Podcasts about culture centre

Carole King's great music is heart and centre in the show "Beautiful: The Carole King Musical." As Tada Events launches a run at the Arts and Culture Centre in St. John's, we hear what the show has to offer. (Krissy Holmes with Sarah Gibbons who plays Carole King, Justin Nurse who plays her husband Gerry Goffin and Sheila Guy-Murphy of Tada Events)

Support for all that is Canadian will be on stage at the Arts and Culture Centre this Friday.... with 19 local vocalists working up a program of all Canadian hits with the Newfoundland Symphony for their Big Ticket fundraiser. We welcome the orchestra's music director and principal conductor as well as one of the guest singers to the On The Go studio to check how the rehearsals are coming along before the baton comes down on the big night. (Krissy Holmes with Marc David and Damian Follett)

A Canadian '90s mixtape. Members of Sloan, The Odds, The Pursuit of Happiness, and a former member of the Bare-naked Ladies, will take the stage at the Arts and Culture Centre in St. John's tomorrow night. The TransCanada Highwaymen are a group of musicians with an impressive pedigree. We spoke with performers Chris Murphy and Steven Page.

Atlantic Jazz Nights presents a special "NL Edition" with jazz artists from this province taking to the stage at the Arts and Culture Centre this Saturday night in St. John's. To find out what's on tap we welcome vocalist Heather Bambrick and jazz pianist Florian Hoefner - who's also the co-curator of the series - to the On The Go studio. (Krissy Holmes with Heather and Florian)

Bob Dylan fans in Labrador West are in for a treat this weekend. That's because St. John's singer-songwriter Mick Davis is making his way to the Arts and Culture Centre, with a performance full of Bob Dylan songs.

Severine Fox, the executive director of Dieppe's Centre des Arts et la Culture.

Get ready for some smooth jazz licks as the third season of Atlantic Jazz Nights launches Saturday night at the Arts and Culture Centre in St. John's. We welcome some of the key players to the On The Go studio to hear what's in store. (Krissy Holmes with pianist and series co-curator Florian Hoefner, bass player Jim Vivan and saxophone player Mike Murley)

Fast fashion's environmental impact is being explored with a hands-on project by textile artist Mélanie Paulin, the current artist-in-residence at the Dieppe Arts & Culture Centre. She's inviting the public to take part, bringing old... The post S6E36: Fast Fashion Shopping meets Old Fashioned Rug Hooking in public participation art project first appeared on Pickle Planet Moncton.

It's convocation at Memorial University. Hundreds of students collected their diplomas yesterday at the Arts and Culture Centre. The CBC's Madison Ryan and Sarah Antle dropped by to chat with a few of them.

The second episode in our new season finds us in conversation with Mark Roxborough from the Maiden City Garrison Fife and Lambeg Drumming Club. There is a rich historical tradition surrounding fife and Lambeg drumming in Northern Ireland and a tradition that more and more people are starting to reconnect with. Mark talks us through how the Garrison started and some of the events that they have been involved in and the benefits that has brought to personal lives and also the wider community. With the rich tradition of flute bands throughout the country this is another means for community musicians to connect with their culture and ensure that it doesn't die out. A big thank you to Mark for taking the time to share and the whole team at New Gate Arts and Culture Centre for allowing us to use the premises to record the episode. Join us next week when we speak to Lisa Williamson.

Comedy at the St. John's Arts and Culture Centre tomorrow will be Hotz - that's Jeremy Hotz. The Canadian comedian brings his new touring show to St. John's. On the way, he and his faithful companion Shack dropped by the On The Go studio. (Todd O'Brien with Jeremy Hotz)

Locally written plays, Ukrainian bands, dance recitals and more! We hear what's in the works at the Lawrence O'Brien Arts Center and the Labrador West Arts and Culture Centre this month.

The Journey Project is touring NL with an exhibit of survivor-created photography. It's the third PhotoVoice project that includes images created by survivors of sexual violence and intimate partner violence from across the province. This year's collection is called TRANSFORMation: A Photo Journey. Ashley MacDonald is a legal navigator with The Journey Project and an organizer of the PhotoVoice project. Martin spoke with her at the Arts and Culture Centre in Grand Falls-Windsor.

Michael Wood was a participant on the Great Canadian Pottery Thrown Down, and is a ceramics technician with the Dieppe Arts and Culture Centre.

And it's showtime!! We catch up with the managers of the Lawrence O'brien Arts Centre and the Arts and Culture Centre in Labrador West. 

Ben and Patka visit the Ukrainian culture center in Bratislava, discuss the week, play some music and of course read some letters. Re-run

"Jersey Boys: The Story of Frankie Valli and the Four Seasons" is coming to the St. John's Arts and Culture Centre in March. The guy who (co)wrote some of their biggest hits such as "Big Girls Don't Cry," "Sherry" and "Walk Like A Man... His name was Bob Crewe - and his parents were from the island: his dad from Dawson's Cove, his mom from Heart's Delight. We meet the actor who plays this Jersey B'y in a production by TaDa! Events. (Anthony Germain with Dan Lasby)

Originally a song title - now "Killer Queen" is also the name of a cocktail that will be offered to concert-goers at the Arts and Culture Centre in St. John's this week. During the Newfoundland Symphony Orchestra's sold out four-night run of their "Winter Pops" concerts featuring Kelly-Ann Evans - called "Queen" - Spirit of Newfoundland Productions has taken over the refreshment service at the theatre. The co-founders of the theatre company drop by the On The Go studio with details... and more. (Anthony Germain with Kathy Hicks, Peter Halley and CBC Digital's John Gushue)

Amy Norman and Bob Parsons reflect on the past year for their respective arts and culture centres and look ahead to what is coming up next.

