Podcast appearances and mentions of Julia Ormond

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  It's a day to celebrate! We discuss the legend Maggie Cheung! Our B-Sides include Lost Romance (a.k.a. Story of Rose), Full Moon in New York, Green Snake, and Sausalito. Our esteemed guest for this episode is Nick Newman, host of the Emulsion podcast for The Film Stage. We talk about the Hong Kong New Wave, Maggie's aborted performance in Inglourious Basterds, the true B-Sidey-Ness of Sausalito, and Maggie Cheung's brief, lovely, recent Sight and Sound interview. There's also Nick's Sight and Sound List, that GQ piece, Julia Ormond's tackling a famous Audrey Hepburn role, and Nick's great interview with filmmaker Olivier Assayas back in 2022. By 2004, at the young age of forty, Cheung retired from acting. Her legacy has only cemented further in the decades since her final films, something we discuss in this episode as well.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. It's a day to celebrate! We discuss the legend Maggie Cheung! Our B-Sides include Lost Romance (a.k.a. Story of Rose), Full Moon in New York, Green Snake, and Sausalito. Our esteemed guest for this episode is Nick Newman, host of the Emulsion podcast for The Film Stage. We talk about the Hong Kong New Wave, Maggie's aborted performance in Inglourious Basterds, the true B-Sidey-Ness of Sausalito, and Maggie Cheung's brief, lovely, recent Sight and Sound interview. There's also Nick's Sight and Sound List, that GQ piece, Julia Ormond's tackling a famous Audrey Hepburn role, and Nick's great interview with filmmaker Olivier Assayas back in 2022. By 2004, at the young age of forty, Cheung retired from acting. Her legacy has only cemented further in the decades since her final films, something we discuss in this episode as well. Be sure to subscribe at thefilmstage.com/pod and give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Welcome back to purgatory!!! I figured one day I'd wake up and find out what the hell yesterday was all about. I'm not to keen on thinkin' about tomorrow and today's slipping by... We wrap up our journey into the industrial factory dreams and nightmares, the hopes and the ambitions, the doubles and the great romances, the violence and the darkness and the light that is David Lynch, artists and filmmaker and a genuine human being with his film Inland Empire from 2006. The film stars Laura Dern, Justin Theroux, Jeremy Irons, Harry Dean Stanton, Ian Abercrombie, Karolina Gruszka, Krzysztof Majchrzak, Grace Zabriskie, Diane Ladd, Julia Ormond, Emily Stofle, Kristen Kerr, Jordan Ladd, Terryn Westbrook, Jamie Eifert, Michelle Renea, Kat Turner, William H. Macy, Mary Steenburgen, Nae and Terry Crews. David Lynch theme by Jeremy Mcfarlane Thank you all so much for coming along with us on this journey into David Lynch's films we really appreciate all of you who listen. You can find us on Podbean.com and where all other podcasts are found. Intro and outro tracks by Marek Zebrowski from the Inland Empire soundtrack 1. Bass D Dark Stairway https://youtu.be/W7OrYf6VMcM?si=VMg7pXe0tH3kmbX- 2. Woods Variation https://youtu.be/AZRLrIH-lNQ?si=7yc96tZ6ODa-QZ9A  

#realconversations #dementia #filmmaker #actor #Greece CONVERSATIONS WITH CALVIN WE THE SPECIESMeet CHRISTINA ELIOPOULOS & JOE CORTESE; “a wondrous,honest, profound interview with Christina & Joe. Real-life experiences  and their inspirational film journey.”  Calvinhttps://www.youtube.com/c/ConversationswithCalvinWetheSpecIEs460 Interviews/Videos  8400 SUBSCRIBERSGLOBAL Reach. Earth Life. Amazing People.  PLEASE SUBSCRIBE **CHRISTINA ELIOPOULOS & JOE CORTESE; ‘Here's Yianni!' Thecelebrated film returns home to Jersey Shore, screening Sunday, March 30 at GSFFYouTube: https://youtu.be/rXThh-zIj2AABOUT: In the film, a wife's strength is tested when herhusband, a Greek diner owner whose mind and memory is failing, imagines himselfto be a late-night talk show host. Starring Joe Cortese, Julia Ormond, KevinPollak, Rosanna Arquette, Eric Roberts, Colleen Camp, Sofia Vassilieva andBaylen D. Bielitz.  LINKS:  For additionalinfo contact us at heresyiannirsvp@gmail.com Or visit https://www.facebook.com/HeresYianniMovie** WE ARE ALSO ON AUDIOAUDIO “Conversations with Calvin; WE the SpecIEs”ANCHOR https://lnkd.in/g4jcUPqSPOTIFY https://lnkd.in/ghuMFeCAPPLE PODCASTSBREAKER https://lnkd.in/g62StzJGOOGLE PODCASTS https://lnkd.in/gpd3XfMPOCKET CASTS https://pca.st/bmjmzaitRADIO PUBLIC https://lnkd.in/gxueFZw

“Here's Yanni!” Is the story of a couple facing a severe illness of the husband and the strength of his wife to manage him and his serious conditions until the end . The portrait of feminine resilience and the stubbornness needed to survive. The post “Here's Yanni!”, interview with the actors Julia Ormond and Joe Cortese and the director Christina Eliopoulos appeared first on Fred Film Radio.

“Here's Yanni!” Is the story of a couple facing a severe illness of the husband and the strength of his wife to manage him and his serious conditions until the end . The portrait of feminine resilience and the stubbornness needed to survive. The post “Here's Yanni!”, interview with the actors Julia Ormond and Joe Cortese and the director Christina Eliopoulos appeared first on Fred Film Radio.

“Here's Yanni!” Is the story of a couple facing a severe illness of the husband and the strength of his wife to manage him and his serious conditions until the end . The portrait of feminine resilience and the stubbornness needed to survive. The post “Here's Yanni!”, interview with the actors Julia Ormond and Joe Cortese and the director Christina Eliopoulos appeared first on Fred Film Radio.

“Here's Yanni!” Is the story of a couple facing a severe illness of the husband and the strength of his wife to manage him and his serious conditions until the end . The portrait of feminine resilience and the stubbornness needed to survive. The post “Here's Yanni!”, interview with the actors Julia Ormond and Joe Cortese and the director Christina Eliopoulos appeared first on Fred Film Radio.

“Here's Yanni!” Is the story of a couple facing a severe illness of the husband and the strength of his wife to manage him and his serious conditions until the end . The portrait of feminine resilience and the stubbornness needed to survive. The post “Here's Yanni!”, interview with the actors Julia Ormond and Joe Cortese and the director Christina Eliopoulos appeared first on Fred Film Radio.

