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Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room. Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices. And you know what Jack Torrance says about "all work and no play"! Developed by Andy Muschietti, Barbara Muschietti and Jason Fuchs, It: Welcome to Derry is based on Stephen King's 1986 novel It and is a prequel to the films It (2017) and It: Chapter Two (2019). The series takes place in 1962, when a couple and their son move to Derry, Maine just as a young boy disappears. With their arrival, bad things begin to happen in the town. Again. ESTHER SOKOLOW Esther Sokolow is a Los Angeles-based editor who specializes in genre-rich storytelling, bold characters, and projects with cinematic scope. Esther's collaboration with IT: Welcome to Derry showrunner Andy Muschietti began on IT: Chapter Two, where she served as 1st Assistant Editor, and continued on The Flash, where she was promoted to Additional Editor. Her work bridges studio tentpoles and independent character dramas, with a focus on horror, psychological thrillers, and supernatural themes. Her early film diet of Hitchcock, classic mysteries, and silent comedies provided provided inspiration for an editor drawn to tension, timing, and the emotional weight of what's unspoken. Later, the spectacle of The Lord of the Rings sparked a love for scale and the thrill of stories that move an audience. Originally from Atlanta, she moved to California to study Film Editing at Chapman University. In 2015, she was selected as an honorary intern for American Cinema Editors (ACE), an experience that shaped her early career and inspired a commitment to both craft and mentorship. Esther now speaks on an annual panel for the ACE Internship Program and serves on MPEG's Apprenticeship and Growth Committee, supporting the next generation of editors and assistant editors. Before stepping into the editing chair, Esther worked as an assistant editor on feature films including Rampage, Bloodshot, The Guilty, Stronger, Fall, and Rememory. She also worked in-house as a VFX Editor at Method Studios, contributing to Guardians of the Galaxy and San Andreas. Her years supporting other editors honed more than technique; they taught her to listen to pacing, to performance, and to subtle story beats others might overlook. That same quiet attention now shapes her own work. GLENN GARLAND, ACE Glenn Garland is television and film editor with more than twenty years of experience in the entertainment industry. In addition to cutting IT: Welcome To Derry, other impressive TV credits include Poker Face, The Vampire Diaries, Preacher, Banshee, Stan Against Evil, and Altered Carbon. Glenn's equally notable feature resume includes editing Rob Zombie's Halloween and Halloween II, the critically acclaimed King of California, The Turning, Lords Of Salem, The Devil's Rejects, Black Box and most recently Broke. In addition to editing, Glenn has produced the television series Paradise City as well as feature films 31, Jersey Bred, LX 2048, The Man Who Was Thursday and most recently, Life Is. He has also created and hosts the podcast series Editors on Editing, which can be heard on Art of the Frame. MATTHEW V. COLONNA, ACE Aside from his work on It: Welcome to Derry, Matt's work can be seen on another Stephen King-inspired series, Castle Rock, and the King-adjacent series, Locke & Key. Other notable tv shows cut by Matt include Dexter (2008-09), Narcos (2015-17) and Sugar (2024). Matt also happens to be one of the original drummers for Black Eyed Peas. How about that?! The Credits Visit Extreme Music for all your production audio needs Listen to Glenn talk about cutting Poker Face Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
In deze nieuwe off-topic side quest krijgen we een prop uit een p*rnofilm in handen (ja, echt
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Alain and JB talk with absolute industry gem, Laura Inghirami, founder of Donna Jewel, educator, speaker, and all-around brilliant marketer. Here is a bit more about Laura in her own words...Laura Inghirami is one of the most brilliant and influential minds in the global jewellery world – a visionary whose deep expertise and creative insight make her a driving force in the industry. With a unique talent for leading innovative projects and a natural passion guided by wonder, she blends culture, imagination, and strategy to shape the future of jewellery, bringing the young generations closer to the industry. After studying Business Administration and International Business, she deepened her knowledge in Jewellery Design and founded @donna.jewel, opening the doors of artisans' workshops and speaking about artists and designers at a time when social media were not yet used for this purpose. She teaches at IED (European Institute of Design) in Milan and Turin, and gives conferences and lectures around the world to celebrate the beauty of jewellery and inspire and guide young people toward the world of precious arts.Subscribe to the Substack, and you will get a 15% discount code for the Rough Cut candle, an easy and delicious way to support the show. Follow us:IG: https://www.instagram.com/rough_cut_podcast/Substack: https://roughcutpodcast.substack.com/Buy a Candle: https://www.roughcut.show/
