Podcasts about gysin

En discurs cun trais dirigents che van a la festa federala da musica. Festas da musica èn adina puspè in punct culminant per ina societad da musica, tant per musicantas e musicants sco era per las dirigentas ed ils dirigents. Natiralmain ch'ina tala finamira dovra engaschi supplementar, pertge mintga societad vul sa preschentar en ina buna glisch avant experts, publicum ed autras societads da musica. Per avair success dovri perquai er ina preparaziun minuziusa. Nus avain discutà cun Adrian Degonda, Reto Lehner e Jürg Gysin da questa lavur.

durée : 00:12:30 - Les Midis de Culture - par : Marie Sorbier - Le Musée d'Art moderne de Paris présente la première rétrospective parisienne consacrée à Brion Gysin. Artiste protéiforme lié à la Beat Generation, inventeur du cut-up et de la Dreamachine, il mêle peinture, poésie et performance à travers plus de cent quarante œuvres. - réalisation : Laurence Malonda - invités : Corinne Rondeau Maître de conférences en esthétique et sciences de l'art à l'Université de Nîmes et critique d'art; Sarah Ihler-Meyer Critique d'art et commissaire d'exposition

durée : 00:27:04 - Les Midis de Culture - par : Marie Sorbier - Pour bien commencer la semaine, nous parlerons d'expositions, avec celle consacrée à l'artiste Brion Gysin au Musée d'Art moderne de Paris, “Splendeurs du baroque” au musée Jacquemart-André, et notre coup de cœur pour "Adrien Fragosi. Les moyens du bord" au Miam à Sète. - réalisation : Laurence Malonda - invités : Corinne Rondeau Maître de conférences en esthétique et sciences de l'art à l'Université de Nîmes et critique d'art; Sarah Ihler-Meyer Critique d'art et commissaire d'exposition

