Podcast appearances and mentions of Bobby Bare

The Kilogram, Bobby Bare, Jackie Chan & Manuscript MadnessPlaylist: J.G. Thirlwell - No VacancyLeather Uppers - The Heavy KidsPunkin Machine - Zarcon Rock OnThe Statues - Young EnoughThe James T. Kirks - Theme From The Twilight Living RoomBobby Bare - VampiraThe Dirtbombs - Kung FuThe Enigmas - Monsters In The BasementThe Ugly - Stranded In The LanewayPussy Monster - Smoke ShowThe Dukes Of Hamburg - Can't Judge A BookDick N' The Donuts - Saturday NightKing Louis & The Memphis Maffia - The Fuzz On My BagThe Beex - He Obliterates MePersonal & The Pizzas - I Can ReadLove Sculpture - The Sabre DanceThe Von Zippers - Nothing Can Bring Me DownHoyt Axton - Double Double Dare

Í Jambalaja í dag hoyra vit nýtt frá Halli Joensen, Wilder Blue, Alison Krauss & the Union Station og William Beckmann. Og so hátíðarhalda vit, at Bobby Bare fyllir 90 7. apríl..

In this episode of Kent Hance's podcast, the discussion centers around the FBI's Ten Most Wanted list, notable criminals, and law enforcement anecdotes. Kent provides historical insights into the list's creation and shares stories about infamous criminals like Victor Gerena and Whitey Bulger. The conversation also touches on the FBI's current state and the importance of public cooperation in capturing fugitives. Shifting gears, the speakers discuss the NCAA basketball tournament, sharing personal experiences and predictions. The episode concludes with humorous anecdotes about country music artists Bobby Bare and Waylon Jennings, blending crime history, sports commentary, and music stories.

Time keeps on slippin', slippin', slippin' into the future…and it's tickin' tickin' tickin', too. Steve Miller certainly summed it up and our theme this week is all about the passing of time, events that take place in time, biding our time, and recalling a time. We'll be making a swing through a number of genres and performers including Little Joe, Booker T., Bobby Bare, Evie Sands, Tom Waits and Harry James. But there's plenty more including classic country, mid-to-late century rock n' roll, folkie business, and the sweet torch songs that take us back. We've chosen to forego the Christmas celebrations because, for the most part, we can hear it elsewhere and the season is a short one with some desperation on the doorstep. Tune in for a journey through the past century of America's music on community radio for West Sonoma Country, streaming to all of planet Earth at the same time on kowsfm.com/listen. We'd love to have you. 