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! In this *SPECIAL* episode, the gang discuss the history of Golf's World Number 1 status, and the factors that contribute to WHO IS THE BEST!Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
On this episode of America at Night hosted by McGraw Milhaven, the show welcomes Dr. Katherine Rye Jewell, Professor of Economics, History, and Political Science at Fitchburg State University, to discuss her new book, “Live from the Underground: A History of College Radio,” and how campus stations shaped music, culture, and activism. Then, renowned woodworker Tommy Mac, former executive producer and host of Rough Cut with Tommy Mac, joins the program to talk about the launch of his new woodworking gallery, his creative process, and the enduring appeal of handcrafted design. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Alain and JB talk kind of about jewelry but get, of course, completely derailed and start spilling all of their own private dirty laundry. JB cries in one bit, so if that's your idea of fun, you can listen to this mess. Listen, at least we're back! Subscribe to the Substack, and you will get a 15% discount code for the Rough Cut candle, an easy and delicious way to support the show. Follow us:IG: https://www.instagram.com/rough_cut_podcast/Substack: https://roughcutpodcast.substack.com/Buy a Candle: https://www.roughcut.show/
Editor, Myron Kerstein ACE WICKED: FOR GOOD editor, Myron Kerstein ACE finds himself in familiar post-production territory after taking a short break to enjoy the success of the first film in this two-part adaption of the musical megahit. This brief respit included Myron receiving an Oscar® nomination and an ACE Eddie win for his efforts. But this time out, Myron faces the challenge of closing out this story with a movie that is darker in tone with a more complex narrative. Adapted from the venerable Broadway smash, WICKED: FOR GOOD follows the journey of a young woman named Elphaba. Misunderstood and often outcast because of her green skin, Elphaba forges an unlikely but profound friendship with Glinda, a fellow student with an unflinching desire for popularity. Following an encounter with the Wizard of Oz, their relationship soon reaches a crossroad as their lives begin to take very different paths. MYRON KERSTEIN, ACE In addition to his musical experience with Jon M. Chu and Lin-Manuel Miranda, Myron also had a diverse pool of film and tv projects, including GARDEN STATE (2004), NICK AND NORAH'S INFINITE PLAYLIST (2008), LITTLE FOCKERS (2010), THE DUKES OF HAZARD (2005), FAME (2009), GIRLS (2015-17) and HOME BEFORE DARK (2020). The Credits Visit ExtremeMusic for all your production audio needs Listen to Myron's interviews for tick, tick...Boom!, In the Heights and Wicked Watch Myron take you on a Timeline Tour of how he edited Defying Gravity in Wicked Leave a message and get your questions answered on the show Check out all the latest features in Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Editor - Evan Schiff ACE Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with. He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021). Evan would also drop by the MCU to cut The Marvels (2023). But to hear Evan tell it, it was hardly his skills as an action editor that would prompt Del Toro to hire his former assistant editor to cut Frankenstein. Produced, written and directed by Guillermo del Toro, and based on the 1818 novel by Mary Shelley, Frankenstein stars Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. The film follows the life of egotistical scientist Victor Frankenstein whose experiment in creating new life results in dangerous consequences when his monstrous creation comes to life. EVAN SCHIFF ACE (In Evan's own words...) Originally from Syracuse, NY, I started my career in the film industry at the age of 16, between my junior and senior years of high school, with an internship at Stan Winston Studio (now Legacy EFX). After graduating from high school and being accepted into USC's film production program, SWS hired me back to do tech support as their Systems Administrator and eventually their in-house VFX Editor. I worked there part-time for all four years of college and full-time for one year after. While at USC, I got bit by the editing bug. I found that, even more than creature or visual effects, I loved sitting in the editing bay for hours on end putting my student films together. So a year after graduation, and five years after starting my job at Stan Winston's, I started to pursue editing full-time. It was slow at first, but eventually I got my first few jobs as an assistant editor, and things took off from there. The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer Hear Evan's interview for John Wick: Chapter 3 - Parabellum See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
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A Rough Cut of an interview with Alivia Spangler, a Cross Country state runner heading to state this Friday.
