Podcasts about Salmagundi Club

Daniel Roy is a magician and mentalist who has headlined at the Hollywood Magic Castle, appeared on Penn & Teller: Fool Us and performed throughout the country. In his latest show, The Parlour of Deceptions, he intertwines sleight-of-hand, misdirection, and storytelling before an intimate crowd of 50 guests. Using his neuroscience degree from the University of Pennsylvania, Roy provides a peek behind the curtain into how magic tricks the brain. The Parlour of Deceptions is currently playing at the Salmagundi Club in New York City. This episode was recorded December 16, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week the Fine Artist, Michele Usibelli, whose work ranges from landscapes and animals to still life and figurative art. A Washington State native Michele was born in Seattle in 1962 then spent time in Utah and Alaska before returning to Edmonds, WA where she divides her time with another studio in Montana. Michele is the eldest of three children—she has two brothers—to John Hampson (d) a former navy serviceman and realtor, and mother Carol who was a home-maker, pianist and seamstress. Michele's childhood was spent mostly outdoors and playing sport. She was she says something of a tomboy, and she also followed in her mother's footsteps by playing the piano and sewing. Michele's interest in fine drawing led her to study architecture at the University of Washington and pursue corporate architecture. She also worked as Director of Marketing for the National Park Service, which involved extensive traveling. It was while she was on a business trip to Denali, AK that she met her husband, and after raising her three children—Nathan, Jacqueline and Angelina, that Michele returned to her love of art. Aside from painting most of the week, she also teaches workshops. Michele has won numerous awards, including the Silver Medal Award at the prestigious Salmagundi Club, NYC and the UCI Institute and Museum of California Art Award. Her work is in the permanent collection at the University of Alaska Fairbanks/Museum of the North the Brinton Museum/Wyoming, and her painting "First Light, Pioneer Mill Smokestack", was acquired by the State of Hawaii for their permanent collection. Michele lives in Edmonds, Washington State with her husband Mitch.  Michele's website: https://www.micheleusibelli.com/about Instagram: https://www.instagram.com/micheleusibelliart/  Michele's playlist: One Eskimo - Kandi, Amazing Amos Lee-Windows Are Rolled Down Lord Huron - The Night We Met Two Feet - Winter Alt J - U&ME BORNS - God Save Our Young Blood Dennis Loyd - Nevermind Absofacto - Dissolve Moby - Love of Strings BORNS - Man Two Feet - Quick Musical Doodles Sir Sly - High Michael Kiwanuka - Love & Hate  Michele's favorite female artists:Susan WoolgarKellie WeeksAbigail GuttingIngrid ChristensenWendy Conklin/UpholsteryAnnie LeibovitzMary Cassatt (d)Berthe Morisot (d)  Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the Fine Artist, Michele Usibelli, whose work ranges from landscapes and animals to still life and figurative art. A Washington State native Michele was born in Seattle in 1962 then spent time in Utah and Alaska before returning to Edmonds, WA where she divides her time with another studio in Montana. Michele is the eldest of three children—she has two brothers—to John Hampson (d) a former navy serviceman and realtor, and mother Carol who was a home-maker, pianist and seamstress. Michele's childhood was spent mostly outdoors and playing sport. She was she says something of a tomboy, and she also followed in her mother's footsteps by playing the piano and sewing. Michele's interest in fine drawing led her to study architecture at the University of Washington and pursue corporate architecture. She also worked as Director of Marketing for the National Park Service, which involved extensive traveling. It was while she was on a business trip to Denali, AK that she met her husband, and after raising her three children—Nathan, Jacqueline and Angelina, that Michele returned to her love of art. Aside from painting most of the week, she also teaches workshops. Michele has won numerous awards, including the Silver Medal Award at the prestigious Salmagundi Club, NYC and the UCI Institute and Museum of California Art Award. Her work is in the permanent collection at the University of Alaska Fairbanks/Museum of the North the Brinton Museum/Wyoming, and her painting "First Light, Pioneer Mill Smokestack", was acquired by the State of Hawaii for their permanent collection. Michele lives in Edmonds, Washington State with her husband Mitch. Michele's website: https://www.micheleusibelli.com/aboutInstagram: https://www.instagram.com/micheleusibelliart/ Michele's playlist: One Eskimo - Kandi, Amazing Amos Lee-Windows Are Rolled Down Lord Huron - The Night We Met Two Feet - Winter Alt J - U&ME BORNS - God Save Our Young Blood Dennis Loyd - Nevermind Absofacto - Dissolve Moby - Love of Strings BORNS - Man Two Feet - Quick Musical Doodles Sir Sly - High Michael Kiwanuka - Love & Hate Michele's favorite female artists:Susan WoolgarKellie WeeksAbigail GuttingIngrid ChristensenWendy Conklin/UpholsteryAnnie LeibovitzMary Cassatt (d)Berthe Morisot (d) Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

David Baird (b. 1986, USA) is an oil painter and draftsman focused primarily on figurative work. While inspired by subject matter familiar to art history, his work is equally motivated by the translation of perception into painting, a process by which the sensuality of experience is in constant tension with the materiality of paint.Benefitting from extensive exposure to some of Europe's greatest works of art, the artist has traveled broadly. He has attended classes throughout the US and Europe, including Ryder Studio School (NM, USA), the Art Students League (NYC, USA), Studio Escalier (FR), and the Jerusalem Studio School (Jerusalem, IL). In 2019, the artist was awarded the Avigdor Arikha Masterclass Scholarship to continue his studies in Italy.He has participated in numerous exhibitions, including the inaugural exhibition Memento Vivere in 2021, celebrating the reopening of the historic Lyme Academy in Lyme, CT. In 2022, he won first prize in the New York Figurative Show at the prestigious Salmagundi Club in New York, NY, and was subsequently invited to exhibit in the first ever Hartley Invitational at the same institution. Most recently his work was featured alongside some of the most prominent figurative artists working today in the show Beyond Description, a dual-gallery exhibition taking place simultaneously in Seattle, WA and New York, NY.The artist is represented by Tregony Gallery in London, UK, and Mary Woerner Fine Arts in West Palm Beach, FL. He currently lives and works in Birmingham, Alabama.

GUEST WEBSITE: https://www.kylemafineart.com   GUEST INSTAGRAM: https://www.instagram.com/kylekcma/   Kyle Ma was born in the year 2000, he developed a love for art at an early age after being exposed to the works of the old masters through museums and art history books. Kyle says that painting allows him to express his viewpoint of our world. In 2010, Kyle moved with his family to Austin, Texas where he began seriously study oil painting under Elizabeth Locke. Here, Kyle learned the importance of having a solid foundation in the fundamentals to be a successful representational artist. Kyle also took workshops around the country with master artists to further his art education. He enjoys painting En plein air since it allows him to be immersed in the landscape during the process of creating. In 2016, Kyle held his first solo show with Wilcox Gallery. The show was successful and encouraged Kyle to consider art as a full time career after graduating. Kyle holds a BS in Geology from the University of Texas at Austin but chose to pursue art as a career. Kyle believes it reinforces the idea of making careful observations and seeking to understand these observations, a skill Kyle feels is extremely important in art.  Kyle's work has been exhibited in numerous solo and group exhibitions around the country, and has received several awards including the gold medal in the 30th annual Oil Painters of America National Show. Additionally, Kyle is a Signature Member of Oil Painters of America, Plein Air Painters of America and member of Salmagundi Club. Kyle was also featured in Southwest Art Magazine, Art of the West Magazine, Fine Art Connoisseur, Western Art Collector Magazine, and American Art Collector Magazine. Kyle teaches workshops around the world and has presented at Plein Air Convention and Portrait Society of America's conference. “Painting, to me, is an extremely passionate experience. I paint as much as I can, and hope that I can communicate with the viewer what I saw and how I felt each time that I pick up a brush." _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/     ANTHONYS FINE ART AND ANTIQUES  https://anthonysfineart.com  _________________________________________________________________________   THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/   

GUEST WEBSITE: https://www.kylemafineart.com   GUEST INSTAGRAM: https://www.instagram.com/kylekcma/   Kyle Ma was born in the year 2000, he developed a love for art at an early age after being exposed to the works of the old masters through museums and art history books. Kyle says that painting allows him to express his viewpoint of our world. In 2010, Kyle moved with his family to Austin, Texas where he began seriously study oil painting under Elizabeth Locke. Here, Kyle learned the importance of having a solid foundation in the fundamentals to be a successful representational artist. Kyle also took workshops around the country with master artists to further his art education. He enjoys painting En plein air since it allows him to be immersed in the landscape during the process of creating. In 2016, Kyle held his first solo show with Wilcox Gallery. The show was successful and encouraged Kyle to consider art as a full time career after graduating. Kyle holds a BS in Geology from the University of Texas at Austin but chose to pursue art as a career. Kyle believes it reinforces the idea of making careful observations and seeking to understand these observations, a skill Kyle feels is extremely important in art.  Kyle's work has been exhibited in numerous solo and group exhibitions around the country, and has received several awards including the gold medal in the 30th annual Oil Painters of America National Show. Additionally, Kyle is a Signature Member of Oil Painters of America, Plein Air Painters of America and member of Salmagundi Club. Kyle was also featured in Southwest Art Magazine, Art of the West Magazine, Fine Art Connoisseur, Western Art Collector Magazine, and American Art Collector Magazine. Kyle teaches workshops around the world and has presented at Plein Air Convention and Portrait Society of America's conference. “Painting, to me, is an extremely passionate experience. I paint as much as I can, and hope that I can communicate with the viewer what I saw and how I felt each time that I pick up a brush." _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/     ANTHONYS FINE ART AND ANTIQUES  https://anthonysfineart.com  _________________________________________________________________________   THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/   

