Podcast appearances and mentions of London Docklands

In this episode, we talk to Julian Hennessy, projects director at Telehouse Europe, about the company's most recent project in the London Docklands area. The Telehouse South facility was entirely retrofitted with a mission to strive for better sustainability. Julian explains the challenges and the benefits of retrofitting in the London data center landscape.

Happy New Year, Wealth Rebels!

For Episode 131 of A is for Architecture I was joined by Professor Sue Brownill, an expert in urban planning and the development of London Docklands to discuss her advocacy, research and writing. As the author of Developing London's Docklands: Another Great Planning Disaster? (1990, SAGE Publications), Sue delves into the complex history of the Docklands' transformation and the socio-economic consequences of one of the UK's most ambitious urban regeneration projects. Professor Brownill provides insightful analysis on the political and economic factors that shaped the area, challenges faced during the regeneration process, and the long-term impact on local communities. She describes how the Docklands evolved from a derelict industrial site into a global financial hub, the triumphs - and failures - of urban regeneration, the role of planning in shaping cities, and the legacy of the London Docklands Development Corporation. Did the LDDC's rhetoric survive reality? And were the promises made in Docklands' planning ever met?  A great episode with a fantastic scholar.  Listen and learn, no doubt. Sue can be found on the OB website above, and is on LinkedIn too. Her book is linked above. +  Music credits: ⁠Bruno Gillick

In this exciting collaboration episode of Silhouettes, we're stepping into the immersive world of Fashion City: How Jewish Londoners Shaped Global Style, the captivating new exhibition at the Museum of London Docklands. This episode will offer you, my listeners, a unique glimpse into this remarkable celebration of the Jewish Londoners who played a pivotal role in building London's reputation as a fashion capital. From Dot Cotton's iconic coat to a Mr. Fish smoking dress, this exhibition illuminates the significant contributions of Jewish designers to London's fashion narrative. Join us as we uncover the tales of these visionary creators, who not only influenced London's fashion landscape, but left an indelible mark on the global stage. We're joined by Bethan Bide, a design historian at the University of Leeds, and the academic advisor to "Fashion City," and Lucie Whitmore, fashion historian and curator of “Fashion City”. Not only will Lucie and Bethan share their insights behind the curation of "Fashion City," exploring how they navigated the intersections of culture, creativity, and identity, shedding light on their research processes, as well as how they decided to showcase these narratives through the pieces selected for display, they will also guide us through the exhibition, leading you from the doors of a traditional tailor's workshop in the East End to the glittering ambiance of a Carnaby Street boutique amidst the heart of a cultural revolution. "Fashion City: How Jewish Londoners Shaped Global Style" has been extended for visitors until July 7th, 2024, offering an extended opportunity to immerse yourself in this captivating journey through fashion history. About Museum of London Docklands The Museum of London Docklands is located at West India Quay in east London. Opened in 2003, it occupies one of the few remaining original grade one listed warehouses, built in 1802 to store produce from the West Indies. A shared place in the heart of the East End, where stories cross and collide, it confidently shows how international trade, migration, enslavement and the river Thames were integral to shaping London and the world we live in today. The museum is open 7 days a week, from 10am-5pm and is FREE to all. You can explore the Museum of London with collections online - home to 90,000 objects with more being added regularly. Praise for “Fashion City”: "Brilliant!" - Patrick Grant "It's the best fashion exhibition I've seen in years" - Alexandra Shulman (Mail on Sunday) "A thorough and nuanced depiction of the makers of London fashion" - Evening Standard "Immersive and brilliantly assembled at every turn" -Apollo Magazine "Expertly crafted" - Glass Magazine "A must-see for anyone interested in either fashion history or London history" - Amber Butchart Join the Behind The Seams family to support the podcast and access bonus content: ⁠www.patreon.com/silhouettespodcast⁠ Thanks for listening, and stay fab everyone. Follow the podcast on ⁠Instagram⁠ @Silhouettespodcast for more updates --- Send in a voice message: https://podcasters.spotify.com/pod/show/silhouettes/message

