Podcasts about Tim Ford

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, MLS, Canadian national team, and international football chat and interviews. It's been another big week for Canadian soccer, at both club and country level, and we kick things off chatting about Canada's men's national team's historic, and dominant, win over the US on Saturday. It was a performance that showed the growth of the side under Jesse Marsch and also tantalizes with this being only just the beginning. We also look at the Canadian women's U20s run at the FIFA World Cup that's seen them reach the knockout stages. Turning our attention to the domestic game, an undermanned Whitecaps dropped another two points at home in MLS action. We chat about the Dallas game, the continuing costly home form, look at some of the depth players called into this match, and the current lie of the land in the MLS West. Plus we hear and talk about Caleb Porter's all-time epic rant about our least favourite referee, Tim Ford. We've two interviews in this episode. First up is WFC2 forward Nicolas Fleuriau Chateau. We chat with Nico about his experiences being called up to the first team, making his MLS debut in Montreal, his home debut against Dallas, and more. Next up is Vancouver FC defender James Cameron, and we chat with the BC boy about signing his first pro deal, his growth, the current season, his Canada experiences, and his hopes for the future. All of this, plus we look at the weekend's CPL action, there's more Britpop chat and music, Big Country continue their stint as our Album of the Month, and Armchair Loyal are back in Wavelength with a fitting song about referees! Here's the rundown for the main segments from the episode: 01.27: Intro 04.00: Canada dominate US eh in friendly win 21.00: Canada women's U20s advance to World Cup knockout stage 33.50: Ryan Gauld gets his first Scotland caps 42.35: Undermanned Whitecaps drop two big points at home to Dallas 69.50: Caleb Porter loses it with referee Tim Ford 80.45: More Britpop chat! 68.05: Nicolas Fleuriau Chateau interview and discussion 98.15: A look at the Whitecaps' depth and player performances 111.55: Anyone Fancy A Chocolate Digestive - Fafa Picault 114.26: Whitecaps Girls Elite secure historic Champions Cup victory 121.35: James Cameron interview 140.50: CPL round-up 159.35: Wavelength - Armchair Loyal - Public Elleray Number One

It was a wild night at Gillette that saw the Revs and St. Louis split four goals evenly, an epic downpour throughout the second half, a controversial night from referee Tim Ford and a total loss of emotional control from Caleb Porter in his post match press conference. Tom is joined by Sam Minton of The Blazing Musket, witness to all of the events as they unfolded, to discuss everything that unfolded on and off the field, where it leaves the team's wild ride of a season while answering all of your user questions. You can support our podcast by rating and reviewing us on iTunes, Spotify or wherever you are listening. Also, please follow us on social media: Twitter: @SeanLDonahue, @AndyRevsNation, @RevolutionRecap, @TPinzone343 Instagram: www.instagram.com/revolutionrecap/ Facebook: www.facebook.com/revolutionrecap Revolution Recap thanks Sobczak Law for their support of local independent media and their mission of bringing unbiased truth. Learn more about Sobczak Law at sobczaklaw.com

Yesterday Treasury Wine Estates announced a big drop in its full-year profit, largely due to write-downs on a number of its cheaper brands.Andrew Geoghegan from Ausbiz speaks with Tim Ford, Chief Executive of Treasury Wine Estates about the results, selling off the cheaper brands, and re-establishing Penfolds within the Chinese market. Ausbiz is Australia's leading provider of live and on-demand video of the latest news in Australian business, markets, economy and startups. Sign up at ausbiz.com.au - it's free.Find out more: https://fearandgreed.com.auSee omnystudio.com/listener for privacy information.

Tim from the Somewhere In Time podcast comes on to talk about his experience undergoing Tinnitus Retraining Therapy, or TRT. Additional music by tassles. --- Support this podcast: https://podcasters.spotify.com/pod/show/howigottinnitus/support

Tim Ford and Brock Waggoner visit with Drs. Tom Allen and Jason Bond in Starkville as Platinum sponsors of the 2023 Row Crop Short Course.  Find out more about Helm Agro at https://us.helmcrop.com  

Welcome back to another episode of the Third Sub Podcast! In this episode, Alex and Sam are back, as usual, this time to chat all things Vancouver Whitecaps.  To begin, they chat about the big news out of Whitecaps land at the moment, which is that first-team head coach Vanni Sartini will be suspended for the first six games of the 2024 MLS season, following Sartini's actions and comments addressed towards referee Tim Ford in game #2 of the Whitecaps first round MLS Cup playoff matchup with LAFC.  First, they look at what that suspension means for the Whitecaps, before diving into what this suspension and that of FC Cincinnati's Matt Miazga for a similar offence involving an official, and what that could mean for the future of refereeing in MLS.  After that, they take a trip down memory lane, diving into their 2023 preseason predictions, and seeing what they got right and wrong, reflecting on how the team performed relative to their earlier expectations.  Then, after that, they take a look at some year-end awards, as they conduct the fourth-annual Third Sub awards, giving out the usual hardware like MVP, unsung hero, Third Sub of the year and more to players on the team.  Lastly, they finish off the episode with some bold predictions, as they take a stab at some wacky things that could potentially happen in Whitecaps land over the next 12 months.  Make sure to check out The Third Sub Podcast on Twitter, @thirdsubpod, as well as on Instagram, @the3rdsub_. 

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps and Canadian soccer chat. The Whitecaps end of season moves have started as they announced their roster decisions for moving into 2024. We delve into who's coming back and who's not and ponder whether these were the correct choices. Plus we chat with Whitecaps Sporting Director Axel Schuster about the decisions made and what this means for the team moving forward. The fallout from Vanni Sartini's comments about and reaction to referee Tim Ford continued this past week. Both Vanni and Axel addressed how last Sunday's playoff loss to LAFC played out off the pitch, while we chat about the overblown reaction and what suspension may be coming to the way of the 'Caps head coach. Turning our attention to the international stage, Canada's roster for the Jamaica Nations League quarter-final was announced and it features four Whitecaps. We chat with two of them, Sam Adekugbe and Ali Ahmed, about the games ahead the Whitecaps' season, plus we hear from Canada head coach Mauro Biello about some of his squad decisions and what the future may hold in store. All of this plus we review the football film Next Goal Wins that comes out this week and New Zealand lo-fi punk band Dick Move and Scottish legends The Yummy Fur continue their residencies as our new Artists of the Month. Here's the rundown for the main segments from the episode: 01.40: Intro - what a week for BC college soccer, U17 World Cup 15.16: Axel Schuster on the Whitecaps end of season roster decisions 31.55: Whitecaps roster discussion 63.33: The Tim Ford fallout continues - what suspension will Vanni get? 97.47: Mauro Biello announces Canada squad for Jamaica 119.00: Sam Adekugbe interview on Canada and the 'Caps 131.55: Ali Ahmed interview on Canada and the 'Caps 147.20: TVOD - Next Goal Wins (a review) 164.20: Wavelength - Jamine Man - Japanese Football Team

Joshua and Nathan talk about the Whitecaps season ending loss to LAFC, Tim Ford, Sartini's comments the year end press conference, review 2023, look ahead to 2024, the rest of the MLS Playoffs, the wild Chelsea and Tottenham game and more!TIMESTAMPS:1:03- Whitecaps lose 1-0 to LAFC in game 2. What went wrong, Tim Ford, Vanni Sartini's comments, the crowd and more34:25- Sartini and Schuster's year end press conference and looking ahead to the offseason and 20241:03:16-The rest of the MLS playoffs1:11:01- Timbers hire Phil Neville as head coach1:12:53- CanMNT squad for Nations League unveiled1:16:34- Chelsea and Tottenham played the game of the year1:31:59- Emma Hayes to leave Chelsea to become new USWNT manager1:33:45- Arsenal double down on Arteta's comments from Newcastle game1:34:30- Pepe becomes UCL's all time leading scorer1:35:21- Marcus Rashford gets punished by Erik Ten Hag for having a birthday party

With much of the State of NSW currently experiencing very dry conditions NSW DPI reached out to Tim Ford, Director at Feed Central to provide an update for the industry on the current situation and outlook for fodder supply. Tim presented this information at our recent Dairy Breakfast webinar in conjunction with a presentation from the DPI Climate team on the seasonal conditions and tools available to farmers to help monitor the current conditions and assess forecasts for the period ahead. Feed Central link buyers and sellers of hay and grain across the country and provide feed analysis on what is being sold as well as a visual description. NSW DPI strongly encourage you to purchase feeds based on quality, so feed tests are a ‘must have', regardless of where you purchase from.  This episode brings you a recording of Tim's presentation and the show notes have a link to our YouTube page to view the Climate team's update as well as Tim's presentation. Also within the show notes are links to resources including feed budgeting tools and NSW DPI's Seasonal Conditions Information Portal and Feed Quality Testing Service.Links to useful resources related to this podcast:Dairy Breakfast Webinar - https://youtu.be/fOs4pCCIOaMFeed Central | Buy Hay | Hay For Sale | Sell Hay | Feed Testing | BalesFeed quality (nsw.gov.au)Seasonal Conditions Information Portal (intersect.org.au)Drought and Supplementary Feed Calculator (nsw.gov.au)NSW DroughtHubDrought - Local Land Services (nsw.gov.au)Back of the envelope feed budget | Dairy AustraliaMonthly back of the envelope feed budget | Dairy AustraliaFeeding & Farm Systems | Dairy AustraliaThis podcast is an initiative of the NSW DPI Dairy Business Advisory UnitIt is brought to you in partnership the Hunter Local Land ServicesPlease share this podcast with your fellow farmers and colleagues and feel free to contact us with suggestions or comments via this email address thebusinessofdairy@gmail.comFurther NSW DPI Dairy channels to follow and subscribe to include;NSW DPI Dairy Facebook pageDPI Intensive Livestock Twitter feedNSW DPI Dairy NewsletterTranscript here Produced by Video LiftThe information discussed in this podcast are for informative and educational purposes only and do not constitute advice.  

This week we are joined on the trails by endurance athlete Tim Ford, Tim is a highly competitive amateur triathlete, but his story doesn't start there.   Tim's journey to health and well-being started over ten years ago; he tells us how finding exercise and movement changed his life and resulted in him losing 50kg. He is now regularly found competing at age group world championships and travelling the world working in pro sports.   It is a hell of a tale.   Join us on the trails, and find out just how simple it is for ordinary people to achieve extraordinary levels of health and fitness.   https://www.getoutinit.events/ - Our website; come check us out and sign up for our newsletter! You'll get bunches of fun freebies and up-to-the-minute info on our Get Out In It sports camps.   Find us on:   YouTube: https://www.youtube.com/channel/UCO2NpPBc-irzTwu48_1ZSqA Facebook: https://www.facebook.com/profile.php?id=100091353277028  Instagram: https://www.instagram.com/getout_in_it/ Twitter: https://twitter.com/GetOutInIt Pinterest: https://www.pinterest.co.uk/GetOutInIt/   Spotify Playlist: https://open.spotify.com/playlist/0Fq9bhN4a8Hpcj33V3yVAP?si=e9f3aab856f24ca8