PODCAST BIOS   https://www.ericbowman.com https://www.instagram.com/ericbowmanart/   Eric Bowman was born in Pasadena and grew up in Orange County, CA. Essentially a self-taught artist, Eric had a knack for drawing as far back as he can remember, always the class artist throughout his elementary and high school years. Early on, various art-related jobs such as silk screen T-shirt printer or surfboard airbrush technician led to a lengthy and successful career as a freelance illustrator, eventually transitioning to fine art painting.   As a painter, Eric has exhibited in national & regional exhibitions in some of the country's most prestigious galleries and museums including the Autry Museum, Los Angeles; the National Cowboy and Western Heritage Museum, Oklahoma City; the Briscoe Museum, San Antonio, TX; the Gilcrease Museum, Tulsa, OK; the Kaiping Art Museum, Kaiping, China; the Academy Art Museum, Easton, MD; the Natural History Museum of Los Angeles and the Salmagundi Club, NYC.  His paintings are in private and corporate collections throughout the U.S. as well as England, China, Australia, Canada, Mexico and the West Indies.   Eric's work has also been showcased in feature articles with Art Of The West, Southwest Art, Practique Des Arts (France), International Artist, Fine Art Connoisseur, Plein Air and Western Art Collector magazines. He is a Signature Member of the California Art Club, and former Signature member of the American Impressionist Society and the Laguna Plein Air Painters Association. Eric resides in northwest Oregon with his wife and daughter.   Contact: eric@ericbowman.com _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/    STUDY WITH JEFF HEIN:   https://heinatelier.com/ 

PODCAST BIOS   https://www.ericbowman.com https://www.instagram.com/ericbowmanart/   Eric Bowman was born in Pasadena and grew up in Orange County, CA. Essentially a self-taught artist, Eric had a knack for drawing as far back as he can remember, always the class artist throughout his elementary and high school years. Early on, various art-related jobs such as silk screen T-shirt printer or surfboard airbrush technician led to a lengthy and successful career as a freelance illustrator, eventually transitioning to fine art painting.   As a painter, Eric has exhibited in national & regional exhibitions in some of the country's most prestigious galleries and museums including the Autry Museum, Los Angeles; the National Cowboy and Western Heritage Museum, Oklahoma City; the Briscoe Museum, San Antonio, TX; the Gilcrease Museum, Tulsa, OK; the Kaiping Art Museum, Kaiping, China; the Academy Art Museum, Easton, MD; the Natural History Museum of Los Angeles and the Salmagundi Club, NYC.  His paintings are in private and corporate collections throughout the U.S. as well as England, China, Australia, Canada, Mexico and the West Indies.   Eric's work has also been showcased in feature articles with Art Of The West, Southwest Art, Practique Des Arts (France), International Artist, Fine Art Connoisseur, Plein Air and Western Art Collector magazines. He is a Signature Member of the California Art Club, and former Signature member of the American Impressionist Society and the Laguna Plein Air Painters Association. Eric resides in northwest Oregon with his wife and daughter.   Contact: eric@ericbowman.com _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/    STUDY WITH JEFF HEIN:   https://heinatelier.com/ 

Get over 50% off your first year on your artist website with FASO: https://www.FASO.com/podcast/Become a Sovereign Artist today and take control of your sales!https://sovereignartist.substack.com/---For this episode, we sat down with Debra Keirce,  a realist artist who enjoys painting Trompe L'oeil miniatures and photorealism with a narrative approach. She began as a biochemical engineer but never gave up on her dream of one day becoming an artist. Since her career change, Debra has become an award-winning member of many prestigious artist organizations and recently she became the recipient of the 2022 Best of Show George Gray Award with the Coast Guard Art Program. This then led to her being invited onto an artist's residency out at sea. On this episode, we discussed her transition from engineer to artist, the importance of focusing on creating beautiful work that touches people's souls, the benefits of joining artist's clubs and organizations, and to not be afraid to "just do it". Follow Debra on Instagram:https://www.instagram.com/debrakeirce/Check out Debra's FASO site:https://www.debkart.com/Sign up for Debra's amazing newsletters that are featured on Fine Art Views:https://fineartviews.com/

Get over 50% off your first year on your artist website with FASO: https://www.FASO.com/podcast/Become a Sovereign Artist today and take control of your sales! https://sovereignartist.substack.com/---In this episode, we interviewed Derek Harrison, a figurative artist based in Santa Barbara, California, who specializes in dramatic figurative and landscape paintings. We discussed how he went from tattoo artist to figurative painter, as well as his transition from student to working artist. And we also talk about how he uses social media and other ways in order to maintain a good rapport with his collector base. And finally, we talked about a really exciting exhibition happening at the Salmagundi Club called "Americans in Paris, Fashion", where he will be displaying four of his paintings, as well as he will be teaching in May at the Los Angeles Academy of figurative art, where anyone is welcome to join!Follow Derek on Instagram!https://www.instagram.com/derekharrisonart/Check out Derek's FASO site:https://www.derekharrisonart.com/

A couple of months ago, Ben Miller turned up at the Salmagundi Club in New York's West Village to assume an unfamiliar role: that of interviewee rather than interviewer, sharing his expertise on nineteenth century American silver with the audience of the Gilded Gentleman. It's a conversation that we are proud to present to you now. Silvery was in a state of flux during the nineteenth century. Discoveries of huge lodes such as the Nevadan mother given its name by Henry Comstock, new production methods like silver plating, and most importantly, the maturation of the domestic industry, were shifting American styles from the Englishisms of Paul Revere to the Yankee grandeur that was Gorham, and the glory that was Tiffany. That's the metanarrative. But Ben and GG host Carl Raymond don't shy away from pesky niceties such as the difference between the silver of Louis Comfort Tiffany and his father, Charles, the importance (or unimportance) of hallmarks, and the most consequential question for listeners hoarding family silver in the attic: whether nineteenth-century services have value beyond their weight in . . . well, silver.

This BoldBrush Podcast episode is about an exciting event happening this very moment at the Salmagundi club. It's called “Lineage” and it's an exhibition of paintings, drawings and sculptures.  Lineage  illuminates how The Salmagundi Club has encouraged generations of artists — and stewarded the well of creative practices from which we all draw. BoldBrush was joined by Patricia Watwood, first Vice-President and member of the board, and Bill Indursky, curator and executive director of the Salmagundi Club, to tell us all about some of the artists being shown at the exhibition, some of the incredible history of Salmagundi, and some upcoming events you won't want to miss!  Check out the Salmagundi website for more information on the exhibition: https://salmagundi.org/2022-lineage-exhibition/  Check out their other events: https://salmagundi.org/current-exhibitions-events/  Become a member! https://salmagundi.org/become-a-member/  Check out their Instagram: https://instagram.com/salmagundiclub/ Visit the Club! Salmagundi Club 47 5th Ave  New York, NY 10003  United States +1 212-255-7740 

