Podcast appearances and mentions of jeffrey daniel

On this day in 1983, Michael Jackson performed the moonwalk for the first time at the Pasadena Civic Auditorium in California. See omnystudio.com/listener for privacy information.

Cameroon-born, London-raised choreographer and composer Dickson Mbi is our guest on this week's Composing Myself, beaming in from Glasgow for a riveting chat with Wise Music CEO Dave Holley and Creative Director Gill Graham. Hot topics discussed with this engaging and charismatic creative polymath include:- how Youssou N'Dour and Neneh Cherry's ‘7 seconds' “was the song that smashed it for me” and pulled a young Dickson away from football- getting into dance “because of girls”- a chance discovery of his first popping crew after escaping a dance class in Covent Garden- being clandestinely enrolled in dance school by a friend's dance tutor who saw limitless untapped potential - the importance of late-70s and early-80s funk - Earth, Wind & Fire, Cameo etc - on Dickson's palette of influences and how he was given his first job in dance by Shalamar's Jeffrey Daniel- why an “epic snare” is absolutely crucial- a life-changing return to Cameroon and the village where his parents grew up… “I really understood who I am as a person just from that experience”- how the sound of a tiger's roar affects the human stomach!- why “when a matriarch falls, everything falls apart”https://www.dicksonmbi.com/Dickson Mbi was born in Cameroon and grew up in London where he studied at Lewisham College and London Contemporary Dance School. He is a world-renowned dancer in the Hip Hop dance community and best known for his popping skills which is integral to the work that he creates today. Dickson has featured in multiple TV campaigns including BALMAIN X H&M (2016), AUDI E TRON (2014), and was the face for LUCOZADE REVIVE (2012). Over the course of his career, he has worked with award-winning artists such as Russell Maliphant, Boy Blue Entertainment, Robbie Williams, Corrine Bailey-Rae, Black Eyed Peas and choreographed the 'Leave A Trace' music video for CHVRCHES. ​He is an award-winning choreographer and has been commissioned by several theatres, festivals and arts organisation. In 2018, Sadler's Wells Theatre commissioned a documentary ‘Street to Stage' about Dickson's artistic journey for BBC4's Danceworks series. Later that year, Sadler's Wells commissioned him to create work for their elderly company - The Company of Elders. In the following year, Dickson was commissioned by BBC Young Dancer to create the winning choreography UNSTRUNG performed by Max Revell. ​As a leader in his community, Dickson focuses on fostering the future generations of dancers with his partner Brooke Milliner in their battle crews Prototype and FIYA HOUSE. As a choreographer, Dickson enjoys making works for other companies as well as presenting his own works under Dickson Mbi Company. Well worth a listen. Hosted on Acast. See acast.com/privacy for more information.

This week Invasion of the Remake brings you a special episode featuring Richard Brake and Jeffrey Daniel Phillips, recorded live at the Calgary Horror Con 2022! Richard & Jeffrey talk about Mandy, Game of Thrones, The Munsters, working with Rob Zombie and a whole lot more! It's Doom Head an Herman Munster on this week's episode! Panel Hosts: ReAnimateHer and A Cer1al Kill3r Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, PPE masks and other Invasion of the Remake swag at our TeePublic Store!

Happy Birthday to Jeffrey Vinokur, Lois Boyles, and Jeffrey Daniel! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Music & Keyboard: Gail NoblesPodcast vocals: Gail NoblesIntro by: Gail NoblesCat Bear voice by: Gail NoblesPhoto credit: AvidMusicInc - Own workUsage: CC BY 3.0Download from: Wikipedia.orgCat Bear: The Cat Bear! Today's topic: Shalamar, and now here is Gail Nobles. GN: Thank you Bear! I'd like to give a shout out to everyone that's been listening in DJ's and Radio Personalities, to all the podcasters that's been listening, and everyone on social media. Today I'm going to talk to you about Shalamar an R&B soul music vocal group active since the late 1970's and throughout the 1980's. They were a dance group on Soul Train. Howard Hewett, Jody Watley, and Jeffrey Daniel.Shalamar had hits such as “A Night to Remember”, “Make That Move”, and “The Second Time Around” to name a few. One of my favorite songs by Shamalar is Second Time Around. It is a 1979 hit. The song is the first single from their album, Big Fun. Released in August 1979, the single went to number one on the single went to number one on the soul chart and was their most successful hit on the Hot 100 pop chart, reaching number eight in early 1980. The Second Time Around" also went to number one on the disco/dance chart in January 1980. The song was produced by Leon Sylvers III, who cowrote the song with William Shelby.Many times I've heard the song “Second Time Around”. And whenever it was played on the radio, somebody would say: Turn the radio up!” It was the song that you didn't want to miss. Watching the group Shalamar on television was even better. Somebody would say: They gettin' down! They singing that song. I might go a second time around and like it better.” That was somebody that paid attention to the lyrics. At first, lyrics were not written down for us to sing along with songs. But now, we can get the lyrics.At first, videos weren't seen. We mostly watched the performance of a group on Soul Train or American Bandstand. Now we can see the videos. We can rewind and watch Shalamar just as if we are playing a record as many times as we want to. We can see the group and hear the group.Times may have changed since the 70's, but Shalamar's music still makes us want to jam to their songs in the year of 2022. That's a long time. I'm Gail Nobles, and you're listening to the Cat Bear. I'm gonna leave you now with the Cat Bear's intro for the topic Shalamar.

The latest episode of the podcast which asks; if Steve Miller is in a consensual relationship, and keeps away from certain designated areas, and he's not just doing it to show off in front of his mates, is it acceptable in today's society to reach out and grab her?This episode, Pop-Crazed Youngsters, sees your panel – who are currently toting huge consignments of heroin around Leeds, swiftly climbing up the class system of Coventry and still getting over the terror of finding someone's undergarments in a sex-grafitti'd public toilet in St Pancras station – on the horns of a dilemma; on one hand, a premium-strength episode of Yellow Hurll-era TOTP. On the other, a World Cup semi-final. The latter doesn't kick off until we're 30 minutes into this episode, but at what point do our heroes break and succumb to the boot-on-ball surrender? And will Al have to watch all of this on a black-and-white portable with a coat hanger for an ariel, or will his Dad slink off to the pub and let him watch it downstairs?Musicwise, it's a game of two halves, with two landmark events occurring and a blizzard of Huge Eighties Things being introduced to us for the first time ever. Imagination are at the top of their flouncy, slinky game. Bruno's Dad lamps someone for ripping a speaker off his cab. Jeffrey Daniel reprises the Starman Moment of the Eighties and makes the Weetabix throw their Doc Martens in a skip. AC/DC get their cannons muffled. But just when you think this could be greatest TOTP episode ever, Jonathan King crashes in like Toni Schumacher on Patrick Battiston in order to curl off another dollop of rubbish American rammel (although he introduces the UK to Mr T. And Deeleyboppers).But then! Out of nowhere come the Good Germans – Trio – who produce one of the greatest TOTP performances ever, followed by Odyssey slamming home one of the greatest singles ever, and all is well. But oh dear, that ‘3' button is about to take a hammering as Bananarama pitch up in big nappies, Bucks Fizz take time out from bombing the Ruhr to cheat on each other, Captain Sensible ducks out of the pub to pretend to be the bastard son Worzel Gummidge and Toyah, and some magicians do their underwhelming pieces to the Steve Miller Band. Everything astoundingly life-affirmingly right and groin-punchingly wrong about early-Eighties TOTP is here, and it gets picked over in the usual manner.Rock Expert David Stubbs and Neil Kulkarni join Al Needham for a dance on the car roof of 1982, veering off on such tangents as being nestled against Mr C's packet, the Line-dancing community of Birmingham, being at a loss about what to say to Jimi Hendrix, wondering what ‘Eagle Farm Today' actually means, and Top Of The Pops getting Bobby Gee to fight some swans in a cage in a desperate attempt to keep watching BBC1. And all that lovely swearing, too! Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki | Patreon See acast.com/privacy for privacy and opt-out information.

