Podcast appearances and mentions of Mark Padmore

Artiste curieuse et innovatrice, la pianiste Élisabeth Pion mène une carrière imaginative comme soliste et collaboratrice artistique. Récents moments-phare: sa nomination en tant que Révélation Radio-Canada 2024/2025, la parution de son deuxième enregistrement intitulé « Amadeus et l'Impératrice » sous étiquette ATMA Classique (une collaboration avec Mathieu Lussier & Arion Orchestre Baroque), de même que l'obtention du Prix de l'engagement philanthropique Bita-Cattelan au Concours international de musique de Montréal 2024 & du 3ème prix au 2023 Rio Piano Festival - Tribute to Nelson Freire, jouant avec l'Orquestra Sinfônica Brasileira & Maestro Tibiriçá.Elisabeth s'est produite pour la première fois avec l'Orchestre Métropolitain et Kensho Watanabe en janvier dernier. Elle est régulièrement artiste invitée de nombreux orchestres, tels que le Toledo Symphony, le Victoria Symphony, l'Orchestre classique de Montréal, Arion Orchestre Baroque & le National Academy Orchestra. Elle a collaboré avec des chefs réputés tels qu'Alain Trudel, Mathieu Lussier, Gordon Gerrard, Jacques Lacombe, Geneviève Leclair, et a travaillé étroitement avec le chef Thomas Leduc-Moreau et l'Ensemble Volte.Élisabeth s'est produite comme récitaliste au sein de plusieurs salles à Londres, faisant notamment ses débuts en récital solo au Wigmore Hall en 2021. Elle a aussi fait ses débuts sur la chaîne BBC Radio 3 en 2019, et peut être régulièrement entendue sur les ondes de CBC/Radio-Classique. Élisabeth adore la musique de chambre. Elle a très récemment joué avec Juliana Koch (Principal oboe, London Symphony Orchestra), Julie Price (Principal bassoon, BBC Symphony), le Vertavo Quartet et le ténor Mark Padmore dans le cadre du festival Midsummer Music 2024, co-dirigé par Paul & Bjørg Lewis. Elle a aussi récemment partagé la scène avec Dame Imogen Cooper, présentant un récital en piano quatre mains. En 2023, elle a été invitée à se produire dans le cadre d'IMS Prussia Cove Open Chamber Music; a collaboré avec le Quatuor Cobalt; et a présenté un concert avec l'Ensemble vocal Les Rugissants, construit autour de la vie de l'artiste Marisol Escobar. En 2022, elle a présenté un récital solo & collaboratif avec la mezzo-soprano Alexandra Achillea Pouta au Weill Recital Hall de Carnegie Hall - elles ont subséquemment joué le cycle Harawi de Messiaen à Milton Court (Barbican). De 2020 à 2023, Élisabeth a été la pianiste du De Beauvoir Piano Trio, qui a notamment été lauréat de la Virtuoso & Bel Canto Competition ainsi que de la Vainiunas Competition, et a été ensemble de musique de chambre en résidence à Britten Pears.Parmi les récentes reconnaissances et prix obtenus, Élisabeth a remporté le Best Original Score du Vesuvius Festival 2023 pour la musique qu'elle a écrite pour le court film « Spirit of the Tree » de la danseuse de ballet anglaise Ysabelle Taylor. Élisabeth est aussi l'heureuse récipiendaire 2022 du Prix Choquette-Symcox de la Fondation Jeunesses Musicales Canada. En 2019, elle a remporté la Silver Medal de la Musicians' Company de Londres. En 2018, suite à l'obtention du 1er prix de la Shean Competition à Edmonton, Élisabeth a été nommée dans le Palmarès CBC 30 Hot Canadian Classical Musicians under 30, et a également fait partie des 15 Rising Stars du magazine La Scena Musicale.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Espacio dedicado a los mejores intérpretes del arte vocal lírico con la producción de Carolina Valdés y locución de Sergio Morales.  Lunes a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

SynopsisOn today's date in 1949, the British composer Gerald Finzi conducted the premiere performance of his Clarinet Concerto at the Three Choirs Festival in Hereford.During his lifetime, Finzi never achieved the fame of some other 20th-century British composers. British tenor Mark Padmore wrote a recent appreciation titled “The Quiet Man of British Music,” which included these lines:“I want to make a case for taking the time to get to know a composer … whose plumage is discreet and whose song is quiet and subtle. Finzi might be termed one of classical music's wrens. Despite his exotic-sounding surname and mixed Italian, Sephardic and Ashkenazi heritage, Finzi was in many ways an archetypal English gentleman. ... One of his passions was the saving of old English varieties of apples. … [His] music was written slowly and often it would take many years for a piece to reach its final form.”Finzi died in 1956, at 55, from Hodgkin's lymphoma. He was concerned his music would be forgotten after his death and added this note to his catalogue of works: "The affection which an individual may retain after his departure is perhaps the only thing which guarantees an ultimate life to his work."Music Played in Today's ProgramGerald Finzi (1901 - 1956) – Clarinet Concerto (Alan Hacker; English String Orchestra; William Boughton, cond.) Nimbus 5665