Join me Saturday 4/25 for the Rosicrucian Astrology LIMINALSTREAM where I investigate the order's 1922 manual and compare current and natal transits:  https://www.youtube.com/live/zP5cCmYc5Dg?si=dXuoCz2kkRd2B78Q EDIT: AUDIO has been updated with a better mix--the intro monologue was recorded in a hushed rush during a late night somnambulant AirBnB stay, so better mixing was required! ∴∴∴∴ Transubstantiation of The Sacred Antenna & Traveling Temple This Aries stellium (re)birthed the long-divergent livestream faction of WE THE HALLOWED's broadckast & mutlimedia grimoire, PRAGMAGICK, long-dubbed and too-long-dormant: the LIMINALSTREAM. To be honest, I'm in sort of a crucible. My constant fight for time, energy, captial and time-energy capital to maintain the consistent output of projects such as We The Hallowed, Pragmagick, new albums and performances, micro-publishing Somatick Magicks for Patrons--all of it has had to be under dire review due to my stasis of having to work away from home just to maintain a home I'm rarely in. It's dire, drab, disheartening and all around heavy that the fight for supreme artistry in the face of a megalithic capitalist undertow seems both ever so necessary yet ever so unnoticed. The cost of running this site, let alone all the channels of which to create our arts without much qualms, if any really, or monetary issuance has proven to be an insurmountable affair as is. But I refuse to buckle or bribe or barter with the great machine, and have taken the heavy toll and burden to internalize why financial independence isn't afforded from these ventures alone. That probably isn't healthy either, yet I persist. After wilderness years spent toiling and tinkering with ways to charge the current, it has become all-too apparent that the livestream's capabilities of creating wholly intentional transmissions and 'third spaces' of performance, sermon and vexation without appeasing rent-mad venues, other people's intentions or allowance of artificial intelligence slop could nominally be achieved through the art magick adherence to the liminalstream transmission. And what better to initiate a new experimental era of a wide-spectrum of dipsatches than under this excitingly rare fire stellium currently transiting? Due to my increasingly laborious schedule largely spent away from the Dimming Room, it became all too apparent that my way through with keeping consistent tithes to ongoing projects, lifting connected artists and We The Hallowed haunts, and growing the burgeoning patreon base to hopefully one day not need to suffer so much survival in this monolithic capitalist nightmare structure, allow the liminalstream a wonderful spectrum of highly intentional, heavily produced to topic based, low-tech dispatches from the sacred antenna of the PRAGMAGICK broadckast current. Last week, I attempted a DIMMING ROOM dispatch that revealed a longtime telepathetic annoyance of an unwitting poltergheiszt, then streamed from the phone as I picked up the pieces and worked through this newfound revelation: https://www.youtube.com/live/xS6oqrlU6Gs?si=kao6bJ6LGBrtUhJ0 https://youtube.com/live/xS6oqrlU6Gs?feature=share Here, the attempted live ritual using a spiritbox and the in-room projections audio triggered of custom footage was finally due to to be shared with the world. The thesis and experimentation behind the scenes has long toiled with ways to imbue the communion with multi-sensory transmissions. This nominal release of the ritual where the objective was to contact LITTLE WIND (or more formally Z the Redreamer) concerning the intentions of this new era and current cosmick transits would not happen, however. For no discernable reason I was run ragged with technical issues throughout the premiere that I still have no calcuable way to avoid in the future, nor way to discern much of why two separate computers used for streaming fell due to never-before-seen internal errors, let alone the spiritbox actually breaking right after I had recovered the stream and was ready to push on! Alas, so many lessons learned that stream, one of which is that trying a huge array of objectives within one stream is not only suboptimal tech wise, but performance and demeanor-wise as acting host, producer and performer is far too hectic oversee whilst allowing the artistic heteronym to control this vehicle performing musick, initiate meditative videomancy sessions and tap into the gibber-gabber needed to monologue to an audience concerning all the intentions therein! Not only were there obscure and completely unfounded tech issues on the digital plane, but in the physical my spirit box literally broke right before the ritual tells me that I was radiating an unseen reckless energy like statick discharge from ungrounded finger tips. You see, this is a long-storied issue with my performances, and another reason I'm attempting to get the sea legs of confident performance through these liminalstreams; I know I'm radiating, emanating, manifesting a nervous energy that is poisonous to electrical currents. Intuitively, I know it's me. If only I had performed the intended current cleanse at the top of the show and rested my gheiszt a bit before spelunking into a deluge of wild sessions within one stream! So through wincing and frustrated tears I soldiered on and concluded with a makeshift altar/Dimming Room Current Cleanse to ward off whatever bad ghost juju projected from my unwitting self (or, for safety sake, some banishing of outside dark dudes too) with a musical saw bowed through effects and guitar pedals. Improvised magick is potent magick! https://youtu.be/2FQEUi8heVc?si=nTxikN2_zL6Q4M30 https://youtu.be/2FQEUi8heVc But all and all, as an induction ceremony to a new era of output, the liminalstream did it's job. The revelation of the nega-statik gheiszt that my intensity and anxiety unwittingly releases that has long caused obscure tech issues for my performances, alone, is worth the price of admittance. This very ex/o/rcise of the weekly liminalstream dispatches can help correct such energy diversions; and since, they've only gotten better if not more focused. It's this sort of deep, revelatory moment that makes the liminalstream so worthwhile to me as practitioner, aside from the usual experimental fare and art hexorcism the transmissions can dutifully provide. The next day, calm and collected and willing to show the lowtech side of the liminalstream spectrum, I went live as I repaired the spiritbox and discussed these revelations: https://www.youtube.com/live/eiGFmZKa-JA?si=Whq468SJtz9-GbEI https://youtube.com/live/eiGFmZKa-JA?feature=share This also introduced a rubric and schema to bookend the LIMINALSTREAM so that no-matter where it is dispatched, or the amount of production and featured topic, a sinew can bind and ordain the transmissions within the Liminalstream current: Each stream is construkted either behind the scenes prior, or during the stream itself, with the Divergent Magick Grimoire - this helps the anarchic contents find footing within a ritual schema and operating procedure whilst also keeping the expected torrential innards a little more approachable. It also bestows the title of each Rite as the title of each LIMINALSTREAM. Perhaps I can also utilize the Divergent Magick Online Rite Builder when the hard or paperback copy is not on hand, thus allowing viewers to peer into the process. In turn, each liminalstream that doesn't so much have a presupposed theme or even thumbnail artwork will utilize the DISRUPTION GENERATOR to reveal a divinatory theme and its respective image (Such as the title/artwork for the stream above has). This allows for two thirds of We The Hallowed's scripture troikatych (or threefold equation) to be continually charged and investigated while the newly formulated 'Tethers', or We The Hallowed connective ethos, is formulated for publishing. The finalizing of the 'TETHERS', in turn, will be a reoccuring and intermittent topic for future LIMINALSTREAMS as I have clued Patrons in on the formulation of this anarchic multimedia magickal collective's synthesis exalted within construction of The Tethers. PROSPEKTRE CURRENT COMMUNION: A SPIRITBOX/VIDEOMANCY RITUAL Session truly begins around 7 minutes in: https://www.youtube.com/live/dJlciIS6ywE?si=j39K1uYgM3Jf9WjC Around dawn, pacific time, I performed a “liminalstream” (public art magick ritual via Pragmagick youtube channel) showcasing a grounding-yet-road-opening initiatory Hauntomancy Ritual for this cosmick stellium that happens to be shuffling in my eighth house (if the natal chart birth time I've reverse-engineered is correct, of course.) I'm utilizing similar schema from my PROSPECTRE (sic) RITUAL by incorporating rubric from Listening Post Alpha (the solo “Estes Method” akin Spirit Box communion and the paramount and illucidating ALW Cipher Decoding post-session) yet not with audiomancy as I had previously interjected, but with hypnagogic inducing projections (think technicolor Dream Machine ala Gysin & Burroughs) of deeply intentional imagery (analog photography from dear friend and collaborator that adorned the ALGOL series of original musick I've recently released—who's New Mexican property holds a unique opportunity in our future) casted as in-room videomancy all captured by a VHS camcorder & analog dirty video mixer triggered by the Spiritbox transmissions. Stay tuned for decoding a deeper insight on what, or whom, came through. The ritual is not complete until the LISTENING POST ALPHA rubric of decoding using the ALW Cipher is drafted as a report. This may be a Patreon stream, specifically, while utilizing the public Liminalstream current to continue my weekly dispatches across a wide spektrum of production, focus and theme. Conversing with the spirit box for this new era using transmission triggered and live analog mixed/painted videomancy of custom footage and Logan Ford's analog photography (that accompanied Revelator Rosz's  ALGOL I) to create a hypnagogic rhythmic technicolor atmosphere projected in room for immersive communion (somewhat partially akin to the Brion Gysin & William S. Burroughs Dream Machine experiments) Hauntomancy / Videomancy Aspekts: This communion was initiated with the ultraterrestrial known as Z the REDREAMER (or more colloquially, Little Wind) who was introduced through Listening Post Alpha sessions. The being's identity is purely speculation, but has often hinted that they may be the supraself or temporally displaced self-spektre of Revelator Rosz. https://keatsross.substack.com/p/haunt-of-the-aspectre-haunt-manual Videomancy exalted Dimming Room truly 'DIMS THE TZIM-TZUM': https://wethehallowed.org/audiomancy-videocast/https://keatsross.substack.com/p/salvo-siempre-salvo-haunt-manual : Using custom footage casted and mixed with dead tech necromancy as time engines (60's B&W Cathode Tube Amp Camera, VHS Camcorder as main camera, 90's panasonic analog video mixer and other thought obsolete talismanik devices with unfinished business finally realized with new applications. By triggering footage containing analog photography taken by Logan Ford of New Mexico, a possible future is also charged and tickled with each transmission shift. By incorporating seemingly aimless B-Roll captured in this timeline, the dirty analog mix and photography gusts both anchors and peers at linear maybes.https://keatsross.substack.com/p/engram-eclipse-ellipses Dead Tech Necromancy will eventually showcase on the @hauntomancer channelhttps://keatsross.substack.com/p/hauntomancy-in-practice-vhspektres STAY TUNED FOR THE TRANSMISSION DECODE USING THE ALW CIPHER AND FURTHER REVELATIONS... This stream was made possible by https://wethehallowed.org Support the new musick and listen to the fully owned version at https://wethehallowed.org/eco-aspektre Future weekly streams will be topic based, can and will be casted from foreign places, share and investigate works, house in-camera and live guests, and so on. This week, at least for Patrons if not publicly as well, I plan on streaming from a work trip as this rhythm is my new normal. And this new normal is hectic, lonely, uncomfortable and all-too insurmountable if not married with artistic and psycho-spiritual insight. So let the Liminalstream be the anchor to an otherwise rough scape forward. As I finalize the official summation and primer of Hauntomancy with the Spektrivium, codify We The Hallowed's metaphysical tenets and machinations with the updated Tethers, publish and create Somatick media releases in physical formats, and continue the musickal hexorcisms as Revelator Rosz and Dakota Slim, there could be no better, egalitarian and approachable transmission than that of the art magick livestream, or liminalstream.  This month will see the release of the ALGOL hexkassette, a 90 minute collection of the Algol musickal series collected, with rarieties, thus far, for PATRONS and Somatick subscribers. Consider signing up to be privy to all dispatches, behind the scenes work, discord 'DIMMING HOURS' or "office hours" where we can work on our projects together, and so much more. Over 666 posts containing patreon only interviews, livestreams, full albums, and more! Become a patron and support the artgasms! https://patreon.com/pragmagick Now with the technical tenacity and callouses chapped via the experiential wilderness years surfing madcap witchery with unseen syncopation, let us remain constant in our broadckast and dispatch no matter where our bodies lay! All footage is custom and filmed by REVELATOR ROSZ via vhs, hi-8 or CCCD cameras unless it is found footage and old cinema transformed and acknowledged.follow on twitch:https://twitch.tv/pragmagickhttps://instagram.com/pragmagick_cast   This stream was ordained and administered using the DIVERGENT MAGICK GRIMOIRE and schema. You too can use it to construkt and deconstrukt your own anarchic art magicks:https://wethehallowed.org/divergent-magick-grimoire HAUNT ON Major thanks to the Patrons who make my art possible: All art is genuinely made possible by the Patrons of WE THE HALLOWED and affiliated media magicks. Major thanks to Eric J. Millar & Joel Hatmaker for the long partnership and support of WE THE HALLOWED and its website, among other things. Major thanks, in no particular order, to Temple of Babalon Choronzon (Bobby, Leah, Stashia & Groucho), Frater Perseus, Austin Atchley, Jeremy Bowlin, Kenned Doll, MetemPsychotic, Saroth The Mage, Lya & Azure Edwards, JJ Reine De Blanc, Jenny Rocky, Elena SorcerersHomie, Alex Leadbetter, Lynz Pinzer, Bibi, CW Chanter, Jonicide, Jilly Beans, Corrie Anne, Spooky, Vanessa Sinclair, Carl Abrahamsson, Tony Davis, Arnemancy, Brittany Brown, Veruca Galt and you, dear ghost, for your ongoing support. Revelator Rosz ALL LINKS: http://pragmagick.com WE THE HALLOWED (Multi-Media Collective): https://wethehallowed.org PAYPAL (One Time Donations): http://www.paypal.me/keatsross SUPPORT VIA PATREON: http://patreon.com/pragmagick

