Podcasts about Connect Four

Have you ever wondered what the future of pickleball training might look like? Wonder no more. PlayKout, a revolutionary pickleball simulator, is changing the game by blending high-intensity training with addictive gameplay elements—creating what founders Sean Edwards and Jorge Guerrero aptly describe as "the TopGolf of pickleball."During our visit to their Dallas headquarters, we experienced firsthand how this compact system (just 11' high x 11' wide x 4' deep) delivers an impressive workout while making practice genuinely fun. The concept is brilliant yet straightforward: a ball machine feeds pickleballs toward players who aim at targets displayed on a projection screen. Players can enjoy games like Tic-Tac-Toe, Connect Four, and target practice while hitting up to 40 balls per minute. The cognitive benefits are substantial—you're simultaneously tracking the ball, selecting targets, and executing shots, mimicking the split-second decisions required in actual match play.What makes PlayKout particularly revolutionary is its dual focus on performance and entertainment. Unlike previous simulator attempts that emphasized just technical training, PlayKout creates an engaging experience that keeps players returning while simultaneously improving their skills. Professional tennis player John Isner described it as "dangerously fun" after trying the system—a sentiment we enthusiastically echo after our own sweaty session.For facility owners, PlayKout represents an opportunity to monetize underutilized "dead space" by essentially adding another "court" that can generate revenue comparable to court rentals. The system is already heading to Dave & Buster's locations, Dill Dinkers franchises, and is being considered for cruise ships, corporate wellness programs, and even residential installations. The founders are even exploring virtual tournaments where players can compete across multiple locations.Ready to see the future of pickleball training? Check out PlayKout on Instagram @PlayKout or visit their website at letsplaykout.com to witness this game-changing technology that's bringing virtual reality to the pickleball world.Saddle up and have a listen, you'll be glad you did!Looking for a fitness app specifically designed for Pickleheads? Download the Aim7 app today. Use our url to get a 25% discount and try the app for a free trial before committing. https://www.aim7.com/?via=blazing-paddles Special thanks to Crown Pickleball for their support and sponsorship! Don't waste money on balls that break, Crown pickleballs rarely crack, are more visible and have a higher spin rate than the competitors.Use our link to receive a discount on your next purchase! https://crownpickleball.store/blazingpaddles Have a suggestion for a guest or topic you'd like to see us address?Hit me up at john@dink.pro or shout out on social:InstagramTwitterTik Tok

Martin, Ryan and Dodds are back after the storm of the century had Ryan without power for 6 days, we check in on our investments in one pound fish token and we look at some polish idioms. A new line of Clever Name Cards is out now and we feature the new art. Martin has his pack opened live on the show and we play Arttys version of Connect Four. We tryto get our hands on the new aRIZZona ice tea "rizzberry" and we check back in with the plus sized park hoppers. All this and so much more on this weeks Clever Name Podcast  BUY TRADING CARDS: https://www.paypal.com/ncp/payment/SH9WJ5V6EJ8UQ FULL SHOW: https://www.clevernamepodcast.com/ LIVE SHOW: https://www.live.clevernamepodcast.com/ MESSAGE TO PLAY DURING SHOW: https://streamlabs.com/clevernamepodcast/tip INSTAGRAM: https://www.instagram.com/clevernamepodcast/?hl=en DISCORD: https://discord.gg/m4USkdA7wA ALL OTHER SHOWS: https://www.podcastsaregay.com/

On another episode of First Take, Stephen A. Smith, Shannon Sharpe and Coach Seth Greenberg discuss which team they are highest on right now in the NCAA tournament. Kendrick Perkins joins the show to react to the Pistons-Timberwolves scuffle. The guys react to Dillon Brooks' ejection and Stephen A. shares a bold take about the Phoenix Suns. Jeff Passan joins the show to debate whether or not he has an issue with the new bat design. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Banishing those winter blues, we're filling this live show with the best rallyscene instruments. Also, can we solve the Mystery Noise recorded in the organ builders workshop? Plus play the One Second Song and Connect Four.

Welcome to Episode 354 of the Energetic Radio podcast, brought to you by The School of Play! Join your hosts, Dale Sidebottom and Paul Campbell, as they lead you into a world where play, joy, and connection take centre stage. In this episode, Dale and Paul dive into the essence of embracing the beginner's mindset, the importance of resilience, and the powerful lessons that arise from seemingly simple moments of play, like a game of Connect Four. Whether sharing personal anecdotes about overcoming challenges or discussing the impact of letting go of self-imposed barriers, Dale and Paul offer insights into living life with enthusiasm and openness. Tune in for a lively conversation filled with heartwarming stories, unexpected realisations, and thought-provoking reflections that encourage us all to play more and worry less. Let's get started!

Watch…Tape…or skip television shows from 1975 & 1985.(Spunky Comstock & Wolfman bring the controversy .)  “Mike's Moon Boot Memories Minute.”(Mike explains how he “still hears the screams at night sometimes” of this hilarious moon boot story.) Wait Brian had a Mini Fenway Park Green Monster in his basement? KISS solo albums.(How bad were they?…did you ever play “Connect Four” with them in the record store display?) Is It Gene Hackman Or Is It Michael Caine Game. Send us a voicemail:https://www.speakpipe.com/The70sVsThe80sCheck out our sponsors:https://episodes.fm/1559319750?view=apps&sort=popularityhttps://episodes.fm/1738835569?view=apps&sort=popularity

Brendan talks about three games he tried recently for the first time. Join us, won't you?Slide 5 (1980)Connect Four (1974)Slide 5 (2007)Dream Crush (2021)Electronic Dream Phone (1991)Mystery Date (1965)High Society (1995)Capital Lux (2016)Capital Lux 2: Generations (2020)Have you tried these games? Share your thoughts over on boardgamegeek in guild #3269.

Brendan talks about three games he tried recently for the first time. Join us, won't you?Slide 5 (1980)Connect Four (1974)Slide 5 (2007)Dream Crush (2021)Electronic Dream Phone (1991)Mystery Date (1965)High Society (1995)Capital Lux (2016)Capital Lux 2: Generations (2020)Have you tried these games? Share your thoughts over on boardgamegeek in guild #3269.

