Podcasts about Ash Ra Tempel

Die Liste der Bands, Projekte und Musiker*innen, mit denen der 1952 in Berlin-Charlottenburg geborene Lutz Graf-Ulbrich, genannt Lüül, bereits zusammengearbeitet und -gespielt hat, ist lang. Exemplarisch sei die von ihm Mitte der Sechziger mitbegründete Gruppe Agitation Free genannt, mit der er dabei war, als auch in Deutschland eine spannende Musik-Szene zwischen Kraut-, Prog- und Experimental-Rock entstand, ebenso gemeinsame Konzerte und Aufnahmen mit seiner einstigen Lebensgefährtin Nico und deren The Velvet Underground-"Kollegen" John Cale. Langjähriges Mitwirken bei den 17 Hippies steht ebenso in seiner Vita wie sein Engagement bei Ash Ra Tempel bzw. deren Ablegern Ashra. Dort kreuzte er in den Siebzigern auch die Wege eines gewissen Manuel Göttsching, was uns quasi ins Hier und Jetzt bringt: Diesem 2022 verstorbenen Pionier der elektronischen Musik ist Graf-Ulbrichs unlängst erschienenes neues Solo-Album "Lüüls Lab" gewidmet. Bei einer Gedenkveranstaltung zu Ehren Göttschings spielte Lüül das Stück "Oasis", das die beiden ursprünglich für das gemeinsame Album "Correlations" aufgenommen hatten. Dies war die Keimzelle, aus der nun "Lüüls Lab" entstanden ist. Denn daraus erwuchs der Gedanke, um dieses Stück herum ein Album mit neuen Kompositionen zu schreiben, "das sowohl Göttschings Einfluss als auch Lüüls eigene musikalische Vision verkörpert." Dabei beschreibt der 72-Jährige das Unterfangen als "musikalische Abenteuerreise" in quasi unbekanntes Terrain, denn was sein Wirken in Sachen Krautrock betrifft, sagt er: "Mein Gitarrenspiel bei Agitation Free, Ash Ra Tempel / Ashra war ja immer ein Produkt einer Zusammenarbeit gewesen". Erstmals in dieser Hinsicht auf sich allein gestellt, kreierte er ein vielschichtiges Werk, bei dem er die elektrische Gitarre ins Zentrum rückt und ihre Klänge um elektronische Elemente ergänzt. Bei einem Konzert am 14. Juni im Terzo Mondo am Savignyplatz wird Lüül das Album vorstellen, bereits heute Abend sprechen wir im studioeins mit ihm darüber und hören natürlich auch das ein oder anderen Stück live.

Die Liste der Bands, Projekte und Musiker*innen, mit denen der 1952 in Berlin-Charlottenburg geborene Lutz Graf-Ulbrich, genannt Lüül, bereits zusammengearbeitet und -gespielt hat, ist lang. Exemplarisch sei die von ihm Mitte der Sechziger mitbegründete Gruppe Agitation Free genannt, mit der er dabei war, als auch in Deutschland eine spannende Musik-Szene zwischen Kraut-, Prog- und Experimental-Rock entstand, ebenso gemeinsame Konzerte und Aufnahmen mit seiner einstigen Lebensgefährtin Nico und deren The Velvet Underground-"Kollegen" John Cale. Langjähriges Mitwirken bei den 17 Hippies steht ebenso in seiner Vita wie sein Engagement bei Ash Ra Tempel bzw. deren Ablegern Ashra. Dort kreuzte er in den Siebzigern auch die Wege eines gewissen Manuel Göttsching, was uns quasi ins Hier und Jetzt bringt: Diesem 2022 verstorbenen Pionier der elektronischen Musik ist Graf-Ulbrichs unlängst erschienenes neues Solo-Album "Lüüls Lab" gewidmet. Bei einer Gedenkveranstaltung zu Ehren Göttschings spielte Lüül das Stück "Oasis", das die beiden ursprünglich für das gemeinsame Album "Correlations" aufgenommen hatten. Dies war die Keimzelle, aus der nun "Lüüls Lab" entstanden ist. Denn daraus erwuchs der Gedanke, um dieses Stück herum ein Album mit neuen Kompositionen zu schreiben, "das sowohl Göttschings Einfluss als auch Lüüls eigene musikalische Vision verkörpert." Dabei beschreibt der 72-Jährige das Unterfangen als "musikalische Abenteuerreise" in quasi unbekanntes Terrain, denn was sein Wirken in Sachen Krautrock betrifft, sagt er: "Mein Gitarrenspiel bei Agitation Free, Ash Ra Tempel / Ashra war ja immer ein Produkt einer Zusammenarbeit gewesen". Erstmals in dieser Hinsicht auf sich allein gestellt, kreierte er ein vielschichtiges Werk, bei dem er die elektrische Gitarre ins Zentrum rückt und ihre Klänge um elektronische Elemente ergänzt. Bei einem Konzert am 14. Juni im Terzo Mondo am Savignyplatz wird Lüül das Album vorstellen, bereits heute Abend sprechen wir im studioeins mit ihm darüber und hören natürlich auch das ein oder anderen Stück live.

Sonar//Radar Baksheesh for Imi 6:03 Weak Sun 2025 Caveman & The Banshee Misfit 4:36 Born To Kill 2025 Andromeda Space Ritual Beyond the event horizon 8:11 II 2024 Ash Ra Tempel Amboss 19:29 Ash Ra Tempel 1971 Conflux Coldwell Bower's Bimble 5:14 WF 93 – The Sunshine Miners 2025 Doctors of Space Pinned Codes 8:32 […]

"I want to dedicate this composition to my grandfather - Anatoliy Mytianskyi. He was a passionate tourist and loved Berlin school of electronic music very much. He actually was at Svaneti in the 1970s and made some beautiful photos of this place.  As a kid I remember looking at this old photos, admiring the towers of Svaneti and mountains around them while my grandfather was listening to some epic instrumental pieces by Klaus Schulze.   "So when I saw this sound in the database and heard it - it was a miraculous little moment of recognition and delight, as I felt like I've already been there. And I really love bell sounds! "Happy accidents continued, as at this time I had a rather unique modular system in my hands. It's called UkrRack and made entirely of Eurorack modules made in Ukraine. So I've created a patch and walked to the rhythm of sequencer until it felt right. Then recorded an improvisation with it and it determined the structure, harmonic movements and hence the mood of this composition. "Original recording is everywhere here - in the sequence itself (captured and repitched), as ambient bed, as percussion elements. Sometimes blurred, sometimes immediately recognisable, phasing in and out like a distant but potent memory. And the name of the track is an hommage to Ash Ra Tempel - krautrock band originally created by Manuel Göttsching, Hartmut Enke and Klaus Schulze. "My grandfather never understood the technical side of my sonic endeavours but always loved how it sounded. And he would've liked this one in particular. But unfortunately he passed away almost a year ago. "I don't believe in afterlife of any kind. But I believe that our loved ones, places we've been and all of the impressions of them will continue to live as memories and could always be passed to future generations.  "Especially as sound and music." Upper Svaneti bells reimagined by Vlad Suppish. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage IMAGE: Arian Zwegers from Brussels, Belgium, CC BY 2.0 , via Wikimedia Commons

This edition of 101 Dimensions (curated by me) features nearly 2 hours of electronic/ambient progressive music from Johan Agebjörn, David Arkenstone, Yak, Ash Ra Tempel, and Ben Cross!