Do you watch The Daily Show? If so, don't miss this awesome podcast episode featuring Vance DeGeneres!Show NotesVance on Wikipedia: https://en.wikipedia.org/wiki/Vance_DeGeneresVance's Instagram: https://www.instagram.com/vancenotvance/?hl=enVance on IMDB: https://www.imdb.com/name/nm0214699/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TranscriptMichael Jamin (00:00:00):To me, I'm guessing the goal of it was just to be creative and make music. That's still, that's it. But do you have, are there, are, is there, are there other future ambitions? Is there more ambitions there more you hope to get outta this though?Vance DeGeneres (00:00:13):Just, just the enjoyment of, of being musically creative. Right. And and that, that's it. I mean, I, I'm under no illusions that I'm going to get another record deal. Right. You know, capital Records is not gonna call and offer me a deal again. Right. but that's fi that's fine. You know, the, it's, you know, it's a fun band. It's, it's a good band. And we play lo we play live gigs, you know, like two or three times a year. Right. and we make, we make our records. And that's, that's enough, right? I mean, it's just fun.Michael Jamin (00:00:49):You're listening to Screenwriters Need to hear this with Michael Jamin.Michael Jamin (00:00:56):Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. I got another good guest for you. This is another reason to sit through me talking because my guest is actually an old friend of mine. And his name is Vance DeGeneres, comedy writer, TV producer, film producer, film executive musician. And I met Vance many years ago and can tell Quick story, Vance. And then I'll let you chime in for the rest of the interview. Please. First of all, I first please. I gonna just get the elephant outta the room. Yes. Vance. His, his little sister is someone you may have heard of Ellen. Ellen Generous, but we're not talking about her now. We're talking about you Vance. So stop bringing her up. Vance DeGeneres (00:01:34):Yeah, yeah, please,Michael Jamin (00:01:35):Please. So, I'm met Vance many years ago. I'm a first job as a, as a comedy writer. I was a comedy writer and show on the Mike and Maddie show. It was a morning TV show. I was very nervous, very excited, didn't know anything about the business. And Vance was the other guy, the other comedy writer. And we shared an office. And I just did. I was like, Vance, I, I don't really know what I'm doing here. And Vance was like, it's okay. We'll be okay. I'm not sure if Vance knew what he was doing, but I did everything. You did Vance. I wore shoes to the set. I wore a a jacket to the set. I did whatever you told me to do. Whatever you did, I just copied. And you were, andVance DeGeneres (00:02:12):It, and look, look where you are today,Michael Jamin (00:02:14):. I'm sitting in front of my computer screen in my garage.Vance DeGeneres (00:02:18):, can I, can I, can I just say I I do have to to thank you because we're not for you. I wouldn't be able to do this.Michael Jamin (00:02:30):That's right. We did a lot of that. And you got, you got a nice lot of,Vance DeGeneres (00:02:33):You taught me toMichael Jamin (00:02:34):Juggle. I taught you that. I didn't, what else You taught me to juggle. Didn't I teach you how to love as well?Vance DeGeneres (00:02:40):Well, I was gonna say, yeah, I was gonna say that, but since you brought it up Yes,Michael Jamin (00:02:45):Vance has, go ahead.Vance DeGeneres (00:02:48):No, I was just gonna say, you know, we I think we laughed a lot in that, in that office. It, it was it was an interesting job.Michael Jamin (00:02:57):Did we make anyone laugh? , I'mVance DeGeneres (00:03:00):Six monthsMichael Jamin (00:03:02):. We made each other laugh and then on six month time they showed, they showed me to the door .Vance DeGeneres (00:03:10):Yeah. And yeah. And I didn't last a lot longer.Michael Jamin (00:03:13):You didn't, I don't remember. But you've had such an amazing career event cuz you have done something. Like you are truly a very creative person and you've made a career out of being creative, but not pigeonholed in any one category. Like, I'm gonna start, I'm gonna start by telling, refreshing your memory, how you've, how much you've worked in the business. I guess you first started, you were a musician, you in a, in a band called House of Shock, which was Gina Shock, who was in the Go-Go's. You formed a band with her, right? Was that your first band? IVance DeGeneres (00:03:43):No, no, no. I, no, I, well, very quickly, I, I had, I had been in bands since seventh grade. I had my first garage band. Right. and then I was in a s a really successful band in New Orleans called The Cold in the early eighties.Michael Jamin (00:04:01):Right.Vance DeGeneres (00:04:02):And and then I moved out to Los Angeles in 85. And the Gogos had broken up and a friend introduced me to Gina and we put together house of Shock. And so she and I were partners on that.Michael Jamin (00:04:17):And you toured a lot of with her?Vance DeGeneres (00:04:19):No, we didn't tour a lot, but we rec we Gina and I wrote, wrote the album and it came out, we were on Capital Records, Uhhuh . And and that came out in 88.Michael Jamin (00:04:30):Now, when you moved to LA was it to become, I mean, it's weird, you know, you're very, very funny, very talented comedy writer. But was it, is music really your first love and look at your background there?Vance DeGeneres (00:04:42):My first love is music. But I had done bef Okay. . I, I've got such a, such a a checkered a career path. Originally I had done, oh boy. Yeah, this is, it's too much to get into. But I, I was the original Mr. Hans with the Mr. Bill Show, and IMichael Jamin (00:05:04):Wanna talk about that. Okay. So that came firstVance DeGeneres (00:05:07):That Yeah. After yes, when I was 18, I guess I, I met this guy Walter Williams, and we, we got an apartment together and we started doing, we were both Big Bob and Ray fans. Right. you know Bob and Ray,Michael Jamin (00:05:25):Right? Yeah. Ellis dad . That's how I think about it. Yeah,Vance DeGeneres (00:05:28):Exactly. Exactly. but they used to do this improv improvisational comedy. And so we thought, yeah, we can probably take a crack at that. So we started doing little comedy bits and then started shooting little tiny movies. And Mr. Bill was one of the movies. And anyways, so, you know, what happened then?Michael Jamin (00:05:49):Well, for many people who, who don't, I wanted to tell them, so Mr. Like, Mr. Bill was a, a little claymation character on Saturday Live, A little sketch they did on Saturday Live, or in the early years of sa And this Mr. Bill was like, before the internet, it went viral before the internet virality was a thing. And it was like this, I remember everyone was talking about Mr. Bill, Mr. Oh, no, Mr. Bill. And it was Mr. Hand was the char, another character. And like everyone talked about Mr. Bill cuz it was like this sketch on Saturday. It was recurring sketch that everyone talked about. And so yeah. Go into that. That's a, that was when I found out you were Mr. Hand. I was like, you're Mr. Hand.Vance DeGeneres (00:06:26):Yeah. Well, oh yeah. Well, it's, it's a, it's a a very long and a very frustrating story actually. But I, I'll just tell you that we started it in New Orleans and we did these, you know, we, we started doing nightclubs in New Orleans there. This was before there was even a a comedy club in New Orleans. This was in 73 45 Uhhuh six. And so we would do these kind of live shows where we did comedy and we showed, we showed our eight millimeter films. We'd set up a screen, Uhhuh, and then when Sarah I live came on we sent in a reel of our shorts and they liked Mr. Bill and they put that on.Michael Jamin (00:07:11):How did you know, you just sent it to like, what do you mean you sent it? Vance DeGeneres (00:07:15):Because, because they they had a thing, Lauren, Michael said, Hey, if if, if you have some funny short films, send them to us and if we like it, we might put it on. Right. So we we sent 'em a, a reel of our, our shorts and they liked that particular one. So Lauren aired it and it was during Mardi Gras in New Orleans when it first aired. And, and Saturday Night Live was preempted for one of the parades, Uhhuh . So nobody in New Orleans got got to see it. But they invited us down to the N B C affiliate to watch it in the control room. Uhhuh . So we got to see speed.Michael Jamin (00:07:58):How, but how, but did you do several of them? There's We did,Vance DeGeneres (00:08:02):Yeah. Right. We did. And then we, we well we had a weekly radio show in New Orleans called the Mr. Bill Show, and where we did little sketches, and then we even did eight local TV show few episodes.Michael Jamin (00:08:17):Like 18 when you were doing this.Vance DeGeneres (00:08:20):In 19, yeah. 18, 19, 20, kind of a big. And and then once it was on Saturday Live, we we picked up a third, a third member named David Derickson. And we moved to, we got a, we got a loan for $3,000 and moved to New York and got a, a one bedroom sublet. And we did the the improv once a week on Monday nights, we would do our standup. And then we we made a couple of other Mr. Bills. And after the second season, I, I decided to, to leave the act. And I moved back to New Orleans. And then my friend Dave, who, who was a third member, took over as Mr. Hands.Michael Jamin (00:09:08):What, when you left what to go back to New Orleans, what, what were you, what was it to pursue at this point? What did you wanna do?Vance DeGeneres (00:09:15):Well, comedy, comedy, I, I went back to New Orleans and I, I wrote a a half hour, another comedy show, a full half hour like sketch comedy show and and cast it. And I got Loyola University gave me their TV station to shoot the thing in. But they said You got 12 hours because 6:00 AM tomorrow morning, we're tearing up the, the, the studio to redo it for the, for next semester. After we shot the first sketch, there was a power brown out on campus. And and that was it. I I, we were done. So I, I, I had no show. Right. I, I got, I was really depressed. It's like, Jesus, this is, you know what, I spent months putting this together and I just thought, you know, God show business kind of sucks. , whatMichael Jamin (00:10:12):AmVance DeGeneres (00:10:15):Oh, yeah, yeah, yeah, yeah. So, so I mean, what, what, what would you do if if you were in that position? I thought I'll join the Marines.Michael Jamin (00:10:27):Right. I forgot you were Marines, which is what I did. Yeah. Which is, that'll be easier than showbiz. . .Vance DeGeneres (00:10:36):You know, it, it's, I I'm not sure which is tougher.Michael Jamin (00:10:39):Yeah. . And so you, you were, I forgot you're a Marine. Like, oh my God, I got all the branches that I'll, I'll gimme the one that's the hardest to do.Vance DeGeneres (00:10:50):That's exactly what I wanted. I, I, I wanted, I wanted a real challenge. And and, and honestly, I wouldn't, I wouldn't trade you for anything. I'm glad I'm not still in it. Uhhuh . But boy, does it give you discipline?Michael Jamin (00:11:06):? Yeah. I'm so surprised. Cause you're not exactly you know, as a comment writer, you're like, anti-establishment. It's like, it's odd to say, well, I'll just join the establishment where, where I can't mouth off and I can't be a wise ass. I'll do that for three years. . So you got outta that andVance DeGeneres (00:11:22):. So, and, and, and so I came back, I came back to New Orleans in 79 and with the intent of continuing in, in tv, radio, comedy. And I, I got a job as a as the morning guy at a local fm radio station. And in the meantime, some friends started a, a new wave band. There were a couple of, there were just a couple of writers. They were journalists and could play guitar a little bit, but the whole new wave thing happening. And they said, Hey, you know you're a good musician. Why don't you, why don't you, you know, join? And so I did. And it was just gonna be a little side project, and it turned into something like really, really big in, in new Orleans and in the South. We put out a bunch of records. We had some hits. And and by 85, I couldn't go any further there. So my, my sister who you mentioned Yeah. Was living in LA and she said, you know, you should really come to live in Los Angeles. So I, I made the move and it was to continue in music at that point. So that's when I met Gina Shock. And we, we formed House of Shock. We did the record on Capital and by and by 89 that had that was ended at that point. Michael Jamin (00:12:52):Yeah.Vance DeGeneres (00:12:52):And that's, that's when I transitioned back into being a writer.Michael Jamin (00:12:57):And then, yeah. And how did, okay. What came, how did you do that? , everything, history, everything you've done sounds like a mystery. How did you do that? .Vance DeGeneres (00:13:06):It, it it's, it's crazy. I was I, I was actually, I was paying, I'm also a painter a little bit. And I, I did, I did a bunch of paintings. This couple came over to, to see some of my paintings that they were interested in buying. One, the guy happened to be a, a showrunner named Carl Schaffer. And he Carl Schaffer had a show on CBS b s called TV 1 0 1.Michael Jamin (00:13:39):Okay.Vance DeGeneres (00:13:40):And, and he had a place called the Fourth Floor on on Hollywood Boulevard on the corner of Kanga and Hollywood. What's that?Michael Jamin (00:13:49):Above the Pizza store, right? Yeah. Right. Yeah. Yeah.Vance DeGeneres (00:13:52):Right. And he, he had a deal with Hurst Entertainment, and they subsidized this whole floor and parted the second. And Carl rented it out to writers that he liked. Okay. and Carl, Carl knew that I had done Mr. Bill. We talked about that. And he said you know, you should really come take an office up on the fourth floor and just start writing again, Uhhuh. And it's like, yeah, okay, why not? Yeah, sure. Yeah. So, and he, he rented out for 125 bucks a month. Right. You got, you got an office. And and so I, I, I got an office. I, I had no computer. I didn't even have a typewriter. I said, I, I, you know, what should I write ? He said he said write a pilot. There's a there's a guy, a comedian. I like, let's create a show for him. I'll, I'll tell you the format. So I, so I started writing by hand. Right. and anyway so I went through this process with Carl wrote this, this pilot. And it, nothing happened with that. But Carl then got a show called, called Erie, Indiana Right. On nbc.