Podcasts about maerz

Themen: Community, Kapitelmarken und Intro Honor Magic7 Pro Honor Magic7 RSR Porsche Design Honor CEO zurueckgetreten Xiaomi Smart Band 9 Pro Qualcomm bringt kastrierten Snapdragon 8 Elite Google gegen Fakten-Check EU not amused MediaTek Dimensity 9400+ im Maerz u.v.m. App der Woche: Doctolib Community: The Netcasts | Folgen mit: @thenetcasts@mastodon.africa

Eine Kunstliebhaberin mit fragwürdigem Testament, die irische Mafia, zwei blutjunge Wachmänner, das FBI und viele verschiedene Spuren, die Nicole in unserer neuen Folge zu beleuchten versucht. Das ist filmreifer Stoff aus den USA, der sich aber tatsächlich so zugetragen hat. Lasst euch entführen ins Bosten der 1990er Jahre und entdeckt die Geschichte des größten Kunstraubes der Welt. Die Links zur Folge: Das Isabella Stewart Gardner Museum:  https://www.gardnermuseum.org/ https://www.gardnermuseum.org/about/theft Neue Spuren: https://www.barnebys.de/blog/neue-spur-im-gro%C3%9Ften-kunstraub-der-geschichte Bilder und Überwachungsbilder: https://www.spiegel.de/panorama/justiz/boston-der-kunstraub-im-isabella-stewart-gardner-museum-a-1047240.html#fotostrecke-0a747cb0-0001-0002-0000-000000128993 Alle bekannten Informationen: https://de.wikipedia.org/wiki/Kunstraub_von_Boston https://www.suedkurier.de/ueberregional/kultur/Der-groesste-ungeloeste-Kunstraub-aller-Zeiten-Wer-erbeutete-am-18-Maerz-1990-Werke-im-Wert-von-600-Millionen-Dollar;art10399,10473632 Netflix-Doku: https://www.netflix.com/de/title/81032570 You-Tube Interview mit FBI-Agend Geoff Kelly: https://youtu.be/noX0jW9E6NU?si=dw2O7Obxsg6pgF_Q Phantom-Bilder der Räuber: https://de.wikipedia.org/wiki/Kunstraub_von_Boston#/media/Datei:Sketches_of_Suspects_Isabella_Stewart_Gardner_Museum_Theft.jpg FBI-Seiten zum Theft: https://www.fbi.gov/news/stories/5-million-reward-offered-for-return-of-stolen-gardner-museum-artwork +++WERBUNG+++ Hier der Link zu Ollis Seite, darüber gelangt ihr zum neuen Podcast "Olliversum - Unsere Planeten" https://linktr.ee/derbergmann

Bei den 40 größten Dax-Konzernen ist mittlerweile jedes vierte Vorstandsmitglied eine Frau. Auch in mittelständischen Firmen ist etwa jede vierte Führungsposition mit einer Frau besetzt. Ausgewogen ist das Verhältnis von Männern und Frauen in Führung damit aber noch lange nicht. Woran liegt das und was müsste sich ändern? Wir erklären es euch – wie immer in nur 10 Minuten. Herbstbericht der Allbright-Stiftung: https://static1.squarespace.com/static/5c7e8528f4755a0bedc3f8f1/t/670d7a53c61ab30a170c23e2/1728936536795/AllbrightHerbstbericht2024.pdf KfW-Studie zu Frauen im Mittelstand: https://www.kfw.de/PDF/Download-Center/Konzernthemen/Research/PDF-Dokumente-Fokus-Volkswirtschaft/Fokus-2024/Fokus-Nr.-455-Maerz-2024-Chefinnen.pdf Bezahlen Chefinnen fairer? (DIW): https://www.diw.de/documents/publikationen/73/diw_01.c.915461.de/24-40-1.pdf

SR 119-107 P Pio Band 3 Annita Rodote 15 Maerz 1915 Erhebt das Herz Leiden immer mehr lieben CB...

SR 119-106 P Pio Band 3 Annita Rodote 8 Maerz 1915 Klagen Eucharistie verteidigen Betrachtung CB...

Es ist wieder so weit. Der Splitter-Verlag hat gerade das bevorstehende Herbst-Programm veröffentlicht. Um die neuen Titel in aller Ruhe zu beleuchten, nimmt sich Max alle Zeit der Welt und steht Andreas Rede und Antwort. Und der hat einige Fragen dabei... 00:00:00 Intro 00:00:26 Begrüßung 00:04:32 November 2024 00:52:29 Dezember 2024 01:15:31 Januar 2025 01:31:07 Februar 2025 01:39:20 Maerz 2025 01:48:58 April 2025 02:00:14 Verabschiedung 02:02:40 Outro Zu den Ankündigungen: https://www.splitter-verlag.de/info/vorhang/november2024.html Folge direkt herunterladen Werbefrei auf Steady: https://steadyhq.com/de/pow-ein-comicpodcast/ Link zu unserem Discord-Server: https://discord.gg/8hE9Nt4

Welches Gemüse soll in die Beete? Der März ist die richtige Zeit, um einen Pflanzplan für die Beete zu erstellen. Wer mit einer komplett unkomplizierten Kultur in das Gartenjahr 2024 starten will, liegt bei den Saubohnen genau richtig. Früher war die Saubohne eine Pflanze, die in vielen Gärten anzutreffen war. Heute zählt sie eher zu den Raritäten. Bekannt ist die Saubohne auch unter den Namen Puffbohne, Pferdebohne, Ackerbohne oder Dicke Bohne. Und eins vorweg: Obwohl es der Name eigentlich verspricht, ist die Saubohne gar keine Bohne. Sie gehört zu den Wicken. Anders als bei den Buschbohnen oder Stangenbohnen, werden später auch nur die Kerne gekocht und verzehrt und nicht die kompletten Schoten. Saubohnen sind sehr gesund, denn sie enthalten reichlich Eiweiß und Mineral- und Ballaststoffe. Wie alle Schmetterlingsblütler können Saubohnen über Knöllchenbakterien an ihren Wurzeln Stickstoff aus der Luft bündeln und düngen so automatisch unsere Böden. Eine empfehlenswerte Sorte heißt "Frühe Weißkeimige". Der Standort sollte sonnig und windgeschützt sein. Die Samen fünf bis acht Zentimeter tief in den Boden stecken. Nach etwa drei Wochen zeigt sich das erste Grün. Die Pflanzen werden knapp 70 Zentimeter groß. Wichtig ist, dass die Pflänzchen regelmäßig gegossen werden, denn Trockenheit vertragen Saubohnen nicht gut. Geerntet werden kann von ungefähr Mai bis Anfang Juli. Übrigens können Saubohnen auch in einem großen Kübel auf einem sonnig gelegenen Balkon gut angebaut werden. Auch reinhören in die Folge "Start in die Garten-Saison 2024": https://www.ardaudiothek.de/episode/gartenpodcast-alles-moehre-oder-was/start-in-die-garten-saison-2024/ndr-1-niedersachsen/13147585/ Mehr Gartenthemen: https://www.ndr.de/ratgeber/garten/gartenkalender/Gartentipps-fuer-Maerz,maerz100.html https://www.ndr.de/ratgeber/garten/nutzpflanzen/Paprika-vorziehen-So-gelingt-die-Aussaat,vorziehen116.html https://www.ndr.de/ratgeber/garten/nutzpflanzen/Gemuese-vorziehen-Wann-ist-der-richtige-Zeitpunkt,vorziehen102.html https://www.ndr.de/ratgeber/garten/nutzpflanzen/Gemuese-pflanzen-Die-wichtigsten-Tipps-fuer-Anbau,gemuese712.html Podcast-Tipp: "Die Ernährungs-Docs: https://www.ardaudiothek.de/sendung/die-ernaehrungs-docs-essen-als-medizin/12267783/