One of the greatest songwriters of the 60's, Bob Dylan had released seven solo albums between 1962 and 1966.  Bob Dylan's Greatest Hits compiles many of the singles from this period along with some of the songs Dylan wrote for other musicians.  The compilation went to number 10 on the Billboard 200 chart, number 3 on the UK album chart, and has been certified five times platinum by the RIAA.In the summer of 1966, Dylan crashed his motorcycle near his home, and took off time to recover.  The record company was anxious to follow up Dylan's successful "Blonde on Blonde" album, but had no new recordings available, and no clarity on how long Dylan would be out of the studio.  Thus the decision to release a Greatest Hits album was an easy one for them.  Born Robert Allen Zimmerman in Duluth, Minnesota, the stage name comes from the poet Dylan Thomas.  Bob Dylan rose out of the Beatnik coffee houses, and he took inspiration from a wide variety of sources including Woodie Guthrie, Hank Williams, and blues artists like Robert Johnson.  He has the unusual distinction of having won a Nobel Prize in Literature. Wayne takes us through this iconic folk rock compilation album, and friend of the show Greg Lyon joins us in Bruce's absence for this week's podcast. Positively 4th StreetThis non-album single was released in 1965 between the "Highway 61 Revisited" album and the "Blonde on Blonde" album, and reached the top 10 on charts in both the US and the UK.  The lyrics are laden with bitterness, as the singer laments the lack of compassion in a person who "has a lot of nerve to say you are my friend."  An inspiration for this song could have been the reaction Dylan received from folk artists and fans when he "went electric."Blowin' in the WindWhile Dylan released this as a single in 1963, the most successful version of this song was the cover by Peter, Paul and Mary in the same year.  This well-known protest song asks a number of questions in its lyrics, most focused on issues of peace and freedom.  Whether an answer "blowin' in the wind" is obvious or difficult to grasp is left deliberately ambiguous.  The Times They Are a-Changin'This is the title track to Dylan's 1964 album.  It is iconic today as a commentary on society in general and 1960's society in particular.  The number of groups that have covered this song is vast, including such diverse names as Joan Baez, the Beach Boys, Bruce Springsteen, Billy Joel, and Burl Ives.Subterranean Homesick BluesA number of things make this song famous, from the early video style to the rapid lyric pace, to the inspiration for the name of the domestic terrorist group of the 70's, the Weather Underground ("you don't need a weatherman to know which way the wind blows").  Dylan claims inspiration from Chuck Berry and the scat songs of the 1940's in the creation of this track. ENTERTAINMENT TRACK:Sitting There Standing by the Chocolate Watchband (from the motion picture "Riot on the Sunset Strip")This counterculture movie came out during this time, sporting a soundtrack that may be better than the film itself. STAFF PICKS:Detroit City by Tom JonesRob starts the staff picks with a slow blues number originally written by Mel Tillis.  Jones cover of this country song originally released by Bobby Bare is about being lonely and homesick on the road.  Jones' version went to number 27 on the Billboard Hot 100.  I'll Be Doggone by Marvin GayeLynch brings us an upbeat tune which is the first song on which he collaborated with Smokey Robinson.  The lyrics tell the singer's girlfriend that if she cheats on him he'll be (dog)gone.  This was a big time for the Motown sound.Can't Help Falling In Love by Elvis PresleySpecial guest Greg's staff pick is an iconic ballad by the King.  Recorded for the movie "Blue Hawaii" in 1961, it was on the charts in 1962, but has been popular ever since.  Elvis was a great inspiration for Greg's life and musicianship.Action Woman by the LitterWayne features an early garage band with a fuzzy feel.  It is a good early example of psychedelic music, and chronicles a man's search for a woman of action - a more active girlfriend. INSTRUMENTAL TRACK:Music to Watch Girls By by the Bob Crewe GenerationThis is a great song title with which to finish off the podcast - or ride in an elevator!  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Country Music Hall of Famer Lacy J. Dalton  The Queen of Country Music LACY'S BIO Lacy J. Dalton (born Jill Lynne Byrem on October 13, 1946 in Bloomsburg, Pennsylvania), is an American country singer and songwriter with a career that has spanned many decades and touched the hearts of millions of music fans. In March 2017 Lacy J Dalton was inducted into the North American Country Music Association International Hall of Fame, and in 2022 she was awarded a Lifetime Career Achievement Award from the Josie Music Awards, the largest independent music awards show in the country. She's one of the most instantly recognizable voices in music – the woman People Magazine called “Country's Bonnie Raitt.” From the first time Lacy J Dalton caught the public's ear, that soulful delivery, full of texture and grit, has been a mainstay of Country Music. When you sit to listen to a Lacy J Dalton album, you find yourself pulled in by the very power and heart of this vocalist, because she's not merely performing a ten-song set, she's bringing each and every tune to life. It's as if they were all written especially for her. Prior to recording with Harbor Records in 1978 as Jill Croston, she like many before her, held many jobs to survive and support her family. As a truck stop waitress and singer, she would wait tables and then take the stage to sing a few songs. In June 1979, Lacy J Dalton was signed by Columbia Records and quickly rose to national prominence with Crazy Blue Eyes, which she wrote with her longest friend, Mary McFadden, and which raced to #7 on the Billboard Country Charts.  Her hard work and dedication paid off in 1979 when she was awarded the Academy of Country Music's Top New Female Vocalist of the Year.   Lacy's success was powered not just by the artist's recordings, but by a stage show that truly electrified audiences. She quickly became one of the few women who could successfully open a show for the likes of Hank Williams, Jr., Willie Nelson, Merle Haggard or Charlie Daniels. Not only could she do it, but she left audiences across the country hollering for more. Her signature song 16th Avenue, became the Anthem for Nashville songwriters.  Her other hit records are legendary million-airplay cuts and include Crazy Blue Eyes, Takin' It Easy, Everybody Makes Mistakes, Hillbilly Girl with the Blues, Hard Times, and the worldwide hit Black Coffee. In addition to her Top New Female Vocalist award, she also brought home numerous Grammy nominations and 3 prestigious, back to back (1979, 1980, 1981) Bay Area Music Awards for Best Country-Folk Recordings. Lacy appeared on those shows with the likes of Neil Young, The Grateful Dead, Grace Slick and the Jefferson Airplane. Lacy's collaboration with Willie Nelson on his platinum Half Nelson CD was a high spot for her. Lacy is the only woman featured on that recording (which included singing legends Ray Charles, Neil Diamond, Merle Haggard, Julio Iglesias, George Jones, Leon Russell, Carlos Santana, Mel Tillis, Hank Williams Sr., and Neil Young), and was awarded a Platinum Record for it. She also received a Gold Record from Hank Williams Jr. in 1985 for her support performances throughout his Five-0 Tour, where she opened for him at a time when it was unusual for a woman to do so. Her career includes accomplishments in music, film and radio.  In music, they range from her instantly recognizable charted hit songs to her notable duets recorded with George Jones, Willie Nelson, Bobby Bare, Glen Campbell, Eddie Rabbit, David Allen Coe and many others. Her film debut was in the motion picture Take This Job And Shove It, and her acting has also included live stage and theater performances. Until recently, Lacy J Dalton also hosted a weekly radio show called Mustang Matters.  Podcasts of past shows are available to listeners on the internet at www.americamatters.us Following a successful career in country music, Lacy decided to draw on all her musical experiences including country, rock and folk, and cross over into the Americana genre.  This blend of musical styles allows her to express herself in a way that demonstrates all the facets of who she is as a singer/songwriter.  She became an independent artist and formed her own label called Song Dog Records.  Under this label, she has released three albums to date.  The first was Wild Horse Crossing in 1999, followed by the Last Wild Place Anthology which went #1 on the World Independent Chart, and a year later went #1 on the American Western Music Chart. Then Allison Eastwood, Clint Eastwood's daughter, used the hit song Slip Away from the Anthology CD on the sound track of her independent film, Don't Tell. In 2010 Lacy also released a tribute to Hank Williams Sr. entitled Here's To Hank. Today, Lacy continues to record new music and perform live shows whenever possible.  She tours mainly west of the Mississippi and loves small boutique venues and old theaters with great sound quality and warm, receptive audiences she can really connect with.  She recently recorded some electrifying new music for an EP that was released in January 2019.  When hearing the signature song Scarecrow, her good friend Reverend Barbara Ann Fletcher remarked “that song makes you a whole new you, and it makes me a whole new me.”  And that's exactly the response Lacy was hoping for. In addition to her musical career, Lacy has been involved in various service projects through several charitable organizations – namely, the Let ‘em Run Foundation, William James Associates Arts in Corrections, and Rotary International.  In 1999, Lacy co-founded the Let ‘em Run Foundation which received its 501(c)3 designation from the IRS in 2004.  The Let 'em Run Foundation is dedicated to rescuing, rehabilitating and re-homing America's wild horses and burros who have no voice.  Let ‘em Run's mission is to serve as an educational, fund-raising and public relations entity, through its own efforts and in assisting similar non-profit organizations, to promote the appropriate and compassionate management of the wild horse, estray horse, and mustang population of the U.S. and other species of endangered or mistreated animals.  From 2015 through November 2018, Lacy and her partner, Dale Poune, worked with the William James Arts in Corrections program at High Desert State Prison in Susanville, California.  Their work there has been focused on teaching basic song writing skills and techniques, music theory and guitar playing to level 4 inmates.  Through their classes, a select group of inmates got the opportunity to learn the basic principles of guitar playing and song writing which they then used to develop songs and lyrics, both individually and as a group.  The class culminated with the inmates recording those musical compositions and giving a live performance to an audience of prison and non-prison personnel.  In addition, several inmates were able to go on to teach basic guitar to other inmates in the classic “each one teach one” teaching tradition. Finally, Lacy is an honorary member of the Rotary Club of Reno, and a Paul Harris Fellow.  Lacy has written two songs for Rotary, which she then recorded on a CD to be used as a fundraising opportunity for the Reno club.  Lacy also performed at the Rotary International Convention in New Orleans in 2011, and has been a key note speaker and headline performer at several club meetings and district conferences.