Tenor Mark Padmore and Pianist Mitsuko Uchida have received glowing acclaim for their performances of Schubert and Beethoven song repertoire in 2022. “Two Schubert masters,” wrote the New York Times in a review of their Zankel Hall recital in March, “it's difficult to avoid superlatives when writing about Mitsuko Uchida and Mark Padmore”.TRACKLISTBeethoven: An die ferne Geliebte Op. 981. Auf dem Hügel sitz ich spähend2. Wo die Berge so blau3. Leichte Segler in den Höhen4. Diese Wolken in den Höhen5. Es kehret der Maien, es blühet die Au6. Nimm sie hin denn, diese Lieder Schubert: Schwanengesang D9577. Liebesbotschaft8. Kriegers Ahnung9. Frühlingssehnsucht10. Ständchen11. Aufenthalt12. In der Ferne13. Abschied14. Der Atlas15. Ihr Bild16. Das Fischermädchen17. Die Stadt18. Am Meer19. Der Doppelgänger14. Die TaubenpostHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

durée : 00:10:36 - Britten : Our Hunting Fathers, Op. 8 - Sinfonieorchester Basel, Ivor Bolton, Mark Padmore - Le chef d'orchestre, Ivor Bolton, dirige l'Orchestre symphonique de Bâle et accompagnés du ténor Mark Padmore, ils présentent un disque consacré à Benjuamin Britten. C'est notre disque du jour !

La quantité est-elle forcément opposée à l'exigence de qualité en musique ? Qui était Quinault, Philippe Quinault, à la fois immortel et valet de chambre ? Vous saurez tout sur les grandes querelles qui émaillent l'histoire de l'opéra : si votre enfant traite son copain de “bouffon”, il fait référence à une fameuse querelle musicale au XVIIIe siècle ! Et vous saurez pourquoi les Quatre Saisons de Vivaldi est le plus grand tube de toute la musique. Baroque en stock, un podcast de Radio Classique et des Talens Lyriques. Retrouvez tous les épisodes sur radioclassique.fr ou sur vos plateformes habituelles.  Références musicales Couperin, Quatrième livre de pièces de clavecin, 21e ordre, Christophe Rousset (clavecin)  Lully, Roland, “Roland, il faut armer votre invincible bras”, finale de l'acte V, Delphine Gillot (dessus), Les Talens Lyriques, Christophe Rousset (dir.)  Lully, Atys, ouverture, Les Arts Florissants, William Christie (dir.)  Lully, Amadis, grand chœur, fin de l'acte V, Chœur de chambre de Namur, Les Talens Lyriques, Christophe Rousset (dir.)  Pergolese, La Servante Maîtresse, I Virtuosi di Roma, Renato Fasano (dir.)  Lully, Armide, “Enfin il est en ma puissance”, acte II scène 5, Véronique Gens (soprano), Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Hippolyte et Aricie, acte I scène 2, Mark Padmore (ténor) et Anna-Maria Panzarella (soprano), Les Arts Florissants, William Christie (dir.)  Rameau, Hippolyte et Aricie, Le trio des Parques, Les Musiciens du Louvre, Marc Minkowski (dir.)   Piccinni, Didon, “Non ce n'est plus moi”, Véronique Gens (soprano), Les Talens Lyriques, Christophe Rousset (dir.)  Vivaldi, Les Quatre Saisons, Le Printemps, 1er mouvement, remix avec I Musici di Roma, puis Lucie Horsch (flûte à bec), trio Jacques Loussier, Lena Garcia et enfin Janine Jansen (violon) and friends  Vivaldi, Les Quatre Saisons, L'Automne, finale, Europa Galante, Fabio Biondi (violon et dir.)  Vivaldi, Les Quatre Saisons, L'Été, finale, Double Sens, Nemanja Radulovic (violon et dir.)    Réalisation : Lucile Metz Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode: 2255 From a bad beginning to a perfect morning.  Today, a perfect morning.

