run” (2016) Max Weinberg's Jukebox A truly interactive experience, Weinberg invites the audience to create the set list, in real time, that he and his crack four piece group will play that night. Performing songs from the glory days of rock and roll your guests get to choose from a video menu of over 200 songs — everything from the Beatles to the Stones to Bruce and The E Street Band's biggest hits — and hear the group play ‘em the way they want to hear them played! That's right—the crowd gets to yell out their choices and Max plays them! This unique approach is fun and satisfying. How many times have you attended a show where you yearned to hear your favorite performer play your favorite song? With Max Weinberg's Jukebox your dream will be realized. MaxWeinberg.com Follow Max on Twitter:@EStreetMax Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post.

In this very special 100th episode, I sat down in person (finally once again!) with Rock and Roll Hall of Famer Drummer for Bruce Springsteen and the E Street Band Max Weinberg. Besides a 40 year career being the Mighty Max on stage with Springsteen Max spent 17 years as Conan O'Brien's bandleader on his NBC Late Night and Tonight Show. Max is currently touring with his "Max Weinberg Jukebox" show throughout America and in his spare time was just named Commissioner of the Del Ray Beach, Florida Planning Board. A Jersey guy with a lot of inspiring and wonderful stories to share and even jams with the host of our event and past guest, Rock Photographer Danny Clinch at this Transparent Gallery in Asbury Park, New Jersey. I am so proud to have reached this milestone and thank everyone that has supported this Podcast along with the way.

Tom Kelly shares behind the scenes stories about working at Late Night with Conan O'Brien.  Hear the story about how Tom was almost discovered by Conan O'Brien and then is derailed by a mishap.  What was it like working with Andy Richter?  Plus two funny stories about Max Weinberg.  More importantly:  Lessons learned and the positive impact that show and it's production team had on his career.

Mike shares his stories of being an intern on the Tonight Show with Conan O'Brien including: Riding in an elevator with Conan; hanging with Max Weinberg; running into Quentin Tarantino and making out with a Conan O'Brien fan. Marc discusses living in an apocalyptic heat wave and visiting Wichita, Kansas. Mike does a special NBA card pack opening. Mike and Marc give two classic YouTube Clips: https://youtu.be/P7KBcsdPhxA https://youtu.be/Zz9Se5oSb1E follow on Instagram: @onehourpp

Facebook: https://www.facebook.com/thebestmusicpodcast Blog: https://bestmusiccoach.blogspot.com Twitter: https://www.twitter.com/thebestmusicpod Instagram: https://www.instagram.com/thebestmusicpodcast/ The Best Music Podcast #1 | Gregg Hollister | Rock Follies, Living a Creative Lifestyle, Music is its Own Reward Gregg Hollister Gregg's Facebook: https://www.facebook.com/vocalbassdudeGman Gregg Playing: https://www.youtube.com/watch?v=owGAYN6KRh4 The Brian Druxx Project: http://briandruxproject.com/ Gregg has toured recorded or performed with Al Kooper, Richie Havens, Ron Dante, Tommy James, The Rockspurs, Paul Schaefer, Max Weinberg, Bernard Purdie, Phoebe Snow, Ian Hunter, Tico Torres, Joey D, Vicki Sue Robinson, Anthem, Masayoshi Takanaka, Terry Silverlight, Ben E. King, Cory Daye, Tom Verlaine, Paul Schaefer, and Richard Lloyd to name a few. Commercial work includes jingles such as Sony, Kodak, Budweiser, Lifesavers, Mars Candy, Club Med, Yamaha Motorcycles, GM, Ciba Geigy, Schering Plough, and Hertz. TV and film work includes work for PBS the made for TV CBS documentary Julissas Hands (the craigslist killer) movie work such as the Bad Lieutenant and the Driller Killer with Joe Delia/Abel Ferrar and countless musical projects supplying background vocals including Austin Powers movie trailers and Grownups with John Stamos. Gregg can currently be seen and heard playing with Hollister & Friends and The Brian Drux Project. 0:00 Intro 1:46 Warm-Up Questions 4:47 How Gregg Got Into Music 8:55 Rock Follies 1 & The Value of Owning Your Master Recordings 11:50 Perfume Commercials and Bad Contracts 12:55 How Music Publishing Works, How the Money is Divided 16:30 Rock Follies 2 & Managers Stealing from the Band, Getting Robbed 22:41 Joe Delia and the Rockspurs 24:31 Rock Follies 2.5 and 3 26:30 The 80s and Chaka Khan 31:23 The Darryl Canada Project & Rock Follies 4 & What is a Showcase? 34:22 Getting Smart, ASCAP 36:17 What is an Artist Showcase? 38:20 Rock Follies 5 41:56 Phoebe Snow and Al Kooper 45:00 What is a Spec Deal? 47:00 Shopping the Record - Yamaha 51:00 Ben E. King & Background Singer Session Work 52:07 Masayoshi Takanaka 56:00 How Gregg Makes Jingles & Brushing Philip Glass 1:01:30 Music is a Part of Me 1:02:15 Jimmy Leahey, The Brian Druxx Project, Hollister and Friends 1:14:35 Enter Drew Nagal 1:16:14 Max Weinberg Jukebox 1:19:22 Greatest Hits 1:24:20 Lifestyle: Sleep 1:31:54 Lifestyle: Mindfulness and Meditation 1:33:28 How Trans Siberian Orchestra Discovered Ashley Hollister 1:34:54 Paying Your Dues Past vs. Present 1:37:03 Creativity is a Lifestyle 1:40:22 Creativity: The Great Outdoors 1:41:42 Practice: How Many Hours a Day? 1:43:37 Practice: How much Time is Effective? 1:48:05 Performance: Performance Anxiety 1:50:48 Burn out Logo, Intro Video, and Branding: Arron Leishman Audio and Video: Zach Ramey zacherylramey@gmail.com Video Thumbnail: Jean Tomasulo https://www.behance.net/jeantomasulo Dan's Thumbnail Photo: John Mollura Photography

