Podcasts about John Mahoney

It's Episode 184 and we're digging into Antz (1998) — the underrated, weirdly deep DreamWorks movie that kicked off their animation legacy. Pat King joins us as we celebrate Steve's birthday month with a pick full of 90s nostalgia and bugged-out comfort. Is this movie for kids or existential adults? Let's find out.Please remember to like, comment, subscribe and click that notification bell for all our updates! It really helps us out!WE HAVE MERCH - https://www.redbubble.com/people/HDYSTMerch/shop?asc=u & http://tee.pub/lic/GdSYxr8bhtYStarring: Woody Allen, Dan Aykroyd, Anne Bancroft, Jane Curtin, Danny Glover, Gene Hackman, Jennifer Lopez, John Mahoney, Paul Mazursky, Grant Shaud, Sylvester Stallone, Sharon Stone & Christopher WalkenDirected By: Eric Darnell & Tim JohnsonSynopsis: Z the worker ant (Woody Allen) strives to reconcile his own individuality with the communal work-ethic of the ant colony. He falls in love with ant-Princess Bala (Sharon Stone), Z strives to make social inroads, and then must save the ant colony from the treacherous scheming of the evil General Mandible (Gene Hackman) that threaten to wipe out the entire worker population.Watch LIVE at: https://www.twitch.tv/heydidyouseethisone every Thursday at 8 PM ESTA PROUD MEMBER OF THE UNITED FEDERATION OF PODCASTSCheck us out online at: https://www.ufpodcasts.com/We use White Bat Audio – a user that creates DMCA free music for podcasters and YouTubers. Please follow at: https://www.youtube.com/@WhiteBatAudioAudio version of the show: Spotify - https://podcasters.spotify.com/pod/show/heydidyouseethisone Apple Podcasts - https://podcasts.apple.com/us/podcast/hey-did-you-see-this-one/id1712934175YouTube Audio Podcast: https://youtube.com/playlist?list=PLD6BOSx2RcKuP4TogMPKXRMCxqfh5k9IU&si=umIaVrghJdJEu2ARMain Intro and Outro Themes created by Josh Howard - remixes by Jacob Hiltz & Jake ThurgoodLogo created by Jeff Robinson#90sNostalgia #AnimatedMovies #DreamWorks #Antz #HeyDidYouSeeThisOne

Hosts Sonia Mansfield and Margo D. take the stand and dork out about 1996's PRIMAL FEAR, starring Richard Gere, Edward Norton, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand, and Andre Braugher. Also discussed: ADOLESCENCE, BELOW DECK DOWN UNDER, WHITE LOTUS, A BODY IN THE SNOW: THE TRIAL OF KAREN READ, and DEATH OF A UNICORN.Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify YouTubehttp://dorkingoutshow.comhttps://www.threads.net/@dorkingoutshow https://bsky.app/profile/dorkingout.bsky.social https://www.instagram.com/dorkingoutshow https://www.facebook.com/dorkingoutshow

Send us a textThis week, Dayton and Amber welcome Jason Colvin of The Surely You Can't Be Serious podcast over to discuss one of Dayton's absolute favorite films. Cameron Crowe gives us a great modern romance, a character to aspire to, and friendships we need in his directorial debut, Say Anything...Twitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

-Ione Skye played Diane Court, Lloyd Dobler's girlfriend in the 1988 Movie Say Anything' and she has a new book out called, "Say Everything"Ione talks:-Say Anything writer/director Cameron Crowe using Peter Gabriel's 'In Your Eyes' "He first wanted an Elvis Costello song, but Elvis Costello I guess he passed or something"-Her father was DONOVAN - the song “Mellow Yellow”-She dated Red Hot Chili Peppers  lead singer Anthony Kiedis-Married a Beastie Boy, divorced, and then slept with John Cusack-Working with actor John Mahoney  To subscribe to The Pete McMurray Show Podcast just click here

“[This movie] has the vibes of The Fugitive...” - Andrew On this week's episode, WAIT-WHUT-uary goes into legal thriller territory with a chat on the totally entertaining courtroom drama, Primal Fear! What an absolutely phenomenal cast, no? How hilarious is John Mahoney getting so psyched over all that Chinese food? Wouldn't we all have watched that Andre Braugher Goodman TV spin-off it feels like they're setting up? How great is it to have another movie where the great city of Chicago is a character? And how about that twist, huh? Can they make movies like this again, please? PLUS: Welcome to our new podcasters-only bar and dispensary, Pod Suds & Pod Buds™️! Primal Fear stars Richard Gere, Edward Norton, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand, Terry O'Quinn, Steven Bauer, Joe Spano, Tony Plana, and the late, great Andre Braugher as Tommy Goodman; directed by Gregory Hoblit. Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, so friends over there, snag your tix!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Enjoying the second installment in Kemper Donovan's ghostwriter mystery series "Loose Lips"! Hi! My name is Terry J. Aman, marking my 99th episode of VideoFuzzy, reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings. This set covers discs 1726 to 1750 in my Classic Collection. For my Fuzzy Feature I pulled up the third, fourth and fifth season finale episodes of "Psych," featuring Ally Sheedy as Mr. Yang. Under Cross Connections I trace appearances by Martin Short, Garret Dillahunt, John Mahoney, Devon Gummersall and Golden Thread Jeri Ryan. In my Book Report (around the 20-minute mark if you're looking for it specifically), I review the second installment in auther and fellow podcaster Kemper Donovan's ghostwriter mystery series, "Loose Lips." Authors, egos and personalities clash when a literary symposium set aboard a cruise ship turns deadly. Love it! Copies available here: https://bit.ly/3C11ENN In my Classic Collection, I go into a little more detail about the "Psych" episode Jeri Ryan appeared in, the pilot episode of "Grey's Anatomy," and then I talk about the pilot episodes of "Sons of Tucson" and "American Dad," which showed up in this set.   Finally, in What I've Been Watching, I finally get up to speed with the back catalogs of "Bridgerton" and "Stranger Things." Both are phenomenal shows and I'm very glad people recommended them to me. Very enjoyable use of my downtime watching them; looking forward to the next seasons. TOP TWELVE: Here's a "Top Twelve" episode guide for people looking for a quick read-in on this blog and podcast effort: https://videofuzzy.libsyn.com/about. Enjoy!

This week, we can't help but fall victim to la bella luna as Feb2ary Is For Lovers continues with a classic rom-com about how it's impossible not to cheat if you're Italian. It's 1987's Moonstruck, directed by Norman Jewison, written by John Patrick Shanley, and starring Cher, Nicolas Cage, Vincent Gardenia, Olympia Dukakis, Danny Aiello, Julie Bovasso and John Mahoney. The story of a young woman who accidentally falls in love with her fiancé's brother, the movie exudes charm at every turn -- so much so that this little rom-com took home three Oscars in '88, for Cher and Dukakis's performances as well as Original Screenplay for Shanley's script that is funny without being rife with straight-up jokes. There are rich characters here, beset by curses and fatal strains of bad luck, who get laughs not by mugging or ripping one-line zingers but by believing in the seriousness of their tragedies so completely. This is character-driven comedy of the highest order, grounded by the Canadian coziness that Jewison can't help but leave all over the film. Plus: J Mo's got theatrical field reports on both Sonic The Hedgehog 3 and Companion. If you'd like to watch the film before listening along to our discussion, it is one of the more widely available films we have ever covered as Moonstruck is currently streaming in Canada on Amazon Prime, Crave, Starz, Criterion Channel, Tubi and Hoopla at the time of publication. Other works discussed in this episode include Abigail, The Sixth Sense, The Usual Suspects, Identity, Trap, Fargo, The Wedding Singer, Mission: Impossible - Dead Reckoning: Part One, Mission: Impossible - Fallout, Ocean's Eleven, L.A. Story, Paint, Napoleon Dynamite, ChiefsAholic: A Wolf in Chiefs Clothing, A.I.: Artificial Intelligence, The Fabelmans, Close Encounters of the Third Kind, Bicentennial Man, Bottoms and Punch-Drunk Love. Love Month continues next week with another VHS plucked from Hayley's collection as we'll be discussing 1996's Jerry Maguire with Tom Cruise and Renee Zellweger, and will do our best not to get side-tracked discussing the Mission: Impossible franchise but can't promise we won't. Jerry Maguire is currently streaming north of the border on Crave, Starz and for free (with ads) on the CTV app. And of course we're closing out February with a rom-com canon selection, 10 Things I Hate About You. Until then, we'll see you at the movies!!

