Podcasts about David Olney

Alben von Schweizer Musikerinnen und Musikern sind derzeit Mangelware. Trotzdem gibt es viele spannende neue Songs von Schweizer Künstlerinnen und Künstlern! Marc Sway hat zum ersten Mal gemeinsam mit seiner Tochter Naomi Ayleen einen Song aufgenommen. Er heisst «Don't You» und Marc berichtet in der Sendung, wie es dazu kam. Lilly Martin hat die wunderschöne und minimalistisch instrumentierte Blues-Nummer «The Blues Don't Care» herausgebracht. Sie wollte damit den Geist der Werke von David Olney und Gwil Owen ehren und gleichzeitig ihre eigene Stimme und Erfahrung einbringen. Auch Gölä hat einen neuen Song veröffentlicht. Er heisst «Gib nie uf!» und soll seine Fans dazu ermutigen, niemals aufzugeben. Was ihn zu diesem Song motiviert hat, erzählt er live in der Sendung. Wie gewohnt gibt es nicht nur neue Musik, sondern auch ältere Songs. Einer kommmt von Florian Ast, er hat gegenüber Swissmade seine berührende Geschichte zu seinem Song «Das Huus dert» erzählt, der bereits 2015 veröffentlicht wurde. Ist es nicht schön zu hören, wie vielfältig und kreativ die Schweizer Musikszene ist?

You'll be sitting in on a unique and eclectic political analysis with our in-house pollster, Robert Godden. Inspired by the poignant lyrics of Redgum, we'll dissect the mood of the electorate and explore burning issues from nuclear energy debates to the controversies of political donations and the ongoing strain on South Australia's hospital system. We'll also debate the legacy of Frome and the critical funding battles between sports and the arts. The SA Drink Of The Week this week is the new Australian whisky released by 23rd Street. And in the Musical Pilgrimage, we feature the new song from Alison Newman, which delves into PND. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Redgum-flavoured Mid Year South Australian Politics Pulse Check 00:00:00 Intro Introduction 00:03:02 SA Drink Of The Week For our SA Drink of the Week segment, we're diving into the craftsmanship behind 23rd Street Distillery's pioneering Australian Whisky. 23rd Street has taken quality Australian barley, and then distilled it using two different, historic copper pot stills, amplifying the whisky's natural flavours and aromatic oils. Each batch boasts a robust palate of biscuity malt, vanillin oak, and toasty undertones. This whisky is matured in ex-Bourbon barrels and richly seasoned Tawny barrels. Join us as whisky aficionado David Olney helps us explore this bold, new addition to the 23rd Street lineup. 00:16:26 The Redgum-flavoured Political Pulse Check With Robert Godden Having seen footage of Premier Peter Malinauskus sleeping rough on a winter's night, it gave us pause for thought. What are his chances of staying ensconced in the warm and comforting rooms and hallways of Parliament House after the next election vs his risk of being tossed into the street? We figured it was time to check in with our in-house political pollster, Robert Godden, for his unique and eclectic range of political tea leaf reading. Robert, is it possible to start with your reading of the mood of the electorate, or, should I say, state? Here are some issues to give our discussion some structure, given some context by Redgum: I'd like to start with some Redgum lyrics (Enrich the oxide out of Port Pirie, And the toxic gases they won't even see, But where ya gonna go, When the North wind blows, Where ya gonna run to now?). Of course, this relates to the ongoing debate that never seems to reach its half life; nuclear power. Federal Opposition Leader Peter Dutton's calls for nuclear energy is raising heat levels within South Australian Liberal ranks. Some more Redgum lyrics (Electioneering's such a bore, Three months of bending ears, Thank Christ I only see you yobbos, Once every three years). Of course, that's four years in SA but when we think elections we have to think about all the political donations helping to prop up the different teams. What do you think of the South Australian government's proposal to ban political donations? More Redgum lyrics (Life wasn't meant to be impossible, Spare us the indignity, Two cheers for progress, reason denied, Whitewash and platitudes are all I can find). Does this relate to concerns about the strain on South Australia's hospital system, with the government releasing a new ad campaign to reduce pressure on emergency departments. More Redgum lyrics (We went looking for Australia In between the TV lines, 'Cause the ABC just couldn't make it real, Colour documentary From a beanbag on the floor Never shows as much as it conceals), this brings us to Frome and what he was really like and whether we should cancel him as the namesake of one of our electorates, as requested by Upper House MP Reggie Martin. More Redgum lyrics (Yes we know it was the festival of art and all that stuff, And the culture vultures still sat on the fence, Before you put your bum on those plush red seats take, a look in your backyard, Don't we need some changes in this town?) One of the big changes is more funding for the arts, with the government facing criticism that it prioritises sports over the arts. Discuss. 01:06:05 Musical Pilgrimage In the Musical Pilgrimage, we feature a song by Alison Newman, Things Are About To Get Dark. Experience a deeply personal musical journey with Alison Newman in our Musical Pilgrimage. Her EP "WOLF" confronts the challenging themes of postnatal depression, likened to a haunting dance with the Wolf of PND. Each track narrates a phase of her struggle and recovery, encapsulating the dark yet ultimately hopeful journey through a mix of melodramatic sounds and profound lyrics. This segment is not just a song feature; it's a testament to the resilience found in seeking help and the power of discussing mental health openly. The track we're hearing retells Alison's experience from the moment she experienced her first PND symptoms, it is a forboding moment of realisation, it is going to happen all over again. This track won the Australian Songwriters Association 2021 Exceptional Merit Award in the Rock/Indie CategorySupport the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Scott Hylbert is an author, editor, and ghostwriter of novels, short stories, fables, memoirs, literary fiction, genre fiction, creative non-fiction, and business non-fiction. His tech-thriller Task Lyst (Turner Publishing 2019) is optioned for a streaming series by NBC/Universal. He brings contextual life experience to projects, having worked in the magazine and newspaper business throughout the US, and toured overseas playing music. As an entrepreneur, he founded and sold a Nashville creative studio before turning his focus on writing. This matters because it informs his outlook, his ability to relate to many perspectives, to adopt another's voice. Between deadlines, Scott is a guest lecturer and literacy teacher. He also leads a writers workshop for adults that he co-founded while earning his masters degree from Vanderbilt's creative writing program. Scott has performed with or shared a bill with these artists:Train, Rambling Jack Elliott, Steve Earle, Wilco, Cowboy Jack Clement, Justin Townes Earle, James McMurtry, Elizabeth Cook, Al Kooper/Blues Project, Viktor Krauss, Steve Bowman, Douglas Wayne, Belleville, The Benson Family, Jason Hill, The Rockwells, Greno, Fez Wrecker, The Nephews, Tell-Tale Hearts, Jonny Kaplan & Lazy Stars, Bill Toms, Dave Pahanish, Bill Deasy, The Clarks, Mother Hips, Gideon Zaretsky, String Cheese Incident, Rich Mahan, George Marinelli, Shawn Byrne, Charlie Degenhart, Kris Woolsey, Bloke, Jen Gunderman, David Olney, Martin Lynds, Jim Gray, Audley Freed, Ken Coomer, Susan Marshall, Alvin Youngblood Hart, Henry Brothers, Kevin Ansell, John Deaderick, Grimey, Roger Moutenot, Annie Sellick, Jason White, Jack Silverman, Christian Grizzard, Korby Lenker, Jonell Mosser, Gabe Dixon, Al Perkins, Sam Bush, Brendan Benson, Losers Lounge, Tie Dye Jam, Sin City Social Club, golfed with Dicky Betts (ABB), sold Rising Tides™️ to Universal, was scolded by John Simon, and got a laugh out of Gene Simmons (KISS).scotthylbert@me.com www.WriterAtStudio.comhttps://linktr.ee/scotthylbertHost - Trey MitchellIG - treymitchellphotographyIG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Sponsorship Information  -  ftsunashville@gmail.comTheme Song - The Wanshttps://www.thewansmusic.com/https://www.facebook.com/thewansmusic/https://www.instagram.com/thewans/?hl=en

Justin Amaral first made a name for himself touring the country in the jam band scene, leading to shows with Mike Gordon of Phish and a profile in Modern Drummer's (April, 2004) “On The Move” column. After world tours with alt-country guit-steel legend Junior Brown, Justin relocated to Nashville and quickly became first call for many of Nashville's finest players and songwriters including Paul Burch, Tim Carroll, Fats Kaplin, Jon Byrd, Charles Butler and the late, great David Olney. In addition, Justin has performed and recorded with Jim Lauderdale (Late Night with Conan O'Brien), Laura Cantrell, Michelle Wright, The Wild Iris Brass Band feat. Jeff Coffin, Dennis Crouch, Milan Miller, Mike Farris, Layton Howerton, Tommy Womack, Chris West and many more. Justin maintains an active performing and recording schedule working at some of Nashville's most prestigious studios like Blackbird, Creative Workshop and the Hen House as well as venues like The Bluebird, The 5Spot, The Exit/In and Roberts Western World.  In 2024 Justin released a collection of traditional hymns re-imagined as world beat instrumental duets called LIFE IN GROOVELAND - The Hymnal. Each track features a different instrumentalist. In this episode, Justin talks about:    Heeding the call to do your own thing    The origin of his new record: LIFE IN GROOVELAND - The Hymnal    Creating your own opportunities    Jump starting the creative process    The inspiration of Drum and Fife    Practicing movement and visualization as a technique