From Revd John Davies, vicar of Clapham with Keasden and Austwick with Eldroth in the Diocese of Leeds. Prayers and reflections from the Churches Weekly Newsletter in a time of the coronavirus: 8 August 2021, The Tenth Sunday after Trinity. Featuring 'At the Name of Jesus every knee shall bow', Caroline M. Noel, 1870, performed by Swansea Gospel Male Voice Choir from Various Artists: Hymn Makers Gold, 2019; 'To Mercy, Pity, Peace and Love (The Divine Image)', William Blake, performed by Mark Padmore & Nicholas Daniel from Ralph Vaughan Williams: Ten Blake Songs & On Wenlock Edge, 2013; and 'I am the bread of life', written and performed by Suzanne Toolan from Various Artists: Celebrating Our Faith, 1998. Including my reflection for the day 'Tough kindness: a prayerful practice that can transform our world', also available with all my talks at bit.ly/johndavies-talks.

Espacio dedicado a los mejores intérpretes del arte vocal lírico con la producción de Carolina Valdés.  Lunes a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

In this episode of Tea with Netty, Mark Padmore joins our host to discuss our co-production with Marquee TV of Bach’s St John Passion. Mark first did the St John Passion with us in 2005 and has revisited it over the years. Netty and Mark discuss their deeper understanding of the music and where they hope to go with it in the future.Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger...), Netty chats with a variety of conductors, players and other guests as she 'spills the tea' on the side of classical music you don't normally hear.

Vandaag: Beethovens Missa Solemnis deel 2   1. Uit: 6 Lieder, opus 48 – no. 1, Bitten; no. 2, Die Liebe des Nächsten. Hermann Prey, bariton. Leonard Hokanson, piano. 2. So oder so, WoO 148 Peter Schreier, tenor. Walter Olbertz, piano. 3. Mailied, opus 52 no.4. Mark Padmore, tenor. Kristian Bezuidenhout, fortepiano. 4. Missa Solemnis […]

Vandaag spreekt Rahul Gandolahage met dirigent Wolfgang Lange over de beide missen van Beethoven.   1. Mailied op 52 no 4 Mark Padmore, tenor. Kristian Bezuidenhout, fortepiano. 2, Uit 6 Liederen, opus 48, no. 4, Die Ehre Gottes aus der Natur Hermann Prey, bariton. Leonard Hokanson, piano 3. Kyrie uit: Mis in C op. 86 […]

In this episode we talk about Elaine Mitchener's many projects, improvisation, music education, Jeanne Lee and much more. Elaine Mitchener is an experimental vocalist, movement artist and composer, whose work encompasses improvisation, contemporary music theatre and performance art. Born in East London to Jamaican parents, Elaine studied voice at Trinity College of Music, London and currently studies with Jacqueline Bremar. She has performed at numerous UK and European festivals, venues and galleries including Aldeburgh Music, London Contemporary Music Festival (LCMF), 56th Venice Biennale, Wysing Arts, Café Oto (London), Bluecoat (Liverpool), SAVVY Contemporary (Berlin), Purcell Room (Southbank Centre, London), Huddersfield Contemporary Music Festival, ULTIMA Festival (Oslo), OCCUPY (St John’s Smith Square), SPILL Festival (Ipswich), La Monnaie (Brussels), Block Universe (London), White Cube (London), Whitechapel Gallery (London), Weserburg MOMA (Bremen), Wellcome Collection (London), and the Institute of Contemporary Arts (London). She has worked and performed in a wide variety of contexts with an array of leading musicians, composers, directors and visual artists including Moor Mother (Camae Ayewa), Mark Padmore, The Otolith Group, Deborah Warner, Christian Marclay, Apartment House, Steve Beresford, Pat Thomas, Irvine Arditti, Sonia Boyce, London Sinfonietta, John Butcher,Tansy Davies, George. E. Lewis, Attila Csihar, Rolf Hind, Dam Van Huynh, Lore Lixenberg, George Lewis, Alexander Hawkins, Sam Belinfante, Phil Minton, Evan Parker, Alasdair Roberts, Lucy Bailey, David Toop, Netia Jones, Matt Wright, and Jason Yarde. Elaine is co-founder of the experimental jazz quartet the Hawkins/Mitchener Quartet and a regular vocalist with the ensemble Apartment House. She created the role of Hannah/Voice singing with tenor Mark Padmore, in the opera CAVE, by composer Tansy Davies with libretto by Nick Drake, co-commissioned by the London Sinfonietta / Royal Opera House and directed by Lucy Bailey which premiered in June 2018. Her production company Elaine Mitchener Projects has researched, developed, produced and toured or staged a number of projects including Industrialising Intimacy (with choreographer Dam Van Huynh, David Toop, George Lewis); The Nude Voice (with Dam Van Huynh) commissioned for the Wellcome Collection London’s THIS IS A VOICE exhibition; ‘I back… I neck… I face… I chest’ commissioned by Sonia Boyce for her installation We Move In Her Way at London’s ICA; Of Leonardo da Vinci (with Dam Van Huynh, David Toop, Barry Lewis) for Oslo’s ULTIMA Festival; the three hour durational performance [NAMES] premiered at Ipswich’s SPILL Festival; a presentation of John Cage’s SongBooks for London’s Poetry In The City Festival; Vocal Classics of the Black Avantgarde for LCMF; and SWEET TOOTH in partnership with Bluecoat Liverpool, Stuart Hall Foundation and the International Slavery Museum. Premiered in Nov 2017, SWEET TOOTH has been described as ‘a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora’, and was subsequently broadcast on BBC Radio 3’s Hear and Now programme (Dec 2017). Elaine has participated in residencies and symposiums including Aldeburgh Music (to develop SWEET TOOTH) and Fondazione Claudio Buziol, Venice (where she developed Of Leonardo Da Vinci supported by Muziektheater Transparant) and New Resonances organised by Theatrum Mundi. For more information about Elaine Mitchener please visit: http://www.elainemitchener.com/ © Let's Talk Off The Podium, 2020