Photographer Armet Francis documents African diasporic cultures across ‘The Black Triangle', and captures the co-founding of the Association of Black Photographers in London, now Autograph ABP, 35 years ago. For over four decades, Jamaican-British photographer Armet Francis has taken portraits that celebrate the resilience and survival of African diasporic cultures. Having immigrated with his family as a young child in the 1950s, he was part of the post-Windrush generation, acutely aware of his ‘cultural displacement' and ‘political alienation' as the only Black child in his school in London Docklands. Drawing on the transatlantic slave trade route, between Africa, the Americas, and Europe, Armet developed the idea of ‘The Black Triangle' to guide his photographic practice from 1969, as a means to connect with the rich and diverse pan-African communities. Armet details his ‘social documentary' approach, his experiences as one of the first Black photographers to shoot fashion, and how he challenged exotic tropes in commercial, white photography and advertising. He shares images of Notting Hill Carnival, Brixton Market, and tributes to those who protested the injustice of the New Cross Fire in 1981. Armet retells the unlikely story of taking Angela Davis' photograph at the Keskidee Centre, his engagement with activists like Malcolm X and Stuart Hall, and how he had to ‘become Black' before he could becoming politically conscious and active in civil rights movements. Armet was also the first Black photographer to have a solo exhibition at The Photographers' Gallery in London when The Black Triangle series was exhibited there in 1983. Five years later, he co-founded the Association of Black Photographers, now Autograph ABP, where he has represented the series in 2023. To mark both anniversaries, he talks about what it was like founding the institution, working with the likes of David A Bailey, Mark Sealy, and Charlie Phillips, and his ongoing practice in the archives, keeping record of the important contributions - and canons - of British history. Armet Francis: Beyond The Black Triangle runs at Autograph ABP in London until 20 January 2024. Hear from many more artists and photographers who've worked with Autograph on EMPIRE LINES: Ingrid Pollard on Carbon Slowly Turning (2022) at Turner Contemporary in Margate: pod.link/1533637675/episode/e00996c8caff991ad6da78b4d73da7e4 Curator Florence Ostende on Carrie Mae Weems' series, From Here I Saw What Happened and I Cried (1995–1996), at the Barbican in London: pod.link/1533637675/episode/b4e1a077367a0636c47dee51bcbbd3da And curator Alice Wilke on Carrie Mae Weems' Africa Series (1993), at the Kunstmuseum Basel: pod.link/1533637675/episode/d63af25b239253878ec68180cd8e5880 Johny Pitts on Home is Not a Place (2021-Now) at The Photographers' Gallery in London: pod.link/1533637675/episode/70fd7f9adfd2e5e30b91dc77ee811613 John Akomfrah on Arcadia (2023) at The Box in Plymouth: pod.link/1533637675/episode/31cdf80a5d524e4f369140ef3283a6cd For more from Autograph's contemporary programme, hear photographer Hélène Amouzou and curator Bindi Vora on Voyages (2023), on EMPIRE LINES: pod.link/1533637675/episode/a97c0ce53756ecaac99ffd0c24f8a870 WITH: Armet Francis, Jamaican-British photographer. He is a co-founder of the Association of Black Photographers in London, now Autograph ABP. ART: ‘The Black Triangle, Armet Francis (1969) (EMPIRE LINES x Autograph)'. PRODUCER: Jelena Sofronijevic. Editor: Nada Smiljanic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Architect William Smalley tells us what makes the ideal ‘quiet space' and Danish brand TAKT rethinks how we design, build and sell furniture. Plus: we visit a new exhibition, ‘Fashion City', at the Museum of London Docklands.See omnystudio.com/listener for privacy information.

