Podcasts about fondation beyeler

Seit die "Max Towers" zwischen Aesch und Reinach stehen, ist bei starkem Wind ein lautes Pfeifen zu hören. Anwohner vermuten die neuen Hochhäuser als Ursache des Lärms. Die Bauherrin macht Messungen, um das Problem zu lösen. Die Baselbieter Politik will wissen, wer die Verantwortung trägt. Ausserdem: · Surrealistische Meisterwerke der Collection Hersaint in der Fondation Beyeler

Die Fondation Beyeler widmet sich in ihrer aktuellen Ausstellung Nordlichter der nordischen Landschaftsmalerei. Gezeigt werden rund 70 Werke von 13 Künstler:innen aus Skandinavien und Kanada aus der Zeit zwischen 1880 und 1930.

Gampert, Christian www.deutschlandfunkkultur.de, Fazit

Gampert, Christian www.deutschlandfunk.de, Kultur heute

Matisse (1869–1954) compte parmi les artistes les plus importants de lʹart moderne. Son œuvre précurseur a profondément influencé des générations dʹartistes, de ses contemporains à nos jours. La Fondation Beyeler présente la première rétrospective consacrée à Henri Matisse en Suisse et dans lʹespace germanophone depuis près de deux décennies. Raphaël Bouvier curateur de lʹexposition est au micro de Florence Grivel. Matisse, invitation au voyage, Fondation Beyeler, Riehen, jusquʹau 26 janvier

Mit der Ausstellung «Matisse – Einladung zur Reise» (22. September 2024 bis 26. Januar 2025) zeigt die Fondation Beyeler die erste Henri-Matisse-Retrospektive in der Schweiz und im deutschsprachigen Raum seit fast 20 Jahren. Matisse zählt zu den wichtigsten Künstlern der Moderne. Sein wegweisendes Werk hat nicht nur seine Epoche, sondern auch viele nachfolgende Künstlergenerationen nachhaltig beeinflusst. Selma und Sophie sprechen mit Dr. Raphaël Bouvier, Kunsthistoriker und Senior Curator der Fondation Beyeler in Riehen, über die Reisen von Matisse und wie diese seinen Schaffensprozess massgeblich prägten. Das und noch viel mehr erfährst du in dieser Folge: Welche Reiseziele haben die Kunst von Matisse besonders geprägt? Welche Werke sind in der Ausstellung zu sehen? Welches Gemälde ist das persönliche Highlight von Dr. Raphaël Bouvier? Welche Ausstellungen erwarten uns nächstes Jahr in der Fondation Beyeler? Shownotes: Fondation Beyeler: https://www.fondationbeyeler.ch Alle Infos und Fotos unter https://www.basel.com/podcast Aufnahmen: Tonton GmbH Produktion: Martina Weber und Jochen Dreier

Nationalrat will künftig Ehepaare getrennt besteuern, Präsident Selenski spricht vor der UNO-Vollversammlung, VBS einigt sich in Payerne auf Lärmdeal mit Nachbargemeinden, Fondation Beyeler zeigt eine Retrospektive zu Henri Matisse

Henri Matisse' Malerei war seinerzeit revolutionär. Gegenstände verflossen in luftigen Pinselstrichen – ein Schock für die Kritiker. Die beeindruckende Retrospektive in der Fondation Beyeler lädt nun zu einer faszinierenden Reise durch das Œuvre des großen Meisters der Moderne.

(00:00:50) Ende letzter Woche wurde bekannt, dass dieses bislang unbekannte Musikstück von Wolfgang Amadeus Mozart aufgetaucht ist. Nun wurde es erstaufgeführt.  (00:05:29) «Russians at War» von Anastasia Trofimova: Kein Dokumentar-, sondern ein Propagandafilm.  (00:10:44) Der nächste Blockbuster: Die grosse Retrospektive zu Henri Matisse in der Fondation Beyeler. (00:15:12) Saisoneröffnung am Opernhaus Zürich mit Richard Strauss` «Ariadne auf Naxos» in der Inszenierung des scheidenden Intendanten Andreas Homoki.  (00:19:40) Behzad Karim Khani: «Als wir Schwäne waren» erzählt von einem benachteiligten, wütenden Heranwachsenden. 

The Fondation Beyeler in Riehen (Basel, Switzerland) hosts a significant retrospective of Henri Matisse from September 22, 2024, to January ...

Probst, Carsten www.deutschlandfunk.de, Kultur heute

Schmitz, Rudolf www.deutschlandfunkkultur.de, Fazit

Schmitz, Rudolf www.deutschlandfunkkultur.de, Fazit

Die Ausstellung Matisse, Einladung zur Reise in der Fondation Beyeler zeigt einen Gesamtüberblick des Schaffens von Henri Matisse und wie dieser zu einer neuen Bildsprache fand, in der die Farben nicht mehr an Gegenstände gebunden sind. Es die erste grosse Retrospektive von Matisse im deutschsprachigen Raum seit 20 Jahren. von Mirco Kaempf

