Podcasts about Trap Them

Higher Walls are a London based hardcore quartet that fuses blisteringly fast guitar work, polyrhythmic drumming and technical bass, to create a sound unlike any other band on the London hardcore scene. Formed in 2020 by Jordan Kaad (Vocals), Radu Ghidirim (Guitar) and Stefan Babara (Drums), Higher Walls have built a catalogue of heavy hitting technical music that is proudly grounded in the traditions of bands such as Raised Fist, Terror and Antagonist A.D. Whilst also blending the ferocious energy of bands similar to Trap Them, Gaza & Nails. The band were joined by Chris Sparrow (bass) in 2024 and, with a refreshed outlook, released the Tear Them Down EP - setting the bar tremendously high for the quality and passion toexpect going forwards. They have exceeded all expectations with their new EP No End which isthe best representation of the band to date, which includes six tracks of intense hardcore, with themes ranging from the bleak landscape we currently find ourselves in globally, to the people in power as well as future generations finding it difficult to make positive change. We reviewed the EP, stating that: I love this EP. It's as simple as that. I love the intensity of it, the venomous approach Higher Walls have, the chaos they unleash, and how they aren't your traditional hardcore band, even if they have plenty of traditional moments. Six tracks, six absolute ragers, and six examples of why this is going to be up there as one of the best EPs of the year. You can read the full review here: https://www.gbhbl.com/ep-review-higher-walls-no-end-self-released/ We recently spoke to guitarist Radu Ghidirim and bassist Chris Sparrow about the new EP, delving into the creative process and what got them to this point. We talk about what this EP represents, how it has shaped their future, the hardcore scene in general, playing live, and so much more. Find out more here: https://higherwalls.bandcamp.com/ Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.com Threads: https://www.threads.net/@gbhbl Twitter: https://twitter.com/GBHBL_Official Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Finally. An episode that is less than 2 hours long. It helps that this week we're covering Seizures in Barren Praise by grind/crust band Trap Them. The album is only 10 tracks and 25 minutes total. Compared to the last few episodes this one just BREEZES by! It also helps that Seizures in Barren Praise by Trap Them happens to be one of my favorite albums of all time. Illegally downloading this album from some guy's blogspot page when I was 16 started a snowball effect that would alter how I listened to heavy music going forward which made this a bit of a nostalgia trip for me. We also do our best to parse through the loose plot that makes up the concept of not only this album but all of Trap Them's music up to this point. The vinyl I have here I believe is a second pressing, standard weight on ultra clear vinyl. It comes in a nice enough trifold jacket which shows off the album's full artwork done by Converge vocalist Jacob Bannon. The album sounds perfectly fine. Minimal surface noise but if we're being honest, any surface noise would get lost in the chaos of the album anyway. I picked this up a few years ago used from Pharmacy Records in Greenville which is, for my money, the best place in the upstate to find metal/punk/hardcore records. We're lucky enough to have a few decent record stores here in the upstate but if you're into heavy music at all, Pharmacy is the one you wanna go to. In the news corner this week we check in with our old pal Tim Lambesis and see what his old band members are saying about him. Hint: it's not good. We also check in with what's going on with Death Grips and Andy Morin to see what a new band member is saying about him. Hint: It's not good.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted by Ausha. See ausha.co/privacy-policy for more information.

I avsnitt 204 är ordningen återställd och vi startar en potentiell ny följetong när vi tar oss an (de förbisedda?) legendarerna i Trap Them. Vi sätter bandets tid på scenen under lupp och granskar drygt tio år av musikalisk perfektion och album i det absoluta toppskiktet. Hur började framgångssagan och varför slutade den? Vad gjorde Seattle-bandet så unika? Varför önskar vi inget hellre än att få ha sett bandet live? Varför var HM2'an en sådan stor del av bandets råa musik och vem var deras spirituella dist-rådgivare? Fucking viva!Låtlista:Murder Squad - Spunkslut (Ravenous, Murderous / Treeman)Trap Them - Saintpeelers (Darker Handcraft / Deathwish Inc.)Trap Them & Kill Them - f.t.t.t.t.f.k.t. (S/t / Independent)Trap Them - Day Seven: Digital Dogs With Analog Collars (Sleepwell Deconstructor / Trash Art!)Trap Them - Day Eighteen: Enders (Séance Prime / Deathwish Inc.)Trap Them - Day Twenty Nine: Reincarnation Of Lost Lones (Seizures In Barren Praise / Deathwish Inc.)Trap Them - Day Forty: Dead Fathers Wading In The Bodyground (Filth Rations / Southern Lord)Trap Them - Day Thirty Three: The Facts (Darker Handcraft / Prosthetic)Trap Them - Savage Climbers (Blissfucker / Prosthetic)Trap Them - Hellionaires (Crown Feral / Prosthetic)

Legend has it that David Cronenberg for the idea for the torture TV channel that lends its name to his opus Videodrome from this Joe D'Amato film, which is also known as Trap Them and Kill Them. Think of this — a film that upset Cronenberg for its mash-up of snuff, cannibalism and sex. Take it from me. This one totally lives up to its promise. Or lives down. You almost have to appreciate it for how lurid it is, as if it just screams at you, “I am the kind of movie you should feel ashamed for watching.” You can buy this as part of Severin's Black Emanuelle box set. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Important links: Theme song: Strip Search by Neal Gardner. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠B&S About Movies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and email me at bandsaboutmovies@gmail.com. Donate to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ko-fi page⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

As we soldier on through the harrowing gauntlet of Kurt Ballou's production discography, the albums only get bigger and better. The mayor of God City is now in full swing, seeing a deluge diverse releases blessed with inimitable power, intensity and beauty. This week, as well as the to-be-expected-and-ongoing Converge discussion, we explore the work of Trap Them, Black Breath, All Pigs Must Die and MUCH more.

