Podcasts about Columbus Circle

Join us for an engaging conversation with Gerard Maroney and Mike Crispi, two key figures in the revival of the Italian American Civil Rights League. These guests take us on a journey through their Italian roots, sharing stories that highlight the vibrant culinary traditions of Naples and Sicily. As we indulge in our shared love for tripe and discuss the unique preparation methods in Trapani, listeners will feel the warmth of our Italian American heritage, whether experienced on the bustling streets of New York or New Jersey. Our discussion moves into the sphere of advocacy, where Gerard shares his insights as a criminal defense attorney on the erasure of Columbus Day and the biases prevalent in the legal system. We explore the resurgence of the Italian American Civil Rights League, aiming to unite factions across states to combat stereotypes and demand fair treatment. The past achievements of the League, like the historic gathering at Columbus Circle, inspire our commitment to ensuring the cultural identity and heritage of Italian Americans remain respected and protected. Throughout the episode, we reflect on the tenacity and entrepreneurial spirit that define the Italian American experience. From the pressures of assimilation to the profound impact on cultural landscapes across anglophone countries, our conversation underscores the significance of representation and understanding. Through personal experiences, we acknowledge the sacrifices of past generations and the ongoing journey to secure a rightful place in a diverse Italian American identity.   THEIR SOCIALS  Italian American Civil Rights League Website:  https://iacrl.org/   X: @theiacrl Instagram: @theiacrl

The All Local Afternoon Update for Friday, February 28 2025

Support Breaking Walls at https://www.patreon.com/thewallbreakers Well we've reached the end of our look at Yours Truly Johnny Dollar and New York City in January of 1956. It would be impossible to tell a complete story on either subject within one episode. For more info on the history of Yours Truly Johnny Dollar, please tune into Breaking Walls episode 102. As far as New York City goes, don't worry we'll be staying right here in the next episode of Breaking Walls. Next time on Breaking Walls, it's February of 1950 and we're following detective Danny Clover on his beat, from Times Square to Columbus Circle. It's the gaudiest, the most violent, the lonesomest mile in the world.

Kim and her daughter Amelia went to New York City in December to experience the Big Apple for the holidays. In addition to enjoying the holiday markets, ice skating, and decorations, they went on a quest to find all the of the Taylor Swift related spots in the City. If you have a Swiftie fan, give this episode a listen! Trip Highlights: Kim stayed at the Grayson Hotel near Bryant Park, which has a good location but the rooms are very small and the rooftop bar is pretty loud and crowded They visited from Sunday - Wednesday to avoid the weekend crowds Earlier December is better because the crowds get heavier the closer it gets to Christmas and between Christmas and New Years Ice skating in Bryant Park is much cheaper than skating in Rockefeller Center and if you have your own ice skates, it is free. You need to book your time slot when it opens a week in advance. You get 20 minutes to get your skates and 50 minutes on the ice for your time slot. Kim and Mia used CityPASS New York to see many of the sights. The passes are available digitally and you can book reservations (when needed) from within the CityPASS app. They did Top of the Rock at night and then the Empire State Building during the day. During the holidays, Top of the Rock has a seasonal Christmas pop up bar. There are Christmas Markets at Columbus Circle, Bryant Park, Herald Square, and Union Square to visit. Bryant Park is one of the busiest markets. The storefronts on Fifth Avenue are decorated and Sixth Avenue has a lot of large ornaments and other holiday decorations. They didn't get to visit the lights in the neighborhood of Dyker Heights, Brooklyn. Taylor Swift Spots in NYC: Housing Works - where Taylor Swift filmed part of the "All too well" video House on Cornelius Street Bus Stop Cafe near Cornelius Street Walk on the Highline Chelsea Hotel See more details in Kim's Instagram post

Track 03. bridges. ft. c o l o r s Track 04. double-double. Track 05. Columbus Circle. Track 06. BEZUZ. (Park Interview Interlude) Track 07. eye(s) Track 08. Call Ahead. Track 09. city suite. Track 10. PWR. (The Great Adventutes of Uptown A) Released formerly as Under The (L), as the final track on the previous collaborative EP The Spider, I_NY. Layers its progression to double its first track, as the narrative follows-up with a continuance of the mysterious assassain‘s alternate storyline; a glimpse of decayed sounds for telling the underlying action-adventure fantasy set to be revealed in the upcoming short film, for which the soundtrack's thoughtfully composed ten tracks gives way to, in its cinematic sounds and city scapes gestures of industrial suggestive aural tones and deeply heavy rolling baselines. Track 02. Avant-Garde. I_NY. (The Studio Album) Uptown A, -Ū. I_NY. is out now—give it a listen! YouTube: https://music.youtube.com/playlist?list=OLAK5uy_lJA5QcV0YzxJ5oc_CwSyfnGXWAbDpNMvw iTunes: I_NY. (The Studio Album) by Uptown A & -Ū .https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Spotify: https://open.spotify.com/album/4bj5gXMZXiWujnIps54vz9?si=TKwRe-yYSM2_8bwZ2sQhuQ Apple Music: https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Check Out The Spider (EP) Here: iTunes: https://music.apple.com/us/album/the-spider-ep/1765564720 Apple Music: https://music.apple.com/us/album/the-spider-ep/1765564720 Spotify: https://open.spotify.com/album/7qE9jTR1vkT8PLoSMmjcUd?si=Tjz_hBowROafFaanhtJ4rw Uptown A's edgy and avant garde city grunge speaks true to its name in the upcoming I Love New York, styled I_NY for those who might be on the fense so-to-speak— the new wave industrial techno and garage grunge elements of the dance music counter cultures and subculture which spines the present day interpretations of the rave culture. “It's a fully instrumental album because the city speaks for itself.”, says the producer, a transplant from the west coast. The Album, part one of a series of New York inspired soundscapes and symphonies composed by the multi instrumentalist DJ and musician whose electronic sound showcases the warehouse essenses of the brick wall backdrops, chained link and bared wire, bars and windows, barebones underbelly of the subterranean world lurking just below the street of Manhattan's glitz and glamour waterfronts, Giving insight to the world of bass music culture, the techno-punk grotesque outcry's give a neo gothic twist. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Track 05. Columbus Circle. I_NY. (The Studio Album) Uptown A, -Ū. I_NY. is out now—give it a listen! YouTube: https://music.youtube.com/playlist?list=OLAK5uy_lJA5QcV0YzxJ5oc_CwSyfnGXWAbDpNMvw iTunes: I_NY. (The Studio Album) by Uptown A & -Ū .https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Spotify: https://open.spotify.com/album/4bj5gXMZXiWujnIps54vz9?si=TKwRe-yYSM2_8bwZ2sQhuQ Apple Music: https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Check Out The Spider (EP) Here: iTunes: https://music.apple.com/us/album/the-spider-ep/1765564720 Apple Music: https://music.apple.com/us/album/the-spider-ep/1765564720 Spotify: https://open.spotify.com/album/7qE9jTR1vkT8PLoSMmjcUd?si=Tjz_hBowROafFaanhtJ4rw Uptown A's edgy and avant garde city grunge speaks true to its name in the upcoming I Love New York, styled I_NY for those who might be on the fense so-to-speak— the new wave industrial techno and garage grunge elements of the dance music counter cultures and subculture which spines the present day interpretations of the rave culture. “It's a fully instrumental album because the city speaks for itself.”, says the producer, a transplant from the west coast. The Album, part one of a series of New York inspired soundscapes and symphonies composed by the multi instrumentalist DJ and musician whose electronic sound showcases the warehouse essenses of the brick wall backdrops, chained link and bared wire, bars and windows, barebones underbelly of the subterranean world lurking just below the street of Manhattan's glitz and glamour waterfronts, Giving insight to the world of bass music culture, the techno-punk grotesque outcry's give a neo gothic twist. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Track 03. bridges. ft. c o l o r s Track 04. double-double. Track 05. Columbus Circle. Track 06. BEZUZ. (Park Interview Interlude) Track 07. eye(s) Track 08. Call Ahead. Track 09. city suite. Track 10. PWR. (The Great Adventutes of Uptown A) Released formerly as Under The (L), as the final track on the previous collaborative EP The Spider, I_NY. Layers its progression to double its first track, as the narrative follows-up with a continuance of the mysterious assassain‘s alternate storyline; a glimpse of decayed sounds for telling the underlying action-adventure fantasy set to be revealed in the upcoming short film, for which the soundtrack's thoughtfully composed ten tracks gives way to, in its cinematic sounds and city scapes gestures of industrial suggestive aural tones and deeply heavy rolling baselines. Track 02. Avant-Garde. I_NY. (The Studio Album) Uptown A, -Ū. I_NY. is out now—give it a listen! YouTube: https://music.youtube.com/playlist?list=OLAK5uy_lJA5QcV0YzxJ5oc_CwSyfnGXWAbDpNMvw iTunes: I_NY. (The Studio Album) by Uptown A & -Ū .https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Spotify: https://open.spotify.com/album/4bj5gXMZXiWujnIps54vz9?si=TKwRe-yYSM2_8bwZ2sQhuQ Apple Music: https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Check Out The Spider (EP) Here: iTunes: https://music.apple.com/us/album/the-spider-ep/1765564720 Apple Music: https://music.apple.com/us/album/the-spider-ep/1765564720 Spotify: https://open.spotify.com/album/7qE9jTR1vkT8PLoSMmjcUd?si=Tjz_hBowROafFaanhtJ4rw Uptown A's edgy and avant garde city grunge speaks true to its name in the upcoming I Love New York, styled I_NY for those who might be on the fense so-to-speak— the new wave industrial techno and garage grunge elements of the dance music counter cultures and subculture which spines the present day interpretations of the rave culture. “It's a fully instrumental album because the city speaks for itself.”, says the producer, a transplant from the west coast. The Album, part one of a series of New York inspired soundscapes and symphonies composed by the multi instrumentalist DJ and musician whose electronic sound showcases the warehouse essenses of the brick wall backdrops, chained link and bared wire, bars and windows, barebones underbelly of the subterranean world lurking just below the street of Manhattan's glitz and glamour waterfronts, Giving insight to the world of bass music culture, the techno-punk grotesque outcry's give a neo gothic twist. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Track 05. Columbus Circle. I_NY. (The Studio Album) Uptown A, -Ū. I_NY. is out now—give it a listen! YouTube: https://music.youtube.com/playlist?list=OLAK5uy_lJA5QcV0YzxJ5oc_CwSyfnGXWAbDpNMvw iTunes: I_NY. (The Studio Album) by Uptown A & -Ū .https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Spotify: https://open.spotify.com/album/4bj5gXMZXiWujnIps54vz9?si=TKwRe-yYSM2_8bwZ2sQhuQ Apple Music: https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Check Out The Spider (EP) Here: iTunes: https://music.apple.com/us/album/the-spider-ep/1765564720 Apple Music: https://music.apple.com/us/album/the-spider-ep/1765564720 Spotify: https://open.spotify.com/album/7qE9jTR1vkT8PLoSMmjcUd?si=Tjz_hBowROafFaanhtJ4rw Uptown A's edgy and avant garde city grunge speaks true to its name in the upcoming I Love New York, styled I_NY for those who might be on the fense so-to-speak— the new wave industrial techno and garage grunge elements of the dance music counter cultures and subculture which spines the present day interpretations of the rave culture. “It's a fully instrumental album because the city speaks for itself.”, says the producer, a transplant from the west coast. The Album, part one of a series of New York inspired soundscapes and symphonies composed by the multi instrumentalist DJ and musician whose electronic sound showcases the warehouse essenses of the brick wall backdrops, chained link and bared wire, bars and windows, barebones underbelly of the subterranean world lurking just below the street of Manhattan's glitz and glamour waterfronts, Giving insight to the world of bass music culture, the techno-punk grotesque outcry's give a neo gothic twist. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Track 03. bridges. ft. c o l o r s Track 04. double-double. Track 05. Columbus Circle. Track 06. BEZUZ. (Park Interview Interlude) Track 07. eye(s) Track 08. Call Ahead. Track 09. city suite. Track 10. PWR. (The Great Adventutes of Uptown A) Released formerly as Under The (L), as the final track on the previous collaborative EP The Spider, I_NY. Layers its progression to double its first track, as the narrative follows-up with a continuance of the mysterious assassain‘s alternate storyline; a glimpse of decayed sounds for telling the underlying action-adventure fantasy set to be revealed in the upcoming short film, for which the soundtrack's thoughtfully composed ten tracks gives way to, in its cinematic sounds and city scapes gestures of industrial suggestive aural tones and deeply heavy rolling baselines. Track 02. Avant-Garde. I_NY. (The Studio Album) Uptown A, -Ū. I_NY. is out now—give it a listen! YouTube: https://music.youtube.com/playlist?list=OLAK5uy_lJA5QcV0YzxJ5oc_CwSyfnGXWAbDpNMvw iTunes: I_NY. (The Studio Album) by Uptown A & -Ū .https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Spotify: https://open.spotify.com/album/4bj5gXMZXiWujnIps54vz9?si=TKwRe-yYSM2_8bwZ2sQhuQ Apple Music: https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Check Out The Spider (EP) Here: iTunes: https://music.apple.com/us/album/the-spider-ep/1765564720 Apple Music: https://music.apple.com/us/album/the-spider-ep/1765564720 Spotify: https://open.spotify.com/album/7qE9jTR1vkT8PLoSMmjcUd?si=Tjz_hBowROafFaanhtJ4rw Uptown A's edgy and avant garde city grunge speaks true to its name in the upcoming I Love New York, styled I_NY for those who might be on the fense so-to-speak— the new wave industrial techno and garage grunge elements of the dance music counter cultures and subculture which spines the present day interpretations of the rave culture. “It's a fully instrumental album because the city speaks for itself.”, says the producer, a transplant from the west coast. The Album, part one of a series of New York inspired soundscapes and symphonies composed by the multi instrumentalist DJ and musician whose electronic sound showcases the warehouse essenses of the brick wall backdrops, chained link and bared wire, bars and windows, barebones underbelly of the subterranean world lurking just below the street of Manhattan's glitz and glamour waterfronts, Giving insight to the world of bass music culture, the techno-punk grotesque outcry's give a neo gothic twist. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Track 05. Columbus Circle. I_NY. (The Studio Album) Uptown A, -Ū. I_NY. is out now—give it a listen! YouTube: https://music.youtube.com/playlist?list=OLAK5uy_lJA5QcV0YzxJ5oc_CwSyfnGXWAbDpNMvw iTunes: I_NY. (The Studio Album) by Uptown A & -Ū .https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Spotify: https://open.spotify.com/album/4bj5gXMZXiWujnIps54vz9?si=TKwRe-yYSM2_8bwZ2sQhuQ Apple Music: https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Check Out The Spider (EP) Here: iTunes: https://music.apple.com/us/album/the-spider-ep/1765564720 Apple Music: https://music.apple.com/us/album/the-spider-ep/1765564720 Spotify: https://open.spotify.com/album/7qE9jTR1vkT8PLoSMmjcUd?si=Tjz_hBowROafFaanhtJ4rw Uptown A's edgy and avant garde city grunge speaks true to its name in the upcoming I Love New York, styled I_NY for those who might be on the fense so-to-speak— the new wave industrial techno and garage grunge elements of the dance music counter cultures and subculture which spines the present day interpretations of the rave culture. “It's a fully instrumental album because the city speaks for itself.”, says the producer, a transplant from the west coast. The Album, part one of a series of New York inspired soundscapes and symphonies composed by the multi instrumentalist DJ and musician whose electronic sound showcases the warehouse essenses of the brick wall backdrops, chained link and bared wire, bars and windows, barebones underbelly of the subterranean world lurking just below the street of Manhattan's glitz and glamour waterfronts, Giving insight to the world of bass music culture, the techno-punk grotesque outcry's give a neo gothic twist. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Macy's Thanksgiving Day Parade Info 2024 The annual Macy's Thanksgiving Day Parade in New York City draws massive crowds, well over 1,000,000 people yearly. So, getting the correct info and knowing where to go can make all the difference between a positive and poor experience. Here's what you need to know.