Predigt vom Gottesdienst am 10.03.2024 mit Heidi Heper-Assmann zum Thema: Sturm-Surfer

International Women's Day is traditionally celebrated on March 8. Brisbane correspondent Katharina Lösche asks two seasoned women how they see this special day. - Am 8. Maerz wird traditionell der Weltfrauentag gefeiert. Brisbane-Korrespondentin Katharina Loesche fragt bei zwei gestandenen Frauen nach, wie sie diesen Ehrentag sehen.

Die Medien-Woche Ausgabe 254 vom 8. März 2024 Mit folgenden Themen: 1 Das ZDF und eine "Insider"-Dokumentation über die Deutsche Bahn / 2 Julian Reichelt vs. Florian Schroeder / 3 Die Bundesnetzagentur will das Internet kontrollieren SHOWNOTES 1 Bahn-Doku https://www.zdf.de/dokumentation/zdfzeit/deutsche-bahn-die-insider-100.html https://www.youtube.com/watch?v=UWYe5XsDNTE https://www.deutschebahn.com/de/konzern/Aktuelles/Kritik-an-ZDF-Doku-Die-Insider-Bahn-vom-5-Maerz-2024-oberflaechlich-irrefuehrend-und-unfair-12724746 2 Reichelt und Schroeder https://www.youtube.com/watch?v=Ejxx3I-V8Ys 3 Bundesnetzagentur https://www.spiegel.de/netzwelt/netzpolitik/bundesnetzagentur-chef-klaus-mueller-wir-glauben-dass-x-sich-rechtswidrig-verhaelt-a-fbef6d1d-ac7f-4b10-8c41-f43b0f6fa0ef https://www.sueddeutsche.de/medien/eva-flecken-interview-hass-im-netz-kontrolle-1.6404725?reduced=true https://www.welt.de/debatte/kommentare/article250413384/Kampf-gegen-Desinformation-Die-Stunde-der-gruenen-Zensoren.html Impressum: Diensteanbieter Stefan Winterbauer/Christian Meier Medien-Woche Im Kohlstatterfeld 12 69439 Zwingenberg Kontaktmöglichkeiten E-Mail-Adresse: stefan.winterbauer@medien-woche.com Inhaltlich verantwortlich: Stefan Winterbauer (Adresse wie oben) Christian Meier Haftungs- und Schutzrechtshinweise Links auf fremde Webseiten: Die Inhalte fremder Webseiten, auf die wir direkt oder indirekt verweisen, liegen außerhalb unseres Verantwortungsbereiches und wir machen sie uns nicht zu Eigen. Für alle Inhalte und Nachteile, die aus der Nutzung der in den verlinkten Webseiten aufrufbaren Informationen entstehen, übernehmen wir keine Verantwortung. Erstellt mit kostenlosem Datenschutz-Generator.de von Dr. Thomas Schwenke Learn more about your ad choices. Visit megaphone.fm/adchoices