Contemporary artist Elsa James moves through the Museum of London Docklands' London, Sugar & Slavery gallery - and so, the missing histories of the 17th and 18th centuries - in her 2023 film, Living in the Wake of the Lust for Sugar. In 2023, the Museum of London Docklands invited artist and activist Elsa James to make a disruptive intervention in their London, Sugar & Slavery gallery. Finding the enslaved African voice missing - from both this particular space, and museums more widely - Elsa shot a seven-minute film in shades of black and red, embedding in the space her personal, contemporary experience from the British African-Caribbean diaspora, as connected with the long history of the transatlantic slave trade. With movement, dance, and audio, Elsa reimagines the gallery as the galley of slave ship. Talking about the toppling of statues from Edward Colston to Robert Milligan, she details who controls historical narratives and memory, and why we should reconsider the history of transatlantic slavery as the history of the seventeenth and eighteenth centuries. Elsa illuminates her neon ‘Ode to David Lammy MP' (2022), influences from Stuart Hall to Windrush thinkers, and the parallel othering of her home base, Essex, made apparent by her research into historical Black women like Princess Dinubolu, Hester Woodley, and Mary Prince. Drawing on her work with the International Slavery Museum, we discuss the importance of local and global collaborations in platforming a plurality of voices, problems with the commercial art market, plus her interdisciplinary practice, from neon signs to performance art. Living in the Wake of the Lust For Sugar is publicly available online, via the Museum of London Docklands website and social media. For more about Carrie Mae Weems, listen to Barbican curator Florence Ostende on From Here I Saw What Happened and I Cried (1995–1996), on EMPIRE LINES: https://pod.link/1533637675/episode/b4e1a077367a0636c47dee51bcbbd3da Part of EMPIRE LINES at 90, exploring the legacies of the transatlantic slave trade through contemporary art. WITH: Elsa James, British African-Caribbean conceptual artist and activist. Born in London, she has lived in Essex since 1999; working across media, much of her current practice considers what it means to be Black in Essex today. ART: ‘Living in the Wake of the Lust for Sugar, Elsa James (2023)'. SOUNDS: Elsa James. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

By Juno Dawson Cleo Proctor is officially over it. Her life is a mess and her best friends – Abby and Shawna are lost in a lesbian love-in. Life sucks. She's lonely. She wants the Doctor to take her away from all this, but they're not returning her calls. Then Cleo discovers reports of mutant rats in London Docklands and things… get interesting. Cleo Proctor - Charlie Craggs Abby McPhail - Lois Chimimba Shawna Thompson - Holly Quin-Ankrah Rani Chandra - Anjli Mohindra Morag - Maggie Service Esther - Teri Ann Bobby-Baxter Ed - Sam Stafford Directed by Bethany Weimers Producer: James Goss Executive Producer: James Robinson Sound design by Rob Harvey Original Composition by David Devereux A BBC Studios Production for BBC Sounds #DoctorWhoRedacted New episodes released Mondays. If you're in the UK, listen to the full series of Doctor Who: Redacted first on BBC Sounds: bbc.in/42Ge0T0

Countryfile, Woman's Hour, and dazzling audiences on the Strictly Dancefloor – Anita Rani is a hugely popular and award-winning presenter whose Indian ancestry means a lot to her - and it was her experience on Who Do You Think You Are? that planted the seed for her debut novel “Baby Does a Runner". Max Dickins is a stand-up comedian and author who has performed thousands of gigs and 3 hour solo shows at the Edinburgh Fringe. His latest book ‘Billy No Mates' is a memoir which touches on some really important and emotional issues about loneliness and why so many men are so bad at friendship. Nadeem Perera is a wildlife host and co-founder of the birdwatching collective “Flock Together”. He grew up in the London Docklands but was often taken back to Sri Lanka by his mother and it was the nature of her homeland that inspired him to become a naturalist. Plus the Inheritance Tracks of the mellifluous actor and musician Minnie Driver. Presenters: Nikki Bedi and Jason Mohammad Producer: Ben Mitchell