THE ARRIVAL OF PRACTICAL ELECTRONIC SYNTHESIZERS in the late 1960s and early 1970s caused a sensation around the world, but nowhere more than Germany. Postwar German artists were restless, intent on leaving behind all forms of traditional German music, as well as the Rhythm & Blues roots and song structure of popular Anglo-American rock. An innocent feature of early modular synthesizers called a “step sequencer” provided a tool that led to the development of an original style called “Kosmische Musik” or "Cosmic Music" in Germany, and—more playfully—“KrautRock.” The step sequencer made it easy to create hypnotic rhythm loops with up to 32 notes or steps, set a tempo, and mix them over flowing electronic drones. The effect was to “float” the listener through endless terrestrial or cosmic space: it was addictive. Seminal groups and individuals like CAN, KLAUS SCHULZE, TANGERINE DREAM, KRAFTWERK, CLUSTER, ASH RA TEMPEL, HARMONIA and others, created an enduring style that has influenced genres from Minimalism, Ambient and Electronic Dance Music, to New Age and Techno. Today we call it the "Berlin School." On this transmission of Hearts of Space, another timeless flight on electronic rhythms, on a program called SEQUENCER AIRLINES. Music is by ALPHA WAVE MOVEMENT, STATE AZURE, STEVE HAUSCHILDT, STARTERRA, MARTIN STURTZER, SYNTH REPLICANTS, STRAY THEORIES, NILS FRAHM, and EDGAR FROESE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

On this episode, Marc talks to Marshall Gu, author of “Krautrock,” published on November of 2023. Part of the 33.3 "Genre" series, it's a look at Krautrock through chapter-length examinations of 12 individual groups: Can, Faust, Cluster & Harmonia, Tangerine Dream, Ash Ra Tempel, Agitation Free, Guru Guru, Popol Vuh, Amon Duul II, Embryo, NEU!, and Kraftwerk. Along the way Marshall points out commonalities between these groups without boxing them into strict genre rules.As he writes in his introduction, “What does Krautrock actually sound like? It can sound the most unrelenting psychedelia you've ever heard. It can sound like the most hypnotic grooves found in rock music. It can sound like jazz, like junk, like pure noise, or like peaceful ambient music. It can sound like nothing you've ever heard before, which was certainly the original mission statement of many of its practitioners.”We hope you enjoy Marc's chat with Marshall Gu!

UNLOCKED - We've made public this previously patrons-only episode following the death of Can singer Damo Suzuki. If you'd like to become a patron, visit Patreon.com/LoveMessagePod. W do you call it? Krautrock, space rock, the Great Komische Music? It's all German to me. In a little under two hours the guys cover the history of post-WW2 Germany (East and West), anti-Communist geopolitics, what you want to hear when you're tripping, Pop Art, post-rock and playfulness, all in reference to the music of Can, NEU!, Ash Ra Tempel and more. We hear about the characteristics of the German counterculture from which many of these players came, the various tendencies of revolutionary European socialism, the Green Party, and the problems of De-Nazification. We consider the avant-garde compositions of Karlheinz Stockhausen, the impact of American acid rock, Ancient Egypt, and the many ways James Brown's funk filtered into the motor rhythms of Dusseldorf 1971. More than anything, we survey a formidable body of work that is at once mesmeric and danceable - both things we like here at Love is the Message! Produced by Matt Huxley. Books:Julian Cope - Krautrock Sampler: One Head's Guide  to the Great Kosmische MusikDavid Stubbs - Future Days: Krautrock and the Building of Modern Germany Tracklist:Ash Ra Tempel & Timothy Leary - TimeshipKarlheinz Stockhausen - Spiral (Realization A)Amon Duul ii - Yeti (Improvisation)Ash Ra Tempel - AmbossKraftwerk - StratovariusTangerine Dream - GenesisTangerine Dream - Flute Organ PieceCan - HalleluwahNEU! - HallogalloCan - MoonshakeKraftwerk - AutobahnHarmonia & Eno '76 - AtmosphereKraftwerk - Trans Europe Express

Atrapados en el ajetreo constante de la vida moderna, nos perdemos el trasfondo de la existencia y no nos damos cuenta de que la música se oculta en lugares insospechados, en los rincones olvidados enterrados en el bullicio de las ciudades. Se encuentra en el susurro del viento entre las hojas de un viejo árbol o en el ritmo sincopado de los pasos de un transeúnte apresurado. Se encuentra en los murmullos de una conversación lejana, en los ecos de una risa infantil que se pierde en la distancia. Se despliega en los detalles inadvertidos, en los silencios elocuentes que se intercalan entre los sonidos más obvios de la vida diaria. Evoca recuerdos olvidados y desencadena nostalgias sutiles. Es una melodía que conecta lo visible con lo invisible, que se revela entre susurros y suspiros con la eterna promesa de una música escondida. Ben Prunty, Kyle Preston, The Eight, Julia Kent, Erik Wøllo, Ash Ra Tempel, Manuel Göttsching, Piotr Wiese, NuvolutioN, Operentzia, Sébastien Guérive, Bleaklow, Christopher Larkin, Frore & Shane Morris. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1012.

Atrapados en el ajetreo constante de la vida moderna, nos perdemos el trasfondo de la existencia y no nos damos cuenta de que la música se oculta en lugares insospechados, en los rincones olvidados enterrados en el bullicio de las ciudades. Se encuentra en el susurro del viento entre las hojas de un viejo árbol o en el ritmo sincopado de los pasos de un transeúnte apresurado. Se encuentra en los murmullos de una conversación lejana, en los ecos de una risa infantil que se pierde en la distancia. Se despliega en los detalles inadvertidos, en los silencios elocuentes que se intercalan entre los sonidos más obvios de la vida diaria. Evoca recuerdos olvidados y desencadena nostalgias sutiles. Es una melodía que conecta lo visible con lo invisible, que se revela entre susurros y suspiros con la eterna promesa de una música escondida. Ben Prunty, Kyle Preston, The Eight, Julia Kent, Erik Wøllo, Ash Ra Tempel, Manuel Göttsching, Piotr Wiese, NuvolutioN, Operentzia, Sébastien Guérive, Bleaklow, Christopher Larkin, Frore & Shane Morris. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1012.

Estamos en permanente evolución. Es nuestra naturaleza. Nos adaptamos al medio o, si no podemos adaptarnos, tratamos de modificarlo. En la música sucede lo mismo. Los estilos van cambiando, interaccionan y se fusionan, surgen nuevas maneras de hacer música; nos la inventamos. A lo largo de la Historia de la Música ha habido compositores o bandas que marcaron un hito, que hicieron el giro y marcaron el camino a seguir, hasta que llegó un nuevo compositor o una nueva banda que estaba en busca de algo más. Frore, Jackson Frost, Adrián Berenguer, Edouard Ferlet, Ash Ra Tempel, Rémi Orts Project, David Cañas del Mazo, Robert Rich, Luca Fomentini, Stanislav Barantsov, The Midnight, Justin Hurwitz. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1011.

Diesmal erwartet Olaf Zimmermann in der ersten Stunde The Allegorist. Das ist eine vielseitige Musikerin, Produzentin, Sounddesignerin und Künstlerin. Gerade erschienen ist ihr fünftes Album "Tekhenu", dem in diesem Monat noch eine Rework-Edition folgen wird. Die in Ungarn geborene Künstlerin hat eine spannende Biografie, die sie in der Sendung erzählen wird. Und natürlich geht es ausführlich um die Vorstellung ihres neuen Albums "Tekhenu". Aktuell erschienen ist jetzt die 50th Anniversary Edition des legendären Ash Ra Tempel-Debütalbums. Dessen Entstehungsgeschichte wird ausführlich in der zweiten Stunde erzählt. Bestandteil ist auch ein historisches Interview, das Olaf Zimmermann mit Manuel Göttsching geführt hat.