Die Resterampe und die Beschaffungskriminalität. Unsere Stalinisten haben uns mit einem ungeheizten GULAG zurückgelassen. ## März 2024 1. Hallelujah The Hills — Vitamin C: Can Cover) (There's Always Room On The Broom — 9. Februar 2004 — Not On Label) 2. Amigo the Devil — Once Upon a Time at Texaco Pt. 1 (Yours Until the War is Over — 23. Februar 2024 — Liars Club) 3. Jessica Pratt — Life Is (Here in the Pitch — 3. Mai 2024 — Mexican Summer) 4. Tammy Wynette — Your Good Girl's Gonna Go Bad (Your Good Girl's Gonna Go Bad — Mai 1967 — Epic) 5. Sonic Youth — Kill Yr. Idols (Walls Have Ears — 9. Februar 2024 — Sonic Youth Archive) 6. Smalltown Tigers — Dressed Right And Skinny (Crush On You — 9. Februar 2024 — Area Pirata Records) 7. Ty Segall — I Hear (Three Bells — 26. Januar 2024 — Drag City / Indigo) 8. The Heavy — Short Change Hero (The House That Dirt Built — Oktober 2009 — Counter Records) 9. Dog Park – Rewind (s/t — 16. Januar 2024 — Géographie) 10. Befa — L355N355 (Exorcizante — 22. Februar 2024 — Arthropoda) 11. Ralph Alexander — Aphex Twin "Come To Daddy" Drum Cover (s/t – 12. Oktober 2023 — Armalyte Industries) 12. 黒魔 / Chroma — Higher Than the Sky (Tailless Hero — 6. Oktober 2023 — Not On Label) 13. Kosmischer Läufer — Spargelspiegel (Future Sounds of Kraut Vol. 2 — 1. März 2024 — Compost Records) 14. Los Doroncos - ルル 2: LuLu 2 (昼花火: Sun and Fireworks — 16. Januar 2024 — An'archives) 15. Destrata — Delos (Connected _ 01 — 12. Januar 2024 — Elicit Records) 16. Soft Cell — A Man Could Get Lost: Daniel Miller Instrumental (Memorabilia / A Man Could Get Lost E.P. — 16. Februar 2024 — Universal Music Catalogue) 17. Kirin J Callinan — Young Drunk Driver (If I Could Sing — 2. Februar 2024 — World Music Network) 18. MRFY + Laibach — Poskočna (Poskočna — 10. Februar 2024 —Not On Label) 19. Robot Orchestra — Riga (V — 16. Februar 2024 — Klonosphere) 20. Ginseng — If Jax Could Jump: Callmenikkip Remix (Time For Growth Remix Album — 9. Februar 2024 — Not On Label) 21. Jason Code — Duhh (Connected_01 — 12. Januar 2024 — Elicit Records) 22. Sipper — gone (s/t — 16. Februar 2023 — Not On Label) 23. The Rollicks — Little By Little: als The Shouters (The Rollicks: The 60's Anthology — Juni 2003 — Bear Family Records) 24. Strktur – STYUP: Cyberflex (Do You Need Some Energy? — 12. Februar 2024 — ᴊ ᴀ ᴅ ᴇ) 25. Lair — Tatalu (Ngélar — 23. Februar 2024 — Guruguru Brain) 26. Plantoid — It's Not Real (Terrapath — 2. Februar 2024 — [PIAS] / Bella Union UK) 27. The Dwarves — Feeling Great (Concept Album — 17. November 2024 — Greedy) 28. Lou Reed — Wind Coda (Hudson River Wind Meditations: Remastered — 12. Januar 2024 — Light In The Attic) ### Informationen * Aprilsendung auf Pi Radio: 5. April 2024 um 1:00 Uhr * Aprilsendung auf den Freien Radios Berlin Brandenburg: 5. April 2024 um 1:00 Uhr * Aprilsendung auf dem Nachtprogramm der Freien Radios (z.Z. Radio Corax, Radio Blau, Freies Radio Neumünster u.a.): 11. April 2024 und 11. April 2024 um 0:00 Uhr (Wenn alles gut geht) # Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Der Versuch ne Hitparade bei Radio Woltersdorf zu etablieren, auf Pi Radio und Radio Corax auszuweiten, bei dem Freien Radio Neumünster anzufangen und digitalisiert bei dem Freien Radios Berlin-Brandenburg zu starten. Zu spät. Die Hitzewelle ist vorbei, macht es euch in der Kälte warm, ihr Scheißer!. ## Neuvorstellungen (März 2024) 1. Patch Boutique — Casiosaurus P13-P16 (Casiosaurus — 17. Februar 2024 — Not On Label) 2. Nouvelle Vague — People are People (Should I Stay or Should I Go? — 16. Februar 2024 — [PIAS]) 3. Remute — Demoralization (There Is Hope: Atari Jaguar music album — 29. März 2024 — Not On Label) 4. Ginseng — Whale Tears: Innervines Remix (Time For Growth Remix Album — 9. Februar 2024 — Not On Label) 5. Aili — Nandakke? (Nandakke? — 23. Februar 2024 — Eskimo Recordings) 6. Plantoid — Only When I'm Thinking (Terrapath — 2. Februar 2024 — [PIAS] / Bella Union UK) 7. Cocodri — L'Autre Rive (Station Marécage — 26. Januar 2024 — MaAuLa Records) 8. METZ — 99 (Up On Gravity Hill — 12. April 2023 — Sub Pop Records) 9. Wine Lips — Derailer (Super Mega Ultra — 5. April 2024 — Stomp Records) 10. Ty Segall — Hi Dee Dee (Three Bells — 26. Januar 2024 — Drag City / Indigo) 11. Galaxie — Anomie (À demain peut-être — 2. Februar 2024 — Lazy At Work) 12. Maurice Summen — Zu spät (Zu spät: Single — 19. Februar 2024 — Staatsakt / Zebralution) ## Die aktuelle Hitparade (Februar 2023) 13. (Platz 2) Baumarkt — Wald Welt Wiesenfeld (Kellerduell — 24. November 2023 — Latenz) 14. (Platz 2) HGich.T — Adapter (Adapter — 21. Dezember 2023 — Tapete Records) 15. (Platz 1) Pissed Jeans — Moving on (Half Divorced — 1. März 2024 — Sub Pop Records) ### Informationen * Einsendeschluss: 19. April 2023 * Jahressendung – Radio Woltersdorf: 28. März 2023 um 17:00 Uhr * Jahressendung – Pi Radio: 28. März 2023 um 17:00 Uhr * Jahressendung – Freies Radio Neumünster: 4. April 2023 um 22:00 Uhr (Ohne Gewähr) * Jahressendung – Radio Corax: 1. April 2023 um 20:00 Uhr und 2. April 2023 um 11:00 Uhr (Ohne Gewähr) * Aprilsendung – Radio Woltersdorf: 25. April 2023 um 17:00 Uhr * Aprilsendung – Pi Radio: 25. April 2023 um 17:00 Uhr * Aprilsendung – Radio Corax: 29. April 2023 um 20:00 Uhr und 30. April 2023 um 11:00 Uhr (Ohne Gewähr) * Aprilsendung – Freies Radio Neumünster: 2. Mai 2023 um 22:00 Uhr (Ohne Gewähr) # Die Hitparade von Radio Woltersdorf Die Regeln sind einfach. Wähle deinen Titel aus den Neuvorstellungen aus und schicke uns entweder eine E-Mail mit dem Titel, oder eine zum Titel zugeordnete E-Mail die Leer bleiben kann oder gehe auf die Abstimmungsseite ( ). Oder Postkarte an Pi Radio; Lottumstr. 9/10; 10119 Berlin oder vorbeikommen... Es ist alles noch nicht richtig durchdacht, wir wollten aber mal damit anfangen, deswegen geht hier nicht alles mit richtigen Dingen zu. * * ## Community Radio Woltersdorf Nichtkommerzielles, freies Radio aus Berlin Brandenburg, direkt an der Woltersdorfer Schleuse, aus dem Umfeld der Spielerei auf Pi Radio in Berlin. *

Tony chats with Torey Maerz, CEO at ClientCircle by Rocket Referrals. Torey is a recurring guest, having appeared on PIR back in episode 249. They have now rebranded as ClientCircle. They have added a mass amount of features to the referrals and reputation management they originally did. They now also do automated communications, websites, web chat, text messaging, and so much more.Torey Maerz: https://www.linkedin.com/in/toreym/ClientCircle: https://www.clientcircle.com/Prior appearance on PIR Ep. 249: https://www.youtube.com/watch?v=orWnvJBFYfgVideo version of this episode: https://youtu.be/ybgCQsG3ai0

In this episode of Agents Influence podcast, host Jason Cass interviews Torey Maerz, Founder and CEO of ClientCircle. Episode Highlights: Torey mentions that AI has evolved and improved significantly, leading to the rebranding of their AI as Circle AI, which has allowed for greater efficiency and better results using new and advanced models. (3:26) Torey explains that automating the customer journey requires defining clear goals for each stage and using specific actions to move customers closer to conversion. (5:40) Torey shares that Circle AI combines their AI product with other large language models like Chat GPT, specifically utilizing the fine-tuning turbo 3.5 model to achieve better results. (7:59)  Torey expresses a desire to integrate with other technologies and encourages listeners to take a second look at their newest offerings. (10:43) Torey believes that agents often shoot themselves in the foot by thinking they know the best way to do something, but data shows that sometimes the simplest solution works best. (11:41) Torey mentions that the key to success is mastering the fundamentals before getting caught up in shiny distractions and trying to do too much. (12:22) Key Quotes: “Get your fundamentals down, right? Once you have that, then you can really start to tweak but don't have that shiny objects syndrome and try and do too much when you don't have the fundamentals down. And so, that's what we're trying to do is we're very opinionated on how we communicate, but it's based on the fundamentals.” - Torey Maerz “AI tools have exploded like they have gotten so much better…I mean, it's just, it's so much easier to be more efficient and get better results with these new models, these big massive models that are out there it's amazing what can happen.” - Torey Maerz Resources Mentioned: Torey Maerz LinkedIn ClientCircle Reach out to Jason Cass  Agency Intelligence

