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Play Episode Listen Later Jun 26, 2021 113:13

Schönagel Bros. [Electronic Music Wars, Electronic Art] @ Richtig Raven - E-Werk Wetzlar 26-06-2021 Take a ride, Richtig Raven with new and classic stuff on vinyl...!!!

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Creativity for future/ Uma im Gespräch mit der indonesischen Performance Künstlerin Melati Suryodarmo

Creativity for Future

Play Episode Listen Later Mar 21, 2021 73:58

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

tv women relationships new york director university time death history canada culture australia art china school france japan space dreams germany design phd project performance italy international artist solo toronto dance mind ministry creativity arts festival south berlin silence institute conference rome east academy turkey boundaries wind hong kong prof sweden welt barcelona cultural principles thailand melbourne museum medium brasil singapore madrid switzerland studio large platform manchester indonesia poland loneliness degree dare trans norway workshop wales south korea denmark finland belgium austria feminism holland dublin bali crossing patterns elements writers beijing stockholm haus platz malaysia universit faculty southeast asia kultur circus lyon mexico city frankfurt loop brisbane venice agora festivals istanbul queensland residence lecture fine arts parasite recycling passage brussels im gespr seminar belfast croatia keynote speakers absence bangkok serbia paz prague pressing gallery seoul wissenschaft conflicts macro panel discussion milano mirrors fundaci artistic directors rotterdam schatten artistic java canberra cardiff spanien helsinki exhibition encountering shelf south australia jakarta osaka facilitator cork manila cologne bern new delhi bonn essays malm turin national museum kulturen tbs basel leg marking taipei modern art thames contemporary art one night stands fresh air southeast asian galicia kuala lumpur venezia akademie baltic hochschule gent first sight depot national gallery antwerp uppsala nrw manifesta futura kassel kongress zagreb yokohama galerie linz chiang mai ume sisyphus opera house performance art biennale braunschweig influx catalogue bandung mobius guangzhou nijmegen purposed odense ministerium national portrait gallery venice biennale queensland university chicken run jiwa ho chi minh city politic malmo sao paolo yogyakarta ubud zeichnungen gdansk nusantara marina abramovic bolzano two thousand hildesheim goethe institut tokyo japan hamar mandalay art festival guangdong hollows student bodies padang asia society marina abramovi women artists afterwork semarang nuit blanche deutschland die cindy sherman arter nieders la biennale incheon egon schiele kunsthalle in transit vitoria gasteiz sculpture gardens substation dance performance indecency museet best artist butoh video art performance k szczecinie theatreworks tainan bibliographie intertwine vaduz faxe kayu melati les halles moderna museet borobudur taipeh hito steyerl maerz meistersch bildende k jogjakarta kunstverein performance space manchester international festival japan foundation annexe solo exhibition umea gebl irish museum brixen surakarta solo performance fondation beyeler budva e werk master program aquario culture centre ministery art dept malmoe luminato queensland art gallery msac kiasma international seminar jorge leon qagoma theanne stubnitz indonesian institute whitworth gallery ipah uppsala konsert

Ellen Allien - Techno, Berlin, und die kreative Überbrückung der Lockdown-Zeit

Electronic Beats Podcast

Play Episode Listen Later Feb 18, 2021 72:59

In dieser Folge des Telekom Electronic Beats Podcasts spricht Jakob Thoene mit Ellen Allien. Die DJ, Produzentin, Chefin ihrer Labels BPitch und UFO Inc. und gebürtige Berlinerin hat die aufblühende Technoszene ihrer Heimatstadt von Anfang an miterlebt. Die „Queen of Berlin“ spielte eine Schlüsselrolle bei der Verwandlung des zunächst lokalen Phänomens der Technokultur in eine international gefeierte Bewegung. Nach ihrem Schulabschluss Ende der ‘80er zieht sie zunächst nach London, um als Kindermädchen zu arbeiten und ihre Englischkenntnisse aufzubessern. Dort genießt sie die grenzenlose Freiheit des Londoner Nachtlebens, in Soho hört sie zum ersten Mal Acid House und verliebt sich in den Knall der Bassdrum auf der Tanzfläche. Ein Jahr später kehrt sie mit neuen Platten nach Berlin zurück, und findet einen Job als Barkeeperin im Fischlabor. Die Schöneberger Kneipe des späteren Tresor Gründer Dimitri Hegemann ist neben dem Ufo Club einer der ersten Orte Berlins, in dem Techno aufgelegt wird. Im Podcast spricht Ellen Allien über ihre ersten Erfahrungen als DJ in Clubs wie dem Tresor (Globus), E-Werk und dem Bunker, ein legendärer Ort, den sie im Januar 2021 im Rahmen der „United We Stream“ Initiative wieder bespielen durfte. Das Gebäude, das inzwischen die Boros Collection beherbergt, war zunächst ein Nazi-Bunker, lag während der DDR-Zeit in Ost-Berlin und wurde nach dem Mauerfall in den frühen ‘90er Jahren zum Club, in dem unter anderem die ersten Snax-Partys stattfanden. Anders als manche ihrer DJ-Kollegen, die Techno in den ‘90er Jahren erlebt haben, blickt Ellen Allien dennoch nicht allzu nostalgisch auf diese Zeit zurück, denn wie sie im Podcast verrät, hat sie damals nicht nur „Friede, Freude, Eierkuchen“ erlebt, sondern auch Sexismus und Rivalitäten zwischen DJs. Heute, sagt Ellen Allien, sei die Szene viel internationaler und die Beteiligung verschiedenster Akteure in der elektronischen Musikwelt stimmt sie optimistisch.

