Podcast appearances and mentions of Leroy Moore

The mission of law & disorder is to expose, agitate and build a new world where all of us can thrive. But how do we get there? How do we build a world many of us have only seen in our dreams? That's where we believe the artists come in. So, each week we feature an artist, holding down a weekly residency with us, helping us to imagine a different, more liberated world. This week's Resistance in Residence Artist is Bay Area writer, musician, activist, author and founder of Krip Hop Nation, Leroy Moore. Check out Leroy's website: https://kriphopinstitute.com/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Resistance in Residence Artist: Leroy Moore appeared first on KPFA.

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, writer, and scholar, Lateef McLeod.  He published his first poetry book entitled A Declaration of A Body Of Love in 2010 chronicling his life as a black man with a disability and tackling various topics on family, dating, religion, spirituality, his national heritage and sexuality. He also published another poetry book entitled Whispers of Krip Love, Shouts of Krip Revolution this year in 2020. He currently is writing a novel tentatively entitled The Third Eye Is Crying. In 2019 he started a podcast entitled Black Disabled Men Talk with co-hosts Leroy Moore, Keith Jones, and Ottis Smith. SourceThis episode includes a reading by Mason Granger of McLeod's poem, “I Am Too Pretty For Some Ugly Laws”  featured in our 2021 and 2023 Get Lit Anthology.“I Am Too Pretty For Some Ugly Laws”I am not suppose to be herein this body,herespeaking to you.My mere presenceof erratic moving limbsand drooling smileused to be scrubbedoff the public pavement.Ugly laws used to beon many U.S. cities' law books,beginning in Chicago in 1867,stating that “any person who isdiseased, maimed, mutilated,or in any way deformedso as to be an unsightly or disgusting object,or an improper person to be allowedin or on the streets, highways, thoroughfares,or public places in this city,shall not therein or thereonexpose himself to public view,under the penalty of $1 for each offense.”Any person who looked like mewas deemed disgustingand was locked awayfrom the eyes of the upstanding citizens.I am too pretty for some Ugly Laws,Too smooth to be shut in.Too smart and eclecticfor any box you put me in.My swagger is too boldto be swept up in these public streets.You can stare at me all you want.No cop will buss in my headand carry me away to an institution.No doctor will diagnose mea helpless invalid with an incurable disease.No angry mob with clubs and torcheswill try to run me out of town.Whatever you do,my roots are rigidlike a hundred-year-old tree.I will stay right hereto glare at your ugly face too.Support the showSupport the show

Part I. Aid State: Elite Panic, Disaster Capitalism, and the Battle to Control Haiti Guest: Jake Johnston is a Senior Research Associate at the Center for Economic and Policy Research in Washington, D.C., and the author of Aid State: Elite Panic, Disaster Capitalism, and the Battle to Control Haiti. Part II. Poverty and Homelessness at Home  Guests: Tiny Lisa Gray Garcia (@povertyskola) is co-founder of Poor News Magazine. Leroy Moore, po' poet, founder of Krip Hop Nation.     The post Haiti's Disaster Capitalism & Poverty and Homelessness at Home appeared first on KPFA.