Drummer Chris Mills of Chicago's Harm's Way talks about the recording blocks and pre-production of their new record Common Suffering and working with producer Will Yip, revisits the bands experiences recording their previous albums Rust and and working with Will Putney for the first time on Posthuman, the bands origins and how the band has ascended throughout the years, the impetus for straight edge lifestyle, balancing work life and touring, his foray into the straight edge scene, our mutual fascination with Fugazi, recollections of touring with Trap Them , go-to snares & much more!https://www.harmsway13.com/PIC: @patmoore.ca

Back in ancient times, before Netflix and Amazon Prime, before Hulu and YouTube, even before DVDs and Blu-rays, if films weren't available to you from either your local video stores, or if you wanted to see an uncut print of a movie, or even one that wasn't released on VHS, the place you could find them would be in fuzzy gray market of the bootlegs. These types of vendors were a staple to a lot of the early movie conventions, where fans could find titles that never even knew were out there.  Some of us are old enough to remember being able to finally see the uncut full letterboxed version of Lucio Fulci's The Beyond, after years of suffering though only being able to see the heavily edited Seven Doors of Death. As your collection grew, you would usually start trading with others, increasing your collection even more, as well as helping to spread the love and passion of these amazing films. This is what we're discussing in this episode, so sit back and either reminisce with us, or learn about the good old days, when we were happy for a 5th generation grainy print of Anthropophagus that had the infamous fetus scene! Films mentioned in this episode: Anthropophagus aka The Grim Reaper (1980), Army of Darkness (1992), Bad Taste (1987), The Beyond aka Seven Doors of DeathT (1981), Beyond the Darkness (1979), Blood from the Mummy's Tomb (1971), Braindead aka Dead Alive (1992), Cannibal Ferox aka Make Them Die Slowly (1981), Cannibal Holocaust (1980), City of the Living Dead aka Gates of Hell (1980), A Cold Night's Death (1973), Dawn of the Dead (1978), Dellamorte Dellamore (1994), Emanuelle and the Last Cannibal aka Trap Them and Kill Them (1977), Faces of Death (1978), Female Vampire (1973), Four Flies on Grey Velvet (1971), Friday the 13th (1980), Frankenstein and the Monster from Hell (1974), The Ghost Galleon (1974), Guinea Pig: Flower and Flesh and Blood (1985), Hardware (1990), The Haunting (1963), I Drink Your Blood (1971), Jungle Holocaust (1977), Lady Frankenstein (1971), Mad Love (1935), Man Made Monster (1941), Mary Shelley's Frankenstein (1994), Meet the Feebles (1989), Mondo Magic (1975), Nekromantik (1988), Nekromantik 2 (1991), Night of the Seagulls aka Night of the Death Cult (1975), Opera (1987), Return of the Living Dead (1985), The Third Eye (1966), Tombs of the Blind Dead (1972), Zombie (1979)

We're at August Album Clubs with an early 2010s selection of The Gaslight Anthem's derided Get Hurt, Sylosis' thrash ambition on Edge of the Earth, Trap Them defining Entombedcore on Darker Handcraft, and assessing the impact of Infant Annihilator's meme deathcore The Palpable Leprosy of Pollution.This episode was originally published August 2022 on patreon.com/thatsnotmetal.

Mikey is one of my favorite people. As bandmates in Persistent Aggressor we would often talk music before (during) and after practice at length – it was always a good time. So it only made sense to have him on! Warning. For those of you with sensitive souls that can’t handle real talk about pay-to-play […]