interview club dj berlin lockdown erfahrungen anfang ort freude schl techno clubs djs freiheit dort rahmen bewegung soho szene bunker im podcast live streaming ein jahr die sch beteiligung chefin sexismus kreative akteure friede telekom knall rivalit kneipe mauerfall platten heimatstadt verwandlung produzentin musikwelt ostberlin tanzfl die queen berlinerin kinderm club culture ellen allien bass drum das geb techno szene englischkenntnisse bpitch control e werk barkeeperin technokultur ddr zeit ufo club dj kollegen dimitri hegemann

Frau Holle Podcast Sessions #1 | feat. DerAlinea

Play Episode Listen Later Nov 12, 2020 79:14

Lars Moston welcomes you to Frau Holle Podcast Sessions #1 | feat. DerAlinea We feature an exclusive mix of electronic music from top artists out of Hamburg and all around the world. Enjoy what you hear, spread if you like and remember: Frau Holle loves you. ⚫️✖️ Find the tracklist below and if you like what you hear: feel free to share this podcast and let the world enjoy it! DerAlinea started his musical journey in the early 1990s in clubs like Front and Unit influenced by Boris Dlugosch and Martin Landsky, he was also fascinated from upcoming Raves and Clubs like Bunker and E Werk in Berlin. He still loves the minimalistic framework of Chicago House - relatively simple, but with the right "groove" driving and expressive. To describe his own style is quite simple: Playing good music from any genre. Besides the wonderful task of developing the musical identity of our small but fine club together with Lars Moston and Hafenkande, he is Part of the "Nervoes Bookings" Crew together with Khainz, Gunnar Stiller, David Keno, Lars Moston and Smash TV. _____________________________ TRACKLIST 01 Not Enough - Hyenah & Lazarusman (Watergate Records) 02 Unreleased 03 Love Dose (Tim Engelhardt Remix) – Argy (Poker Flat) 04 Seen the Lights (Original) – Purple Kaiser (Ballroom Purple) 05 The Others feat. Orbit Aeolian (Original Mix) – Stil & Bense (Heinz Music) 06 Profound Pleasure feat. Cari Golden – Coyu / Cari Golden (Defected) 07 Panorama (Marco Resmann MS20 Remix) – Kadosh (Upon You) 08 Permission – TouchTalk (Heinz Music) 09 Patrol 52 – ZaVen (Sublease Music) 10 Dagon (Original Mix) – Hybrasil (Hydrozoa) 11 Circular Dimension - Harvey McKay (Filth on Acid) 12 Shouts In The Dark (DVS1 Found Mix) - Jon Hester (EDEC Music Outlet) 13 Rc14 (Original Mix) - Ray Kajioka (Matter+) 14 Triage (Original Mix) - Martin Landsky (Rejected) _____________________________ ✘ Stay connected w/ Frau Holle: Soundcloud: @clubfrauholle Facebook: www.facebook.com/frauhollehamburg/ Instagram: www.instagram.com/club_frauholle/ Artwork: KatjaNö, Hanna Steinhoff Text: Anja Grims / Grimseline Curator: Lars Moston Premieres and Newcomer Mixes Submissions: clubfrauholle@gmail.com ✘ DerAlinea (Brash Beasts | Mioli Music | Frau Holle | Nervous) Soundcloud: @deralinea Facebook: www.facebook.com/deralinea Instagram: www.instagram.com/deralinea/ Bookings : booking@nervoes.ch ✘ Lars Moston (Katermukke | Suara | Stil Vor Talent | Nervous Rec.) Soundcloud: @Lars-Moston Facebook: www.facebook.com/larsmoston Instagram: www.instagram.com/larsmoston/ Bookings : sascha@nervoes.ch Get exclusive stuff: www.patreon.com/larsmoston

playing berlin front hamburg clubs acid bunker patrol bookings raves chicago house boris dlugosch frau holle smash tv david keno martin landsky khainz lars moston e werk gunnar stiller