Episode Summary This week on Live Like the World is Dying, Margaret and Leah talk about disability, preparedness, and covid. Guest Info Leah Lakshmi Piepzna-Samarasinha (They/She) is a writer and structural engineer of disability and transformative justice work. Leah can be found at brownstargirl.org, on Instagram @leahlakshmiwrites, or on Bluesky @thellpsx.bsky.social Their book The Future is Disabled: Prophecies, Love Notes, and Mourning Songs can be found: https://bookshop.org/p/books/the-future-is-disabled-prophecies-love-notes-and-mourning-songs-leah-lakshmi-piepzna-samarasinha/18247280 Their book Care Work: Dreaming Disability Justice can be found: https://bookshop.org/p/books/care-work-dreaming-disability-justice-leah-lakshmi-piepzna-samarasinha/16603798 Host Info Margaret (she/they) can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy. Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Leah on Disability and Preparedness Resources Mentioned: StaceyTaughtUs Syllabus, by Alice Wong and Leah: https://disabilityvisibilityproject.com/2020/05/23/staceytaughtus-syllabus-work-by-stacey-milbern-park/ NoBody Is Disposable Coalition: https://nobodyisdisposable.org/ Power To Live Coalition: https://www.powertolivecoalition.org/ Disability Visibility Project article about Power to Live : https://disabilityvisibilityproject.com/2019/10/26/call-for-stories-powertolive/ Power to Live survival skillshare doc: http://tinyurl.com/dissurvival Long winter crip survival guide for pandemic year 4/forever by Leah Lakshmi Piepzna-Samarasinha and Tina “constant tt” Zavitsanos https://www.tinyurl.com/longwintersurvival Pod Mapping for Mutual Aid by Rebel Sydney Rose Fayola Black: https://docs.google.com/document/d/1-QfMn1DE6ymhKZMpXN1LQvD6Sy_HSnnCK6gTO7ZLFrE/mobilebasic?fbclid=IwAR0ehOJdo-vYmJUrXsKCpQlCODEdQelzL9AE5UDXQ1bMgnHh2oAnqFs2B3k Half Assed Disabled Prepper Tips for Preparing for a Coronavirus Quarantine. (By Leah) https://docs.google.com/document/d/1rIdpKgXeBHbmM3KpB5NfjEBue8YN1MbXhQ7zTOLmSyo/edit Sins Invalid Disability Justice is Climate Justice: https://www.sinsinvalid.org/news-1/2022/7/7/disability-justice-is-climate-justice Skin Tooth and Bone: The Basis of Movement is Our People (A disability justice primer): https://www.sinsinvalid.org/disability-justice-primer DJ Curriculum by Sins: https://www.sinsinvalid.org/curriculum Partnership for Inclusive Disaster Strategies: https://disasterstrategies.org/ Live Like the World is Dying: Leah on Disability & Preparedness **Margaret ** 00:15 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host, Margaret killjoy. And I always tell you that I'm excited about episodes, but I'm really excited about this episode. It put me in a better mood than when I started the day that I get to record this episode. Because today, we're going to be talking about disability and preparedness. We're gonna be talking about Covid abandonment. And we're gonna be talking about a lot of the questions that... a lot of the questions that people write us to talk about that they have about preparedness and I think that we can cover a lot of those. Not me, but our guest. But first before the guest, a jingle from another show on the network. Oh, the network is called Channel Zero Network. It is a network of anarchists podcasts and here's a jingle. [sings a simple melody] **Margaret ** 01:08 Okay, and we're back. So, if you could introduce yourself with your name, your pronouns, and then I guess just a little bit about how you got involved in thinking about and dealing with disability and preparedness. **Leah ** 02:00 Sure. Hi, my name is Leah Lakshmi Piepzna-Samarasinha. She and They pronouns. Right now I live in Pocomtuc and Nipmuc territories in Western Massachusetts. And that is a great question. I will also just plug myself briefly and be like I'm a disability justice and transformative justice old sea-hag, aging punk of color who has written or co-edited ten books and done a lot of shit. Okay, so when I was sitting on the toilet thinking about "What do I want to tell Margaret when we get on the show?", I was actually thinking that my disability and my preparedness routes are kind of one in the same because... So I'm 48 [years old] now and I got sick when I was 21-22. So like back in 96-97. And, it was the initial episode that I got sick with chronic fatigue, ME, and fibromyalgia. And I was just super fucking ill and on the floor and was living in Toronto as somebody who was not from Canada. And, you know, I was just sick as hell, like crawling to the bathroom, like sleeping 18 hours a day. The whole nine. And I'd been really really deeply involved in anarchist of color and prison abolitionist and antifascist organizing and lots of stuff. I had a community, but it was 1997, so most of my community was just like, "What you're sick? Why didn't you make it to the meeting? We have to write all the prisoners with the [untranslatable]." And I was just like, "I just.... Okay, great." Like it was a really different time. There was no GoFundMe, mutual aid, Meal Train, someone brought me some soup. Like, know you, we weren't really doing that. And people really did not have a consciousness around, "You can be a 22 year old brown, nonbinary femme and be really, really sick and be disabled." So something I think a lot, and I've said before, is that disabled people are really used to the concept that no one is going to save us and we are really not surprised when state systems abandoned us because we live in that all the time. And so I was just like this little 22 year old sicko weirdo who'd read my Octavia Butler--and, in fact, that was part of the reason why I was like, "Toronto, great, there's gonna be more water and less heat." Okay, wasn't totally right about that. But, you know, I mean, I really had to save myself and I kind of was like, "Alright, I don't have..." Like, I'm working off the...I'm working under the table. I have hardly any money. I'm gonna make my own herbal medicine. I'm gonna grow a lot of what I eat from my backyard. I'm going to store water. I'm going to run a credit card scam and get a lot of dried goods and live off of those for like a year. [Margaret Hell Yeahs] Yeah, stuff like that. I feel like from there, over the last, you know, 26 years like it's....like, that's the route. The route was, you know, similar to a lot of people, I think of my generation, we were like on the cusp of looking at the current crises of like hot fascist war, hot eugenics war, hot climate crisis, and being like, "It's coming," and I started being like, "Yeah, like don't...don't think that it's all going to work out okay and that somebody else is going to fix it for you." So, I would say that's where my initial route--and then do you want to jump in? Or can I jump ahead like 20 years or something? **Margaret ** 05:10 Honestly, you could jump ahead 20 years later. I'm gonna come back and make you talk more about Octavia Butler. But we'll do that later. **Leah ** 05:16 Let's talk more about Octavia Butler because I have a lot of stuff about Octavia Butler and how she thought of--and I think sometimes misused--like nowadays [this is probably not the word but it's untranslatable] and also about disability. [Margaret "Oooohs" curiously] I know. We can get to that. Okay, so that's one route. And then, you know, I mean, I was always kind of like a little weirdo, where it's like, yeah, I grow most of my own food--or as much as I can--and it's not a fun green hobby. It's like, I'm broke as fuck and I need to grow a lot vegetables that fucking, you know, I can mulch and that can stay growing into December, you know? I stashed stuff. Something I also think a lot, is that as disabled people--and we talked about this a little bit when we're emailing--I think we're always prepping whether we call it that or not. Like most disabled folks I know just do shit. Like if you get a prescription and you have extra, you store it, you know? Like, if you can get a double dose, you put that aside. And then maybe you have it for yourself. Or, there's so many disabled mutual aid networks I've been a part of where someone's--I mean, before Facebook clamped down, this is really common on a lot of Facebook disabled groups--someone would be like, "Yo, does anyone have an extra five pills of such and such?" and I've seen total strangers for 15 years of disability justice be like, "Yep, what's your address? I do. I'm gonna mail it to you. I have my old pain meds. I've got this. I've got that." But, um, yeah, like doing the jumping forward that I promised you, so for people who don't know, disability justice as a movement was founded around 2005 by a group, a small group of disabled Black, Asian, and poor and working class, white disabled folks, who were all pretty, you know, gay, trans, and radical. And they were like, "We want to bring a revolutionary intersectional out of our own lives and experiences and issues. We want to create a disability movement that's for us and by us that's not just white, single issue, often cis, often male, often straight." Like, we want to talk about the fact that 50% of bipoc folks who were killed by the cops are also disabled, deaf, neurodivergent, etc... just to give one example. So, you know, that was '05 in Oakland, you know, Patti Burn, LeRoy Moore, Stacy Milbern, Ely Claire, Sebastian Margaret, Stacey Milbern Park, you know, the six. And I was living in Toronto and I moved to Oakland in '07 and I was kind of around for some of the beginnings of it. There's two stories I want to bring in. One actually predates my move. It was right when I was getting ready to leave Toronto, I got invited to go to this reading by a bunch of queer--I think all white--disabled radical folks. And I was just like, "Oh?" And I did the whole, like, "Am I really disabled enough?" and then it was like, "Oh, it's gonna be really depressing." And then it was really awesome. And I was like, "Whoa, disability community. Life saving." But it was kind of one of my moments of being brought into the disability community because there was this writer who was there who, their reading series was actually a choose your own adventure where there's four disabled, queer, and trans folks who are having a sex party and the zombie apocalypse happens. And then they have to figure out how to survive it without abandoning each other. And it was all like, "Okay, you all get to the van, but then there's no ramp. What do you do? Oh! You get this accessible ramp, but it smells like perfume and somebody has NCS. What do you do? And I was just sitting there with my mouth open--and it was also interwoven with like, 'Yeah, and then somebody's fucking somebody else with like, you know, a dildo strapped to their prosthetic,'" and I was like, wow, I fucking love disability. Like, sign me up. But I gotta say briefly, that was one of my first examples of like, you know, there's a really important phrase in Disability Justice, which is, "No one left behind, " right? Like, that's one of the core organizing principles. And that was kind of.... Before I even heard that phrase, I was like, "Fuck like this is..."--because I'd been around antiauthoritarian, quasi prepper, like "shit's gonna happen, we have to get ready." But I was always kind of quiet in the corner closeting my disability being like, "Well, shit, like, what if I don't have my meds? Or what if I'm too.... What if I can't run away from, you know, the Nazis or the zombies because I have a limp and I walk with a cane? Like, what if?" And that was my first example of this cross disability fantasy space of like, "We're going to escape together and we're not going to let anyone get eaten and it's going to mean really being creative about access stuff." Okay so jump ahead to, right, then I moved to Oakland and then I ran into actual Disability Justice community through Sins Invalid, which is an incredibly important foundational Disability Justice group, and through a lot of friendships I started making with other QTBIPOC disabled folks and my really, really good friend Stacy Park Milbern, who, people should totally know her work. She's incredible. She was one of the best movement organizers that the movement has ever seen. And we met online. And she was living in Fort Bragg, North Carolina with her family on the base because her family's military. And she was a queer southern, working-class, Korean and white, you know, physically disabled organizer from when she was really young. And then she was like, "Okay, I love my family, but I'm literally hiding my gay books in the wall because my mom's Pentecostal." So, yeah, and she's like--I literally realized she tells the story a lot--she's like, "Yeah, like, I realized I hadn't really left the house for a couple months and like, this is gonna be it," and she's like, "I was literally watching Oprah. And Oprah said, 'No one's coming to save you.'" And she was like, okay. She's 21 years old. And then through online, disabled, queer of color community there was this--or she organized--this initiative called To the Other Side of Dreaming where she moved crosscountry with Mia Mingus, who's another queer Korean organizer who was a friend of hers, ad moved to the Bay Area. And so that was around 2010-2011. And then in 2011, what happens but the Fukushima nuclear accident, right, disaster? And we're all on the West Coast--and it's completely ridiculous bullshit, looking back on it now--but all of these Bay Area folks were like, "Oh my God! Radiation!" And some people pointed out, "Look, you know, we're not.... There's...it's a big ocean. The people who really have to worry are in Japan and areas around it, so whatever?" But it was one of those times where we were like, fuck, this is a really big nuclear accident and we are sort of close and it's making us think about disaster. And I remember just going to fucking Berkeley Bowl, which is this big, fancy, organic supermarket and people had bought out all of the burdock all the fucking seaweed. And I was like, "Oh, my God, these people." But out of that, Stacy started having conver--and I and other people who were in our organizing network of disabled, majority BIPOC--were like, "What are we going to as disabled BIPOC if there is an earthquake, fascism, like another big disaster? And Stacy said, really bluntly, she's like, "You know," and she was a power wheelchair user. She used a ventilator. You know, she's like, "Yeah, I am supported by electricity and battery dependent access equipment." And she's like, "Well, I'm going to be really honest, my plan has always been, if something happens, I'm just going to lay down in my bed and die, because I don't think that any emergency services are going to come save me and the power is going to run out in 48 hours. And then we were like, "Okay, that's super real. What if, through our amazing collective access stuff we're doing, we could figure out something else?" And we had this meeting at Arismendy bakery, which for folks who know, is like a worker owned co-op chain, Our friend Remedios worked there. It's wheelchair accessible. We met there after hours. And it was just like, 12-15 of us who started just sitting there and being like, "What are the resources we have? What are the needs we have? And we made this map, which I still have, which I think I shared with you, which is just like, "Apocalypse, South Berkeley/Oakland Map 2011," where we were like, "Okay, you know, when the power goes down, the communication goes down. We're gonna meet at this one traffic circle because people who are wheelchair users can roll up. And we're gonna bury note paper in a mason jar with pens and we're gonna leave notes for each other. But we're also going to agree to meet there the day after at noon." And I was like, okay, my collective house, the first floor is wheelchair accessible. We have solar, we have a landline. And we have a lot of space. So like, let's meet there. And then someone was like, "We've got the one accessible van. And we know, it's only supposed to fit 4 people, but we can fit like 12 in there." And we started.... Like, I just think about that a lot because it's, I think it was a really important moment where it was important...the stuff that we did like that--you know, the actual strategies and the resources we started talking about--but it was also that it was the first time in my life that I was like, "Okay, we're not--not only are we not going to just die alone in our beds, I'm also not going to be the one person who survives. Like, I can actually survive with, and because of, other people. And we're all disabled BIPOC with a couple of disabled white folks. And we can actually collectively strategize around that. And this will be my last leap forward, because I see that you're like, "I want to ask you stuff." So, you know, eight years go by, and in that time we all do an incredible amount of Disability Justice organizing and strategizing. And, you know, in 2019.... And a lot of it started to be around climate disaster on the West Coast. Like, I moved to Seattle in 2015. The wildfires started being really bad a year or two later. A lot of us were involved in mask distributions, just spreading information about smoke safety and survival. And then 2019 was the infamous year where the wildfires came back and Pacific Gas and Electric, in all of its fucking glory, which is the main--for people who don't know--it's the main utility electrical company in Northern California. They announced two days before wildfires were going to really impact the Bay, they were like, "Oh, so we've decided that our strategy is going to be that we're just going to shut down all the power in Northern California. **Margaret ** 14:52 No one uses that. [Sardonically] **Leah ** 14:53 No one uses that. And they're like, "Oh, if you have a medical need, call this number, and we'll make sure to leave it on at your house." and Stacey was, "Okay." She had just bought her house, the Disability Justice Culture Club in East Oakland, you know, which was her house but also a community center, de facto community center, that housed a lot of disabled folks of color. And she was like, "I was on the fucking phone for eight hours. Like, I never got through." And she and some comrades started this campaign called Power to Live where they were like.... It started out as, "Okay, we can't save everybody, but we're not going to just lay down and die. What do we do?" So it started out as like, okay, let's identify who has housing that still has power. There's some people in Richmond, there's some people in this neighborhood, but then it also developed into this thing where it was just this amazing crowdsource survivalist resource where it was everything from, she's like, "Here's a number. Here's an email. If you need something, text us, call us, email us. We have a team of eight people. We'll figure it out. If you have something to offer, do it too." And then some of it was that people were sharing everything from generator information, to generator shares, to people in different areas-- like I was in Seattle and we were like, "Okay, we will mail you generators and air purifiers, because it's obviously all sold out in the Bay, but we can get it here and get it to you." The thing that always stands out to me is people being like, "Oh, yeah, here's how you can use dry ice and clay pots to keep your insulin cold if refrigeration goes down." And there's a lot more I could say about that action and how amazing it was. But for me, when I think about the through line, I'm like, that moment in 2011, when we all got together, and were like, "What do we do?" we were prepping for what we couldn't fully predict, you know, the exact manifestation of eight years later. We're there and we're like, "Okay, there's wildfires, there's smoke, there's no fucking power, and we've not only built our organizing base, we built our relationships with each other so that we can actually trust each other and more or less know how to work together when this shit actually is hitting the fan to create something that's really life giving. Okay, I'll shut up. That was a lot. **Margaret ** 16:52 Now I have so many questions about all of it. **Leah ** 16:53 Yeah, ask me all the questions. **Margaret ** 16:55 Because there's a couple...there's a couple of questions and/or feedback that we get with Live Like, the World is Dying a lot. And some of them are very specifically disability related, and you covered most of them, but I want to highlight some of them. Like a lot of people write and are like, "Well, I rely on the following thing that is provided by civilization. So my plan is to lay down and die." Right? This is a--and I know you've kind of answered it--but I.... I want to ask more. Okay, I'll go through all the things. Okay. So to talk more about what "No One Left Behind," means? And then the other thing that really stands out to me is that, you know, when we were talking, when we were talking about what we were going to talk about on this on this episode, I was saying, okay, we can talk about, you know, making sure that preparedness is inclusive and open and includes disabled folks, or whatever, and you pointed out, really usefully, the, the necessity to reframe it. And I think that the story you just gave is a really beautiful example of this, where it's less about, like, "Hey, make sure to pay attention to the people who need canes," you know, or whatever, right? Like, you know, "make sure you keep track of folks based on disability." And more than like the thing you just described, is the thing that we're always trying to push, which is that you need to make a list of all the resources and needs within your community and then figure out how to meet those needs and instead of assuming that we can't meet those needs, figuring out how to actually do it. And so I love that it's actually like.... It's actually disability justice movements that we should be learning from, I mean, or participating in, depending on our level of ability, or whatever, but I just find that I find both of those things really interesting. And so I wonder if you have more that you want to say about alternatives to laying down and dying, and specifically, to tie into the other thing that I get asked the most or that I get the common feedback is--because we talk a lot about the importance of community for preparedness on this show--a lot of people don't feel like they have community and a lot of people write to be like, "I don't have any friends," or "I don't know any other people like me," or, you know. And so, I guess that's my main question is how do.... [Trails off] Yeah, how do? **Leah ** 19:22 So how do you make community when you don't have community? Alternatives to lying down and dying? And was there a third one in there? **Margaret ** 19:28 I was just highlighting how cool it is that y'all sat there and made a list of resources and needs, which is exactly what.... Instead of deciding things are impossible, just being like, "Well, let's just start doing them." You know? **Leah ** 19:40 And I think.... Okay, so I'll start there. Like I think that like.... You know, Corbit O'Toole, who's like a, you know, Disability Rights Movement veteran and like older Irish, disabled dyke, you know, in Crip Camp, the movie, she's like, "Disabled people live all the time with the knowledge that the society wants thinks we're better off dead," right? Like one...back in the day, you know, there's a--I think they're still active--one of the big Disability Rights direct action organizations was called Not Dead Yet, right? [Margaret Hell Yeahs] I think this is the thing is like I think that sometimes abled people or neurotypical people are not used to sitting down and making the list. And I think that even if disabled people aren't preppers, we're used to being like, "Okay, what do I need? Fuck, I need somebody to help me do my dishes. Oh, I can't bend over. I need to figure out what is the access tool that will allow me to pick up something from the floor when my that goes out? Like, if my attendant doesn't show up, can I have a..." You know, like, my friends always like, "Yeah, I've got a yogurt container by the bed in case my attendant doesn't show up so I can not piss the bed. I can lean over and piss in the yogurt container." Like there's a--and I think that.... God, I mean, there's been so many times over the years where I've done or been a part of doing like Disability Justice 101 and me and Stacy would always talk about crip wisdom and crip innovation and people will just look blank like "What are you talking about? You guys are just a bunch of sad orphans at the telethon." It's not just about making the list, it's also about how disabled disability forces you to be innovative. Like, Stacy would always share this story where she's like, "Yeah," like, she's like "Crip innovation is everything from," she's like, "I save a lot of time sometimes by pretending I can't talk when people come over and want to pray over me. You know, I just act like a mute and they fucking leave and they go on with their life," and she's like, "You know, I realized one day, if I took my sneakers off, I could ramp a step if it's just two steps. I could just put them there and I could roll up." Or I mean, there's a million examples.... Or like, because I think it's about prepping and about making the lists and it's also about whatever you prep for, there's always going to be the X Factor of "Oh, we didn't fucking expect that." And I think that's where a lot of prep falls apart is people have their "Dream Bunker." They're like, "Oh, okay, I know exactly what the threats are going to be." And then of course, it doesn't fucking happen that way. I really hope I can swear on your show. **Margaret ** 21:46 You can. Don't worry. **Leah ** 21:47 Great. So, I mean, one example I could give is I'm remembering at, you know, a Sins show when we were in rehearsal, where everyone drove over from Oakland in Patty's wheelchair accessible van, and then the ramp broken wouldn't unfold. So we just were like, alright, who do we know who has welding equipment? Who do we know has lumber? Like, I think we ended up going to a bike repair shop and then they had tools. And then we're like, okay, we'll just bring the rehearsal into the van and do it that way. Like, you have to be innovative. And that's a muscle that I think society doesn't teach you to flex and that often, I think that even people who.... I think there can be a lot of eugenics in prep, you know, whether people are overtly fascist or not, there's a real belief of like, "Oh, only the strong and smart," --which looks a certain way-- "survive," and that "We should use rational thinking to make it all work out." And I think a lot of crip intelligence or wisdom is actually knowing that shit can go sideways 48 different ways and you have to adapt. And you have to just kind of be like, "Well, let's try this." So I think that's one thing. And I think, you know, one thing I'll say is, yeah, just speaking to kind of the reframing we were talking about, I think it's less like, "Oh, remember the people with canes," but, I mean, that's good, but also knowing that we're already doing it and that abled people actually have a shit ton to learn from us. But also, I mean, something.... I mean, the title of my last book is "The Future is Disabled," and it comes from something--it's not unique thinking to me--it's something that a lot of disabled people have been thinking and saying throughout the pandemic is that we were already at like a 30% disabled world minimum and we're pretty close--we're probably at majority disabled right now. Because what, 2% of the world didn't get Covid? Like, how many people have Long Covid? How many people have complex PTSD? We're all sick, crazy, and, you know, needing access equipment. Disability is not out there. It's in here. Like there's no such thing as doing prep that's like, "Oh, only the three Uber Mensch are gonna survive." Like fuck that. And that actually--I mean, sorry, this might be a side note, but a lot of people have probably seen The Last of Us. And I'm just gonna SPOILER ALERT it. You know that famous episode three of those two gay bear preppers in love? Yeah, I loved a lot about it. I was so pissed at the ending, which I'm just going to spoil. So you know, the more artsy, non-prep guy....