There's heavy music … and then there's End. Formed in 2017, the band is vocalist Brendan Murphy (Counterparts), guitarist Will Putney (Fit for an Autopsy), guitarist Gregory Thomas (formerly of Shai Hulud and Misery Signals), bassist Jay Pepito (Reign Supreme), and drummer Billy Rymer (the Dillinger Escape Plan). The supergroup was created to push the extremes of hardcore music. And, as you'll soon find out in this Rig Rundown, mission accomplished. From day one, guitarists (and producers) Putney and Thomas strived to achieve a signature calling card. They wanted a monstrous, monolithic tone that bulldozed listeners. “It's pretty aggressive [laughs],” concedes Putney. “When we started the band, Greg and I talked about finding an identifiable tone that was us and sticking with it.” And the roots of their sledgehammering sound? “We're very influenced by the Nordic metal of Entombed, and then, later, Rotten Sound, and American delineations Trap Them,” says Thomas. “A lot of those bands rely on the Boss HM-2 or clones to get their grinding distortion. We actually landed on the Way Huge Swollen Pickle fuzz because it's more articulate for our galloping picking and offers more control.” While the band does continue to challenge their consistently crushing sound, the Pickle always satisfies. “Every time we record something, we'll try other pedals in place of the Swollen Pickle, but we always go back to it,” admits Putney. “It's become the one. It's us.” Hours before End's sold-out show at Nashville's the End (appropriate coincidence), PG's Perry Bean popped onstage to explore the (nearly) mirrored, merciless setups of guitarists-turned-producers Putney and Thomas. Thomas details how three octave pedals and two noise gates coexist in his setup. Putney pulls back the curtain on the development of his signature https://www.stltones.com/products/stl-tonality-will-putney-guitar-plug-in (STL Tones Tonality package). And both prove that a bottom-heavy fuzz paired with prominent pitch-shifting into a 5150 is the way to part seas and elicit moshing madness. [Brought to you by D'Addario XPND Pedalboard: https://ddar.io/xpnd.rr (https://ddar.io/xpnd.rr)]

On this week's episode your hosts Jeff and Jeremy discuss the eightieth Deathwish, Inc. release (DW078), which is the “Seizures in Barren Praise” LP by Trap Them. They also discuss (among other things) going to the renaissance fair, concept records in hardcore, and dungeon synth. You can listen to the record here: (https://www.youtube.com/watch?v=-stKJyl-IH8) Social Media: Jeremy - @ironraygun (IG & Twitter) Jeff - @carbombsermon (IG & Twitter) Deathscography Podcast - @deathscographypod (IG & FB) / @deathscography (Twitter) / deathscographypod@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ep. 058: In this installment, your favorite heavy metal caballeros discuss some old business regarding Vince Neil before taking a look at the latest albums from Dillinger Escape Plan, Iron Mask, Red Fang, Theatres Des Vampires, Goes Cube and Korn. General, recording, touring and charting news is reviewed for several artists, including Lord Mantis, Fozzy, Avenged Sevenfold, Omnium Gatherum, Trap Them, Cradle of Filth, Nails, Demon Hunter, Skeletonwitch, Kreator, Trivium, Life of Agony, Alice Cooper, Lamb of God, Katatonia, Accept, Flotsam & Jetsam, Twisted Sister, System of a Down, Pop Evil, Opeth and more. In the midst of the news, Chris and I gives updates on the crowdfunding campaigns for forthcoming projects from Jason Becker and A Sound of Thunder before discussing the potential future crowdfunding for the band Silent Civilian. Pat and Reece on the NY side of things offer up an interview with Jason Rockman of Slaves on Dope as well as an accompanying list of the Top Ten Heavvy Metal Comeback Albums. We carry on with an I Saw a Show segment covering FOUR concerts, starting with Shotgun Vendetta, Byfist, Killstorm and Grim Reaper at the Rock Box (SATX) on October 15th, The Sword and Opeth at Emo's on October 14th (ATX), Dissona, Binary Code, Earthside and Leprous at the Rock Box (SATX) on October 19th and Raspa Recall, Requiem Rust and Monkeysoop at Zombies Bar (SATX) on October 21st. Chris and Pete close out the show with a discussion of their Top 3 Heavy Metal Albums of September 2016. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On this week's episode your hosts Jeff and Jeremy discuss the seventy-fifth Deathwish, Inc. release (DW073), which is the “Split” EP by Trap Them and Extreme Noise Terror. They also discuss (among other things) bands inventing the “grind” genre, how Napalm Death and ENT did a vocalist switcheroo, and the best sets at The Fest 19. You can listen to the ENT side of the release here (https://www.youtube.com/watch?v=23qNaBjvmUE&ab_channel=ExtremeNoiseTerror-Topic) and the TT side of the release here (https://www.youtube.com/watch?v=aalnV8YhIZY&ab_channel=low). You can find our Patreon here: (https://www.patreon.com/deathscographypod) Social Media: Jeremy - @ironraygun (IG & Twitter) Jeff - @carbombsermon (IG & Twitter) Deathscography Podcast - @deathscographypod (IG & FB) / @deathscography (Twitter) / deathscographypod@gmail.com

On this week's episode your hosts Jeff and Jeremy discuss the sixty-eighth Deathwish, Inc. release (DW066), which is the “Séance Prime” EP by Trap Them. They also discuss (among other things) being the bad boys of Deathwish, Toyota trying to be cool, and the confusion of the Séance Prime track listing. You can listen to the release here (https://open.spotify.com/album/7ncQGzDt58uYk1Mjt8jhae?si=RbGXPC61QHK6JPvS-57u_w&dl_branch=1). You can find our Patreon here (https://www.patreon.com/deathscographypod). Social Media: Jeremy - @ironraygun (IG & Twitter) Jeff - @carbombsermon (IG & Twitter)