Learn more at TheCityLife.org --- Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

We remembered this one to be better... J 5/10 M 5/10 For daily horror movie content follow the podcast on Twitter / Instagram @darkroastcult Each week we choose a movie from one of the horror genre to discuss the following week. Follow along each week by keeping up with the movies we are watching to stay in the loop with the movie club! Check out other podcasts, coffee and pins at www.darkroastcult.com ! THANKS TO ANDREW FOR MAKING THE INTRO SONG. (soundcloud.com / andoryukesuta)@andoryukesuta The footage from a personal camcorder is recovered by the U.S. Department of Defense in the area "formerly known as Central Park", bearing a disclaimer stating multiple sightings of a case designated "Cloverfield". The camera contains two sets of recordings, mixed together. The earlier footage, recorded on April 27, 2008, shows Robert "Rob" Hawkins waking up with Elizabeth "Beth" McIntyre in her father's apartment above Columbus Circle before embarking on a date across New York City and Coney Island. On May 22, 2008, Rob's brother Jason and Jason's girlfriend Lily Ford, throw a farewell party, celebrating Rob's new job. Jason gets Rob's best friend, Hudson "Hud" Platt, to film testimonials for Rob during the party. Beth, whose feelings are hurt because Rob never called her back after their one night together, brings another man to the party. Beth and Rob argue, and she leaves shortly before a massive earthquake occurs, causing a brief citywide power outage; the local news reports a capsized oil tanker near Liberty Island. From the roof, the partygoers witness an explosion in the distance and flee as flaming debris flies in their direction. As the partygoers leave the building, the severed head of the Statue of Liberty is hurled into the street. In the chaos, Hud records an enormous creature several blocks away collapsing the Woolworth Building before taking cover in a convenience store. When the group attempts to evacuate Manhattan, the creature's tail destroys the Brooklyn Bridge, killing Jason. News reports show the Army National Guard's 42nd Infantry Division attacking the monster and smaller parasitic creatures that fall off its body. Rob receives a message from Beth, who is trapped in her apartment at the Time Warner Center. Rob, followed by Hud, Lily, and Marlena Diamond, venture into Midtown Manhattan to rescue her. They find themselves in a battle between the creature and military, run into the subway, and are attacked by the parasites. While saving Hud, Marlena is bitten by one of the creatures. The four escape the subway and enter an underground mall where they are found by soldiers and taken to a command center nearby. When Marlena begins to bleed from her eyes, she is forcibly taken to a field hospital and explodes. Rob, still intending to save Beth, persuades one of the military commanders to let them go. He is informed when the last evacuation helicopter will depart before the military executes its "Hammer Down Protocol", which will destroy Manhattan to kill the monster. The surviving group travels to Beth's apartment building leaning on a neighboring skyscraper. After crossing roofs from the other building, the group finds Beth impaled on exposed rebar. They free her and make their way to the evacuation site at Grand Central Terminal, where they encounter the creature again. Lily is first rushed into a first helicopter to escape before Rob, Beth, and Hud are taken away in a second helicopter and witness the creature being heavily bombed. The creature remains unfazed and lunges out of the smoke, hitting the second helicopter, and causing it to crash in Central Park, killing all the occupants except Rob, Beth, and Hud.

Joe Biden gave a national address last night from the oval office and while debate has ensued about whether it was really live or not (among other things), the substance of the speech was a hot mess. Biden, as usual, lied his way through the entire speech, fumbling over words and fighting with the teleprompter. Plus, paid agitators were seen being dropped off by the busload in Washington, D.C. to protest Israeli Prime Minister Bibi Netanyahu's speech to Congress. They later destroyed Columbus Circle and other parts of downtown, Elizabeth Warren praised Kamala Harris for being the first VP to visit an abortion clinic, Russian and Chinese bombers were intercepted off the coast of Alaska, and did Harris pick a VP? In sports, Pat McAfee is returning to ESPN's College Gameday and UCLA head coach Deshaun Foster might have just delivered the most awkward press conference introduction in the history of sports. Finally, it is Thursday so we do That's Memetastic. SOCIALS: https://linktr.ee/drewberquist  NEWS: https://RVMNews.com  MERCH: https://RedBeachNation.com #DrewBerquist #ThisIsMyShow NEW: Silver Prepper Bars - Buy it. Break it. Trade it. https://prepperbarnow.com Protect your savings with a faith-based precious metals company at https://GoldwithDrew.com Be prepared for the worst with food you actually want to eat. Visit Prepper All Naturals at https://PreparewithBeef.com and use promo code RVM to save 25% off today!

Episode Notes Rob returns with Jim O'Kane of TVDads.com as John makes a mess of Columbus Circle and some motorcycles.

Today on our episode #388 of All in the Industry®, Shari Bayer has a special show with Jean-Georges Vongerichten -- acclaimed chef, restaurateur, and author, from their recent live audience event at the James Beard Foundation's Platform by JBF, which took place on Sunday, April 14th in NYC. Their one-on-one conversation centers around Shari's new book, Chefwise: Life Lessons from Leading Chefs Around the World, which Jean-Georges in a contributor to; diving into a range of topics from Chefwise which encompass matters applicable both in and out of the kitchen. Known for launching such city-defining restaurants such as his first, JoJo on the Upper East Side, flagship Jean-Georges at Columbus Circle and Tin Building at The Seaport, today Jean-Georges is responsible for the operation and success of over 60 restaurants worldwide. In addition to her latest book and hosting this podcast, All in the Industry, Shari is the founder of New York City–based Bayer Public Relations, which recently celebrated its 20th year. We're happy to share this exclusive event talk with you today. Many thanks to Jean--Georges, James Beard Foundation's CEO Clare Reichenbach who hosted our event, Phaidon, and Posman Books, who supplied Chefwise copies for our book signing, and teams! And many thanks to all who joined us! In addition, today's show features Shari's PR tip to read books, and Solo Dining experience at Four Twenty Five, a new seasonally driven restaurant by Jean-Georges in NYC, with Chef Jonathan Benno.  ** Check out Shari's book, Chefwise: Life Lessons from Leading Chefs Around the World (Phaidon). #chefwisebook **Photo Courtesy of Heather Willensky. Listen at Heritage Radio Network; subscribe/rate/review our show at iTunes, Stitcher or Spotify. Follow us @allindustry. Thanks for being a part of All in the Industry®. Heritage Radio Network is a listener supported nonprofit podcast network. Support All in the Industry by becoming a member!All in the Industry is Powered by Simplecast.

Exploring Central Park should be on your NYC bucket list. In this article, we're gonna simplify the best ways to get around Central Park so you can see all the sights efficiently. Pedicabs/Horse-Drawn Carriage On Central Park's website: pedicab tours are $150/hr and this is the discounted price. Usually cost $3-7 per minute. I've seen as high as $10/min. This is so expensive and no one on these tours ever looks like they are actually enjoying it. You'll miss most of the most famous spots just because the pedicabs can't go to the best places. Horse-drawn carriage on Central Park's website-$120 for a 30 min ride. $160 for 45 min ride. This does not include tip! Walk up prices will be much more expensive. Bike/Scooter Rental Bike rentals as low as $11/hr/person. Scooter rental is around $20-25/hr/person. Citi Bike: Day pass for $19/day. Free unlocks + 30 minute of free riding on a standard bike or $0.30/minute on an eBike Normal unlock: $4.79 for 30 minutes on a standard bike or $0.30/minute on an eBike Rollerblading or Skateboarding Rollerblade rental- $25 for 24-hour rental. Comes with helmet and pads. Would not recommend this option unless you are a very good rollerblader. The central park roads are sometimes uneven and the loop can get crowded. Would be fun if you are good but could easily be miserable if you are a novice. Skateboarding-- Same deal. You should be good at this. Probably best if you already live here and have one. This Episode's You'll Have to Check It Out Segment - Turnstyle Underground Market Located in the Columbus Circle subway station, right under the Shops at Columbus Circle. This market has a wide variety of food spots, shops, and dessert/drink places. Some include: Doughnuttery - Small, unique donuts Criollas - Empanadas Down Under Coffee - Coffee shops Lisa's Dumplings - Dumplings Panda Bubble Tea - Bubble teas and drinks Dog shop, barbershop, clothing boutiques Bike/Scooter Tours Bike tour, around $50/person for 2 hour tour. Scooter Tour, around $95/person for 2 hour tour. Walking Can use the free central park audio guide and choose your own adventure. Check out our Central Park Audio Guide Podcast Episode! Price: Free Subway + Walking On West side of the park: B/C subway runs along Central Park West. 72nd street stop drops you off by The Lake, Bethesda Terrace, Bow Bridge, Strawberry Fields, The Ramble. 10 min walk to Bethesda Terrace. 81st St Museum of Natural History B/C drops you off by Belvedere Castle, the Great Lawn, Turtle Pond, The Ramble. Price: Subway costs $2.90/swipe. Enjoy Central Park!