[interrupted] **Margaret ** 21:47 Yeah, they don't survive. **Leah ** 22:47 Well, no, but like, not only did they not survive but one of them gets chronically ill. And I was just like, grinding my teeth because it's like, "Oh, he's in a wheelchair. Oh, his hand tremors." And then they end up deciding to both kill themselves rather than do anything else. And I was so furious at it because I was like, these are two people who are so innovative. They have figured out all kinds of problem solving. They have an entire small city for themselves. And it's all like, "Oh, no, he can't get up the stairs." And I'm like, really? There was no accessible ranch house you couldn't of fucking moved to? **Margaret ** 24:38 Or like build a bedroom on the fucking ground floor. **Leah ** 24:40 Or youcouldn't get meds? You couldn't? I mean, when his hand was shaking, it was like, "Oh, it's so sad. He's being fed." I'm like, there's tons.... First of all, it doesn't suck to be fed. A lot of things that seem like a fate worse than death are not when you're in them. And also, there's like all kinds of adaptive utensils that they could have fucking raided from medical supply if he wants to feed himself. Or I'm sorry, there's no cans of Ensure? They absolutely have power. They couldn't have made smoothies? Like, what the fuck is this? But beyond that--and I think that a lot of people who have talked about that episode did, I think, have some good analysis of it where, you know, the whole way they set up their prep was they were like, "Oh, it's just the two of us," and the one super prepper guy was like, "I don't even want friends to come over." And the other guy was like, "Hey, actually, we need to make alliances because there's things they have that we don't. And we also need more than just the two of us because I love you, but I'm gonna kill you." And I think that's something to think about is really moving away from the idea that just your little you know, the utopic queer rural community that so many fucking city queers fantasize about or, you know, lover are going to be enough, because it's not. So that actually leads me to, "I don't have community. Where the fuck do I get it?" And I'm like, yeah, that's super real. Right? And I think it's something I actually wrote about in "The Future is Disabled" is that I have people be like--when I write about different crip communities, just even when I talk about stuff on Facebook.... Like my friend, Graham Bach, it's going to be his second year death anniversary in like two weeks, and he was like, you know, white, psychiatric survivor, super poor, amazing sweetheart of a human being, he died.... I mean, he died in his, you know, rent to your income apartment because he was really afraid to go to the hospital and he had cardiac stuff going on. And he was an anarchist, he was amazing, kind, complicated human being. And, I was writing about, like.... I'm going to tell the story and there's a couple things I want to pull out of it. So I was writing about meeting Graham when I was in my early 20s through radical Mad people community, and somebody was reading it and was like "That sounds so great." And I was like, "Yeah, it wasn't utopic. Like, I had to yell back at Graham because he would scream at me and I'd be like, "Shut the fuck up!" Like, there was so many fights. There was so much racism. There were so many older white cis dudes who had electroshock who were jerky or gross, you know? And I guess that was the thing is, I was like, they're like, "Well, how did you find each other?" And I was like, it wasn't perfect. Also, it was very analog working class. Like my friend Lilith Finkler, who is an amazing Moroccan, Jewish, working-class queer femme psych survivor, she would just go to the donut shop where everybody poor hung out and would talk to everybody who wass there who wass crazy who no one wanted to talk to and be like, "Hey, do you want to come hang out at this meeting at the fucking legal clinic? We have a room. We have a snack plate. I'll give you tokens. Let's organize." So I think that's the first thing is that it's not--and I don't mean this in a finger-wagging way--it's not automatic. And also, one of the really big ways that community is often ableist, and that a lot of us get cut out from it, is that a lot of us who need it the most are not particularly easy to love in ableist neurotypical worldview. It's like we're cranky, we're wounded, we're in a bad mood, we're weird. So a lot of the time, I think it's thinking about, first of all, what's one step, one move you can take towards it. Like, can you make one fucking acquaintance and build it. And really think about what it would mean to build some kind of relationship. I think the other thing that I really want to highlight is that a lot of the communities that I see that keep each other alive, that I'm lucky to have been a part of making and being supported by in disabled community, they're not static and they're not perfect. Like, I have networks with people who piss me the fuck off and who, you know, I've sent 20 bucks to people who I'm just like, "I really don't like you, but I can see that you really don't have food," you know, and we're not going to be friends and we're not going to like each other, but I don't want you to die. And that's not...I mean, it's bigger.... There's also people who I'm like, "Okay, you're my ex-abuser. I'm not gonna give you $5. Someone else can give you $5. **Margaret ** 28:42 There's this person who puts a lot of their effort into talking shit on me on the internet and I...they're also broke and have a lot of chronic health issues and I send them money every month. And every now and then I'm like, could this like...could you stop talking shit now? **Leah ** 29:03 I think this is the thing sometimes is like, hey, how about this is the deal, like maybe just say "Thank you," or maybe just talk shit even like 20% less? Because you know, I'm really doing we keep us safe here. I just really want a "thank you." **Margaret ** 29:16 I don't want you to die. Like, I don't want you to starve to death, but I really wish you would be a little bit more open minded to people having different opinions on yours. **Leah ** 29:26 Oh yeah, nuance, right? Yeah, it'd be fucking nice. **Margaret ** 29:29 God forbid. Anyway. **Leah ** 29:31 No, it's good. I guess my TLDR would be to start where you are and start with "what's one thing you can do? What's one person you can reach out to?" And I think, you know, I don't know if this is true for everyone who reaches out to you and it's like, "Well, I don't have anybody," but I think that social media and online connectivity is a real double-edged sword because for some of us who are isolated, it can create both online communities that can sometimes become in-real-life community and, either way, can be sources of some community or support. But I think.... I mean, you know, I'm a Generation X'er and I've just seen social media get more and more chokehold and just turn into fucking the panopticon meets a mall, you know? [Margaret laughs] And I think it's hard because 12 years ago I was part of really early online disabled spaces, which were great because so many people were like, "Well, I'm so isolated in my small town or in my city," or "I can't leave bed, but this is great. I'm meeting with other people and we're building these connections and it's actually more accessible for me to be real about my stuff from like my bed with a heating pad." And now I just think it's so chokeholded that it's hard for us to find each other. So it's much more common for people to be like, "Wow, I'm seeing all these people who have millions of followers and a shiny brand and I just feel like even more of an isolated loser." And then at the same time, I think people are like, "Well, how did people meet each other before this?" And I was like, "Yeah, like, you go to the coffee shop or the donut shop. You put up a flier. You go to the library. You like, I don't know. I mean, I just remember people I met on the food stamps line, you know, when we got there at six in the morning. And not everything's gonna stick, but maybe something sticks. And I also think about like, I'm going back to 13 years ago in early Disability Justice community spaces where--I mean, I think back to [untranslatable] when I went back to Toronto--which, yeah, big city--but I remember I had so many people come to me and be like, "You're..."--because I was starting to be more out about disability, cuz I was like, "I'm in the Bay and there's these wild people who talk about it and they're not all white people." and so I have so many, especially Black and brown disabled femmes be like, "Hi, you don't really know me, but I have fibromyalgia too," or "I have Lupus too. And like, no one I know talks about that. How do you do it?" And I'm specifically thinking about this time that this person I'm no longer in touch with--but we used to be friends--who's like, you know, queer, brown nonbinary person was like, "Let's just have a meet up of other chronically ill femmes of color," which is how we were identifying a time, and it was four of us, four heating pads, a bottle of Advil, and just very tentatively starting to share things about our lives. And I was like, "Yeah, that was four people." But a lot of that hang out then rippled outward. And it was like, I think it's also important to be like, it's scary to build community. Some tools I want to shut out like, so Mia Mingus, who I mentioned before, she has a lot of really great writing on her blog Leaving Evidence and she created this tool a long time ago now--that some people might be familiar with but for folks who aren't--it's, you know, it's her tool that she calls Pod Mapping. And she actually created it as part of a collective she founded called the Bay Area Transformative Justice Collective that was working on doing transformative justice interventions into intimate violence, specifically childhood sexual abuse a lot of the time, and she had this framework that I find really helpful. She's like, "A lot of..." she was talking about in community accountability, transformative justice spaces and she made a really good point where she's like, "Sometimes we talk about like, 'Yeah, bring in the community. Like, everyone has a community.'" And she's like, "Most people don't have a fucking community, let alone one that can interview in childhood sexual abuse." So she created this tool where she's like, "Let's broaden the idea of what community is." Like, maybe it's that one cousin, that you only talk to once a year, but you could call them in a jam, or it's this hotline, or it is like, yeah, they're a weird church, but you really like their food banks. She's like, "You have to really bring in.... Like, start where you are and do the resource mapping we were talking about" I really liked that tool a lot as a place for people who are like, "What's my community?" because I think it's a big word and really being like, "What does that even mean to me?" and like, "What's one place that can start building it?" And I also want to shout out, Rebel Sydney Black, who's a friend of mine who passed this June, at the beginning of the pandemic, he created this tool called Pod Mapping for Mutual Aid that was specifically aimed at disabled folks who were trying to pod map during Covid--and we can provide the link and stuff like that--but I would say that those are two places to start and then I want to get to alternatives to lying down and dying. And then I'll stop. **Margaret ** 34:04 Okay, wait, wait, before we get to that I want to talk more about the building community thing. **Leah ** 34:08 Yeah, please. **Margaret ** 34:09 I think you brought up a lot of really interesting points. And one of the things that I really like about it, you know, talking about having like...you're broadening the idea of what counts as community, which I think is really useful. And one of the things I realized is that a lot of times when I was younger, I was like, "Y'all say 'community' and you just mean the people that you like," right? And that didn't make any sense to me. Community seems like the people where you have a shared interest, whether the shared interest is you live on the same block, or whether the shared interest is an identity, or whether the shared interest is an interest that you're trying to see change, or whatever. It doesn't mean people you like. It's a different thing. Friends are the people I like, right? Well, mostly. I'm just kidding. I love all of you. I mean, there's a lot of people I love that I don't always like. Anyway, so I don't know, and so I think that one of the things that stuck out with me about what you're gonna say and I want to highlight is the idea that--or maybe I'm misreading it--but like "pick issue to work" around seems like a good useful way. Especially if you struggle to just have friends, right? That's not like the thing that you're good at. But maybe there's a thing that you want to work on? Or having that meetup where it's like, oh, all the following people who have the following things in common, let's meet up and talk about it. Or honestly, activism is a really good way to meet people and work closely with people about things. And it doesn't necessarily have to mean these are now your friends. But they can be people where you rely on each other. And that doesn't have to be the same. I think about it a lot because I live in a fairly isolated and rural environment where there's not a lot of people around me who are culturally.... Whatever, there's not a lot of out, queer people where I live. There's not a lot of punks. And I'm like, that's okay. I talk to my actual neighbors instead. I mean, some of them, not all of them, but most of them, you know, they're who I would rely on in a crisis, because they're right there. It doesn't mean that we have the same ideas about a lot of stuff, you know? But we have similar ideas, like, "Let's not die," right? And so that's enough sometimes. Anyway, I just wanted to.... **Leah ** 36:12 No, I really appreciate it. And I mean that makes me kind of think about, when you were talking, I was like, yeah, you know, there's friends, there's communities, and then there's survival networks, which can include contacts, right? Because I just think about what would I do right now, if some should happened? And I was like, I've got long distance kin and long term friendships and relationships ofvarious kinds and I also have--because I moved to where I live, which is like semi-rural, but definitely more rural than where I've lived before--and I'm just like, yeah, I have a small number of friends. But there's like people who I know who I can...who are neighbors who like, maybe we don't know a shit ton about each other but I could be like, "Hey, this thing?" or "Hey, do you have water?" or, "Hey, let's do this." I think it's a lot about thinking about what are your goals? Is your goal intimacy? Is your goal survival? Is your goal friendship? Because you need different levels of trust and commonality depending on those things, right? I also think, and this is the thing too, I think something.... I think a lot of times because I've had people be like, "Well, I don't have community," also, I've heard that. And I think that a lot of times the context, I hear it in is people being like, "Well, I have care needs, but I don't have any community." So then there's also the really big thorny question of "need" and like being cared for is actually very complicated. It's very risky. It's very vulnerable. It's not safe a lot of the time. It may feel a lot easier to just be like, "I don't have any fucking needs." And so there's a lot, I will just say that there's a lot of unpacking that needs to do around like, "What would I need to be cared for? What are my lower risk needs that I need help with? What are my higher risk needs?" right? Like, there's people who I can.... There's some needs I have where I'm like, I don't need to trust you super, super deep politically or on an intimate level to let you do that. There are certain needs where I'm like, that's only going to be people where we've really built a lot of fucking trust because if this goes sideways you could really stuck with me. Right? And I think that when you're starting from nowhere, I think often where people get stuck is like, "Where I am feels like I have nobody and nothing. And I want to get to like the thing I've read about in your topic science fiction, where you know, it's Star Hawk and everybody loves each other. And how the fuck do I get from A to B." And I think the solution is like, yeah, you're not gonna get to fucking "Fifth Sacred Thing" right away--and that book is complicated. **Margaret ** 38:29 Yeah, It was very influential on my early.... **Leah ** 38:31 Oh yeah, when I was 18, I just wanted to fucking move there. And now I'm like, "Oh God, this is embarrassing. There's some shit in here." I'm like, "Wow, everybody's mixed race, but everyone's Black parents are dead." Wow. Cool. Nobody really thinks about race. I'm like, I'm gonna throw up. And like, you know, BDSM is just violent....Okay, sorry. We're not going to get into that. **Margaret ** 38:47 Oh my God, I don't remember that part. **Leah ** 38:49 Oh, yeah. No, where it's so violent. Like, "We're just loving." And I wrote a really no passion paper for school, because we actually had to read it in a college class I was in, and I was like, "Why are they not into leather sexuality?" And my professor was like, "Okay, 18 year old..." but yeah. **Margaret ** 39:04 I mean, legit. You 18 year old self had a legitimate critique. **Margaret ** 39:08 Yeah. **Leah ** 39:08 Yeah, no, there's a lot there. But, um, but jumping back, I guess it's just like, you know.... And I think this feels like disabled wisdom too, it's like, what can you do with the spoons or the capacity you have? Like, what's one move you can make that small? And then can you build on that? Yeah, but can I talk about alternatives to lying down and dying? **Leah ** 39:28 Yeah. Well, I think...I mean, this is the thing, is like, I'm a survivalist, but I'm not like anti-civilization in the ways that some people are. Like, I want meds, you know? And I think that's something that other crips I know talk about a lot, which is like, you know, we're really against this way that some people, including some people who would like align themselves with like Healing Justice who are like "We're like, oh, yeah, we just have to go back before colonialism and capitalism, and just everyone lived on herbs and it was great." and I was like, "Nah, bitch, I need surgery and meds." Like I want it all. Like, I love non-Western pre-colonial traditional healing. Absolutely. And I've had friends who died because they didn't get their surgeries on time. Like my friend LL died because nobody would give him a fucking kidney because they said he was too fat. And I'm just like, my good future involves.... I mean, and he's one of millions right? So like, my good future involves that we have surgical suites. And I'm just like, you know, honestly, also, a lot of times that worldview just seems so white to me, because I'm just like, listen, a lot of like, global south places figure out how to have field hospitals, right, in really dire and low-resource situations. So I'm sorry.... **Margaret ** 40:40 I mean, only Europoe's ever figured out surgery. No one else has done surgery until Europe showed up. [Said sarcastically implying the opposite] **Leah ** 40:45 Yeah, not fucking ever. [Also said sarcastically] **Margaret ** 40:46 Said the people who are like, "bite down stick and I'll saw your arm off." **Leah ** 40:49 Yeah, so I mean, I guess one thing I would just say is like, I would say that and I would say like, you know, really...I want to like lift up and encourage people to look at--and they can be hard to find--but look at cultures, look at organizing initiatives where people were like, "We can have our own ambulance, we can have our own like..." And when that's not there, to think about what it would mean to have medical care after the apocalypse, right? What would it mean to make hormones, make drugs, synthesize chemicals, and it's not impossible. I think that we're still in the in between of like, okay, we gotta figure out how to do that. But, um, you know, I'm thinking about, Ejeris Dixon, who's my friend and comrade, and, you know, we co-edited "Beyond Survival" together, which is a book we wrote that came out right at the beginning of the pandemic about stories and strategies from how people are actually trying to create safety without the cops. Ejeris always talks about how they were like, "Yeah, like, in Louisiana, you know, in the South, you know, like in the 50s, and 60s, and before I believe, there were all kinds of Black run ambulance and 911 services," because regular 911 wouldn't come to Black communities. Right? And they, I mean, something that I've heard them say a lot over the years is like, "We don't have the people's ambulance yet. But we could." And then it makes me also jump to some friends of mine who were in Seattle who were really active as street medic crew during the rebellions after George George Floyd was murdered by the police in, you know, 2020 in the summer, and specifically in, as some people remember, Seattle managed to have 16 square blocks break off from the city for a while, CHOP, Capitol Hill Organized Front. And so what people don't know is that the cops were like, "Okay, fuck you. We're not going to...If there's any 911 ambulance calls, we're not going to fucking let anyone go in there." So the street medic crew had to deal with a lot of really intense situations. And then after that, like a lot of us folks, like some folks were already nurses or EMTs and a lot of folks who were involved went to nursing school or EMT school and we're like--and I don't know where it's at now--but they were like, "We want to create,"--because right now in Seattle, there's, if somebody is having a crisis on the street, like a medical or a mental health crisis or an altered state crisis, there's no non-911 crisis response that you can call. There's either you go down the stairs to talk to somebody or there's the cops, right. And they were like, "We can get a van. We can get medical equipment from eBay." And you know, I don't know where they're at with that, but they were really organizing around like, "Yeah, we could get a defibrillator. We could get oxygen. We could get blood pressure cuffs. We could get fucking..." you know? And I think that that shit gets complicated in terms of insurance and regulation and the State and the medical industrial complex, but I want us to keep thinking about that. I also, and then I'll wrap up because we have other questions to get to, but it also makes me think about, I mean, I don't know if folks are familiar with Gretchen Felker Martin's amazing science fiction book "Manhunt," right, which is about.... **Margaret ** 43:50 I haven't read it yet. **Leah ** 43:52 It's so fucking good. Okay, so I won't give it away. But just for people who don't know, I'd say it's the one kind of gender sci-fi book where "Oh, a virus, you know, affects people with certain chromosomes or certain that dih-dah-dug that's not TERFy because it's a book that, you know, she's trans, and it's a book that centers trans women and nonbinary communities and there's like one or two trans masculine characters. But the two main trans femme, like trans women characters in the book, they're like, they have to, they're like, "Yeah, like, we're going on raids to get, you know, hormones, and, you know, different, like chemical drugs we need. And we're also figuring out how to synthesize them from herbs and different substances." And it's not easy. It's a struggle. But there are organized communities of trans women and allies that are fighting to do it. And I'm just like, yeah, and I mean, it's an amazingly well written book, and she's incredible, and I fucking loved it. And it's just beautifully written and really just--sorry, I won't gush too much but go read it, it's incredible--I just really also appreciated it because she was like, "Yeah, of course we're gonna get our hormones after the end of the world. Like of course it's possible." And I will also.... I have some criticisms of the ableism in it, but M.E. O'Brien and--fuck I'm forgetting the second author's name, but every you know, "Everything For Everyone," that book. I appreciated how in the good future society, they're like, "Our priority is making sure that insulin and chemical drugs and hormones are accessible and free to everybody." And I was like, I guess I would just push people towards there are ways of imagining the future where we can defeat capitalism but still have medical care of all kinds. We can have Reiki and acupuncture and we can also hormone surgery and transplants. And we might be doing it better because it's not controlled by fucking corporations and assholes. Sorry, that's my soapbox. Um, okay. I will say in terms of people being like, "That's really nice. But what about me?" I would be like, you know, I mean, right now in the war on trans America, there are so many people already who are like, "Yeah, I'm stockpiling meds. I like doing meds trading." I would say it goes back to what we started about, which is like, "Okay, what are your needs? What are the things that you're worried will not be there if the world ends?" Right? And we also need to recognize that the world's already ending and it's ended for some of us a bunch of times already. But I would be like, make that list and then really be like, "Alright, how do I get it?" You know, and if I can't specifically get it, are there like backups that I can get? And it may be stuff that you can research on your own. It also might be stuff where it's like, "Okay, are there trans [untranslatable], disability justice organizations, nationally, globally, locally, that you can hit up and be like, "What are folks thoughts about this? Are there ways that we can resource share?" Because I think it's about pills. I think it's also about durable medical equipment. So in terms of stuff that requires power to live, I think about generators and I think about generator shares. And I think about things like...there's a story when Hurricane Sandy hit New York 10 years ago, there were a whole bunch of us where...there's a guy Nick who's in community who, physically disabled guy, 13th floor, accessible apartment, you know, the lights went out, you know, really dependent on electricity to change out the batteries on his ventilator. There's a whole crew of disabled folks, like people walked up and down those fucking stairs every eight hours to take the spent batteries, figured out, "Hey, you know, what still has power, the fucking fire department." People were walking down recharging the batteries every eight hours. And it was allies, it was ambulatory, it was disabled people who could walk. It was fucking hard. But people were like, we're not.... Nick and his friends were like, "We're not just going to die. We're needed." So I wanna shoutout that and just for possibility modeling, I really want to, one other place I want to shout out, is an org that used to be known as Portlight but was now known as the Center for Inclusive Disaster Strategies, which is a disabled-led organization that is about like, yeah, when there's a climate or other disaster, they figure out ways of getting like accessible fucking evacuation methods to places because they know...we know, there's millions of examples of people who are just left to die in nursing homes or like, "Oops, the bus doesn't have a ramp," or, you know, I really want to name that during Katrina, some people might know about, you know, the situation with the nursing home that was there were a lot of folks who were wheelchair users or had high care needs were fucking killed by medical staff because the medical staff were like, "We're gonna actually euthanize these folks without their knowledge or consent." [Margaret exclaims] Yeah, no, there was actually a movie on HBO about it I think semi recently. Because "that's easier than figuring out how to fucking get people in the medivac ," right? Yeah, and so the Partnership for Inclusive Disaster Strategies, I'm still getting to know them, but I have friends who are involved and they're like, "Yeah, we're aware this is an issue." So yeah, let's work with the fucking Cajun fucking Navy to like make sure that you can get folks with different bodies onto evac boats. Like let's figure out what disabled survival looks like. And I will just say, and this is the last thing I swear, for me, I mean, we all know water is important. Like, I can't lift 54 pounds. Guess what? So can't--which is, you know, a seven gallon right, like a five or seven gallon whatever--I'm just like, yeah, so I can actually have smaller jugs of water that I can lift. So yeah, I have a bug out plan, but I also have a real Shelter in Place plan because I'm just like, yeah, my apartment's accessible for me. So yeah, I got a shit ton of water right here and I'll be good for a while. And I also have a plan B for.... Okay, there's...I've got my filtration equipment, so when that runs out, I'm close to some water sources where I can go and I can filter that shit. And that's me thinking about what works for my body. Think about what works for yours and then plan out from that. Okay, I'll really stop talking now. **Margaret ** 49:44 No, no, but there's so much there. Even just like to go to the weight of water, right? The thing that I ran across that I'm like--I'm reasonably able-bodied and such like that, right--but I live alone and so obviously there's this specific thing where like.... Well, one, I mean, abledness is always a temporary position.... **Leah ** 50:04 Yeah, you're going to get disabled, you're gonna get sick and disabled. **Margaret ** 50:07 Like it literally happens to--unless you, I don't know, die very quickly, very suddenly, probably violently, you're gonna go through a period of disability in your life, you know? And so my argument is that machismo is anti-prepping. And one of the ways that I would say is that like, there's now, I think.... Okay, so cement bags, they come in 50 pound bags traditionally, right? But now there's more and more, I think, there seems to be more and more 30 pound bags, right? And I used to be like, "Oh, whatever, I can lift a 50 pound bag. So I should carry the 50 pound bag." And then I'm like, well, it was not a helpful way to look at it. It is far better for me to just have 30 pound bags of cement because they're easier to carry and I'll get tired less. And I, you know, at the time that I was pouring these bags, I lived up a hill about probably the equivalent of a seven storey walk up to this cabin that I was building, right. And so I had to carry each and every one. It was way nicer that I carry 30 pound bags. And if your preparedness doesn't include the fact that your level of ability will change in different situations, then it's not very good preparedness. And and so like, I don't know, I mean, like most of my water jugs are four or five gallon jugs. I use jerry cans. I think most of them are five gallon. And I hate the six gallon ones and the seven gallon ones. They're just heavy and annoying. And it's like I can give lift them but there's no reason why I should. Unless I'm specifically working on lifting weights. And then the other thing that you talked about that I really think about a lot, you know, is this idea, of does your version of disaster mean that every doctor dies? Or like, does your version of disaster mean everyone who's ever made insulin dies? Like, it's possible. Sure, you could have 90...if almost everyone on Earth dies, then everything is a little different. But most disasters don't actually..... Most disasters destroy ways of living and large numbers of people, but not the majority of people write. Most people survive most disasters. And, people are like, "Well, our organizational systems are what produce insulin," and like, no, people produce insulin and they use organizational systems with which to do it. But different organizational systems can also produce insulin. Like different organizational systems can use the same infrastructure sometimes and make the things that we rely on. And it came up with this like whole thing where people on the internet were like, "Ah, if you're an anarchist, you hate disabled people because in anarchy, you can't have insulin," **Leah ** 50:28 That's gross. **Margaret ** 52:40 It is a complete misunderstanding of anarchism. It is not a lack of organization, it is a different type of organization. **Leah ** 52:46 Anarchy is responsibility. **Margaret ** 52:48 Yes, totally. **Leah ** 52:50 Sorry, sorry. **Margaret ** 52:52 That's why people don't like it. People are afraid of it because they actually have to.... It's the accepting no one is coming to save us except us. You know? No, I love that way of framing and it also annoys anarchists when you tell them this too. **Leah ** 53:07 Okay, well, I mean, you know, so I worked at Modern Times books, which was, you know, is no longer around, but was a long time anarchists and anti authoritarian radical bookstore in the Bay. And we had the only public toilet in all of the Mission because everybody else was like, "No, you gotta buy something." and in my interview, they're like, "How will you make the store better?" And I was like, "I will make the bathroom not smell horrible." Because, you know, it was just like a bust, everyone was pissing in there. And so I taped up a sign that said "Anarchy is responsibility. If you spray the fucking toilet with urine, please wipe it up. Together we can have a toilet." And somebody called me out and was like, "That's capitalist." And I was like, "No, just wipe your piss up or we're not gonna make the revolution. Like, come on." But yeah, they got pissed at me about that. [Both laugh] But yeah, I mean, I think that's a really good point. And it's like, you know, I mean, I think that it does point to, you know, I think a structural problem in a lot of our movements, which is like, yeah, we don't we need more people who know some basics of chemistry and can synthesize stuff. Like, that's, you know, we need more people who've gone to some kind of science or engineering school who can figure out how sewage works and how you synthesize insulin and how you synthesize hormones and like, basic surgery. And I think there's a lot of hopefulness because I--maybe it's just the folks I hang out with--but I have a fair number of friends who are like, "Yeah, I'm gonna be a nurse practitioner. I can give you an abortion. I can sew up your wound. I can help you figure out this thing." And I'd love for there to be more of us who can go to PA school or