Schönagel Bros. @ Druck am Werk - E-Werk Wetzlar 25-07-2020

Play Episode Listen Later Aug 8, 2020 104:21

Schönagel Bros. [Electronic Music Wars, Electronic Art] @ Druck am Werk - E-Werk Wetzlar 25-07-2020 Druckverfahren am Werk with new and classic stuff on vinyl...!!!

bros druck werk nagel wetzlar e werk

Schönagel Bros. @ Druck am Werk - E-Werk Wetzlar 25-07-2020

Play Episode Listen Later Aug 8, 2020 104:21

Schönagel Bros. [Electronic Music Wars, Electronic Art] @ Druck am Werk - E-Werk Wetzlar 25-07-2020 Druckverfahren am Werk with new and classic stuff on vinyl...!!!

bros druck werk nagel wetzlar e werk

Schönagel Bros. @ Druck am Werk - E-Werk Wetzlar 25-07-2020

Ach? Triumvirat für historisch inspirierte Humorvermittlung

Play Episode Listen Later Aug 8, 2020 104:21

Schönagel Bros. [Electronic Music Wars, Electronic Art] @ Druck am Werk - E-Werk Wetzlar 25-07-2020 Druckverfahren am Werk with new and classic stuff on vinyl...!!!

bros druck werk nagel wetzlar e werk

Die Macht um Acht (51) "Maskenball für die Gesundheit!"

KenFM: Die Macht um Acht

Play Episode Listen Later Apr 29, 2020 16:22

Corona geht aufs Gehirn. Maskenball für die Gesundheit! Maskenpflicht für alle! Hinter der Maske lauert die Macht, hinter dem hygienischen Eindruck ist auch, und gerade bei der Tagesschau, der schlechte Journalismus im Dienst der Mächtigen zu erkennen: Nie nach dem Warum fragen, nie nach dem Sinn, das ist die Dienstanweisung in der Tagesschau-Redaktion. Da gibt man doch lieber die vorgefertigten Worthülsen der Regierung an die Zuschauer weiter. „Ursprung des Coronavirus - Immer lautere Forderungen an China", so lautet eine der Überschriften der Tagesschau. Und auch Entwicklungsminister Gerd Müller darf sich äußern: China müsse "vollkommene Offenheit in dieser Weltkrise zeigen". Nicht die Frage an das deutsche Corona-Regiment wird thematisiert, wie die täglichen Zahlen zustandekommen, wird nicht gefragt. Warum es nur eine Meinung über Ursachen und Methoden gibt, will die Tagesschau nicht wissen. Da wird lieber mit dem langen, anklagenden Finger auf China gezeigt. Da muss ein Virus im Gehirn sein. Zwar erfährt man aus der Tagesschau, dass Kramp-Karrenbauer mal wieder für viel Geld neues Kriegsgerät anschaffen will, den Kampfjet F 18. Dass die neue Mordmaschine, kaum gestartet, schon über die Grenzen hinweg wäre, das erfährt man von der Tagesschau nicht. Auch nicht, dass es sich um eine aggressive Angriffswaffe handelt. Die Frage WARUM Deutschland denn die neue Mordmaschine braucht, stellt die Redaktion der ARD nicht. Dass der Jet die Nachbarn bedroht, ist dem öffentlich-rechtlichen Sender egal. In den grauen Zellen der Redakteure tobt das Virus. Und dann auch noch diese Überschrift: „Corona-Krise - Heil plant Recht auf Homeoffice". Unter dem Virus-Deckmantel macht die Tagesschau Reklame für eine Rationalisierungsmaßnahme der Konzerne: Sollen doch die Angestellten die Miete für das Büro selbst zahlen und auch gern die Büromöbel anschaffen und das „Office" selbst putzen. Super. Und Finanzminister Olaf Scholz preist die Vorzüge des Arbeitens von zu Hause aus: "Die vergangenen Wochen haben gezeigt, wie viel im Homeoffice möglich ist - das ist eine echte Errungenschaft, hinter die wir nicht mehr zurückfallen sollten". Dass Scholz mal eben ein lange, lange Perspektive für das Corona-Regime plant, das kann oder will der Redaktion nicht auffallen. Der Virus hat das Resthirn der ARD befallen. Home-Office? Auch für Müllwerker, für die Kollegen im E-Werk, bei den Wasserwerken, den Molkereien, den Brotfabriken? Wie es eine Zwei-Klassen-Medizin gibt, so gibt es auch zwei Klassen in der Gesundheits-Vorsorge. Fällt der Tagesschau nicht auf. Denn sie ist zu sehr damit beschäftigt, den neuen Corona-Tagesbefehlen zu folgen: Jawohl, Herr Ansteckungs-Führer! Maske auf und durch! Der Journalist und Filmemacher Uli Gellermann beschäftigt sich seit Jahren mit der Dauermanipulation der Tagesschau. Gemeinsam mit den Co-Autoren, Volker Bräutigam und Friedhelm Klinkhammer, schrieb er das Buch „Die Macht um Acht: der Faktor Tagesschau“. Eine herausragende Lektüre über die tägliche Nachrichtensendung der ARD. Bei KenFM nimmt er mit dem gleichnamigen Format die subtile Gehirnwäsche der Tagesschau alle zwei Wochen unter die Lupe. Jetzt KenFM unterstützen: https://www.patreon.com/KenFMde https://de.tipeee.com/kenfm https://flattr.com/@KenFM Dir gefällt unser Programm? Informationen zu weiteren Unterstützungsmöglichkeiten hier: https://kenfm.de/support/kenfm-unterstuetzen/ Du kannst uns auch mit Bitcoins unterstützen. BitCoin-Adresse: 18FpEnH1Dh83GXXGpRNqSoW5TL1z1PZgZK Abonniere jetzt den KenFM-Newsletter: https://kenfm.de/newsletter/ KenFM ist auch als kostenlose App für Android- und iOS-Geräte verfügbar! Über unsere Homepage kommst Du zu den Stores von Apple und Google. Hier der Link: https://kenfm.de/kenfm-app/ https://www.kenfm.de https://www.twitter.com/TeamKenFM https://www.instagram.com/kenfm.de/ https://www.youtube.com/KenFM https://soundcloud.com/ken-fm Bestelle Deine Bücher bei unserem Partner: https://www.buchkomplizen.de/ See acast.com/privacy for privacy and opt-out information.