(00:15:12):And he, he gave me my first job in 91 as a staff writer on Erie, Indiana. And I wrote, he gave me two episodes to write of that. And that that was my real start in tv.Michael Jamin (00:15:25):Yeah. Man, that's amazing. And then, and then what happened after that? You, cause you've bounced around you. I wanna say, you've done a lot of stuff, including, we'll get to all this, you we'll get to all this, but I want, just for people who are listening, like to know what to expect. You were also a daily show correspondent, like the first, this is the first season, right? When, when it was just starting?Vance DeGeneres (00:15:45):Well, it was, no, it had been when John Stewart took over, when John took over. But yeah. Skipping stuff.Michael Jamin (00:15:53):Is there stuff I should, I should talk about stuff in between. I don't wanna, but I wanna mention that. So, cuz I we're gonna talk about that. But what happened next?Vance DeGeneres (00:16:02):Well then after Erie, Indiana, Carl got a a blind pilot deal at a B, C, and he asked me to create a show with him for that. So he and I created a show. We wrote the pilot Uhhuh called Lost Angels for a abc. And it didn't go, never do. And then yeah. Yeah. and then my my agent called and said, Hey you like Dick Van Dyke, you wanna write a for Dick Van Dyke? Said, I love Dick Van Dyke. And it was diagnosis murder.Michael Jamin (00:16:35):All right. You always wanted to be a doctor, so if it fit right in. Yeah.Vance DeGeneres (00:16:39):Yeah. . Exactly. Anyway, so I, I wrote I wrote a couple episodes of Diagnosis Murder, and and then I think right after that was Mike and Matt was there right where, where weMichael Jamin (00:16:56):Met, we met, and that was, man, that was a trip. I really did. I really, I'm so grateful for You took me under your wing. It really was. What do I do? Vance . And we would sit in the morning, we'd come up with bits. A lot of them weren't used. I don't, I don't remember many of them make you there. .Vance DeGeneres (00:17:16):Well, well, well, here, well, here's the thing. There was absolutely no reason to have comedy writers on on that show. I mean, it was, it was a morning show. And although, although Mike you know, was a, he was a standup. He had been a standup and done, done warmup for sitcoms. There, just, there really, there shouldn't have been comedy on there. Yeah.Michael Jamin (00:17:42):But we didn't wanna, we didn't wanna bring it up that to anybody. Hey, you know, why are, you shouldn't be any . You don't need comedy in this show. But I remember when I took the job, there was Tamara Rawitz, she was a producer, and she produced Living Color. And her goal was, and I was so exci, I I was excited. This was my first job. She hired me and I was like, fantastic. And but her goal was like, she wanted to turn it into the Morning to Letterman show. Cause like, basically Letterman show in the morning. And I remember thinking about Letterman had a show in the morning and it didn't work.Vance DeGeneres (00:18:12):It didn't work.Michael Jamin (00:18:13):Don't say a word, but Yeah.Vance DeGeneres (00:18:15):Yeah. Now yeah, you're right. I mean, that was, that was the thing. Yeah. she, I mean, she sold me on the idea that this could be, you know, a really cool, you know, comedy show in the morning. And it, it just was not built for that.Michael Jamin (00:18:28):No.Vance DeGeneres (00:18:29):That particular show. So, butMichael Jamin (00:18:33):Recipe. But,Vance DeGeneres (00:18:34):But we, we met there and and went went on to bigger and better thingsMichael Jamin (00:18:40):We did. And so yeah, I was, but yeah, that was the first job. And I was, I felt rich for the first time. I wasn't rich, but I felt it because I felt like at the first time I had pride in myself. I was a comedy writer, and I, I was, I think I was making like 50,000 a year or something felt really good for me. And then, and then the back, the hammer came. Yeah. and then what happened? You, what did you do after that? I, I remember I went home crying. Vance DeGeneres (00:19:05):Well, it, well, in the in the meantime I was, I was shooting little episodes of a, a mock talk show called The Fourth Floor Show Right at the fourth at the record, which you, you rememberMichael Jamin (00:19:18):I was a part of it. I remember you had friends Help out, and some of your friends included George Clooney , and he was in it. Yep. and that was really, that was a really, I'm always fa like, I'm sorry that never went further than it did because it was such an interesting show, and it was so, what's the word I'm looking for? It was like, it is edgy, but it was like, also like anti, it was kind of counterculture. It was really interesting show. It was a talk show that took place in your office. That was the premise.Vance DeGeneres (00:19:45):Yeah. And a tiny office where it was me and Alex Hirschlag, my sidekick mm-hmm. Who who had to share his microphone with the guest. When the guest came in this, we had that one mic.Michael Jamin (00:19:59):The guest sat on the couch opposite you, . I mean, the,Vance DeGeneres (00:20:03):Well, the, the audience. There were five audience members who sat on the couch directly in front of us. So the whole, the whole concept was take away all the niceties of of a regular talk show. Yeah. And and then we actually, I don't know if you remember, but we actually e wanted to do it as their five night, a week late night show.Michael Jamin (00:20:27):What happened?Vance DeGeneres (00:20:27):And we, we, we shot, we shot the pilot and it aired, but it didn't, it didn't go to series.Michael Jamin (00:20:34):Oh, so you re reshot a pilot for e for Not the one I was in You Reshot something. Oh, wow.Vance DeGeneres (00:20:40):Re yeah, we re reshot it. Yeah. With Rob Robert Town. Robert Townson was the guest on that one.Michael Jamin (00:20:46):And so you basically rebuilt your office on a sound stage.Vance DeGeneres (00:20:49):Yeah.Michael Jamin (00:20:51):. Yeah. How fun. . Wow. Yeah. That's cool. And so right when that didn't go, you were obviously bummed out. Like e e everything's a matter of, everything's always a strikeout in Hollywood. You getVance DeGeneres (00:21:04):Closer. Well, you know, it's, I mean, it's, it's, it's all timing. If the internet had been around, that would've been the perfect thing to, you know, to go viral. Yeah. You know, these, these short episodes of this ridiculous talk show.Michael Jamin (00:21:19):Yeah, you'reVance DeGeneres (00:21:19):Right. But it was not around. SoMichael Jamin (00:21:22):Do you ever think of dusting it off and doing it again for the internet? Or why bother?Vance DeGeneres (00:21:26):You know, we had talked about it David Steinberg. Yes. You know, loved the show. And, and and we, we did talk about, you know resurrecting it years ago. But it, it just, it didn't happen.Michael Jamin (00:21:45):You gotta, it takes momentum. It just takes momentum, you know? Yeah. And so, okay, so then what happened after that? You,Vance DeGeneres (00:21:54):Well, let's let's say I then I wrote for a couple of sitcoms. I wrote I wrote for the, the coming out season of my sister's sitcom. Yeah.Michael Jamin (00:22:05):Your, your, your, it's funny, your comedy voice is, you know, is very similar to hers. And I remember you pitched jokes and you go, yeah, yeah, that's exactly something your sister would say. That's, that's the right tone. Like, you seem like you're the perfect writer for your sister.Vance DeGeneres (00:22:18):I'd like to think so. . But but so I, I wrote for that. And then I, I wrote for a couple of, when she hosted the Emmys, I, I wrote for a couple of notes. I wrote for a couple of Grammy awards and a couple of Oscars when she did those.Michael Jamin (00:22:35):So what is that like you're, you know, do they bring you in? Do you get an office and you're like, is there a small staff ofri joke writers coming up with bits? How does that work? I've never done an award show.Vance DeGeneres (00:22:46):Yeah. It's, it's a, well, yeah, it's a small staff. Well, she would, she would choose who she wanted to write, you know, it would be maybe five or six, seven people and months ahead of time. She would have us start writing bits and jokes and send them to her weekly. Right. And she would go through 'em and like this, I don't like that. And start honing in a little tighter on, on what she wanted to do. And then as it got closer the week of, then you go down to Kodak and and you have a meeting room where, you know, you're, you're all sitting around writing jokes and coming up with bits and and the tension gets more and more as you get closer to mm-hmm. to the day. And and I, I, I was lucky enough to besides writing, I wrote the opening song for the first Ox Oscars that she hosted where we had a gospel group come out Uhhuh on stage. Wow. And I wrote that song. So I, I had to deal with that as well as the other stuff. And that was that was a lot of pressure for that. ButMichael Jamin (00:24:13):Global audience is there, the part of my dr like, in my mind, the moment, like my fantasy, because when you, sometimes you're on a show and you pitch a lot story or a joke, and the actor goes, I'm not doing that. Right. And you're like, and my, my, in my fantasy, like some people think, well, can, can, can the writer just make the actor say it? Like, not unless they're a puppet. You can't make 'em say it, you can't put the words in their mouth. But my mind, like, because she's your sister, is there any of like, eh, pulling her aside and pressuring her? Did that ever work?Vance DeGeneres (00:24:42):No, no, no. You know, I tried, when I, when I write for Ellen, I, I, I always tried to make myself just one of the writers. I, I never wanted to have any kind of special influence. So that was, that was important that the other writers felt like I wasn't getting preferential treatment.Michael Jamin (00:25:01):I see. I would think that to the opposite. I, I would think that they say, come on, Vance, we like, we all like this joke. Like, you know, but no, you,Vance DeGeneres (00:25:08):Yeah. Yeah. No, no. I, I, I really, I thought it was important to yeah. To make that clear.Michael Jamin (00:25:15):Right, right. And so, okay, so you did the, you did all that, all that joke writing, which to me, I think I, it's a shame. Like I never got a chance to do that, cuz I, I feel like that would be really fun and excitingVance DeGeneres (00:25:26):And Yeah. You, I mean, you'd be good at that. So if, if you get the chance, do it.Michael Jamin (00:25:30):Never called my, the phone won't ring for that. I do know some writers, like, I knew writers that wrote for, like, I don't even if they have 'em anymore, the sbs, like the p n awards, I'm like, let me get me to do that show. I'll do that. No, no one's interested. Yeah. No. Like, isn't there, isn't there a court no one's ever heard of that they can get me? They can ask me to write for? No. all right. And so then was it after that that you did the Daily Show?Vance DeGeneres (00:25:57):Yeah. So this I then I, I, I, I wrote for another city com and then my agent called me and said Hey John Stewart is taking over the Daily Show, and they wanna know if you're interested in, in being a correspondent. They wannaMichael Jamin (00:26:17):How do they even, what do you mean they wanna know if you, how at this point you're just a comedy writer?Vance DeGeneres (00:26:23):Well, okay, well, I, I, I mean, I skipped over stuff. I, okay, so the fourth floor show was seen by some other people. They, they, they cast me to host a show called The Beef which was a show about it was almost like a daily show in a way where correspondents would go out and, and talk interview neighbors who had beats with other neighbors. And it was, it was comedy. Right. and, and I I was cast as the host of that. We, we did the pilot we went to Vegas to theMichael Jamin (00:27:03):Oh, you cast as the host of that. Did you audition? I mean, you auditioned for it, because that's a big jump from behind the camera to in front of the camera,Vance DeGeneres (00:27:10):Because they saw the fourth floor show and they, they loved the fourth floor show. And they, they asked me to do a, a story for the beef. Okay. So I went out as correspondent and shot a piece. And then when it came time to, to cast a host, they asked if, if I wanted to to audition to be the host. And so I said Sure.Michael Jamin (00:27:34):Did,Vance DeGeneres (00:27:35):Did no, no, not really. No. I, I just, I I thought it would be fun. Yeah. And because it, it, I was doing a character that I had established with the, with the fourth floor show.Michael Jamin (00:27:50):He was very lemme see if I can describe him. What, how would you describe him? He was very earnest, very he didn't, he almost, like, he didn't have much of a sense of humor. Right,Vance DeGeneres (00:27:59):Exactly. He, you know, very earnest a good guy. But the last guy you would, you would want hosting a talk show,Michael Jamin (00:28:06):, he's the Alaska . Right. That'sVance DeGeneres (00:28:10):Enough. So that was my character.Michael Jamin (00:28:12):Right, right.Vance DeGeneres (00:28:13):Yeah. And so, and so, I, I just did, when, when I did my audition to host, I, I just did my, my Ernest guy. Right. And they liked it, and I got the job. And anyway, so we went through all this stuff and it looked like it was gonna go, and then it didn't. And then when the original Daily Show was going on the air, they brought me in. They were looking for a host for that. They brought me in to, to interview me for, for that. I didn't get that right. But then when John Stewart took over, they've remembered me from bringing me in originally. Right. And so they gave me a story to, to go shoot a couple of months before John took over. So I flew up to to Saskatchewan, Canada, Uhhuh , and met one of the producers up there and shot shot a story. Was he, and then yourMichael Jamin (00:29:19):Idea was the story, like how does that work with your correspondent?Vance DeGeneres (00:29:24):No, that they they had a story and they just, they as they assigned it to me, they, who I guess they hadMichael Jamin (00:29:33):Who did they figure out? I mean, you have to figure out what's funny about it or you're just, I had loving on camera.Vance DeGeneres (00:29:37):Well, the way this worked was basically you're gonna go up to Canada and you're gonna interview this, this guy, he's a, a, a farmer, and he he's in the Farmer's Alman act for forecasting the weather by Licking Pig SpleensMichael Jamin (00:29:56):. Okay. All right. So that wasVance DeGeneres (00:29:58):Funny that that was it. That was, that's it. I mean, that's, that's the basis of the story. So so I met the producer. We drove four hours into the middle of nowhere and shot this story with this guy. I flew back to Los Angeles, they called a couple of weeks later and said Hey we, we love the story. Can you, can you come here in once it a week or two weeks? Right. so I, I flew to New York. It was the Monday John started and I worked with an editor and a producer editing the piece, putting it together. And then they, they aired it on, on the Thursday show of John's first week. And then the next morning they called me into the executive producer's office and said, how soon can you move here? And I said I guess I can be here in about a week. Ah, and I flew home put my stuff in storage and moved, moved to New York.Michael Jamin (00:31:05):How, and how, how long was your contract? Do you remember?Vance DeGeneres (00:31:09):Well, I was there. I don't remember how I, how, how long the contract was, but I was there for two and a half years.Michael Jamin (00:31:15):Right. And when you were coming, working as a correspondent, are you looking for storage? Are you coming up with the edge and what the angle, what makes it funny? Or you're working with other writers or what?Vance DeGeneres (00:31:25):Yeah, they ha well, you know, they've got writers, they've got field producers. So the field producers, that's their job is to scour, you know wherever looking for these, these stories. And so they would, they would assign different stories to different correspondence. And then you'd be assigned this producer or that field producer, and then you'd meet with them and you talk about the angle you want to take with the story. Then you fly out and you spend, you know, a whole day with these people shooting the story