In this episode Tim and Jeremy begin a series of shows for patrons that flesh out some of the other musical currents of the UK and Europe in the late 60s and early 70s, beginning with… well, what do you call it? Krautrock, space rock, the Great Komische Music? It's all German to me. In a little under two hours the guys cover the history of post-WW2 Germany (East and West), anti-Communist geopolitics, what you want to hear when you're tripping, Pop Art, post-rock and playfulness, all in reference to the music of Can, NEU!, Ash Ra Tempel and more. We hear about the characteristics of the German counterculture from which many of these players came, the various tendencies of revolutionary European socialism, the Green Party, and the problems of De-Nazification. We consider the avant-garde compositions of Karlheinz Stockhausen, the impact of American acid rock, Ancient Egypt, and the many ways James Brown's funk filtered into the motor rhythms of Dusseldorf 1971. More than anything, we survey a formidable body of work that is at once mesmeric and danceable - both things we like here at Love is the Message! Produced by Matt Huxley. Become a patron at Patreon.com/LoveMessagePod For rights reasons, we can only play excerpts of the tracks we discuss. However, if you'd like to listen along in full, with updates every episode, follow our Spotify playlist at: https://open.spotify.com/playlist/1ZylmJYk5SxyyTI2OQp0iy Books: Julian Cope - Krautrock Sampler: One Head's Guide  to the Great Kosmische Musik David Stubbs - Future Days: Krautrock and the Building of Modern Germany Tracklist: Ash Ra Tempel & Timothy Leary - Timeship Karlheinz Stockhausen - Spiral (Realization A) Amon Duul ii - Yeti (Improvisation) Ash Ra Tempel - Amboss Kraftwerk - Stratovarius Tangerine Dream - Genesis Tangerine Dream - Flute Organ Piece Can - Halleluwah NEU! - Hallogallo Can - Moonshake Kraftwerk - Autobahn Harmonia & Eno '76 - Atmosphere Kraftwerk - Trans Europe Express

In der ersten "elektro beats"-Stunde begrüßt Olaf Zimmermann diesmal den bekannten Musiker und Produzenten Thomas Fehlmann. Nach seinem Vorgängeralbum "Böser Herbst" hatte er diesmal für "Umdrehen" eine veränderte Herangehensweise, sowohl was den Produktionsprozess als auch die diesmal selbst generierten Samples betraf. All das und die originellen Tracknamen sind Gesprächsthemen der ersten Stunde. Auf das Berliner James Blake-Konzert am 24.09.2023 im Ufo/Velodrom wird dann in der zweiten Stunde eingestimmt. Außerdem gibt es Musik von Deena Abdelwahed, Station 17 remixed, Hackedepicciotto, Ash Ra Tempel und The Orb.

Schoolyard friends Manuel Göttsching and Hartmut Enke loved the Beatles and the blues ... like everybody else in a Berlin rock band in the late '60s.  But then they got hold of Blue Cheer's record and some blow-the-doors-off British amps.   Soon wunderkind drummer Klaus Schulze was at their door, sniffing around the new equipment.  Things were gonna get LOUD.  Ash Ra Tempel's soundquakes and soundscapes show off a dynamic range that is unmatched in Krautrock.  Come join us as we talk about the band, with special attention given to their first two records.Enter a world of anvils and dream machines, of universal vibrations and floral mortality.  Enter ... the Tempel.

Bernd Kistenmacher kennt man als Musiker und Labelbetreiber. Seit jüngster Zeit ist er auch Autor. Aktuell ist das 800 Seiten umfassende Buch "Ferne Ziele: Geschichten über die Berliner Schule der elektronischen Musik" erschienen. In dieser "elektro beats"-Ausgabe begrüßt Olaf Zimmermann Bernd Kistenmacher als seinen Studiogast. Es geht um seine Biografie, die in den ersten Kapiteln eine Rolle spielt und die zahlreichen Protagonisten, die er für das Buch interviewt hat und von denen in der Sendung auch ganz viel Musik zu hören sein wird. Dazu zählen Klaus Schulze, Harald Großkopf, Agitation Free, Michael Hoenig, Manuel Göttsching, Conrad Schnitzler, Clara Mondshine, Tangerine Dream, Ash Ra Tempel, Gilles Zeitschiff, Cluster, Günter Schickert und Titel von Bernd Kistenmacher selbst.

No figure loomed larger over Krautrock, as a genre, than legendary producer/ sound engineer Konrad "Conny" Plank ... and we've been looking for an opportunity to talk about him.  Then we discovered the Rastakraut Pasta LP that he and Dieter Moebius recorded and released in 1980.  Problem solved!From behind the board in Cologne's Rhenus Studio and then his own converted farmhouse in Wolperath, Plank put on tape some (most?) of the best German kosmische and electronic music of the '70s.  From there he went on to develop the sound signatures of post-punk acts like Devo, Eurythmics, and Ultravox.Gone too soon at age 47, Plank is (and damn well should be) remembered as Krautrock's Midwife.  Join us as we explore his life and career and then go track by track through Rastakraut Pasta on Episode 16 of CBK!

We interrupt this podcast's regularly scheduled programming for a SPECIAL REPORT:We've made a Krautrock Playlist.The original idea was to have a "song draft": having dug deep enough into Krautrock, we would take turns claiming songs for ourselves.  We figured this way we'd learn what each of us likes in particular, and what we like best.What happened is we came up with a list of 44 songs -- FORTY-FOUR -- that generally holds together not just as a cohesive cross-section of the genre (with apologies to Popol Vuh), but also as one hell of a mix to queue up on Spotify.Did we hit all the good stuff?  Hell, no, and we know we have much more to learn and explore.  But we made a good start.  Some stats, for those who are interested:Song counts by artist: Can (7!), Kraftwerk (5), Neu! (5), Faust (4), Harmonia (4), La Düsseldorf (4), Amon Düül II (2), Cluster (2), Guru Guru (2), Moebius + Plank (2), Agitation Free (1), Amon Düül (1), Ash Ra Tempel (1), Brainticket (1), Holger Czukay (1), Tangerine Dream (1), Xhol Caravan (1).Song counts by credited musicians: Klaus Dinger (11), Holger Czukay (10), Michael Rother (10), Dieter Moebius (8), Hans-Joachim Roedelius (6).

Podcast de JEAN AZAREL - CINQUIÈMES SAISONS. Un programme inédit d'1 h 28 mn pour entendre des extraits de différentes oeuvres de Jean Azarel mises en espace sonore par Hérold Yvard et le concours de Marc Namblard, avec les transitions complices de voix et musiques connues ou à découvrir : Ariel Kalma, Ash Ra Tempel, Dashiell Hedayat, Santana, Grand Ciel, Léonard Cohen.

Episode 10 is decicated to discussing the life's work of Krautrock pioneer Manuel Göttsching. He was a founding member of Ash Ra Tempel, which formed when he was in his teens. Following the dissolution of the group, he would continue to release music under the name Ashra as well as his own name. We explored his contributions to guitar playing and the greater psychedelic music scene. I am joined by harsh noise hesher and guitarist Jay Howard (Circuit Wound, Kesem). Support the show on Patreon.com/easypod.