Alberta's provincial government has released the cuts it'll be making to the budget and Albertans are welcoming it with open arms. How is it that it's fine when Alberta does it but when it happens in Ontario, the pitchforks and torches start coming out? Guest: Matt Gurney, National Post Columnist - A massive renovation is coming to EPCOT. Although it isn't know how many millions of dollars The Walt Disney Company will sink into the edu-tainment centre, the question of how a construction project like this might affect the other parks has to be asked along with what the future of EPCOT holds. Guest: Lena Almeida, Travel writer and blogger - The drummer of the E Street Band and also the leader of Conan O'Brien's live band is coming to Burlington for a unique experience called Max Weinberg's Jukebox. The catch with this kind of concert is you choose the songs and can enjoy it this Sunday at the Burlington Performing Arts Centre. Guest: Max Weinberg, professional drummer & star of Max Weinberg's Jukebox

Jimmy Vivino is most visible as the leader of the Basic Cable Band, showing his range, dynamism and tastefully ferocious guitar licks every night alongside Conan O'Brien, who he's played with since his days as a founding member of the Max Weinberg 7 24 years ago. More relevant for today's episode is his other band The Fab Faux, in which0 he and a handful of other impeccable Beatles obsessed musicians recreate the licks and intricacies of the great band of all time's song catalogue. I caught up with Jimmy last week to talk about the Fab Faux and why the Beatles legacy has lasted so long, but first we kicked off comparing notes on the recently release 50th Anniversary version of Sgt Pepper's Lonely Hearts Club Band, which features new stereo mixes of the album by Giles Martin, son of the album's original legendary producer George Martin. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

America's favorite subpodcast is back! Today, Zac and Morgan talk about THE SUBURBS, as well as Chance The Rapper, Kanye West, The Magicians on ScyFy, Father John Misty, San Fermin, Conor Oberst, the state of print media, Max Weinberg, and more! Plus: Listener mail!  We're on twitter @zacharylittle and @mildrevolution and tumblr http:// zaclittle.tumblr.com and http://themildrevolution.tumblr.com/

Jay Weinberg, the 26 year old phenom behind the drums for Slipknot, joins us this week on the Podcast to share about his experiences playing drums with everyone from Madball and Against Me! to Bruce Springsteen's E-Street Band. That's right folks. Springsteen to Slipknot, Jay can do it all. Jay also shares about his recent travels around the world, his love for painting and the first time Bruce Springsteen called his cell phone to ask him to fill in for his dad Max Weinberg. This episode was a blast for us to tape and we're excited to you to learn Jay's uniquely developed skill of focusing in on the task and hand and taking trials by fire.