This Time Around, Melissa and Kate are discussing Everwood #405 Connect Four. Bright invites Ephram and Andy to join his father/son camping weekend with Harold. While there, Ephram reconnects with his father, and Bright worries about the information he received from Hannah just before leaving. Back in Everwood, Amy is excited to receive a Halloween invite from Reid while Jake and Edna clash at work. Follow us on Instagram Artwork - Kathryn Olivieri Music - "Adventures of the Deaf Dreamer (INSTRUMENTAL)" by Josh Woodward. Free download: http://joshwoodward.com

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What better way to explain a situation than to use the largest Connect Four board known to man? Just add your pieces (Uranium and/or Water) and have a ball! Don’t worry about the radioactivity, it’s all part of the game! Just keeping on thinking about bacon, like the bacon council wants you to! Did Socrates… Read more S8:E32 – Chernobyl Accident (Simulation Only)

It's election day!!! Hope you are listening to this on your way to go vote! In this episode JR recalls his first Presidential Election memory, from when he was 6 years old, plus two root canals, and how his 6 year-old granddaughter Aliyah beat him at Connect Four. www.wiiay.com www.tobefare.com --- Support this podcast: https://podcasters.spotify.com/pod/show/threethingswithjr/support

9 - 23 - 24 CONNECT FOUR TO WIN TIX by Maine's Coast 93.1

9 - 16 - 24 PT.3 RADIO CONNECT FOUR by Maine's Coast 93.1

9 - 16 - 24 PT.2 RADIO CONNECT FOUR by Maine's Coast 93.1

9 - 16 - 24 PT.1 RADIO CONNECT FOUR by Maine's Coast 93.1

9 - 12 - 24 RADIO CONNECT FOUR by Maine's Coast 93.1

Dave Dave Young had no recollection of this game. Really, he didn't know. But after hearing this story he applauds Howard Wexler for knowing himself. Dave Young: Welcome to the Empire Builders podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector and storyteller. I'm Stephen's sidekick and business partner, Dave Young. Before we get into today's episode, word from our sponsor, which is, well, it's us, but we're highlighting ads we've written and produced for our clients. So here's one of those. [JS Pest Control Ad] Dave Young: Welcome to the Empire Builders podcast. Dave Young here with Stephen Semple. And we're telling the stories of empires that were built up by people with an idea, business people. And Stephen just whispered today's topic into my ear and I don't know. Stephen Semple: You know the game. Connect Four. Dave Young: Connect Four. I don't think I've ever played Connect Four. It's a game? Stephen Semple: You've never played. Dave Young: You're telling me it's a game. Stephen Semple: It's a game. I'm telling you it's a game. Dave Young: Is it a computer game? Stephen Semple: No. Dave Young: It's a board game. Stephen Semple: No, no, it's not a board game either. And that's what makes it interesting. It's the one which is a vertical game and you connect four, you drop them in the top and you connect ... Dave Young: Oh, you drop those little things. Yeah. No, I've never played that. Stephen Semple: You've never played it? Okay. Dave Young: No, I never have. I've seen people doing it and I thought it was, well, it's just sort like cornhole or some stupid thing. Stephen Semple: But now you the game ... Dave Young: I've seen people playing it with a giant set and beers in their hands. Stephen Semple: Yeah. Okay. Dave Young: Okay. Stephen Semple: All right. Dave Young: It's that game. Stephen Semple: It's that game. Well, despite the fact you've never played ... Dave Young: Let me guess, let me guess. Stephen Semple: It's done pretty well. Dave Young: Let me guess. You have to have four colors in a row. Stephen Semple: You have to have four colors in a row. That's it. That's it. Connect Four. Dave Young: All right. Stephen Semple: Despite the fact that you've never played the game, it has done pretty well. Sorry. Dave Young: How many do they sell? Let's get that in. Stephen Semple: About 10 million a year. Dave Young: All right. That's it. Thanks for joining us on the Empire Builders. Stephen Semple: Wow. It's amazing how many times we do this stuff and you know something about the company. I would never have guessed that this is the one that you would not know it. Dave Young: Look, I don't even know if I want to admit this, but yeah, I don't have friends that invite me to play games. Stephen Semple: But I would've thought you would've at least remembered the advertisement. It's a pretty iconic ad that has been done. It was back in the late seventies and it was two kids playing. Dave Young: This was around in the 70s? Stephen Semple: Yes. Dave Young: Did I just wake up from a coma? Stephen Semple: You must have. There was a really iconic advertisement where the two little kids would be playing and the girl would say, "I won." And the boy would go, "I can't see it. Where?" And then she would point out the four in a row and he'd be like, "Pretty sneaky sis," and then pull a little thing and all the pieces would fall. Dave Young: Yeah. I have no memory of this. Stephen Semple: Where were you from? Nebraska. Dave Young: That's basically it. We were too busy working on cornhole technology. Stephen Semple: I guess. Anyway,

Ever wondered how a simple apartment podcast evolved into a cultural phenomenon? Join us for Part 2 of our amazing conversation with Eric and Jeff Rosenthal, as they take us through the extraordinary journey from creating comedic sketches to becoming recognized voices in the podcasting world. They open up about the magic that happens when genuine relationships and authenticity become the foundation of your work, sharing unforgettable moments from their podcast, 'A Waste of Time with ItsTheReal," and guests like Kevin Gates, Jim Jones, and Swizz Beatz, whose warmth and spontaneity turned simple recordings into lasting memories.Listen to Jeffrey recount Andre 3000 telling his story of Pimp C on The Shop and the importance of staying true to the culture we love. You'll hear about the New York City escapades, building meaningful connections with industry heavyweights, and the ways in which a podcast has inspired others to chase their dreams.From Kodak Black's antics to the Migos' unique demands, and even a dream of playing Connect Four with Stevie Wonder, we explore the blend of creativity, persistence, and fun that keeps this dynamic duo going. This is not just a recounting of past podcast episodes but a heartfelt appreciation of the support system and relationships that has fueled their success. Tune in for laughter, inspiration, and a genuine look at what it takes to build something meaningful in the world of content."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Creative and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/.Send us a textSupport the show