Neil Kulkarni, David Stubbs and Al Needham commence a gleeful rip into an episode of The Pops smack in the middle of the Yellow Hurll era. And what a start! Kid Jensen pops up in a monarchist Robert Mugabe shirt, Imagination have a proper slink-about, Bruno's dad lamps someone, and Jeffrey Daniel changes the face of shopping precincts on a Saturday for the rest of the decade…Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki | Patreon See acast.com/privacy for privacy and opt-out information.

Having gotten his mainstream break as the lead singer of the legendary R&B group Shalamar (which originally included Jeffrey Daniel and Jody Watley), the incomparable tenor is an unforgettable mainstay in the music world today. --- Support this podcast: https://anchor.fm/ryan-glover-media/support

Kaluba Patrick Mumba Review The Throwback Remixes is as aptly titled. It is a musical rendezvous with the R&B of noughties in true “In the mix” fashion. The opening track is David Josias” It's Ashame” from 2000. A track with the kind of lilt that pulls you into a groove underscored with vocal lines that reference some 70’s and 90’s classics like the The Spinners It’s a Shame and Sugar Hill gangs Rappers Delight. Track 2 is Roi Anthony’s two steppin Who’s Gon Love Me”. It continues in the same vein but kicks off the groove with percussive elements that make you “curious” (?? -read on) Track 3 finds Lydia getting “Closer” to the “Surface” with a contemporary re-working of this 80’s staple with Pic Conley signature flute embellishments. Track 4 is a remix of a cover; Babyface’s “For the Lover in You” featuring Jody Watley, Jeffrey Daniel, Howard Hewitt and LL CoolJ ……..#Ooohbabybaby#, it oddly implores one to reach out for the replay button but then MixSensei cunningly introduces another remarkable remix in the form of LevertSweat&Gill’s Midnight Star cover -Curious (got the wink now) featuring Busta “rambunctious” Rhymes and MC Lytte. To max it out, the sequence is re-directed into avenue-do-not-disturb-this-groove with Diane Marsh’s understated “Do Not Give Up On Lovin” before Positive Flow’s “My Prediction” and its contagious vocals by none other than Omar. If you suffer from R_&_B_Mylitis, the closing track will send you into a ecstatic high with its in your face sound and a chorus line that evokes the suggestive hook in Kool & The Gang’s Ladies Night. I suppose it is MixSensei Mel’s way of telling you that #This is his mix-tonight, everything is going to be - alright#!

Howard Hewett Jr. (born October 1, 1955) is a Grammy Award-winning American singer–songwriter. Hewett rose to fame as the lead vocalist of the Grammy-winning R&B/soul vocal group Shalamar. Raised in Akron, Ohio, Hewett moved to Los Angeles in 1976, where he met John and Alonzo Daniels, owners of a historic club in the LA Crenshaw district, called Maverick's Flat. It was at Maverick's that Hewett first met Jeffrey Daniel and Jody Watley (eventually Shalamar). Hewett and the Daniels brothers formed a show group called "Beverly Hills" and through Daniels bookings toured throughout Europe, the UK, Scandinavia and Asia for all of 1977 till the middle of 1978. After returning from overseas, Hewett started recording for Jeffrey Bowen, a Motown producer (The Temptations, Commodores, Bonnie Pointer) who was working on a solo project on guitarist Eddie Hazel (Parliament-Funkadelic). Hewett never completed the project because towards the end of 1978, he got a call from Jeffrey Daniel, who was on the road with Shalamar in the middle of a promotional tour. They had suddenly found themselves in need of a lead singer and Daniel made Hewett an offer that he accepted. Within three days Hewett flew to New Jersey, where he met up with Watley and Daniel, rehearsed the lip synch and choreography to the current Shalamar single "Take That to the Bank", and found himself in front of a TV camera on a local dance show in Paterson, New Jersey. They completed the promotional tour and returned to Los Angeles and immediately started recording the Big Fun LP with their producer, Leon Sylvers. The trio went on to record songs such as "Second Time Around", "Make That Move", "A Night to Remember", "Dancing in the Sheets" and the ballad "This Is for the Lover in You". Hewett was the group's lead singer from 1979 until 1985.When Shalamar broke up in the mid-1980s, Hewett went on to a successful solo career. However, in 1985 before signing his solo deal with Elektra Records, he was arrested and indicted in Miami with his fiancée Mori Molina for possession with an intent to distribute cocaine.[1] Molina, who was indicted in Tampa as well as Miami, was convicted and served prison time; but after a four-day trial, in which Molina testified that Hewett had nothing to do with the crime, Hewett was acquitted of all charges.[2] In spite of his legal battles, Hewett signed his solo deal with Elektra Records and in 1986, before the Miami trial, released his first solo album, I Commit to Love (R&B number 12), a solid urban album that yielded two top 10 R&B hits, "I'm for Real" (R&B number 2) and "Stay" (R&B number 8). The album went Platinum and also included "Say Amen", a gospel tune that became a surprise hit on the Gospel as well as Urban charts and is one of Hewett's many signature songs.In 1988, he released his second album Forever and Ever, which featured the hits "Strange Relationship" (R&B number 9, and "Once, Twice, Three Times" (R&B number 15). Forever and Ever was certified Gold. In 1990, Hewett released his Platinum self-titled album, which included the hit "Show Me" (R&B number 2), and "If I Could Only Have That Day Back" (R&B number 14), 1992 saw the release of his 4th album, the LP Allegiance, which was not received as well as his previous albums. He contributed to the second season theme song of Hangin' With Mr. Cooper, which was a remake of Sam & Dave's R&B Top 10 hit "Soul Man". This recording was produced by singer Steve Tyrell. After 1995's It's Time (released by Caliber Records in the US and Expansion Records in the UK), Hewett spent much of his time providing guest vocals on albums by jazz artists such as Joe Sample, Brian Culbertson, and George Duke, among others. In 2000, The Rippingtons featured Hewett on "I Found Heaven" on their Life in the Tropics album. In 2001, Hewett recorded his first full gospel album, The Journey, followed a year later by The Journey Live: From the Heart.In October 2006, Hewett released a new single, "Enough" (with jazz legend George Duke), which received substantial play on urban contemporary and R&B radio stations. Hewett is signed to The Groove Records, an independent label based in Los Angeles.[3] In October 2008, Hewett released his long-awaited Christmas CD, Howard Hewett Christmas, which combines his soulful R&B voice with classic Christmas songs. Working with music greats Earth, Wind and Fire, Stevie Wonder, and new vocal sensation Jasselle, who provides a Latin flair, Hewett proves that his music style remains classic, offering a message that reignites the spirit of Christmas. In 2009 he recorded a duet with soul singer Teena Marie, "Lover's Lane", on her album Congo Square. Hewett now enjoys recording at his leisure, touring the US and overseas,[4] and spending time with his four children and two grandchildren. Howard Hewett was married to his first ex-wife Rainey Riley-Cunningham. Hewett had two daughters, LaKiva and Rainey. Hewett married Mari Molina in 1986 but later divorced. He married actress/singer Nia Peeples and had a son, Christopher (born 1989). Peeples appeared in the music video for his song "Show Me." After their divorce, Hewett married Angela and had one daughter, Anissa. He and Angela divorced in 2012, and he currently lives in Los Angeles, California. According to a DNA analysis, he is descended, mainly, from people of Guinea Bissau and of the Limba of Sierra Leone https://www.instagram.com/howard_hewett/ https://www.youtube.com/watch?v=RNs60wj47Us See acast.com/privacy for privacy and opt-out information.

