Podcasts about arild andersen

No matter the format, from duo to large ensemble, depth and introspection are the defining characteristics of the music featured in this playlist. The playlist features Emma Rawicz, Gwilym Simcock; Daniele di Bonaventura, Arild Andersen; Joep Van Rhijn, Yoonseung Cho; Federico Albanese; Omar Thomas [pictured]. Detailed playlist at https://spinitron.com/RFB/pl/20416593/Mondo-Jazz [from "Optimus Friction" onward]. Happy listening!

Here is a playlist featuring endless delights from recent and not so recent releases of Kenny Wheeler, and Kenny Wheeler-adjacent music, projects and musicians. The playlist features John Taylor; Arild Andersen; Rainer Brüninghaus, Kenny Wheeler, Jon Christensen, Brynjar Hoff; Tommy Smith [pictured]; John Surman; The Scottish National Jazz Orchestra, Laura Jurd, Irini Arabatzi. Detailed playlist at https://spinitron.com/RFB/pl/20350038/Mondo-Jazz [from "Spring (Phases)" onward]. Happy listening! Photo credit: Derek Clark.

In onda Fabio Barbieri. Musiche: Muddy Waters, Sheryl Crow, Nora Guthrie, Bruce Springsteen, Jam City, David Bowie, FS Blumm e Nils Frahm, MA, U2, Arild Andersen.

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Arild Andersen, Daniel Sommer, Rob Luft - As Time Passes April Records | Abril 26, 2024 1 As Time Passes 7:55 2 Ea 4:23 3 Fifth Winter 4:58 4 North Wind 6:47 5 Basslines 3:54 6 Meditation 4:44 7 Evening Song 6:51 8 A Day in March 6:30 Arild Andersen: Double Bass Daniel Sommer: Drums Rob Luft: Guitar Recorded at Farvemøllen, Copenhagen, Denmark, March 9th- 10th, 2023 Recorded & Mixed by Mads Mølgaard Helbæk Produced by Arild Andersen, Daniel Sommer & Rob Luft Mastered by John Fomsgaard at Karmacrew Cover artwork by Martin Aalykke Kristensen / Can Family Photo by Hreinn Gudlaugsson Cover design by Enrico Andreis Liner Notes by Michael Tucker, Jazz Journal This recording is supported by Jazzpuljen Daniel Sommer is endorsed by Canopus Drums and plays with Vater Drumsticks Arild Andersen Appears Courtesy of ECM Records Rob Luft Appears Courtesy of Edition Records ////////////////////////////////////// CORTINA FINAL Hey, Superhero Daniel Sommer, Arve Henriksen, Johannes Lundberg April Records | Junio 21, 2024 //////////////////////////////////////

PROGRAMACIÓN MAYO 2 1. Audrey Powne - From the Fire - Feed the Fire 2. Rufus Reid, Sullivan Fortner - It's the Nights I Like - I Can't Explain 3. Arild Andersen, Daniel Sommer, Rob Luft - As Time Passes - As Time Passes 4. Bill Laurance, The Untold Orchestra - Bloom - Before the Sun 5. Espen Berg - Water Fabric - Acres of Dew 6. Lorenzo Buffa - Conversational Skills - Road to W 7. Ricardo Pinheiro - Tone Stories - If You Could See Me Now 8. Gregory Groover Jr - Lovabye - In for a Pound or Penny 9. Behn Gillece - Stick Together - Four Of A Kind 10. Ina Forsman - Live - No Room For Love ////////////////////////////////////////// CORTINAS Searching for Jupiter Magnus Öström ACT | Agosto 30, 2013 ////////////////////////////// Magnus Ostrom / Mayo 3, 1965 ///////////////////////////

Enjoy a playlist featuring a tribute to Lou Reed, two projects featuring British guitarist Rob Luft and the masterful exercises in noir by Oan Kim & Dirty Jazz, Max Nagl, and Flat Earth Society. The playlist also features The Leaping Fish Trio, Arild Andersen and Daniel Sommer. Detailed playlist at https://spinitron.com/RFB/pl/18875252/Mondo-Jazz (from "NYC Man" to "The Lost One"). Happy listening!