In this important episode, we delve into the complexities of living with disabilities in Adelaide, set against the backdrop of the city's ongoing efforts towards inclusivity. Our guests, including David Olney, Jorja Denton, and insights from Clair Crowley of the Strong & Capable Co-operative, share their lived experiences navigating well-intended urban interventions that sometimes present mixed outcomes for individuals with different disabilities. As Adelaide seeks public feedback on its new Disability Access and Inclusion Plan, this conversation aims to contribute unique perspectives to the dialogue, exploring the interplay of technology, community support, and the broader societal understanding of disability. There is no SA Drink Of The Week this week. And in the Musical Pilgrimage, we feature the the song "Fabulous" by Rachael Leahcar, written and produced exclusively for the No Strings Attached Theatre Of Disability. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Navigating Adelaide with Disabilities Amid Well-Intentioned Interventions 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:02:32 Jorja Denton, David Olney, Clair Crowley The City of Adelaide publicly states that it's committed to making the city a welcoming and inclusive place for all people to enjoy by working toward demonstrating best practice in access and inclusion planning. And yet, even in my small circle of friends living with disability, I know about certain interventions that are great for people with certain forms of disability while making matters worse for others. With the City seeking public feedback on its new Disability Access and Inclusion Plan by 5pm, April 2, 2024, I thought we'd get a few people around a microphone to share their lived experiences and maybe this episode might be an unusual contribution to that process? My guests today are my friend, fellow podcaster, and colleague at Talked About Marketing, David Olney, another friend made through the early years of The Adelaide Show Podcast, Jorja Denton, and General Manager of the Strong & Capable Co-operative & a social innovator, Clair Crowley. I should note that Clair could not be here with us in person, today, but she has contributed some thoughts. I should also note that one of the most important aspects of her organisation, is its Peer Mentoring Program, which invites people with particular expertise and passion to mentor someone living with a disability to learn more about and engage in that field of interest. But the key thing is that this program includes mentoring BY people living with disability, not just FOR them. This is an important step in maturity for our society, and if you'd like to learn more, there's a Peer Mentoring Launch Party on Thursday, April 4, from 4.30-8pm, at Hard Days Night ADL. Launch Party invitiation. You can find info about the Co-Op and its programs over at www.strongandcapable.com.au. David and Jorja, perhaps I should get a reflection from you both by the universal, two-way flow model that Clair is developing through that program? Jorja, can you give us a snapshot of your lived experience with a disability and perhaps a "day in the life" view of how you get on in the world? David, could you do the same - giving us a snapshot of your lived experience and what a "day in the life" looks like for you? Looking at The City of Adelaide's Draft Disability Access and Inclusion Plan, there seem to be five main initiatives that are worth discussing and that will give us some more inroads into your lives. They are: Infrastructure Improvements: The plan includes specific targets for enhancing the accessibility of the city's infrastructure, such as footpath ramps, audio-tactile push buttons at crossings, and accessible bus stops. Liveable Neighbourhoods: Efforts to create more inclusive communities include the development of sensory-friendly spaces, upgraded Changing Places facilities, and the implementation of accessible community grants programs. Now, on that, I had no idea what Changing Places were and I found this definition on the Council's website: Changing Places facilities are best-practice bathrooms for people living with disability and their support person. They offer more space, a hoist and other customised features, providing dignified and purpose-built toileting and showering facilities for people with disability when you are out and about. Events and Festivals: The plan aims to make Adelaide's vibrant events scene more accessible through an accessible events project, incorporating accessibility planning checklists for event organisers and partnerships to foster access and inclusion. Business Engagement: A Business Access and Inclusion Program is proposed to improve the accessibility of city businesses, including efforts to promote inclusive businesses and support upgrades through development of skills and knowledge in the sector. Inclusive Customer and Employee Experiences: This involves training for City of Adelaide employees in inclusive practices, improvement in the accessibility of Council meetings, and a commitment to co-design and consultation activities involving people with disabilities. I'd like to wander back through these, and we might start with the last two or three, about training and promoting Council, Business, and Event management and employees to foster better access and inclusion. And there's one hurdle here that I think needs naming, and that is TIME. I feel that I'm under pressure to work much faster than ever before and if there's one thing I've noticed when organisations like No Strings work with people with disabilities, especially in physical gatherings, we all have the calm the heck down and slow down. And I mean, really slow down. Is this a tangible threat to the success of these initiatives or a mirage created by our own self-centredness? CLAIR: The common theme for me through starting my own business where I supported tourism operators to become more inclusive and where I am now with the co-operative, is that lived experience is where the value is, and even though everyone experiences their disability in their own unique way, the insights and knowledge that people with lived experience with disability can share with others is absolutely priceless and trusted. In tourism in particular we have seen inclusion come in leaps and bounds with the services they provide and their willingness to find ways to welcome more people through their doors, this refers to adapting the physical environment AND the customer experience. Many small - med owner operated businesses have an advantage in this space because they are in the frontline interacting with customers and they know the operational aspect of their business inside out, this means that when they listen to their customers to be more inclusive and they (usually) have the ability to adapt quickly and with a warm welcome. One thing I think would be an amazing asset would be the accessibility planning checklists for event organisers. Anything to make it easier and not half-hearted, is a good thing. I remember talking about having Jorja over to watch a movie at our place but none of our doors are compliant. Surely that doesn't happen with buildings today but instead of throwing shade, actually shining a light seems like a good move. The liveable neighbourhoods section is where I turn to both of you because you both live within the City Of Adelaide. How liveable is it or is it not? Let's turn to infrastructure, such as footpath ramps, audio-tactile push buttons at crossings, and accessible bus stops. Can you please take me on a tour of the good, the bad, and the ugly? How has technology enhanced your autonomy in navigating the city, and can you give examples where it fills gaps left by urban infrastructure? Technology is one thing, but human touch and support is another. I would love you both to reflect on whether or not it is important that friends, families, and colleagues support you by going the extra mile to make inclusion possible, but I want to preface this discussion by another comment from Clair. CLAIR: For my family, sport provided a pathway into a new life, after my husband's accident, he was invited to play wheelchair basketball and this was absolutely instrumental in finding his way forward. Sport continues to play an incredibly important role for us, it means we are part of a community where we can connect with like minded people, contribute and participate, it keeps us fit and healthy and always striving forward. It also opened up doors we didn't even know existed, for example we got to live in Northern Italy for a Wheelchair Basketball season and la dolce vita! In Italy it was really evident that good customer service is what makes the biggest difference to how we feel we 'fit in'. The built environment had its challenges, but we were always met with an Italian that was ready to help as needed. Clair mentioned sport, how important is the visibility of paralympic athletes in changing perceptions about disability, and what more can be done to support and promote disability sports? And turning to the arts and popular culture, can you identify TV shows or movies that either positively represent disability or perpetuate stereotypes? How do these representations influence public perceptions? What are some closing thoughts for those of us who are "not considered to be living with disabilities", from the perspective of inclusion, and just being a decent human? 00:59:57 Musical Pilgrimage In the Musical Pilgrimage, we feature song by Rachael Leahcar, written and produced exclusively for No Strings Attached Theatre Of Disability. Rachael says it reflects the “esprit de corps” she experienced being in amongst the whole No Strings team for her final placement for her uni studies (Bachelor of Disability and Developmental Education). And I quote: “I looked up what esprit de corps means and I completely agree with this and all the other sentiments. This is a huge team effort and I'm in total awe of how everyone worked together so seamlessly, navigating obstacles and making snap decisions sometimes. Everyone has so much passion for the arts and I want to thank you all, as a performer with a disability myself, for giving the opportunity for people to be portrayed as ACTORS instead of characters with disability (nothing wrong with that as well, just a rare opportunity). The actors have often commented how great it is to be accepted and have their strengths recognised.” The song has been gifted to No Strings and if you'd like to support the company by buying a copy, please contact them at nostringsattached.org.au. As an aside, Rachael actually wrote and recorded the song in the week before the No Strings end of year showcase, AMPLIFY, which was also the week just before her wedding! I also note that while she wrote this specifically for the show, everyone embraced it as their own personal theme song.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

January, radio and IG posts from the 30A Songwriter Fest get me thinking about David Olney .Includes a song Life Is Change that's on a demo/rough collection Cut Two

Brennen Leigh is an American songwriter, guitar player, mandolin player and singer whose to-the-point storytelling style has elevated her to cult status around the world. On this episode, she joins Rhett to talk about her new album, Ain't Through Honky Tonkin' Yet, being an artist in the age of digital, and the sacrifices that touring musicians make. Brennen explains how she gained confidence as an artist, and shares insight into her songwriting process, including how she determines whether a song is good enough for people to hear. Brenne Leigh's songs have been recorded by Lee Ann Womack, Rodney Crowell, Sunny Sweeney, Charley Crockett, and many others. As renowned for her musicianship as for her writing, it's easy to see how Leigh caught the ear of greats like Guy Clark and David Olney. Awash in full-throttle fiddle, weeping steel guitar, a sprinkling of heavenly backing vocals, and anchored by her warm, expressive vocals, her latest album is an emotion-packed revelation.  Brennen Leigh website Rhett Miller website Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer is Kirsten Cluthe. Editing by Matt Dwyer. Music by OLD 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. Distributed in partnership with Osiris Media. This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, The Milk Carton Kids, and more. If you like what you hear, please leave us a rating or review.

