Podcasts about Lost Angels

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests Hannibal Tabu (writer - War Medicine, The Sundering: The Nation Beneath Our Feet), David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear), Corinna Bechko (writer - Sister Imperator, EC's Bloodtype), and Chris Thorne (sketch card artist - Star Wars, The Walking Dead, Alien 3) to participate in a thorough discussion regarding Thunderbolts* (2025) in light of the feature film's recent release, with topics including exploring the individual characters and their parallels, the film's thematic focus on depression, how Yelena's apathy is relatable in today's world, and more. (Beware: SPOILERS for Thunderbolts* abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear) and Jack Phoenix (librarian, writer - Maximizing the Impact of Comics in Your Library: Graphic Novels, Manga, and More) participate in a thorough discussion regarding Superman/Aliens (1995) in light of the comic book mini-series' 30th anniversary, with topics including how pitting the Man of Steel against the Xenomorph highlights the hero's greatest strengths and weaknesses, whether crossovers with comic book superheroes really work for the Alien franchise, the plans for a canon new Supergirl origin in Superman/Aliens, and more. (Beware: SPOILERS for Superman/Aliens abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear), Jack Phoenix (librarian, writer - Maximizing the Impact of Comics in Your Library: Graphic Novels, Manga, and More), and Kraig Rasmussen (graphic novelist - Sojourners, Technopolis) participate in a thorough discussion regarding Aliens/Predator: The Deadliest of the Species (1994) in light of the limited comic book series' 30th anniversary, with topics including what comic legend Chris Claremont brought to the Alien and Predator mythos, the series' exploration of the wealthy elite who exist in the corporate dystopia of the Alien universe, the confusion and complexity surrounding who Ash Parnall really is, and more. (Beware: SPOILERS for Aliens/Predator: The Deadliest of the Species abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear), Hannibal Tabu (co-writer of Humanoids' MPLS Sound, The Sundering: The Nation Beneath Our Feet), Phillip Kelly (Fanbase Press Contributor, The POPSKL Podcast Group), and Art Ebuen (Emmy Award-winning animator, writer – California, Inc.) participate in a thorough discussion regarding Star Wars: The Acolyte (2004) in light of the first season's recent conclusion, with topics including whether the series is too sympathetic to the Sith, how the show de-mythologizes the "heroic" Jedi Knights, whether we're defined by what we lose or what we survive, and more. (Beware: SPOILERS for Star Wars: The Acolyte abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests special guests Corinna Bechko (writer - The Space Between, Avatar: Adapt or Die), Hannibal Tabu (co-writer of Humanoids' MPLS Sound, The Sundering: The Nation Beneath Our Feet), and David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear) participate in a thorough discussion regarding Civil War (2024) in light of the film's recent release, with topics including what the film has to say about war journalism, if the lead character of Lee Smith reflects a national numbness present in our citizens, if the film is too coy in its political message, and more. (Beware: SPOILERS for Civil War abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear), Jack Phoenix (librarian, writer - Maximizing the Impact of Comics in Your Library: Graphic Novels, Manga, and More), and Phillip Kelly (Fanbase Press Contributor, The POPSKL Podcast Group) participate in a thorough discussion regarding Aliens: Music of the Spears (1994) in light of the comic book mini-series' 30th anniversary, with topics including what the book has to say about self-destruction and the artistic process, the artistic flexibility of the xenomorph design, what an artistic or creative dystopia looks like in the world of Weyland-Yutani, and more. (Beware: SPOILERS for Aliens: Music of the Spears abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guest David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear) participate in a thorough discussion regarding Thor: The Dark World (2013) in light of the film's 10th anniversary, with topics including the film's poor reputation among Marvel Cinematic Universe fans, how the film explores the dark responsibilities associated with the throne, Loki's long character arc over the course of the MCU, and more. (Beware: SPOILERS for Thor: The Dark World abound in this panel discussion!)

Singer-Songwriter, Oliver Pigott and I chat about his time on Canadian Idol, the inspiration behind his single Eyes My Daddy Gave Me, and more. The song will be available on 10/20/2023. Pre-save Now. ********Currently based in Nashville, OLIVER PIGOTT ​is a singer/songwriter, musician, and actor. He's written hundreds of songs in his career, toured and recorded across Europe and North America, and acted on both stage and screen.  Oliver's time in the entertainment business has seen him as a frontman for projects of varying genres, from folk/pop to country, electronic, Americana, soul, and rock. He's worked with industry luminaries like Nick Tauber (Thin Lizzy, UFO), Doc McKinney (The Weeknd, Esthero), and Dean McTaggart (Wynonna Judd, Amanda Marshall) and recorded in premier studios, including Abbey Road in London, England, and CBC Studios in Toronto, Canada.Oliver appeared as a finalist, alongside his brother Sebastian, on the closing season of Canadian Idol. The two went on to perform and record internationally as The Pigott Brothers, writing songs for the CBC Gemini award-winning TV series "Being Erica."  Oliver's original music has also been showcased in many feature films including "Lost Angels" which went on to win awards in Best Feature Film Soundtrack and Best Original Score at film festivals across the USA.In Jan. 2021, Oliver moved his family to the USA.  Today, he spends his time raising his twin sons, teaching music to youth & adults, and collaborating with musicians in Nashville.  Having spent the last year and a half working on his first album, Oliver's debut US single will be released this fall.  The single was produced by Billboard record producer and Grammy-accredited songwriter Clarence Jey and mixed by 2x Grammy award-winning Brandon Bell.Website: https://oliverpigott.com/home*****If you would like to contact the show about being a guest please email us at Dauna@betertopodcast.comFollow us on Social MediaThis episode on YouTube: https://youtu.be/G304GcNF6XcInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomHave a question or want to be a guest on the podcast email: dauna@bettertopodcast.comTo see upcoming guests click here: https://www.dmneedom.com/better-topodcast©2022 Better To...Podcast with D. M.NeedomSupport the show Support the show

On this episode Shawn interviews Peter Frank. Peter, at a young age has traveled the world with the likes of American Idol (Fox America), Nicki Minaj, The Chicago Childrens Choir, Wyclef Jean, Michelle Williams, Wiggles, Musiq Soulchild, Ricky Dillard, & Brian McKnight among many others! Also, Peter has appeared in popular television show's: "True Blood", "Scandal", "Soul Man", "Lost Angels" and a very special taping of Kevin Hart's "Real Husbands of Hollywood"!His star continues to shine bright taking his dynamic & charismatic career to the next level They will discuss the following:Showing up as your true selfThe courage to use your giftHow to be prepared to handle success To learn more about Peter Frank follow him on Instagram @PFrankShowSONW Resources:Signup for PodProMax: https://podpromax.com/Signup for my new pocdasting course:https://schoolsovernowwhat.thinkific.com/courses/podcast-secrets-revealed-the-course Download my ebook "Podcast Secrets Revealed":https://shawnanthony.lpages.co/podcast-secrets-revealed-ebook/ Support SONW with Patreon and get exclusive content:https://www.patreon.com/schoolsovernowwhatJoin the SONW Academy for 1-1 Coaching from Shawn:https://www.schoolsovernowwhat.com/academyAbout School's Over...Now What?Join Shawn Anthony as he talks to fearless business leaders who've shattered conventional wisdom to achieve massive success. In each weekly episode, our guests share jaw-dropping stories of overcoming seemingly insurmountable obstacles. Most importantly, they've answered the question we've all asked “School's Over…Now What?” Get inspired and access cutting-edge strategies that'll transform your business and life. New episodes every Friday on YouTube, Spotify, Apple Podcasts and all major podcast platforms. Contact InfoInstagram: https://www.instagram.com/shawnranthony_/ Website: https://www.schoolsovernowwhat.com/YouTube: https://www.youtube.com/channel/UCIwYX2OncZFiq6Vv8EYKceA/Twitter: https://twitter.com/shawnranthony_ Press/Interview Requests: fenton@schoolsovernowwhat.com

Carlin and Joe think Robert Saleh is very close to losing the locker room. Plus, the Angels wasted their window with Mike Trout and Shohei Ohtani and now might lose both. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carlin and Joe think Robert Saleh is very close to losing the locker room. Plus, the Angels wasted their window with Mike Trout and Shohei Ohtani and now might lose both. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear) and Kraig Rasmussen (graphic novelist - Sojourners, Technopolis) participate in a thorough discussion regarding Aliens: Labyrinth (1993) in light of the comic book miniseries' 30th anniversary, with topics including stand-out moments from the series and Kilian Plunkett's artwork, what writer Jim Woodring had to say about the maniacal Dr. Paul Church, what the Alien film franchise could learn from the comic book series, and more. (Beware: SPOILERS for Aliens: Labyrinth abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests David Accampo (writer – Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear) and Phillip Kelly (Fanbase Press Contributor, The POPSKL Podcast Group) participate in a thorough discussion regarding Christine (1983) in light of the film's 40th anniversary, with topics including how the film elevates its "killer car" premise, what the film has to say about male fragility and insecurity, and more. (Beware: SPOILERS for Christine abound in this panel discussion!)

In the latest episode, The Fanbase Weekly co-hosts welcome special guest David Accampo (writer - Spectral: A Showcase of Fear, Lost Angels, The Margins) to discuss the latest geek news stories of the week, including who may have leaked the comic book death of Ms. Marvel, this announcement of and reactions to the 2023 Eisner Award nominees, and the upcoming closure Disney World's Star Wars: Galactic Starcruiser. 

As his streams, views and likes climb with every drop and his hit list of features turns from big timers like Wiz Khalifa, French Montana, Quavo and YG into legendary icons like Nas and Wu-Tang Clan, this Armenian, LA-born, Amsterdam-raised artist raps as the voice of his people. After graduating UCLA, finishing Pharmacy school and starting 9-5 work as a pharmacist, R-Mean met a major fork in the road; when his right hand man and business partner Alex Kodo sat him down and asked him to decide if he was ready to risk everything for music. They gave up everything, their cars, apartments, nights out, personal wants, and invested every resource to start grinding out gold. From the early buzz of his first project Broken Water, to the next level waves of his tracks “Lost Angels” feat. The Game to Wu- Tang Clan recruiting him to appear on their 2017 album. The Saga Continues to then performing weekly on B-Real TV after attracting the attention of Cypress Hill's B- Real, R-Mean consistently leveled up. In 2020 he teamed up with Berner for the fiery joint project. The Warning powered by "On God” feat. Dave East and "Kings" feat. Wiz Khalifa & B- Real, meanwhile packing out shows and tours across the US and Canada, performing on festival stages like Rolling Loud [MIA, NY, and LA] while amassing a loyal following. BIO He then linked up with legendary producer Scott Storch [Dr. Dre, 50 Cent, Megan Thee Stallion], reaching critical mass with their track “King James” feat. Jeremih hitting 4.3 million Spotify streams and getting licensed by ESPN, while R-Mean's latest single, “Yalla Habibi” feat. French Montana, has already claimed 1.6 million YouTube views, 1M Spotify streams and charted at #61 on the Urban Radio Charts in April 2022. After his tribute hit "Letter to the King", dedicated to his childhood hero Nas, R-Mean received a FaceTime call from the legend himself and the rest is history. Sharing stages and collaborating on the unreleased single "Candle of the Devil,” Nas has blessed R-Mean with a life changing verse, but more importantly his support. Receiving praise from Huffington Post, XXL, HotNewHipHop, and many more. R-Mean stays busy racking up tens of millions of streams and views, collaborating with some heavy hitters on his newly released Storch produced full-length debut, M.E.A.N., [Pentagon Records). But that is not all. The philanthropic side of R-Mean has earned the support of Cardi B, Post Malone and the late DMX just to name a few for his powerful movement “Open Wounds",which started from a song with the same title. R-Mean sold tens of thousands of t-shirts emblazoned with the phrase "Our Wounds Are Still Open" to raise awareness of the Armenian Genocide of 1.5 million people and decided to establish a non-profit to continue giving back to his community as well as open his own merchandise storefront,recording studio and art gallery "The Pentagon LA” to create a space for worldwide artists like himself - committed to building legacy in honor of Hip Hop forefathers like Nipsey Hussle and 2pac,who lived and died for the voice of their people.This is the legacy of R-Mean. A true testament to following your dream, believing in yourself and not stopping regardless of the hurdles, R- Mean is about to show the world that HE is the ONE!