Aus dem Dschungel der Neuveröffentlichungen | mit: Arild Andersen, Daniel Sommer, Rob Luft: As Time Passes | flux (Christina Fuchs & Florian Stadler): Roots and Rhyzomes | André Nendza: 5/5/9 (Sendung vom 2.5.24)

PROGRAMACION MARZO 14 1. Viktoria Tolstoy - Stealing Moments - Summer Kind of Love 2. Louise Jallu - Jeu - Une milonga en blues 3. Bálint Gyémánt - Vortex Of Silence - Pyramidion 4. Bonnot, Tracanna, Cecchetto, Fresu - Drops (Live in Bologna) - Right Links 5. Arild Andersen, Daniel Sommer, Rob Luft - North Wind 6. Kaisers New World - Nighttrain - 1001 7. Rotem Sivan - Dream Louder - The Tree (For Hilde) 8. Scott Henderson - Karnevel! - Haunted Ballroom ///////////////////////////////////////////// CORTINAS Q's Jook Joint Quincy Jones Qwest Records | Nov 7, 1995 ////////////////////////

Christmas is a comin' - and the cats are here with a few new and old sounds that the modern jazz lover in your life may appreciate - from the likes of Tubby Hayes, Arild Andersen, Mike Taylor and Bill Evans

PROGRAMACIÓN DICIEMBRE 7 1. Fay Claassen, Cor Bakker - Christmas Time Is Here 2. Justyna Jary, Leszek Mozdzer - Smutek 3. Bill Evans - Tales Live in Copenhagen 1964 - My Foolish Heart 4. Bernie Senensky - Moment To Moment - Moment To Moment 5. Andrea Rubini - Thoughts In Slippers - Breath for bred 6. Arild Andersen, Daniel Sommer, Rob Luft - North Wind 7. Espen Berg - Water Fabric - Acres of Dew 8. Nikki Iles, NDR Bigband - Face to Face - The Caged Bird 9. Alex Riel - In New York - Moment's Notice 10. Jens Joneleit - Planet Edge - Planet Edge 11. Pat Metheny Group - Travels - Are You Going With Me? ////////////////////////////////////////////// CORTINAS The Piano Equation Matthew Shipp Tao Forms Records | Mayo 22, 2020 /////////////////////////////////////////////

Abrimos número semanal de La Montaña Rusa, con el recuerdo al inolvidable batería John Marshall, enorme músico de Jazz Rock, Fusion y Rock Progresivo, que participó en legendarias bandas como Soft Machine y lo pudimos ver al lado de músicos de Jazz como John McLaughlin, Allan Holdsworth, John Surman, Charlie Mariano, John Abercrombie, Arild Andersen o siendo miembro permanente de los Colours de Eberhard Weber. Nos ha dejado recientemente y lo recodaremos escuchando el que probablemente es su último proyecto publicado, este mismo 2023, Other Doors, de los Soft Machine. Seguir leyendo La Montaña Rusa 38.2023. Recuerdo a John Marshall. Art Hirahara. Bill Evans. John Zorn’s Simulacrum. Joaquín Martínez. Matt Greenwood en La Montaña Rusa Radio Jazz.