Hear how memories impact you now and guide your future What are your memories of growing up? Your friends? Neighborhood? Life-changing moments in our society? In today's podcast, Helen Newman, a friend from my elementary school (Davis Elementary School in New Rochelle, NY) and I discuss the power of memories. Although we had different experiences in high school (she was in a sorority, I was president of the Salmagundi Club), we both experienced the good times and not-so-good times of the 1960s. The funny thing about memories is that they're selective. We pick and choose the ones that fit our own story, often one where we are the heroes and we forget what others were struggling with or enjoying all around us. I guarantee that after listening to Helen, you will be amazed at her wisdom and joy. Helen writes about something every month. Sometimes it is about why that month means something to her. Other times, she writes about old friends and new ones. But in today's conversation, we go deeply into the anguish we all felt during high school. If you were alive then, you like us will forever ask: "Where was I when John F. Kennedy was shot?" We even remember what we were wearing. We also talk about how we felt when our biology teacher, Mrs. Schwerner, lost her son during the civil rights unrest in the South. And the conflicting passions surrounding the Vietnam War. To state the obvious, we grew up in very challenging times. This month (November), she wrote about our autograph books. It was hysterical to remember what people wrote about. Her book was filled with poignant, loving, sincere and sentimental sayings, like: "Helen and whomever, sitting in a tree, K-I-S-S-I-N-G." You remember those. Her favorite, and mine as well: “When you get old and out of shape, remember girdles are $2.98.” Sadly, they don't make autograph books anymore, and I would have to dig into my attic to find mine. But you get the point! Helen never expected to be a writer. A while ago, she started to write and then it became a wonderful hobby. I love the blog posts that seem to touch everyone's heart. She remembers stuff that we might also, but she puts it into a story (usually her own) and brings us back to the days when...you can finish my sentence. My message to you, our listeners, is to find your own Helen Newman. Or become one for others. Remembering is so important as time flies, and the moment brings back the time and place you were growing up in. We might still be growing up, never growing old, but we continue to live each day, forgetting how our past framed our present and set the stage for the future. I cannot thank Helen enough for joining us today and sharing her own story. Think about writing yours. You can contact Helen at hnewman@tsjesq.com. My quote for us today: “The worst part of holding the memories is not the pain. It's the loneliness of it. Memories need to be shared.”   ― Lois Lowry, The Giver  For more about storytelling and the role it plays in our memories, try these: Blog: How Storytelling Can Transform Your Culture And Energize Your Team Podcast: Karen Dietz—Your Story Is Your Secret to Amazing Success Podcast: Roshni Pandey—To Find Your Happiness, Assemble The Kind Of Life You Want Additional resources for you My two award-winning books: Rethink: Smashing The Myths of Women in Businessand On the Brink: A Fresh Lens to Take Your Business to New Heights Our website: Simon Associates Management Consultants   Read the transcript of our podcast here Andi Simon: Welcome to On the Brink With Andi Simon. Hi, I'm Andi Simon. As you know, I'm your host and your guide, and my job is to get you off the brink. You know, my company, Simon Associates Management Consultants, we've been around for 20 years, helping people see, feel and think in new ways so they can change. And I often look for people who are going to give you a new perspective so you too can begin to see things through a fresh lens. You maybe even step back like an anthropologist (like myself) and observe what's going on and reflect on it, reflect on yourself, and begin to find great ways to think in new ways. So today, I have a wonderful woman here, Helen Newman. Helen and I go back to elementary school. And I'm going to let her tell you her story because as we were talking, and I was reading the things that she writes on Facebook, to bring back the memories, I said, "My audience should hear you remember." We're storymakers. Humans love to make stories. And when we do use memories to create them, we connect in ways that are really magical. I'm going to read you one of hers in a moment. But first, Helen, thanks for joining me today. Helen Newman: It's a pleasure to be here. Andi Simon: Tell the listeners, who is Helen Newman and what's your journey all about? Helen Newman: My journey, let's say I'm a senior citizen so I've had a long journey. I grew up in New Rochelle, a suburb of New York. And when I look back, I think of my childhood as wonderment. Of course, there were bad days, a middle child, typically an outgoing introvert. And I had to fight for my place in the house. There were three girls, and I'm in the middle. It was my friends, my school that meant the most to me. And I never forgot that. I went to New Rochelle High School with you. I met my husband in New Rochelle. He wasn't in the high school with me because he had already graduated. But he also was from New Rochelle. He passed away 10 years ago. I went to art school after high school, I wanted to be an art teacher. But I always secretly wanted to be a writer. In those years, I hope your listeners remember that for women, it wasn't all that easy. And even my own mother who was kind of a beatnik, she was a pianist, even she said, "Well, be a teacher. You know, you'll be home in the summer with your kids." And all of that 1963, mid '60s, feeling. But secretly, I always wanted to be a writer. Andi Simon: But you didn't become a writer? Helen Newman: No, I did not. As a child, I lived in a cul de sac. And I used to write plays when I was nine years old. And made all of the girls in the cul de sac be in the play and make the parents pay to come and see it. Andi Simon: I know when you were telling me that, I suspect that I even attended them. Helen Newman: I remember doing The Princess and The Pea. I got the Golden Book and then wrote my own scripts. And I think I was about nine or 10. But I was never encouraged in any way other than to be an artist. She couldn't see beyond the teacher. And I love children. So she knew that. My father, however, said to me, "You should be an attorney because you can argue on any subject." And I ended up working in a law firm after teaching. It's really funny because I still remember my father saying, "You can argue any case." He didn't have any sons so I was the son he never had. Andi Simon: Oh, I love it. The interesting part, as we were preparing for this, we were reminiscing. You know, we both went to school at a time when New Rochelle was, I'm going to guess, half Jewish and half African American, maybe 40/40. But it was a very interesting time. We held hands and sang We Shall Overcome. Absolutely. It was a time when Michael Schwerner, who was our biology teacher's son, was killed in the South. And one of the folks on the Facebook stream went under the Michael Schwerner bridge on the Hutchinson Parkway and was reminiscing. The reminiscing part is really important. We were there when John Kennedy was shot. And we all can vividly remember what we were doing and where we were at that moment in high school. Helen Newman: Yeah, just recently, a niece of my daughter in-law from New Jersey interviewed me on where I was the day Kennedy was shot, and what I was doing, and I said, "Not only do I remember everything, but I can tell you what I was wearing. That's the impact." Andi Simon: But I remember that all of us had gone through the Vietnam War period. I mean, we were all growing up in a transformational moment for American society. I don't think it's ever stopped being transformed. But I agree, I do think that we were growing up and changing at the same time. Helen Newman: Yes. I think it's really important to change. When you grow, you change when you go out into society. When you meet people, you change. That's why friends of mine have used the term, "Oh, I'm old school." And they do it on purpose. Because it drives me crazy, the hairs on my neck stand up. Old school means you're not changing with the times. Andi Simon: Oh, so interesting. So they've boxed you in yet you do your own thing. Ten years ago, you lost your husband and then you started to write on Facebook on our New Rochelle High School class of '64 Facebook places. Was losing your husband a catalyst for this or just you needed something to do? What was the momentum there? Helen Newman: No, actually, starting in 1974, I was called by a few friends because I have this weird organizational talent. Don't ask me why. They called me and said, "Let's have a ten-year reunion." And I always like working. I always like having a project. So I said, "Okay, I'll do it." And I did. And it's very interesting. Very few people came. And it was the 23rd year of our graduation when someone called me and truthfully, I don't even remember who it was, I think it was three or four people called, and said, "You should do a 25th." And I said, "Oh, God, it's a lot of work." But I did it. We had 400 of our graduates come to White Plains, NY for the 25th reunion. And the feeling, I can tell you something that I still remember, I was sitting at the welcoming table because I had to be like the boss and show everybody what to do. And I saw two groups of people walk in and see each other for the first time in 25 years. And they started screaming and running to each other. And I looked at my friends and I said, "This is worth it. It's worth it. Look at these people. They are so happy to see each other." And that was when it started. Then when it was our 48th anniversary, I got another call who said, "You have to do it for 50 years." And I said, "It's a lot of work, but I'll do it." I formed a committee on Facebook. There's a Facebook New Rochelle High School Facebook page. And I started to promote it. How else do you do it? So I started writing. Ah, and from then on the countdown, all of the questions that helped me find people all over the country. Very few stayed in New Rochelle. I've been one of the only few that are still here. And it snowballed into people calling me and saying, "What are you posting? I love your posts." And again, I'm the typical outgoing introvert. I like to be with a lot of people but I like to be by myself. Oh, this was way after the reunion, I got phone calls again: "Don't stop posting. I look forward to it," because people want to remember. They do want to remember. And it's important. Our friendships were important. We lost contact with people, we regained that contact. It's so special to me that I don't even have the words and I'm filled with words. I don't have the words to express to you how much it means to me that people have reconnected because of me. Andi Simon: I'm going to read Helen's latest September 2nd posting, a piece of it, so you can get the feeling because I want to go back to what she said is important to her. But it's also important to all the 1000 folks who are graduates who are reading it, and the 125 who view it and then share it and then comment on it. And I watch their names and I'm going to say we hung out. This is cool. So this is September: As I was pondering what to write, I suddenly realized that the month of September is filled with memories and holidays to celebrate. Now, the hard part is trying to focus on one particular aspect of the month. Oh my goodness, obviously, I cannot write funny anecdotes about how deliriously happy we are that our kids are going back to school. I can't even write about how deliriously unhappy teachers are to go back to school. Most of you, not all, but most of you must be retired, so you know that subject. I could write about Labor Day, but I believe I've told you all this. However, one statistic is interesting. Did you know that more people are born in September than any other month of the year? Yeah, that was interesting. Is that why we celebrate Labor Day in September? Maybe? September 10 Is TV dinner day. Do you remember the TV dinners? Oh, I remember them. Except they're called streaming dinners now, and I laugh. Also September 17 is locate a friend. But I've already located all of you. And then there's September 19: respect for the aging day. No, definitely not that. And I can tell you, Helen, I'm not the only one who was laughing. So here's what I've decided. I'd like to celebrate Google. Oh, so important. No, so needed effect. Did you know that Backrub was the original name of Google? You imagine it being called Backrub? I got to get a backrub. Really? I know. You can tell me more about it. Google was founded on September 4, 1998. Now think about it. By Larry Page and Sergey Brin while they were PhD students at Stanford. I shudder to think of what my life would be like if I didn't Google everything. I watch a film and Google the director. I read a book and Google the author. I'm a Google libertarian. Helen Newman: Don't bother googling me. I come up as Helen Newman Hall, rec center. Andi Simon: And so enjoy your Labor Day weekend. And then keep laughing. And those comments are all absolutely beautiful comments, because we never stop learning interesting things about September. I can't even begin to count the time. So I'm asking Google for info. Thanks, Helen. I love this post. I wonder if the number of babies born in September were after the end of the war. So I share with you my listeners and my audience why Helen was so important to bring to you. Because she makes us laugh. You can't read her stuff. You're not part of the private group. But she can tell us about that. How do you decide what to write about? And where do you get the humor, and how I want the listeners to think about their stories, and how important it is in their lives, to connect, to belong and to be part of something more than just where you are today. The memories make your life more meaningful. So tell us how you became this writer? That's just brilliant. Helen Newman: Well, thank you. I love writing. I love making people laugh. Those are my two specialties. I researched the months. Two weeks before I post, I research the month to see what holidays people make up. I don't know where these holidays ever came from but they're on Google. You can Google a month and you will see 50 to 60 holidays. Then I print them out and I circle the ones that could be funny to us and circle the ones that would mean something to us. I try to incorporate something funny about being a senior. Something funny about our childhood and something to remember for all of us to remember. And I start writing. I write on my computer, I print it out, I edit it. The next day I look it over, I make it funnier. It's like a job, but it's a job I love. Yes. And I'll tell you, what keeps me going is that one month, I think I was in California visiting my children. And I didn't come home until the sixth of the month. When I got home, I had four messages on my answering machine: "Are you okay? Did something happened? I'm waiting for your post." And I thought, oh my god, people really do wait for it. People love to remember. People love the funny things we can remember. People love to remember their childhood friends. Yep. And it means so much to me that 125 people at least read those posts that I post. And because I don't post anything on regular Facebook, it's only on our page. I don't believe in my life being that important to someone to my 400 friends on Facebook, because I love the fact that people love to talk about their past and what we were like when we were children. Just the other morning, I was like at the Tweed Ward school. I don't know, your listeners won't know. But you'll know, on Quaker Ridge Road between Ward School and Albert Lemon, and the crossing guard was letting a young lady cross. I would say she was in the eighth, seventh or eighth grade. She was wearing Ugg slippers, short shorts, her backpack, a short t-shirt and a sweatshirt. And all I could remember was Mr. Daley called my mother because my skirt was above my knee. I thought she was adorable. But, all I could remember was Mr. Daley calling my mother and said that my skirt was too short. That was probably in 1960, probably 1961. I think the New Abbot Leonard that we went to was in 1961, wasn't it? Andi Simon: Albert Leonard was a junior high school and Ward School became an elementary school. At the time, the population of children was growing very rapidly. And I only moved up there when I was 10. So you can get some dating and it was promos that I went to, and we all walked there. And Joyce was there. And we all rode our bikes. And we rode our bikes to Lord and Taylor. And it was a great community. Helen Newman: When Lord and Taylor closed, I almost was in tears because we used to ride our bikes there. Andi Simon: So the memories are essential to who we are. Helen Newman: They are absolutely essential to who we are. It. I think one of my posts mentioned, we had to have license plates on our bicycles. And I remember the test at Davis School. Kids don't have to do it now. We were so into our school. We were so into each other. It means a lot to remember that. Andi Simon: It does. It does. And sometimes I need some clarity on my memories, because I lived on Primrose Avenue. But I went to the Davis School. And as I said those words I said, No, that's not right. You didn't go to the Primrose School, you went to the Davis School up the hill. And I do think that sometimes our minds forget all important kinds of things that we want to learn to remember. So as you're looking forward, I always like to look ahead a little bit. You know, it sounds like you're going to be doing this for a long time. It gives you great pleasure. Helen Newman: It gives me great pleasure. It's getting harder because I don't want to repeat myself and I've been doing it for 10 years, once a month for 10 years. So I will keep doing it as long as the people respond because that's what keeps me going. They love to remember that we were great kids. Kids are great.  Andi Simon: We were great kids and we cared about each other. And one of my mom's legacies was when she would say to me, "Andrea, I really don't care what everyone else was doing, you only hear what you're doing." It was a very hard way to grow up, because I wasn't quite sure what I was supposed to be doing. And then once you want to watch what other people are doing, and then figure out if that was good or bad, but I remember growing up and having to make choices. And it was a time where you had to find good friends who helped you make good choices, because it wasn't hard to make bad ones. Helen Newman: Absolutely. It wasn't hard at all. And yet, I don't know any kids that I ever knew that made terrible choices, which was very lucky on my part. We didn't drink. We didn't smoke. We didn't do drugs. We didn't work in my house. We listened to music because my mother was a pianist. So music has always been a big part of my life. And my mother died when she was quite young. So that's another reason why I like to remember. Andi Simon: You spoke about how you do this but that sounds like a pretty good process for anybody who's listening. And we'd like to do it as well. You got to do a little research. Right? Helen Newman: Look at what's around you. I don't know if it was last October, or the October before conducting three years ago, I don't know. I was driving to work and I saw a sign for Oktoberfest. And right away, as I'm driving to work, I'm composing my post about Oktoberfest. There's always ways you can connect. And I'll tell you what's really the loveliest part, there's a few of the women who post on Facebook, answering my posts, and they come here twice a year to have lunch with me. That's pretty cool. To have them live in the city, which is not far away. But one of them lives in South Carolina, the other lives in Florida. They come up to New York to see their children and for other reasons. And they make sure to call me and usually in December, we have a little lunch. And just as these are my friends from forever. Andi Simon: I was a professional up in Poughkeepsie, and I'm at a party. And a woman walks over and said, "Are you Andi Simon?" And I said, "Yes." She said, "I'm Dana Men." So I said, "Oh my gosh!" You know, I was like, ah, you know, six degrees of separation. Helen Newman: You're absolutely right. And with me still being here and my husband from New Rochelle, no matter where I go, someone will say, "Wait, did I know you in high school?" Yeah, it's fun. It's important for us to remember our childhood, see this and grow from that. Not everyone had a perfect childhood. I always told my kids, and I'll probably leave you with this: there are three types of families. There's dysfunctional, semi-dysfunctional, and television. Called my kids that perfect family except Father Knows Best. Andi Simon: You're so funny. Helen Newman: And now that we're parents and grandparents, remember your parents and your grandparents and what they went through. Andi Simon: I feel extremely blessed because my kids are out in California and visiting my kids is just terrific. Ones are in New Hampshire, terrific ones in California. Terrific. They have great families, and they're raising great grandkids. And so I sit back and I look and I say, Well, I was professional from the time you were babies. And you seem to have raised yourselves really well. And I'm delighted. Helen Newman: So they raised themselves. I have two children, both living in California, both working in Hollywood. So they were brought up with a mother who cared about music, art and film and writing. And they themselves are there. So doing the same thing. Andi Simon: Helen, any last words or shall we wrap up for our listeners? Helen Newman: It was a pleasure to talk to you. I love my Facebook, my New Rochelle High School Facebook page. I'm so glad that you read my posts. I want everyone out there to understand that your childhood is really important. Yeah, don't forget to think about it and don't forget it. Andi Simon: I'm going to add to that being an anthropologist, like I am, we spend a lot of time understanding that people are story makers and storytellers. I will tell you there's nothing in Helen's posts, she's a wonderful novelist, but none of our own memories are true. The only thing we have are our memories, which are great stories, right? That's why when she and I started comparing the numbering, meaning, where we were and how your mind wants to make sense out of now, in the context of where you were, then exactly. And so the best thing you can do is start to write and make it a blog that you can share with your family, or just make it in your diary so that you can keep it for yourself, but don't lose the memories. Because it helps you belong to something bigger than just yourself. And your thoughts? Helen Newman: Well, that's exactly how I feel. Andi Simon: Now I'm going to post this and push this out into the world. And for our listeners, we are in the top 5% of global podcasts. And I'm honored because it's you who helps share, and so many of you listen and then email us and tell us what you've enjoyed. I'm anxious to hear about starting to write your own stuff and share it with us. And let's use Facebook for all the things that can be done and Google as well. So at the end of the day, I want you to have a very happy day and enjoy the memories. Thanks again. Goodbye.