The pandemic presented one of the most pressing leadership challenges in recent memory. In this interview, Pastor Jeffrey Daniel reflects on lessons he's learned leading a congregation through an especially challenging season. He gives an inside perspective to how he thinks about empowering others toward greater vision, leading teams of volunteers (where you can't just tell people what to do but must inspire them), and shepherding people through difficult conversations.

Raised in Akron, Ohio, Hewett moved to Los Angeles in 1976, where he met John and Alonzo Daniels, owners of a historical club in the LA Crenshaw district, called Maverick's Flat. It was at Maverick's that Hewett first met Jeffrey Daniel and Jody Watley (eventually Shalamar). Hewett and the Daniels brothers formed a show group called "Beverly Hills" and through Daniels bookings toured throughout Europe, the UK, Scandinavia and Asia for all of 1977 till the middle of 1978. After returning from overseas, Hewett started recording for Jeffrey Bowen, a Motown producer (The Temptations, Commodores, Bonnie Pointer) who was working on a solo project on guitarist Eddie Hazel (Parliament-Funkadelic). Hewett never completed the project because towards the end of 1978, he got a call from Jeffrey Daniel, who was on the road with Shalamar in the middle of a promotional tour. They had suddenly found themselves in need of a lead singer and Daniel made Hewett an offer that he accepted. Within three days Hewett flew to New Jersey, where he met up with Watley and Daniel, rehearsed the lip synch and choreography to the current Shalamar single "Take That to the Bank", and found himself in front of a TV camera on a local dance show in Paterson, New Jersey. They completed the promotional tour and returned to Los Angeles and immediately started recording the Big Fun LP with their producer, Leon Sylvers. The trio went on to record songs such as "Second Time Around", "Make That Move", "A Night to Remember", "Dancing in the Sheets" and the ballad "This Is for the Lover in You". Hewett was the group's lead singer from 1979 until 1985. When Shalamar broke up in the mid-1980s, Hewett went on to a successful solo career. However, in 1985 before signing his solo deal with Elektra Records, he was arrested and indicted in Miami with his fiancée Mori Molina for possession with an intent to distribute cocaine.[1] Molina, who was indicted in Tampa as well as Miami, was convicted and served prison time; but after a four-day trial, in which Molina testified that Hewett had nothing to do with the crime, Hewett was acquitted of all charges.[2] In spite of his legal battles, Hewett signed his solo deal with Elektra Records and in 1986, before the Miami trial, released his first solo album, I Commit to Love (R&B number 12), a solid urban album that yielded two top 10 R&B hits, "I’m for Real" (R&B number 2) and "Stay" (R&B number 8). The album went Platinum and also included "Say Amen", a gospel tune that became a surprise hit on the Gospel as well as Urban charts and is one of Hewett's many signature songs. In 1988, he released his second album Forever and Ever, which featured the hits "Strange Relationship" (R&B number 9, and "Once, Twice, Three Times" (R&B number 15). Forever and Ever was certified Gold. In 1990, Hewett released his Platinum self-titled album, which included the hit "Show Me" (R&B number 2), and "If I Could Only Have That Day Back" (R&B number 14), 1992 saw the release of his 4th album, the LP Allegiance, which was not received as well as his previous albums. He contributed to the second season theme song of Hangin' With Mr. Cooper, which was a remake of Sam & Dave's R&B Top 10 hit "Soul Man". This recording was produced by singer Steve Tyrell. After 1995's It's Time (released by Caliber Records in the US and Expansion Records in the UK), Hewett spent much of his time providing guest vocals on albums by jazz artists such as Joe Sample, Brian Culbertson, and George Duke, among others. In 2000, The Rippingtons featured Hewett on "I Found Heaven" on their Life in the Tropics album. In 2001, Hewett recorded his first full gospel album, The Journey, followed a year later by The Journey Live: From the Heart. In October 2006, Hewett released a new single, "Enough" (with jazz legend George Duke), which received substantial play on urban contemporary and R&B radio stations. Hewett is signed to The Groove Records, an independent label based in Los Angeles.[3] In October 2008, Hewett released his long-awaited Christmas CD, Howard Hewett Christmas, which combines his soulful R&B voice with classic Christmas songs. Working with music greats Earth, Wind and Fire, Stevie Wonder, and new vocal sensation Jasselle, who provides a Latin flair, Hewett proves that his music style remains classic, offering a message that reignites the spirit of Christmas. In 2009 he recorded a duet with soul singer Teena Marie, "Lover's Lane", on her album Congo Square. Hewett now enjoys recording at his leisure, touring the US and overseas,[4] and spending time with his four children and two grandchildren.