Montell Jordan, The Nutty Professor, “Outrageous comedies,” Comedy movies full of good jokes but not the best movies, Billy Madison vs. Happy Gilmore, Dumb & Dumber, Waynes World, Cable Guy, Ave Ventura, Cannibal Corpse, SNL character movies, The Smithereens, The Fabulous Thunderbirds, Farrelly Brothers, Something About Mary, Bilouxi Blues, is this comedy?, the movies our dad made us watch, Crossing Delancy, Drunk Brilliant and Stoned, National Lampoon, Chevy Chase, Henry Rollins, emotional trauma in public, cocaine, pushing the envelope, Something About Mary, culture/time ruining jokes, Along Came Polly, top ten “important” movies to us, top ten important movies objectively, The Burbs, Pee Wee's Big Adventure, Tim Burton, Two Old Queens podcast, Nightmare Before Christmas Haunted Mansion, Beetlejuice 2, Mr. Mom, good funny important comedies: Spinal Tap, The Jerk, Groundhog Day, Raising Arizona, Rushmore, Boogie Nights, movies slow on a rewatch: Ghostbusters, Tim Burton's Batman, subjectivity, Wes Anderson, PT Anderson, David Fincher – baggage filmmakers, There Will Be Blood, The Cable Guy, no comedy movie can be perfect because the story so often suffers, sketch and tv and music is more forgivable, Squeeze “Pulling Mussels from a Shell,” musicals, Gene Kelly in American in Paris, Halloween, minimal “clean” filmmaking of John Carpenter, the comfort of genre, comedy movies inefficiency versus sketch, endorphin rush of a short clip versus taking the full work, Trap Them, Brahms, Caddyshack, Jack Frost, is this movie actually funny? American Pie, Dude Where's My Car, Master of Disguise, Kung Pow, Super Troopers, Broken Lizard, Henry David Thoreau, Father John Misty at Moon Juice. Buzzsprout - Let's get your podcast launched! Start for FREEInstacart - Groceries delivered in as little as 1 hour. Free delivery on your first order over $35.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.patreon.com/whatsthatfrom)

Yautja/Thou/Gnarwhal drummer Tyler Coburn talks about spending time in the woods during Covid, trying to adjust to a life off the road, the experience of recording drums at Steve Albini's Electrical Audio and sitting on Yautja's  new record "the Lurch" for a year, his go-to kit that he's had since he started playing, a couple of especially bizarre shows, recalling his first gig ever, psyching oneself out in the studio, playing shows with Revocation, Inter Arma, Rivers of Nihil & Trap Them, playing double sets with Yautja and Thou, and the eagerness to get back out there and rock your faces off! https://yautja.bandcamp.com/Pic C/O: INSTA:  @nicholassayers

Slightly, eh, dodgy name aside, there are few bands as relentlessly heavy as All Pigs Must Die. Their second album Nothing Violates This Nature really encapsulates all of the things this band do best - combining every single kind of metal subgenre you can image with layers of d-beats and hardcore breakdowns in one massive, intense, screamy cocktail. If you’re unfamiliar with the band, they’re basically a supergroup made up of members from various well known Boston/Massachusetts bands. Chief among them is drummer Ben Koller, well known not only for being the dynamo behind Coverge’s feral, emotive sonic assault, but also man of many bands himself, drumming for Mutoid Man, Killer Be Killed and many other projects. The band are rounded out by Kevin Baker, the vocalist for influential 00s hardcore act The Hope Conspiracy, and Matt Woods and Adam Wentworth from the doom band Bloodhorse. More recently they’ve been joined by Brian Izzi on guitar too, from the death and roll/crust punk band Trap Them. The ethos behind this band is fairly straight forward - do it fast, do it heavy, do it intensely. They’re very much a “mood” band in that regard, namely that you’re unlikely to want to sit through an entire album if you’re feeling chipper, but if you’re having a rotten day then this guys might just be your jam. Also suitable for perhaps if you want to bench press 1 million pounds or run to the other side of the country. Suffice to say, they’re full on. They come from great stock, and they write almost all of their music remotely, which probably accounts for the formula. Anyway, they’ve only released three albums and this, Mark contests, is the best example of what they do best - grind all day. Is it worth of a place in our discography though? That’s up to you.

Here is Dreams of Consciousness Podcast Episode 169, featuring an interview with Galen Baudhuin of Infera Bruo. With members spread out from New Mexico to New England, Infera Bruo might be the most literal representation of the expansiveness of the US black metal scene. I spoke with Infera Bruo founder/guitarist/vocalist Galen Baudhuin about the history of his band, and the creation of their latest album Rites of the Nameless. Galen also talked to me about what he learned from recording with Kurt Ballou, and his work with Trap Them and Wolves In The Throne Room. My thanks to Galen for speaking with me, and to all of you for listening. MUSIC IN THIS EPISODE: "Visions of the Inner Eye" taken from the album Desolate Unknown "Endnotes" taken from the album Cerement "Frayed" "Rites of the Nameless" taken from the album Rites of the Nameless Interviews, reviews, and more at www.dreamsofconsciousness.com

Luisifer talks to Luc Favie, vocalist of Fubar, co-mastermind of Doomstar Bookings and one of the dude's behind Bloodshed Festival. During this episode they analyse the perfect blend of sweet and salty chocolate, how his dog Paco has taken over the Doomstar Bookings headquarters, his passion for Obituary, booking Magrudergrind's first European tour, touring Japan under the wing of Naru from Butcher ABC, witnessing broken bones during Trap Them show, his relationship with Weekend Nachos, the optimistic future of the COVID touring circuit, and some of his all time favourite films.