google china apple office corona partner viruses bitcoin android app macht geld wochen unter meinung sinn finger grenzen gemeinsam gesundheit hause dass home office recht perspektive programm stores kollegen zahlen lupe methoden hinter jet nie homepage eindruck gehirn ursachen regierung dienst nachbarn zuschauer die macht ursprung zwar ard offenheit maske journalismus acht sender forderungen redaktion klassen vorz miete angestellten zellen maskenpflicht lekt tagesschau arbeitens die gesundheit redakteure der journalist errungenschaft gehirnw jawohl nachrichtensendung kramp karrenbauer kriegsger ios ger e werk buch die macht entwicklungsminister gerd m corona regime jetzt kenfm teamkenfm kenfmde kenfm dir

Club Room: Backstage - The World Is Upside Down

Club Room

Play Episode Listen Later Mar 18, 2020 47:54

ANJA SCHNEIDER LAUNCHES “CLUB ROOM: BACKSTAGE” PODCAST SERIES WITH INTERVIEWS ON THE IMPACT OF THE COVID-19 PANDEMIC ON TOURING ARTISTS, PROMOTERS, LABEL OWNERS, DJS AND PRODUCERS. Berlin-based Anja Schneider has been an figurehead of electronic music for 20 years. First cutting her teeth presenting radio programming for “Love Radio” at the Love Parade for Kiss FM she later worked with Radio Fritz presenting “Crazy Club” broadcasting live every Saturday night from the biggest club events in Berlin including the closing of seminal club E-Werk in 1997. Schneider has been an omnipresent force in the city ever since. Her “Dance Under The Blue Moon” radio show began in 2000, running on the Fritz network until 2017 when Radio Eins asked for Schneider to reinvent the radio concept for a new audience. The result being Club Room, launched 3 years ago as a weekly live broadcast which is currently syndicated worldwide via 25+ FM and digital radio stations with 100 episodes available on-demand via iTunes, Soundcloud and Mixcloud. “Club Room: Backstage” flips the usual format of Club Room with Schneider ditching the turntables in favour of a microphone as the lauded DJ, renowned talent scout and trailblazing label owner of Sous Music gets to grips with the opinions of industry heads as they discuss the most pressing issues effecting the electronic music right now. This debut “Club Room: Backstage” episode features a 45 minute discussion on the impact of the Covid-19 pandemic on the various groups whom make up the music and nightlife industry, featuring interviews with Patrick Bodmer of globetrotting DJ duo M.A.N.D.Y, Ellie & Timo from ://about blank club in Berlin, founder of Mobilee records and member of the Association of Electronic Music, Ralf Kollman, and DJ/ producer Camea whose new album “Dystopian Love” was released on 13th March just as the Corona Virus crisis struck hardest in Europe. Club Room: Backstage is available now via iTunes, Soundcloud, and Mixcloud.