First:  Imagine driving a 60-foot, 21-ton vehicle through the crowded, energetic streets of San Francisco on a daily basis. Next:  Imagine doing it while stuttering every time you speak. This is the daily life of Dustin Wells. Dustin Wells describes himself as a happy man. Did you imagine that? Hear more about Dustin's years of silence and shame, and the support and philosophy that has moved him beyond all that. ———— We proudly air another episode of the podcast, “Proud Stutter” produced and hosted by Maya Chupkov. Quinn Greenhaus and Kristin Evans helped produce the Proud Stutter audio.  Adrienne Lauby hosts for Pushing Limits.       Judith Lesner On Wednesday, August 30th we lost one the most dedicated allies of the disability rights movement. Judith Lesner worked at Camp Jened (also known as Crip Camp) while in college and was outside the history-making Section 504 Sit In of the San Francisco Federal Building in 1977.  Throughout her life, Judith Lesner worked tirelessly to educate people about the importance of disability inclusion.  In later years she taught workshops to thousands of parents about how to advocate for their children's rights in school settings. Her biggest desire was to see other movements for social justice working in coalition with the disability rights movement. “Where are the people with disabilities?”, she would often ask while attending an anti-war or women's rights protest in the Bay Area.  She emailed countless lefty activists to ask them why didn't mention disability in their book or rally speech. She often said that every other group under the sun got mentioned except people with disabilities. To pay tribute to Judith Lesner, please keep pointing out those in the movement who claim to be for social justice but never talk about disability.  As she would say, if you don't have any disability politics, it's never too late to learn.  Please pick up a book by Alice Wong, Leroy Moore, or watch the movie Crip Camp.  If you don't, an old Jewish lady will come down from heaven and speak severely to you. Here's to Judith Lesner and the eventual fall of capitalism and the liberation of all including those with disabilities. Judith Lesner's political history. Interview by Tina Lemmon, CSUMB Student https://www.youtube.com/watch?v=27IBSFoSBr8&t=5s   The post The Stuttering Bus Driver – Pushing Limits – September 1, 2023 appeared first on KPFA.