This week billionaire philanthropist Nicolas Berggruen and philosopher Dr David Blunt join host Lloyd Vogelman on the couch for an unfiltered conversation that digs into the personal side of the Principle of Charity.BIOSNicolas Berggruen is the Founder and Chairman of the Berggruen Institute and has spearheaded its growth, establishing its presence in Los Angeles, Beijing, and Venice. Focusing on great transformations in the human condition brought on by factors such as climate change, the restructuring of global economics and politics, and advances in science and technology, the Institute seeks to connect and develop ideas in the human sciences to the pursuit of practical improvements in governance across cultures, disciplines, and political boundaries.Committed to visual arts and architecture, Berggruen sits on the boards of the Museum Berggruen, Berlin, and the Los Angeles County Museum of Art. He is a member of the International Councils for Tate, London; the Museum of Modern Art, New York; Fondation Beyeler, Basel; and of the President's International Council for The J. Paul Getty Trust, Los Angeles. Berggruen has also collaborated on projects with renowned architects including David Adjaye and Shigeru Ban.Berggruen is co-author with Nathan Gardels of Renovating Democracy: Governing in the Age of Globalization and Digital Capitalism (University of California Press) and Intelligent Governance for the 21st Century, a Financial Times Book of the Year, and is co-publisher of Noema Magazine. Nicolas Berggruen is Chairman of Berggruen Holdings, the investment vehicle of the Nicolas Berggruen Charitable Trust.Gwilym David Blunt is a writer and commentator on global politics and philosophy.David was born in Toronto, Canada.He has his BA (hons) in Political Science and History from the University of Western Ontario for which he was awarded a university gold medal. He has taken his MPhil in Political Thought and Intellectual History from the University of Cambridge. He was awarded a PhD in Political Science from University College London for his thesis Transnational Justice, Philanthropy, and Domination.He was a Temporary University Lecturer and Leverhulme Early Career Fellow at the University of Cambridge, where he was also a fellow of Corpus Christi College.From 2015-2022 he was a Lecturer and then Senior Lecturer in International Politics at City, University of London.He now lives and works in Sydney, Australia.CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XThis podcast is produced by Jonah Primo and Sabrina OrganoFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Hosted on Acast. See acast.com/privacy for more information.

We meet Precious Okoyomon – poet, artist, and chef – stages sculptural topographies composed of living, growing, decaying, and dying materials, including rock, water, wildflowers, snails, and vines. For Okoyomon, nature is inseparable from the historical marks of colonisation and enslavement. In their work, plants like kudzu – a vine native to Asia that was first introduced by the US government to farms in Mississippi in 1876 as a means to fortify erosion of local soil, which had been degraded by the over-cultivation of cotton, and then turned to be uncontrollably invasive – become metaphors for the entanglement of slavery, racialisation, and diaspora with nature, nonetheless holding the capacity for change and revitalisation.Through their work, Okoyomon explores the intricate interplay between nature, chaos, and regeneration. Raised in the expanses of Ohio's Midwest, Okoyomon's formative years were steeped in the natural world. ‘My first love is very much the Earth, the soil,' they say in this new episode of ‘Meet the artists.' The sentiment informs their multifaceted practice, encompassing installations, poetry, and culinary arts. Characterized by what they describe as an ‘organic flow,' in their work each medium seamlessly intersects with the others to create ‘the endless poem.'Their invasive garden installations frequently feature kudzu, a vine introduced to the American South post-slavery, which Okoyomon employs as a potent metaphor for colonization. The kudzu's unrestrained growth overtakes a space, embodying themes of chaos and natural reclamation. ‘What dies, dies. What grows is sprung up inside of that. And the beauty of everything is that it regenerates,' they explain, underscoring the cyclical nature of their practice.Precious Okoyomon's work can be seen at Fondation Beyeler's ‘Summer Show', May 19 – August 11, 2024. They have also co-conceptualized the show. Their work is also on view as part of the Nigerian Pavilion at the 60th Biennale di Venezia 2024.Follow @DevilInTraining Hosted on Acast. See acast.com/privacy for more information.

Die Sommerausstellung in der Fondation Beyeler ist auf dem Museumsareal verteilt. Renommierte Künstler:innen haben ihre Werke in Zusammenarbeit mit acht Kurator:innen ausgestellt.

(00:01:38) Die Schriftstellerin Jenny Erpenbeck hat den internationalen Booker Prize gewonnen - für ihren Roman «Kairos» und als erste Deutsche überhaupt. Das Preisgeld von geht zur Hälfte an ihren Übersetzer Michael Hofmann. (00:05:53) Alles im Wandel: Sommerausstellung in der Fondation Beyeler in Riehen verändert sich täglich. (00:09:49) «Der eilige Geist kommt zur Ruhe»: Ausstellung im Kloster Schönthal von international gefeiertem Kunst-Duo Gerda Steiner und Jörg Lenzlinger. (00:14:37) «Machtmissbrauch in der Oper»: Sängerinnen erheben in neuer SRF-Dokumentation ihre Stimme. (00:18:51) Filmemacherin, Performance-Künstlerin und Schriftstellerin: Wie ist Miranda Julys neuster Roman «Auf allen Vieren»?

Four weeks before Art Basel takes place, the Fondation Beyeler in Riehen (Basel, Switzerland) opens its major summer exhibition. The ...

Schmitz, Rudolf www.deutschlandfunk.de, Kultur heute

Jeff Wall est considéré comme le fondateur de la "staged photography" (photographie mise en scène). Ses images composées de manière complexe à partir de nombreuses prises distinctes sont souvent inspirées de scènes du quotidien, de lʹhistoire de lʹart, comme des scènes de films. Mais pas seulement. Le curateur de lʹexposition, Martin Schwander est au micro de Florence Grivel. Jeff Wall, Fondation Beyeler, jusquʹau 21 avril

Das Streitthema Fluglärm kehrt zurück. Ein Ihringer hat eine Petition für eine bessere S-Bahn gestartet. Der „Seerosenteich“ von Monet hängt wieder an seinem Platz.