Raised in Akron, Ohio, Hewett moved to Los Angeles in 1976, where he met John and Alonzo Daniels, owners of a historical club in the LA Crenshaw district, called Maverick's Flat. It was at Maverick's that Hewett first met Jeffrey Daniel and Jody Watley (eventually Shalamar). Hewett and the Daniels brothers formed a show group called "Beverly Hills" and through Daniels bookings toured throughout Europe, the UK, Scandinavia and Asia for all of 1977 till the middle of 1978. After returning from overseas, Hewett started recording for Jeffrey Bowen, a Motown producer (The Temptations, Commodores, Bonnie Pointer) who was working on a solo project on guitarist Eddie Hazel (Parliament-Funkadelic). Hewett never completed the project because towards the end of 1978, he got a call from Jeffrey Daniel, who was on the road with Shalamar in the middle of a promotional tour. They had suddenly found themselves in need of a lead singer and Daniel made Hewett an offer that he accepted. Within three days Hewett flew to New Jersey, where he met up with Watley and Daniel, rehearsed the lip synch and choreography to the current Shalamar single "Take That to the Bank", and found himself in front of a TV camera on a local dance show in Paterson, New Jersey. They completed the promotional tour and returned to Los Angeles and immediately started recording the Big Fun LP with their producer, Leon Sylvers. The trio went on to record songs such as "Second Time Around", "Make That Move", "A Night to Remember", "Dancing in the Sheets" and the ballad "This Is for the Lover in You". Hewett was the group's lead singer from 1979 until 1985. When Shalamar broke up in the mid-1980s, Hewett went on to a successful solo career. However, in 1985 before signing his solo deal with Elektra Records, he was arrested and indicted in Miami with his fiancée Mori Molina for possession with an intent to distribute cocaine.[1] Molina, who was indicted in Tampa as well as Miami, was convicted and served prison time; but after a four-day trial, in which Molina testified that Hewett had nothing to do with the crime, Hewett was acquitted of all charges.[2] In spite of his legal battles, Hewett signed his solo deal with Elektra Records and in 1986, before the Miami trial, released his first solo album, I Commit to Love (R&B number 12), a solid urban album that yielded two top 10 R&B hits, "I’m for Real" (R&B number 2) and "Stay" (R&B number 8). The album went Platinum and also included "Say Amen", a gospel tune that became a surprise hit on the Gospel as well as Urban charts and is one of Hewett's many signature songs. In 1988, he released his second album Forever and Ever, which featured the hits "Strange Relationship" (R&B number 9, and "Once, Twice, Three Times" (R&B number 15). Forever and Ever was certified Gold. In 1990, Hewett released his Platinum self-titled album, which included the hit "Show Me" (R&B number 2), and "If I Could Only Have That Day Back" (R&B number 14), 1992 saw the release of his 4th album, the LP Allegiance, which was not received as well as his previous albums. He contributed to the second season theme song of Hangin' With Mr. Cooper, which was a remake of Sam & Dave's R&B Top 10 hit "Soul Man". This recording was produced by singer Steve Tyrell. After 1995's It's Time (released by Caliber Records in the US and Expansion Records in the UK), Hewett spent much of his time providing guest vocals on albums by jazz artists such as Joe Sample, Brian Culbertson, and George Duke, among others. In 2000, The Rippingtons featured Hewett on "I Found Heaven" on their Life in the Tropics album. In 2001, Hewett recorded his first full gospel album, The Journey, followed a year later by The Journey Live: From the Heart. In October 2006, Hewett released a new single, "Enough" (with jazz legend George Duke), which received substantial play on urban contemporary and R&B radio stations. Hewett is signed to The Groove Records, an independent label based in Los Angeles.[3] In October 2008, Hewett released his long-awaited Christmas CD, Howard Hewett Christmas, which combines his soulful R&B voice with classic Christmas songs. Working with music greats Earth, Wind and Fire, Stevie Wonder, and new vocal sensation Jasselle, who provides a Latin flair, Hewett proves that his music style remains classic, offering a message that reignites the spirit of Christmas. In 2009 he recorded a duet with soul singer Teena Marie, "Lover's Lane", on her album Congo Square. Hewett now enjoys recording at his leisure, touring the US and overseas,[4] and spending time with his four children and two grandchildren.

Hosts Jo Firestone & Manolo Moreno play listener-created games with callers via Zoom!Games played: Dr. Gamesh-iment, Schadenfraud, and Dr. Finger MeasurementsCallers: Micheal & Robin from Vancouver, British Columbia, Canada; Kim from Copenhagen, Denmark; Annika from San Diego, California; Kieff from Pasig, Philippines; Alexi from Washington, DC; Amy & Penny & Abby & Rufus (the dog) from Morristown, New Jersey; Joe from Central Point, Oregon; Chloé from London, England; Jeffrey & Daniel from Houston, Texas; Ari from Israel; Yaara from Philadelphia, Pennsylvania;  Bella & Ivy & Cupcake (the chicken) from Talent, Oregon; Chris & Julie from Edmonton, Alberta, CanadaOutro theme pipe organ cover by Bill Paulson from French Creek, New York 

Episode extra: Jeffrey Daniel and the Moonwalk.

Carolyn Griffey is an American female soul vocalist, and member of the soul funk group Shalamar. She is the daughter of Carrie Lucas and Solar Records boss Dick Griffey, who worked with Don Cornelius in the television program, Soul Train.Griffey grew up around The Whispers, Shalamar, Midnight Star, Dynasty, Michael Jackson, Marvin Gaye and James Brown, who all appeared on Soul Train or who were signed to Solar Records. In 1990 she was signed to Sony Records as part of the dance-pop duo called 'Absolute'. This group released one album, For All Seasons, in 1990. Their singles included "Cheap Shot" and "Gotta Lambada" and "This Moment In Time" both (from the movie soundtrack of Lambada.)She has been the lead female vocalist of Shalamar since 2001. She appeared on ITV's Hit Me, Baby, One More Time in 2005, and has been touring the world with the Howard Hewett and Jeffrey Daniel.She also sang with the Andraé Crouch Gospel Choir, who are known for their work on Michael Jackson's "Man in the Mirror", "Keep the Faith" and "Will You Be There".Griffey currently resides in Memphis, Tennessee.In October 2009, Griffey performed with Hewett and Daniel in Shalamar at London's O2 Arena. This prompted a return for a tour in the UK in April 2010. They have been an annual feature at London's O2 Arena every December since 2010. In 2014 Griffey appeared with Howard Hewett and Jeffrey Daniel for two Shalamar concerts at the Manchester Ritz and London O2

Walking and thinking and walking and watching. Watch Nexus by Danielle Mohlman on its virtual national tour EXTENDED THRU MAY 17! Taking Care - An Emergency Fund for the Washington Theatre Community MUSIC: “C.B.” performed by Michael Staniforth with Jeffrey Daniel from Starlight Express - The Original Cast Recording (1984), music by Andrew Lloyd Webber, lyrics by Richard Stilgoe Merch • Patreon • Twitter • Facebook • Email