Hörbahn on Stage: Reinhard Ammer liest aus E-Werk "Elfenfeld”, erzählt von monovokalischem Schreiben und seinem sonstigen Schaffen

Literatur Radio Hörbahn

Play Episode Listen Later Feb 6, 2020 95:14

In dem 64 Seiten langen monovokalischem E-Werk „Elfenfeld“ geht es um elf erzfesche, sexversessene Elfen einerseits und um elf jede Menge Schwerverbrechen begehende Pferdemetzger andererseits. … In “Sechs auf der Wiesn” hört man von sechs verschiedenen Tagen in sechs unterschiedlichen Bierzelten. Was so harmlos klingt, ufert mächtig aus. Reinhard Ammer, 1951 in Passau geboren und seit 1971 in München quasi dahoam, verfasst monovokalische, bairische und hochdeutsche Texte. Er sympathisiert mit der literarischen Gruppierung “Oulipo”, Ouvroir de littérature potentielle, also Werkstatt für potentielle Literatur. Ein Prinzip oulipotischer Literatur ist die “contrainte”, die kreative Beschränkung. Der frei gewählte Formzwang, beispielsweise das Schreiben mit einem einzigen Vokal, öffnet ungeahnte erzählerische Räume und ermöglicht phantastische literarische Darstellungsformen und Klanggebilde. Veröffentlichungen: Das monovokalische E-Werk „Elfenfeld“ (Kunst- und Textwerk Verlag, 2. Aufl., München 2013). In bairischer Sprache „Herzzreissn –12 Rabenschwarze Münchner Gschichtn zur Mundharmonika (gespielt von Fabrizio Giannuzzi)“ (Verlag in der Lindenstrasse, München 2014) und das Musical „Sechs auf der Wiesn“ (Libretto: Reinhard Ammer – Musik: Franz Josef Walter). In hochdeutscher Sprache „Sechs auf der Wiesn“ (Roman – Smart & Nett Verlag, München 2019). Die Moderation hat Uwe Kullnick. Bitte beachten Sie, dass bei allen unseren Veranstaltungen fotografiert und/oder gefilmt und ausgewähltes Bildmaterial im Internet, in der Presse oder in einer unserer Publikationen veröffentlicht wird.

32 – Catharina Linck zieht aus, sich anders anzuziehen (Live vom Ohrenschmaus Festival im E-Werk Erlangen)

Play Episode Listen Later Jul 2, 2019 107:07

Am 7. oder 8. November 1721 wird mit Catharina Margaretha Linck die letzte Frau in Europa aus dem hauptsächlichen Grund der gleichgeschlechtlichen Liebe mit einer Frau hingerichtet. Inwiefern ein Rosenstengel hierbei eine Rolle gespielt hat, müsst ihr selber hören.

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Altes e Werk Ost @ Jan u.Tini auf Tour

Play Episode Listen Later May 20, 2019 113:11

Veröffentlicht am 20/05/2019 Sound / Tech House # TanzBar Live Mix Set / by DY

Altes e Werk Ost @ Jan u.Tini auf Tour

Play Episode Listen Later May 20, 2019 113:11

Veröffentlicht am 20/05/2019 Sound / Tech House # TanzBar Live Mix Set / by DY

Altes e Werk Ost @ Jan u.Tini auf Tour

Play Episode Listen Later May 20, 2019 113:11

Veröffentlicht am 20/05/2019 Sound / Tech House # TanzBar Live Mix Set / by DY

Altes e Werk Ost @ Jan u.Tini auf Tour

Play Episode Listen Later May 20, 2019 113:11

Veröffentlicht am 20/05/2019 Sound / Tech House # TanzBar Live Mix Set / by DY

Saitenwechsel – detektor.fm

Janosh - Sport Frei [progoak18]

Progolog Adventskalender

Play Episode Listen Later Dec 8, 2018 62:53

**Dank der Unterstützung vieler DJs, Künstlerinnen und Künstler gibt es auch diesen Dezember einen Mixtape Adventskalender auf Progolog.de. In der Zeit vom 01. Dezember bis zum 24. Dezember dürft Ihr Euch täglich auf ein exklusives Mixtape freuen. Tägliche Highlights für die Zeit bis Weihnachten.** Janosh kommt aus Erfurt und tritt in Clubs und im Netz wohl am häufigsten als Drum'n'Bass DJ und Produzent in Erscheinung. Es liegt daher nah, dass der erste Adventskalender-Mix von Janosh auch ein Drum'n'Bass-Set ist. Sport Frei ist ein Mitschnitt einer gleichnamigen Veranstaltung, die regelmäßig im E-Werk in Weimar stattfindet. Viel Vergnügen mit einer Stunde Trommeln und Bass. Mehr zu Janosh gibt es auf Facebook und bei Hearthis.at. Alle Beiträge aus dem Adventskalender 2018 findest Du hier im Blog, alle Mixe landen in auf Hearthis und als Podcast bei iTunes. Unterstützt die DJs und kauft die Musik der Künstler.