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.06.30.547216v1?rss=1 Authors: Obeidat, A. M., Ishihara, S., Li, J., Lammlin, L., Junginger, L., Maerz, T., Miller, R. J., Miller, R., Malfait, A.-M. Abstract: Objective: Knee joints are densely innervated by nociceptors. Sprouting of nociceptors has been reported in late-stage osteoarthritis (OA), both in human knees and in rodent models. Here, we sought to describe progressive nociceptor remodeling in four mouse models of knee OA, capturing early and late-stage disease. Methods: Sham surgery, destabilization of the medial meniscus (DMM), partial meniscectomy (PMX), or non-invasive anterior cruciate ligament rupture (ACLR) was performed in the right knee of 10-12-week old male C57BL/6 NaV1.8-tdTomato mice. Mice were euthanized (1) 4, 8 or 16 weeks after DMM or sham surgery; (2) 4 or 12 weeks after PMX or sham; (3) 1 or 4 weeks after ACLR injury or sham. Additionally, a cohort of naive male wildtype mice was evaluated at 6 and 24 months. Twenty-m thick mid-joint cryosections were assessed qualitatively and quantitatively for NaV1.8+ and PGP9.5+ innervation. Cartilage damage (using a modified OARSI score), synovitis, and osteophytes were assessed blindly. Results: Progressive OA developed in the medial compartment after DMM, PMX, and ACLR. Synovitis and associated neo-innervation by nociceptors peaked in early-stage OA. In the subchondral bone, channels containing sprouting nociceptors appeared early, and progressed with worsening joint damage. Two-year old mice developed primary OA in both the medial and the lateral compartment, accompanied with neuroplasticity in the synovium and the subchondral bone. All 4 models had an increased nerve signal in osteophytes. Conclusion: Anatomical neuroplasticity of nociceptors was observed in association with joint damage in 4 distinct mouse models, suggesting that it is intrinsic to OA pathology. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

In this episode, James talks with Torey Maerz, Founder, and CEO of Client Circle. To learn more about Client Circle, visit https://www.clientcircle.com/. Visit our website to join our email list, get the scoop on our LIVE coaching calls and never miss an episode: https://www.agencyfreedom.com Connect with Agency Freedom Podcast on Facebook at the Agency Freedom Podcast group: https://www.facebook.com/groups/agencyfreedom Email us at podcast@agencyfreedom.com with ideas, questions, complaints or your favorite grilling recipe. Episode Highlights: Torey explains why the company rebranded from Rocket Referrals to Client Circle and outlines its plan to gradually phase out the old name. (9:11) Torey shares the story of how they created the system for handwritten cards and highlights the company's commitment to customization. (17:51) Torey discusses their “Journeys” product, which is goal-based and helps track data. (24:11) Torey explains the process of building pre-built automation and taking client requests for new features and emphasizes the insurance focus of their platform. (34:50) James mentions that while robots are skilled at detecting context and inference, they struggle with understanding subjective things such as sarcasm and humor. (41:05) Torey believes that the insurance industry is slow to adopt new technology due to its risk-averse nature and the difficulty of changing established systems. (46:50) Torey mentions that their focus is on providing value to customers to generate revenue and that they do not accept investments, so all customer revenue is invested back into the company. (53:07) Key Quotes: “The system that you are using with Client Circle now to send cards is one that I invented almost 10 years ago. And now, it's grown to a fact where I have relationships with paper vendors that literally make the paper out of pulp for us, make the envelopes because they're perfectly designed to work with those with our handwriting tech.” - Torey Maerz “Our customers are paying for new features, you know, you're not just paying for the service you have, but you're paying to that will continue to build and add new things on. And so, we look at all of our customers as investors in the company. And that means that we need to constantly provide value. And so everything always comes back to that.” - Torey Maerz

In this episode, James talks with Torey Maerz, Founder, and CEO of Client Circle. To learn more about Client Circle, visit https://www.clientcircle.com/. Visit our website to join our email list, get the scoop on our LIVE coaching calls and never miss an episode: https://www.agencyfreedom.com Connect with Agency Freedom Podcast on Facebook at the Agency Freedom Podcast group: https://www.facebook.com/groups/agencyfreedom Email us at podcast@agencyfreedom.com with ideas, questions, complaints or your favorite grilling recipe. Episode Highlights: Torey explains why the company rebranded from Rocket Referrals to Client Circle and outlines its plan to gradually phase out the old name. (9:11) Torey shares the story of how they created the system for handwritten cards and highlights the company's commitment to customization. (17:51) Torey discusses their “Journeys” product, which is goal-based and helps track data. (24:11) Torey explains the process of building pre-built automation and taking client requests for new features and emphasizes the insurance focus of their platform. (34:50) James mentions that while robots are skilled at detecting context and inference, they struggle with understanding subjective things such as sarcasm and humor. (41:05) Torey believes that the insurance industry is slow to adopt new technology due to its risk-averse nature and the difficulty of changing established systems. (46:50) Torey mentions that their focus is on providing value to customers to generate revenue and that they do not accept investments, so all customer revenue is invested back into the company. (53:07) Key Quotes: “The system that you are using with Client Circle now to send cards is one that I invented almost 10 years ago. And now, it's grown to a fact where I have relationships with paper vendors that literally make the paper out of pulp for us, make the envelopes because they're perfectly designed to work with those with our handwriting tech.” - Torey Maerz “Our customers are paying for new features, you know, you're not just paying for the service you have, but you're paying to that will continue to build and add new things on. And so, we look at all of our customers as investors in the company. And that means that we need to constantly provide value. And so everything always comes back to that.” - Torey Maerz

Predigt vom Gottesdienst am 19.03.2023 mit Carlo Riva zum Thema: Matrix - Die unsichtbare Welt um uns

Researchers have discovered a previously unknown species of bacteria present in the intestines of people diagnosed with rheumatoid arthritis, but not in people without the condition. Listen in this week as Dee discusses the research and the future treatment and prevention of rheumatoid arthritis.Reference:Chriswell, M. E., Lefferts, A. R., Clay, M. R., Hsu, A. R., Seifert, J., Feser, M. L., Rims, C., Bloom, M. S., Bemis, E. A., Liu, S., Maerz, M. D., Frank, D. N., Demoruelle, M. K., Deane, K. D., James, E. A., Buckner, J. H., Robinson, W. H., Holers, V. M., & Kuhn, K. A. (2022). Clonal Iga and IGG autoantibodies from individuals at risk for rheumatoid arthritis identify an arthritogenic strain of subdoligranulum. Science Translational Medicine, 14(668). https://doi.org/10.1126/scitranslmed.abn5166 

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this our 217th episode, our guest is Melissa Maerz. Melissa Maerz has worked as an editor at Spin and Rolling Stone, a staff writer for Entertainment Weekly and the Los Angeles Times, and a supervising producer on HBO's Vice News Tonight. She was a founding editor at New York magazine's Vulture website. She lives in Portland, Oregon with her husband and two kids. Her first book, “Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused” was published November 17, 2020 by Harper. Join The Rob Burgess Show mailing list! Go to tinyletter.com/therobburgessshow and type in your email address. Then, respond to the automatic message. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Twitter, Internet Archive, TuneIn, RSS, and, now, Spotify. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com.If you have something to say, record a voice memo on your smartphone and send it to therobburgessshow@gmail.com. Include “voice memo” in the subject line of the email. Also, if you want to call or text the show for any reason, the number is: 317-674-3547.