“Here's Yanni!” Is the story of a couple facing a severe illness of the husband and the strength of his wife to manage him and his serious conditions until the end . The portrait of feminine resilience and the stubbornness needed to survive. The post “Here's Yanni!”, interview with the actors Julia Ormond and Joe Cortese and the director Christina Eliopoulos appeared first on Fred Film Radio.

⚠️ Content Note: In dieser Folge geht es um sexualisierte Gewalt. Informationen zu Beratungsstellen findest du weiter unten in der Description. Im Oktober 2017 erscheint in der New York Times ein Bericht mit schweren Vorwürfen gegen einen der berühmtesten Filmproduzenten der Welt – Harvey Weinstein. Der “König von Hollywood” soll jahrzehntelang Frauen in der Filmbranche sexuell belästigt haben. Im Verlauf der nächsten Monate erheben zahlreiche Frauen weitere Anschuldigungen gegen Weinstein. Mit den Vorwürfen entsteht weltweit eine Bewegung, die sich für mehr Sichtbarkeit von sexueller Belästigung und sexualisierter Gewalt einsetzt. Der Hashtag #MeToo, unter denen Millionen von Nutzer*innen von ihren Erfahrungen von Machtmissbrauch und sexualisierter Gewalt berichten, setzt eine große Diskussion frei. In dieser Folge sprechen wir über den Fall Weinstein und fragen: Welche psychologischen Faktoren hängen mit MeToo zusammen und welche Auswirkungen hatte die Bewegung? Passend dazu? Unsere YouTube Folge “Weinstein: Macht und Missbrauch | Der Fall”: https://youtu.be/UxCCkgGZ4wQ?si=Gwf9o_Ai9F21xaNa _______________ Weitere Links und Infos aus der Folge: Der Fall auf YouTube: https://www.youtube.com/@DerFall Schreib uns an: derfall@funk.net _______________ Hosts: Lydia Benecke, Sarah Koldehoff Autorin: Sarah Koldehoff Schnitt: Joachim Leyh Grafik: Pauline Branke Redaktion funk/ZDF: Lilly Amankwah, Anne Höhn, Vivien Hartmann Eine Produktion von LOOKS Media GmbH für funk. In Zusammenarbeit mit frontal. LOOKS Media GmbH Redaktionsleiter: Volker Zeimantz Creative Producer: Paula Willert Producer: Anne Tiede Social Media Manager: Hannes Krüger Social Media Executive: Felix Bergemann Recherche: Christoph Schubert, Sophia Bodlak Produktion: Roxana Hennig, Gunnar Dedio _______________ Wir sind Teil von #funk! Mehr Infos gibt's unter: YouTube: https://youtube.com/funkofficial Instagram: https://www.instagram.com/funk TikTok: https://www.tiktok.com/@funk Website: https://go.funk.net Impressum: https://go.funk.net/impressum Wir haben ein Herz für Kritiker, aber nicht für Hater: https://go.funk.net/netiquette _______________ Brauchst du Hilfe? Hier findest du Beratungsstellen: Weisser Ring: https://weisser-ring.de/vergewaltigung Intelligentes Gewaltopfer-Beweissicherungs- und – Informationssystem: https://gobsis.de/hilfe-bekommen/ Hilfetelefon Gewalt an Männern: (0800 1239900) https://www.maennerhilfetelefon.de/ LARA - Fachstelle gegen sexualisierte Gewalt an Frauen*: https://lara-berlin.de/home

En 1994, el (infravalorado) director Edward Zwick lograba unir a una lista de actores en completo estado de gracia para conformar una de las películas más épicas de ese año y que a la vez fue elevada a los altares por su estatus romántico. Hablamos por su puesto de Leyendas de Pasión. Un vehículo para el lucimiento total de Brad Pitt, pero escoltado por un genial Anthony Hopkins, Aidan Quinn que puede ser el papel de su vida y unos más que correctos Julia Ormond y Henry Thomas. Una historia desgarradora, apasionante y cargada de momentos inolvidables que están regados por una de las mejores composiciones de James Horner. Se vienen, aunque sin melenas al viento, Asier Senarriaga y Pepe Soto, a la cabaña de Salva Vargas para repasar la fatídica historia de la familia Ludlow. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Xama, Javier Ramírez, David, Rebe Sánchez, La Casa del Acantilado, Shinyoru, José Percius, Diana, Josemaria1975 y Francisco Javier Chacón. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas

Si hablamos de lados oscuros, el de hoy es probablemente el mayor de todos. Un escándalo que sacudió la industria hasta los cimientos. El nombre de nuestro protagonista de hoy siempre estará ligado a los abusos que cometió y a todas las víctimas que sufrieron sus garras. Harvey Weinstein, además de provocar el estallido del movimiento #MeToo, fue un importante productor de cine independiente con un poder y una influencia prácticamente ilimitados. Adéntrate conmigo en esta historia, una con más oscuridad que luz, pero en la que también hay lugar para la justicia, la esperanza y la verdad.Este es el último episodio de la primera temporada de El lado oscuro. Sígueme en mi canal de YouTube Danny McFly, o en mi cuenta de Instagram @soydannymcfly para informarte de todas las novedades con respecto a la segunda temporada del podcast. ¡Gracias por haber llegado hasta aquí!Si quieres ampliar información, te dejo aquí un listado con las películas mencionadas:

Sarah, Hallie, and John discuss the original 1954 Sabrina, starring Audrey Hepburn and Humphrey Bogart, and the 1995 remake, starring Julia Ormond and Harrison Ford. CW: The 1954 Sabrina contains a plot point about suicide. If you are feeling alone and having thoughts of suicide—whether or not you are in crisis—or know someone who is, don't remain silent. Talk to someone you can trust through the 988 Suicide & Crisis Lifeline. Call or text 988 or chat the lifeline. Sources for this Episode: Nast, Condé. “Conversations with Billy.” Vanity Fair, 7 Oct. 1999, www.vanityfair.com/news/1999/10/billy-wilder-199910 Paris, Barry. Audrey Hepburn. Penguin, 1 Sept. 2001. Wasson, Sam. Fifth Avenue, 5 A.M. Aurum, 25 Sept. 2011. Rose, Charlie. “Harrison Ford Interview with Charlie Rose on Sabrina (1996).” Www.youtube.com, 1996, youtu.be/qT5yL6C80fk?si=00h19cQWlW33-hVU Bobbie, Wygant. “Julia Ormond “Sabrina” 11/17/95 - Bobbie Wygant Archive.” Www.youtube.com, 1995, youtu.be/lmN7HQf1vTE?si=GVPAp5FoTUVA7XM2 Longworth, Karina. “Audrey Hepburn: Sex, Style, and Sabrina”. You Must Remember This. Podcast audio, November 11, 2014.  Chandler, Charlotte. Nobody's Perfect : Billy Wilder : A Personal Biography. New York, Applause Theatre & Cinema Books, 2004. Taylor, Samuel. Sabrina Fair. Dramatists Play Service Inc, 1955. Hibberd, James. “Harrison Ford: “I Know Who the F*** I Am.”” The Hollywood Reporter, 8 Feb. 2023, www.hollywoodreporter.com/feature/harrison-ford-interview-shrinking-indy-5-1923-1235318736/ Wilmington, Michael and Staff. PUBLISHED: December 15, 1995 at 1:00 a.m. | UPDATED: August 19, 2021 at 8:03 a.m.`SABRINA' LOOKS DREAMY BUT LACKS RELEVANCE https://www.chicagotribune.com/1995/12/15/sabrina-looks-dreamy-but-lacks-relevance/ St. Peters, Joel. Harrison Ford's Choice for His Most Challenging Role Is Not What You'd Expect. 8 Feb. 2023, https://www.cbr.com/harrison-ford-most-challenging-role-sabrina/ Kasumyan, Agnessa. Blast From the Past: 'Sabrina' Disappoints, But Still Great for Nostalgic Viewing. USC Annenberg Media. March 05, 2016, https://www.uscannenbergmedia.com/2016/03/05/blast-from-the-past-sabrina-disappoints-but-still-great-for-nostalgic-viewing/#:~:text=Hopeless%20due%20to%20her%20unrequited,up%20and%20carries%20her%20home. TV Guide. 1995. Sabrina Reviews. https://www.tvguide.com/movies/sabrina/review/2030053018/ Our theme music is "Rue Severine" by Blue Dot Sessions. For a transcript of today's episode, visit our website www.forgottenfilmclub.com.

A generation defining film, much like The Lord of the Rings Trilogy was 20+ years ago.     0:08:15 - Box Office and upcoming releases. 0:19:00 *** What's Streaming  *** NETFLIX FIRST KNIGHT, Dir. Jerry Zucker – Richard Gere, Sean Connery, Ralph Ineson, Julia Ormond, Ben Cross, Liam Cunningham, 1995. THE IMMITATION GAME, Dir. Morten Tyldum – Benedict Cumberbatch, Keira Knightly, Matthew Goode, Rory Kinnear, Charles Dance, Mark Strong, 2014. EVERYTHING, EVERYWHERE ALL AT ONCE, Dir. Daniel Kwan / Daniel Scheinert – Michelle Yeoh, Jamie Lee Curtis, James Hong, 2022. 0:26:45 - Trailers:  5LBS OF PRESSURE – Luke Evans, Rory Culkin, Alex Pettyfer, Feature BLOOD FOR DUST – Kit Harrington, Stephen Dorff, Josh Lucas, Ethan Suplee, Feature. DADDIO – Dakota Johnson, Sean Penn, Feature.   0:34:15 - DUNE: PART TWO, Dir. Denis Villeneuve ( Grayson 9 / Roger 10 / Chris 10 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

This week, the guys dive into an epic two-parter with Steven Soderbergh's Che: Part One. They discuss the near-involvement of Val Kilmer and Terrence Malick, they debate the thematic reasons for switching between black-and-white and colour filmmaking, the complicated portrayal of Che himself and much more. And even more next week!   Next week: it's the stirring conclusion with Che: Part Two! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Che: Part One stars Benicio Del Toro, Demian Bichir, Julia Ormond, Rodrigo Santoro, Edgar Ramirez, Sam Robards and Oscar Isaac; directed by Steven Soderbergh. Is It Streaming? USA: AMC+, DIRECTV and available to rent. Canada: N/A UK: Studio Canal on Apple TV and available to rent. Learn more about your ad choices. Visit megaphone.fm/adchoices

0:08:00 - Box Office and upcoming releases. 0:13:00 *** What's Streaming  *** NETFLIX LEGENDS OF THE FALL, Dir. Edward Zwick – Brad Pitt, Anthony Hopkins, Aiden Quinn, Julia Ormond, Henry Thomas. 1994 GODZILLA: KING OF MONSTERS, Dir. Michael Dougherty – Kyle Chandler, Vera Farmiga, Millie Bobby Brows, Ken Watanabe, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, David Strathairn, Anthony Ramos, Joe Morton, Cch Pounder, 2019. ARRIVAL, Dir. Dennis Villeneuve – Jeremy Renner, Amy Adams, Forest Whitaker, 2016. 0:19:30 - Trailers:    ROLE PLAY – Kaley Cuoco, David Oyelowo, Bill Nighy, Connie Neilson, Feature. MADAME WEB – Dakota Johnson, Sydney Sweeny, Isabel Merced, Emma Roberts, Adam Scott, Tahar Rahim, Mike Epps, Feature.   0:31:00 - THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES ( Grayson 6 / Roger 6 / Chris 5.5)   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Music by Chad Wall.  Guest appearance by Christopher Boughan. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Forever turned out to be too long, so hosts Sonia Mansfield and Margo D. dork out about 1994's LEGENDS OF THE FALL, starring Brad Pitt, Julia Ormond, Aidan Quinn, Anthony Hopkins, and Henry Thomas. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify Tune In Stitcherhttp://dorkingoutshow.com/https://bsky.app/profile/dorkingout.bsky.social https://www.threads.net/@dorkingoutshow https://www.instagram.com/dorkingoutshow/ https://www.facebook.com/dorkingoutshowhttps://twitter.com/dorkingoutshowThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406530/advertisement

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Emergency alert(s) came thru… Charmin new Smooth Tear… FBI makin a MAGA list… Naked Attraction on MAX… Lotto update… chewingthefat@theblaze.com Tim Cook sells some stock… Drew Barrymore Show and Writers… Space junk fine… Space scoop for sale… www.blazetv.com/jeffy Promo code: Jeffy... Prada making space suits… Uber delivering packages now… McDonalds & Wendys lawsuit dismissed… Julia Ormond sues over alleged Weinstein assault… Tafari lawsuit?... Fetterman out end of year?... Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy se llevará a cabo la reunión de alto nivel en materia de seguridad entre los gobiernos de México y Estados Unidos… Estarán presentes el Secretario de Estado estadounidense, Antony Blinken; el Secretario de Seguridad Interior, Alejandro Mayorkas y el Fiscal General, Merrick Garland… Hablarán de migración y la crisis del fentanilo… En otros temas… Por segundo día consecutivo, el presidente López Obrador desafió las medidas cautelares ordenadas por el INE y publicó su “posdata” en los canales de YouTube donde se transmite la Mañanera… En más información política, Claudia Sheinbaum aseguró que la ventaja de 30 puntos en la encuesta difundida ayer por el diario “El Universal”, se debe a que “el pueblo no quiere regresar al pasado”… En respuesta, Xóchitl Gálvez dijo que se “moría de risa” y que “las encuestas solo sirven para crear una impresión”… Aquí en la Ciudad de México… Otro choque en el Metro… Anoche, un tren sin pasajeros se estrelló en los talleres de la Línea 6; la conductora resultó herida… La Suprema Corte desechó la controversia constitucional que presentó el gobierno de Chihuahua contra la distribución de los libros de texto gratuitos, por lo que se deberán repartir en ese estado… En información internacional… En Estados Unidos, el Departamento de Seguridad Interior informó que el gobierno de Joe Biden derogó 26 leyes federales, lo que permitirá construir otros 32 kilómetros de muro en la frontera con México… En los otros temas… El escritor noruego Jon Fosse ganó el Premio Nobel de Literatura por sus “innovadoras obras de teatro y prosa que dan voz a lo indescriptible”… Nominan a Peso Pluma como Mejor Artista Latino para los MTV Europa Music Awards y la actriz Julia Ormond demanda a Harvey Weinstein y a Disney por abuso sexual ocurrido en 1995…