In this episode, Mike, Sarah and Ferdie talk strategies to safely handle aggressive behavior in public spaces where distance and the dog's threshold for stress are difficult to control. We discuss:Overwhelmed dogs and humansSafety management for moving through hallways, stairways and elevatorsDefensive driving  Using distractions and how to avoid reverse-order conditioningTreatments to useMichael Shikashio, CDBC, is the founder of AggressiveDog.com and focuses on teaching other professionals from around the world on how to successfully work aggression cases. He is a five-term president of the International Association of Animal Behavior Consultants (IAABC) and was the Association of Professional Dog Trainers (APDT) Member of the Year in 2020. Michael is sought after for his expert opinion by numerous media outlets, including the New York Times, New York Post, Fox News, The List TV, Baltimore Sun, WebMD, Women's Health Magazine, Real Simple Magazine, SiriusXM Radio, The Chronicle of the Dog, and Steve Dale's Pet World. He also hosts the popular podcast show “The Bitey End of the Dog” where he chats with the foremost experts on dog aggression. He has been a featured keynote speaker at conferences, universities, and seminars in more than 200 cities and 14 different countries around the world, and offers a variety of educational opportunities on the topic of canine aggression, including the Aggression in Dogs Master Course and the annual Aggression in Dogs Conference. Dr. Sarah Shapiro-Ward CPDT-KA, KPA-CTP has lived and worked as a professional dog trainer in two of Canada's most densely populated downtown communities: Toronto and Vancouver. Sarah is best known for her viral trick training videos with her Cockapoo Percy, including tricks such as playing Jenga, Connect Four and Painting on Canvas. She also has a standard poodle, Eleanor, and a part-time horse, Echo. Before becoming a dog trainer, Sarah completed her Ph.D. in Biochemistry in 2015. Though she has long since left the laboratory behind, she still enjoys keeping up with the literature and applying her skills of critical analysis to dog training scenarios.Links "Navigating the City with a Sensitive Dog" by Sarah Shapiro-WardWhen Hounds Fly VancouverAggression in Dogs Conference 2024https://aggressivedog.comhttps://aggressivedog.thinkific.comMichael Shikashio's socials:https://www.facebook.com/AggressionInDogshttps://www.instagram.com/michaelshikashio/https://www.tiktok.com/@michaelshikashio?lang=enhttps://www.youtube.com/channel/UCu6htNW022cxP3ecTYqBfjAhttps://www.buzzsprout.com/1185767Contact Behavior Vets tweet us @BehaviorVets follow us on Facebook follow us on Instagram Online courses Webinars and seminars

We have gathered some of the best clips from this week of shows including Ben Axelrod on Minus 3 and some Summer Olympics talk on Trendy! Look out for the ‘Best Of' every Friday to get your fix from Minus 3, Extra Points and Trendy! Learn more about your ad choices. Visit podcastchoices.com/adchoices

We have gathered some of the best clips from this week of shows including Ben Axelrod on Minus 3 and some Summer Olympics talk on Trendy! Look out for the ‘Best Of' every Friday to get your fix from Minus 3, Extra Points and Trendy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Branded Giveaways Are Dead!

Welcome to iSmash of Tampa, the ultimate destination for therapeutic fun and stress relief! Located in Bloomingdale Square, we offer unique experiences that combine excitement, creativity, and emotional release. At iSmash, you can channel your frustrations through activities like rage rooms, splatter paint sessions, and axe throwing, making it perfect for team-building events, birthday parties, or just a fun day out. Our rage rooms are designed to provide a safe space where you can break glass, electronics, and more with tools like sledgehammers, baseball bats, and crowbars. It's a therapeutic outlet for many, including those dealing with stress, grief, or even bullying. We ensure safety with protective gear and handle the cleanup, so you can focus on the cathartic experience. In addition to our rage rooms, we offer a splatter paint room that is a hit among families and groups. This blacklight-illuminated space allows you to unleash your inner artist with squirt bottles and containers of paint. It's a fantastic activity for all ages, resulting in colorful masterpieces and a whole lot of fun. Our axe throwing lanes are another highlight, featuring computerized targets that offer a variety of games like tic-tac-toe, Connect Four, and even the ability to upload a photo of your choice to aim at. It's an exhilarating activity that adds a competitive edge to your visit. At iSmash, we pride ourselves on being a community-focused business. Our founder, David Siggy, transitioned from a successful insurance career to open this venture after surviving a life-threatening battle with COVID-19. His near-death experience inspired a new mission: to create a space that brings joy and relief to others. We are dedicated to giving back to our community, often hosting events and partnering with local organizations. From cancer benefits to support for children's groups, we strive to make a positive impact. Our facility is a place where people can come together, have fun, and find a bit of solace from the challenges of everyday life. Come visit iSmash of Tampa for an unforgettable experience that's as fun as it is therapeutic. Whether you're looking to blow off some steam, get creative, or just have a good time, we have something for everyone. Join us and see why no one leaves unhappy!

The final installment in our Connect Four sermon series!

A sermon about connecting with God.

Week two of our newest sermon series!

A sermon about connecting with our community!