Eine Liebeserklärung an die französische Küche, angerührt von einem Filmemacher mit vietnamesischen Wurzeln: Trân Anh Hùng bringt «La passion de Dodin Bouffant» ins Kino. Und: Werke von Jeff Wall, des Meisters der fotografischen Erzählung, sind derzeit in der Fondation Beyeler in Riehen zu sehen. Der Filmemacher Trân Anh Hùng verbindet in seinem Film «La passion de Dodin Bouffant» die Leidenschaft fürs Kochen mit Liebeskunst. Im Mittelpunkt steht eine Köchin auf einem französischen Landgut Ende des 19. Jahrhunderts, dargestellt von Juliette Binoche, die sich in der Küche emanzipiert und den Schlossherrn für sich gewinnt. Werke des international bekannten kanadischen Fotografen Jeff Wall sind derzeit in der Fondation Beyer in Riehen bei Basel zu sehen. Seine Bilder sind, einem Filmset gleich, stark inszeniert und weisen ihn als Meister der fotografischen Erzählung aus. Weitere Themen: - Essen, kochen und lieben: «La passion de Dodin Bouffant» - Jeff Wall – Meister der fotografischen Erzählung

Der Grosse Rat hat die Subventionen für die Fondation Beyeler in Riehen erhöht. Er folgt damit dem Antrag der Bildungs- und Kulturkommission und nicht der Regierung, welche den Betrag nicht erhöhen wollte. * Grosser Rat erhöht Beiträge an Verein LiteraturBasel * Baselbieter Solar-Initiative eingereicht

Gegen den Vorschlag der Regierung und der Bildungs- und Kulturkommission (BKK) erhöht der Grosse Rat die Subventionen fürs Literaturhaus Basel. Statt 50'000 Franken gibts jetzt 100'000 Franken mehr – und das, obschon es viele Anzeichen gibt, dass die Verantwortlichen einfach über ihre Verhältnisse gelebt haben. Sparen? Wir doch nicht. Der Steuerzahler soll doch dafür gerade stehen. Es entsteht der Eindruck, dass hier eine Nimmersatt-Mentalität in einem der Realität fernen Elfenbeinturm vorherrscht.Das geht nicht, findet «BaZ direkt»-Gastgeber Sebastian Briellmann im Gespräch mit Kulturjournalistin Mélanie Honegger. Und auch sie fragt sich, ob es nicht andere Möglichkeiten gegeben hätte, um die Finanzen wieder ins Lot zu bringen.Auch die Bürgerlichen machen dabei keine gute Falle, allen voran die LDP: Obschon man zahlreiche Argumente gegen die Erhöhung ins Feld führt, sagen 12 von 15 Abstimmenden Ja für mehr Geld. Das verstehe, wer will.Die Frage muss erlaubt sein: Sind die Liberalen noch eine bürgerliche Partei?Der Artikel zum Thema:Mehr Geld fürs Literaturhaus Basel 

Jeff Wall - einer der ganz Grossen der Fotografie. Seine Bilder sind aktuell in der Fondation Beyeler in Riehen bei Basel ausgestellt. Es handelt sich dabei um die erste Werkschau von Jeff Wall in der Schweiz seit fast zwei Jahrzehnten. Die Ausstellung zeigt in über 50 Fotografien das gesamte Spektrum der bahnbrechenden Werke von Jeff Wall. Die Ausstellung über die Werke von Jeff Wall läuft noch bis am 21. April 2024 in der Fondation Beyeler. Diese hat täglich von 10 Uhr bis 18 Uhr offen, am Mittwoch jeweils bis um 20 Uhr.

Gampert, Christianwww.deutschlandfunk.de, Kultur heute

„Alle Kunstwerke, die uns beeindrucken haben eine „Jetzt-Qualität.“ Und sie scheinen nie alt zu werden. Ich hoffe, das ist bei meinen Bildern auch der Fall.“, sagt der Fotokünstler Jeff Wall. Mit einer umfangreichen Werkschau zeigt die Fondation Beyeler in Basel, wie vielfältig die Arbeiten des Kanadiers sind. Jeder Ausstellungsraum ist ein Bilderkosmos, der die Frage nach dem Zusammenhang zwischen Realität und Fotografie immer neu stellt.

17 Ligaspiele, davon ein einziges gewonnen. Die Starwings liegen somit abgeschlagen auf dem letzten Tabellenplatz. Die Verantwortlichen sehen die vielen Abgänge während der Saison als Grund für die sportliche Baisse. Ausserdem: * Interview mit Werner Leisinger * Rundgang durch die Ausstellung Jeff Wall in der Fondation Beyeler

Wegen einer kaputten Weiche im Hauensteintunnel fielen am Freitagmorgen etliche Züge aus. Mehrere tausend Pendlerinnen und Pendler verpassten ihre Verbindungen und mussten auf Ersatzbusse ausweichen. Grund für den Unterbruch war ein defektes Kabel. Ausserdem: * Gewerbeverband unterstützt Conradin Cramer (LDP) und Luca Urgese (FDP) im Wahlkampf um den Sitz in der Basler Regierung * Basler Kulturkommission fordert mehr Geld für die Fondation Beyeler

Die tägliche Kulturagenda informiert über Events in der Region. Unter Anderem über diverse Kunstausstellungen in der Fondation Beyeler und dem Museum Tinguely.