Curator Isabella Maidment steps into Hurvin Anderson's studio and barbershop, a point of cultural connection between Birmingham and the Caribbean, reconstructed at the Hepworth Wakefield. Contemporary artist Hurvin Anderson first painted a barbershop in Birmingham in 2006. For more than 15 years, he has returned to and reworked this space, an important social setting, especially for men, in Black British communities. As a second-generation migrant, whose parents migrated from Jamaica, Anderson practiced in the post-Windrush diaspora in 1980s Britain, creating works which connect cultures in Britain and the Caribbean - and Life Between Islands. As Salon Paintings, the first complete exhibition of the Barbershop series, opens at The Hepworth Wakefield, curator Isabella Maidment talks about Anderson's surreal use of mirrors and layers, why he thinks of the barbershop like an impressionist cafe, and how this particularly regional setting can travel and translate across the country and Europe. Hurvin Anderson: Barbershop and Hurvin Anderson Curates run at the Hepworth Wakefield in West Yorkshire until 5 November 2023, then at the Hastings Contemporary in East Sussex, and the Kistefos Museum, Norway, into 2024. For more, you can read my review. Part of EMPIRE LINES' Windrush Season, marking the 75 year anniversary of the HMT Empire Windrush's arrival in the UK from the West Indies. Listen to the other episode from Indo + Caribbean: The creation of a culture at the Museum of London Docklands: https://pod.link/1533637675/episode/c475cec4c78ad87b9cf73326b823cb8c WITH: Isabella Maidment, Senior Curator at The Hepworth Wakefield. She is a co-curator of Hurvin Anderson: Salon Paintings. ART: ‘Is it OK to Be Black?, Hurvin Anderson (2015)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Curators Shereen Lafhaj and Makiya Davis-Bramble unwrap the underrepresented history of Indian indenture in the British Caribbean in the 19th and 20th centuries, through Richard Fung's 2012 documentary film, Dal Puri Diaspora. Plus, artist Salina Jane, and Chandani Persaud, tuck into contemporary Indo-Caribbean and Trinidadian food and culture in London today. In Dal Puri Diaspora, filmmaker Richard Fung travels from Toronto to Trinidad, and Guyana to India, tracing the migrations - and many variations - of a dish often called Caribbean or West Indian roti. After the Slavery Abolition Act of 1833, British and Dutch Caribbean plantation owners still required cheap labour and, having successfully petitioned the British government, recruited indentured workers from India. Over 450,000 men and women would make the five month journey by boat, working for three to five years in return for transport, a minimal wage and some basic provisions, until the scheme's end in 1917. Yet whilst 2023 marks the 75th anniversary of the Windrush migrations, these stories of Caribbean migration remain comparatively overlooked in British histories. Shereen Lafhaj and Makiya Davis-Bramble, curators of Indo + Caribbean, explore the reasons why workers decided to leave India, and how we can curate complex histories of opportunity, restriction, and resistance. They share personal experiences informed by caste, gender, and women's agency, and how museums might use AI to fill the gaps in the archive. Artist Salina Jane highlights how Indo-Caribbeans connect with their heritage today, sharing sugar cane and cocoa drawn from her own growing allotment, and Kew Gardens in South London. Plus, Chandani Persaud looks at the evolution of food and labour in the local community - from suppression to celebration and commercialisation in Western cultures - highlighting how colonialism still shapes tastes and identities. Indo + Caribbean: The creation of a culture runs at the Museum of London Docklands in London until 19 November 2023. For more on Trinidad, hear Gérard Besson's EMPIRE LINES on The Magnificent Seven (Port of Spain), Trinidad (c. 1902-1910): https://pod.link/1533637675/episode/8d33407d49e5d371cb5d4827088d896c Part of EMPIRE LINES' Windrush Season, marking the 75 year anniversary of the HMT Empire Windrush's arrival in the UK from the West Indies. Listen to the other episode with curator Isabella Maidment on Barbershop, Hurvin Anderson (2006-2023): https://pod.link/1533637675/episode/5cfb7ddb525098a8e8da837fcace8068. WITH: Shereen Lafhaj, Curator at the Museum of London, and Makiya Davis-Bramble, Curator at Liverpool's International Slavery Museum. They are the co-curators of Indo + Caribbean. Salina Jane, a British artist of Indo-Caribbean descent making art about the experience of her family's journey from India through indentured labour to Guyana. Chandani Persaud, founder of Indo-Caribbean London. ART: ‘Dal Puri Diaspora, Richard Fung (2012)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Adam's off to the Museum of London Docklands to explore their brand new Dodger trail and Georgia's showing us how to make our very own boats! Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

For at least 700 years, presumed criminals were publicly executed in London. Such occasions were often gruesome, gory and very popular.A new exhibition at the Museum of London Docklands explores this grisly history - who the recipients of capital punishment were, the places where they met their end and how they died, and the crimes that were punishable by death.In this episode of Not Just the Tudors, Professor Suzannah Lipscomb tours the exhibition with curator Tom Ardill.**WARNING: This episode contains graphic descriptions of executions**For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here >If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android > or Apple store > Hosted on Acast. See acast.com/privacy for more information.