Let's celebrate the start of the spooky season! On this episode, Ian brings death metal deliverance with new music from Napalm Death, Ulcerate, Cerebral Rot and Vader! Hardcore heavy-hitters KEN Mode, Fucked Up and Trap Them will make an appearance, and we'll also play a suffocatingly dark new track from miserable sludge masters Primitive Man. Plus, we'll get into the spirit of the season by digging a track from Swedish gothic doom masters Candlemass out of The Graveyard! Let's rock.

Let's celebrate the start of the spooky season! On this episode, Ian brings death metal deliverance with new music from Napalm Death, Ulcerate, Cerebral Rot and Vader! Hardcore heavy-hitters KEN Mode, Fucked Up and Trap Them will make an appearance, and we'll also play a suffocatingly dark new track from miserable sludge masters Primitive Man. Plus, we'll get into the spirit of the season by digging a track from Swedish gothic doom titans Candlemass out of The Graveyard! Let's rock.

On this week's episode of the Bitter Hearts Podcast, I am joined by my very good friend Craig Hill! We talk Gilmore Girls, beers from Three 3's Brewing Co. and Pipe Dream Brewing, and we listen to the occasional song. This week we got tracks from 20 Something, Royal Hearts, Ghost Chant, Sleep For The Weak, and Backstabbers Inc. Fun times with a good pal so give it a listen!Support the show (https://www.patreon.com/Bitterheartspodcast)

Episode 165, featuring bands Project Sell Out, Step 13, The Welch Boys, On The Job, Trap Them, Chernobyl Babies, Bird Eater, The Briggs, Arch Enemy, and Mushroomhead, Eric joins the show by phone. This episode features a lot of great new music, some heavy stuff, discuss fundraising, and wrapping up the show with Metal.

In this episode we have drummer Chris Maggio of High on Fire, Sleigh Bells, Mutoid Man, Trap Them, Colliseum (to name a few) on here to talk about his life and music career. We go over everything from his beginnings, his influences, challenges, and experiences in a fun and laidback conversation. Sorry for any noise background we had a little technical difficulty as Chris was moving his feet a bit during the convo (drummer feet haha) and Felly Jones the puppy was being a little attention queen during our conversation. Enjoy! :)

Drummer Dave Bland talks about canceled tours amidst the Covid-19 pandemic, delving into Virgil Donati’s drum book, transitioning from single bass to double bass and working hand techniques that are an amalgamation of John Longstreth and Mike Mangini, playing absurdly hot shows and learning to breath threw it all, playing with Mr Bungle, stories of witnessing Trap Them live and one of the more outrageous stories you’ll hear about vocalist Ryan Mckenney, studying with Darkest Hour drummer Travis Orbin, his first tour and learning the fly while on the road initially, Bill Ward, Dave Lombardo & Ben Koller as drumming influences, rocking his dad’s CD collection, FOH working with Japanese artist Merzbow and the marathon live improv experience that was playing with him, working with Kurt Ballou on their last two records, & a whole lot mo’! https://fullofhell.bandcamp.com/ https://fullofhell.com/ https://www.kickstarter.com/projects/vitus-staff-fund/st-vitus-staff-fund PIC: https://www.facebook.com/mrosephotonj/

The boys return to the year 2007. This time it's to discuss American Steel's come back album, Destroy Their Future. Then for the EP, they talk about Trap Them's Seance Prime. All episodes available on, iTunes, Spotify, and Stitcher.Songs featured on this episode:Jawbox - Jackpot PlusAmerican Steel - Love and LogicAmerican Steel - Smile on MeAmerican Steel - Sons of AvariceAmerican Steel - Dead and GoneTrap Them - CitizenihilistTrap Them - Pulse Mavenshttps://punklottopod.simplecast.com/https://www.instagram.com/punklottopod/https://twitter.com/punklottopodhttps://www.facebook.com/punklottopod

Another selection by Aaron and another trip back to 2011, as the boys discuss "Darker Handcraft" by Trap Them.

Wolf King is a blackened hardcore band from the West Coast. The gnarled, heavy as hell quartet is influenced by bands like Converge, Gatecreeper and Trap Them. Their sonically brutal, lyrically thoughtful, amped up sound makes the perfect cathartic companion for those days you feel the world is burning. Check out the intense performance by Wolf King live on Audiotree. Download & stream Wolf King on Audiotree Live -- https://smarturl.it/AT-Wolf-King Support the show.