What happens when you drop generative AI into the middle of a liberal arts curriculum? This week on Off Center, Scott sits down with Davis Schneiderman at Lake Forest College to find out. We dive into the HUMAN project, a campus-wide experiment putting AI tools directly into the hands of humanities students and professors. Instead of panicking or running from the tech, Davis argues that writers, artists, and historians need to get their hands dirty with AI to actually understand and critique it. From historical Chicago chatbots to the future of experimental fiction, this conversation explores why the creative critical thinking skills taught in the humanities are our best defense in an AI-driven world.References Burroughs, W. S., & Gysin, B. (1978). The Third Mind. https://en.wikipedia.org/wiki/The_Third_MindChamberlain, W., & Thomas Ettrick [Racter]. (1984). The Policeman's Beard Is Half Constructed. https://en.wikipedia.org/wiki/The_Policeman%27s_Beard_Is_Half_ConstructedGrossman, J. R., Keating, A. D., & Reiff, J. L. (Eds.). (2004). The Encyclopedia of Chicago. http://www.encyclopedia.chicagohistory.org/Gysin, B. (1960). I AM THAT I AM [Audio / Permutation poem]. https://www.ubu.com/sound/gysin.htmlLake Forest College. (n.d.). Humanity's Understanding of the Machine-Assisted Nexus (HUMAN) https://www.lakeforest.edu/academics/krebs-center-for-the-humanitiesSanchez Burr, D. (2025). Redshift https://morethanmeetsai.uib.no/Schneiderman, D., & [Kelly]. (2025). You Can Call Me AI Taylor, T. (2025). Serious Game 