and come back and then spend a few days cutting it together. And then,Michael Jamin (00:32:04):But you're doing on the spot. You're ad you, I mean, you must be ad-libbing. A lot of, you know that you have to Right. That's just you thinking, oh,Vance DeGeneres (00:32:11):Yeah, yeah, yeah. Well, well, well, I mean, you know, I would go in, I would, I would write, I would write the opening standup. Right. we'd shoot that. And then I had, I would write, you know, a list of questions along with the, the field producer. You know, we'd have this list of questions, and so I knew what I wanted to ask. Right. but that everything else is just ad lib.Michael Jamin (00:32:33):Yeah. Is there any sense of your hope questions that you're hoping are, are you leading them at all? Are you hoping to get a certain answer? Are, are you hoping to corner them with an answer, a question, rather? Well,Vance DeGeneres (00:32:42):Sure. I mean, you, you, I mean, you're hoping that you hear something that you'll be able to you know, get in, you know, some, some kind of a a line. Because you, you, you never, you never knew you know, what, what was gonna happen or what they were gonna say. So, I mean, you're, you're just kind of bouncing around.Michael Jamin (00:33:03):And at this point, did the, did the audience, were they, whoever your interview, the guests rather I, are they aware that they're gonna be spoofed or no?Vance DeGeneres (00:33:13):Well, ba you gotta remember this, this was early on in the Daily Show. So we were lucky in that most of the people that, that I did stories on just thought we were this daily show that did, you know, stories of interest.Michael Jamin (00:33:28):Right.Vance DeGeneres (00:33:29):And because if they're in on the joke, it's not as funny.Michael Jamin (00:33:36):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (00:34:00):It's, and you make them, you're done. You get to sign that release, and then you put it on , put it on the air. Is there any ? Is there any blowback? And like, wait a minute. I didn't, I'm not supposed to look like an idiot. ,Vance DeGeneres (00:34:10):You, we, you know, I'm, I'm proud to say I never had, I never had one complaint. I mean, some, some of the stories that other, other people did, people did complain, but I always tried with all my stories, I tried to make myself look like the idiot. Right. as opposed to, I mean, it's, it's not fun to, to like, you know, poke, poke a finger at, look, look what an idiot this guy is. Of course. You know? Of course. Because for the most part, they were just, they were just very nice people who had an interesting or, you know, weird story.Michael Jamin (00:34:45):Yeah. Right. Right. Now, who were the other, let's talk about this. Who were the other correspondence that you, that two seasons that you were there?Vance DeGeneres (00:34:54):Yeah, probably nobody that you've heard of. Steve Corll. Yeah. Michael Jamin (00:34:59):Go on. I never heard Stephen.Vance DeGeneres (00:35:01):Stephen ColbertMichael Jamin (00:35:02):Doesn't ring a bell.Vance DeGeneres (00:35:04):Yeah. Nancy Corll moka.Michael Jamin (00:35:09):Right.Vance DeGeneres (00:35:10):Beth Littleford.Michael Jamin (00:35:12):Right. And so you were in good company. It really was a great ensemble. You were, you know, and that show was Yeah.Vance DeGeneres (00:35:20):Oh, they were, they were amazing. Yeah. They were all just so great. And all, all the writers and field producers were all super talented and funny. Yeah. And just made it a a a a great working environment.Michael Jamin (00:35:36):Did you get a sense that there are writers or producers on the show that wanted to get in front of the cameraVance DeGeneres (00:35:41):There? Yeah, there were a few.Michael Jamin (00:35:43):Yeah. Yeah. Yeah. Were they able to at some point? Or is it, are you not?Vance DeGeneres (00:35:48):I think, yeah, I think, yeah, a couple of couple of them did. And I, one friend of mine did a couple of stories and then kind of realized that he, he'd rather be back behind the camera.Michael Jamin (00:36:01):Why? What was the, what, what was let you know, what did he discover in front of the camera?Vance DeGeneres (00:36:08):I, I, I, I don't know. He just, I, I, I guess he just wasn't as comfortable right. In front. Right. But very funny. Right. You know, very funny writer.Michael Jamin (00:36:18):And so, and that was how you met, obviously, among one, you became close with Steve Corral and then Yeah. I, I imagine then, cuz after, after, and at some point you, you ran his production company.Vance DeGeneres (00:36:30):Yeah. This, I mean, if, yeah. If you want to jump I, let's see. Well, I, I started, I started it in the end of 98 on the Daily Show, and I left in the middle of 2001. Yeah. and then if you wanna jump ahead to,Michael Jamin (00:36:46):To when I, well, let's just talk about even leaving. Was, was it hard to lea anytime you leave a job or any kind of security in Hollywood, anything at all? It's scary.Vance DeGeneres (00:36:54):Well, well, here now, I, boy I decided that, first of all, I was not, I was not really a, a New Yorker. I didn't care for the cold winters. And I had I had broken up with my girlfriend of a year and a half. And my agent was saying, Hey, aren't you gonna come back here at some point and create your own show? And, and we were kind of hearing some rumors that maybe John might might move over to a, b, c with a late night show. And I just thought that, you know, this might be a good time to, to leave and go back to LA and try to create a show. So. Right. So that's why I did, if, look, in hindsight, I, I should have stayed another couple of years probably. But I, so I left and I I created a show with with a guy named Andy Lassner who had a deal at Fox. Okay. Do you know Andy?Michael Jamin (00:38:00):No, I don't.Vance DeGeneres (00:38:03):He had a deal over at Fox and he'd been a, a fan of mine on the Daily Show and said, Hey, I've got this deal. Let's create a show together. So we, we created a show called Your, your Local News that, that he and I wrote and I, I hosted, and we shot a pilot half hour pilot. And that didn't goMichael Jamin (00:38:25):Right.Vance DeGeneres (00:38:27):So yet another show that didn't, thisMichael Jamin (00:38:29):Is par for the court. It's not a knock on you or any, it's just this, this is how the business is, you know? Yeah. You get an at bat and you can, you can hit it outta the park and they go, you know what? We think someone else will hit it at the park further. , you know, this is how it'sVance DeGeneres (00:38:44):Exactly. Yeah, yeah, yeah, yeah. I've got, I've got so many of those shows that Yeah. That that didn't go, but like a lot of people. And so so then I, I produced a, a few other, other shows not, not really even worth mentioning. And then Steve got offered a, a production deal at Warner Brothers and he said, Hey, would you, would you be interested in, in running my production company?Michael Jamin (00:39:19):But what did you know about running a production company?Vance DeGeneres (00:39:24):What do you, what do you have to know, Michael? I don'tMichael Jamin (00:39:25):Know. , I, I often ask that people sitting desk, what do you know, , I mean, tell, tell people what, what it means to run a production company? Vance DeGeneres (00:39:35):Well, I, I think for Steve, he wanted, he wanted somebody to run it who, who he trusted and who he knew had the same kind of sense of humor that, that he did, because we, we would be, we'd be the comedy shingle at Warner Brothers. Right. and that's, that's why he decide to sign with Warner Brothers. So he, he asked me and a another friend of his, a writer actor named Charlie Hartsock. And so we became co-presidents of he named the Carousel Productions. Right. So we we had a deal for six years at Warner Brothers. And we produced crazy Stupid Love and What's thatMichael Jamin (00:40:25):Good movie. And so, but how does it, and, and Go, yeah, go on. What are the other projects?Vance DeGeneres (00:40:31):We did another movie called the Incredible Burt Wonderstone. Right. and then we did produced three seasons of Inside Comedy. I showed that David Steinberg hosted that we interviewed with all these comedians.Michael Jamin (00:40:45):Oh, it's funny. So that's how that came back. So, and so all this time though, Steve is doing other projects, so, you know, they're acting in other projects, but basically what it means, you're, you're running his studios, like you're looking, you're looking for scripts based. I'm, tell me if I'm wrong, you're looking for scripts that you think that he would be good in, but, but he wasn't. Yes. Did you, did you produce any think projects that he was Wait, that he wasn't involved the inside? Yeah. Yeah. That one you didn't, of course. But you're looking for script for him, and he's deciding whether he likes it or not. And then if he likes it, you take it to the studio and you see if the studio likes it. Right.Vance DeGeneres (00:41:22):Yeah. Yeah. That's, that's how it works. We would I mean, we took lots of meetings with with writers that, that their agents would submit scripts, would read 'em if we liked him, the writers would come in, would meet with him, and and then we'd, if we liked it enough, we'd we'd send it to, to Steve to read, to see if he was interested enough that we would we'd produce it.Michael Jamin (00:41:46):But was it would, so they would sometimes bring s scripts here, but sometimes you'd just, it was a general meeting and they, and they, they, they'd pitch you ideas too, right?Vance DeGeneres (00:41:55):Yes. Yeah. Yeah. Absolutely.Michael Jamin (00:41:57):Yeah. And then you, if they like it, and if Steve likes it, may, then you bring it to the studio, and then the studio's, like, now, whether they wanna put money on it or not, sometimes did you, you could, I'm sure you had a deal where you could bring it to Warner Brothers, and if they don't, it's a first look. If they don't like it, then you could bring it somewhere else.Vance DeGeneres (00:42:14):Yeah. Yeah. And that happened a lot. You know, Warner Brothers, you know, not every project was right for them. So we, you know, we'd wind up taking something over to Universal and, you know, we wound up developing a movie over there. And then a mo we Charlie and I sold a an idea for Movie two Lionsgate. And we wound up hiring David Jabba to write that. Do you know DJ Jabba? No. He was a, an executive producer on The Daily Show and Okay. Really funny writer. And it was, it was a movie that had a, at, at start a North Korean uhhuh. And we don't need to go into the whole story, but you know what happened with the thing at Sony withMichael Jamin (00:43:11):Yeah. My friend Dan Sterling wrote that mo that movie the what was it called? The what was it called? The North Korean movie? What was it called? TheVance DeGeneres (00:43:21):I can't, I can't remember.Michael Jamin (00:43:24):But it was him with, it was James Franco was in it. Right. And they go to North Korea. Yes. Yeah. And so, yeah, Kim Jong Gill took issue with it, and hacked Sony and Kim released everyone's private information, and that was the end of that. Froze.Vance DeGeneres (00:43:39):And, and then that was the end of, of our movie. Right.Michael Jamin (00:43:44):Right. Cause that could kill your movie. Right.Vance DeGeneres (00:43:46):It, it totally, there's like, they're like, Lionsgate was like, there's no way we can touch this right now. Yeah.Michael Jamin (00:43:53):So forever again. And so the, and that's not, has nothing to do with you. We saw the movie to 20th century Fox called Only Child, and everyone loved it until suddenly there was another movie in the works called Middle Child, and I'm not sure they had anything in common other than the world child , and suddenly ours was dead. It's like, we'll rename it. Nope. Sorry. Vance DeGeneres (00:44:16):God. Yeah. Yeah. It, it, it's, yeah. Projects die for so many different reasons. Yeah. But, but that was, that was a pretty insane reason to have a movie killed. Yeah. but, and we, we developed so many movies with so many different writers over, over the years and it's, it's just, it's tough to get a movie made. You know, even if you have a deal with a studio, it's, it's still toughMichael Jamin (00:44:46):With, with a major star attached to it. A major star willing to do this project. Major star an alien. Yeah. Yeah. And it's hard, it's hard to get something made. And so, and you ton of scripts I'm sure, which is hard, it's hard to go home and read a script, right? I mean, you know. Yes. Especially if it's bad. What are you, what, what do you see, I don't know, what were you looking for? I imagine some of these scripts were almost, I'm gonna say something and put words in your mouth, were almost written in crayon, right? I mean, some of them were kind of bad, or, no,Vance DeGeneres (00:45:19):I wouldn't mind a script written in crayonMichael Jamin (00:45:21):As a, as a, as a lark. I mean, there's a lot of, like, you read a lot of scripts that were, I'm sure were not good. Right.Vance DeGeneres (00:45:28):A lot. Yes. A lot. Yeah. It's, it's, it's, it's kind of shocking actually. How many scripts you get that we got submitted that just weren't just, were not good. Certainly we're not what we were looking for. Michael Jamin (00:45:41):And how far would you go into the script before tossing it? How many pages would you give it?Vance DeGeneres (00:45:48):I'm, I'm, I'll would give a script at at least, at least 20 or 30 pages.Michael Jamin (00:45:53):Generous estimate. I mean,Vance DeGeneres (00:45:54):If it, if, if it was really awful you know, maybe, maybe a few less than that. But I would, I would, I would tend to give it 20 or 30 at least.Michael Jamin (00:46:05):Right. But you're not gonna finish it if it's, there's no point. If you're, if you're not hooked in 2030, you're, why, why would you bother when you have a stack? Yeah. You know, youVance DeGeneres (00:46:15):Know, and, and, and, you know, we, we knew the kind of stuff we were looking for, you know, that the right tone of comedy you know, there's a lot of different, different tones of comedy and you know, maybe some of them were, were right for somebody else, but not for what we were looking for. Right. and in the, in the beginning we were really just looking for, for comedies and I guess four years into our deal the head of the, the, the studio came to our office and said Hey we need you guys to to really concentrate on on looking for tent poles, which was not what we were looking for in the beginning.Michael Jamin (00:47:02):Which, what is a tent pole? A big, a big giant blockbuster.Vance DeGeneres (00:47:07):A big, a big blockbuster.Michael Jamin (00:47:08):Yeah. As opposed to, it's hard to think of a big blockbuster comedy. I mean, there really aren't, you know, are there comedy zone? We're not talking about like, we're like a tent pole. You think it was like a Marvel movie or, you know, something like that. Or an action thriller, not a comedy. Right.Vance DeGeneres (00:47:26):Yeah. Yeah. No, that's, that's exactly right. I, I guess you, you could look at a film like The Hangover when that came out. Right. You know, that, that, that it was a little movie that just happened to do really well.Michael Jamin (00:47:39):Yeah. I, but I know, I can't imagine conceiving that, Ooh, wait, here's a tent pole. Like, no, here's a, here's a crapshoot that just worked, you know?Vance