Drummer Chris Maggio talks about not one but two short notice tours with Mutoid Man filling in for fellow drum shredder Ben Koller, plus his former work with Coliseum, Trap Them, Sleigh Bells, and present work with Wear Your Wounds, plus other freak injuries, (broken leg/chopped off finger), taking lessons with Joe Morello, the many phases of his playing; from being more performance based, to angry, to more focused, life advice from drummer Dave Witte, the punk rock dream and living in a van, the origins of the “Maggio Double Bass technique on the hands”, the challenges of replicating the nuances of sequenced drums in a live context, and much more!!!! https://mutoidman.com/ https://mutoidman.com/shows photo: INSTA: @giloscope

Chris Maggio is an out of this world drummer who's played for the bands Sleigh Bells, Trap Them, Coliseum, and Wear Your Wounds. His style fuses together a combination of jazz discipline and punk rock ethos, which makes him capable of playing with just about anyone. A native of New Jersey, he moved to Louisville from Florida, and made his mark on the music scene immediately. He sat down with JC to talk about drumming technique, putting up with guitar players, navigating disaster, and (a lot) more... This episode is sponsored by Guestroom Records, featuring a live in-store with Tomberlin on October 12, Zanzabar, and Dauntless Distributing.

This week, Dread Media celebrates 550 episodes with a bit of alien-themed sci-fi / horror. First up, Duane joins Desmond to discuss Gareth Edwards' first feature: Monsters. Then Rich the Monster Movie Kid stops by to review Philip Kaufman's 1978 remake of Invasion of the Body Snatchers. Of course, we've got some tunes so out of this world, they're probably made by aliens: "Alienized" by Volbeat, "Day 41: Every Walk a Quarantine" by Trap Them, "Body Snatcher" by Billy Idol, and "Invasion" by Nekrogoblikon. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week, Dread Media celebrates 550 episodes with a bit of alien-themed sci-fi / horror. First up, Duane joins Desmond to discuss Gareth Edwards' first feature: Monsters. Then Rich the Monster Movie Kid stops by to review Philip Kaufman's 1978 remake of Invasion of the Body Snatchers. Of course, we've got some tunes so out of this world, they're probably made by aliens: "Alienized" by Volbeat, "Day 41: Every Walk a Quarantine" by Trap Them, "Body Snatcher" by Billy Idol, and "Invasion" by Nekrogoblikon. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week, Dread Media celebrates 550 episodes with a bit of alien-themed sci-fi / horror. First up, Duane joins Desmond to discuss Gareth Edwards' first feature: Monsters. Then Rich the Monster Movie Kid stops by to review Philip Kaufman's 1978 remake of Invasion of the Body Snatchers. Of course, we've got some tunes so out of this world, they're probably made by aliens: "Alienized" by Volbeat, "Day 41: Every Walk a Quarantine" by Trap Them, "Body Snatcher" by Billy Idol, and "Invasion" by Nekrogoblikon. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week, Dread Media celebrates 550 episodes with a bit of alien-themed sci-fi / horror. First up, Duane joins Desmond to discuss Gareth Edwards' first feature: Monsters. Then Rich the Monster Movie Kid stops by to review Philip Kaufman's 1978 remake of Invasion of the Body Snatchers. Of course, we've got some tunes so out of this world, they're probably made by aliens: "Alienized" by Volbeat, "Day 41: Every Walk a Quarantine" by Trap Them, "Body Snatcher" by Billy Idol, and "Invasion" by Nekrogoblikon. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

When faced with the task of slamming home some serious punk rock bombast, blasting & grinding or just laying down straight grooves- Brad Fickeisen of Trap Them is on it!!! *I caught up with Brad amidst T.T.’s final run of shows before calling it quits after 15 years where we got into his formative years in marching band, what he’s enjoyed the most about drumming in Trap Them, OCD, his love for Oslo, shows with broken ankles, The Red Chord, touring, cats, dogs, camping & photography! R.I.P. TRAP THEM!!!!! https://www.facebook.com/TrapThem/ https://trapthem.bandcamp.com/ IG:@trapthem Merch: http://shirtkiller.com/trapthem

Josh is blinded and interrogated by Stephen with three India Pale Ale's from his fridge. We discuss the 39th Annual Illinois Craft Beer Awards. Beer from Alchemist, Almanac and Maplewood. Music from Trap Them.

In this installment, your favorite heavy metal caballeros discuss some old business regarding Vince Neil before taking a look at the latest albums from  Dillinger Escape Plan, Iron Mask, Red Fang, Theatres Des Vampires, Goes Cube and Korn. General, recording, touring and charting news is reviewed for several artists, including Lord Mantis, Fozzy, Avenged Sevenfold, Omnium Gatherum, Trap Them, Cradle of Filth, Nails, Demon Hunter, Skeletonwitch, Kreator, Trivium, Life of Agony, Alice Cooper, Lamb of God, Katatonia, Accept, Flotsam & Jetsam, Twisted Sister, System of a Down, Pop Evil, Opeth and more. In the midst of the news, Chris and I gives updates on the crowdfunding campaigns for forthcoming projects from Jason Becker and A Sound of Thunder before discussing the potential future crowdfunding for the band Silent Civilian. Pat and Reece on the NY side of things offer up an interview with Jason Rockman of Slaves on Dope as well as an accompanying list of the Top Ten Heavvy Metal Comeback Albums. We carry on with an I Saw a Show segment covering FOUR concerts, starting with Shotgun Vendetta, Byfist, Killstorm and Grim Reaper at the Rock Box (SATX) on October 15th, The Sword and Opeth at Emo's on October 14th (ATX), Dissona, Binary Code, Earthside and Leprous at the Rock Box (SATX) on October 19th and Raspa Recall, Requiem Rust and Monkeysoop at Zombies Bar (SATX) on October 21st. Chris and Pete close out the show with a discussion of their Top 3 Heavy Metal Albums of September 2016.