Shalamar started life as a “manufactured” group. Dick Griffey was the talent co-ordinator for Soul Train when he decided to set up his own record label – SOLAR. SOLAR is an acronym for Sounds Of Los Angeles records. Dick took session musicians and created a hit record – called Uptown Festival - which was credited to a faceless artist “Shalamar” in 1977. When the record became a hit he realised that there was a demand for an actual group so he set about creating one with soul train dancers Jeffrey Daniel and Jody Watley together with singer Gary Mumford, the latter of whom quickly left the group to pursue other interests. Jeffrey Daniel had met Howard Hewett at the LA nightclub “Maverick Flat” a few years earlier and had already asked him to take up lead vocals after Mumford’s departure. At that time, Hewett was committed to another contract to tour Europe with a covers band. When Brown left, Daniel asked Hewett to come on board again and this time he agreed. The rest is history. Hewett’s first record The Second Time Around was a million seller. As well as being number one on the US R&B chart it went on to reach number eight in the main Billboard pop chart indicating Shalamar’s intention to cross over with an edgy sound incorporating funk, disco, R&B and pop. The trio consisting of Howard Hewett as lead vocalist together with Jeffrey Daniel and Jody Watley became known as the “classic” line up of the group. From late 1979 to mid 1983 they racked up more than a dozen hits all over the world including North America, Europe, Africa and Japan. In the UK, Shalamar are also remembered for Jeffrey Daniel’s famous appearances on Top of the Pops where he introduced body popping and moonwalking to UK audiences. Daniel is also an award-winning choreographer well known for teaching the moonwalk to Michael Jackson as well as co-choreographing some of Michael's videos and for being his dance mentor. At the height of their fame in 1983, Jody Watley and Daniel left Shalamar leaving Hewett to continue the group with new members and further hits resulting in a personal grammy for Hewett. In 1999, Howard Hewett and Jeffrey Daniel reformed the group and began touring again. For a number of years they left the third slot empty as they continued to invite Jody Watley back into the group. When they were happy that they had tried their best to encourage Watley to re-join, they felt that they should look for another female vocalist. The natural choice of replacement was Carolyn Griffey, daughter of founder Dick Griffey. She grew up a pre-teenager spending much time in the offices and studios of Solar Records in the presence of the original Shalamar and their label bandmates including The Whispers, Midnight Star and her mother Carrie Lucas, herself an accomplished R&B artist. At the age of 18 Carolyn had a record deal with another group Absolute who had two songs featured on the soundtrack of the film Lambada.   So for all intents and purposes we focus here on the years 82 and pre and no later than 89. The sweet spot for Shalamar is noted here in the early to mid 80's.   Their first hit was "Uptown Festival" (1977), released on Soul Train Records. Which was an interpolation of the songs in a disco mix all one song. Combined. Some of the first mixes.. this would be a singer of a mix tape in modern times ("Going to a Go-Go" / "I Can't Help Myself (Sugar Pie Honey Bunch)" / "Uptight (Everything's Alright)" / "Stop! In the Name of Love" / "It's the Same Old Song" / "The Tears of a Clown" / "Love Is Like an Itching in My Heart" / "This Old Heart of Mine (Is Weak for You)" / "Baby Love" / "He Was Really Saying Somethin'")   (Out of uptown festival) Take it to the bank intro Theirs a great set of session players and singers. Almost like the Stars on Series of the time they had done for Elvis and the Beatles they were like these disco medleys.. Maybe these are running in tandem together. But that song there was a disco masterminded by dick Griffey... In time... we are up to the Disco Gardens release from Shalamar which is the second album by Shalamar, released in 1978 on the SOLAR label. It features the line-up of Gerald Brown, Jeffrey Daniels and Jody Watley, and was the only Shalamar album on which Gerald Brown appeared. Disco Gardens was less successful than Shalamar's debut Uptown Festival, peaking at #52 on the R&B chart and #171 on the Billboard chart. It contains early indications of what was to become the distinctive "SOLAR sound", most notably on the single release "Take That to the Bank" which was a UK Top 20 hit in early 1979. Here it is now on the Old School rewind podcast (Second time around) This is Shalamar on the Old School rewind, we're up to Big Fun, the third album from the group Shalamar, Big Fun released in 79 on SOLAR , it was produced by Leon Sylvers III and is the first album to feature what is considered the 'classic' Shalamar line-up (Jeffrey Daniels, Howard Hewett and Jody Watley), with Hewett having replaced Gerald Brown. Big Fun has been certified Gold in the United States for sales of over 500,000. It peaked at #4 on the R&B chart and #23 on the Billboard chart (Shalamar's highest-placing album on this chart). In the UK it reached #45 The biggest hit as of now and from BIG FUN is "The Second Time Around". "The Second Time Around" was a monster and even the focus of a radio station promotion In 1980, the band made a promotion of "The Second Time Around" for the radio station KJR in Seattle, called "The Sonics Came to Play," dedicated to the Seattle SuperSonics who had won the NBA Championship the previous year. (Clip?) Play song Second time around (Out of second time around) Here's maybe my favorite from Shalamar on this weeks podcast title make that move... Play make that move Out of make that move Thank you for listening sharing subscribing to the old school rewind I am Aaron from the 35 acres and a microphone podcast farm. We've got the bright light from Shalamars music shining upon us... up next on my podcast that tributes old school dance music and hip hop its relation to rhythm radio and more.. is "This Is for the Lover in You" this is a song written by Howard Hewett,from shalamar, and songwriter Dana Meyers. The track was originally recorded by Shalamar and appeared on their 1980 Platinum album, Three for Love. The song was the third single released it peaked at No. 17 on the U.S. R&B chart in 1981. This is for the lover in you was later remade by Babyface from the album The Day featuring LL Cool J and the former members of Shalamar: Howard Hewett, Jody Watley, and Jeffrey Daniel. The Babyface version was a successful hit, reaching #6 on the U.S. Hot 100 chart, #2 on the U.S. R&B chart, and #12 on the UK Singles Chart. The song was considered to be atypical for Babyface when it was released. (Play for the lover in you) (Out of lover in you,) "I Can Make You Feel Good" is a 1982 song by American R&B group Shalamar from their Platinum album Friends. It reached No. 7 in the UK making it their first top ten hit, Play I can make you feel good Out of I can make you feel good The westside connickyy nection to the shalamar band and the entire artist roster form Dick Griffeys label solar like midnight star and more... was the sound. Dick had the ear. Howard hewett is an incredible voice and. The vibe of the track is in the proverbial pocket her on night to remember from the old school rewind.. Play a night to remember   Out of night to remember Into dead giveaway The Look is the seventh album by American R&B group Shalamar, released in 1983 on the SOLAR label. It is the last Shalamar album to feature the line-up of Jeffrey Daniels, Howard Hewett and Jody Watley, as both Daniels and Watley would leave the group shortly before its release The Look peaked at No. 13 on the R&B chart and No. 79 on the Billboard pop chart. Like Shalamar's previous album, Friends, it was more successful in the United Kingdom, where it reached No. 7. The Look was certified Gold in the UK. The Time guitarist Jesse Johnson plays rhythm guitar on "Dead Giveaway", uncredited. It brought us the song dead giveaway from shalamar on the old school rewind Out of dead giveaway That's dead giveaway as we focus on the true school old school of dance and hip hop. Playing tribute to Shalamar and the genius of Dick Griffey and his manufactured group. Howard really delivers on the single "Dancing in the Sheets" a song written by Bill Wolfer and Dean Pitchford featured on the chart-topping soundtrack album of the 1984 motion picture Footloose and was also the first single from their album Heartbreak, featuring the new line-up of Howard Hewett, Delisa Davis and Micki Free. The synth melody on the song is similar in structure to Prince's "1999". A music video was made featuring the new line-up and did not feature any footage from the film. "Dancing in the Sheets" was a top 20 hit on the Billboard charts, peaking at No. 17 on the Hot 100 and reaching No. 18 on the Hot Black singles chart. On the UK Singles Chart, the song climbed to No. 41. That'll do it for this weeks old school rewind podcast. Thanks from the 35 acres and a microphone podcast farm.. Next week the whispers as we pay tribute to the best area of music ever.. Old School .