DeGeneres (00:47:46):Yeah. Yeah. So, but any, anyways, so we you know, we had to kind of turn the boat around a little bit and start looking for, you know movies that had the potential to be more international, I guess. Right. You know, and Right. They were very concerned.Michael Jamin (00:48:04):And that is hard because it, comedy is hard for, so you're talking for international means, I, I'm guessing means broader, more physical comedy, less reliant on joke, le less reliant on, well, maybe dumb, maybe, maybe dumber, maybe dumb dumb, maybe kind of dumbing it down a little. I mean, kind. Is that what that means? Broader?Vance DeGeneres (00:48:24):I don't, I don't know. I mean well, well, here's an example of, of something that, that we found that we, that we developed as, as a comedy, and that that could have been Big Acme mm-hmm. , you know, Acme the, the cartoons with Yeah. You know, the Road Runner and Right. We we developed a live, a live version, Uhhuh of of Acme. And the guys that directed crazy Stupid Love wrote the script for it. And it was, it was really good. It was really, it was funny and, and big. ButMichael Jamin (00:49:06):But Acme is basically, it was people running into walls and, and boxes. Right. That crates that say acne on it, that explode. Yes. That kind of thing. So it was very physical.Vance DeGeneres (00:49:17):Yeah. Yeah. And it actually would've made a, a really funny and, and a very big movie as well. Right. but but we didn't get to make that either.Michael Jamin (00:49:29):Right. Like, I mean,Vance DeGeneres (00:49:30):But that's just an example of, of how it's like, maybe we can take this and maybe this could be something that would be, you know, appealing internationally.Michael Jamin (00:49:40):Right. As opposed to like Little Miss Sunshine, which he was in, which is a small film, small little character study that blew up somehow, you know? Yeah,Vance DeGeneres (00:49:48):Exactly. And, and nobody, nobody knows what's gonna work and, and what's not.Michael Jamin (00:49:53):Was it hard for you to make the leap to executive? I mean, it's a whole different, you're, you're doing a lot of, you're, you're making the rounds, you're pitching more, you're, you're getting in that you have to get your lay of the land, you have to schmooze with other executives. I mean, it's kind of a, was that hard for you? That hard jump for you?Vance DeGeneres (00:50:11):Yeah. Yeah. It's, yeah. It was, it was, it was a little, little tough. I, I don't like being a salesman. Yeah. and there were times when, of course we had to, we had to go out and sell him. The, the o the other part of it, I did enjoy, I did enjoy meeting with, with writers and actors who would come in and and we, you know, we'd have great meetings and, you know, we, we would be pitching their projects, you know and that was, and that was, that was fun when we found projects that we'd liked and we would develop it with the, with the writer Uhhuh. So that, that, that part was, it was very creative and great. And that was, and that was a lot of fun. And it was, and it was also so great you know, getting to run Steve's company. Cuz you know, Steve's, he's one of my closest friends, and he is just, you know, he's such a great guy and he is so hilarious. Yeah. so I, you know, if I was to run anybody's company, I'm glad it I got to run his,Michael Jamin (00:51:17):See, that's another thing. So when a writer comp, so many people, you know, say I post a lot on social media and so many people are like I have a script I wanna sell, and, but I, I don't wanna change a word. I'm like, you have, what are you talking about? You come in, you with an idea, you picture show if someone else is interested, you play ball. You. It's a very collaborative, if you stay home, if you are not willing to take a note, you know, it, it's like,Vance DeGeneres (00:51:39):Yeah. That, I mean, that's, yeah. You gotta, you know. Yeah. If you don't, if you don't want to change a word you better have enough money to finance it yourself. Yeah.Michael Jamin (00:51:49):Right, right. You have to get people attached and it's, it's all about, yeah. So what, what advice do you have for people trying to break in the indu industry today? I mean, it's, it's changed even since you've left.Vance DeGeneres (00:52:04):There'sMichael Jamin (00:52:05):Former production of Shrugs, I don't know, , I don't know.Vance DeGeneres (00:52:10):God, it, I mean, it's, it's just so, it's just so scattershot now. I mean, I, I, I think, but at, at the, at the very base, I think it comes down to you have to wanna do something. If you want, if you wanna write, then you just have to write, just, you know, you know, get a, get a book on, on, on writing scripts and teach yourself and just write, write, write. And you know, it's not easy because it helps if you, if you know somebody to send it to, because you can't just send in scripts unsolicited generally. Right. but, you know, but a lot of, a lot of people get into it through doing improv and then, and then shooting little bits and, and you know, putting 'em, if they go viral,Michael Jamin (00:53:00):But, and that's basically what you did. I mean, you're, you're vi it's like you did long before Vi Viral was a thing, was you just did it. And, and I, I used to tell everyone, stop asking for permission. Just do it. You know,Vance DeGeneres (00:53:12):John, that, that's, no, that's, that's exactly right. W because we did the fourth floor show, because it, it entertained us. It was something that if we could do any show, this would be the show that we would do, so we just did it.Michael Jamin (00:53:27):Yeah. Yeah. Right. You get a bunch of people that kind of want the same thing and you do it. Yeah. Yeah. And then now, now you have this, you're basically back to your first love, your first love music. I'm not talking. Yeah,Vance DeGeneres (00:53:41):Yeah. Pretty, pretty much. I mean, af after, well, after Carousel, after we lost our deal I had a deal for God, another nine or 10 years at, at Warner Brothers at tele Pictures. Yeah. At tele Pictures at Warner.Michael Jamin (00:53:58):What are you doing there?Vance DeGeneres (00:53:59):I was developing TV shows.Michael Jamin (00:54:01):I didn't know that. I didn't know. Yeah,Vance DeGeneres (00:54:05):Yeah, yeah. My, my, my deal just ended in October.Michael Jamin (00:54:08):Oh, wow. I had no idea. And so you were, okay, you were for Warner Brothers, but not on a pro, not on a production shingle, but actually just for Warner Brothers doing the same.Vance DeGeneres (00:54:18):Yeah. Yeah. So, yeah, I, my, I mean, all told I was there at for 15 years,Michael Jamin (00:54:24):But at this point, you're more of a buyer as opposed to a seller if you're working on Warner Brothers. Right.Vance DeGeneres (00:54:29):Well, n no. No, I, no, I, I had a deal to, to develop shows. So that's what I was doing.Michael Jamin (00:54:36):You had Oh, your own deal. Okay. Yeah. It's your, wow. Good for you. That's unusual. Okay. You were Okay. You got a shingle, basically. Yeah. You, that's what you were Yeah. We weren't in studios. Exactly. Yeah. You're okay. Wow.Vance DeGeneres (00:54:48):Yeah, exactly. No, exactly. Exactly. And then, so, so now that my deal is done I'm, I'm still gonna take, I've g I got a couple of shows that that I'm gonna try to sell, but in the meantime, I'm, I'm doing a lot of music again. Right,Michael Jamin (00:55:05):Right. And let's, let's talk about that. You now, who's your band? Who and who are these people in your band?Vance DeGeneres (00:55:11):The band is called The Light Jackets. And it's been my, my project on the side for the last 10 years with the other Bandmates or Eddie Jemison, who's who's a great actor. You know 'em if you saw 'em. Okay. Tim Ford is the drummer Dermot Kieran is the keyboard player. And bill Angola is the lead guitar player. And, and GoMichael Jamin (00:55:39):Ahead. How often and how often do you guys meet and get together and jam and write and perform?Vance DeGeneres (00:55:45):Well, we've, we, we just released our fourth record about a week ago. Right. And we've, so we've got, yeah, we've got four, we've got three eps and one album that we've released over the past 10 years.Michael Jamin (00:55:58):Right.Vance DeGeneres (00:55:59):And so, you know, it's just, I mean, it's always been a passion. So I've, I've never really stopped playing music. I've always managed to do it, you know in my spare time.Michael Jamin (00:56:14):And so what ha, what happened was you posted this really cute video that you guys shot, and it was, you did with all the puppets, and it was wonderful and saw it. And I, I go, let's talk about this. Tell me, tell me how that came up together. And the song was great. And you know what? That's what, this is a perfect time. We're gonna play a clip from that song. We're gonna play it. We'll come back and you'll everyone have a listen, and then we'll talk about itSong Clip (00:56:40):All. Cause it's a better way. The outside world would never know that we were here. We have known interfere A Little Nation will be our salvation. I know. It's gone. Well get, join. We can leave right now.Michael Jamin (00:57:15):So yes, the song, I love that song you wrote that song? Yeah, yeah.Vance DeGeneres (00:57:19):One that you wrote. It's called, yeah, it's called Our Little Revolution. And it's, it's one of the five songs on our new ep. The EP is called fall So Far, if you look for it on iTunes or whatever.Michael Jamin (00:57:32):Yeah. Where, where should we look on iTunes, Spotify, everywhere.Vance DeGeneres (00:57:37):Yeah. All the usual places.Michael Jamin (00:57:38):Right. The light jackets stand.Vance DeGeneres (00:57:41):So I, I I decided that because of the theme of the song, which the theme, the theme of the song is really kind of about where we are in society right now, about how, how polarized we are. Yeah.(00:57:55): and I didn't want to do a video with depicting real people in the, in these, you know, angry situations. Yeah. but I've got, I've got some friends that have a puppet production company. They do these, they do these videos. They're called rag, mop and Goose. And it's my friend's Gus Renard and Jesse Cabalero they're married and they do these amazing little puppets. So I asked them if they would do a video for the song. And and they, they did such a great job. They did. Yeah. Really happy with it.Michael Jamin (00:58:37):How, how long of a shoot was that?Vance DeGeneres (00:58:41):It, it didn't take 'em long. We got together, I, I gave them, I gave them a very loose outline, and then they came up with the rest, and then they went off and shot it and cut it together. In, so youMichael Jamin (00:58:53):Weren't even involved in the shoot, you said, Hey, good run with this.Vance DeGeneres (00:58:57):No, I, I, I was very happy to farm it out. It's like, you know, this is this is what I'd like to, you know, to see. And then they went off and shot it, and they, and I have to say, it's probably the first time my, in my entire career where I was sent a project back where I didn't give them one note.Michael Jamin (00:59:16):Really? Wow. Yeah. You did a great job. And so, to me, I'm guessing the goal of it was just to be creative and make music. That's all. That's it. But do you have, are there, are, is there, are there other future ambitions? Is there more ambitions there more you hope to get outta this though?Vance DeGeneres (00:59:33):Just, just the enjoyment of, of being musically creative. Right. And and that, that's it. I mean, I, I'm under no illusions that I'm gonna get another record deal. Right. You know, capital Records is not gonna call and offer me a deal again. Right. but that's fi that's fine. You know, the, it's, you know, it's a fun band. It's, it's a good band. And we play lo we play live gigs, you know, like two or three times a year. Right. and we make, we make our records. And that's, that's enough. Right. I mean, it's just fun.Michael Jamin (01:00:09):That's it. That's it. And that's what I'm always telling people, just do it if, and there's so much in Holly, like, there's so much where you don't get paid in Hollywood. There's a lot of work that you do that you don't get paid. And if you're not enjoying the work, well, this is not for you then. I mean, you have to be , you know, whatever it is. Whether it's music or writing or acting. Like if you're not enjoying, you shouldn't be chasing the paycheck. You do it cause you enjoy it. Right.Vance DeGeneres (01:00:32):Yeah. No, that, and that, that's a good point. And that, you know, that's, that's also good advice for people who are looking to get into this business, is if, if you get asked, you know, to do a favor for somebody, just do it.Michael Jamin (01:00:45):Yeah. You don't know.Vance DeGeneres (01:00:48):Yeah. You don't know what it's gonna lead to and Right. You know, plus you're gonna be getting experience.Michael Jamin (01:00:54):Yep. Yep. What's so other than, so what's next for you? You're, you, you have a couple show ideas, you'll take 'em out, these ideas that you developed. Yeah, yeah,Vance DeGeneres (01:01:04):Yeah. Yeah. Michael Jamin (01:01:06):Warner Brothers must have really liked it. Yeah.Vance DeGeneres (01:01:08):It was it was, yeah. It, my my time was spent well over there. I, I like the people over there and yeah. It, it was, it was a, it was a good experience. And I've got, I, we may or may not still have one, one movie with Steve Corll over at Disney. It might be dead at this point. Charlie and I sold an idea for an updated Swiss family, Robinson to Disney. Right. Called called Brooklyn Family RobinsonMichael Jamin (01:01:39):.Vance DeGeneres (01:01:41):And oh, well, it was just a modern day version of the Family comes from Brooklyn. And and we, God, we probably have gone through four sets of writers over the years because we, we sold it while, while we still had Carousel open.Michael Jamin (01:02:02):But then why so many writers, like, what, what hap how does that work? Because youVance DeGeneres (01:02:09):You, you, you write, you the writer writes the draft, you bring it to Disney. They say, Hey, this is fantastic. Right. Let's bring in another writer to do to it even better. Yes. right.(01:02:22): and then the writer, you, you hire, you, you interview other writers. They give you different pitches on how we could make it even more fantastic. Right. you decide with Disney, okay, we'll, we'll, we'll pay this, this writer X amount to go off and write this new version. Right. they, they do that. In the meantime, this exec at Disney has been fired or left on their own. Yep. A new exec comes in that didn't know anything about this project. Right. You turn the script in and they say, this is really a fantastic script. Yeah. But why don't, why don't we bring in a different writer to, to let's try a little different,Michael Jamin (01:03:03):That way they can, the executive put their own stamp on it, basically.Vance DeGeneres (01:03:07):Yeah. Yeah. Yeah. Exactly. And that happened you know, several times with, with this project. And it's unfortunate it would've, it would've been a fun project, but I think at this point, it's probably probably not gonna happen.Michael Jamin (01:03:22):The maddening thing is, most executives, they tend to take a stay the jobb two or three years and, you know, and then it's a shop price somewhere else when their deals up. And that's not a lot of time to, you got e