We talk with James Burroughs about his reign as hollywood's greatest sitcom director, being the son of the Abe Burrows In the genetics of comedy, his book “directed by James Burrows”, “Cheers”, “Will & Grace”, “Mary Tyler Moore”, “Taxi”, “Friends”, the scripps that make him want to direct, the ones that don't, his amazing memory, his humble beginnings, the decade it took him to learn how to direct, working with geniuses like James L. Brooks, Chuck Lori, and Kohan & Mutchnick, Andy Kaufman. And Jimmy explains how his two best friends are Al Michaels and Bruce Springsteen.Bio: James Burrows is one of television's most respected and honored creative talents. Over his distinguished career, Burrows has been the recipient of ten Emmys, five Directors Guild of America Awards, the 1996 American Comedy Awards' Creative Achievement Award, and in 2014 the Television Critics Association's Career Achievement Award in 2006 he was inducted into the Academy of Television Arts and Science's Hall of Fame and was honored by the US Comedy Arts Festival with their Career Tribute award. He has been the recipient of 22 nominations for the Director's Guild of America Award, thus bestowing him the honor of being the most nominated director in the history of television at the Guild. He was recently honored by the DGA with the Inaugural 2014 Lifetime Achievement Award in Television. In November of 2015 he directed his 1000 th episode which was recognized by a TV Special on NBC in January of 2016. Burrows' success as the director of television pilots is legendary. He just finished the first two episodes of Frasier re-boot season 2, and has wrapped up the pilot “Mid Century Modern” for Fox. He will be at the helm of “Mid Century Modern” this Fall as the show goes to series. The current primetime television schedule features one show “Neighborhood,”- whose pilot episode Burrows directed and one streaming show, the “Frasier Re-boot” which will begin airing Season 2 on Paramount + in mid-September 2024. In January of 2020, he received his fifth DGA Award for directing the Emmy award winning show “Live in Front of a Studio Audience #1: Norman Lear's All in the Family and The Jeffersons.” He was also asked back to direct “Live in Front of a Studio Audience #3: Different Strokes and The Facts of Life” in December of 2021. In June of2022, he embarked into a new market when he published his autobiography, “Directed by James Burrows.” It has received quite a bit of attention and praise from the industry. Burrows is probably best known as co-creator, executive producer and director of the critically acclaimed series, “Cheers.” The hit show, which aired for 11 seasons, is tied for the most nominated Comedy series in the Television Academy's history and is in third place for most Emmys received by a Comedy Series. Burrows has also received numerous awards for his work on “Will & Grace,” “Frasier,” “Friends,” “Wings,” “Night Court,” “Taxi,” and “Dear John.” For the first time in 25 years, he returned to the stage in the spring of 1998 to direct the highly acclaimed “Man Who Came to Dinner” at the Steppenwolf Theatre in Chicago, starring John Mahoney. Burrows learned his trade from the very best, the legendary writer/director Abe Burrows, whose noted career included such classics as “Guys and Dolls,” “How to Succeed in Business Without Really Trying” and “Cactus Flower.” Born in Los Angeles and raised in New York, Burrows graduated from Oberlin College and continued his education at Yale, where he earned a master's degree in fine arts. Burrows relocated to Hollywood to work as a dialogue coach for “O.K. Crackerby!,” a short-lived television series starring Burl Ives. When the show ended, he returned to New York and initially worked as a stage manager before directing several off-Broadway shows, such as “The Castro Complex,” and stock productions of “The Odd Couple” and “Never Too Late.” In 1974, Burrows moved back to the West Coast when he was invited to visit MTM Productions in Los Angeles and offered a job directing an episode of “The Mary Tyler Moore Show.” Mr. Burrows and his wife, Debbie, reside in Los Angeles and between them they have a quartet of daughters.

This week Jamie and Tony learn even more about Agent Ward against their will. They're joined by the hilarious John Mahoney. Follow the podcast and engage with us on socials @LITTOHPod. Our amazing logo was created by Stephanie - @EclecticMuses on socials & our theme music is by Ryan Miera of Yellow Pills - @YellowPillsMusic on Insta

Jamie and Tony break down this very intense (and Ward heavy) episode of Agents of SHIELD, Season 2! They're joined by the hilarious SHIELD fan, John Mahoney. Follow the podcast and engage with us on socials @LITTOHPod. Our amazing logo was created by Stephanie - @EclecticMuses on socials & our theme music is by Ryan Miera of Yellow Pills - @YellowPillsMusic on Insta

Directed by Brad Bird (in his directorial debut), The Iron Giant is the animated science fiction film based on the 1968 novel The Iron Man by Ted Hughes. Luke and Nathan revisit this 1999 classic which stars the voices of Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, John Mahoney, Eli Marienthal, Christopher McDonald, and M. Emmet Walsh. A giant alien robot (Vin Diesel) crash-lands near the small town of Rockwell, Maine, in 1957. Exploring the area, a local 9-year-old boy, Hogarth, discovers the robot, and soon forms an unlikely friendship with him. When a paranoid government agent, Kent Mansley, becomes determined to destroy the robot, Hogarth and beatnik Dean McCoppin (Harry Connick Jr.) must do what they can to save the misunderstood machine.

This week, Will and Steve are joined by none other than Tony-nominated Tom McGowan, star of Broadway and the big screen, to discuss his indelible role as KACL's beloved station manager, Kenny Daly. Tom talks cast and crew, behind the scenes with John Mahoney, and why the show means so much to him. 

Roy McGrath is a Chicago based tenor saxophonist and multi-woodwind instrumentalist, composer and bandleader. Born and raised in San Juan, Puerto Rico and educated in Boston, New Orleans and Chicago, Roy brings to bear these diverse influences in his playing and composing. In addition to leading and recording his own ensembles, he is a member of several others as an in-demand player, recording artist, and producer. He has led four international tours to Mexico, Singapore, Myanmar, South Korea and China. As a composer and arranger, Roy is firmly in the jazz tradition, but his Caribbean heritage is an ever-present mind set, leading to wholly original works that are a true expression of who he is.  Menjunje features folkloric rhythms of Puerto Rico such as Bomba (Sica, Yuba, Cuembe), Plena, Seis Araucano, as well as Cuban Guaguanco, Bolero, Chachacha, and Son. For this particular project he flew in musicians from Puerto Rico: Drummer Efrain Martinez (Viento de Agua, Cultura Profetica, La PVC, and many more) and Eduardo Zayas (Charlie Sepulveda,  Mahya Veray, Bobby Valentin). As well as musicians from the Chicago area, Constantine Alexander on trumpet, Kitt Lyles on Bass, Javier Quintana-Ocasio and Victor “Junito” Gonzalez on Percussion, and Jose Carrasquillo on Cuatro. This project is a product of working in conjunction with the Segundo Ruiz Belvis Cultural Center, the Puerto Rico Arts Alliance, the Walder Foundation, and the Department of Cultural Affairs and Special Events of Chicago.  In 2022 Menjunje played festivals around Chicago and surrounding areas: Chicago Jazz Festival, Chicago Latin Jazz Festival, Glenwood Arts Festival, CU Jazz Festival, Mayfest, Mole de Mayo Festival. Also in 2022 Roy plays on supporting the release of Giovany Revelle's self-titled album, which Roy co-produced, wrote horn arrangements, string arrangements, and coached the rhythm section. In 2017 Roy released his Latin Grammy nominated prior album, “Remembranzas”, a new batch of original compositions that incorporate folkloric Bomba rhythms and other Puerto Rican elements in a jazz framework. Originally, in 2015 the project was called the Julia al Son de Jazz project and was commissioned by Chicago's Segundo Ruiz Belvis Cultural Center, where he worked as director of the youth Afro-Caribbean Jazz Ensemble for five years. The project used the writings of revered Puerto Rican poet Julia de Burgos as a springboard for new compositions that included spoken word recitations of her poetry. Its debut was followed by successive performances throughout Chicago including three dates for the Chicago Park District's Night Out in the Parks summer concert series in 2016.  In 2017 Roy also led two special big band tribute projects: one honoring legendary Puerto Rican composer Rafael Hernández, with his son, Chali Hernandez singing, and a local All-Stars tribute to Dizzy Gillespie's United Nations Orchestra that played the Chicago Latin Jazz Fest. Roy sang in school choirs before picking up the saxophone at age 16. After attending the Berklee College of Music Summer Workshop, he earned a full scholarship to attend Berklee's five-week Summer Performance Program. Back in Puerto Rico, he honed his improvisational skills performing with jazz pianist and Beach Boys alumnus Carli Muñoz. Upon high school graduation, Roy was awarded a scholarship to Loyola University in New Orleans, where he studied under Tony Dagradi (saxophonist for Astral Project) and composer/arranger John Mahoney. He graduated in 2009 with BM in Jazz Performance. After graduation, Roy extended his time in New Orleans, performing in clubs, concert halls and the streets with a variety of musicians. He made three appearances at the New Orleans Jazz and Heritage Festival and one appearance at the New Orleans French Quarter Fest. The next stop on his musical journey was Northwestern University in Chicago, where he graduated with a master's degree in Music, studying under Victor Goines, saxophonist for Jazz at Lincoln Center and Director of Jazz Studies at Northwestern University. Graduating in 2014, McGrath decided to put down roots in Chicago because of both its historic role in the development of jazz and the presence of a large and vibrant Jazz & Latin music community in which he could continue to pursue his vision. He returned to Northwestern's Pick-Staiger Concert Hall in 2016 to perform with Victor Goines and Branford Marsalis in Goines' orchestral composition the “Crescent City Suite”. Roy released his debut CD as a leader, Martha, in 2014 with a quartet formed of fellow Northwestern grads Gustavo Cortiñas, Kitt Lyles and Joaquin Garcia, all bandleaders in their own right, and returned the favor by joining their ensembles: Snapshot (Cortiñas), Real Talk Collective (Lyles) and Rhythm Convergence (Garcia). The Roy McGrath Quartet was featured in the Jazz Institute of Chicago's NextGEN concert series in 2015. Later that year, the Chicago Department of Cultural Affairs and Special Events (DCASE) awarded McGrath a grant to take the quartet on a month-long tour of Mexico. Also in 2015, The Roy McGrath Latin Jazz Quintet performed at the Chicago Latin Jazz Festival. 2016 also saw McGrath joining alto saxophonist Miguel Zenón and traditional music ensemble Bomba con Buya for Folclórico: An Exploration of Jazz and Afro-Puerto Rican Music at the Segundo Ruiz Belvis Cultural Center. As an educator Roy has taught masterclasses on improvisation at Dulwich College International in Shanghai, Suzhou, and Beijing, on four different touring occasions. Roy has taught in his home of Puerto Rico at the Universidad del Turabo and in Mexico City as well.

The first episode of our season on the awesome movie year of 1969 features the highest-grossing film at the box office, George Roy Hill's Butch Cassidy and the Sundance Kid. Directed by George Roy Hill from a screenplay by William Goldman and starring Paul Newman, Robert Redford and Katharine Ross, Butch Cassidy and the Sundance Kid is based loosely on the true story of the notorious Wild West outlaws.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/butch-cassidy-and-the-sundance-kid-1969), Pauline Kael in The New Yorker, and John Mahoney in The Hollywood Reporter (https://www.hollywoodreporter.com/news/general-news/butch-cassidy-sundance-kid-review-1969-movie-743856/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring our pick for a notable debut from a major filmmaker, Michael Ritchie's Downhill Racer.