Esta semana, en Rebelión Sónica, los invitamos al segundo capítulo dedicado a la obra de Maneul Göttsching, figura clave del rock alemán y líder de Ash Ra Tempel, quien murió a los 70 años el 04 de diciembre pasado. “Rodeado de su familia, Manuel Göttsching falleció en paz el 4 de diciembre de 2022”, se puede leer en la declaración. “El vacío que deja atrás lo queremos llenar con su música y recuerdos amorosos. Cuando tus dedos tocaron las cuerdas de una guitarra, el mundo se detuvo. Que se detenga y te traiga de vuelta cada vez que te escuchemos tocar”. Göttsching es uno de los guitarristas más influyentes e importantes de su generación. Su estilo y técnica es una referencia para docenas de artistas en el ambient posterior a Brian Eno y su figura es central en la mayoría de las escenas de música electrónica que le precedieron. Luego de su debut en solitario “Inventions for Electric Guitar” de 1975, que lleva por subtituló Ash Ra Tempel VI, Göttsching comenzó a editar discos solistas como Ashra o con su propio nombre. Con el primer proyecto, publicó álbumes de gran influencia para la electrónica. Entre ellos, “New Age of Earth” (1976), “Blackouts “(1977) y “Belle Alliance” (1980). Sin embargo, su disco “E2-E4” de 1984, es considerado uno de los pilares de la electrónica moderna, post krautrock y uno de los iniciadores de tendencias más actuales como el house y el techno. El álbum consta de una pista electrónica minimalista de una hora de duración que Göttsching grabó en una sola toma usando un secuenciador, con teclados improvisados, percusión y guitarra. En este segundo capítulo y final homenaje a su obra, escucharemos material de tres de sus álbumes. “New Age of Earth” de 1976, “E2-E4” de 1984 y su colaboración con el también músico germano Michael Hoening, “Early Water” de 1995.

Für die "elektro beats"-Weihnachtsausgabe hat Olaf Zimmermann etwas ganz Spezielles vorbereitet. In der ersten Stunde präsentiert er einen DJ-Mix aus Titeln von Yello, Pantha Du Prince, Dead Can Dance, Rival Consoles, Goldfrapp, Ryuichi Sakamoto, Brian Eno, Ash Ra Tempel, Four Tet, Plaid, Sault, Hot Chip, CAN und Biosphere. In Stunde 2 ist dann der Tangerine Dream- Chef Thorsten Quaeschning zu Gast. Ganz aktuell ist eine 8-CD-Box ihrer 2022 England- und Irland-Tournee erschienen mit acht Stunden neuer Sessions-Musik. Ausschnitte daraus sind in der Sendung zu hören.

Esta semana, dedicamos un nuevo capítulo de Rebelión Sónica, al fundamental guitarrista, experimentador y compositor germano, líder de Ash Ra Tempel y figura mayor del Krautrock, Manuel Göttsching, quien lamentablemente falleció el 04 de diciembre pasado a los 70 años. La triste noticia para los amantes del rock alemán, la electrónica y la música cósmica, fue a dada a conocer en un comunicado en sus redes sociales oficiales el 12 de diciembre. “Rodeado de su familia, Manuel Göttsching falleció en paz el 4 de diciembre de 2022”, se puede leer en la declaración. “El vacío que deja atrás lo queremos llenar con su música y recuerdos amorosos. Cuando tus dedos tocaron las cuerdas de una guitarra, el mundo se detuvo. Que se detenga y te traiga de vuelta cada vez que te escuchemos tocar”. Göttsching es uno de los guitarristas más influyentes e importantes de su generación. Su estilo y técnica es una referencia para docenas de artistas en el ambient posterior a Brian Eno y su figura es central en la mayoría de las escenas de música electrónica que le precedieron. Göttsching se hizo un nombre en el movimiento underground de Berlín Occidental a finales de la década de 1960 y principios de la de 1970. Fue un miembro central de Ash Ra Tempel, una pieza clave del krautrock con miembros rotativos, incluido Klaus Schulze. El conjunto lanzó cinco álbumes de gran influencia entre 1971 y 1973: “Ash Ra Tempel” de 1971, “Schwingungen” de 1972, “Seven Up” con Timothy Leary de 1972, “Join Inn” de 1973 y “Starring Rosi” de 1973. El músico también participó en las sesiones de la mítica agrupación, The Cosmic Jokers. Luego de su debut en solitario “Inventions for Electric Guitar” de 1975, que lleva por subtituló Ash Ra Tempel VI, Göttsching comenzó a editar discos solistas como Ashra o con su propio nombre. Con el primer proyecto, publicó álbumes de gran influencia para la electrónica. Entre ellos, “New Age of Earth” (1976), “Blackouts “(1977) y “Belle Alliance” (1980). En este primer capítulo de dos que haremos en homenaje a su obra, escucharemos música de “Inventions for Electric Guitar”, para en la próxima sesión, escucharlo con material posterior.

Am 4. Dezember 2022 ist der Berliner Musiker Manuel Göttsching im Alter von 70 Jahren verstorben. Der "elektro beats"-Moderator/Redakteur Olaf Zimmermann kannte Manuel Göttsching seit vielen, vielen Jahren sehr gut und hat mit ihm unzählige Interviews in über 35 Jahren geführt. Diese "elektro beats"-Ausgabe ist "in memoriam" Manuel Göttsching und seinem musikalischen Schaffen gewidmet. Er kommt in zahlreichen Interview-Ausschnitten noch einmal selbst zu Wort. Es geht u.a. um die von ihm 1971 gegründete Band "Ash Ra Tempel" und die Geschichte des legendären Debütalbums. Dieses und auch die mit Timothy Leary eingespielte "Seven Up" zählt der englische Musiker Julian Cope in seinem Buch "KrautRockSampler" zu dem Besten und Innovativsten, was in diesem Genre je veröffentlicht wurde. Manuel Göttsching spricht in weiteren Interviewparts über seine Soloalben "Blackouts", "Inventions For Electric Guitar", "New Age Of Earth" und das Masterpiece schlechthin - "E2 – E4". Dieses Album gilt heute als eins der wichtigsten und einflussreichsten der elektronischen Musik und als Meilenstein dieses Genre. Es geht aber auch um die Zeit mit "Ashra" und Alben wie "Correlations", ihre Japan-Konzerte und seinen Reunion-Auftritt mit Klaus Schulze als Ash Ra Tempel in der Royal Festival Hall.

    I have been a casual fan of Manuel Gottsching for a long time but I never really dug into his discography until the last few days with the news of his passing. I don't have time to write much about him so I'll cut & paste a few things from Pitchfork. "Manuel Gottsching, the Ash Ra Tempel bandleader who went on to compose the electronic cornerstone album E2-E4, died last Sunday (December 4). Göttsching made his name in the West Berlin underground scene in the late 1960s and early '70s. He was a core member of Ash Ra Tempel, a krautrock linchpin with revolving members including Tangerine Dream's Klaus Schulze. The loose, shapeshifting outfit released five influential albums between 1971 and 1973. Göttsching's solo debut, 1975's Inventions for Electric Guitar, was subtitled Ash Ra Tempel VI; from then on he mostly produced records under his own name or as Ashra, such as the 1976 classic New Age of Earth. In 1981, after a visit to Schulze, Göttsching improvised the composition that became known as E2-E4, hoping to throw together some listening material for an imminent trip. That mysteriously perfect hourlong exercise, which combined Prophet 10 synth pulses with waves of electronic percussion and electric guitar, came to define his post-krautrock output. After composing the track, Göttsching later recalled, the billionaire and Virgin Records owner Richard Branson invited him to his houseboat and, upon hearing the track, advised Göttsching that it could make him a fortune. But Göttsching decided to release the full improvisation on his friend Schulze's label, without overdubs, in 1984, and it appeared to have little impact. Though E2-E4 sold poorly, it had—unbeknownst to Göttsching—made its way across the Atlantic and into Larry Levan's Paradise Garage sets, as well as the collections of key electronic music innovators. As Pitchfork's Mark Richardson wrote in a 2016 review, the improvisation “wound its way across the world, morphing and changing with formats and remixes, finding new contexts, a music that is constantly in the process of becoming.” It was a nice trip through Gottsching's music making this mix. I hope he is improvising with his buddy Klaus somewhere. Cheers!   T R A C K L I S T : 00:00    Ash Ra Tempel - Traummaschine (Ash Ra Tempel 1971) 11:37    Manuel Göttsching(Ash Ra Tempel VI) - Echo Waves (Inventions for Electric Guitar 1975) 24:35    Ashra - Slightly Delayed (Blackouts 1977) 30:55    Manuel Göttsching - E2-E4 (E2-E4 1984) 47:00    Ashra - Deep Distance (New Age Of Earth 1976) 52:12    Manuel Göttsching - Halensee(Excerpt) (The Best Of The Private Tapes 1998) 58:24    Manuell Göttsching(Ash Ra Tempel VI) - Quasarsphere (Inventions for Electric Guitar 1975) 64:52    end  