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Editor - Nathan Schauf KPop Demon Hunters editor Nathan Schauf was already a trusted teammember at Sony Pictures Animation (SPA) when has was asked to "lend a hand for a bit" on this new action-comedy musical. Not long after, lending a hand turned into leading the way, with Nathan leaning on his years of experience cutting animation to help craft the film into a worldwide hit that would become Netflix's most streamed content of all time. KPop Demon Hunters follows Rumi, Mira, and Zoey, a world-famous K-pop girl group known as Huntrix. Unbeknownst to their fans, Huntrix secretly uses their music and performance abilities to fight and protect the world from demons. While balancing their lives as global pop stars with their mission to keep demons sealed away, the group faces their biggest challenge when a rival, all-demon boy band called the Saja Boys emerges to steal their fans and threaten the world. Nathan Schauf Since joining SPA in 2020, Nathan has contributed to an array of animated projects, including Hotel Transylvania: Transformania, the latest entry in the beloved monster franchise, and Genndy Tartakovsky's R-rated comedy Fixed. He has also played a key role in several other projects in development. With over 25 years of experience in the entertainment industry, Schauf's career spans animation, gaming, virtual reality, commercials, sports, and independent films. Schauf earned a degree in Electronic Media and Communication with a minor in English from Texas Tech University. He currently resides in Orange County, California, with his wife, daughter, son, and their cat, Todd. The Credits Get the new Extreme Music Panel for Avid Media Composer See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
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Editor - Andy Jurgensen One Battle After Another editor Andy Jurgensen came into his new film already "battle" tested with director Paul Thomas Anderson's unique film-based workflow. Shoot film. Print film dailies. Screen film dailies. Create digital workprint. Cut in Avid. Conform negative. But Paul loves a challenge, so he decided to not only make "One Battle" the first IMAX film presented entirely in the 1.43:1 ratio, but he also resurrected the VistaVision format for the first time in sixty years. Luckily, Andy loves a challenge too. One Battle After Another stars Leonardo DiCaprio as Bob, a washed-up revolutionary who lives in a state of stoned paranoia, surviving off-grid with his spirited and self-reliant daughter, Willa. When his evil nemesis, Colonel Lockjaw (Sean Penn), resurfaces and Willa goes missing, the former radical scrambles to find her as both father and daughter battle the consequences of their pasts. ANDY JURGENSEN Andy Jurgensen has worked with director Paul Thomas Anderson since their time together on Inherent Vice (2014). At that time, Andy was first assistant editor to Leslie Jones ACE. From there Andy served as associate editor to Dylan Tichenor ACE on Anderson's Phantom Thread (2017). Andy finally got his big break as a lead editor for Anderson's Licorice Pizza (2021). In addition to his work with Paul Thomas Anderson, Andy has also served as an assistant editor on a number of films with director Jay Roach, including The Campaign (2012), Trumbo (2015) and Bombshell (2019). The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer Hear Andy's interview on Licorice Pizza See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Alain talks with friend to the pod, Linda Hoj! Linda is one of his favorite independent designers/jewelers of all time, a dear friend, and an endless source of admiration. We talk about creativity in the time of A.I., the pressure to produce, and mastering your craft for the sake of... mastering your craft. This is actually about jewelry, believe it or not! Subscribe to the Substack, and you will get a 15% discount code for the Rough Cut candle, an easy and delicious way to support the show. Follow us:IG: https://www.instagram.com/rough_cut_podcast/Substack: https://roughcutpodcast.substack.com/Buy a Candle: https://www.roughcut.show/
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Editors - Vikash Patel, Cedric Nairn-Smith and Kyle Reiter ACE Black Rabbit editors Viks, Ced and Kyle worked independently during post but still managed to collectively craft a complex narrative that stayed consistent in tone and style throughout the run of the series. And while new guy Reiter described feeling like a "bench player" on the team, Viks and Ced benefited from a long working relationship that began with Viks mentoring Ced as his former assistant. Regardless of any of their past experiences, star and producer Jason Bateman tasked the post team with creating a vibe that had tendencies drawn from Bateman's Netflix hit, Ozark but also from dark comedies like the Safdie brothers' Uncut Gems. Black Rabbit tells the tale of two brothers, Vince and Jake Friedken, former bandmates in a successful musical act whose lives went down different paths in the years that followed. Rising-star restaurateur Jake is forced into New York's criminal underworld when his chaotic brother returns to town with loan sharks on his trail, opens the door to escalating dangers that threaten to bring down everything he's built. VIKASH PATEL In addition to his work on Black Rabbit, Viks won an Emmy® in 2008 for his work on TOP CHEF and was nominated for an Emmy® in 2020 for his work on OZARK. Viks has also edited series that include THE SYMPATHIZER (2024), THE MORNING SHOW (2019), BATES MOTEL (2015-16) and LONGMIRE (2012-14). CEDRIC NAIRN-SMITH Prior to Black Rabbit, Cedric's editorial work could be seen on DAREDEVIL: BORN AGAIN (2025), MOON KNIGHT (2022), LISEY'S STORY (2021), THE BOYS (2019-2020) and BATES MOTEL (2015-2017). KYLE REITER, ACE 4x Emmy® nominee Reiter has edited such shows as MR. AND MRS. SMITH (2024), BARRY (2018) and ATLANTA (2016), a series for which Kyle would win an ACE Eddie award in 2019. The Credits Visit Extreme Music for all your production audio needs Hear Viks discuss cutting OZARK and THE SYMPATHIZER Listen to Ced talk about THE BOYS and MOON KNIGHT and DAREDEVIL: BORN AGAIN Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