RICKY MUJICA http://www.rickymujica.com     Born and raised in New York City, Ricky Mujica studied art at the High School of Art and Design, Parsons in Paris, and at Parsons School of Design /New School for Social Research where he won a full Presidential Scholarship. The artwork of Ricky Mujica was initially influenced by the old masters and this connection has helped him achieve a high level of success as an illustrator. Before returning to his roots as a fine artist, Ricky Mujica created art for all the top publishing companies including Harper Collins, Harlequin, Bantam, and Scholastic. He has created art for major magazines including the New York Times Magazine and Ebony. His work has been seen in commercials for such products as Cherry 7-Up, on murals for Sony and Leows theaters, and on clothes for fashion designer Rachel Roy. His artwork has been represented at the Museum of American Illustration on several occasions. Since returning to his first love, Fine Art, Ricky has received many awards. This includes a first place finish at the April round of The Representational Art Conference 2015 competition (TRAC2015). A signature Status from the Portrait Society of America where he has been a finalist and certificate of merit recipient in their international competitions on several occasions. He has been a finalist in the OPA National, Regional and members competitions, the Salmagundi Club members and non-members competitions, the Allied Artists Competitions, the National Oil and Acrylic Painters National competitions, the Richeson Competitions, the Artist Magazine figurative art competitions, and the ARC International Salon Competitions, he won the Art Expo Solo Award, and has received an Honorable Mention in the Figurativas competition in Barcelona. Most recently, Ricky won the Florence and Ernest Thompson Memorial Award at the 103 Allied Artists Exhibition, and First Place at the Lore Degenstein Gallery of Susquehanna University Ninth Annual Figurative Drawing and Painting Competition. He currently teaches at the acclaimed Art Students League of New York and has been on the teaching faculty at the Portrait Society of America. He has given demos and workshops on representational painting all over the world. Ricky considers himself a humanist representational painter. The technique is influenced by Baroque masters like Rembrandt and Velasquez. His color model is influenced by Monet, Hawthorne and the 19th century ideas about retinal painting. The contextual ideas are influenced by 20th century modernist ideas, most specifically the Abstract Expressionists like Motherwell, Deibenkorn, and Kline. The subject matter is influenced by humanist painters like Kathe Kollwitz and Mary Cassat. Ricky has lived in Africa, Norway, Germany, Mexico, France, Spain, Japan, England, Italy, and Australia.  