THIS WEEK's BIRDS: Nelly Pouget; Egyptian classical vocal from Aziza Galal;  Abade al Johar (the "Octopus of Oud"); Experimental trio work fro, Arild Andersen, Edward Vesala & Jan Garbarek and Olga Chung, Munir Bashir & Rabih Abou-Khalil; Herbie Nicholls; poems from Eleni Sikelianos & Faiz Ahmed Faiz; Florian Arbenz, Greg Osby & Arno Krijger; Manzanita sings Lorca; more canto condo from Mariana de Cádiz, Argentina Flamenco, Lebrijano, and Pansequito;  Andrew Cyrille Quartet; Sahrouai music from Teita Lebid; Mariem Hassan;  and much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17307058/Conference-of-the-Birdshttps://spinitron.com/WRFI/pl/17307058/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

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This week a catchy and eclectic playlist, which straddles across many stylistic lines and influences, opens in the spirit of Zappa and ends with Zappa himself and yet another gem recently uneearthed from his bottomless vault.  The playlist features Fred Pallem; Flat Earth Society Orchestra; Gaia Mattiuzzi; Wojtek Mazolewski; Yosef Gutman; Jussi Reijonen; Arild Andersen; Ari Joshua, Billy Martin, Jason Fraticelli; Frank Zappa. Detailed playlist at https://spinitron.com/RFB/pl/16634147/Mondo-Jazz (up to "Black Napkins"). Happy listening!

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I Norge har vi over 130 banker å velge imellom. Diskusjonen om valg av bank dreier seg ofte kun om lavest mulig boliglånsrente. Men kan det være andre ting som også er viktig? Administrerende direktør i Handelsbanken, Arild Andersen, diskuterer hvilken profil Handelsbanken har og hvordan banker i Norge dekker forskjellige kundebehov i ukens Finanslunsj med Fåne og Staavi. Episoden kan inneholde målrettet reklame, basert på din IP-adresse, enhet og posisjon. Se smartpod.no/personvern for informasjon og dine valg om deling av data.

Buen día amigos ! En este programa escucharemos algunos temas de el bajista noruego Arild Andersen. Con una amplia trayectoria de álbumes propios y colaboraciones (Jan Garbarek, Chick Corea, etc) Los temas son: 1. Svev 2. For all we know 3. Backé 4. The Place 5. Saturday Gracias por escuchar nuestros programas. Visita nuestra página viajealmundodeljazz.com Escribenos a viajealmundodeljazz@gmail.com Un abrazo a la distancia !!!

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A cura di Fabio Barbieri. Musiche: Vijay Iyer, Linda May Han Oh, Tyshawn Sorey, Joni Mitchell, Genevieve Lacey, Flinders Quartet, Ludwig van Beethoven, Fiona Apple, Keith Jarrett, Now Ensemble, Daniel O'Sullivan, Sarah Neutkens, Nederlands Saxofoon Octet, David Keenan, Arild Andersen, Tommy Smith, Paolo Vinaccia".

A cura di Fabio Barbieri. Musiche: Vijay Iyer, Linda May Han Oh, Tyshawn Sorey, Joni Mitchell, Genevieve Lacey, Flinders Quartet, Ludwig van Beethoven, Fiona Apple, Keith Jarrett, Now Ensemble, Daniel O'Sullivan, Sarah Neutkens, Nederlands Saxofoon Octet, David Keenan, Arild Andersen, Tommy Smith, Paolo Vinaccia".

