Podcasts about ipah

Jennifer Howard's inspiring story is one of resilience and hope in the face of immense challenges. Diagnosed with idiopathic pulmonary arterial hypertension (IPAH) in July 2019 after a long and frustrating path to answers, Jennifer faced the daunting reality of living with a chronic illness requiring continuous IV medication through a pump. Despite the overwhelming nature of her diagnosis, Jennifer discovered an inner strength she never knew she had. With a focus on living life to the fullest, she learned to navigate both the bad days and the good, embracing moments that brought her happiness and refusing to let despair take root. Learn more about pulmonary hypertension trials at www.phaware.global/clinicaltrials. Engage for a cure: www.phaware.global/donate #phaware Share your story: info@phaware.com Like, Subscribe and Follow us: www.phawarepodcast.com. @phacanada  

In this first of 2 podcasts, Tish Haight, ACNP, CCRN, BC, and January-Jill Ogoy, DHSc, MPA, PA-C, provide clinical perspective on selected practice changing abstracts, covering a variety of topics from the CHEST 2021 Annual Meeting. Topics covered in this podcast include a comparison of idiopathic pulmonary arterial hypertension outcomes, an evaluation of combination therapies for the treatment of COPD, and the use of CPAP in patients hospitalized with COVID-19 pneumonitis.   This activity is available for CE/CME credit. Claim your credit at pce.is/CHEST.Contributors:Tish Haight, ACNP, CCRN, BCPulmonary, Critical CareLung Associates of SarasotaSarasota, FLMs. Haight has no relevant financial relationships to disclose.January-Jill Ogoy, DHSc, MPA, PA-CAPC, Pulmonary and Critical Care MedicineVirginia Mason Franciscan HealthTacoma, WADr. Ogoy has no relevant financial relationships to disclose.

Saramarie Anderson is a RN at the University of Kentucky(UK) where she works in the cardiac ICU. She earned her bachelor of science from UK and her BSN from Eastern Kentucky University. In 2012 she was diagnosed with Idiopathic pulmonary arterial hypertension (IPAH) which is a rare disease characterized by elevated pulmonary artery pressure with no apparent cause. She has used her diagnosis to help inspire those she meets as a nurse. When she is not working she enjoys adventure(rock climbing, backpacking) and hanging out with her goldendoodle, Charlie. Saramarie and Rob Discuss: -Lessons learned about Covid from the ICU -How her diagnosis informs the care she provides her patients -Why the phrase, “just breathe” has a special meaning for her -The resilience of the human body and spirit -Her advice for anyone fighting a health battle -November is PAH awareness month to learn more visit November is PAH Awareness Month

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

Dr. Jamshed J Dalal, DIRECTOR of Cardiac Sciences at Kokilaben Hospital, addressed the concern "Idiopathic pulmonary hypertension in women". He is a rare triple Doctorate, having a Doctorate in Medicine, a Doctorate in Cardiology from Mumbai, and a PhD from the UK. He has performed more than 3000 Cardiac procedures at Kokilaben Hospital. Dr JJ Dalal did his first coronary angiography in the UK in 1978 and since then has done more than 20000 cases over 35 years. He also began the angiography program, available in only four hospitals in Mumbai in 1984 along with a handful of cardiologists, and has taught the procedure to doctors in India and China over the last 20 years. Dr. Jamshed Dalal has numerous publications in International and National journals. He is a faculty on International Conferences and Workshops. He has bagged several prestigious awards such as: The Cardiology Society of India Prize for Distinction at D.M. Cardiology 1977, The “Young Research workers Award” by The British Cardiac Society, UK 1981, Jaycee award for “Outstanding Young Person”, Mumbai, 1985 and the “Fellow of the Royal College of Physicians” London, 2016.

Time to take a big bite into the 8th episode of the Kink Kloset.This time I would like to welcome The Puppy Fifi into the Kink Kloset. Pup Fifi is a lifestyle kinkster who comes into the Kink Kloset full of energy. She joins us from Southbend Indiana, yet has spent a lot of time travelling around the USA. Pup Fifi has been on their kink journey ever since the 80's and it is continuously evolving. On this journey Pup Fifi has dedicated herself to community involvement, from titleholding to service with the Windy City Boys Troupe. The Puppy Fifi is The Great Lakes Puppy 2003 and The International Puppy 2004, to which she was the first female International Puppy. You are all in for a real treat this episode. The Puppy Fifi says she was lost before she became a Fetish Person. However, you will hear about how she found herself once she discovered the leather community. We talk about the experience of being a live in slave, living above a sex club, how important friendships are when you are starting off on your journey and so much more. This is one juicy episode and I hope you all enjoy it.