In the first episode of the special season of Khosh Bosh with Anita, we discuss the curation of the Evaporating Suns exhibition. I am joined by Munira Al Sayegh and Verena Formanek. Tune in to hear more about their individual curatorial practices, the process of commissioning nine artworks for Evaporating Suns and the joys and questions that come with cross-cultural curation. Munira Al Sayegh is an independent curator and cultural instigator based in Abu Dhabi, UAE. She is the founder of Dirwaza Curatorial Lab, a UAE-based curatorial incubator. She is a published author and prominent public voice in the region, highlighting the importance of grassroots initiatives, narrative reclamation and non-institutional thinking to build regional art movements from the bottom up. Verena Formanek graduated with an MA from the University of Applied Arts, Vienna. In 1989 she joined the Museum of Applied Arts in Vienna as Curator of Design and Exhibitions. She installed the permanent collection in contexts designed by international artists like Barbara Bloom, Jenny Holzer, Donald Judd, and Heimo Zoberning. Formanek was Deputy Artistic Director at the Fondation Beyeler in Basel from 1996 to 2004 and worked closely with Ernst Beyeler. The three following years she was Head of Collections at the Museum für Gestaltung in Zurich. In 2010 she joined the culture department of The Tourism Development and Investment Company as Senior Project Manager for the soon to be opened Guggenheim Abu Dhabi. She worked in the same capacity in the museum department of the Abu Dhabi Tourism and Culture Authority until 2016. This special season of Khosh Bosh consists of four hour-long episodes that discuss the works from the exhibition, Evaporating Suns, in-depth with the artists and curators, as well as a myth library that showcases the different myths that the the KBH.G and Dirwaza teams grew up hearing. The thirteen artists showcased in this exhibition are Maitha Abdalla, Mays Albaik, Fatema Al Fardan, Moza Al Matrooshi, Abdullah Alothman, Farah Al Qasimi, Mashael Alsaie, Zuhoor Al Sayegh, Asma Belhamar, Alaa Edris, Saif Mhaisen, Fatima Uzdenova, and Bu Yousuf. The exhibition is presented by KBH.G in Basel, Switzerland and is curated by Dirwaza Curatorial Lab with the support of Verena Formanek. Presented by Kulturstiftung Basel H. Geiger I KBH.G. Season sponsored by the Foundry in Downtown Dubai. Music by Ronald Ekore.

Acquavella Gallery has represented the artist Wayne Thiebaud since 2011. The artist, who died on Christmas day in 2021 at the age of 101 was serious about his art, teaching and tennis. How serious was he about his art? Thiebaud worked on one painting for 32 years. Now the Fondation Beyeler has a show of 65 works by Thiebaud that will introduce the breadth of his work to a global audience. In this podcast, Eleanor Acquavella explains the unique factors that have led to a dramatic rise in value in the Thiebaud market and the reasons it might have taken so long for the artist to achieve this moment of recognition.