Sphärische Klänge und Musiktitel, die gerade mal auf eine Langspielplatte passen. Das kennzeichnet den Song „Amboss“ der Berliner Krautrockband Ash Ra Tempel. Ihr Gitarrist Manuel Göttsching machte sich auch als Solokünstler einen Namen und gilt als Vorreiter der elektronischen Musik. Sein Titel „E2-E4“ aus den 80er Jahren wird bis heute in den entsprechenden Clubs aufgelegt. Erst kürzlich wurde der Meister der tranceartigen Improvisation 70 Jahre alt. Anlass für Udo Dahmen, künstlerischer Leiter der Popakademie Baden-Württemberg in Mannheim, das Werk von Manuel Göttsching zu würdigen.

Mit diesem "elektro beats"-Special gratuliert Olaf Zimmermann Manuel Göttsching zu seinem 70. Geburtstag. Es gibt viel Musik aus seinem umfangreichen Schaffen mit Ash Ra Tempel, Ashra und solo und Manuel Göttsching kommt selbst mit Part aus diversen "elektro beats"-Interviews zu Wort. Er klärt auf, wie man den skurrilen Gruppennamen interpretieren darf und erzählt spannende Entstehungsgeschichten zum Debütalbum von Ash Ra Tempel, dem gefeierten Klassiker "E2-E4", zu "Schwingungen", "Blackouts", "Inventions For Electric Guitar", "New Age Of Earth", "Correlations" und nicht zuletzt zu der legendären "Seven Up", die ihr 50jähriges Jubiläum feiert und jetzt auch auf Vinyl wiederveröffentlicht wurde.

Im zweiten Teil des "elektro beats" "in memoriam Klaus Schulze"-Specials kommt mit Manuel Göttsching ein weiterer Weggefährte von Klaus Schulze mit seinen persönlichen Erinnerungen zu Wort. Es geht um die gemeinsamen, frühen Jahre bei Ash Ra Tempel. Ihre musikalischen Wege haben sich aber immer wieder für weitere Produktionen und Konzerte gekreuzt. Sei es für das Richard Wahnfried – Projekt, für das "In Blue"-Album 1995 oder 2000 für eine Produktion und den gemeinsamen Aufritt in der "Royal Festival"-Hall. Aus all diesen Alben und dem Tangerine Dream-Debüt "Electronic Meditation", an dem Klaus Schulze ebenfalls beteiligt war, spielt Olaf Zimmermann in dieser Sendung Musik.

We have lost two of the most influential composers in the electronic music scene in just over three weeks. Klaus Schulze & Vangelis both had music careers spanning over 50 years. I had the privilege of seeing both musicians performing, only once for Vangelis at the Royal Albert Hall in 1976, supporting his first album for RCA, Heaven & Hell. Klaus Schulze as many of you know was a member of Tangerine Dream, Ash Ra Tempel & Cosmic Jokers before departing on a solo career with a prolific output of over 100 albums. Greek composer Vangelis was best known for his epic soundtracks to Blade Runner, Chariots Of Fire & more, renowned for harnessing experimental electronic sounds from Avante -Garde to Symphonic, a "one man quasi-classical orchestra" composing and performing on the first take. As we take our journey into this latest edition, let's reflect with sadness on the power & majestic sounds these two incredible musicians have given us over many decades., R.I.P. Playlist no 212 01.09 Mike Hans STEFFL ‘Return 2' TXL (single) *** https://mikehanssteffl.bandcamp.com Reply by email 11.22 Mike Hans STEFFL ‘L Train Rider' (single) 18.38 mho ‘How Are You' (single) https://mhotunes.bandcamp.com Reply by email 21.58 mho ‘Eternal' (single) 26.41 Colour Me ‘Blue Is Calm' (single) 30.29 Jason Blake Remix ‘Ghost of a Small Child' (single) www.higherlevel.media 37.16 Bernhard Wostheinrich & Stepen Parsick ‘Mundane' (album Ultima Ratio) ***https://bernhardwoestheinrich.bandcamp.com 48.11 Ash Ra Tempel ‘Jenseits' (album Join In) www.ashra.com *** 57.02 Frank Beissel & Steve Roach ‘Drift Departure' (album Nautical Twilight) https://steveroach,bandcamp.com 01.07.40 Kloob & Onasander 'Storm Raising' (album Tempestarii) https://winter-light.bandcamp 01.15.27 Achillea ‘Daydreaming :The Seeress Prophecy' (album Sweet Summertime-Music For Good Vibes) www.bscmusic.com 01.19.52 Jens Gad - ‘Glass_Palace' (album Sweet Summertime-Music For Good Vibes 01.25.14 Marie Wilhelmine Anders ‘Winter' https://triplicaterecords.bandcamp.com 01.33.40 Hélène Vogelsinger ‘What Should I Do' (album An Initiation to Game B:Original Motion Picture Soundtrack) https://helenevogelsinger.bandcamp.com 01.34.39 Hélène Vogelsinger ‘A Place To Rediscover Each Other' 01.39.12 Polypores ‘Hyperincandescent' (album Hyperincandescent) *** www.DiN.org.uk 01.48.14 John Gregorius ‘Here Now' (album In Awe) www.spottedpeccary.com 01.52.33 John Gregorius ‘In Awe' 01.57.49 Erik Wollo ‘Inversion Part 2' (EP Inversion)  https://projektrecords.bandcamp.com 02.01.09 Meg Bowles ‘Ancient Paths Pilgrimage' (album Pilgrimage) www.heartdancerecords.com 02.07.38 Meg Bowles ‘Cloudburst Over A Parched Land' 02.13.54 Prospector Sound ‘Flatland Prospect' (album Sargasso Sea) www.theambientzone.co.uk 02.18.39 Prospector Sound ‘Laguna' 02.23.09 n Vitro ‘La luz diurna' (album Deriva Adentro) https://deepelectronicspodcast.bandcamp.com 02.26.17 Hverheij ‘Biomorphology' (album Afterlight) https://triplicaterecords.bandcamp.com 02.29.18 Hverheij ‘Nothing But the Pest u Lent' 02.33.17 Digitonal ‘The Dances Patterns (Musin Mix)' 02.38.32 Julian Tenembaum ‘Fragmentos' (album Fragmentos) https://juliantenembaum.bandcamp.com 02.41.38 Julian Tenembaum 'Nocturne' 02.45.49 Carl Lord ‘Dream Zone' (album Dream Zone) www.heartdancerecords.com 02.50.11 Brooks & Day ‘Transcendence' https://wwwbrooksandday.bandcamp.com 02.53.54 David Joseph Jennings ‘Jasmine' ( Faith Of A Flower) www.heartdacerecords.com

It's been more than 30 years since the German genius for music and technology encountered psychoactive chemistry at the end of the 1960s. The rest, as they say, is history; but when that history is finally written, the name of one musician will dominate the tale. KLAUS SCHULZE was there from the very beginning, starting as a drummer in a psychedelic rock group, then embracing electronics when the first synthesizers arrived in Germany. He was a member of both of the seminal German electronic groups — Ash Ra Tempel and Tangerine Dream, then headed off on his own — thereby inventing the identity of the solo electronic musician, working in his personal studio to create original music. Perhaps more than any single composer, he developed a musical language for electronic spacemusic that's become so pervasive and influential, it's now part of the environment. And since the early 1970s, his music has been one of the foundations of the sound of this program. On this transmission of HEARTS of SPACE, we bring our long love affair with the music of Klaus Schulze up to date on a program called KLAUS SCHULZE : CONTEMPORARY WORKS. Long careers in popular music are rare; long and prolific careers are exceptional. But the output of Klaus Schulze has been so extraordinary that even his most dedicated fans are often overwhelmed. By 2001, his discography included 35 solo albums, some 36 collaborations, and a group of monumental retrospective box sets, ranging from 10 to 50 albums each. The new millennium did not diminish his creativity. In 2000, he released a new 10 CD set called CONTEMPORARY WORKS I, and followed it up in 2002 with a 5 disc set called CONTEMPORARY WORKS II. As you can see, the problem in bringing you Klaus Schulze is not...