DRUM AND BASS CALIFORNIA | Neurofunk King of Los Angeles | ELECTRONIC LO-FI BASS MUSIC | Breakcore Vaporwave Hardcore | US DNB IDM | Software Engineer | SOUND DESIGN | Lost Angels | DRILL EDM TRAP | Future Rave Styles | OG TECHNO etc etc

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests Desirée Proctor (writer - Fanbase Press' Nuclear Power, Telltale Games' The Walking Dead: Michonne, Peacock's Lopez vs. Lopez) and David Accampo (writer - Fanbase Press' The Margins, Lost Angels, Spectral: A Showcase of Fear) participate in a thorough discussion regarding Iron Man 3 (2013) in light of the film's 10th anniversary, with topics including the film's focus on the hero's struggle with PTSD, what Ben Knigsley's Mandarin says about the United States' fear of terrorism and the post-truth era we find ourselves in, if Iron Man 3 is a Christmas story, and more. (Beware: SPOILERS for Iron Man 3 abound in this panel discussion!)

Do you watch The Daily Show? If so, don't miss this awesome podcast episode featuring Vance DeGeneres!Show NotesVance on Wikipedia: https://en.wikipedia.org/wiki/Vance_DeGeneresVance's Instagram: https://www.instagram.com/vancenotvance/?hl=enVance on IMDB: https://www.imdb.com/name/nm0214699/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TranscriptMichael Jamin (00:00:00):To me, I'm guessing the goal of it was just to be creative and make music. That's still, that's it. But do you have, are there, are, is there, are there other future ambitions? Is there more ambitions there more you hope to get outta this though?Vance DeGeneres (00:00:13):Just, just the enjoyment of, of being musically creative. Right. And and that, that's it. I mean, I, I'm under no illusions that I'm going to get another record deal. Right. You know, capital Records is not gonna call and offer me a deal again. Right. but that's fi that's fine. You know, the, it's, you know, it's a fun band. It's, it's a good band. And we play lo we play live gigs, you know, like two or three times a year. Right. and we make, we make our records. And that's, that's enough, right? I mean, it's just fun.Michael Jamin (00:00:49):You're listening to Screenwriters Need to hear this with Michael Jamin.Michael Jamin (00:00:56):Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. I got another good guest for you. This is another reason to sit through me talking because my guest is actually an old friend of mine. And his name is Vance DeGeneres, comedy writer, TV producer, film producer, film executive musician. And I met Vance many years ago and can tell Quick story, Vance. And then I'll let you chime in for the rest of the interview. Please. First of all, I first please. I gonna just get the elephant outta the room. Yes. Vance. His, his little sister is someone you may have heard of Ellen. Ellen Generous, but we're not talking about her now. We're talking about you Vance. So stop bringing her up. Vance DeGeneres (00:01:34):Yeah, yeah, please,Michael Jamin (00:01:35):Please. So, I'm met Vance many years ago. I'm a first job as a, as a comedy writer. I was a comedy writer and show on the Mike and Maddie show. It was a morning TV show. I was very nervous, very excited, didn't know anything about the business. And Vance was the other guy, the other comedy writer. And we shared an office. And I just did. I was like, Vance, I, I don't really know what I'm doing here. And Vance was like, it's okay. We'll be okay. I'm not sure if Vance knew what he was doing, but I did everything. You did Vance. I wore shoes to the set. I wore a a jacket to the set. I did whatever you told me to do. Whatever you did, I just copied. And you were, andVance DeGeneres (00:02:12):It, and look, look where you are today,Michael Jamin (00:02:14):. I'm sitting in front of my computer screen in my garage.Vance DeGeneres (00:02:18):, can I, can I, can I just say I I do have to to thank you because we're not for you. I wouldn't be able to do this.Michael Jamin (00:02:30):That's right. We did a lot of that. And you got, you got a nice lot of,Vance DeGeneres (00:02:33):You taught me toMichael Jamin (00:02:34):Juggle. I taught you that. I didn't, what else You taught me to juggle. Didn't I teach you how to love as well?Vance DeGeneres (00:02:40):Well, I was gonna say, yeah, I was gonna say that, but since you brought it up Yes,Michael Jamin (00:02:45):Vance has, go ahead.Vance DeGeneres (00:02:48):No, I was just gonna say, you know, we I think we laughed a lot in that, in that office. It, it was it was an interesting job.Michael Jamin (00:02:57):Did we make anyone laugh? , I'mVance DeGeneres (00:03:00):Six monthsMichael Jamin (00:03:02):. We made each other laugh and then on six month time they showed, they showed me to the door .Vance DeGeneres (00:03:10):Yeah. And yeah. And I didn't last a lot longer.Michael Jamin (00:03:13):You didn't, I don't remember. But you've had such an amazing career event cuz you have done something. Like you are truly a very creative person and you've made a career out of being creative, but not pigeonholed in any one category. Like, I'm gonna start, I'm gonna start by telling, refreshing your memory, how you've, how much you've worked in the business. I guess you first started, you were a musician, you in a, in a band called House of Shock, which was Gina Shock, who was in the Go-Go's. You formed a band with her, right? Was that your first band? IVance DeGeneres (00:03:43):No, no, no. I, no, I, well, very quickly, I, I had, I had been in bands since seventh grade. I had my first garage band. Right. and then I was in a s a really successful band in New Orleans called The Cold in the early eighties.Michael Jamin (00:04:01):Right.Vance DeGeneres (00:04:02):And and then I moved out to Los Angeles in 85. And the Gogos had broken up and a friend introduced me to Gina and we put together house of Shock. And so she and I were partners on that.Michael Jamin (00:04:17):And you toured a lot of with her?Vance DeGeneres (00:04:19):No, we didn't tour a lot, but we rec we Gina and I wrote, wrote the album and it came out, we were on Capital Records, Uhhuh . And and that came out in 88.Michael Jamin (00:04:30):Now, when you moved to LA was it to become, I mean, it's weird, you know, you're very, very funny, very talented comedy writer. But was it, is music really your first love and look at your background there?Vance DeGeneres (00:04:42):My first love is music. But I had done bef Okay. . I, I've got such a, such a a checkered a career path. Originally I had done, oh boy. Yeah, this is, it's too much to get into. But I, I was the original Mr. Hans with the Mr. Bill Show, and IMichael Jamin (00:05:04):Wanna talk about that. Okay. So that came firstVance DeGeneres (00:05:07):That Yeah. After yes, when I was 18, I guess I, I met this guy Walter Williams, and we, we got an apartment together and we started doing, we were both Big Bob and Ray fans. Right. you know Bob and Ray,Michael Jamin (00:05:25):Right? Yeah. Ellis dad . That's how I think about it. Yeah,Vance DeGeneres (00:05:28):Exactly. Exactly. but they used to do this improv improvisational comedy. And so we thought, yeah, we can probably take a crack at that. So we started doing little comedy bits and then started shooting little tiny movies. And Mr. Bill was one of the movies. And anyways, so, you know, what happened then?Michael Jamin (00:05:49):Well, for many people who, who don't, I wanted to tell them, so Mr. Like, Mr. Bill was a, a little claymation character on Saturday Live, A little sketch they did on Saturday Live, or in the early years of sa And this Mr. Bill was like, before the internet, it went viral before the internet virality was a thing. And it was like this, I remember everyone was talking about Mr. Bill, Mr. Oh, no, Mr. Bill. And it was Mr. Hand was the char, another character. And like everyone talked about Mr. Bill cuz it was like this sketch on Saturday. It was recurring sketch that everyone talked about. And so yeah. Go into that. That's a, that was when I found out you were Mr. Hand. I was like, you're Mr. Hand.Vance DeGeneres (00:06:26):Yeah. Well, oh yeah. Well, it's, it's a, it's a a very long and a very frustrating story actually. But I, I'll just tell you that we started it in New Orleans and we did these, you know, we, we started doing nightclubs in New Orleans there. This was before there was even a a comedy club in New Orleans. This was in 73 45 Uhhuh six. And so we would do these kind of live shows where we did comedy and we showed, we showed our eight millimeter films. We'd set up a screen, Uhhuh, and then when Sarah I live came on we sent in a reel of our shorts and they liked Mr. Bill and they put that on.Michael Jamin (00:07:11):How did you know, you just sent it to like, what do you mean you sent it? Vance DeGeneres (00:07:15):Because, because they they had a thing, Lauren, Michael said, Hey, if if, if you have some funny short films, send them to us and if we like it, we might put it on. Right. So we we sent 'em a, a reel of our, our shorts and they liked that particular one. So Lauren aired it and it was during Mardi Gras in New Orleans when it first aired. And, and Saturday Night Live was preempted for one of the parades, Uhhuh . So nobody in New Orleans got got to see it. But they invited us down to the N B C affiliate to watch it in the control room. Uhhuh . So we got to see speed.Michael Jamin (00:07:58):How, but how, but did you do several of them? There's We did,Vance DeGeneres (00:08:02):Yeah. Right. We did. And then we, we well we had a weekly radio show in New Orleans called the Mr. Bill Show, and where we did little sketches, and then we even did eight local TV show few episodes.Michael Jamin (00:08:17):Like 18 when you were doing this.Vance DeGeneres (00:08:20):In 19, yeah. 18, 19, 20, kind of a big. And and then once it was on Saturday Live, we we picked up a third, a third member named David Derickson. And we moved to, we got a, we got a loan for $3,000 and moved to New York and got a, a one bedroom sublet. And we did the the improv once a week on Monday nights, we would do our standup. And then we we made a couple of other Mr. Bills. And after the second season, I, I decided to, to leave the act. And I moved back to New Orleans. And then my friend Dave, who, who was a third member, took over as Mr. Hands.Michael Jamin (00:09:08):What, when you left what to go back to New Orleans, what, what were you, what was it to pursue at this point? What did you wanna do?Vance DeGeneres (00:09:15):Well, comedy, comedy, I, I went back to New Orleans and I, I wrote a a half hour, another comedy show, a full half hour like sketch comedy show and and cast it. And I got Loyola University gave me their TV station to shoot the thing in. But they said You got 12 hours because 6:00 AM tomorrow morning, we're tearing up the, the, the studio to redo it for the, for next semester. After we shot the first sketch, there was a power brown out on campus. And and that was it. I I, we were done. So I, I, I had no show. Right. I, I got, I was really depressed. It's like, Jesus, this is, you know what, I spent months putting this together and I just thought, you know, God show business kind of sucks. , whatMichael Jamin (00:10:12):AmVance DeGeneres (00:10:15):Oh, yeah, yeah, yeah, yeah. So, so I mean, what, what, what would you do if if you were in that position? I thought I'll join the Marines.Michael Jamin (00:10:27):Right. I forgot you were Marines, which is what I did. Yeah. Which is, that'll be easier than showbiz. . .Vance DeGeneres (00:10:36):You know, it, it's, I I'm not sure which is tougher.Michael Jamin (00:10:39):Yeah. . And so you, you were, I forgot you're a Marine. Like, oh my God, I got all the branches that I'll, I'll gimme the one that's the hardest to do.Vance DeGeneres (00:10:50):That's exactly what I wanted. I, I, I wanted, I wanted a real challenge. And and, and honestly, I wouldn't, I wouldn't trade you for anything. I'm glad I'm not still in it. Uhhuh . But boy, does it give you discipline?Michael Jamin (00:11:06):? Yeah. I'm so surprised. Cause you're not exactly you know, as a comment writer, you're like, anti-establishment. It's like, it's odd to say, well, I'll just join the establishment where, where I can't mouth off and I can't be a wise ass. I'll do that for three years. . So you got outta that andVance DeGeneres (00:11:22):. So, and, and, and so I came back, I came back to New Orleans in 79 and with the intent of continuing in, in tv, radio, comedy. And I, I got a job as a as the morning guy at a local fm radio