Do you have books in your home or workplace? And, perhaps more importantly, do you read any of them? Our guest today, Rainer Jozeps, says the presence of books is a symbol of your curiosity and your interest in engaging with the world (my words). However, that utterance was a small park of a bigger issue he drew attention to in In Review, namely, our state government's dropping of the ball (so to speak), when it comes to arts funding vs sports funding. And in the Musical Pilgrimage, thoughtful singer/songwriter, Lucas Day. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concise page Running Sheet: Rainer Jozeps In The House With No Books 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this episode. 00:02:32 Rainer Jozeps Books on bookshelves, news avoidance, ignorance, cocooning, and art making. These five topics were woven into an intriguing piece in InReview by Rainer Jozeps, entitled, South Australia Has Become Like A House With No Books. Rainer has been involved in Australia's arts industry for more 30 years, holding senior executive roles with the Australian Elizabethan Theatre Trust, Adelaide Festival Centre, West Australian Ballet, Australian Dance Theatre and Adelaide Symphony Orchestra. Rainer, I'd like to use your article to give structure to this conversation, even though I'm anticipating that we will do an awful lot of colouring outside the lines. Your article begins by recounting your many visits to display homes to sate your curiosity about what was being offered by builders, noting that you'd leave with an empty feeling in the pit of your stomach because the homes had no provision for books. You then quote Greek philosopher, Cicero, who said “a house with no books is like a body with no soul”. I'd like to explore this a little because my initial reaction was to cheer your claim that “books inspire creativity, excite the imagination and stimulate the intellect”, but then I realised that I have a wall or two of books at home and many have not been touched for years. Do you think there's intrinsic value in “the having of books” or are you assuming that those with books actually read them? Does the presence of books create a more thoughtful headspace? David Olney noted that seeing books can spark conversation. Our books are on our phones – perhaps our screens could run slideshows? Russ Roberts from the Econtalk Podcast says if we read a book a week, we'll probably read about 2,500 books in our lifetime. That's not many. Are there any you believe are a must – either by title or genre? The next theme in your article is ignorance, defined as the lack of knowledge. You argue ignorance can be a chosen state (you realise other people know things you don't know), or it can simply be that you are unaware of there being things you don't know. You note that ethicists call the former “recognised ignorance” and the latter “primary ignorance”. This drew recollections of the Johari Window but also the toxic saturation of conspiracy theories that thrive in this Donal Trump-led era of Fake News. Setting aside mainstream news consumption for the moment, are you hopeful or pessimistic about our society's chances of shaking free from this almost ubiquitous, heavy veil of ignorance? I sense there are First Principles at plan here. No matter how deep the proliferation social media, if we all chose to take heed of Socrates' dictim, that “the unexamined life is not worth living,” we might create space between hearing things and reacting to them. Do we need meditation before education? I did talkback radio for a number of years and I was always dumbfounded by vocal callers who robustly stated their position on anything you put in front of them, within a millisecond. My intuition would suggest their arguments were flawed, but I always needed more time and openness from them to investigate what their beliefs were based on. Needless to say, they were never open to that. Have you mixed with such people. Have you developed any strategies, not to trick them, but to engage them in reflection? And how important is it to actually challenge bad, stereotypical ideas? I ask this because psychologist and writer Adam Mastroianni has eloquently argued on Econtalk that, “our minds are like the keep of a castle protecting our deepest held values and beliefs from even the most skilled attacks. The only problem with this design for self-preservation is that it also can keep out wisdom that might be both useful and true.” He says there is little to do to change people's minds; you can't access our brains through our ears. Your thoughts? The third theme is the link between ignorance and “news avoidance”. What is news avoidance and what do we know about it? I am a former journalist and I get news from a glance through the ABC app, a longer dwell time on the Al Jazeera app, occasional reads of the Ukraine independent app which I subscrib to, Zaborona, and the In Daily newsletter when I see it. That keeps me abreast of most timely stories but for “colour, as I confessed to Peter Greste, I now get my news “sense” from news satire shows like The Bugle, Mad As Hell (when it was on, even though writer David M Green says they didn't think they were fulfilling such an important role), and comedic articles by The Chaser. By being prepared to describe the context of a story and then shout convincingly that the emperor has no clothes, they keep tabs on those in power. How would you define me on the news consumer to news avoider continuum? And where do you sit? The fourth estate has abdicated its responsibility. Peter Greste shared first hand how newsroom editors measure “success” by likes, instead of the important measure of editorial value. Your thoughts? The fourth theme is cocooning and I confess, I might be in that category. I quote: “Cocooning” is a middle-class phenomenon coined by US futurist Faith Popcorn, who predicted large swathes of the community would, in fear of an ever-changing outside world, equip their residences with entertainment rooms, streaming services, security systems and perimeter walls, and utilise ever more home delivery services. And now we want to work from home! What's wrong with this picture? I have worked from home for almost 20 years and I do everything I can to avoid driving in peak hour, if at all. I was in LA a week or two before Covid and the multi-lane highways were a non-stop channel of filth and waste and exhaust. Come Covid, they became almost deserted and peaceful, and air quality improved. Are there not good things about working from home? Going out necessitates a place to congregate with others and bars, cafes, and restaurants typically fill that need. But in an article in 2020, you lamented the noisy architecture of our eateries, where you have to shout to be heard. A client and friend of mine, Laura Drexler, has started a site called, Ambient Menu, where people can review eateries on their level of noise. Is this the other half of the deadly duo strangling social cohesion; crappy, selfish, dumbed down media and news, coupled with venues that encourage consumption and monosylabic conversations? The final theme in your article is art making. You lament our State's reduction in art funding, especially compared to its increased funding of sporting events. I quote: “The arts in South Australia are woefully underfunded relative to other states. From 2017-2022, states and territories cumulatively increased arts funding by 22 per cent, while SA was the only state to head in the opposite direction, reducing funding by 9 per cent over the same period.” I think we can accept the funding figures as fact, so let's look at your underlying reason for frustration here, you state: Our civic life needs thriving cultural institutions to counter ignorance and intolerance. How is that so? I have seen some wonderful, thought-provoking theatre that had potential to counter ignorance and intolerance, but it it seen by a select few who can afford $50+ a ticket and who are primarily people from the chattering, enlightened classes who are already doing their best to stay informed and engaged. What is the value of our State Theatre putting on worthy pieces, society-improving pieces, if only the tiniest morsel of the community can see them? At the end of every episode since 2013, we have said goodnight to Don Dunstan, to honour his legacy as a Premier who stirred things up and got our kitchen cooking (literally). In a stirring piece you wrote in 2o16, Inauthentic “vibrancy” is damaging SA's shrinking arts sector, you lamented then Premier Jay Weatherill's dropping of the ball (so to speak) in reducing arts funding. There are many buzzwords in art but especially in politics and “vibrancy” is one, along with “activation”. What have you noticed about governnment support for the arts from Weatherill to Marshall to Malinauskas? Some of the events receiving money at the moment, most likely at the expense of arts, include Liv Golf, the AFL's Gather Round, and bidding for next year's Netball grand final. Do you think these events are intrinsically unworthy of funding? Our guest, next week, for our 10th birthday episode is New Zealander, Owen Eastwood, who has written a beautiful book about Belonging, drawing on many principles and insights of his Maori culture. He has noted that the communal act of following a team and “being there” every week is actually good for the spirit and the soul. Have you ever partaken in such a thing as “following a team”? And is there something from this dynamic that we can learn from in The Arts? I am part of a netball family. My wife coaches three teams and both my daughters play in two teams apiece. It has a strong web of grassroots involvement and is a crucial part of holding many regional communities together. Could there ever be an Arts alternative? Your words to our government and us? 00:53:22 Musical Pilgrimage Our featured song this episode is Intuition by Lucas Day. Guided by what's left unsaidTempted to put my trust in itSuccumbTo intuitionLed by instincts rarely wrongHeld by hands with a mind of their ownSuccumbTo intuitionLet your soul fly freeYour desire run wildYou got nowhere else to beThan in the shared state of mindSuccumbTo intuitionDown that deep end is where I belongGetting used to that sweet unknownSuccumbTo intuitionLet your soul fly freeYour desire run wildYou got nowhere else to beThan in the shared state of mindSuccumbTo intuitionSuccumbTo intuition And here's a slice from his Facebook page with his busy schedule: why am I so happy?1st Sept BAND GIGplaying @fatcontrollerclub for the first time with @ebonyemili and @travcollinsmusic on the lineup8th Sept ONE MAN BAND GIGreturning to the @lovethegov stage supporting @noasis_official with @dumb_whales1st Oct ONE MAN BAND GIGventuring to the @terminushotelstrath supporting @bekjensenmusic for her album launch tour28th Oct BAND GIGhitting up the @spacejamsfest stage for @fleurieufolkfestthat's why!so grateful to be able to share my music with the world and meet so many awesome people stay brightLD xSupport the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Songs from Gillian Welch, Malcolm Holcombe, Jaimee Harris, Mason Jennings, Red Molly, Dar Williams, Della Mae, David Olney, John Gorka and more! Hosted by Crystal Sarakas. Produced by WSKG Public Media.