Tread Perilously starts the summer Total Request Live with the debut episode of the forgotten ABC TV series The Charmings.  Waking up after a 1000-year sleeping curse, Snow White Charming, her husband Eric, and their sons find themselves in 1980s Los Angeles. They attempt to re-establish some sort of life with a home, new neighbors, and a new school for the boys. But when Snow's stepmother, Lillian White, suggests they'll never fit in and a note from the school's psychologist puts the family on blast, will Snow and Eric accept that they must lie to make modern life work? Erik, of course, watched The Charmings when it aired. Justin wonders, "why is this?" The pair try to determine all the things the pilot is missing. They also try to figure out who would've been the "budget John Mahoney" at the time. A digression about The Birdcage happens immediately. The endless abyss outside Castle Grayskull becomes incredibly important. The problems with the show's premise are explored -- including a solution to its biggest conceptual fault -- a few casting changes are proposed, and Erik shocks Justin by revealing the presence of First Hobie as one of the Charming sons. Also, a nostalgic feeling for the soft-spoken man selling speakers by the highway emerges.

John Cusack held up a boombox and the rest was history. Yes, the Cameron Crowe romcom holds a place in the hearts of many a Gen Xer. Lloyd Dobbler and Diane Court faced peer pressure, a keg party, and (oh, yeah) an IRS investigation into Diane's father, played by John Mahoney.  Audiences in 1989 were left swooning as the two flew off into an English sunset. But, decades later, was the movie a trip worth taking? Was the casting of a relatively unknown Ione Skye brilliant or baffling? What will Lloyd do if the kickboxing career doesn't work out? And is the boombox stuff stalker-ish by today's standards? The Old Roommates have written 63 comments about this movie, and they're going to share every single one of them tonight – all through a middle-aged lens. Listen to this.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on Instagram and YouTube @OldRoommates for bonus content and please give us a rating or review!#CameronCrowe #JohnCusask #IoneSkye #LiliTaylor

The independent film landscape has changed drastically in throughout the years, creating new opportunities, as well as new challenges for indie filmmakers. In this episode, Big Apple Film Festival Podcast host JONATHAN LIPP (BAFF Founder/Director) chats with filmmaker/actor/producer Michael McGlone on how the industry has changed in the last thirty years, opportunities available today for aspiring filmmakers, as well as enlightening perspectives for emerging filmmakers, artists and entrepreneurs. MICHAEL MCGLONE attended the Tisch School of the Arts at NYU, wherefrom, a year later, in his words he "self-graduated." Not long after, through an ad in the paper Backstage, he landed the role that would mark the beginning of his career as an actor. That role was the beloved Patrick McMullen, the excessively moral and excessively conflicted youngest brother in the Sundance Festival Grand Jury Prize Winning film The Brothers McMullen, the directorial debut of filmmaker Edward Burns. Following this success, McGlone would go on to star in She's the One alongside Jennifer Aniston, Cameron Diaz, Edward Burns, Amanda Peet and John Mahoney. This was followed by numerous critically acclaimed roles in films such as The Bones Collector co-starring with Denzel Washington and Angelina Jolie, HBO's Subway Stories, Hardball co-starring with Keanu Reeves and many more. As prolific in television, McGlone's numerous recurring roles include the fan favorite Detective Szymanski on Person of Interest, Bobby McKeen in Starz' dramatic series Crash, NCIS Hawaii and SpikeTV's The Kill Point. In a return to the screen with Eddie Burns you can also see him in their third feature film together, The Fitzgerald Family Christmas, in which McGlone plays the fiery Quinn Fitzgerald... Also a writer, director, producer, musician and performer McGlone's life is often full with work on simultaneous projects. Whether his award winning Kenny The Gun, his various poetry and novels, stand-up comedy or Music, McGlone has always pursued the most abundant expression of his multi-talents.

RMR 0270: Special Guest, Quinn Que, joins your hosts Lizzy Haynes and Russell Guest for the Retro Movie Roundtable as they revisit The Iron Giant (1999) [PG] Genre: Animation, Action, Adventure, Science Fiction Starring: Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, Christopher McDonald, John Mahoney, Eli Marienthal, M. Emmet Walsh   Director: Brad Bird Recorded on 2024-05-29

John, Sarah, and Hallie discuss queer romcom, "The Broken Hearts Club," starring John Mahoney, Timothy Olyphant, Dean Cain, Zach Braff, Justin Theroux, Andrew Keegan, Jennifer Coolidge, Nia Long, and Billy Porter.  We had a lot of fun recasting this one! Sources for this episode Stack, Timothy. ““The Broken Hearts Club”: Inside the Making of the 2000 Gay Rom-Com.” EW.com, 13 Feb. 2019, ew.com/movies/2019/02/13/broken-hearts-club-oral-history/ “Broken Hearts Club : Production Notes.” Cinema.com, 2024, cinema.com/articles/378/broken-hearts-club-production-notes.phtml Reddish, David. “Happy 20th: How Greg Berlanti's “the Broken Hearts Club” Changed the Course of Queer Cinema.” Queerty, 21 Oct. 2020, www.queerty.com/happy-20th-greg-berlantis-broken-hearts-club-changed-course-queer-cinema-20201021 Our theme music is "Rue Severine" by Blue Dot Sessions.

1st day of summer!  Entertainment from 2001.  West Virginia became 35th state, Alaska pipeline started pumping, last battle of American Revolution.  Todays birthdays - Audie Murphy, Martin Landau, Olympia Dukakis, John Mahoney, Brian Wilson, Anne Murray, Lionel Richie, John Goodman, Nicole Kidman.  Jack Kirby died.Intro - Pour some sugar on me - Def Leppard   http://defleppard.com/Summertime - Zachary WayneLady Marmalade - Christina Aguilara, Pink, Lil Kim, MyaI'm already there - LonestarBirthday - The BeatlesBirthdays - In da club - 50 Cent     http://50cent.com/Frasier TV themeSurfin - Beach BoysSnowbird - Anne MurrayAll night long - Lionel RichieRoseanne TV themeExit - Its not love - DokkenFollow Jeff Stampka on Facebook and cooolmedia.com

We're celebrating Golden Voice narrators all this week, and today we're thrilled to honor Kate Reading as a 2024 Golden Voice. Listen to Jo Reed and AudioFile's Robin Whitten discussing Kate's many talents in the narrator booth, what favorite audiobooks of hers they recommend exploring, and what makes her a Golden Voice. Essential listening: A MEMORY OF LIGHT by Robert Jordan, Brandon Sanderson, read by Michael Kramer, Kate Reading DEATH AND THE MAIDEN by Ariel Dorfman, read by John Kapelos, John Mahoney, Carolyn Seymour, Kristoffer Tabori THE ART OF THEFT by Sherry Thomas, read by Kate Reading THE SOUVENIR MUSEUM by Elizabeth McCracken, read by Kate Reading RHYTHM OF WAR by Brandon Sanderson, read by Michael Kramer, Kate Reading Visit AudioFile's website for more on Kate Reading, and for a full list of AudioFile's Golden Voice narrators. Support for AudioFile's Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Zachary Levi, Kathie Lee Gifford, Max Lucado, Willie Nelson, and so many more! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Will and Steve return to regular programming with the Season 7 Freudian-cabin-opener, Mamma Mia. They discuss Rita Wilson, mosquitos, and the wonderful John Mahoney. 

Where does Frasier's snobbery originate from? Why does he revert to his ‘child state' when around his father? And... the hidden story behind Frasier being a Freudian analyst and Niles (his brother) being a Jungian analyst. Plus, Ben and Nemone's minds are blown when they realise a crazy coincidence with Frasier and Tony Soprano. We want to hear from you!!! Please drop the team an email with your questions and theories (which may be part of the show): shrinkthebox@sonymusic.com NEXT CLIENTS ON THE COUCH. Find out how to view here Cersei, Game of Thrones (Season 1) Tommy Shelby, Peaky Blinders (Season 1) Larry David, Curb Your Enthusiasm (Season 7) Sydney, The Bear (Season 2) Michael, Office (USA. Season 1) CREDITS We used clips from Season 1 of Frasier Starring: Kelsey Grammar as Dr Fraiser Crane, David Hyde Pierce as Niles Crane, John Mahoney as Martin Crane, Peri Gilpin as Roz Doyle and Jane Leeves as Daphne Moon. Created and written by: David Angell, Peter Casey, David Lee and Brad Hall. Directed by: James Burrows, David Lee, Andy Ackerman and Rick Beren. Produced by: Grub Street Productions, Paramount Network Television, Paramount Television (in association with) Grammnet Productions and National Broadcasting Company (NBC) Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Edgar and Barry Award finalist Mike Lawson resumes his beloved Joe DeMarco series with a pulse-pounding thriller starring the Washington DC “troubleshooter” as he tries to pin down a Boston billionaire soaring at the top of the world in KINGPIN (Atlantic Monthly Press). As evidenced by his ever growing Boston empire, Carson Newman doesn't usually get his hands dirty. Joe DeMarco, on the other hand, is paid to do that, and by the former Speaker of the House, John Mahoney. Brian Lewis, an intense workaholic interning for Mahoney, has been found dead in his apartment, purportedly from a drug overdose. But Brian never showed signs of drug use prior to his death, and he coincidentally seemed to be on the cusp of releasing a report identifying a group of politicians who had taken bribes to help dismantle a recent bill. Brian's mother is convinced that her son was murdered because of what he'd learned. While DeMarco reaches a similar conclusion, all evidence only points to the sheer impossibility of a murder ever having happened: a locked door to a thirdfloor apartment with locked windows and no fire escape ladder, and no defensive wounds on Brian's body. In a city full of shadowy agreements and duplicitous deals, DeMarco will soon learn that to get to the bottom of Brian's death, he'll have to look at people perched at the very top of the world. MIKE LAWSON is a former senior civilian executive for the US Navy. He is the Edgar Award nominated author of more than fifteen novels starring Joe DeMarco and three novels with his protagonist Kay Hamilton. For more info on the book click HERE

Dust off your boomboxes, we're headed back to 1989 with Say Anything, staring John Cusack, Ione Skye and John Mahoney. "Noble underachiever" Lloyd enters into a "friends with potential" relationship with brainy and beautiful Diane the summer after they graduate from high school. Will their fledgling situationship survive interference from family, legal trouble, an international move, Lloyd's complete lack of direction, Diane's feelings of having wasted her childhood, and a five-and-a-half-minute Peter Gabriel Song?  Tune in today to find out!Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