station. And in the meantime, some friends started a, a new wave band. There were a couple of, there were just a couple of writers. They were journalists and could play guitar a little bit, but the whole new wave thing happening. And they said, Hey, you know you're a good musician. Why don't you, why don't you, you know, join? And so I did. And it was just gonna be a little side project, and it turned into something like really, really big in, in new Orleans and in the South. We put out a bunch of records. We had some hits. And and by 85, I couldn't go any further there. So my, my sister who you mentioned Yeah. Was living in LA and she said, you know, you should really come to live in Los Angeles. So I, I made the move and it was to continue in music at that point. So that's when I met Gina Shock. And we, we formed House of Shock. We did the record on Capital and by and by 89 that had that was ended at that point. Michael Jamin (00:12:52):Yeah.Vance DeGeneres (00:12:52):And that's, that's when I transitioned back into being a writer.Michael Jamin (00:12:57):And then, yeah. And how did, okay. What came, how did you do that? , everything, history, everything you've done sounds like a mystery. How did you do that? .Vance DeGeneres (00:13:06):It, it it's, it's crazy. I was I, I was actually, I was paying, I'm also a painter a little bit. And I, I did, I did a bunch of paintings. This couple came over to, to see some of my paintings that they were interested in buying. One, the guy happened to be a, a showrunner named Carl Schaffer. And he Carl Schaffer had a show on CBS b s called TV 1 0 1.Michael Jamin (00:13:39):Okay.Vance DeGeneres (00:13:40):And, and he had a place called the Fourth Floor on on Hollywood Boulevard on the corner of Kanga and Hollywood. What's that?Michael Jamin (00:13:49):Above the Pizza store, right? Yeah. Right. Yeah. Yeah.Vance DeGeneres (00:13:52):Right. And he, he had a deal with Hurst Entertainment, and they subsidized this whole floor and parted the second. And Carl rented it out to writers that he liked. Okay. and Carl, Carl knew that I had done Mr. Bill. We talked about that. And he said you know, you should really come take an office up on the fourth floor and just start writing again, Uhhuh. And it's like, yeah, okay, why not? Yeah, sure. Yeah. So, and he, he rented out for 125 bucks a month. Right. You got, you got an office. And and so I, I, I got an office. I, I had no computer. I didn't even have a typewriter. I said, I, I, you know, what should I write ? He said he said write a pilot. There's a there's a guy, a comedian. I like, let's create a show for him. I'll, I'll tell you the format. So I, so I started writing by hand. Right. and anyway so I went through this process with Carl wrote this, this pilot. And it, nothing happened with that. But Carl then got a show called, called Erie, Indiana Right. On nbc.(00:15:12):And he, he gave me my first job in 91 as a staff writer on Erie, Indiana. And I wrote, he gave me two episodes to write of that. And that that was my real start in tv.Michael Jamin (00:15:25):Yeah. Man, that's amazing. And then, and then what happened after that? You, cause you've bounced around you. I wanna say, you've done a lot of stuff, including, we'll get to all this, you we'll get to all this, but I want, just for people who are listening, like to know what to expect. You were also a daily show correspondent, like the first, this is the first season, right? When, when it was just starting?Vance DeGeneres (00:15:45):Well, it was, no, it had been when John Stewart took over, when John took over. But yeah. Skipping stuff.Michael Jamin (00:15:53):Is there stuff I should, I should talk about stuff in between. I don't wanna, but I wanna mention that. So, cuz I we're gonna talk about that. But what happened next?Vance DeGeneres (00:16:02):Well then after Erie, Indiana, Carl got a a blind pilot deal at a B, C, and he asked me to create a show with him for that. So he and I created a show. We wrote the pilot Uhhuh called Lost Angels for a abc. And it didn't go, never do. And then yeah. Yeah. and then my my agent called and said, Hey you like Dick Van Dyke, you wanna write a for Dick Van Dyke? Said, I love Dick Van Dyke. And it was diagnosis murder.Michael Jamin (00:16:35):All right. You always wanted to be a doctor, so if it fit right in. Yeah.Vance DeGeneres (00:16:39):Yeah. . Exactly. Anyway, so I, I wrote I wrote a couple episodes of Diagnosis Murder, and and then I think right after that was Mike and Matt was there right where, where weMichael Jamin (00:16:56):Met, we met, and that was, man, that was a trip. I really did. I really, I'm so grateful for You took me under your wing. It really was. What do I do? Vance . And we would sit in the morning, we'd come up with bits. A lot of them weren't used. I don't, I don't remember many of them make you there. .Vance DeGeneres (00:17:16):Well, well, well, here, well, here's the thing. There was absolutely no reason to have comedy writers on on that show. I mean, it was, it was a morning show. And although, although Mike you know, was a, he was a standup. He had been a standup and done, done warmup for sitcoms. There, just, there really, there shouldn't have been comedy on there. Yeah.Michael Jamin (00:17:42):But we didn't wanna, we didn't wanna bring it up that to anybody. Hey, you know, why are, you shouldn't be any . You don't need comedy in this show. But I remember when I took the job, there was Tamara Rawitz, she was a producer, and she produced Living Color. And her goal was, and I was so exci, I I was excited. This was my first job. She hired me and I was like, fantastic. And but her goal was like, she wanted to turn it into the Morning to Letterman show. Cause like, basically Letterman show in the morning. And I remember thinking about Letterman had a show in the morning and it didn't work.Vance DeGeneres (00:18:12):It didn't work.Michael Jamin (00:18:13):Don't say a word, but Yeah.Vance DeGeneres (00:18:15):Yeah. Now yeah, you're right. I mean, that was, that was the thing. Yeah. she, I mean, she sold me on the idea that this could be, you know, a really cool, you know, comedy show in the morning. And it, it just was not built for that.Michael Jamin (00:18:28):No.Vance DeGeneres (00:18:29):That particular show. So, butMichael Jamin (00:18:33):Recipe. But,Vance DeGeneres (00:18:34):But we, we met there and and went went on to bigger and better thingsMichael Jamin (00:18:40):We did. And so yeah, I was, but yeah, that was the first job. And I was, I felt rich for the first time. I wasn't rich, but I felt it because I felt like at the first time I had pride in myself. I was a comedy writer, and I, I was, I think I was making like 50,000 a year or something felt really good for me. And then, and then the back, the hammer came. Yeah. and then what happened? You, what did you do after that? I, I remember I went home crying. Vance DeGeneres (00:19:05):Well, it, well, in the in the meantime I was, I was shooting little episodes of a, a mock talk show called The Fourth Floor Show Right at the fourth at the record, which you, you rememberMichael Jamin (00:19:18):I was a part of it. I remember you had friends Help out, and some of your friends included George Clooney , and he was in it. Yep. and that was really, that was a really, I'm always fa like, I'm sorry that never went further than it did because it was such an interesting show, and it was so, what's the word I'm looking for? It was like, it is edgy, but it was like, also like anti, it was kind of counterculture. It was really interesting show. It was a talk show that took place in your office. That was the premise.Vance DeGeneres (00:19:45):Yeah. And a tiny office where it was me and Alex Hirschlag, my sidekick mm-hmm. Who who had to share his microphone with the guest. When the guest came in this, we had that one mic.Michael Jamin (00:19:59):The guest sat on the couch opposite you, . I mean, the,Vance DeGeneres (00:20:03):Well, the, the audience. There were five audience members who sat on the couch directly in front of us. So the whole, the whole concept was take away all the niceties of of a regular talk show. Yeah. And and then we actually, I don't know if you remember, but we actually e wanted to do it as their five night, a week late night show.Michael Jamin (00:20:27):What happened?Vance DeGeneres (00:20:27):And we, we, we shot, we shot the pilot and it aired, but it didn't, it didn't go to series.Michael Jamin (00:20:34):Oh, so you re reshot a pilot for e for Not the one I was in You Reshot something. Oh, wow.Vance DeGeneres (00:20:40):Re yeah, we re reshot it. Yeah. With Rob Robert Town. Robert Townson was the guest on that one.Michael Jamin (00:20:46):And so you basically rebuilt your office on a sound stage.Vance DeGeneres (00:20:49):Yeah.Michael Jamin (00:20:51):. Yeah. How fun. . Wow. Yeah. That's cool. And so right when that didn't go, you were obviously bummed out. Like e e everything's a matter of, everything's always a strikeout in Hollywood. You getVance DeGeneres (00:21:04):Closer. Well, you know, it's, I mean, it's, it's, it's all timing. If the internet had been around, that would've been the perfect thing to, you know, to go viral. Yeah. You know, these, these short episodes of this ridiculous talk show.Michael Jamin (00:21:19):Yeah, you'reVance DeGeneres (00:21:19):Right. But it was not around. SoMichael Jamin (00:21:22):Do you ever think of dusting it off and doing it again for the internet? Or why bother?Vance DeGeneres (00:21:26):You know, we had talked about it David Steinberg. Yes. You know, loved the show. And, and and we, we did talk about, you know resurrecting it years ago. But it, it just, it didn't happen.Michael Jamin (00:21:45):You gotta, it takes momentum. It just takes momentum, you know? Yeah. And so, okay, so then what happened after that? You,Vance DeGeneres (00:21:54):Well, let's let's say I then I wrote for a couple of sitcoms. I wrote I wrote for the, the coming out season of my sister's sitcom. Yeah.Michael Jamin (00:22:05):Your, your, your, it's funny, your comedy voice is, you know, is very similar to hers. And I remember you pitched jokes and you go, yeah, yeah, that's exactly something your sister would say. That's, that's the right tone. Like, you seem like you're the perfect writer for your sister.Vance DeGeneres (00:22:18):I'd like to think so. . But but so I, I wrote for that. And then I, I wrote for a couple of, when she hosted the Emmys, I, I wrote for a couple of notes. I wrote for a couple of Grammy awards and a couple of Oscars when she did those.Michael Jamin (00:22:35):So what is that like you're, you know, do they bring you in? Do you get an office and you're like, is there a small staff ofri joke writers coming up with bits? How does that work? I've never done an award show.Vance DeGeneres (00:22:46):Yeah. It's, it's a, well, yeah, it's a small staff. Well, she would, she would choose who she wanted to write, you know, it would be maybe five or six, seven people and months ahead of time. She would have us start writing bits and jokes and send them to her weekly. Right. And she would go through 'em and like this, I don't like that. And start honing in a little tighter on, on what she wanted to do. And then as it got closer the week of, then you go down to Kodak and and you have a meeting room where, you know, you're, you're all sitting around writing jokes and coming up with bits and and the tension gets more and more as you get closer to mm-hmm. to the day. And and I, I, I was lucky enough to besides writing, I wrote the opening song for the first Ox Oscars that she hosted where we had a gospel group come out Uhhuh on stage. Wow. And I wrote that song. So I, I had to deal with that as well as the other stuff. And that was that was a lot of pressure for that. ButMichael Jamin (00:24:13):Global audience is there, the part of my dr like, in my mind, the moment, like my fantasy, because when you, sometimes you're on a show and you pitch a lot story or a joke, and the actor goes, I'm not doing that. Right. And you're like, and my, my, in my fantasy, like some people think, well, can, can, can the writer just make the actor say it? Like, not unless they're a puppet. You can't make 'em say it, you can't put the words in their mouth. But my mind, like, because she's your sister, is there any of like, eh, pulling her aside and pressuring her? Did that ever work?Vance DeGeneres (00:24:42):No, no, no. You know, I tried, when I, when I write for Ellen, I, I, I always tried to make