In this special episode of The Pro Audio Suite, join hosts Robbo, Andrew, and George as they dive deep into the latest advancements in remote collaboration technology with Source Connect Four. Joined by special guests Rebecca, Ross, and Vincent from Source Elements, the team discusses the game-changing features and improvements that make Source Connect Four a must-have tool for audio professionals. The episode kicks off with introductions and sets the stage for an in-depth discussion on Source Connect Four. Celebrating the recent accolades and advancements in remote collaboration with Source Connect Four, the team explores the groundbreaking features, including the Auto Restore/Replace function, which has been improved and made more user-friendly. They also delve into the future integrations with Nexus and other platforms, promising further enhancements for audio professionals. Discover how Remote Overdub Sync revolutionizes the overdub process, ensuring seamless synchronization in remote recording sessions. Exciting news for iOS users! Learn about the upcoming iOS compatibility for Source Connect Four. Wrapping up with congratulations and gratitude, the team reflects on the insightful discussion and looks forward to the future of remote collaboration in the audio industry. Tune in and stay ahead of the game with Source Connect Four, the ultimate solution for remote audio production! A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson   loading Summary In this podcast, the Source Elements team celebrates their success and discusses the latest updates to Source Connect 4, including support for Dolby Atmos, improved user interface, and the Restore Replace feature. The software has been redesigned to simplify remote connections and enhance the user experience. The COVID-19 pandemic has accelerated the adoption of remote recording technology, making it a necessity in the audio industry. The podcast also explores the potential integration of Source-Connect and Nexus, as well as the benefits of Source-Connect's remote overdub sync system. Finally, the host expresses gratitude to various individuals as the show concludes. #SourceConnect4 #DolbyAtmos #RemoteCollaboration loading loading Timestamps (00:00:00) Source Elements Wins NAB Best in Show (00:01:40) Source Connect 4: Dolby Atmos Support (00:05:52) Source Connect 4: Improved User Experience (00:08:36) Recorded Files in Pro Tools (00:10:08) Port Forwarding Simplified in Source Connect 4 (00:11:10) COVID's Impact on Remote Recording Technology (00:16:11) Streamlining Remote Audio Engineering (00:20:03) The Future of Source-Connect and Nexus (00:22:27) Remote Overdub Sync in Source-Connect (00:24:27) Farewell and Gratitude Transcript : Y'all ready? Beat history. : Get started. : Welcome. : Hi. Hi, hi. Hello, everyone to the pro audio suite. These guys are professional. They're motivated. : Thanks to Tribooth, the best vocal booth for home or on the rote voice recording and austrian audio making passion heard. Introducing Robert Marshall from source elements and someone audio post Chicago, Darren Robbo Robertson from voodoo radio imaging, Sydney tech to the Vo stars, George the tech Wittem from LA and me, Andrew Peters. Voice over talent and home studio line up learner. : Here we go. : And welcome to another pro audio suite. Thanks to tributh. Don't forget the code Tripap 200 to get $200 off your tributh. And austrian audio making passion heard. Just imagine a New Zealander, an American, a Canadian, an Australian and a half Englishman walk into a podcast. It's just happened. We have, apart from Robert Marshall, we have Rebecca Wilson, we have Ross and we have Vincent from source elements. : Ooh, here we are. : Wonderful. : An Argentine too. : Can you talk from our laughter who is here? : Yeah. : And welcome to the party in Las Vegas, by the sounds of it. : Now, we should say the award winning team. : Yeah, I was going to say there's a bit of a party going on because there's a new trophy in the cupboard. By the sounds of things, there is best in show. : We're holding it up right now. It's brilliant. Shining blue and it says, nab. Best in show. And it's gonna go under Robert's trophy case. : Exactly. I don't have a trophy case, but I have a trophy shelf. : Trophy shelf, yeah. : So, Phyllis, in best in show for. : Remote collaboration, remote production. Yes. : This is the new baby source connect four. Yeah. : Yes, it does. Atmos, amongst other many cool things, source Connect used to do and more than it does now. : So go and fill us in on the atmos thing because that's a massive leap forward. : Yeah. It allows you to have all sort of the raw atmos stream, so not just a rendered mix going across a remote connection, so someone can listen, but instead it gives you the flexibility to send what's called the bed. Then all the objects, these are all separate audio channels, as many as it will be, as many as 128 and the time code. And then most importantly, the metadata that steers all these objects around so that whatever the receiver has, as Atmos does, is it just conforms it. It renders it specifically for their speaker setup. So you could have a stage mixing a film with, say, 20 speakers and a director reviewing that mix in real time over source connect with, say, twelve speakers or even ten speakers. And maybe another person's connected at the same time and they just have headphones. So they're getting it as binaural. : It takes a lot of the thinking out of the equation, right? You just let the renderer on the remote side deal with the translation. So just lets the host, or the mix host, if you will, put one stream up and have it divvy out to everyone accordingly. : So everybody's end basically decides what it's. What it wants to hear. : Exactly. : Yeah. : Right. : Well, no, they'll hear the same thing. They'll just experience it in spatialization differently. : It'll be optimized for their speaker set up because it'll be coming out of a renderer directly on their side and. : The spatialization would be compatible from what you hear in binaural or 5.1. It's what someone's hearing in nine 1.6. But just with that lesser detail, I. : Guess the end goal is sort of like listening parity, which is almost impossible to achieve because everyone's going to have different speakers and configurations. But this is the most optimized version to get closest to that. : It's not like we're dropping like, you know, one of the voice channels so you only hear one side of the conversation. : It's the purpose that Atmos was made for so that there'd be one deliverable and then whatever your speaker set up. The person with the really nice speaker setup doesn't have to compromise for the person with the really simple speaker setup. : And the other way around. : And the other way around. The other person with a simple setup is not sort of burdened, in a sense, by having something that they can't play because of someone who has a really fancy system. So Atmos is like a deliverable that lets you play back anything from stereo all the way up to, you know, huge speakers arrays and 15 and 20 speakers even at home. : I think I have kind of an alternate kind of take on this which is basically like a bit of a tangent from that, that angle of it, but it's basically like these. Getting into a really tuned listening environment is a really expensive moment. You only get so many hours in there and the ability that now you could be working on a laptop in headphones through the Dolby Atmos renderer and building a mix towards your big mix session where you're going to actually sit in that room. That's kind of like what I think is at stake. And what's really exciting about this is you could be working on 5.1 before when you were working like in a stereo setting is you weren't able to know that it was going to translate. Exactly. This is kind of, or even at. : All, you kind of use tools like I had the, the waves thing that lets you take five one and make it binaural and you'd kind of have an idea. : I think most engineers I know would say they do their best work when like they, the client leaves and they get to work on something by themselves in a bit. So now the ability that you could be working towards this grand big spatial mix in a laptop setting and then transmit that to a listening environment that you can get into or physically get there, that's the real exciting prospect. : It kind of feels like equity, really like true equity. : Let's bring it back into more of the realm of our listeners, I guess. And AP and I have been having a bit of a play around with source connect four. Thanks very much to you guys. And the biggest step forward I see is firstly the GUI. You know, it looks so much more SmIc, so much more professional, so much more user friendly. But in terms of operation wise, the biggest step forward is the old queue manager, which now becomes restore replace. In source connect four we were like. : You know, we've spent 20 years honing technology and then we thought now we need to hone the user experience. It's really an internal focus for all of us. : Now the queue manager so often was just, people never read the manual. It didn't, it didn't work automatically enough. And then people would just go, what is this thing? I don't know. Shut it down, let's get on with our session. It wasn't something that they thought to ask for because they never had anything like it before. : It's weird, I've done so many sessions where I've said, are you using Q manager? And I get the answer, no. What's that? : Yeah, we just have one extra step to go, which is to be reading your session file automatically, your pro tools or logic or other session file, whatever we can. And then you honestly wouldn't have to do anything. And you've got restore happening all the time without needing to configure anything. : For me, the other awesome one would be for it to work even after I've shut down source connect because there's so many times that you shut it down and you go, oh, I shouldn't have done that, should I? : But you know, well we have reconnection logic built in now or like a new method where you know, if somebody does shut down, you still got work to do, you can bring it back up and it'll reconnect and it will restart. But we also, you know, if you shut the program down, then it can't do it anymore. That's the same. : But as far as, like, uploading the data maybe ahead of time or right away so you don't have to wait for the talent or worry if the talent shuts their system down. : This is maybe the most important thing about source page four. We've redesigned it from scratch, completely rewritten every line of code so that we can add these features that we know everybody wants. So the plan was the very first version on the first day. It's pretty much feature to feature for source connect three because we just need to get it out. : Right? : Yeah. : With doggy connection. : Okay. All right. Some more extra cool stuff. : There's a lot of cool stuff to. : Get you to want to upgrade, but then what you're talking about, like, hey, let's upload, you know, the whole session to the cloud so that the engineer can get it later on. All of that stuff can come now because with built hooks into all of this technology. : Sure. Well, let's pick through a few of them. AP and I were talking, we were looking at that restore replace page. AP noted the recorded files area and was wondering if that was sort of a hybrid of the old source connect now where you could actually record directly to the cloud. Is that the case, or is that actually looking at my. Well, in my case, my pro tools folder going, these are the files you've recorded so far. : Exactly. Those are the files that you've recorded in Pro tools. What I would originally say the Qmanager or the auto restore. Auto replace system recognizes as ones that it knows what they are and who they were connected to. And if there's any audio to fix or replace, restore or replace that it can do it. So those are your recorded files. And then the other one you might see in there is the uploads, which are files that maybe someone else recorded that you are uploading data to, to either restore someone else's file or replace data in someone else's file. : Okay. Because I think AP, you sort of liked the idea of recording in the cloud, didn't you? : Yeah, that's one of those features you're. : Technically recording there, and we can make that recording more available. It's actually, I think source connect three had that, but it had some flaws to it. But exporting the connection, if it's not there already, will be there. : AP has been playing with twisted wave too much. That's the problem I've been playing. : Yeah, indeed. Just going to ask about port forwarding. How does that change? Or has it changed in source connect four? : I got this one. How does that change? No more port forwarding is necessary. : Yeah. Nice. : Basically. : We find a way through your connection path and make it work. You don't have to go into your router and figure out anything complicated. You don't have to call us in a panic. You decided to take a vacation, and then you get called for a job. But nothing like that. It's just gonna work. : So source stream is available. Mac and windows. And port forwarding, especially in the pro version, is available if you want to use it. It does kind of. It's the ideal path for the connection, if it's available. And if you can lay out the red carpet for source connect, it appreciates it, but it's no longer required. : Only very strict networks and, you know, corporate environments. : Yeah. : My question is directed at you, Rebecca, and I'm wondering what hand COVID played in the development of source connect four, the one we're seeing now. : You