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Editors - Julie Cohen ACE and David Rogers ACE The Paper editors Julie Cohen and David Rogers first began collaborating on another Greg Daniels series, Space Force. Although that series was not in the same "mock doc" format as The Paper, David's first show with Daniels was. And that series was The Office, where he served as both editor and director. Both Julie and David felt at home with The Paper's faux documentary format however, with David having worked on The Office and Julie receiving multiple Emmy nominations for her work on the unscripted series, Project Runway. The Paper follows up on the story from The Office, as the documentary crew that immortalized Dunder Mifflin's Scranton branch discovers a disappearing Midwestern newspaper and the publisher trying to revive it with volunteer reporters. This mockumentary follows the daily lives and struggles of dreamers in love with journalism, and their less-than-competent co-workers, trying to deliver accurate news without the resources or training to do a great job. JULIE COHEN ACE Julie Cohen "loves to edit!" and considers herself lucky to have done it a lot over the last twenty years. She's edited across genres: documentary, reality, comedy, drama, sometimes all at once. Highlights include Project Runway, On Becoming a God in Central Florida, and Space Force. Most recently, she edited a bunch of episodes of Hulu's Tell Me Lies, starting with the pilot and including both season finales. DAVID ROGERS ACE David Rogers wanted to be a director since seeing Superman The Movie at the age of 8, and shot videos and films throughout high school and college. Following that he would move to L.A. and work as an Assistant Editor and then Editor on such shows as Seinfeld, NewsRadio, Andy Richter Controls The Universe, Entourage, The Comeback, and The Office. David started directing on The Office and directed shows like Parks and Recreation and The Mindy Project, where he also served as Co-Executive Producer. David is also the owner of a huge Superman collection and a Knight Rider replica which he's currently in the process of modifying. The Credits Visit ExtremeMusic for all your production audio needs Enter AGBO'S No Sleep 'til Film Fest Competition Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! In this *SPECIAL* episode, the gang discuss the origins of the Ryder Cup, and the GROCERY STORE OWNER(!) who saved it from the brink of extinction! Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Alain talks with friend to the pod, Jennifer Gandia of Greenwich St. Jewelers, about jewelry? Maybe... we definitely cover TikTok, misinformation, antique jewelry, theories of revolution, and the inevitable fall of capitalism. This is a jewelry podcast, I promise!Subscribe to the Substack, and you will get a 15% discount code for the Rough Cut candle, an easy and delicious way to support the show. Follow us:IG: https://www.instagram.com/rough_cut_podcast/Substack: https://roughcutpodcast.substack.com/Buy a Candle: https://www.roughcut.show/
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Editor - Joe Murphy Weapons editor Joe Murphy probably had no idea when he interviewed with Zach Cregger over a Zoom call that, in a relatively short amount of time, they would collaborate on not one, but two hit horror films. Regardless, Joe says that call wasn't just about getting to know each other, but also about ensuring a supportive and frank collaboration; key ingredients for him in being able to articulate the director's vision effectively. Weapons unfolds in chapters around six main characters, which presented a unique challenge in introducing new characters multiple times throughout the film. According to Joe, the key was finding the balance between familiarizing the audience with these characters while maintaining narrative momentum. Zach Cregger's Weapons follows the seemingly inexplicable case of seventeen children from the same classroom who mysteriously run away on the same night at the same time, having been apparently abducted by an unseen force. Joe Murphy Prior to his work on Weapons, Joe cut such films as On Swift Horses (2024), Paper Soldiers (2020), and Zach Cregger's first horror feature, Barbarian (2022). The Credits Visit ExtremeMusic for all your production audio needs See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Emili, and Alain talk to the one and only Dana Bronfman about many things, none of which are coherent or consistent... that sounds familiar. I think this episode is about Jewelry. Subscribe to the Substack, and you will get a 15% discount code for the Rough Cut candle, an easy and delicious way to support the show. Follow us:IG: https://www.instagram.com/rough_cut_podcast/Substack: https://roughcutpodcast.substack.com/Buy a Candle: https://www.roughcut.show/