Kittiwake Dance Theatre is doing its annual performance of the Nutcracker across the island this month. The show is at the Corner Brook Arts and Culture Centre this weekend, and the CBC's Amy Feehan met up with the group during a rehearsal yesterday.

A modern, feminist twist on "A Christmas Carol," a ballet performance, a magician and mentalist... there's all kinds of theatre to take in this holiday season. We bring you our monthly preview of performances at the Lawrence O'Brien Centre and the Labrador West Arts and Culture Centre.

This weekend it might be the end of the world… on stage at the Labrador West Arts and Culture Centre, anyway. We learn about the play "Mad Gravity" -- and hear from some cast and crew in the local production.

Aiden Flynn is an actor, director, writer, producer living in St. John's, NL. Recent appearances at the LSPU Hall include The Father (dir Courtney Brown), Poison (dir Charlie Tomlinson) Fun Home (Best Kind Productions) and The Weir (Team Broken Earth), and other recent appearances include Three Days of Rain (Sweetline Theatre), A Steady Rain (Rabbittown Theatre), and The Pillowman (Rabbitown Theatre) at the Barbara Barrett Theatre, Arts and Culture Centre St. John's. Aiden was the founder of Rabbittown Theatre Company and co-founder of New World Theatre (renamed Perchance Theatre). He is the director of the provincial Arts and Culture Centre network in St. John's, Gander, Grand Falls, Corner Brook, Stephenville, and Labrador City. A good portion of Aiden's near 30-year career as a theatre professional has been spent working at the LSPU Hall.#galeforcewins is an inspirational podcast with New episodes every Tuesday evening on Youtube or wherever you get your podcasts.We also launched Gale Force Wins on the Rogers Television Network in St. John's on January 31st 2023 with a series of 12 episodes.You can also visit https://galeforcewins.com/To message Gerry visit: https://www.linkedin.com/in/gerrycarew/To message Allan visit: https://www.linkedin.com/in/allanadale/

A "funny play about life, the universe and beagles." That's the description of a theatre production on now at the Grand Falls-Windsor Arts and Culture Centre. "The Antidote for Life" is written and performed by Berni Stapleton.

Histories of Health and Materiality in the Indian Ocean World: Medicine, Material Culture and Trade, 1600-2000 (Bloomsbury, 2023): Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power, and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, and perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century. Anne Gerritsen is Professor of History at the University of Warwick, UK, and Chair of Asian Art at the University of Leiden, Netherlands. At Warwick, she co-directs the Global History and Culture Centre. Burton Cleetus is Assistant Professor of History at Jawaharlal Nehru University, India, where he teaches Modern Indian History. He specialises in the history of medicine and science and has worked on the institutionalisation of Indian medical traditions in colonial and post independent India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Histories of Health and Materiality in the Indian Ocean World: Medicine, Material Culture and Trade, 1600-2000 (Bloomsbury, 2023): Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power, and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, and perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century. Anne Gerritsen is Professor of History at the University of Warwick, UK, and Chair of Asian Art at the University of Leiden, Netherlands. At Warwick, she co-directs the Global History and Culture Centre. Burton Cleetus is Assistant Professor of History at Jawaharlal Nehru University, India, where he teaches Modern Indian History. He specialises in the history of medicine and science and has worked on the institutionalisation of Indian medical traditions in colonial and post independent India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Histories of Health and Materiality in the Indian Ocean World: Medicine, Material Culture and Trade, 1600-2000 (Bloomsbury, 2023): Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power, and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, and perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century. Anne Gerritsen is Professor of History at the University of Warwick, UK, and Chair of Asian Art at the University of Leiden, Netherlands. At Warwick, she co-directs the Global History and Culture Centre. Burton Cleetus is Assistant Professor of History at Jawaharlal Nehru University, India, where he teaches Modern Indian History. He specialises in the history of medicine and science and has worked on the institutionalisation of Indian medical traditions in colonial and post independent India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Histories of Health and Materiality in the Indian Ocean World: Medicine, Material Culture and Trade, 1600-2000 (Bloomsbury, 2023): Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power, and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, and perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century. Anne Gerritsen is Professor of History at the University of Warwick, UK, and Chair of Asian Art at the University of Leiden, Netherlands. At Warwick, she co-directs the Global History and Culture Centre. Burton Cleetus is Assistant Professor of History at Jawaharlal Nehru University, India, where he teaches Modern Indian History. He specialises in the history of medicine and science and has worked on the institutionalisation of Indian medical traditions in colonial and post independent India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Histories of Health and Materiality in the Indian Ocean World: Medicine, Material Culture and Trade, 1600-2000 (Bloomsbury, 2023): Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power, and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, and perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century. Anne Gerritsen is Professor of History at the University of Warwick, UK, and Chair of Asian Art at the University of Leiden, Netherlands. At Warwick, she co-directs the Global History and Culture Centre. Burton Cleetus is Assistant Professor of History at Jawaharlal Nehru University, India, where he teaches Modern Indian History. He specialises in the history of medicine and science and has worked on the institutionalisation of Indian medical traditions in colonial and post independent India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

Histories of Health and Materiality in the Indian Ocean World: Medicine, Material Culture and Trade, 1600-2000 (Bloomsbury, 2023): Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power, and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, and perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century. Anne Gerritsen is Professor of History at the University of Warwick, UK, and Chair of Asian Art at the University of Leiden, Netherlands. At Warwick, she co-directs the Global History and Culture Centre. Burton Cleetus is Assistant Professor of History at Jawaharlal Nehru University, India, where he teaches Modern Indian History. He specialises in the history of medicine and science and has worked on the institutionalisation of Indian medical traditions in colonial and post independent India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Histories of Health and Materiality in the Indian Ocean World: Medicine, Material Culture and Trade, 1600-2000 (Bloomsbury, 2023): Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power, and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, and perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century. Anne Gerritsen is Professor of History at the University of Warwick, UK, and Chair of Asian Art at the University of Leiden, Netherlands. At Warwick, she co-directs the Global History and Culture Centre. Burton Cleetus is Assistant Professor of History at Jawaharlal Nehru University, India, where he teaches Modern Indian History. He specialises in the history of medicine and science and has worked on the institutionalisation of Indian medical traditions in colonial and post independent India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Foster opened for Gordon Lightfoot at the St. John's Arts and Culture Centre back in 2014. He drops by the studio to reminisce about a musical hero.