know, it's still a complicated thing to process. What happened to the world in 2020? We all changed. It was a one of major cultural shift for them, us as humans. And so, of course, that can only be reflected in technology. And the main thing that changed, I would say, for us, is that we realized we kind of know what we're doing with the Internet, which was really nice to find out. It was really, you know, it wasn't a pleasant situation at all, but it was nice to know that we were able to help. That was really satisfying. If you could have called anything in that situation satisfying. And then it said to us, hey, I think that we have an idea what's gonna be needed the next 1020 years, because we've already been doing it 20 years. You know, Robert and I, the team are all young spring chickens, and. : And I have a cane. : We've still got some ideas left. I don't know, maybe just a certain insight that we have from doing this so long. It was like, now the world's ready for us. : I think what happened in the pandemic is a. All the doubters went, oh, remote really does work. And for us, what we realize is that remote is no longer just like the talent's remote or the client's remote, but remote is everybody's remote, and they all have different roles. And how to put those roles together in the most cohesive way became more what SourceConnect four was about compared to what we thought source connect four was going to be prior to the pandemic. : If you think about source Connect, like source Connect pre COVID was something that was nice to have, and then when COVID hit, it was something you had to have, and that changed the whole game. : I thought, well, Andrew, honestly, you and I, you know, we're from the South Pacific, from Australasia. I wouldn't say that source connect was a nice to have. It was kind of a, you know, whether it was source to nature or something else, we had to have something or how on earth we were going to work internationally because plane tickets are expensive and, you know. : Yeah, that's. : I think. : I think so, yeah. But I'm thinking from my point of view, like, as a voice talent, working with studios like you, historically, you just drive it. I go to Melbourne or Sydney or whatever it was for a job. And, you know, you managed to convince people that, you know, you can actually connect with to my studio if I work with someone in Sydney or wherever. But it was kind of a luxury, really. And people would just use local talent, pull up in their car park and go into their booth. But once COVID hit, it was not like that at all. It was a different game. : I think, especially here in Australia, there was a massive resistance to home studios, to the point where owners of studios would refuse to work with remote voice actors because they figured they were trying to steal their work. So. But COVID sort of put a whole new perspective on that, I guess, really, didn't it? : Yeah, and there were people. There were people that were actually literally coming out and black banning talent for having a home set up. : Yeah, that guy's got a home studio. He's stealing my work. : Prior to, like, up to. Prior to the pandemic, or did that subside at some point? : Yeah, I think it was. Look, it was. It was softening, but it was still there. : I think what the pandemic did is kind of shift the focus from the studio to the operator to the engineers at those studios. Right. So I definitely spoke to a lot of people in those places that said they got more work because they were able to do so much of it remotely. : Well, I know that's a fact for a lot of studios where they were able to, like, have engineers at home and at the studios, or just because clients weren't in, they were able to do just more work. Like, yeah, everybody could be put to work. All you needed was more licenses of whatever it was that you were using, like. Like pro Tools and Source connect and whatnot. : Yeah. : The irony of this whole thing. When COVID hit, all of a sudden studios were calling me because they had to get out of their commercial studios and set up at home and asking if I could do tests with them to make sure their source connect was working. : Wow. : Right. Or weren't some talent going to your place just to do sessions? Because they were, you know, they couldn't go all the way to the studio, but somehow they could give you COVID. : Exactly. : I don't know how the rules were, but I seem to remember you were hosting some talent at your place. : Yeah, there was a few that came here because they got out of the city and they were living sort of coastal, so they couldn't get in there anyway. And I was asked if people could come here that were living locally, and of course I obliged. : The amount of tech that was pushed on to pretty much every operator in a remote setting was, I think, probably one of the humbling parts of the pandemic. Right. Because, you know, it was, it was once you have every role get remote, then all of a sudden, like, I know a lot of audio engineers that know nothing about networks. Yeah. You know, like, it's like literally everyone has kind of thrown this wrench of technology and different roles now I got to be it as well as engineering. Well, that's what support was here for. : Yeah, I mean, I was just thinking like literally a big part of like source connect helping in pandemic was just a huge heavy load of tech support. And it wasn't just getting talent on boarded, but it was almost teaching a lot of people like how to work remotely or how to like not just do a remote ISDN, like to freaking have everybody be remote and lots of people routing. Yes. : So you know, all that's kind of, I think that's what source connect four represents. I think a lot of the learning of that is how to streamline exist, make the UI, make it make sense for you so you don't really need to think too much. The getting rid of the eye lock and the port forwarding requirements. I don't know if we talked about ilock, that's the thing. We've experienced that probably in huge volumes right at the start of the pandemic. : What's this? : What is this Iloc thing? : I need something physical and I can't. : Go out and get it. : You didn't need it physical at the time. Another account? Is it going to cost me anything? No, it's a free account and you know, you can't verify or you can't easily set somebody up because there's just more email verifications for new accounts that are created and God forbid the account that you created in source elements, that same account name is not available in Ilog. So now you have two different account names to remember and like two different passwords and. : Yeah, and people are losing their passwords because they use one thing for one account, one thing for another account. : So that's gone. : No more eyelock. : Wow, you heard it here first. : You heard it here, folks. That's right. Exactly. : Breaking news. : Bravo did say that he would like the UI to be bigger. : Bigger, small. : Can't see shit. : Smaller the GUI. : Oh, smaller the GUI. : It would be nice to be able to scale it like I want to see. I love the size of it as it is for now, but even when you've hit that little four corner box and it squashes down to the sort of send and receive meters and then the menu underneath, for me, it still takes up a lot of space on my screen. : And you can make it smaller. Yeah, you can grab the corner and push it in. : We're in the final mile of quality of life improvements. A lot of the stuff that, you know, those sort of smaller bits are just, they're gonna get done in the next couple months and. : Absolutely, I mean, you've embarked on a massive job. But that was one of the observations that I sort of, I did say to rob, but is I wanna see it big when I'm setting up the session and when I'm getting everybody connected. But once everybody's connected, I've got three screens in front of me, I've got my edit on one, my mix on another, and then my third is dedicated to picture for video. Source connect plugins, meters, all the rest of it to keep them out of the way. So the less space that can take up for me, because I really only need to glance up and see if it's metering. If someone says they can't hear something. : Can I throw in a future feature that I don't think is a spoiler because I really wanted. Yep, we plan to separate the UI from the engine and you could run it from like another screen or an iPad. And to me that's the sweet spot there, especially for, you know, people who are running, you know, big installations. They can walk away and, you know, oh, source Kinect five is not working and they can look on their phone. Oh yeah, oh, it's working now. : Right. : Why should they have to go back. : To the machine room and what about integration with Nexus? : I think you're going to definitely see Nexus and source connect integration and just further integration across the whole product line going towards that platform. : I think because I was telling Robert on a previous episode, it wasn't all that long ago, I had a session where I had a voice talent up in Brisbane somewhere. I had a creative sitting in the airport and two guys in the agency here in Sydney, and then the client was also online from, like, Perth in Western Australia or something like that. And there was another talent in Adelaide and it was this massive session. And if you could have seen my poor old thirst screen with meters and everything else going and all the rest of it, it becomes a logistical nightmare trying to remember where you've put everything and who's on what. So combining that all together would be quite impressive. : Can't say exactly what you might see, but I think sort of connect and nexus are surely more communication. : Well, that's actually a really good advancement that you've reminded me that you've, you've put into four. Here is the fact that all your connections appear in the one place. I think that's, that's amazing. : And they cross connect for you. : Yeah. : So they all hear each other without you having to do a thing. : Right. : You can pull multiple outputs, everyone record on everyone on a separate track, and. : You can even give them different inputs. : Right. : Right. You can send them different things, but they will all send to each other. : Yeah. : Can I make it so that person doesn't send to that person? : That's the plan for sure. We want to have a more project based style where you could decide what role is everyone playing? What do they hear? What do you hear? : What do you want them to hear? Who hears what? You can make everyone hear each other in a round circle and you could really play the game of like, tell this story to the next person and when it gets back to you. That is not the story I told. : Yeah, well, it's. I mean, the way you've set it up now, it's almost a well and truly upsized source connect now, right? : I'd agree. In a simple sense, it is like source connect three and source connect now. Sort of merging together and becoming each one, giving the best of what they used to do so you get the benefits. Yeah. : The autorestore replace being like, now you actually truly have an acquisition system that's like, bit accurate, right? : Yeah, yeah, exactly. : Never mind the browser, you're not going to get that there. : We know where every sample and frame is. : Speaking of frames, we have a system called remote Overdub sync which instead of remote transport sync where you are to deal with latency on a project. If someone is singing or doing ADR, going back to ISDN, the original method is to send timecode into sync. Two timelines on either side. So one chases the other networks, but there's a lot of setup on either side. So the remote overdub sync ideas that you can send to the talent whatever they need to hear and whatever they need to see and they perform if it's ADR and they sing and that performance gets back to you and you record it. And while you're recording it using the remote over dub sync system, you hear it in sync and when you hit stop in your daw, you see the waveform and then a moment later, a couple of seconds later, you see that waveform jump back in time to be where it should have been had there been no latency between you. So you can overdub, really just connect and overdub. You don't have to tell people to load up this timeline and click this button to synchronize. : No more comments of that doesn't look right to me from the back of the room. When you're recording with the talent, are. : You thinking or is it going to happen for iOS by any chance? : Oh yeah. : Yes. : I'm a big icad fan. I really love mine. I use it mostly as a music score player to play piano and I would love to use source connect on it and it's definitely happening. : AP is only asking you because he's trying to create the world's smallest voiceover roadkit. It's a purely selfish motivation. : I get it. : He just needs to use a trrs cable. And like, if Andrew just needs to talk to me about how to make things. : Uh huh. Absolutely. You would have the world's smallest road case. Indeed. : That's not the only thing that I've got the smallest of, but that's another story for another day. Thank you guys. Thank you Rebecca. Thank you Ross. Thank you Vincent. And of course Robert. : Congratulations. Congrats. : Thank you. : Thanks Andrew. Thanks, Jorge. : Well, that was fun. : Is it over? : The pro audio suite with thanks to Tribu and austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Voodoo Radio Imaging from George the tech Wittem. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say g'day. Drop us a note at our website, thepro audiosuite.com. #ProAudioSuite #SourceConnectFour #RemoteRecording #AudioProduction #Podcasting #AudioEngineering #Podcasters #VoiceOver #PodcastProduction #AudioTech