myself just one of the writers. I, I never wanted to have any kind of special influence. So that was, that was important that the other writers felt like I wasn't getting preferential treatment.Michael Jamin (00:25:01):I see. I would think that to the opposite. I, I would think that they say, come on, Vance, we like, we all like this joke. Like, you know, but no, you,Vance DeGeneres (00:25:08):Yeah. Yeah. No, no. I, I, I really, I thought it was important to yeah. To make that clear.Michael Jamin (00:25:15):Right, right. And so, okay, so you did the, you did all that, all that joke writing, which to me, I think I, it's a shame. Like I never got a chance to do that, cuz I, I feel like that would be really fun and excitingVance DeGeneres (00:25:26):And Yeah. You, I mean, you'd be good at that. So if, if you get the chance, do it.Michael Jamin (00:25:30):Never called my, the phone won't ring for that. I do know some writers, like, I knew writers that wrote for, like, I don't even if they have 'em anymore, the sbs, like the p n awards, I'm like, let me get me to do that show. I'll do that. No, no one's interested. Yeah. No. Like, isn't there, isn't there a court no one's ever heard of that they can get me? They can ask me to write for? No. all right. And so then was it after that that you did the Daily Show?Vance DeGeneres (00:25:57):Yeah. So this I then I, I, I, I wrote for another city com and then my agent called me and said Hey John Stewart is taking over the Daily Show, and they wanna know if you're interested in, in being a correspondent. They wannaMichael Jamin (00:26:17):How do they even, what do you mean they wanna know if you, how at this point you're just a comedy writer?Vance DeGeneres (00:26:23):Well, okay, well, I, I, I mean, I skipped over stuff. I, okay, so the fourth floor show was seen by some other people. They, they, they cast me to host a show called The Beef which was a show about it was almost like a daily show in a way where correspondents would go out and, and talk interview neighbors who had beats with other neighbors. And it was, it was comedy. Right. and, and I I was cast as the host of that. We, we did the pilot we went to Vegas to theMichael Jamin (00:27:03):Oh, you cast as the host of that. Did you audition? I mean, you auditioned for it, because that's a big jump from behind the camera to in front of the camera,Vance DeGeneres (00:27:10):Because they saw the fourth floor show and they, they loved the fourth floor show. And they, they asked me to do a, a story for the beef. Okay. So I went out as correspondent and shot a piece. And then when it came time to, to cast a host, they asked if, if I wanted to to audition to be the host. And so I said Sure.Michael Jamin (00:27:34):Did,Vance DeGeneres (00:27:35):Did no, no, not really. No. I, I just, I I thought it would be fun. Yeah. And because it, it, I was doing a character that I had established with the, with the fourth floor show.Michael Jamin (00:27:50):He was very lemme see if I can describe him. What, how would you describe him? He was very earnest, very he didn't, he almost, like, he didn't have much of a sense of humor. Right,Vance DeGeneres (00:27:59):Exactly. He, you know, very earnest a good guy. But the last guy you would, you would want hosting a talk show,Michael Jamin (00:28:06):, he's the Alaska . Right. That'sVance DeGeneres (00:28:10):Enough. So that was my character.Michael Jamin (00:28:12):Right, right.Vance DeGeneres (00:28:13):Yeah. And so, and so, I, I just did, when, when I did my audition to host, I, I just did my, my Ernest guy. Right. And they liked it, and I got the job. And anyway, so we went through all this stuff and it looked like it was gonna go, and then it didn't. And then when the original Daily Show was going on the air, they brought me in. They were looking for a host for that. They brought me in to, to interview me for, for that. I didn't get that right. But then when John Stewart took over, they've remembered me from bringing me in originally. Right. And so they gave me a story to, to go shoot a couple of months before John took over. So I flew up to to Saskatchewan, Canada, Uhhuh , and met one of the producers up there and shot shot a story. Was he, and then yourMichael Jamin (00:29:19):Idea was the story, like how does that work with your correspondent?Vance DeGeneres (00:29:24):No, that they they had a story and they just, they as they assigned it to me, they, who I guess they hadMichael Jamin (00:29:33):Who did they figure out? I mean, you have to figure out what's funny about it or you're just, I had loving on camera.Vance DeGeneres (00:29:37):Well, the way this worked was basically you're gonna go up to Canada and you're gonna interview this, this guy, he's a, a, a farmer, and he he's in the Farmer's Alman act for forecasting the weather by Licking Pig SpleensMichael Jamin (00:29:56):. Okay. All right. So that wasVance DeGeneres (00:29:58):Funny that that was it. That was, that's it. I mean, that's, that's the basis of the story. So so I met the producer. We drove four hours into the middle of nowhere and shot this story with this guy. I flew back to Los Angeles, they called a couple of weeks later and said Hey we, we love the story. Can you, can you come here in once it a week or two weeks? Right. so I, I flew to New York. It was the Monday John started and I worked with an editor and a producer editing the piece, putting it together. And then they, they aired it on, on the Thursday show of John's first week. And then the next morning they called me into the executive producer's office and said, how soon can you move here? And I said I guess I can be here in about a week. Ah, and I flew home put my stuff in storage and moved, moved to New York.Michael Jamin (00:31:05):How, and how, how long was your contract? Do you remember?Vance DeGeneres (00:31:09):Well, I was there. I don't remember how I, how, how long the contract was, but I was there for two and a half years.Michael Jamin (00:31:15):Right. And when you were coming, working as a correspondent, are you looking for storage? Are you coming up with the edge and what the angle, what makes it funny? Or you're working with other writers or what?Vance DeGeneres (00:31:25):Yeah, they ha well, you know, they've got writers, they've got field producers. So the field producers, that's their job is to scour, you know wherever looking for these, these stories. And so they would, they would assign different stories to different correspondence. And then you'd be assigned this producer or that field producer, and then you'd meet with them and you talk about the angle you want to take with the story. Then you fly out and you spend, you know, a whole day with these people shooting the story and come back and then spend a few days cutting it together. And then,Michael Jamin (00:32:04):But you're doing on the spot. You're ad you, I mean, you must be ad-libbing. A lot of, you know that you have to Right. That's just you thinking, oh,Vance DeGeneres (00:32:11):Yeah, yeah, yeah. Well, well, well, I mean, you know, I would go in, I would, I would write, I would write the opening standup. Right. we'd shoot that. And then I had, I would write, you know, a list of questions along with the, the field producer. You know, we'd have this list of questions, and so I knew what I wanted to ask. Right. but that everything else is just ad lib.Michael Jamin (00:32:33):Yeah. Is there any sense of your hope questions that you're hoping are, are you leading them at all? Are you hoping to get a certain answer? Are, are you hoping to corner them with an answer, a question, rather? Well,Vance DeGeneres (00:32:42):Sure. I mean, you, you, I mean, you're hoping that you hear something that you'll be able to you know, get in, you know, some, some kind of a a line. Because you, you, you never, you never knew you know, what, what was gonna happen or what they were gonna say. So, I mean, you're, you're just kind of bouncing around.Michael Jamin (00:33:03):And at this point, did the, did the audience, were they, whoever your interview, the guests rather I, are they aware that they're gonna be spoofed or no?Vance DeGeneres (00:33:13):Well, ba you gotta remember this, this was early on in the Daily Show. So we were lucky in that most of the people that, that I did stories on just thought we were this daily show that did, you know, stories of interest.Michael Jamin (00:33:28):Right.Vance DeGeneres (00:33:29):And because if they're in on the joke, it's not as funny.Michael Jamin (00:33:36):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (00:34:00):It's, and you make them, you're done. You get to sign that release, and then you put it on , put it on the air. Is there any ? Is there any blowback? And like, wait a minute. I didn't, I'm not supposed to look like an idiot. ,Vance DeGeneres (00:34:10):You, we, you know, I'm, I'm proud to say I never had, I never had one complaint. I mean, some, some of the stories that other, other people did, people did complain, but I always tried with all my stories, I tried to make myself look like the idiot. Right. as opposed to, I mean, it's, it's not fun to, to like, you know, poke, poke a finger at, look, look what an idiot this guy is. Of course. You know? Of course. Because for the most part, they were just, they were just very nice people who had an interesting or, you know, weird story.Michael Jamin (00:34:45):Yeah. Right. Right. Now, who were the other, let's talk about this. Who were the other correspondence that you, that two seasons that you were there?Vance DeGeneres (00:34:54):Yeah, probably nobody that you've heard of. Steve Corll. Yeah. Michael Jamin (00:34:59):Go on. I never heard Stephen.Vance DeGeneres (00:35:01):Stephen ColbertMichael Jamin (00:35:02):Doesn't ring a bell.Vance DeGeneres (00:35:04):Yeah. Nancy Corll moka.Michael Jamin (00:35:09):Right.Vance DeGeneres (00:35:10):Beth Littleford.Michael Jamin (00:35:12):Right. And so you were in good company. It really was a great ensemble. You were, you know, and that show was Yeah.Vance DeGeneres (00:35:20):Oh, they were, they were amazing. Yeah. They were all just so great. And all, all the writers and field producers were all super talented and funny. Yeah. And just made it a a a a great working environment.Michael Jamin (00:35:36):Did you get a sense that there are writers or producers on the show that wanted to get in front of the cameraVance DeGeneres (00:35:41):There? Yeah, there were a few.Michael Jamin (00:35:43):Yeah. Yeah. Yeah. Were they able to at some point? Or is it, are you not?Vance DeGeneres (00:35:48):I think, yeah, I think, yeah, a couple of couple of them did. And I, one friend of mine did a couple of stories and then kind of realized that he, he'd rather be back behind the camera.Michael Jamin (00:36:01):Why? What was the, what, what was let you know, what did he discover in front of the camera?Vance DeGeneres (00:36:08):I, I, I, I don't know. He just, I, I, I guess he just wasn't as comfortable right. In front. Right. But very funny. Right. You know, very funny writer.Michael Jamin (00:36:18):And so, and that was how you met, obviously, among one, you became close with Steve Corral and then Yeah. I, I imagine then, cuz after, after, and at some point you, you ran his production company.Vance DeGeneres (00:36:30):Yeah. This, I mean, if, yeah. If you want to jump I, let's see. Well, I, I started, I started it in the end of 98 on the Daily Show, and I left in the middle of 2001. Yeah. and then if you wanna jump ahead to,Michael Jamin (00:36:46):To when I, well, let's just talk about even leaving. Was, was it hard to lea anytime you leave a job or any kind of security in Hollywood, anything at all? It's scary.Vance DeGeneres (00:36:54):Well, well, here now, I, boy I decided that, first of all, I was not, I was not really a, a New Yorker. I didn't care for the cold winters. And I had I had broken up with my girlfriend of a year and a half. And my agent was saying, Hey, aren't you gonna come back here at some point and create your own show? And, and we were kind of hearing some rumors that maybe John might might move over to a, b, c with a late night show. And I just thought that, you know, this might be a good time to, to leave and go back to LA and try to create a show. So. Right. So that's why I did, if, look, in hindsight, I, I should have stayed another couple of years probably. But I, so I left and I I created a show with with a guy named Andy Lassner who had a deal at Fox. Okay. Do you know Andy?Michael Jamin (00:38:00):No, I