For some people, the word "justice" can include a sense of retribution - the righting of a wrong. For others, it's often used interchangably with "fairness" - someone getting what they rightfully deserve. "Justice" is explored in a new photo exhibit curated by The Journey Project, called Visions of Justice: A Photo Journey. It includes original photographs, created by survivors of sexual violence. Ashley MacDonald of the Journey Project organized the exhibit and joined Martin Jones at the Gander Arts and Culture Centre art gallery.

Story: The Sweet Spot is a Culture Centre in Dublin described as a prime hub where music crosses paths from around the world.I had the pleasure of hosting the founders of The Sweet Spot, Alice Ugbah and Azeez Saeed. They host recurring events and a radio show complete with riddims galore.We discussed the following topics:- Fashion- DJing- Music- Travel- ArtHost:Sam - www.instagram.com/samo_awe/twitter.com/samo_aweGuests:Alice - www.instagram.com/habguecila/Azeez - www.instagram.com/azeez.saeed/The Sweet Spot - www.instagram.com/sweetspot.mp3/Website: www.escapeplanmedia.net/musicIf you like what you see share it with a friend! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit escapeplanmedia.substack.com

From Broadway all the way back to Airport Boulevard...A new production of Come From Away, featuring some of the original cast members, is staging a summer-long residency at the Joseph R. Smallwood Arts and Culture Centre in Gander. Yesterday, producer Michael Rubinoff announced the cast and creative team behind "Come From Away, You Are Here."

When you think about going to see a musical concert, maybe you picture a big arena, or, in this province, an Arts and Culture Centre. But, in a number of small towns around this province, some of the best places to see live shows are small, volunteer-run venues. They are, in many cases, older structures that have been restored and given new life. David Bradley is with the Bonavista Historic Townscape Foundation, which runs the Garrick Theatre in Bonavista. Jeff Anderson is with Friends of Writers at Woody Point, which runs the Woody Point Heritage Theatre. Kathy Hodder is with the Eastport Peninsula Arts and Heritage Society, which runs the Beaches Arts and Heritage Centre in Eastport.

It's a bit of a Christmas tradition for Matt Wright..coming home for Christmas, and taking over the Arts and Culture Centre in Gander. After a busy fall on the road, the JUNO-nominated comedian is back in the province. Matt will be in his hometown, with his annual Christmas show this Sunday, December 18th. The CBC's Melissa Tobin asked Matt Wright about his year - and about what's he's looking forward to this holiday season.

The Once are back in the province. after a month and a half touring Western Canada. But they aren't staying put. In fact, they're donning their red, white, and green - and getting ready to sing their favorite Christmas songs at an Arts and Culture Centre near you. The CBC's Melissa Tobin spoke with Geraldine Hollett, Phil Churchill, and Andrew Dale.

A great treat for lovers of classical music this Friday evening at the Arts and Culture Centre in St. John's. ESPECIALLY for those who are partial to sonorous, beautiful sounds of THE CELLO. For its second Masterworks concert of the season, the Newfoundland Symphony Orchestra is performing with cellist Bryan Cheng.

It's been seen on Broadway in New York City, on London's West End. and on stages around the world. But the story of Gander and area's kindness to stranded passengers after 911 has only been staged in Newfoundland and Labrador as a concert. That will change next summer. Come From Away will be doing a residency at the Arts and Culture Centre in Gander starting July 7. On Friday, Premier Andrew Furey was joined by Come From Away producer Michael Rubinoff and Director Jillian Keiley at an announcement at the Gander Arts and Culture Centre. Steve Crocker, the Minister of Tourism, Culture, Art and Recreation, was also there.

See omnystudio.com/listener for privacy information.

Curling fans better HURRY HARD to the Arts & Culture Centre this week. We hear all about “Second Shot – The Curling Musical” which premieres in St. John's on Oct. 6th

Tell Tale Harbour will be touring across Arts & Culture Centres in this province beginning on September 27th in Labrador West. The show will make its way to St. John's for a 4-night run at the Arts & Culture Centre beginning on October 12th.

It's a story of hope, survival and prosperity...and it all hinges on whether or not residents of a small town can attract a family doctor to their town. This might describe many places in NL and across Canada, but we're talking about a theatre production. Tell Tale Harbour has been "wowing" audiences all summer in Charlottetown, PEI, and the musical is heading to THIS province soon. Alan Doyle is the star and a co-writer of the show.

It's been almost 10 years since a man from Nova Scotia was left paralyzed from the waist down after a knife attack. We find out why his story is coming to the Arts and Culture Centre in St. John's next month. (Martin Jones with playwright Robert Chafe)

Hastings is getting a makeover. The city known as the birthplace of the Mongrel Mob is repositioning itself as a hip arts and culture mecca. There's millions of dollars of investment throughout the district and new developments are soon to open in the city centre. Hawke's Bay reporter Tom Kitchin went there to find out what's in store.

As musicians and actors get ready to return to the stage for live shows in NL, the province's Arts and Culture Centres and MusicNL are offering free training to help them become more familiar with mixing live sound. Brian Kenny, technical director of the St. John's Arts and Culture Centre, offers "Audio 101" at various centres in the province.