Justice advocates say incarcerated people at Rikers Island are increasingly "isolated" and "idle" after millions in recent program cuts. Also, movie actor Julia Ormond is suing former producer Harvey Weinstein for sexual assault after an incident in 1995. Plus, 60-year-old Salvatore Vassallo of Jersey Shore was sentenced to 18 months for his role in the January 6 Capitol riot. Recently, after New York City Mayor Eric Adams unveiled the “Live Performance Industry Council” emphasizing the city's commitment to the arts, WNYC pulled together Anna Glass, Executive Director of Dance Theatre of Harlem; Casey York, President of The Off-Broadway League and Managing Director of Ars Nova; and Jake Rosenthal, Co-Founder and CMO of Elsewhere, to discuss the industry's comeback with Sean Carlson at The Green Space.

Hoy se llevará a cabo la reunión de alto nivel en materia de seguridad entre los gobiernos de México y Estados Unidos… Estarán presentes el Secretario de Estado estadounidense, Antony Blinken; el Secretario de Seguridad Interior, Alejandro Mayorkas y el Fiscal General, Merrick Garland… Hablarán de migración y la crisis del fentanilo… En otros temas… Por segundo día consecutivo, el presidente López Obrador desafió las medidas cautelares ordenadas por el INE y publicó su “posdata” en los canales de YouTube donde se transmite la Mañanera… En más información política, Claudia Sheinbaum aseguró que la ventaja de 30 puntos en la encuesta difundida ayer por el diario “El Universal”, se debe a que “el pueblo no quiere regresar al pasado”… En respuesta, Xóchitl Gálvez dijo que se “moría de risa” y que “las encuestas solo sirven para crear una impresión”… Aquí en la Ciudad de México… Otro choque en el Metro… Anoche, un tren sin pasajeros se estrelló en los talleres de la Línea 6; la conductora resultó herida… La Suprema Corte desechó la controversia constitucional que presentó el gobierno de Chihuahua contra la distribución de los libros de texto gratuitos, por lo que se deberán repartir en ese estado… En información internacional… En Estados Unidos, el Departamento de Seguridad Interior informó que el gobierno de Joe Biden derogó 26 leyes federales, lo que permitirá construir otros 32 kilómetros de muro en la frontera con México… En los otros temas… El escritor noruego Jon Fosse ganó el Premio Nobel de Literatura por sus “innovadoras obras de teatro y prosa que dan voz a lo indescriptible”… Nominan a Peso Pluma como Mejor Artista Latino para los MTV Europa Music Awards y la actriz Julia Ormond demanda a Harvey Weinstein y a Disney por abuso sexual ocurrido en 1995…

Senator Lidia Thorpe has accused Prime Minister Anthony Albanese and police of failing to protect her, the man who attempted to assassinate Queen Elizabeth II in 2021 has been sentenced to 9 years in prison for treason, three people have been punished for hurling abuse at the Australian men's cricket team during this year's Ashes Test at Lord's,Matildas star Hayley Raso has made history at new club Real Madrid,Julia Ormond is suing disgraced film producer Harvey Weinstein for sexual battery. See omnystudio.com/listener for privacy information.

On this episode of There Has to Be a Better Way?, co-hosts Zach Coseglia and Hui Chen are joined by actor and activist Julia Ormond, founder and president of Asset Campaign, a nonprofit organization working to ensure human rights by driving supply chain transparency and empowering individuals to make informed purchasing, investment and employment decisions. Julia discusses the “aha” moment that inspired her work on human trafficking and outlines a broad strategy for how policies and businesses can begin to support global human rights efforts. She specifically points to measurement and transparency as powerful tools that can be used to change behavior and eradicate trafficking, slavery and forced labor.  

On this episode of There Has to Be a Better Way?, co-hosts Zach Coseglia and Hui Chen are joined by actor and activist Julia Ormond, founder and president of Asset Campaign, a nonprofit organization working to ensure human rights by driving supply chain transparency and empowering individuals to make informed purchasing, investment and employment decisions. Julia discusses the “aha” moment that inspired her work on human trafficking and outlines a broad strategy for how policies and businesses can begin to support global human rights efforts. She specifically points to measurement and transparency as powerful tools that can be used to change behavior and eradicate trafficking, slavery and forced labor.  

1994's Legends of the Fall was one of a string of new age American western epics, featuring an ascendant Brad Pitt alongside Anthony Hopkins, Aidan Quinn, Henry Thomas, and a stunning Julia Ormond. It's not a perfect film, but like a lot helmed by Edward Zwick, gives us a ton to talk about: American wars Indigenous people, the Gilded Age & Progressive Era, WWI, PTSD, Prohibition, and the West. There's a lot to unpack and that's why I invited Edward O'Donnell onboard to talk it all out. About our guest:Frequently appearing in historical documentaries on the History Channel, PBS, and Curiosity Stream. O'Donnell is also a podcaster and professor at Holy Cross College in Worcester, MA.