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Die Resterampe und die Beschaffungskriminalität. ## März 2022 1. Dakh Daughters — Khtila tila (Make up — 2. Februar 2021 — Dakh Daughters) 2. Der Modulare Kreis — Lektion 8: Übung 34 (Bundesminister Der Verteidigung: Lehrbuch Russisch Leistungsstufe A — 1. Dezember 2020 — Not On Label) 3. Depeche Mode — Now This Is Fun: Extended Version (A Broken Frame: The 12" Singles — 31. August 2018 — Sony Music) 4. Der Modulare Kreis — Lektion 8: Übung 44: Version 2 (Bundesminister Der Verteidigung: Lehrbuch Russisch Leistungsstufe A — 1. Dezember 2020 — Not On Label) 5. Kozak System — Ace Of Spades: Motorhead Cover (Shablia — 20. November 2012 — Lou & Rocked Boys) 6. Blasorchester der Wiener Verkehrsbetriebe – Lied der Arbeit (Lieder der Freiheit — ??? — Schallplattengilde Gutenberg) 7. Mrs. Piss — Nobody Wants To Party With Us: Live (Self-Surgery: Live — 4. Februar 2022 — SARGENT HOUSE) 8. Die Grotte Von Postojna (Diaton Souvenir: Postojnska Jama — ??? — Jugoton) 9. Sinoptik — Apple Tree (The Calling — 11. Juni 2021 — SINOPTIK) 10. Alâettin Şensoy — Gözlerin Kömür Senin (Gözlerin Kömür Senin / Aşk bu değil yapma güzel — ??? — Sahibini Sesi) 11. Gina X Performance — Kaddish (Curses Presents Next Wave Acid Punx: Disc 1: Chapter 1: Origins — 25. Juni 2021 — Eskimo) 12. Fran Varfi & Gjyste Ceka – O Mollë E Kuqe (Pllake Me Kenge Dhe Muzike Shqiptare — ??? — Artimpex) 13. Tamikrest — Aicha (Coming Home by Tocotronic — 16. Juni 2017 — Stereo Deluxe) 14. Dursum Salkım — Cevher Gözler (Cevher Gözler / Felek bana gülme demiş — ??? — Sahibini Sesi ) 15. Front 242 — Funkahdafi (Curses Presents Next Wave Acid Punx: Disc 1: Chapter 1: Origins — 25. Juni 2021 — Eskimo) 16. Кат — Цвях (Цвях — 18. Febraur 2022 — Spivaki Records) 17. Cosmo Vitelli — Patient Zero (Medhead — 18. Februar 2022 — Les Yeux Orange / I'm a Cliché) 18. A Place to Bury Strangers — Ringing Bells (See Through You — 4. Februar 2022 — Dedstrange) 19. Dead End – The Road (Kino Volume 1 – 2. Februar 2022 – Saturate) 20. пуща — jardin de verre brisé (war is hell — 25. Februar 2022 — Not on Label) 21. Bassface — Centrifuge (Biomechanics EP — 15. Februar 2021 — Wubaholics) 22. Peach Kelli Pop — The Sign (Hardcovers — 15. April 2022 — LAUREN RECORDS) 23. Odie Leigh — Crop Circles (Crop Circles — 18. Februar 2022 — Not On label) 24. Meat Cheese — Fist (Fromage En Extase — 18. Februar 2022 — recordJet) 25. Dead End – Melee Attack (Kino Volume 1 – 2. Februar 2022 – Saturate) 26. Phosphor — Granola (Coming Home by Tocotronic — 16. Juni 2017 — Stereo Deluxe) 27. Omnist. — Expressions (Expressions — 18. Februar 2022 — Not On Label) 28. Grub — Airica (Year Of The... — 2. Februar 2022 — KimonoFox) 29. Firecops — Gasprom (Tag der Arbeitslosigkeit: Freudenhaus 2009 — 2009 — Ostberlin beatet Besseres) ### Informationen * Aprilsendung auf Pi Radio: 8. April 2022 um 1:00 Uhr * Aprilsendung auf dem Nachtprogramm der Freien Radios (zZ Radio Corax, Radio Blau, u.a.): 15. April 2022 und 17. April 2022 um 0:00 Uhr (Wenn alles gut geht) # Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Predigt vom Gottesdienst am 13.03.2022 mit Christoph Stumpp zum Thema: Gott vertrauen – aber wie?

Dr. Jeanette welcomes Juel Maerz to share her New Age Children's Book The Little Philosophers and the Tree of Knowledge. How can we nourish the intuitive and awakened child with our words, experiences, and stories?Now is the time to nourish the children, with wisdom, perspective and just plain joy! Maybe now, we too, can be transformed by listening to the children and heal our hearts and soul?What is the joy of life and can we see it with new eyes and a clean slate with every breath we take out in nature and the forest? Do the trees really speak to us? Maybe the grass bends with the gentle touch of our presence? Might the clouds really be dancing with delight as we see them sparkle the sky?Today's children are already open, aware and spiritual beings, and many can already communicate and sense energy of the universe as they have come into this world with this ability as a normal talent. Let us begin to go out into nature and dream with the stars and forest to engage in a cosmic world that is now allowing us to see all the glory and energy of this experience of life.For more information on Juel and her other books visit: www.TheLittlePhilosophers.comFor a free gentle healing book, articles, newsletter and healing session coupon with Dr. Jeanette visit: www.DrJeanetteGallagher.com Dr. Jeanette connects elders with the wisdom, intuition, spirituality, and abilities they may have put away over the decades and use the energy moment to heal hearts, souls and bodies that have been damaged in this lifetime. Schedule your explorative session with Dr. Jeanette today, and see what magic she can share with you!

Take a look into the complex world of automation and learn how to get more referrals that tell a real story on this new episode of Agent's Growth Academy Podcast. Our host, Jim Schubert, is delighted to bring an expert on running the numbers and co-founder of Rocket Referrals: Torey Maerz. Torey and his brother have done the work to create a system that bridges across all platforms and gives concise and accurate feedback on who's willing to refer you, who may do it again, and puts in place tested forms that acquire detailed responses. Listen in today and learn about the real reason you should be getting referrals, the right way to identify a need for a business, and an example of how one automated birthday card made all the difference.3 Key TakeawaysWhy your job isn't to be the hero of your client's story What to ask instead of “How did you hear about us?”The importance of story in referralsAbout Torey MaerzTorey Maerz, CEO, Rocket ReferralsTorey co-founded Rocket Referrals with his brother, Carl Maerz, in 2013. Throughout his career, Torey has spent 20+ years building software and leading technology teams in a variety of businesses across a range of industries—from education to asset management.ResourcesLeave AGA a review!Sales ideas to give backWebsite: rocketreferrals.com (Torey recommends a demo; get talking with someone!)The Psychology of Persuasion by Robert CialdiniLoyalty 2.0 [The Ultimate Question] by Fred ReichheldBuilding a Story Brand by Donald MillerGet 15% off of a purchase for yourself at Mountain Mallow, use code: growbigSlack