A quest to discover the origins of several mysterious Indigenous American objects in the collection at Audley End House led Curator of Collections and Interiors Peter Moore on a fact-finding mission across the Atlantic. We're joined by Peter and Curator of The Seneca Art & Culture Centre Michael Galban to reveal what they learned about the objects, how these came to be at Audley End and a surprising connection between the collections at Audley End House and the Seneca Art & Culture Centre. To arrange a visit to Audley End House and Gardens to see its collections, including the indigenous American objects discussed in this episode, go to www.english-heritage.org.uk/audley

Louis Doucet is the interim General Manager of the Dieppe Arts and Culture Centre.

When negotiating a music gig, how do you know the right price? How do you make sure you're not overselling or underselling yourself? A workshop from Music NL Celebration Week is online and hopes to help musicians all over the province with these questions. Panel member Genny DeMerchent joins us. We conclude our series on the housing crisis in Labrador West by discussing possible solutions. We hear from Mitchell Marsh, Deputy Mayor of Labrador City, and Labrador West MHA Jordan Brown. This week, we've been hearing from the town council of Mary's Harbour on how the nursing shortage is impacting their community. Today, we hear from the community members themselves. Nina Rumbolt-Pye and Deidra Pye join us. Pauktuutit is hoping to hear from women in Nunatsiavut today. They want to know the challenges and gaps experienced with midwifery, maternal, sexual, and reproductive health. We speak with Pauktuutit President Rebecca Kudloo. Derrick Bragg, provincial Minister of Fisheries, Forestry, and Agriculture, is in Labrador this week. He joins us today to talk about what he has seen since he's been here, and what issues he will be dealing with going forward. A new program is coming to the Melville Public Library in Happy Valley-Goose Bay. Reporter Heidi Atter is here to talk about a new CBC NL and Library photography pilot project. Finally, we're joined by Amy Norman of the Lawrence O'Brien Arts Centre and Chris Ball of the Labrador West Arts and Culture Centre to give us the rundown on what's happening on stage this month.

Alan Doyle has co-written a musical comedy called "Tell Tale Harbour" that will be headlining the 2022 Charlottetown Festival (starts at 0:40); Mi'kmaw woman Cora Butt collects moose hides destined for the dump and turns them into something special: traditional hand drums (8:01); Corner Brook will again host a community musical this fall. “Tick, Tick, Boom,” will take to the Arts and Culture Centre stage this weekend. (14:04)

(Starts at 0:51 mark) Salvation Army's Twin Ponds Camp in central Newfoundland closes after three decades, (8:40) Lionel Kelland Hospice in Grand Falls-Windsor will be the province's first dedicated palliative care facility. The facility is getting closer to becoming a reality, as fundraising ramps up, and ( 16:31) an employee at the Arts and Culture Centre in Corner Brook is doing a special project: to digitize show posters and other important documents from the past fifty-plus years.

Every school has special teachers that go above and beyond for their students and community. Now the newly minted Minister of Education's Award for Compassion in Teaching is recognizing them on a provincial level. We catch up Kim Bonnell, a Churchill Falls teacher who received the award. Renewable energy is being touted as the way forward in the fight against climate change. We get reaction to our province looking to develop its own renewable energy plan from Nick Mercer, regional energy coordinator for the Nunatsiavut Government. Lab and x-ray appointments are cancelled again today across Labrador-Grenfell Health because of the cyberattack affecting the health care system. We hear how this is affecting Labradorians by speaking with Dr. Gabe Woollam, vice-president of medical services for Labrador-Grenfell Health. A proposed amendment to the Lotteries Act could prevent those diagnosed as having a gambling addiction from pursuing class action lawsuits. We hear concerns about this legislation from Lake Melville MHA Perry Trimper and Derek Montague, a recovering gambling addict originally from North West River. A group of volunteers in Cartwright are hoping to bring back the community bonfire. We find out why from Wanda Cabot. As well, it will be the first bonfire night for some reporters here at Labrador Morning. To fully get them into the experience, we bring back a historic bonfire night experience: bonfire toffee. Labrador runners have made an impact at the Cross Country Provincial Championships in Glovertown. Coach Stephen Pike breaks down the results for us. Finally, wondering what shows you can check out in Labrador West and Happy Valley-Goose Bay this month? We get an arts update from Chris Ball of the Labrador West Arts and Culture Centre and Matthew Barrett of the Lawrence O'Brien Arts Centre.

Brian Francis is a multi-disciplinary artist from Elsipogtog First Nation. He was speaking with the CBC's Khalil Akhtar

Why does representation matter? It's opening a door into understanding culture, stories and humanity across the world. This episode, we're talking about #KoreaWeek. In partnership with Korean Cultural Centre (@kcccanada) and Canada's Embassy of the Republic of Korea we're super excited to share what they've done to share Korean culture with the diaspora and beyond, starting with the craze of K-dramas and Korean cinema. Joined by Korean Cultural Centre Director Sungeun Lee and program coordinator Shine Jang, we talk about everything from the impact of Squid Game, Minari and Parasite to how the Korean diaspora is working to share and retain their culture and history in Canada. Join in on the Korea Week's events like the Ottawa Korean Film Festival, where you can watch "Cities of Korea" running until Oct 13th. More information, visit canada.korean-culture.org. Follow us on Instagram and Twitter @immadein_ --- Send in a voice message: https://anchor.fm/immadein/message