来了来了！在2021年的下半年，万众期待的2020音乐盘点最后一期终于来了！书接上文，这一集依然是贺愉老师和划水怪的歌单分享。俩人仍旧一人一首，继续不争不抢地讲着自己的热爱。这期节目，相爷率先介绍了一首由两个音乐人合作制作的一首电子乐BLOCK A2。这首歌节奏复杂，不宜跳上一曲，只适合静静坐着听。突破传统techno的4/4拍节奏让它变得有趣。这也是一首经过了自己再度创作的拼接作品。数字梦游感蛮特别的，推荐～而之后贺愉老师掏出一首爵士乐鼓手Ted Poor的Only You。这首被发表于个人专辑中的作品让贺老师赞不绝口。而背后创作者的故事也一样精彩。这期节目是2020年歌曲盘点的第四期，也是收官的一期啦，各位且听且珍惜。不过瘾的话，前三期内容也很精彩，建议无限回听喔～主播 / 贺愉 相征封面设计 / 划水怪音频后期 / Jimi音频上传 / Observersonglist：1.Vladislav Delay; Max Loderbauer - BLOCK A2 @00:00:542.Ted Poor - Only You@00:06:20 3.Endless Field – Fire@00:10:134.Frank Woeste - Tryptique Iii@00:13:505.Moses Boyd - Only You@00:16:05 6.Gogo Penguin - Signal In The Noise@00:19:507.Irreversible Entanglements - No Más@00:24:268.Matthieu Saglio - El Abrazo@00:29:589.Christian Sands-Can't Find My Way Home@00:35:5910.Chojnacki, Miguła Contemplations - Trzepak@00:41:0911.Marcin Wasilewski Trio; Joe Lovano - Fading Sorrow@00:45:2812.Tania Giannouli Trio - Bela's Dance@00:50:2413.Arild Andersen; Thomas Strønen; Yelena Eckemoff – Fox@00:56:3014.Erland Cooper - Linga Holm@01:01:0015.Keith Jarrett -Part VIII (Live from Budapest _ 2016)@01:05:5616.Mino Cinelu, Nils Petter Molvær - Rose Of Jericho@01:11:1617.Kandace Springs; Norah Jones - Angel Eyes@01:16:5518.Jun Miyake - Stranger's Dreams@01:22:4319.Mary Lattimore -Sometimes He's In My Dreams@01:27:58大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

来了来了！在2021年的下半年，万众期待的2020音乐盘点最后一期终于来了！书接上文，这一集依然是贺愉老师和划水怪的歌单分享。俩人仍旧一人一首，继续不争不抢地讲着自己的热爱。这期节目，相爷率先介绍了一首由两个音乐人合作制作的一首电子乐BLOCK A2。这首歌节奏复杂，不宜跳上一曲，只适合静静坐着听。突破传统techno的4/4拍节奏让它变得有趣。这也是一首经过了自己再度创作的拼接作品。数字梦游感蛮特别的，推荐～而之后贺愉老师掏出一首爵士乐鼓手Ted Poor的Only You。这首被发表于个人专辑中的作品让贺老师赞不绝口。而背后创作者的故事也一样精彩。这期节目是2020年歌曲盘点的第四期，也是收官的一期啦，各位且听且珍惜。不过瘾的话，前三期内容也很精彩，建议无限回听喔～主播 / 贺愉 相征封面设计 / 划水怪音频后期 / Jimi音频上传 / Observersonglist：1.Vladislav Delay; Max Loderbauer - BLOCK A2 @00:00:542.Ted Poor - Only You@00:06:20 3.Endless Field – Fire@00:10:134.Frank Woeste - Tryptique Iii@00:13:505.Moses Boyd - Only You@00:16:05 6.Gogo Penguin - Signal In The Noise@00:19:507.Irreversible Entanglements - No Más@00:24:268.Matthieu Saglio - El Abrazo@00:29:589.Christian Sands-Can't Find My Way Home@00:35:5910.Chojnacki, Miguła Contemplations - Trzepak@00:41:0911.Marcin Wasilewski Trio; Joe Lovano - Fading Sorrow@00:45:2812.Tania Giannouli Trio - Bela's Dance@00:50:2413.Arild Andersen; Thomas Strønen; Yelena Eckemoff – Fox@00:56:3014.Erland Cooper - Linga Holm@01:01:0015.Keith Jarrett -Part VIII (Live from Budapest _ 2016)@01:05:5616.Mino Cinelu, Nils Petter Molvær - Rose Of Jericho@01:11:1617.Kandace Springs; Norah Jones - Angel Eyes@01:16:5518.Jun Miyake - Stranger's Dreams@01:22:4319.Mary Lattimore -Sometimes He's In My Dreams@01:27:58大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

The Hump is thrilled to welcome our guest this week! Bassist from Norway, Arild Andersen! Tune in to find out why this episode is called, "Learn on the Gig!"