don't.Vance DeGeneres (00:38:03):He had a deal over at Fox and he'd been a, a fan of mine on the Daily Show and said, Hey, I've got this deal. Let's create a show together. So we, we created a show called Your, your Local News that, that he and I wrote and I, I hosted, and we shot a pilot half hour pilot. And that didn't goMichael Jamin (00:38:25):Right.Vance DeGeneres (00:38:27):So yet another show that didn't, thisMichael Jamin (00:38:29):Is par for the court. It's not a knock on you or any, it's just this, this is how the business is, you know? Yeah. You get an at bat and you can, you can hit it outta the park and they go, you know what? We think someone else will hit it at the park further. , you know, this is how it'sVance DeGeneres (00:38:44):Exactly. Yeah, yeah, yeah, yeah. I've got, I've got so many of those shows that Yeah. That that didn't go, but like a lot of people. And so so then I, I produced a, a few other, other shows not, not really even worth mentioning. And then Steve got offered a, a production deal at Warner Brothers and he said, Hey, would you, would you be interested in, in running my production company?Michael Jamin (00:39:19):But what did you know about running a production company?Vance DeGeneres (00:39:24):What do you, what do you have to know, Michael? I don'tMichael Jamin (00:39:25):Know. , I, I often ask that people sitting desk, what do you know, , I mean, tell, tell people what, what it means to run a production company? Vance DeGeneres (00:39:35):Well, I, I think for Steve, he wanted, he wanted somebody to run it who, who he trusted and who he knew had the same kind of sense of humor that, that he did, because we, we would be, we'd be the comedy shingle at Warner Brothers. Right. and that's, that's why he decide to sign with Warner Brothers. So he, he asked me and a another friend of his, a writer actor named Charlie Hartsock. And so we became co-presidents of he named the Carousel Productions. Right. So we we had a deal for six years at Warner Brothers. And we produced crazy Stupid Love and What's thatMichael Jamin (00:40:25):Good movie. And so, but how does it, and, and Go, yeah, go on. What are the other projects?Vance DeGeneres (00:40:31):We did another movie called the Incredible Burt Wonderstone. Right. and then we did produced three seasons of Inside Comedy. I showed that David Steinberg hosted that we interviewed with all these comedians.Michael Jamin (00:40:45):Oh, it's funny. So that's how that came back. So, and so all this time though, Steve is doing other projects, so, you know, they're acting in other projects, but basically what it means, you're, you're running his studios, like you're looking, you're looking for scripts based. I'm, tell me if I'm wrong, you're looking for scripts that you think that he would be good in, but, but he wasn't. Yes. Did you, did you produce any think projects that he was Wait, that he wasn't involved the inside? Yeah. Yeah. That one you didn't, of course. But you're looking for script for him, and he's deciding whether he likes it or not. And then if he likes it, you take it to the studio and you see if the studio likes it. Right.Vance DeGeneres (00:41:22):Yeah. Yeah. That's, that's how it works. We would I mean, we took lots of meetings with with writers that, that their agents would submit scripts, would read 'em if we liked him, the writers would come in, would meet with him, and and then we'd, if we liked it enough, we'd we'd send it to, to Steve to read, to see if he was interested enough that we would we'd produce it.Michael Jamin (00:41:46):But was it would, so they would sometimes bring s scripts here, but sometimes you'd just, it was a general meeting and they, and they, they, they'd pitch you ideas too, right?Vance DeGeneres (00:41:55):Yes. Yeah. Yeah. Absolutely.Michael Jamin (00:41:57):Yeah. And then you, if they like it, and if Steve likes it, may, then you bring it to the studio, and then the studio's, like, now, whether they wanna put money on it or not, sometimes did you, you could, I'm sure you had a deal where you could bring it to Warner Brothers, and if they don't, it's a first look. If they don't like it, then you could bring it somewhere else.Vance DeGeneres (00:42:14):Yeah. Yeah. And that happened a lot. You know, Warner Brothers, you know, not every project was right for them. So we, you know, we'd wind up taking something over to Universal and, you know, we wound up developing a movie over there. And then a mo we Charlie and I sold a an idea for Movie two Lionsgate. And we wound up hiring David Jabba to write that. Do you know DJ Jabba? No. He was a, an executive producer on The Daily Show and Okay. Really funny writer. And it was, it was a movie that had a, at, at start a North Korean uhhuh. And we don't need to go into the whole story, but you know what happened with the thing at Sony withMichael Jamin (00:43:11):Yeah. My friend Dan Sterling wrote that mo that movie the what was it called? The what was it called? The North Korean movie? What was it called? TheVance DeGeneres (00:43:21):I can't, I can't remember.Michael Jamin (00:43:24):But it was him with, it was James Franco was in it. Right. And they go to North Korea. Yes. Yeah. And so, yeah, Kim Jong Gill took issue with it, and hacked Sony and Kim released everyone's private information, and that was the end of that. Froze.Vance DeGeneres (00:43:39):And, and then that was the end of, of our movie. Right.Michael Jamin (00:43:44):Right. Cause that could kill your movie. Right.Vance DeGeneres (00:43:46):It, it totally, there's like, they're like, Lionsgate was like, there's no way we can touch this right now. Yeah.Michael Jamin (00:43:53):So forever again. And so the, and that's not, has nothing to do with you. We saw the movie to 20th century Fox called Only Child, and everyone loved it until suddenly there was another movie in the works called Middle Child, and I'm not sure they had anything in common other than the world child , and suddenly ours was dead. It's like, we'll rename it. Nope. Sorry. Vance DeGeneres (00:44:16):God. Yeah. Yeah. It, it, it's, yeah. Projects die for so many different reasons. Yeah. But, but that was, that was a pretty insane reason to have a movie killed. Yeah. but, and we, we developed so many movies with so many different writers over, over the years and it's, it's just, it's tough to get a movie made. You know, even if you have a deal with a studio, it's, it's still toughMichael Jamin (00:44:46):With, with a major star attached to it. A major star willing to do this project. Major star an alien. Yeah. Yeah. And it's hard, it's hard to get something made. And so, and you ton of scripts I'm sure, which is hard, it's hard to go home and read a script, right? I mean, you know. Yes. Especially if it's bad. What are you, what, what do you see, I don't know, what were you looking for? I imagine some of these scripts were almost, I'm gonna say something and put words in your mouth, were almost written in crayon, right? I mean, some of them were kind of bad, or, no,Vance DeGeneres (00:45:19):I wouldn't mind a script written in crayonMichael Jamin (00:45:21):As a, as a, as a lark. I mean, there's a lot of, like, you read a lot of scripts that were, I'm sure were not good. Right.Vance DeGeneres (00:45:28):A lot. Yes. A lot. Yeah. It's, it's, it's, it's kind of shocking actually. How many scripts you get that we got submitted that just weren't just, were not good. Certainly we're not what we were looking for. Michael Jamin (00:45:41):And how far would you go into the script before tossing it? How many pages would you give it?Vance DeGeneres (00:45:48):I'm, I'm, I'll would give a script at at least, at least 20 or 30 pages.Michael Jamin (00:45:53):Generous estimate. I mean,Vance DeGeneres (00:45:54):If it, if, if it was really awful you know, maybe, maybe a few less than that. But I would, I would, I would tend to give it 20 or 30 at least.Michael Jamin (00:46:05):Right. But you're not gonna finish it if it's, there's no point. If you're, if you're not hooked in 2030, you're, why, why would you bother when you have a stack? Yeah. You know, youVance DeGeneres (00:46:15):Know, and, and, and, you know, we, we knew the kind of stuff we were looking for, you know, that the right tone of comedy you know, there's a lot of different, different tones of comedy and you know, maybe some of them were, were right for somebody else, but not for what we were looking for. Right. and in the, in the beginning we were really just looking for, for comedies and I guess four years into our deal the head of the, the, the studio came to our office and said Hey we need you guys to to really concentrate on on looking for tent poles, which was not what we were looking for in the beginning.Michael Jamin (00:47:02):Which, what is a tent pole? A big, a big giant blockbuster.Vance DeGeneres (00:47:07):A big, a big blockbuster.Michael Jamin (00:47:08):Yeah. As opposed to, it's hard to think of a big blockbuster comedy. I mean, there really aren't, you know, are there comedy zone? We're not talking about like, we're like a tent pole. You think it was like a Marvel movie or, you know, something like that. Or an action thriller, not a comedy. Right.Vance DeGeneres (00:47:26):Yeah. Yeah. No, that's, that's exactly right. I, I guess you, you could look at a film like The Hangover when that came out. Right. You know, that, that, that it was a little movie that just happened to do really well.Michael Jamin (00:47:39):Yeah. I, but I know, I can't imagine conceiving that, Ooh, wait, here's a tent pole. Like, no, here's a, here's a crapshoot that just worked, you know?Vance DeGeneres (00:47:46):Yeah. Yeah. So, but any, anyways, so we you know, we had to kind of turn the boat around a little bit and start looking for, you know movies that had the potential to be more international, I guess. Right. You know, and Right. They were very concerned.Michael Jamin (00:48:04):And that is hard because it, comedy is hard for, so you're talking for international means, I, I'm guessing means broader, more physical comedy, less reliant on joke, le less reliant on, well, maybe dumb, maybe, maybe dumber, maybe dumb dumb, maybe kind of dumbing it down a little. I mean, kind. Is that what that means? Broader?Vance DeGeneres (00:48:24):I don't, I don't know. I mean well, well, here's an example of, of something that, that we found that we, that we developed as, as a comedy, and that that could have been Big Acme mm-hmm. , you know, Acme the, the cartoons with Yeah. You know, the Road Runner and Right. We we developed a live, a live version, Uhhuh of of Acme. And the guys that directed crazy Stupid Love wrote the script for it. And it was, it was really good. It was really, it was funny and, and big. ButMichael Jamin (00:49:06):But Acme is basically, it was people running into walls and, and boxes. Right. That crates that say acne on it, that explode. Yes. That kind of thing. So it was very physical.Vance DeGeneres (00:49:17):Yeah. Yeah. And it actually would've made a, a really funny and, and a very big movie as well. Right. but but we didn't get to make that either.Michael Jamin (00:49:29):Right. Like, I mean,Vance DeGeneres (00:49:30):But that's just an example of, of how it's like, maybe we can take this and maybe this could be something that would be, you know, appealing internationally.Michael Jamin (00:49:40):Right. As opposed to like Little Miss Sunshine, which he was in, which is a small film, small little character study that blew up somehow, you know? Yeah,Vance DeGeneres (00:49:48):Exactly. And, and nobody, nobody knows what's gonna work and, and what's not.Michael Jamin (00:49:53):Was it hard for you to make the leap to executive? I mean, it's a whole different, you're, you're doing a lot of, you're, you're making the rounds, you're pitching more, you're, you're getting in that you have to get your lay of the land, you have to schmooze with other executives. I mean, it's kind of a, was that hard for you? That hard jump for you?Vance DeGeneres (00:50:11):Yeah. Yeah. It's, yeah. It was, it was, it was a little, little tough. I, I don't like being a salesman. Yeah. and there were times when, of course we had to, we had to go out and sell him. The, the o the other part of it, I did enjoy, I did enjoy meeting with, with writers and actors who would come in and and we, you know, we'd have great meetings and, you know, we, we would be pitching their projects, you know and that was, and that was, that was fun when we found projects that we'd liked