GEORGIA RADIO - Lacy J. Dalton, legendary singer-songwriter and outlaw country artist, recently spoke with Matt Jolley on Georgia Radio about her latest project. “What Don't Kill Ya,” is available today and marks the third single, from her upcoming album For The Black Sheep, which is set to come out this summer. The song combines elements of country and blues and addresses the challenges of life, such as breakups and general hardships, with the message that these difficulties make us stronger. With relatable lyrics like “sometimes you're right, sometimes you're wrong, you make mistakes, but you go on - and somehow life just rolls along and what don't kill ya makes you strong,” Dalton has created a song that resonates with many. The single premiered on Cowboys & Indians and is available for streaming here.Dalton shared her thoughts on the song, saying, “We don't build strong spiritual muscles without strong challenges in life. These roadblocks and heartaches become catalysts for change and the way forward. What appears to stand in the way becomes the way… ‘What Don't Kill Ya' makes you strong.”Dalton continues to tour year-round and has been added to the 2025 Country Music Cruise lineup, which sails from January 19-26, 2025. The lineup includes John Michael Montgomery, Deana Carter, The Bellamy Brothers, and more.Dalton's illustrious career began in 1979 when she signed with CBS Records as an outlaw country artist. She quickly made a mark with her hit “Crazy Blue Eyes” and went on to have 16 Top 20 songs. She has received several prestigious awards, including a certified Platinum record for her duet with Willie Nelson on his album Half Nelson. Dalton was awarded the highest honor from Strictly Country Magazine and the Spirit Awards for her independent CD Last Wild Place Anthology. She was inducted into the North American Country Music Association International Hall of Fame in 2017 and received a Lifetime Achievement Award from the Josie Awards.Upcoming Tour Dates:JUL 27 – Red Dog Saloon / Virginia City, NVSEP 21 - Starbright Theater / Las Vegas, NV (Sun City Summerlin)SEP 23 - CPAC Community Performance & Art Center / Green Valley, AZSEP 24 - Elgin Community Club / Elgin, AZOCT 17 – Outlaw Saloon / Cheyenne, WYOCT 19 – The Colonel Venue and Cigar Bar / Cody, WYOCT 20 – Party at the Pound / Greybull, WYNOV 30 – Sutter Creek Theater / Sutter Creek, CADEC 13 - Yerington Theater for the Arts / Yerington, NVDEC 22 - Red Dog Saloon / Virginia City, NVJAN 19-25 - Country Music Cruise / Fort Lauderdale, FL; Key West; Cozumel; Costa MayaAbout Lacy J. Dalton: Dalton first rose to fame in 1979 with her Top-20 hit “Crazy Blue Eyes.” She became one of the most successful female vocalists in country music during the 1980s, with hits like “16th Avenue,” “Takin' It Easy,” “Everybody Makes Mistakes,” “Hillbilly Girl With The Blues,” and “Black Coffee.” Dalton has collaborated with country legends such as Bobby Bare, Glen Campbell, Willie Nelson, and George Jones, and toured with Hank Williams Jr. and Willie Nelson.Her recent work includes the four-song EP Scarecrow and the single “Devil By A Different Name.” In November, her first studio recording, The Jill Croston Album, was made available for streaming for the first time since its initial release in 1978.For more information, visit lacyjdalton.org and follow Lacy on Facebook, Instagram, and Twitter/X.#LacyJDalton #StarVistaMusic #WhatDontKillYaSupport this podcast at — https://redcircle.com/georgia-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our Special Musical Guest is Country Music Hall of Famer Lacy J. Dalton  The Queen of Country Music BIOGRAPHY   Lacy J. Dalton (born Jill Lynne Byrem on October 13, 1946 in Bloomsburg, Pennsylvania), is an American country singer and songwriter with a career that has spanned many decades and touched the hearts of millions of music fans. In March 2017 Lacy J Dalton was inducted into the North American Country Music Association International Hall of Fame, and in 2022 she was awarded a Lifetime Career Achievement Award from the Josie Music Awards, the largest independent music awards show in the country.   She's one of the most instantly recognizable voices in music – the woman People Magazine called “Country's Bonnie Raitt.” From the first time Lacy J Dalton caught the public's ear, that soulful delivery, full of texture and grit, has been a mainstay of Country Music. When you sit to listen to a Lacy J Dalton album, you find yourself pulled in by the very power and heart of this vocalist, because she's not merely performing a ten-song set, she's bringing each and every tune to life. It's as if they were all written especially for her.   Prior to recording with Harbor Records in 1978 as Jill Croston, she like many before her, held many jobs to survive and support her family. As a truck stop waitress and singer, she would wait tables and then take the stage to sing a few songs. In June 1979, Lacy J Dalton was signed by Columbia Records and quickly rose to national prominence with Crazy Blue Eyes, which she wrote with her longest friend, Mary McFadden, and which raced to #7 on the Billboard Country Charts.  Her hard work and dedication paid off in 1979 when she was awarded the Academy of Country Music's Top New Female Vocalist of the Year.   Lacy's success was powered not just by the artist's recordings, but by a stage show that truly electrified audiences. She quickly became one of the few women who could successfully open a show for the likes of Hank Williams, Jr., Willie Nelson, Merle Haggard or Charlie Daniels. Not only could she do it, but she left audiences across the country hollering for more. Her signature song 16th Avenue, became the Anthem for Nashville songwriters.  Her other hit records are legendary million-airplay cuts and include Crazy Blue Eyes, Takin' It Easy, Everybody Makes Mistakes, Hillbilly Girl with the Blues, Hard Times, and the worldwide hit Black Coffee.   In addition to her Top New Female Vocalist award, she also brought home numerous Grammy nominations and 3 prestigious, back to back (1979, 1980, 1981) Bay Area Music Awards for Best Country-Folk Recordings. Lacy appeared on those shows with the likes of Neil Young, The Grateful Dead, Grace Slick and the Jefferson Airplane.   Lacy's collaboration with Willie Nelson on his platinum Half Nelson CD was a high spot for her. Lacy is the only woman featured on that recording (which included singing legends Ray Charles, Neil Diamond, Merle Haggard, Julio Iglesias, George Jones, Leon Russell, Carlos Santana, Mel Tillis, Hank Williams Sr., and Neil Young), and was awarded a Platinum Record for it. She also received a Gold Record from Hank Williams Jr. in 1985 for her support performances throughout his Five-0 Tour, where she opened for him at a time when it was unusual for a woman to do so. Her career includes accomplishments in music, film and radio.  In music, they range from her instantly recognizable charted hit songs to her notable duets recorded with George Jones, Willie Nelson, Bobby Bare, Glen Campbell, Eddie Rabbit, David Allen Coe and many others. Her film debut was in the motion picture Take This Job And Shove It, and her acting has also included live stage and theater performances. Until recently, Lacy J Dalton also hosted a weekly radio show called Mustang Matters.  Podcasts of past shows are available to listeners on the internet at www.americamatters.us   Following a successful career in country music, Lacy decided to draw on all her musical experiences including country, rock and folk, and cross over into the Americana genre.  This blend of musical styles allows her to express herself in a way that demonstrates all the facets of who she is as a singer/songwriter.  She became an independent artist and formed her own label called Song Dog Records.  Under this label, she has released three albums to date.  The first was Wild Horse Crossing in 1999, followed by the Last Wild Place Anthology which went #1 on the World Independent Chart, and a year later went #1 on the American Western Music Chart. Then Allison Eastwood, Clint Eastwood's daughter, used the hit song Slip Away from the Anthology CD on the sound track of her independent film, Don't Tell. In 2010 Lacy also released a tribute to Hank Williams Sr. entitled Here's To Hank.   Today, Lacy continues to record new music and perform live shows whenever possible.  She tours mainly west of the Mississippi and loves small boutique venues and old theaters with great sound quality and warm, receptive audiences she can really connect with.  She recently recorded some electrifying new music for an EP that was released in January 2019.  When hearing the signature song Scarecrow, her good friend Reverend Barbara Ann Fletcher remarked “that song makes you a whole new you, and it makes me a whole new me.”  And that's exactly the response Lacy was hoping for.   In addition to her musical career, Lacy has been involved in various service projects through several charitable organizations – namely, the Let ‘em Run Foundation, William James Associates Arts in Corrections, and Rotary International.    In 1999, Lacy co-founded the Let ‘em Run Foundation which received its 501(c)3 designation from the IRS in 2004.  The Let 'em Run Foundation is dedicated to rescuing, rehabilitating and re-homing America's wild horses and burros who have no voice.  Let ‘em Run's mission is to serve as an educational, fund-raising and public relations entity, through its own efforts and in assisting similar non-profit organizations, to promote the appropriate and compassionate management of the wild horse, estray horse, and mustang population of the U.S. and other species of endangered or mistreated animals.    From 2015 through November 2018, Lacy and her partner, Dale Poune, worked with the William James Arts in Corrections program at High Desert State Prison in Susanville, California.  Their work there has been focused on teaching basic song writing skills and techniques, music theory and guitar playing to level 4 inmates.  Through their classes, a select group of inmates got the opportunity to learn the basic principles of guitar playing and song writing which they then used to develop songs and lyrics, both individually and as a group.  The class culminated with the inmates recording those musical compositions and giving a live performance to an audience of prison and non-prison personnel.  In addition, several inmates were able to go on to teach basic guitar to other inmates in the classic “each one teach one” teaching tradition.   Finally, Lacy is an honorary member of the Rotary Club of Reno, and a Paul Harris Fellow.  Lacy has written two songs for Rotary, which she then recorded on a CD to be used as a fundraising opportunity for the Reno club.  Lacy also performed at the Rotary International Convention in New Orleans in 2011, and has been a key note speaker and headline performer at several club meetings and district conferences.