2:08:28 – Frank in NJ, plus the Other Side. Topics include: The white brush stroke, A Little Slice of Oblivion Tequila, similarities, Amber, pinball shirt, paper towels, Here Diagonally, Connect Four, Universal Epic Universe, The Overnightscape 1547: Pesk (11/15/18), The Electronic Text Corpus of Sumerian Literature, 3,000 year old story “The Marriage of Martu”, the last K-Mart in […]

2:08:28 – Frank in NJ, plus the Other Side. Topics include: The white brush stroke, A Little Slice of Oblivion Tequila, similarities, Amber, pinball shirt, paper towels, Here Diagonally, Connect Four, Universal Epic Universe, The Overnightscape 1547: Pesk (11/15/18), The Electronic Text Corpus of Sumerian Literature, 3,000 year old story “The Marriage of Martu”, the last K-Mart in […]

We're back with another trivia for kids special! Though it's also challenging for the adults!Scooby Doo, Flags, Connect Four & more!Boost your mental agility with these ten general knowledge questions, learn some fun facts and amaze those you meet!The trivia podcast you can't live without. James Cutler brings the pub quiz to you, wherever you are in the world.---Created and Presented by James at Quiz Coconut.Music and Editing by Jules at Abstract Source: abstractsource.co.ukDesign by Ben at Ich Bin Ben: ichbinben.com Hosted on Acast. See acast.com/privacy for more information.

Coach Dan John and I have been embarking on a journey back in time, exploring the legendary tale of "The Sword in the Stone" and its profound connection to the world of education. The post 366. Coach Dan John on Connect Four, Rote Memory, and Open and Closed Loop Education first appeared on Sifu Mimi Chan.