and we would develop it with the, with the writer Uhhuh. So that, that, that part was, it was very creative and great. And that was, and that was a lot of fun. And it was, and it was also so great you know, getting to run Steve's company. Cuz you know, Steve's, he's one of my closest friends, and he is just, you know, he's such a great guy and he is so hilarious. Yeah. so I, you know, if I was to run anybody's company, I'm glad it I got to run his,Michael Jamin (00:51:17):See, that's another thing. So when a writer comp, so many people, you know, say I post a lot on social media and so many people are like I have a script I wanna sell, and, but I, I don't wanna change a word. I'm like, you have, what are you talking about? You come in, you with an idea, you picture show if someone else is interested, you play ball. You. It's a very collaborative, if you stay home, if you are not willing to take a note, you know, it, it's like,Vance DeGeneres (00:51:39):Yeah. That, I mean, that's, yeah. You gotta, you know. Yeah. If you don't, if you don't want to change a word you better have enough money to finance it yourself. Yeah.Michael Jamin (00:51:49):Right, right. You have to get people attached and it's, it's all about, yeah. So what, what advice do you have for people trying to break in the indu industry today? I mean, it's, it's changed even since you've left.Vance DeGeneres (00:52:04):There'sMichael Jamin (00:52:05):Former production of Shrugs, I don't know, , I don't know.Vance DeGeneres (00:52:10):God, it, I mean, it's, it's just so, it's just so scattershot now. I mean, I, I, I think, but at, at the, at the very base, I think it comes down to you have to wanna do something. If you want, if you wanna write, then you just have to write, just, you know, you know, get a, get a book on, on, on writing scripts and teach yourself and just write, write, write. And you know, it's not easy because it helps if you, if you know somebody to send it to, because you can't just send in scripts unsolicited generally. Right. but, you know, but a lot of, a lot of people get into it through doing improv and then, and then shooting little bits and, and you know, putting 'em, if they go viral,Michael Jamin (00:53:00):But, and that's basically what you did. I mean, you're, you're vi it's like you did long before Vi Viral was a thing, was you just did it. And, and I, I used to tell everyone, stop asking for permission. Just do it. You know,Vance DeGeneres (00:53:12):John, that, that's, no, that's, that's exactly right. W because we did the fourth floor show, because it, it entertained us. It was something that if we could do any show, this would be the show that we would do, so we just did it.Michael Jamin (00:53:27):Yeah. Yeah. Right. You get a bunch of people that kind of want the same thing and you do it. Yeah. Yeah. And then now, now you have this, you're basically back to your first love, your first love music. I'm not talking. Yeah,Vance DeGeneres (00:53:41):Yeah. Pretty, pretty much. I mean, af after, well, after Carousel, after we lost our deal I had a deal for God, another nine or 10 years at, at Warner Brothers at tele Pictures. Yeah. At tele Pictures at Warner.Michael Jamin (00:53:58):What are you doing there?Vance DeGeneres (00:53:59):I was developing TV shows.Michael Jamin (00:54:01):I didn't know that. I didn't know. Yeah,Vance DeGeneres (00:54:05):Yeah, yeah. My, my, my deal just ended in October.Michael Jamin (00:54:08):Oh, wow. I had no idea. And so you were, okay, you were for Warner Brothers, but not on a pro, not on a production shingle, but actually just for Warner Brothers doing the same.Vance DeGeneres (00:54:18):Yeah. Yeah. So, yeah, I, my, I mean, all told I was there at for 15 years,Michael Jamin (00:54:24):But at this point, you're more of a buyer as opposed to a seller if you're working on Warner Brothers. Right.Vance DeGeneres (00:54:29):Well, n no. No, I, no, I, I had a deal to, to develop shows. So that's what I was doing.Michael Jamin (00:54:36):You had Oh, your own deal. Okay. Yeah. It's your, wow. Good for you. That's unusual. Okay. You were Okay. You got a shingle, basically. Yeah. You, that's what you were Yeah. We weren't in studios. Exactly. Yeah. You're okay. Wow.Vance DeGeneres (00:54:48):Yeah, exactly. No, exactly. Exactly. And then, so, so now that my deal is done I'm, I'm still gonna take, I've g I got a couple of shows that that I'm gonna try to sell, but in the meantime, I'm, I'm doing a lot of music again. Right,Michael Jamin (00:55:05):Right. And let's, let's talk about that. You now, who's your band? Who and who are these people in your band?Vance DeGeneres (00:55:11):The band is called The Light Jackets. And it's been my, my project on the side for the last 10 years with the other Bandmates or Eddie Jemison, who's who's a great actor. You know 'em if you saw 'em. Okay. Tim Ford is the drummer Dermot Kieran is the keyboard player. And bill Angola is the lead guitar player. And, and GoMichael Jamin (00:55:39):Ahead. How often and how often do you guys meet and get together and jam and write and perform?Vance DeGeneres (00:55:45):Well, we've, we, we just released our fourth record about a week ago. Right. And we've, so we've got, yeah, we've got four, we've got three eps and one album that we've released over the past 10 years.Michael Jamin (00:55:58):Right.Vance DeGeneres (00:55:59):And so, you know, it's just, I mean, it's always been a passion. So I've, I've never really stopped playing music. I've always managed to do it, you know in my spare time.Michael Jamin (00:56:14):And so what ha, what happened was you posted this really cute video that you guys shot, and it was, you did with all the puppets, and it was wonderful and saw it. And I, I go, let's talk about this. Tell me, tell me how that came up together. And the song was great. And you know what? That's what, this is a perfect time. We're gonna play a clip from that song. We're gonna play it. We'll come back and you'll everyone have a listen, and then we'll talk about itSong Clip (00:56:40):All. Cause it's a better way. The outside world would never know that we were here. We have known interfere A Little Nation will be our salvation. I know. It's gone. Well get, join. We can leave right now.Michael Jamin (00:57:15):So yes, the song, I love that song you wrote that song? Yeah, yeah.Vance DeGeneres (00:57:19):One that you wrote. It's called, yeah, it's called Our Little Revolution. And it's, it's one of the five songs on our new ep. The EP is called fall So Far, if you look for it on iTunes or whatever.Michael Jamin (00:57:32):Yeah. Where, where should we look on iTunes, Spotify, everywhere.Vance DeGeneres (00:57:37):Yeah. All the usual places.Michael Jamin (00:57:38):Right. The light jackets stand.Vance DeGeneres (00:57:41):So I, I I decided that because of the theme of the song, which the theme, the theme of the song is really kind of about where we are in society right now, about how, how polarized we are. Yeah.(00:57:55): and I didn't want to do a video with depicting real people in the, in these, you know, angry situations. Yeah. but I've got, I've got some friends that have a puppet production company. They do these, they do these videos. They're called rag, mop and Goose. And it's my friend's Gus Renard and Jesse Cabalero they're married and they do these amazing little puppets. So I asked them if they would do a video for the song. And and they, they did such a great job. They did. Yeah. Really happy with it.Michael Jamin (00:58:37):How, how long of a shoot was that?Vance DeGeneres (00:58:41):It, it didn't take 'em long. We got together, I, I gave them, I gave them a very loose outline, and then they came up with the rest, and then they went off and shot it and cut it together. In, so youMichael Jamin (00:58:53):Weren't even involved in the shoot, you said, Hey, good run with this.Vance DeGeneres (00:58:57):No, I, I, I was very happy to farm it out. It's like, you know, this is this is what I'd like to, you know, to see. And then they went off and shot it, and they, and I have to say, it's probably the first time my, in my entire career where I was sent a project back where I didn't give them one note.Michael Jamin (00:59:16):Really? Wow. Yeah. You did a great job. And so, to me, I'm guessing the goal of it was just to be creative and make music. That's all. That's it. But do you have, are there, are, is there, are there other future ambitions? Is there more ambitions there more you hope to get outta this though?Vance DeGeneres (00:59:33):Just, just the enjoyment of, of being musically creative. Right. And and that, that's it. I mean, I, I'm under no illusions that I'm gonna get another record deal. Right. You know, capital Records is not gonna call and offer me a deal again. Right. but that's fi that's fine. You know, the, it's, you know, it's a fun band. It's, it's a good band. And we play lo we play live gigs, you know, like two or three times a year. Right. and we make, we make our records. And that's, that's enough. Right. I mean, it's just fun.Michael Jamin (01:00:09):That's it. That's it. And that's what I'm always telling people, just do it if, and there's so much in Holly, like, there's so much where you don't get paid in Hollywood. There's a lot of work that you do that you don't get paid. And if you're not enjoying the work, well, this is not for you then. I mean, you have to be , you know, whatever it is. Whether it's music or writing or acting. Like if you're not enjoying, you shouldn't be chasing the paycheck. You do it cause you enjoy it. Right.Vance DeGeneres (01:00:32):Yeah. No, that, and that, that's a good point. And that, you know, that's, that's also good advice for people who are looking to get into this business, is if, if you get asked, you know, to do a favor for somebody, just do it.Michael Jamin (01:00:45):Yeah. You don't know.Vance DeGeneres (01:00:48):Yeah. You don't know what it's gonna lead to and Right. You know, plus you're gonna be getting experience.Michael Jamin (01:00:54):Yep. Yep. What's so other than, so what's next for you? You're, you, you have a couple show ideas, you'll take 'em out, these ideas that you developed. Yeah, yeah,Vance DeGeneres (01:01:04):Yeah. Yeah. Michael Jamin (01:01:06):Warner Brothers must have really liked it. Yeah.Vance DeGeneres (01:01:08):It was it was, yeah. It, my my time was spent well over there. I, I like the people over there and yeah. It, it was, it was a, it was a good experience. And I've got, I, we may or may not still have one, one movie with Steve Corll over at Disney. It might be dead at this point. Charlie and I sold an idea for an updated Swiss family, Robinson to Disney. Right. Called called Brooklyn Family RobinsonMichael Jamin (01:01:39):.Vance DeGeneres (01:01:41):And oh, well, it was just a modern day version of the Family comes from Brooklyn. And and we, God, we probably have gone through four sets of writers over the years because we, we sold it while, while we still had Carousel open.Michael Jamin (01:02:02):But then why so many writers, like, what, what hap how does that work? Because youVance DeGeneres (01:02:09):You, you, you write, you the writer writes the draft, you bring it to Disney. They say, Hey, this is fantastic. Right. Let's bring in another writer to do to it even better. Yes. right.(01:02:22): and then the writer, you, you hire, you, you interview other writers. They give you different pitches on how we could make it even more fantastic. Right. you decide with Disney, okay, we'll, we'll, we'll pay this, this writer X amount to go off and write this new version. Right. they, they do that. In the meantime, this exec at Disney has been fired or left on their own. Yep. A new exec comes in that didn't know anything about this project. Right. You turn the script in and they say, this is really a fantastic script. Yeah. But why don't, why don't we bring in a different writer to, to let's try a little different,Michael Jamin (01:03:03):That way they can, the executive put their own stamp on it, basically.Vance DeGeneres (01:03:07):Yeah. Yeah. Yeah. Exactly. And that happened you know, several times with, with this project. And it's unfortunate it would've, it would've been a fun project, but I think at this point, it's probably probably not gonna happen.Michael Jamin (01:03:22):The maddening thing is, most executives, they tend to take a stay the jobb two or three years and, you know, and then it's a shop price somewhere else when their deals up. And that's not a lot of time to, you got e