► Telegram: https://t.me/charleskrueger/ ► Twitter: https://twitter.com/Charles_Krueger/ ► Facebook: https://www.facebook.com/CharlesKruegerOffiziell/ ► Meine Webseite: https://charleskrueger.de/ ► Folgt mir auch auf anderen Plattformen: https://charleskrueger.de/soziale-medien/ ► Alle meine Videos sind auch als Audio-Podcast in jeder bekannten Podcast-App zu finden: https://charleskrueger.de/podcast/ ► Mein Amazon-Partner-Link: https://amzn.to/3e73Qot Dies ist ein Affiliate-Link im Rahmen des Amazon-Partnerprogramms. Als Mitglied des Partnerprogramms verdiene ich an qualifizierten Verkäufen, die über diesen Link stattfinden. Für Dich entstehen dabei aber selbstverständlich keine Mehrkosten. ► So kannst du meine Videos unterstützen: https://charleskrueger.de/spenden/ ► Bücherempfehlungen: https://charleskrueger.de/buecherempfehlungen/ ► Du willst meine Video zu Clips machen und sie auf deinem Channel hochladen? Sehr gerne! ► Quellen: https://www.n-tv.de/panorama/Ungeimpfte-bis-Maerz-geimpft-genesen-oder-leider-verstorben-article22893169.html https://www.reuters.com/world/europe/sweden-declare-pandemic-over-despite-warnings-scientists-2022-02-09/ https://www.zeit.de/politik/deutschland/2022-02/impfpflicht-bayern-pflegekraefte-pflegenotstand ► Kapitel: 0:00 Bis März werden alle geimpft, genesen oder verstorben sein 3:54 Schweden erklärt die Pandemie für beendet 5:16 Söder und die Impfpflicht in der Pflege

Evan Kidd sits down with Melissa Maerz. Melissa has worked as an editor at Spin and Rolling Stone, a staff writer for Entertainment Weekly and the Los Angeles Times, and a supervising producer on HBO's Vice News Tonight. She was a founding editor at New York magazine's Vulture website. She recently released the book Alright, […]

Our guest for this episode is Torey Maerz, Founder and CEO of Rocket Referrals. Torey is here to remind us that we can do hard things, and 2021 is going to be a year of adjustment for insurance. In this episode, listeners get a dose of tough love from a guy who knows what it takes to build strong and lasting relationships with clients to build success in times of change.

Jarf chats with Melissa Maerz, author of Alright, Alright, Alright-- The Oral History of Richard Linklater's Dazed and Confused. Follow Melissa on Insta @MsMelissaMaerz and the podcast @dazedconfused33 Artwork by Jonathan Howell

Episode 126: Permanent Record Trivia Showdown 2021 The Quiz Master returns for the PRP Trivia Showdown 2021!! The stakes are higher than ever before as the two hosts face off against each other - and against a player that no one saw coming!!  It's almost more hot trivia action than you handle!! Special thanks go out to Nick Oswald, Pete Rogers, John Justice, Mark Lumb, Antony Briers, Che Lowenstein, Chris Slemp, Drew R. Maerz, Mark Northfield, Ben, Alan Hogg, and Gary Shepherd for contributing questions to this year's Trivia Showdown. You all went above and beyond for us and we appreciate it! And special thanks from Brian & Sarah to The Quiz Master for all the work he puts into this event each year.  You are the best! Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Follow us at https://twitter.com/permrecordpod Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod - we're ready to believe you! Cool Stuff Alert:  Visit our PRP Shop at https://www.redbubble.com/people/bluezonenetwork/

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

Predigt vom Gottesdienst am 14.03.2021 mit Franziska Stocker-Schwarz zum Thema: Worte aus der Bibel geben Power!

In this episode, David Harris, Holly Hazelwood and Eric Mellor are joined by special guest, writer Melissa Maerz, to discuss Richard Linklater's classic film, Dazed and Confused. Support the show (https://www.patreon.com/bePatron?u=35658686)

After rethinking the mechanical harvester, FineField created a tool it deemed “The Harvy.” As opposed to mechanical over-the-row (OTR) harvesting machines, The Harvy has low investment costs and provides higher quality berries. In this episode, we talk to two industry members who were involved with the development of the Harvy and discuss how FineField came up with its innovative mechanical harvesting solution.  Hosts Kasey Cronquist, president of the U.S. Highbush Blueberry Council (USHBC) and the North American Blueberry Council (NABC), and Rod Cook, industry veteran and the chair of the Blueberry Technology and Innovation Committee, are joined by Marcel Beelen, director of FineField in the Netherlands, and Dean Maerz of Klaassen Farms in Abbotsford, B.C. “It was obvious [the industry] needed a product that could increase productivity, but could solve the main problem of mechanical harvesters — which is quality and loss of product. With that in mind, we said ‘OK, we need to have a guiding design principle … no bruising no losing'” - Marcel Beelen “Nobody had really rethought [mechanical harvesting] from the ground up. And that's what I was looking for; I was looking for a different approach, something groundbreaking. Eventually, I narrowed my search down to three companies — all three were in Europe — but the innovation at FineField stood out above the crowd to me. ” - Dean Maerz Topics covered include:  Maerz and Beelen's backgrounds.  How FineField was founded. The design principles of FineField's mechanical harvester. The importance of industry feedback when developing machinery for the blueberry industry.  Crop Report The Blueberry Crop Report is an update on crop conditions and markets throughout North and South America. In this episode, you'll hear from Luis Vegas in Peru. This was recorded on March 10, 2021.