060 Marc-André Hamelin: Musical Offering In this episode, I discuss with international piano soloist and composer Marc-André Hamelin! Among many other topics, we discuss his philosophy about performing, how he approaches solving problems, the wonderful reason he prefers to play by memory, how important curiosity has been in his career, and the importance of living a full life and be exposed to culture. Marc-André also elaborates on: The practicing habits he had at a young age The importance of developing the aptitude to solve problems of becoming your own teacher His advice on memorization Score or no score, that is the question His simple practice “priming” His current interest in Faure's music and how he dives in the topic His favorite tool in the practice room: the score! His idea of the ideal concert: you will all agree with him! Why he strongly believes in practicing slowly Marc-Andre is an incredible artist and human being and I am so very happy and honored to have him on the podcast today! I know that you'll be inspired by his insight and wisdom!     Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And join the Mind Over Finger Book Club in the Tribe!  We meet HERE, and we'll begin 2020 with The Inner Game of Golf by Tim Gallwey!   Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!     MORE ABOUT MARC-ANDRÉ: Website: https://www.marcandrehamelin.com/   YouTube: Click here to catch amazing performances and interviews with Marc-André Facebook: https://www.facebook.com/marcandrehamelinpiano/   “A performer of near-superhuman technical prowess” (The New York Times), pianist Marc André Hamelin is known worldwide for his unrivaled blend of consummate musicianship and brilliant technique in the great works of the established repertoire, as well as for his intrepid exploration of the rarities of the 19th, 20th, and 21st centuries – in concert and on disc – earning him legendary status as a true icon of the piano. Mr. Hamelin begins the 19/20 season performing the Brahms Piano concerti with the Orchestre Métropolitain and Yannick Nézet-Séguin at Le Festival de Lanaudière, and the world premiere of Ryan Wigglesworth's piano concerto at the BBC Proms, led by the composer. Other summer appearances include recitals at the Schubertiade, Helsingborg Piano Festival, Mänttä Music Festival, Domaine Forget, Orford Music Festival, the Newport Music Festival, and at the Rosendal Chamber Music Festival with friend and regular collaborator, Leif Ove Andsnes. Recital appearances this season include a return to Carnegie Hall's Stern Auditorium/Perelman Stage on the Great Artists Series. He also performs at Wigmore Hall, the George Enescu Festival, Ascona (Switzerland), Prague, Munich, Alte Oper Frankfurt, Stuttgart, Moscow State Philharmonic, at the Elbphilharmonie for the Husum Rarities of Piano Music Festival, Monte Carlo, and the Heidelberg Festival, among other dates. Mr. Hamelin is the inaugural guest curator for Portland Piano International, where he opens the season with two solo recitals. He returns to San Francisco Performances – a series with whom he has a long and deeply supportive artistic relationship – as a Perspectives Artist for their 40th Anniversary Season, performing a solo recital; Die Winterreise with tenor Mark Padmore; and the world premiere of his own Piano Quintet, commissioned by SFP and performed by himself and the Alexander String Quartet. An exclusive recording artist for Hyperion Records, in 19/20, Hyperion releases two albums by Mr. Hamelin – one a solo disc and the other with the Takács Quartet. He recently released a disc of Schubert's Piano Sonata in B-Flat Major and Four Impromptus; a landmark disc of Stravinsky's The Rite of Spring and Concerto for Two Pianos with Leif Ove Andsnes; Morton Feldman's For Bunita Marcus; and Medtner's Piano Concerto No. 2 and Rachmaninov's Piano Concerto No. 3 with the London Philharmonic Orchestra and Vladimir Jurowski. His impressive Hyperion discography of more than 60 recordings includes concertos and works for solo piano by such composers as Alkan, Godowsky, and Medtner, as well as brilliantly received performances of Brahms, Chopin, Liszt, Schumann, and Shostakovich. He was honored with the 2014 ECHO Klassik Instrumentalist of Year (Piano) and Disc of the Year by Diapason Magazine and Classica Magazine for his three-disc set
of Busoni: Late Piano Music and an album of his own compositions, Hamelin: Études, which received a 2010 Grammy nomination and a first prize from the German Record Critics' Association. Mr. Hamelin was a distinguished member of the jury of the 15 th Van Cliburn International Piano Competition in 2017 where each of the 30 competitors in the preliminary round performed Hamelin's Toccata on L'Homme armé; this was the first time the composer of the commissioned work was also a member of the jury. Mr. Hamelin has composed music throughout his career, with nearly 30 compositions to his name. The majority of those works – including the Études and Toccata on L'Homme armé – are published by Edition Peters. Mr. Hamelin makes his home in the Boston area with his wife, Cathy Fuller. Born in Montreal, Marc-André Hamelin is the recipient of a lifetime achievement award from the German Record Critics' Association and has received seven Juno Awards and eleven GRAMMY nominations. He is an Officer of the Order of Canada, a Chevalier de l'Ordre du Québec, and a member of the Royal Society of Canada.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