In this episode we're talking all things concerning disability rights with LA based advocate Leroy Moore. We get into how his organization, Krip Hop Nation, name is based off of the same name of the notorious LA gang The Crips, his documentary "Where is Hope" that deals with police brutality against people with disabilities, and more! Also featuring politically conscious music from David Castro, JJ Rolle, and Groov ft. Raheem Kashon Get bonus content on PatreonSupport this show http://supporter.acast.com/anykenyradioshow. Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, Amber and Erika are joined by activist and artist, Leroy Moore, to discuss the often ignored world of Black disabled people. Leroy is a Grammy award-winning poet, speaker, and the founder of Krip Hop Nation, a collective of disabled artists and musicians. Through his own personal experiences combined with his advocacy and activism, Leroy sheds light on how ableism joins with racism to especially impact disabled Black people. He also opens up about the sad reality that Black justice movements like Black Lives Matter and the NAACP often fail to be inclusive of and sensitive to the unique struggles of Black disabled people. Listen up to get Leroy's insight about how we can create more inclusive Black movements and advocate for an equitable society for all Black people.

Tampa Housing Authority Senior Vice-President/Chief Operating Officer Leroy Moore joins us to discuss rising rental and eviction rates, “the missing middle,” how much more government support is needed, redevelopment efforts, gentrification, transportation, and more. 

The Disability Advocate & Co-Founder Of Krip-Hop NationIn this episode Durell is joined by Emmy award winning, creative, activist, author and the Co-Founder of “Krip-Hop Nation” Leroy Moore. Durell and Leroy begin the episode discussing how they got connected through their mutual colleague and friend Roger Braithwaite. Durell shares that oftentimes the special needs community is forgotten about and he's so glad to connect with Leroy who has made it his life's work to make sure that people who live with disabilities have a voice and feel included. Leroy shares that he has an issue with the way that Hollywood tries to act like they care about disability and inclusion nowadays like it's new when people with disabilities have been around since Moses. Durell and Leroy both share and in agreement that people with disabilities do need to be taken seriously because their voice does matter. Leroy shares that he and his partner Keith Jones started “Krip-Hop” which has become an internationally known organization on SSI dollars. Leroy says that he believes that if you want to see things happen just start shit. Leroy shares that he started 3 different organizations all on SSI dollars. Leroy shares that it's very possible to make things happen if you are determined. Durell shares that he attended Full Sail University and received a free education because of the fact that he has a disability by taking advantage of the options presented to him. After graduation he shares that he was picked up by a job advocacy agency but he knew they wouldn't be able to assist him because they didn't have the relationships within the entertainment industry. He shares that they proceeded to hire him for a few months but they didn't ask him to come back after the holiday break and after that is when he made the decision to allow his disability to work for him and not against him. Durell and Leroy both agree that many organizations and companies don't really care or want to employ people with disabilities. Leroy shares that the US government doesn't truly follow the law when it comes to providing opportunities for jobs for people with disabilities. Durell asks Leroy where he is originally from and he shares that he was born in New York City and grew up in Hartford, Connecticut. He shares that he moved to the Bay area in 1991 and now lives in Los Angeles. Durell asks Leroy about his earliest memories of music. He shares that he first loved hard rock with bands such as AC-DC and Ozzy Osbourne. He shares that he had a variety of musical taste because he grew up in the suburbs. He was definitely taken back by hip-hop when he first heard it in the late 70's but began to really love it. Leroy also is a huge fan of Blues music and he said there is a lot of disabled representation within the blues genre. Durell asks Leroy to define what exactly is “Krip-Hop Nation”. Krip-Hop is an international organization of disabled creatives that was started over 15+ years ago.. He shares that he and his co-founders started Krip-Hop because they didn't see any representation of disabled people in hip-hop and they wanted to be able to see that. He shares that he is trying to start a Krip-Hop institute in Los Angeles so that disabled creatives can have a place to come and learn about hip-hop and how to find their place and be heard. Durell asks Leroy about his work with Poor Magazine which dates back to the 1990's. He shares that he was doing open mics performing poetry and then was asked to become a writer for the magazine with a column called “Illin & Chillin'. Leroy shares that one of the first pieces he wrote was about a police shooting in LA that involved a disabled black woman named Margaret L. Mitchell. Leroy has founded organizations such as the National Black Disability Coalition, Disability Advocates Of Minorities Organization and Sins Invalid. He shares that he had the opportunity to travel to the UK and saw black disabled people organizing for the ability to be heard for various issues. He really wanted to focus on black and brown disabled people being able to have a voice and knew that after what he witnessed in his trip to London change had to take place. Leroy and Durell talk about some of his cultural work. He created a film documentary entitled “Where Is Hope: Police Brutality Against People With Disabilities” , released spoken word CD's, poetry books, and a children's book called “Black Disabled Art History 101''. He had been an advocate for police brutality for black and brown disabled men and women dating back to the 1980's. He shares that his documentary was done right around the time that the Black Lives Matter movement started and while he reached out to many of the activist groups he says no one wanted to get involved with the documentary. He shared that the documentary has been shown in several Universities around the nation. Leroy also did a CD around police brutality and people with disabilities. Leroy and Durell talk about the graphic novel that he published in 2019 entitled “Krip-Hop Graphic Novel Issue 1: Brown Disabled Young Woman Superhero Brings Disability Justice To Hip-Hop”. He shared that the novel was published by Poor Press. He shares that the lead character, who is a disabled woman, had low self-esteem until she discovered Krip-Hop. Durell and Leroy end the episode talking about some of the amazing work that he did that featured some African disabled musicians from Uganda, Tanzania and The Democratic Republic Of Congo as part of The Bay area tour sponsored by Krip-Hop Nation. Leroy shares how in Africa there isn't federal money to give people with disabilities money as there is in the USA. Leroy says that he didn't have a grant to help with any funding and that the musicians all stayed in his apartment . He shares that all of the work that was done has been out of his pocket as well as his co-founders. Durell and Leroy also talk about some of the awards that he received for his advocacy work. He received awards from The San Francisco Mayor's Disability Council, Local Hero from KQED Public TV and he was named Champion Of Disabled Black People by The San Francisco Bayview Newspaper on Black Appreciation Media Night. He also talks about why he decided to pursue his Ph.D in Anthropology from UCLA and why he decided to write his upcoming book.For more information on Leroy Moore, please visit his website below:https://kriphopnation.com/

The Disability Advocate & Co-Founder Of Krip-Hop NationIn this episode Durell is joined by Emmy award winning, creative, activist, author and the Co-Founder of “Krip-Hop Nation” Leroy Moore. Durell and Leroy begin the episode discussing how they got connected through their mutual colleague and friend Roger Braithwaite. Durell shares that oftentimes the special needs community is forgotten about and he's so glad to connect with Leroy who has made it his life's work to make sure that people who live with disabilities have a voice and feel included. Leroy shares that he has an issue with the way that Hollywood tries to act like they care about disability and inclusion nowadays like it's new when people with disabilities have been around since Moses. Durell and Leroy both share and in agreement that people with disabilities do need to be taken seriously because their voice does matter. Leroy shares that he and his partner Keith Jones started “Krip-Hop” which has become an internationally known organization on SSI dollars. Leroy says that he believes that if you want to see things happen just start shit. Leroy shares that he started 3 different organizations all on SSI dollars. Leroy shares that it's very possible to make things happen if you are determined. Durell shares that he attended Full Sail University and received a free education because of the fact that he has a disability by taking advantage of the options presented to him. After graduation he shares that he was picked up by a job advocacy agency but he knew they wouldn't be able to assist him because they didn't have the relationships within the entertainment industry. He shares that they proceeded to hire him for a few months but they didn't ask him to come back after the holiday break and after that is when he made the decision to allow his disability to work for him and not against him. Durell and Leroy both agree that many organizations and companies don't really care or want to employ people with disabilities. Leroy shares that the US government doesn't truly follow the law when it comes to providing opportunities for jobs for people with disabilities. Durell asks Leroy where he is originally from and he shares that he was born in New York City and grew up in Hartford, Connecticut. He shares that he moved to the Bay area in 1991 and now lives in Los Angeles. Durell asks Leroy about his earliest memories of music. He shares that he first loved hard rock with bands such as AC-DC and Ozzy Osbourne. He shares that he had a variety of musical taste because he grew up in the suburbs. He was definitely taken back by hip-hop when he first heard it in the late 70's but began to really love it. Leroy also is a huge fan of Blues music and he said there is a lot of disabled representation within the blues genre. Durell asks Leroy to define what exactly is “Krip-Hop Nation”. Krip-Hop is an international organization of disabled creatives that was started over 15+ years ago.. He shares that he and his co-founders started Krip-Hop because they didn't see any representation of disabled people in hip-hop and they wanted to be able to see that. He shares that he is trying to start a Krip-Hop institute in Los Angeles so that disabled creatives can have a place to come and learn about hip-hop and how to find their place and be heard. Durell asks Leroy about his work with Poor Magazine which dates back to the 1990's. He shares that he was doing open mics performing poetry and then was asked to become a writer for the magazine with a column called “Illin & Chillin'. Leroy shares that one of the first pieces he wrote was about a police shooting in LA that involved a disabled black woman named Margaret L. Mitchell. Leroy has founded organizations such as the National Black Disability Coalition, Disability Advocates Of Minorities Organization and Sins Invalid. He shares that he had the opportunity to travel to the UK and saw black disabled people organizing for the ability to be heard for various issues. He really wanted to focus on black and brown disabled people being able to have a voice and knew that after what he witnessed in his trip to London change had to take place. Leroy and Durell talk about some of his cultural work. He created a film documentary entitled “Where Is Hope: Police Brutality Against People With Disabilities” , released spoken word CD's, poetry books, and a children's book called “Black Disabled Art History 101''. He had been an advocate for police brutality for black and brown disabled men and women dating back to the 1980's. He shares that his documentary was done right around the time that the Black Lives Matter movement started and while he reached out to many of the activist groups he says no one wanted to get involved with the documentary. He shared that the documentary has been shown in several Universities around the nation. Leroy also did a CD around police brutality and people with disabilities. Leroy and Durell talk about the graphic novel that he published in 2019 entitled “Krip-Hop Graphic Novel Issue 1: Brown Disabled Young Woman Superhero Brings Disability Justice To Hip-Hop”. He shared that the novel was published by Poor Press. He shares that the lead character, who is a disabled woman, had low self-esteem until she discovered Krip-Hop. Durell and Leroy end the episode talking about some of the amazing work that he did that featured some African disabled musicians from Uganda, Tanzania and The Democratic Republic Of Congo as part of The Bay area tour sponsored by Krip-Hop Nation. Leroy shares how in Africa there isn't federal money to give people with disabilities money as there is in the USA. Leroy says that he didn't have a grant to help with any funding and that the musicians all stayed in his apartment . He shares that all of the work that was done has been out of his pocket as well as his co-founders. Durell and Leroy also talk about some of the awards that he received for his advocacy work. He received awards from The San Francisco Mayor's Disability Council, Local Hero from KQED Public TV and he was named Champion Of Disabled Black People by The San Francisco Bayview Newspaper on Black Appreciation Media Night. He also talks about why he decided to pursue his Ph.D in Anthropology from UCLA and why he decided to write his upcoming book.For more information on Leroy Moore, please visit his website below:https://kriphopnation.com/