Are you planning on getting your flu shot this year? Public health experts say it's even more critical to get immunized as doctors keep up the fight against COVID-19. We hear from immunologist Dawn Bowdish. Governments have long known about the high proportion of Indigenous children in the foster care system. The CBC's Kyle Muzyka brings us part three of a five part series on Indigenous children in the child welfare system. We catch up with filmmaker Ossie Michelin about his film "Evan's Drum," which celebrates drum dancing in Labrador. You could very well get some prizes by taking a picture of any geese that cross your path. We catch up with Carla Pamak and Regina Wells from the Lesser Geese Project. We bring you to a grass sewing workshop held at the Mokami Status Of Women's Centre over the weekend, and hear from some of the participants. The experience of being examined in a hospital after a sexual assault can be traumatic for victims. Victim care kits are hoping to make it slightly better by providing some basic items that people may need. We speak with Sexual Violence Prevention Coordinator Deirdre Connolly. Sobriety cards may offer some hope and support as someone is battling against an addiction. We speak with artist Michelle Parsons about her personal story and why she created the card. Finally, our arts update is back! We check in with Matthew Barrett of the Lawrence O'Brien Arts Centre and Chris Ball of the Labrador West Arts and Culture Centre on their upcoming shows this month.

When one thinks about iron, copper, and gold mining, Sweden is not the first place that comes to mind, but in the past few years the country has granted roughly 500 mining exploration permits as it positions itself to become one of the largest mining centers for all of Europe. The price of mining in Sweden has largely been paid by the Sámi, whose lifeways are permanently changed once the government and multinational corporations seek to extract so-called natural resources from their traditional territory of Sápmi. In this week's episode, we look at extractive mining in Sápmi and how Sweden's colonial government exploits their very limited definition of Sámi indigeneity to further land grabs and resource extraction with guest Josefina Skerk. Josefina Skerk is a Sámi politician with a background in law. She is the General Manager of Sijti Jarnge, a Sámi Language and Culture Centre in Norway. Skerk has been a member of the Sámi Parliament in Sweden since 2013, and has held office as its former Vice President. Indigenous rights, especially connecting to land and language rights, are key issues that she is passionate about. Music by Andy Tallent, Dana Anastasia, and West of Roan. Visit our website at forthewild.world for the full episode description, references, and action points.

We look back on five decades of work behind the scenes at the Arts & Culture Centre with retired technical director, Karl Simmons.

Part two of a two part episode (you should probably listen to part one first!) In April 2021, myself and Glenn Murray visited Art & Culture Centre Kalevan Navetta in Seinäjoki. This building has a varied history, an re-invigorated present and, surely, a long future bringing art, craftwork, culture and community to Seinäjoki. In this episode,  Päivi Alaniska and Elina Teitti take me on a tour of the venue. Starting with the areas that are always open to the public; the art & craft workshops, the Taito art shop and Äärella restaurant, we then make our way upstairs and visit the contrasting exhibition spaces Halli and Vintti. Show notes and links

Part one of a two part episode. In April 2021, myself and Glenn Murray visited Art & Culture Centre Kalevan Navetta in Seinäjoki. This building has a varied history, an re-invigorated present and, surely, a long future bringing art, craftwork, culture and community to Seinäjoki. In this episode, I am introduced to the history of Kalevan Navetta by Päivi Alaniska (Project Coordinator at  Seinäjoki City Cultural Services) and Elina Teitti, art educator and acting Exhibition coordinator at Kunsthalle Seinäjoki. Show notes and links

(Starts at 0:47) People in the Flat Bay area say coastal erosion is eating away at the road bed that leads to their community, and government's re-routing plan falls short. (7:26) A naturopathic doctor says It's personal and embarrassing, but we ALL need to talk about what our, ahem, poop should look like, to help us stay healthy - and a note to listeners that the discussion will be very detailed. (15:30) And NL Folk trio Flower Hill is happy to be on the road this week...playing at an Arts and Culture Centre near you!

Environmentalists might not be thrilled with the province's oil and gas renewal plan, but oil industry players are. We hear from Charlene Johnson, the head of the offshore industry association. All of the dogs that left Natuashish over the winter easily found homes on the island. We hear from volunteer Linda Humby about that effort. We hear from former Innu Nation Deputy Grand Chief Simeon Tshakapesh on his concerns about the care that Innu recieve from Labrador Grenfell Health. We learn about a new scholarship for a graduate from Northern Lights Academy in Rigolet in memory of Anita Rich. Susan Dyson joins us. The second team of health professionals were sent to Ontario yesterday, but we're checking in with a nurse from the first team who is originally from Happy Valley-Goose Bay. Jennifer Hinks joins us. A couple dozen people are learning how to play the organ along Labrador's coast. We hear from Dr. Tom Gordon who is teaching the classes, and student Nicholas Flowers from Hopedale. Finally, we return to our monthly check-in with the Labrador West Arts and Culture Centre and the Lawrence O'Brien Arts Centre to find out what's on stage.

It's been more than a year of disrupted learning for most elementary and high school students. What can schools be doing now to prepare for next September? Education professor Joel Westheimer joins us. We speak with a director and a puppeteer who will be performing at the Arts and Culture Centre in Labrador West. Jamie Skidmore and Lucas Ings-Simms join us. We learn about how to tap birch trees and what you can do with the sap you've collected when we go into the woods with Nicholas Parrott. Battle Harbour is getting some national attention in this month's Canadian Geographic. We speak with writer Michael Crummey and photographer Michael Winsor. SmartICE has been recognized by the provincial Environmental Industry Association. We hear from them as they receive their award. Finally, the federal government is turning its attention to next steps in the pandemic, but the opposition parties are trying to bring them back to the here and now. Heather Scoffield from the Toronto Star joins us to talk about that and other stories from the nation's capital.