This week Will, Ian & Jenny, (Oh By the way this episode is Jenny's 1 Year anniversary with the show! Her first episode was NOPE if you want to take a listen) Venture back to a time in history when the world was just a little different, a little more rugged. That time was 1994, When Brad Pitt was on the verge of Superstardom and the Epic style movie was in hit demand. And in the Epic we will venture back to the turn of the century, 1800s to 1900s this is, and witness- LEGENDS OF THE FALL (1994) Directed by: Edward Zwick. Starring: Anthony Hopkins, Brad Pitt, Julia Ormond, Aidan Quinn, Henry Thomas, Karina Lombard, Tantoo Cardinal, Gordon Tootoosis, Paul Desmond, Christina Pickles, Robert Wisden and Many Other Talented People! 00:00:15- Welcome Back Jenny 00:03:00- Fan Email (specifically A.E. Bennett) 00:09:00- First Thoughts and Expectations 00:24:00- Whatcha Been Watchin'?( Jenny- RuPaul's Drag Race: Allstars, Severence, Schmigadoon. Reading: Born to Run. Ian- Vanderpump Rules, Succession (S!), Beethoven. Will- Reading: Dune) 00:36:00- LEGENDS OF THE FALL 00:37:30- Jenny Takes the 30! 01:15:00- Totals! 01:15:30- Next Week/ Bye! JENNY TAKES THE 30!?!?! Only One Way to Find Out! Tune in! Patreon: patreon.com/THELastActionCritics Instagram: @TheLastActionCritics Twitter:     @THE_Lastcritics email:   Thelastactioncritics@gmail.com Next Week: Talk To Me

Episode 359: The Crew's wishing they could get a free apartment in Paris while watching Sydney Pollack's Sabrina. This remake of Billy Wilder's film is updated for the 90's but much of the plot stays intact. Julia Ormond steals the film as the titular character. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

0:17:20 - Box Office and upcoming releases. 0:23:50 *** What's Streaming  *** NETFLIX LEGENDS OF THE FALL, Dir. Edward Zwick – Brad Pitt, Anthony Hopkins, Aiden Quinn, Julia Ormond. 1994. A MAN CALLED OTTO, Dir. Marc Forster – Tom Hanks, Mariana Trevino, Cameron Britton, Rachel Keller. 2022 MEAN GIRLS, Dir. Mark Waters – Lindsay Lohan, Rachel McAdams, Tina Fey, Tim Meadows, Amy Poehler, Lacey Chabert, Lizzy Caplan, Amanda Seyfried, Neil Flynn. 2004 0:36:00 - Trailers:   THE OUT-LAWS – Adam Devine, Ellen Birken, Michael Rooker, Pierce Brosnan, Nina Dobrev, Richard Kind, Julie Hagerty. Feature- Netflix   SYMPATHY FOR THE DEVIL – Nicolas Cage, Joel Kinnaman.  Feature THE EXPENDABLES 4 – Sylvester Stallone, Jason Statham, Megan Fox, Curtis 50 Cent Jackson, Dolph Lundgren, Tony Jaa, Randy Corture, Andy Garcia.  Feature 0:44:40 - SPIDER-MAN: ACROSS THE SPIDER-VERSE, Dir. Joaquim Dos Santos / Kemp Powers / Justin K. Thompson  ( Grayson 10 / Roger 10 / Chris 9.5 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Guest appearance by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Rosanna Arquette Filmmaker. Actor. Activist. Rosanna Arquette has nurtured a long and illustrious career in feature films and television as an actress, director, producer, creator, and activist. Currently, she is shooting “Here's Yanni” with Julia Ormond and Kevin Pollak. She has directed two documentaries: “Searching for Debra Winger” at Cannes Film Festival and “All We Are Saying” at Tribeca Film Festival. Rosanna's many credits include iconic roles in “Desperately Seeking Susan” for which she was nominated for a Golden Globe and won a BAFTA Martin Scorsese's “After Hours” for which she was nominated for a BAFTA. And who can forget Rosanna in Quentin Tarantino's “Pulp Fiction!” This past year, Rosanna executive produced the Showtime series “Coercion” and she shot a fun cameo in the Seth Rogen project - Also an LG Series for Peacock directed by Jason Woliner, and is currently in a featured arc on David E Kelly's “Big Sky.” Check out Rosanna's Podcast "Radical Musings with Rosanna Arquette" www.rosannaarquette.com Hosts - Mariel Hemingway & Melissa Yamaguchi Executive Producer - Jeremiah D. Higgins Senior Sound Engineer - Richard Dugan Producer and Sound Engineer - Slater Smith ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click to Donate to the Mariel Hemingway Foundation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the Mariel Hemingway Foundation Youtube channel here⁠

Today on the show Mariel and Melissa welcome the great Rosanna Arquette! Rosanna Arquette Filmmaker. Actor. Activist. Rosanna Arquette has nurtured a long and illustrious career in feature films and television as an actress, director, producer, creator, and activist. Currently, she is shooting “Here's Yanni” with Julia Ormond and Kevin Pollak. She has directed two documentaries: “Searching for Debra Winger” at Cannes Film Festival and “All We Are Saying” at Tribeca Film Festival. Rosanna's many credits include iconic roles in “Desperately Seeking Susan” for which she was nominated for a Golden Globe and won a BAFTA Martin Scorsese's “After Hours” for which she was nominated for a BAFTA. And who can forget Rosanna in Quentin Tarantino's “Pulp Fiction!” This past year, Rosanna executive produced the Showtime series “Coercion” and she shot a fun cameo in the Seth Rogen project - Also an LG Series for Peacock directed by Jason Woliner, and is currently in a featured arc on David E Kelly's “Big Sky.” Check out Rosanna's Podcast "Radical Musings with Rosanna Arquette" https://www.rosannaarquette.com Hosts - Mariel Hemingway & Melissa Yamaguchi
Executive Producer - Jeremiah D. Higgins
Senior Sound Engineer - Richard Dugan
Producer and Sound Engineer - Slater Smith Click to Donate to the Mariel Hemingway Foundation
account.venmo.com/u/MHFOUNDATION Follow us on Instagram
www.instagram.com/marielhemingwayfoundation/ Subscribe to the Mariel Hemingway Foundation Youtube Channel Here
www.youtube.com/channel/UCR168j3R1Mtx0iUQXs-VigA

Soundtrack Producer Mike Matessino presents the new 2-CD expanded edition of John Williams' romantic score coming May 2 on La-La Land Records Hosted by Maurizio Caschetto & Tim Burden The Legacy of John Williams presents an exclusive preview of the first John Williams' archival soundtrack reissue of 2023, courtesy of La-La Land Records: a lavish 2-disc release of the Academy Award-nominated score composed by Maestro Williams for the 1995 romantic comedy Sabrina, directed by Sydney Pollack and starring Harrison Ford, Julia Ormond and Greg Kinnear. Assembled, mastered and produced by archival soundtrack producer Mike Matessino, the new edition offers a wonderfully exhaustive presentation of John Williams' lush romantic score, remastered from 1st-generation analog tapes and expanded with a great wealth of previously unreleased material, including many unused cues and several alternates. The new release presents an expanded edition of the original orchestral score composed and conducted by John Williams, plus all the source music and the songs (including the two original ones written by Williams and lyricists Alan & Marilyn Bergman) that were specifically arranged and recorded for the film.   In this special podcast episode, The Legacy of John Williams presents two exclusive preview tracks from the new expanded edition, with Soundtrack Producer Mike Matessino offering his own precious insight and commentary on the lovely John Williams' score, how it sits in the composer's catalogue and chronicling the making of this new archival release.   Sabrina - 2-CD Expanded Soundtrack Limited Edition is coming May 2 on lalalandrecords.com Special Thanks to MV Gerhard and Matt Verboys (La-La Land Records)    

We're back! And this week Pauline and Lisa are discussing the romantic dramedy, “Sabrina” starring Harrison Ford, Julia Ormond, and Greg Kinnear. Yes, this 1995 movie really was watched by the sisters when they were kids. Not only did they watch it, they LOVED it and rewatched it constantly when they were young. Is it still compelling? Does it hold up now that they're adults? How did Pauline sit through a movie without a single action scene? Tune in to find out!