Seit 15 Jahren wohnt der Basler Urs Gysin im Schleusenwärterhaus Nr. 34S am Canal de Bourgogne. Zwischen vorbeiziehenden Hausbooten erfüllt er sich nach der Pensionierung einen Traum: Ein Leben am Wasser, das ihn seit Jahren unterwegs als Freizeitkapitän auf Europas Binnengewässern fasziniert. Als Urs Gysin vor rund 17 Jahren das verlassene Schleusenwärterhaus Nr. 34S in Gissey-sur-Ouche entdeckte, wusste er sofort: Hier beginnt ein neuer Lebensabschnitt. Das Haus am Canal de Bourgogne, nur 25 Kilometer südlich von Dijon, stand damals leer, heute ist es sein Lebensmittelpunkt. Mit viel Geduld konnte er die Behörden von seinem Projekt überzeugen und hat mit handwerklichem Geschick das Schleusenwärterhaus renoviert und zu neuem Leben erweckt. Der frühere Werber ist seit jeher von der Binnenschifffahrt begeistert und befuhr praktisch alle schiffbaren Flüsse und Kanäle in unserem westlichen Nachbarland: «Die Wasserstrassen kenne ich wie andere Strassenkarten. Jede Schleuse, jede Abzweigung, jede Passage.» Viele Jahre lang tuckerte er im Urlaub auf der Fracht-Péniche «Baron de l'Écluse», die er gemeinsam mit Freunden besass und zu einem Wohnschiff umbauen liess. Quer durch Frankreichs Gewässer, bis nach Deutschland, Holland und Belgien. Canal de Bourgogne Der Canal de Bourgogne mit seinen 242 Kilometern und 189 Schleusen ist Teil der Verbindung zwischen dem mediterranen und dem atlantischen Becken und war einst eine wichtige Verkehrsader im kontinentalen und lokalen Güterverkehr. Bis zu 30 Frachtschiffe pro Tag wurden an der «Ecluse 34S Moulin du Banet» hinauf oder hinuntergeschleust. Heute ziehen von April bis Oktober pro Tag noch etwa ein Dutzend Privat- und Hotelboote vorbei.

What does your womb mean to you? How do you relate to her and nurture your connection? What if you were invited to tune into her movement and join her dance? What if our journey of homecoming is about learning to perceive the anatomy of our very selves (not a textbook!) through the lens of our sensual experience? I am thrilled to welcome Anja Gysin back onto the podcast. Anja is a dancer, choreographer, and Somatic Movement Educator in Body-Mind Centering. She has been teaching movement and dance as a healing force for over 25 years. In both her artistic practice and teaching, Anja centers the nature of the human being, creating space for the unfolding of the individual while also inviting a connection to the spirit that binds us all. Truly, a medicine dancer!In our conversation, we explore both of our embodied womb journeys. The womb is our first physical home, a deep connection to our inner world, a symbol of our dreams, and what we wish to birth into the world. It is a space of transformation, a source of life, and a place of feminine healing.In this episode, we discuss:* Anja's personal womb journey and how she continues to re-story her connection to her womb through movement and dance. She shares her experience with the menstrual cup, her first encounter with the magic of women's circles in Canada, and the transformative experience of giving birth to her children.* The meaning of both our physical womb and the social womb. Anja talks about why womb work is world work and peace work, and why she feels the term "feminine awakening" doesn't resonate — were we ever really asleep?* How dance and movement can support us in reconnecting with and reclaiming our wombs. Through movement and dance, we give the womb life of her own. Anja shares how she works with women, meeting their pain and suffering, and helping them transform these into joy and a powerful "YES" to their bodies.Enjoy!Receive my free mini course: From body shame and disconnect to joy and into the fullness of your creative power: - www.flurinathali.com/ ---The Soft Rebellion Podcast is created and hosted by Flurina Dominique Thali. I love hearing from you. To contact me, email softrebellion@flurinathali.com.---Links:Flurina Dominique Thali & The Soft Rebellion: @flurina.thali / www.flurinathali.comAnja Gysin: www.medizintaenzerin.chCredits:- Intro/outro music – ‘Hymn for Jim' by Aspyrian: Robin Porter – saxophone, Jack Gillen – guitar, Matt Parkinson – drums, composed by Robin Porter, listen to the full track here. - Graphic: Annina Thali, for more information click here