The longest-serving member in the history of the Grand Ole Opry stopped by the show recently... Whisperin' Bill Anderson! It's always a treat to have the Hall of Famer in the studio with us. On this visit, we discussed his new single, "The Country I Grew Up With", that features Vince Gill, Bobby Bare, Willie Nelson, and Jimmy Fortune. Make the Grand Ole Opry part of YOUR Nashville experience! With at least three shows every week, there are plenty of opportunities to see The Show That Made Country Music Famous -- plus, take the Opry Backstage Tour while you're there, and you'll get to stand in the world-famous circle where so many country greats have performed. Plus, you'll get access to the limited-time "Famous Friends: Guests of the Grand Ole Opry" exhibit at the Acuff House. Thanks for listening to the Coffee, Country & Cody podcast from WSM Radio! Download the official WSM Radio App (for Apple or Android devices) to hear WSM in digital clarity, plus two additional streaming stations -- Opry Nashville and Route 650 -- as well as thousands of hours of archived programming. And now you can hear WSM on iHeartRadio as well!

Retrocedemos 60 años en el tiempo para recordar algunas de las canciones que sonaban en las listas de éxitos del Billboard Hot 100 de EEUU en noviembre de 1963. (Fotos podcast; The Village Stompers, Nino Tempo y April Stevens)   Playlist; (sintonía) THE VILLAGE STOMPERS “Washington Square” NINO TEMPO and APRIL STEVENS “Deep purple” GARNET MIMMS and THE ENCHANTERS “Cry baby” SAM COOKE “Little red rooster” RUFUS THOMAS “Walkin’ the dog” MARVIN GAYE “Can I get a witness” ELVIS PRESLEY with THE JORDANAIRES “Bossanova baby” RICKY NELSON “Fools rush in” THE DIXIEBELLES “(Down at) Papa’s Joe” BEACH BOYS “Be true to your school” ROBIN WARD “Wonderful summer” JACK NITZSCHE “Rumble” CHUBBY CHECKER “Loddy Lo” DEE DEE SHARP “Wild” LESLEY GORE “She’s a fool” BOBBY BARE “500 miles away from home” PETER PAUL and MARY “Don’t think twice it’s alright” DALE and GRACE “I’m leaving it up to you” Escuchar audio

When ya get to reach my age group,,,,,,, you've shared a lot of "Yesterdays"so for this episode I thought I'd share some of my experiences with these stars of Yesterday that will live on forever because of their legacy in country music. Enjoy Roy Clark, Bill Carlisle, Jean Shepard, Kitty Wells, Roy Acuff,,,,,,, and a real special with Jerry Reed, Waylon, Mel, and Bobby Bare ,,,,,,plus Jerry and Glen gettin down on guitars.

https://www.facebook.com/thennnowband/Youtube What happens when you mix country and rock roots from a father/daughter duo with an age gapof more than 45 years, with sounds incorporating heavy guitar riffs, cello, flutes, keyboards andtrumpets along with a steady bass and drum rhythm section? You'll get Then & Now- a groupfrom South Africa featuring Graham and Tori Ferreira, that is releasing an eclectic mix of musicon their new album titled Aces, Angels & Devils.Graham, 77, and his daughter Tori, 31, both have dynamic backgrounds in the musical world.While their styles were drastically different, with Graham singing and writing country tunes andTori deep into the punk and metal music world, the two share a common bond of being able toput together unique, creative music. Then & Now released the album Tales of Long Street in 2022, which is mostly country and rock, but includes accordion to give it a bit of a Mediterranean feel. The newest album, Aces, Angels & Devils is a whole new ballgame. The opening track sets the tone, with an extended psychedelic sounding guitar intro that leads into Tori and Graham trading off on vocals. One song on the album titled “Angel or a Devil?”, is a gritty tale complete with mesmerizing flute with a catchy chorus led by Graham. He sings, “When she comes to me at midnight, I don't care what you say. Angel or a devil, love her anyway.” It includes a blistering guitar solo by Fraser, before Graham repeats the chorus, driving it home to the listener.Another track, “Year of the Dog,” is one that Then & Now is proud of, saying it is “creepy” in thebest of ways. The lyrics go: “It was the year of the dog when I was born, on the wings of aneagle in the eye of the storm, flying high above the world, looking down from afar, so here I amand there you are, we must follow our own star. Easy come and easy go, if you listen carefullyyou'll know, which way the wind is going to blow.” While Then & Now has generally played their own tunes, they do have one cover on the new album - the fun Bobby Bare sung drinking song “Tequila Sheila” that was a hit in 1980. The track has a Tex Mex feel, with trumpets and all.The album has touches of classic rock, alternative rock, psychedelia, swing music, a latin flavorand, of course, some country vibes. You can chill to it or dance to it, but one thing is for certain:it is unique. Tori calls their sound “unpredictable,” with Graham agreeing, adding that they are“different and creative.”

Martin Lynds is a musician and editor who tours most often with Chuck Mead and His Grassy Knoll boys but has stayed busy performing and/or recording with many others, including Cheap Trick's Tom Petersson, Kevin Gordon, Marah, Bobby Bare, Rodney Crowell and Marty Stuart. In this episode, Martin talks about:    Exploring styles outside your comfort zone    Finding your people without being concerned with the hustle    His experiences living in Washington D.C.    Finding a “clubhouse” to meet other musicians and create experiences    His gig with Chuck Mead    Backline nightmares    The hidden beauty of traditional country drumming

Con Ben E. King ft LaVern Baker, the Edsels, Ricky Nelson, The Carter Family, Jimmy Webb, Johnny Rivers, Isaac Hayes, Nick Cave & the Bad Seeds, Frank Sinatra, Glen Campbell, Bobby Bare, The Temptations, Blind Blake, Ry Cooder, the Smithereens, Fountains of Wine, Any Trouble, The B-52´s y Camera Obscura

Bobby Bare, Bob McDill, Bill Rice, and me.