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Surprise! We're back with a brand new Rough Cut, this time on Highest 2 Lowest (2025), Spike Lee and Denzel Washington's 5th collaboration and their first in 19 years. Highest 2 Lowest is a remake of the 1963 Akira Kurosawa film High and Low — both movies follow a rich businessman who deliberates paying the ransom when his chauffeur's son is kidnapped. Highest 2 Lowest also stars A$ap Rocky, Jeffery Wright, and Ilfenesh Hadera. Spoilers everywhere, listen at your own risk! Our recommendations: Jungle Fever (1991), Malcom X (1992), Bamboozled (2000), High and Low (1963) Support the show with a Ko-fi! ko-fi.com/blackgirlfilmclub Check out the rest of our socials at linktr.ee/blackgirlfilmclub
Director, Richard Shepard and Editor, Adam Lichtenstein FILM GEEK isn't just another notch on the IMDB belts of director, Richard Shepard and his friend and editor, Adam Lichtenstein. This is the story of Richard's cinematic "life" and the mysterious father who was his guide into that world. Deftly incoroporating clips from over 200 movies of the 70's and early 80's, FILM GEEK chronicles Richard's introduction and absorption into films both classic and forgotten, between the ages of 6 and 18. From there, Richard would make the transition from amateur 8MM auteur, to being an "all-in" film student at NYU, where he would begin his over thirty-year friendship and collaboration with Adam. And it is Adam whom Richard credits as drawing out the more personal aspects of his journey in FILM GEEK, most notably the story of his complicated but caring father. RICHARD SHEPARD Richard Shepard is an Emmy and DGA-winning director/writer whose feature films include the Golden Globe nominated The Matador starring Pierce Brosnan and Greg Kinnear, Dom Hemingway starring Jude Law and Richard E. Grant, and The Perfection starring Allison Williams and Logan Browning which was named one of the best horror films of the year by Rolling Stone, Vogue, Harper's Bazaar and New York Magazine. In his career, Shepard has directed ten television pilots to pick-up including Criminal Minds, now entering its 17th season; Ugly Betty for which Shepard won the Director's Guild award and Emmy award; the Golden Globe and Emmy nominated Zoey's Extraordinary Playlist; and Acapulco for Apple, now in its third season. Through its six seasons, Shepard directed twelve episodes of the Golden Globe winning HBO series Girls, including the controversial “American Bitch” episode for which Matthew Rhys received an Emmy nomination, as well as several Emmy nominated episodes of The Handmaid's Tale. He recently directed the final two episodes of the multiple Emmy nominated Welcome to Chippendales a Hulu limited series. Shepard's short film Tokyo Project starring Elisabeth Moss and Ebon Moss-Bachrach premiered at the Tribeca Film Festival and was bought by HBO, and his HBO documentary I Knew It Was You: Rediscovering John Cazale was nominated for an Emmy award. ADAM LICHTENSTEIN Born with a natural love for time code, Adam showed an early preference for non-drop frame, then rose through the editorial ranks pretending to enjoy sports, overusing terms like "shots on goal", "swish", "in your face" and "that's what I'm talking about" without the slightest idea what he was talking about. The Credits Visit ExtremeMusic for all your production audio needs Listen to Adam's podcast about the post workflow for Jury Duty Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
In this episode, Jacob and Mick react LIVE to the USA captain's picks for the upcoming Ryder Cup at Bethpage Black, and talk all things Fleetwood, finally winning his first PGA TOUR event at the Tour Championship. Hosted on Acast. See acast.com/privacy for more information.
Editors - Chris Patterson and Dirk Westervelt ACE EENIE MEANIE editors Chris Patterson and Dirk Westervelt reunite after a six-year break from their first co-editing effort, ZOMBIELAND: DOUBLE TAP. From its indie vibe to its seventies-inspired aesthetic, EENIE MEANIE doesn't shy away from its influences. Chris shares how both he and writer/director Shawn Simmons gravitated towards filmmakers like Steven Soderbergh, drawing inspiration from classics like OUT OF SIGHT and OCEAN'S ELEVEN. EENIE MEANIE tells the story of Edie, a reformed teenage getaway driver who gets dragged back into her unsavoury past when a former employer offers her an opportunity to save the life of her chronically unreliable ex-boyfriend. The film was written and directed by Shawn Simmons, making his directorial debut. CHRIS PATTERSON On his way to co-editing ZOMBIELAND: DOUBLE TAP with Dirk, Chris began his career assisting on films such as THE ROYAL TENENBAUMS (2001), ANALYZE THAT (2002), THE TOWN (2010), ZERO DARK THIRTY (2012) and READY PLAYER ONE (2018). DIRK WESTERVELT ACE When he's not cutting for James Mangold on projects such as; LOGAN (2017), FORD v FERRARI (2019), and INDIANA JONES and THE DIAL OF DESTINY (2023), Dirk's editing chops can be seen in DEADPOOL 2 (2018) and ZOMBIELAND: DOUBLE TAP (2019). The Credits Visit ExtremeMusic for all your production audio needs Hear Chris and Dirk talk about cutting Zombieland: Double Tap Listen to Dirk and editors Andrew Buckland and Mike McCusker discuss Indiana Jones and the Dial of Destiny Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Peter Finch has been on the road for the past 2 weeks filming with GoodGood Golf across Texas, Arkansas and now onto Atlanta for the Creator Classic at East Lake. Sam also joins the podcast this week. They talk BMW recap, Ryder Cup implications, Creator Classic preview and highlight your week filming with Good Good Golf and the connection to Creator Classic!Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Editor - Brian Scott Olds The Naked Gun editor Brian Scott Olds knows that comedy thrives on the elements of surprise and timing. He applied this philosophy to every aspect of the film—from physical gags to witty word play and silly sound design. But making a film that respects the legacy of its predecessor while updating its essence for today is no laughing matter. Brian and director Akiva Schaffer had a clear mission: maintain the comedic tone and tenor from the original while spoofing modern-day blockbusters like Mission Impossible. And stop calling me Shirley. Avika Schaffer's take on The Naked Gun features Lieutenant Frank Drebin Jr (Liam Neeson) working as a police officer like his legendary father. In order to save Police Squad from shutting down he must solve the mystery behind.....oh, who cares?! This is The Naked Gun! The plot doesn't matter! Brian Scott Olds Editor Brian Scott Olds is known for his work on Central Intelligence (2016), The Happytime Murders (2018), The King of Staten Island (2020) and Chip 'n Dale: Rescue Rangers (2022). The Credits Visit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
In this episode, David, Jacob and Mick discuss what it takes to FINALLY win on the PGA Tour, and how Luke Donald plans to defeat Team USA at the Ryder Cup!Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Editors - Nona Khodai ACE and Tim Roche The Fantastic Four: First Steps sees editors Nona Khodai and Tim Roche reunite for the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film also marks the first time the two have worked together since Marvel's live action series debut, WandaVision. Although each had worked with him separately before, WandaVision was the first time both Nona and Tim worked with director Matt Shakman on a Marvel project. The Fantastic Four: First Steps takes place in 1964, as the world celebrates the fourth anniversary of astronauts Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm becoming the superhero team known as the Fantastic Four (Mister Fantastic, Invisible Woman, Human Torch and the Thing). But the celebration doesn't last for long as the four face their most daunting challenge yet as they defend Earth from Galactus and Silver Surfer. NONA KHODAI ACE A Southern California native and graduate of USC's Cinematic Arts school, Nona started her career as an assistant on such films as the Bad Robot production, Super 8. Her first foray as an editor on a "superhero" project came courtesy of showrunner Eric Kripke who brought her aboard the The Boys, where she would work with director Matt Shakman for the first time. Nona was twice nominted for an Emmy award for her work on Marvel's WandaVision, and nominated for another Emmy for Marvel's Ms. Marvel. TIM ROCHE Known for his work on comedy series like Silicon Valley and It's Always Sunny in Philadelphia, as well as for his contributions to the Marvel Cinematic Universe, including WandaVision, Thor: Love and Thunder and She-Hulk: Attorney at Law, Tim has received five Emmy nominations for his work, including one this year for Welcom To Wrexham, a show that has already brought him an ACE Eddie Award. The Credits Visit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade Listen to Nona and Tim talk about cutting WandaVision Hear Nona share her experiences editing The Boys Check out Tim's podcast about the post workflow for Hawkeye Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! In this podcast Peter Finch brings on Iona Stephen to the Rough Cut. The new voice of golf. Iona talks about how she got into broadcasting, her professional career finishing due to injury and why golf in Scotland is the best in the world. Also, the team cover a few topics from the world of golf that has occurred this past week!SUBSCRIBE TO IONA: https://www.youtube.com/@ontheroadwithionaFollow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcastTikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here:On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Editor - Yan Miles ACE, BFE Andor editor Yan Miles partly attributes the decision not to extensively use the Stagecraft "volume" technology as the reason why his series has a distinctly different look and feel to other shows under the Star Wars banner. Instead, Andor leans into real-world environments, capturing the grit and authenticity that Yan believes enhances the narrative. Another significant factor in that differentiation is Tony Gilroy's writing, where the narrative complexity lies. Despite knowing the ultimate fate of characters like Cassian Andor, the series thrives on the uncertainty surrounding minor characters and their arcs. It's in these uncharted territories that the tension in Andor finds its heartbeat. Season 2 of Andor continues the chronicling of Cassian Andor's journey as he becomes a key figure in the burgeoning Rebel Alliance against the Galactic Empire. The season covers the four years leading up