Sisters Paisley Dempsey (10) and Carys Dempsey (11) discuss their mother Nicole’s PH diagnosis and their roles as caregivers. Nicole served as a PHA Canada Ambassador from 2014-16, before being elected to the Board of Directors in 2017. She was diagnosed with idiopathic pulmonary arterial hypertension (IPAH) in 2013. Prior to her diagnosis, Nicole worked as an elementary school teacher for 12 years. The Dempsey family resides in Cambridge, Ontario. Learn more about pulmonary hypertension trials at www.phaware.global/clinicaltrials. Never miss an episode with the phaware® podcast app. Follow us @phaware on Facebook, Twitter, Instagram, YouTube & Linkedin Engage for a cure: www.phaware.global/donate #phaware #ClinicalTrials @phacanada

Darren Bell is a former PHA Canada President and Chair of the Board of Directors. One of PHA Canada's founding board members, Darren joined the PH community when his son Dylan was diagnosed with IPAH in 1998. Dylan lost his battle with PAH in 2007 at the age of 12, two years after his younger brother Hunter passed away from an acute intestinal illness at the age of 7. Learn more about pulmonary hypertension trials at www.phaware.global/clinicaltrials. Never miss an episode with the phaware® podcast app. Follow us @phaware on Facebook, Twitter, Instagram, YouTube & Linkedin Engage for a cure: www.phaware.global/donate #phaware #LifeInPurple #PHUnited #ClinicalTrials @antidote_me @PHACanada  www.sometimesitsph.ca

David Stott is a 42 year old musician and operating theatre practitioner from north west England. David was diagnosed with IPAH in August 2013. He discusses his road to diagnosis and how it led to his band Ward XVI. Learn more about pulmonary hypertension trials at www.phaware.global/clinicaltrials. Never miss an episode with the phaware® podcast app. Follow us @phaware on Facebook, Twitter, Instagram, YouTube & Linkedin Engage for a cure: www.phaware.global/donate #phaware #ClinicalTrials @antidote_me #WardXVI

Diagnosed with IPAH almost 16 years ago, Canadian Sonya Collins discusses spending about four years questioning her shortness of breath (SOB) and severe fluid retention. Sonya details why she became a PHA Canada Ambassador and how her short and long term goals have shifted over the years thanks to her PH therapies. Learn more about pulmonary hypertension trials at www.phaware.global/clinicaltrials. Never miss an episode with the phaware® podcast app. Follow us @phaware on Facebook, Twitter, Instagram, YouTube & Linkedin Engage for a cure: www.phaware.global/donate #phaware #LifeInPurple #PHUnited #ClinicalTrials @antidote_me @PHACanada 

Iain Hess discusses his lifesaving double-lung transplant and his plans for life post PH. Iain Hess is a former pulmonary hypertension patient from Boulder, Colorado who was diagnosed at age 5 with IPAH. He received a double-lung transplant on January 17, 2017. Learn more about pulmonary hypertension at www.phaware365.global. Never miss an episode with the phaware® podcast app. Follow us @phaware on facebook, twitter, instagram, youtube & linkedin Engage for a cure: www.phaware.global/donate #phaware #pottsshunt @campdelcorazon @WUSTLPeds

Background: The majority of patients with idiopathic pulmonary arterial hypertension (IPAH) in functional classes II and III are currently being treated with non-parenteral therapies, including endothelin receptor antagonists (ERA), phosphodiesterase (PDE)-5 inhibitors, inhaled iloprost or combinations of these substances. If these treatments fail, current guidelines recommend the addition of parenteral prostanoid therapy. There is, however, limited evidence for the efficacy of parenteral prostanoids when added to combinations of non-parenteral therapies. Methods: In this retrospective, multicentre study we collected data from consecutive IPAH patients receiving intravenous iloprost in addition to optimized non-parenteral therapy between Jan 2002 and Dec 2009. Analyses included 6 min walk distance (6MWD), functional class, need for transplantation, and survival. Results: During the observation period, 50 patients were treated with intravenous iloprost in addition to non-parenteral therapy; 44% of the patients were on dual combination therapy and 52% on triple combination. Three months after initiation of iloprost, functional class had improved in 24% of the patients and the median 6MWD had increased from 289 m to 298 m (n.s.). During the observation period, 22 patients (44%) died and 14 (28%) underwent lung transplantation. The probabilities of LuTx-free survival at 1, 3 and 5 years following iloprost initiation were 38%, 17% and 17%, respectively. A 6MWD < 300 m and persistent functional class IV at 3 months after initiation of intravenous iloprost were predictors of an adverse outcome. Conclusion: In essence, late initiation of intravenous iloprost in IPAH patients who previously failed to respond to non-parenteral therapies appears to be of limited efficacy in the majority patients. Alternative therapeutic options are currently not available, underlying the need for the development of new drugs.