This week The Verb is live at The Aldeburgh Festival in Snape Maltings. Joining Ian and a studio audience are Lavinia Greenlaw, Fiona Sampson and Mark Padmore. Presenter: Ian McMillan Producer: Faith Lawrence

David Butcher, [Britten Sinfonia](https://www.brittensinfonia.com/)'s Chief Executive and Artistic Director talks to [Dr Kate Kennedy](http://drkatekennedy.co.uk/) (Weinrebe Research Fellow in Life-Writing at Wolfson College, Oxford) about Benjamin Britten's Serenade for Tenor, Horn and Strings. We find out all about the poetry, music and themes, as well as why it's a brilliant introduction to Britten's music. Kate Kennedy writes for BBC Music Magazine, and gives talks at literary and music festivals around the country, and at venues such as the Wigmore Hall, the Royal Albert Hall and the Southbank Centre, and is a regular guest on BBC Radio 3, on programmes such as Essential Classics, Composer of the Week, Music Matters, and the Proms Plus series. She is the consultant to Radio 3 for their First World War programming, and has appeared on BBC 2 and 4 television. Music: Benjamin Britten's Serenade for Tenor Horn and Strings, performed by Mark Padmore and Britten Sinfonia. Harmonia Mundi (2012). Available to purchase [here](http://www.harmoniamundi.com/#!/albums/1825).  You can also listen to Britten Sinfonia and Mark Padmore performing Serenade for Tenor, Horn and Strings on Spotify [here](https://open.spotify.com/album/4B2Um35fGyUHueTdvd5S08).

Many Private Passions guests over the years have revealed their passion for Bach. But for some, the great composer has really transformed their lives. The great primatologist Jane Goodall, for instance, describes how she reached such a dark time in her life that she considered giving up altogether. Four of her workers had been kidnapped in Africa, in the chimpanzee sanctuary she'd established. The money for her research had come to an end. At crisis point, she went into Notre Dame Cathedral in Paris, and heard Bach's famous Toccata and Fugue in D minor being played on the organ. Bach gave her hope, and transformed her vision of the world so that she could carry on. "It helped me to understand that I was a small person in a big world. And the world was very beautiful. It caused me to think about the meaning of our lives, and what am amazing thing it is that this little creature can encompass so much. So I came out a different person." "Bach deals with death, but also with transcendence..." - so says architect Daniel Libeskind who reveals how Bach sustained him when he was building the memorial to 9/11 in New York. Alan Bennett describes first hearing the St Matthew Passion in Leeds Parish Church when he was growing up, while Vivienne Westwood discovered Bach's Passions only recently: "I don't believe in God, but the beauty, the hypnotic rhythm lifts you." And tenor Mark Padmore talks about singing the Evangelist in Bach's Passions, how he never tires of the music, and how there's always something more to discover. As Joan Armatrading says at the end of the programme: " This guy Bach - how IS that humanly possible?" Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Picks from across the week on In Tune, including Ailish Tynan, Jon Boden and Mark Padmore

Speziell für den Tenor Mark Padmore komponierte Thomas Larcher seinen "Padmore Cycle". Der Liederzyklus wird am 19. Juli von Padmore und dem BR-Symphonieorchester unter Mariss Jansons aufgeführt. Anlässlich dieses Konzerts sprach Uta Sailer mit Larcher und Padmore.