In this episode we are joined by co-authors Lillian-Yvonne Bertram and Nick Montfort to talk about their new publication Output: An Anthology of Computer Generated Text, 1953-2023. We learn about their path into digital poetry and the process of putting together this anthology.ReferencesBertram, Lillian-Yvonne. 2019.Travesty generator. Noemi Press.Bertram, Lillian-Yvonne and Nick Montfort. 2024.Output: An Anthology of Computer-Generated Text, 1953–2023. The MIT Press.Gysin, Brion and Ian Sommerville. 1960.Permutation Poems.H. Yngve, Victor. 1961.Random Sentences.Knowles, Alison and James Tenney. 1967.The House of Dust.Lutz, Theo. 1959.Stochastic Texts.Montfort, Nick. 2017.The Truelist. Counterpath.Montfort, Nick and Noah Wardrip-Fruin. 2003.The New Media Reader.Nish-Lapidus, Matt. 2020.Work, Life, Balance.Richardson, Leonard. 2013.Alice's Adventures in the Whale.Stiles, Sasha. 2021.Technelegy. The Black Spring Press Group.Strachey, Christopher. 1953.Love Letters.

Die Räumlichkeit der Musik fasziniert den Basler Komponisten und Chemiker Beat Gysin. Für seine neuste Komposition befasst er sich mit Gesteinen und macht vier Schweizer Bergwerke zum Konzertort: Bergwerkmusik. Die Schweiz ist ein Bergwerkland, denn die Liste an unterirdischen Minen ist lang. Die wissenschaftliche Neugier und der Wunsch nach dem schnellen Geld trieb die Menschen an, Rohstoffe in den Bergen zu suchen. Ihre Geschichte ist geprägt durch Enttäuschung. Roger Widmer ist Bergwerkforscher und Autor und hat gemeinsam mit dem Komponisten Beat Gysin, das Projekt Bergwerkmusik auf die Beine gestellt. Dabei ist das Eintreten ins Berginnere wie eine Reise zu sich selbst. * Wie klingen Salz, Schiefer, Eisen und Asphalt? * Wir blicken zurück auf die Bergwerkgeschichte der Schweiz. * Bergwerkmusik ist eine Suite der Stille. Wie kann Stille unterschiedlich erlebt werden? * Was ist das Potenzial der Räumlichkeit in der Musik? * Bergwerkmusik: Ein Erfahrungsbericht. Im Podcast zu hören sind: * Beat Gysin, Komponist und Chemiker * Roger Widmer, Bergwerkforscher und Autor * Francisca Näf, Mezzosopranistin Buchinweis: Roger Widmer. Bergwerke. Schweizer Bergbau – Die Geschichte von Glücksrittern. AS Verlag 2024. Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Mehr zum Kontext Podcast: https://srf.ch/audio/kontext

Greetings! So much music, so little time! Enjoy! Joel   e-mail: pushingtheenvelopewhus@gmail.com Twitter-like x-thing: https://x.com/envpusher1    5-18-24 PTE Playlist   Elevation - Trem77 - Topography EP -  digital release (2024) https://trem77.bandcamp.com/album/topography-ep    Churchill Downs Chamber Concerto - composer: Irwin Bazelon - Music of Irwin Bazelon - CRI American Masters/New World Records (1992) https://www.newworldrecords.org/products/music-of-irwin-bazelon    Monument for Graettinger - Clazz Ensemble / composer: Louis Andriessen - Den Bosch Clazz ensemble playing live at the Dutch Classical Music Meeting - Amsterdam - October 17th 2011 - http://louisandriessen.blogspot.com/2011/12/family-revisited-review-and-concert.html    Little Red Riding Hood Hit The Road - Robert Wyatt - Rock Bottom - Virgin (1974) https://musicaficionado.blog/2019/07/26/rock-bottom-by-robert-wyatt/    Kerouac, Gysin, & Burroughs - Joseph Benzola - Portraits of the Dead Complete: 1995​-​2022 - Amanita Music (2024) https://josephbenzola.bandcamp.com/album/portraits-of-the-dead-complete-1995-2022    Throwing Salt - Forrest Fang - The Lost Seasons of Amorphia - Projekt Records (2022) https://projektrecords.bandcamp.com/album/the-lost-seasons-of-amorphia    On A Boat - Denman Maroney Quintet - The Air​-​Conditioned Nightmare - Neuma Records (2024) https://denmanfmaroney.bandcamp.com/album/the-air-conditioned-nightmare-2    Mundial Imaginalis  - Colin Fisher - Suns of the Heart - We Are Busy Bodies (2024) https://colinalexanderfisher.bandcamp.com/album/suns-of-the-heart    Blue Moon Frequency #5 (extended version) - slide guitar: Geiger Von Mueller  - digital single (2024) https://geigervon.bandcamp.com/album/blue-moon-frequency-5    The Hall - Manuel Carbone - The Mosgrove Facility - Falt (2024) https://falt.bandcamp.com/album/the-mosgrove-facility    Hissed and Gone - Cat Temper - 2024 Sampler - I Heart Noise (2024) https://iheartnoise.bandcamp.com/album/2024-sampler    Amoureux Solitaires - Petridisch with Leah Callahan - 2024 Sampler - I Heart Noise (2024) https://iheartnoise.bandcamp.com/album/2024-sampler    Sonar - Renee Zon - 2024 Sampler - I Heart Noise (2024) https://iheartnoise.bandcamp.com/album/2024-sampler 

Two figures who have changed the cultural and artistic landscape of the west, also happened to be great friends that inspired each other. One of them you most likely might have heard of. The other is virtually unknown these days. For a period of time, William Burroughs and Brion Gysin shared what they called "The Third Mind," a collaborative process which saw both figures egging each other on to greater heights of inspiration and creativity. But what helped them during this process? Magic of course. For the first time ever in the Fools Gallery, we look at two artists in the same episode, and are joined by musician, author and Podcaster Vic Hyland!