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Dj Clé ist ein Berliner Urgestein und schon seit den Zeiten des Fischlabors als DJ bekannt. Im Tresor sorgte er oft für das Alternativprogramm im Globus. Später war er Resident im Planet und E-Werk. Immer war er schon einer der stylischsten DJs Berlins. Ob es daran lag, dass er seine Ausbildung im ersten Berliner Sternerestaurant Rockendorf gemacht hat und deswegen als Mann mit tadellosen Manieren gilt? Eva Be stammt aus Ostberlin und sozialisierte sich in der Szene im Umfeld des Delicious Donuts. Auch sie gilt als Stilikone ihrer Generation. Gemeinsam gelten sie als Techno-Traumpaar. Während Clé nach seiner Zeit als Berlin Mitte Boy mit seinem Partner Mike Vamp mit den Märtini Brös große Erfolge feiert, hat er nun mit Eva das Projekt Loyoto gegründet. Loyoto bedeutet Love You Too. 1000 Tage Techno liebt Euch auch.

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Saitenwechsel: Gustav Mahler – 3. Sinfonie - Das große Werk des Trendsetters

Play Episode Listen Later Jun 27, 2018 7:16

Einer der Trendsetter der Klassikwelt des 19. Jahrhundert ist Gustav Mahler. Seine dritte Sinfonie ist ein wahres Epos und gilt bis heute als Meisterwerk.Der Artikel zum Nachlesen: https://detektor.fm/musik/saitenwechsel-gustav-mahler-3-sinfonie

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Saitenwechsel: Gustav Mahler – 3. Sinfonie - Das große Werk des Trendsetters

Musik – detektor.fm

Play Episode Listen Later Jun 27, 2018 7:16

Einer der Trendsetter der Klassikwelt des 19. Jahrhundert ist Gustav Mahler. Seine dritte Sinfonie ist ein wahres Epos und gilt bis heute als Meisterwerk. >> Artikel zum Nachlesen: https://detektor.fm/musik/saitenwechsel-gustav-mahler-3-sinfonie

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Tourpodcast #4 - Seps Poltergeist (Köln 2)

PietCast

Play Episode Listen Later Apr 21, 2018 38:19

2. Tag in Köln am E-Werk. Am Abend zuvor hatten wir unsere 2. Show - da waren Rewi und Jodie zu Gast. Im Podcast heute geht es ums Essen, um den Heimschläfer Br4mm3n und um die zeltenden Fans/Groupie...

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DJ Sacrifice @ 17 Jahre E-Werk Reichenbach 16.12.2017

Sacrifice's Hardcore Mixtapes

Play Episode Listen Later Dec 16, 2017 81:49

Booking & Contact: booking@dj-sacrifice.de +49 01522 440 63 91 HARDCOREHEADZ KNOW THEESE LINKS... VIDEOS-> youtube.com/djsacrifice82le SHOP-> dj-sacrifice.spreadshirt.de HOMEBASE-> dj-sacrifice.de FACEBOOK -> fb.com/djsacrificeofficial PARTYFLOCK-> partyflock.nl/artist/72218:Sacrifice INSTAGRAM-> instagram.com/dj_sacrifice TWITTER-> twitter.com/djsacrifice82

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DJ Sacrifice @ 17 Jahre E-Werk Reichenbach 16.12.2017