Today's guest deejay is Sean Conrad. I met Sean through Steve Targo (listen to his mix for Soundwave here). I asked Steve who he thought would share a mix on Soundwave, and he recommended Sean, who runs the Inner Islands music label. I spent an afternoon listening to some of the music from Sean's label. Wonderful stuff! I sent out an invitation to guest deejay on Soundwave, toot suite. Sean also records under under the names Ashan and Channelers, and is in the duo Skyminds with Michael Henning. On today's show, Sean showcases select tracks from his recordings as Channelers. Sean has words about today's mix below. This week electronic music pioneer Klaus Schulze died. Klaus was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and The Cosmic Jokers. Klaus released more than 60 albums in sixty years during his solo career. Last year I invited Klaus to guest deejay on Soundwave. It saddens me that Klaus was unable to appear on the show. I would have loved to have heard what music he finds essential. But we will always have Klaus's music to experience and enjoy. You can listen to a 7+ hour mix of Klaus's music on Spotify. Join us next week when our guest deejay will be Andrew Tasslemyer. See you then. The following pieces trace my (mostly) acoustic work as Channelers recorded on 8-track tape over the last six years. The pieces revolve around long live takes, minimal to no editing, and compositions that range from fully worked out to fully improvised, with most resting somewhere in between. This is in contrast to my electronic albums as Channelers, which have heavily relied on editing, loops, effects, and generally more post-production than playing. As the years go by, the tape pieces remain closer to my heart. There is a certain spaciousness and spirit to them that I still resonate with. They are more indicative of how I would like to carry on with the Channelers' work. Channelers "In The Garden Of Venus" Channelers "Moving Through My Second Self" Channelers "Praise For Life In All Its Forms" Channelers "Life Living Through" Channelers "Dissolving Image" Channelers "Pressure Sigh"

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (vamos de 23,05 a 01,00h) Klaus Schulze, pionero alemán de la música electrónica, murió el martes, 26 de abril, a los 74 años, tras una larga enfermedad. Schulze fue miembro del movimiento alemán del Krautrock formando parte de bandas como Tangerine Dream, Ash Ra Tempel y Cosmic Jokers. Zahara arrasa en los Premios MIN 2022, que rinden homenaje a Paco Clavel (Baiuca) Vetusta Morla comienzan en mayo la gira de presentación de Cable a Tierra en España. Arcade Fire publican nueva canción 'Unconditional I (Lookout Kid)', ya disponible. Su nuevo trabajo, WE, el esperado sexto álbum de estudio de Arcade Fire, se publicará el próximo 6 de mayo . Tv Priest suenan emocionalmente desplazados en "limehouse cut", destartalado -solo en apariencia- nuevo adelanto de My other people. Ibeyi hacen una personalísima versión del clásico de Black Flag "rise above" junto al rapero residente en londres BERWYN, que estará incluido en Spell 31, su nuevo disco. El sonido de Motoharu Okamura está dominado por las guitarras, obviamente, pero cubre un espectro más amplio que Automatics. Acaban de publicar su primer disco grande. "Todo cambia" , nuevo single de Caries, resume, en apenas 1 minuto y medio de sintes y coros melancólicos, el vértigo que toda una generación debe sentir cuando se le habla de madurar. "Cara C" con dos nuevas canciones "No malgastes" y "Miradas pedidas" dará a conocer una cara desconocida de Lady Mabelle. Belle and Sebastian han lanzado un nuevo sencillo, 'Young And Stupid', tomado de su próximo álbum A Bit Of Previous, que saldrá el 6 de mayo en Matador. THE NEW RAEMON, DAVID CORDERO & MARC CLOS: presentan nuevo disco, 'Así caen los días' . El nuevo álbum es la segunda parte de una trilogía que arrancó con 'A los que nazcan más tarde' (BMG, 2021) y en el que las intenciones del primero se vuelven más sólidas y más certeras. Firmado, Carlota dice adiós al recogimiento, la intimidad y la seguridad de la zona de confort. Adiós al bedroom pop. Su primer single en Mushroom Pillow ya muestra un evidente avance musical y estético. La delicadeza y candidez se vuelven inquietantes, eléctricas, sexys. A escasas horas de que arranque el WARM UP Estrella de Levante damos un repaso a su cartel: Trentemoller, Sen Senra, Bastilla, Maria Arnal, Bastille, Arde Bogotá, Alizzz, The Vaccines, Miles Kane, Digitalism. Mura Masa...,

Klaus Schulze ist im Alter von 74 Jahren gestorben. Der deutsche Musiker und Komponist gilt als Wegbereiter der elektronischen Musik. Mit den Bands Tangerine Dream und Ash Ra Tempel entwickelte er eine eigene Klangsprache und prägte Techno und Ambient.Von Andreas Dewaldwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Tonight's episode of Pudding On The Wrist finds your faithful deejay in rare form, spinning choice cuts, including Corvair, Ken Boothe, Roosevelt Franklin, Magnet, Sammi Smith, Ash Ra Tempel, and many more.

This is the third installment of our popular Prog rock series, "Progressive Rock III".  The original episode is the third most popular in the show's history and so Prog rock still resonates with listeners today. This is a continuation of bands that came from the golden era of Prog between 1967 to 1975. Also:Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)Listen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)View and purchase wonderful art by Patricia Rodriguez at:patriciarodriguez (tigerbeearts.com)Tarot card readings by Kalinda available atThe Mythical Muse | FacebookI'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

The former Ash Ra Tempel guitarist Manuel Göttsching joins Colleen ‘Cosmo' Murphy to discuss the creation of an album that almost wasn't an album, yet went on to inspire influential dance producers such as Sueno Latino, Carl Craig, Juan Atkins and Derrick May. Read more about your favourite albums here: classicalbumsundays.com

The former Ash Ra Tempel guitarist Manuel Göttsching joins Colleen ‘Cosmo' Murphy to discuss the creation of an album that almost wasn't an album, yet went on to inspire influential dance producers such as Sueno Latino, Carl Craig, Juan Atkins and Derrick May. Read more about your favourite albums here: classicalbumsundays.com