RICKY MUJICA http://www.rickymujica.com     Born and raised in New York City, Ricky Mujica studied art at the High School of Art and Design, Parsons in Paris, and at Parsons School of Design /New School for Social Research where he won a full Presidential Scholarship. The artwork of Ricky Mujica was initially influenced by the old masters and this connection has helped him achieve a high level of success as an illustrator. Before returning to his roots as a fine artist, Ricky Mujica created art for all the top publishing companies including Harper Collins, Harlequin, Bantam, and Scholastic. He has created art for major magazines including the New York Times Magazine and Ebony. His work has been seen in commercials for such products as Cherry 7-Up, on murals for Sony and Leows theaters, and on clothes for fashion designer Rachel Roy. His artwork has been represented at the Museum of American Illustration on several occasions. Since returning to his first love, Fine Art, Ricky has received many awards. This includes a first place finish at the April round of The Representational Art Conference 2015 competition (TRAC2015). A signature Status from the Portrait Society of America where he has been a finalist and certificate of merit recipient in their international competitions on several occasions. He has been a finalist in the OPA National, Regional and members competitions, the Salmagundi Club members and non-members competitions, the Allied Artists Competitions, the National Oil and Acrylic Painters National competitions, the Richeson Competitions, the Artist Magazine figurative art competitions, and the ARC International Salon Competitions, he won the Art Expo Solo Award, and has received an Honorable Mention in the Figurativas competition in Barcelona. Most recently, Ricky won the Florence and Ernest Thompson Memorial Award at the 103 Allied Artists Exhibition, and First Place at the Lore Degenstein Gallery of Susquehanna University Ninth Annual Figurative Drawing and Painting Competition. He currently teaches at the acclaimed Art Students League of New York and has been on the teaching faculty at the Portrait Society of America. He has given demos and workshops on representational painting all over the world. Ricky considers himself a humanist representational painter. The technique is influenced by Baroque masters like Rembrandt and Velasquez. His color model is influenced by Monet, Hawthorne and the 19th century ideas about retinal painting. The contextual ideas are influenced by 20th century modernist ideas, most specifically the Abstract Expressionists like Motherwell, Deibenkorn, and Kline. The subject matter is influenced by humanist painters like Kathe Kollwitz and Mary Cassat. Ricky has lived in Africa, Norway, Germany, Mexico, France, Spain, Japan, England, Italy, and Australia.  

https://www.michaelshaneneal.com Since beginning a full time career as an artist at the age of 21, Michael Shane Neal has completed more than 500 commissioned portraits on display around the world. His portraits include Supreme Court Justice Sandra Day O'Connor, former Secretary of Interior Dirk Kempthorne, former President George H.W. Bush, 9th Baronet and Laird of Luss, Scotland Sir Malcolm Colquhoun, former U.S. Ambassador to France Charles Rivkin, U.S. Senators Arlen Specter, Robert C. Byrd, and Bill Frist, Federal Chief Judge Anthony Scirica, and actor Morgan Freeman. Receiving his B.A. from Lipscomb University, Neal also studied at the Santa Fe Institute of Fine Arts, The Scottsdale Artist School, Lyme Academy of Art, and he is a protégé of America's most celebrated figurative and portrait painter, Everett Raymond Kinstler. Neal's work has been featured in publications such as American Artist, International Artist, The Artist's Magazine, Art News, Fine Art Connoisseur, and Nashville Arts Magazine. He has received numerous awards for landscape and figurative paintings as well as the Grand Prize Award from the Portrait Society of America in 2001. Neal is the chairman of the board of the Portrait Society of America. He has also served on the board of directors of the American Patrons for the National Library and Galleries of Scotland (APNLGS), the board of trustees for The Andrew Jackson Foundation, the Executive Board of Trustees for Cheekwood Museum of Art, and as a member of the Norman Rockwell Museum's National Council. He is a member of the Allied Artists of New York, the Artist Fellowship of New York, the Salmagundi Club, the Lotos Club, the Century Association, the Sloane Club of London, the Cumberland Society of Painters, the Economic Club of Nashville, and an Exhibiting Artist member of the National Arts Club in New York, among others. Neal, the father of two daughters, enjoys church and community outreach, golf, plein-air painting, travel, and reading with a particular interest in history.

https://www.marioarobinson.com Mario Andres Robinson was born in Altus, Oklahoma, where he resided with his family before relocating to New Jersey at the age of twelve. Robinson studied at the prestigious Pratt Institute in Brooklyn, New York. In 2014, Robinson was chosen to be a Brand Ambassador for Winsor and Newton art materials. He is the author of "Lessons in Realistic Watercolor," a comprehensive guide of the artist's watercolor techniques (Monacelli Press).    The work of Mario Andres Robinson fits squarely within the tradition of American painting. Robinson's finished works bear a close affinity to the masters of the realist tradition, Andrew Wyeth and Thomas Eakins. Containing few references to modern life, Robinson's work has a timeless and universal quality, and exhibits a distinct turn-of-the-century stylistic aesthetic. The images he chooses, which refer to a bygone era where solitude and reflection were abundant, also provoke frequent allusions to the paintings of Winslow Homer and Edward Hopper. Mario Andres Robinson is an Exhibiting Artist Member (EAM) of The National Arts Club, an Artist Member of The Salmagundi Club and a Signature Member of The Pastel Society of America. His work has been featured several times in The Artist's Magazine, The Pastel Journal, Watercolor Magic, American Art Collector, Fine Art Connoisseur and on the cover of American Artist magazine. In the February, 2006 issue of The Artist's Magazine, Mario was selected as one of the top 20 realist artists under the age of 40.

Since beginning a full time career as an artist at the age of 21, Michael Shane Neal has completed more than 500 commissioned portraits on display around the world. His portraits include Supreme Court Justice Sandra Day O'Connor, former Secretary of Interior Dirk Kempthorne, former President George H.W. Bush, 9th Baronet and Laird of Luss, Scotland Sir Malcolm Colquhoun, former U.S. Ambassador to France Charles Rivkin, U.S. Senators Arlen Specter, Robert C. Byrd, and Bill Frist, Federal Chief Judge Anthony Scirica, and actor Morgan Freeman. https://www.michaelshaneneal.com/ Receiving his B.A. from Lipscomb University, Neal also studied at the Santa Fe Institute of Fine Arts, The Scottsdale Artist School, Lyme Academy of Art, and he is a protégé of America's most celebrated figurative and portrait painter, Everett Raymond Kinstler. Neal's work has been featured in publications such as American Artist, International Artist, The Artist's Magazine, Art News, Fine Art Connoisseur, and Nashville Arts Magazine. He has received numerous awards for landscape and figurative paintings as well as the Grand Prize Award from the Portrait Society of America in 2001. Neal is the chairman of the board of the Portrait Society of America. He has also served on the board of directors of the American Patrons for the National Library and Galleries of Scotland (APNLGS), the board of trustees for The Andrew Jackson Foundation, the Executive Board of Trustees for Cheekwood Museum of Art, and as a member of the Norman Rockwell Museum's National Council. He is a member of the Allied Artists of New York, the Artist Fellowship of New York, the Salmagundi Club, the Lotos Club, the Century Association, the Sloane Club of London, the Cumberland Society of Painters, the Economic Club of Nashville, and an Exhibiting Artist member of the National Arts Club in New York, among others. Neal, the father of two daughters, enjoys church and community outreach, golf, plein-air painting, travel, and reading with a particular interest in history.