Welcome back stage ! This week we discuss how Ryan has been pulling some sketchy moves and hacking the Pokemon mainframe, Kevin saw Korn, Ian has to move again - plus new music by Trap Them, Arsis, news on the new album by Meshuggah, Max and Igor Cavalera are taking it back to the Roots, there's a new Metallica book coming out, The Ghost Inside are back at it after their horrible bus accident, we started the "Make In Flames Great Again" movement, Slayer fans spit on the band,some details on the new Lesbian album, and finally, a studio report with Opeth. Horns up ! 

April 24, 2016 Out of Step Show Page ABOUT THE EPISODE John and Kyle bring you a packed episode filled with punk/hardcore discussion. These guys have endless knowledge and passion for music and, in this episode, it shows through. They share a lot of news, updates, and spend some time just chatting about the scene. If you're in to music, you're going to want to listen. We want to hear from you! If you have any questions, comments, or ideas for the next episode, contact us at info@mountainbikeradio.com. -------------- RELATED SHOW NOTES NEWS Burn will returning with a new EP titled “...From The Ashes” on July 15th through Bridge Nine. A stream of the effort is currently available via Noisey. Frontman Chaka Malik says “Burn has so much left to share that it was inevitable that we would regroup at some point in time. With the flames stoked high in our personal lives, the intensity and passion that makes us who we are as a band needs to come to light once again.” Pre­orders are now available at b9store.com SUMAC (Baptists, ex­Isis, etc.) have announced a May/June west coast/southwest tour, coinciding with the June 10th release date of their sophomore album, “What One Becomes“. Trap Them have finished recording their new album at God City Studio in Salem, MA with Converge guitarist Kurt Ballou handling the production duties. A fall release through Prosthetic is in the works. The daily lineups have been revealed for the 2016 ‘This Is Hardcore Fest‘, which will take place in Philadelphia, PA from August 04th­07th. Head over to www.thisishardcorefest.com. Cruel Hand recently entered The Wild Arctic Recording Studio in Portsmouth, NH. This marks the 5th album and will be released via Hopeless Records. Code Orange will be playing a few headlining shows around their spring tour with the Deftones: 04/30 York, PA – The Shop 05/12 Savannah, GA – Dollhouse 05/21 St. Louis, MO – Firebird 05/23 Dekalb, IL – The House Cafe Norma Jean have a new album being released September 9th release on Solid State Records. A 20th anniversary edition of Integrity‘s “Humanity Is The Devil” is being pressed by Organized. Crime Records for a ‘Record Store Day‘ (April 16th) release. As to what’s featured on this latest pressing, the label had the following to say of it: Limited color vinyl housed in a stunning five-color gatefold jacket featuring the iconic art by the legendary Pushead and layout by vocalist Dwid Hellion. This edition includes an updated version of the rare Humanity Is The Devil pamphlet, 16.5′′ x 22′′ poster, expanded artwork by Josh Bayer, and liner notes by guitarist Aaron Melnick. This version also includes the first appearance of the narrative story of Humanity Is The Devil by Frank Araca on vinyl, and will be pressed in a run of 1,000 copies.” The date has been set for Bane‘s farewell show. It will take place at the Palladium in Worcester, MA on June 18th and feature Title Fight, Terror, Modern Life Is War, The Promise, Right Brigade, Cruel Hand, Rude Awakening and one guest TBA. Poison The Well have announced a number of live dates, marking their first shows since their live reunion last spring. Here’s what they have booked: 06/21 New York, NY – Gramercy 06/22 Toronto, ON – Opera House 07/07 Los Angeles, CA – The Roxy ­ 07/08 Pomona, CA – The Glass House 07/09 Anaheim, CA – Chain Reaction Thursday, Quicksand, Deafheaven, Etc. Set For 2016 ‘The Wrecking Ball ATL’. Drive Like Jehu, L7, CIV, Burn, Gorilla Biscuits, American Nightmare and more also booked SUMAC (Baptists, ex­Isis, etc.) have debuted “Rigid Man” from their upcoming album “What One Becomes“. That effort will see a June 10th release date on Thrill Jockey Records and was produced by Kurt Ballou of Converge. You can pre­order it now at Thrilljockey.com. RLYR will drop their debut album “Delayer” on June 17th through Magic Bullet Records. The outfit are comprised of Trevor de Brauw (Pelican), Steven Hess (Locrian) and Colin DeKulper (Bloodiest, ex­Russian Circles). The release of Vanishing Life‘s debut album got sidetracked in the whole Collect Records mess, but it looks as though the group are putting the pieces back together. The band have just signed a deal with Dine Alone Records for the release of the effort, as well as a new EP for their song “Exile“, which will hit stores this weekend.   HOUSECLEANING/LISTENER QUESTION First race of the season is in the books “John and Kyle, Great to hear a new episode guys! My favorite show to date for sure. A question I've had for you guys that I've been wanting to ask for a while is whether or not either of you actually listen to music when putting in miles on the bike? I definitely refrain from plugging in when riding singletrack most importantly due to just being aware of other trail users, but when it comes to gravel or road riding, are tunes a necessary component for your training? Finally, thanks for the tip on Achilles! Super sweet stuff. Take care guys. Grant”   RECORD REVIEW World Be Free – 'The Anti­Circle' Released: February 5 2016 – Revelation Records World Be Free's story began in the fall of 2014, when Scott Vogel (Terror, Buried Alive), Joe Garlipp (Envy), Andrew Kline (Strife), and Sammy Siegler (Judge, CIV, Rival Schools) met monthly to write classic­influenced, melodic and positive hardcore. All of this developed without a label, budget or any mention to the outside world. When Siegler scored some recording time at Hurley, they flew in Arthur Smilios (Gorilla Biscuits, CIV) to cover on bass and hustled into the studio. Vogel and Terror bandmate Nick Jett then tracked vocals at Jett's studio, passing the ball to Walter Schreifels (Rival Schools, Quicksand, Gorilla Biscuits) for one final guest spot. With their album finished and its release fast approaching, Top 5 – Primal Reaction Records. Something about these 5 records speaks to that dark place in your soul. Pure raw aggression and power..   UNBROKEN – Life Love Regret – 1994 New Age Records Life. Love. Regret. is everything that hardcore is. It is the heart, the soul, the sound, and the attitude. The music is loud and in your face, but most importantly, passion is put at the top. This album is a monument by a monolithic band. From the crushing riff and sinister notes at the beginning of "D4" to the ending feedback in the nine minute "Curtain."   Breather Resist – Only In The Morning – March 25, 2003 Deathwish Inc Breather Resist formed in 2002 and recorded 8 songs, 4 of which were on handmade demos. These 8 songs became their first EP, "Only in the Morning", released on Deathwish, Inc.. Their first LP, Charmer, was released on Jade Tree Records in October 2004, having been produced by Kurt Ballou. In December 2005, lead singer Steve Sidoni left the group; Buried Alive – Death Of Your Perfect World – April 20, 1999 Victory Produced by Steve Evetts at Trax East Studios. It is the band's only album with Jesse Muscato on drums.   CURSED – I – February 23, 2005 Deathwish Inc Formed in 2001 a year after the break­up of The Swarm aka Knee Deep in the Dead. Known for their trademark nihilistic and dystopian lyrical themes, stark classic horror imagery and loud, abrasive live shows. Integrity – Those Who Fear Tomorrow – 1991 Overkill Records Integrity's For Those Who Fear Tomorrow is a hardcore juggernaut that has lurked in infamy for over 15 years. Recorded in 1991, For Those Who Fear Tomorrow is often credited as on of the first true metalcore" albums. While hardcore crossover bands like the Cro Mags and Corrosion of Conformity had existed before Integrity, few were prepared for the world Integrity brought to life with their debut album. FTWFT's razor sharp metallic edges, driving hardcore verses, and gloomy breakdowns set a stage for one of hardcore's most messianic and charismatic front men: Dwid Hellion. The album has been issued in close to 10 different editions and formats. It has never received proper distribution or promotion, but it has survived: a truly bastardized child of hardcore, metal, and a darkness of the soul.   BUMPER MUSIC SEGMENTS Intro: Minor Threat  ­ ‘Out Of Step’ News: UNBROKEN ­ ‘D4’ Housekeeping: Breather Resist ­ ‘Just Do It’ Record Review: World Be Free ­ ‘Shake The Ghost’ Primal Records: Cursed ­ ‘1974’ Outro: Integrity ­ ‘Micha ­ those who fear tomorrow’   FIND MBR Mountain Bike Radio Facebook Page Mountain Bike Radio on Twitter Mountain Bike Radio on Instagram Mountain Bike Radio on Pinterest