Im Literaturhaus in München findet am 10. Mai ein ganz besonderer Heine-Liederabend statt. Mit dabei: die Autorin und Büchner-Preisträgerin Felicitas Hoppe und Tenor Mark Padmore, "Artist in Residence" beim BR-Symphonieorchester. Im Interview spricht Padmore über sein Verhältnis zu Heinrich Heine, zur Musik von Franz Schubert und Robert Schumann - und zur deutschen Sprache.

Over the last 20 years Mark Padmore has established a reputation as one of Britain's most outstanding tenors. His performances combine emotional power with intellectual rigour; and he's not afraid to take risks by appearing in challenging new productions. He travels the world performing repertoire that includes Schubert lieder, Handel and Harrison Birtwistle, and many leading contemporary composers have written pieces especially for his voice. What makes Mark Padmore especially fitting as an Easter guest for Private Passions is his mastery of the role of the Evangelist in Bach's St Matthew and St John Passions. In Private Passions he talks to Michael Berkeley about why there is always something new to discover in Bach's Passions, and reflects on the extraordinary fact that Bach himself only heard the St John Passion four times. He reveals - and sings - his favourite, haunting lines of Schubert. He introduces us too to other composers whose work excites him; we hear songs by John Cage and Ryan Wigglesworth and an exuberant percussion piece by the Serbian composer Nebojsa Zivkovic. And Padmore confesses that if he hadn't been a singer, he would have liked to be ... a thatcher. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

The English Chamber Orchestra, under its Charitable Trust’s new artistic director Lawrence Power, launches an exciting new season at Kings Place this autumn, featuring Christian Zacharias, Nicolas Altstaedt, Vilde Frang, Mark Padmore and Alison Balsom. kingsplace.co.uk/ECO

On this, the 15th anniversary of 9/11, Michael Berkeley's guest is Daniel Libeskind, a world-renowned architect, known for concert halls, opera sets, museums, hotels and universities. In 2003 Libeskind won an international competition to produce an overarching vision for buildings which would stand on the site of the Twin Towers. That vision is now almost complete, and includes a memorial to those who were killed in the attacks. He's called his plan "a site of memory, a healing of New York". Daniel Libeskind had already made his reputation with buildings that symbolised and preserved tragic histories, such as the Jewish Museum in Berlin, and the German Military Museum in Dresden. In Private Passions, he talks to Michael Berkeley about the day he first visited the site and climbed down into the crater left in the earth. He says that experience changed his life - he began to hear the voices of the dead. He talks about how he decided this should be a "sacred site", and that the footprint of the twin towers should never be built on. He reveals his concept of a light memorial to the dead, created by using shafts of light filtered through the spaces between skyscrapers. The sun strikes the ground at exactly the same times as the planes hit the towers. Daniel Libeskind is extraordinarily musical; in fact, a gifted accordionist, he was something of a musical prodigy. He decided to follow architecture instead, but is still inspired by music. His music choices include Renée Fleming singing "Amazing Grace", Perotin; the contemporary Finnish composer Saariaho, and Mark Padmore singing Bach's Cantata for the 16th Sunday after Trinity - so the right cantata for 11 September 2016. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Works by Schubert for voice and piano performed by Mark Padmore, with Jonathan Biss on October 12, 2014 and for solo piano performed by Charlie Albright on September 29, 2013.Schubert: Ständchen from SchwanengesangSchubert: Sonata in A Major, D. 959In 1828, as Schubert’s health was rapidly deteriorating, the composer entered a period of phenomenal compositional productivity. In the final months of his life, he would write many works that were published posthumously and recognized to be among his finest achievements. Two sets stand out as particularly notable: his final three piano sonatas, and Schwanengesang, a cycle of songs whose title translates as “Swan Song.”We’ll hear one of the piano sonatas on this podcast–number 959, the sonata in A Major, performed by Charlie Albright. Schubert set out to write this sonata, and the other two in the set, shortly after the death of Beethoven, who had long cast a formidable shadow over the genre. The finale pays tribute to Beethoven, with a nod to the final movement of his 16th piano sonata.Before the sonata, we’ll hear a song from the Schwanengesang cycle: “Staendchen,” or serenade. The singer implores his beloved to join him in the grove at nighttime, amidst the rustling leaves. There is an undertone of foreboding, though, as he alludes to the pain of love and the prying eyes of others.

