Podcasts about Doo

Brand new Some Hearts, La Rabbia, Todd Killings and the Contracts, Short Fuses, the Suck, and More Kicks.

Are you thinking about joining the Director of Operations certification program, but unsure of the timing? With the current talk of economic conditions are you worried that businesses won't be looking to invest in a good operator? Today we are going to be talking about why NOW is the best time to become a Director of Operations (DOO).  Speaking of the DOO. If you've been eyeing the certification for a bit…or if you're just finding us, I'm inviting you to an upcoming information session. It's called Test Drive the DOO because that's exactly what we're going to do. I'll share what a DOO is and help you determine if this is the next best place for you to learn and grow….or if it's not. I'll also walk through the curriculum, showcase how we help you earn your ROI while you're in the program, and answer any of your questions. I'd love to have you join us on October 11th.  For full show notes visit theopsauthority.com/podcast/169.

Gary had the distinct honor of having William Lee Golden of the Oak Ridge Boys join him for an open conversation, and William was very frank.In this episode:What he did during the pandemicWho taught him to play the guitarWhy he had to leave the Oakridge BoysHis book Behind the BeardGrowing up on a cotton and peanut farmWhy they didn't sing any new songs during the pandemicWhat he thinks about his kids being in the music industryWhich song gives him chillsTaking a stand and being who you areThe insane number of sit-ups he still does at 83About William Lee Golden:He is one of the most recognized personalities in Country and Gospel music, having garnered the highest accolades as a member of the legendary group The Oak Ridge Boys. Now, the renowned “Mountain Man” is climbing to new heights in the world of fine art.Doo-wop, Pop, CountryFor the first time in a long time, William Lee Golden has a spring in his step. Coming out of a tumultuous period in his life, the iconic baritone vocalist has found the love of his life in his new bride, Simone. He's also comfortable with his place in the world as part of the Oak Ridge Boys, who are celebrating their 42nd Anniversary together in 2015, while Golden's celebrating his 50th anniversary since joining the iconic group.A farmer's son, Golden spent the early years of his life in rural south Alabama surrounded by music. As he grew up, he started singing at the age of seven and began performing regularly on his grandfather's weekly radio show along with his sister, Lanette. It was there that his love of harmony came alive, and by his teenage years, Golden grew to appreciate the Country, Gospel, Doo-Wop, and Pop quartets, and sure enough, it wasn't long before he was joining up with The Oak Ridge Boys.Nobody back home in Brewton, Alabama, could've imagined back then all that Golden would accomplish with The Oak Ridge Boys since joining the band in 1965. While on a break from the quarter, Golden released several solo recordings to considerable success.But for as much success he has had as a recording artist, Golden's no one-dimensional act. He's found considerable success with his paintings, and he's finding even more success with a new visual medium, photography, where he often focuses on landscape portraits and scenes. Many of his favorite shots can be found on Golden's official Facebook page.Family has long held a special meaning to Golden. In addition to his newly found love with his wife, Simone, Golden has four sons in Rusty, Chris, Craig, and Solomon. Golden also has six grandchildren and three great-grandchildren. Along with his marriage to Simone, he also welcomes his step-daughter Megan, her husband Newton, along with the addition of another grandchild to the fold.Lifetime AchievementsWith over forty million records sold, The Oaks have had more than a dozen Number One singles and over thirty Top Ten hits. Their numerous Gold and Platinum recordings include “Thank God For Kids,” “Ozark Mountain Jubilee,” and the crowd favorite “Elvira.” The Oaks have received five Grammy Awards, one American Music Award, four Country Music Awards (CMA), four Academy of Country Music Awards (ACM), the 2008 ACM Pioneer Award, ten Dove Awards, the 2010 President's Honor, induction into The Grand Ole Opry in 2011 as well as the Gospel Music Hall of Fame. In 2015 they were inducted into the Country Music Hall of Fame. The legendary group has received an abundant amount of other national and international acknowledgments.https://www.williamleegolden.com/

It's the final countdown...doo doo doo doo. Doo doo doo doo doo.... We're counting down to the Ascension as Buffy and her friends prepare to embark on the next stages of their lives. It's "Graduation Day, Part 1..." Warning: This podcast is NOT spoiler free. Twitter: https://twitter.com/diarieswatchers (https://twitter.com/diarieswatchers) Instagram: https://www.instagram.com/watchersdiaries/ (https://www.instagram.com/watchersdiaries/) Facebook: https://www.facebook.com/thewatchersdiaries (https://www.facebook.com/thewatchersdiaries) Tumblr: https://twd-podcast.tumblr.com/ (https://twd-podcast.tumblr.com/) Tik Tok: https://www.tiktok.com/@thewatchersdiaries (https://www.tiktok.com/@thewatchersdiaries)

Justin surprises Nick with 3 of his friends for a game of Password! Point of Doo welcomes Santino Casola, Sofia Lentine, and Chris "Czapy" Czapla to the show! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pointofdoo/message

You may want the CEO title because of the status it holds, however, when you start to break down the roles and responsibilities of a CEO, you may uncover that you fit best as the visionary of your business. This week's episode 73 of Female Founders Breaking Boundaries is part 2 of are you a visionary or a CEO?Have you ever felt like you were WAY too busy, stressed out, burnt out, and overwhelmed, so you were advised to delegate some tasks to take things off your plate and free up some time? Except, maybe it didn't work. If getting out of the day-to-day in your business was as simple as hiring more people, then why are you still feeling overwhelmed and burned out? You are not alone! Sometimes, simply delegating tasks doesn't work and instead shifts your workload from “doing” to “managing.”I invite you to use the exercise that our own C-Suite clients use to take the first step in turning your team into a well-oiled, self-managed machine- and get you out of the delegation catch-22. Download the exercise here to get started!In this episode of Female Founders Breaking Boundaries, I'm sharing the importance of understanding your role in your business and doing the tasks associated with it and actionable steps you can take right now to figure out where you may need to fill in the gaps of your business and hire the right person for the right role. Some of the things I cover in this episode are:Celebrating Karen Cahn of ifund women for bringing investors and women owned businesses together in a marketplace for coaching, support, and access to capital and connection. Announcing that C-Suite Boutique has officially become an approved partner of ifund women and will be providing support to women owned businesses. A few misconceptions about being a CEO and why you may not actually want that title. The innate abilities a CEO must have in order to succeed. What you need to know in order to hire the right integrator or another leadership role into your business. My deep thoughts (& acknowledgments) to Patagonia for putting ownership of the company into the Earth's hands by creating a trust to combat climate change. Before you hire, it is important to know how much help you need and in what areas you most need that help and as always, we are more than happy to sit down with you to figure that out!If you enjoyed this episode, take a screenshot of the episode to share and tag me!  And don't forget to follow, rate, and review the podcast and tell me your key takeaways!Learn more about Female Founders Breaking Boundaries and Casey at https://she-suiteboutique.com/podcast/ CONNECT WITH CASEY GROMER:LinkedInCompany PersonaWork with Casey Gromer! Book an Advisory Call LINKS MENTIONED IN THIS EPISODE:Ep 1: What is the Difference Between a Visionary and a CEO?Ep 3: Do you Need an Integrator, COO, DOO, or OBM?Karen Cahn Ifundwomen.comMaintenance Phase PodcastKeystone Integrator Continuum 

New stuff from Killer Kin, Brad Marino, the SUCK, OFF!, Nob Hill Mariners and more.