Listen to our latest podcast in conversation with GAZELL.iO November artist-in-residence, Andreas Gysin. 

Yes, MOVEMENT is our BIRTH RIGHT.  What if your life would be a DANCE? If there was no beginning and no end but your whole being yielding into the expression of your body?  I am so touched and grateful to share this episode with you. I had such an organic and moving conversation filled with breath and joy with Anja Gysin. We talked about movement, touch and healing on such a deep level, from such an embodied perspective that … it is hard to describe it in words - go ahead, listen, let it fill all your cells, let it move you! Few words about Anja. Anja was born in Solothurn in Switzerland and is certified as a movement-teacher-and therapist, Open Floor teacher, dancer, choreographer, and Somatic Movement Educator in Body-Mind Centering. She teaches movement and dance as a healing force, for 25 years. Since 2012 she has led her own Dance Company. In her artistic as well as in her teaching approach, the nature of human being within is in the focus. So she gives room for the unfolding of the individual and at the same time space for the opening to the spirit that connects everything.  In this conversation with Anja, we talked about …  Her journey which led her from practicing dance as performance focusing on aesthetics and shapes to what she calls «Medicine dancer» working in the service for healing. That movement IS our birth right! How we can use our breath to get in touch with our inner and outer nature … … and why it is so potent to allow ourselves to be touched - physically and emotionally. What for the two of us are "key ingredients" for healing …  … and how we can all find our unique resources to nurture the ground for healing. How life is an invitation to remember who we truly are - and have always been! I am looking forward reading your thoughts and comments about it on instagram or Facebook or any podcast platform you are listening from at the moment, tell me what did you take from this episode and how did it inspire your path and journey. I would be delighted to hear from you what is your unique resource you engage with, to rejuvenate, to feel safe, to be with you - let us all inspire each other and share - what support you might support him or her as well.  More information about Anja`s work: www.medizintaenzerin.ch To leave any comments and to get in touch with me, follow me on Facebook or instagram, or visit my webpage www.flurinathali.com  Credits: Intro/outro music – ‘Hymn for Jim' by Aspyrian; Robin Porter – saxophone, Jack Gillen – guitar, Matt Parkinson – drums, composed by Robin Porter, listen to the full track here Graphic: Annina Thali, for more information click here Mix engineer: Jack Gillen, for more information click here

We are excited to share this interview with Andreas Gysin with you on the same day that Verse debuts their first Solos exhibition with him and his creative partner Sidi Vanetti. Their show, Materialized, showcases a variety of physical pieces along with a new long-form generative project Wayfinder. In this interview we learn the origin of the partnership between Andreas and Sidi, their obsession with restrictions, the semiotics of ascii art, and plenty more. Learn more about Andreas and Sidi on their website Follow Andreas on Twitter @andreasgysin and check out his personal website as well https://ertdfgcvb.xyz/ Twitter: @WaitingToSign Instagram: @waitingtobesigned Donations: wtbs.tez && wtbs.eth Intro music by The Gas Station, as heard in *Sunset Dancers* by Laurean0 Outro music "Always Be Listed" by Pixelwank

Grüezi in die Schweiz - Ramon Gysin ist eine Ikone im Kraftsportbereich! CrossFit Basel ist seine Box. In der neuen Folge schwelgen wir in alten CrossFit-Erinnerungen und neuen Trends der Fitness-Szene.

Ramon eröffnete 2009 die erste CrossFit Box im deutschsprachigen Teil Europas und somit auch die erste Box in der Schweiz. In dieser Folge erfahren wir, wie die Anfänge von CrossFit in der Schweiz waren. Ramon erzählt von der Evolution seiner Box und seinen Plänen das Krafttraining in der Schweiz zu fördern.

Steve Harper Interviews Diane Gysin Hypnotherapist -- www.healingbodieshealingsouls.com https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=us https://mytuner-radio.com/search/?q=business+news+network

Steve Harper Interviews Diane Gysin Hypnotherapist -- www.healingbodieshealingsouls.com

Steve Harper Interviews Diane Gysin Hypnotherapist -- www.healingbodieshealingsouls.com

Jill Nicolini Interviews Diane Gysin Hypnotherapist -- www.healingbodieshealingsouls.com