Sacrifice's Hardcore Mixtapes

Play Episode Listen Later Dec 16, 2017 81:49

sacrifice videos reichenbach e werk booking contact

DJ Sacrifice @ 17 Jahre E-Werk Reichenbach 16.12.2017

Sacrifice's Hardcore Mixtapes

Play Episode Listen Later Dec 16, 2017 81:49

sacrifice videos reichenbach e werk booking contact

.defaultbox Podcast 016 - Patrick Brosin

STAR FM Nürnberg Podcasts

Play Episode Listen Later Jul 6, 2017 62:58

.defaultbox Podcast 016 - Patrick Brosin We welcome back the head of .defaultbox for a new podcast. Find the full tracklist on facebook.com/defaultbox iTunes: https://itunes.apple.com/de/podcast/defaultbox-podcast/id1114718315?mt=2 Listen and enjoy. -- Patrick Brosin was born and grew up in a suburban town of Berlin. Influenced by mixtapes from his brothers, he came very early in contact with the Berlin club music like Tresor and E-Werk. At the age of 12 he began to record cuts of the radio show "Rave Satellite". He received his first turntables in the age of 14 and, as we see, since than his career has been developed. He started a DJ-team with his friend "Syankali". During this period he played under his synonym "Del Bricksten" and was resident in the Suburb Club in Dahlewitz until the club closed in 2004. Meanwhile, the "Tool-Players" project with Rene (aka Syankali) was founded until 2010. According to this experience,a residency on „TANZzRAUSCH“ in Potsdam followed. Nowadays he can say that he played in many several clubs and festivals in east Germany, alone and as DJ-team. He also had some events he organisated. In 2012 he finally moved to Berlin because of his studies. Since then he was more concentrated on producing and reorientaring himself. This little break helped him to improve his sound and to find his identification with Berlin in it. Starting with 145bmp, the faster techno, he now plays more melodic and slower sounds between 126-130bmp. In 2014 he started his own label .defaultbox which has had 2 releases – happy to announce that some more will come in the near future! More info: www.facebook.com/patrickbrosin @patrickbrosin www.residentadvisor.net/dj/patrickbrosin

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35 Jahre E-Werk Erlangen

Play Episode Listen Later Jul 4, 2017 10:35

erlangen e werk

Pretty Pink @ Sterne Bass E-Werk Berlin (Live Set)

Pretty Pink - Deep Woods (Radio Show)

Play Episode Listen Later Feb 8, 2017 94:38

My DJ-Set (live) @ STERNE UND BASS - Berlin / Germany

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Dr. Motte @ Maxrave E-Werk Berlin 24/9/16

Dr. Motte's Music

Play Episode Listen Later Nov 28, 2016 84:53

How do you like this one? This is my DJ-Set from Maxrave @ the legendary E-Werk Berlin 24/9/26 DR. MOTTE // Praxxiz, Berlin Contact: www.drmotte.de

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Dr. Motte @ Maxrave E-Werk Berlin 24/9/16

Dr. Motte's Music

Play Episode Listen Later Nov 28, 2016 84:53

How do you like this one? This is my DJ-Set from Maxrave @ the legendary E-Werk Berlin 24/9/26 DR. MOTTE // Praxxiz, Berlin Contact: www.drmotte.de

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.defaultbox Podcast 010 - Patrick Brosin

Play Episode Listen Later Sep 26, 2016 61:40

.defaultbox Podcast 010 - Patrick Brosin The 10th podcast again with label owner Patrick Brosin himself. Find the full tracklist on our Facebook page Facebook.com/defaultbox iTunes: itunes.apple.com/de/podcast/.defa…ast/id1114718315 Listen and enjoy. -- Patrick Brosin was born and grew up in a suburban town of Berlin. Influenced by mixtapes from his brothers, he came very early in contact with the Berlin club music like Tresor and E-Werk. At the age of 12 he began to record cuts of the radio show "Rave Satellite". He received his first turntables in the age of 14 and, as we see, since than his career has been developed. He started a DJ-team with his friend "Syankali". During this period he played under his synonym "Del Bricksten" and was resident in the Suburb Club in Dahlewitz until the club closed in 2004. Meanwhile, the "Tool-Players" project with Rene (aka Syankali) was founded until 2010. According to this experience,a residency on „TANZzRAUSCH“ in Potsdam followed. Nowadays he can say that he played in many several clubs and festivals in east Germany, alone and as DJ-team. He also had some events he organisated. In 2012 he finally moved to Berlin because of his studies. Since then he was more concentrated on producing and reorientaring himself. This little break helped him to improve his sound and to find his identification with Berlin in it. Starting with 145bmp, the faster techno, he now plays more melodic and slower sounds between 126-130bmp. In 2014 he started his own label .defaultbox which has had 2 releases – happy to announce that some more will come in the near future! More info: www.facebook.com/patrickbrosin www.soundcloud.com/patrickbrosin www.residentadvisor.net/dj/patrickbrosin

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.defaultbox Podcast 002 - aem.aze

Play Episode Listen Later May 27, 2016 60:09

.defaultbox Podcast 002 - aem.aze Our second podcast comes from our buddy aem.aze. Vinyl only. Find the full tracklist on our website defaultbox.de/podcast or facebook.com/defaultbox iTunes: https://itunes.apple.com/de/podcast/.defaultbox-podcast/id1114718315 Listen and enjoy. -- Lost in Music - grown up as a child of the 90's near Berlin, "aem.aze" was stamped by the influences of the east Berlin techno scene. Radio shows like "Fritz Rave Satellite" or "Crazy Clubradio" (4-years E-Werk) and the Berlin club music of Tresor and Ostgut, gave him his first directions. Through all these influences he developed a truth passion for magnetic sounds. He started with his first gig in 1998 in Marusha's Fritz Radio-Show "Rave-Satellite". This was followed by a 3-years residency in "K2" in Preschen. We can finally say that he played on more than 100 gigs like the Summer Spirit Festival and the Somewhere Festival in Copenhagen. His music could be described as a warm and harmonic interaction between past, present and future. With his very own style he always creates special and individual sounds. Through all his passion for music, he also found himself as a producer. He is a passionated collector of old synthesizer, drumcomputers and effect processors with which he finally keeps on working. He actually just had one release (on Cliqueria Music Copenhagen), but this was surely not the last one! More info: https://www.facebook.com/aemaze-172856476100285/ https://soundcloud.com/aemaze