Matt and Drew discuss " The Winner " by Bobby Bare. To listen to the full show, visit ForgottenCountryRadioShow.com.

Get ready for a musical journey back to the year 1970! In this groovy episode of Song Swap Showdown, your hosts Chris and Amanda are time-traveling to the era of bell-bottoms and disco balls. They're swapping three iconic songs from 1970, each with a unique vibe that captures the spirit of the time. Amanda's picks for Chris are a delightful mix of genres. She's got the sweet melodies of The Carpenters' "They Long To Be Close To You," the soulful crooning of Elvis Presley's "The Wonder of You," and the heartfelt country vibes of Bobby Bare's "That's How I Got To Memphis." Not to be outdone, Chris has some classic 1970 hits up his sleeve for Amanda. Get ready to rock out to Led Zeppelin's "Celebration Day," lose yourself in the psychedelic sounds of Rodriguez's "Sugarman," and headbang to the heavy metal beats of Black Sabbath's "Paranoid." Join us as we rate these 1970 hits on a scale of 1 to 5 records. Will Amanda's picks make Chris feel the love? Will Chris's songs have Amanda dancing in her seat? Tune in to find out! So, put on your dancing shoes, turn up the volume, and let's get this 1970s party started! Amanda's Picks for Chris: "They Long To Be Close To You" by The Carpenters "The Wonder of You" by Elvis "That's How I Got To Memphis" by Bobby Bare Chris's Picks for Amanda: "Celebration Day" by Led Zeppelin "Sugarman" by Rodriguez "Paranoid" by Black Sabbath Join our Facebook Community - ⁠https://www.facebook.com/groups/1161768424439762⁠ Listen to our ⁠Song Swap Showdown 2023 Playlist⁠   Connect with us at - ⁠http://campsite.bio/songswapshowdown⁠   Feel free to support this show for as little as $2 a month through ⁠Buy Me a Coffee⁠ Visit our o⁠fficial merch store⁠! Please email us at info@songswapshowdown.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/songswapshowdown/message Support this podcast: https://podcasters.spotify.com/pod/show/songswapshowdown/support

Matt and Drew discuss " Marie Laveau " by Bobby Bare. To listen to the full show, visit ForgottenCountryRadioShow.com.

 In the summer of 1963, a young Ironton, Ohio, native named Bobby Bare walked into the RCA Victor studio and recorded what would become the best-selling single of his long career, his poignant rendition of “500 Miles Away from Home.” Now 60 years later, here's The Flood's tribute to Bobby and that folk music classic.

Clint Mephisto's Road Show Episode 278, week of May 29th. Sit a spell with your ol’ drankin’ buddy as we celebrate World Dracula Day! An hour of vintage classics and modern barn burners centered around Vampires from Satan’s Pilgrims, Bobby Bare, Ghoultown, Calabrese, and brand new music from The Coffinshakers!

Trauma Stories We Don't Share with Grammy Nominated Mary Gauthier Welcome to Episode #15 with special guest Grammy-nominated singer/songwriter, Mary Gauthier. Today we are talking about stories that we don't feel like we can share. You know the ones, the stories that we call bad, dark, or embarrassing and maybe even just too sad to share. A lot of times there is trauma associated with what happened in this story which becomes wrapped around a shadow of shame that it happened to us in the first place. One thing I know for sure, is that we are close to a breakthrough when a client says this about their story. Why? Often the story we have the most shame around, is the very story that can set us free. Tune in to find out more as Mary share's her own stories behind the songs, and how songs offer a lifeboat to get to the other side of our traumatic stories. You won't want to miss this one! Maybe music really can save your soul! Mary Gauthier's Bio: Photo Credit: Alexa Kinigopoulos “With songwriting as powerful as her, there's no need to go looking for qualifiers.  She's a unique, intrinsically valuable musical voice. And there's never a surplus of those.” Randy Lew, Los Angeles Times. Her eleventh the first record in over 8 years consisting of all her own songs, Dark Enough to See the Stars, follows the profound antidote to trauma, Rifles & Rosary Beads, her 2018 collaborative work with wounded Iraq war veterans. It garnered a Grammy nomination for best Folk Album, as well as a nomination for Album of the Year by the Americana Music Association. Publication of her first book, the illuminating Saved by a Song: the Art and Healing Power of Songwriting, in 2021, brought her more praise.  Brandi Carlile has said, “Mary's songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.”  The Associated Press called Gauthier “one of the best songwriters of her generation.” Mary's songs have been recorded by dozens of artists, including Jimmy Buffet, Dolly Pardon, boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Mike Farris, Kathy Mattea, Bobby Bare, Amy Helm and Candi Staton and have appeared extensively in Film and Television, most recently on HBO TV's Yellowstone. Learn More about Carrie here: https://carrierowan.com/

#873 - Diane Baham Diane Baham is a special guest on The Paul Leslie Hour. Are you here? It's always a pleasure when we find out you're listening to The Paul Leslie Hour, one of the most unique compendiums of interviews available on YouTube, Spotify, Apple, iHeartRadio and many other places. We've got a phone interview with Diane Baham. Now, Diane Baham comes from a very interesting family. Her late father Roy Baham was a great country music songwriter. Roy Baham was born in 1927 in Amite, Louisiana and passed away in Nashville, Tennessee in 2012. Roy wrote some classic country songs, like “Charlie's Shoes,” recorded by Billy Walker, and “Blue Lonely Winter,” recorded by Jimmy C. Newman. Ray Price, Bobby Bare, Jeannie Seely, Burl Ives, Skeeter Davis, they all recorded Roy Baham songs. Diane's brother, Jonathan Baham was also an artist and songwriter. Jonathan Baham or Johnny as he was called, was born in Bessemer, Alabama in 1951 and passed away in St. Petersburg, Florida in 2016. Jonathan Baham wrote the song “Lovely Cruise,” recorded and made famous by Jimmy Buffett on his “Changes in Latitudes, Changes in Attitudes” album. The Paul Leslie Hour is made possible by listeners like you. Please help us in our mission of helping people tell their stories and preserving history. Go right here to support us and we thank you. With that, it's time to start the interview. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