to the events of Rogue One, with each arc spanning a year. Yan Miles ACE, BFE Yan Miles ACE, BFE is an acclaimed film and television editor whose work spans some of the most prestigious and visually dynamic series of the last decade. A member of both American Cinema Editors and British Film Editors, Yan has brought his keen sense of story and rhythm to internationally celebrated productions such as The Crown, Sherlock, and Game of Thrones. Known for his ability to blend emotional nuance with bold editorial choices, his work has helped define the tone and texture of modern prestige television. The Credits Visit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! On this episode, David, Peter and Mick discuss The Open Championship at Royal Portrush, which champagne tastes best, and what the result mean for the Ryder Cup 2025!Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Editors - William Hoy, ACE and Craig Alpert, ACE Superman editors William Hoy ACE and Craig Alpert ACE didn't need to be told there was a lot riding on this movie. Not only does it represent James Gunn's view on who Superman needs to be for modern movie-going audiences, it also kicks off Gunn's vision of the new DCU. From the first minute of the film, viewers encounter a Superman who bleeds and is grappling with not just his limitations, but also his sense of purpose. It's these complex layers that Bill and Craig balanced through their masterful editing. In James Gunn's new take on the most iconic character in the superhero realm, Superman must prove to the world that he is their protector and not a thread, after billionaire Lex Luthor enacts a plan to turn public opinion against him. William Hoy, ACE Bill is known for his work on No Way Out (1987), Dance with Wolves (1990), The Bone Collector (1999), Dawn of the Planet of The Apes (2014), War for the Planet of the Apes (2017) and The Batman (2022). Craig Alpert, ACE Craig is known for cutting Deadpool 2 (2018), Borat: Subsequent Moviefilm (2020), The Lost City (2022) and Blue Beetle (2023). He was twice nominated for an ACE Eddie award in the category of Best Edited Feature Film: Comedy (Deadpool 2, Borat: Subsequent Moviefilm). The Credits Visit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade Hear Craig talk about his work on BORAT: SUBSEQUENT MOVIEFILM Listen to Bill discuss cutting THE BATMAN and THE CALL OF THE WILD See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! On this episode, Sam, Jacob, Mick, and Peter discuss The Open Championship, Rory's 2nd at the Scottish Open, and Jacob's Eagle Hole-out from 184 yards...Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Producer/Director - Jeremy McCarter, Sound Designer - Misha Fiksel Making its World Premiere at the venerable Tribeca Festival and featured on Apple Podcasts, MakeBelieve's revelatory new take on Shakespeare's iconic tragedy drops you inside the fractured mind of the prince. Produced and directed by Jeremy McCarter and with breathtaking binaural sound design by Tony-Award winner Mikhail "Misha" Fiksel, this is Hamlet as you've never heard it before. JEREMY McCARTER Jeremy is the founder and executive producer of Make-Believe Association, a nonprofit audio production company. Prior to Hamlet, he co-created, co-wrote, and executive produced Lake Song, the acclaimed audio-drama series that was an Official Selection of the Tribeca Festival, a Webby Award nominee, and the winner of three Signal Awards. He also co-wrote (with Natalie Moore) and executive-produced City on Fire: Chicago Race Riot 1919, an audio docudrama about the summer that ravaged and remade the city. It was co-produced by Make-Believe Association and WBEZ, and won the Headliner Award for Best in Show for radio broadcasts in 2019. Prior to founding Make-Believe, he spent five years on the artistic staff of the Public Theater in New York, where he created and ran the Public Forum series. These performances and conversations featured many of America's leading actors, writers, activists, and community leaders, exploring the intersection of arts and society. MISHA FIKSEL Initially a theatrical artist, Fiksel pursued his curiosity and appreciation of the screen, both as a composer and a sound designer. He has scored several independent feature films, including “Glitch” and “The Wise Kids” as well several shorts such as “Alien Queens”, “Both/And” and “The Learning Curve” (a short film inspired by an acclaimed immersive theatrical production exploring the high school experience). Misha has worked on several trailers and promotional videos for various corporate and non-for-profit clients and expanding on his collaboration with Albany Park Theatre Project, he worked with documentary director Dan Andries, scoring several film adaptions of APTP's stage plays, including “Feast” which received the 2018 Emmy (Midwest) for Direction. The Credits Listen to MakeBelieve's Hamlet here Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
EXCLUSIVE NordVPN Deal ➼ https://NordVPN.com/roughcut Try it risk-free now with a 30-day money-back guarantee! On this episode, Jacob, Kieran and Mick discuss the BMW International Open in Munich, Germany, drinking with the Professional Golf Advisor, and Peter Finch's decision over doing Quest For The Open in 2026...Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcastTikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here:On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.