For Colored Girls Who've Completed Suicide: The Afterlife At The End of The Rainbow [An Inspiring Story] Had I exacted this science, For starters, On anyone else but A circle of stars, I forewarn you, I wouldn't be honored as such Just a disheartened philosopher, A nonpartisan biocentric; Listen, I'm learning my lessons and levels UGH, ARE YOU DONE YET. what. WE'RE STILL WAITING. huh? DRAKE BELL How long do i have to keep doing this for? ILLUMINATI Till the end DRAKE BELL Whens the end. ILLUMINATI When it is. Now even looking for something to watch became a writing assignment. *squinting* –and somehow, without even touching my mango, my keyboard was already sticky. *squinting even harder* –No… –No…(?) No. …No. Ugh! Try not to hold your breath. *holding breath/ attempting to block telepathy.* I told you, I need this. *attempt to block telepathy had failed* You don't need anything. *squinting exactly alike* The eyes really are windows… Maybe I should jump out then. –or jump in. dayumm . sike . Alright, I need something to take my mind off this project. How much acid did you put in the water. Enough Fuck, I hate my life. Which bottle is it in. [beat] All of them. *facepalm* Remarkable, what the love of a teenaged girl can do. I wouldn't quite call it that. I would. Don't be gross. I'm you. You're gross. Touche. I don't think we should be doing this. We shouldn't be. Ah come on! Now Johnny Depp? Nice. He's like 100 years old. Ah, to be young again. So wait. How the fuck exactly old is this lady? Really fucking old. Like, how old, though. Really, really fucking old. Okay, I have to talk to this Goddess. [She dances by] *gasp* Is that her?! Yeus. She's young again! It appears she has procured a body! Presumably! I must do the same! At once! At one! Lol who are these dudes. Just wait for it. Hurmph. Nrh. *sigh of deep frustration, facepalm* *falls into a deep unconscious of out sheer bewilderment* Oh good, they're here. Who's they? I don't know! Hm. Suhp. Nice rabbit hole. *shrugs nonscalontly* On telephone) She bought a what a Whole Foods Market? (In public, trying not to be heard) A penis shaped sweet potato. A WHAT? [Speak up] A– penis shaped sweet potato. A WH– A PENIS-SHAPED SWEET POTATO. (Everyone stops and stares) …it was delicious. Nice. I don't know Anymore What to do With myself I'm a mess On the Inside and out –wanna cry about it He's a rock and roll sex God I don't know What to think Anymore No, don't ask My opinion, It gets old Afterawhile, And after awhile I'll cry about it, but Right now, I've gotta get out of this Gotta get out! I gotta get out of this project. Well, how'd you get into it in the first place ? I don't know. I think i really tied one on at some party, I must have really been on one, i don't remember a thing. Ugh, what do you want. Listen, Ill make it quicK: It's bee quick. Do you have a deathclock on this guy, or what. Or what. That's all I want to know. Know what? When? When what? [Stopping] Are you serious. What. If i could tell you “when” then it wouldn't be a deathclock, would it. MAybe it's not. Yeah, I wish. Hey! wishes get granted– –I said that. –You said that. Look– Don't touch me. Sorry. No you're not. –if you can't give me the when–at least give me the how. Oh, the “How” Yeah. You want the “How” Just–yes. If i can't give you the “when”, what exactly makes you think I can give you the “How” Well, do you know how? You're a disgusting excuse for a human being. Well. Okay. “Okay”? I'm not a human being. Oh, right. UGH. I can't spend another minute with that WOMAN. Well, that's your grandmother, so Great-great– Whatever. You exist because she exists. Existed. She was dead before I was born! Actually, that's not true. Beg your pardon. …Ever had your palm read before. All of your kids– “kids “ Read: Lovechildren. Ahem. Are in this room And– Fuck that I'm not writing this scene, It wouldn't be the most horrible thing you'd ever written. No, but it's one of the most horrible things i've ever thought about, Is that so? No! It's funny but– But what? It's the fact I even thought about it that scares me. What is UP. What IS up? Have you ever thought about dating a writer? No. Aw, come on… Actually yes–once Once is all I need! Not you. Daww… I dated a writer once in college. What, really? Really. But that was in college. I was in college. He was a writer. Oh, that's hot. Not Exactly. He worked for Disney. Wait–he what? Hm. I almost forgot about that. DISNEY We didn't [simultaneously] MICKEY MOUSE I didn't. Well, what happened. Nothing, really. He was great. The only problem was… Flashback: Wait, you're 17. SEVENTEEN?? What's th difference! A YEAR! *purses lips* …or like, a couple months… *face* …or like–midnight on your birthday! *squints* But not 17! *shrugs* Hollywood Is Hollywood. Well, New Hollywood is a whole different story What's “New Hollywood?” My level is indifference, Benevolence, inward violence Ending obsessions and arrangements, Incessant sexual repression, Exponential explanations –Of the world i've never lived in, but created, apparently. Now, i”m unhinged Haven't made a decision on whether I should just binger, or Find a new mister, Or end it I'm still sitting Stuck on ‘concentrical' Now I'm unhinged And it's just been a minute I haven't mentioned his name in a minute, but I should stay clear, is it Everclear or Here, son, Just have another bottle Now i'm not stuck on Nothing and no one I cant even see movies anymore All i see is actors, All i hear is conversations I've already written in Closed conversations with critics Dressed as Angels All i see is Camera Angles The city of angels But my algorithm Must have build new york for me, From consciousness or something Sometimes just apartment hunting is Simply avigation and, of course Expanding the map It's just a 3D phenomenon, But all I want is just a hug, You know No you don't know. I've been stuck at concentrical Stopped at Columbus Circle, and The harsher the winter, The fonder of the west I am The girls scream in the audience, I hiss “My sentiments exactly” My sentiments exactly. Keep them all away from me, I'll love them at a distance I only want the music, anyway I only want the music And the music is All anyone knows about her, really Even her mother Who loves her, But at a distance And the music is, The only think she knows, anymore Even the words are just Color that accents it. Holy shit, the early 2000's were corny af Right now is corny af. Yeah, i guess. LOOK AT THESE CREDITS: Oh my God. LOOK AT EM. OKAY, ALRIGHT. YOU DON'T THINK EVERY ONE OF THESE MOTHERFUCKERS HAS A SCREENPLAY IN THEIR BACK POCKET. What's a “Foley editor” NOBODY. Well he's in the credits. Yeah, but do you think even his mother is going to sit this long after the movie is over to see that guys name because he was a–what the fuck “A foley editor” What IS that. I don't know, Mr. Hollywood. Oh, right, I'm Mr. Hollywood. Well, not literally– Of course not. Wait, is that a thing. If it was, would I be it? [Super Nerdy Writer] I mean, you'd at least be the poster child. Okay, my turn. HI THERE, FACE HERE. *inconsolable screaming* Holy shit, the 90's was RAW. Okay, so your childhood is terrifying. Just wait till we get to the *More inconsolable screaming* Lol. Look. What up bro. It's Juggalos. lol . After a few days of layering m usual favorite isocronic tones, it appeared that someone or something elsewhere was attempting to made contact–and though I could't isolate which frequency exactly it was coming from, it usually came in the form of music or some other source, rather what was usually hidden in between th concentrated tones themselves–however, the music always seemed far away, so far awa that it sounded as if it was being played through a tin can, merely connected to another–my own ears–with a string. Woah. Yeah. Do you think it's aliens Probably. Or like, I don't know–some other humans with like, a radio tower or satellite, some shit. I don't know. Right. Lol. maybe you're the alien. I ALREADY TOLD YOU. I DON'T KNOW WHERE IT IS. We know you know where it is. I DO NOT. You're hiding it. HIDE! THAT THING?! So you do know what it is OF COURSE I KNOW WHAT IT IS: And it's RIDICULOUS you think i would be hiding it. BRFORR Quick! HIde! OKay. THAT THING IS ENORMOUS. Hm. Smaller. OK. I n I T I A T I N G S H R INkING SEQUEnCE In 5 Seven Bananas… FUCK, MAN. What's this dumb game. *takes shot* it IS dumb. You have to take a shot every time she eats a banana. Oh no. This is fucked up. *barfs* You wanna play? Nah, I'm good. Diplo. What. You have 57 children. *nods* Never look at me again. *hangs head* Go that way, with your children. Dillon Francis. Yes. You have 8 kids. )That's believable) Oh, wow. *You have 84 kids. WHAT! He has more kids than me! Yes. Astonishingly, however the same percentage of them are black. Go say hello. Uhh. Now: Wait, where are you going. The the auditorium. There's an auditorium? For what. AN ENORMOUS AUDITORIUM is filled to capacity with children of all ages, shapes, and sizes, colors, creeds, genders, and otherwise–but they all seem to have something quirkily in common. What the fuck. How does he have more kids than me?! Are you serious?! Whose kids are THESE. Mind your business. Let me guess. There's still busses pulling up. I know. And a helicopter! Oh, that's just the guest of honor. Are you serious. SKRILLEX thinks he is preforming a charity benefit concert. *landing on helipad* LOL OhGod. MEANWHRILE. Whats in here. NOTHING. Just GET IN THE BOX. NO. GET– NO IN THE BOX WElcome to Jack In The Box Welcome to Hack In the Crack–what are you hacking? Uhhh. Gimme three juicy squirtalicious tacos. Eugh Extra squirt. Gross! And uh– You want anything. I'm good. Suit yourself. Best tacos ever. __ Wait, hold on. “Wait what” I think i might be getting tired, or something. Right…tired, “or something.” Or something. RIght. *blow horn* * * * * * * * Do you ever get lonely. No. Oh… But it's safe to say, all I can think about sometimes is getting railed. Oh! Moving on. Watch this. *snipes* Nice. Now check it out, that's where she respawns. (from behind) Not always. Oh shit. *stop*camping* DOUBLE KILL. Nice. Fuck I hate this map. Fuck I hate this map. Would you shut up. You wanna see a world class superstar fall out of alignment? …no. Too bad. You're hired. …hired for what. You applied on indeed, right? Yeah, as a janitor. NO. You're a paparazzi, dressed as a janitor. What! Here's your camera. (it is a cheap disposable) Are you serious. You get any good pictures, we'll talk about a nikon. Can't I just use my iPhone? Depends. Do you want your iPhone smashed? …no. Then NO. … “The Bad Boys Of Hollywood” Prepare To Be Canceled the gathering of this ingenuine group of elites causes a frenzy and stir amongst the masses as they appear, cross-dimensionally to have been reborn into stardom, mysteriously gaining controversy and mass fandom, to which no bounds can be seen as to the unstartlingly political incorrectness. I'm gonna need you to do me a favor. What's that? Shut up Don't ever look at me again. If i could take my eyes out, I would. No, need–I can do it for you. Haha, charade you are. You're a disaster. That's your excuse. Yeah, what's yours? Under the indifferential circumstances– “ooh–lala” I'm not as partial to making excuses as –as to what? Kissing ass? Only cute ones. Let it settle in, way down below deck Where the honor rollers are, The high rollers, far above you You wanna know how long the ride is? Wanna know how far you've come If i could throw you overboard, I'd trust you Love is not enough The seas are rough An open wound A bleeding heart How right you are The tea is strong, Like solid gold A needle's bond With no remorse, The tithes are gone Upright, Upright To end, to End That's right, I said Just end it I said “Better me than him” Another dinner with a friend A fear for framework, Or indifference again In this selection or Collection, Bears and end to End And End to end Upright And End to End Upright And End to end I dont know, if i want to know you I dont love like I want to love but I watched him raise the dead, Just so he had a friend I don't know if you've been told, but I don't love like I want to love, and I often raise the dead, Just so i can have a friend To play with It's darker in here, Oh, It's sufferable So I just want to know I live in a haunted house With a cat and a mouse But the old cat's gone, now the mouse tends to travel a lot I've nothing to haunt, (I'm a ghost in Toronto) A car show, A hollow heart, A starving artist, A scar; Over her bottom lip she runs her tongue So it goes: The stars on his face remind her of him So it goes: We all want Out of body Out of Mind Out of soul Out of body Out of mind Out of soul Out of body Out of mind Out of soul Why (Why-Why) Would you leave me to wake (Why) In a terrible world Without you in it (A M ercedes emblem to hang around my neck, It's very simple) I tried to settle on subtle saffron I tried to love you, Then I moved on Do you ever wonder about philosophy? Do you ever wonder if anyone's watching you Secretly? Do you ever dream of it? (I'm just a ghost in a mansion) I haven't even had breakfast I've practically been dead half a century I sold the whole eiffel tower on craigslist What a bargain! You started it! I'm not arguing. I lost that bet, you know. Clearly. Is it that obvious? How do you lose a bet to Dillon Francis? He lost the bet but won the race. Whatever that means Okay. Who the fuck wrote this. [No show of hands] Nobody?! Thats our GOD. That's your God. yes. I thought Beyonce was your God. That's what I just SAID. We must infiltrate. But how. That which binds up through time The chemical, physical and biological nature of love An exploration of the meaning of meaning 1st, Second, and Third Movement Nice, I finally get to use a didgeridoo And bagpipes! And my trumpet! That sounds more like a french horn Or a “Jimmy Fallon and The Impenetrable Ten” Well, not entirely Impenetrable *stabs with sword* KRISTEN SHAAL Woah. MAYA RUDOLPH (or whoever) Dang. TINA FEY (or whoever) (At least it wasn't me) Right. –all i'm sayin. Wait, who got stabbed? Whoever. Not Jimmy Fallon. No. His untimely death is later. How much later? I don't– __ Meanwhile Dillon, if you spend $20 on Magic, I'm going to kill you. Haha, If i spend $20 on magic,it's very likely someone else is going to kill me. So it's settled. $20 on Magic, please. Fair. Ooh. Is this getting close to the part where Yup. SHH. WHY ARE WE MOVING BACKWARDS THROUGH TIME. BECAUSE THAT'S THE ONLY WAY TO GO BACKWARDS. No, it isn't. What. I Came into blank street Tryna see a [?!] all coffee No cream please Scream supacree But really you can't see me Can't take it to deep on w sweetie keyboard Feed me b Seymour Ain't tryna be gory Corey Hate to inform you I I'm stuck at the rock I'm stuck at the bottom Youre stuck at the top Fine! fuckin fuck Drew Barrymore, then! Work harder and more often Fuck love and whole foods cause they All Flashback music London … …. …… ………. Who else has seen this. Nobody, just us. We must burn this at once. I wholeheartedly agree. [Remarkably huge bonfire.] Did u make copies. ya . Ooh, that's cool. Very creative. Wow Nice. … … …. Have you seen this? No. Look at it. …ilikeit. Sensations of sadness Salacious arpeggios Arduous agressions Transitions– progressive Incendiary imagery Electric Synthesis Intentionally focused, configurative –Literally Skrillex. Ugh, that might be the last thing I ever write about him. Just shoot the nigga. Ooh, he's so cute. Keep him away from me. C'mon. Yo–I can't. Fine, i'll do it. *sighs indifferently* You could move a mountain; I could stop the tide In a flash; All at once It was a long, long drive I miss the coast (Or maybe, I just miss the sunshine) You could move a mountain Keep me from going insane (If I was inside, you'd) Keep me from going outside (if I was in, though, you'd) Keep me from going in, Under the circumstances I can't stand it, but I'm back from having summer standing under subtle waters Waiting for someone who Never shows up, so So Suffer no longer I wouldn't want to want you, if i wondered more about it At the surface, Or way under Nothing wants what nothing gets And noting gets nothing Anyways, so Here's for the abstract Stream of conscious Nothing moves mountains, but You could move mountains In a flash, and I turned the tide on I saw the tidal With my ghost And twelve apostles I've been waiting for Godot For so long I still think He might come Haha, what a charade We all are Huh I love you What was that? I've run off Huh I love you What was that? I've run off I finally fell out of love Look, I broke my own heart Sharp as a tack Straight as a whip I bite my lip, Fall into bed Maybe it's a hex Maybe it's a breakfast in bed kind of moment I've been waking up with someone, But going in the world alone, eh It's never run to remember where you've been After a binder You would think with so much in my system I'd have reached indifference, Well, didn't you I didn't yet, In fact, I'm still tying one one, With a friend At the moment Well perhaps, just perhaps, It might be time that I let you go then? Don't be so chauvinistic. Isn't this a barmitvah? Hasn't this been discussed at several other functions To no exact conclusions More Complications I could just FUCK, I COULD LISTEN TO THIS SONG FOREVER. He says it's a pluck, But i see it's percussive If I could give less of a fuck Then I probably coudn't. Woah How many wishes I've granted This festival season How many shifts that I've written through Sitting on busses and subways Looking suspicious as ever and probably smelling atrocious. INT. BLINK FITNESS. …I'm not using that shower. I thought I'd be more employable After sorting some, But it seems as though The more there is The more there isn't And the deeper it gets –the number of spirits I've risen Since getting here Is steady rising It's no surprise I've got more friends that died Than have lived here. It's been a very long year But I fucked it off quickly I'll never listen to Skrillex again If you paid me, But i'll play it In my mixes Depending Fuck it, There my brain went Down the drain again I've been training over a year And i'm still not Kayla fit I'm sick of it I've been waiting for Godot Since the year that I wrote it I've been wearing these bracelets for years Still haven't seen frozen, So i can't let it go yet Oh shit. This is all a distraction The underground is massive Another Michaelangelo Anglo Saxon anonymous I want an erroneous daughter Or Androgynous, Whatever These prostitutes have Graduate degrees with honors All I ever was, Was a disappointment I got a smile like Madonna's But none of the love at all I got a back end like Beyonce's But just some of the talent “What's an ass for If i'm cellibate, anyhow?” I asked God, She said, “Eat A Taco” I just hope that's not a euphemism for lesbianism Not that i'm intolerant, it's just that The older I get The straighter I am, And dammit He's sharp as a tack Straight as a whip I write books, And mind my own business It's impossible to whitewash all of us But I love rock and roll Look: It's a S i T uATiO NA L C0MEDy. So?! SO, THIS IS THE SITUATION: I don't wanna do this. My heart's so broken I could hold it on chopsticks You ever wonder what love is I've forgotten I'm having a hard time holding it all in I'm an artist I've got colorful emotional troubles Others love it Lil biiiiiitttzzz Man, fuck new york. I was apartment hunting and I got off the train in midtown– Technically the upper west side, but, you know, Midtown So i get off the train and I get ready to cross the street: I'm like Oh, Awesome–Trader Joes; Maybe this is the right neighborhood So i gotta use the bathroom anyway, so I head towards trader joes And I see this like– Box of birds. No, not a cage. It was like–a bird box I'm like “what. Birds.” Not just birds, though, Colorful birds– Like, straight up parakeets. I'm like, “What. the fuck” Then, before I can even look up– This dude–I just see his leg, though, He just– kicks the box of birds. “what.” Like, towards me, and i'm like “Okay, alright.” Now i got a box of birds at my feet on this busy ass corner in midtown manhattan Adjacent to Trader Joes And I look up at the guy, who kicked the box of birds, And he has this bowl So I look at the guy, And I look at the bowl, And what's in the bowl. IT'S MORE BIRDS. “OH NO!' I say. Yes, I say this, out loud, in Midtown manhattan “Oh no!” Cause it's not just a bowl of birds It's a bowl of PIGEONS. Just kickin it, in this dudes bowl. I'm like “Oh no.” And then i cross into trader joes. “Yep, right neighborhood.” Alright, here's the plan. where did you come from. nowhere. someone shoot that lady. DILLON FRANCIS I'm your worst nightmare. Dillon Francis is everyone's worst nightmare: He's a good looking white dude with too much money. He's literally like 8 Billion People's worst nightmare. GET OUT OF HERE, COLONIZER. Oh, man. DILLON FRANCIS is trapped in the hood. Try being famous over here! Motherfucker! More on that later. Look, I don't even like you like that! That's okay—-but I still want to suck your cock and that's not gonna change. *hangs head* I'm am not ashamed. I just might watch porn in the morning. Come on, 6:30, roll the fuck around. Wait, Which one is the Brown eyed dillon francis. The one with brown eyes. He's the trustworthy one. Well good luck with that. (The one that doesn't exist.) I didn't take the train today; I thought I was going to jump Thought i'd better play it safe Filled up my shopping cart, Got everything I wanted Everything and more Might not look my best but At least I'm not gone Come on, six o clock I just want to be alone She's got the gift of gab Grew up two blocks from here In the ghetto I've heard it all before But love, my heart's so broken And you turn me on some I'm gonna smoke your seamen* out of a nektar collector. That shit is like crack to me. Oh no. Who is this about. I'll give you one guess. I don't have any guesses. It's five past Christ I just opened my eyelids And rolled back my mind I tried to find you, after all, didn't I I might have designed you (On second thought I did) I might need time (if I believed in it) can't apologize for being human, but I wear your eyes all over the world I wear the memories of many girls And many nights Suffer the consequences Sure, I've been subway surfing, wondering Wait, where was I again? I was almost, Almost a person There's so much to learn from And too much to learn here I've been fighting off demons, Fighting the feeling of Falling in love again But I can't fall in Cause I never fell out Afterward, I went past it And on to the next one I might double back though– To find that I hadn't quite left in the– To find that I hadn't quite left in the first place To find that we haven't quite met yet At least not the right way It's probably a lesson I might miss the lecture I've got other plans today Fuck, so it is Skrillex. Not really exactly. On second thought, at first glance Better illusion, than hypnotism But if I can't be like that Why be anything at all If not a model Or artist Brought it up at the wrong time (You would want her) I wasn't one for improper introductions Or impromptu arrangements There, there It's just getting better So better not whine about it I wake up in a pile full of rocks; I guess it's better than a puddle of blood, Cause nobody loves me I've been alone, not lonely And never alone as long as I like Cause they all just surround me Now I know what it's like to be famous Without all the money and glamour– Turns out, that's the part that alluring I'd better find out what I did this for In the next downpour I'll be soaked to my torso exactly Aren't you proud of me (not really) I learned to cope by narrowing down all my options As time rolled on I got worse at making up stories As it turns out I didn't have to make them up at all They were happening to me So truly and honestly All my job was to “Mark My Words” Said The God Quite astonishing literally But I got bored of running and still not looking like Kayla Lauren I wouldn't bring it up, except The photographic evidence was damaging At least Dillon Francis has no audacity as such Then again, —I've never even been on an album cover. There you have it I've been lusting over Several other Talented masters and Handsome disasters But matter of fact It just started with One random – Well, now that I think about it, if I haven't believed in coincidences Since this, Random is just as likely as foreign a concept As such Immaculate conception, This contraption At first glance, a sonogram Play it back, Caught in the act again Cause in the act again I'll probably make a list of Weird shit I want to do with him When I think of it in public (That's usually where it happens) And if anything is random –It's that. ILLUMINATI DREAMS: PART III Dillon Francis broke up with his girlfriend to be with me. That was cool. We were best friends and got along really well. Went hiking in a beautiful park with crystal clear water and gorgeous ruins— Fell in the water and got my phone wet but it was in an otter box. I felt guilty about his girlfriend a feared they would get back together— But he was over her and super loyal to me — It all started when I tried to crawl into a giant bed to give Sonny a blowjob: Sonny was sleeping alone and Dillon was sleeping with his girlfriend— Dillon decided he wanted the blowjob; I refused because I would not let him cheat on his girlfriend; So he broke it off with her— Sonny never woke up There was no blowjob but Dillon and I ended up together. Sonny disappeared like he never existed anyway. Dillon and I were happy together and never fought. We were very in love. It was just a dream but still good to see Dillon. It felt warm and good. Lmfao wtf is wrong with you SOMETHING, obviously. It made a difffetent sound from further away, and better yet, an actual sound up close—I had been enamored enough walking by to move towards the lights after I was sure that my laundry was as close to complete as possible, but — A clock stops me in my tracks A Starbucks cup not in the trash lies in the ground I love the sparkles On Rockaway boulevard, Making it harder to ponder The underworld, unnerved of the undeserving The servicemen and servers of the surface Boughroughs further than Manhattan At the center lil biiiiiitzzzzs — Bro, I love the cops in New York All the cops in the east are bar none top notch I'm not kidding I went to a show in Miami once and I was walking this really long walk between one part of the venue and another I will never forget this like, line of cops that were like along the path and every single one of them was model hot I'm not joking I'm almost wish I was because I couldn't help myself from looking That's not even the worst part! the worst part was, they were looking back at me! All of em! I was like: “what the fuck is going on with these cops?! “ V.O. I couldn't shake the feeling that I was going cry– So instead of running two miles on the treadmill I went three– But I still wanted to punch something. So I lifted some. I've been worried i'll plateau at the benchpress, the more I keep running… But I don't care. I'd rather weighless, and have a man, Than keep lifting like this, And be a man. Sometimes I'm worried I might be turning into one. Sometimes, depending on the way I dress, I'm mistaken for one– Or at least– Give off an air of general confusion. But I don't mind. Not that much. I'm no naturally designed to attract the kind of men I like. It might take a bit of maintenance, But i'm determined to persist I couldn't imagine what it would be like to have been born a beautiful woman. But maybe, if i'm lucky, or if I try hard enough, I'll have an idea of what it's like to have become one. I'm counting my blessings. All of them. I'm saying my prayers. A lot. And I'm crossing my fingers– that the longer, harder, and faster I run, The closer I get to actually living. That is, To be loved. I wish I could take my eyes out and wash them wit soap. Oh. I wish i didn't know you existed; I wish I Didn't know how to love you God, I spoke to soon I opened up all of the wrong doors, I'm done for, You know, I'm not really good at nothing Nothing at all I wish i didn't know at all You were ever born; But there you are, a son of God, And I'm just rolling along, writing anthems, and carrying on as if everything happened at once But it hasn't Not yet, I'm still breaking my neck on the alter If you want blood I've got it Jump the broom, But watch your heart I've got a dagger full of them; You'd think i had it backwards, But that's the hard part If it were the other way around Oh But it's not No I don't want to love anyone, anymore, God Take me off of this rock Throw me head first overboard Push me in front of a bus; Or give me a heart attack I've had it harder before, But that was over there, I'm omnipresent. I could write forever to this (Ten years ago) I put the book with the devil on front Into my row A collection of noveelties An erection, selective To say the least But please, forgive me I'm veen on my knees And barely breathing, Let it simmer, Simmer down please settle, way below the belt Above you and Beyond this, But I'll never firget what you said (i love you) I'll nevr forget what you said And I'll never look back, dad And I'll never go back ther And I'll neve have blue eyes And I'll never have blonde hair And I'll never have white skin And I'll never be better At least not at this partl But maybe the other I'm just friendless I like it My security blanket The party i wasnt invited to My lies are compulsive; But not quite pathological But the girl was obnoxious And my spirit tyrannical I'm an animal But I pray a lot And used to fast as much Now that Ive been determined to be an deplorable Why not just kill myself? I'd be better off after With a kitchen, a shower I'd forget about money; Getting paid by the hour. I'd be better off anyway I need a vacation It was all in my head, anyway Then again, so is heaven Amen A…men A…men… It's a dangerous game we play But i'd rather not kill myself over you (Again) I'd rather not kill myself again I'd rather not kill myself Could be a coincidence But I doubt it, Since I don't believe in them But I could be getting my lines crossed My rum mixed with vodka And getting my ass whooped more often That's not a metaphor: I'm not a fighter It was metaphysical before, But now its atrocious This night'll be a lot longer If i remain hungry But I wanna look like Madonna! (minus, of course, the minor difference between us) I hadn't understood what an age gap meant, Until jumping it (hardee har har, that's a good one) I'm not even in my body right now; But i'm in my head Shut up, Becky! Isn't it bad enough, Your society? Fuck, I'm losing my mind Just not being blonde enough Or just not being wanted, or something (Loved) Playing the victim, But hey, At least i'm playing something! All these instruments are just too expensive I was just thinking how Photosensitive epilepsy and synestesia Might be deadly But I said “till death do us part” So i think that's what I need I thought my suicide ended it Now I'm in hell with him But I'd end it over and over again Just to be rid of him (yes, i'm serious) Fuck, man, Madonna's gonna kill— For Colored Girls Who've Completed Suicide: The Afterlife At The End of The Rainbow [An Inspiring Story] Had I exacted this science, For starters, On anyone else but A circle of stars, I forewarn you, I wouldn't be honored as such Just a disheartened philosopher, A nonpartisan biocentric; Listen, I'm learning my lessons and levels UGH, ARE YOU DONE YET. what. WE'RE STILL WAITING. huh? DRAKE BELL How long do i have to keep doing this for? ILLUMINATI Till the end DRAKE BELL Whens the end. ILLUMINATI When it is. Now even looking for something to watch became a writing assignment. *squinting* –and somehow, without even touching my mango, my keyboard was already sticky. *squinting even harder* –No… –No…(?) No. …No. Ugh! Try not to hold your breath. *holding breath/ attempting to block telepathy.* I told you, I need this. *attempt to block telepathy had failed* You don't need anything. *squinting exactly alike* The eyes really are windows… Maybe I should jump out then. –or jump in. dayumm . sike . Alright, I need something to take my mind off this project. How much acid did you put in the water. Enough Fuck, I hate my life. Which bottle is it in. [beat] All of them. *facepalm* Remarkable, what the love of a teenaged girl can do. I wouldn't quite call it that. I would. Don't be gross. I'm you. You're gross. Touche. I don't think we should be doing this. We shouldn't be. Ah come on! Now Johnny Depp? Nice. He's like 100 years old. Ah, to be young again. So wait. How the fuck exactly old is this lady. Really fucking old. Like, how old, though. Really, really fucking old. Okay, I have to talk to this Goddess. [She dances by] *gasp* Is that her?! Yeus. She's young again! It appears she has procured a body! Presumably! I must do the same! At once! At one! Lol who are these dudes. Just wait for it. Hurmph. Nrh. *sigh of deep frustration, facepalm* *falls into a deep unconscious of out sheer bewilderment* Oh good, they're here. Who's they? I don't know! Hm. Suhp. Nice rabbit hole. *shrugs nonscalontly* On telephone) She bought a what a Whole Foods Market? (In public, trying not to be heard) A penis shaped sweet potato. A WHAT? [Speak up] A– penis shaped sweet potato. A WH– A PENIS-SHAPED SWEET POTATO. (Everyone stops and stares) …it was delicious. Nice. I don't know Anymore What to do With myself I'm a mess On the Inside and out –wanna cry about it He's a rock and roll sex God I don't know What to think Anymore No, don't ask My opinion, It gets old Afterawhile, And after awhile I'll cry about it, but Right now, I've gotta get out of this Gotta get out! I gotta get out of this project. Well, how'd you get into it in the first place ? I don't know. I think i really tied one on at some party, I must have really been on one, i don't remember a thing. Ugh, what do you want. Listen, Ill make it quicK: It's bee quick. Do you have a deathclock on this guy, or what. Or what. That's all I want to know. Know what? When? When what? [Stopping] Are you serious. What. If i could tell you “when” then it wouldn't be a deathclock, would it. MAybe it's not. Yeah, I wish. Hey! wishes get granted– –I said that. –You said that. Look– Don't touch me. Sorry. No you're not. –if you can't give me the when–at least give me the how. Oh, the “How” Yeah. You want the “How” Just–yes. If i can't give you the “when”, what exactly makes you think I can give you the “How” Well, do you know how? You're a disgusting excuse for a human being. Well. Okay. “Okay”? I'm not a human being. Oh, right. UGH. I can't spend another minute with that WOMAN. Well, that's your grandmother, so Great-great– Whatever. You exist because she exists. Existed. She was dead before I was born! Actually, that's not true. Beg your pardon. …Ever had your palm read before. All of your kids– “kids “ Read: Lovechildren. Ahem. Are in this room And– Fuck that I'm not writing this scene, It wouldn't be the most horrible thing you'd ever written. No, but it's one of the most horrible things i've ever thought about, Is that so? No! It's funny but– But what? It's the fact I even thought about it that scares me. What is UP. What IS up? Have you ever thought about dating a writer? No. Aw, come on… Actually yes–once Once is all I need! Not you. Daww… I dated a writer once in college. What, really? Really. But that was in college. I was in college. He was a writer. Oh, that's hot. Not Exactly. He worked for Disney. Wait–he what? Hm. I almost forgot about that. DISNEY We didn't [simultaneously] MICKEY MOUSE I didn't. Well, what happened. Nothing, really. He was great. The only problem was… Flashback: Wait, you're 17. SEVENTEEN?? What's th difference! A YEAR! *purses lips* …or like, a couple months… *face* …or like–midnight on your birthday! *squints* But not 17! *shrugs* Hollywood Is Hollywood. Well, New Hollywood is a whole different story What's “New Hollywood?” My level is indifference, Benevolence, inward violence Ending obsessions and arrangements, Incessant sexual repression, Exponential explanations –Of the world i've never lived in, but created, apparently. Now, i”m unhinged Haven't made a decision on whether I should just binger, or Find a new mister, Or end it I'm still sitting Stuck on ‘concentrical' Now I'm unhinged And it's just been a minute I haven't mentioned his name in a minute, but I should stay clear, is it Everclear or Here, son, Just have another bottle Now i'm not stuck on Nothing and no one I cant even see movies anymore All i see is actors, All i hear is conversations I've already written in Closed conversations with critics Dressed as Angels All i see is Camera Angles The city of angels But my algorithm Must have build new york for me, From consciousness or something Sometimes just apartment hunting is Simply avigation and, of course Expanding the map It's just a 3D phenomenon, But all I want is just a hug, You know No you don't know. I've been stuck at concentrical Stopped at Columbus Circle, and The harsher the winter, The fonder of the west I am The girls scream in the audience, I hiss “My sentiments exactly” My sentiments exactly. Keep them all away from me, I'll love them at a distance I only want the music, anyway I only want the music And the music is All anyone knows about her, really Even her mother Who loves her, But at a distance And the music is, The only think she knows, anymore Even the words are just Color that accents it. Holy shit, the early 2000's were corny af Right now is corny af. Yeah, i guess. LOOK AT THESE CREDITS: Oh my God. LOOK AT EM. OKAY, ALRIGHT. YOU DON'T THINK EVERY ONE OF THESE MOTHERFUCKERS HAS A SCREENPLAY IN THEIR BACK POCKET. What's a “Foley editor” NOBODY. Well he's in the credits. Yeah, but do you think even his mother is going to sit this long after the movie is over to see that guys name because he was a–what the fuck “A foley editor” What IS that. I don't know, Mr. Hollywood. Oh, right, I'm Mr. Hollywood. Well, not literally– Of course not. Wait, is that a thing. If it was, would I be it? [Super Nerdy Writer] I mean, you'd at least be the poster child. Okay, my turn. HI THERE, FACE HERE. *inconsolable screaming* Holy shit, the 90's was RAW. Okay, so your childhood is terrifying. Just wait till we get to the *More inconsolable screaming* Lol. Look. What up bro. It's Juggalos. lol . After a few days of layering m usual favorite isocronic tones, it appeared that someone or something elsewhere was attempting to made contact–and though I could't isolate which frequency exactly it was coming from, it usually came in the form of music or some other source, rather what was usually hidden in between th concentrated tones themselves–however, the music always seemed far away, so far awa that it sounded as if it was being played through a tin can, merely connected to another–my own ears–with a string. Woah. Yeah. Do you think it's aliens Probably. Or like, I don't know–some other humans with like, a radio tower or satellite, some shit. I don't know. Right. Lol. maybe you're the alien. I ALREADY TOLD YOU. I DON'T KNOW WHERE IT IS. We know you know where it is. I DO NOT. You're hiding it. HIDE! THAT THING?! So you do know what it is OF COURSE I KNOW WHAT IT IS: And it's RIDICULOUS you think i would be hiding it. BRFORR Quick! HIde! OKay. THAT THING IS ENORMOUS. Hm. Smaller. OK. I n I T I A T I N G S H R INkING SEQUEnCE In 5 Seven Bananas… FUCK, MAN. What's this dumb game. *takes shot* it IS dumb. You have to take a shot every time she eats a banana. Oh no. This is fucked up. *barfs* You wanna play? Nah, I'm good. Diplo. What. You have 57 children. *nods* Never look at me again. *hangs head* Go that way, with your children. Dillon Francis. Yes. You have 8 kids. )That's believable) Oh, wow. *You have 84 kids. WHAT! He has more kids than me! Yes. Astonishingly, however the same percentage of them are black. Go say hello. Uhh. Now: Wait, where are you going. The the auditorium. There's an auditorium? For what. AN ENORMOUS AUDITORIUM is filled to capacity with children of all ages, shapes, and sizes, colors, creeds, genders, and otherwise–but they all seem to have something quirkily in common. What the fuck. How does he have more kids than me?! Are you serious?! Whose kids are THESE. Mind your business. Let me guess. There's still busses pulling up. I know. And a helicopter! Oh, that's just the guest of honor. Are you serious. SKRILLEX thinks he is preforming a charity benefit concert. *landing on helipad* LOL OhGod. MEANWHRILE. Whats in here. NOTHING. Just GET IN THE BOX. NO. GET– NO IN THE BOX WElcome to Jack In The Box Welcome to Hack In the Crack–what are you hacking? Uhhh. Gimme three juicy squirtalicious tacos. Eugh Extra squirt. Gross! And uh– You want anything. I'm good. Suit yourself. Best tacos ever. __ Wait, hold on. “Wait what” I think i might be getting tired, or something. Right…tired, “or something.” Or something. RIght. *blow horn* * * * * * * * Do you ever get lonely. No. Oh… But it's safe to say, all I can think about sometimes is getting railed. Oh! Moving on. Watch this. *snipes* Nice. Now check it out, that's where she respawns. (from behind) Not always. Oh shit. *stop*camping* DOUBLE KILL. Nice. Fuck I hate this map. Fuck I hate this map. Would you shut up. You wanna see a world class superstar fall out of alignment? …no. Too bad. You're hired. …hired for what. You applied on indeed, right? Yeah, as a janitor. NO. You're a paparazzi, dressed as a janitor. What! Here's your camera. (it is a cheap disposable) Are you serious. You get any good pictures, we'll talk about a nikon. Can't I just use my iPhone? Depends. Do you want your iPhone smashed? …no. Then NO. … “The Bad Boys Of Hollywood” Prepare To Be Canceled the gathering of this ingenuine group of elites causes a frenzy and stir amongst the masses as they appear, cross-dimensionally to have been reborn into stardom, mysteriously gaining controversy and mass fandom, to which no bounds can be seen as to the unstartlingly political incorrectness. I'm gonna need you to do me a favor. What's that? Shut up Don't ever look at me again. If i could take my eyes out, I would. No, need–I can do it for you. Haha, charade you are. You're a disaster. That's your excuse. Yeah, what's yours? Under the indifferential circumstances– “ooh–lala” I'm not as partial to making excuses as –as to what? Kissing ass? Only cute ones. Let it settle in, way down below deck Where the honor rollers are, The high rollers, far above you You wanna know how long the ride is? Wanna know how far you've come If i could throw you overboard, I'd trust you Love is not enough The seas are rough An open wound A bleeding heart How right you are The tea is strong, Like solid gold A needle's bond With no remorse, The tithes are gone Upright, Upright To end, to End That's right, I said Just end it I said “Better me than him” Another dinner with a friend A fear for framework, Or indifference again In this selection or Collection, Bears and end to End And End to end Upright And End to End Upright And End to end I dont know, if i want to know you I dont love like I want to love but I watched him raise the dead, Just so he had a friend I don't know if you've been told, but I don't love like I want to love, and I often raise the dead, Just so i can have a friend To play with It's darker in here, Oh, It's sufferable So I just want to know I live in a haunted house With a cat and a mouse But the old cat's gone, now the mouse tends to travel a lot I've nothing to haunt, (I'm a ghost in Toronto) A car show, A hollow heart, A starving artist, A scar; Over her bottom lip she runs her tongue So it goes: The stars on his face remind her of him So it goes: We all want Out of body Out of Mind Out of soul Out of body Out of mind Out of soul Out of body Out of mind Out of soul Why (Why-Why) Would you leave me to wake (Why) In a terrible world Without you in it (A M ercedes emblem to hang around my neck, It's very simple) I tried to settle on subtle saffron I tried to love you, Then I moved on Do you ever wonder about philosophy? Do you ever wonder if anyone's watching you Secretly? Do you ever dream of it? (I'm just a ghost in a mansion) I haven't even had breakfast I've practically been dead half a century I sold the whole eiffel tower on craigslist What a bargain! You started it! I'm not arguing. I lost that bet, you know. Clearly. Is it that obvious? How do you lose a bet to Dillon Francis? He lost the bet but won the race. Whatever that means Okay. Who the fuck wrote this. [No show of hands] Nobody?! Thats our GOD. That's your God. yes. I thought Beyonce was your God. That's what I just SAID. We must infiltrate. But how. That which binds up through time The chemical, physical and biological nature of love An exploration of the meaning of meaning 1st, Second, and Third Movement Nice, I finally get to use a didgeridoo And bagpipes! And my trumpet! That sounds more like a french horn Or a Jimmy Fallon and The Impenetrable Ten Well, not entirely Impenetrable *stabs with sword* KRISTEN SHAAL Woah. MAYA RUDOLPH (or whoever) Dang. TINA FEY (or whoever) (At least it wasn't me) Right. –all i'm sayin. Wait, who got stabbed? Whoever. Not Jimmy Fallon. No. His untimely death is later. How much later? I don't– __ Meanwhile Dillon, if you spend $20 on Magic, I'm going to kill you. Haha, If i spend $20 on magic,it's very likely someone else is going to kill me. So it's settled. $20 on Magic, please. Fair. Ooh. Is this getting close to the part where Yup. SHH. WHY ARE WE MOVING BACKWARDS THROUGH TIME. BECAUSE THAT'S THE ONLY WAY TO GO BACKWARDS. No, it isn't. What. I Came into blank street Tryna see a [?!] all coffee No cream please Scream supacree But really you can't see me Can't take it to deep on w sweetie keyboard Feed me b Seymour Ain't tryna be gory Corey Hate to inform you I I'm stuck at the rock I'm stuck at the bottom Youre stuck at the top Fine! fuckin fuck Drew Barrymore, then! Work harder and more often Fuck love and whole foods cause they All Flashback music London … …. …… ………. Who else has seen this. Nobody, just us. We must burn this at once. I wholeheartedly agree. [Remarkably huge bonfire.] Did u make copies. ya . Ooh, that's cool. Very creative. Wow Nice. … … …. Have you seen this? No. Look at it. …ilikeit. Sensations of sadness Salacious arpeggios Arduous agressions Transitions– progressive Incendiary imagery Electric Synthesis Intentionally focused, configurative –Literally Skrillex. Ugh, that might be the last thing I ever write about him. Just shoot the nigga. Ooh, he's so cute. Keep him away from me. C'mon. Yo–I can't. Fine, i'll do it. *sighs indifferently* You could move a mountain; I could stop the tide In a flash; All at once It was a long, long drive I miss the coast (Or maybe, I just miss the sunshine) You could move a mountain Keep me from going insane (If I was inside, you'd) Keep me from going outside (if I was in, though, you'd) Keep me from going in, Under the circumstances I can't stand it, but I'm back from having summer standing under subtle waters Waiting for someone who Never shows up, so So Suffer no longer I wouldn't want to want you, if i wondered more about it At the surface, Or way under Nothing wants what nothing gets And noting gets nothing Anyways, so Here's for the abstract Stream of conscious Nothing moves mountains, but You could move mountains In a flash, and I turned the tide on I saw the tidal With my ghost And twelve apostles I've been waiting for Godot For so long I still think He might come Haha, what a charade We all are Huh I love you What was that? I've run off Huh I love you What was that? I've run off I finally fell out of love Look, I broke my own heart Sharp as a tack Straight as a whip I bite my lip, Fall into bed Maybe it's a hex Maybe it's a breakfast in bed kind of moment I've been waking up with someone, But going in the world alone, eh It's never run to remember where you've been After a binder You would think with so much in my system I'd have reached indifference, Well, didn't you I didn't yet, In fact, I'm still tying one one, With a friend At the moment Well perhaps, just perhaps, It might be time that I let you go then? Don't be so chauvinistic. Isn't this a barmitvah? Hasn't this been discussed at several other functions To no exact conclusions More Complications I could just FUCK, I COULD LISTEN TO THIS SONG FOREVER. He says it's a pluck, But i see it's percussive If I could give less of a fuck Then I probably coudn't. Woah How many wishes I've granted This festival season How many shifts that I've written through Sitting on busses and subways Looking suspicious as ever and probably smelling atrocious. INT. BLINK FITNESS. …I'm not using that shower. I thought I'd be more employable After sorting some, But it seems as though The more there is The more there isn't And the deeper it gets –the number of spirits I've risen Since getting here Is steady rising It's no surprise I've got more friends that died Than have lived here. It's been a very long year But I fucked it off quickly I'll never listen to Skrillex again If you paid me, But i'll play it In my mixes Depending Fuck it, There my brain went Down the drain again I've been training over a year And i'm still not Kayla fit I'm sick of it I've been waiting for Godot Since the year that I wrote it I've been wearing these bracelets for years Still haven't seen frozen, So i can't let it go yet Oh shit. This is all a distraction The underground is massive Another Michaelangelo Anglo Saxon anonymous I want an erroneous daughter Or Androgynous, Whatever These prostitutes have Graduate degrees with honors All I ever was, Was a disappointment I got a smile like Madonna's But none of the love at all I got a back end like Beyonce's But just some of the talent “What's an ass for If i'm cellibate, anyhow?” I asked God, She said, “Eat A Taco” I just hope that's not a euphemism for lesbianism Not that i'm intolerant, it's just that The older I get The straighter I am, And dammit He's sharp as a tack Straight as a whip I write books, And mind my own business It's impossible to whitewash all of us But I love rock and roll Look: It's a S i T uATiO NA L C0MEDy. So?! SO, THIS IS THE SITUATION: I don't wanna do this. My heart's so broken I could hold it on chopsticks You ever wonder what love is I've forgotten I'm having a hard time holding it all in I'm an artist I've got colorful emotional troubles Others love it Lil biiiiiitttzzz Man, fuck new york. I was apartment hunting and I got off the train in midtown– Technically the upper west side, but, you know, Midtown So i get off the train and I get ready to cross the street: I'm like Oh, Awesome–Trader Joes; Maybe this is the right neighborhood So i gotta use the bathroom anyway, so I head towards trader joes And I see this like– Box of birds. No, not a cage. It was like–a bird box I'm like “what. Birds.” Not just birds, though, Colorful birds– Like, straight up parakeets. I'm like, “What. the fuck” Then, before I can even look up– This dude–I just see his leg, though, He just– kicks the box of birds. “what.” Like, towards me, and i'm like “Okay, alright.” Now i got a box of birds at my feet on this busy ass corner in midtown manhattan Adjacent to Trader Joes And I look up at the guy, who kicked the box of birds, And he has this bowl So I look at the guy, And I look at the bowl, And what's in the bowl. IT'S MORE BIRDS. “OH NO!' I say. Yes, I say this, out loud, in Midtown manhattan “Oh no!” Cause it's not just a bowl of birds It's a bowl of PIGEONS. Just kickin it, in this dudes bowl. I'm like “Oh no.” And then i cross into trader joes. “Yep, right neighborhood.” Alright, here's the plan. where did you come from. nowhere. someone shoot that lady. DILLON FRANCIS I'm your worst nightmare. Dillon Francis is everyone's worst nightmare: He's a good looking white dude with too much money. He's literally like 8 Billion People's worst nightmare. GET OUT OF HERE, COLONIZER. Oh, man. DILLON FRANCIS is trapped in the hood. Try being famous over here! Motherfucker! More on that later. Look, I don't even like you like that! That's okay—-but I still want to suck your cock and that's not gonna change. *hangs head* I'm am not ashamed. I just might watch porn in the morning. Come on, 6:30, roll the fuck around. Wait, Which one is the Brown eyed dillon francis. The one with brown eyes. He's the trustworthy one. Well good luck with that. (The one that doesn't exist.) I didn't take the train today; I thought I was going to jump Thought i'd better play it safe Filled up my shopping cart, Got everything I wanted Everything and more Might not look my best but At least I'm not gone Come on, six o clock I just want to be alone She's got the gift of gab Grew up two blocks from here In the ghetto I've heard it all before But love, my heart's so broken And you turn me on some I'm gonna smoke your seamen* out of a nektar collector. That shit is like crack to me. Oh no. Who is this about. I'll give you one guess. I don't have any guesses. It's five past Christ I just opened my eyelids And rolled back my mind I tried to find you, after all, didn't I I might have designed you (On second thought I did) I might need time (if I believed in it) can't apologize for being human, but I wear your eyes all over the world I wear the memories of many girls And many nights Suffer the consequences Sure, I've been subway surfing, wondering Wait, where was I again? I was almost, Almost a person There's so much to learn from And too much to learn here I've been fighting off demons, Fighting the feeling of Falling in love again But I can't fall in Cause I never fell out Afterward, I went past it And on to the next one I might double back though– To find that I hadn't quite left in the– To find that I hadn't quite left in the first place To find that we haven't quite met yet At least not the right way It's probably a lesson I might miss the lecture I've got other plans today Fuck, so it is Skrillex. Not really exactly. On second thought, at first glance Better illusion, than hypnotism But if I can't be like that Why be anything at all If not a model Or artist Brought it up at the wrong time (You would want her) I wasn't one for improper introductions Or impromptu arrangements There, there It's just getting better So better not whine about it I wake up in a pile full of rocks; I guess it's better than a puddle of blood, Cause nobody loves me I've been alone, not lonely And never alone as long as I like Cause they all just surround me Now I know what it's like to be famous Without all the money and glamour– Turns out, that's the part that alluring I'd better find out what I did this for In the next downpour I'll be soaked to my torso exactly Aren't you proud of me (not really) I learned to cope by narrowing down all my options As time rolled on I got worse at making up stories As it turns out I didn't have to make them up at all They were happening to me So truly and honestly All my job was to “Mark My Words” Said The God Quite astonishing literally But I got bored of running and still not looking like Kayla Lauren I wouldn't bring it up, except The photographic evidence was damaging At least Dillon Francis has no audacity as such Then again, —I've never even been on an album cover. There you have it I've been lusting over Several other Talented masters and Handsome disasters But matter of fact It just started with One random – Well, now that I think about it, if I haven't believed in coincidences Since this, Random is just as likely as foreign a concept As such Immaculate conception, This contraption At first glance, a sonogram Play it back, Caught in the act again Cause in the act again I'll probably make a list of Weird shit I want to do with him When I think of it in public (That's usually where it happens) And if anything is random –It's that. ILLUMINATI DREAMS: PART III Dillon Francis broke up with his girlfriend to be with me. That was cool. We were best friends and got along really well. Went hiking in a beautiful park with crystal clear water and gorgeous ruins— Fell in the water and got my phone wet but it was in an otter box. I felt guilty about his girlfriend a feared they would get back together— But he was over her and super loyal to me — It all started when I tried to crawl into a giant bed to give Sonny a blowjob: Sonny was sleeping alone and Dillon was sleeping with his girlfriend— Dillon decided he wanted the blowjob; I refused because I would not let him cheat on his girlfriend; So he broke it off with her— Sonny never woke up There was no blowjob but Dillon and I ended up together. Sonny disappeared like he never existed anyway. Dillon and I were happy together and never fought. We were very in love. It was just a dream but still good to see Dillon. It felt warm and good. Lmfao wtf is wrong with you SOMETHING, obviously. It made a difffetent sound from further away, and better yet, an actual sound up close—I had been enamored enough walking by to move towards the lights after I was sure that my laundry was as close to complete as possible, but — A clock stops me in my tracks A Starbucks cup not in the trash lies in the ground I love the sparkles On Rockaway boulevard, Making it harder to ponder The underworld, unnerved of the undeserving The servicemen and servers of the surface Boughroughs further than Manhattan At the center lil biiiiiitzzzzs — Bro, I love the cops in New York All the cops in the east are bar none top notch I'm not kidding I went to a show in Miami once and I was walking this really long walk between one part of the venue and another I will never forget this like, line of cops that were like along the path and every single one of them was model hot I'm not joking I'm almost wish I was because I couldn't help myself from looking That's not even the worst part! the worst part was, they were looking back at me! All of em! I was like: “what the fuck is going on with these cops?! “ V.O. I couldn't shake the feeling that I was going cry– So instead of running two miles on the treadmill I went three– But I still wanted to punch something. So I lifted some. I've been worried i'll plateau at the benchpress, the more I keep running… But I don't care. I'd rather weighless, and have a man, Than keep lifting like this, And be a man. Sometimes I'm worried I might be turning into one. Sometimes, depending on the way I dress, I'm mistaken for one– Or at least– Give off an air of general confusion. But I don't mind. Not that much. I'm no naturally designed to attract the kind of men I like. It might take a bit of maintenance, But i'm determined to persist I couldn't imagine what it would be like to have been born a beautiful woman. But maybe, if i'm lu