Abrimos o programa desta semana com o guitar hero Marty Friedman e damos destaque ao novo álbum de Black Label Society e Trap Them. Black Metal com os Carpathian Forest, […] O conteúdo Moshpit #178 aparece primeiro em Engenharia Rádio.

In this episode we sit down with the vocalist of Avenged Sevenfold, Matt Shadows. We review new records from Cold Cave, Rise Against and Trap Them as well as the movie Battle: LA. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

In this episode of the Deathwish Podcast, Nicole Hollis-Vitale talks with Marty from Carpathian about their new record, "Isolation". A song from the new Trap Them record, "Seizures In Barren Praise", is also play along with a Killing The Dream song.

It's that time again, DW Podcast #18 is up now for your listening pleasure. In this installment of the Deathwish Podcast, your host Nicole Hollis-Vitale interviews Rob Moran, currently of Narrows (and former member of Unbroken, Some Girls, and Over My Dead Body). New songs from Bitter End and Trap Them are also featured, as well as news/info on all the current happenings in the Deathwish world. Get into it.

The wait is over, the new DW Podcast is now available for your listening pleasure. In this installment, your host Nicole Hollis-Vitale catches up w/ Trap Them for a short interview. She also plays songs from Trap Them, Pulling Teeth, and even debuts a new song from Shipwreck a.d.!!!