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests Corinna Bechko (writer - Green Lantern: Earth One, Avatar: Adapt or Die) and David Accampo (writer - Fanbase Press' The Margins, Lost Angels) participate in a thorough discussion regarding Batman Returns (1992) in light of the film's 30th anniversary, with topics including how the film has been re-evaluated in recent years, why the film should be considered a "Christmas movie," and more. (Beware: SPOILERS for Batman Returns abound in this panel discussion!)

The posse turn their investigation to Medford and Reverend Price's traveling tent church of Lost Angels. Jo Kelly comes forward with suspicions of her own.Content Warning: Adult LanguageBen as the MarshalRosemary as Deputy Rachel Jane KennedyEd as "Railin'" Daisy GilmoreAustin as Herod GravesNik S as Chief Haru MatsuharaSound Effects by Plate Mail Gamesand Battle BardsMusic by The Eagle Stone CollectivePinnacle Entertainment Group Hosted on Acast. See acast.com/privacy for more information.

The Posse makes it to the City of Lost Angels. They arriveFind out more...38 Lost Angels

Contact me at the website: www.causeofdeath100secs.netCheck it out, leave a review, leave me a voicemail or an email. Look at the blog posts. Join my mailing list. There are so many ways to interact with me on that site that there's no excuse not to!I also have a dedicated email for Cause of Death, you can reach me at jackie@causeofdeath100secs.net.Link Tree: https://www.linktr.ee.com/CauseofDeathpodGlobal Homelessness Show Notes: https://ighomelessness.org/about-us/https://backpackbed.org/us/world-homelessness-day/ You can donate to this organization. They provide beds for the homeless.https://worldpopulationreview.com/state-rankings/homeless-population-by-statehttps://worldpopulationreview.com/https://www.sciencedirect.com/science/article/abs/pii/S0197397500000102https://link.springer.com/article/10.1007/s11524-020-00483-1https://archive-yaleglobal.yale.edu/content/cities-grow-so-do-numbers-homeless#:~:text=Causes%20of%20homelessness%20across%20countries,poverty%2C%20unemployment%20and%20family%20breakdown.https://www.humanrightscareers.com/issues/root-causes-of-homelessness/https://homelesslaw.org/wp-content/uploads/2018/10/Homeless_Stats_Fact_Sheet.pdfhttp://www2.kobe-u.ac.jp/~alexroni/IPD%202016%20readings/IPD%202016_12/Resisting%20Homelessness.pdfhttps://unstats.un.org/sdgs/metadata/files/Metadata-11-01-01.pdfhttps://ourworldindata.org/homelessness#homeless-people-in-oecd-countrieshttps://www.oecd.org/els/family/HC3-1-Homeless-population.pdfhttps://www.etf.europa.eu/en/news-and-events/news/focus-egypt#:~:text=Egypt%20is%20classified%20by%20the,despite%20political%20and%20economic%20upheavals.https://www.worldbank.org/en/country/egypt/overviewhttps://www.france24.com/en/20200715-egypt-homeless-street-children-hit-hard-by-pandemic-scourgehttps://www.youtube.com/watch?v=UuAYTpOznQohttps://en.wikipedia.org/wiki/List_of_countries_by_homeless_populationhttps://ourworldindata.org/homelessness#homeless-people-in-oecd-countrieshttps://www.bu.edu/sph/news/articles/2016/homelessness-its-consequences-and-its-causes/https://www.caringworksinc.org/our-impact/community-impact/#:~:text=It%20has%20a%20ripple%20effect,one%20family%20at%20a%20time.The link to Lost Angels on Amazon Prime: https://www.amazon.com/Lost-Angels-Skid-Row-Home/dp/B00BWJ7JFWhttps://my.neighbor.org/what-is-the-cost-of-homelessness/https://my.neighbor.org/what-is-the-cost-of-homelessness/https://www.homewardboundwnc.org/wp-content/uploads/2013/02/Homelessness-Dec.-2012.pdfhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC3766254/https://pubmed.ncbi.nlm.nih.gov/16078553/https://ofhsoupkitchen.org/how-homelessness-affects-societyhttps://www.caringworksinc.org/our-impact/community-impact/#:~:text=It%20has%20a%20ripple%20effect,one%20family%20at%20a%20time.https://lao.ca.gov/Publications/Report/4468https://www.usich.gov/resources/uploads/asset_library/Ending_Chronic_Homelessness_in_2017.pdfhttps://depts.washington.edu/triolive/quest/2007/TTQ07033/effects.htmlhttps://www.homelesshub.ca/blog/what-are-top-10-health-issues-homeless-people-facehttps://www.ncbi.nlm.nih.gov/books/NBK218236/https://lifebridgenorthshore.org/the-startling-dangers-of-homelessness/https://www.cdc.gov/phlp/publications/topic/resources/resources-homelessness.html#:~:text=Homelessness%20is%20closely%20connected%20to,%2C%20tuberculosis%2C%20and%20other%20conditions.https://www.nationsonline.org/oneworld/first_world.htmhttps://unctad.org/topic/least-developed-countries/listhttps://worldpopulationreview.com/country-rankings/developed-countrieshttps://www.rnz.co.nz/news/political/335556/nz-tops-list-of-developed-countries-with-most-homelesshttps://cryptocoached.ngontinh24.com/articles/what-country-has-highest-homeless-ratehttps://www.oecd.org/els/family/HC3-1-Homeless-population.pdfhttps://www.oecd.org/els/family/HC3-1-Homeless-population.pdfhttps://bscholarly.com/countries-with-the-highest-homeless-population-in-the-world/https://www.bigissue.com/news/housing/britains-homelessness-shame-cold-hard-facts/https://unstats.un.org/sdgs/metadata/files/Metadata-11-01-01.pdfhttps://ourworldindata.org/homelessness#homeless-people-in-oecd-countrieshttps://borgenproject.org/tag/global-homelessness/https://borgenproject.org/tag/global-homelessness/https://www.weforum.org/agenda/2019/12/how-to-solve-homelessness-poverty-cities-urbanization/https://make-the-shift.org/homelessnessaction/https://www.homelessworldcup.org/homelessness-statisticshttps://ighomelessness.org/global-homeless-data/https://ighomelessness.org/https://mahb.stanford.edu/library-item/yet-another-emerging-global-crisis-homelessness/#:~:text=Based%20on%20national%20reports%2C%20it's,population%2C%20may%20lack%20adequate%20housing.https://digitalscholarship.tsu.edu/cgi/viewcontent.cgi?article=1074&context=jpmspDarkcast Network – Promo by Edward October of OctoberpodPodcast Promos:Rogue DarknessThrough the VeilMusic:Time Off by Damma BeatzYou can reach me on:Instagram and FB: @CauseofDeathTwitter: @CauseofDeath10Please don't forget to rate and review on any of the platforms found here:Podchaser: https://www.podchaser.com/podcasts/cause-of-death-1855050You can support Cause of Death here:Patreon: https://www.Patreon.com/JackieMorantyKo-Fi: https://www.ko-fi.com/causeofdeathluckycharmsunpluggMerch can be found at: https://www.teepublic.com/user/causeofdeathluckycharmsunpluggedPlease share this podcast with everyone you know. Cause of Death is a proud member of the Darkcast Network. Find us at @darkcastnetwork on Twitter and @DarkcastNetwork on Facebook.Cause of Death can be found on all major podcast platforms.

  Episode #247 is brought to you by out Title Sponsor United Pacific Industries. https://upcarparts.com/c10-chevy-truck/ -Get your parts. Build your passion. www.brotherstrucks.com - Your source for 1947 Chevy and GMC restoration truck parts.  www.classicperform.com - CPP your suspension, steering and brake source! www.painlessperformance.com - Is it time to rewire that chassis - Painless Wiring has a wiring harness for you and your truck!  www.psiconversion.com - When you are swapping that motor for an LS or LT based motor PSI has everything you need, including technical support! Use "C10 Talk" to save 10% off your total order.  www.accuair.com - Are you ready to bag that ride, Accuair has everything you need and the proven support and warranty you are looking for.  www.painlessperformance.com - When its time to replace your old wiring - Painless has everything you need and more.  ____________________________________________________________________ The Lost Angels Children's Project is raffling a 1962 C10, and you could WIN!   

Writer David Accampo and artist Chris Anderson decided to create on a small horror project after working on a comic called Lost Angels together. They planned to make a single horror mini-comic that they could sell as an added bonus to their other books at conventions. One story became two, two stories became three, and […]

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests Charles de Lauzirika (Filmmaker & DVD/Blu-ray producer - Assembly Cut restoration of Alien 3, Final Cut restoration of Blade Runner), David Accampo (writer - Fanbase Press' The Margins, Lost Angels), and Phillip Kelly (Fanbase Press Contributor, The POPSKL Podcast Group) to participate in a thorough discussion regarding Alien 3 (1992) in light of the film's 30th anniversary, with topics including the film's thematic message regarding how we grapple with our own mortality, why the deaths of Hicks and Newt are unforgivable for so many fans, what other films can learn from Alien 3, and more. (Beware: SPOILERS for Alien 3 abound in this panel discussion!)

The Battle for Lost Angels has begun!Want to learn more about us?  Check out our link tree: https://linktr.ee/knightsmithgamesIntro/Extro Music by: https://soundcloud.com/thesimulacraeAdditional Music by: https://www.monumentstudios.netAnd please, check out our sponsor, and official coffee of the Knights of the Smith Dinner Table: https://www.poppetscoffee.com

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests David Accampo (writer - Fanbase Press' The Margins, Lost Angels), Corinna Bechko (writer - Avatar: Adapt or Die, Green Lantern: Earth One), and Don Aguillo (artist - Scout Comics' Rise, Fanbase Press' The Sequels, Todd McFarlane's Spawn & King Spawn, co-founder of In Hiatus Studios) to participate in a thorough discussion regarding Poltergeist (1982) in light of the film's 40th anniversary, with topics including the how the film holds up four decades later, the long debate over whether Steven Spielberg is the film's true director, the panelists' own feelings on the potential existence of poltergeists, and more. (Beware: SPOILERS for Poltergeist abound in this panel discussion!)

The heroes finish the battle with the Iron Dragon interlopers, and then are faced with a quandary as the Battle of Lost Angels begins!Want to learn more about us? Check out our link tree: https://linktr.ee/knightsmithgamesIntro/Extro Music by: https://soundcloud.com/thesimulacraeAdditional Music by: https://www.monumentstudios.net and Pinnacle Entertainment GroupAnd please, check out our sponsor, and official coffee of the Knights of the Smith Dinner Table: https://www.poppetscoffee.com

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests David Accampo (writer - Fanbase Press' The Margins, Lost Angels), David Avallone (writer - Drawing Blood, Elvira: Mistress of the Dark), and Jason Inman (writer - Super Best Friend, Jupiter Jet / podcast host - Geek History Lesson) to participate in a thorough discussion regarding Conan the Barbarian (1982) in light of the film's 40th anniversary, with topics including the true message of the "riddle of steel," the historic inspiration of Thusla Doom, the film's themes of hyper-masculine individualism and its effect on young male audience members, and more. (Beware: SPOILERS for Conan the Barbarian abound in this panel discussion!)