This episode, Judy chats with Leroy Moore and Keith Jones, the co-founders of Krip Hop Nation. Enjoy their discussion with Judy about the work they're doing, together and individually, as artists and activists. The transcript for this episode is available here. 2021 Emmy award winning Leroy F. Moore Jr. is the founder of Krip Hop Nation. Since the 1990s, Moore has been a key member of Poor Magazine, starting with the column "Illin-N-Chillin" and then as a founding member of the magazine's school, the Homefulness and Decolonize Academy. Moore is one of the founding members of National Black Disability Coalition and an activist around police brutality against people with disabilities. Leroy has started and helped start organizations including Disability Advocates of Minorities Organization, Sins Invalid, and Krip-Hop Nation. His cultural work includes the film documentary Where Is Hope, Police Brutality Against People with Disabilities, spoken-word CDs, poetry books and the children's book Black Disabled Art History 101 published by Xochitl Justice Press. His graphic novel Krip-Hop Graphic Novel Issue 1: Brown Disabled Young Woman Superhero Brings Disability Justice to Hip- Hop was published in 2019 and 2020 under Poor Press. Moore has traveled internationally networking with other disabled activists and artists. In fall of 2021, Leroy started his Ph.D. in Anthropology at UCLA. Moore has written, sang and collaborated to do music videos on Black disabled men. In July 2019 Leroy Moore under Krip-Hop Nation organized African Disabled Musicians San Francisco Bay Area Tour with disabled musicians from Uganda, Tanzania and The Democratic Republic of the Congo. In 2021 Leroy Moore published a book about Black disabled young men under SoulfulMediaWorks. Leroy has won many awards for his advocacy from the San Francisco Mayor's Disability Council under Willie L. Brown to the Local Hero Award in 2002 from Public Television Station, KQED in San Francisco and in 2014, San Francisco Bayview Newspaper named Leroy, Champion of Disabled People in the Media on Black Media Appreciation Night. Keith Jones is the President and CEO of SoulTouchin' Experiences. An organization aimed at bringing a perspective to the issues of access inclusion and empowerment, which affect him as well as others who are persons with a disability. Along with Mr. Leroy Moore the two men co-founded Krip Hop Nation an international collective of artist with disabilities. The tag line of Krip Hop Nation is, "Its more than music..." Mr. Jones is also extremely active in multi-cultural, cross-disability education and outreach efforts. Mr. Jones works to not only educate the disability community about enhanced community living, but also the community at large. Mr. Jones holds a strong desire to get the disability community more involved in the issues that concern their own lives and provides outreach support in relationship to the arts and independent living skills. Mr. Jones has been recognized for his emerging leadership by the state of Massachusetts and President's Commission for Employment for People with Disabilities. Over his years as and advocate Mr. Jones has been awarded New Leadership Development Award From The President's Committee on Employment of People with Disabilities. The Commonwealth Coalition's Progressive Leadership Award the 2006 Moro Fleming Consumer Involvement Award from the Massachusetts Rehabilitation Commission, with as well as, a recent graduate of the inaugural class of Initiative for Diversity in Civic Leadership. Also, in 2008 long shot 2008 U S Senatorial bid based on "Fulfilling America's Promise". Also, Mr. Jones was the Disability Law Center's 2011 Individual Leadership Award. While at the same time Mr. Jones continued his artistic endeavors. Krip Hop Nation Soul Touchin' Experiences LLC "Honoring" poem-song by Leroy Moore and Gabriel Wilson for Black History Month

Leroy F. Moore, Jr. Bio ABILITY Magazine Interview with Leroy Moore In this episode, Diana chats with Leroy Moore about his personal journey that led to his passionate activism, and art, and his current role as a PhD student at UCLA, advocating and paving the way for Black Disability Studies. He shares the importance of Black disabled representation in all arenas, including education. Note: Many educators and parents have been schooled in "person-first" language. This episode will include references and language which are grounded in identity-first language and disability pride language. It is important for us to be respectful of different language preferences. I ask listeners to remain open-minded and learn from alternative perspectives. Links Mentioned Porgy and Bess The Fair Act (Law Leroy Mentioned) Krip Hop Rising Pheonix Theme Song Poor Press Soul Touchin' Experiences Black Kripple Delivers Poetry and Lyrics Black Disabled Art History 101 Black Disabled Ancestors Krip Hop Graphic Novel Black Disabled Man with a Big Mouth and a High IQ For You: Black Disabled Young Men Stay Connected with Diana Diana's Website Free Resource - 5 Keys to Going Beyond Awareness Beyond Awareness: Bringing Disability into Diversity in K-12 Schools & Communities - Diana's Book Ed Roberts: Champion of Disability Rights - Diana's Children's Book "Beyond Awareness" Digital Course Diana's TEDx Talk Beyond Awareness Facebook Page Diana on Instagram Beyond Awareness Tote Bag Beyond Awareness Pullover Hoodie Beyond Awareness Raglan Baseball T-Shirt Credits and Image Description Intro and outro music courtesy of Emmanuel Castro. Podcast cover photo by Rachel Schlesinger Photography. Podcast cover image description: Black and white photograph of Diana, a Spanish-American woman with long, wavy, brown hair. She is wearing a flowy, white blouse and smiles at camera as she leans against wooden building. Photo is colorfully framed with gold and orange rays of seeming sunshine on top half, and with solid sage green color on bottom half. Text reads "Beyond Awareness: Disability Awareness That Matters, Diana Pastora Carson, M.Ed." Johnson Fellows Program https://www.sandiego.edu/soles/learning-and-teaching/johnson-education-fellows.php Teacher Leaders for Inclusion https://www.lead4inclusion.com/ Teachers for Inclusion Learning about Disability Culture https://www.facebook.com/groups/201578786622476

https://www.instagram.com/dasoultoucha/ Keith Jones is the President and CEO of SoulTouchin' Experiences, an organization aimed at bringing a perspective to the issues of access inclusion and empowerment, which affect him as well as others who are persons with a disability. To achieve this multicultural, cross-disability education and outreach efforts he collaborates and conducts trainings with the purpose of strengthening efforts to provide services and information for people with disabilities. The issues he tackles are wide ranging from immigration, criminal justice reform, health care and environmental justice just to name a few. Paralleling with his policy and social justice work Mr. Jones is a multi- talented artist who along with Leroy Moore and Rob Temple founded Krip Hop Nation which is an international collection of artists with disabilities. Krip Hop Nation is currently celebrating 13 years with the recent success of their title song for the Netflix documentary of the Paralympic Games, Rising Phoenix and its critical acclaimed sound track. Keith is an artist in residence teaching hip hop at Wild at Heart in Australia, and Calcutta and currently his art and policy work have combined under the publishing company Soulful Media Works, with the book; For You: Young Black Disabled Men. https://kriphopnation.com/ This podcast is hosted by Krystina Wray Jackson and Tony Gapastione produced by --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/bravemaker/message Support this podcast: https://anchor.fm/bravemaker/support

Leroy Moore is a writer, poet, community activist, and a hip-hop and music lover. He was born with cerebral palsy, and has dedicated much of his writing and activism to disability rights. He co-founded Krip-Hop Nation, a movement that uses hip-hop as a means of expression for people with disabilities.Moore is currently a doctoral student in linguistic anthropology at UCLA. He writes and delivers lectures and performances that reflect the intersections between racism and ableism, in the United States and abroad. His most recent book “Black Disabled Ancestors” came out in 2020.Moore will join the UCLA Arts public discussion series “10 Questions” on Monday, Oct. 18 to discuss the question “How do we remember?” In this interview with the UCLA Arts podcast "Works In Progress," he reflects on his life-long activism in racial and disability justice, and how hip-hop provided a platform for that movement.

In this episode of BDMT we talk to Tempitope Okupe of Nigeria and Ronnie Ronnie Muwanga of Uganda about their experiences living in their countries as Black Disabled men.Bios:Temiope is a Mandela Washington Fellow who holds a Master's degree in Human Resource Management from Anglia Ruskin University in Cambridge, United Kingdom. He is a fellow of The Chartered Institute of Personnel Development in the United Kingdom. Temitope is a program coordinator at the Community Development Links Initiative. Temitope leads the organization's special needs empowerment team, with over seven years of experience in community development. He has provided capacity building and mentorship to children and young adults with special needs in communities. A motivational speaker and disability rights advocate, he has been actively involved in the disability rights movements as well as with various development organizations that promote disability rights and address empowerment equality, accessibility, and opportunity concerns around the world. Opening theme song: "Story Neva Been Told" By Keith Jones and Leroy Moore. If you want to individually support us, please go to our Patreon page at this link: https://www.patreon.com/blackdisabledmentalk. The video version of this episode will be on Patreon.

In this episode, BDMT discusses the entertainment industry's disability inclusion policy and its effectiveness in including disabled people so that they can be more pervasive in the media landscape. Opening theme song: "Story Neva Been Told" By Keith Jones and Leroy Moore. If you want to individually sponsor us, please go to our Patreon page at this link: https://www.patreon.com/blackdisabledmentalk. The video version of this episode will be on Patreon.

In this episode BDMT discusses the lack of media representation for black disabled people, focusing on black disabled men. Opening theme song: "Story Neva Been Told" By Keith Jones and Leroy Moore. If you want to individually sponsor us, please go to our Patreon page at this link: https://www.patreon.com/blackdisabledmentalk.

ABOUT USPod People is the on-demand workforce for audio production, powering the industry with our vast network of hand-picked professionals across the globe. In short, we make podcasts, and we also help other people staff their projects with our incredible community of creators. BECOME A POD PERSONAnd if you haven’t filled out an intake survey yet to join our community, you can find that at PodPeople.com/audio-pros.SOCIAL MEDIAFollow us on Instagram, Twitter, and LinkedIn. Be sure to join our Facebook Group - it’s called Pod People Community. CONTACT USYou can also email us at hello@podpeople.com!MENTIONED LINKSPower Not PityPower Not Pity, “‘Finding That Rhythm’ feat. Amali Maxine Phillips"Power Not Pity, “‘The Ancestors Woke Me Up’ feat. Leroy Moore”Black Disabled Ancestors by Leroy Moore

In this episode, BDMT tackles why black men become disabled and die in the Hip Hop industry. We have an insightful discussion of how racism and patriarchy are having ill effects on black men and black women's health. Opening theme song: "Story Neva Been Told" By Keith Jones and Leroy Moore. If you want to individually sponsor us, please go to our Patreon page at this link: https://www.patreon.com/blackdisabledmentalk.

We are excited to bring you Inclusion 360, a special podcast series that with bring the inclusion discussion full circle. Inclusion 360 is the culminating event wrapping up our year of learning, exploring and implementing inclusionary best practices and diving deep into how to be an Inclusionary Leader. This work has been made possible by a generous grant from OSPI. Our AWSP Team has assembled some of the most dynamic, sought after inclusion experts in the country to bring you this special six-episode series. This podcast series with feature LeDerick Horne, Keith Jones, Dr. Lauren Katzman, Dr. Alfredo Artiles and Glenna Gallo. And that's not all, On May 10th, 2021, you can meet this amazing team of experts for a FREE live webinar. You do not want to miss this event, so go on to our website (https://awsp.org/professional-learning/training-conferences/inclusion-360) and register for the Inclusion 360 webinar. For now, enjoy this podcast series. Keith Jones is the President and CEO of SoulTouchin' Experiences, an organization aimed at bringing a perspective to the issues of access inclusion and empowerment, which affect him as well as others who are persons with a disability. To achieve this multicultural, cross-disability education and outreach efforts he collaborates and conducts trainings with the purpose of strengthening efforts to provide services and information for people with disabilities. The issues he tackles are wide ranging from immigration, criminal justice reform, health care and environmental justice just to name a few. Paralleling with his policy and social justice work Mr. Jones is a multi-talented artist who along with Leroy Moore and Rob Temple founded Krip Hop Nation which is an international collection of artists with disabilities. Krip Hop Nation is currently celebrating 13 years with the recent success of their title song for the Netflix documentary of the Paralympic Games, Rising Phoenix and its critical acclaimed sound track. Keith is an artist in residence teaching hip hop at Wild at Heart in Australia, and Calcutta and currently his art and policy work have combined under the publishing company Soulful Media Works, with the book; For You: Young Black Disabled Men. Special Guest: Keith Jones.

This week we speak to Leroy Moore, one of the founders of the hip hop organization, Krip Hop Nation about the Paralympics. We also talk to Moore about his love of Hip-Hop, his favorite artists, and growing up in New York City during the birth of the music genre.  We also have “Choice Words” about Renee Montgomery, Kelly Loeffler and the retaking of the Atlanta Dream. In addition, we have “Just Stand Up” and “Just Sit Down” awards to an attempted rumble to remove another bigoted boss and the good ole boys of Texas. We also have a special Kaepernick Watch. All this and more on this week’s show! Leroy Moore Twitter: @kriphopnation (https://twitter.com/kriphopnation) https://www.sfexaminer.com/news-columnists/krip-hop-nations-leroy-f-moore-jr-is-a-born-fighter/ Zirin, Kelly Loeffler Just Lost Her WNBA Team to a Player She Refused to Meet https://www.thenation.com/article/society/kelly-loeffler-wnba-montgomery/ — http://www.edgeofsportspodcast.com/ | http://twitter.com/EdgeOfSportsPod | http://fb.com/edgeofsportspod | email us: edgeofsports@gmail.com | Edge of Sports hotline: 401-426-3343 (EDGE)

In this episode, BDMT talks about the Capital Insurrection this year on January 6th and its political implications for the future. Opening theme song: "Story Neva Been Told" By Keith Jones and Leroy Moore. If you want to individually sponsor us, please go to our Patreon page at this link: https://www.patreon.com/blackdisabledmentalk. https://www.youtube.com/watch?v=x5OSMrsF234&feature=youtu.be

POWER NOT PITY's reached the Season Finale, and this one ends of a really high note and is featuring Leroy Moore! Leroy F. Moore, noted activist and poet and founder of Krip-Hop Nation (a global platform for disabled musicians) comes on the show to talk krip-hop and what his Black disabled ancestors mean to him. This episode takes a deep dive into his latest book, "Black Disabled Ancestors". I weave narration of two of his stories into our interview and I have to say it was quite magical to experience the power of Leroy's recreation of his ancestors' stories. Transcripts are also available on the show website: http://www.powernotpity.com/episode11.html  

In this episode, a couple of months before the election BDMT discusses what the election means to black disabled people, plus they discuss how the police murder of black and brown disabled people affects the disabled community. https://www.youtube.com/watch?v=CHhrGQGWRyQ&feature=youtu.be Opening theme song: "Story Neva Been Told" By Keith Jones and Leroy Moore. If you want to individually sponsor us, please go to our Patreon page at this link: https://www.patreon.com/blackdisabledmentalk.