Pianist Vadim Neselovskyi grew up in the port city of Odesa, Ukraine, which has come under attack from Russia in the ongoing conflict. Recently, Neselovskyi recorded an album about his home city titled, Odesa: A Musical Walk Through a Legendary City, out tomorrow, and has been touring around Europe and the United States to raise money for humanitarian efforts in Ukraine. He will be playing two shows in New York City, one on June 17 at the Salmagundi Club, and again on June 29 at The Stone. Neselovskyi joins to discuss his memories of growing up in Odesa, writing music about the city, and his fundraising concerts to help those suffering from the war.

https://www.marioarobinson.com Mario Andres Robinson was born in Altus, Oklahoma, where he resided with his family before relocating to New Jersey at the age of twelve. Robinson studied at the prestigious Pratt Institute in Brooklyn, New York. In 2014, Robinson was chosen to be a Brand Ambassador for Winsor and Newton art materials. He is the author of "Lessons in Realistic Watercolor," a comprehensive guide of the artist's watercolor techniques (Monacelli Press).    The work of Mario Andres Robinson fits squarely within the tradition of American painting. Robinson's finished works bear a close affinity to the masters of the realist tradition, Andrew Wyeth and Thomas Eakins. Containing few references to modern life, Robinson's work has a timeless and universal quality, and exhibits a distinct turn-of-the-century stylistic aesthetic. The images he chooses, which refer to a bygone era where solitude and reflection were abundant, also provoke frequent allusions to the paintings of Winslow Homer and Edward Hopper. Mario Andres Robinson is an Exhibiting Artist Member (EAM) of The National Arts Club, an Artist Member of The Salmagundi Club and a Signature Member of The Pastel Society of America. His work has been featured several times in The Artist's Magazine, The Pastel Journal, Watercolor Magic, American Art Collector, Fine Art Connoisseur and on the cover of American Artist magazine. In the February, 2006 issue of The Artist's Magazine, Mario was selected as one of the top 20 realist artists under the age of 40.

As one of the founders of Plein Air Easton, artist Nancy Tankersly is a visionary that anticipated the growth of the Plein Air movement and took that opportunity to begin what has grown into the largest outdoor painting competition in the country.  Tim and Marie ask Nancy about the beginnings of Plein Air Easton, her definition of Plein Air, and the broader meaning of the growing movement. Nancy Tankersley began her career as a portraitist but entered the gallery scene with figurative paintings of people at work and at leisure. Currently as she searches for the unpredictable, Tankersley moves between landscape, figures and still life. Incorporating non- traditional tools , supports and technologies for her paintings she remains faithful to her impressionistic style. Active in the current plein air movement, and a founder of Plein Air Easton, she travels worldwide participating in competitions, judging and teaching. In 2018,2019 and 2020  she was invited to be an instructor and demonstrator at the Plein Air Convention in Santa Fe and released two instructional videos with Lilliedahl Videos. In 2016 and 2017 she was invited to exhibit at the prestigious Masters Exhibition at the Salmagundi Club in NYC. Recent honors include Best of Show at Parrsboro, Nova Scotia International Plein Air 2018, Best of Show at the Lighthouse Plein Air Festival 2017 and the Dickinson Award for Best Painting by a Signature Member of the American Impressionist Society 2016 Annual Juried Exhibit. In 2019 she was selected to be the Featured Artist at the 49th Waterfowl Festival in Easton, Maryland.  She is a Signature Member of the American Impressionist Society, the American Society for Marine Art, and the Mid-Atlantic Plein Air Painters and also holds memberships in the Washington Society for Landscape Painters and the Salmagundi Club. Founder and Director of the Easton Studio, a workshops facility begun in Easton in 2010, the artist mentors and teaches workshops and also sponsors workshops by nationally known painters. Follow Nancy Tankersly: Official Site Facebook Instagram Follow Plein Air Easton: Official Site Facebook Instagram YouTube To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com. This episode is sponsored by JFM Enterprises, providing distinctive ready-made and custom frames & mouldings to the trade since 1974. Music in this episode was generously provided by Blue Dot Sessions.

We got an exclusive interview with Nicholas Dawes, the chairman of the board of one of the oldest artist clubs in the United States, The Salmagundi Club. He also has an impressive career as an auctioneer and appraiser having worked on one of the most popular shows on television: "Antiques Roadshow". Listen to this episode to hear his incredible tips on marketing and branding yourself to the right people so you may learn to live from the very thing you love doing: art.---Want to join the Salmagundi club? Click below:https://salmagundi.org/become-a-member/Join our community for more marketing tips to live from your art!https://www.sovereignartistclub.comNeed an amazing new artist's website? Get your site up and running using our special link:https://www.faso.com/podcast/

In this episode of The BoldBrush Podcast we took a special trip to one of the oldest arts organizations in the USA: The Salmagundi Club. We sat down with one of the club historians, Alexander Katlan, to hear about the club's history and opportunities that the club affords to young realist artists.--Sign up for FASO to get the deal mentioned in the podcast using our link!https://faso.com/podcastThe Salmagundi Club website:https://www.salmagundi.org Salmagundi Club Library Commission Competition: Eventbrite: https://bit.ly/3tx1IOQ Website Post: https://bit.ly/3GGlds6H

In today's episode, I got to speak to oil painting phenom Kyle Ma. The interview ran long, so I've broken it into two parts for your convenience. Part 2 is available now at passionatepainterpodcast.com/episode63.Kyle's work is truly a feast for the eyes, whether the subject is figurative, floral, landscape, or cityscape. His sensitivity to light and color temperature belie the fact that he's only 21 years old. Kyle's work has been exhibited in numerous solo and group exhibitions around the country and has received several awards including the gold medal in the 30th annual Oil Painters of America National Show. Additionally, Kyle is a Signature Member of Oil Painters of America, Plein Air Painters of America, and a member of Salmagundi Club. "Painting, to me, is an extremely passionate experience. I paint as much as I can, and hope that I can communicate with the viewer what I saw and how I felt each time that I pick up a brush."See some of Kyle's work, contact information, and full bio at passionatepainterpodcast.com/episode62

,In today's episode, I got to speak to oil painting phenom Kyle Ma. The interview ran long, so I've broken it into two parts for your convenience. Part 1 is available now at passionatepainterpodcast.com/episode62.Kyle's work is truly a feast for the eyes, whether the subject is figurative, floral, landscape, or cityscape. His sensitivity to light and color temperature belie the fact that he's only 21 years old. Kyle's work has been exhibited in numerous solo and group exhibitions around the country and has received several awards including the gold medal in the 30th annual Oil Painters of America National Show. Additionally, Kyle is a Signature Member of Oil Painters of America, Plein Air Painters of America and a member of Salmagundi Club. "Painting, to me, is an extremely passionate experience. I paint as much as I can, and hope that I can communicate with the viewer what I saw and how I felt each time that I pick up a brush."See some of Kyle's work, contact information, and full bio at passionatepainterpodcast.com/episode63

Jeff has been titled a “living master” by the art Renewal Center, and has been written up in numerous publications, including “American Art collector”, “Fine Art Connoisseur”, “Arts and Antiques” and “Jetset Magazine”. His work has appeared on the covers of “American Art collector”, “Art Calendar” and two years of the annual Spring Salon Catalog of the Springville Museum of Art. His work has also been shown in prestigious institutions such as the Utah Museum of Fine Art, The Springville Museum of Art and the Salmagundi Club in NY. He's won numerous awards, and his work can be found in notable public and private collections. Jeff has served as a faculty artist for the Portrait Society of America, and he is the founder of the Hein Academy of Art in Salt Lake City. We talk in-depth about the unique pedagogical structure of the Hein Academy of Art in this episode and it's absolutely fascinating, I'm sure you'll enjoy it. For more from Jeff Hein:Website: http://www.jeffhein.com/Painting Instagram: https://www.instagram.com/jeff_hein_art/Craft Instagram: https://www.instagram.com/jeff_hein_studio/Hein Academy of Art: http://www.artclassessaltlakecity.com/Pigments on Jeff's palette: Radiant violet, Dioxazine purple, Cobalt violet, Alizarin permanent, Quinacridone magenta, Radiant red, Perylene red, Vermillion, Permanent orange, Transparent orange, Brown pink, Transparent oxide red, Transparent oxide yellow, Indian yellow, Transparent yellow medium, Cadmium yellow medium, Cadmium Lemon, Cadmium chartreuse, Green gold, Cadmium green, Oxide of chromium, Sap green, Radiant green, Emerald green, Serves green, Phthalo green, Cobalt teal, Radiant turquoise, Radiant blue, Kings blue, Manganese blue, Phthalo blue, Cobalt blue, Ultramarine blue, Asphaltum, Naples, yellow deep, Naples yellow light, Ivory black, Titanium white or lead white.For more from Ken Goshen:Lessons: https://www.kengoshen.com/lessons Instagram: https://www.instagram.com/kengoshen/Patreon: https://www.patreon.com/kengoshenYouTube: https://www.youtube.com/kengoshenTo support the ART'S COOL podcast please visit: https://www.patreon.com/kengoshenMusic by Adaam James

After receiving a gold medal from the National Scholastic Art Awards in 1975, Paul attended Boston University School of Fine Arts. Contrary to the trends of that time, Boston University provided an educational foundation that emphasized the fundamentals of classical art training: anatomy and form, color, composition and draftsmanship. His professors included Joseph Ablow, David Aronson, and John Wilson. He received his BFA degree in painting in 1979. In the 1980s and ‘90s Paul created artwork for publication. His work won many awards and has appeared and been published worldwide. Former clients include: Digital, Cigna, Fidelity, Hewlett-Packard, IBM, Sunoco, TIME, U.S. News and World Report, The Wall Street Journal, Cahners, Prentice Hall, Houghton Mifflin and Ziff-Davis. Paul now lives and paints primarily in Massachusetts, in the outer parts of Cape Cod. He was featured as the cover artist on the July 2007 issue of American Art Collector magazine, and was also featured in June 2009 and June 2010. He has had two solo shows at the Cape Cod Museum of Art. In 2004 Paul was awarded a one month residency at the Fine Art Work Center in Provincetown, MA. He is a member of Oil Painters of America, American Impressionist Society and the Salmagundi Club in NYC.