In this season three finale of THE ONE-INCH BARRIER, we discuss Switzerland's drama about family and emigration that triumphed at the 63rd Academy Awards: Xavier Koller's JOURNEY OF HOPE. This week's guest is Che Tagyamon, a filmmaker. Her short film Judy Free premiered at the 2020 Singapore International Film Festival as part of the Southeast Asian Short Film Competition. Find us on Twitter! Che Tagyamon: @chetagyamon Grandma Loleng: https://www.viddsee.com/video/grandma-loleng/gvxee Juan Carlos Ojano: @carlosojano The One-Inch Barrier: @OneInchBarrier You can now support this podcast via Patreon! Click here: https://www.patreon.com/TheOneInchBarrier Music Credits Opening and Ending: Original music by Jan Garbarek, Terje Rypdal, and Arild Andersen

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Den norske jazzmusikeren Jon Christensen (f. 1943) gikk bort tidligere i år, og etterlater seg en betydelig kunstnerisk arv og særegen rytmisk filosofi. I år er det også 50 år siden utgivelsen «Afric Pepperbird» (ECM) som for alvor markerte starten på Norges betydelige posisjon i internasjonal jazz, og Christensen sammen med Terje Rypdal, Jan Garbarek og Arild Andersen ble til De Fire Store i norsk jazz. I dette lunsjforedraget forteller Audun Vinger om Christensens unike aura og beat.Foto: Marthe Vee See acast.com/privacy for privacy and opt-out information.

A cura di Fabio Barbieri. Musiche di Sarah Davachi, Susanne Abbuehl, Trygve Seim, Arild Andersen, Michele Rabbia/ Gianluca Petrella/ Eivind Aarset.

A cura di Fabio Barbieri. Musiche di Sarah Davachi, Susanne Abbuehl, Trygve Seim, Arild Andersen, Michele Rabbia/ Gianluca Petrella/ Eivind Aarset. (seconda parte)

A cura di Fabio Barbieri. Musiche di Sarah Davachi, Susanne Abbuehl, Trygve Seim, Arild Andersen, Michele Rabbia/ Gianluca Petrella/ Eivind Aarset. (seconda parte)

A cura di Fabio Barbieri. Musiche di Michele Rabbia/ Gianluca Petrella/ Eivind Aarset, Stephan Micus, Arild Andersen, Paul Bley/ Gary Peacock/ Paul Motian.

A cura di Fabio Barbieri. Musiche di Michele Rabbia/ Gianluca Petrella/ Eivind Aarset, Stephan Micus, Arild Andersen, Paul Bley/ Gary Peacock/ Paul Motian. (seconda parte)

A cura di Fabio Barbieri. Musiche di Michele Rabbia/ Gianluca Petrella/ Eivind Aarset, Stephan Micus, Arild Andersen, Paul Bley/ Gary Peacock/ Paul Motian. (seconda parte)

Mirko Signorile, Puglia Sounds, Vittorio Nocenzi, Stefano Bollani, Decca, Giovanni Guidi,..Arild Andersen, Ecm, Steve Hamilton, Anne-Mari Kivimäki

Mirko Signorile, Puglia Sounds, Vittorio Nocenzi, Stefano Bollani, Decca, Giovanni Guidi,..Arild Andersen, Ecm, Steve Hamilton, Anne-Mari Kivimäki

Mirko Signorile, Puglia Sounds, Vittorio Nocenzi, Stefano Bollani, Decca, Giovanni Guidi,..Arild Andersen, Ecm, Steve Hamilton, Anne-Mari Kivimäki

Norwegian Arild Andersen learned the double bass as a schoolboy, while playing guitar in a unit that appeared at at local functions. When the trio's bassist decided to concentrate on cello, Arild bought the instrument. Since then, he's worked with everyone from Jan Garbarek to Sonny Rollins, Stan Getz and, most recently, saxophonist Tommy Smith...