On this weeks episode we hear originals by:Accent - https://accentvocal.com/MVP - www.facebook.com/MVPacappella CounterMeasure - https://www.countermeasuremusic.com/https://www.podpage.com/uncovered-a-cappella-with-brian-michaels/*** ALL SONGS USED WITH PERMISSION ***

Have you been thinking about taking the leap and joining the Director of Operations certification program, but are struggling with the financial commitment piece?  Today we are talking about what you can do if you have some financial resistance to signing up for the Director of Operations (DOO) certification program. I have six different actions you can take if money is holding you back from joining us (or whatever steps you need to take to aid your growth and development.)  For full show notes, visit theopsauthority.com/podcast/168. If this is the right time for you, I encourage you to take a look at the DOO certification and make sure to listen to episode 165 which details all of the recent updates to our curriculum! Previous Episodes Mentioned: Episode 165: Evolving the DOO Certification Program  Weekly Ops Activity Of these six options, which are you going to leverage? Let us know in the Facebook group! Other Ways to Connect with Me: Private Facebook Community Facebook Page Instagram  

Some Manifesto Award nominations!

Is that a tinfoil hat on your head, or are you just happy to see me? Welcome back ladies and gentlemen, as on this month of It Ain't Ogre ‘Til It's Ogre, Will, Matt, Chris and our friend Bailie Tilton come together once again to celebrate our patented (don't @ us, Rogan) conspiracy theories episode! […]

On this weeks episode we hear originals by:Vocaldente - https://www.vocaldente.org/CadenceSpiral Mouthhttps://www.podpage.com/uncovered-a-cappella-with-brian-michaels/*** ALL SONGS USED WITH PERMISSION ***

Are you wanting to find a way to stand out in your pitches and portfolios and get hired? If so, you are in for a treat today with our guest Allie Stewart. Allie is a former Live Free Academy alum and now a certified DOO and certified OBM specializing in team management. Allie is bringing her knowledge and expertise today and sharing with us ways to stand out in our pitches and portfolio - including some common mistakes that she sees and things you can do to improve. Listen in as Allie gives tips and tricks to helping you get hired. Connect with me on Instagram: @micala.quinn Thinking about freelancing? Check out my Launch Fast Crash Course  SHOW NOTES: www.micalaquinn.com/episode221

New Killer Hearts! What more do you need? The much longer version of this show is available on my Patreon. Over 2 hours more music!

Matthew is back. Another Wednesday. Woopty fucking DOO! Yippie kai yay!....? is that how you spell it? Idk. Anyways, Taylor is back! This time as closer friend to Matthew then before. They talk about running, life, and deep dive into some wonderful questions from the listeners. Thanks for listening. Happy Wednesday! ZIPZOO!!!

New Trouble Seekers and a new Drunk Dial release, plus tons more!

What are some of the upcoming changes for the Director of Operations (DOO) certification program? Today we are talking about the evolution of the DOO certification program, which has produced over 350 women through 15 rounds. I wanted to share some behind the scenes of what we have done, how we have grown, and some of the changes we have made.  Round 16 is about to begin. If you are curious, read all about our certification program! For full show notes, visit theopsauthority.com/podcast/165.

(⚠️ TW: Brief and relevant discussion of suicide. Please note, neither Point of Doo hosts are suicidal.) Nick speaks candidly about his experience with Obsessive-Compulsive Disorder (OCD) during the last week --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pointofdoo/message

(⚠️ TW: Brief and relevant discussion of suicide. Please note, neither Point of Doo hosts are suicidal.) Nick speaks candidly about his experience with Obsessive-Compulsive Disorder (OCD) during the last week --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pointofdoo/message

90's punk and rock n roll!

Theme: NFT Loan Offer Strategy Strategy is to offer loans in WETH or DAI at a low LTV (loan to value ratio) If borrower pays back, earn 40%+  If borrower defaults (fails to payback loan), get the NFT Thread on SquiggleDAO's recent Pipe Squiggle acquisition using this strategy https://www.benddao.xyz/app/dashboard/my-nfts https://www.nftfi.com/  Affordable project: https://app.nftfi.com/lend/assets  max pain play  NFT NewsUniswap in talks with 7 lending protocols to 'build NFT financialization'  Over $100 million worth of NFTs were stolen in the last year: Elliptic NFT exchange SudoRare suffers $800,000 ‘rug pull' six hours after launch  FEWOCiOUS Hits Milestone with New All-time High - NFT Plazas  Art auction house Sotheby's hires an NFT specialist  Y Combinator alumni raise $80 million for DAO to back crypto startups | TechCrunch     Image:  https://s.mj.run/VSWU20HwRJY scooby Doo in Andy warhol style - @myth47.eth

Ladies and gentlemen, the moment has finally arrived. It’s time for … The Shreckoning! That’s right, for the first time ever, we’re talking about ALL FIVE Shrek movies, including Shrek the Third, Shrek Forever After, Puss in Boots, and, of course, The Ghost of Lord Farquaad, i.e. Shrek 4-D, among a few other supplemental Shrek […]

Feces Part 2 Feces. Poop. Doo-doo. These are all words for “feces” and this episode is about feces, what it is, and what it's used for. Victor Varnado, KSN and Rachel Teichman, LMSW read this article. You can giggle along with them! Produced and hosted by Victor Varnado & Rachel Teichman Full Wikipedia article here: https://en.wikipedia.org/wiki/Feces WE APPRECIATE YOUR SUPPORT ON PATREON!https://www.patreon.com/wikilistenpodcast Find us on social media! https://www.facebook.com/WikiListen Instagram @WikiListen Twitter @Wiki_Listen Get bonus content on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Feces Part 1 Feces. Poop. Doo-doo. These are all words for “feces” and this episode is about feces, what it is, and what it's used for. Victor Varnado, KSN and Rachel Teichman, LMSW read this article. You can giggle along with them! Produced and hosted by Victor Varnado & Rachel Teichman Full Wikipedia article here: https://en.wikipedia.org/wiki/Feces WE APPRECIATE YOUR SUPPORT ON PATREON!https://www.patreon.com/wikilistenpodcast Find us on social media! https://www.facebook.com/WikiListen Instagram @WikiListen Twitter @Wiki_Listen Get bonus content on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