The South Australian Music Awards is an entirely locally run Awards ceremony, facilitated by not-for-profit Music SA. This is all broken down into three categories of award, Major Awards, Industry Awards and People's Choice Awards. Major and Industry Awards are judged by a panel of South Australian and Australian acclaimed music industry professionals. The People's Choice Awards are judged online, entirely by locals.  In the Musical Pilgrimage, we have a new song by the Shaolin Afronauts. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast at the 2021 Australian Podcast Awards and named as Finalist for News and Current Affairs in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concise page Running Sheet: 2022 South Australian Music Awards 00:00:00 Intro Introduction to the show. 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. It now an occasional segment when stellar beverages are discovered. 00:02:26 Christine Schloitte On November 17, 2022, the SA Music Awards will be held. To help tune in senses before the big event, we're joined by the CEO of MusicSA Christine Schloithe. But first, let's here a few snippets of artists who joined us in 2016 when we attended the SA Music Awards with then Musical Curator, Dan Drummond. Thom Lion and Troy Benson (hear Thom Lion tracks on episode 142 and episode 31) Nate, Chris and Jesse from Recreator after winning Most Popular Rock Artist (hear Recreator on episode 167) Zaachariaha and Michael from Electric Fields Hannah Yates (hear one of Hannah's songs on episode 156) Tara Carragher (you can hear Tara singing on episode 148 and episode 65) I am dressed Dino Jag style with my tshirt and relaxed gym gear - so it doesn't matter if I sweat later when I shake a leg like Elvis. Now, Christine, the majority of your professional background has been in areas like, arts and cultural programming, producing, touring, and festival management, so your heart must have had a ringside seat as Covid struck. What was your journey like and what are some lessons learned from that unexpected curve ball of destruction? As we brace for another Covid wave, what are you expecting artists to do to prepare? My colleage at Talked About Marketing, David Olney, is a former Adelaide University lecturer, and he noticed a dramatic change in students as Covid struck (and things are still very, very different). From a music industry perspective, what are some of the trends or strands you can see from SA's emerging artists, that might have been forged in the Covid cauldron? What are shaping as some of the more common pathways our artists are taking to “fame”? How would you describe the “business model” or models that seem to be working for our artists? Are record labels active in promoting local music? I ask because I just heard an interview with Jono Coghill from Powerfinger, saying how their record company did heaps for them and probably more than they realised at the time. What is the state of live performance venues and options in SA and nationally? Now that we don't have just a few outlets for content, which meant airplay equalled success and fame for the likes of Cold Chisel and Aussie Crawl, are we moving into an era of splintered stardom, in which people have niche audiences rather than mainstream (as the main rule of thumb)? How are fans accessing music these days – are many still buying, or are they just streaming and artists are relying on concert tickets for income? We've featured one original song by a South Australian artist every episode since 2013, which is 360-odd songs. Probably a lot more than any mainstream radio stations have played. I haven't seen a lot of mainstream media coverage of the awards or playing of local artists - how frustrating is this? What needs to change to make it improve? Thoughts for young artists starting out – what would you advise them? And touching on some of the artists in contention this year, with any particular stories of struggle, interest, etc? In particular, And tell us about Hindley Street Music Hall. Where is it, what's special about it? Is there a budding singer or musician inside you? 00:51:21 Musical Pilgrimage In the musical pilgrimage, we have Abyssinian Suite Pt 4 by the Shaolin Afronauts. The song was only just released in September this year. Have you heard it or have you seen this band? The Shaolin Afronauts are an Afrobeat band based in Adelaide, Australia. Their music is heavily influenced by West African Afrobeat artists such as Fela Kuti, but also incorporates elements of avant-garde jazz, soul and other traditional African and Cuban percussive rhythms.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Join us on Episode 639 of Folk Roots Radio for another hour of great new releases that sound just so good together. This time around we check out new music from Noah Reid, Jenny Colquitt, Alison Moorer, Ian Lake, Wolf & Clover, Big Little Lions, Lunar Bloom, Kellie Loder, Sweet Alibi, Taj Mahal & Ry Cooder, Dodi Kallick, David Olney, Kim Beggs, The Slocan Ramblers and Kyle McKearney & Don Amero. Enjoy! If you like the artists you hear on this show and want to support them, don't just stream their music – BUY their music and then you'll really make a difference to their income at a time when it is becoming much more difficult to make a living as a musician. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-639-were-all-about-the-music-deeply-connected-edition/

Vancouver based singer-songwriter Bob Stark joins us on Episode 638 of Folk Roots Radio to chat about his gorgeous eighth album, the beautifully understated "Sculpted Pieces Of Love". There's nothing forced here, it's a joy for the ears from start to finish. As always, we wrap up the episode with more new releases and this time around we check out new music from Heal & Harrow, Oysterband, Ziggy Alberts, Andrew Bird, Morgan Toney, Amy Speace, David Olney, Li'l Andy and Julian Taylor. Enjoy! If you like the artists you hear on this show and want to support them, don't just stream their music – BUY their music and then you'll really make a difference to their income during this difficult time when it's much more challenging to find live show opportunities. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-638-feat-bob-stark-sculpted-pieces-of-love-more-new-releases/

Thomm Jutz is a German-born American singer, songwriter, producer and guitarist based in Nashville, Tennessee.He has worked with folk singer Nanci Griffith (as a member of her Blue Moon Orchestra), Eric Brace & Peter Cooper, Mary Gauthier, Mac Wiseman, Bobby Bare, Connie Smith, Marty Stuart, David Olney, Otis Gibbs, Kim Richey, Bill Anderson, Amy Speace,[1] Milan Miller and Marc Marshall.[2]His songs have been recorded by Nanci Griffith, John Prine, Kim Richey, Junior Sisk, Kenny and Amanda Smith, Balsam Range, Buddy Melton, Milan Miller and Terry Baucom.[3]Jutz co-wrote the top two singles of 2016 listed on the Bluegrass Today Airplay chart. Jutz signed with Mountain Home Music Company in 2019. New albums "To Live in Two Worlds – Vol 1 & 2" were released in 2020. Singles "Mill Town Blues", "I Long to Hear Them Testify", "Hartford's Bend" and "Jimmie Rodgers Rode a Train" were released in 2019. He also signed as a writer with Asheville Music Publishing in 2018.[4] "To Live In Two Worlds, Vol 1" was nominated for a 2021 Grammy Award in the Bluegrass category.[5]Awards:Grammy Nomination for Best Bluegrass Album 2020, IBMA Songwriter of the Year 2021, Recipient of two SESAC Awards, Nominated for IBMA Songwriter of the Year in 2017, 2018, 2019, Nominated for IBMA Album of the Year in 2017Teaching:Lecturer in the Songwriting Department at Belmont University in NashvilleFor more on Thomm's work: https://thommjutz.com/homeFollow him on social: @THOMMJUTZ

Rhoderick Miller, an old friend of John and David, joins the podcast to break down the escalating war in Ukraine. Rhoderick offers a unique and contrarian analysis of what exactly is happening on the ground and what outcomes we can expect in the coming weeks. Mainstream media narratives are depicting a surprisingly robust Ukrainian fighting force, making life unexpectedly difficult for the Russians. Additionally, the Western world have hit Russia with "crippling" sanctions and widespread corporate boycotting, making it seem like Putin's war has severely backfired. Are the current media narratives a fairly accurate reflection of reality? Or is Russia's war machine actually in a much stronger position than it seems?  This Podcast is Produced by Michael Migali for Co-host David Olney, and John Bruni, Director of SAGE International Australia. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.   Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.

Rhoderick Miller, an old friend of John and David, joins the podcast to break down the escalating war in Ukraine. Rhoderick offers a unique and contrarian analysis of what exactly is happening on the ground and what outcomes we can expect in the coming weeks. Mainstream media narratives are depicting a surprisingly robust Ukrainian fighting force, making life unexpectedly difficult for the Russians. Additionally, the Western world have hit Russia with "crippling" sanctions and widespread corporate boycotting, making it seem like Putin's war has severely backfired. Are the current media narratives a fairly accurate reflection of reality? Or is Russia's war machine actually in a much stronger position than it seems?  This Podcast is Produced by Michael Migali for Co-host David Olney, and John Bruni, Director of SAGE International Australia. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.   See omnystudio.com/listener for privacy information.

What is happening to Ukraine, why is Russia exercising power through violence, and how can the world respond to maniacal bullies? As a follow-up to David Olney's Blog post on the 28th February 2022, Tim and David sat down to record some further reflections and commentary to gain help make sense of Russia's intentions in the future. You can read David's Glod here. David suggests some further reading with this video and this book. If you have any thoughts, questions, or want to how to best manifest destiny and contribute to your community, contact us and send us an audio clip at timwhiffen@auscastnetwork.com Want to work with David? Get in contact on his website. Need help with your podcast project? Ask Tim of Whimsy Productions. Support the show: https://auscast-network.myshopify.com/collections/blind-insights See omnystudio.com/listener for privacy information.

What is happening to Ukraine, why is Russia exercising power through violence, and how can the world respond to maniacal bullies? As a follow-up to David Olney's Blog post on the 28th February 2022, Tim and David sat down to record some further reflections and commentary to gain help make sense of Russia's intentions in the future. You can read David's Glod here. David suggests some further reading with this video and this book. If you have any thoughts, questions, or want to how to best manifest destiny and contribute to your community, contact us and send us an audio clip at timwhiffen@auscastnetwork.com Want to work with David? Get in contact on his website. Need help with your podcast project? Ask Tim of Whimsy Productions. See omnystudio.com/listener for privacy information.