Public executions were a major part of Londoners' lives from the 12th century right through to the 19th. Now the Museum of London Docklands has brought the rarely told and often tragic human stories behind these events to a superb new exhibition, containing a range of fascinating objects, paintings and projections, many of which have rarely been seen in public.In this edition of Gone Medieval, Matt Lewis explores some of the exhibition's Medieval stories and items with curator Meriel Jeater.The Senior Producer on this episode was Elena Guthrie. It was edited by Rob Weinberg. **WARNING: This episode contains graphic descriptions of methods of execution**Find out more about the Executions exhibition at the Museum of London Docklands, here >For more Gone Medieval content, subscribe to our Medieval Monday newsletter here >If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android > or Apple store > Hosted on Acast. See acast.com/privacy for more information.

For over 700 years between c.1196 and 1848, public executions were an inescapable part of the experiences of anyone living in London. Hangings, burnings, boilings, and beheadings were wielded as a way to protect the city's ever-expanding population, to deter crime and rebellion, and to show justice being viscerally, visually done – but they also hammered home the power of the crown, church, and state over the lives and deaths of ordinary citizens. On this episode of The PastCast, Carly Hilts – editor of Current Archaeology magazine – reports on a new exhibition at the Museum of London Docklands which provides poignant and powerful insights into the seven centuries when London hosted more public executions that anywhere else in Britain and acquired the nickname the ‘City of Gallows'. As well as discussing what else readers can look forward to in the latest issue of Current Archaeology, Carly also shares her thoughts on the new film The Lost King, which dramatizes the discovery of the remains of King Richard III under a Leicester carpark in 2012. On this episode she spoke with regular PastCast presenter Calum Henderson. The Past brings together the most exciting stories and the very best writing from the realms of history, archaeology, heritage, and the ancient world. You can subscribe to The Past today for just £7.99. If you enjoyed this podcast, please consider liking it, subscribing, and sharing it around.

From grisly medieval punishments to the justice doled out to celebrity criminals in the Victorian era, public executions were a spectacle that shaped the landscape of London for centuries. Curator Beverley Cook tells Ellie Cawthorne about a new Museum of London Docklands exhibition that delves into this history, examining some notorious criminal cases, and highlighting historical objects that shine a light on executions that took place in the capital, from artworks and ballad sheets to relics grabbed from the gallows. Hosted on Acast. See acast.com/privacy for more information.

Welcome, one and all, to the podcast that likes nothing better than to dip a hand into the lucky bag of football nostalgia. On this episode, we go back to where our podcast began - 1981, but this is the 80/81 season, not 81/82, and what's this? ITV have got the rights to show Saturday night football! Whatever next - long hair on men? Yes, we're off to Granadaland once more, but Gerald Sinstadt's insisting on staying in his commentary box, so the job of linking all the footy footage has fallen to Roger Elton Welsby. He seems like a nice enough young man, but just to be on the safe side, he's got backup in the form of England international goalkeeper, Ray Clemence. Maybe he can explain why Liverpool have just lost their three-year unbeaten run at home... Elsewhere, we drop in on the Anglia region where (and this will make you larf) Ipswich Town think they're in with a chance of winning the League Championship, then we head off to that there London to catch a West Ham team that are trying to get back to Division One. Will Preston North End stand in their way? If all that wasn't enough, there's the usual look at what was happening in the news and, whisper it quietly, they might be changing the One Pound Note to a coin. How will they get a picture of Brian May on THAT? There's also lots of talk on the subject of novelty chart records, old TV adverts for Lego, the redevelopment of the London Docklands area (we kid you not) and much, MUCH more besides. Oh, and a bit of swearing, but we've censored most of it out, thankfully. If you want to watch the accompanying episode of Match Night that features in this episode, you can find it here: http://youtu.be/CCt5nSIu0P4. Oh, and there's a nice Brucie Bonus for you at the end, courtesy of the wonderful Cut & Thrust (http://www.youtube.com/channel/UC__oerlGvCNY_rlkhFBr4kQ). We do look after you...