Editor - Stephen Mirrione, ACE F1 editor Stephen Mirrione ACE, known for his exceptional work in films like Traffic and The Revenant, took on a whole new challenge with F1, an adrenaline-fueled project that demanded innovation and intricacy at every turn. One of the many tasks for Mirrione was ensuring the emotional weight and authenticity within F1's racing scenes. Every cut, every transition was made with the intention of drawing the audience deeper into the world of racing. The commitment to authenticity was evident in using Formula One track cameras and high-speed car mounts, which provided unparalleled realism. F1 stars Brad Pitt as race car driver, Sonny Hayes. In the 1990s, Hayes was Formula 1's most promising driver until an accident on the track nearly ended his career. Thirty years later, the owner of a struggling Formula 1 team convinces Sonny to return to racing and become the best in the world. Driving alongside the team's hotshot rookie, Sonny soon learns that the road to redemption is not something you can travel alone. Stephen Mirrione, ACE Stephen has spent the past thirty years building an impressive body of work. Unlike many editors who begin their journey into postproduction as assistants, Stephen made a name for himself right away as an editor in the indie film world. His work with directors Doug Liman (Getting in, Swingers, Go) and Jill Sprecher (Clockwatchers, Thirteen Conversations About One Thing) quickly established Stephen as a creative force to be reckoned with in the cutting room. Soon after Stephen would meet a director who would have a significant impact on his career...Steven Soderbergh. Their time together would begin with the film Traffic. This would not only be the first of Stephen's three Oscar nominations, but also his first Oscar win. Following Traffic, Stephen would take on the duties of editing Soderbergh's "Ocean's" films, starring an actor that would eventually become a prominent director in his own right, George Clooney. When Clooney began looking for an editor for his first project, Confessions of a Dangerous Mind, Soderbergh recommended Mirrione. The creative partnership between Clooney and Mirrione would result in seven feature films. Not one to rest on his laurels too long, over that same time period Mirrione would also edit five of Alejandro G. Iñárritu's films (21 Grams, Babel, Biutiful, Birdman or (The Unexpected Virtue of Ignorance) and The Revenant). The Credits Visit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade Hear Stephen talk about his work with George Clooney on THE MIDNIGHT SKY See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
In this episode, Pete and the guys have travelled up to Scotland to take on Final Qualifying at Dundonald Links! In a podcast of two separate halves, Pete analyses his preparation and build-up to the biggest event of the year, followed up by Jacob, Sam and David critiquing and reviewing Pete's two rounds of golf. Hosted on Acast. See acast.com/privacy for more information.
Assistant Editor - Jared Simon Assistant Editor Jared Simon's new book, Every Frame Counts - An Assistant Editor's Reference Book, covers everything an assistant editor needs to know, and then some. Topics covered in Jared's book include: Setting Up The Show - Everything you need to know to get up and running for the first day on the job—from setting up the printer to setting up the NEXIS. Media Composer and FileMaker - A deep technical dive into the tools assistants use in the context of a cutting room. Dailies Workflow - Soup to nuts coverage of the dailies process in excruciating detail, including a nifty downloadable checklist! You'll love it. Audio - ADR, full 5.1 workflow tips, how to address complex music sync notes, and an overview of the mix stage. VFX - Tips for creating temp VFX and managing the workload of a VFX editor. Yeah, we're gonna talk about FileMaker. Digital Intermediate - What to expect when you're expecting to spend time in the DI. Color pipelines, Titles, Review sessions… you name it. Screenings - How to prepare for screenings—internal, external, and preview screenings. Turnovers - Let's make sure our naming conventions are consistent, and our encoding is efficient. Best Practices - What do we do when the editor is, well, editing? Manage versions, communicate using markers, make sure the project is backed up… and more! JARED SIMON Jared Simon is an editor and assistant editor with selected credits including Ad Astra, The Piano Lesson, Chevalier, and Come From Away. He frequently works with editors John Axelrad, ACE and Leslie Jones, ACE. Jared earned a BFA in Film Editing from the School of Visual Arts. In addition to his professional pursuits, he's tried every flavor of La Croix and enjoys collecting physical media. The Credits Visit ExtremeMusic for all your production audio needs Get your copy of Jared's book in Kindle or Paperback! Hear Jared and editor John Axelrad ACE discuss their work together on ANTEBELLUM Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Trust the process.Follow the Rough Cut Golf Podcast on...Instagram - https://www.instagram.com/roughcutgolfpodcast TikTok - https://www.tiktok.com/@roughcutgolfpodcastJoin our Discord here: https://discord.gg/hUT3dyGSFKCheck out the podcast here: On Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-rough-cut-golf-podcast/id1663329120On Spotify Podcasts - https://open.spotify.com/show/6RarAwS3zAv91okDghrhL5?si=2c4e0a7e132945f2 Hosted on Acast. See acast.com/privacy for more information.