Roy Acuff - "The Great Speckled Bird" [0:00:00] Jimmy Work - "Just Like Downtown" [0:06:56] Faron Young - "You're Still Mine" [0:09:18] Kitty Wells - "I Don't Want Your Money, I Want Your Time" [0:12:05] Boyd Bennett And His Rockets - "My Boy-Flat Top" [0:14:21] Music behind DJ: Tootsie's Orchid Loungers - "Tootsie's Wall of Fame" [0:16:46] Donnie Boyd and His Guitar (The Golden Boy) - "Martha" [0:20:45] Joe Bennett and the Sparkletones - "Rocket" [0:22:26] Roger White - "Mystery Of The Tallahatchee Bridge" [0:25:05] Colleen Wilson - "Rose City "66"" [0:28:13] Al and the Echos - "The Longer You Wait" [0:30:24] Music behind DJ: Tootsie's Orchid Loungers - "Tootsie's Wall of Fame" [0:32:01] Jean Shepard - "Your Conscience Or Your Heart" [0:34:50] Lynn Anderson - "The Worst Is Yet To Come" [0:37:31] Connie Smith - "Tiny Blue Transistor Radio" [0:40:04] Bobby Bare - "500 Miles Away From Home" [0:42:53] Willie Nelson - "I Just Can't Let You Say Goodbye" [0:45:12] Music behind DJ: Tootsie's Orchid Loungers - "Tootsie's Wall of Fame" [0:48:10] Bonnie Baldwin, June & Evelyn - "Move Over There Woman" [0:51:23] Jessie Acosta - "I Love You A Thousand Ways" [0:54:09] Jerry Boggs - "Love Came Back" [0:57:05] https://www.wfmu.org/playlists/shows/127088

Roy Acuff - "The Great Speckled Bird" [0:00:00] Jimmy Work - "Just Like Downtown" [0:06:56] Faron Young - "You're Still Mine" [0:09:18] Kitty Wells - "I Don't Want Your Money, I Want Your Time" [0:12:05] Boyd Bennett And His Rockets - "My Boy-Flat Top" [0:14:21] Music behind DJ: Tootsie's Orchid Loungers - "Tootsie's Wall of Fame" [0:16:46] Donnie Boyd and His Guitar (The Golden Boy) - "Martha" [0:20:45] Joe Bennett and the Sparkletones - "Rocket" [0:22:26] Roger White - "Mystery Of The Tallahatchee Bridge" [0:25:05] Colleen Wilson - "Rose City "66"" [0:28:13] Al and the Echos - "The Longer You Wait" [0:30:24] Music behind DJ: Tootsie's Orchid Loungers - "Tootsie's Wall of Fame" [0:32:01] Jean Shepard - "Your Conscience Or Your Heart" [0:34:50] Lynn Anderson - "The Worst Is Yet To Come" [0:37:31] Connie Smith - "Tiny Blue Transistor Radio" [0:40:04] Bobby Bare - "500 Miles Away From Home" [0:42:53] Willie Nelson - "I Just Can't Let You Say Goodbye" [0:45:12] Music behind DJ: Tootsie's Orchid Loungers - "Tootsie's Wall of Fame" [0:48:10] Bonnie Baldwin, June & Evelyn - "Move Over There Woman" [0:51:23] Jessie Acosta - "I Love You A Thousand Ways" [0:54:09] Jerry Boggs - "Love Came Back" [0:57:05] https://www.wfmu.org/playlists/shows/127088

While I was considering what to play for you today I kept having flashbacks of my yesterdays. And so my friends, today's show has to do with my memories of yesterdays including, ROY CLARK, BILL CARLISLE, SKEETER DAVIS, JERRY REED& GLEN CAMPBELL, JEAN SHEPARD, RAY PRICE, WILL ARDEL, KITTY WELLS, ROY ACUFF, GARTH BROOKS , LORETTA LYNN,  and even a get together of MEL TILLIS, WAYLON JENNINGS, BOBBY BARE & JERRY REED with a song I'm pretty sure you haven't heard. Have a BLESSED day my friends.

Episode 14 of Rock is Lit features Michael Amos Cody's novel ‘Gabriel's Songbook', a story that follows starry-eyed Gabriel Tanner on his quest to strike it big as a singer-songwriter in Nashville in the 1980s. In the final segment of that episode, Peter Cooper and Frye Gaillard join me to talk about the real Nashville music scene in the 1980s to add real-world context to Michael's novel. Frye is an historian and author of such books as ‘A Hard Rain: America in the 1960s', ‘The Southernization of America', which he co-wrote with Pulitzer Prize-winner Cynthia Tucker, and ‘Watermelon Wine: The Spirit of Country Music'. On a sad note, the morning Episode 14 first aired, I received a message from Frye Gaillard, giving me the tragic news that Peter Cooper had passed away just two days prior—on Tues, Dec 6, 2022. Peter was the Country Music Hall of Fame and Museum's senior director, producer, and writer. As one of Nashville's most respected music journalists, he wrote for the ‘Tennessean', ‘American Songwriter', ‘Esquire' and numerous other publications His insight was deepened by his experiences as a Grammy-nominated producer, a singer, a songwriter and a touring musician. His songs were recorded by luminaries including John Prine, Todd Snider, and Country Music Hall of Fame members Bobby Bare and Mac Wiseman. Country Music Hall of Fame member Kris Kristofferson said, “Peter Cooper looks at the world with an artist's eye and a human heart and soul.” What you're about to hear is the full interview I recorded with Frye Gaillard and Peter Cooper on Tues, Oct 18, 2022, less than two months before Peter's death. I offer it to you now as a tribute to Peter—in honor of his life and in gratitude for the insight he and Frye brought to Episode 14 of Rock is Lit about Michael Amos Cody's novel ‘Gabriel's Songbook,' a book Peter so enjoyed. I wish all of Peter's friends and family peace and healing. Listen to this bonus interview, then check out Episode 14 of Rock is Lit. For more information and photos on this bonus interview, see https://www.christyalexanderhallberg.com/podcast-vault-feed/petercoopertribute You can also access the interview on YouTube. If you enjoy the podcast, please leave a rating and comment. LINKS: Michael Amos Cody's website: https://michaelamoscody.com/ Michael on Twitter, @DrMacOde Michael on Instagram, @michaelamoscody   Frye Gaillard's website: https://fryegaillardauthor.com/ Frye on Facebook, @FryeGaillard   Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, @ChristyHallberg Christy Alexander Hallberg on Instagram, @christyhallberg Christy Alexander Hallberg's YouTube channel, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 14 of Rock is Lit features Michael Amos Cody's novel ‘Gabriel's Songbook', a story that follows starry-eyed Gabriel Tanner on his quest to strike it big as a singer-songwriter in Nashville in the 1980s. In the final segment of that episode, Peter Cooper and Frye Gaillard join me to talk about the real Nashville music scene in the 1980s to add real-world context to Michael's novel. Frye is an historian and author of such books as ‘A Hard Rain: America in the 1960s', ‘The Southernization of America', which he co-wrote with Pulitzer Prize-winner Cynthia Tucker, and ‘Watermelon Wine: The Spirit of Country Music'. On a sad note, the morning Episode 14 first aired, I received a message from Frye Gaillard, giving me the tragic news that Peter Cooper had passed away just two days prior—on Tues, Dec 6, 2022. Peter was the Country Music Hall of Fame and Museum's senior director, producer, and writer. As one of Nashville's most respected music journalists, he wrote for the ‘Tennessean', ‘American Songwriter', ‘Esquire' and numerous other publications His insight was deepened by his experiences as a Grammy-nominated producer, a singer, a songwriter and a touring musician. His songs were recorded by luminaries including John Prine, Todd Snider, and Country Music Hall of Fame members Bobby Bare and Mac Wiseman. Country Music Hall of Fame member Kris Kristofferson said, “Peter Cooper looks at the world with an artist's eye and a human heart and soul.” What you're about to hear is the full interview I recorded with Frye Gaillard and Peter Cooper on Tues, Oct 18, 2022, less than two months before Peter's death. I offer it to you now as a tribute to Peter—in honor of his life and in gratitude for the insight he and Frye brought to Episode 14 of Rock is Lit about Michael Amos Cody's novel ‘Gabriel's Songbook,' a book Peter so enjoyed. I wish all of Peter's friends and family peace and healing. Listen to this bonus interview, then check out Episode 14 of Rock is Lit. For more information and photos on this bonus interview, see https://www.christyalexanderhallberg.com/podcast-vault-feed/petercoopertribute You can also access the interview on YouTube. If you enjoy the podcast, please leave a rating and comment. LINKS: Michael Amos Cody's website: https://michaelamoscody.com/ Michael on Twitter, @DrMacOde Michael on Instagram, @michaelamoscody   Frye Gaillard's website: https://fryegaillardauthor.com/ Frye on Facebook, @FryeGaillard   Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, @ChristyHallberg Christy Alexander Hallberg on Instagram, @christyhallberg Christy Alexander Hallberg's YouTube channel, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag Learn more about your ad choices. Visit megaphone.fm/adchoices