The 22nd episode was recorded remotely with Ingrid Mida, and Alexandra Kim, two Toronto-based fashion historians, who co-authored The Dress Detective together in 2015. Their book is a great resource for object-based research in Fashion Studies and Fashion History. They both have a lot of experience working with fashion archives and collections at various institutions in Toronto, Canada. Ingrid just published her second book, entitled, Reading Fashion in Art (2020) and is currently working on her third book for Bloomsbury. For many years, Ingrid was she fashion curator of the Ryerson Fashion School collection of fashion, textiles, and accessories. She is currently a Research Fellow at the Modern Literature and Culture Centre at Ryerson, and holds Board Trustee appointments in several arts organizations, including the Textile Museum of Canada and with the Art Gallery of Ontario (AGO). Alexandra is the curator at Montgomery’s Inn Museum, in Toronto, she is also the editor of Costume, the academic journal of the British Costume Society, as well as a member of ICOM Costume Committee, and has taught Costume History courses at Ryerson University.

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

Louis Doucet is the General Manager of the Dieppe Arts and Culture Centre.

An online lecture as part of the Out of the Ashes Lecture Series, with David M Anderson Professor of African History University of Warwick. In April 2011, Foreign Secretary William Hague informed the British Parliament that a collection of some 25,000 historical files, that had been illegally held by his department for over 50 years, would be speedily transferred to The National Archive, at Kew. This vast collection of historical papers related to Britain's imperial past, and is now known as the Hanslope Disclosure. These were records that Britain had secretly removed from each of 37 of its colonies at the point of decolonization: these files were deemed too important or too damaging to leave behind, or potentially too useful to destroy. This lecture tells the story of how this so-called ‘Migrated Archive' came into being, what happened to it over the years in which it was secretly retained, and how it came to be ‘discovered' in the midst of a human rights trial at London's Supreme Court on The Strand. Nearly a decade after that ‘discovery', controversy still swirls around the question of who owns this ‘Migrated Archive' and what should be done with it. Whose history is this, and where does such an archive belong? The answers to these questions reveal much about Britain's unease in dealing with the history of its past empire, and about the culture of secrecy that still infects British public institutions – even those that are supposed to be the guardians of our national heritage. About David M.Anderson David M. Anderson is Professor of African History, in the Global History & Culture Centre at the University of Warwick. He has published widely on the history and politics of eastern Africa, including Histories of the Hanged (2005), The Khat Controversy (2007), The Routledge Handbook of African Politics (2013, ed), and Politics and Violence in Eastern Africa: The Struggles of Emerging States (2015, ed). Three projects will come to publication in the coming year: Allies at the End of Empire (ed), From Resistance to Rebellion, and Africa's New Authoritarians. He is now working on a volume of essays on the Mau Mau counter-insurgency in 1950s Kenya, drawing upon colonial documents released since 2012, and (with Michael Bollig) an edited volume of essays on Conservation in Africa. Anderson is editor of the African Studies Series at Cambridge University Press, would founding editor of the Journal of Eastern African Studies, and regularly contributes to the print and broadcast media on African politics. Dr Daniel Geary, Mark Pigott Associate Professor in American History at Trinity College Dublin, will also give a brief response to the lecture. Dr Geary's research focuses on the intellectual, political, and cultural history of the twentieth-century United States, and also includes the development of ideas about race and ethnicity; the transnational history of civil rights movements and of white nationalism; and the relationship of politics to popular culture. About the Out of the Ashes Lecture Series This three-year lecture series explores the theme of cultural loss and recovery across the centuries, from the destruction of the Library of Alexandria in antiquity to contemporary acts of cultural loss and destruction. A panel of world-leading experts reflects on how societies deal with cultural trauma through reconstruction and commemoration, and on how the international community should respond to cultural loss. The series is global in scope, pan-historical and multi-disciplinary in approach, and features international scholars and practitioners of the highest calibre. Find out more - https://www.tcd.ie/trinitylongroomhub/whats-on/details/2018/out-of-the-ashes.php The Out of the Ashes lecture series is generously supported by Sean and Sarah Reynolds.