Harlym Carter had the odds stacked against her. She's a baby who was born without eyes and who had half her brain removed.    AND   Kelsey Grammer tears up on The Kelly Clarkson Show as he got into talking about John Mahoney, his late costar from the show, Frasier.   To see videos and photos referenced in this episode, visit GodUpdates!   https://www.godupdates.com/harlym-carter-born-without-eyes-condition/ https://www.godupdates.com/kelsey-grammer-tears-up-remembering-john-mahoney/   Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Graduating class of 89's valedictorian, Diane Court "whoa" (Ione Skye) has worked so hard on her future she hasn't had time to enjoy her present. Enter Lloyd Dobler (John Cusack), emotionally mature, kickboxing military brat who decides to just call her up and ask her out. Diane wins a fellowship and is set to leave for England and Lloyd just wants to spend as much time with her as possible, but her father (John Mahoney) warns her against distraction even as his life is falling apart. A pen, a boom box, and a years long IRS investigation later; Lloyd and Diane wait for the ding in Say Anything - this time on Doom Generation. Support this podcast at patreon.com/doomgeneration

Now hear this here is the true cradle of modern air cargo thinking from some airline people long gone and nearly forgotten.Once upon a time there were two giant all cargo airlines operating  from the USA to points internationally.From Los Angeles to the Pacific & Asia was Flying Tigers and from New York Across the Atlantic to Europe,Africa,the Middle East and India was Seaboard World Airlines.This is about  Seaboard World Airlines and specifically some excellent people that learned air cargo from its people.On October 1, 1980 Seaboard World Airlines was absorbed by The Flying Tiger Line, Inc., and on December 16, 1988 The Flying Tiger Line, Inc., was absorbed by the Federal Express Corporation.I was thinking about people in our business recently watching Fred Smith on TV talking air cargo.Once upon a time there was John Mahoney at Seaboard talking air cargo. That was 50 years ago. Interesting that the last big time air cargo type, Smith out on the hustings commanding the widest audience of any airline executive in world history (he certainly  has also been on top the longest) can look back to a time when big ideas of how to air cargo came from a company he ended up buying. Here we share some Seaboard thinking and also several direct quotes from Mahoney that in 2024 although the talk is aged as we move along 50 years later at jet speed, still makes perfectly good sense. --- Support this podcast: https://podcasters.spotify.com/pod/show/geoffrey-arend/support

Today, my guest is John Mahoney. John is the founder of The Law Offices of John Mahoney, and they focus exclusively on federal employment law, which is a subject area near and dear to my heart being from the Washington, DC area - although, as John quite clearly points out, federal employment laws pertain not only all over the country, but indeed internationally with federal employees being stationed all around the world. It's a fascinating discussion with him about his virtual practice in the federal employment law space and how he was influenced by his father's experience in the industrial area of Worcester, MA. It's an interesting conversation that he and I have, a little bit more in the substantive area of the law than we normally do on this program, but I hope you enjoy listening to John and learning a little bit about how he built a virtual practice in the federal employment law space.In this episode, Neil and John discuss:How John first got interested and involved in employment law. The history of the labor movement, and why labor laws are so important and were created in the first place. Running a virtual law practice with remote employees. Virtual growth practice, law, and sustainability. Key Takeaways:Federal law is not limited geographically - there are federal employees all around the globe. By building a virtual practice, you can attract attorneys from wherever the government is. Many people today take for granted the work that was done by early labor lawyers, unions, and others in the labor movement. Many of the benefits we experience today are because of these individuals. There are ways to build culture and comradery with your team in a virtual environment. Starting with the right people can help. Understanding what your capacity is for yourself and each of your attorneys can help you to have a better understanding of when you need to hire. "These whistleblower retaliation or complaint or grievance retaliation are considered prohibited personnel practices, federal employees cannot be terminated for any of those reasons. And that has stood from 1889 to 2023." — John MahoneyGet in touch with John Mahoney:Website: https://www.attorneymahoney.com/ Phone: 202-350-3881Twitter: https://twitter.com/attorneymahoney Facebook: https://www.facebook.com/JPMLawyer LinkedIn: https://www.linkedin.com/company/john-p.-mahoney-esq.-attorney-at-law YouTube: https://www.youtube.com/channel/UCJFuKuPeMRndDEYxZ7lKdGw Thank you to our sponsors!Ruby Receptionist - Virtual receptionist & live call services that will help you grow your office (and save money), one call at a time - to learn more, go to https://get.ruby.com/TLE or call 844.311.7829The Net Profit CFO - Ryan Kimler works with attorneys who want to enjoy higher net profits without working longer or harder. With just 9 Simple Numbers, Ryan will help you drive more profit to your bottom line-and he won't confuse you with

On the 10th day of Pitts-mas, Albert Finney gave to me: The Image. John Mahoney. Albert Finney. Kathy Baker. A newsman reports the news wrong and a guy suicides. Can he make it right? Maybe, if Swoosie Kurtz gets out of his way! Also, Brad Pitt. I had to buy this thing on DVD. Why isn't it readily available? Is it because it's so boring it just washes over you and someone has to dump you in a shower and run cold water over you or it will carry you into the afterlife.

"You are who you choose to be."Jeff and Scott are joined by Dayton Johnson of the Docking Bay 77 Podcast to discuss what they collectively believe is one of the greatest, most underrated animated films ever, Brad Bird's The Iron Giant; starring the voice talents of Jennifer Anniston, Harry Connick Jr., Christopher McDonald, John Mahoney, and Vin Diesel as the loveable Giant.For plenty of exclusive episodes and content, check out A Film By... on Patreon! with a FREE 7-day trial!Check out www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on X Twitter, Instagram, and Facebook @afilmbypodcast.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4933588/advertisement

Whether its the war in Ukraine, the war in Israel, the House speaker race or any of a zillion controversial topics, everyone has an opinion. As federal employees, can you express your opinions out loud and not get fired for it? For advice, Federal Drive Hose Tom Temin spoke with federal employment attorney John Mahoney. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Whether its the war in Ukraine, the war in Israel, the House speaker race or any of a zillion controversial topics, everyone has an opinion. As federal employees, can you express your opinions out loud and not get fired for it? For advice, Federal Drive Hose Tom Temin spoke with federal employment attorney John Mahoney. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's finally here! TV writer Alrinthea Carter joins Anita to discuss episodes 1 and 2 of the Frasier revival. Good news: it's not the worst! They share their thoughts on new characters, missing John Mahoney, whether or not Frasier should get a cat, and SO much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to an all-new Films for the Void, episode #63! In this episode, Eric and Landon decide who they choose to be in discussing Brad Bird's 1999 film THE IRON GIANT, as well as discuss Sofia Coppola's Lost in Translation to celebrate its 20th anniversary - all on the latest episode of Films for the Void!TIME STAMPS00:03:07 Lost in Translation00:16:27 The Iron Giant01:12:56 Eric's Recommendation for Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehair

Join us on a fascinating journey through time as we explore Bruce Miller's 44-year career in entertainment reporting, filled with on-set experiences from some of the most iconic TV shows and movies. This includes all of the various spinoffs of "Star Trek," the penultimate episode of "M*A*S*H" and beloved sitcoms such as "Cheers," "Frasier," "The Big Bang Theory" and "The Office." We also dive into the realm of TV set design, with stories from the sets of popular shows like "Grey's Anatomy," "The West Wing" and "Parks and Recreation." We also share a few stories about the 1982 film "Annie," which was shot on the campus of Monmouth University, which co-host Terry Lipshetz attended in the 1990s, and the 1978 film "Ice Castles," which included Bruce as one of the many extras. Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened, an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, senior producer at Lee and your co-host of a program with Bruce Miller, who we've pulled out of a time capsule this week from reporting. He's been doing entertainment reporting forever with the Sioux City Journal. But he's been everywhere. And we wanted to do a special episode. We are coming up on 44 years, 44 years. Can you believe that? But you know what? I thought it would be fun to talk about something that people always ask me about, which is do you get to actually go to the sets of these things? Do you get to talk to the movie stars? Oh, you're just making all that up, aren't you? Now, after this many years, you can't make it up because it's just too difficult to think about. Wait a minute. Didn't I use that line before? I can't use that line again. You need to have that one on one contact. And that's the thing I think has been the biggest joy of covering entertainment, is actually getting to meet people that you maybe admired at some point or you like their work or you think that they're different than their public persona. So yeah, that's been a really cool thing. And early on in 1980 was the first trip I took to the West Coast for pilot season, whatever you might want to call the new shows. And one of the things that's very common is they'll take you to the sets of various shows so you get a chance to watch them film things. You get a chance to walk around the set and look at all of that kind of fun stuff. You get to interview the actors. It is a really kind of head turning situation the first time you do it. I have been on the set of every Star Trek series except the first one, and I have sat in every captain's chair, which is interesting because all aren't comfortable. I've gotten to see, you know, some big back in the day they were mini series. They weren't limited series, but I've been on the sets of those. I was on the set of The Thorn Birds, which was like a it looked like a working sheep ranch in Australia, but it was actually in California and we had dinner on the porch of the of De Gaeta, which was the name of the the ranch and with the stars. And one of the stars, Rachel Ward, was really upset because one of the producers said that she was in she was a nine in looks and at three and acting up and she got all upset and started walking away from the set of this. And all you could think about is they're not done filming this thing and she's bailing because she doesn't like what the producer said. And they immediately ran after her and tried to smooth over this problem. And it was all happening before our eyes. Well, we were there to have dinner and watch him. She or sheep. So interesting kind of factor there. We went to Charleston for the filming of North and South, if you remember, that was the miniseries. John Jakes had a series of books and it was about the Civil War times and Patrick Swayze was one of the stars. Kirstie Alley was another star, and that we were there for several days and they had dinner with them every night. And they were very, very fun because they would tell you things that you you know, you didn't really it never came out any other way. But they said they had given everybody on the on the miniseries a whole name. So they were different kinds of POWs in this show. Okay. So Patrick Swayze, he because he was a dancer, was called Ho Down, and they went through the whole cast and told us all their different names. And they didn't like Lesley-Ann down who was one of the stars of it. And I said, well, what's what's her whole name? And they said, You got to go over and ask her herself, and she'll tell you what her whole name is. So we went over to Lesley-Ann down and I said, Well, now they said, Everybody has a whole name. What's your whole name? And she says, I'm a whole show. That's a kind of that's a stuff you don't get when you're just normally doing an interview over Zoom, or if you're calling somebody on the phone. But it's very fun to be in that environment and you see them shooting scenes and they'll do it over and over and you think, Wow, they're not never going to finish this thing because it's it's taking so long. And I was fortunate that I was at the last day of MASH. MASH did a big movie for their final episode, but that was not the final episode they shot. They did the episode before that on on the 20th lot. And it was about buried in a time capsule. And they were there and they they did it once and they said, Yeah, we got to do it again. We got to do it again. And so they did it again and the the guy said after that, that was good. That's it. That's the end of MASH. Thank you. And the actors all kind of fell into each other's arms and were crying. And I mean, it was a real emotional moving time and they had huge media coverage. I remember standing near Maria Shriver, who was covering it for NBC, and they said to us, You can take anything you want from the set when you leave. And I happened to be standing in the in the shower. And so I have a bar of soap from MASH. That's my memento from that. But it was it's it's that was such a momentous kind of thing. And even now, when you see it in reruns, it's like, wow, I can't believe I was there when they ended MASH. I sent you a bit of a list of shows that I was kind of interested in, and MASH is on my list because for me as a child, it was one of the first big shows I remember watching now. It started when the show started. I wasn't even born yet, but as it progressed, a great but as it progressed, I grew up watching it either in real time, but also we would see the reruns. My parents would just have the show on. So I remember watching mostly the later episodes, but what a big deal it was on TV to watch that final episode, that movie episode. It was. It was huge. It's up until recently was one of the the most still one of the most watched all time shows ever. You know, often I'll just happen to mention that I was on the set of MASH and you can't believe how this smokes out. People who are just hardcore MASH viewers. Yeah, that show early on when they started putting out DVDs of full seasons of of TV shows, it's one of the first shows that I bought on DVD because it was Watch it all. Yeah, I've I've watched every episode of MASH. Yeah, I love that show. See And for me, it's it's very hard to go back and watch them again. I don't think I'd ever buy a box set. I have box sets, but I, I don't watch them. Yeah, but it's also a little different for you too, because you're watching so much. Well, you're always looking at the next thing you've got to see, just to see, you know, what's happening, what's new, what's next. But yeah, and there there are fun little things. I was on the set of Gray's Anatomy and they had a party there. And in the operating room, they had this body on, you know, on an operating table. And it looked bloody. But what it was, was it was salsa inside the stomach and you could use, you know, there were chips all around it. So that was how they were serving the chips. It's just goofy things like that that happened. If you remember, E.R., E.R. had it looked like a really bad hospital. It looked like the last place you'd want to go because it looked so kind of worn down and everything. And they actually had a an el station outside the thing where they would use it for exteriors. But it basically was George Clooney's basketball court. And you could see where they would play basketball out there when they weren't shooting or weren't doing anything. But inside the the actual operating slash exam room, slash whatever hospital, you could see really great equipment. And what happened was after the show became a success, a lot of these providers would just send them the equipment so that then it was accurate, but it was like state of the art stuff. So that I'm sure that if you went to your own local hospital, you say, Well, now don't you have the XR 732, which they used in E.R. and the Thecable? No, we can't afford that. That's like 5 hours. I think it would be one of those things where people would ask for it or whatever. But it had really great equipment in there. And they said everything was as accurate as they could possibly be. They had a lot of advisors who are medical people who would tell them exactly how to hold things, how to do certain procedures. So they got really pretty good at it. And a lot of times when you have people who are playing doctors on TV, they are expected. A lot of times if somebody collapses on an airplane or whatever, well, come on, you know what to do. And they said it's very intimidating because people expect you to be that doctor, but you're not. But they do. They do learn a few things that might be helpful if they ever need it. So, yeah. And hospital shows are really it's a they're cheap because you can put everybody in scrubs. Oh yeah. And you have a lot of rooms that can be remade to look like another room because aren't all patient rooms the same? They're also. Yeah. And so, but they did have hallways and stuff in terms of something that was real big, like that. West Wing really did have those hallways where they did the walk and talks and they had the Oval Office. The Oval Office was cool to see. There were a lot of fun things. And then if you look closely, one of the the coolest places that I had where we could check out things, Parks and Rec. And I did see a little Sebastian, by the way, I met little Sebastian, the the miniature donkey hockey so thrilled. It was like, you have to see it. There is no star bigger than this. And he was cute. And I somehow I got my picture taken with him, so I was cute. Cool. But if you go inside that city hall, they have pictures and the pictures of past like councilmen, whatever, are people from their staff. So it was fun working on a show. You can easily get a relative's picture on the wall. And theirs was also one of those kind of sets where you walk around it and you felt like you were actually in a building. That's crazy. It's interesting you mentioned with the West Wing because it is a show where there's I mean, it's a Aaron Sorkin, right? So it's a lot of conversation. It's a lot of dialog. So I could only imagine the set being huge for a sense of just you have to do one continuous shot, even if you're just like spiraling through hallways, back and forth and weaving. They make sure that the walls are removable. So if they have to have a camera come in, they can or they shoot them through things. I mean, it's it's very fascinating to watch those kind of shows being put together because it's a different procedure than maybe if you saw a three camera show where you're sitting in the audience, you're just watching things happen. If you watch a show long enough, especially a show that's been on for a very long time, you'll see changes to the set. And I'm not necessarily talking about, you know, they just updated here and there or swap furniture. But sometimes when a show starts working on a shoestring budget, they don't know if it's going to get picked up beyond the pilot. They don't know if it's going to get picked up after season one. And then all of a sudden it's around for eight years and they really start changing up the set. Have you ever gone back to a set that you hit maybe early on during a season one and then you go back a few years later and you're like, Whoa, what has happened here? This is totally different. Sometimes they will shoot on that on an existing set. There have been a lot of shows that because they weren't they didn't want to save money. They didn't want to, you know, so they'll full house. They believe they use that set for a number of different things. So there are ones that they will go back and then when they start their own run they may upgraded or change things. But there is this kind of fear that if you have success and then you change the look, you could be inviting, you know, disaster or Mary Tyler Moore had that because remember how she had that apartment that was supposedly, you know, this whatever, Minneapolis apartment. And then they decided to move her to another place downtown that looked a little more cosmopolitan and whatnot. And they were freaked that if they did move it from one place to another, the show would would suddenly lose its charm. So they made sure to make a big point of her taking her big AM from the old place and putting it in a place of honor, in the new place. But yeah, they don't want to toy with that. But if you do have success, they will upgrade. You know, a lot of times look closely at countertops and kitchens. Yep. Because it's a faux painting that they do that looks like granite. And in granite it's painting. But if they have success, they may get real granite the next time they come around. So if they upgrade this head so it has to be reinforced a little bit. Not too long ago before they ended, I was on the set of This is US, and they had that old house, you know, that the house that they used for the things when the characters were kids. Yeah. Oh my God. It was like walking back into my childhood because they had all of these things that I remembered, the TV sets that were old and yeah, even the kitchen counter where I think wasn't a crockpot that caused a problem and yep, yeah, it was all they had. No crockpot, no crockpot. We don't have that, that kind of, you know. And the Goldbergs, I was on the set of that and it's filled with toys and crap that are, are unique to that era that they do watch it because if you're there visiting they don't want you swiping something because you like a Rubik's cube that you happen to see on a TV show and they will have things marked off or taped off. So you can't walk there if you try or a guard will be standing there. The Big Bang Theory has a comic book, right? And that had real comic books that were expensive. And they did have you could not touch anything. And there you could have your picture taken in there, but you couldn't look at the comic books or, you know, touch any of the statues that they had and all the crap that was in their their apartment. That was real stuff. And but you could I did sit in Sheldon's seat, you know, don't sit in my seat. Oh, and it was cool. It was big. But to see that they had, you know, if you lifted the cushions up, I didn't do this so don't. But they, I think they used it. There was an episode where they actually did put stuff down below and so everything isn't as it seems. There are ways to kind of cheat it so that then if they need to do something like if somebody was to emerge from the bottom of the couch, they would have a hole built and they could pop up from that. So there are things like the Frazier, the the chair that the dad sat in was it looked horrible on TV and you thought, Oh, my God. And it wasn't it wasn't when you saw it in person, they just added duct tape to the outside of it. And the cushions were really comfortable. John Mahoney, who played the dad, said it was like he loved just sitting there because he didn't have to do anything in the chair. But then Frazier also had this artwork that was original. It was not a duplicate or a facsimile of anything. It was real art, and they did not bring it out until the night of shooting, so that when they had an audience there, somebody would hand carry that Kahului bowl or vase or whatever it might be and put it on the set. And then as soon as they were done shooting, they would remove it and put it somewhere else. But they did not leave them out there just in case, because how would you replace it? You couldn't. That's fascinating, because I've always watched, you know, like I watch Frazier and I watch Big Bang Theory in those types of shows I would watch is like, wow, these are really good sets, especially with Big Bang Theory, because they're geeks and they've got all the toys and the other comic book type things, and I don't collect comic books. I never really got into them. But I know what a comic book looks like in when they hold them up on the show. I'm thinking like, Wow, that's that's a really good reproduction, but it's not a real thing. It's there. And I'm sure a lot of the people who work on the show are hardcore geeks like that, and they figure when the show ends, somebody's going to have to get that. I don't know, you know, unless they're just on loan. But I don't think they would be. I think they actually go and buy those. Yeah, but yeah. And so you usually ask the people, now when the show ends, what are you going to take, What do you want? And it's not necessarily the stuff you think Kaley Cuoco from that show had. There was a picture that she said she always stared at and she wanted that because she remembers that's what she'd look at whenever she was sitting in a seat. She was talking to somebody. It was and it was a big nothing picture. It was not something. You go, Oh my God, it's Spider-Man 1952 now. It wasn't anything like that. So there are things that mean something to them but don't necessarily mean anything to the show. I know that there were things on Friends that, you know, were iconic and certain people did get those, but boy, they still talk about it. Now, you say yeah, that she that Jennifer she got that and I'm still mad about it and you know, do they even put it in their house somewhere? Probably not. Yeah. I think somebody took the door or from the set of Seinfeld because it was it was so iconic, you know, like, like Kramer flying through the door. And I don't know who it was. It might it maybe it was Jerry. But I thought one of the big actors walked away with that. Did you ever make it to the set of Everybody Loves Raymond? But any chance I did. I did. They did. But it was like a just a regular house. Did you get to at least sit on the the couch that was covered in or zip zipped up in plastic? Yeah, well, but, you know, I was on Roseanne's couch, too, in case. Oh, yeah, Yeah. Usually they'll let you sit there so that then you can feel like you were at the show or you were part of this show or whatever. And you meander around the sets and you look at things and you see things that you don't see when you're watching, you know, And there and I'm not naming names because but there are actors who don't memorize their lines. And so they'll stash them and they'll have things like there might be magazines on the table, and if you open up the magazine, you might find a script in there that's crazy. So they would you know, they would act like they were reading a magazine when they were