We journey through the soundworld of Echolog, a producer from out of Stockholm. His new album, The Longest Summer, is out now on the fantastic Greta Cottage Woodpile, and is so worth your time. Simon finishes things up with some more enveloping music. *Echolog* --All Music by Echolog-- Quire (Longest Summer | Greta Cottage Woodpile | 2018) I’ll Take It to the Grave (Conversions | Constellation Tatsu | 2017) Upscale (Conversions | Constellation Tatsu | 2017) Longest Summer (Longest Summer | Greta Cottage Woodpile | 2018) Ghosts (Longest Summer | Greta Cottage Woodpile | 2018) Belong (Treble EP | Adhesive Sounds | 2018) Seasoning (Longest Summer | Greta Cottage Woodpile | 2018) Take A Chill Pill (Longest Summer | Greta Cottage Woodpile | 2018) New Leverage (Longest Summer | Greta Cottage Woodpile | 2018) Micro (Conversions | Constellation Tatsu | 2017) We Brought September (Conversions | Constellation Tatsu | 2017) News (Treble EP | Adhesive Sounds | 2018) Transmission (Longest Summer | Greta Cottage Woodpile | 2018) Drifts (Longest Summer | Greta Cottage Woodpile | 2018) Stepping (Treble EP | Adhesive Sounds | 2018) *Simon* Halcyon - I Love Another / I Hate Myself [Self] HRNS - After The Angels [ACR] Lena Platonos - Cyaniris (Κυάρινις) [Lyra/Dark Entries] 1991 - Inside You [No More Dreams] Howie B & Dobie - Cloud Spa [Claremont 56] Arild Andersen, Ralph Towner, & Nana Vasconcelos - Voices [ECM] M. Geddes Gengras - Kīlauea [Umor Rex] Marlui Miranda - Tchori Tchori [Selva Discos] El Aviador Dro - Nuclear Si [Les Disques Bongo Joe/DRO] Orlando - Rocks, Shells, & Some Fossils [Local Action] ARVO - So Deep (Instrumental Mix by Hysteric) [Strangelove]