Die Resterampe und die Beschaffungskriminalität. Unsere Sendung auf Radio Corax (Halle) im Nachtprogramm der Freien Radios und als Ersatzsendung auf Pi Radio (Berlin Ost). Verschiedene Herangehensweisen um die Zeit sinnvoll zu verplempern, Trinken, Essen, Fernsehen und Musik: Intellektuelles Vorgehen. ## März 2021 1. David Reichelt — Mahmud Service/Desperate/The Audience/Confession: SubtracksEdit (Hindafing: Original Motion Picture Soundtrack — 29. November 2019 — Südpolrecords) 2. XIXA — May They Call Us Home (Genesis — 9. Februar 2021 — Jullian Records) 3. 4 Mars — Natesha: Compassion (Djibouti Archives Volume 1: Super Somali Sounds from the Gulf of Tadjoura — 19. Februar 2021 — Ostinato Records) 4. Chee — Turn Up (Paralysis Analysis — 26. February 2021 — Deadbeats) 5. Osees — Crushed Grass: Live (Live at Big Sur — 9. Januar 2021 — Castle Face) 6. Jimmy Edgar — Get Up feat. Danny Brown (Cheetah Bend — 26. Februar 2021 — Innovative Leisure) 7. Undehfined — Bombs (Bipolar Sounds 2020: A Manic Depression Records Collection — 5. Januar 2021 — Left Coast Xtracts) 8. Russian Girls — Drepa mann (Drepa mann/Halda áfram — 21. Februar 2021 — bbbbbb recors) 9. Disko Zombies — Drums Over London (South London Stinkso — 29. Januar 2021 — Optik Nerve) 10. Prurient — Tokyo Exorcist (Chain Reaction At Dusk — 4. Dezember 2020 — Hospital Productions) 11. The Future Sound Of London — Disseminate (Music For 3 Books — 5. Februar 2021 — Not On Label) 12. Katie Dey — Dancing: Ada Rook faulty choreography mix (urdata — 29. Januar 2021 — Run for Cover Records) 13. Indigo Sparke — Dog Bark Echo (Echo — 19. Februar 2021 – Not On Label) 14. Andreas Dorau & Gereon Klug — So ist hier der 1. Mai (Koenig der Moewen — 3. August 2018 — Tapete Records) 15. Andreas Dorau & Gereon Klug — Das Möwenthema (Koenig der Moewen — 3. August 2018 — Tapete Records) 16. Atom™ — Computermusik (This is Computermusik — 19. Februar 2021 — Not On Label) 17. Jack Ellitt — Journey #1 (Artefacts Of Australian Experimental Music I [1930-1973] — 15. Januar 2019 — Shame File Music) 18. Prefuse 73 — The Man & Who He Really Is Pt.3 (The Failing Institute of Drums & Other Percussion — 5. Februar 2021 – Not On Label) 19. Yellow Ostrich — Hate Me Soon (The Mistress — 13. Oktober 2010 — Barsuk Records) 20. Nik Turner/The Space Falcons/Youth — Girl (Interstellar Energy — 15. September 2020 — Cadiz Music) 21. Appalooza — Distress (The Holy Of Holies — 5. Februar 2021 — Ripple Music) 22. Peel Dream Magazine — It's My Body (Agitprop Alterna: Deluxe — 15. Januar 2021 — Tough Love) 23. Songhoy Blues — badala (optimisme — 23. Oktober 2020 — at Possum Records) 24. Mogwai — Fuck Off Money (As The Love Continues — 19. Februar 2021 — Rock Action Records) 25. Mono No Aware — End Of An Unknown Artist (Shinshoo — 4. Dezember 2020 — Hands Productions) 26. Soup with John Zorn — Soup with John Zorn Part 2 (Shinjuku Pit Inn — 5. Januar 2021 — Not On Label) 27. Browning Mummery — Do The Eyes Of The Dead Retain Pictures (Artefacts Of Australian Experimental Music II [1974-1983] — 15. Januar 2019 — Shame File Music) 28. Fabien Leclercq, Sachli Gholamalizad, Sara De Roo — Claude M. (Lockdown: The Soundtrack — 18. Januar 2021 — VRT MZK) 29. Cabaret Voltaire — Billion Dollar (Shadow of Funk — 26. Februar 2021 — Mute Corporation) ### Informationen * Aprilsendung auf Pi Radio: 1. April 2021 um 1:00 Uhr * Aprilsendung auf dem Nachtprogramm der Freien Radios (z.Z. Radio Corax u.a.): 9. und 17. April 2021 um 0:00 Uhr (Wenn alles gut geht) ## Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Die Resterampe und die Beschaffungskriminalität. Unsere Sendung auf Radio Corax (Halle) im Nachtprogramm der Freien Radios und als Ersatzsendung auf Pi Radio (Berlin Ost). Verschiedene Herangehensweisen um die Zeit sinnvoll zu verplempern, Trinken, Essen, Fernsehen und Musik: Intellektuelles Vorgehen. ## März 2021 1. David Reichelt — Mahmud Service/Desperate/The Audience/Confession: SubtracksEdit (Hindafing: Original Motion Picture Soundtrack — 29. November 2019 — Südpolrecords) 2. XIXA — May They Call Us Home (Genesis — 9. Februar 2021 — Jullian Records) 3. 4 Mars — Natesha: Compassion (Djibouti Archives Volume 1: Super Somali Sounds from the Gulf of Tadjoura — 19. Februar 2021 — Ostinato Records) 4. Chee — Turn Up (Paralysis Analysis — 26. February 2021 — Deadbeats) 5. Osees — Crushed Grass: Live (Live at Big Sur — 9. Januar 2021 — Castle Face) 6. Jimmy Edgar — Get Up feat. Danny Brown (Cheetah Bend — 26. Februar 2021 — Innovative Leisure) 7. Undehfined — Bombs (Bipolar Sounds 2020: A Manic Depression Records Collection — 5. Januar 2021 — Left Coast Xtracts) 8. Russian Girls — Drepa mann (Drepa mann/Halda áfram — 21. Februar 2021 — bbbbbb recors) 9. Disko Zombies — Drums Over London (South London Stinkso — 29. Januar 2021 — Optik Nerve) 10. Prurient — Tokyo Exorcist (Chain Reaction At Dusk — 4. Dezember 2020 — Hospital Productions) 11. The Future Sound Of London — Disseminate (Music For 3 Books — 5. Februar 2021 — Not On Label) 12. Katie Dey — Dancing: Ada Rook faulty choreography mix (urdata — 29. Januar 2021 — Run for Cover Records) 13. Indigo Sparke — Dog Bark Echo (Echo — 19. Februar 2021 – Not On Label) 14. Andreas Dorau & Gereon Klug — So ist hier der 1. Mai (Koenig der Moewen — 3. August 2018 — Tapete Records) 15. Andreas Dorau & Gereon Klug — Das Möwenthema (Koenig der Moewen — 3. August 2018 — Tapete Records) 16. Atom™ — Computermusik (This is Computermusik — 19. Februar 2021 — Not On Label) 17. Jack Ellitt — Journey #1 (Artefacts Of Australian Experimental Music I [1930-1973] — 15. Januar 2019 — Shame File Music) 18. Prefuse 73 — The Man & Who He Really Is Pt.3 (The Failing Institute of Drums & Other Percussion — 5. Februar 2021 – Not On Label) 19. Yellow Ostrich — Hate Me Soon (The Mistress — 13. Oktober 2010 — Barsuk Records) 20. Nik Turner/The Space Falcons/Youth — Girl (Interstellar Energy — 15. September 2020 — Cadiz Music) 21. Appalooza — Distress (The Holy Of Holies — 5. Februar 2021 — Ripple Music) 22. Peel Dream Magazine — It's My Body (Agitprop Alterna: Deluxe — 15. Januar 2021 — Tough Love) 23. Songhoy Blues — badala (optimisme — 23. Oktober 2020 — at Possum Records) 24. Mogwai — Fuck Off Money (As The Love Continues — 19. Februar 2021 — Rock Action Records) 25. Mono No Aware — End Of An Unknown Artist (Shinshoo — 4. Dezember 2020 — Hands Productions) 26. Soup with John Zorn — Soup with John Zorn Part 2 (Shinjuku Pit Inn — 5. Januar 2021 — Not On Label) 27. Browning Mummery — Do The Eyes Of The Dead Retain Pictures (Artefacts Of Australian Experimental Music II [1974-1983] — 15. Januar 2019 — Shame File Music) 28. Fabien Leclercq, Sachli Gholamalizad, Sara De Roo — Claude M. (Lockdown: The Soundtrack — 18. Januar 2021 — VRT MZK) 29. Cabaret Voltaire — Billion Dollar (Shadow of Funk — 26. Februar 2021 — Mute Corporation) ### Informationen * Aprilsendung auf Pi Radio: 1. April 2021 um 1:00 Uhr * Aprilsendung auf dem Nachtprogramm der Freien Radios (z.Z. Radio Corax u.a.): 9. und 17. April 2021 um 0:00 Uhr (Wenn alles gut geht) ## Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Our guest for this episode is Torey Maerz, Founder and CEO of Rocket Referrals. Torey is here to remind us that we can do hard things, and 2021 is going to be a year of massive change and adjustment for insurance when the world opens back up. It's time to get comfortable with discomfort, and it's time to embrace your entrepreneurial spirit for the explosion of changes coming.  In this episode, listeners get a dose of tough love from a guy who knows what it takes to build strong and lasting relationships with clients and build success in times of change.