While recovering from his injuries, Lemuel Roberts (The Deadeye Kid) must try and make peace between two local factions - a group of Swedish loggers (please overlook our sincere attempt at translation) and a team of Yorkshire miners - neither of which speaks any English that Lem can understand... Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid - J. Spyder Isaacson Clarence Fanshaw - J. Hoverson Doc - Russell Gold Mrs. Doc - Gwendolyn Gieseke-Woodard Ezra - Reynaud LeBoeuf Mrs. Beamish - Judith Moore The Yorkshire Miners: Scabby Bill:  John Lingard Will Watt Stevie K. Farnaby Danar Hoverson Paul Green The Swedish Loggers: Oly - Lothar Tuppan Nels - Danar Hoverson Mark Olson Cary Ayers Bill Jones Reynaud Leboeuf Julie Hoverson Cover Design:  Brett Coulstock Announcer:  Glen "Ole Hoss" Hallstrom Opening theme:  "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson No gunshots herald his approach. No trademark left behind him when he leaves.  The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify.   Some say he rides alone.  That's the Deadeye Kid. **********************************************************************   Taste of the Beholder [DeK6] Taste of the Beholder [DeK6] EPISODE 5 FANSHAW    Lem!  Everyone's gathering!  It looks a bit of a party. LEM    What's them Swedes a-doin? FANSHAW    They're standing by.  Like a menacing wall of blonde. LEM    [laugh, then coughs] FANSHAW    Are you quite sure you're up for this?  The doctor said you'd worn yourself nearly into a relapse. LEM    Why you think I'm a-lyin here, stead-a being out there? MRS. DOC    [behind door] You all right in there?  May I come in? LEM    [up] Yes ma'am.  SOUND    DOOR OPENS, SHE ENTERS LEM    Jest tryin t'sort out some words as might work with these fellers. MRS. DOC    That sounds wise.  You've already done wonders.  But I have a favor--? LEM    Anythin' ma'am. MRS. DOC    [hesitant] If you can, can you perhaps get them to-- uh-- LEM    Go on? MRS. DOC    To fix my window, there?  They are the ones that broke it. LEM    I already planned on jest that, ma'am.  Donchoo worry. MRS. DOC    Mr. Roberts, you are a veritable angel. LEM    Oh, no ma'am.  Just a man of plain talkin. [laughs, then coughs a bit] MRS. DOC    Get you round a bit more of this and rest you til you're good and ready to come on out.  They can just hold their hosses. FANSHAW    I'll go and see how far the "royal progress" has come.     FADE SOUND    OUTSIDE FANSHAW    [sigh] Still out of sight.  Come along Ezra, let us see if we can catch a glimpse of this mysterious lady. EZRA    Are they gonna fight? FANSHAW    [definite] No.  My friend Lem has maneuvered them into peace talks.  EZRA    It would be fun to watch them fight, but ain't very angelic, is it? FANSHAW    No.  Wouldn't want anyone to get hurt, now, would we?  EZRA    Is that the lady, in the cart?  With the big hat and veil? FANSHAW    I would assume so.  A bit of an affectation for the wilds, but everyone has their little vanities. EZRA    Why'ud a lady wear a veil?  Is she really ugly? FANSHAW    I don't know about this particular lady, but many ladies wear them to protect their delicate skin from the harsh sun. EZRA    Ain't much sun under all these trees. FANSHAW    And some ladies, well, they wear a veil to put men at a disadvantage.  No one is entirely comfortable talking to someone they cannot rightly see.  [pause]  I need to let Lem know what all is going on.  I'll be back shortly. SOUND    SHOUTS FANSHAW    What? EZRA    Thought you said they wasn't a-gonna fight! FANSHAW    They weren't supposed to!  Blast!  That looks like more of the Swedes, taking the cart! MRS. BEAMISH    [screams]  Tyke yer bleedin' 'ands off me, ye dodgy swine! FANSHAW    Not much of a lady.  And nothing much we can do here. EZRA    Oh, lookee!  That feller got punched right off the cart! SOUND    GRUNTS FANSHAW    I need to go and tell Lem.  Would you stay with them and see where they go? EZRA    [eager] That would help ya? FANSHAW    It would be very helpful. EZRA    I'm your man.  [distracted] Oh goodness!  That fellow slammed into the tree!  That's gotta smart something fierce!     FADE LEM    They here yet? DOC    No.  It's not so far from the camp that they shouldn't be in sight yet. FANSHAW    Lem!  Ambush! LEM    [quiet] Aw hell. DOC    What? LEM    [sigh, considering best way to say]  I think I ...heard something. DOC    [more joking than suspicious] You must have the plumb smartest ears I ever did encounter, Mr. Roberts.  The way you keep hearing things. LEM    [covering] Uh... Gotta be, livin' raw on the range.  Ya don't hear sumpin a-comin up on you, well, you deserve whatever ya get. DOC    I reckon so. LEM    And with the window broken, sound can get in more. DOC    What is it you heard? LEM    Fighting.  Or leastways a yell.  Sumpin that spoke "fight" to ma mind. DOC    You think there's still trouble? LEM    I'll lay odds that lady ain't gonna make it here any time soon. DOC    Dag nabbit. SOUND    STORMS OUT OF ROOM FADE SOUND    OUTSIDE SOUND    SOMEONE RUNS UP OLY    Vad är det? [What is it?] KJELL    [out of breath] Vi tog henne! [We took her!] OLY    [incredulous and angry] Du gjorde vad? [You did WHAT?] KJELL    [uncertain] Vi ... tog kvinnan tillbaka.  [We ... took the woman back.] SVEN    Bra! Nu har vi vad vi betalat för!  [Good!  Now we have what we paid for!] OLY    Du idioter! Nu blir det krig! [You idiot!  Now there will be war!]     FADE FITCH    What wasp flee up thon jacksey? [what got into them?] SCABBY BILL    'Appen t'were skrike I heered? Lads-- [That might have been a shout.  The lads--] PIKEY    Clack on't devil!  Eyup Jimmy!   [speak of the devil.]  SOUND    RUNNING FEET JAMES    [gasping and in some pain]  Eyup!  Them brutes come out't snicket, 'ave cart upskelled and auld lass gone, bahn for none can ken, afore aught'n us could raise 'and. [those fellows come out of the bushes and attacked!  Tipped the cart and took the woman before we could react!] FINCH    Good night!  Could smell t beer, sae close to settlin' t' slate, and such 'appens. [Damn!  Just when this was going to settle peacefully, this happens.] JAMES    Canna settle now!  Yon 'eads want thumpin'!  Paid in full.  [too late to make peace! I want to beat some heads!  They deserve it!] FINCH    Dustup does nae good for aught-- [a fight won't do anyone any good] PIKEY    [playing devil's advocate] Nae, lad.  Tha path's neither nowt nor summat.  Time fer muckin out.  Nae room fer them as tek such libertines - to clamber out t' shrubbery and ketch up what's nowt fer them.  [no, lad.  Your way is doing no good.  Time to clean this up.  There's no place for those who would lay in ambush.] SCABBY BILL    Tha's the pot!  Us'm tek'er first!  [You're one to talk!  