Celebrated for her innovative, colorful blown glass and flameworked Amulet Baskets, Laura Donefer is also known for artwork that pushes boundaries by exploring memory, assault, bereavement, joy and madness. The artist has been using glass as the primary medium in her work for over 38 years, all while teaching, producing unforgettable glass fashions shows and promoting the glass arts worldwide. Born in Ithaca, New York, but raised in rural Quebec, Donefer studied sculpture for a year in 1973 at the National Art School of Cubanacan in Havana. Back in Canada, in 1975 she graduated with honors in Literature and Languages from Dawson College and in 1979 with honors from McGill University, both located in Montreal, Quebec. After traveling the world and working with many interesting people, Donefer trained as a glass artist at Sheridan College, Ontario, graduating in 1985.  A tireless promoter, Donefer lectured extensively on Canadian contemporary glass in Canada, the United States, Mexico and Australia, including the Canadian Embassy in Washington D.C.; the Tucson Museum of Art, Tucson, Arizona; the University of Honolulu, Honolulu, Hawaii; and during AUSGLASS in Sydney, Australia. She curated a number of exhibitions in the United States to showcase Canadian work. In 1985, as president of the Glass Art Association of Canada (GAAC), Donefer was instrumental in uniting glass artists across Canada by publishing a quarterly magazine, The Glass Gazette, which developed into the major voice of Canadian glass artists. In 2006, GAAC awarded Donefer its first Lifetime Achievement Award in recognition of her tireless efforts in the advancement of art glass in Canada.  By conducting countless workshops worldwide, Donefer has influenced students from Red Deer College, Alberta, to Penland School of Crafts, Bakersfield, North Carolina, to the Sonoran School, Tucson, Arizona; and beyond in Japan and Australia. She served on the staff in the glass department at Sheridan College and was permanent faculty at Espace Verre, Montreal, for over 18 years, helping to mold the school with her dynamic classes. She continues to teach regularly at the Corning Museum of Glass, Corning, New York, and at the Pilchuck Glass School, Stanwood, Washington, where she has served on the International Council for 17 years.  Since the mid-1980s, Donefer’s work has been exhibited in many solo and group exhibitions, including shows at the Hokkaido Museum of Modern Art in Japan; the Art Gallery of Western Australia; the Hammelev Arts and Culture Centre in Denmark; the Agnes Etherington Art Centre in Kingston; the Museo del Vidrio in Mexico; and the Museum of Modern Art in Shanghai, China. Her sculpture is included in many public and private collections, including the Corning Museum of Glass; the Tacoma Museum of Glass, Tacoma, Washington; the Museum of Art and Design, Manhattan; Imagine Museum, St. Petersburg, Florida; Ringling Museum, Sarasota, Florida; Barry Art Museum, Norfolk, Virginia; Henry Ford Museum, Dearborn, Michigan; and the Toledo Museum of Art, Toledo, Ohio. She is currently represented by Habatat Gallery and Sandra Ainsley Gallery.  A past board member of the Glass Art Society (GAS), in 2008 the organization presented Donefer with its prestigious Honorary Membership Award. Donefer has produced 15 of her unforgettable glass fashion shows, many for the organization. In 2018, her ground-breaking event included 33 glass costumes in 12 gondolas gliding through the canals in Murano, Italy. Her next glass fashion show is slated for GAS 2022. Donefer has also been awarded The Lifetime Achievement Award from Craft Ontario; the International Flameworking Award for “extraordinary contributions to the glass art world”; and the Art Alliance for Contemporary Glass award for her role in the glass community. On hiatus due to the Covid 19 pandemic, Donefer spends her days near Harrowsmith, Ontario, with her amazing husband “The Mighty Dave” and her dachshund Mr. Lance. She has become a mushroom detective, searching for and photographing these living sculptures and their unique forms and colors while exploring a new body of Covid Anxiety paintings. Donefer’s collaboration with glassblower extraordinaire Jeff Mack is currently on view in a ground-breaking exhibition curated by Tina Oldknow and Bill Warmus, Venice and American Studio Glass, at Le Stanze del Vetro Museum in Venice.   

We'll check out the new video recording system for Arts and Culture Centre stages, and a young Pouch Cove musician brings the Doyle songbook to social media

Avalanche Culture Center was established in Melbourne with the aim of performing cultural and artistic works in Melbourne Turkish Community. Mustafa Yıldız, one of the founders of the center, tells about the projects they have planned - Melbourne'da kültürel ve sanatsal çalışmalar yapmak amacıyla Çığ Kültür Merkezi kuruldu. Merkezin kurucularından biri olan Mustafa Yıldız, planladıkları projeleri Sbs Türkçe'ye anlattı.

Episode 44 As part of my guided tour around Culture Centre ‘Vanha Paukku’ in Lapua, we stop for an extended visit in the Lapuanjoki Museum. Museum Director, Sakari Hanhimäki and Cultural Director, Susanna Oversteyns regale me with historical tales of Espionage, Poisoning, Fascism, An Attempted Coup… and Photography!? Includes an intriguing revelation from Susanna’s family history. … Continue reading “Ammunition, Fascism, Photography” A Few Steps Through the History of Lapua

Part one of a two-part episode, I undertake a tour of the Kulttuurikeskus 'Vanha Paukku' with two expert guides; Susanna Oversteyns, Cultural Director and Sakari Hanhimäki, Museum Director. HUGE thanks also to Anu Haavisto, Leena Sarjola and Anniina Kivimäki for the impromptu, live performance of some haunting Finnish folk music. Mahtava! Show notes & links

Episode 43 Part one of a two-part episode, I undertake a tour of the Kulttuurikeskus ‘Vanha Paukku’ with two expert guides; Susanna Oversteyns, Cultural Director and Sakari Hanhimäki, Museum Director. HUGE thanks also to Anu Haavisto, Leena Sarjola and Anniina Kivimäki for the impromptu, live performance of some haunting Finnish folk music. Mahtava! Play the … Continue reading A Guided Tour of Culture Centre ‘Vanha Paukku’ in Lapua

June 27th-Kanonhysonne (Janice Hill), Director of Indigenous Initiatives at Queen’s University joins us again in studio.  We discuss the new partnership between Queen’s University and Tsi Tyónnheht Onkwawén:na Language and Culture Centre to deliver a Mohawk Language and Culture certificate program in Tyendinega Mohawk Territory.  Students who complete the program can later apply their credits Continue Reading

In many ways medieval Islamic philosophy and the works of Friedrich Neitzsche couldn't be more different. But as we see in this podcast, both provide interesting, rich challenges to modern western egalitarian ideals. Guests are Carlos Fraenkel (McGill University) and Mathias Risse (Harvard Kennedy School of Government). Produced in association with the Berggruen Institute's Philosophy and Culture Centre. F8CGDkAIS25brh3zCzkzAudio Player Hosted on Acast. See acast.com/privacy for more information.

In many ways medieval Islamic philosophy and the works of Friedrich Neitzsche couldn’t be more different. But as we see in this podcast, both provide interesting, rich challenges to modern western egalitarian ideals. Guests are Carlos Fraenkel (McGill University) and Mathias Risse (Harvard Kennedy School of Government). Produced in association with the Berggruen Institute’s Philosophy and Culture Centre.

Harmony is as core a value in classical Chinese thought as Freedom is in the modern west and it is often thought that the two conflict, with major political implications. However, the three broadly Confucian scholars in this episode deny there is a fundamental conflict between freedom and harmony. They are Shenyang Li ( Nanyang Technological University), Anna Sun (Kenyon College) and David B. Wong (Duke University). Produced in association with the Berggruen Institute's Philosophy and Culture Centre. Hosted on Acast. See acast.com/privacy for more information.