  The Old School Rewind Podcast Features Jody Watley his week. Welcome Back Jody Vanessa Watley (born January 30, 1959 is an American singer, songwriter, record producer, and artist whose music crosses genres including pop, R&B, jazz, dance, and electronic soul. In 1987, she won the Grammy Award for Best New Artist and has been nominated for three Grammy awards.Jody Vanessa Watley (born January 30, 1959 is an American singer, songwriter, record producer, and artist whose music crosses genres including pop, R&B, jazz, dance, and electronic soul. In 1987, she won the Grammy Award for Best New Artist and has been nominated for three Grammy awards.In 2008, she was the recipient of a Lifetime Achievement Award from Billboard magazine, and was also prominently featured in the historic black issue of Vogue Italia in 2008. Her early music influences are Diana Ross, Marvin Gaye, Stevie Wonder, Michael Jackson, The Jackson 5, The Carpenters, Roberta Flack, Prince, Grace Jones and various jazz artists including Nancy Wilson.  In December 2016 Billboard ranked her as the 21st most successful dance artist of all-time. and in 2017 Black Music Honors TV special recognized Watley as Crossover Music Icon Honoree for her groundbreaking achievements and influence. In August 2018 Billboard ranked Jody Watley as one of the top female artists of all-time, at number 53. Jody's Early career1977–1984: Soul Train and ShalamarWatley was born in Chicago, Illinois and made her first stage appearance at 8 years old with family friend and godfather Jackie Wilson. (CLIP JACKIE WILSON) She got her entertainment start on the TV dance show Soul Train at the age of 14. Documented by Ebony magazine in 1977 as a part of "The New Generation," Jody Watley was one of the most popular dancers on the show and recognized as a trendsetter for her style and dance moves. As standouts on the television show, Watley and fellow Soul Train dancer Jeffrey Daniel were selected to join Gary Mumford and become original members of the R&B group Shalamar, which was created by soul trains Don Cornelius. (Mumford was shortly replaced by Gerald Brown, and Brown himself was soon replaced by Howard Hewett as lead vocalist).  So The lineup now in shalamar of Hewett, Watley, and Daniel would be the most successful. Jody Watley remained with Shalamar from 1977 to 1983. In that time, The trio released several albums and scored several hits including the US Top 20 "Dead Giveaway", and the R&B hits "The Second Time Around", "For The Lover In You", and "A Night To Remember". A show exclusively for Shalamar up in a few weeks so I didn't mean to tease you their wit den jammies but few weeks we'll hook up with shalamars music..  after all of this and Because of conflicts within the group, disagreements about the artistic direction of Shalamar with Dick Griffey, and lack of payment from Solar Records, Jody Watley finally leaves the group in 1983, prior to the release of Shalamars "The Look" album. Here we are in post Shalamar mode for Jody watley as she moved to England, and while there, she recorded a guest vocal with British Jamaican roots reggae group Musical Youth for their album, Different Style!.(clip) remember them,  She also recorded with Gary Langan, Anne Dudley and J.J Jeczalik (who later became Art of Noise).(clip)  She had a brief stint with Phonogram Records where two singles were released (in the UK, Europe and Australia – though crucially not America) under the moniker "Jody" (no second name), "Where the Boys Are" and "Girls Night Out". Also during this era, and after departing the group, she took part in Bob Geldof's Band Aid recording of "Do They Know It's Christmas", which included Bono, Boy George, Sting, George Michael, Phil Collins, Status Quo, Paul Weller, Bananarama and other prominent UK artists. After two and a half years in England, Watley returned to America and secured a recording deal with MCA Records, eager to establish her own identity.[29] Her debut solo studio album, titled Jody Watley, was released in March 1987, and she co-wrote six of the album's nine songs. In an interview with Rolling Stone, Watley would say that she wanted to showcase her voice against "really funky hard dance tracks."[29] The album's lead single, "Looking for a New Love", became a hit and was certified Gold by the Recording Industry Association of America (RIAA).[30] The album peaked at number ten on the US Billboard 200, number one on the Top R&B/Hip-Hop Albums chart, and sold 2 million copies in the United States and a total of 4 million copies worldwide. It produced five uptempo dance and R&B singles that charted on the Billboard Hot 100, with three peaking within the top-ten: The first being "Looking for a New Love"  was a #2 hit for Jody and was released in January 1987 as the first single from her debut album. The song became one of the biggest pop and R&B singles of 1987. The single hit number two for four consecutive weeks on the Billboard Hot 100 in May 1987 and spent four weeks at number-one on the Billboard R&B chart.[1] It is the only single between 1985 and 1990 in the United States to have spent four weeks in the runner-up position and not have reached the number one. The single was kept out of the top spot of the Hot 100 by Cutting Crew's "(I Just) Died in Your Arms" and U2's "With or Without You", and would itself keep Club Nouveau's Hot 100 number-one single "Lean on Me" out of the top spot of the R&B chart. It ranked number 16 on Billboard's year-end chart for 1987. The song also reached number-one on the RPM Singles Chart in Canada. In 1988 the song was nominated for two Soul Train Music Awards for Best R&B/Soul or Rap Music Video, and Best R&B/Soul Single, Female. She was also nominated for a Grammy Award for Best Female R&B Vocal Performance. The single lookin for a new love came about  While listening to a tape of instrumental tracks given to her by producer André Cymone, Watley reflected on a recent sour romantic breakup. Fusing her own feelings of "I'll show you" with the feel of the track, Watley came up with the basic premise of "Looking for a New Love." The released record is the eight-track demo of the song; that way the emotional urgency of Watley's vocal was still intact. One of the song's key phrases became a popular saying: "Hasta la vista, baby." It wound up on innumerable answering machines and was used by Arnold Schwarzenegger in the 1991 film Terminator 2: Judgment Day (see Hasta la vista, baby). This is what the kids now days would call a banger. Jody wattle lookin for new love on this weeks old school rewind podcast CLIP Lookin for a new love We are tracking jody watleys hits on the Old School rewind  I'm Aaron from the 35 acres and a microphone podcast farm..  The three most noted singles for jody chart wise were that you just heard lookin for a new love   next up a song called still a thrill got to #56 on the top 100. Higher at the r&b radio stations While the #56 (US chart) peaking "Still a Thrill" didn't necessarily match the pop chart success of its blockbuster predecessor, it was, however, a major hit on both the R&B and dance charts in 1987. Watley employed a deep lower register on this uptempo R&B / dance song, which she co-wrote. It was produced by Andre Cymone and David Z. There have been CoversFrom Indie Neo-soulsters, Soulscream, on their 2001 album, Prototype @lpha1 2001 Neophunk. Synth-pop artist, Matthew Duffy, covered "Still a Thrill" on his album, Here I Come. Here it is from jody now on the old school rewind podcast. Still a thrill CLIP still a thrill We're messing around in the lab and hookin you up with some jams to hear, and the stories from the singers and songs from the True School Days of Old School and we're featuring jody wattle. Next up for jody was my favorite song I played on KWIN in Stockton back in those days was this one which reached #6. The song "don't you want me.  I can remember like yesterday Christmas of 87 I was doing a lot of filling in for vacationing Dj's and this was actually the footings of Dance and Rhythm music to start taking down the white nature of top 40 radio It was released on August 10, 1987 as the third single from the Jody Watley album. The song was produced by Bernard Edwards of Chic-fame, and written by Franne Golde, David Paul Bryant and Jody herself. "Don't You Want Me" was a huge hit in the United States, reaching position number six on the Billboard Hot 100 and number one and three on the Dance Club Songs and Hot R&B/Hip-Hop Songs charts, respectively. Watley's previous single, "Still a Thrill," fared well in dance and R&B markets,  but less-so in the mainstream. This is the race thing I bring up a lot on this show. It was a lil too much for the radio.  That was enough  and prompted her label, MCA Records, to go in a more pop-friendly direction. "Don't You Want Me" was one of the biggest crossover singles for the year 1987, reaching the top-ten of the Billboard pop and R&B charts. The single was also popular in nightclubs, reaching the top spot of the Billboard dance chart.Some more chart chatter for you Chart performance"Don't You Want Me" landed in the Top 40 of the US Billboard Hot 100 the week of October 24, 1987, advancing from number 56 to 40. The single reached number six on December 19, 1987 and remained there for three consecutive weeks. Theres been some Sample usage "Don't You Want Me" sampled extensively on the 49ers' 1990 hit "Don't You Love Me?". Remixed eurodance versions have appeared on the Dancemania series albums, including Dancemania SPEED 2 issued in 1999. So far Jody had me at hello with this one, Don't you want me from me Aaron Goodwin and theeee old school rewind podcast (CLIP)don't you want me  Jody watley featured on this weeks old school rewind. Im Aaron Goodwin thank you for subscribing if your just arriving share to a friend and let em know old school still lives on, here, on one of the only podcast focused on true old school or true school. 82-89. And how it all got on the radio and ending up starting the culture that has enveloped the world..  The next song we'll hit for you is Jodys "Some Kind Of Lover  Her third top 10 pop single from the album, and third number-one of the US dance chart, though the single found huge success in the US, outside the states, the single only reached number 81 on the UK charts. Some Kind of Lover advanced into the top 40 of the U.S. Billboard Hot 100 singles chart during the week of February 27, 1988, finally stalling at #10 the week of April 16, 1988. "Some Kind of Lover" kept Watley in the Top 20 of the singles chart for six weeks. The music video premiered in January 1988 and was nominated for two MTV Video Music Awards, for Best Female Video and Best New Artist in a Video, she also performed "Some Kind of Lover" at the award show that year. (CLIP)some kind of lover I am Aaron Goodwin and by the look of the numbers here I am talking week by week to folks worldwide we have numbers in the thousands subscribed to my podcast the old school rewind. Share subscribe tell a friend. Jody watley's next single is "most of all" released on April 18, 1988 as the fifth and final single from the Jody Watley self titled...   "Most of All" was the least successful of the five singles released from the Jody Watley album. It peaked at number 60 on the US Billboard Hot 100 but did find success on the Dance Club Songs and Hot R&B/Hip-Hop Songs charts, where it reached numbers eight and eleven, respectively. The song was produced by Patrick Leonard and was co-written by Gardner Cole, both of whom had been involved with Madonna's 1986 album, True Blue. The accompanying black and white music video for "Most of All" was directed by famous Hollywood director David Fincher.   David fincher (thinking) where have I heard that name before.. David fincher.  Oh I know do you watch jimmy Fallon, when Nicole Kidman went on and said that she went around Jimmy a couple of times and sort of liked him and Fallon knew nothing of it..  the mutual friend is David finches   that would make sense. I'm pondering out loud sorry. That isn't confirmed either but. I think that was that guys name For me. the songs kept getting better and I thought the melody of most of all and the hook were incredible. This was a real artist.   (CLIP) most of all At the 30th Annual Grammy Awards of 1988, Watley won the award for Best New Artist, and was nominated for Best Female R&B Vocal Performance. That same year, she also received nominations for four MTV Video Music Awards and three Soul Train Awards.  Heres a note.  After Shalamar she had two singles released under the name of "Jody", without her last name even though adverts in UK pop magazine, Smash Hits, mentioned that she was "Formerly of Shalamar". This "technicality" (no second name), allowed her controversially to be considered a "New Artist" at the Grammy's, beating Breakfast Club, Cutting Crew, Terence Trent D'Arby and Swing Out Sister. Shortly after winning the Grammy, Watley would be featured in Harper's Bazaar magazine photographed by Francesco Scavullo. Things than became "LARGER THAN LIFE" for Jody watley. that is a play on words a bit as it is the name of jody's next album or sophomore effort.  In the spring of 1989, Watley released her second studio album, Larger than Life, co-writing eleven of the album’s twelve songs. The album sold over 4 million copies worldwide, reaching number 16 on the Billboard 200, and produced four singles: "Real Love" (US #2, #1 R&B, #2 Dance, UK #31), a Gold-certificated single and her first Top 40 UK single since "Looking for a New Love" in 1987;  "Friends" featuring Eric B. & Rakim, (US #9, #3 R&B, #7 Dance, UK #21); and "Everything" (US #4, #3 R&B), her first ballad released as a single. The album's fourth and final single, "Precious Love", was a minor hit, peaking at number 87 on the Billboard Hot 100.[33] "Friends" is notable for being the first multi-format hit single to include the formula of a pop star featuring a guest rapper with the custom full 16-bar verses and bridge concept, and distinguishable from the rap "Intro" by Melle Mel on Chaka Khan's notable cover of Prince's song "I Feel for You". The successful "Friends" formula would become a mainstay formula in commercial pop music and was added as a category at the Grammy's under Grammy Award for Best Rap/Sung Collaboration in 2002. During the summer of 1989, the "Real Love" video, directed by famous Hollywood director David Fincher, was nominated for seven MTV Video Music Awards including Breakthrough Video, Best Art Direction, Best Dance Video and Best Female Video at the 1989 ceremony. That record was held until Michael Jackson and Janet Jackson's video "Scream" received 11 VMA nominations in 1995. The next year, she was nominated for two Soul Train Awards, an NAACP Image Award for Outstanding Female Artist, and a Narm Award for Best Selling R&B Female Album. While riding high on her Larger Than Life World Tour, a remix album, titled You Wanna Dance with Me?, was released in October 1989 and achieved Gold status in America. 1989 also saw Watley featured in Harper’s Bazaar "Ten Most Beautiful Women" issue, photographed by Matthew Rolston. That same year Watley appeared on the cover of the Japanese high fashion magazine SPUR for its debut issue.[37] Watley released the million selling "Dance to Fitness" a first for an African-American woman and artist. Tell a friend to share listen and subscribe..  as I play our final track this week on the old school rewind featuring jody watley.   Eric b and rakim.. Jody is so responsible for the rhythm movement. So many firsts what a talent..   CLIP  