Join Me (Prophetess Stacy) 12/4 On Prolific Fire

Why are there chess Grandmasters, but not Grandmasters of noughts and crosses (otherwise known as tic-tac-toe)? It is because chess is “harder” – but what do we really mean by that? Answering that question leads us to develop the idea of mathematical complexity, which is a measure of how ‘big' a game is. We'll look at the complexity of popular games, and ask: what is the hardest game of all time?A lecture by Sarah Hart recorded on 10 October 2023 at Barnard's Inn Hall, LondonThe transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/maths-gamesGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

On this episode of On Board Games Erik and Kathleen talk with Bez about games they've played lately and other things including: The Crew Mr. President Connect Four Spin We Love Katmari Stuff by Bez website   Endangered: American Red Wolves and Endangered Rescue Kickstarter   (29:40) Then they talk about incorporating the human element in games. ---------------------------------------------------------------- Inverse Genius: http://www.inversegenius.com/   Patreon account: http://www.patreon.com/obg   Twitter: @onboardgames RSS Feed: http://onboardgames.libsyn.com/rss Email us: onboardgamesmailbag@gmail.com On Board Games Guild at Board Game Geek

The living room floor was a mess, sort of anyway. Everything was neatly arranged in a grid pattern, but there was no order to it whatsoever. Books were next to plants, which were next to games, which were next to frames all while some of our cats were tiptoeing around everything. All of it was only temporary though. I just wanted to get everything lined up, before returning it all to My Shelfie by Matthew Dunstan and Phil Walker-Harding from Lucky Duck Games. Read the full review here: https://tabletopgamesblog.com/2023/09/02/my-shelfie-saturday-review/ Useful Links My Shelfie: https://luckyduckgames.com/games/340-my-shelfie Rulebook: https://boardgamegeek.com/filepage/243983/my-shelfie-rules-eng Lucky Duck Games: https://luckyduckgames.com/ BGG listing: https://boardgamegeek.com/boardgame/366456/my-shelfie Village Rails review: https://tabletopgamesblog.com/2023/03/11/village-rails-saturday-review/ Connect Four: https://boardgamegeek.com/boardgame/2719/connect-four Intro Music: Bomber (Sting) by Riot (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/audiolibrary/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Sound Effects: bbc.co.uk – © copyright 2023 BBC Music I use: BensoundLicense code: TZCU6NUICWCIME5P If you want to support this podcast financially, please check out the links below: Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/tabletopgamesblog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ko-Fi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/TabletopGamesBlog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tabletopgamesblog.com/⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/tabletopgamesblog/message

Sebastian's fake English accent was so good... his American accent became fake! But does that make the safe-cracking streaker a killer? Let's Solve THE AFTERPARTY season 2, episode 5 "Sebastian." Episode Five wants us to Connect Four clues to get to the truth of Edgar's murder! We'll go on a search for hidden clues, frayed family relationships and a lizard retinal scan for cozy murder mysteries! 00:00 Intro 00:04 Focus 01:01 Episode 5 Sebastian 01:40 Call for help! 02:50 Not by Camel's Milk 03:23 Victim Profiles: Edgar & Roxana 04:11 Suspect: The Field: Jaxson & Judson 04:34 Suspect: FENG 04:45 Suspect: GRACE 05:14 Suspect: HANNAH 06:03 Suspect: ISABEL 07:12 Suspect: SEBASTIAN 09:08 Suspect: TRAVIS 09:23 Suspect: ULYSSES 09:32 Suspect: VIVIAN 10:15 Suspect: ZOE 10:38 FEEDBACK When Edgar's business partner opens up about their complicated history, it plays like a slick and suspenseful heist movie. Directed by Anu Valia Writing Credits Christopher Miller ... (created by) Justin Shipley ... (written by) (as The Shipley Brothers) & Jordan Shipley ... (written by) (as The Shipley Brothers) Cast (in credits order) Tiffany Haddish ... Danner Sam Richardson ... Aniq Zoe Chao ... Zoe (as Zoë Chao) John Cho ... Ulysses Paul Walter Hauser ... Travis Ken Jeong ... Feng Anna Konkle ... Hannah Poppy Liu ... Grace Elizabeth Perkins ... Isabel Jack Whitehall ... Sebastian Zach Woods ... Edgar Vivian Wu ... Vivian Zack Calderon ... Kyler John Gemberling ... Jaxson Will Greenberg ... Judson Mary Holland ... Nicole Jade Wu ... Aunt Ruth Jeff Bowser ... Wedding Photographer Roger Lowe ... Ting-Wei Sharon Omi ... Jung-Hua Brady Amaya ... Young Edgar Shylo Molina ... Young Sebastian Tanner Swagger ... Young Judson than Bell ... Young Jaxson Produced by Michael Cedar ... producer (produced by) Annie Court ... producer Nicole Delaney ... producer Michael L. Holland ... associate producer Brenda Hsueh ... co-executive producer Anthony King ... executive producer (showrunner) Aubrey Davis Lee ... producer (as Aubrey Lee) Phil Lord ... executive producer (showrunner) Christopher Miller ... executive producer (showrunner) Mike Rosolio ... supervising producer Jordan Shipley ... co-executive producer Justin Shipley ... co-executive producer Tina Tholke ... associate producer Music by Daniel Pemberton David Schweitzer Cinematography by Ross Riege Editing by Ivan Victor Casting By Nicole Abellera ... (as Nicole Abellera Hallman) Jeanne McCarthy Production Design by Bruce Robert Hill Art Direction by Sita 'Tarn' Lerdjarudech ... (art direction) Set Decoration by Kaitlynn Wood Costume Design by Meredith Markworth-Pollack #TheAfterParty #AfterParty #TheAfterPartyAppleTV #TheAfterPartyAppleTVPlus #TiffanyHaddish #SamRichardson #JohnCho #MurderMystery #CozyMystery #CozyMurderMystery #KenJeong #JackWhitehall #AnnaKonkle #puzzle #solution

We are just over a month away from the return of football, which means it's time to start conference and division previews. This week we focus on the ACC and NFC East. Will Clemson repeat as ACC champs? What to expect from Jordan Travis and Florida State Any ACC darkhorses? Is regression coming for the Eagles? A make-it-or-break-it year for the Cowboys? Can Daniel Jones take another step forward? We then finish the show by discussing who we like to play well at St. Andrews and try our hand at some immaculate grid Connect Four (spoiler: it doesn't end well). As always please review, rate, and subscribe! --- Support this podcast: https://podcasters.spotify.com/pod/show/the-7th-rounders-podcast/support