Paolo RepettoChristo e Jeanne Claude ProjectsCastello di Miradolo15 ottobre 2022 - 16 aprile 2023A poco più di due anni dalla scomparsa di Christo Vladimirov Javacheff, il Castello di Miradolo dedica a Christo e Jeanne-Claude, la coppia che ha rivoluzionato il concetto di opera d'arte e il suo processo di realizzazione, la mostra Christo e Jeanne-Claude. Projects, che espone disegni, collages, fotografie e video delle loro opere più famose, insieme ad opere di alcuni artisti del Nouveau Réalisme e della Land Art che hanno influenzato la loro produzione artistica e il loro pensiero.Curata da Francesco Poli, Paolo Repetto e Roberto Galimberti, con il coordinamento generale di Paola Eynard, la mostra, realizzata grazie alla collaborazione con la Christo and Jeanne-Claude Foundation di New York, presenta circa sessanta opere accompagnate da un'ampia sezione fotografica e dalla proiezione dei video che documentano la realizzazione delle monumentali installazioni artistiche. Le opere di Christo e Jeanne-Claude, tanto inedite, quanto ardite e monumentali, fecero sempre molta fatica ad essere approvate ed accettate. Nel 1966 il permesso per il progetto Wrapped Trees, concepito per il parco adiacente al Saint Louis Art Museum, in Missouri, fu negato. Nel 1969 gli artisti immaginarono il progetto Wrapped Trees, Project for Avenue des Champs- Élysées and the Rond Point des Champs-Élysée a Parigi, anch'esso mai realizzato. Il progetto Wrapped Trees per Riehen (Comune alle porte di Basilea) è stato infine completato nel 1998 ed è il risultato di 32 anni di sforzi e attese. Nel parco intorno alla Fondation Beyeler, 178 alberi, alti da 2 a 25 metri, sono stati avvolti con 23 chilometri di corda e con 55mila metri quadrati di tessuto in poliestere intrecciato.Al 1968 risalgono i primi due edifici impacchettati: entrambi musei. Si tratta della Kunsthalle di Berna e del Museum of Contemporary Art di Chicago. Nello stesso anno, in occasione della quarta edizione di Documenta, la quinquennale esposizione internazionale che si svolge a Kassel, in Germania, Christo e Jeanne-Claude realizzano davanti al palazzo del Friedericianum, sede della mostra, 5.600 Cubicmeter Package, una gigantesca scultura gonfiabile alta circa 85 metri. Nel 1974 a Roma il critico Achille Bonito Oliva organizza la grande rassegna “Contemporanea” a cui partecipano tutti i maggiori artisti internazionali. Christo e Jeanne-Claude realizzano una delle loro opere urbane più straordinarie: The Wall-Wrapped Roman Wall, che vede una sezione di ben 250 metri delle Mura Aureliane interamente coperta da tessuto di polipropilene legato da corde in Dacron. Nel 1985, undici anni dopo, The Pont Neuf Wrapped segna un nuovo intervento urbano che ha come protagonista il più antico ponte di Parigi, la cui architettura – in costante evoluzione - ha rispecchiato per secoli il carattere trasformista della città. L'intervento di Christo e Jeanne-Claude conferisce al Pont Neuf una nuova dimensione scultorea, continuandone dunque la tradizione della metamorfosi architettonica, trasformandolo per 14 giorni in un'opera d'arte.Wrapped Coast, One Million Square Feet (1969) nella Little Bay di Sydney in Australia, Valley Curtain (1972) a Rifle in Colorado, Ocean Front (1974) a Newport, Rhode Island a sud di Boston, Running Fence (1976) nelle Contee di Sonoma e Marin in California, sono tutte opere di dimensioni colossali, dove enormi teli in polipropilene o nylon hanno celato, per alcune settimane, vasti spazi, ora di costa, ora di acqua, ora di cielo. Valley Curtain, il grande telo arancione disteso come una immensa diga tra gli estremi di due colline, richiese 28 mesi di preparazione e durò solo 28 ore poiché forti raffiche di vento, fino a 100 km all'ora, resero necessaria una tempestiva disinstallazione. Running Fence, lunga quasi 40 chilometri e alta 5,5 metri, si estendeva da est a ovest, a nord di San Francisco, sulle proprietà di 59 allevatori di bestiame. Per 14 giorni l'alta “recinzione” di nylon bianco, come una inedita muraglia cinese, ma più elegante e leggera, seguiva l'andamento sinuoso delle colline per poi scomparire, immergendosi nell'oceano Pacifico, a Bodega Bay. L'idea arcaica della grande muraglia, come recinzione e difesa, delimitazione politica e confine, nella concezione dei due artisti si trasforma in un sinuoso nastro di luce che anziché separare, unisce, riaffermando ed esaltando così le caratteristiche coloristiche e luminose del contesto naturale catturato in una precisa frazione di tempo. Wrapped Fountain and Wrapped Medieval Tower (1968) sono le prime opere pubbliche realizzate da Christo e Jeanne-Claude in Italia. In occasione del Festival dei Due Mondi di Spoleto impacchettano una torre medievale e la Fontana del Mascherone del XVII secolo. Per i dieci anni dalla fondazione del movimento del Nouveau Réalisme, Christo e Jeanne-Claude impacchettarono con un tessuto in propilene bianco e con corde arancio due dei principali monumenti scultorei di Milano: quello di Vittorio Emanuele II in piazza del Duomo e quello di Leonardo da Vinci in piazza della Scala. Wrapped Monument to Leonardo e Wrapped Monument to Vittorio Emanuele II (1970) ebbero entrambi vita breve: rispettivamente due e sette giorni.Wrapped Reichstag (1995), l'impacchettamento dello storico palazzo del parlamento tedesco a Berlino, ha visto Christo e Jeanne-Claude impegnati in un travagliato processo di approvazione del loro progetto durato oltre due decenni. Per la forte pregnanza simbolica dell'edificio questo è forse l'intervento urbano più significativo degli artisti ed è tra quelli che ha avuto la maggiore risonanza e il più forte impatto a livello mondiale. La facciata, le torri e il tetto sono stati ricoperti con 100mila metri quadrati di tessuto in polipropilene color alluminio legati con ben 16,6 chilometri di corde blu. Il lavoro è stato compiuto da 70 alpinisti professionisti e da 120 operai installatori.A differenza degli esponenti della Land Art americana, che hanno privilegiato lontani territori desertici incontaminati e difficilmente raggiungibili, Christo e Jeanne-Claude hanno sempre voluto realizzare le loro opere in luoghi facilmente accessibili, anche nel caso degli interventi in spazi naturali. La componente fondamentale dei loro progetti era la presenza umana in forma di rapporto che una comunità di individui sviluppa con il contesto in cui vive e al contempo di interazione e coinvolgimento diretto nella creazione dei progetti stessi. Con Surrounded Islands (1983) nella Biscayne Bay di Miami, 11 delle isole situate nella baia furono circondate da oltre 600mila metri quadrati di tessuto fluttuante in polipropilene rosa che ricopriva la superficie dell'acqua e si estendeva per 61 metri da ciascuna isola nella baia. All'alba del 9 ottobre 1991, alla presenza di Christo e Jeanne-Claude, furono aperti i 3.100 ombrelli alti 6 metri e con un diametro di circa 8,5 metri, a Ibaraki e in California. The Umbrellas (1991) intendeva indagare le somiglianze e le differenze nei modi di vivere e nell'uso dello spazio in due valli interne, una lunga 19 chilometri in Giappone e l'altra 29 chilometri negli Stati Uniti. In Giappone, la valle si trova nella prefettura di Ibaraki e comprende le proprietà di 459 proprietari terrieri privati e di agenzie governative. Negli Stati Uniti, la valle si trova a poco meno di 100 chilometri a nord di Los Angeles, nelle proprietà del Tejon Ranch, appartenenti a 25 proprietari terrieri privati e agenzie governative. Con The Floating Piers (2016) per 16 giorni, dal 18 giugno al 3 luglio, il Lago d'Iseo è stato reinventato. Centomila metri quadrati di tessuto giallo dalia scintillante, fissati a un sistema modulare di pontili galleggianti composto da 220mila cubi di polietilene ad alta densità, ondeggiavano con il movimento dell'acqua, appena sopra la superficie del lago. The Gates (2005) è un cammino lungo 37 chilometri a Central Park, a New York: 7.503 “cancelli” alti quasi 5 metri e distanti tra loro circa tre metri e mezzo.Tutte le opere ambientali di Christo e Jeanne-Claude sono sempre state interamente finanziate dagli artisti stessi, attraverso la vendita dei disegni, dei collage e dei modelli in scala dei progetti in essere o passati. Tutti i progetti sono sempre stati liberamente accessibili al pubblico in maniera gratuita.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