Damn, this is a long one. Mathius the Ill and Rated-PG sit down to talk about and review Jennifer Lynch's 2008 "Surveillance".Starring Bill Pullman, Michael Ironside, Julia Ormond, French Stuart, Cheri Oteri.This one was a really good one. There was a lot to the movie, which was almost two hours so unpacking it all took the same amount of time. Definitely one everyone needs to watch.

Diane and Sean discuss the first theatrically released movie based on a book from the American Girl Book series, Kit Kittredge: An American Girl. Episode music is "Side by Side" by the Puppini Sisters, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

For today's movie review:Adam and Andy take a look at Edward Zwick's Legends of the Fall in today's episode! Listen in as they give their take on this 1994 epic romance adventure starring Brad Pitt, Anthony Hopkins, and Julia Ormond!Check out Legends of the Fall (1994)Show Notes:What We've Been Watching:Adam: Halloween Kills, Halloween Ends, Midnight MassAndy: Halloween (2018), Halloween Kills, Halloween EndsChapters:(~0:00:00) Introduction(~0:00:36) Featured Review(~0:15:16) What We've Been Watching(~0:25:53) Up Next(~0:26:40) ClosingLike, comment, or subscribe if you'd want to see more episodes.Feel free to send us a question we can answer on the air to ReelShame@gmail.com or follow us on Instagram @ReelShame.

Another mediocre Fantastic Beast movie.  Unfortunately.  What else is new? 0:08:00 - Box Office and upcoming releases. 0:29:00 *** What's Streaming  *** NETFLIX BLADE RUNNER 2049, Dir. Denis Villeneuve – Ryan Gosling, Harrson Ford, Ana De Armas, Robin Wright, Mackenzie Davis, Jared Leto, Dave Bautista. 2017 FIRST KNIGHT, Dir. Jerry Zucker – Sean Connery, Richard Gere, Julia Ormond, Ben Cross, Liam Cunningham, Ralph Ineson. 1995 LOVE ACTUALLY, Dir Richard Curtis – Hugh Grant, Colin Firth, Emma Thompson, Keira Knightly, Bill Nighy, Liam Neeson, Laura Linney, Alan Rickman, Rowan Atkinson. 2003 0:31:00 - Trailers - THOR LOVE AND THUNDER / ESCAPE THE FIELD / LAST SEEN ALIVE   0:40:30 - FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE,Dir. David Yates (Gray 5 / Roger 5.5 / Chris 4 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Music by Chad Wall.  Guess appearance by Christopher Boughan Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com Thank you for Listening!  Do you also secretly like the Fantastic Beasts movies?  

What do you do when you don't know what to do? When life is perplexing and no paths seem to lead anywhere? Joy discusses bewildering seasons through some of her favourite floundering art: a poem by Malcolm Guite, a song by Henry Jamison, a children's book by Barbara Cooney, and a movie with Harrison Ford and Julia Ormond. 

- Recuerdos Oscuros: Recuerdos olvidados regresan a atormentar a Julia Ormond en la película Recuerdos Oscuros. - El Último Duelo: Tres perspectivas de un delito enfrentan el sentido de la justicia y al verdad en la Edad Media. - Verano del 85: Dos adolescentes se enfrascan en una relación perturbadora, de la cual no saldrán bien librados . #RecuerdosOscuros #MunichenVísperasdeGuerra #Veranodel85 #ElÚltimoDuelo #JuegodeCriminales #Cine #Estrenos #Películas #BjMagazine #BjMedios