Tim Ford of Helm Agro visits with Tom and Jason in Starkville as a Platinum sponsor of the 2022 Row Crop Short Course.

Nat and David discuss the Sounders last three matches against RSL, LA Galaxy, and Portland. While the Sounders haven't played particularly well, it's the referees he need to step up the game. The team needs all of your support through the remaining games this season so cheer loud and keep your Scarves Up! Tim Ford 2020 PK Blunder: https://youtu.be/5vNVKDsLG9w?t=242 Contact the show at: https://scarvesuppodcast.com/ Follow the show at: @scarvesuppodcast Listen and Follow Nat's Radio Show at: https://www.futbolislife.net and follow the show on Instagram @futbolislife.wecb and on Twitter @WECBFutbol. Email the show at: futbolislife.wecb@gmail.com.

Producers are being encouraged to swtich their attention from grain to hay this season as a shortage looms. The volume of hay produced across the east coast is tipped to be lower than normal, despite high demand. Rural reporter Meg Van Lohuizen caught up with Feed Central managing director Tim Ford who is encouraging farmers to capitalise on high prices.See omnystudio.com/listener for privacy information.

In Episode 97 of the No Limitations podcast, “Making Every Day Count,” Blenheim Partners' Gregory Robinson speaks to Tim Ford, Managing Director and Chief Executive Officer of Treasury Wine Estates Ltd, a world leader in wine with a remarkable global footprint.In a lively conversation, Tim offers a unique perspective into the world of wines: from the ones at the centre of some of life's most important celebrations to the humble drop we savour at the end of a long day. We learn of the remarkable advancements in cultivation and some of the differences across cultures, as they cater to the many palates throughout the world. Finally, Tim shares insight into navigating the nuances of geopolitics and overcoming adversity, which has allowed Treasury Wine Estates to continue its evolution as a global leader in its industry.Prior to his appointment, Tim held various positions including Chief Operating Officer, Managing Director Europe, South East Asia, Middle East and Africa, and Director, Global Supply for Treasury Wine Estates. He also previously had senior management roles with National Foods and Carlton & United Breweries.See omnystudio.com/listener for privacy information.

-Officer Nick and Tim Ford from the Alexandria Fire Department describe how they saved the owl caught in fishing line by a lake. Great job, guys!

Jason Plummer, VP of RP Lumber on high lumber prices. Doug Winter, White County, new chair of US Soybean Export Council. Rita talks with Tim Ford with AGVNT, a new fertilizer product available to growers

Jesse Allen talks with Tim Ford from AGVNT about their innovative nanobubble technology for plant nutrition and much more.

We bring you the narrated version of Capital Daily's published story, "Isolated in Victoria: forging friendships in a city renowned for its chilliness” by Tim Ford. Narrated by Martin Bauman.   Get more stories like this in your inbox every morning by subscribing to our daily newsletter at CapitalDaily.ca Check our membership opportunity at CapitalDaily.ca/MemberAnd subscribe to us on our socials! Twitter @CapitalDailyVic  Instagram @CapitalDaily  Facebook @CapitalDailyVic 

We bring you the narrated version of Capital Daily's published story, "What Victoria's long-lost streetcars can tell us about the future" by Tim Ford. Narrated by Jackie Lamport.   Get more stories like this in your inbox every morning by subscribing to our daily newsletter at CapitalDaily.ca Check our membership opportunity at CapitalDaily.ca/MemberAnd subscribe to us on our socials! Twitter @CapitalDailyVic  Instagram @CapitalDaily  Facebook @CapitalDailyVic

On this episode of NCTV17's Spotlight, host Jane Wernette is joined by: 1.) Ashley Abraham, Executive Director of Ride Assist Naperville, and Tim Ford, Board Member of Ride Assist Naperville 2.) Katie Vaughan, Site Coordinator of GiGi's Playhouse Fox Valley, and Kathryn Smith, Board Member and Outreach Ambassador of GiGi's Playhouse Fox Valley 3.) Becky Simon, President of Naperville Preservation, Inc., and Jane Ory Burke, Director of Naperville Preservation, Inc. Naperville Community Television broadcasts on Channel 17 in Naperville, IL (Comcast & WOW!), and all our programming is available via simulcast and video-on-demand at www.nctv17.com/ For daily local news sent to your inbox, subscribe to NCTV17 News Update: www.nctv17.com/subscribe/ Follow us on: www.facebook.com/NCTV17/ twitter.com/NCTV17 www.instagram.com/nctv17/

The Wine Thieves make their way to the south of France to the country's most productive IGP, the Pays d'Oc. This long coastal strip spanning 240 kilometres across the Mediterranean Sea from just east of Nîmes to the Spanish border is a multi-faceted region with endless sunshine, benevolent winds and variations in elevation that make it possible to successfully grow no fewer than 58 permitted grape varieties. The IGP Pays d'Oc (Indication Géographique Protégée, or, Protected Geographic Indication) is an area that serious collectors routinely overlook given its reputation for ready-to-drink wines of a nebulous geographic region. Yet the designation has been steadily transforming, helped by a modern approach, foreign interest and investment and varietal labelling. More than just pleasure-for-price, the area is also a non-conformist playground, thanks to the freedom afforded by the Pays d'Oc IGP designation.John and Sara interview three producers who forged unique identities within the Pays d'Oc. First up is Tim Ford, Owner and Managing Director at Domaine Gayda, a family-owned winery whose organic vineyards are in the heart of the Languedoc in the foothills of the Pyrenees about 25 km southwest of Carcassonne.  Tim and co-owner Anthony Record joined forces with winemaker Vincent Chansault in 2004 to focus on sustainably-produced wines with modern appeal.Our next guests are dynamic couple Laurent and Catherine Delaunay, who founded Les Jamelles and co-founded Abbots & Delaunay (in Marseillette, near Carcassonne) making a range of wildly successful wines with a particular focus on varietally bottlings. Originally from Burgundy, where they still have a foothold and produce pinot noir and chardonnay, the couple fell in love with the Languedoc and its myriad creative possibilities. They are producers, négociants and some of the busiest people the Thieves have met in the world of wine.Our third guest is Magali Dardé, third generation in charge of Domaine Les Yeuses, and her agent Olivier. The winery in Mèze on the Etang de Thau – a brackish inland body of water - was built in the 13th century by the Knights Templars atop an ancient Roman villa. The estate has been in the Dardé family for over 30 years with the family sharing in the day to day responsibilities. Single variety wines are a focus, sourced from the estate's 80 hectares of vines with a view of the sea.Join us for this vibrant episode with some of the stars of Southern France.This episode was produced in partnership with Pays d'Oc IGP. 