actually reading the scripts. Now, in recent years, some of these shows were done not not any big show that you know, but some of these cable ish shows, if you will, they would shoot three episodes in a week. And it was impossible for for the actors to memorize those scripts. So they had huge, big screen TVs like like they were teleprompters that would be behind the characters so they could just read the lines off them. And that's fun to see because you go, Oh, I thought they had to memorize all this stuff. Maybe I could be an actor. I, you know, I would worry about that. But yeah, so it it varies from where you go on the Disney campus, if you will. A lot of those Disney Afternoon shows that you'd watch on the Disney Channel or wherever were nearby each other. And it all got to be real good friends with each other. You know, they all knew Miley Cyrus. They all knew the Jonas Brothers. They all and they hang out together. They were actually friends and did things together. And it's it's amazing to see now, you know, when some of them moved on to other roles and other things, how what part that played for some it was for worse and for some it was better. I was with the Zack and Cody kids, the Sprouse kids deal and I'm blanking, but they took me back to their their dressing room and they show me where they actually studied with a tutor. You know, they have to have so many hours a day with a tutor if you're using a kid and they can only work so many hours a day. Though one of the boys said, you know, truthfully were able to, I think as actors were about a four. We're not that good, but we're trying to make money to get our college people. And so, you know, we buy into this. We see what this is all about. We know and they are far more sophisticated than you think on these kids shows. These are not kids who are, you know, just throwing it out there and wanting to be stars. Some are. They're just because it's a job. Yeah, I the money and both the Sprouse boys did go to college. Now one ended up on Riverdale and they're both working in the business now but it was never the goal that that was that's kind of a byproduct that they still get to work. And I always remember Demi Lovato telling me about kids today. I said, you know what don't they realize about being a young actor on a TV show? And she said they think it's all about the purse. I said, What? And she said, They think that you can have a really expensive purse and they don't realize what you're giving up or what you have to do. And it's not all about the purse. And I thought, well, that that was a very kind of fascinating way to kind of size it all up, because I think fans look at these things and they think it's much more glamorous than it is. It's not sets. Are you doing these huge warehouses, kind of barn facilities where mice can easily be running around? There's not a hesitation there. There's a huge craft services table, but you don't know whose touch that food or where that food's been, you know? So, I mean, there are a lot of things that don't make it seem like, Oh my God, here comes Greta Garbo and Clark Gable walking down the street. Not at all like that. It really is a factory. Yeah, Factory of entertainment. Yeah. And a lot of those Disney ish Nickelodeon, Nick Junior kind of shows to that. Not I'm not saying that the sets don't look good, but you see a lot more artificial grass on the shows, which clearly isn't crass. The production value isn't necessarily is as high as you would expect either. And they would talk about how there's a Disney style at all. But you know, where they have to do kind of those broad gestures and everything. And some of the kids really thought that that was wrong, that they didn't want to do that. And you can see where now they've shifted with some of these shows that they aren't as kind of obvious. Maybe that's a term for, but they are a little more adult and they talk about themes that are more contemporary than they did back in the day. Any shows you've been on because you mentioned Star Trek, some of those shows, especially the SCI fi shows, where there might be a lot of green screens and and other things. Any any one in particular that we watch on TV that looks like, Wow, that is impressive. You know, there's the deck of the enterprise, but you're on the set and you're like, what is this? What is this? This is the most unimpressive thing I've ever seen. Oh, well, Star Trek, The Next Generation. I mean, they had like an area that was basically every planet they visited. So it had parks and things and they just redressed it and put up a different. Yeah. So that that was what you're talking about. The Orville. Do you ever remember the Orville was on Fox for a while? No, I don't. I think it's still going to be honest with me. It was Boeing, but I'm I'm not going to vouch for that. But they had an actual ship that you walked on. You walked through the whole hallways. It seemed like it was the real deal. And that's because Seth Macfarlane, who was producing it, was able to, you know, say, I want the real thing. Okay. And you saw the costumes that were just bizarre. I got to shoot the guns that they they had. And it was like you were actually if it was a an amusement park, that's what it would be like. It was cool. But first of all, a lot of those ones, boy, they cheat a lot of stuff. You know, Star Trek was a real key one. And if you looked at the Paramount that you would say, Well, I think I've seen this place before. What I watch sometimes you'll see buildings that they love to do schools, and it's just the outside of the of the paramount lot. Yeah. Executives place and you go well that's there's no school like that but they'll dress it up and make it seem like it is another one that was like shot at a place. Scrubs okay. Scrubs was in a used to be a hospital and they just took it over and, you know, and there was a bet that they had going on that if anybody would spend time in the in the morgue, they would pay them extra. If they would go do that. But because it had been a hospital, they constantly had people coming in and acting like, I need help, I'm bleeding, can you help me? And they'd have to turn them away and say, no, this is this is not a real hospital. It's a movie set of these. Yeah, yeah, yeah. One's like that. The office was shot in a warehouse kind of situation with offices. It was real offices. So when you see them all sitting around like that, that's how it was. And you could walk around all of their desks, look at everything, and they said that their computers did work and they would do like one did Christmas cards. Mm hmm. Well, they were because they had to be on the set. You couldn't leave. You had to be there. Well, other scenes were shot because you're Mr. Right. Right. You're an actor, but you are also background. So they would do stuff like that or they'd chat to each other on their their screens and act like they were working. Sir, there was the warehouse that was attached to it, and this was out in some industrial area, you know, outside of Los Angeles. It wasn't, you know, there was a fence up and all of that. But the the, the storage area or the loading dock was actually filled with paper. Wow. Yeah. Cool to see. Very cool. You know, And yes, I do have a name, plaque that says I'm assistant to the assistant regional manager or whatever. But yeah, very fun because that I think those kinds of shows make it feel like you actually are. There is a lot of the ones where you're sitting in seats and they will do that If you happen to go to California and you want to see a show shot, there will be tickets available to the public. Now, usually if you go to Universal Studios, they have a ticket box or a counter or whatever that they will let you know which ones are available. Things like game shows have a lot of availability, so you could probably go to prices, right, and sit in the audience. You won't necessarily get picked, but you could go watch something like that. A sitcom could be a little more difficult because they have different nights that they shoot and they will suck up X number of tickets just to hand out. Or if they're really bad, they will hire people to sit in the seats and laugh. Yeah, well, and they say that they used to have prisoners that would come and sit at the. Oh, jeez. 0i1 thing I did meet was paid laughs. Or did you know that they have people who are paid to laugh? Well, I knew there was laugh tracks, but I didn't know there was paid laughs. And these were some of those series that do not have an audience. But the kids need to know when to hold for a laugh. And we had like five or six people honest to God, this was the strangest thing I've ever seen sitting at a table, and they would get her. Her? Oh, well, oh, different kinds of laughs. And then the directors say, Okay, tone it down a little bit here. We don't need that much. And it would it would help the actors learn how to react to this crazy this thing. But yeah, and they would like read they be reading the newspaper. Well, they're laughing or knitting or doing something else. But it was a job and I had paid laughter. I want that. I want to be somebody who's paid to laugh. Can you get me the gig? I'm there with my luck, though I'd be on the the absolute least funny show you can think of. Like, okay, we need you to laugh right now. Oh, my God. And that's the way it is. Yeah. Yeah. It's interesting to see how success changes people, because the first year of friends, nobody knew who they were. And they were very they were more nervous than I was to interview them. And we had, they had given us mugs that said friends on it, you know, those big latte mugs or whatever. Right. Right. And they were so thrilled that the name of the show that they were on was on a mug that they started grabbing up as many as they could. So they at least had a set of them. So here you see these big stars who, you know, went on to make what, millions of dollars serve this series, swiping mugs that were supposed to be swag that was given away to the media. And then when they had the last episode of Friends, we went to this set and they would not let us get down on the set. Isn't that all? They don't have taken anything or didn't want us touching anything. We could not talk one on one with the actors and the boys. It wasn't like it was covered or anything. It was just that's how the world had changed. These were big stars that did not. Unless it was cleared, you were not able to talk to them. And. Yeah, sorry, I don't have time for Bruce Miller. No, I'm not doing some low class person like Iowa. I'm speaking as the one from Iowa. Yes, I believe we have somebody who's serving coffee over here who's from Iowa to talk to him now. One of those kind of. Yeah, but it's for me, it's a fascinating thing to look at the sets and just see stuff close up, how they dress that and how they add all those things has really changed. In the old days, it was very kind of minimal. You wouldn't see much on the counters and stuff and now, boy, they pack this and to make sure that it matches, you know, the others, they'll shoot pictures and everything and make sure that every box is where it needs. And I went to how I met your mother or father, Both mother and father, but father. And it was such a mess on that set. It was like last year, this last year. And I thought, how would you keep track of all that stuff? Because it's just it's like litter, basically. But they, you know, they keep an eye on it. I was on the set of How I Met Your Mother just before it ended, and we were in the bar and I'm not sure what the bar. Claire MacLaren's Yeah, what it is, okay. Gloria Bar set. And we were sitting at the table where the, the group usually sits and Neil Patrick Harris had carved his initials on the table and then he and it had plus D be his husband's name, David Burtka, and drew a heart around it. And I thought that was really cool and the picture of that. But, you know, a little a little thing that you probably didn't know when you were watching it on on TV. Yeah. Because you would never see that. No, it wouldn't show. What's interesting to me too, is because all these shows generally have like real life exterior shots. Right? And I remember taking a trip to Boston and taking a walk to the Bull and Finch Tavern, which is where they shot the exterior shots for Cheers. And the bar inside was kind of used loosely to inspire the look of the real bar. And I remember how cool it was like, Whoa, you know, here's the sign. And at this point, too, they had put up a sign that said Cheers, you know, downstairs because they wanted you to to recognize it. And and they had the seafood restaurant was there, too, that you can walk into. But I remember walking down the steps to cheers and then opening the door. And then how unimpressed I was, because this is just this tiny little, you know, like eight seater of a bar. It's not anything impressive at all. And the real thing was huge. Really huge. Yeah. And it did work. So if you were there visiting, they could make you a drink. Do you know, was there alcohol in them or was it. Well, if there were if they're shooting, you couldn't have alcohol. But when you're there there's out there with alcohol. And I remember sitting in one of the booths that were on the side with the actors, you know, it was funny about Cheers. They sure didn't have faith in that when it started. Right? They did room. They did a room interview where you'd go in the room with the actors and they had just had five actors in the room with one reporter. And you're thinking, well, normally you'd kind of wouldn't you try to maximize size your exposure? Right? And I think we're just trying to blow it off. And then we went to a party on the set of it and we got to sit on Norm's stool and, you know, walk around and look at everything. And it had changed. It had really changed. Once success hit again, you never know what's happened there, but Cheers is fun. But yeah, if you go to the bar, the Cheers bar in Boston, it's not the same. No, no, definitely not any. Any other stories? I have one to share. Once we're ready to wrap, let's come on out. All right. I'm just going on. You got to shut me up. Okay, So I was sort of on the set of the movie. Annie. Do you remember Annie from 1982? Annie. Annie. Dust until come now. Tomorrow. Were you one of the authors? I know. So I went to college at Monmouth University in West Long Branch, New Jersey, and in the University. It's on it's kind of in this old neighborhood in West Long Branch, in the centerpiece of the campus is, I believe now they call it Shadow Lawn Mansion. They used to call it Wilson Hall. They use the mansion as Daddy Warbucks mansion in the movie. So they shot almost the entire movie on location at my college. And I remember taking, you know, before I before I decided on where I was going to go. And you take those campus visits and they bring you on tours and the big selling point at Monmouth at the time and probably still is, was this is where we filmed Danny in the hall, which is Wilson Hall when I was there. It's where the president's office is. It's where the registrar is. There's some classrooms in there, too, is always very cool. You would get a class because they didn't have a ton of classrooms in that building because a lot of them it's a lot of very small rooms. But you would you would go in there and occasionally have a class and it was very cool to have a class there. They would have receptions for, you know, honors students there. I worked in my freshman year. I was tutoring foreign language students who were they were struggling in English and I was helping tutor them. And the tutoring center was in the basement of Wilson Hall. And you would walk on the floor and you could sense there was something hollow beneath it. And it was because the big pool, if you remember the scene, was the pool in Annie. That's where the pool, the pools in the basement of Wilson Hall. But they had covered it over and converted into two classroom space. So yeah, so it was, it was very, very neat. And there is a scene, I think it's early in the movie when they're first bringing Annie to the mansion and you see the car turn down into the gates. But it's one of those scenes where if you look very closely, you could see the dorms across the street, but you wouldn't know it If you're watching the movie. You just see some building in the background. But it's like, oh, there is. There's the dorms, which is crazy. They ask anything, Well, where did you start seeing Hard Knock Life at some point? I did not know, but I did watch. I did actually watch the movie after I went to school there because I it wasn't high on my list of movies to see as a as a child, it didn't quite appeal to me. But once I got there, I watched it. It was it was fun to watch and then see the different locations and think, Oh, LA, you know, I've been there. I had to I had to register for my sophomore year there and I had to go pay a late book fee or something there. And yeah, that was crazy. So that's where we kind of relate to these things, is that we can find the real place that was used and go, What was that for? I know. And if you ever go on the Universal Tour or the Warner Brothers tour, anything, recycle these things all the time. So I, you know, like you, when I was in college, I was in a movie. They needed extras and they said, if you come, you know, maybe you'll get on camera, maybe you won't. It was Ice Castles, Ice Castles with Lin, Holly Johnson and Robby Benson, and it was about a figure skater who lost her sight. And we were supposed to be in the audience watching her. When you realize, Oh my God, she's blind. She can't see where she's skating. And then. Right. And Robby Benson comes out to greet her and everything. Well, I happened to have a camera with me because it you know, if you're not with the camera, are you anybody you need a camera. All, all situations. And these were not cell phone days. This was back in the days of a camera. And so they were they were thrilled that I had my camera there. And if you watch for a millisecond, you will see that I am in the movie Ice Castles because I happen to have a camera and it's me holding my camera. It captured that moment when they discover that she's blind. Wow. Is that not real? But there's my movie. Yeah, well, I don't think we can top anything else now that we know. Now we've done it. It's done it. Okay, well, we're going to do another episode like this sometime because this is fun. I enjoy story time with Bruce. Well, if anybody has shows that they're interested in or want to know about, if they want to drop us a line, we'll be glad to put them on a list and then we'll talk about them. Because like I say, 47 years I've been just about everywhere that you could go unless there was some ban put on people. And no, you can't talk to those people. And maybe I'll tell you my Zendaya story some oh, I want to hear that one. So you can you can reach out those podcasts at least dot net. I check the email regularly and I will screen those emails and we will get back you and talk about it in a later episode. That sounds great. All right, everyone. Well, thanks again for listening to this episode of Streamed & Screened.See omnystudio.com/listener for privacy information.