Book Vs. Movie Sabrina Fair The 1953 Play Vs the 1954 & 1995 Movie Adaptations (Sabrina)  The Margos are feeling romance a little early this year so we are diving into the play Sabrina Fair which was the basis for two Sabrina movies. Written by Samuel A. Taylor, the original Broadway production starred Margaret Sullavan and Joseph Cotten as our mismatched lovebirds, Sabrina Fairchild and Linus Larrabee, who both live on a huge estate in Long Island but one stays in the “main house” and the other lives in ‘the little house next to the big house.”  Sabrina is the chauffeur's daughter who comes home after working for five years in Paris for NATO (!) and is now trying to figure out what to do with her romantic status. At the age of 30, she has a Parisian rich fellow who wants to marry her. The younger brother of Linus, David Larrabee, was a huge crush of hers but his new affection for her has Linus competing for Sabrina because…guy stuff?  In the play, Sabrina is pragmatic on what is available to women in mid-20th Century America, and with her chauffeur father actually being on the chair of Larrabee's business board--marrying Linus is just a smart move. It's a witty, charming work, and no wonder Billy Wilder wanted to adapt it for his last film at Paramount.  The 1954 film stars Humphrey Bogart as Linus and hunk William Holden as party boy David with Audrey Hepburn serving as the titular character. Bogart was 54 (and apparently really grumpy about everything to do with the film) and Hepburn, 25, had just won an Academy Award for Roman Holiday. Wilder had this Sabrina go to Paris for two years to learn French cooking while she obsessed over David's every move from afar. When she gets back, David wants to marry her (making her the fourth or fifth wife) and Linus woos her just to keep her from ruining some family deal with plastics. So, yay for them falling in love?  The 1995 version was directed by Sydney Pollack and written by Barbara Benedek & David Rayfiel with Harrison Ford playing Linus Larrabee and Julia Ormond as our Sabrina. Here  Sabrina spends several years in Paris working in magazines and developing a passion for photography. Greg Kinnear plays David who is swooning for Sabrina even though he is engaged to Lauren Holly. Here Linus works overtime to win over our heroine while she is very conflicted about her feelings for him. Does love conquer all?  So, between the original story and the adaptations--which did we prefer?    This episode is sponsored by Kensignton's newest “small-town romance with a big heart” novel by Kate Pearce Romancing the Rancher. It's the sixth installment of a series about the Millers of Morgan Valley who live in Morganville, California.    Pearce is a  New York Times bestselling author and her sexy and heartwarming stories are known to have unconventional characters and subverting romance cliches. In Romancing the Rancher we have Evan Miller who dreams of leaving the family ranch and joining a rodeo tour. He meets Josie Martinez who has bull riding in her genes but dreams of living in San Francisco instead as a tech entrepreneur.  You can follow Kate Pearce at KatePearce.com and on Twitter @Kate4Queen  In this ep the Margos discuss: The playwright Samuel A. Taylor and his feelings about the screenplay (which he helped write!) The basic story of the ply and films (we spoil the details?) Behind the scenes gossip on the original film  Starring: ( 1955) Audrey Hepburn (Sabrina Fairchild,) Humphrey Bogart (Linus Larrabee,) William Holden (David Larrabee,) Walter Hampden (Linus Larrabee, Sr.,) John Williams (Thomas Fairchild,) Martha Hyer (Elizabeth,) Nella Walker (Maude Larrabee.) Marcel Hillarie (Professor in Paris,) 1995: Harrison Ford (Linus,) Julia Ormond (Sabrina,) Greg Kinnear (David,) Nancy Marchand (Maude Larrabee,) Angie Dickinson (Ingrid Tyson,) Dana Ivey (Mack,) and Richard Crenna as Patrick Tyson.  Clips used: David “meets Sabrina (1955 film) Sabrina 1955 trailer Linus and Sabrina on the tennis courts (1955 film) Linus and Sabrina dancing (1955 film) Linus realizes he loves Sabrina (1955 film) David meets Sabrina at the train station (1995 version)  Linus realizes he loves Sabrina (1995 film) Music by La Vie en Rose (Edith Piaf) Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts .  Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie Sabrina Fair The 1953 Play Vs the 1954 & 1995 Movie Adaptations (Sabrina)  The Margos are feeling romance a little early this year so we are diving into the play Sabrina Fair which was the basis for two Sabrina movies. Written by Samuel A. Taylor, the original Broadway production starred Margaret Sullavan and Joseph Cotten as our mismatched lovebirds, Sabrina Fairchild and Linus Larrabee, who both live on a huge estate in Long Island but one stays in the “main house” and the other lives in ‘the little house next to the big house.”  Sabrina is the chauffeur's daughter who comes home after working for five years in Paris for NATO (!) and is now trying to figure out what to do with her romantic status. At the age of 30, she has a Parisian rich fellow who wants to marry her. The younger brother of Linus, David Larrabee, was a huge crush of hers but his new affection for her has Linus competing for Sabrina because…guy stuff?  In the play, Sabrina is pragmatic on what is available to women in mid-20th Century America, and with her chauffeur father actually being on the chair of Larrabee's business board--marrying Linus is just a smart move. It's a witty, charming work, and no wonder Billy Wilder wanted to adapt it for his last film at Paramount.  The 1954 film stars Humphrey Bogart as Linus and hunk William Holden as party boy David with Audrey Hepburn serving as the titular character. Bogart was 54 (and apparently really grumpy about everything to do with the film) and Hepburn, 25, had just won an Academy Award for Roman Holiday. Wilder had this Sabrina go to Paris for two years to learn French cooking while she obsessed over David's every move from afar. When she gets back, David wants to marry her (making her the fourth or fifth wife) and Linus woos her just to keep her from ruining some family deal with plastics. So, yay for them falling in love?  The 1995 version was directed by Sydney Pollack and written by Barbara Benedek & David Rayfiel with Harrison Ford playing Linus Larrabee and Julia Ormond as our Sabrina. Here  Sabrina spends several years in Paris working in magazines and developing a passion for photography. Greg Kinnear plays David who is swooning for Sabrina even though he is engaged to Lauren Holly. Here Linus works overtime to win over our heroine while she is very conflicted about her feelings for him. Does love conquer all?  So, between the original story and the adaptations--which did we prefer?    This episode is sponsored by Kensignton's newest “small-town romance with a big heart” novel by Kate Pearce Romancing the Rancher. It's the sixth installment of a series about the Millers of Morgan Valley who live in Morganville, California.    Pearce is a  New York Times bestselling author and her sexy and heartwarming stories are known to have unconventional characters and subverting romance cliches. In Romancing the Rancher we have Evan Miller who dreams of leaving the family ranch and joining a rodeo tour. He meets Josie Martinez who has bull riding in her genes but dreams of living in San Francisco instead as a tech entrepreneur.  You can follow Kate Pearce at KatePearce.com and on Twitter @Kate4Queen  In this ep the Margos discuss: The playwright Samuel A. Taylor and his feelings about the screenplay (which he helped write!) The basic story of the ply and films (we spoil the details?) Behind the scenes gossip on the original film  Starring: ( 1955) Audrey Hepburn (Sabrina Fairchild,) Humphrey Bogart (Linus Larrabee,) William Holden (David Larrabee,) Walter Hampden (Linus Larrabee, Sr.,) John Williams (Thomas Fairchild,) Martha Hyer (Elizabeth,) Nella Walker (Maude Larrabee.) Marcel Hillarie (Professor in Paris,) 1995: Harrison Ford (Linus,) Julia Ormond (Sabrina,) Greg Kinnear (David,) Nancy Marchand (Maude Larrabee,) Angie Dickinson (Ingrid Tyson,) Dana Ivey (Mack,) and Richard Crenna as Patrick Tyson.  Clips used: David “meets Sabrina (1955 film) Sabrina 1955 trailer Linus and Sabrina on the tennis courts (1955 film) Linus and Sabrina dancing (1955 film) Linus realizes he loves Sabrina (1955 film) David meets Sabrina at the train station (1995 version)  Linus realizes he loves Sabrina (1995 film) Music by La Vie en Rose (Edith Piaf) Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts .  Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Today we're talking about the 1995 medieval romp “First Knight” starring Richard Gere, Julia Ormond, and Sean Connery. Join us as we discuss bread castles, RTG's long dyed locks, a very scary kiss, and eavesdrop on an important conversation between Sean Connery and Holly Hunter. Put your historically inaccurate pistol crossbows away and have a listen!

Danette May is America's leading healthy lifestyle expert, #1 best-selling author of The Rise and 7 health and fitness books and programs, co-founder and CCO of Mindful Health, LLC (#48 on the Inc. 5000 List), dedicated founder of The Rise movement, world-renowned motivational speaker, wife, and mother. In addition to being named #16 on Women's Fitness' list of fitness & health leaders for 2018, Danette has recently been featured in the culture-shifting documentary, WeRiseUP, alongside His Holiness The Dalai Lama, Alanis Morissette, Lance Bass, Amina Mohammed, Marie Forleo, Richard Branson, Barbara Marx Hubbard, Julia Ormond, and many other high-impact, accomplished leaders. Her impactful mission is simple, yet profound! Known for her ability to captivate her audiences with both her high energy and by emotionally connecting on a deep level, Danette is changing hearts around the world. She inspires women to dig deep into their souls to find out who they really are, construct the life of their dreams, and to stand fully in their power. Her rise began after losing her son during childbirth, getting divorced, and finding herself with $47 dollars to her name. It was then that she decided to stop being a victim and rewrite her story. She began to focus on the three pillars of healing: healing foods, healing movement, and a healing mindset. These three pillars form the fountain of every product or program she has created since then. With this simple philosophy, she transformed her life and now owns a 8-figure business helping women around the world with her transformational brands like FIT RISE, a fitness and healthy lifestyle brand. And because she feels so passionate about healing foods, Danette created Earth Echo, the brand behind the best selling superfood blend, Cacao Bliss, which is formulated from some of the worlds most nutritious superfoods, using sustainable farming and eco friendly packaging. Danette coaches women on how to set and accomplish goals, how to move your body and shift your mindset, and how to prepare and eat healthy food. Through her popular programs, she has empowered millions of people to rise to radical self love with a healthier body and mind. For more on Danette May, please visit her social platforms on Facebook, Instagram and YouTube by using her handle @DanetteMay or via her website: www.danettemay.com