In this Between Takes interview, Shawn chats with author Melissa Maerz about her amazing new book 'Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused.' The two discuss Linklater's initial reluctance about being interviewed about 'Dazed and Confused' AGAIN, the film's many production challenges and how this oral history ends up being even more of a Linklater-esque project than the film itself.Follow Melissa on Twitter: @MsMelissaMaerzPurchase Alright, Alright, Alright: https://amzn.to/2MDp6Hc

In this Between Takes interview, Shawn chats with author Melissa Maerz about her amazing new book 'Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused.' The two discuss Linklater's initial reluctance about being interviewed about 'Dazed and Confused' AGAIN, the film's many production challenges and how this oral history ends up being even more of a Linklater-esque project than the film itself. Follow Melissa on Twitter: @MsMelissaMaerz Purchase Alright, Alright, Alright: https://amzn.to/2MDp6Hc

Author Melissa Maerz discusses her book Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused. It's a terrific behind-the-scenes look at the stories behind the 1993 film.Get the book here: https://amzn.to/3mZGO3WLearn more about your ad choices. Visit megaphone.fm/adchoices

Author Melissa Maerz discusses her book Alright, Alright, Alright: The Oral History of Richard Linklater’s Dazed and Confused. It's a terrific behind-the-scenes look at the stories behind the 1993 film.Get the book here: https://amzn.to/3mZGO3W

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Melissa Maerz chats with Trey Elling about ALRIGHT, ALRIGHT, ALRIGHT: THE ORAL HISTORY OF RICHARD LINKLATER'S DAZED AND CONFUSED, including: the parallels between the film and Linklater's actual high school experience in small-town Texas, how the actors lived out an Austin summer camp for young adults away from the cameras, stories behind several memorable scenes, Linklater's fight with the studio over the soundtrack and their marketing of DAZED as stoner flick, and more.

Chris and Andy break down the ultimately disappointing finale of ‘The Undoing’ (8:31). Then, they are joined by Mallory Rubin to talk about the significance of Ahsoka Tano’s appearance in ‘The Mandalorian’ (28:08) and what it means for the ‘Star Wars’ universe going forward (47:40). Finally, they talk with Melissa Maerz about her new book, ‘Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused’ (1:10:24). Hosts: Chris Ryan and Andy Greenwald Guests: Mallory Rubin and Melissa Maerz

Melissa Maerz is a longtime entertainment journalist--she's one of the founders of Vulture--and one of the smartest pop culture minds working. And "Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused" is a terrific, engrossing read, a testament to Richard Linklater's great film. But it's also a history of Generation X, and of that particular moment in movie, and generational, history. She's very smart and a blast to talk to. Plus: "Dazed and Confused" is still awesome. Follow the podcast at @stillreadbooks on Twitter, and email your author recommendations to peoplestilllreadbooks@gmail.com. Let's go on this journey together.

Hey, it's a Grierson and Leitch/People Still Read Books crossover episode! Melissa Maerz is a longtime entertainment journalist--she's one of the founders of Vulture--and one of the smartest pop culture minds working. And "Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused" is a terrific, engrossing read, a testament to Richard Linklater's great film. But it's also a history of Generation X, and of that particular moment in movie, and generational, history. She's very smart and a blast to talk to. Plus: "Dazed and Confused" is still awesome. Follow the podcast at @stillreadbooks on Twitter, and email your author recommendations to peoplestilllreadbooks@gmail.com. Let's go on this journey together. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hva kan Norge lære av tysk tilnærming til tilgang av legemidler? Hvordan gjør man som leder, når man tar over ansvaret for seks land midt i en pandemi og hva er Norges fordeler når det skal bygges helsenæring? Mercks nye Norgessjef — og leder for clusteret Norden og Baltikum — Phillipp Maerz, gjester Legemiddelpodden i eposide 12, for å dele sine refleksjoner rundt Norge, norsk legemiddelindustri og helsenæring, samt ledelse under «den nye normalen» som er blitt skapt som følge av COVID-19-pandemien.

It's among the more iconic movies of the last 30 years, one that launched the careers of a host of actors, as well as its director, Richard Linklater. Few movies have the enduring popularity and loyalty "Dazed and Confused," and on Wednesday's Happy Hour we're joined by Melissa Maerz, author of the incredible new oral history of the movie, "Alright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused." (Out next week!) We cover everything from the movie's origins to the legend of how Matthew McConaughey found his way into the film. How accurate are some of those stories? What was it like on set, and off, for this incredible group of young actors? How was Linklater able to make a movie that bleeds authenticity and universality, despite making it hyperspecific to his high school experience? Why did it develop into a true cult classic? It's a great conversation about a genuinely fantastic book for anyone who loves that movie, or is interested in a pivotal time in recent Hollywood history.

Episode 12 - Jennifer Osborne & Aaron Maerz Bayleaf Wellness is an exciting new integrative and complementary medicine clinic based in Melbourne, Victoria. The team at Bayleaf are the innovators that healthcare has been waiting for, and are truly redefining the practice of integrative medicine in Australia as we know it. Bayleaf takes a new approach to health and wellness by focusing on personalised and participatory healthcare, with a vibrant and connected community of dedicated practitioners and professional, patient focused team members. Head on over the the Bayleaf Wellness website to find out more; https://www.mybayleaf.com.au/ Disclaimer: This podcast is for general information purposes only. It does not constitute as health advice and does not take the place of consulting with your primary health care practitioner. The views and opinions expressed in this podcast are those of the guest speaker and do not necessarily reflect those of Humanley, the presenter or any other entities or third parties associated with Humanley or the presenter. The right to freedom of opinion is the right to hold opinions without interference, and cannot be subject to any exception or restriction. We encourage the audience to use their critical judgement and use due diligence when interpreting the information and topics discussed in this podcast.  

Torey Maerz of Rocket Referrals joins Agency Nation Radio for a deep dive into how he creates technology that actually solves problems unlike many new technology driven tools which solve problems independent insurance agents don't really have. Get more Agency Nation Radio here.