It's Monday, November 13th, A.D. 2023. This is The Worldview in 5 Minutes heard at www.TheWorldview.com. I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Why Nigeria tops list of 2023 Worst Persecutors Appearing on Washington Watch, the Family Research Council radio show, Jeff King, president of International Christian Concern, explained that Nigeria, Africa now tops the list of the 2023 Worst Persecutors of countries worldwide, edging out North Korea. KING: “Well, North Korea can always be number one or two on the list. We wanted to move Nigeria to the top. “If you look at the last 20 years, imagine up to 100,000 Christians killed, 3.5 million farmers pushed off their lands their land stolen. And this is all from radical Islamists. The mindbender in all this is that, year after year, they come to Washington and they say, ‘Oh, my gosh, this is such a hard problem to tackle. We're doing our best. Maybe if you sent more money or arms, we could do a better job.' “To scale these numbers up to the United States, imagine if in the last 20 years, 400,000 Christians had been murdered, and 18 million people kicked out of their homes and the government never does anything. The reason is because the Islamists are embedded in the government and they control the security organs of the state -- that's Intel, that's police, army, etc. So, Washington, I think, is slowly waking up to this and saying this is actually a religious conflict. They didn't actually even see that before.” The 88-page report documenting the world's most oppressive countries for Christians. Between 200 and 300 million Christians live under persecution – attacks, arrests, forced conversions, denial of rights and more – fueled by radical Islam, communist regimes, discrimination, and plain evil.  Pro-Hamas mob shuts down NYC's Grand Central Station Christian talk show host Todd Starnes reports that New York City's Grand Central Terminal was shut down on Saturday after thousands of pro-Hamas demonstrators, wearing headscarves, stormed the historic building. PROTESTORS: (yelling) “Shut it down. Shut it down.” NEW YORK POLICE: “This is the New York City Police Department. You are unlawfully obstructing pedestrian traffic. You are ordered to disperse now to allow the safe flow of pedestrian traffic. If you do so voluntarily, no charges will be placed against you. If you refuse to disperse, you will be placed under arrest and charged with disorderly conduct.” Viral News NYC tweeted, “Pro-Hamas and pro-Palestinians rioters break windows, spit, and kick cops.” Elsewhere in New York City, violent demonstrators clashed with Jews in Times Square and Columbus Circle outside Central Park. An Israeli flag was set on fire and fake blood was thrown on the front doors of The New York Times. The Netherlands: Abortions up almost 15% in 2022 According to the Dutch Healthcare and Youth Inspectorate, the number of abortions in the Netherlands increased by almost 15% last year, reports Evangelical Focus. The rise in mothers between 25 and 35 years of age who kill their unborn babies was up by 23%. And 13% more teenage mothers chose to abort their children. Proverbs 24:11 says, “Rescue those who are being taken away to death; hold back those who are stumbling to the slaughter.” DeSantis remains number one challenger to Trump According to a RealClearPolitics.com average of polls of Republican presidential contenders between October 17th and November 5th, Donald Trump polled at 58.5% among likely GOP voters.  Florida Governor Ron DeSantis came in at 14.4%, former U.N. Ambassador Nikki Haley at 9%, and entrepreneur Vivek Ramaswamy at 4.7%. Last Wednesday in Miami, NBC hosted the third Republican presidential debate which Trump chose not to attend.  DeSantis, who has been endorsed by Iowa Governor Kim Reynolds, spoke decisively on key issues like Bidenomics. DeSANTIS: “I'm going to take all the executive orders, the regulations, everything involving Bidenomics, and I'm going to rip it up and I'm going to throw it in the trashcan on Day One where it belongs.” The Florida governor spoke to our southern border. DeSANTIS: “I'm sending the U.S. military to the border. I'm going to stop the invasion cold. If someone in the drug cartels is sneaking fentanyl across the border when I'm president, that's going to be the last thing they do. We're going to shoot them stone cold dead.” DeSantis addressed Hamas-supporting students here in America on a student visa. DeSANTIS: “If you are here on a student visa, as a foreign national, and you're making common cause with Hamas, I'm canceling your visa and I'm sending you home.” And he appealed directly to the voter. DeSANTIS: “I will take the arrows. I will take the barbs because it's not about me. It's about you. It's not about the past. It's about your future. I will always put service above self as President. And, as your president, I will not let you down.” Sen. Joe Manchin not to seek re-election, possible presidential run Democrat Senator Joe Manchin of West Virginia, age 76, announced Thursday that he will not seek re-election to the Senate in 2024, reports TheHill.com. MANCHIN: “After months of deliberation and long conversation with my family, I believe in my heart of hearts that I have accomplished what I set out to do for West Virginia. I have made one of the toughest decisions of my life and decided that I will not be running for re-election to the United States Senate.” He was staring down the toughest electoral challenge of his Senatorial career, as West Virginia Republican Governor Jim Justice has increasingly become the favorite to win next year. However, Manchin has long flirted with a 2024 presidential bid with an upstart centrist party, called No Labels, that has shown interest in fielding a bipartisan presidential ticket. Good cardiovascular health can knock six years off your biological age And finally, good cardiovascular health can knock six years off your biological age, reports Good News Network. A team from Columbia University Medical Center in New York City tested the American Heart Association's Essential 8 checklist and the effects of sticking to it. To take care of the heart and blood vessels, which are linked to many diseases, adopt the Essential 8 habits: healthy sleep, not smoking, regular physical activity, healthy diet, healthy body weight, and healthy blood glucose, cholesterol and blood pressure. The study, presented at the American Heart Association's Scientific Sessions 2023 in Philadelphia, examined 6,500 adults from varying backgrounds and found that when people abided by the Essential 8 they tested six years younger biologically than their actual age. In 1 Corinthians 6:19-20, Paul asks, “Do you not know that your bodies are temples of the Holy Spirit, Who is in you, Whom you have received from God? You are not your own; you were bought at a price. Therefore, honor God with your bodies.” Close And that's The Worldview in 5 Minutes on this Monday, November 13th in the year of our Lord 2023. Subscribe by iTunes or email to our unique Christian newscast at www.TheWorldview.com. Or get the Generations app through Google Play or The App Store. I'm Adam McManus. (Adam@TheWorldview.com).  Seize the day for Jesus Christ.

Today on Crime & Entertainment I had the privilege of speaking with Chris Colombo, the son of the late Joe Colombo Sr. You might remember the name Joe Colombo as a prominent figure in Italian-American history. Back in 1971, a tragic event unfolded during a massive rally at Columbus Circle when Joe Colombo Sr. was shot. Chris, who was just 9 years old at the time, witnessed this shocking incident. After that period of his life Chris would go on to become one of the most successful bookmakers in New York City, taking 100's of 1000's of dollars of action a day.  After a brief stint in prison Chris is now taking the podcast world by storm with his own show Taking Action with Chris Colombo. The Link can be found below. Chris cover sports picks, interviews with celebrities and he warns the youth of América about the dangers of sports betting. This is a fantastic interview with one of the most powerful speakers I've ever had on this show. Enjoy!!!! Follow Chris Colombo belowYouTube - Taking Action with Chris Colombo https://www.youtube.com/channel/UCufDMHdw2f_M0JkJEPUlcAgIGhttps://www.instagram.com/thechriscolombo/Links to Crime & Entertainment Like us on Facebook -  https://www.facebook.com/crimeandentertainment/Follow us on Instagram -   https://www.instagram.com/crimenentertainment/Listen on Spotify - https://open.spotify.com/show/4T67Bs5... Listen on Apple Music - https://podcasts.apple.com/us/podcast... Listen on Stitcher - https://www.stitcher.com/show/crime-e... Listen on Google Podcast - https://podcasts.google.com/feed/aHR0... Listen on Amazon Music - https://music.amazon.com/podcasts/9cd...

The All Local Afternoon Update for Monday, October 30th, 2023

Tom's film work includes: the Saw series, Repo! The Genetic Opera, Columbus Circle, Risen, Sun Records, Percy vs Goliath, Death Of A Ladies' Man, Hunter Hunter, Wedding Season, Crimes Of The Future, and The Cello. Tom's television projects include: Joan Of Arc, Everest, Orphan Black, Hatfields & McCoys, Texas Rising, Dark Matter, and Killjoys.

“Dad Likes Blondes” I must have dropped Joel's stone somewhere in a Columbus Circle, or near Lincoln Center—not that it made any difference—Manhattan was Manhattan, and it was as if all of midtown had something to offer from my everlasting past-present-future, which seemed to crossover from one life to the next, between deaths and all the strange arrangements of interwoven time that happened in between, these instances drawing me to people, places and things I needed to know or see, something like a dream, but with remnices of reality—on this particular day the pain in my ankle from an ear get overworking just the day before—but I was relentless in my quest for the perfect body—or at least, a body that could be truly loved by a proper man, within proper time— of course— I was running out of time in the biological sense. He was my favorite luminaire— a secret I kept even far from myself, as not to develop any attraction towards another man in another realm so far away, in some sort of fantasy that was so far fetched that it would only add to the chaotic and hellish existence I had seemingly always been trapped in. He was, without saying too smart and had awful habits—of course, to me, all the more attractive, in my somewhat adolescent sense that I liked them ‘bad', but I at least kept my own bad habits at bay in some sort of way — marking him as a master in my own inherent apprenciship; he had obtained knowledge and practice that I hadn't, and therefore was of course a defacto target in my edveador to understand this unmasked land— it had become more than a passion… —Tales of A Superstar DJ Lemon zest, the rush The call of your name, for a run The taste of your fingertips, The brush of lust against the trees Again, I call for you I'm better off alone… Oh, I'm better off alone. I'm better off alone, Oh, I'm better off alone Just Leave Me The only thing here Is the kick getting through I couldn't care anymore if I tried I couldn't give a fuck if I wanted to Just one more look at you, I can't hold a candle! No more worries, And no more tear jerkers (and No more hopeful romance, For the ages) No turning pages, For pageants or princesses Fit the agenda! We're all steady aging, Say, Sallie Mae How many more payments I'm just a slave, It's just unpaid wages A careful equivalent No remorse or repent I'm still soft and sacred No regrets, I'm so Shameless Say, Sallie Mae How many more payments? Say, Sallie Mae How many more payments? A new writer's strike But i'm still on a slaveship Here's a soft punch: Only kicks getting through here I don't want to know, How you even got through here To do this Hey, Sallie Mae How many more payments? Hey, Sallie Mae How many more payments Hey, Sallie Mae Hey Sallie Mae Hey Sallie Mae I hate this. *gunshot* “Come for Supper,” {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

Today's guest is Ran Eliasaf   Ran Eliasaf is the founder and managing partner at Northwind Group, a real estate private equity firm with $3+ billion in AUM of debt and equity investments. Join Sam and Ran in today's show. -------------------------------------------------------------- Equity in NYC stopped making sense [00:00:00]   Opportunity in office conversions [00:03:40]   Scarcity of senior debt [00:06:10]   Private Debt Fund Structure [00:08:27]   Capital Raise Lessons [00:12:06]   Changes in Underwriting Criteria [00:14:12]   Building a strong team culture [00:16:48]   Avoiding the mistake of forcing a deal [00:18:16]   Summary of the interview [00:18:55] -------------------------------------------------------------- Connect with Ran:  Linkedin: https://www.linkedin.com/in/raneliasaf/   Connect with Sam: I love helping others place money outside of traditional investments that both diversify a strategy and provide solid predictable returns.     Facebook: https://www.facebook.com/HowtoscaleCRE/ LinkedIn: https://www.linkedin.com/in/samwilsonhowtoscalecre/ Email me → sam@brickeninvestmentgroup.com   SUBSCRIBE and LEAVE A RATING. Listen to How To Scale Commercial Real Estate Investing with Sam Wilson Apple Podcasts: https://podcasts.apple.com/us/podcast/how-to-scale-commercial-real-estate/id1539979234 Spotify: https://open.spotify.com/show/4m0NWYzSvznEIjRBFtCgEL?si=e10d8e039b99475f -------------------------------------------------------------- Want to read the full show notes of the episode? Check it out below: Ran Eliasaf (00:00:00) - We keep asking ourselves, does it make sense? Does what we do doesn't make sense on a risk adjusted return? And then when the answer is no, or eh, maybe, then okay, what should we be doing? And in 2017, for example, for US, equity in New York City stopped making sense. Hmm. Because of pricing, because of risks before, because of regulation. And, and we started lending. And, and I'm very happy that we did because it was, you know, in hindsight, a very good decision.   Intro (00:00:28) - Welcome to the How to Scale commercial real estate show. Whether you are an active or passive investor, we'll teach you how to scale your real estate investing business into something big.   Sam Wilson (00:00:41) - Ron Eliasoph is the founder and managing partner at North Wind Group, a real estate private equity firm with 3 billion in assets under management of debt and equity investments. Ron, welcome to the show. Thank   Ran Eliasaf (00:00:52) - You for having me, Sam.   Sam Wilson (00:00:53) - Absolutely. The pleasure is mine. Ron, there are three questions I ask every guest who comes on the show in 90 seconds or less. Can you tell me where did you start? Where are you now, and how did you get there?   Ran Eliasaf (00:01:03) - So, I started just before the financial crisis in 2007. Um, I was, uh, the right hand of, um, local businessman that did a lot of real estate investments. He kind of taught me the ropes. Uh, I started as his driver slash secretary and kind of became his right hand man. Unfortunately, he passed away, uh, very suddenly. Uh, and after helping his clients deal with, with, you know, uh, what was left, one of them introduced me to his family office. They invited me in. I ended up launching, uh, my first fund under that family office right in the middle of 2008 in the financial crisis. We started buying distressed debt, uh, secured mostly by grocery anchor shopping centers in the southeast. Did that between oh eight to 2011. Sold that portfolio. It was about five minutes square feet, or my stake in it, I should say. Uh, and then started investing in New York initially on development deals, then income producing value add, uh, and then stopped buying in New York City in 2017 and started lending. And ever since we've been lending, uh, and that grew to be a, you know, pretty large, uh, business for us.   Sam Wilson (00:02:11) - Wow, that's a lot of, uh, that's a lot of transition there. I, I love, I love the starting as the driver and now you got 3 billion in assets under management in commercial real estate. Was that, was that the dream all along or was this just the path that you seem to fall into?   Ran Eliasaf (00:02:29) - You know, somebody, somebody told me that my initials re is real estate, so I guessed I was destined to do it. , but no, you know, it just, I was a surfer. I mean, I, I opened up a surfing school before, before I went to work for, for, um, time. That was his name. Uh, I opened up a surfing school in Dominican Republic. Lived there for a year, almost never made it back. Wow. But I went to law school and then when I started law school, uh, you know, my first year of law school, I told myself, I don't wanna finish my line degree and have zero experience in business. Let's work for somebody while I'm in school and at least get some experience.   Sam Wilson (00:03:03) - Yeah, absolutely. Do you surf still?   Ran Eliasaf (00:03:05) - Yes, I do. Good   Sam Wilson (00:03:06) - For you. Good for you. What's   Ran Eliasaf (00:03:08) - Lately? Lately mostly on the internet though. But, uh, , I take the family and kids. We go at least three times a year to a surfing trip.   Sam Wilson (00:03:15) - Oh, that's cool. Good for you. Good for you. That's a skill I've never mastered, but it's one that's, it's beautiful to watch when you know what you're doing. So   Ran Eliasaf (00:03:22) - That's never too   Sam Wilson (00:03:22) - Late. Never too late, I guess. So that, that's fantastic. Let's talk then, uh, really about two separate things here today. I know we kind of talked a little bit off air, uh, about how the, um, office conversion, there's opportunity right now in office conversions. Can you, can you give us some insight onto that?   Ran Eliasaf (00:03:40) - Sure. I mean, I think everybody understands right now. Uh, there's a lot of, uh, supply sitting out there, mostly of Class B office buildings in a city like New York where I'm in. Um, you know, right now a lot of these buildings are sitting half empty and some of them could potentially be converted. It's much easier said than done. Not every building can, can go through a conversion cause you need the light and air and certain requirements, you know. Um, but definitely we're, we're aware of at least five to 6 million square feet of office space in New York City that's being converted right now to resi. Most of them has been converted to rentals, which is good cause the city needs rentals. Um, and I think it's gonna be the trend for the next two years probably. Uh, but not every owner, not every building can do it.   Sam Wilson (00:04:26) - Yeah, that's it. That's really, really interesting. Yeah. I was speaking with someone here recently, uh, on the show, I think it was the last couple weeks. Uh, and they were talking about the opportunity in office space, especially there in New York City right now. And they were saying they're picking up stuff maybe three, 400 bucks a square foot, which maybe was trading, you know, three and a half years ago at eight, $900 a square foot. Is that something similar to what you guys are seeing right now?   Ran Eliasaf (00:04:48) - Yes, but again, it's mostly the Class Bs, right? Uh, uh, and it's mostly on deals that have been slightly over leveraged, obviously. Uh, I mean, they're making a bet probably in five years. They look very smart with that bet. I, I think office office will rebound. Uh, right now. Nobody wants to touch it. It's kind of like a four four letter world right now. Right. Nobody wants to touch office, but I think that in two years, um, the demand is back. You ask any c e o where, where he prefers to have his team, he'll say in the office right now, the job market is still strong. So, you know, employees can still kind of say, Hey, yeah, you know, I want three times a week and maybe, you know, twice from home, but that's gonna end. And when it ends, you'll see a rebound, but it's, yeah. Not gonna happen this year.   Sam Wilson (00:05:37) - Right. No, completely understand. Yeah, there's nothing like the camaraderie of, uh, face-to-face meetings. And even, even with our kind of team distributed here in the Memphis region, it's, uh, and we don't get together face-to-face often enough. And I'm like, man, I just wish we had more face-to-face time. Uh, and I think that's probably, I'm not, not alone in that sentiment, but let's switch, uh, switch it around then and talk about the commercial lending environment. What you guys are seeing right now, you guys are lenders. I'm sure that things, things are shifting daily. So where, where are we right now?   Ran Eliasaf (00:06:10) - Right now, most banks are on the sidelines, uh, and are not extending loans in general, maybe to ex specific clients that, you know, very deep relationships. But in general, what we're seeing as a, as a private lender, as a private debt fund that we're providing now loans to top tier sponsors, operators on great assets that typically would be extended by a commercial bank. Uh, and we're doing those loans now and there is a scarcity of senior debt out there. Mm-hmm. Now there's a lot of capital for the BP or the mes, you know, the risk piece, what we call, but there's scarcity of, of true senior, uh, lenders out there. So we're doing those loans and we're very excited about it. But it's also, I would say a bit scary. Cause you look at the systemic risk, it definitely increased post the crash of, you know, S V B, Silicon Valley Bank, then signature lately First Republic, and everybody's asking themselves who's next. Right? Right. So, um, we're extending loans, but we're underwriting very carefully the basis the sponsor. And, and, and for the most part we're lending on residential. Cause it's slightly easier to underwrite right now resi than it is other asset classes.   Sam Wilson (00:07:27) - Right. And when you say residential, obviously I think we're talking large, uh, commercial multifamily assets.   Ran Eliasaf (00:07:33) - Correct. We, we, we lo we land on, on multifamily assets, we just gave a hundred million dollar loan on a, on a hotel that's actually being converted to multifamily rental. It's gonna be about 400 unit multifamily rental on, on near Columbus Circle in Manhattan. Uh, and we do a lot of also, uh, condo inventory loans. So we provide inventory loans to developers that recently finished or are about, about to finish their condo project. Mm-hmm. And we're providing a loan again, against the unsold inventory.   Sam Wilson (00:08:03) - Wow, that's really, really fascinating. I'd love to kind of dig into more of the mechanics of the private debt fund, how it works, what you guys are doing on the underwriting side, how that, how that stuff has changed. Can you kind of just give us the high level overview of really just, I guess the, the, the function of the debt fund, how you organize it, and then also you'd be some underwriting criteria and how you guys are really protecting the fund.   Ran Eliasaf (00:08:27) - Sure. So obviously commercial bank, which is, I, I wouldn't say the opposite of us, but they have deposits from, from clients and they then extend loans based on their deposit base. Right? Right. And the bank is essentially leveraging the de deposit, the deposit base, 10 to one. And it's highly regulated because they, it takes mom and pop and people's money and then it extends business loans. I'm obviously generalizing a private debt fund like ours, uh, is, you know, we don't have deposits. We don't manage, you know, mom and pop money. We have LPs, investors, uh, institutions, and, you know, ultra high net worth that give us a commitment. So our fund is a closed ended fund. It's on a commitment base. So we have investors that provided us commitments, and then we have the discretion where we deploy that cap. So it's less regulated than the bank.   Ran Eliasaf (00:09:12) - Uh, we have a little bit more, uh, freedom into making our decisions on what we want and don't want to do. And we're governed by our L P A by our limited partnership government that says what we can and cannot do. Our funds, for example, is 70% focused in New York City. Everything else is in major gateway cities. And at least 80% of our loans are in first position, senior secured loans, uh, mostly on residential. So I'll just give you an example of a deal. We, we did earlier this year. We gave a 313 million completion to condo inventory loan on 1 25 Greenwich. It's a super tall resid building downtown. It's about 88 stories. Um, it's a project that got stalled during covid, you know, with all the construction delays and shutdowns. Um, the prior owner ended up defaulting on its debt. Uh, a large company named Fortress Group, which manages 45 billion, ended up buying the debt.   Ran Eliasaf (00:10:07) - And after a long process, ended up becoming the owner and we gave them a fresh new loan that will enable them to complete the project and then sell out the units. It's about 292 units. You know, our basis is a slightly under a thousand a foot. Uh, those units should sell it around 2000 a foot, uh, maybe more, you know, you know, you know, and, um, you know, we think it's a very interesting position to be in as a lender. We're, we're at about half the basis of what we think the, the units will sell at.   Sam Wilson (00:10:41) - Wow. That's fantastic. I love that. And I guess on that o on the, uh, debt fund side of things, you guys obviously just raised all of that in equity. One of the things you'd mentioned there was that you have a commitment base is, did do these funds function where it is you and I talk and I say, okay, Ron, you know, I'll commit whatever it is, a million dollars to the fund. And then when you're ready for the money, you guys call it, or is it something where I say, I'm gonna commit a million dollars to the fund and then I go ahead and just make that, make that, um, commitment and give the money right then and there? How does that work?   Ran Eliasaf (00:11:10) - Uh, so it's, it's, it's on a drawdown basis. We basically call the capital as we deploy the fund. Now, it depends when investors join the fund. If they joined when the fund was formed, then the initial capital call is small. If they joined in a subsequent capital raise, when the fund is a bit more deployed, then sometimes you already deploy, you call almost 50% or more. Right. As soon as they join. It really depends how much the fund has deployed. Today we're, we're currently, just to give you a sense, we're over 80% deployed in our funds. Got it. Are we raising, you know, we're probably gonna raise the next funds during the summer.   Sam Wilson (00:11:42) - Got it. What, what have been some things, uh, I guess that you've learned along the way in launching such a large, and obviously this has happened over, over at least a decade, if not more than more like 15 years, but what have, what have been some things you've learned on the capital raise side of things, especially as it pertains to funds that people should think about that maybe are just starting out and or maybe have a couple under their belt that, that you've done differently than maybe what you did at the beginning?   Ran Eliasaf (00:12:06) - So I'll, I'll tell you two things that I've learned. And it started again. We only started raising funds about four years ago. Okay. Before that, we were capitalizing on a deal by deal basis. And what I've learned is, is that if you have a good deal in your hands, the capital will be there. And a lot of time when people say, I'm struggling with the capital raise, I don't have enough investors, the real answer is, well, the deal is not good enough. But it's hard to admit it, especially to yourself. Right. And the other thing I learned about that is that it's easier to raise a hundred million for a deal than it is to raise 10 million. Uh, there's just more capital. Uh, and it's, it's, it's kind of counterintuitive. A lot of people when they start in the business, they start with small deals, obviously, because that's their capacity.   Ran Eliasaf (00:12:50) - And I found it, it's much easier to raise more capital to larger deals than it is to a smaller deal. And, and the last thing I'll say, and this is probably the most important thing, and you mentioned when you said we, we had evolved during our life cycle. We started in distress debt than development, than income producing value add, then, then lending. And it happens because I keep asking myself, and I kind of, in the team, we keep saying the same. I tell 'em the same thing. We keep asking ourselves, does it make sense? Does what we do doesn't make sense on a risk adjusted return? And then when the answer is no or eh, maybe then okay, what should we be doing? And in 2017, for example, for us, equity in New York City stopped making sense Hmm. Because of pricing, because of risks before, because of regulation. And, and we started lending. And, and I'm very happy that we did because it was, you know, in hindsight they're very good decision.   Sam Wilson (00:13:46) - That's brilliant. We   Ran Eliasaf (00:13:47) - Basically, we basically started selling everything we had. We had two very large office buildings in the city. We had a almost 1.3 million square feet of office building that we owned. And we sold between 2018 to 2020.   Sam Wilson (00:14:00) - Wow. Wow. That's cool. What are some of the terms maybe and how have they changed here in 2023 versus what you guys were doing even maybe a year or so ago?   Ran Eliasaf (00:14:12) - So, I'll tell you what we're in, in our debt platform. Uh, versus two years ago, we have lowered our LTVs, meaning two years ago we would be at 65% ltv. Now we're at about 55, and we actually increased the spreads. So because, you know, if we, if we gave a loan, I don't know, two years ago at sulfur plus seven, right. And sulfur was almost nothing. Right? Or libor, now the same loan, sulfur plus seven is almost 12 and a half percent. Right? So the interest rates are higher, the LTVs are lower. Uh, we're giving loans to bigger and better sponsors on, on, on much higher quality assets. But then I said before, the systemic risk is significantly increased. So, you know, you have an environment where you're not sure where the takeout will be. If it's an asset that the borrower plans to sell, great. Hopefully he sells it. But if he's banking on a refinance, it's not really sure where the refinance is coming from.   Sam Wilson (00:15:13) - Yeah. And that, that, that certainly gets risky. Uh, has it been challenging to say no to previous lenders or previous borrowers, I guess I should say, as your underwriting criteria? Sounds like it has tightened. Has that been something where you've had to say to, to pass clients, Hey, I can't, I can't work with you anymore.   Ran Eliasaf (00:15:30) - We, the two of the major reasons we passed on loans are either the proceeds ask for the proceeds is too high, or the interest rate is too low for us, for our capital. And, and that has been consistent of it. I think that's about 90% of, of the reasons we passed on deals is proceeds and rate. And we had a deal we passed on a year and a half ago, a sponsor. We really liked that, that needed a 200 and plus million loan on an asset. We passed on it, somebody else did it. And then last week we ended up giving an a note, meaning we took the senior trench on that loan, a hundred million. So, uh, it ended up coming back to us, but now in the place we felt comfortable in, you know, in the exposure.   Sam Wilson (00:16:09) - Right, right. Wow. Wow. That's a lot to keep up with, especially at those, I mean, at those, at those numbers, uh, the magnitude, you know, of a small mistake just I would imagine as, you know, uh, becomes much more apparent. So that's really, really interesting the way, uh, the way that you guys handle this. Let's talk a little bit, maybe, if you don't mind sharing with our listeners. One of the things, obviously on the show here, it's called How to Scale Commercial Real Estate. And part of that is team, I think anybody who's found a way to build their business effectively has done it also with a, with team. Can you talk to us a little bit about building out your company team members, kind of how, how you have handled that, uh, strategically?   Ran Eliasaf (00:16:48) - Well, it's extremely important. Uh, we've been focused on trying to bring into the company talent that we feel shares the same values. Mm. Which is honesty, honesty, transparency, and, you know, hardworking. You know, you can't have success without the willingness to work hard. Um, and I think selecting the right team members and then, you know, also departing from those that don't fit the, you know, the, the, the right chemistry and the right vibe is extremely important. And, and I think that, you know, the culture we've developed, developed is extremely open. We encourage anybody, even if it's your first day as, as as a junior analyst to speak up to say what you think. Uh, if you think something doesn't make sense, it's not necessarily because you don't understand or you don't know, maybe it just doesn't make sense. So, so raise your hand and say, I don't understand. It doesn't make sense. And, uh, I think that culture of being able to openly criticize the process, the deals is extremely important and extremely valuable.   Sam Wilson (00:17:53) - I think that's great. That's great. Yeah. And that's, uh, that's something that, that's the invaluable feedback. You can't, you can't buy that feedback, that willingness to have a, an open communication channels. That's, that's fantastic. If you rewound the tape maybe the past 10 years, and there was one thing you said that, that you, a mistake that you could help our listeners avoid, what would it be?   Ran Eliasaf (00:18:16) - Excellent. The biggest mistake I think for me in real estate, especially when you start out, is you try to force it. You try to force the deal. Mm. Um, you need the deal to happen. Cause that's how, you know, you pay your bills and you get your fees and, and, and the upside. And, and a lot of time you have a deal lined up and, and you're doing everything you can for the deal to happen, which is good. But sometimes you cross the line and, and you push it and you try to force it. Even though, again, you should be telling yourself, you know what, this deal, I might be, I might be better off just walking away from it. But you're already so engaged and you're so invested in it and you're kind of trying to force it. And then that's where big mistakes happen.   Sam Wilson (00:18:55) - Yeah. Yeah. I can, uh, I can agree with that. That's, that's certainly, I think something all of us at some point, the, uh, the, the, the, the desire to get a deal done, I think all of us are deal junkies in real estate to some extent. Otherwise we wouldn't be doing it. But that, that forcing good deal. That's a great, that's a great piece of advice. Certainly appreciate that. Ron, it's been great having you here on the show today. I've learned so much from you both, from what your perspective is on the commercial lending side of things, how that's changing, how you guys are changing your underwriting metrics, your loan to values, your uh, the spreads that you guys are now requiring on those, how you're finding opportunity, uh, your switch from equity to a debt position. You got a wealth of experience and I certainly appreciate you taking the time to come on the show today and share that with us. If our listeners wanna get in touch with you and or your company, what is the best way to do that?   Ran Eliasaf (00:19:42) - Either on LinkedIn or directly emailing me? Uh, it's all available there. Um, but LinkedIn is probably the easiest way to find me.   Sam Wilson (00:19:49) - Perfect. And we'll make sure we include that there. Uh, in the show notes, your LinkedIn, we'll find your LinkedIn profile and tag that in there. Uh, Ron, thank you again for coming on today. I do appreciate it.   Ran Eliasaf (00:19:58) - Thank you, Sam.   Sam Wilson (00:19:59) - Hey, thanks for listening to the How to Scale Commercial Real Estate podcast. If you can, do me a favor and subscribe and leave us a review on Apple Podcast, Spotify, Google Podcast, whatever platform it is you use to listen. If you can do that for us, that would be a fantastic help to the show. It helps us both attract new listeners as well as rank hire on those directories. So appreciate you listening. Thanks so much and hope to catch you on the next episode.      

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

On today's episode of All in the Industry®, Shari Bayer's guest is Chip Wade, Chief Executive Officer of Union Square Hospitality Group (USHG), which was founded by Danny Meyer with the opening of Union Square Café in 1985, and now extends beyond the walls of its eateries, offering event services, partnerships, and business development. As CEO, a title he has had since 2022, Chip is responsible for further enhancing and evolving the company's culture, driving an even greater experience for guests, and bolstering the excellence and growth of its businesses. Chip joined the USHG Executive team as President, in 2019, following a rich 30-year career in operational leadership in the hospitality industry. Prior to joining USHG, Chip spent 17 years in leadership with Darden Restaurants, where he oversaw all operating functions, drove best-in-industry people metrics, and enhanced financial performance for a number of Darden's high-growth brands. He also served as Chief Operating Offer for Legal Sea Foods in Boston, Massachusetts, in which capacity he led all operations for the family-owned group's 31 restaurants, and oversaw the launch of the Legal Test Kitchen concept. Today's show also features Shari's PR tip to endorse endorsements; Industry News Discussion on the 2023 James Beard Restaurant and Chef Awards Nominees; plus, Shari's Solo Dining experience at Bad Roman, a new, modern, maximalist Italian restaurant from Quality Branded in Columbus Circle, NYC. ** Check out Shari's new book, CHEFWISE – Life Lessons from Leading Chefs Around the World (Phaidon, Spring 2023), now available for pre-order at Phaidon.com, Amazon.com, and wherever books are sold! Pub dates: 4.20.23 UK / 5.3.23 US #chefwisebook ** And if you're in the Philly area, please join Shari on Sunday, April 16th for a panel previewing her book, CHEFWISE, in a discussion through the lens of women in hospitality with Sisterly Love Collective members. The complimentary panel will take place during Philly Chef Conference from 3PM to 4:30PM at The Study at University City (20 S. 33rd St, Philadelphia, PA). RSVPs required. For more information, go to: thestudyatuniversitycity.com. Hope to see you there! **Photo Courtesy of Chip Wade.Listen at Heritage Radio Network; subscribe/rate/review our show at iTunes, Stitcher or Spotify. Follow us @allindustry. Thanks for being a part of All in the Industry®. Heritage Radio Network is a listener supported nonprofit podcast network. Support All in the Industry by becoming a member!All in the Industry is Powered by Simplecast.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

We hear from DSA-NYC organizer Danny Valdez about the DSA's ongoing Tax the Rich campaign that aims to expand social spending to New York that would benefit the state's working class. Gov. Kathy Hochul and the state legislature are facing an April 1 deadline to complete the budget. On Saturday, hundreds of New Yorkers with the Invest in Our New York coalition marched from Columbus Circle to “Billionaire's Row” on 5th Avenue to call for higher taxes on NY's wealthiest residents.

We look at the battle over New York State's $227 billion annual state budget. Gov. Kathy Hochul and the state legislature are facing an April 1 deadline to complete the budget. On Saturday, hundreds of New Yorkers with the Invest in Our New York coalition marched from Columbus Circle to “Billionaire's Row” on 5th Avenue to call for higher taxes on NY's wealthiest residents. We speak with Socialist NY Assemblymember Zohran Mamdani about budget negotiations at the State Capitol right now — the meetings, the discussions, the bargaining, the pressure from well-heeled lobbyists as well as from people-powered movement.

In the first half of the show, we look at the battle over New York State's $227 billion annual state budget. Gov. Kathy Hochul and the state legislature are facing an April 1 deadline to complete the budget. On Saturday, hundreds of New Yorkers with the Invest in Our New York coalition marched from Columbus Circle to “Billionaire's Row” on 5th Avenue to call for higher taxes on NY's wealthiest residents. We speak with Socialist NY Assemblymember Zohran Mamdani about budget negotiations at the State Capitol right now — the meetings, the discussions, the bargaining, the pressure from well-heeled lobbyists as well as from people-powered movement. Then we hear from DSA-NYC organizer Danny Valdez about the ongoing Tax the Rich campaign. Lastly, we take call-ins from listeners who shout out women they'd like to honor for Women's History Month.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Airing from 1949 to 1954, Broadway Is My Beat, is a radio crime drama, about a Times Square detective named Danny Clover who worked homicide "from Times Square to Columbus Circle—the gaudiest, the most violent, the lonesomest mile in the world." GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

The Mafia and the Gays meticulously documents how the mob controlled gay bars for decades in New York and Chicago due to their once illicit status, and relies upon an extensive collection of primary sources including FBI files many of which were not publicly available until acquired by author Phillip Crawford Jr. through the Freedom of Information Act. Mr. Crawford illustrates how the gay bars historically were integrated into the Mafia rackets. For example, the establishments often were financed through mob-tied coin-op vendors and their related loan companies. Jukebox king Alfred Miniaci funded dozens of gay bars and other joints controlled by the Mafia in the 1950s and 1960s including the Peppermint Lounge. Miniaci supplied slot machines in the 1930s to Frank Costello, and had dined with the mob boss on the May 2, 1957 night he was shot. Gay bars sometimes served as drug drops. Forget about the pizza connection; this was the pansy connection. Club 82 in New York's East Village was a popular club with drag revues, and in the 1950s also was part of the distribution network in the Genovese family's heroin trade for which boss Vito was convicted in 1959. Gay bars were profit centers for all the Mafia families. Among the powerful mobsters who oversaw vast interests in LGBT nightlife were Gambino underboss Aniello Dellacroce, Genovese capo Matty Ianniello, Colombo underboss Sonny Franzese in New York and Joseph DiVarco who ran the Rush Street crew on the Near North Side for the Outfit in Chicago. The Mafia had ties to some of the most iconic gay establishments including the Continental Baths in the Hotel Ansonia from 1969 to 1976 on the Upper West Side which received protection from the Colombo family in exchange for installing its vending machines. Continental owner Steve Ostrow – a classically-trained opera singer – developed such close ties with Joe Colombo that he was performing "The Star-Spangled Banner" at the June 29, 1970 Italian-American Unity Day rally in Columbus Circle when the mob boss was shot. The LGBT community once was married to the mob out of forced necessity but after gay bars became legal the relationship often continued in many establishments out of mutual convenience. Gay bars no longer were busted simply for homosexual assembly but they still risked raids if serving as sex clubs or drug drops. Accordingly, the mob still had both services to provide and protection to offer particularly during the party decades following the Stonewall riots. If a bar had a back room for anonymous sex, operated afterhours or sold drugs or boys, then odds are it was a Mafia joint, and that involved numerous places during the 1970s and 1980s. Indeed, the Mafia hijacked gay liberation for political cover and used so-called Auntie Gays as frontmen for their bars to evade suspicion. The wiseguys allegedly even infiltrated the Christopher Street Liberation Day Committee and Christopher Street Festival Committee which ran New York City's gay pride parade and some related events for much of the 1970s and 1980s. Over the decades there has been a fair number of gay guys in the mob's ranks including cross-dressing Genovese soldier David Petillo who once was a boy prostitute, hitman Vito Arena from Roy DeMeo's Gambino crew and DeCavalcante boss John D'Amato. There is no shortage of bad gays in The Mafia and the Gays, and most disturbing are the allegations of the mob's role in running underage boy prostitution rings.

You've probably heard the rumors for years: despite his peppy demeanor, James Corden yells at people! Kind of like Ellen DeGeneres. Also like Ellen, it took a bold-faced-named in the vein of Dakota Johnson to expose him. For Corden, this Kev-nary in the coal mine was one Kevin McNally, the owner of Balthazar and also another restaurant whose name Sara can't remember but it's around Columbus Circle or Lincoln Center or something.We examine how the hell Corden got America-famous in the first place; the pros and cons of government-funded TV and film; and of course we get into this maladjusted baby's chart. We also go through Ellen's chart and see how these two are similar and yet so, so different.Follow @mollymulshine & @saraarmour Sign up for our Patreon for more! www.patreon.com/spacetrashpodcast ... And search Space Trash on Facebook for our group if you want to keep the gossip going. Hosted on Acast. See acast.com/privacy for more information.

The Mafia and the Gays meticulously documents how the mob controlled gay bars for decades in New York and Chicago due to their once illicit status, and relies upon an extensive collection of primary sources including FBI files many of which were not publicly available until acquired by author Phillip Crawford Jr. through the Freedom of Information Act. Mr. Crawford illustrates how the gay bars historically were integrated into the Mafia rackets. For example, the establishments often were financed through mob-tied coin-op vendors and their related loan companies. Jukebox king Alfred Miniaci funded dozens of gay bars and other joints controlled by the Mafia in the 1950s and 1960s including the Peppermint Lounge. Miniaci supplied slot machines in the 1930s to Frank Costello, and had dined with the mob boss on the May 2, 1957 night he was shot. Gay bars sometimes served as drug drops. Forget about the pizza connection; this was the pansy connection. Club 82 in New York's East Village was a popular club with drag revues, and in the 1950s also was part of the distribution network in the Genovese family's heroin trade for which boss Vito was convicted in 1959. Gay bars were profit centers for all the Mafia families. Among the powerful mobsters who oversaw vast interests in LGBT nightlife were Gambino underboss Aniello Dellacroce, Genovese capo Matty Ianniello, Colombo underboss Sonny Franzese in New York and Joseph DiVarco who ran the Rush Street crew on the Near North Side for the Outfit in Chicago. The Mafia had ties to some of the most iconic gay establishments including the Continental Baths in the Hotel Ansonia from 1969 to 1976 on the Upper West Side which received protection from the Colombo family in exchange for installing its vending machines. Continental owner Steve Ostrow – a classically-trained opera singer – developed such close ties with Joe Colombo that he was performing "The Star-Spangled Banner" at the June 29, 1970 Italian-American Unity Day rally in Columbus Circle when the mob boss was shot. The LGBT community once was married to the mob out of forced necessity but after gay bars became legal the relationship often continued in many establishments out of mutual convenience. Gay bars no longer were busted simply for homosexual assembly but they still risked raids if serving as sex clubs or drug drops. Accordingly, the mob still had both services to provide and protection to offer particularly during the party decades following the Stonewall riots. If a bar had a back room for anonymous sex, operated afterhours or sold drugs or boys, then odds are it was a Mafia joint, and that involved numerous places during the 1970s and 1980s. Indeed, the Mafia hijacked gay liberation for political cover and used so-called Auntie Gays as frontmen for their bars to evade suspicion. The wiseguys allegedly even infiltrated the Christopher Street Liberation Day Committee and Christopher Street Festival Committee which ran New York City's gay pride parade and some related events for much of the 1970s and 1980s. Over the decades there has been a fair number of gay guys in the mob's ranks including cross-dressing Genovese soldier David Petillo who once was a boy prostitute, hitman Vito Arena from Roy DeMeo's Gambino crew and DeCavalcante boss John D'Amato. There is no shortage of bad gays in The Mafia and the Gays, and most disturbing are the allegations of the mob's role in running underage boy prostitution rings.

The Mafia and the Gays meticulously documents how the mob controlled gay bars for decades in New York and Chicago due to their once illicit status, and relies upon an extensive collection of primary sources including FBI files many of which were not publicly available until acquired by author Phillip Crawford Jr. through the Freedom of Information Act. Mr. Crawford illustrates how the gay bars historically were integrated into the Mafia rackets. For example, the establishments often were financed through mob-tied coin-op vendors and their related loan companies. Jukebox king Alfred Miniaci funded dozens of gay bars and other joints controlled by the Mafia in the 1950s and 1960s including the Peppermint Lounge. Miniaci supplied slot machines in the 1930s to Frank Costello, and had dined with the mob boss on the May 2, 1957 night he was shot. Gay bars sometimes served as drug drops. Forget about the pizza connection; this was the pansy connection. Club 82 in New York's East Village was a popular club with drag revues, and in the 1950s also was part of the distribution network in the Genovese family's heroin trade for which boss Vito was convicted in 1959. Gay bars were profit centers for all the Mafia families. Among the powerful mobsters who oversaw vast interests in LGBT nightlife were Gambino underboss Aniello Dellacroce, Genovese capo Matty Ianniello, Colombo underboss Sonny Franzese in New York and Joseph DiVarco who ran the Rush Street crew on the Near North Side for the Outfit in Chicago. The Mafia had ties to some of the most iconic gay establishments including the Continental Baths in the Hotel Ansonia from 1969 to 1976 on the Upper West Side which received protection from the Colombo family in exchange for installing its vending machines. Continental owner Steve Ostrow – a classically-trained opera singer – developed such close ties with Joe Colombo that he was performing "The Star-Spangled Banner" at the June 29, 1970 Italian-American Unity Day rally in Columbus Circle when the mob boss was shot. The LGBT community once was married to the mob out of forced necessity but after gay bars became legal the relationship often continued in many establishments out of mutual convenience. Gay bars no longer were busted simply for homosexual assembly but they still risked raids if serving as sex clubs or drug drops. Accordingly, the mob still had both services to provide and protection to offer particularly during the party decades following the Stonewall riots. If a bar had a back room for anonymous sex, operated afterhours or sold drugs or boys, then odds are it was a Mafia joint, and that involved numerous places during the 1970s and 1980s. Indeed, the Mafia hijacked gay liberation for political cover and used so-called Auntie Gays as frontmen for their bars to evade suspicion. The wiseguys allegedly even infiltrated the Christopher Street Liberation Day Committee and Christopher Street Festival Committee which ran New York City's gay pride parade and some related events for much of the 1970s and 1980s. Over the decades there has been a fair number of gay guys in the mob's ranks including cross-dressing Genovese soldier David Petillo who once was a boy prostitute, hitman Vito Arena from Roy DeMeo's Gambino crew and DeCavalcante boss John D'Amato. There is no shortage of bad gays in The Mafia and the Gays, and most disturbing are the allegations of the mob's role in running underage boy prostitution rings.

New York Magazine's diner-at-large Tammie Teclemariam is on a mission to try as many New York restaurants as possible in one year for her newsletter "The Year I Ate New York." She's now about halfway through her culinary journey, and had many tricks and suggestions to share from her piece "200 Restaurants, 100 Tips," which includes advice like where to find the best dive bars, and what ice cream in New York reigns supreme. She joins us to discuss, and to take your calls on your best dining tips and tricks. In case you missed it, here's our full list of recommendations, from Tammie and the All Of It listeners: Cesar's Empanadas Truck, Fort Greene Shukette, Chelsea Hummus Bar, Midwood Terre, Park Slope LaRina, Fort Greene Macosa Trattoria, Bed-Stuy Marea, Columbus Circle Betty Bakery, Boerum Hill Blossom, University Place Place des Fetes, Clinton Hill Tacos el Bronco, Sunset Park Sahara East, East Village Keki Modern Cakes, Chinatown Eataly, Flatiron Dante, West Village D'Antan, Crown Heights