It's Die Hard in a serial killer thriller! Or is it Die Hard in a murder mystery? Or Die Hard in a family drama? Or Die Hard in the great American play?! To make sense of all this, Phil and Liam are joined by special guest Sean Fennessey, the host of The Big Picture and a regular guest on The Rewatchables.   The plot of Striking Distance speaks to its surprising level of complexity. After he testifies against his own partner for use of excessive force, Pittsburgh homicide detective Thomas Hardy (Bruce Willis) is exiled from the tight-knit police department and ends up working for the River Rescue division, where he becomes embroiled in a hunt for a serial killer who is dumping bodies in the water. As he launches his own unofficial investigation into the crimes with new partner Jo Christman (Sarah Jessica Parker), Hardy comes to suspect that the killer may be the very same man who murdered his police captain father years earlier. As the son of a cop himself, Sean has a particular insight on the film's subject matter, which captures a very specific cultural milieu in co-writer/director Rowdy Herrington's home town of Pittsburgh. They also discuss Sean's feelings about Die Hard, his thoughts on Bruce Willis' complicated career, and his fascinating real-life encounter with Dennis Farina, who plays (Willis' Uncle) Nick DeTillo, in what might be the movie's standout performance, even amongst a stellar supporting cast that includes Tom Sizemore, John Mahoney, Brion James, Andre Braugher, Tom Atkins and Robert Pastorelli. There's also in-depth analysis of the film's possible influences – from iconic 1970s filmmakers like Alan J. Pakula and Sidney Lumet, to great American playwrights like Arthur Miller and Eugene O'Neill – and to the films and TV shows that it may have subsequently influenced – such as CopLand, We Own The Night, Pride & Glory and The Wire. Are the guys giving this largely forgotten film too much credit? Possibly…but that's up to you to decide! The ‘Die Hard Oscars' provide some typically strong candidates for awards recognition, before Sean and Liam compete in the ‘Double Jeopardy' trivia quiz! STRIKING DISTANCE trailer https://www.youtube.com/watch?v=5PbX4LXD6Es At the time of release, STRIKING DISTANCE is available to rent or buy through Amazon Prime Video, Apple/iTunes, YouTube, Vudu, DirectTV and all the usual platforms. Support this podcast at — https://redcircle.com/die-hard-on-a-blank/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jesse Hawken, host of Junk Filter Podcast, returns to the show to discuss 'Primal Fear'. The film is a taut piece of middlebrow entertainment which offers maximum reward as a cable classic. We discuss the film's two standout performances - one from aging handsome guy Richard Gere as a hotshot attorney looking for his next big break, the other from then-newcomer Edward Norton who took audiences by storm and wound up on the short list of actors nominate for an Academy Award for their very first film performance. Then, we talk the movie's famous twist ending, and the way that it betrays an uncomfortably reactionary streak that resonated with audiences in mid-90s America. Finally, we have some words about the death of the midbudget cable classic, and look at the current state of the industry vis-a-vis the tandem strike efforts from the WGA and SAG-AFTRA. Listen & Subscribe to Junk Filter Podcast and support the show on Patreon. Follow Jesse Hawken on Twitter. Follow Junk Filter Podcast on TwitterGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