We took her first] PIKEY    [making his point]  S'truth, do we chance to scutch, mayhap yan or two might fall - and then us left must delve t' more. [Of course, if we fight, if we strike a blow, some of us may die - which leaves the rest of us to work even harder at digging.] MINERS    [mutters]  "s'truth."  "Ba gum."  "It gets right up ma cuff."  "'Arsh, that."  "Toes up o'er grub?  Nae!" JAMES    Us'll clean them clocks!  [we won't lose!] PIKEY    Ne'er seen clock tha could clean. DOC    [loud, trying to get all attention] CALM DOWN! ALL GO QUIET DOC    Bother.  That's about all I got.     FADE LEM    This's how wars get lit. FANSHAW    Who is this woman anyway?  Helen of Troy? LEM    Was she on the stage or sumpin? FANSHAW    [chuckles] no, she was a king's wife who was abducted by another king and a great and glorious war was begun. LEM    Ain't no war great and glorious.  Not till everyone as been there's long dead. FANSHAW    Oh. LEM    How'd they end that war? FANSHAW    [a bit embarrassed] They made a giant wooden horse. LEM    [laughs] I think mebbe you gotta tell me this story later, when we ain't about to have all hell cut loose on us.  [groans, getting up] SOUND    RUSTLING OF CLOTHES, ETC. FANSHAW    Don't--! LEM    Ain't no choice here.  Both them top fellers seem to lissen t'me.  Much as doc's a good man, he don't have the touch. SOUND    DOOR OPENS FANSHAW    Speak of the devil! DOC    Here now!  What are you doing, Mister roberts? LEM    I'm planning on facing them in full gear fer once.  DOC    You are not facing them at all... you know what's happening? LEM    I gotta right good guess.  Since the miners were a-bringing her here, I spect twas the loggers jumped em and done took her.  DOC    I think so. LEM    Hitch up the cart.  We're gonna mosey to the logging camp.     FADE SOUND    OUTSIDE LARS    [commanding] Du! Kock! [You!  "cook"] MRS. BEAMISH    [snide] Ain't never understood one bloomin word out ye mouf, but vat sounds rigth filthy ye cheesehead! LARS    Du kom hit för att laga mat för oss. Du är skyldig en skuld.  [you came here to cook for us.  You owe a debt.]  MRS. BEAMISH    Gah-on.  Say somfing in normal talk.  Ah dare ya. LARS    [to Kjell] Tror du att hon förstår? [Do you think she understands?] ARN    Hon låter lite arg. [She sounds a little angry.] FREDEK    Jag tror att hon låter galen. [I think she sounds insane.] NELS    Sure, it is like standing to the knees in a mire. EZRA    Why's that, Mr. Nels? NELS    You!  Can you do something? EZRA    What should I do? NELS    Get that woman over here.  The one that was calling out. EZRA    Who?  Oh!  [laughs] That's no woman!  That's Mr. Fanshaw. NELS    Well, he sounds like one to me.  Is there anything he can do?     FADE DOC    Brought the wagon round.  Come on then, lemme give you a hand. LEM    You kin carry my kit, if you would. DOC    You need support-- LEM    [definite] No.  Gettin me to the door, that's right fine, but outside, I gotta put the fear o' god in them, best I can.  And being carried round like a cripple sorta puts a bonnet on that. DOC    I'll be right behind you, then.  Just in case. SOUND    FOOTSTEPS MRS. DOC    [slightly defiant] I, on the other hand, could use all the support you care to give. DOC    Irene? MRS. DOC     Not from you, dear.  Mr. Roberts, if you might give me your arm, sir? DOC    Irene! MRS. DOC    I've already got my hat on, husband.  We might as well get moving. DOC    What exactly do you think you are doing, woman? MRS. DOC    [super sweet] Why, I'm accompanying my beloved husband and his patient on a little wagon ride. LEM    [tries not to laugh] DOC    I forbid it! MRS. DOC    [sweetly]  Oh, of course, dear!  If you prefer, I can wait here at home, the home these silly men have already broken into - from both sides, I might add.  Wait until someone decides that the easiest way to get this to end is perhaps to take me hostage, or threaten-- DOC    [losing steam] Oh hush!!  LEM    The lady has a point, doc.  Seein as I still think we gotta a fair chance of stoppin this without none getting hurt, it'ud likely be safer, ma'am, if you were to stay by us. MRS. DOC    Good.  Now take my arm, Mr. Roberts, for goodness sake!  You're swaying like a sapling.     FADE EZRA    Mr. Fanshaw!  [laughs]  Nels says you sound like a lady. FANSHAW    It is just my accent.  The way I talk.  EZRA    You do talk funny. FANSHAW    Can you go and ask Nels if his men understand a white flag of truce? EZRA    What is that? FANSHAW    When men - or even armies - want to talk rather than fight, they will come bearing a white flag. EZRA    Where do they get a white flag? FANSHAW    They just make one.  Please.  It is important that we know.     FADE SOUND    OUTSIDE SOUND    SCUFFLE MINERS    [Arguing]  "More brass'n brains"  "near as makes n'matter" " that's a threp in't steans"  "caffelin' t' 'oil works, am I." SWEDES    [arguing] SOUND    FOOTSTEPS LEM    [sigh]  Shut up! SOUND    STILL FIGHTING LEM     Pardon me ma'am.  Step aside if you please. SOUND    HER STEPS SOUND    GUNSHOT ALL    [go quiet] SOUND    SOMETHING DROPS     Taste of the Beholder [DeK6] EPISODE 6 1_MOVING OUT LEM    You miners.  You... uh... manskers.  Um.  [slowly, with gestures]  We go in cart to your-- OLY    Mig? LEM    Yes, your camp.  You lead us.  SCABBY BILL    [slightly out of breath] Right.  Nowt wait aught mair.  Us'm goin - wi'thee, or nowt. LEM    We's all a-goin.  [to Mrs. Doc] You get on up in the wagon now, ma'am. MRS. DOC    [a bit shaky]  All right.  DOC    [quiet]  Doesn't look like anyone is hurt too bad. LEM    They's all still on their feet. OLY    [slowly, trying to be understood]  detta var inte min idé.  Inte jag.  Jag kommer att tala strängt till dem. [this was not my idea.  Not me.  I will speak sternly to them.] LEM    You lead.  [turns to Scabby Bill]  You follow.  Reckon? SCABBY BILL    Reckon.  FADE 2_GRADY1 SOUND    SOMEONE RUNNING IN PANIC GRADY    [gasping muttered mantra]  Don't slow down, don't slow down.  A log!  Oh sweet Jesus! SOUND    THUMP, SCRAMBLE, SLOW MOVEMENT SOUND    BEHIND HIM, MEN MAN1    Keep heading downhill! MAN2    Brush too thick over there!  This way! GRADY    [barely there prayer] Pity me!  [couple of deep breaths] [sound of exertion] SOUND    RUNNING AGAIN FADE 3_AGREEING SOUND    CART PLODDING DOC    [quietly] That was a foolhardy thing you done back there, Irene.  