Leroy & Keith discuss history, music with black disability politics, highlighting black disabled artists within Krip-Hop Nation, and the making of the song/trailer for new documentary on Netflix Rising Phoenix about the Paralympics. Krip-Hop Nation's Mission is to educate the music, media industries and general public about the talents, history, rights and marketability of Hip-Hop artists and other musicians with disabilities. Krip-Hop founded by Leroy F. Moore Jr. an African American writer and activist with cerebral palsy who wanted  to use rap culture as a way to reclaim negative language associated with disability. From Harvard to The Whitney Museum to media engagement for disability in Johannesburg South Africa, Leroy Moore has more than twenty years of activism, journalism, writing; lecturing on race and disability. Moore is one of the founding members of National Black Disability Coalition and activist around police brutality against people with disabilities. Rising Phoenix with Keith Jones:  Krip-Hop Logo by Cool V Leroy Moore Photograph by Pamela Juhl Keith & Leroy photo by Alice Wong Cover Art Design by Tania Willems http://kriphopnation.com/

Host, Pastor Sauls continues his series on Convergence: Organizing & Mobilizing for Inclusivity, Equality & Equity - Part 5 - Black Lives and Disability. Special guest Leroy Moore, Jr.

Leroy and Keith discuss their song ADA Story addressing the Americans with Disabilities Act. From Harvard to The Whitney Museum to media engagement for disability in Johannesburg South Africa, Leroy Moore has more than twenty years of activism, journalism, writing; lecturing on race and disability. Moore is one of the founding members of National Black Disability Coalition and activist around police brutality against people with disabilities. Krip-Hop Nation's Mission is to educate the music, media industries and general public about the talents, history, rights and marketability of Hip-Hop artists and other musicians with disabilities. Krip-Hop was founded by Leroy F. Moore Jr. an African American writer and activist with cerebral palsy who wanted  to use rap culture as a way to reclaim negative language associated with disability. Krip-Hop Logo Cool V Cover Art Design by Tania Willems

Krip-Hop Nation's Mission is to educate the music, media industries and general public about the talents, history, rights and marketability of Hip-Hop artists and other musicians with disabilities. Krip-Hop was founded by Leroy F. Moore Jr. an African American writer and activist with cerebral palsy who wanted  to use rap culture as a way to reclaim negative language associated with disability. From Harvard to The Whitney Museum to media engagement for disability in Johannesburg South Africa, Leroy Moore has more than twenty years of activism, journalism, writing; lecturing on race and disability. Moore is one of the founding members of National Black Disability Coalition and activist around police brutality against people with disabilities. Rising Phoenix with Keith Jones: Krip-Hop Logo by Cool V Cover Art Design by Tania Willems

Community organizer and educator Dustin Gibson discusses the white supremacist, colonial, capitalist roots of ableism which structures capitalist society, why a disability justice framework must be abolitionist, and why "the state always has a carceral response to disabled Black people."Throughout the episode, you will hear the following audio clips:Leroy Moore discussing the erasure of Emmett Till's disability Members of Fairfax County, Virginia, at a public forum following the killing of Natasha McKennaJennifer Msumba describing the abuse faced at the Judge Rotenberg Center in Canton, Mass.Cover image: “Back of the Neck,” (1983) by Jean-Michel Basquiat    

Guest: Gary Norris Gray, Host of the Gray Leopard Cove and Leroy Moore, Founder of the Krip-Hop Nation joins us to discuss the fight for equality for disabled Americans including: growing up disabled, schooling the disabled, the lack of networking in community, job placement. Reggy S, Community Activist in Bridgeport, CT tells us about the Bridgeport encampment that took place a few weeks ago that turned into to the occupation and "lived" in the encampment and what was the end result.      Nick Anastos, Owner of Anastos Media and Play By Play Voice for UMASS-Lowell join us to discuss the latest in sports news.  Listen live beginning at 6pm Est at blogtalkradio.com/la-batchelor or at 646-929-0130. Interested in advertising on the show or having your own show, email us at labatchelor40@gmail.com. Listen to the podcast of each show at thebatchelornews.airtime.pro, itunes, spotify or at tunein.com. 

Leroy Moore sat down with another Black disabled male activist, Dustin Gibson to talk about his work around freeing people from group homes, jails and his activism around police brutality, how the Black community talks about disability without using term disability. He is forming political education among Black disabled people. We also talk about art and about the appropriation of Disability Justice by academia and White people.Opening theme song: "Story Neva Been Told" By Keith Jones and Leroy Moore. If you want to individually sponsor us, please go to our Patreon page at this link: https://www.patreon.com/blackdisabledmentalk. https://www.youtube.com/watch?v=tfi4VyqnT_g&t=724s

https://www.youtube.com/watch?v=tAs_xbgumcg&feature=youtu.be&fbclid=IwAR1-hepUJGvUzloLY7VMKN6Ri3GvZPpWGenKrJ-fXwaY-CfaNUMFnm8qtvE Black Disabled Men Talk is a podcast where four black men discuss precinct social and political issues of the day. The four black men on this podcast are Leroy Moore, Keith Jones, Lateef McLeod, and Ottis Smith. In this video, we discuss COVID & Police Brutality on Black disabled community especially Black Disabled men. Today we have Keith Jones, Lateef McLeod & Leroy Moore on the episode. The video is captioned!

Join Jill and Chris for this continuation of the My Dearest Friends Project podcast series as they talk to artist, activist, and poet Leroy Moore about pandemic life at the intersections of race, class, and disability. Please copy and paste the following link for each full transcript of the episode: https://www.disartnow.org/podcasts/episode-24-leroy-moore/

In this episode the members of Black Disabled Men Talk discuss the challenges navigating romantic relationships and sexuality as Black disabled men. If you like this episode don't forget to support our patreon page at https://www.patreon.com/blackdisabledmentalk. Thank you. Transcript: Black Disabled Men Talk: Relationships With: Leroy Moore (LM); Keith Jones (KJ); Lateef McLeod (LMC); LM: Okay! This is Leroy Moore on Black Disabled Men Talk. We’re back again, and this time we’re talking about relationships and being a black disabled man. We’re going to go round like we always do, introduce ourselves, then we can jump into the topic. We have like 20 minutes to do this, so let’s do it! So introductions, please, myself and my team. KJ: Hey what’s up my name is Keith Jones. I am the president and CEO of Soul Touching Experiences, an organization built on building inclusive and effective policy.  Also the co-founder of Krip-Hop nation with my twin from another mother, Leroy Moore. LM: Hey! Alright this is Leroy Moore from Krip-Hop Nation, Poor Magazine, also an author, writer, activist in the Bay Area. Yeah, that’s me, I’m glad to be here. Lateef, take it away! LMC: Hello, I am Lateef McLeod and I am poet, writer and scholar. I am a PhD student in the Anthropology and Social Change department at California Institute of Integrative Studies, also the lead committee chair of the International Society of Augmented and Alternative Communication. I’m also working on a poetry book that will come out next year. Also. LM: Alright are you done Lateef? LMC: Also people should donate to our Patreon [repeats] [child in background chattering] KJ: Our Patreon page, yes! I can never say it right. It’ll be, we’ll put the link up with the link. LMC: Okay. LM: So we have the Patreon page, Black Disabled Men Talk, and we’re on acmes so thanks. So let’s get into the topic, the topic is relationships and black disabled men. It could be friends, it could be romantic relationships, but yeah we’re going to talk about that topic. So. Who wants to jump in first with that? KJ: Latif why don’t you go first man? [child chattering, noise] LMC: Well for my position I think romantic relationships for people with disabilities [chime], especially black people with disabilities, in this society is full of challenges, [loud hum in background], heartache, and disappointment. The reason I say that is because I don’t think our communities get our sexuality or our romantic wishes, and think that part of ourselves is trivial to our wellbeing. LM: Yeah I do agree with you, Lateef. Keith ado you want to go? KJ: You can go LM: For me I totally agree. I really don’t think that society sees our sexuality as black disabled men. You know, although today we had a little bit better with our work with Sins Invalid you know, and disabled activists doing the work around it. But I really think that this… can be deeply in the courts. I think it’s going to be… [10.16, inaudible] change. Change in our community about how we think about disability, especially in the black community. The black community is so far behind, you know. We talk about social justice but they’re so far behind, sexuality it just erases it, it’s like going back to the dark ages almost. Recently - not even recently, I think a year and a half now - I’ve been really pumping to be a national black disabled campaign that’s fully funded and fully supported. So we can do that education! It’s not going to come from the courts, it’s not going to come from the disabled caucus, it’s only going to come from our communities. And you know to do that we need support doing, you know funding and other pieces to it. Of course what we’re doing now with our own work - Latif with you writing, Keith Jones with policy and running for president, and mine - we are doing it in our own silos. But you know, a national complete new way of thinking I think it needs to be.

https://www.youtube.com/watch?v=6WHeHmiVYXE&feature=youtu.be&fbclid=IwAR0dY_p7EMIocm04uBJxwVtRCZFIWiWIltXNUsoRW3vu9V3XQslyPS77Sfc Black Disabled Men Talk Discuss From BLM To ADOS What Does That Mean For Black Disabled People on Krip-Hop Nation's Youtube Channel with Ottis Smith, Lateef McLeod, Keith Jones and Leroy Moore. This video is caption. On https://blackdisabledmentalk.com/

https://www.youtube.com/watch?v=XYEoVZOv41I&t=64s Ottis Smith, Keith Jones and Leroy Moore discuss on not only candidates of the 2020 US President but the political system, Obama, DT as Black disabled people and so much more. It's time for the Black disabled political and artistic voice, views and more! Ottis Smith brought up the strange concept of, Revolutionary Progress. He said the following: "Progressive revolutionary is a oxymoron because one undermines the other. You can progress within a slave system and have a better position on the plantation but you still in a slave system on the plantation none the less. Revolution means the complete Destruction of the plantation and the slave system and replaced by a completely different system to be determined by the v.i.a Revolutionary or revolutionaries. Taking in your own hands the right to self govern." We decided to do a video monthly on different topics! Stay Tune! Thanks Cheryl Green for captioning this video!

  Today’s episode is about comics with Ashanti Fortson and Leroy Moore. Ashanti is an illustrator and cartoonist with a deep love for kind stories and fantastical settings. Ashanti will … Continue Reading Ep 59: Comics

Reid talks to Krip-Hop Nation co-founder Leroy Moore after he performs two of his songs. Audio described version here -

BRUNSWICK NUCLEAR UPDATE – Dave Lochbaum, Director of the Nuclear Safety Project for the Union of Concerned Scientists, explains the safety status of Brunswick Nuclear Reactors 1 & 2, both the same model as melted down at Fukushima Daiichi. Learn the difference between hot shutdown and cold shutdown – and how the industry simply uses “shutdown” to spinspeak us all!LINK to Dave Lochbaum’s pdf on Brunswick specs: http://nuclearhotseat.com/wp-content/uploads/2018/09/Dave-Lochbaum-Brunswick-powerpoint-pdf-1.pdfLeRoy Moore is a writer and former academic closely associated with Rocky Mountain Peace and Justice Center, who since 1979 has focused on issues of public health, environmental well-being, and nuclear abolition related to the now closed Rocky Flats nuclear bomb factory.https://leroymoore.wordpress.com/about/Numnutz of the Week (for Outstanding Nuclear Boneheadedness):So many choices, so hard to choose, when the entire industry is out of it’s f’ing mind!Activist Links:Intertribal Gathering at Red Butte, Arizona – Oct. 5 – tribal members only; open to the public Oct. 6-7. Sponsored by the Havasupai Tribal Council. CONTACT: 928-448-2731www.nuclearhotseat.comPodcasts also listed on:Youtube: nutzforartTwitter: nutzforart2

Brunswick Nuclear site map of vulnerability to flooding from ocean surge, Cape Fear River.From Dave Lochbaum powerpoint (available below) This Week’s Featured Interviews: BRUNSWICK NUCLEAR UPDATE – Dave Lochbaum, Director of the Nuclear Safety Project for the Union of Concerned Scientists, explains the safety status of Brunswick Nuclear Reactors 1 & 2, both the same...

BRUNSWICK NUCLEAR UPDATE – Dave Lochbaum, Director of the Nuclear Safety Project for the Union of Concerned Scientists, explains the safety status of Brunswick Nuclear Reactors 1 & 2, both the same model as melted down at Fukushima Daiichi. Learn the difference between hot shutdown and cold shutdown – and how the industry simply uses “shutdown” to spinspeak us all! LeRoy Moore is a writer and former academic closely associated with Rocky Mountain Peace and Justice Center, who since 1979 has focused on issues of public health, environmental well-being, and nuclear abolition related to the now closed Rocky Flats nuclear bomb factory.

BRUNSWICK NUCLEAR UPDATE – Dave Lochbaum, Director of the Nuclear Safety Project for the Union of Concerned Scientists, explains the safety status of Brunswick Nuclear Reactors 1 & 2, both the same model as melted down at Fukushima Daiichi. Learn the difference between hot shutdown and cold shutdown – and how the industry simply uses “shutdown” to spinspeak us all! LeRoy Moore is a writer and former academic closely associated with Rocky Mountain Peace and Justice Center, who since 1979 has focused on issues of public health, environmental well-being, and nuclear abolition related to the now closed Rocky Flats nuclear bomb factory.

BRUNSWICK NUCLEAR UPDATE – Dave Lochbaum, Director of the Nuclear Safety Project for the Union of Concerned Scientists, explains the safety status of Brunswick Nuclear Reactors 1 & 2, both the same model as melted down at Fukushima Daiichi. Learn the difference between hot shutdown and cold shutdown – and how the industry simply uses “shutdown” to spinspeak us all! LeRoy Moore is a writer and former academic closely associated with Rocky Mountain Peace and Justice Center, who since 1979 has focused on issues of public health, environmental well-being, and nuclear abolition related to the now closed Rocky Flats nuclear bomb factory.