In today's digital age, with sophisticated cyber threats becoming increasingly prevalent, ensuring network security has become more critical than ever. One solution that has emerged as a beacon of hope is the concept of 'Zero Trust Network' or a radical shift from traditional network security measures, Zero Trust Network advocates for a 'never trust, always verify' approach, offering a more comprehensive way to combat cybersecurity threats. Zero Trust Network is a security model that eradicates the conventional binary notion of 'trusted' internal networks versus 'untrusted' external networks. This model operates under the principle that threats can occur anywhere, and thus, no user or system should be implicitly trusted. Instead, every request is thoroughly verified, authenticated, and validated before granting access, regardless of where it originates from within or outside the network. Explaining more about this is John Mahoney, CEO and Co-Founder of Moby, LLC.

Dive into the world of ESG (environmental, social, and governance) at IBM with our latest episode of Count Me In. Today we discuss the challenges and successes of implementing ESG objectives in a global corporation. John our Guest John Mahoney, ESG External Reporting Project Manager and hear how IBM's commitment to sustainability, open communication, and cross-functional collaboration is driving positive change and shaping the future. If you want to learn how to navigate the complexities of ESG and unlock new opportunities, don't miss this episode!  Connect with John: https://www.linkedin.com/in/johnmahoneycpa/ See what IBM is doing: https://www.ibm.com/sustainability

Agents Scott and Cam, along with guest operative Henry R. Schlesinger, journalist and author of Honey Trapped: Sex, Betrayal, and Weaponized Love, help Sean Connery track down a top-secret manuscript with the 1990 John Le Carré adaptation The Russia House.   Directed by Fred Schepisi. Starring Sean Connery, Michelle Pfeiffer, Roy Scheider, James Fox, John Mahoney, Michael Kitchen, J.T. Walsh, Ken Russell, David Threlfall and Klaus Maria Brandauer. All of Henry's books, including Honey Trapped and the Spy Sites series, are available on Amazon. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Welcome back to another magical episode of Not A Bomb. This is the podcast where we go back and reexamine some of the biggest bombs in cinematic history and see if they deserve a second chance. On this week's episode, the guys, once again, find themselves tackling an early 2000's Walt Disney animated film. This time, it's the 2001 adventure film- Atlantis: The Lost Empire. Both a financial and critical flop, Atlantis: The Lost Empire is noted for an amazing voice cast and its mixture of traditional animation and CGI. Does Atlantis: The Lost Empire. stand the test of time? Were the critics correct with their initial assessment? Listen and find out!Timestamps: Intro - (1:10), Box Office Results, Critical Response, and Movie Guide - (16:38), Behind the Camera - (27:24), Voice Cast - (30:31), Production and Development - (42:16), Commercial Break - (49:34), Atlantis Discussion - (51:34), Is it a Bomb? - 84:27, and Outro - (93:11)Atlantis: The Lost Empire is directed by Gary Trousdale and Kirk Wise and stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton, and Leonard Nimoy.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

Say Anything is a 1989 romantic comedy…it's a cult classic, directed by Cameron Crowe (Jerry McGuire, Elizabethtown, Almost Famous, Aloha) It's the story of Lloyd Dobbler played by John Cusack.. Lloyd is your classic, noble, nice guy, slight underachiever, doesn't know what he wants senior in high school… However as we approach graduation Lloyd falls for the class valedictorian Diane Court played by Ione Skye. Diane has been singularly focused on her post secondary life, summer classes, preliminary university courses, she eventually applies for a fellowship in London and wins, all spurred on by her father Jim played by John Mahoney. But Diane's life turns upside down as she meets Lloyd, learns perhaps life isn't only about test scores and plans and goals, and perhaps they both find some love along the way…See omnystudio.com/listener for privacy information.

Well have John Mahoney of Mission 23 to chat early days and never giving up on the bat bike.

Today we discuss "one of the most fascinating and complicated hits in the history of Gangland" in the United States: the St. Valentine's Day Massacre. *Content Warning: Mob violence, murder*“Al Capone.” Biography, Written by Judy Cole and narrated by John Mahoney, season 7, episode 77, Towers Productions, 1995. Roku Channel.History: Saint Valentine's Day MassacreFlashback: Before Capone, there was Big Jim Colosimo, the father of the Chicago Outfit met his fate at the end of a gunThe St. Valentine's Day Massacre in ChicagoWho was Dean O'Banion & how did he get killed?George Moran: American GangsterHistory: ProhibitionJohnny TorrioHow the tommy gun went from a weapon of 'law and order' to a favorite of notorious criminalsHow did Hymie Weiss get killed?1929 - St. Valentine's Day MassacreAutopsy reports found from 1929 Valentine's Day MassacreFrom Gangland to the Battlefield - 15 amazing facts about the Thompson submachine gunThe Mob MuseumThe St. Valentine's Day MassacreMassacre Victim's Statistics*Coverage from the Chicago Tribune of the massacre: Further information available upon request.*Support the show

All trees have a life cycle, so Street Tree Revival are making every effort to save the trees we can from ending up in landfills. When city trees need to be removed, we preserve their natural beauty and also limit carbon emissions by salvaging trees lost during storms, disease, or normal senescence and recycling this wood into useable raw lumber. Our urban wood offers a story unlike any other as they have been salvaged from our city streets… a true Street Tree Revival. Why urban wood? We have these beautiful heritage trees that provide a ton of resources and can give a new life if we allow ourselves to build something new out of them. We also once had this hundreds of years old tree that we got to witness scientists cut through and examine it, estimating it as one of the oldest in the known universe. They found bullets inside it, which was crazy. Abraham Lincoln could have stood under it. If you put it in a chipper and let it mulch up, that's not honoring its whole story. Another reason to use urban wood is because California is blessed with a diverse array of species of trees. San Diego has over 900 species of trees for example. The West Coast is typically a soft wood market, but there are so many exotic trees like eucalyptus globulus from Australia, Tasmanian blackwood from Tasmania, carob from Southeast Asia, eucalyptus camaldulensis, and the ficus from India. Who knew North Indian rosewood would be growing on the streets of California, Arizona, and Nevada? It is kind of invasive but look at the beautiful wood that has been going in the trash all these years. Did you know? From one log alone, you can get 3,500 board feet, which could be enough to floor an entire house. There are so many resources that aren't being tapped into or not being tapped into well enough. People need to realize that what they have in their front yard is valuable beyond when it's still standing. 124 million tons of CO2e could be sequestered nationally from urban hardwood over the next 30 years. “Could be” is key. We currently don't have the best management practices to harvest that wood and turn it into useable lumber; it's more beneficial for cities and contractors not to use the wood. Urban trees in the U.S. hold about 774 million tons of carbon. Look how much is stored in our urban forest right now. The more trees we plant, the bigger the waste stream will eventually be. This means we need to think about what happens to trees in their next stage of life. 50% of above-ground is suitable for solid hardwood products. We're currently making benches from logs that can only be 20 inches wide, so we're not just talking about the big ones. Small ones work, too. Better Value! Also, urban lumber is valued greater than forest grade because of history, unusual figure, and personal meaning. Just like how Abraham Lincoln stood under this oak tree. When we chop a tree like that down, you can turn it into something else like a table or a mantelpiece to keep the tree alive for even longer. A board foot is a 12-inch by 12-inch by 1-inch piece of lumber. For each board foot of wood, there is 4.7 pounds of carbon. We have at least 8,000 board feet in our showroom, which equates to over 37,000 pounds of CO2 stored! Each kiln load is 3,000-4,000 board feet, which is 14,000-18,000 pounds of stored carbon. By turning this wood into lumber, it keeps the carbon from going back into the atmosphere. STR is located all over the state, collecting trees from Northern California and milling them up there and drying them down here in Southern California or vice versa. We also do work in Arizona and Nevada, just like WCA. It takes a team to get this profound amount of wood (300 tons of green waste a day) through our systems. --- Support this podcast: https://anchor.fm/matt-brown57/support

Audubon's new tool, The Explorer, is a groundbreaking interactive map tracking bird migrations for 450 different species worldwide. “Groundbreaking” isn't hyperbole. There's never been anything like it, and the amount of data compiled onto one site is an enormous collaborative accomplishment. This week Postlight's Nathan Henry and Shawn Kelly chat with Melanie A. Smith and John Mahoney from Audubon about creating The Explorer and getting people involved in birding and conservation. Links: explorer.audubon.orgwww.movebank.orgwww.blueraster.comwww.esri.com

Nick talks with Managing Editor of the food website 'The Takeout' about managing giant Thanksgiving get-togethers, eating the classic "Green Stuff" for the holidays, proper behavior in a grocery store, and they also do a taste test: Haribo Gummis vs. Albanese Gummis...and much more. Then Esmeralda Leon and Nick talk about the very successful Nick D Podcast LIVE show at Zanies and how it will now be a MONTHLY event starting in January 2023, they do a new Megaphone Message and end up talking about the great John Mahoney, and more. [EP90]

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 233: The Iron Giant Released 16 November 2022 For this episode, we watched 1999's The Iron Giant based on Ted Hughes's book The Iron Man. The screenplay was by Tim McCanlies and Brad Bird, who also directed. The voice cast includes Eli Marienthal, Jennifer Aniston, Harry Connick Jr, Vin Diesel and John Mahoney. The film combines a hand-drawn look with computer animation for the Iron Giant himself and it cost $50 million to make, taking only around $30 million at the box office. It has a Rotten Tomatoes score of 96%. Pete Townsend's The Iron Man https://petetownshend.net/musicals/iron-man-musical Leaked copy reviewed http://legacy.aintitcool.com/node/3793 Del Toro on Netflix https://www.netflix.com/gb/title/80209229 https://www.indiegogo.com/projects/dragon-s-lair-returns https://www.filmstories.co.uk BEST PICK – the book is out now from all the usual places, including… From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alison Sandy, Amanda Grey, Andrew Jex, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Joerschke, Annmarie Gray, Anthea Murray, Ben Squires, Carlos Cajilig, Caroline Moyes Matheou, Cathal McGuire, Catherine Jewkes, Charlotte, Charlotte M, Craig Boutlis, Daina Aspin, Dave Kloc, David Gillespie, Della, Drew Milloy, Drogo Danderfluff, Elis Bebb, Elizabeth McClees, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Gavin Brown, Helen Cousins, Helle Rasmussen, Henry Bushell, Jane Coulson, Joel Aarons, Jonquil Coy, Joy Wilkinson, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katy Espie, Kurt Scillitoe, Lawson Howling, Lewis Owen, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Mary Traynor, Matheus Mocelin Carvalho, Matt Price, Michael Walker, Mike Evans, Pat O'Shea, Peter, Rebecca O'Dwyer, Richard Ewart, Robert Heath, Robert Orzalli, Sally Grant, Sam Elliott, Sharon Colley, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox, Zarah Daniel.

What's this? A 2000 movie? Don't worry, it was filmed in 1999, so it COUNTS! Erika and Paul are taking you through Greg Berlanti's The Broken Hearts Club and talk about gay slang, gay recuperation and gay goodbyes. There are highs! There are lows! But most importantly, there's Timothy Olyphant and John Mahoney!