New research on female slave owners in Britain, women on Caribbean plantations, and the daughter of a prominent slave trader. Christienna Fryar talks to researchers Katie Donnington, Meleisa Ono-George, and Hannah Young. We hear about the daughter of Thomas Hibbert - one of the most prominent slave traders in Kingston, Jamaica - and the revelation that before she died she had intended to ask her mother to free the enslaved people she held; the risks taken by women who had children with their owners and who fought for the rights of those children; and female absentee slave owners in Britain. Katie Donnington lectures in history at London South Bank University. She has published a book called The Bonds Of Family: Slavery, Commerce And Culture In The British Atlantic World. She was an historical advisor for the BBC2 documentary Britain’s Forgotten Slave-Owners (2015), and co-curated Slavery, Culture, and Collecting at the Museum of London Docklands (2018-2019). Dr Meleisa Ono-George is at the University of Warwick. She has researched the ways in which women of African descent in Jamaica were discussed in relation to prostitution, concubinage, and other forms of sexual-economic exchange in legal, political, and cultural discourses in nineteenth century Jamaica and Britain. Hannah Young is at the University of Southampton, where she focuses on late eighteenth and early 19th century Britain, with a particular interest in exploring the relationship between Britain and empire and absentee slave ownership. You might also be interested in this conversation featuring Katie and Christienna and a novelist and dramatist who have considered slavery history: https://www.bbc.co.uk/programmes/m000f7d5 This episode looks at the law on modern slavery: https://www.bbc.co.uk/programmes/m000jnmc Producer: Emma Wallace

In this episode Sophie Hope and Owen Kelly talk with Loraine Leeson about her work, and begin by discussing her latest book: Art : Process : Change, which Routledge published in September 2019. They have recently published a paperback edition. Loraine discusses her work from the 1970s onwards, including her work with Peter Dunn in the 1980s in London Docklands, and her subsequent work online and with a wider variety of face to face groups. She talks in particular about the twelve year Active Energy project she worked on with The Geezers, and the organic ways in which it grew. As well as her own work, she talks about her experiences in administering and lobbying for funding, and her current role with a reinvigorated Arts for Labour.

Andy is a Rugby World Cup winner in 2003 & played for 7 premiership clubs spanning 17 years & amassing over 200 premiership appearances, matched only be 9 others in the Premiership. He was educated at Bedford School where he captained England U18 to a Grand Slam & Oxford Brookes University achieving a degree in Marketing Management & Tourism. Andy has won League titles, Premiership titles & Cup titles in his time with London Wasps & Gloucester. His dream of wearing the England No 9 jersey in a World Cup Final was reached in RWC 2007, the team showing enormous resilience to make back to back World Cup finals. He was awarded an MBE for services to Rugby in 2004 for his part in winning the world cup in 2003. Andy retired from the game in May 2010 & is now a Director & Owner of his family business N2S. (Network 2 Supplies Ltd). N2S are a Telecoms & IT services supplier, started in 2002 by his father Jack. His role see’s him lead the overall sales strategy & partnerships in the channel. N2S provide unique services in the lifecycle of products, specialising in reuse & recycling of all associated materials. Investment in the circular economy places N2S in an exciting phase, especially with new privacy laws (EU GDPR) set to become official in 2018, supporting business & government to protect their data holding devices. Andy's drive, inspiration & determination in sport & business came from his hero Muhammad Ali to whom he met as a 5 year old. His involvement in rugby is now as a commentator, starring in RWC 2011 & 2015 with ITV. He commentated in last years Rugby World Cup Final for the World Feed, his 3rd involvement in a Final. Andy is also a trustee to ‘The School of Hard Knocks’ (SOHK), currently filming their 9th series in London Docklands, & is an ambassador to The Wooden Spoon. His fundraising is normally achieved on the golf course where he is a 16 handicap! He is married to Francesca & has three daughters, Olivia, Indianna & Grace. You can find out more about Andy on Linked in: https://www.linkedin.com/in/andrewgomarsall/

A statue of noted slaveholder Robert Milligan has been removed from outside the Museum of London Docklands, Business minister Nadhim Zahawi speaks to Nick, and should the 2 metre distancing rule be reduced?