Ash Ra Tempel official website ; http://www.ashra.com/ Studio Album, released in 1971 Songs / Tracks Listing 1. Amboss (19:40) 2. Traummaschine (25:24) Total Time: 45:04 Line-up / Musicians - Manuel Göttsching / guitar, voice, electronics - Hartmut Enke / bass - Klaus Schulze / drums, electronics If you love the old "Space Tripp in" thing then ASH RA TEMPEL is just the thing the Doctor ordered. ASH RA TEMPEL's 1st album is a classic in the genre of Space Rock led by guitarist Manuel Gottsching and a very young Klaus Schulze (percussion and electronics). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This is a re-posting of sorts. I was going through old mixes trying to figure out which ones had not been posted to Mixcloud. I plan on posting some of those old mixes as-is to Mixcloud in the coming months.  One of the mixes I dug up is Sequential Circuits, originally posted 12 years ago. Yikes! I've been doing this for a long time. I really like this mix but while listening to it I decided to give it one little tweak. I dropped two tracks by Detroit Escalator Co. & Geometric Farms and replaced them with a cut from Ash Ra Tempel called "Slightly Delayed." My favorite tunes in this mix are the Richard Pinhas tracks, "Sundial" from Steve Roach * "Hyperborea" by Tangerine Dream. I've been rediscovering Hyperborea lately and I think it's one of my top three TD albums. All this berlin school music has got me thinking about doing another sequencer mix using classic tunes like this one. I hope you enjoy this resurrected mix. Cheers! T R A C K L I S T : 00:00    Arp - St. Tropez 05:00    Solvent - wig $1 07:15    Richard Pinhas - la ville sans nom 10:30    Steve Roach - Sundial 17:30    Klaus Schulze - Euro Caravan 25:15    Richard Pinhas - Melodic Simple Transition 28:20    Tangerine Dream - No Man's Land 33:20    Robert Rich and Ian Boddy - Chamber 37:18    Ash Ra Tempel - Slightly Delayed 43:30    Richard Pinhas - Home ''ruitor'' 46:57    Steve Roach - Arc of Passion 56:59    Tangerine Dream - Hyperborea 61:27    end  

In 1979 Steven Stapleton, John Fothergill, and Heman Pathak — three fervent record collectors — released their first album under the name Nurse With Wound. They included a list of artists on the album's cover, which represented a homage to musicians that influenced the band. Since then, the so-called NWW List has become a sort of 'shopping list' for collectors of outsider and avant-garde music. The episode features: John Cage, The Residents, This Heat, Art Zoyd, Robert Wyatt, Ash Ra Tempel, Throbbing Gristle, Philippe Doray Asociaux Associés, Ghédalia Tazartès, Lawrence Weiner with Richard Landry and Neu!

NICO. YOU FORGET TO ANSWER – 3:45Nico's Last Concert – Fata Morgana, SPV, 1994 ASH RA TEMPEL. LE BERCEAU DE CRISTAL – 7:45 (extrait)Le Berceau De Cristal, Spalax, 1994 NICO. AFRAID – 3:30Desertshore, Reprise, 1970 NICK DRAKE. TIME HAS TOLD ME – 3:50Five Leaves Left, Island, 1969 TIM BUCKLEY. ONCE I WAS – 3:40Dream Letter […] Cet article Errance #118 : De Nico à Rosemary Standley est apparu en premier sur Eldorado.

Manuel Göttsching is one of Germany's most influential talents. In the ’70s, he co-founded pioneering krautrock group Ash Ra Tempel and released several works of minimalist guitar music. In 1984, he made a left turn with E2-E4, the classic that wed Göttsching’s guitar with minimal electronic music. Since then, Göttsching has resurrected Ash Ra Tempel under the name Ashra and continued to compose new music. Here, Göttsching discussed his feelings about the term “krautrock,” the making of E2-E4 an

Wild City's 159th mix might be the most cohesive one yet. It sounds less like a mix than the soundtrack to an imaginary, otherwise silent sci-fi film. In many ways, it's like an aural film on its own, a sonic journey with a thrilling, intriguing narrative directed by Varun Desai aka Yidam. The Kolkata-based artist, who makes different kinds of music under multiple monikers – 5Volts, Yidam and VvvvV – achieves a transcendental quality with this seamless mix, melting one track into another without revealing the slightest clue. Were this not explicitly defined as a mix, with a tracklist, it might beguile you into thinking it's a single track, or a singular concept album. Yidam effortlessly (so it seems, though we reckon it comes from careful, precise deliberation and effort) stitches together an interstellar soundtrack, using his own, original tracks and borrowing from ambient music stalwarts like Mat Jarvis' High Skies, Ash Ra Tempel, and the cult ambient classics, The Orb. To even call this mix a soundtrack is unfair, for that implies a reliance on complementary material to create a whole experience. Yidam's storytelling, however, is so visual and cinematic, that all you need to do is close your eyes, phase out for an hour, and let the rich narrative, the drama and the dreamstates of the cosmos consume you and take you to the outer reaches of the universe and your mind. For further information and tracklist: http://www.thewildcity.com/mixes/10506-wild-city-159-yidam

《秘境回声》猫王第二届电台复活节曲目单（20180819），最后一首彩蛋曲为Ash Ra Tempel, Klaus Schulze ：Freak&`&n&`&Roll来自专辑Klaus Schulze / Ash Ra Tempel / The Cosmic Jokers – Discover Cosmic - The Klaus Schulze Sessions 1977。 1、老丹+Neu！：笛子即兴曲+Hallogallo  2、Bow Wow Wow  ：C-30，C-60，C-90 Anda！ 3、五条人新歌全宇宙首播：漫天神佛《漫天神风请来保庇我》（即将发行） 4、西撒哈拉Mariem  Hassan：Legneiba     5、苍蝇乐队：农民的儿子 （即将发行黑胶） 6、The Residents ：It's A Man's Man's Man's World 7．西北花儿 莲花山会实况录音 1992   杨生莲《牡丹的叶叶儿羊吃了》     8  Кино – Группа Крови   9、中国西南口簧琴《毕摩指路径》（摩登天空即将发表） 10、ZZ Top – Tres Hombres   11、王磊：土   12、 The Plastic People Of The Universe & Filharmonie Brno  返场曲Kanárek 13、郭龙 张玮玮  《晨风曲》现场（未发表） 14、James Chance ： Almost Black 15、木卡姆 磁带 ：《我见到了一位绝美的女郎》 16、《跳动的火焰》 磁带串烧夜色阑珊等 17、古琴开盘带 管平湖《流水》+林如播讲+旅行者号发射实地录音+金唱地球的呢喃54种问候语+闽南语问候18Ash Ra Tempel, Klaus Schulze ：Freak&`&n&`&Roll

Thunder Tillman, Night School Of Universal Wisdom, Night School Of Universal Wisdom Black Merlin, Reef Play, Hipnotik Tradisi Ralf Nowy, Akili Mali, Tropical Drums Of Deutschland Christer Norden, Lay Back, Jeremy Underground presents Beauty Human Egg, Egg, Human Egg Teddy Mike, On Point, On Point Michal Turtle, Underneath The Window, Phantoms Of Dreamland Jean-Yves Labat, Le Voyeur, Transition #1 Steve Beresford & Anne Marie Beretta, Comfortable Gestures, Uneven Paths: Deviant Pop From Europe 1980-1991 Yuji Ohno & The Explosion Band, Moonlight Freeway, CHiPs Byrne & Barnes, Love You Out of Your Mind, An Eye For An Eye The Beat Broker, Satin Kimono, Satin Kimono Kikuchi Momoko, Mystical Composer, Tokyo Nights: Female J-Pop Boogie Funk: 1981-1988 Jean-Yves Labat, U-Boat, Underwater Electronic Orchestra Kamelie, ORM, Vzpomínky Na Tokio (Souvenir From Tokyo), Tropic JB Dunckel, Show Your Love, H+ Thunder Tillman, The Ridge To Catequil, Night School Of Universal Wisdom Doudou, Vanille Chocolat Reggae (Chase The Devil) , Oye Oye Reggae Clout, Sunshine Baby, Save Me Pete Willsher And T. Kelly, Dangerous Voyage, Images Fg's Romance, What Is Love Today?, Stop It! / What Is Love Today? Ash Ra Tempel, Day-Dream, Deutsche Elektronische Musik (Experimental German Rock And Electronic Musik 1972-83) Francis Bebey, Savanah Georgia, African Electronic Music 1975 - 1982 Software Seduction, New Collision, Oz Waves: Compiled By Steele Bonus, Professor Genius, Couronne, Acid Arab Collections Miko & Mubare, Komoma Ya­-Ya-­Ya, Uneven Paths: Deviant Pop From Europe 1980-1991 Shriekback, Lined Up (Instrumental Mix), Lined Up Sarolta Zalatnay, Műnanyag Álmok, Zalatnay Giuliano Sorgini, Strait Jacket (Charles Bals Rework), The Living Dead At The Manchester Morgue Roger Davy, Stress, Régénération