Bobby Bare shares a trip with Waylon Jennings!

Bobby Bare joins Sammy today!

I am joined this week by the hall of fame Nashville songwriter Roger Murrah. We talk about everything from Bobby Bare to having multiple number one songs to co-writing with Waylon Jennings. Do not miss this episode with a great man and one heck of a songwriter.

180. It's a SPOOK-A-BILLY FREAK-OUT! Frighteningly fun, ghoulishly cool and terrifyingly terrific! It's the Aztec Werewolf,™ DJ Del Villarreal's annual "Boo Kat, BOO! The Spook-A-Billy Show!" Over 4 hours of the wildest Halloween Monster 50's styled rockin' songs to enjoy -all treats! No tricks! We've dug up classic cuts from Zacherle (the cool ghoul!), The Five Blobs, The Midnighters, Screamin' Jay Hawkins, Tarantula Ghould & Her Gravediggers, Bobby 'Boris' Pickett & The Crypt-Kickers, Nervous Norvus, Rod Willis, Sonny Day, Bobby Bare, Jack Hammer, The Big Bopper, Bracey Everett & even Screamin' Lord Sutch! Whew! Not to be outdone, we've also unearthed recent rotting recordings from The Sirocco Bros., Slink Moss Explosion, Dean Fiori & Bloodshot Bill, Marcel Bontempi, Dominic Halpin, The Messer Chups, The Memphis Morticians, Voodoo Swing, Reverend Horton Heat, The Neanderthals, The Cadillac Tramps, The Radions, Delta 88, Peter & The Wolves and Murray Robe! The best way to celebrate the 2022 spooky season is with DJ Del's "Spook-A-Billy" spectacular program -pleasant "screams," boils & ghouls! 

Als Kopf der Anita Kerr Singers prägte sie in den 50er- und 60er-Jahren den «Nashville Sound» massgeblich mit und arbeitete mit Stars wie Elvis Presley, Johnny Cash oder Brenda Lee. Ab 1970 lebte die vielseitige Musikerin in der Schweiz, letzten Montag ist sie im Alter von 94 Jahren gestorben. «I'm Sorry» von Brenda Lee, «Only the Lonely» von Roy Orbison oder «Detroit City» von Bobby Bare – auf diesen und unzähligen weiteren Country- und Pop-Hits ist der softe Harmoniegesang der Anita Kerr Singers zu hören. Doch Anita Kerr arrangierte, produzierte und komponierte auch Songs. Nach ihrer Zeit in Nashville und einem Intermezzo in Los Angeles, zog sie 1970 in die Schweiz und lebte in Carouge bei Genf. Hier arbeitete sie mit Musikern wie Hardy Hepp oder Pino Gasparini. Am vergangenen Montag ist Anita Kerr – drei Tage vor ihrem 95. Geburtstag – gestorben. Im «Country Special» erinnern wir uns an die Musikerin, welche trotz ihres grossen Schaffens zunehmend in Vergessenheit geriet. Im Zentrum der zweiten Stunde des «Country Special» stehen aktuelle Schweizer Veröffentlichungen – etwa das Debütalbum von Andrea Benz – und kommende Konzerte.

For those of you who have managed to secure a position in my age bracket, I'm thinking you'll get some real enjoyment as we flash back trough the years. Who better to kick it off than Roy Clark and "Yesterday". Bill Carlisle is Too Old To Cut The Mustard and Skeeter Davis gives such a poignant rendition of The End Of The World. Ray Price wishes he was 18 again and Jean Shepherd can feel it Slippin Away. Lotsa great stories to go with the music and an incredible interview with Kevin Cameron a man who has trained and presented over 5000 Service Dogs to our veterans and first responders. To top it all off we've got Waylon, Mel Tillis,Bobby Bare and another wild man who all got together to record a hilarious take on life. Garth Brooks, Roy Accuff, Will Ardell and Kitty Wells all join us. Enjoy my friends and please leave us a comment and share with someone you love. Life is good.

When you have listened to country music over the years I think you will find references to a lot of cities that you're not familiar with. And then,,,, here comes a song that everyone relates to. So my friends how about hearing Marty Robbins sing about El PASO,  Bobby  Bare sings about DETROIT CITY. Johnny Cash sings about the girl in SASKATOON. Hey,,, double hit for us Canadians when Sonny James sings A LITTLE BIT SOUTH OF SASKATOON. Lots more cities and lots more artists. Tune in to hear what George Hamilton the 4th sings about,,,,, and Glen Campbell and the Louvin Brothers and much more. Be sure to share.

 From sunrise to sunset and then back. This Friday morning we take a journey on the roller coaster of life on the big blue marble using music as our rails. We'll rise and shine in the cold grey light before dawn and follow summer rain with the summer wind as sundown approaches. This week's theme is a fusion of sunrise, sundown and a misty moonlight rhapsody featuring the music of Ray Charles, Norah Jones, Chet and Les, Bobby Bare, Mahalia Jackson and a couple dozen others. We'll take you from dawn to midnight as we bring on the best of America's music from digital, vinyl and ethereal dustbins of the past 100 years. Join us once more for music from long ago, today, and far away here on Sonoma County Community Radio. 