Veckans panel lyssnar på körmusik av Arvo Pärt och Yuja Wang i Ravels vänsterhandskonsert. Och så har The Who's klassiska rockalbum Quadrophenia fått ny orkesterskrud. I panelen sitter Boel Adler, Hanns Rodell och Nicholas Ringskog Ferrada-Noli som tillsammans med programledaren Johan Korssell betygsätter följande skivor:MAURICE RAVEL GABRIEL FAURE Pianokonsert G-dur Ballad Fiss-dur - Vänsterhandskonserten  Yuja Wang, piano Tonhalle-Orchester, Zürich Lionel Bringuier, dirigent DG 00289 479 4954JOHANNES BRAHMS Stråkkvartetter nr 1 och 3 Artemis-kvartetten Erato 0825646126637TINTINNABULI Körmusik av Arvo Pärt The Tallis Scholars Peter Philips, dirigent Gimell CDGIM 049ROBERT SCHUMANN Das Paradies und die Peri, oratorium i tre delar Sally Matthews, Mark Padmore m.fl. Londons symfoniorkester Simon Rattle, dirigent LSO Live LSO 0782Hannas val Hanna Höglund spelar valda delar ur The Whos  klassiska rockalbum, Pete Townshends Classic Quadrophenia som nu fått ny orkesterskrud. Royal Philharmonic Orchestra under Robert Ziegler spelar och i  huvudrollen hör vi brittiske tenoren Alfie Boe." Albumet är utgivet på Decca.Andra nämnda eller rekommenderade inspelningarRavels pianokonserter med solisten Martha Argerich som spelar tillsammans med Londons symfoniorkester ledda av Claudio Abbado på DG; Krystian Zimerman och Londons symfoniorkester under Pierre Boulez på DG samt med pianisten Samson Francois och Orchestre de la Société des Concerts du Conservatoire dirigerad av André Cluytens på EMI.Brahms stråkkvartetter med Belcea-kvartetten (nr 1) inspelad på EMI samt med Borodin-kvartetten (nr 1 och 3) på skivmärke Teldec.Schumanns Das Paradies und die Peri med Bayerska radions kör och symfoniorkester under Nikolaus Harnoncourt på RCA; Monteverdikören och Orchéstre Revolutionnaire et Romantique under John Eliot Gardiner på märke Archiv.Dessutom nämns Daniel Harding och Sveriges Radios Symfoniorkesters framförande i Berwaldhallen 2007 med en önskan om utgivning på CD. 

Work for voice and piano by Schumann, performed by Mark Padmore, tenor and Jonathan Biss, piano on October 12, 2014 and work for clarinet and piano by Schumann performed by Richard Stoltzman, clarinet and David Deveau, piano on January 11, 2015. Schumann: Liederkreis, Op. 24Schumann: Fantasiestucke, Op. 73Fantasy is a potent thread running through the work of many Romantic composers, but none more so than Schumann. As a musical form, the ‘fantasy’ is the stuff of strong passions and dramatic emotional shifts, as we hear in the closing work on this podcast, Schumann’s Fantastiestuecke, opus 72 for clarinet and piano. The moods shift dramatically, starting with a movement marked “sweet and with feeling,” and concluding with one marked “fast and fiery.” The work ends in a whirlwind, with calls from the composer to play “schneller und schneller”—faster and faster.Before that, we start with a fantasy of a different sort: Schumann’s Liederkreis, opus 24, a set of songs based on poetry by Heine. The poems tell the tale of a love gone wrong. In nine songs, the singer recounts stories of lost love and painful separation. The nine songs that make up this set, like the poems themselves, vary in length, but they share a directness and simplicity. We’ll hear them performed by tenor Mark Padmore and pianist Jonathan Biss.

Work for voice and piano by Schumann performed by Mark Padmore, tenor and Jonathan Biss, piano on October 12, 2014 and work for string quartet by Schumann performed by Musicians from Marlboro on March 17, 2013 Schumann: Sechs Gedichte und Requiem, Op. 90 Schumann: String Quartet in F Major, Op. 41, No. 2 Today’s podcast features two chamber pieces by Robert Schumann, the type of music you might have heard in a Romantic-era salon. We begin with a song cycle—the form that was Schumann’s bread and butter. Schumann wrote more than 400 songs, or lieder, in his lifetime, and he is widely acknowledged as a master of the genre. The set we’ll hear today is Sechs Gedichte und Requiem, Schumann’s opus 90. The cycle consists of six poems by Nikolaus Lenau, an Austrian poet, and a contemporary of Schumann’s. The seventh movement “Requiem” is a text of mourning written by another poet. The string quartet we’ll hear dates from 1842 when he turned his attention to chamber music and his first three string quartets. We’ll hear his opus 41, number 2, the String Quartet in F Major which has more than its fair share of creativity, making it a rewarding listen, even though it was Schumann’s very first effort in the string quartet form. Our string quartet on this recording hails from Musicians from Marlboro. We’ll start with the song cycle, performed by tenor Mark Padmore and pianist Jonathan Biss.