Since the surprise Capture of Crimea from Ukraine in 2014 and Russia's active support of pro-Russian separatists in Eastern Ukraine, Ukraine has gone from relative obscurity to front-page news. The simmering Russian backed war in Eastern Ukraine, which began in 2014, catapulted to international infamy when in July 2014, Malaysian Airlines flight MH17 was shot down over Eastern Ukraine by pro-Russian separatists operating a Russian-made book surface-to-air missile system, killing all 298 passengers and crew. Since then, the war in the east has cost 14,000 lives with no end in sight. Late last year, Russia mobilized 100,000 troops at the Ukrainian border, this action as well as bellicose language from the Russian President regarding NATO pressing up against Russia's border has many speculating that a Russian war against Ukraine could start in the first part of 2022. So, as we are in the first part of the 2022, are we on the precipice of the first major European war since the collapse of Yugoslavia in the 1990s, and if so, what can we do to avoid it? This Podcast is Produced by Michael Migali for Co-host David Olney, and John Bruni, Director of SAGE International Australia. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.

Since the surprise Capture of Crimea from Ukraine in 2014 and Russia's active support of pro-Russian separatists in Eastern Ukraine, Ukraine has gone from relative obscurity to front-page news. The simmering Russian backed war in Eastern Ukraine, which began in 2014, catapulted to international infamy when in July 2014, Malaysian Airlines flight MH17 was shot down over Eastern Ukraine by pro-Russian separatists operating a Russian-made book surface-to-air missile system, killing all 298 passengers and crew. Since then, the war in the east has cost 14,000 lives with no end in sight. Late last year, Russia mobilized 100,000 troops at the Ukrainian border, this action as well as bellicose language from the Russian President regarding NATO pressing up against Russia's border has many speculating that a Russian war against Ukraine could start in the first part of 2022. So, as we are in the first part of the 2022, are we on the precipice of the first major European war since the collapse of Yugoslavia in the 1990s, and if so, what can we do to avoid it? This Podcast is Produced by Michael Migali for Co-host David Olney, and John Bruni, Director of SAGE International Australia. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information. See omnystudio.com/listener for privacy information.

What does South Australia have in store for 2022? Well, primarily, this will be determined by what we've done in 2021, along with new policies and practices we're putting in place. To give us some clarity, three regular contributors to The Adelaide Show Podcast, have put up their hands to have their say: David Olney Nigel Dobson Robert Godden They each bring their insights from three very different backgrounds. Instead of ONE SA Drink Of The Week this week, each of our panelists will share their own. And in the Musical Pilgrimage, we finish off with a timely song from our archives. And in case you missed it, we just won Silver for Best Interview Podcast at the Australian Podcast Awards. You can navigate episodes using chapter markers in your podcast app. Not a fan of wine? You can click next to jump to the next chapter in the show. We're here to serve! And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concise page   Running Sheet: Let's talk about sex, baby00:00:00 Intro Introduction to the show. 00:03:24 SA Drink Of The Week This week, there are four. David brought Mojo Ginger Kombucha Robert brought Apple and Cranberry Fine White tea, made by himself at The Devotea Nigel and Steve both brought different gins by 78 degrees (details to come) 00:09:47 Bound for 2022 in SA with David Olney, Robert Godden, Nigel Dobson In the words of the old folk balad, Bound for South Australia, there's the lyric, heave away, haul away, and it feels like there is still much work to be done to sail safely into 2022 here in South Australia. We have a state that has done some hard yards to minimise Covid-19 cases from overrunning our hospitals but amid angry and frustrated people wanting to assert their rights against getting vaccinated or practicing communal health restrictions for the greater good, our government has yielded to various pressures (not least of which might be the upcoming election) and relaxed many protective measures. None of this has been helped by an opportunistic media, ready to pick over the carcus of truth and facts to find the juiciest tidbits to arouse passions. In short, there are many moving parts and it takes some effort to quieten down our anxieties and check our lazy thinking, to try to discern truth, even when that truth might be inconvenient. So, as we're bound for 2022, I have gathered my Adelaide Show ship mates around some South Australian drinks, to discuss the state of South Australia, especially in relation to Covid-19 and the political landscape. And the ship mates are, former co-presenter and cognitive scientist, Nigel Dobson, diability advocate and part-time political pundit, Robert Godden, and former lecturer in geopolitics, David Olney. Let's start by getting our compasses set to some sort of true north, in relation to SA's current disposition on Covid-19, Politics, and our Geopolitical status. Nigel - Covid. Robert - Politics. David - Geopolitics - are we exposed amid defence contracts, international students, etc? Now I want to work on a few of the main strands that are causing me and many people much despair about our immediate and mid-term futures: Getting straight information on Covid-19 and vaccination, preventative measures like mask wearing and hand cleaning, and how to interpret data being released daily. The notion of civic responsibility. I firmly believe we must get vaccinated for the common good and I would like to see the government step in and mandate vaccination to give our businesses cover. I saw a report into the damaging effects of media language on community confidence - terms like "there are fears ..." or "authorities are scrambling to ...". It's lazy, lazy, jingoistic journalism. What can be done? Politicians seem to not want to be the ones holding the ball when the election bell goes. Will we get good, confident leaders again? What are some things for us all to practice or think about in the New Year: Dealing with friends and family who won't vaccinate or who are completely lost to conspiracy thinking? Reacting to those people who waltz straight past all Check In and mask up notices Weighing up the risks of going to public places and events Sources of good coverage And, of course, the show took a different pathway altogether! 01:28:58 Musical Pilgrimage In the musical pilgrimage, we have I Don't Think You're Lonely by Kelly Breur, from our archives. It just seemed fitting, as Steve explains in the episode. Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/ See omnystudio.com/listener for privacy information.

December 2021s edition of ROOTS RENDEZVOUS. TOP 20 ROOTS TRACKS of 2021. PLAYLIST: ARTIST - ALBUM - TRACK. 1 Sara Petite - Rare Bird – Runnin. 2 Lou Pine - Lou Pine - Where did the fun go. 3 Margo Cilker - Pohorylle - That River. 4 Bloodkin - Black Market Tango - Transistor Radio. 5 Afterlight - Afterlight - Friendly Little Heart Attack. 6 Marcus King - El Dorado - Young Mans Dream. 7 Jason Eady - To the Passage of Time - Back to Normal. 8 Annie Mack - Testify - Testify. 9 The Black Sorrows - Saint Georges Road - Chiquita. 10 Tom Tikka - This Is My Happy Face - Doormat. 11 The Mighty Mighty Bosstones - When God Was Great - M O V E. 12 David Olney and Anana Kaye - Whispers and Sighs - Last Days of Rome. 13 Jackson Browne - Downhill From Everywhere - Downhill From Everywhere. 14 TBear - Fresh Bear Tracks - Bring On The Night. 15 Jon Blackstone - Survive - I Want You to Love. 16 James McMurtry - The Horses and the Hounds - The Horses and the Hounds. 17 Morgan Wade - Reckless - Wilder Days. 18 The Record Company - Play Loud - How High. 19 Suzanne Santo - Yard Sale - Mercy. 20 Los Lobos - Native Sons - The World Is a Ghetto. Size: 205 MB (215,715,819 bytes) Duration: 1:29:51

Mexico is often linked in the public mind to two major issues - the global narcotics trade and illegal immigration into the United States. Of course, both are true, but there is also much more to modern Mexico. Join John, David, and Tim as they discuss Mexico, its multiple complexities, and challenges with returning guest Dr. R Evan Ellis, Research Professor of Latin American Studies, US Army War College, Strategic Studies Institute.   This Podcast is Produced by Tim Whiffen of Whimsy Productions for Co-host David Olney, and John Bruni, Director of SAGE International Australia. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.

Mexico is often linked in the public mind to two major issues - the global narcotics trade and illegal immigration into the United States. Of course, both are true, but there is also much more to modern Mexico. Join John, David, and Tim as they discuss Mexico, its multiple complexities, and challenges with returning guest Dr. R Evan Ellis, Research Professor of Latin American Studies, US Army War College, Strategic Studies Institute.   This Podcast is Produced by Tim Whiffen of Whimsy Productions for Co-host David Olney, and John Bruni, Director of SAGE International Australia. See omnystudio.com/listener for privacy information.

Ethiopia entered a new age in 2018 with the election of Prime Minister Abiy Ahmed. No longer run by the former Tigray dominated Ethiopian People's Revolutionary Democratic Front (EPRDF), Abiy Ahmed ushered in a change to Ethiopia's ethno-federalist structure and in doing so replaced the privileged minority Tigrayans with a new political elite consisting of the majority Oromo and Amharic peoples. In doing so, this move unleashed resentment among the former Tigrayan elite of Ethiopia which possibly lies at the heart of what seems to be a growing civil war between the Tigrayan People's Liberation Front (TPLF) and Addis Ababa. Join John as he discusses Ethiopia and its ethnic complexities and challenges with the Director of the Institute for Peace and Security Studies (IPSS), Dr. Yonas Adaye Adeto. For more information on this from both sides of the story please watch - the BBC's Hard Talk: https://www.youtube.com/embed/ncW2V_Y4jMw https://www.youtube.com/embed/JtmXRE5kepk This Podcast is Produced by Tim Whiffen of Whimsy Productions for Co-host David Olney, and John Bruni, Director of SAGE International Australia. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.