Cousin Sal, Dave Dameshek & Martin Weiss are together in studio for a Thursday edition of Extra Points! The show starts off with the group reviewing the NFL 2023 schedule as it has started to leak and they say which games they are looking forward to. Next, they get into the Warriors and Knicks staying alive with wins, make their picks for the rest of the games and they discuss how Ja Morant lost out on $39M. They move onto recapping some of the NHL playoff games before getting into their plays of the day. The show rounds out with Sal and Martin discussing their upcoming Cap of Consequences video shoot, Shek telling a very funny Carl Weathers story and the group discusses Connect Four. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cousin Sal, Dave Dameshek & Martin Weiss are together in studio for a Thursday edition of Extra Points! The show starts off with the group reviewing the NFL 2023 schedule as it has started to leak and they say which games they are looking forward to. Next, they get into the Warriors and Knicks staying alive with wins, make their picks for the rest of the games and they discuss how Ja Morant lost out on $39M. They move onto recapping some of the NHL playoff games before getting into their plays of the day. The show rounds out with Sal and Martin discussing their upcoming Cap of Consequences video shoot, Shek telling a very funny Carl Weathers story and the group discusses Connect Four. Learn more about your ad choices. Visit megaphone.fm/adchoices

THE CAPTAIN'S MISTRESS, 4min., USA, Comedy Directed by Debra Pralle Staging her Connect Four championship comeback, a 30 something sugar addicted has-been faces her greatest challenge – a pre-teen bubble gum chewing alpha girl who takes no prisoners. Conversation with: Director Debra Pralle. Writers Corey Alder & Shea Gilchrist-Smith Quote from director Debra Pralle: Corey and Shea approached me with this hilarious, absurd spoof of the Queen's Gambit trailer and I just couldn't resist the challenge or opportunity. As an educator as well it seemed a perfect opportunity for my film students to work as well. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

I SEE IT. What will you hear, though? Reviews about ugly little bananas, a Burger King that will stay in Las Vegas, a Hilton Resort, a bunch of movies, and Connect Four! Where!!! I DON'T SEEE!!!! THERE!!!!!!!!!! DIAGONALLY!!!!!!!!!!!!!!!! Want more party? Check it out at https://www.reviewpartydotcom.com/ !

Sean Cuthbert and Chris talk about the Isles 4-game winning streak, Oliver Wahlstrom, Zach Parise, Sorokin as a Vezina and Hart candidate, and lots more! Sara Civian of Bleacher Report joined in to discuss whether the Isles are for real, the Metro and Eastern Conference competition, and NHL Fashion Rankings!Follow @hockeynightny on social media for updates. Presented by Blue Line Deli and Bagels (bluelinedeli.com) Sponsored by Lost Farmer Brewing Co. (lostfarmerbrewing.com)Recorded at Floored Media (flooredmedia.com)Powered by Go Hockey Media (gohockeymedia.com)

It's Blake Murphy Tuesday! Today's topics include: Thad Young as a "Connect Four" in the starting lineup, if Nick Nurse ever tells the truth before games, Dalano Banton's career night, if Miami will play zone for 48 minutes tomorrow, has Juancho Hernangomez has earned a rotation spot, why every Malachi Flynn jumper looks perfect, Otto Porter Jr.‘s injury, if Matt Thomas should start a podcast, if the "Casey Curse: over, the beginning of the Jeff “Don't Dowt Him” Jr. era, and four concerns about Scottie Barnes.  The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Whether during indoor recess or a weekend with friends, we couldn't get enough of those fun, silly, amazing, frustrating board games of the 80's. Whether commanding troops or sliding chutes, using our brains or leaving it to chance, we tear through the games of yore like hungry hippos, exploring the good, the bad, and the ugly. Games like Mouse Trap, Pictionary, Connect Four, Risk, Clue, Life, Mall Madness, Crossfire, the dreaded Monopoly, and too many more to name, we explore our cherished memories and those of our listeners. We even uncover the oldest board game to ever exist, and it's way older than you think. Enough talk, let's play!   -- Can I Borrow Your Notes? --  80s Then, 80s Now - Board Games A short history of board games (Doug Mann) What is the Oldest Board Game in the World? (Underdog Games) Benefits of playing board games (Bucks County Free Library) The Board Game Renaissance and Tabletop Escapism (inkmagazine)   -- Teacher's Pets --  Join the Class of 80's High: 80shighpodcast@gmail.com Follow on Instagram: @80shighpodcast and Twitter: @high_80s Theme song by Greg Reed at gregreedmusic.com Cover art by Alex Goddard at alexgoddarddesign.com

Amelia Wedemeyer and Tyson Apostol break down the latest episode of 'The Challenge.' They talk about the formation and destruction of "The Fab Five" (1:00), the genius of the Connect Four challenge (13:45), and Danny's standout episode (25:09). Hosts: Amelia Wedemeyer and Tyson Apostol Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

Another instant classic! The son of the King of the South - Domani Harris is in the trap and DC Young Fly and Karlous Miller are holding it down for the people! Domani bought the Connect Four game and gave the crew more insight on his new project Skydive. But first off the crews got to talk about classic Michael Jsckson Moments! From the Super Bowl to his classic dance battle vs. Usher, DC and Lous look back at some of the King of Pop's greatest moments. You know DC and Lous gone bust a freestyle on this episode they teach Domani a few mental secrets to rapping off the dome. Domani shares some insight on his new project and shares he's got a track with Anthony Hamilton as well as others but Domani asks the question everyone is asking: Which is better, the Drake or the Kanye album? Domani doesn't smoke but that doesn't stop the crew from asking high questions like is the earth flat and you got to hear Karlous' theory!!! Karlous is putting out a book about quitting and he has a message for all the young football players who are riding the bench. DC's back and he's right back to reminiscing about his childhood. Lous and nem get to talk about growing up and the difference between shopping at walmart and the Dollar General. Karlous is also releasing a Blues street album and wanted the world to be informed about that. This is the coldest podcast! Hit Our Website for more info: https://www.85southshow.com/ Get our custom merchandise: https://85apparelco.com/ Subscribe To our Channel: bitly.com/85tube WATCH KARLOUS' MILLER's COMEDY SPECIAL! https://vimeo.com/ondemand/karlousmil... FOLLOW THE CREW KARLOUS MILLER - https://www.facebook.com/karlousm/ DCYOUNGFLY - https://www.facebook.com/DcYoungFly1/ CHICO BEAN - https://www.facebook.com/OldSchoolFool/ Director - JOE T. NEWMAN - www.ayoungplayer.com Producer CHAD OUBRE - https://www.instagram.com/chadoubre/ Producer - LANCE CRAYTON - https://www.instagram.com/cat_corleone/ It's Jon - https://www.instagram.com/holaj_io_n/ Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.