MRS. DOC    I cannot disagree. DOC    You should never've - what? MRS. DOC     [sweet] I was merely agreeing with you, husband. LEM    [quiet chuckle] DOC    [trying to stay annoyed] But-but you-- [loses it, laughs]  My mother always said you would be a handful. MRS. DOC    I believe mine said something very similar. DOC    About me? MRS. DOC    [laughing] No, about me. LEM    If I was a man to interfere, I might say you're a lucky feller. DOC    I cannot disagree. LEM    Lucky the lady is on your side, if you don't mind me saying so, ma'am. ALL    [laugh]     FADE 4_LOGGING CAMP FREDEK    Många män kommer! [Many men are coming!] LARS    Vi kommer inte ge upp! [We will not surrender!] FREDEK    Detta är inte något att dö för! [This is not something to die for!] ARN    Jag skulle hellre dö än att äta en annan måltid tillagad av dig. [I would rather die than eat another meal cooked by you.] LARS    Jag ser Oly. [I see Oly.] ARN    Han ser arg. [He looks angry.] FREDEK    De måste ha vapen. [They must have guns.] NELS    Nothing worse than to have to sit and listen to them babble. OLY    [off, yelling] Alla ni! Stå vid sidan! [All of you!  Stand aside!] NELS    And cannot do anything when Oly tells them to calm down. LARS    [yelling] Är de hotar dig? [Are they threatening you?] OLY    [off, yelling, pissed off] Du är en idiot! Vi var överens. Då har du stört! Du står åt sidan! [You are an idiot!  We were in accord.  Then you interfered!  You stand aside!] FADE 5_CHUCKIE JAMES    Tha gormless bastard!  Guns or nowt, us could take 'em! [Idiot.  Even with the guns, we could win.] PIKEY    And 'oo ist 'aveta send tha mam word o thy beefing.  Appen I should say 'er son died of 'is own barm, or sweeten tha death wi' claims thee lost fight to a chuckie. [And I will have to write to your mother.  What would you like me to tell her, that you died of being stupid, or that you lost a fight to a chicken?] TED    [sigh]  And us start sommat, it'll nae stop 'ere.  [If we do start something, the fighting will not end here.] FITCH    I dinna feel fer the fight.  Yon stormcloud, 'im seems a fair measure.  [I don't feel like fighting.  That fellow - he seems fair.] PIKEY    Cud gang fer a slurp missen.  [This would be a good time for a drink.] FADE 6_GRADY2 SOUND    RUNNING MAN1 and MAN2    [closer than before] [yelling "Just over that ridge!"  "Get him!" "Yeller bastard!"] GRADY    [gasping and ragged]  Good god above, [gasp] please, [gasp] send me into a river.  Anything.  [gasp] Just to get me [gasp] get me away... FADE 7_CART SOUND    HORSES.  CART NOT MOVING. DOC    [whispered]  Irene, I prefer strongly that you remain in the cart.  MRS. DOC    As always, I defer to your wisdom, dear husband. DOC    [rueful laugh] Hah.  Good. SOUND    HE CLIMBS DOWN MRS. DOC    I'll also keep a close eye on the shotgun. DOC    The what? LEM    I'll leave my satchel here as well, if you please, ma'am. MRS. DOC    Happy to be useful.  [like speaking to kids] You two go on now and make peace. FADE 8_OLY KOMMER FREDEK    Oly! De kommer! [Oly!  They are coming!] OLY    Var inte dum. De är redan här. [Do not be stupid.  They are already here.] FREDEK    Fler män! Bakom åsen! [More men!  Behind the ridge!] NELS    Sure I do not think those fellows are of these men.  EZRA    More fighting? FANSHAW    And this must be Nels. NELS    And you must be from England. FANSHAW    Why, yes.  Though I do not sound much like my "countrymen" down there. NELS    Nay.  You sound like most Britishers. FANSHAW    I suppose I do. NELS    Just like a woman. FANSHAW    I do not! EZRA    You do a bit. FANSHAW    [grinding out, trying to change the subject] You said something about more men? NELS    Sure, over the ridge.  Quite a ways off.  I can barely get close enough to see, but they are traveling fast, for men on foot. FANSHAW    We'll have to keep an eye out for them, though I am quite certain that all the men I've seen - on either side - are here. EZRA    Mister Fanshaw? NELS    All of my men are here.  Even those with a head full of porridge. FANSHAW    That's a blessing anyway. EZRA    Mister Fanshaw! FANSHAW    I am so sorry, Ezra.  I was lost in thought.  EZRA    You want I should go and look at the men a-coming? FANSHAW    They sound like they're rather far off. EZRA    I can go real far off. FANSHAW    [interested] Really.  Very well.  You'll go and see how many there are? EZRA    I'll find out everything for ya. FANSHAW    I wonder just how far "real far" is. FADE 9_teh dam SOUND    CROWD RUMBLE, BUT NO TALKING SOUND    LEM'S SLOW FOOTSTEPS LEM    Um, [to Oly] Dam? OLY    Ta kvinnan här! [Bring the woman out here!] LARS    [grumbling] Vi var bara försökte hjälpa [We were only trying to help] OLY    Go! [Go!] NELS    If they wanted to help so bad, sure, why did they never make the time for to learn some words? FANSHAW    Always much easier to see mistakes when it is too late. NELS    Ya. SOUND    DOOR OPENS, LARS AND MRS. BEAMISH COME OUT FANSHAW    This?  This is the woman all the trouble has been over?  She's ...hardly what I expected. LEM    Ma'am.  They's been quite a ruckus over you. BEAMISH    Oh, Luvly.  Anuvver what don't speak the Queen's English. LEM    I guess I speak American, then.  But I hazard you understand me fine. BEAMISH    [begrudging] I kin mike yer out. LEM    That's good.  Now these fellers, they have some claim to you? NELS    Sure, she owes us five years service. BEAMISH    [grudgingly admitting] Aye... They do. LEM    Five years.  Legal. BEAMISH    [annoyed sigh] Aye. DOC    [whispered] How'd you get that? LEM    [whispered] Guessed.  Standard indenture. DOC    Ah! BEAMISH    [whining a bit] But I can't unnerstand a bleeding word outtav'em! FANSHAW    I say, Nels, you paid for that?  Under all that veiling, she sounds rather... old. NELS    What do you expect in a cook?  Sure we don't have to look at her while we eat. FANSHAW    A cook!  Good gad! LEM    But you had no trouble doing the work they put you to? BEAMISH    Good plain cooking.  Even such as they musta liked it, for I dessay they never let a plate go cold. DOC    Cooking?  They're willing to fight over a cook? LEM    I reckon with a wife like your good missus, you've never had to eat day-old burnt scratch.  DOC    Well... MRS. DOC    [calling from off, excited] Husband? LEM    Go on. DOC    [walking off] Yes, dear? FADE 10_grady hides SOUND    MEN SLOWLY SEARCHING SOUND    BREATHING, IN A TIGHT SPACE GRADY    [trying to quiet his breathing] EZRA    That's a lot of men to send out fer one fella.  You must be a bad man. GRADY    [whispered]  Someone up there, please help me! MAN1    I think I heard something! FADE 11_shares LEM    [whispered, to fanshaw]  Ask Nels the word for "share". FANSHAW    You're thinking to split the baby again. LEM    Amazing how many problems boil down to something that simple. DOC    Lem?  We - my wife and I - might have a congenial answer for all this fuss. LEM    Do tell. DOC    Well, Mrs. - uh - Beamish, is it? BEAMISH    Beamish.  Aye. DOC    My good lady wife suggested I extend an invitation for you to stay with us. BEAMISH    Where's 'at, then? DOC    Our house.  It's rather in the middle of all this.  BEAMISH    Won't say no to sleepin in proper 'ouse.  Not them shanties. DOC    [a bit slowly, trying to make it understandable to all]  You stay our house-- SOUND    [rumble of muttering on both sides] DOC    Cook.  Cook a lot. BEAMISH      I dearly 'ope you're tryin'a talk t'them, cos I ain't that bleeding thick. DOC    They are the ones who need to agree. BEAMISH    Go'ahn then. DOC    [to miners] You come. Eat. [to loggers] You.  Eat. LEM    [quiet] Eat?  Nels? NELS    [Eat] ata LEM    Thankee.  [up, to doc] "ata" DOC    Oh?  All right.  You.  Come to house.  "ata". LARS    [annoyed] Jag tror att han säger att hon ska laga för honom. [I think he is saying she will cook for him.] NELS    Sure, they do not want to give her over to the doctor either.  He has a wife to cook for him. OLY    Nej, säger han vi äter, också.  Tror jag. [No, he says we eat, also.  I think.] FANSHAW    No, no.  He's trying to say that the woman will be in the middle, and both sides can come and eat in peace.  No more fighting. NELS    Tell them ["You eat too"]  du äter för. FANSHAW    Lem?  Did you-- LEM    Doo ah-ter fore. OLY    Ya.  Mycket bra. [Yes. very good] LEM    And you all? PIKEY    Nae more tae eat bab out Bill?  [snort] I don't gi' a chuff where's hersen rest.  [No more eating the shit Bill cooks?  I don't care where she stays.] TED    'Appen 'at's a relief! [That's for sure!] JAMES    Eh, by gum. SCABBY BILL    Ere, now! PIKEY    Tha noz thee's no' called Scabby fer Nowt.  [You know they don't call you scabby for nothing.] LEM    Good.  DOC    Nice to know that people can be peaceable, even-- SOUND    GUNSHOTS, DISTANT LEM    Damn! ALL    [reactions!  Gasps, expletives] "Hellfire!" "Wha's't faff?" "flipping 'eck!" EZRA    Mister Fanshaw?  I think they's heading this way.     Taste of the Beholder [DeK6] EPISODE 7 MUSIC SCENE 1.    AMB    OUTSIDE LEM    [urgent, but even voice] Doc, I fancy it's time you take the ladies back to that fine house of your'n. DOC    But I can help-- LEM    [more forceful] BY taking THEM to safety.  If we's needin you atall, it's like to be after the battle.  SOUND    GUNSHOTS, DISTANT MRS. DOC    [off, a bit worried] Husband? LEM    Mrs. Beamish, you go on now with these good folk.  We got some rough work ahead of us. MRS. BEAMISH    Ain't never been one to run, but finking feedin th'lads come vict'ry's more my place. SOUND    SHE WALKS TO WAGON DOC    [quiet, but knowing it will do no good] You should come with us. LEM    And hosses should lay eggs. [chuckles]  I'll stay still as I can.  But I'm the king pin yokin these fellers one side t'other.  Go on now.  [up] Ma'am, if you could hand me down my sack?  I might find myself in need of a few more shells. MRS. DOC    Here you go.  [very concerned] You make sure and look after yourself, you hear?  My husband put a lot of work into you. DOC    [amused but still worried]  You heard her - and you know how ornery she can be. LEM    I reckon I do. DOC     [confidential] You fire three shots in the air, all at once, and I'll be back lickety-split with the shotgun. LEM    Preciate it. SOUND    DOC WALKS OFF SCENE 2.    LEM    [slight groan]  Quickly - You, Bill.  You, Oly. SCABBY BILL    Right. OLY    Ja? SOUND    SCRATCHING IN THE DIRT LEM    [talking while drawing terrain and pointing at things]  Sun.  There.  Hill. There.  Ja? OLY    Ja.  Bäck. Ge. [stream.  Give.] LEM    Take it. SOUND    MORE SCRATCHING SCABBY BILL    Thass river? OLY    Bäck. [stream] LEM    Close enough I think.  Bill, can y'all circle round here, over to the left, with yer fellas, and come up alongside?  They got guns and you don't, so I suggest comin on 'em from hidin. SCABBY BILL    Us'm? LEM    Course, it ain't yer fight, but-- SCABBY BILL    Nay problem, lad.  Lads're pantin' fer a good donnybrook.  [shrug] Canna beat on't Swedes, them ticks'll haveta play the Judy. LEM    All righty then, sounds like yer all in.  Go on.  Get ye some stout branches and knock em down, but try not t'kill em.  SCABBY BILL    Why them tea party manners? LEM    In case they ain't the villians here. SCABBY BILL    Ah.  Right.  We're bahn. SOUND    WALKS OFF SCABBY BILL    [off, calling] Ayup lads!  There'll be cracked pates afore sundown, I'll be bahn! LEM    Now for the tricky one. OLY    Du vill att vi ska åka på detta sätt. Runt den andra sidan. Och angrepp från bakhåll? [You want us to go this way.  Around the other side.  And attack from ambush?] NELS    He says do you want our men to go around the other way and attack from ambush as well? LEM    [startled laugh]  Oly, old son, we'll get you tricked up with English talkin yet. OLY    vad är det?  [What is that?] LEM    Later. After dust settles. NELS    Tell him "senare" [Later] LEM    Senare OLY    Ja.  Bakhåll?  Ja?  [Ambush] NELS    [translating] Attack from behind. LEM    Ya.  Go on. OLY    [going off] komma mäniskor! Dags att slå några huvuden! [come on men!  Time to beat some heads!] LEM    [heavy sigh, slight groan] FANSHAW    Lem? LEM    [quiet]  I'm alright.  I'm alright.  Just tuckered out.  Ain't nothin better for fellers like these, but to fight together 'gainst some other varmints.  Think this will end it once and fer all. FANSHAW    I certainly hope so.  LONG MUSIC SCENE 3.    AMB    NIGHT, CAMPFIRE ON LEFT OLY    [clearly storytelling] Vi reste snabbt och tyst. Då vi hörde dem. Arn gömde sig bakom ett träd. Lars var under en fallen stock. [We traveled fast and quiet.  Then we heard them.  Arn hid behind a tree.  Lars was beneath a fallen log.] ARN    Hah!  Bra att vara kort, eh, Lars? [Hah!  Good to be short, eh, Lars?] LARS    Bah! SWEDES     [general laughter] OLY    Vi ser tre kommer! En lång en i en hatt och två andra.  Gräslig. Cruel söker. De rör sig långsamt, letar efter något-- [We see three coming!  A tall one in a hat and two others.  Ugly.  Cruel looking.  They move slowly, looking for something--] MUSIC WIPE ACROSS THE SOUNDSCAPE SCENE 4.    AMB    CAMPFIRE ON RIGHT SCABBY BILL    Nowt but three up't front, but us cud 'ear more clamberin in't lee.  PIKEY    [bragging]  Like scratch hisself in't garden, I were oop on deadfall like bird in't nest.  Thass nowt ne surer as none'll raise them eyen. [I'd crawled like snake up along a fallen trunk, like a bird in a nest.  And no one ever looks up] SCABBY BILL    Aye, lad.  Ain't soul in t' world cud suss windy sot might drop out of clear blue ont' im's pate. [I'll give you that.  No one expects a flatulant drunk to fall out of the sky on his head.] MINERS    [general laughter] PIKEY    [correcting him haughtily] Nay, nay.  Windy sot wieldin' t' grandest thump 'im ever see'd. [A flatulant drunk with a great big stick, I remind you!] MINERS    [more laughter] MUSIC WIPE SCENE 5.    AMB    CAMPFIRE ON LEFT OLY    Att en - med skriande skratt - var upp i ett träd. Jag fruktade för dig som han tappade på toppen av. [That one - with the braying laugh - was up a tree.  I feared for anyone he dropped atop of.] ARN    Åtminstone var det inte oss! [At least it wasn't us!] SWEDES    [general laughter] OLY    Han vinkade till mig. Då pekade förbi männen. Sedan lyfte han två händer fingrar. Många män skulle komma! [He waved to me.  Then pointed past the men.  Then he raised two hands of fingers.  Many men were coming!] FANSHAW    It sounds like a fascinating story.  I wish I could understand a word of it. NELS    He was saying that the noisy fellow-- FANSHAW    Aren't they all rather noisy? NELS    [laughs]  THAT one - got above.  High up.  Counted the men coming behind.  Showed him fingers for the count. FANSHAW    Accord without a single word.  Lovely. MUSIC WIPE SCENE 6.    AMB    CAMPFIRE ON RIGHT FITCH    Beyond tha' ken, Bill, our Pikey gives the wrist to yon tall tallow hair. [girlish noise] Ooooh!  Tis in ma mind him's a sight too long wi'out a damp scuffle. [But what YOU didn't see, Bill, was Pikey making obscene hand gestures across to the tall blonde fellow.  I think he's been alone too long.] SOUND    SLIGHT SCUFFLE - FRIENDLY SMACK PIKEY    Dinna fash.  Tha'd be first choice, fitchy m'lad.  Smack afore yows and kine.  Past that, mayhaps Swede.  Blondes ain't nivver turned ma top. [kiss kiss noise]  [You'd be my first choice, Fitch, right before ewes and cows.  I have never been fond of blondes.]  FITCH    [teasing] Ooh-ah.  Get a good scrub on thee aught often, afore thee clack.   [Bathe.  Then we'll talk.] MINERS    [general laughter] SCABBY BILL    Right.  'oo's keeping a tally?  [jokingly making a list] Needed f'r camp - butter, shot, tobacy, loose females. [Right.  Someone make a list of things we need for the camp.  Start with some loose women.] MINERS    [hysterical laughter] MUSIC SCENE 7.    AMB    CAMPFIRE ON LEFT OLY    De var fortfarande ute. Kanske för en person. Kanske för ett djur. Något som kunde dölja sig. Vi sprider vidare bakom dem, lugn och vaksam. [They were still looking.  Maybe for a person.  Maybe for an animal.  Something that could hide itself.  We spread further behind them, quiet and watchful.] LARS    Jag var längst.  När den sista passerade, jag slog ner honom snabbt.  [hit noise] [I was furthest.  When the last passed by, I hit him down quickly.] SWEDES    [approving mumble] MUSIC WIPE SCENE 8.    AMB    CAMPFIRE ON RIGHT SOUND    WAGON SLOWLY MOVING IN FROM A DISTANCE PIKEY    Afore mine eyen, them axes circle up the jacksey, and I knew us'd ne'er let it be said us'd come up short in t' tally! [I saw them blonde fellers moving behind.  I knew we'd never want to lag behind.] SCABBY BILL    No.  So... Pikey made t' shrill-- SOUND    SHARP WHISTLE SCABBY BILL    [reacts in pain] NOWT up ma lug!  [angry sigh] Wi' a cry t' lads pounced! [Not in my ear!  And we attacked] FITCH    Like yoked set of dannys, us come right side, cack side!  And them'us jiggered like clemmy shale.  [Like a pair of hands, we came from right and left.  They broke like lose rock.] MUSIC WIPE SCENE 9.    AMB    LEFT CAMPFIRE OLY    Var och en föll. Slås ner av våra modiga händer. Eller våra vänner händer. [Every one fell.  Struck down by our brave hands.  Or our friends' hands.  [raising his voice]] ALL GOOD! SCABBY BILL    [off] I hears that!  [yelling back] Ayup lads?  ALL GOOD! SWEDES and MINERS [not very much in unison- just loud] ALL GOOD! DOC    [off] Ho there!  Sounds like it's safe to approach? MUSIC SCENE 10.    AMB    INSIDE SOUND    [OUTSIDE] THE MEN YELLING AND LAUGHING FANSHAW    Lem? LEM    [rousing from half sleep]  Yup?  Sounds like peace at last. FANSHAW    And the doctor just arrived.  [chuckles] With a kettle of something hearty, and some lovely- LEM    Biscuits?  [chuckles] FANSHAW    [chuckles too]  He'll be in here in a moment, I'm sure.  [beat]  The men - both factions - were rather impressive.  Possibly less impressive than the tales they're telling at the moment, but they did very well. LEM    Who was it they's up against? FANSHAW    Looks like outlaws.  Chasing a fugitive. LEM    And the feller they'us after? FANSHAW    [sigh]  He was already ... done for.  Gone. LEM    [sigh]  The Doc's spare room is looking like heaven just about now. DOC    [outside]  Mister Roberts? LEM    [a bit weaker] In here! LONG MUSIC SCENE 11.    AMB    DOC'S HOUSE DOC    I will not hear of you leaving that bed for at least a week, Mister Roberts.  MRS. DOC    [from off]  Don't you get it into your head that you'll be able to sweet-talk your way past me neither. LEM    I got no plans to budge aught farther than the broth and biscuits require to reach my mouth. DOC    Good. MUSIC SCENE 12.    AMB    DOC'S HOUSE LEM    Alone? FANSHAW    They're all in the kitchen, yes.  From the smells, that Beamish woman is very nearly as accomplished in the kitchen as our lady hostess, despite her lack of - ahem - refinement.  They have set the men to building a sort of cookhouse.  Just an annex big enough for her to serve out of.  The doctor's wife objected, you see, to having all these men troop through the house at mealtimes. LEM    Cain't say that I blame her.  Catch me up a bit? FANSHAW    They say the way to man's heart is through his stomach - and we now have clear evidence this works for groups of men as well as it works on individuals.  They've all become the best of chums.  And those Swedish follows are learning English, bit by bit. LEM    One more victory for-- FANSHAW    Civilization? LEM    [down]  I was gonna say salvation.  Had a might too much time to ponder my past while I been laid up here. FANSHAW    I shan't pry, but you know I will gladly listen to anything you feel the need to unburden yourself of. LEM    Thankee kindly, but my burden is my own. FANSHAW    Well.  When you are up to visting, We should make a trip to speak to the fellow who was being chased by the outlaws. LEM    Where ARE they, anyway? FANSHAW    Several of the men took them down a flatboat on the river to the next landing.  Haven't made the return yet - I gather it takes a few days. LEM    Mm.  Good. FANSHAW    But, you see... this fellow was ...killed a bit further out than I can reach.  It's very frustrating.  Ezra, though... LEM    Oh, yup - this Ezra you been talking about?  How come I ain't seen him, never? FANSHAW    I don't know.  He's a child.  A spirit.  Who prefers to think of himself an angel.  I rather think he's been here quite a long time.  And Lem... LEM    Yup? FANSHAW    I-I feel quite dreadful about this, but - you understand, I have been endeavoring to find some way to help him pass on.  But there's this--- LEM    Spit it out and let's see what color it is. FANSHAW    Ezra can go just about anywhere within the entire valley.  That is rather a long distance.  He seems to have very few of the limitations that I find myself so hampered by.  I don't understand it one bit, and I have this - notion - to try and figure out why.  Before I help him find his way onward. LEM    Guess it's a good thing I'm laid up, then, ain't it?    