A Tribute FeaturingJan & Dean, Jack Scott, Ron Holden,Chris Cloud, Charley Macey, Everly Bros,Ray Sharpe, The Coachmen, Bobby Bare,Billy Preston, and more!As broadcast live via 6160kc 4-9-22

Thomm Jutz is a German-born American singer, songwriter, producer and guitarist based in Nashville, Tennessee.He has worked with folk singer Nanci Griffith (as a member of her Blue Moon Orchestra), Eric Brace & Peter Cooper, Mary Gauthier, Mac Wiseman, Bobby Bare, Connie Smith, Marty Stuart, David Olney, Otis Gibbs, Kim Richey, Bill Anderson, Amy Speace,[1] Milan Miller and Marc Marshall.[2]His songs have been recorded by Nanci Griffith, John Prine, Kim Richey, Junior Sisk, Kenny and Amanda Smith, Balsam Range, Buddy Melton, Milan Miller and Terry Baucom.[3]Jutz co-wrote the top two singles of 2016 listed on the Bluegrass Today Airplay chart. Jutz signed with Mountain Home Music Company in 2019. New albums "To Live in Two Worlds – Vol 1 & 2" were released in 2020. Singles "Mill Town Blues", "I Long to Hear Them Testify", "Hartford's Bend" and "Jimmie Rodgers Rode a Train" were released in 2019. He also signed as a writer with Asheville Music Publishing in 2018.[4] "To Live In Two Worlds, Vol 1" was nominated for a 2021 Grammy Award in the Bluegrass category.[5]Awards:Grammy Nomination for Best Bluegrass Album 2020, IBMA Songwriter of the Year 2021, Recipient of two SESAC Awards, Nominated for IBMA Songwriter of the Year in 2017, 2018, 2019, Nominated for IBMA Album of the Year in 2017Teaching:Lecturer in the Songwriting Department at Belmont University in NashvilleFor more on Thomm's work: https://thommjutz.com/homeFollow him on social: @THOMMJUTZ

First hitting the Country Top-20 in 1979 with “Crazy Blue Eyes,” Lacy J. Dalton was one of the most successful female vocalists of the format during the 80s with the CMA-nominated anthem “16th Avenue,” as well as hits like “Takin' It Easy,” “Everybody Makes Mistakes,” and “Black Coffee” to name a few. During her career, she has collaborated with such Country Music Hall of Fame members Bobby Bare, Glen Campbell, Willie Nelson, and George Jones. She toured with outlaws like Hank Williams Jr. at a time when it was very unusual for a woman to do so. She also toured for a long period of time with Willie Nelson and was the only female on his 'Half Nelson' album. Lacy J. Dalton is a 2017 inductee of the North American Country Music Association International Hall of Fame.

First hitting the Country Top-20 in 1979 with “Crazy Blue Eyes,” Lacy J. Dalton was one of the most successful female vocalists of the format during the 80s with the CMA-nominated anthem “16th Avenue,” as well as hits like “Takin' It Easy,” “Everybody Makes Mistakes,” and “Black Coffee” to name a few. During her career, she has collaborated with such Country Music Hall of Fame members Bobby Bare, Glen Campbell, Willie Nelson, and George Jones. She toured with outlaws like Hank Williams Jr. at a time when it was very unusual for a woman to do so. She also toured for a long period of time with Willie Nelson and was the only female on his 'Half Nelson' album. Lacy J. Dalton is a 2017 inductee of the North American Country Music Association International Hall of Fame.

First hitting the Country Top-20 in 1979 with “Crazy Blue Eyes,” Lacy J. Dalton was one of the most successful female vocalists of the format during the 80s with the CMA-nominated anthem “16th Avenue,” as well as hits like “Takin' It Easy,” “Everybody Makes Mistakes,” and “Black Coffee” to name a few. During her career, she has collaborated with such Country Music Hall of Fame members Bobby Bare, Glen Campbell, Willie Nelson, and George Jones. She toured with outlaws like Hank Williams Jr. at a time when it was very unusual for a woman to do so. She also toured for a long period of time with Willie Nelson and was the only female on his 'Half Nelson' album. Lacy J. Dalton is a 2017 inductee of the North American Country Music Association International Hall of Fame.

CHARLIE WALKER,  RAY PRICE,  PATSY CLINE, BARBARA MANDREL, BURL IVES, KITTY WELLS, JIM REEVES, JAN HOWARD, BUCK OWENS, JOHN CONLEE, BOBBY BARE, CHARLIE RICH, AND WAYLON JENNINGS  ALL OWE A MAJOR PART OF THEIR STARDOM  TO ONE MAN . THEY ARE ALL HERE TODAY BECAUSE OF ONE INCREDIBLE SONGWRITER . THE GUY THAT WROTE THE HITS. HOPE YOU ENJOY TODAY'S SHOW AS MUCH AS I DID TELLIN YOU ABOUT HOW THEY CAME ABOUT. WHY NOT DROP ME A NOTE AT my goodolecountry@gjmail.com  AND LET ME KNOW WHAT YA WANT TO HEAR.

Michael Stewart Foley has been writing about music and Johnny Cash for a long time. His new book, Citizen Cash: The Political Life and Times of Johnny Cash, looks at the politics of the Man in Black, who had the unique ability to appeal to Democrats and Republicans even when the country was hideously divided. What was the source of his appeal? Cash was by no measure an ideologue, but he became an internationally known figure who championed caues such as Native American rights, prisoners, and men in uniform. Cash practiced what Dr. Foley calls the "politics of emphathy." And while Cash was more political than many artists of his day, some didn't think he was political enough. Colin and Michael talk not just about Cash but his musical and political times, discussing everything from Cash and Vietnam to his competitors Merle Haggard and Bobby Bare, artists with a distinctly blue collar bent. Cash grew up in the cotton fields of rural Arkansas, and he never lost his love for his country or the salt of the earth people who were a part of his history and fan base.

During my recovery period I had lots of time to think of everything I could think about country music, its stars and what who was singing about. And then,,,,,,, SHAZAM,,,,, it hit me. So many of our songs are about particular locations where the actual song took place.  And so my friends, take a listen to Bobby Bare to start out with. I couldn't actually put all the songs Bobby did about particular cities because I get the feeling he had the most. I picked one of his and then Glen Cambell , and then Hank Snow and the Marty Robbins and then another and another and another. ALL GOOD. To my way of thinking, the best of them all is about a place called ARLINGTON, presented by Trace Adkins. When you listen to the words, I think you'll understand why I respectfully dedicate this whole show to our Wounded  Warriors. Hope you enjoy hearing about your particular favorite. Please share with someone you love and drop us a note at winradionetwork.com.

In this new segment, we'll follow Bill north to Alaska, see his gigs and wild times at the Penguin Club in Anchorage, the Yukon's notorious Kopper King, and a host of other clubs in Juneau, Fairbanks, and Portland Oregon.  We'll once again meet Bobby Bare, along with Charlie Rich and even Ernest Tubb.  We witness the sad demise of the 8-door Chrysler limousine, and we'll hear Bill's foray into radio and television broadcasting. 

In Episode 1 of the Red Ant, we follow the adventures of Bill Wence as he witnesses performances by Gene Vincent, Jerry Lee Lewis, Duane Eddy, and sits in with Bobby Bare. These and many other musicians inspire Bill to put together a band and tour California throughout the early 1960s.

Written by Allen ReynoldsSupport this podcast at — https://redcircle.com/back-story-song/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy