Podcasts about Orson Welles

One week after the Japanese attack on Pearl Harbor, the combined radio networks broadcast a celebration of the 150th anniversary of the ratification of the Bill of Rights on December 15, 1791.  The all-star broadcast cast was impressive --  Edward Arnold, Lionel Barrymore, Bob Burns, Walter Brennan, Walter Huston, Marjorie Main, Edward G. Robinson, Jimmy Stewart, Rudy Vallee, and Orson Welles, and scripted by Norman Corwin.  For a few hours, there was doubt the long planned program would not air because of Pearl Harbor.  But a one sentence reply from President Roosevelt's office said it all -- "The President thinks it's more important now than ever to proceed with the program."Enjoy this celebration of America.  

Michael and I discuss his operating over the years, working with John Cassavetes and Orson Welles, on Die Hard, Waterworld, and Snakes on A Plane, and so much more. Mike's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on our website and on instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert    

A Christmas Gift, From Your Hosts, Jim and Kit Caren!Back by Popular Demand:On this episode, we feature our Seventh presentation of the 1939 radio broadcast of "A Christmas Carol", by Charles Dickens, featuring the voices of Orson Welles and Lionel Barrymore. Complete, and uncut.ENJOY !!!Merry Christmas!  ⁠Support this podcast⁠====HISTORICAL REFERENCES:A Christmas Carol, The Campbell Playhouse, CBS Radio Network, December 24, 1939 (radio play, audio).⁠O'Leary, Dorothy, Barrymore's Scrooge, New York Times, December 21, 1947 (interview with Lionel Barrymore).Chesteron, G.K., ⁠⁠The Wrong Books at Christmas⁠⁠, Illustrated London News, January 09, 1909 (column / commentary).Dickens, Charles, ⁠⁠A Christmas Carol⁠⁠ (1843) (complete text of book). PLEASE NOTE: The radio play is a shortened and adapted version of the book. We claim NO ownership interest in any of the above material - whether audio or print.====GUEST VOICES:Lionel Barrymore - Pete Lutz, voice artist and producer, ⁠⁠Narada Radio Company⁠⁠, an audiodrama podcast.G.K. Chesterton - ⁠⁠Logan Smith⁠⁠ - free-lance professional voice actor.====MISCELLANEOUS:Exit Aphorism (voice) – Kit Caren, co-host ⁠⁠Forgotten News Podcast⁠⁠.Host Intro – Nina Innsted, host of the ⁠⁠Already Gone⁠⁠ podcast.Exit Aphorism - Source:⁠⁠ ⁠⁠ Author Unknown====MUSIC:Kevin MacLeod  of⁠⁠ Incompetech.com⁠⁠ – Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses / by 3.0 At RestAt RestI Knew A GuyAll Sound Effects & Short Instrumentals Are From ⁠⁠Freesound.org⁠ , Or the Public Domain.⁠ ⁠⁠====HEY!  CONTACT US!E-Mail:  ⁠⁠⁠⁠⁠⁠ForgottenNewsPodcast@gmail.com ⁠⁠⁠⁠⁠⁠FNP Facebook page:⁠⁠⁠⁠⁠⁠https://www.facebook.com/Forgotten-News-Podcast ⁠⁠⁠⁠⁠⁠Kit Caren's Facebook page:⁠⁠⁠⁠⁠⁠https://www.facebook.com/people/Kit-Caren/100085459732466⁠⁠⁠⁠⁠⁠X - formerly known as Twitter:⁠⁠⁠⁠⁠⁠@NewsForgotten⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KitCaren ⁠⁠⁠⁠⁠⁠

Fairs, Fixed Games, and Failed Backhands – Islands (2024)This week on Bad Dads Film Review, we're off to the fair and then straight to the Canaries for a slow-burn midlife crisis with added camel corpse.We kick off with our Top 5 Fairs – everything from sinister funfairs and pleasure islands that definitely aren't safeguarding-approved, to world expos, tunnel-of-love metaphors, and the sheer horror of Simply Red – Fairground lodging itself in your brain for days. Along the way there's a rollercoaster quiz nobody asked for, Orson Welles on a Ferris wheel treating people like ants, and the usual detours into Bruce Springsteen, Brighton Rock, and Tom Hanks getting magically statutory in Big.Our main feature is Islands (dir. Jan-Ole Gerster), starring Sam Riley as a washed-up ex-tennis pro coasting through life as a resort coach in Fuerteventura. His days are a loop of hangovers, half-arsed lessons and meaningless flings… until a young British family arrive, bringing:A talented 7-year-old with a suspiciously decent backhandA magnetic, possibly femme-fatale mother who may or may not be telling the whole truthA lad-mag husband who promptly disappears after a night outWe dig into:Riley's quietly brilliant, physically lived-in performance as a man sleepwalking through his own lifeThe film's sun-drenched, slightly haunted resort vibe – all sand dunes, empty courts and bad decisionsClass, envy and the gap between “living the dream” and being totally stuckThat unforgettable helicopter-lifted dead camel shot, and what it says about escape, failure and being in too deepIf you like your films low-voltage but tense, your characters deeply flawed, and your movie chat filthy, tangential and only loosely under control, this is a strong entry point into the pod.Hit play, take a swing, and see if you make it off Trash Island for grown-ups.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

This special bonus episode Tim is joined by Mark Cousins to discuss the legacy of Orson Welles. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can support the pod by joining Moving Pictures' Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Follow us on Bluesky @top100pod.bsky.social or on Instagram @thetop100pod Get in touch via emai: top100pod@gmail.com –––––––––––––––––––––––––––––– Orson Welles 'Impossible' Quote - here. Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

Autobots roll out! Welcome to an all new episode of pcmc. Your one-stop-shop for media musings, nostalgia, and pop culture ephemera! On today's show, Mike is joined once again by Peter Marsh. Peter is a long time friend of the show and something of a podcaster himself (The Lasser Cast / Comic Books Transformed). This episode's topic is the fan favorite animated film The Transformers: The Movie from 1986. The movie that made a million children cry! It's an action-packed death-fest where all our favorite robot cars/people die violent deaths! It also happens to be the final film of cinema legend Orson Welles! Peter is a huge Transformers fan and Mike is a casual fan, thus Peter helped Mike see the light. Come back next week for a continued conversation about Transformers. If you enjoy this podcast, please share it with everyone you know! find us everywhere @PCMCpod 

Send us a textWe close out our theme of “The Great Escape” with 1971's Malpertuis (also known as The Legend of Doom House), a relatively obscure Belgian fantasy film about a sailor trapped in the mansion of his dying uncle (played by the legendary Orson Welles). The sailor and the fellow residents of the mansion are fighting for the uncle's inheritance, and since Karl's shakeup was that his pick must include a non human character, let's just say the residents are not what they seem. We also have our usual discussions, including whether any of us have ever inherited anything. So come join us, but please know that you may never leave! 

Today on Artful Living we present "A Christmas Carol" produced and narrated by Orson Welles, and starring Lionel Barrymore. Please join us for this wonderful radio play!

Mark Malkoff joins me to discuss Johnny's likability; booking of civilian guests like the potato chip in front of celebrities; finding them; Vlasak Kresick; Martin Mull; Rohan Varvedecker; couldn't get Letterman or Bette Midler as guests; tried for years to finally get Angie Dickinson & Dyan Cannon; getting into podcasts at the right time; Jimmy Buffet wanted to talk Johnny; wanting to book Jim Downey; talking to Robert Smigel; Stephen Colbert's cancellation; SNL's format is what keeps it popular; Johnny's breaking of Sahara hotel record in 1964 solidifies his fame; having old time guests; retiring and then gaining some weight kept him off TV; NBC's 75th; Carson gains power in 1967, more in 1979; show goes from 90 minutes to 60; some guests like Buck Henry & Suzanne Pleshette don't come back; wanting good talkers, not just big stars; James Garner & Burt Reynolds were both; comedians Rickles, Rodney, Martin Short & David Steinberg; Cher goes on with guest hosts; Warren Beatty; didn't like "bit" comedians; banning Orson Welles, Uri Geller & Kreskin; origin of Carnac; Steve Allen; Prof. Backwards joke makes him mad at SNL; Dana Carvey's Johnny sketches; Johnny on ;s "Here's Cliffy" episode of Cheers; Marc Shaiman; Jan Hooks; rock stars were few like Chuck Berry & ZZ Top; kept booking Tony Bennett; Arsenio never out rates him; warning Chevy Chase; Dennis Miller; Top Weekend Update anchors; Elaine Stritch; Buck Henry on Paar; Rickles and the geisha girls; Tiny Tim & miss Vicki; Ed Ames; Doc Severinsen still alive; Johnny's popularity grew through anniversary shows; only Letterman did them; Johnny places on Dave; picking Lorne Michaels brain; Tom Davis; Mark's natural curiosity

09 04-12-25 LHDW La Platea: Orson Welles, ¿era un genio del cine? Juanma vio el Tercer Hombre. Stranger Things, la serie que llega a su 5º temporada

09 04-12-25 LHDW La Platea: Orson Welles, ¿era un genio del cine? Juanma vio el Tercer Hombre. Stranger Things, la serie que llega a su 5º temporada

In dieser Folge widmen wir uns einer der bedeutendsten Schauspielerinnen des 20. Jahrhunderts: Romy Schneider. Vom Sissi-Image, das sie nie ganz loswurde, über ihre rebellischen Rollen und ihre künstlerische Neugeburt in Frankreich – bis hin zu den tiefen privaten Tragödien, die ihr späteres Leben prägten. Wir begleiten Romy von ihrer Kindheit in Berchtesgaden über die internationale Karriere in Deutschland, Frankreich und Hollywood, ihre Begegnungen mit Alain Delon, Coco Chanel und Luchino Visconti, bis hin zu ihren letzten Lebensjahren. Eine Folge über Talent, Perfektionismus, den Preis des Ruhms – und eine Frau, die immer „bis zum Äußersten“ ging. Inhalte 1. Kindheit im Schatten des NS-Regimes Geboren 1938 in Wien als Rosemarie Magdalena Albach Künstlerfamilie: Magda Schneider & Wolf Albach-Retty – beide auf der „Gottbegnadeten-Liste“ Aufwachsen im „Haus Mariengrund“ in Berchtesgaden Internatszeit in Schloss Goldenstein 2. Frühe Karrierestarts Debüt 1953 in Wenn der weiße Flieder wieder blüht Weitere Rollen führen zu Ernst Marischka – und zur Lebensrolle Sissi 3. Sissi – der Durchbruch und der Fluch Dreharbeiten mit nur 15 Jahren Trilogie wird ein europäischer Kinohit Romy ringt früh mit dem Image: „Die Sissi pappt mir an wie Grießbrei.“ 4. Der Weg nach Frankreich & die Liebe 1958: Filmdreh Christine → Begegnung mit Alain Delon Umzug nach Paris, neue künstlerische Ausrichtung Coco Chanel als stilprägende Mentorin 1961: Theaterdebüt bei Visconti – Beginn einer neuen Ära 5. Internationale Karriere Zusammenarbeit mit Orson Welles, Luchino Visconti, Andrzej Żuławski Hollywood-Filme (Good Neighbor Sam, Was gibt's Neues, Pussy?) Zwei Césars: 1975 & 1979 6. Privatleben voller Extreme Beziehung zu Alain Delon → Trennung & Suizidversuch Ehen mit Harry Meyen und Daniel Biasini Mutter zweier Kinder: David & Sarah Abhängigkeiten, Perfektionismus, öffentliche Angriffe 1981: Tod ihres Sohnes David – ein Bruch in ihrem Leben 7. Letzte Jahre & Tod Finanzielle Probleme, gesundheitliche Erschöpfung 1982: Tod im Alter von nur 43 Jahren, offiziell Herzversagen Beigesetzt in Boissy-sans-Avoir – neben ihrem Sohn ************ Unsere Werbepartner: CHEEX: https://bit.ly/starke7 Code: STARK7 https://linktr.ee/starkefrauen *********** Team: Redaktion: Daniel Jacob Schnitt: Silvia Kühn Hosts: Cathrin Jacob und Kim Seidler Quellen (Auszug) https://www1.wdr.de/stichtag/stichtag4870.html https://www.spiegel.de/kultur/diva-mit-nazi-trauma-a-2acfbb2d-0002-0001-0000-000060135216?context=issue https://de.wikipedia.org/wiki/Gottbegnadeten-Liste https://www.dhm.de/lemo/kapitel/der-zweite-weltkrieg/kunst-und-kultur/die-gottbegnadeten-liste https://web.archive.org/web/20171118220437/https://www.br.de/radio/bayern2/romy-tarzan-und-goerings-gobelin100.html https://kultur-online.net/inhalt/vom-suessen-maedel-zur-zerbrechlichen-frau-romy-schneider https://web.archive.org/web/20171118220437/https://www.br.de/radio/bayern2/romy-tarzan-und-goerings-gobelin100.html https://www.spiegel.de/politik/die-koenigin-der-schmerzen-a-801c6b35-0002-0001-0000-000051644744?context=issue https://de.wikipedia.org/wiki/Schloss_Goldenstein https://www.hdg.de/lemo/biografie/romy-schneider.html https://www.fembio.org/biographie.php/frau/biographie/romy-schneider/ https://www.imdb.com/de/title/tt0045763/ Franz Marischka: Immer nur lächeln, Amalthea, 2001, S. 282 f. Zitiert in: https://de.wikipedia.org/wiki/M%C3%A4dchenjahre_einer_K%C3%B6nigin_(1954) https://de.wikipedia.org/wiki/Die_Deutschmeister https://www.imdb.com/de/title/tt0027847/ https://www.deutschlandfunk.de/filmpremiere-vor-65-jahren-sissi-extraleichte-unterhaltung-100.html https://www.harpersbazaar.de/fashion/style-ikone-romy-schneider https://www1.wdr.de/stichtag/stichtag4870.html https://austria-forum.org/af/Biographien/Schneider%2C_Romy https://www.imdb.com/de/title/tt0051964/ https://www.spiegel.de/kultur/sachte-mausi-a-c7a29007-0002-0001-0000-000045142638 Foto: Studio Harcourt licensed under CC.

Joseph McBride has been a veteran critic, a teacher, the screenwriter of (among others) Rock n Roll High School. He's acted for Orson Welles and campaigned for John F Kennedy. A fearsome intellect and a great film scholar, this is a mammoth episode for a legendary man. His new memoir/interview book with Danny Peary I Loved Movies But... is available here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Losing bearings, nose rings rarely look good, please feed Ariana, emailing the rich and infamous, another pretentious word, Orson Welles and birthdays, Justin Long is funny, and a smoking pope. Stuff mentioned: Wicked: For Good (2025), Wicked (2024), The Outsider (2020), Kru Contemporary Japanese Cuisine (3135 Folsom Blvd, Sacramento, CA 95816), Coyotes (2025), It's a Wonderful Knife (2023), Smoking Popes "Midnight Moon" (1994), and Smoking Popes Born to Quit (1994).

Today as we're nearing Thanksgiving, we're taking a trip into radio fantasy, a 1945 broadcast of Walt Disney's Snow White and the Seven Dwarfs. We've presented several versions of this, The Lux Radio Theatre being closest to the original animated film. This one's got an interesting backstory: it was mislabeled as a 1943 Mercury Theatre production, but it's actually from This Is My Best, a CBS series hosted by Orson Welles. The episode stars Jane Powell as Snow White, with Welles doing the narration. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Welcome To Horror Presents: “The Power of We Have Been Watching”. Yes! Get it here. If by “it” you mean a rundown of all the stuff the Welcome To Horror team have been sticking in their faces in between episodes. We discuss Guillermo del Toro's “Frankenstein” (2025); Korean horror “The Wailing” (2016); true crime/folk horror documentary “The Last Sacrifice” (2024); “From Dusk Til Dawn” (1996); “Heretic” (2024); 70s anthology series “Orson Welles' Great Mysteries”; “The Substance” (2024); David Lean's “Blithe Spirit” (1945); and Brontë Schiltz's Miskatonic Institute of Horror Studies lecture on “Televisual Gothic”. There should be no need to prep for this ep, but listeners beware, as here be (possible) spoilers and (definite) swearing. Join us!

Buy Joe's book! Order from https://stickingplacebooks.com/i-loved-movies-but/ for a discounted price! Amazon: https://a.co/d/dYI5pwL In which Joseph McBride returns to the podcast to discuss his latest book "I Loved Movies, But...", as well as Orson Welles's mutilated masterpiece "The Magnificent Ambersons". YouTube: https://youtube.com/@independentcreatorstudios6741?si=OIyCBChWZs6-vsos instagram: https://www.instagram.com/andrewfrankg/ X(twitter): https://x.com/indie_creators BlueSky: https://bsky.app/profile/indiecreators.bsky.social

GGACP celebrates the 50th anniversary of the classic Neil Simon comedy “The Sunshine Boys” (released November, 1975) by revisiting this memorable interview with the film's co-star, actor-director Richard Benjamin. In this episode, Richard looks back on his six-decade career in Hollywood and recalls memories of working with Woody Allen, Mel Brooks, Clint Eastwood, Mike Nichols and Orson Welles. Also, James Mason pulls a fast one, Walter Matthau plays the ponies, George Burns orders the soup and Johnny Guitar meets Lawrence of Arabia. PLUS: “He & She”! The genius of Michael Crichton! The brilliance of Buck Henry! Richard pursues Albert Finney! And Gilbert sings the theme from “Goodbye Columbus”! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday (November 19th) of 4-time guest and friend of the podcast, the legendary Dick Cavett, by presenting this ENCORE of a fascinating interview from 2019. In this episode, Dick shares delightful (and hilarious) anecdotes about Jack Benny, Stan Laurel, Truman Capote and Walter Winchell (among others) and looks back on  memorable sit-downs with Orson Welles, John Lennon, George Harrison and Laurence Olivier. Also in this episode: Peter Lorre fails the audition, Lily Tomlin storms off the set, Bob Hope comes to Lincoln, Nebraska and Jack Paar sabotages “Fat Jack” Leonard. PLUS: Oskar Homolka! “Chuckles Bites the Dust”! The return of Richard Loo! Johnny Carson disses Jerry Lewis! And Dick introduces “An Evening with Groucho”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville - "Moby Dick," starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of a young seaman (Baseheart) while serving aboard a whaling ship under the command of Captain Ahab (Peck). But who is the real monster in the story? Find out more on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville – “Moby Dick,” starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of […] The post Moby Dick | Episode 490 appeared first on The ESO Network.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss Richard Linklater! He's an American indie legend who we recently just spoke to! With two new films out here at the end of 2025 (Blue Moon and Nouvelle Vague), we discuss his B-Sides: SubUrbia, The Newton Boys, Me and Orson Welles, and Apollo 10½: A Space Age Childhood. Our guest is Ryland Aldrich, our dear friend, an accomplished producer and experienced writer on film, as well as the creator of FYCit App,“the number one smartphone app for awards voters and guild members to find awards screenings, events, and content for all the season's top contenders.” Conor, Ryland, and I dig into our love for Linklater, the highs and lows of his long, accomplished career, and his continued improvement as a stylist. We debate Ethan Hawke's chances of getting an Oscar nomination for his Blue Moon performance, the lasting cultural relevance of School of Rock, and Orson Welles' famous response to a question about Elia Kazan many years ago. There's also mention of the Mercury Theater's famous 1938 broadcast of “The War of the Worlds,” the documentary Chasing Chasing Amy, and those real-life clips of The Newton Boys.

Welcome to It's A Wonderful Podcast!For our hugely exciting NOIRVEMBER 2025 celebration, Morgan and Jeannine are taking a look at a selection of British Film Noir all month long, featuring some of the greatest stars and directors of the genre!British Noir may hit its peak with this week's movie as Morgan and Jeannine take a mysterious journey around the rubble filled streets of post-war Vienna with Joseph Cotten's pulp writer as he tries to uncover the truth around his friend's death. Filled to the brim with expressionism, cover-ups, doomed romance, and a sense of entrapment, this really is one of the most gripping Noir's of all time! Join them to celebrate Carol Reed's THE THIRD MAN (1949) co-starring Orson Welles, Alida Valli & Trevor Howard!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Oh lord, here we go. It's another animated Cage movie. This time by the studio that brought the horrid eyesore Jimmy Neutron to life. So of course we end up talking about Orson Welles and ant magic instead. Oh, and grandmas fuck now. This is Cage Match.Intro music by: Bill Panks

Today we're going back to 1942 for a wartime drama from The Cavalcade of America, one of radio's most unsung A-list anthology series. This episode, In The Best Tradition, stars Orson Welles and was originally broadcast in honor of Navy Day. It's pure patriotic storytelling, tracing the proud history of the U.S. Navy from its founding in 1775 to the modern age of steel and ordnance. You'll hear about heroes like John Paul Jones and Commodore Oliver Perry, the invention of the mighty Dahlgren cannon, and even a moving scene set during the attack on Pearl Harbor. It's a powerful slice of history, mixing courage, innovation, and sacrifice; the perfect listen as we honor Veterans Day. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

GGACP celebrates National Aviation Month (!) by revisiting the infamous Pat McCormick helicopter story in this ENCORE of an interview with legendary writer-actor-director Buck Henry. In this episode, Buck looks back on his 50+ year career and shares hilarious anecdotes about Orson Welles, James Mason, John Belushi and Jonathan Winters (among others). Also: Buck adapts “Catch-22,” praises Richard Benjamin, invents the Cone of Silence and co-directs “Heaven Can Wait." PLUS: “Captain Nice”! “Samurai Delicatessen”! Claude Rains speaks! The hoaxes of Alan Abel! And Buck remembers “That Was the Week That Was”!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Get out your lie detectors and fedoras, Dear Listeners, as we wade through the drama and deception of Orson Welles' “F for Fake” with writer Eric Hunt.  The conversation examines the boundaries of truth and art, the release of anonymity, the hope of legacy, and looks to answer the question- is this even a podcast? (Spoiler alert- it is!)

MarketsTAMPAN: Tesla, Amazon, Meta, Palantir, Apple, NvidiaTeslaCompetition with xPeng?Compensation PlanLive streaming Shareholder meeting. “1 Trillion pay package!!” Proxy hereRules:12 Tranches. 12 Market Cap + 12 Operational Term: 10 years! Award: 1% of shares in form of RSU. Vest on (a) the Market Capitalization Milestone for such tranche and (b) a previously unmet Operational Milestone. 12 Market Capitalization Milestones:1: $2 trillion2-10: $500 billion (to $6.5 trillion)11-12: $1 trillion (to $7.5 and $8.5 trillion12 Operational MilestonesProduct Goals20 Million Tesla Vehicles Delivered10 Million Active FSD Subscriptions1 Million Bots Delivered1 Million Robotaxis in Commercial OperationAdjusted EBITDA Milestones. 1-8 $50 to $400b.ETF ownership and voting rights FordFord executives might scrap the electric version of its F-150 pickupFord has $13 billion in EV losses% of Global EV Sales25.7m BEV sales since 20197.3m is TeslaLucid ranks #3 most cash burning EV maker globally with total reported cash burn of $14.4B behind Rivian $23.2 billion and Ford's EV segment $15.5 billion.PalantirEarnings PagePlay Alex's opening remarks!“114% Rule of 40 score! What Is the Rule of 40?Core Formula: Rev Growth + operating MarginAlex Letter to Shareholders Some of our detractors have been left in a kind of deranged and self-destructive befuddlement.

The seemingly humble garden pea has soil superpowers, caused a medieval craze, and drove Orson Welles to distraction. Come along with Anney and Lauren as they give world peas a chance in this classic episode.See omnystudio.com/listener for privacy information.

This week we start Noirvember proper with "The Third Man." We discuss the history of the film, and it's dual American/British super producers. After we discuss the history of the film, we dive into the plot of the film and praise the film's distinctive style along the way. Finally, we get to our pairings, and pair the film with another for a duo of double bills.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. Emerante de Pradines's son, Richard Morse, tells us about his mother's life and her commitment to de-demonising vodou culture through her music. Haiti expert Kate Hodgson, from University College Cork in Ireland, expands on the history of the country in the 20th Century. The story of how an Argentinian doctor was inspired to create a new treatment for heart disease and when the death of a Catholic priest sent shockwaves through El Salvador in 1977. Plus, the memories of a survivor of the Srebrenica massacre in 1995, when thousands of Bosnian Muslims were killed by Bosnian Serb Soldiers thirty years ago. The first female jockey to win the Melbourne Cup and Orson Welles's famous re-telling of the War of the Worlds, which sparked mass panic in America. Contributors: Richard Morse – son of Haitian singer Emerante de Pradines Lucy Hodgson – lecturer in French at University College Cork in Ireland Dr Julio Palmaz – the inventor of the balloon-expandable stent Gabina Dubon – colleague of Father Rutilio Grande Sister Ana Maria Pineda – theologian and author Hasan Nuhanovic – survivor of the Srebrenica massacre Michelle Payne – 2015 Melbourne Cup winner Archive recordings of Orson Welles, his producer John Houseman and writer Howard Koch (Photo: Orson Welles rehearsing a radio broadcast of H.G. Wells' classic, The War of the Worlds on October 10, 1938. Credit: Photo12/Universal Images Group via Getty Images)

Acclaimed motion picture director Orson Welles guides us through some fun older pitches from past halloween episodes! This episode includes clips from: Episode 140: The Sun Grew Legs and is Furious About It (With Brent Black and Dave Bulmer) Episode 451: You Will Go Down With This Ship (With Eden MW) Episode 137: Belly Button (With Jenny Garner and Katy Lidster) Clip from Episode 194: "The Life's a Pitch"

The 1938 radio drama of “War of the Worlds” by H.G. Wells, as performed by Mercury Radio Theater and Orson Welles.Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPESOURCES AND REFERENCES FROM THIS EPISODE…“War of the Worlds” by H.G. Wells. Radio script by Orson Welles, produced by Mercury Radio Theater“War of the Worlds: The Greatest Halloween Prank Ever” by Troy Taylor: https://tinyurl.com/yyo42gpwWeird Darkness theme by Alibi Music Library. = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: October 30, 1938EPISODE PAGE: https://weirddarkness.com/WOTWABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #WarOfTheWorlds #OrsonWelles #HGWells #RadioHistory #AlienInvasion #TrueCrime #Paranormal #SciFiHistory #ClassicRadio

We end the week with an amusing blooper where Paul Derby and my usual cohorts all kept talking and, alas, we gave a brief summary of everything you possibly need to know about one of cinema's late greats: Peter Bogdonavich.   In under 20 minutes, we also discuss his Orson Welles friendship and movie collaborations)   We also discuss some other funny discoveries & happenings before getting onto the subject.      

On the eve of Halloween in 1938, Orson Welles and the Mercury Theater on the Air convinced America that Martians had landed and were actively destroying the planet.Auditory Anthology presents the complete, legendary radio drama of H.G. Wells's The War of the Worlds. Listen as this groundbreaking performance unfolds in real-time, delivered with such convincing realism that it sparked mass panic across the United States.Experience the chilling, masterfully-told tale of alien invasion as it was meant to be heard, as a series of escalating news bulletins and terrified live reports that change from a curious scientific anomaly to a horrifying global crisis in under an hour.If you have a story you'd like to contribute to the series, you can visit https://submissions.soundconceptmedia.com/You can support the show by becoming a paid subscriber on Substack: https://auditoryanthology.substack.comBy becoming a paid subscriber you can listen to every episode completely ad-free!Curator: Keith Conrad linktr.ee/keithrconradNarrator: Darren Marlar https://darrenmarlar.com/Other shows hosted by Darren:Weird Darkness: https://weirddarkness.com/Paranormality Magazine: https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead Hosted on Acast. See acast.com/privacy for more information.

The night before Halloween in 1938, 23-year-old Orson Welles and his Mercury Theatre on the Air performed a radio adaptation of HG Wells's The War of the Worlds.It would become one of the most notorious radio broadcasts in history. In their own words, from the BBC's archive, Orson Welles, producer John Houseman and writer Howard Koch describe how it was "a very boring show" until they had the idea to update the science fiction story, using reportage and the name of a real location in New Jersey in the United States, as the scene for where aliens from Mars would invade.Up to six million people tuned in, most of whom had no idea that what they were listening to was fictional. It prompted mass panic. Orson Welles delights in recalling "Suddenly everyone started driving at 125 miles per hour," saying, "I'm going to the hills". Produced and presented by Josephine McDermott.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Orson Welles rehearsing The War of the Worlds. Credit: Bettmann/Getty Images)

Happy Halloween! We're celebrating with a spooky collection of some of the big screen's most famous monsters in old time radio thrillers. Orson Welles is the count who never drinks...wine in "Dracula," presented by the Mercury Theatre On the Air (originally aired on CBS on July 11, 1938), and Suspense presents its own version of the horror classic "Frankenstein" (originally aired on CBS on June 6, 1955). Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde" walk the streets in a syndicated story from The Weird Circle, and a group of climbers hunt for the legendary beast of the Himalayas in "The Abominable Snowman" from Escape (originally aired on CBS on September 13, 1953). A mysterious island is home to a creature that's howling mad in "W is for Werewolf" from Dark Fantasy (originally aired on NBC on February 13, 1942). Finally, Basil Rathbone dons the mask of "The Phantom of the Opera" on The Lux Radio Theatre (originally aired on CBS on September 13, 1943).

One of the most famous radio shows.The Mercury Theater of the Air, originally broadcast October 30, 1938, 87 years ago.  A modernized adaptation of HG Wells War of the Worlds.  The show was styled as a series of live news bulletins describing a Martian invasion of Earth. Though announced as fiction, the realistic format caused panic among some listeners who believed the invasion was real. The broadcast became one of the most famous moments in radio history and a defining example of the medium's power.Next, a rare recording of author HG Wells discussing the broadcast with Orson Welles from October 28, 1940, on KTSA Radio in San Antonio, Texas.  The meeting occurred while both men were in the city for separate lecture engagements—Wells was addressing the United States Brewers Association, and Welles was preparing for a town hall forum.We close out the show with an episode of Theater Five, originally broadcast October 30, 1964, 61 years ago, The Second Chance.  A middle-aged man discovers the secret of growing backwards...getting younger every year!  

Natalie Wood was one of the most loved child stars of the silver screen in the mid-20th century, and the rare celebrity who was able to transition gracefully into grown-up roles all while maintaining an air of dignity and grace. She acted alongside Orson Welles, James Dean, Warren Beatty, and Bette Davis, and many of her roles remain iconic decades later. But beneath her unprecedented professional success was a life unseen by the public – a life full of fears, paranoias, pills, gypsy curses, and secrets. And when she drowned at the age of 43, more secrets would come floating to the surface. This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

5. Monsieur Verdoux Flop and HUAC Persecution Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin purchased the idea for Monsieur Verdoux from Orson Welles, but the 1947 film—a dark comedy about a serial killer—became his first commercial failure, released at an inopportune moment following World War II. Though the FBI had surveilled Chaplin and confirmed he was not a Communist, they sought to remove him due to his politics and what they deemed his "flamboyant sex life." HUAC avoided calling him to testify in order to maintain their narrative. Gossip columnist Hedda Hopper personally pursued a negative campaign against him, projecting her loathing of her ex-husband onto Chaplin. 1921

The year was 1938. Families across America gathered, listening during the golden age of radio. On the eve of Halloween, a broadcast interrupted their evening: A live report claimed Martian cylinders had landed in Grovers Mill, New Jersey. Within minutes, panic erupted as citizens fled their homes, convinced Earth was under alien attack. The entire event was fake. It was a perfectly executed radio drama by 23-year-old Orson Welles. Here's the sales lesson tucked into The War of the Worlds sci-fi scare: Welles wasn't just reading a script. He was executing a masterful lesson in emotional engagement. He had listeners hooked, buying into his story emotionally before their brains had time to register, "Wait, this can't be real."  That emotional buy-in is a core tenet of sales: People buy on emotion and then justify it with logic and facts. If rational adults can flee their homes over a fictional Martian invasion, imagine the force of emotion you can unleash when you find your prospect's emotional trigger. Sharpen your emotional intelligence, and you deploy a powerful sales tool. Emotion Gets the Attention, Data Seals the Deal Welles sold tension, uncertainty, and gravity, not a product. His voice was calm yet urgent, delivered with the authority of a trusted news anchor. The audience felt an adrenaline surge—heartbeats rising, eyes widening—before they had time to check the facts. This is the non-negotiable first step in sales. Your passionate storytelling creates the emotional charge. Your tone carries more weight than any spreadsheet full of ROI data. Emotion gets your buyer leaning in and invested in the outcome. The data you provide simply helps them sleep well at night after they've already made their decision. If your message isn't landing, stop reviewing your product deck and start analyzing your delivery. Are you speaking with urgency, and are you connecting to their emotional state? Without that emotional resonance, even the best solution just adds to the noise. Authority Isn't Arrogance, It's Command Welles dressed his fictional story in familiar trappings like live news bulletins, eyewitness reports, and crackling radio static. Each detail made the unbelievable feel legitimate. He commanded belief by establishing immediate, undeniable authority. Bring that same presence to your sales interactions. Authority isn't arrogance; it's commanding belief. Sound like someone who's been there, knows the terrain, and has the solution. Communicate with unwavering authority, and you build trust before price discussions begin. This is how you sell the experience. Prospects must believe in you and your company; belief in your product comes next. They buy the experience of working with you before seeing the product. If you sound uncertain, you'll never build a foundation of trust. Stay Steady to Control the Chaos Welles predicted a strong reaction to his broadcast and stayed calm, controlled the narrative, and guided the audience through the panic he was creating. In sales, moments of crisis or uncertainty test your professionalism. When a prospect goes cold, objections arise, or a competitor attacks, do not panic. Do not mirror their anxiety—it only feeds chaos and cedes control of the deal. Control the process, control yourself, control the outcome. When deals wobble and emotions spike in your buyer, that is your moment to shine. Breathe, slow down, ask questions, and lead steadily. Be the calm voice that reassures, guides, and inspires confidence. Mastering internal composure is the essence of emotional intelligence in sales.  Your Action Plan: Develop Your Sales EQ Mastering composure under pressure is a skill, not a gift. It requires commitment to developing emotional intelligence so you can use logic while others react in fear. Start a 'Rejection Journal' Drill. Stop letting rejection or setbacks paralyze you. Create a Failure Log to immediately document your feelings (frustration,

PROJECT AUDION 74: Eno Crime Clues In the Spirit of the Spooky Season, Project Audion goes back 90 years for our latest recreation! From the early days of the classic era of audio drama, we're bringing to life a unique ghost-story/murder-mystery episode of a radio series which is now so forgotten that it might well be a ghost: Eno Crime Clues. Mind you, in the early 1930s Eno Crime Clues was a major radio hit, airing hundred of episodes about detective Spencer Dean (known as "The Manhunter") and his partner, Dan Cassidy. Eno "Fruit Salts" (which are still around today) was the sponsor. Many of the shows were two-parters, with the audience invited to guess the killer at the end of the first episode. But this particular lost script from 1936 (late in the series' run) took the show in a new direction. You know how Orson Welles' War of the Worlds made such an impact by making the story sound like a genuine on-the-spot broadcast? Turns out he wasn't the first. This Crime Clues episode tried the same trick over two years earlier, using a real location, the show's genuine announcer and director, and a remote broadcast which -- well, you'll just have to listen... Our Cast: TOM KONKLE in California PAUL ARBISI in Illinois HOLLY ADAMS in NY DOUGLAS HERMANN in California PAUL PATTERSON in Georgia DAVID RIES also in Georgia KEN RANEY in Texas PAUL KOVIT in New York and LARRY GROEBE, directing from Texas

The sensational news reports about the 3I Atlas space anomaly, especially on social media, are becoming eerily similar to Orson Welles' October 30, 1938, broadcast of The War of the Worlds, which stunned listeners with its simulated live-news format, convincing many that Grover's Mill, New Jersey, was under siege. It is all coming together right now, as NASA is closed due to the government shutdown, while this mysterious celestial object becomes the extraterrestrial bogeyman that is creating a real War of the Worlds scenario. With all of the chaos and turmoil going on, what would it take to unite people? Well, perhaps we know the answer, and 3I/Atlas just happens to be a convenient example of how a government can take advantage of an alien threat. Listen to Ground Zero with Clyde Lewis M-F from 7-10 pm, pacific time on groundzeroplus.com. Call in to the LIVE show at 503-225-0860. #groundzeroplus #clydelewis #3IATLAS #waroftheworlds #AlienThreat #NASA

Send a Message to the TeamIn this episode, the team examines a case of coincidence where aliens actually do invade during Orson Welles' War of the World broadcast.Panel:Evan, Dylan, and ChrisYou can follow and interact with A Fork In Time on….Discord: https://discord.com/invite/xhZEmZMKFSFacebook: https://www.facebook.com/aforkintimeTwitter: @AFITPodcastOur YouTube ChannelIf you enjoy the podcast and want to support it financially, you can help by:Supporting us monthly via Patreon: https://www.patreon.com/aforkintime....or, make a one-time donation via Podfan to A Fork In TimeWebsite: www.aforkintimepodcast.comE-Mail: aforkintimepodcast@gmail.comTheme Music: Conquer by Shane Ivers - https://www.silvermansound.comSupport the show

It's that time again! It's October. The sun goes down in the afternoon now. Night has a chill. And at CVS and Walgreens, they are already putting up the Christmas decorations. That's right, it's Halloween. But none of that for us! We are firmly planted in autumn. As Ray Bradbury once wrote, “Something, something, something, autumn something.” By Ray Bradbury. We have enough show here to stuff your pillowcase, so grab a bag of candy and settle back. Howard Berger and Marshall Julius are here to discuss their new book, Making Monsters, inside stories from the creators of Hollywood's most iconic creatures. This is a terrific book, basically it's a high school yearbook for professional monster kids. Rick Baker, Tom Savini, Michael Giacchino, Larry Karaszewski, Ve Neill, Richard Edlund, Derek Mears, Bill Corso, David Dastmalchian, Mick Garris, Mike Mendez. The list goes on and on and on. Monster kids who grew up but never put it away, and followed their passions right into show business. Packed with photos and interviews, it's really a terrific piece. Making Monsters, by Howard Berger. The Academy Award winning make up artist, he is the B in KNB FX and Marshall Julius, author and film critic and - get this – he's British. He's from the United States of Britain. Daren Docterman is also here. Daren is an illustrator and set designer, he's worked on The Abyss, Monster House, Master and Commander, he was the VFX supervisor on the director's cut of Star Trek - The Motion Picture. He, along with Mark Altman and Ashley Miller, make up The Inglourious Trexperts. Check out that podcast. And, like Howard Berger and Marshall Julius. He's a pal. We've had meals. Quite a few. Daren Dochterman. True Tales From Weirdsville takes a deep dive into American International Pictures and it's genre output in the '50s and '60s. It gave us Roger Corman, It Conquered The World, Invasion Of The Saucer Men, The Amazing Colossal Man, I Was a Teenage Werewolf. And then it segued into the '60s with the Vincent Price / Edgar Allen Poe films like The House Of Usher, The Pit and The Pendulum, and so and and so forth. And then, as a Halloween bonus, we're going to go back into the archives and present you the True Tales we did on Orson Welles' War Of The Worlds broadcast. It's all here. It's all for you. And now, I can hear the kids at the door, and so it is on to our filthy business.

“No more defenses. Our army is wiped out—artillery, air force, everything wiped out.” This is the story of the invasion of New Jersey. “The War of the Worlds” is a 1938 radio adaptation of an 1897 science fiction novel by H.G. Wells that details an alien invasion of Earth, a seminal work that popularized the term “Martian” and the theme of “first contact” in sci-fi. 23-year-old Orson Welles and his Mercury Theatre team were tasked with zhuzhing up the classic novel for their series of one-hour CBS radio plays, but unfortunately, the contemporary American setting, the shockingly realistic news bulletins, and the harrowing eyewitness accounts all added up to produce a panic among out-of-the-loop listeners.  Invasion, fictional or otherwise, was at the fore of many minds as Germany broke treaties and demanded more land—the Allies ceded the Sudetenland just one month prior to the broadcast. The stories of a mass hysteria that gripped the nation have been exaggerated, but have no fear: we'll take you through the radio play and the aftermath so you can decide whether or not you believe it. ____ Connect with us on ⁠HTDSpodcast.com⁠ and go deep into ⁠episode bibliographies⁠ and ⁠book recommendations⁠ join discussions in our ⁠Facebook community⁠ get news and discounts from ⁠The HTDS Gazette⁠  come ⁠see a live show⁠ get ⁠HTDS merch⁠ or become an ⁠HTDS premium⁠ member for bonus episodes and other perks. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The skies are unfriendly this week as three old time radio heroes face danger in the air. First, Boston Blackie is due in with evidence to send a notorious gangster to the chair…but his airplane disappears! Richard Kollmar stars as the gentleman thief turned gumshoe in this syndicated mystery. Then, Orson Welles recreates his Third Man role in “The Hard Way” from The Lives of Harry Lime, a syndicated story that finds Lime catching a flight to trouble in the charter airline business. Finally, Bob Bailey is Johnny Dollar in a five-part mystery that begins when a plane goes down. It's “The Flight Six Matter” (originally aired on CBS between January 30 and February 3, 1956).

Long before Orson Welles provoked a panic with his 1938 radio broadcast of a Martian invasion in War of the Worlds, we were fascinated with the possibility of life on the Red Planet. We may be a step closer to finding it after the Perseverance rover turned up tantalizing evidence of possible ancient life in the form of mineral deposits in a Martian rock. But to be sure, we need to test that rock sample in a lab here on Earth, and the NASA Mars Sample Return Mission has been suspended. Still, our passion for our favorite inhabited world has not diminished. From the latest possible biosignature, to the supposed canals on Mars, to how the early 20th century Martian craze influenced vaudeville, we consider the many ways we are Mad About Mars. Guests: Janice Bishop – Senior research scientist at the SETI Institute. Adam Frank – Astrophysicist at the University of Rochester David Baron – Author of “The Martians: The True Story of an Alien Craze that Captured Turn of the Century America” Featuring music by Dewey Dellay and Jun Miyake You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support! Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science. Learn more about your ad choices. Visit megaphone.fm/adchoices

The celebrated primatologist Jane Goodall died last week at the age of 91. In tribute, we're re-sharing this interview from 2020, where she reflects on the years she spent living with the wild chimpanzees in Gombe in eastern Tanzania and why she believes the best way to bring about change is to ‘creep into people's hearts'. Jane shot to fame when she appeared on the cover of National Geographic magazine in 1963 and appeared in a documentary film directed by Orson Welles. Her ground breaking observations introduced us to the social and emotional lives of wild chimpanzees and changed our view of what it is to be human. Images of her younger self play-wrestling with baby chimps make Jane feel slightly apprehensive now but at the time she didn't give it a second thought. However, she did take care to protect her young son. Seeing distressing footage of chimps who were living in captivity, she gave up fieldwork to become an activist, working to liberate chimpanzees that were being used for medical research or sold for meat or as pets, and setting up chimp sanctuaries for animals that were no longer able to live in the wild. For the last thirty years, she has campaigned gently but relentlessly to protect wild animals and wild places, touring the world and performing on stage in front of huge audiences. Her global youth programme, Roots and Shoots has inspired and empowered millions of people to understand and respect nature, leading some to call her ‘the mother Theresa of the environment'. A label she dislikes.Producer: Anna Buckley

The team at GGACP bids a fond farewell to our recently departed friend and one of the podcast's favorite guests, comedy writer Ron Friedman (“Get Smart,” “The Odd Couple,” “All in the Family”) by presenting this ENCORE of a memorable interview from 2018. In this episode, Ron recalls working with everyone from Lucille Ball to Milton Berle to Danny Kaye to Orson Welles and shares the war stories to show for it. Also, Herve  Villechaize packs a rod, Sammy Davis meets Charlie's Angels, Ron writes “Murder Can Hurt You!” and Pat McCormick takes a…”dip” in Jonathan Winters' pool. PLUS: Vaughn Meader! Stump and Stumpy! Forrest Tucker introduces “the General”! And Ron creates Paul Lynde's Uncle Arthur!  Learn more about your ad choices. Visit megaphone.fm/adchoices