EP:56 This week we have in Production Designer and Art Director Tim Ford. Tim and I have been friends for over a decade and work together on TV and Film productions from time to time. Tim was my next door neighbor and landlord during the time I lived in Echo Park for the better part of a decade. Tim is a super smart and extremely creative guy. You can find Tim online at:IG: @timfordfilming#productiondesigner #artdirector #losangeles #filmindustry #echopark-----------------------------------------------------------------------------------------------------This episode of Anyway Whatever Podcast is sponsored by Diesel Fuel Prints Diesel Fuel is my go-to sticker printer for 20 years. They offer Highest quality weatherproof stickers. Easy online ordering quotes for any size or shape sticker. Full color printing. 125 Black and white stickers for as low as $25. Free Shipping on U.S. ordersCheck out www.Dieselfuelprints.comListeners of AWP get a 10% Discount at checkout when they use the promo code AWP2021-----------------------------------------------------------------------------------------------------The Anyway Whatever Podcast has a new shirt store at Warlord Clothing https://www.warlordclothing.com/anywaywhateverStickers, Buttons, etc can be found at www. anywaywhateverpodcast.bigcartel.com Patreon www.patreon.com/AnywayWhateverPodcastAll episodes can always be found atwww.anywaywhatever.com------------------------------------------------------------------------------------------------------Gear Used To Make this Podcast:Canon Eos M50https://amzn.to/3nPFYqYSandisk portable drive (highly recommended)https://amzn.to/2LN5IHkSure SM48 Mic (low cost mic with great sound.)https://amzn.to/2KqtOHkMic Standhttps://amzn.to/35PmDjCFocusrite Scarlett 18i8 Preamphttps://amzn.to/2KpUQyvAtomos Ninja 5” monitor (This item was “extravagant” buy for the show but is invaluable all the same) https://amzn.to/3bQiorHThe BEST Tripodhttps://amzn.to/3bQiorH------------------------------------------------------------------------------------------------------All of my Podcast episodes are to be taken with a grain of salt. My goal is to feature people from the creative fields who have something interesting to say or something valuable to bring to the discussion. My intention is to give people a little time out from the realities of the world and to enjoy a fun conversation with interesting people. Please remember to take time to enjoy life. I feel like that is important. I hope my show helps with that. © 2021 AWP Media

This season we're digging deep into some of the remarkable film and television shows that have been filmed here, and feature prominent Hamilton storylines. When I heard that someone was making a series that takes place in a Hamilton record store, I had to find out more.   A show about comedy, music, and chasing a dream, ”This Is The Thing” follows comedian Mike Mitchell and record store audio buyer Tim Ford on their quests to become a well known standup comedian and YouTuber.  The show features guest appearances by many Hamilton comedians and musicians.  I chat with creator Mike Mitchell about the making of the series, pitching a pilot, guerrilla filmmaking, and the future for the series that all of Hamilton is talking about. "This Is The Thing" will be airing in April 2021 on Bell Fibe TV1. Follow the series on Instagram or at thisisthething.ca I'll be back in 2 weeks with another episode of Hamilton Film Podcast. Theme music: chrisaltmann.com Alysha Main on Instagram

Tim Ford was a student of Shunryu Suzuki. He recently retired after forty years of general contracting.

The Professional Route continues bringing you another interview with a PGA Professional as we're joined by Tim Ford. Tim gives an honest account of his under the radar Amateur career and how his game seemed to grow when he took the plunge into the Professional ranks.  Tim has fought injury the past two seasons but is now back to full fitness and provides insight on his future plans now he has playing rights on the Europro Tour next season.... We hope you enjoy!!Support this show http://supporter.acast.com/the-bogey-boys-golf-podcast. See acast.com/privacy for privacy and opt-out information.

Tell us what you think, leave a review. give us a follow and join our Facebook Group, Knifemaking Down Under Podcast. Knifemaking down under is recorded LIVE with video on Thursday nights at 9pm AEST on the group Knifemaking Down Under on Facebook.   Special Guest Tim Ford (Instagram @_tim_ford_ Youtube Tim Ford) Kevin Slattery of Kev's Forge (Instagram: @kevsforge) Mert Tansu of Tansu Knives (Instagram: @Tansu_knives) and Corin Urquhart from Artisan Supplies (Instagram: @corin_at_gameco) Discussing Knifemaking in Australia and telling it as we see it.   intro/Outro track: "Fable (Metal Version)" - Adrian Von Ziegler        

This week's rebroadcast is part of our 'Chaplains' series. We follow a Zen Buddhist monk and see how mindfulness nourishes patients and doctors.

Tim Ford Jr. is the dad of the popsicle baby and creator of the YouTube page T3 and Me! He has a whole story to tell, but a new chapter of his story started back in December of 2019 when his video originally posted to Facebook went viral, garnering millions of views across multiple platforms! His mission is to shine a light on fatherhood through his perspective in hopes of inspiring other aspiring dads! -Aaron Follow Fatherhood Is DOPE + Subscribe. Download. Leave a Comment. YouTube: https://www.youtube.com/channel/UC4zxGKYMgyjriXs0ud5CFvw IG: @FatherhoodIsDOPE https://www.instagram.com/fatherhoodisdope/ FB: @FatherhoodIsDOPE https://www.facebook.com/FatherhoodIsDope/ Twit: @Fatherhood_ID https://twitter.com/Fatherhood_ID

NSN EP3 Tim Ford Co-Host  Tim’s Links https://www.instagram.com/_tim_ford_/ https://www.youtube.com/channel/UCkTGX5S5HB-ar-AF43UzMyg/featured https://www.facebook.com/fordforged/    Find us at https://www.instagram.com/tobyfireandsteel/  https://www.facebook.com/MurrillandSon/  Products and site  www.tobyfireandsteel.com  Email toby@tobyfireandsteel.com TFS Knife maker Challenge Group https://www.facebook.com/groups/711126822742169/ Handle contour video  https://youtu.be/GhurYaJwBQU Knifeprint Toby Fire and steel affiliate link https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.knifeprint.com%2Fu%2Fy87qj%3Ffbclid%3DIwAR235nUO3k087eIrzRRh6cdIeKKCHPnKe_CZN8OAzvY0XyrfykizY-0LLf4&h=AT0zAGSzTx8KfblYl4OsEl0KdrpAkuWB2jlbdZcK2Ow1jtNfjxxqHTalGuddV1hZhTq6R99UBfUtZwYskflb4uSionvXkVrjl6NqptDVMboOXYB0EzVGlJJNAmykASe1LFz6Hg   I am micro-investing with Raiz. If you join using this link, we will both get $5 when you use my invite code: https://app.raizinvest.com.au/invite/BQ3EL6  

Die Field Jacket - Stilikone Tom Ford liebt diese Jacke. Warum? Weil sie stilvoll, aber auch sehr praktisch ist. Praktisch, weil sie - wie viele andere Bekleidungsstücke der Herrengarderobe - aus dem Militär entnommen wurde. Stilvoll, weil die ursprüngliche Jacke fürs Militär inspiriert war von der gängigen, stilvollen Herrenmode. Wie aber trägt man nun so ein geschichtsträchtiges Kleidungsstück? Das und vieles mehr, erfährst Du in der heutigen Folge. Viel Spaß beim Anhören!

Our first physically distant episode. We talk to Atomic Vaudeville's Britt Small about their first virtual cabaret (1:26), what we are watching at home (26:07) and an interview with Janet Munsil about her Canadian Play Thing (42:29). With Amanda Farrell-Low, John Threlfall, Sarah Petrescu, Melanie Tromp Hoover, Briana Bock and Tim Ford.

We introduced Tim, our new contributor (1:00), chat about the Belfry's Spark Festival, where we managed to catch Busted Up and Destiny, USA before the fest got cancelled (8:04), and then discuss the COVID-19 outbreak and the huge impact that is having on the arts scene here and beyond (20:49). March 17 update: this is an edited version of the original episode that was uploaded March 15, changed to reflect event cancellations and venue closures that have happened since then as bans on gatherings of more than 50 people were put in place on Monday, March 16. Other events and seasons have also since cancelled or postponed.

Raising Lazarus; Tim Ford. John 11: 1-45. 01/03 AM.

Healing of the Officials Son. Tim Ford. John 4: 43-54. 26/01 AM.

Called to be Connected. Tim Ford. 1 Corinthians 16. 10/11 PM.

Called to be Involved; Tim Ford. Romans 12: 1-13. 13/10 AM.

In the podcast this week we chat with Redekop’s Trevor Thiessen about their weed seed impact mill, the Seed Control Unit, or SCU. Redekop Manufacturing is based in Canada and sells a range of crop residue management tools. We also hear from Tim Ford from Feed Central. This Queensland-based company provides a buying and selling platform for hay. Tim explains how the hay market has evolved over time and some of the challenges faced today. Join your co-hosts Jessica Strauss and Peter Newman and find out more!

My guest is Tim Ford, who is someone I've known for the last few years, and a number of years ago, he started his triathlon journey and over that time he's lost more than 50 kilos. He's completely changed his life with respect to his health, his fitness, and his work, and I think it's a really good story to share on how a simple idea can spark a complete life change in someone. On today's episode, we look at what are some of those things that Tim has changed to turn around his life and become a completely different person and we also share some of the things that we feel can help other people become better athletes, whether that's a triathlon or whether it's swimming. And focusing on the things that you can control and that you can change and why it pays to always have a longterm approach to this stuff.   03:07 "I Stopped Weighing Myself When I Reached 120 Kilos." 05:11 "My First Triathlon Was A Disaster" 07:20 "I Bought A Fancy Carbon Fiber Bike After My First Race" 09:11 Triathlon Is More Of A Race Against Yourself 10:13 What Motivates You? 12:14 Little Improvements 15:24 The Switch 20:07 When Your Hobby Becomes Your Job 21:33 Being A Coach 25:17 "I'd Rather And Potentially Fail At Something That I Really Care About, Rather Than Never Try At All" 27:35 Collaboration Is The Most Underrated Thing In Our Sport 30:55 Stepping Out OF Your Comfort Zone 32:37 Hardwork and Commitment Often Leads To Good Things 33:04 Leaving The Judgement Aside 39:05 Coming Up For Tim Ford

Today’s guest is the MX Endurance CEO and Co Host of Think Fit Podcast, Tim Ford! So, this episode is going to be extra special because not only is Tim another Blue Seventy athlete, not only is Tim a Super League Triathlete (which I’m so pumped to talk about), but he’s also a co-host on his own Podcast called ThinkfitPod! Tim has a crazy story of getting into triathlon because unlike many who we get to interview; Tim had to lose 50kgs to get to where he is today! Now He is fitter then ever, happier then ever, and honestly is just a really cool guy and you’ll get to see that in this episode! I am excited to talk about a number of topics in this podcast and im even more excited for you guys to hear it! In this episode we’ll get to talk about Tim’s background in Triathlon and how he lost over 50kgs in weight through the sport. We also chat about how he got into super league and what he loves about it and talk about how it differs from IRONMAN style of racing! We also talk about what it's like being the CEO of MX Endurance and running his Think Fit Podcast while being an actively competing Triathlete. Tim gives us a ton of advice on training, mindset in triathlon, and goal setting as a triathlete! I could listen to Tim all day when it comes to his perception on triathlon and where the sport is heading so definitely be sure to sit back, relax, and enjoy!