Ethiopia entered a new age in 2018 with the election of Prime Minister Abiy Ahmed. No longer run by the former Tigray dominated Ethiopian People's Revolutionary Democratic Front (EPRDF), Abiy Ahmed ushered in a change to Ethiopia's ethno-federalist structure and in doing so replaced the privileged minority Tigrayans with a new political elite consisting of the majority Oromo and Amharic peoples. In doing so, this move unleashed resentment among the former Tigrayan elite of Ethiopia which possibly lies at the heart of what seems to be a growing civil war between the Tigrayan People's Liberation Front (TPLF) and Addis Ababa. Join John as he discusses Ethiopia and its ethnic complexities and challenges with the Director of the Institute for Peace and Security Studies (IPSS), Dr. Yonas Adaye Adeto. For more information on this from both sides of the story please watch - the BBC's Hard Talk: https://www.youtube.com/embed/ncW2V_Y4jMw https://www.youtube.com/embed/JtmXRE5kepk This Podcast is Produced by Tim Whiffen of Whimsy Productions for Co-host David Olney, and John Bruni, Director of SAGE International Australia. See omnystudio.com/listener for privacy information.

John Schumann of Redgum fame joins us to reflect on the role of protest songs, especially in times like these, given that protest songs are often rooted in a particular time and place. The SA Drink Of The Week is from Andrew Pike in the Clare Valley And in the musical pilgrimage we have a track from John Schumann and the Vagabond Crew. You can navigate episodes using chapter markers in your podcast app. Not a fan of wine? You can click next to jump to the next chapter in the show. We're here to serve! And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concise page   Running Sheet: John Schumann on protest songs in times like these00:00:00 Intro Introduction to the show. 00:04:20 SA Drink Of The Week The SA Drink Of The Week is 2015 Pikes The Merle Riesling, tasting with Andrew Pike. 00:11:20 John Schumann In 2017, John Schumann teamed up with Shane Howard to co-write a modern protest song, Times Like These. Apart from the sense of frustration in the lyrics about how previously hard won gains are disappearing by degrees, there's a haunting line in it that has spooked me, given that I'm now in my second decade as a marketer who teaches businesses how to use social media: From Dondale to Manus Island detention People are drowning in a sea of inattention This society is so fraught with and saturated by things of distraction, I wonder if protest songs are ever going to have potency ever again. So, I've asked John Schumann to reflect on this with me. John, I want to trawl back through some of your protest songs produced with Redgum, and get your reflections on other protest songs of note, but let's start with an experience I had this morning, when I went to YouTube to relisten to TImes Like These. They say that protest songs thrive within a social and temporal context (time and place), that's what gives them meaning and power, so how's this. Your song was not able to play until I'd been subjected to a cheery ad for Target, coaxing me to buy some glittering toys, and then a health insurance ad wooing me to switch to them with the offer of waiving waiting times for claiming extras. I think I got my daily allowance of irony. Could Bob Dylan's Blowing In The Wind get cut through in Times Like These? And when are Times Like These NOT times like these. For example, we hear of people protesting the invention of the printing press, saying books will wear out our brains, we hear of ancient Roman  writers lamenting "today's youth", and then we hear songs from back in the 70s like Winter In America by Gil Scott-Heron with lyrics like: Seem like winter in America And ain't nobody fighting, Because nobody knows what to save Are all times as good or as bad as all other times, which begs the question, do we need protest songs at all - or do they give us something to occupy ourselves with, like throwing a bone to a dog? You and I both saw a show at the Adelaide Cabaret Festival recently, The Art Of Protest, starring Vince Jones. My feeling at the time as a Vince Jones fan, was that there was a dissonance between Jone's smooth and polished voice and exquisite jazz accompaniment, and the heart-rending nature of some of the protest songs he played. Are there some key ingredients for a protest song to work, eg, the style of voice and music, as much as the content? There was nuance in the name of Jones' show - the Art Of Protest. Art suggests that artists CHOOSE to do a protest song. Am I just naive to think that "real" protests songs are songs that emerge because there is NO OTHER CHOICE, vs making a decision to do something from the protest genre just like a pop genre? Should there be a price paid by singing or writing protest songs? Can you take us through the chemistry and the road map that led you and Redgum to write and produce some pretty bitter and frustrated songs? What did you ever hope to achieve with any of your songs that might be classed protest songs, such as I Was Only 19? And do you start with an agenda, or do you just have something to say and let the cards fall where they may? In a recent episode of Blind Insights with David Olney, they quoted a former PM of Australia saying: We will tolerate dissent, as long as it is ineffective. Does that wind you, to hear that? Does that make the protest enterprise futile? Most important protest songs? Advice to any young Redgums today? 01:03:56 Musical Pilgrimage In the musical pilgrimage, we have a fitting song from John Schumann and the Vagabond Crew, featuring Shane Howard, called Times Like These. Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/ See omnystudio.com/listener for privacy information.

Singer-songwriter Brendan Scott Friel joins us on Episode 584 of Folk Roots Radio to chat about his latest album – the excellent "Summer Moons" which pushes the boundaries of modern folk with playful arrangements, and cinematic storytelling. As always, we wrap up the episode with more new releases, and this time around we hear from Sarah McQuaid, Helen Austin, Grace Pettis, Karen Morand, Bobby Lee, Dennis Ellsworth, Rosemary Lawton, Bob Jensen and David Olney & Anana Kaye. If you like the artists you hear on this show, don't just stream their music – BUY their music and then you'll really make a difference to their income during this difficult time when it's much more challenging to find live shows. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-584-feat-brendan-scott-friel-summer-moons-more-new-releases/

We have another hour of great new music to bring you on Episode 583 of Folk Roots Radio as we hold back the interviews to check out more of the latest new releases with some wonderful new Covid Tunes thrown in the mix. Join us for new music from The Slowinks, David Olney & Anana Kaye, Dieter van der Westen & Eric van der Westen, Kelli Trottier and The Mushy Peas, The Nordic Fiddlers Bloc, Crys Matthews, Craig Werth, Donovan Woods, Colleen Kattau, The Hello Darlins, Andrea Nixon, Bridget Melody, Dalannah Gail Bowen and Bob Bossin & Friends. If you like the artists you hear on this show, don't just stream their music – BUY their music and then you'll really make a difference to their income during this difficult time when it's much more challenging to find live shows. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-583-were-all-about-the-music-whatever-keeps-you-going-edition/

With the COVID-19 Pandemic raging its way continually through countries, savaging populations of India and South Africa, the question still on everyone's lips is "who's to blame"? With some rallying for independent investigations what seems to be apparent is that while the virus was released by accident, the following actions and containment were not handled well, and certainly there has been some opportunism by parties to gain strategic footholds during a delicate time. Joining us to discuss these pertinent issues is the Human Rights Law Professor at the University of Canberra, Sascha-Dominik Dov Bachmann. This Podcast is Produced by Tim Whiffen of Whimsy Productions for Co-host David Olney, and John Bruni, Director of SAGE International Australia. See omnystudio.com/listener for privacy information.

With the COVID-19 Pandemic raging its way continually through countries, savaging populations of India and South Africa, the question still on everyone's lips is "who's to blame"? With some rallying for independent investigations what seems to be apparent is that while the virus was released by accident, the following actions and containment were not handled well, and certainly there has been some opportunism by parties to gain strategic footholds during a delicate time. Joining us to discuss these pertinent issues is the Human Rights Law Professor at the University of Canberra, Sascha-Dominik Dov Bachmann. This Podcast is Produced by Tim Whiffen of Whimsy Productions for Co-host David Olney, and John Bruni, Director of SAGE International Australia. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.

This cast I go over my favorite songs of March and April of this year! Featuring Lil Nas X, David Olney and Anana Kaye, Valerie June, No-No Boy and more. Also featuring a new product, HeroSong (tm) and a wet retelling of West Side Story! 

Uur 1 1. You belong to me – Jo Stafford 2. Veilig achterop – Paul van Vliet 3. The violins of hope – Sunshine Cleaners 4. Kanta helele – Izaline Calister 5. Sitting in the park – Billy Stewart 6. Als je overmorgen oud bent – Ricky Koole 7. Lonely places – Rose City Band 8. Back to the garden – Bertolf 9. Duncan – Paul Simon 10. Il ponte – Ornella Vanoni 11. Half april – Daniel Lohues 12. Intermission music – Beady Belle & Jamie Cullum 13. I’m checkin’ out goombye – Catherine Russell 14. La montagne – André Loppe Uur 2 1. You are here – David Olney 2. Vagabond shoes – Vic Damone 3. Te ressembler – Francis Cabrel 4. Huiselijk geluk – Kiki Schippers 5. Goodbye blue sky – Pink Floyd 6. Lule lule – Barcelona Gipsy Balkan Orchestra 7. Don’t you worry ‘bout a thing – Stevie Wonder 8. De tijd dringt – Kommil Foo 9. It never entered my mind – Marry Coughlan 10. It’s a grand night for singing – Pat Boone, Bobby Darin e.a. 11. Why worry – The BlueBirds feat. Leonie Meijer 12. Budapest – George Ezra 13. Yo no se – Alex Cuba 14. Genstertje – Bart Peeters