What happens when the Govt get involved with health insurance for newborn babies? You can't find out how much plans are till they are born. Join us on an adventure with ACA insurance trying to figure out how much a policy costs. Have you noticed that most companies you deal with set the bar for performance at Incompetence. Stalin Movie Review - 1992 HBO film starring Robert Duvall, Julia Ormond, and Maximillan Schnell. Buy Stalin: https://amzn.to/2woW9DE Song of the week: Nobody But You - Black Keys Buy Chulahoma: https://amzn.to/2MFWrjR Concierge medicine specialists tackle everything from Obamacare to Breaking Bad in this one-of-a-kind podcast. The most listened concierge medicine podcast in America is hosted by Dr. Tommy and Tracy McElroy. Dr. Tommy is the founder of Echelon-Health which provides concierge medicine, fitness, and nutrition services to those living in greater Tampa, Florida. Dr. Tommy TV: https://www.youtube.com/c/askdrtommy Echelon-Health YouTube: https://www.youtube.com/c/Echelonhealth Echelon-Health Concierge Medicine: http://doctortommy.com Dr. Tommy Online: http://doctortommy.com/drtommyshow/ Twitter: https://twitter.com/tampadirectcare Echelon-Health Facebook: https://facebook.com/tampadirectcare Dr. Tommy Facebook: https://facebook.com/askdrtommy

Buzzfeed's Doree Shafrir joins the panel this week for the latest filmed take on E.M. Forster's Howards End, and while we liked some things -- the casting; the memories of Witches Of East End occasioned by Julia Ormond -- not everything about the new iteration worked for us. We went Around The Dial with New Girl, Billions, Paterno, and Killing Eve before sinking our teeth into Big Little Lies S01.E05, "Once Bitten." Renewed shows won, cretins lost, and Tara put a song in our hearts with the next chapter of Tube Tunes for Game Time. Hail a carriage with wifi; it's an all-new Extra Hot Great. GUESTS

The Tota Tutor Neil Haley will interview Julia Ormond of REMEMORY. Ormond just finished shooting the remake of Howard's End for the BBC, written by Oscar® winner Kenneth Lonergan. Ormond completed HBO's comedy Tour De Pharmacy opposite Andy Samberg, Will Forte and Orlando Bloom. On the small screen, Ormond received an Emmy® Award in 2010 for her role in the HBO movie Temple Grandin and in 2012 was nominated for a second Emmy® for her guest role on Mad Men. Ormond wrapped a season of the SyFy series Incorporated which is being produced by Ben Affleck and Matt Damon. Among her film work Ormond starred in the epic Legends of the Fall alongside actors Brad Pitt, Anthony Hopkins, and Aidan Quinn and played the lead role with Harrison Ford in the film Sabrina, directed by Sydney Pollack. In 2008, she starred with Brad Pitt in the fantasy- drama The Curious Case of Benjamin Button and also worked with Benicio del Toro in Steven Soderbergh's biopic Che. REMEMORY was written by Michael Vukadinovich and Mark Palansky and produced by Daniel Bekerman and Lee Clay. The film explores the unexplained death of Gordon Dunn (Martin Donovan), a visionary scientific pioneer whose body is found shortly after the unveiling of his newest work: a device able to extract, record and play a person's memories. Gordon's wife, Carolyn (Julia Ormond – Mad Men, The Curious Case of Benjamin Button, Legends of the Fall), retreats into her house and cuts off contact with the outside world when a mysterious man (Peter Dinklage – Game of Thrones, X-Men: Days of Future Past, The Station Agent) shows up. After stealing the machine, he uses it to try and solve the mystery, beginning an investigation of memories that lead him to unexpected and dangerous places.    

We're excited about Bunchy Donovan's return to the program, Jay was drinking at Delmar Gardens with an Elvis impersonator apparently, did the Cardinals season truly die on the Broxton catch, Douglas might be getting scammed selling used furniture on eBay again, Fredsy got burned on eBay once also, Plowsy still wants to do a 590 Garage Sale, has Vaughn used Causual Encounters on Craigslist, what about the Facebook Marketplace, people are trying to get Doug's banking info, Iggy refused a job in Toronto because he didn't want to a roommate, work-shopping Doug's eBay issue, would Jennings engage in coitus with Julia Ormond, Doug wants us all to make a billion dollar pact for Draft Kings, will listeners start having more children in honor of Tim, Ben Fred got a new lid from Jennings before Iggy, will FS1 Doug be scarce now that he's throwing in the towel on baseball this season, are more roster moves coming, what will the attendance numbers look like the rest of this month, do fans have unrealistic expectations, Kroenke stories, would any of us have stayed at our house in the wake of the Hurricane in Houston.

The Total Tutor Neil Haley will interview Emmy Award Winning Actress Julia Ormond of Syfy"s INCORPORATED . About INCORPORATED: Set in a near future where corporations have unlimited power, “Incorporated” centers on Ben Larson (Sean Teale, “Reign”), a young executive who conceals his true identity to survive as a company man. However, when a shocking turn of events forces him to stick his neck out and compromise his position, Ben discovers that climbing the corporate ladder is a game with deadly consequences.  In addition to Teale, “Incorporated” will star Golden Globe® nominee Dennis Haysbert (“24”) as Julian, Emmy® Award winner Julia Ormond (“Mad Men”) as Elizabeth, Allison Miller (“Terra Nova”) as Laura and Eddie Ramos (“Teen Wolf”) as Theo. The futuristic thriller is from Matt Damon, Ben Affleck and Jennifer Todd's Pearl Street Films, CBS Television Studios and Universal Cable Productions. The series was created by Alex Pastor and David Pastor ("Selfless", "The Last Days"), who both also directed the pilot. Ted Humphrey ("The Good Wife") serves as executive producer/showrunner, with Damon, Affleck and Todd also executive producing. Pearl Street Films' Margaret Chernin serves as co-producer.