This is The Do It For Yourself Podcast.  Each week I sit down with someone who is doing it for themselves and chasing a dream they just couldn’t suppress.  This is often speakers, entrepreneurs, or athletes.  They all share one thing in common, they are overcoming challenges and never giving up.  Someone who is Doing It For Themselves is not selfish in their pursuit, they are simply chasing a dream or working towards a goal because it is something THEY want to do.  They are not forging down a path because society or someone is telling them it’s what they should be doing.   This week my guest on the show is Tim Ford.  Time is an elite level half Ironman triathlete as well as a coach and CEO of Team Macca X, a podcaster and still finds time to work a full-time job.  Tim is chasing a goal of a 4:05 70.3 time, which is blazing fast.  When Tim first entered this sport though, he completed his first olympic distance race in 4:05.  From that experience, Tim discusses how he fell in love with both the cycling and the feeling of coming across that finish line.     Tim continued to train and began monitoring the food he was consuming.  After coming up with some creative ways to adapt his favorite dishes to be on the healthier side, Tim realized he could still enjoy food and lose weight at the same time!  He has gone on to complete over 100 races and is still on his quest to do a 70.3 in the same amount of time it took him to do his first race.     I really enjoyed this chance to sit down and hear this story from Tim and I hope you enjoy it as well!   Tim Instagram   Do It For Yourself Instagram

Back in 2010, Tim Ford was 264lbs with high blood pressure and high cholesterol at the young age of 24. A friend convinced him to enter a triathlon and it took him over four hours to complete the 1.5km swim, 40km bike and 10km run.  Fast forward to today, he has lost more than 100lbs and raced in the 2016 Half Ironman World Championships. He recently completed his law degree and now works not only as a triathlon coach but also is CEO of MaccaX Triathlon Team. On today's episode of the Triathlon Taren podcast, we talk to Tim about how he became so unhealthy in the first place, what the weight loss journey was like, and what his mindset and body are like today -- especially as he battles an injury he's been unable to fix. LINKS FROM THIS PODCAST: Tim Ford's Website MaccaX Website Tim Ford's Podcast Tim Ford's Instagram

In this episode we bring you the story and journey of Tim Ford, an Australian triathlete based in Sydney. Not too many years ago Tim weighed 120kgs and in denial of how big he was. He then found Triathlon - which changed his life and as he says 'saved him'! This now-triathlon-coach not only went from overweight bloke to fit triathlete, but a top one at that - standing atop of multiple podiums over the years. Loved chatting with him and getting insights into his physical and mental perspectives around weight-loss, health and injuries, his own podcast, and more! Hope you enjoy the episode!

Cohoots Coworking is one of the original members of the Coworking Accelerator Network, and established their space in 2014 in Castlemaine near Melbourne, Australia.Claire spoke with Tim at CUAsia 2018 about the importance of financial viability for smaller spaces, the benefit of putting on events, and the concept of "inside out coworking".Links for this episodeCohoots CoworkingJoin the Coworking Accelerator Network

A new direction for the MaccaX podcast as we try to make the show more consistent and more beneficial to the members of MaccaX! In the final episode for 2017 we introduce the new co-host of the podcast, Tim Ford. We discuss some changes coming to the show in the future and the direction of MaccaX. We then get into the good stuff with a 2017 wrap up. We discuss what Macca thinks about the changes to the Kona qualification. Will it lead to faster times on the big island? Will there be a higher DNF rate for professional athletes? Will we see a sub 8 time in Hawaii? We discuss Superleague Triathlon. How it went in 2017 and the goals for the future as well as where the 2018 races will be held! We talk about Frodo's Kona performance and why Lionel Sanders is the most exciting professional in the sport. We discuss how the Kona race will be run in the future and what impact Javier Gomez will have on the race. We talk about Danile Ryf's year and Holly Lawrence beating her for the Million Dollar pay day in Bahrain. As well as a chat about the amazing year that Kristian Blummenfelt, Sarah Crowley and Laura Siddall had in 2017. We then discuss some of the highlights of MaccaX members including AG World Champions, Ultra Man World Champion finishers and some impressive women who did the team proud in Kona. For more information about MaccaX: http://www.maccax.com  Or check the team out on Social Media:  Facebook https://www.facebook.com/TeamMaccax/ Twitter: https://twitter.com/TeamMaccaX  Instagram: https://www.instagram.com/teammaccax/   You can also find Tim's podcast 'Think Fit' here: https://goo.gl/sp5q4q 

Off the cuff podcast as always. Interview with Australian rockstar Tim Ford, mate. Talk life as we know it, differences in Australian/US sayings, journey into triathlon. World according to Elliette, and yes, a little bit of an impromptu rap...yes that’s right, spitting a little fire! And if you can’t blow it out here on the podcast, where can you?!! **Explicit Language Advisory**

Tim Ford

On the premiere episode, we breakdown the main card of Fox 24 UFC Johnson vs. Reis with Tim Ford, an O.G. in the San Diego MMA scene. Fights discussed: Demetrious Johnson defeating Wilson Reis Rose Namjunas defeating Michelle Waterson Robert Whittaker defeating Ronaldo Souza Renato Mocano defeating Jeremy Stephens More info on this episode: http://bit.ly/drunkenmma-episode1

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Finalizamos el años hablando del Dakar, de películas malas como The Born Losers y nuestro contacto semanal con Charly Sinewan. Olga Ferro y Martín Solana nos traen, una semana más, información del Dakar que está apunto de comenzar. Hoy charlamos sobre los pilotos favoritos y destapamos alguna curiosidad. Además, algunas noticias pequeñas de motos gordas como la Ducati Multistrada o de motos pequeñas como las pit-bike. Son adecuadas las dos para viajar? Parece claro que la Ducati Multistrada es una moto óptima para recorrer grandes distancias. Al menos así lo han demostrado los Globetrotters conmomorando los 90 años de la marca. Pero ¿viajar en una pitbike? Pues parece que también. Al menos así lo cree Kevin Bean, un harlero peludo va a viajar desde Kentuky hasta la concentración internacional de Sturgis en moto. La particularidad es que va a hacerlo en una pit-bike, una minimoto totalmente de serie. Junto con su colega Tim Ford, saldrán en marzo desde San Diego, en Florida, y atravesarán todo el país hasta Daytona, en California. En total algo más de 4500 km enroscados encima de esas motos diminutas. Kevin ya se había pulido el récord Guiness de distancia recorrida en una minimoto, con más de 12.000 km recorridos de una sentada. Nunca mejor dicho. ¿Por qué os traigo a este tipo aquí? Pues porque es un motero que usa chistera y eso siempre es un plus. Para terminar, un montón de buenos deseos para 2017 y como siempre, buena música: Xera, las Electropetardas y un temazo del año 1980 de la mano de Alvarez Guedes.Escucha este episodio completo y accede a todo el contenido exclusivo de Viajo en Moto. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/34631

  Lionel Sanders – New Ironman World Record at Ironman Arizona, his story and the person Using the Indoor trainer  Loretta Harris & Andy Potts  Ashlee Gentle  Gomez and Brownlee - going long  Alister 70.3 Worlds 2017 Javier 70.3 Worlds 2017, Lond distance end of the year Can anyone beat Jan Frodeno?  Sebastian Kienle - Have we seen the best of him?  Daniela Ryf Chrissie Wellington Holly Lawrence, Amelia Watkinson Ask Chris what it is that you look for when signing athletes other than performances. Best piece of advice for any up and coming professional athlete  Can the alter ego personality be taught or is it just something you're born with? How Chris became such a smack talker   Short talk with MaccaX members Tim Ford who won his AG last week at Laguna Phuket Triathlon From 125kgs to 165lbs His story, what was the turning point? Dealing with depression and being in denial. “I'm probably going to die” Here is on old podcast with more details about Tim:   Craig Toh - over 32 MaccaX meet ups around the world how to travel, train and stick to a program MaccaX is his family away from his family   See more and join us on MaccaX

I sat down with Tim Ford for a chat around all things triathlon, weight loss, healthy lifestyle, goals and the future. Tim's journey has many similarities with myself and I am totally inspired by what he is achieving in the sport. The quote on his webpage sums Tim up best I think, My Extraordinary, Ordinary Life. He just gets about chasing his goals and along the way inspires others to get up and have a go at a goal they have in mind. He now coaches athletes towards their goals along with studying law full time and travelling up to Thailand to his second home of Thanyapura as often as he can. www.thanyapura.com. You can contact and follow Tim on Instagram @tford14 and please follow his blog at his website www.oztriathlete.com. There's some awesome articles up there particularly for those at the beginning of their triathlon, running or multisport journey. Remember Temple Nutrition? These are the guys I am working with to help me to my goal of completing the 2016 Ultraman Australia Championships. Check them out at www.templenutrition.com.au and pop in the code 'mcdermott10' at the checkout for a 10% discount of your order. Please keep sharing with your friends and if you have any ideas for shows, blogs, feedback or complaints please email me at greg@zeal2u.com.au. Until next week Keep moving Keep going forward and Keep kicking goals

Great interview with age group triathalete Tim Ford who's gone from 120kg (165lbs) to 71 kg (156lbs) and qualified for the 70.3 World Championships in 2016. We also discuss …. Triple crown and how this now looks Stand out performances of 2015 (Jan Frodeno, Gwynsanity, Daniele Ryf) Off season training, common mistakes to avoid.   View the free training sessions here ...  http://www.maccax.com/26-from-fat-to-fit-tim-ford/

Joanne Baxas Best and worst thing about living in Thailand Noel Fenn Why does life get in the way? Tim Ford Norseman... How is it looking? Competing or completing? Mike Robinson Is the burning sensation a good or bad thing? Noel Fenn What's your best recovery tips for a iron distance race completed by someone who is barely conditioned to sprint distance race. **Spreecast must be done before Port Mac!** Adrian O'brien Dehydration problems. How to hydrate before race day. I suffered again at mile 16 doing a marathon yesterday. Any tips? As I've another marathon in a few days Brett Murray Are you going to have a cracked at any more big races? Bahrain, Oman, triple crown, or have we seen the last of Macca at the elite level and now just going to dominate the same bloody age group as me!!! For the next 20 year's I'll bet. Deirdre Robbins How much electrolytes do you take per hour and is there a way to tell how much is best for each person Caroline Steffen How organized are ya before a big A race? ...  Adrian O'brien Who will be your support crew at Norseman James Bale Any specific tips for Ironman Lanzarote? I'm going long sleeve top on cycle and run. Dai Roberts How about the fast cadence swim vs slow cadence swim stroke current topic of heated debate? Anthony Holdsworth Bike choice for Alcatraz. Any advice for the run. Jim Martin Dealing w/ extreme heat & humidity when racing.I recently raced and had a terrific bike leg, got off the bike and thought...I feel great, time to run! About 2/3 of the way into the first of 3 loops, I was forced to walk. You know the rest of the story...See More Stuart Gray Should we ditch the technology now and again? I've found myself chasing numbers and not enjoying racing thus ending up in an ambulance!! If we train with power/HR would it be possible to race without the Garmins etc? Joanne Baxas Best after party Bryan Dever how tall are you  I'm normaly good with the inter-webs but i couldn't find it on google Jason Ripkey What would you consider your weakest discipline? And how did you overcome it? Tim Ford when will the Bahrain announcement happen? Phil Jarvis Nutrition (On site) prior to a race. How do you get around getting quality nutrition in when the local food being offered isn't up to standard . Especially important if you have arrived 1/2 weeks before! Jones Karlström El Ouard Are you going to race under the Bahrain team banner in the Norseman Chris McCormack?

It has been 3 years since the murder of 17 year old Trayvon Martin, 3 years later where is the "Black" community...? The federal government has decided not to press federal charges against George Zimmerman, since the event we've continue to have high profile murders of young "Black" males. Where are we...? Joining us tonight URR style with Brother Tim Ford

We talk with UNJ staffer Dan "AKA Red" DeFauw about his trip with us this weekend for our first outing of the year bowfishing Next we talk with UNJ staffer Tim Ford about a recent Deer Management meeting he went to here in Michigan. Proposed rule changes Tim's opinion on the changes I interview Roger Ryder about his recent trip into the wilderness for a week at Isle Royal National Park Preparing for the trip What his adventure was like

Bowfishing Trip My son Jake took his first fish with a bow! Tim Ford's maiden voyage for a night bowfishing trip Dan Perez of Whitetail Properties Interview by Clint Turner Mikey's Game Bag, Motorized Decoy Ban at Shiawassee National Wildlife Refuge Michigan Elk and Bear Tags Grizzly Bear Attack in Wyoming

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Web Forums Too Much Complaining & Attacking Good Forums New Videos From ATA Interview With Lee & Tiffany Lakosky At The 2009 ATA show Mikey's Game Bag Experiment To Show What It Is Like To Go Through The Ice Cold Water Dexterity Phone Interview With UNJ Pro Staffers Chuck Parr, Tim Ford, Mikey and I Ice Emergency Tools Basic Ice Safety Group Tip Up Game For Ice Fishing Contests myhuntingandfishing.com contest UNJ youth essay contest New Live UNJ Call In Show For Saturday Night!