    Wednesday    Week 51-  I have been busy this week! Got a lot done at the new house, getting my studio in order is going to be an ongoing project, but I think I’ve got a good handle on it. Ive been working on moving some things around, mainly bikes, we sold Madi’s Sportster and will set that cash aside for her next bike, I’m trying to talk her into a Dyna that we can both rip! Todays playlist was provided by Jeffrey Daniel, its a good one, his personal garage playlist. He also got a free t-shirt for it.  Don't forget to send in your Spotify playlist for a chance to win a free t-shirt, if I pick your list, you win! It's that easy. Send to wes@chopnrollpodcast.com and include your shirt size and shipping address!   Enjoy the show this week and email me with your request and comments wes@chopnrollpodcast.com or instagram @chopnrollpodcast       Weekly Playlist:     Get Lowered - Get Lowered Cycles -getlowered.com - Shop for all your Harley Parts, Accessories and Riding Gear at Get Lowered Cycles. Our products are mostly Harley with an emphasis on the Bobber/chopper/custom style. We offer free shipping on anything – no minimum and we are always happy to help out fellow riders. Find us on Instagram @get_lowered    Custom Destruction-We offer helmet restoration for most vintage and vintage style helmets. Check us out on Instagram @customdestruction  Chop Cult-ChopCult has been catering to like-minded motorcycle enthusiasts since 2009. Go to www.chopcult.com to check out the weekly features, classifieds, events listings, forums, and take advantage of the free membership. Give them a follow on Facebook and Instagram @chopcult. Website www.chopnrollpodcast.com   EVENTS: Mama Tried-Feb 15-17 Milwaukee, WI The Congregation-April 13 Charlotte NC