In the third episode of British Murders Season 5, I tell the story of Colin Hatch.⁣⁣⁣⁣On July 19, 1993, 21-year-old paedophile Colin Hatch snatched 7/8-year-old Sean Williams outside Norfolk Close tower block.⁣⁣Colin sexually assaulted Sean in the bedroom of his flat before suffocating him to death with a plastic bag, placing his body inside two bin bags and leaving it in the tower block's elevator.⁣⁣He was handed a life sentence on January 28, 1994, by Judge Nina Lowry, but no minimum term to serve was set.Colin Hatch was murdered on February 22, 2011, by fellow inmate Damien Fowkes at HMP Full Sutton.For all things British Murders, please visit my website:https://www.britishmurders.com/Intro music:David John Brady - 'Throw Down the Gauntlet'https://linktr.ee/davidjohnbradymusicMy recording equipment:Shure SM7B Vocal Microphone: https://amzn.to/3F1JkkjCloud Microphone Cloudlifter CL1: https://amzn.to/2XZicC8Focusrite Scarlett Solo USB Audio Interface: https://amzn.to/3kKCLL2Rode PSA-1 Professional Studio Boom Arm: https://amzn.to/3zHJOs8Recorded using:AudacityZoomEdited in:AudacityDaVinci Resolve 17Mastered in:AuphonicYou can purchase 'The Serial Killer's Book of Haiku 2' by Rose Bundy here:https://amzn.to/3Kp7MigReferences:Boy's killer “wrote plan for murder.” (1994, January 18). The Guardian, 4.Broadmoor “rejected future sex killer as not dangerous enough.” (1994, January 22). The Guardian, 9.Cheston, P. (1994, January 28). Boy's sex killer is told: Life means life. Evening Standard, 19.Child killer Colin Hatch “murdered” in secure prison. (2011, February 23). BBC News. Retrieved February 7, 2022, from https://www.bbc.co.uk/news/uk-england-humber-12549804Daily Telegraph Reporter. (2011, October 5). Prisoner who slashed Soham murderer with knife wanted him to die. The Daily Telegraph, 17.Damien Fowkes. (n.d.). Murder In The UK. Retrieved February 7, 2022, from https://www.murderuk.com/damien-fowkes.htmlDavenport, J. (2011, February 23). Child murderer killed in prison. Evening Standard, 2.East Finchley. (2018, May 9). Hidden London. Retrieved February 7, 2022, from https://hidden-london.com/gazetteer/east-finchley/The George, East Finchley. (n.d.). The Lost Pubs Project. Retrieved February 7, 2022, from http://www.closedpubs.co.uk/london/n2_eastfinchley_george.htmlLinton, M. (1994, January 29). Parole row breaks as child-killer gets life. The Guardian, 5.Lobanov-Rostovsky, C. (n.d.). Chapter 8: Sex Offender Management Strategies. Office of Sex Offender Sentencing, Monitoring, Apprehending, Registering, and Tracking. Retrieved February 7, 2022, from https://smart.ojp.gov/somapi/chapter-8-sex-offender-management-strategiesMackinnon, I. (1994, January 18). Child killer “had written detailed sexual fantasies.” The Independent. Retrieved February 7, 2022, from https://www.independent.co.uk/news/uk/child-killer-had-written-detailed-sexual-fantasies-1400733.htmlMallett, X. (2016, May 26). Psychology of a paedophile: why are some people attracted to children? The Conversation. Retrieved February 7, 2022, from https://theconversation.com/psychology-of-a-paedophile-why-are-some-people-attracted-to-children-59991The man accused over Sean. (1993, July 24). The Daily Telegraph, 7.McMahon, B. (1993, July 23). The man accused of murdering Sean, 8. Evening Standard, 14.McMahon, B. (1994, January 17). “Killer's fantasies led to boy's death.” Evening Standard, 17.Pattinson, R. (2017, April 25). Violent convict who tried to murder Soham killer Ian Huntley has throat slit in jail. The Sun. Retrieved February 7, 2022, from https://www.thesun.co.uk/news/3322112/violent-convict-who-tried-to-murder-soham-killer-ian-huntley-has-throat-slit-in-jail/Sean killed by sex attacker out on parole. (1994, January 20). The Daily Telegraph, 4.Steele, J. (1994a, January 18). Fantasies “led to boy's murder.” The Daily Telegraph, 4.Steele, J. (1994b, January 29). “Why was this man freed to kill Sean?” The Daily Telegraph, 3.Wainwright, M. (2011, February 23). Child killer Colin Hatch murdered. The Guardian. Retrieved February 7, 2022, from https://www.theguardian.com/uk/2011/feb/23/colin-hatch-murder-prison-cellWhitehead, T. (2011, February 24). “Huntley attacker hangs child sex killer.” The Daily Telegraph, 5.Woman recalls son's last words. (1994, January 19). The Guardian, 3.Wright, S., & Gysin, C. (2011, February 24). Crack addict is charged over prison murder of notorious child sex killer. Mail Online. Retrieved February 7, 2022, from https://www.dailymail.co.uk/news/article-1360136/Crack-addict-Damien-Fowkes-charged-prison-murder-child-sex-killer-Colin-Hatch.html

Jill Nicolini Interviews Diane Gysin Owner, Healing Bodies Healing Souls Wellness and Retreat Center -- www.healingbodieshealingsouls.com

durée : 00:31:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - En février 1977, l'artiste Brion Gysin, proche de William Burroughs, racontait la genèse, la conception, l'expérimentation de la "Dream Machine", une machine à rêves révolutionnaire. Quatrième volet d'une série de cinq entretiens menés par Jean Daive. - réalisation : Virginie Mourthé