(00:00:30) Wenn frisch Zugezogene und die langjährige Nachbarin nicht miteinander klar kommen oder wenn es Streit gibt, wie die Umgebung genutzt werden soll, kommt Siedlungscoach Katharina Barandun ins Spiel.  Weitere Themen: (00:12:13) Freiluft-Konzert auf der Panoramabrücke – die Bläserwanderung in der Gummischlucht bei Sigriswil.  (00:16:16) Namen verstorbener Flüchtlinge sichtbar machen – das gelingt der Künstlerin Doris Salcedo in der Ausstellung «Palimpsest» in der Fondation Beyeler. (00:20:55) Klimapolitik, Globalisierung und die Wissenschaft waren seine Themen – ein Nachruf auf den Soziologen Bruno Latour.

Am Parteitag nominierte die FDP neben ihrer eigenen Regierungsrätin Monica Gschwind und Mitte-Regierungsrat Anton Lauber auch SVP-Kandidatin Sandra Sollberger. Die Wahl erfolgte einstimmig.  Ausserdem: * Auch GLP nominiert einen Kandidaten für die Regierungswahlen * FC Basel verliert in Bulgarien gegen CSKA Sofia mit 0:1 * Fondation Beyeler bleibt vorübergehend geschlossen

160 Mal musste die Feuerwehr am Mittwoch in Riehen ausrücken. Meist waren Strassen überschwemmt oder Keller vollgelaufen. Auch die Fondation Beyeler in Riehen ist betroffen. Das Wasser lief in die Ausstellungsräume rein. Noch unklar ist, wie gross der Schaden ist.  Ausserdem: * Mehr Wegzüge aus Basel im 2021 * Cannabis aus der Apotheke: Pilotprojekt in Basel * Mitte BL unterstützt Sandra Sollberger (SVP)

Am Parteitag der Baselbieter Mitte am Mittwochabend sicherte die Partei der SVP-Regierungsratskandidatin Sandra Sollberger ihre Unterstützung zu. Das nach einer intensiven und emotionalen Diskussion.  Ausserdem:  * Unwetter trifft die Region hart: Die Basler Polizei vermeldet über 100 Feuerwehreinsätze wegen grösseren Überschwemmungen. Auch die Fondation Beyeler ist betroffen. * Der Basler Hürdenläufer Jason Joseph verpasst die Bronzemedaille bei der Leichtathletik-EM in München um zwei Hundertstelsekunden.

Sara Cosulich"Pinacoteca Agnelli"https://www.pinacoteca-agnelli.it/la-pinacoteca/missione/Il nuovo corso della Pinacoteca Agnelli di Torino sta dando i suoi frutti La nuova direttrice Sarah Cosulich insieme a tutto il suo staff al femminile, ci racconta il suo progetto “per dare forma a questa nuova strada per l'arte e con l'arte, con tre progetti espositivi che esprimono un nuovo approccio alla produzione delle mostre, tutte prodotte internamente, una nuova visione della preziosa collezione permanente, da riattivare, ma anche da ripensare e mediare al pubblico”. Il tutto con una fruizione più aperta, che ingloba anche la storica pista di collaudo del Lingotto del vecchio stabilimento della Fiat e si dota di nuovi servizi come la caffetteria.Beyond The Collection, un inedito progetto espositivo continuativo dedicato alla rilettura e riattivazione della collezione permanente: l'istituzione parte ogni volta da un'opera diversa dello Scrigno per stabilire relazioni in grado di riflettere sulle presenze così come sulle assenze della collezione. In questo caso, a partire da un'opera di Picasso in collezione, il dialogo è tra 3 ritratti del pittore catalano degli anni Trenta raffiguranti Dora Maar, provenienti dalla Fondation Beyeler, e una serie di fotografie di Dora Maar stessa, artista fotografa, poeta e pittrice francese di origine croata, riconosciuta per i suoi collage surrealisti.Poi si passa parte dell'artista svizzera Sylvie Fleury, fatta di tante ambientazioni diverse, dove c'è anche la riproduzione di una grotta che Fleury concepisce come uno spazio di trasformazione del sé. “Gli immaginari pop, ironici e seducenti di Sylvie Fleury sottolineano l'importanza di guardare a figure femminili rilevanti per la storia dell'arte”, continua Cosulich: “pioniera ma figura influente sulla scena contemporanea il progetto dedicato all'artista e prodotto dalla Pinacoteca Agnelli è la sua più importante mostra in Italia”.Infine la Pista 500 sul tetto del Lingotto, spazio recentemente riconvertito in giardino pensile dall'architetto paesaggista Benedetto Camerana, e ora museo en plein air e in progress. Questa prima edizione di arte sul tetto apre al pubblico con opere di sette artisti internazionali: Valie Export, Sylvie Fleury presente anche qui con una scritta al neon, Shilpa Gupta, Louise Lawler, Mark Leckey e Cally Spooner con una poetica installazione sonora che diffonde una suite di Bach per violoncello nell'immenso spazio della Rampa Sud, facendone da cassa di risonanza. L'opera di Nina Beier inaugura, invece, tra un mese com'è nello stile della Pista, in continuo aggiornamento.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