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.defaultbox Podcast 001 - Patrick Brosin

Play Episode Listen Later May 13, 2016 62:20

.defaultbox Podcast 001 - Patrick Brosin The first podcast starts with label owner Patrick Brosin himself. Find the full tracklist on our website http://defaultbox.de/podcast or facebook.com/defaultbox iTunes: https://itunes.apple.com/de/podcast/.defaultbox-podcast/id1114718315 Listen and enjoy. -- Patrick Brosin was born and grew up in a suburban town of Berlin. Influenced by mixtapes from his brothers, he came very early in contact with the Berlin club music like Tresor and E-Werk. At the age of 12 he began to record cuts of the radio show "Rave Satellite". He received his first turntables in the age of 14 and, as we see, since than his career has been developed. He started a DJ-team with his friend "Syankali". During this period he played under his synonym "Del Bricksten" and was resident in the Suburb Club in Dahlewitz until the club closed in 2004. Meanwhile, the "Tool-Players" project with Rene (aka Syankali) was founded until 2010. According to this experience,a residency on „TANZzRAUSCH“ in Potsdam followed. Nowadays he can say that he played in many several clubs and festivals in east Germany, alone and as DJ-team. He also had some events he organisated. In 2012 he finally moved to Berlin because of his studies. Since then he was more concentrated on producing and reorientaring himself. This little break helped him to improve his sound and to find his identification with Berlin in it. Starting with 145bmp, the faster techno, he now plays more melodic and slower sounds between 126-130bmp. In 2014 he started his own label .defaultbox which has had 2 releases – happy to announce that some more will come in the near future! More info: http://www.facebook.com/patrickbrosin http://www.soundcloud.com/patrickbrosin https://www.residentadvisor.net/dj/patrickbrosin

starting germany dj berlin influenced potsdam tresor e werk

Bassgeflüster mit DeKai (Ragnarök, District 4)

ster ragnar erlangen aufgenommen e werk

Play Episode Listen Later Apr 25, 2016 136:58

Aufgenommen auf dem Conceptival im E-Werk in Erlangen. ► www.bassgefluester.com ► www.minimalradio.de ► https://hearthis.at/bassgefluester/

Bassgeflüster mit Nico Pusch (Droomschipp)

Play Episode Listen Later Apr 25, 2016 64:53

Aufgenommen auf dem Conceptival im E-Werk in Erlangen. Tracklist: 1. Nico Pusch - Love Me (Original) 2. Nico Pusch - Set It Off (Original) 3. Nicole Dollanganger - Chapel (Nico Pusch Remix) 4. Nico Pusch - Floating (Original) 5. Nico & Tom Pusch - Flight Mode (Original) 6. Nico Pusch - Exhaust (Original) 7. Nico Pusch - Explorer (Original) 8. Nico Pusch - Blackbird (Original) 9. Nico Pusch - Jolene (Original) 10. Nico Pusch - Maybe (Original) ► www.bassgefluester.com ► www.minimalradio.de ► https://hearthis.at/bassgefluester/

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Bassgeflüster mit Lukas Koch und Yannick Dixken (Conceptival)

koch ster yannick erlangen aufgenommen e werk

Play Episode Listen Later Apr 25, 2016 6:04

Aufgenommen auf dem Conceptival im E-Werk in Erlangen. ► www.bassgefluester.com ► www.minimalradio.de ► https://hearthis.at/bassgefluester/

Bassgeflüster mit Lukas Koch und Yannick Dixken (Conceptival)

koch ster yannick erlangen aufgenommen e werk

Play Episode Listen Later Apr 25, 2016 6:04

Aufgenommen auf dem Conceptival im E-Werk in Erlangen. ► www.bassgefluester.com ► www.minimalradio.de ► https://hearthis.at/bassgefluester/

Bassgeflüster mit Nico Pusch (Droomschipp)

Play Episode Listen Later Apr 25, 2016 64:53

tracklist ster erlangen aufgenommen e werk nico pusch

Bassgeflüster mit DeKai (Ragnarök, District 4)