Loren-Paul Caplin has had a varied career in the literary and dramatic arts. His experience in film has involved him in writing and directing History of the World in Eight Minutes, producing Forbiddeb Zone, writing the original story for Lost Angels, and co-writing and co-producing Battle in the Erogenous Zone for Showtime.His plays, "Sunday's Child", "Men In The Kitchen, "A Subject Of Childhood and "City Muzik" have been performed throughout the northeastern United States. "The Presidents", a play he co-wrote, has enjoyed a national tour and an appearance on PBS. His poetry has appeared in both the Paris Review and Rolling Stone. Caplin teaches screenwriting at Columbia University, Tisch School of Dramatic Writing at NYU, and the New School University. He lives in New York City with his wife, painter Jenne van Feghen.Support the show

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests Amanda Donahue (artist - Fanbase Press' The Margins), David Accampo (writer - Fanbase Press' The Margins, Lost Angels), and Justin Robinson (writer - City of Devils, podcast host - Tread Perilously) to participate in a thorough discussion regarding The Thing (1982) in light of the film's 40th anniversary, with topics including the thematic messages of the film, the concept and execution of the film's iconic creature, what the panelists really believe is going on in that final scene, and more. (Beware: SPOILERS for The Thing abound in this panel discussion!)

https://linktr.ee/LorehammerListenerLoreSupport this podcast at — https://redcircle.com/lorehammer-listener-lore/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon and special guests David Accampo (writer - The Margins, Lost Angels), Hannibal Tabu (co-writer of Humanoids' MPLS Sound, Bleeding Cool contributor), and Tilly Bridges (writer - Killswitch, the Star Trek Adventures RPG, Executive Producer of Pendant Productions) participate in a thorough discussion regarding the first season of The Book of Boba Fett (2021) in light of the series recent release, with topics including the panelists' feelings on the previous iterations of the character of Boba Fett and reactions to his re-invention during the Disney-era of Star Wars, which "book" is being referred to in the title of the series, the debate over the episodes that featured characters from The Mandalorian and very little Boba Fett, and more. (Beware: SPOILERS for The Book of Boba Fett: Season 1 abound in this panel discussion!)

The posse meet the Reverend Samuel Price and his flock of Lost Angels. When an outlaw unexpectedly turns himself in, questions of justice and clemency cause tension between Rachel and Wynon.Content Warning: Graphic DescriptionsBen as the MarshalRosemary as Deputy Rachel Jane KennedyEd as "Railin'" Daisy GilmoreAustin as Agent Wynon BeardslayNik S as Chief Haru MatsuharaSound Effects by Plate Mail Gamesand Battle BardsMusic by The Eagle Stone Collectiveand DanheimPinnacle Entertainment Group See acast.com/privacy for privacy and opt-out information.

Los Angeles, CA is full of dreamers. After all, dreams are what people move to the City of Lost Angels to chase. But did anyone know that an acting teacher can turn into a cult leader? Is that even possible? Apparently stranger things have happened, because the answer is... Oh hell yes she can. Two former students studying under an acting coach turned self-help cult leader are here to share their harrowing stories of showing up with their dreams in their hands... but unfortunately, giving them over to the wrong "guide". _ Podsauce ft. Liz Iacuzzi & Tyler Measom If you would like to be considered as a guest on the show, please contact us at info@wasiinacult.com Please support Was I In A Cult? Through PatreonSee omnystudio.com/listener for privacy information.

Los Angeles, CA is full of dreamers. After all, dreams are what people move to the City of Lost Angels to chase. But did anyone know that an acting teacher can turn into a cult leader? Is that even possible? Apparently stranger things have happened, because the answer is… Oh hell yes she can. Two former students studying under an acting coach turned self-help cult leader are here to share their harrowing stories of showing up with their dreams in their hands… but unfortunately, giving them over to the wrong “guide”. _ Podsauce ft. Liz Iacuzzi & Tyler Measom Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

In the latest episode, The Fanbase Weekly welcome special guest Chris Anderson (artist - Chaotic Neutral - Now on Kickstarter!, Lost Angels, Heavy Metal, Creepshow) to discuss the latest geek news stories of the week, including whether Captain America is to blame for Thanos' snap, criticizing a movie in spoiler culture, the accidental shootings on the set of Rust, and our weekly trailer roundup featuring Ghostbusters: Afterlife, The Batman, and The Flash.

In this Fanbase Feature, The Fanbase Weekly co-hosts Bryant Dillon and Phillip Kelly are joined by special guest David Accampo (writer - Fanbase Press' The Margins, Lost Angels) to participate in a thorough discussion regarding Batman Versus Predator (1991) in light of the iconic comic series' 30th anniversary, with topics including the whether the crossover holds up 30 years later, which Marvel superheroes should take on the alien hunter, whether it's time for a cinematic adaptation, and more. (Beware: SPOILERS for Batman Versus Predator abound in this panel discussion!)

Lost Angels (Original Mix) by Paul Collide (Official)

In this Fanbase Feature, The Fanbase Weekly co-hosts Bryant Dillon, Justin Peniston, and Phillip Kelly are joined by special guest David Accampo (writer - Fanbase Press' The Margins, Lost Angels) to participate in a thorough discussion regarding Terminator 2: Judgment Day (1991) in light of the film's 30th anniversary, with topics including the importance of the father/son bond formed between the Terminator and a young John Connor, the film's ominous villain played by actor Robert Patrick, the sequels that followed, and more. (Beware: SPOILERS for Terminator 2: Judgment Day abound in this panel discussion!)

James Lott Jr gets to chat with Laura Niemi about her new unique play that is by a pool!!! And her work on Soaps and This is Us and Rizzoli and Isles. Goto Lost Angels Theater on IG or poolboymuholland.com#poolboy #thisisus #theater #lauramiemiLAURA NIEMI AND PAT TOWNE STAR IN POOL BOY – UNIQUE OUTDOOR THEATER EXPERIENCE FROM LOST ANGELS THEATER COMPANY. Laura Niemi (portrays Milo Ventimiglia's mom, Marilyn Pearson, on the hit NBC series, This Is Us, and is currently in Warner Bros. Those Who Wish Me Dead starring Angelina Jolie directed by Taylor Sheridan) and Pat Towne (Rock of Ages, Bronco Billy) co-star in LA's award-winning theater company, Lost Angels's (Killer Joe, Bug) world premiere production of POOL BOY. Presented poolside at a gorgeous home on Mulholland Drive with a spectacular view of Los Angeles from the Hollywood Hills. This unique theater event will have a limited run - Saturdays and Sundays @ 5:15PM starting July 17th, 2021 thru August 22.This covid-friendly outdoor event will be the first site specific play under the Lost Angels Theatre Company's banner. LATC (which won the 2005 Ovation award for Tracy Letts' Killer Joe) is once again teaming up with director Scott Cummins (Killer Joe, Bug), and will mark their third collaboration. Cummins won the Ovation Award for his direction in LATC's production of Killer Joe. Playwright Wendy Hopkins (Second City alum) penned this two-hander comedy, which features a cast of two Ovation award-winning actors, Laura Niemi and Pat Towne .Set in Los Angeles during the 2020 pandemic, house sitter Glenn is looking after an elite home in the Hollywood Hills. Isolated and desperate for human contact, she attempts to make a connection with an atypical Pool Boy. Despite their contrasting personalities and rusty social skills, they forge an unlikely bond in a Covid colored world.After an inconceivably odd year, LATC presents this unique theatrical experience as a love letter to the City of Angels, celebrating its art and beauty in a quintessentially Californian way – with the sun on our face.

In this Fanbase Feature, The Fanbase Weekly co-hosts Bryant Dillon, Justin Peniston, and Phillip Kelly are joined by special guest David Accampo (writer - Fanbase Press' The Margins, Lost Angels) to participate in a thorough discussion regarding Indiana Jones and the Raiders of the Lost Ark (1981) in light of the film's 40th anniversary, with topics including what makes Indiana Jones an iconic hero, the controversy surrounding Indy's relationship with a teenage Marion, how the film reflects on the field of archeology, and more. (Beware: SPOILERS for Indiana Jones and the Raiders of the Lost Ark abound in this panel discussion!)

In this Fanbase Feature, The Fanbase Weekly co-hosts Bryant Dillon and Phillip Kelly are joined by special guests Desirée Proctor (writer - Fanbase Press' Nuclear Power, Telltale Games' The Walking Dead: Michonne), David Accampo (writer - Fanbase Press' The Margins, Lost Angels), and Chris Rubin (owner - Bubbles and Things Soaps) to participate in a thorough discussion regarding Willy Wonka and the Chocolate Factory (1971) in light of the film's 50th anniversary, with topics including the film's sometimes abusive depiction of Willy Wonka, the panelists' opinions on the best Wonka candies in the film, the themes of class structure and conflict, and more. (Beware: SPOILERS for Willy Wonka and the Chocolate Factory abound in this panel discussion!)

Brody has an amazing story that will make you believe that you can Ski-Doo anything you put your mind to. We talk Celbration, Florida, getting over your own fears on the water, and so much more. Get after it!!! Follow Kent on social media: Instagram Twitter Follow John Loos on Twitter. Listen to their podcast, "The Lost Angels of Hollywood".  This is an Audio Wool Original, produced by Byron McKoy. 

Gets a little raw and live on this episode, Life is undefeated you never know when you could be in somebody else's shoes. Join in as we discuss an epidemic that seems to be a thorn in America's side. HOMELESSNESS! Listen to what I have to say on the topic, and suggestions I have to fix this issue. I challenge all the listens to step up and help the cause. Enjoy!

Michael and Kitty talked about Wasteland Weekend, LA Podfest, Lost Angels, Dr. Ken, The Muppets, Crimson Peak, male vs. female nudity, Doctor Who, horror movies, and books.

Michael and Kitty chatted with photographer, and art show curator, Heidi Calvert about creative careers, building a business, art shows, The Hive Gallery, podcasting, boudoir and glamour photography, Tess Holliday, photo touching, Creative Live, Kitty's first art show, Lost Angels, Steve Diet Goedde, body image, beauty standards, the art and fantasy of fashion, the spectrum of attraction, body dysmorphia, personal fitness, and healthy recipes.

This week, Michael and Kitty chat with model, artist, and producer of LA immersive dark speakeasy club experience, Lost Angels, Victoria Lane about LARPing, LA goth clubs, “Uber” goths, immersive environment experiences, Lost Angels, Gothing in summer, personal autonomy, hipsters, long hair, feminism in media, Political Correctness vs. treating people with respect, brogrammers, teaching autonomy, boners, body image and dysmorphia, personal fitness, and oligarchy.

Kevin and Brian were in love and successful in their careers when they decided it was time for parenting. After a long search for a child, they were offered three; triplets who were at risk and without anyone to care for them. As a result of their excellent parenting and the help of a large community and family, they brought their children through their early challenges into health and well being. Wrapped in the love of two parents, numerous dogs, aunties, uncles and grandparents, the kids defied early expectations. The future looked bright. But just a year after Kevin and Brian formed this brand new family, homophobia conspired to take the triplets from the only parents they'd ever known. Kevin Fisher-Paulson's recounting of their experience, A Song for Lost Angels, gives us a poignant view of what happens to gay families without the protections they need to flourish. Kevin also demonstrates the courage and resilience it takes to walk through the worst and look for what lies beyond.

Kevin and Brian were in love and successful in their careers when they decided it was time for parenting. After a long search for a child, they were offered three; triplets who were at risk and without anyone to care for them. As a result of their excellent parenting and the help of a large community and family, they brought their children through their early challenges into health and well being. Wrapped in the love of two parents, numerous dogs, aunties, uncles and grandparents, the kids defied early expectations. The future looked bright. But just a year after Kevin and Brian formed this brand new family, homophobia conspired to take the triplets from the only parents they'd ever known. Kevin Fisher-Paulson's recounting of their experience, A Song for Lost Angels, gives us a poignant view of what happens to gay families without the protections they need to flourish. Kevin also demonstrates the courage and resilience it takes to walk through the worst and look for what lies beyond.