Das Schicksal von hunderten von Schweiz Opfern des Nationalsozialismus soll nicht vergessen gehen. Organisationen fordern nun vom Bundesrat ein Memorial. Der Historiker Jacques Picard und der Präsident der Auslandschweizer-Organisation Remo Gysin sind Gäste im Tagesgespräch. Bis vor kurzem wussten man nicht, wie viele Schweizerinnen und Schweizer von den Nationalsozialisten verfolgt wurden, in Konzentrationslagern gebracht und ermordet wurden. Forschungsprojekte beispielsweise des Nationalfonds gab es bisher keine dazu. Recherchen dreier Journalisten zeigten dieses Jahr erstmals das Ausmass der Verfolgung und die Schicksale von hunderten von Schweizerinnen und Schweizern. Verschiedene Organisationen, darunter auch die Auslandschweizer-Organisation, fordern nun ein Memorial, ein Gedenkort mit Ausstellungen, um diesen Aspekt der Schweizer Geschichte nicht zu vergessen. Auch das Handeln der Behörden, ebenso wie deren fehlende Interventionen sollen thematisiert werden. Welchen Sinn hat es, sich an die Geschichte zu erinnern? Was soll damit erreicht werden? Wer kann daran mitarbeiten und welche Arten der Erinnerungen gibt es? Der Historiker Jacques Picard untersuchte in der sogenannten Bergier-Kommission das Verhältnis der Schweiz zu Nazi-Deutschland. Remo Gysin war SP-Nationalrat und ist heute Präsident der Auslandschweizer-Organisation. Sie sind Gäste im Tagesgespräch bei Karoline Arn.

Family Ministries Director Ellie Gysin reflects on the personal growth she's found in her last 8 years at The Summit, and shares her future dreams for the kids and families of the church community.Support the show (http://www.summitdenver.org/give)

Matt Noonan sits down with Taylor Gysin of UC lacrosse to talk about how she balances being in Air Force ROTC and being a student athletes.

Als 4-Prozent-Partei erhebt die EVP Basel-Stadt Anspruch auf einen Regierungssitz. Ist dies das letzte Aufbäumen vor dem Absturz oder eher ein Durchstarten? Brigitte Gysin, Präsidentin EVP Basel-Stadt, ist im Telebasel Talk zu Gast.

Über ihr Aufräumbuch «Die RÄUM DICH FREI Methode», über Tipps und Tricks beim Ausmisten und warum «Freiräumen» das neue «Aufräumen» ist.

durée : 00:31:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - En février 1977, l'artiste Brion Gysin, proche de William Burroughs, racontait la genèse, la conception, l'expérimentation de la "Dream Machine", une machine à rêves révolutionnaire. Quatrième volet d'une série de cinq entretiens menés par Jean Daive. - réalisation : Virginie Mourthé

27.11.2019 – Gysmo_69! Schon sein Name auf Instagram ist mehr als verheissungsvoll. Und genau so entpuppt er sich auch im unsportlich-Podcast. Ninja Warrior und Parkour-Freak Patrick Gysin mutiert umgehend zum Interview-Liebling. Man muss ihn einfach mögen! Er erzählt von seinem Stall, in dem nicht Kühe oder Hühner hausen, sondern in dem er seine crazy Monsterstunts einstudiert, wie er dabei auch schon auf seinem Allerwertesten gelandet ist, von seinem makellosen Oberkörper und und und.. Dieser Spoiler alleine schon sollte reichen, um euch zu verklickern, dass der TV24-Star auch am Mikrofon eine echte Nummer zum totlachen ist! Tape Design: Grip- und Performance Socken! Bleibe nicht länger unsportlich – Kaufe dir Tape Design – Socken! Mit dem Promocode „unsportlich“ erhältst du 20% auf deine Einkäufe. Check it out! Abonniere unsportlich auf iTunes und Spotify, höre uns auf Soundcloud und besuche uns auf Youtube!

Ramon Gysin from CrossFit Basel is the guy who introduced CrossFit to Europe and has schooled most European coaches you can meet. He is also a world champion in powerlifting and weightlifting and posses several domestic and international records. 2012 he won one of the regional events in Europe and now focuses on coaching athletes to the games via Jami Tikkanens "The Training Plan" and had 20 athletes going to the CrossFit Games Regional events. From his own box he sent Alessia Joy Wälchli to represent Switzerland in the Regionals 2017. Ramon tells us why it is important to lift heavy and to keep challenging your comfort zone. He runs two affiliates, runs events and is practically everywhere. be sure to follow him on instagram: @mr_glutes and if you want to get to know the next seminars (weightliftining, crossfit, mindfulness, etc.) check out his homepage. http://crossfitbasel.ch Sorry for the poor Skype connection....

Remystifying McLuhan CBC's Demystifying McLuhan Mashup Contest McLuhan and Parker At The Vanishing Point  Damien Jurado: "Nothing Is The News" DATAcloud: "The Future Leaks Out" Pictureplane: "Real Is A Feeling" micehal: "Marshall McRemix" Pictureplane: "Post-Physical" Jordan Mandel: "Buzz-Saw" Matt.ch4: "Nude descending a staircase Op.2" [Video] McLuhan - commercial vs public media  Subscribe to YouTube: transpondency Extra videos at transpondency.blip.tv Follow me on Twitter: @transpondency Email: suburban@transpondency.com

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Akiak Vocabulary Study Guide

A Prayer to the Apostle Paul

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Jefferson Workman, Chris Equinox Chavez, and Scott Cederlund from Wednesday's Haul drop by to help us through the second half of the Marvel Previews catalog number 40 (for books shipping in February 2007)! Plus, Frank Zappa warns on the dangers of Speed and reads a few paragraphs from William S. Burroughs' Naked Lunch! Bonus! Chad and Mr. Zombie! Dada poetry! Bigfoot! A cocky stage hypnotist! Bryon Gysin on junk, baby! Leeloo! Yoko Ono! A holiday song in German! Loud Boy! A demonic possession! More!