Harmony is as core a value in classical Chinese thought as Freedom is in the modern west and it is often thought that the two conflict, with major political implications. However, the three broadly Confucian scholars in this episode deny there is a fundamental conflict between freedom and harmony. They are Chenyang Li, Anna Sun and David B. Wong. Produced in association with the Berggruen Institute’s Philosophy and Culture Centre.

The third podcast in a series examining the relationship and tensions between hierarchy and equality sees three very different scholars all with roots in China asking us to rethink hierarchy through the lenses of history, economics, feminism, daoism, mathematics and artificial intelligence. My guests are Jiang Qian (independent scholar), Robin R. Wang (Professor of Philosophy and Director of Asian Pacific Studies at Loyola Marymount University) and Taisu Zhang (Associate Professor at the Yale Law School). Produced in association with the Berggruen Philosophy and Culture Centre. Audio Player Hosted on Acast. See acast.com/privacy for more information.

Rethinking hierarchy through the lenses of history, economics, feminism, daoism, mathematics and artificial intelligence with Jiang Qian, Robin R. Wang and Taisu Zhang. Produced in association with the Berggruen Philosophy and Culture Centre.

This is the second podcast in a series examining the theme of the relationship and tensions between hierarchy and equality. This episode looks at Confucian perspectives on the issues. My guests are Stephen C. Angle, Mansfield Freeman Professor of East Asian Studies at Wesleyan University; Joseph C.W. Chan, professor in the Department of Politics and Public Administration, The University of Hong Kong; Michael Puett, Walter C. Klein Professor of Chinese History at Harvard University and Justin Tiwald, Associate Professor of Philosophy at San Francisco State University. Produced in association with the Berggruen Philosophy and Culture Centre. Audio Player Hosted on Acast. See acast.com/privacy for more information.

This is the second podcast in a series examining the theme of the relationship and tensions between hierarchy and equality. This episode looks at Confucian perspectives on the issues. Produced in association with the Berggruen Philosophy and Culture Centre.

This is the second podcast in a series examining the theme of the relationship and tensions between harmony and freedom. This episode approaches this issue from the intimate to the global. My guests are  Philip Pettit, L.S. Rockefeller University Professor of Politics and Human Values at Princeton University; Sigridur Thorgeirsdottir, professor of philosophy at the University of Iceland; and Leif Wenar, Chair of Philosophy and Law at King's College London. Produced in association with the Berggruen Philosophy and Culture Centre. Audio Player Hosted on Acast. See acast.com/privacy for more information.

This is the second podcast in a series examining the theme of the relationship and tensions between harmony and freedom. This episode approaches this issue from the intimate to the global. My guests are Philip Pettit, L.S. Rockefeller University Professor of Politics and Human Values at Princeton University; Sigridur Thorgeirsdottir, professor of philosophy at the University of Iceland; and Leif Wenar, Chair of Philosophy and Law at King's College London. Produced in association with the Berggruen Philosophy and Culture Centre.

Are freedom and harmony political goals that complement or compete with each other? Joining me are Rajeev Bhargava, Director of the Institute of Indian Thought at the Centre for the Study of Developing Societies; Anton Koch, professor of philosophy at the University of Heidelberg; and Thaddeus Metz, Distinguished Professor at the University of Johannesburg. Produced in association with the Berggruen Philosophy and Culture Centre.  Hosted on Acast. See acast.com/privacy for more information.

Are freedom and harmony political goals that complement or compete with each other? Joining me are Rajeev Bhargava, Director of the Institute of Indian Thought at the Centre for the Study of Developing Societies; Anton Koch, professor of philosophy at the University of Heidelberg; and Thaddeus Metz, Distinguished Professor at the University of Johannesburg. Produced in association with the Berggruen Philosophy and Culture Centre.

In a culture that values equality, what is the role and function of hierarchy in America today? With Kwame Anthony Appiah, Stephen Macedo and Carlin Romano. Produced in association with the Berggruen Institute's Philosophy and Culture Centre. Hosted on Acast. See acast.com/privacy for more information.

The last of three podcasts on conceptions of self, East and West, asks whether the West suffers from “too much self”. With Rebecca Goldstein, Peter Herschock, Pico Iyer, Jay Ogilvy and David Wong. Produced in association with the Berggruen Institute's Philosophy and Culture Centre. Hosted on Acast. See acast.com/privacy for more information.

The last of three podcasts on conceptions of self, East and West, asks whether the West suffers from "too much self". With Rebecca Goldstein, Peter Herschock, Pico Iyer, Jay Ogilvy and David Wong. Produced in association with the Berggruen Institute's Philosophy and Culture Centre.

The second of three podcasts on conceptions of self, East and West, looks at the idea of the relational self. With Roger Ames, Daniel Bell and Jin Lee. Produced in association with the Berggruen Institute's Philosophy and Culture Centre. Hosted on Acast. See acast.com/privacy for more information.

The second of three podcasts on conceptions of self, East and West, looks at the idea of the relational self. With Roger Ames, Daniel Bell and Jin Lee. Produced in association with the Berggruen Institute's Philosophy and Culture Centre.

The first of three podcasts on conceptions of self, East and West, looks at how the self needs to be cultivated. With Akeel Bilgrami, Thomas Kasulis and Edward Slingerland. Produced in association with the Berggruen Institute's Philosophy and Culture Centre. Hosted on Acast. See acast.com/privacy for more information.

Jumuah Talk from West London, Culture Centre

Singer-songwriter Amelia Curran performs songs from her newest album, Spectator, along with some old favourites for an adoring crowd at the Arts and Culture Centre in her hometown of St. John's, Newfoundland.