Continuing our three part series on Leipzig's art and design scene, we speak to Markus Lange of Studio Farn. With Markus, we went from discussing the Studio Farn studio, to talking about the benefits of travelling, for both producing a makeshift mindset and meeting different people with different attitudes. After that, we moved on to talk about the design scene in Leipzig, especially in contrast to Berlin and other places he's visited. These interviews coincide with fanfare's visit to It's a Book, where we launched of the second instalment of the creative research project fanfare inc. which looks into the conditions of nomadic design labour. Taking place this year, in five different cities, the focus of the second instalment of fanfare inc. is tools. and the project brings together a travelling display, a catalogue, a website, and a series of mini-podcasts. Links: Studio Farn, http://studiofarn.com/ Posters Rex, http://www.posterrex.de/ Edwin's studio, http://mainstudio.com/ Slanted Magazine, https://www.slanted.de/ Claudia Basel, http://www.claudiabasel.ch/#home Lautiert Leipzig, http://www.lauritz-leipzig.de/ Songs featured (in order of appearance): Cmd-q, 161161 (https://youtu.be/jMI4ZGJ-FrY) Ash Ra Tempel, Schwingungen (https://youtu.be/4VpdJt-eq0Q) Ash Ra Tempel, Ash Ra Tempel (https://youtu.be/ZxUycrXb6eQ) Cmd-q, Nine (https://youtu.be/mFWRXzbx6d8) Produced by Charlie Clemoes and Freja Kir

New Order, Shout Out Louds, Camille Yarbrough, 3Ds, The Apartments, and Ash Ra Tempel are played and discussed, as Bob Nastanovich returns from a short hiatus and reunites with Mike Hogan.

Sometimes a chance encounter has the ability to impact ones course, Music can be introductory, enlightening and a signal of friendship. A spontaneous email led to our introduction to Steve Hazard who then proceeded to share with us an other worldly assortment of sounds which he had recorded and posted for leisure online. He mixes a stunning blend of abstract electronics alongside beautiful soundscapes, warm enchanting eclecticism and all that exists between. He describes the mix below... "This deep mix of Ash Ra Tempel, Vangelis, Leon Vynehall, Laraaji, Baaba Mal, Don Cherry and Pulusha was inspired by a chance visit to an abandoned Ashram in Rishikesh, Northern India, in the Valley of the Saints at the foothills of the Himalayas. In 1968 The Beatles had been here attending an advanced Transcendental Meditation training session with Maharishi Mahesh Yogi. As we explored the site we found small Deep Meditation caves and realised that this was where the Beatles wrote their acid opus, the White Album. Here on the banks of the Ganga, we had crossed a powerful psychedelic ley line."

It’s a tale of two sides this week. The first half features thumping guitar works from the likes of Rangda and Captain Beefheart. An epic from Ash Ra Tempel transitions the set into a meditative, cosmic space with songs from Laraaji, Mary Lattimore, and more. Artist/Song/Release/Year 01. Rangda / To Melt The Moon / The … Continue reading →

West Germany after World War II was a country in shock: estranged from its recent history, and adrift from the rest of Europe. But this orphaned landscape proved fertile ground for a generation of musicians who, from the 1960s onwards, would develop the strange and beautiful sounds that became known as Krautrock. Eschewing the easy pleasures of rock and roll and the more substantive seductions of blues and jazz, they took their inspiration from elsewhere: the mysticism of the East; the fractured classicism of Stockhausen; the grinding repetition of industry; the dense forests of the Rhineland; the endless winding of Autobahns. Kraftwerk, Neu!, Faust, Cluster, Ash Ra Tempel, Amon Düül II, Can—the influence of these groups’ music on Western popular music is incalculable. They were key to the development of movements ranging from post-punk to electronica and hip-hop and have directly inspired artists as diverse as David Bowie, Talking Heads, and LCD Soundsystem. Future Days is the brilliantly reported, deeply researched story of the groups that created Krautrock, and a social and cultural history of the Germany that challenged, inspired, and repelled them. David Stubbs is an author and music journalist whose work has appeared in the The Times (London), The Sunday Times, Spin, The Guardian and GQ, and his books include Fear of Music: Why People Get Rothko but Don’t Get Stockhausen. The interview with David Stubbs was originally recorded on October 8, 2015.

My once-a-month curatorship of a new Progzilla.com show called 101 Dimensions begins! This show features progressive electronic and ambient music and no talking. In keeping with the season, I have programmed a journey that begins as a joy ride, but later takes a decidedly...darker turn. For those of you who would like to track the progress of our journey, I give you the “road map” below.(PS. I cannot be held responsible for the occasional nightmare, should anyone happen to fall asleep while listening to any of the later tracks with headphones.)Enjoy!Your “road map”:1. Kraftwerk – Autobahn (from the album Autobahn, 1974)2. Michael Stearns – Craft: Dimensional Release (from the album Encounter, 1988)3. Flower Kings - Retropolis By Night (from the album Retropolis, 1996)4. Ash Ra Tempel – Traummaschine (from the album Ash Ra Tempel, 1971)5. Michael Stearns – Dimensional Shift: Across The Threshold (from the album Encounter, 1988)6. Johannes Schmoelling - Wuivend Riet, Part II (from the album Wuivend Riet, 1986)7. Tangerine Dream – Zeit (from the album Zeit, 1972)8. Klaus Schulze – Velvet Voyage (from the album Mirage, 1977)

A Single detour this week with a mash up of a dramatized performance of the Badder meinhof Trials, with a 59.02 minute (post) Krautrock classic by Ash Ra Tempel founder Manuel Göttsching an image most familiar from my childhood trips to eastern Europe in the 1960's

Programme de Nicolas Moulin pour webSYNradio : avec par ordre alphabétique et dans un ordre d'écoute aléatoire : pacific 231 & john duncan, ADLIB, ALIREZA MASCHAYEKI, ANTHOLOGY OF SOVIET JAZZ 1939-1945, Anthony Pateras & Robin Fox, ANTHONY ROTHER, Aoki, APHEX TWIN, ARPANET, Ash Ra Tempel, ATOM HEART, BACH, BADER MOTOR, biosphere, BLACK LUNG, brume, Brume & De Fabriek, CEDRIC PIGOT, Clunes, Cyrus, DASHA RUSH, Déficit des Années Antérieures, Delia Derbyshire & Barry Berma, DER ZYKLUS, DOPPELR EFFEKT, Dziga Vertov, Iceberg B-09A, INSTITUT FRANCAIS DE SINGAPOUR, Jeff Mills, JIMMY T, John Carpenter, KOENIGJOHANNES, KUBRICK, Lou Reed, Luc MARIANNI, Luening, Mikhail Matiushin, Alexei Kruchenykh & Kazimir Malevich, Nicolas mETALL, Ø, pacific 231, Pan Sonic, People Like Us + Kenny G, Pharoah CHROMIUM , Rioji Ikeda, Scanner, SPK, SURGEON, Susumu Yokota, TEST DEPT, Throbbing Gristle, Ussachecvsky.