April 2021s edition of ROOTS RENDEZVOUS. PLAYLIST: ARTIST - ALBUM - TRACK. 1 David Olney and Anana Kaye - Whispers and Sighs - Last Days of Rome. 2 Annie Mack - Testify - Testify. 3 Sara Petite - Rare Bird – Runnin. 4 Randy Lee Riviere - Wyoming - Lots to Say. 5 Grace Potter - Daylight - On My Way. 6 Mandy Rowden - Parachute - Ghosts On The Arkansas. 7 Nick Waterhouse - Promenade Blue - Place Names. 8 Kelsey Waldon – Theyll Never Keep Us Down - I Wish I Knew How It Would Feel To Be Free. 9 Rhiannon Giddens - They are calling me home – Waterbound. 10 Winter Barn - Anything but Starlight - West Texas Lullaby. 11 Lake Street Dive - Obviously - Making Do. 12 The Contraptionists - Working Mans Dread - Working Mans Dread. 13 Zachary Cale - Holes in Everything. 14 Kelly McFarling - Deep the Habit - North Decatur. 15 Jenny Dont and The Spurs - Fire On The Ridge. 16 Randy Lee Riviere - Wyoming - Wyoming. Size: 153 MB (161,470,003 bytes) Duration: 1:07:15

How have governments around the world differed in their responses to COVID-19? How have various countries been impacted by the lockdowns? Tune in for the answers, and to learn: How “building citizens to build a nation” has become less practiced in countries around the world, and how this might impact the way people and countries have responded to the COVID-19 situation Why Olney doesn't think “The Great Reset” will take hold How the response to COVID-19 is playing out in China, and what impact it is having on people in the developing world Associate lecturer at the University of Adelaide and member of Politics and International Relations (POLIR), David Olney, returns to the show to discuss his perspective on the COVID-19 situation, from the beginning right up to the current day, and even what he thinks it looks like moving forward. He shares his opinion of how, when, and where the virus came about, his experience living in Australia when the virus hit, the response to COVID-19 in China and the Hong Kong protests that preceded it, why the pandemic is just as much an image issue as a health concern for many governments, the COVID-19 vaccine, COVID-19 and economies, the many ways of dealing with inflation (and the inflation that's occurred with masks), and more. For more info, visit https://davidolney.com.au/, and check out Olney's podcast, Blind Insights. Episode also available on Apple Podcasts: apple.co/30PvU9C

Show #487  Bobby Dove - Chance in Hell (Hopeless Romantic) The Barlow - Fixin' to Run  (Horseshoe Lounge)  Randy Rogers & Wade Bowen - Am FM   (Hold my Beer, vol. 2) John Paul Keith - Love Love Love (The Rhythm of the City) (mic break) Spencer Burton - Memories We Won't Soon Forget  (Coyote) Pony Bradshaw - Calico Jim  (Calico Jim) Chelsea Williams - Fffun   (Beautiful and Strange) The Barlow - Horseshoe Lounge (Horseshoe Lounge) Bobby Dove - Hopeless Romantic  (Hopeless Romantic) (mic break) David Olney and Anana Kay - My Favorite Goodbye  (Whispers And Sighs) Jeffrey Foucault -There's a Destruction on This Land  (Deadstock: Uncollected Recordings 2005-2020)  Andrew Grimm - The Machine  (A Little Heat)   Olivia Ellen Lloyd - Excuse Yourself  (Loose Cannon)   Ross Cooper - Cowboy Picture Show (Chasing Old Highs)   (mic break) Bobby Dove - My World's Getting Smaller  (Hopeless Romantic) The Barlow - Part of the Band (Horseshoe Lounge)

Can we ever truly prepare ourselves for the next war? How can new technological advancements be effectively countered when the next technology is always just around the bend? David Olney, Defence and Security Studies Expert and Associate Lecturer of Politics and International Relations (POLIR) at the University of Adelaide sheds light on the stakes and the everchanging nature of modern warfare. Listen to learn about: Sociological perspectives on war in the modern age The evolution of counter terrorism strategies Philosophies of violence and civil-military relations theory Post-9/11 conflicts in Iraq and Afghanistan changed the definition of modern war across the entire world. Can a professional, ethical modern military ever prevail in counter terrorism measures when faced with the opposition of lawless terrorist organizations? How does the growing prevalence of ultra-violence in conventional warfare affect the already crippling rate of Post-Traumatic Stress Disorder and moral injury in today's soldiers? World powers like China and Russia continue to abandon direct physical conflict in favor of heavily investing in cyber warfare, intelligence tactics, economic warfare, and operations other than war. Private security companies are now fulfilling traditional military roles across the globe, creating a system of violence for hire and inviting the dodging of accountability. Is this bound to become the way of the future? We are living on a planet where vital resources become more limited each and every day. War over the remaining resources is inevitable, but that war will not necessarily look the way war has ever looked in the past. Strategy and applied critical thinking now prevail over brute force. Can the world's main military forces adjust accordingly? David shares his knowledgeable insights on the past, present, and future of war and its effects on military members, civilians, and civil-military relations. For more information visit https://davidolney.com.au/ Available on Apple Podcasts: apple.co/2Os0myK

In this episode of STRATEGIKON, we examine Britain one year after the decision to leave the European Union, and at the end of the time in which they could make a deal with the EU. Of course, we could not ignore the strategic goings-on in America and China with this discussion, so we also consider the UK and the EU in the context of the world economic and strategic orders. Our virtual studio is hosted by John Bruni, Co-Hosted by David Olney, and joined by our regular guest CDRE Pat Tyrrell from Cornwall in the United Kingdom. Producer Tim Whiffen was only able to make the discussion in spirit, so John recorded this one. Well done John! See omnystudio.com/listener for privacy information.

In this episode of STRATEGIKON, we examine Britain one year after the decision to leave the European Union, and at the end of the time in which they could make a deal with the EU. Of course, we could not ignore the strategic goings-on in America and China with this discussion, so we also consider the UK and the EU in the context of the world economic and strategic orders. Our virtual studio is hosted by John Bruni, Co-Hosted by David Olney, and joined by our regular guest CDRE Pat Tyrrell from Cornwall in the United Kingdom. Producer Tim Whiffen was only able to make the discussion in spirit, so John recorded this one. Well done John! Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.

Find what you're capable of doing, and double down on it until you do it well…and also, always try to get along with other people. These were the two primary lessons David Olney learned during his early childhood. These lessons could probably benefit any typical person, but Olney certainly learned them in an atypical way. Born with only five percent vision which was gone by the end of high school, Olney has led a unique and successful life and career. Press play to discover: How the brains of London taxi drivers and blind people compare, and why Why technology to restore vision in people who have been blind for the majority of their lives actually poses a significant, difficult-to-overcome problem Which function on Olney's iPhone has added tremendous utility to his life Olney is Associate Lecturer at Politics and International Relations (POLIR) at the University of Adelaide, whose blindness has led him to insights and understandings not always easily ascertained by sighted people. For instance, he credits his blindness for his ability to process and find patterns in huge amounts of disparate data, which has proved useful in a number of ways, especially in terms of understanding security matters and modern war. As an example, it gave him the ability to develop a theory for making sense of Al-Qaeda—a group of people no one really knew anything about in the wake of 9/11—within just a few days, and applying this to what was in the media. Within a couple of months, he was providing lectures on the subject. Among other topics, Olney discusses the particulars of his experience as a blind person—what he sees, what he feels, how he senses his environment, how he frames his interactions with his students and others in his life, and more. Tune in for all the details, and check out Olney's podcast, Blind Insights. Useful Links to Explore: An Insight to Blindness: https://omny.fm/shows/blind-insights/blind-insights-with-david-episode-9-an-insight-to Bonus Insights - David's Journey into the Void Adelaide's CBD): https://omny.fm/shows/blind-insights/bonus-insights-davids-journey-into-the-void-adelai Available on Apple Podcasts: apple.co/2Os0myK

Political and international relations expert David Olney tackles where we've been and where we're heading in this fascinating conversation on the past and present of civil-military relations theory, counter-terrorism strategies, and economic revolution. Listen and learn What "strategic culture" meant in early 20th century warfare and how defense and security studies had to play catch-up when facing Iraqi counter-insurgents, Where the current political tides across the globe seem to be heading and how hope lies in younger leadership, and What are the best resources and books to get a handle on history's transformations. David Olney is an associate lecturer with the Politics and International Relations (POLIR) department at the University of Adelaide in Australia. His background offers a unique combination of academic knowledge with the perspective of the "person on the ground' in military engagement. He shares some of the tools in his academic arsenal as he covers foundational defense and security studies theory and more. He offers concrete examples, such as the difference in warfare practices in World War 2 between western cultures and Japanese battle techniques, and describes the catch-up counter-terrorism strategies the west had to make when faced with Iraq and Afghanistan counter-insurgents.  He also takes us to the rippling tension of the present and shares how the future may evolve. Government efforts toward COVID mandates "suits the paranoia" of a lot of terrorist organizations, he says.  Such insurgent organizations easily believe that COVID measures could be the perfect cover for hidden means of control. He adds that in actuality, most states don't have enough adequate resources or time to battle the virus and have to make difficult decisions. He also tackles the polarization issues, and sees a light at the end of the tunnel. When conditions get bad, he says, collective action is one of the first movements to take hold, and in today's climate, environmental justice groups may join with economic efforts to bring about a substantial way forward. He discusses much more in this rich conversation, so listen in for a helpful perspective on our times. For more, he points listeners to his own podcast called Blind Insights with David Olney. Available on Apple Podcasts: apple.co/2Os0myK

Jamie Coffis talks by phone with Brennan Leigh, a new artist here at the pig - and we're quite fond of. Her songs have been recorded by Lee Ann Womack, Rodney Crowell, Sunny Sweeney, Charley Crockett, and many others. As renowned for her musicianship as for her writing, it's easy to see how Leigh caught the ear of greats like Guy Clark, who colorfully endorsed her flatpicking: "Brennen Leigh plays guitar like a motherf******," and David Olney, who described her writing as "tender, violent, sentimental, foolish and wise. Her new record, "Prarie Love Letter," was produced by Robbie Fulks.