Jamal Cyrus (born 1973, Houston, TX) received his BFA from the University of Houston in 2004 and his MFA from the University of Pennsylvania in 2008. In 2005 he attended the Skowhegan School of Painting and Sculpture, and in 2010 he was an Artist in Residence at Artpace San Antonio. Cyrus has won several awards, including the Driskell Prize, awarded by the High Museum of Art, Atlanta, GA; a BMW Art Journy; the Louis Comfort Tiffany Foundation Award; the Artadia Houston Award, and the Smithsonian Artist Research Fellowship. He has participated in national and international exhibitions, including Direct Message: Art, Language and Power at the Museum of Contemporary Art, Chicago, IL (2019); The Freedom Principle: Experiments in Art and Music, 1965 – Now, Museum of Contemporary Art Chicago, Chicago, IL (traveled to ICA Philadelphia, 2016); Arresting Patterns, ArtSpace, New Haven, CT (traveled to the African American Museum in Philadelphia, 2016); two exhibitions at the Studio Museum, Harlem (both 2013); the Contemporary Arts Museum, Houston (2012); the New Museum, New York (2011); The Kitchen, New York (2009); the Museum of London Docklands, London (2009); and The Office Baroque Gallery, Antwerp (2007). In 2006 Cyrus was included in Day for Night, the 2006 Whitney Biennial at the Whitney Museum of American Art.Cyrus is also a member of the artist collective Otabenga Jones and Associates. As a member of the collective, Cyrus has exhibited at Lawndale Art Center, Houston (2014), Project Row Houses, Houston (2014), the High Museum of Art, Atlanta (2008), the Smithsonian National Museum of African American History and Culture, Washington, DC (2008), the California African American Museum, Los Angeles (2008), the Menil Collection, Houston (2007), the 2006 Whitney Biennial, and Clementine Gallery, New York (2006). Cyrus’s and Otabenga Jones's work has been reviewed in Artlies, The Houston Chronicle, Houston Magazine, and The New York Times. Cyrus participated in the New Orleans triennial, Prospect.4, with Otabanga Jones.Jamal Cyrus lives and works in Houston, TX.https://inmangallery.com/index.htmlhttps://inmangallery.com/artists/cyrus_jamal/bio.htmlhttps://twitter.com/photogsofcolorhttps://www.instagram.com/photogsofcolor/?hl=enhttps://fulbright.uark.edu/departments/art/https://www.photographersofcolor.org/

Sir Martin Jacomb was born in 1929. After Eton and Oxford, he was a barrister, before starting a career in business. He has been Vice-Chairman of Kleinwort Benson, Deputy Chairman of Barclays and was Chairman of the Canary Wharf Group, the London Docklands property company, during the epic takeover battle of the early 2000s. Sir Martin has also held senior board position at Rio Tinto and Marks and Spencer, been Chairman of Prudential and served on the Court of the Bank of England.

From sugar and spice, to reparations and memorials: slavery and how we acknowledge it is debated by Eleanor Rosamund Barraclough and her panel of writers and academics: Dr Katie Donington, Dr Christienna Fryar, author Rosanna Amaka, and playwright and journalist Juliet Gilkes Romero. Dr Katie Donington teaches history at London South Bank University. Her research focuses on the cultural, commercial, political, and familial worlds of slave owners in Jamaica and Britain. She was an historical advisor for the BAFTA award-winning BBC2 documentary, Britain’s Forgotten Slave Owners (2015), and was co-curator of Slavery, Culture and Collecting at the Museum of London Docklands. Dr Christienna Fryar is leading a new MA in Black British History at Goldsmiths, University of London, following her role as Lecturer in the History of Slavery and Unfree Labour at the University of Liverpool. Rosanna Amaka's novel is called The Book of Echoes, and is published by Doubleday. The Whip by Juliet Gilkes Romero runs at the RSC Swan Theatre in Stratford-upon-Avon until 21 March 2020. You can find the Legacies of British Slave Ownership database here https://www.ucl.ac.uk/lbs/ In the Free Thinking archives you can hear: Author Esi Edugyen in Slavery Stories https://www.bbc.co.uk/programmes/m0001bch Artist and film director Steve McQueen and a debate about Slavery narratives https://www.bbc.co.uk/programmes/b03pdf14 Steve McQueen runs at Tate Modern until 11 May 2020. The Water Dancer by Ta-Nehisi Coates is out now Producer: Emma Wallace

How might museum exhibitions convey the complex dynamics of black British history? In this episode of the History Workshop Podcast, co-curators Melissa Bennett (Museum of London) and Iyamide Thomas (Historical Researcher for The Krios Dot Com) discuss their work on "The Krios of Sierra Leone," a new display at the Museum of London Docklands that tells the story of Sierra Leone’s Krio people. In the process they have a broader conversation about Black British history in museums and community-engaged museum practice. Subscribe and listen now on SoundCloud, Apple Podcasts, and Stitcher.

This week we’re chatting to Aisling Serrant about her creative approach to museum festivals. Aisling works as a Community Engagement Manager at the Museum of London Docklands which tells the history of about London as a port. Aisling organises festivals bringing together families from all backgrounds to learn about different cultures and history. Her main goal is to make the museum a welcoming space for everyone.

The Ninja checks out the dramatic changes that have transformed London’s Docklands from the port of the Empire to a derelict wasteland and most recently to a regenerated zone of gentrification and foreign direct investment.

How do you turn the tide when you're getting drowned by your competitors? In this episode, the History of Advertising Podcast speaks with Dave Trott to learn how Toshiba set itself apart from other Japanese electronics companies, and how London Docklands moved away from being known as a 'barren wasteland of mud'. 

God at work in London Docklands

The Dead Kids put our press tickets in our pork-pie hats and do some classic shoe-leather reporting as we go on location to give our review of not one, but TWO museum exhibitions. There are tons of cool grave goods and skellies to see in the first exhibit and a lot of fascinating dental accoutrements (ancient and modern) in the second. I didn’t totally pay attention at the dental exhibition, so the girls remind me of all the cool stuff I missed. I think we went a whole episode without talking about dicks too? We’re maturing as broadcasters, guys. Teeth is on at The Wellcome Collection until 16 September 2018. Roman Dead: Piecing together burials and beliefs in Roman London is on at Museum of London Docklands until 28 October 2018. Both exhibitions are great and they’re free so you’d be a fool not to go!

Enter our Amazon Fire HD 10 tablet giveaway here: https://gleam.io/ECuNE/esports-roundtable-tablet-giveaway Tell Silvertown what you want from local esports here: https://benreed1.typeform.com/to/nsRq3p Real estate investment is the new frontier in esports with millions being pumped into the next generation's arenas and venues to host the growing regionality of competition. Ben Reed joins the ERT to fill us in on Silvertown’s vision for esports hubs in the multi-million regeneration project in the London Docklands. Send your feedback and review the show below: Twitter: @esroundtablepod FB: @esportsroundtablepodcast LinkedIn: www.linkedin.com/in/joehillslfg/ Website: www.lookingforgrouplfg.com/podcast

War, human rights abuses and forced migration start in London. The Defence and Security Exhibition International (DSEI - pronounced 'dicey') is the largest arms fair in the world. Every two years, DSEI allows arms buyers and sellers to network and make deals. It's coming again 4 September 2017, at ExCeL – the huge exhibition centre in London Docklands. This episode is about how to stop the arms fair. Ellis and Elizabeth hear from Sam Walton, the Peace and Disarmament Programme Manager for Quakers in Britain, and Kat Hobbs from Campaign Against Arms Trade (CAAT), as well as lots of activists ready to challenge the repression. Quakers in Britain are a founder member of Stop the Arms Fair: a coalition of groups working together to oppose the arms fair in East London. We are building resistance to the arms fair through protest, lobbying, witness, creativity and prayer. The next DSEi is due to take place in 2017: if it does, Quakers will be working to increase the resistance. Quakers work to raise awareness of the human and environmental cost of the arms trade. We work with others to challenge the morality of the trade as a whole and to shine a light on the unethical and sometimes illegal activities of the arms industry. Find out more about our work. Get all the updates you need from www.stopthearmsfair.org.uk or contact Sam on Samw@quaker.org.uk for more help. Find out more about Campaign Against Arms Trade at www.caat.org.uk or follow @CAATuk on Twitter Thanks to audioungle.com and Bensounds for the music in this episode.

The bridges of London explored at Museum of London Docklands, with N Quentin Woolf. See acast.com/privacy for privacy and opt-out information.