Austrian composer Thomas Larcher and British tenor Mark Padmore talk about their creative collaboration on the set of songs evoking the Tyrolean landscape that Larcher named ‘A Padmore Cycle’

As In Tune reveals the nominations for this year's RPS Music Awards, Sean Rafferty talks to tenor Mark Padmore who is nominated in the Singer category alongside baritone Christian Gerhaher and soprano Nine Stemme. Mark talks about his current role in Bach's St Matthew Passion, performed on period instruments by the Orchestra of the Age of Enlightenment.

Fra Mogens Dahl Koncertsal. Schubert: Sange til tekster af Johann Gabriel Seidl. Fauré: Sange til tekster af Paul Verlaine. Mark Padmore, tenor. Julius Drake, klaver. Koncerten begynder kl. 20. Kl. ca. 21:30 kan du møde violinisten Joanna Konarzewska, der er debuteret fra Syddansk Musikkonservatorium. Hun spiller musik af Per Nørgård og Witold Lutoslawski. (Sendt første gang 11. februar). Vært: Anne Bro.

Tenor Mark Padmore and composer/pianist Thomas Larcher on the differences between music education in England and Austria, working together on Larcher's 'Padmore Cycle' and new music

Michael Berkeley's guest is the actor Rory Kinnear. Rory Kinnear is in danger of becoming a national treasure. Audiences across the world know him thanks to two Bond movies, where he plays M15 officer Bill Tanner. He was the journalist in the TV thriller Southcliffe, he was Denis Thatcher in the Margaret Thatcher TV biopic, he's the straight man to Count Arthur Strong... And he's established a reputation as one of our finest Shakespearean actors - his performance as Hamlet at the National Theatre was screened across the UK as part of the National's 50th anniversary celebrations. This summer he played an unforgettably chilling Iago to Adrian Lester's Othello, again at the National. And he's just turned playwright - his first play, The Herd, directed by Howard Davies, has opened in London. He's a difficult actor to pin down. But in conversation with Michael Berkeley he reveals the man behind the theatrical mask. He talks movingly about his father, the actor Roy Kinnear, who was killed during a film stunt, and how he kept sane after the accident by playing the piano. Rory still plays in rehearsal rooms across the world, grabbing his chance at the piano while the other actors eat lunch. He reveals too that music is the key to his relationship with his sister, who was born with profound disabilities; Rory composes music for her, and plays songs as a way of communicating with her. He works increasingly with musicians, at the Proms last year, and in recordings. And, be warned, every morning he walks across London listening to music on his huge headphones - and singing along at the top of his voice. Music choices include Mark Padmore singing Bach, Haydn's Trumpet Concerto, a Beethoven violin sonata, Erroll Garner, and Big Rock Candy Mountain. First broadcast 13/10/2013.

Vaughan Williams's Ten Blake Songs: Martin Cullingford talks to Mark Padmore and Nicholas Daniel

Stephen Hough chooses Schubert’s song The Hurdy Gurdy Man, from Winterreise. Plus archive interviews with singers Thomas Hampson and Mark Padmore, and Donald Macleod on Schubert. Full details at Front Row’s Cultural Exchange website.

Mark Lawson talks to three tenors and a counter-tenor: Joseph Calleja (pictured), Ian Bostridge, Mark Padmore and Iestyn Davies reflect on repertoire, singing teachers and the perils of phlegm. Producer Georgia Mann.

Hoogtepunten uit het seizoen 2010 - 2011: Compilatie 1 Evertjan ‘t Hart, Don Kozakkenkoor Rusland, Valentina Lisitsa, Peter Beets Quartet, Mark Padmore & Kristian Bezuidenhout, Hanggai, Deux accords diront, het Koor van Nederlandse Opera, Franz von Chossy trio, Mor Karbassi, Tatiana Koleva & Rutger van Otterloo, Konrad Konselleck Bigband met Sven [...]

Schubert's Winterreise Written the year before Schubert's death aged just 31, these 24 songs based on poems by Wilhelm Müller describe a journey that takes us ever deeper into the frozen landscape of the soul. Singers Thomas Hampson, Mark Padmore, Alice Coote and David Pisaro describe the experience of immersing themselves in this music. And Bernard Keefe tells of the time he sang these songs in Hiroshima to survivors of the bomb. Producer, Rosie Boulton.

* De nieuwste cd van Eva Ayllon is een eerbetoon aan Chabuca Granda. * Professor Erik Scherder legt de invloed van muziek op onze hersenen uit * Het duo Mark Padmore en Kristian Bezuidenhout geloven in de oude uitvoeringspraktijk Professor Erik Scherder Vorig jaar verkozen studenten van de VU professor Erik Scherder (Neuropsycholoog) [...]