In this episode of STRATEGIKON, we examine the ongoings in Belarus and the likely fate of Belarusian dictator Alexander Lukashenko. Also up for discussion, changes to European security caused by the recent decision of President Trump to relocate US forces from Germany to Poland. And finally, Europe's southeast in the Eastern Mediterranean, tensions rise between NATO members and long-time regional rivals Turkey and Greece, making Europe a fascinating hot topic at the moment. Our virtual studio is hosted by John Bruni, Co-Hosted by David Olney, and joined by our regular guest CDRE Pat Tyrrell from Cornwall in the United Kingdom. Producer Tim Whiffen was unable to make the discussion so John recorded this one. Well done John! This week's musical interlude comes courtesy of Lucas Day, check them out on Facebook, Spotify and Apple Music. See omnystudio.com/listener for privacy information.

In this episode of STRATEGIKON, we examine the ongoings in Belarus and the likely fate of Belarusian dictator Alexander Lukashenko. Also up for discussion, changes to European security caused by the recent decision of President Trump to relocate US forces from Germany to Poland. And finally, Europe’s southeast in the Eastern Mediterranean, tensions rise between NATO members and long-time regional rivals Turkey and Greece, making Europe a fascinating hot topic at the moment. Our virtual studio is hosted by John Bruni, Co-Hosted by David Olney, and joined by our regular guest CDRE Pat Tyrrell from Cornwall in the United Kingdom. Producer Tim Whiffen was unable to make the discussion so John recorded this one. Well done John! This week's musical interlude comes courtesy of Lucas Day, check them out on Facebook, Spotify and Apple Music. Support the show: https://www.sageinternational.org.au/strategikon-merch/ See omnystudio.com/listener for privacy information.

We couldn't get enough into the first episode (Season 2 Epi 8) so here is the sequel. Another episode with David Olney -the smartest guy in the room on solving complex and wicked problems. In this episode we talk collaboration and innovation. Why is doctrinal thinking rewarded and how can we break paradigms. David lectures on applied thinking, complex problem solving, philosophies of violence, group psychology, terrorism, strategic culture, and the clash of civilizations. He knows plenty of stuff. Intelligence Summary (INTSUM) 04:00   Why we are back again 06:05   David's question of Ben and Tim on collaboration in the SAS 08:45   Tim provides a rare useful insight on constrained thinking & indoctrination 12:20   David responds on latitudes and orthodoxy 14:10   How we task people. How that influences latitudes 16:20   Communications technology, ‘surveillance over your people' and conscious capitalism 17:00   The Southwest airline example and trust 17:55   What should we be doing to incentivise collaborative communication? 20:29   On mission focus and breaking down silos. Don't let people talk! ‘Nominal group technique' 23:20   Tim's question to David and Ben. A hypothetical on whether Stanley McChrystal would have passed doctrinal training with him ‘Team of Teams' 26:30   Why wait to innovate? Fixation on knowledge… not learning 28:25   Artificial worlds and wargaming 33:00   Now is the time for ‘anything goes' 36:10   Tactical exercises without troops & tests 38:45   What about corporate to military to corporate lessons learned 41:10   The frictions in modern day operations 44:15   Good leadership…… how? Blind Insights (Podcast): Link here Music The Externals …. End song is ‘Pain' is now available on Spotify.   Contact Us debrief@unforgiving60.com www.unforgiving60.com    

In deze aflevering alleen bijdragen van overleden muzikanten, al dan niet slachtoffer van het coronavirus. Met relatief onbekenden als Chris Darrow van Kaleidoscope, David Roback van The Rain Parade of songwriter Eric Taylor. David Olney liet een prachtig oeuvre na met pareltjes als Jerusalem Tomorrow of 1917. Soullegende Bill Withers schreef eveneens zijn nummers zelf ,waaronder een aantal veel gecoverde klassiekers.En ook jazz-pianist Ellis Marsalis had iets dat zijn zonen Branford en Wynton níet hebben: Een Original op zijn naam!

In this week's episode of The Adelaide Show, we explore the SA Police Security Response Section and discuss its significance in the role of policing. Our special guest is David Olney, recently of The University of Adelaide, now Senior Analyst at SAGE International Australia, which is an Adelaide based strategic think tank. We also chat to United Nations peace keeper, Vic Sukacz, a former SA Police officer who is familiar with the weapons and training that SRS officers will be undergoing. The SA Drink Of The Week is 2015 Cabernet Shiraz by Eight At The Gate Wines in Wrattonbully. In the Musical Pilgrimage, we hear a new song from J-MILLA. You can navigate episodes using chapter markers in your podcast app. Not a fan of wine? You can click next to jump to the next chapter in the show. We're here to serve! And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concise page Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/ See omnystudio.com/listener for privacy information.

You may know Thomm Jutz from his work with David Olney, Mary Gauthier or Nanci Griffith. Or maybe his collaborations with Eric Brace and Peter Cooper. You may also have come across his 1861 Project, which chronicled the Civil War in three striking volumes. Or you may know his other work as a producer, with more than 70 albums to… Read more The post Show 51: Thomm Jutz and his “Two Worlds” appeared first on Americana One.

Making a Scene Presents an Interview with Thomm JutzI'm a guitar player, producer, songwriter - in no particular order. I've played guitar for Nanci Griffith, Kim Richey, Mary Gauthier, David Olney and a bunch of other folks. I've produced records for Nanci Griffith, Otis Gibbs, Jason Ringenberg, Mac Wiseman, Bill Anderson, Peter Cooper and Eric Brace and a lot of other folks, some of them you may never have heard of. I write a lot of songs - mostly Bluegrass. Thomm Jutz,"Moving Up, Moving On"Thomm Jutz,What'll They Think Up Lastwww.makingascene.org,Tomm JutzThomm Jutz,I Long To Hear Them TestifyThomm Jutz,Wilmer McLean 

In this episode, Tim and Ben look back on their discussions with David Olney, Dr Kate Baecher and the amazing guests from their special Tempus Fugit double episode, before turning a very critical eye on their own performance in Alex Lloyd's Life on the Line podcast. As always, please let us know what you think!  Good, bad or indifferent, we'd love to hear from you – please email debrief@unforgiving60.com.   Intelligence Summary (INTSUM) 01:30   Reflections on Dave Olney 01:40   How we first came to be introduced to Dave Olney – through one of his university students 02:30   Dave Olney on Dave Grossman 05:17   Dave Olney's podcast Blind Insights – a cracking listen! 05:38   Tim and Ben discuss the potential of joining Dave on an episode of his ‘Blind Drunk Insights' – potentially the only way they'll be able to keep up with him intellectually 06:30   Reflections on Kate Baecher 07:00   Ben and Tim's confessions regarding Dr Kate's apple cider vinegar (ACV) prescription 07:50   Tim's groundbreaking medical opinion on breathing 08:50   Ben talks about the main source of stress in his work life 09:20   Dr Kate's advice on overcoming fear 10:00   Fear, sensory overload and innoculation 11:20   Psychology as part of a front-line emergency health care effort 12:24   Rock climbing: overcoming fear and flow states 14:35   Reflections on Tim Reynolds 15:22   The importance of family – even when you're not facing a terminal prognosis 16:40   Tim Reynolds' involvement in art as therapy 17:30   Link to the Unforgiving60 Instagram page, which features Tim Reynolds' amazing portrait of Cameron Baird VC 18:37   Reflections on CPL Matt Williams OAM 19:20   Why Willy stood us up for the podcast 21:40   Ben and Tim on Ben and Tim on Life on the Line 23:30   Tim on his famous (potentially stolen) quote ‘Would you hire you?' 24:25   Ben and Time on ego (this is what Skyhooks think on the topic) 25:30   Imposter syndrome 27:30   Ben: “Different interactions with different people are going to have different results”.  Profound…. 28:30   Child soldiers – a really confronting concept 29:30   Ben and Tim debate how much Tim is worth – in terms of bounty and/or ransom 32:30   Update on Heather Taylor 34:00   ‘AIS' actually stands for Automatic Identification System 36:00   Tim (non-Water Operator) talks a big game about sea-sickness.  Ben (Water Operator) on his chronic sea-sickness. 37:30   What's coming up next on the Unforgiving60? 37:45   Ben's request for an Externals song as an outro – US Radio    External Links Dave Olney's podcast Blind Insights Dr Kate Baecher's business ElysiumHP MAPA – the Military Art Program Australia @willybeatingcancer – Matt Williams OAM's Instagram page Alex Lloyd's brilliant Life on the Line podcast Heather Taylor's Pacific Giants Row   Music The Externals … Available on Spotify (plus a bit of Ben's guitar work, recorded in the bathroom of one of Saddam's palaces in Tikrit, Iraq!)  

Doug Grotke and David Olney from WNY Fighting COVID share their idea about how we can streamline the distribution of PPE to people in need.