Congo Handicap trains, hires and supports people with disabilities in South Kivu, DRC Although the eastern part of her country is engulfed in civil war, Francine Atosha Mbusa lives, works and takes empowering action in exactly that region of the Democratic Republic of Congo (DRC).   The government of the DRC was a strong supporter of the UN Convention on the Rights of Persons with Disabilities (CRPD). However, local organizations like Congo Handicap are often the only protection for disabled people in the area. Violence rages around them as “Congo Handicap” gathers statistics, leads workshops, distributes supplies and supports individual rights. Leroy Moore and Francine Atosha Mbusa Learn more as we interview Francine Atosha Mbusa, the coordinator of “Congo Handicap.”   We'll also be joined by Leroy T. Moore Jr, the founder of Krip Hop Nation to talk about his history with Congo Handicap and get an update on his international work. Producer, host and editor: Adrienne Lauby Interpreter: Joseph Mutti Co-editor: Sheela Gunn Cushman The post “Congo Handicap” with Francine Atosha Mbusa appeared first on KPFA.

In the United States, more than 40 million Americans live with a disability. Comprising 25% of the adult population, the black community has the second highest prevalence (behind Native Americans) of individuals with disabilities across all racial categories. Despite the size of the disabled population and shocking reality that individuals with disabilities experience violent victimization at over twice the rate of individuals without disabilities, discussions about ableism and violence against people with disabilities are seldom at the forefront of mainstream social justice movements or media coverage about injustices in the US. Today, we hope to contribute to a much needed dialogue by interviewing Leroy F. Moore Jr., founder of Krip-Hop Nation, an organization geared toward raising awareness about the history, issues, talents, and rights of individuals with disabilities. During the conversation, we discuss the unique experiences of black individuals with disabilities (22:35), black disability issues during slavery (25:10),  state violence and police brutality against black disabled bodies (27:40), and ableism and the erasure of black individuals with disabilities in the media (32:11). We also have a conversation about his work with Krip Hop Nation (33:58), how advocates and everyday people can bring awareness to disability issues (36:05), the appropriate language for discussing disabilities (39:58), and the financial realities of living with a disability (42:30).    Other Topics Include:  00:30 - Catch Up with Ty and Daphne 04:27 - “Oh Lawd” News  16:47 - Introduction of the Topic  20:20 - Learn more about Leroy F. Moore, Jr.  30:00 - The Emmet Till Story  44:47 - Description of Leroy Moore’s song “SSI Dollars’ 50:15 - Ty and Daphne Reflect on the Interview    Resources:    Leroy Moore’s Twitter Account: @kriphopnation  Krip-Hop Nation - https://kriphopnation.com  Sins Invalid - https://www.sinsinvalid.org  National Black Disability Coalition - https://blackdisability.org  Poor Magazine - http://www.poormagazine.org  San Fransisco Bay View Newspaper - http://sfbayview.com "Emmett Till & the Pervasive Erasure of Disability in Conversations about White Supremacy & Police Violence" by Talila A. Lewis - https://www.talilalewis.com/blog/emmett-till-disability-erasure 

In this episode: Carceral Ableism and Disability Justice, we explore the ways in which the framework of “carceral ableism” redraws our map of racial capitalism’s archipelago of confinement, and how the liberatory praxis of disability justice works to extend and deepen the abolitionist horizon. Dr. Liat Ben-Moshe, co-editor of Disability Incarcerated: Imprisonment and Disability in the United States and Canada, explains how ableism - the violent material and discursive ordering of bodily and psychic difference through which normative and deviant bodyminds are produced - has been foundational to the development of the carceral state. Leroy Moore, disability justice artist, activist, and co-founder of Krip Hop and Sins Invalid, explains how the disability justice movement emerged as both extension and critique of the disability rights movement. and that disability justice means a complete revolutionizing of our conceptions of embodiment and of our practices of interdependence.

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! We speak to artists and activists Leroy Moore, poet, and Simone Manda, journalist and publisher, ThisAbility:Disabiliy Awareness Newspaper about their work. Postponed.  Archival: OKA American Living with African Bayaka dir. Lavinia Currier (Oct. 14, 2011); Special with Billy Woodberry Bless Their Little Hearts (Oct. 11, 2012) Music: Zion Trinity "Legba Opening Prayer"; Thao & the Get Down Stay Down "We the Common"; Climbing Poetree "She Lives."    

We're high on poetry this week… stories of disabled people told to the beat of the heart. Leroy F. Moore Jr. And, we're focusing on black and brown people with disabilities because we're hosting Leroy F. Moore Jr., and his new book, Black Kripple Delivers Poetry and Lyrics.  Listen in as we follow the founder of Krip Hop Nation into a discussion of history, police brutality and the life of a black activist with a disability. Leroy Moore is the co-founder of Sins Invalid, a disability performance project, he writes the “illin n chillin” column at Poor Magazine, and he's put out two poetry cds. Here's just a few of his other projects: While we are in the studio with you, Leroy will be out on the streets leading the Stolen Land/Hoarded Resources Redistribution, Decolonization & Community Reparations Tour in Oakland, California. “As we humbly and peacefully walk into “wealthy” neighborhoods across the “U.S.”, we will be offering land and stolen resource hoarders a chance to begin the very serious work of Decolonization by redistributing one or more of their hoarded and bordered stolen indigenous territory, buildings, homes, stocks, bonds, cash or trust funds to landless and indigenous people in the form of what we call community reparations.” In early June you can find Leroy Moore in L.A. for the opening of Lynn Manning's play, IT'S A KRIP HOP NATION (where are my crippled homies at!)  Playing June 3, 4, 10 and 11, at the Rosenthal Theater in L.A. Late this year, Leroy Moore will be touring South Africa with Simon Manda Editor and Co-Founder of THISABILITY Newspaper. “November 2016 to December 2016, Disability Month in South Africa, Krip Hop will traveling to the major cities of South Africa to film, record and write on the voices to give a multimedia reflection of what the situation is on the ground as well as engage stakeholders on the needs of persons with disabilities in the creative space.” The post Black Kripple Delivers Poetry and Lyrics: Leroy F. Moore appeared first on KPFA.

Leroy Moore is a superstar disability justice activist and hip hop artist from the SF Bay Area and also, was a guest on the inaugural episode of Intersections Radio! Since then, he’s published… Continue reading →

Leroy F. Moore Jr. is a Black writer, poet, hip-hopmusic lover, community activist and feminist with a physical disability. He has been sharing his perspective on identity, race & disability for the last thirteen… Continue reading →

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forbearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! 1. Noelle Hanrahan speaks about Mumia Abu Jamal medical urgency. See http://www.prisonradio.org/news call 717-728-4109. 2. Emmitt Thrower is a disabled retired NYC Police Officer and a Stroke Survivor. He is also the Founder and President of Wabi Sabi Productions Inc., a small community based Non Profit Company (Tax Exempt 501 c3) founded in 2005 in New York City. Its mission is to use the arts to address social issues and develop our communities and youth in positive ways. Wabi Sabi has produced theatrical events, musical events, digital films and short documentaries about issues impacting upon social, political or health issues affecting under served communities and youth.  Where Is Hope? is a collaboration with Poet/Activist Leroy Moore (The Black Kripple) Founder of Krip Hop Nation.  Leroy Moore is a Black writer, artist, hip-hopmusic lover, community activist and feminist with a physical disability. He has always been a strong voice in action and words against Police Brutality and in particular as it relates to people with disabilities. 3. NC Heikin and Edward Reed, join us to speak about Sounds of Redemption: The Frank Morgan Story screening at Yerba Center for the Arts in San Francisco, April 9 and 11, 7:30 p.m. The director, Mr. Reed and Michael Connelly will be present at the 4/9 event.

Joyce Jenkins, author and poet, and editor of Poetry Flash, presenter of the Northern California Book Awards, this year, Sunday, April 10, 2011, 1-2:30 PM at the San Francisco Main Library, Koret Auditorium, Awardees include "Indivisible: An Anthology of Contemporary South Asians Americans Poetry." Editors Neelanjana Banerjee & Pireeni Sundaralingam join us. Renee Wilson is back a second consecutive week to talk about her film: "Crepe Covered Sidewalks: your roots will lead you home," which is screening, Thursday, April 7, 2011 as a part of the San Francisco International Women's Film Festival. Andrew Wood, Executive Director of the San Francisco International Arts Festival & Alisa Froman, Executive Director of PlazaCUBA. They speak about a special concert Monday-Tuesday, April 4-5, with Los Munqequitos de Matanzas, at Mission High School, 3750 18th Street, in San Francisco and the Mission Language & Vocational Schol, 2929 19th Street, also in San Francisoc. Both shows begin at 7 PM Visit www.sfiaf.org odr call 800-838-3006 for tickets. Leroy Moore, Patty Berne and Maria Palacios join us to talk about the "Fifth Annual Sins Invalid: An Unashamed Claim to Beauty in the Face of Invisibility," a celebration of powerful bodies, sexuality and the disabled body, April 8-10, 2011 at Z-Space Studios in San Francisco. The theme this year is: "Knotting Stories Over Time and Geography." Visit www.sinsinvalid.org This is not a show for children. We feature music from Rupa & The April Fishes, Los Munequitos de Matanzas, and Renee Wilson.

Halifu Osumare, Ph.D., Fullbright Scholar, Associate Professor, African American & African Studies at UC Davis; Traci Bartlow, dancer, choreographer, host of the Oakland Hip Hop Dance Institute No. 1, at East Side Arts Alliance at 2277 International Blvd., Oakland, 94607, $10 youth/$25 adults, (510) 533-6629; Kathleen Ann Thompson's "See Me! Hear Me!" is Sept. 25, 7:30 p.m., Sept. 27, 8 p.m. Tickets are $10.00 general admission. Call (510) 568-3314. Sins Invalid with Leroy Franklin Moore Jr., co-founder and community relations director. Leroy was also a poet, journalist, community activist,feminist and consultant on race and the last 13 years. Patty Berne, co-founder and director of Sins Invalid. Her background includes advocacy for immigrants who seek asylum due to war and torture, and within the Haitian Diaspora.

Anthony Leviege, Leroy Moore, Steve Zeltzer and Roland Washington talk with Leo Robinson about Black Labor consciousness and it’s effect on the local labor movement. See their site: http://www.laborfest.net We hope you enjoy the interview. Podcasts are a production of the http://justicefound.org and http://redtap.com. All content is made available view Creative Commons License non-commercial license.

Ronnishia Johnson, Rheema Calloway and Leroy Moore interview Pete White Executive Director, Los Angeles Community Action Network about housing issues in Los Angeles. See their site: http://www.cangress.org/ We hope you enjoy the interview. Podcasts are a production of the http://justicefound.org and http://redtap.com. All content is made available view Creative Commons License non-commercial license.

Ronnishia Johnson, Rheema Calloway and Leroy Moore interview Doug Cunningham about labor and Worker’s Independent News. See their site: http://www.laborradio.org/ We hope you enjoy the interview. Podcasts are a production of the http://justicefound.org and http://redtap.com. All content is made available view Creative Commons License non-commercial license.

Pushing Limits features dwarf filmmaker Steven Delano; Vice-President of Public Relations for the Little People of America (LPA), Gary Arnold; educator and filmmaker Jan Krawitz; and dwarf musician Rob Williams. We discuss social, political, cultural and economic conditions and their impact on people of short stature, particularly in entertainment. That's Dwarfism: The Big Impact, produced by Safi wa Nairobi, Leroy Moore and Gene Sharee. The post Pushing Limits – September 29, 2006 appeared first on KPFA.

Pushing Limits hosts Leroy Moore and Safi wa Nairobi interview the mother and close friend of a disabled candidate for Mayor of Washington who was murdered earlier this year. Green Party Candidate Chris Crowder was disabled by street violence in 1991 and was active in many movements around city. Host Leroy Moore speaks with Crowder’s mother and Crowder’s close friend, Asantewaa Nikrumah-Ture about the circumstances of his murder and the legacy he left behind. The post Pushing Limits – September 15, 2006 appeared first on KPFA.

Pushing Limits' hosts Adrienne Lauby and Leroy Moore will cover "The Media Looks at Disability". They interview Mitch Jeserich who went from KPFA's newsroom training to interviewing Colin Powell in a few short years and Charles A. Riley who tried to compete with Oprah with "WE," a lifestyle magazine for and about people with disabilities. Charles A. Riley is the author of the new book, "Disability and the Media". Mitch Jeserich was recently Washington Editor for Free Speech Radio News. The post Pushing Limits – March 3, 2006 appeared first on KPFA.

Pushing Limits hosts Leroy Moore and Gerald Sanders will cover the fate of disabled musicians in New Orleans in the aftermath of Hurricane Katrina. The show will highlight three blind blues musicians: Henry Butler, Snooks Eaglin and Bryan Lee by playing their music, reading latest news on their whereabouts, tour dates and how the Hurricane affected them…The show will also play a trailer of a new DVD, Make It Funky ,about the music filled neighborhoods of New Orleans. The post Pushing Limits – January 6, 2006 appeared first on KPFA.

Hosts Adrienne Lauby and Leroy Moore will address psychiatric disabilities. "Mad Pride Is Human Pride" . In honor of Mad Pride Month, celebrated this year in four nations, Pushing Limits will feature the extraordinary story of Catherine Penny, who recovered from severe psychosis without the use of psychiatric drugs. The hosts will interview Dr. Daniel Dorman, psychiatry professor at UCLA, will report on a mental health funding success in San Francisco and chat with two local people who are living well with mental health disabilities. (originally broadcast July 17th, 2005) The post Pushing Limits – August 7, 2005 appeared first on KPFA.