In dieser Folge trifft Lisa Zeitz auf Ulf Küster, Senior Curator an dem Schweizer Privatmuseum Fondation Beyeler. Sie sprechen über den niederländischen Maler Piet Mondrian, die Retrospektive, welche anlässlich des 100. Geburtstages des Künstlers in der Fondation Beyeler zu sehen ist und was seine Kunst mit Tanz und Rhythmus gemeinsam hat. Der "WELTKUNST-Podcast - Was macht die Kunst?" wird in Partnerschaft mit Christie's produziert.

Jenny Holzer was born in 1950 in Gallipolis, Ohio. She received a BFA in printmaking and painting from Ohio University, Athens, Ohio, in 1972, and an MFA in painting from the Rhode Island School of Design, Providence, in 1977. Holzer then moved to New York and enrolled in the Independent Study Program at the Whitney Museum of American Art. That same year, she created her first text-based works, initiating an ongoing artistic investigation of language in which she presents both original and appropriated texts to deconstruct how personal and political meaning are created in Western culture's patriarchal, consumer-oriented society. For Truisms, her series comprising terse one-liners written between 1977 and '79, and Inflammatory Essays, which were composed between 1979 and '82, Holzer anonymously pasted posters of unswerving, declarative statements around New York City. Since then her text-based work has evolved in numerous mediums. In the 1980s Holzer used electronic signs to present her work in such prominent public spaces as Times Square in New York and Piccadilly Circus in London, as well as in sport stadiums. She began producing engraved marble and granite benches, initially bearing text from Under the Rock (1986), and stone sarcophagi inscribed with Laments (1988–89), a moving reflection on the devastating repercussions of the AIDS crisis. For her 1989–90 retrospective at the Solomon R. Guggenheim Museum in New York, Holzer created a site-specific LED sign that wound its way around the parapet of the Frank Lloyd Wright–designed rotunda, displaying aphorisms and declarations from all of her work to date. She represented the United States at the Venice Biennale in 1990 and was awarded the Golden Lion for her Venice Installation, where she presented a series of her writings—including Mother and Child (1990), an account of motherhood—incised on a marble floor and emanating from LED signs.Holzer has produced public memorials as well as outdoor nighttime projections, such as Arno (1996), presented on the surface of the Arno River in Florence. Her texts have also been projected on Rio de Janeiro's cityscapes and oceans (Xenon for Rio de Janeiro, 1999), on beach shores and mountainsides (For San Diego, 2007), and on building facades across the world. Most recently, Holzer has returned to her earlier practice of using declassified American government documents as a subject for her art. Silkscreened on oil-painted backgrounds, these new works denounce acts of brutality and military practices conducted during the Iraq war. Holzer has had solo exhibitions at the Kunsthalle Basel (1984); Brooklyn Museum, New York (1988); Dia Art Foundation, New York, and Solomon R. Guggenheim Museum (both 1989–90); Haus der Kunst, Munich (1993); Art Tower Mito, Japan (1994); Contemporary Arts Museum Houston (1997); Neue Nationalgalerie, Berlin (2001, 2011); Kunsthaus Bregenz, Austria (2004); MAK, Vienna (2006); Museum of Contemporary Art Chicago (2008–09; travelled to the Whitney Museum of American Art [2009], and Fondation Beyeler, Riehen, Switzerland [2009–10]); Tate Modern, London (2018–19); and the Guggenheim Museum Bilbao (2019), among other institutions. Select group exhibitions include Eating Friends, Artists Space, New York (1981); Around 1984: A Look at Art in the Eighties, MoMA PS1 (2000); and Surprise, Surprise, Institute of Contemporary Arts, London (2006). Her works have appeared in Documenta (1982, 1987); Whitney Biennial (1983, 1985); Carnegie International (1985); Sculpture Project, Münster (1987); Venice Biennale (1990, 2005, 2007, 2015); Florence Biennial (1996); Singapore Biennial (2006); and Gwangju Biennial (2012). She has been the recipient of several important awards, and in 2016 she was made an Officier of the Order of Arts and Letters by the French government. Holzer is one of the six artist-curators who made selections for Artistic License: Six Takes on the Guggenheim Collection, Solomon R. Guggenheim Museum (2019–20). She lives and works in New York.From https://www.guggenheim.org/artwork/artist/jenny-holzer. For more information about Jenny Holzer:“5 ways Jenny Holzer brought art to the streets”: https://www.tate.org.uk/art/artists/jenny-holzer-1307/5-ways-jenny-holzer-brought-art-streets“Jenny Holzer”: https://projects.jennyholzer.com“Jenny Holzer”: https://www.interviewmagazine.com/art/jenny-holzer

Schwarze Linien, rechte Winkel und die Grundfarben Blau, Rot und Gelb. Das berühmte Mondrian-Prinzip, es war kein Geniestreich. Sondern die Folge von jahrzehntlanger Arbeit an seinem Thema, die Suche nach Rastern und Strukturen. Der holländische Künstler hat stets die Entwicklung seiner Kunst in ein zweites Leben im Design der Alltagswelt mit angestrebt. Zeitgenossen wie Yves Saint-Laurent setzten diese Idee dann erfolgreich mit ihren Produkten um. Die Mondrian Retrospektive in der Fondation Beyeler in Basel will diesen Weg der evolutionären Wandlung von wegweisender Kunst zum allgemeingültigen Design nun nachzeichnen.