Vad är en inspelningsstudio för slags rum egentligen? Vilka ideal driver studioteknikerna, klangregissörerna? Vi träffar Jan Erik Kongshaug, uppfinnaren av fjordjazzsoundet i Rainbow studio, Oslo Vid första anblick består en studio av flera rum med anpassad akustik för inspelning av sång och andra instrument, ett mixerrum, och övriga faciliteter med sunkiga kaffebryggare och nedsuttna soffor.I kontrollrummet står mixerbordet, en stor glasruta skiljer rummet från inspelningsrummet, där musikerna försöker göra sitt bästa av den dyra studiotiden.Hela miljön påminner om ett rymdskepp med en konsol. Och snart lyfter vi mot okända galaxer. Det var just den associationen som inspirerade den tyske kompositören och polarvinnaren Karlheinz Stockhausen; i studion fick han oväntat möjlighet att, som han sa, leka gud. Han såg studion som ett laboratorium för ljudets alla dimensioner.Det är också vad många tekniker kan vittna om när de drar i mixerbordets reglar. För en kort stund styr de något som är större än de egna känslorna och tankarna. Särskilt när studion och alla medverkande lyckas frysa det där ögonblicket.Här ställs outtalade krav på teknikern att vara psykolog. Här finns en skog av mikrofoner, datorer, monitorer, redigeringsprogram, analoga och digitala effekter. Men i slutänden handlar det ändå om att göra tekniken så transparent som möjligt. Ingen vill ju se byggnadsställningen stå kvar och skräpa framför låten när musiken är mixad och klar.I den här programserien möter vi inspelningstekniker i några legendariska studior; Polar, Silence, Rainbow i Oslo, Tambourine, och inte minst Hansa i Berlin.Alla har de sina egna ideal, sound och specialiteter. Ställda i hård konkurrens med hemmastudion och folkhemsstudion. Och faktiskt, hotet från oss lyssnare som tvingas acceptera att den dynamiska inspelningen på sikt slås ut av strömmande, hårt komprimerad musik och mobilt lyssnande genom hörlurar.Lyssnarvanor ändras och här framstår den professionella studion med sin tekniker som den siste riddaren av det Goda Ljudet.Rainbow Studio i Oslo byggdes av Jan Erik Kongshaug 1984, och har sedan dess blivit känd som en studio i världsklass. Artister från alla världens hörn har spelat in här. Musiken spänner över de flesta genrer med tyngdpunkt på jazz och ett nära samarbete med skivbolaget ECM och Manfred Eicher.I hjärtat av studion står en ompysslad (ett gottstämt) Steinwayflygel, som gärna Keith Jarrett och andra återvänder till. Med åren har flygeln och det musikaliska rummet blivit Rainbows logotyp. Jarrets pianospel, solo, är fantastiskt, det kändes omedelbart som ett slag i ansikte.Högt i tak. Generöst akustiskt rum. En studio byggd för livekänsla. Studio är passion, säger Jan Erik Kongshaug, tekniker sedan 60-talet. Och det blir mera musik, i alla fall i mina öron om studion är stor och släpper in dagsljus.Många undrar hur han går tillväga rent tekniskt för att skruva till sitt unika fjordjazzsound. Men det är inget märkvärdigt; han bara blandar ett gäng effekter efter tycke och smak. Säger han pekar in i ett rum som liknar en elcentral med massor av brödrostar.Kongshaug har fångat några av de allra största jazzartisterna på platta: Keith Jarrett, Chick Corea, Pat Metheny, Arild Andersen, Jan Garbareck, Egberto Gismonti, Eberhard Weber, The Yellow Jacket.Han drivs fortfarande framåt av idén om den goda inspelning men känner sig också pressad av marknaden som tvingar fram nya trender för musikkomprimering, för att det ska låta mycket och starkt även i gruvliga ljudanläggningar. På sikt kanske det påverkar vår hörsel.Dagens ljudideal är jämförbart med att skicka in en VHS-kassett för att bli nominerad till en Oscar (Kongshaug)Produktion Mikael Strömberg, GiG.

12e émission de la 26e session...   Cette semaine, focus sur des parutions récentes en post-bop, world jazz québécois et un grand ensemble d'avant-jazz...   En musique: Krakauer's Ancestral Groove sur l'album Checkpoint (Label Bleu, 2014); Cordâme + François Bourassa sur l'album Rêve Éveillé (Malasartes, 2014); Joachim Kühn & Alexey Kruglov sur l'album Duo Art - Moscow (ACT Music, 2014); Barry Guy New Orchestra sur l'album Amphi + Radio Rondo (Intakt, 2014); Arild Andersen sur l'album Mira (ECM, 2014)...

12e émission de la 26e session...   Cette semaine, focus sur des parutions récentes en post-bop, world jazz québécois et un grand ensemble d'avant-jazz...   En musique: Krakauer's Ancestral Groove sur l'album Checkpoint (Label Bleu, 2014); Cordâme + François Bourassa sur l'album Rêve Éveillé (Malasartes, 2014); Joachim Kühn & Alexey Kruglov sur l'album Duo Art - Moscow (ACT Music, 2014); Barry Guy New Orchestra sur l'album Amphi + Radio Rondo (Intakt, 2014); Arild Andersen sur l'album Mira (ECM, 2014)...

"The trio of Arild Andersen, Tommy Smith and Paolo Vinaccia is one of the most exciting new groups to appear on the European jazz scene in years. Anchored by the massively sonorous, muscular double bass playing of Andersen, who has been one of the major figures in Scandinavian jazz since his early 1970s work with Jan Garbarek, the group marries melodic invention with crisp rhythms and rich colouring. Scottish saxophonist Smith's tough yet tender tenor playing and Italian-born, Norwegian-based Vinaccia's creative, imaginative drumming combine with Andersen's remarkable flexibility and use of multi-layered lines to create a sound that's orchestral in scope and yet superbly mobile."