Lyn is a Pastel Society of America Master Pastelist, an International Association of Pastel Societies (IAPS) Eminent Pastelist and a member of the Salmagundi Club. Her work has appeared in collections and exhibit throughout the United States, France and China. She is now living in a small town in Maine after 35 years in Florida, where she grew up. You can view her work on her website, Lynasselta.com or on my website, Lucyclarkgallery.com. She is also represented by Cutter and Cutter Fine Art Galleries in St. Augustine, FL., as well as Gleason Fine Art in Boothbay Harbor, Maine.

What subject matter do you love to paint? For you maybe it’s going outdoors and painting en plein air or to a crowded marketplace. Each artist has to find their own source of inspiration and motivation as they travel on their artistic journey - for Ricky Mujica - it’s all about family.  Ricky is an award-winning artist whose work appears in collections all around the world including Africa, Norway, Germany, and Mexico. His paintings have been exhibited at the Wausau Museum of Contemporary Art, The Bennington Museum of Art, The Salmagundi Club, the Museum of American Illustration and is in the permanent collection of the Portrait Society of America. Drawing from a wide range of artists, Ricky has forged his own creative path that is clear and distinct. While constantly honing his technical skills, Ricky also has an eye for the human experience - capturing scenes full of heart and emotion. I can’t wait for you to hear from Ricky’s unique and fascinating perspective - you might even catch a few helpful tips along the way.  Painting power  Who did you idolize when you were younger? Did you look up to an older sibling or maybe one of your parents? From great warriors to majestic mountains, artists throughout time have been drawn to powerful subjects. Ricky Mujica started painting scenes with mothers because he was drawn in by their power - the power to create life and sustain it.  In our conversation, Ricky was kind enough to share a fascinating story about why he painted an image of his wife breastfeeding their child on a subway - simply put - he was in awe. Hearing from Ricky, you really get the sense that he seeks to capture the essence of the moment in his paintings. Make sure to check out the captivating images of Ricky’s artwork located at the end of this post.   OPPA Let’s face it, life as an artist isn’t for the faint of heart - we go through a lot! We also get the profound privilege of honing our craft and showing the world what we see through our creative eye. In the midst of these difficult times with COVID-19 - I wanted to see what insights and advice a seasoned artist like Ricky had to share for those of us going stir crazy at home. In our conversation, Ricky opened up about his painting method he calls OPPA. Before each stroke of the brush, Ricky goes through the OPPA formula.  Observe - Be a detective, look around for clues that will inform your painting.  Plan - Wait and plan your stroke - don’t go on autopilot, be deliberate.  Put it down - Don’t wait too long, put something down on the canvas or paper.  Assess - Is it right? Did you miss anything that you need to change? Take an honest look.   As deliberate and planned out as Ricky’s approach seems, this is just the first pass. Ricky will often take a second, third and fourth pass before he is ready to continue. What can you learn from Ricky’s approach? Do you have a formula you’ve created over the years?  Outline of This Episode [4:00] I welcome my guest, Ricky Mujica.  [8:00] Ricky talks about why he enjoys painting mothers.  [18:00] Adapting to life under COVID-19.  [27:30] Is it OK to work from photos?  [30:00] Positive habits that Ricky has picked up over the years.  [36:30] Ricky explains technical details about his painting.  [41:15] What is OPPA?  [48:00] Taking a second, third, and fourth pass.  [57:00] Closing thoughts.  Other artists mentioned on this episode Rembrandt  Diego Velázquez  Michelangelo John Singer Sargent Charles Webster Hawthorne Richard Schmid Claude Monet Michelle Dunaway Resources Mentioned on this episode Ricky Mujica’s website

Tim Newton Publisher of Western Art & Architecture, photographer, art collector, renovation expert, minister, dog catcher, and renaissance man shares his love of art and the unusual life path art has taken him. From starting a church in New York to founding the American Masters Exhibition, Tim details his fascinating life as an art collector. Tim's continued dedication to the Salmagundi Club in New York City, of which he's been the chairman and CEO for 8 years is evident as he speaks on the history of the organization, as well as the club's future. All of this and more in this edition of the ART DEALER DIARIES.

Alison Nicholls leads Art Safaris in South Africa for National Geographic. The two back-to-back sessions sell out every year, and she loves teaching in this environment. Alison gives equal weight to her field sketches and studio work, and has begun to believe that the field sketches are almost more important. She is a Signature member of Artists For Conservation and the Society of Animal Artists, a member of the Explorers Club, and an artist member of the Salmagundi Club. In this episode of the Art Biz Podcast, Alyson talks with Alison about how the Art Safaris came about and how she uses social media, video, blogging, and her newsletter to attract students months in advance. See Alison's art: https://artinspiredbyafrica.com/ Find out about the Art Safaris: https://artinspiredbyafrica.com/art-safaris/ Follow her on Instagram: https://www.instagram.com/artinspiredbyafrica/ **** This episode is sponsored by my signature business-building program, the Art Career Success System, a program I have perfected for more than 17 years working with artists. All of the lessons you learn in the Art Career Success System are tasks you will do over and over again throughout your art business and career. That’s why it’s a SYSTEM. In the ACSS you will build a strong foundation using my video and audio lessons, worksheets, and transcripts. And you will be part of a community of artists who are forward-thinking and forward-moving. Join us now and get your business in shape. See http://artcareersuccesssystem.com. *** Music for the podcast is by Wildermiss: http://Wildermiss.com. Read the show notes, see photos, and leave a comment at https://ArtBizSuccess.com/podcasts (episode 41). *** Follow me on Instagram @AlysonStanfield Facebook @ArtBizSuccess #ArtBizSuccess If you have enjoyed this or other podcasts, I would so appreciate it if you would leave a rating and comment on Apple Podcasts or wherever you get your podcasts. It really helps!

Michelle Jung – methodical and keenly observant – creates expressive oil and mixed-media paintings that speak to the heart. When you first walk into a room with her paintings displayed on a wall you may see an expansive seascape, an intimate floral scene, or a quiet landscape. As you move in closer to her paintings, what was once clearly in focus begins to melt and break apart into gorgeous abstraction. Her painting process begins with thoughtful slowness. She then moves in quickly with her brushes and puts down deliberate, confident strokes of paint. Layer by layer she builds her painting. The result is an impressionistic portal into a world of light and dark, intriguing abstraction, and multiple planes of perspective that arrests our eyes and profoundly stirs our innermost emotions. As you stand before one of Michelle’s seascapes, you not only see the waves roll in and break upon the rocky shore – you hear the crash of the waves and smell the salt in the air. Though Michelle’s interest in art goes back to her childhood, it wasn’t until she turned 40 years old that she started painting. Long before starting painting, Michelle received her bachelor’s degree in art history from the Colorado State University. For a time she worked in several art galleries. That experience led to her gaining solid skills selling art. Later, she honed her business acumen when she started and managed an insurance agency. However, her love of art began to assert itself - she keenly wanted to learn how to paint. She began taking workshops from accomplished representational artists. At age 47, Michelle returned to school to earn her MFA in painting. She consistently practiced painting outside and in her studio. The result? Michelle Jung is an award-winning oil painter whose work has been exhibited in a number of group exhibitions and shows. She is a signature member of the American Society of Marine Artists as well as the California Art Club. She is also a member of the Salmagundi Club and The Guild of Boston Artists. Her example shows it’s never too late to start painting! In this episode, Michelle explains her process of painting and how deep observation, along with outdoor painting and sketching, form the foundation for painting from memory her larger studio works. In our conversation, she talks about her thoughts on composition, shares information on the materials she uses and experiments with, and reveals the surprising reason for her choice of aspect ratios of her paintings. She also shares with us her unique approach to marketing her art and brand. Michelle is not only an accomplished painter, she is also a collector of fine art. Now that’s someone who truly loves art! Mentioned in this episode: Michelle Jung Website: http://michellejungstudios.com/ Facebook: https://www.facebook.com/michellejungart/ Instagram: https://www.instagram.com/michellejungart/?hl=en Documentary - The Price of Everything on HBO: http://www.thepriceofeverything.com Energy Energy Design: https://nrgdesign.com/work/michelle-jung-fine-artist/ Len Chmiel: https://carlolson.tv/artful-painter/len-chmiel-an-authentic-nature-12 Brian Rutenberg: https://carlolson.tv/artful-painter/brian-rutenberg-abstraction-is-a-process-11 About the Artful Painter: Subscribe to my YouTube channel: https://www.youtube.com/channel/UCIo1YmQXnMm21b-Slkr69Tg Send me an email: https://carlolson.tv/contact My Artful Painter Sketchbooks: https://carlolson.tv/artful-painter-sketchbooks Artful Painter website: https://theartfulpainter.com Carl Olson on Instagram: https://www.instagram.com/artful.creative/ As an Amazon Associate I earn from qualifying purchases.