Gampert, Christianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

In der Fondation Beyeler kann man zurzeit die Entwicklung eines Künstlers nachverfolgen: ausgestellt werden Früh- und Spätwerke des niederländischen Malers Piet Mondrian. Ausserdem: * Hackerangriff gegen Novartis * Euroairport vorübergehend evakuiert

Probst, Carstenwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Uber-Urteil hat bereits Folgen in Genf, Ukraine-Flüchtlinge: Kantone brauchen mehr Betreuungs-Personal, Alkohol-Abstimmung der Migros und das Marketing, Fondation Beyeler zeigt Piet Mondrian

On this weeks episode we are hosting our first ever live podcast. The conversation between Kirsty and Leo was based at The Whiteley in association with Six Senses. Leo Cosendai Is a Swiss sound artist known for sensory experiences that question human perspective. He has worked with Fondation Beyeler, Royal Academy of Arts, London Design Festival, and Pace Gallery. He currently resides in London. In this episode we learn about the power of sound meditation and why altering perspectives and shifting reality is what we all really need. This episode ends with the most wonderful sound bath from Leo.  We can't wait to see what you think of this episode, if you liked it please do share - it means so much to us. [This is a Monday Network production] Follow Kirsty on Instagram: http://www.instagram.com/kirstyraynor Follow Leo in Instagram: http://www.instagram.com/leocosendai Follow The Mindset and Me Podcast on Instagram: http://www.instagram.com/mindsetandmepodcast Follow Monday Network on Instagram: http://www.instagram.com/monday_network Sign up for Kirstys daily emails here: https://view.flodesk.com/pages/62095e92e0eda1a0d870a994

Gampert, Christianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

This week: the Art Basel and UBS Global Art Market Report 2022 is out—is the market's recovery as good as it sounds? We talk to Melanie Gerlis, art market columnist for The Art Newspaper and the Financial Times, about the sixth edition of the market report, what the headline figures tell us and what we can read between the lines. As the exhibition Hideouts: The Architecture of Survival, opens at the Zacheta National Gallery of Art in Warsaw—focusing on the spaces in Poland and Ukraine used by Holocaust survivors to escape Nazi persecution—we talk to the artist behind it, Natalia Romik. Though long planned, the show has gained a troubling topicality as the Russian invasion and destruction of Ukraine continues. And in this episode's Work of the Week, coinciding with the 150th anniversary of Piet Mondrian's birth, we discuss his painting Victory Boogie Woogie (1942-44). Caro Verbeek, the co-curator of Mondrian Moves, an exhibition opening this week at the Kunstmuseum den Haag in the Hague, the Netherlands, tells us about the feverish creation and unfinished nature of the Dutch artist's final work.Natalia Romik's exhibition, Hideouts: The Architecture of Survival, Zachęta National Gallery of Art, Warsaw, until 17 July; TRAFO Center for Contemporary Art, Szczecin, Poland, 4 August-6 NovemberMondrian Moves, Kunstmuseum den Haag, the Hague, Netherlands, 2 April-25 September. Mondrian Evolution, Fondation Beyeler, Basel, Switzerland, 5 June-9 October; K20, Düsseldorf, Germany, 29 October-10 February 2023 See acast.com/privacy for privacy and opt-out information.

Ernesto Neto (*1964, Rio de Janeiro) lives and works in Rio de Janeiro. The artist participated in the Venice Biennale in 2001 and 2017. In recent years, his work has been the subject of solo exhibitions in public institutions including The Museum of Fine Arts, Houston (2021); Centro Cultural La Moneda, Santiago (2020); Pinacoteca de Sāo Paulo, and Museo de Arte Latinoamericano de Buenos Aires - MALBA (2019); Fondation Beyeler, in the Zurich Main station (2018); Museum of Contemporary Art Chicago (2017); Thyssen-Bornemisza Art Contemporary - TBA 21, Vienna (2015); Aspen Art Museum, Colorado, and the Guggenheim Bilbao (2014); Espace Louis Vuitton, Tokyo (2012); and Museum of Modern Art, New York (2010), The Art Museum of Nantes (2009); The Panthéon, Paris (2006); among others. Neto's work is represented in institutional collections worldwide including The Museum of Modern Art, New York; Tate, London; Solomon R. Guggenheim Museum, New York; Carnegie Museum of Art, Pittsburgh; Albright-Knox Gallery, Buffalo; Boijmans van Beuningen Museum, Rotterdam; Art Gallery of New South Wales, Sydney; Hara Museum, Tokyo; Contemporary Art Center of Inhotim, Brumadinho; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Museum of Contemporary Art, Los Angeles; and Centre Pompidou, Paris. Ultimatum at Galerie Max Hetzler 57, rue du Temple, 75004, Paris 12 March —16 April 2022 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app