**Hi all enjoy my last radio show on the Italian Radio to the Soulful Label Hsr Records HouseStationRadio www.housestationradio.com Dedicated at the Christmas 2018 The second and last of the name With one nice play-list at discover here: Kylie Minogue-Every Day's Like Christmas(MHP's SAW Re-Shake) https://soundcloud.com/mhp-disco-edits/kylie-every-days-like-christmas-mhps-saw-re-shake-part-2 Wham-Last Christmas (DJ Ivan Santana Mix) http://www.dmcdownload.com/track-detail/last+christmas+%28dj+ivan+santana+festive+house+remix+2017%29//download/40122 Change-Love 4 Love (Extended Remix by Joey Negro)Nova https://www.traxsource.com/track/5744854/love-4-love-joey-negro-extended-remix Spencer Morales, Tasha LaRae-I Need Your Lovin (Opolopo Remix)Quantize Recordings https://www.traxsource.com/track/5870256/i-need-your-lovin-opolopo-remix Jestofunk-I'm Gonna Love You (Micky More & Andy Tee Remix)Groove Culture https://www.traxsource.com/title/1044358/im-gonna-love-you-micky-more-and-andy-tee-remix Sartorial, Simon Kennedy-Got You The Floor Tropical Disco Records https://www.traxsource.com/title/1025464/got-you-the-floor Vanity 6-Nasty Girl (DJ Jeff 80's House Mix) Joey Negro-Must Be The Music (Joey Negro 2am Disco Reprise)Z Records https://www.beatport.com/track/must-be-the-music-joey-negro-2am-disco-reprise/11192004 Discotron-Changes (Original Mix)Tasty Recordings https://www.traxsource.com/track/5324181/changes-original-mix Raty, Thamza, Mr Rantsho, Promix-Let Me Go (Thamza & Mr Rantsho Club Mix)Organized Noise Recordingz https://www.traxsource.com/track/5549501/let-me-go-thamza-and-mr-rantsho-club-mix Dj Skip-Don't Go feat. Shalamar, Howard Hewett, Jeffrey Daniel, Carolyn Griffey (Andrew Emil Clone Dub)S&S Records https://www.traxsource.com/track/5894723/dont-go-feat-shalamar-howard-hewett-jeffrey-daniel-carolyn-griffey-andrew-emil-clone-dub Thank u again for you humble support And Merry Christmas Again all Greetings to France DJ DS ♥♥♥♪♪♫♫♪♪♥♥**

**Hi all enjoy my last radio show on the Italian Radio to the Soulful Label Hsr Records HouseStationRadio www.housestationradio.com Dedicated at the Christmas 2018 The second and last of the name With one nice play-list at discover here: Kylie Minogue-Every Day's Like Christmas(MHP's SAW Re-Shake) https://soundcloud.com/mhp-disco-edits/kylie-every-days-like-christmas-mhps-saw-re-shake-part-2 Wham-Last Christmas (DJ Ivan Santana Mix) http://www.dmcdownload.com/track-detail/last+christmas+%28dj+ivan+santana+festive+house+remix+2017%29//download/40122 Change-Love 4 Love (Extended Remix by Joey Negro)Nova https://www.traxsource.com/track/5744854/love-4-love-joey-negro-extended-remix Spencer Morales, Tasha LaRae-I Need Your Lovin (Opolopo Remix)Quantize Recordings https://www.traxsource.com/track/5870256/i-need-your-lovin-opolopo-remix Jestofunk-I'm Gonna Love You (Micky More & Andy Tee Remix)Groove Culture https://www.traxsource.com/title/1044358/im-gonna-love-you-micky-more-and-andy-tee-remix Sartorial, Simon Kennedy-Got You The Floor Tropical Disco Records https://www.traxsource.com/title/1025464/got-you-the-floor Vanity 6-Nasty Girl (DJ Jeff 80's House Mix) Joey Negro-Must Be The Music (Joey Negro 2am Disco Reprise)Z Records https://www.beatport.com/track/must-be-the-music-joey-negro-2am-disco-reprise/11192004 Discotron-Changes (Original Mix)Tasty Recordings https://www.traxsource.com/track/5324181/changes-original-mix Raty, Thamza, Mr Rantsho, Promix-Let Me Go (Thamza & Mr Rantsho Club Mix)Organized Noise Recordingz https://www.traxsource.com/track/5549501/let-me-go-thamza-and-mr-rantsho-club-mix Dj Skip-Don't Go feat. Shalamar, Howard Hewett, Jeffrey Daniel, Carolyn Griffey (Andrew Emil Clone Dub)S&S Records https://www.traxsource.com/track/5894723/dont-go-feat-shalamar-howard-hewett-jeffrey-daniel-carolyn-griffey-andrew-emil-clone-dub Thank u again for you humble support And Merry Christmas Again all Greetings to France DJ DS ♥♥♥♪♪♫♫♪♪♥♥**

October 2018: With classic songs like A Night To Remember, I Can Make You Feel Good, and There It Is, 80s soul band Shalamar sold over 25 million records worldwide and collected no less than 100 gold, silver, and platinum awards. As well as thrilling audiences with a dynamic blend of funky feel good music, band member Jeffrey Daniel was regarded as a fashion icon and trendsetter, bringing street dance to the UK, and teaching Michael Jackson how to moonwalk! #Shalamar #JeffreyDaniel #MichaelJackson #PaulMcCartney #80s #BodyPopping #Moonwalk #Backslide #Dance #Royal #StarlightExpress #interview

On this week's show, Jeffrey Daniel talks about how old and out of touch he is. Plus music from Lorenzo Esposito! This episode is sponsored by SHADOWMAGICK http://shadowmagick.online Use the code "MTF10" at checkout to receive 10% off your purchase! Special thanks to all my patrons: Whitney Upchurch, Taren Strunk, Jessica Gillan, Melissa Shea ******************************** Check out my official website: www.mikesheacomedy.com Support the cause on Patreon: https://www.patreon.com/mikesheacomedy Follow me online: Twitter: @MikeSheaComedy IG: @MikeSheaComedy Facebook: www.facebook.com/mikesheacomedy ******************************** Follow today's guests online: Kevin Ruppert: https://www.facebook.com/JeffreyDanielComedy Lorenzo Esposito: https://www.facebook.com/lmespomusic https://lmespomusic.bandcamp.com/ ******************************** Donate to The Leukemia & Lymphoma Society: https://www.facebook.com/donate/2053297314902024 ******************************** Check out more from Eventide Entertainment: www.eventideent.com www.facebook.com/eventideentertainment --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

S1NC 64. Rage (jeffrey daniel!) by Movie Review Hour

We’ve featured many artists on this show who paint masks, from the screen accurate to custom paint schemes, but rarely do these guys actually make their own blanks. That’s not a slight to them, but it takes a lot of work to get a good quality blank out there. If you’re you’ve purchased a replica