Kathie Odom lives in Knoxville, Tennessee – not far from the beautiful Great Smoky Mountain National Park. I first met Kathie and her husband Buddy almost two years ago at the Plein Air Painters of America workshop hosted by the Booth Museum in Cartersville, Georgia. She is an exuberant painter and enthusiastic student. Her paintings are filled with light and texture that capture the nostalgia and beauty of homes, buildings, farms, and landscapes scattered along smaller, less-traveled roads bypassed and unnoticed by hurried motorists barreling down crowded interstates. Her artistic vision helps us slow down and take note of the beauty of wherever she finds it. It's the landscape near her home that captures her heart. Scenes close to home are what she yearns to paint. Kathie’s development as a fine art painter was remarkably fast. She’s only been painting since 2009 – when at the age of 50 – she took her first painting workshop that was a gift from her husband. Ten years later, she was featured on the cover of the January 2019 issue of Southwest Art magazine and has been published in several other journals. She is a member of the Salmagundi Club, the American Impressionist Society, the Laguna Plein Air Painters Association, the Plein Air Painters of the Southeast, the Arts and Culture Alliance of Greater Knoxville, and Oil Painters of America. You are in for a treat in this fantastic conversation with Kathie Odom in this episode of the Artful Painter. Links for Kathie Odom: Web: https://kathieodom.com/ Facebook: https://www.facebook.com/kathieoart/ Instagram: https://www.instagram.com/kathieoart/ About the Artful Painter: Subscribe to my YouTube channel: https://www.youtube.com/channel/UCIo1YmQXnMm21b-Slkr69Tg Send me an email: https://carlolson.tv/contact My Artful Painter Sketchbooks: https://carlolson.tv/artful-painter-sketchbooks Artful Painter website: https://theartfulpainter.com Carl Olson on Instagram: https://www.instagram.com/artful.creative/  

If you’ve ever wanted to understand the mindset of an art collector, you’ll want to listen to this fascinating conversation with the Chairman of the Salmagundi Club.

In this episode of the PleinAir Podcast, landscape master Thomas Kegler joins Publisher Eric Rhoads at the venerable Salmagundi Club in New York City for what can only be described as a revealing and enlightening discussion. Apart from chatting about Kegler's path to artistic success, the two embark on a fascinating philosophical journey that touches on talent, failure, faith, and much more.

My Dad Arnold Prywes is a true Renaissance Man. By trade, he is a physician and an inventor, but he is also an entrepreneur, a sculptor, a photographer, an architect, and a terrific father. He has been Chief of the Glaucoma Service at the Northwell Department of Ophthalmology since 1981. An Associate Clinical Professor at the Northwell-Hofstra and NYU School of Medicine, he is currently President of the New York State Ophthalmological Society and has served as President of the Long Island Ophthalmological Society, Nassau County Medical Society and Nassau Academy of Medicine. My Dad is a Fellow of the American College of Surgeons and Fellow and past Councilor of the  American Academy of Ophthalmology. He has also been listed in the Castle-Connolly Guide to Top Doctors for well over a decade. He has been involved in clinical care, teaching and research as founding partner of Glaucoma Consultants of Long Island and Eye Care Associates. He also holds multiple patents, one of which () is completing FDA clinical trials and is being used in Europe and Canada. My Dad has enjoyed art (photography, ceramics, sculpture, architecture) as an avocation throughout his medical career. His more recent work has been inspired by his mentor of more than 25 years, the museum sculptor Rhoda Sherbell. His work has been exhibited at Allied Artists of America and Audubon Artists of America at the Salmagundi Club in New York City. He was also an All-City lineman for the Stuyvesant High School football team, because why not?

_ Animal Instinct _ is getting artsy this week as Celia welcomes Andrea Gianchiglia to the show. Andrea Gianchiglia is an animal portrait artist based in Califon, NJ. She is also an art instructor at the Visual Art Center of New Jersey, The Center for Contemporary Artists, and teaches online. Andrea holds memberships to various art groups such as the Society of Animal Artists, the Salmagundi Club, the Catherine Lorillard group and the Pastel Society of America. Painting animals is Andrea’s passion, “A portrait can keep a pet with us for a lifetime, because they aren’t just pets they are family.”  Tune in for a great discussion! “For me, it’s the eyes that really draw attention. I really like the emotion in the eyes.” [9:30] –Andrea Gianchiglia on Animal Instinct  

We were recently joined by artist David Kassan for a fun conversation at the Salmagundi Club. David is coming off of the success of his Kickstarter campaign to fund his Parallel Palette. David discussed his work, inspiration, roots and his Kassan Foundation.

      The #BSIWeekend 2015 is in the history books. As usual, it was a reminder of the richness of friendship and fun that are the side effect - and in some cases, the driver - of our interest in Sherlock Holmes. And it is the subject of this episode of I Hear of Sherlock Everywhere.   As you know, the  is a gathering of some hundrends of interested Sherlockians that is always full of food, fun and friends, and this year was no exception. In fact, this year it coincided with the 125th anniversary of the birth of Christopher Morley, the founder of the BSI, and the 100th anniversary of the publication of The Valley of Fear.   One of the highlights for us was the Lunch of Steele at the Salmagundi Club, honoring the memory of Frederic Dorr Steele, one of the great illustrators of the Sherlock Holmes stories. Burt has hosted this luncheon for the last 12 years, and he tells us why he decided to bring back the tradition of Morley's Three Hours For Lunch Club under the topic of Steele.   At the Salmagundi Club   There at the club, we enjoyed an intimate setting that allowed us to share a variety of interests and to capture a couple of those legendary stories that aren't documented in writing. We refer, of course, to Peter Blau, who regaled us with a John Bennett Shaw story and an Al Silverstein tale.   Peter Blau, looking forlorn after offering the raffle prize up for auction at the BSI Cocktail Reception.   We also reflected on the associated interests of Sherlockians that brought us to other societies such as the Victorian Military Society, the English Speaking Union and others.   One of the common interests of Sherlockians is comedy. David Stuart Davies has always been a star attraction at comedic efforts at our gatherings. And this year was no different, with Davies doing a one-man rendition of a Goon Show-like interlude called "A Quartet of M's," which we have a short audio clip of within the show. If you'd like to watch the full version, please check out the full video below (recorded with the permission of the BSI's "Wiggins," as you heard in Episode 71).       The investitures this year were nothing short of thrilling, with two very special ones. Kristina Manente of the Baker Street Babes received the investiture "Grace Dunbar," and Emily Miranker is now "Lady Hatty St. Simon." We have audio clips of each of them, including some commentary from her father, Glen Miranker, BSI ("The Origin of Tree Worship").   Kristina Manente, BSI gets her investiture face on   If you'd like to see more photos from the 2015 BSI Weekend, here's a slideshow from .     The Editor's Gas-Lamp for this episode is "Watson's Wound: Real of Phantom?" by Robert Katz, MD, BSI from The Watsonian (Vol. 2, No. 2).       Links: The Three Stooges'  The Amateur Mendicant Society's history  by Chris Music is now for sale.  for 2014 for the best article in the Baker Street Journal.  with Ian McKellen as a 93 year-old retired Sherlock Holmes.  of the BBC's Sherlock and it's taking place in London in April 2015.  for the Christmas special of Sherlock, with the actors in full Victorian garb.     Many more links, articles and images are available in our Flipboard magazine at (NEW and improved on the web!) and , as well as on the  on Google+ (still growing, now at over 2,300 members), as well as through our accounts on ,  and .       Please , ,  or  and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (ihearofsherlock AT gmail DOT com), call us at (774) 221-READ (7323).     This episode includes three sponsors that deserve your attention:    (check out the new )  , where you should get  in now to secure all four issues and a very special Christmas Annual about The Seven Per-Cent Solution. The John H. Watson Monograph Series, from the , sponsored by James O'Leary.     --    

We sat down at the Salmagundi Club with our friend, the tremendously talented Michael Klein to talk about his roots in small-town North Dakota, his life in small-town Argentina, his video magazine, Instructional Documentary, his faith and, of course, his outstanding paintings.