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Is there more than one way to make the Director of Operations (DOO) certification fit into your career goals?  Today we are spotlighting DOO student Khara Malcom. Her story is very inspiring, and she shows how she has taken the certificate and used it to her greatest benefit. Her story also highlights how diverse the certification can be. For full show notes visit theopsauthority.com/podcast/163.

It's hard sometimes for a business owner to take a step back from their business, let someone from the outside come in, and audit and implement new processes to streamline the workflow. That's what I did in my business, The Advance Women's Network. Raven Lovelock, Fractional Director of Operations at The Advance was my guest today. Raven and I talked about: The best environment for a Director of Operations to thrive in Why she was attracted to working for The Advance  How she has helped implement processes in my business Tune in to hear all about Raven's thoughts on being a DOO. Learn more about Raven on IG @Raven_Lovelock or on Linkedin: https://www.linkedin.com/in/ravenlovelock.  If you've been loving the Next Level Leap podcast, would you just stop what you're doing right now and give us a quick review? In the Library Tab under Shows, click on the podcast subscription and scroll down to Ratings & Reviews to give it a star rating. Click Write a Review, if you wish, then click Send when finished. We appreciate your review so much. Thank you!

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Surprise! An extra episode of Point of Doo this week! In this episode, Justin and Nick welcome their friends Tommy O'Sullivan and Megan Miller, whose couple status may or may not be sponsored by the show. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pointofdoo/message

Are you still the bottleneck in your business? Feeling like you have way too much on your plate, or having trouble delegating tasks because of some major trust issues? Or maybe you know it's time for you to take the leap and make your first hire but it seems scary and you don't know where or how to start. Well, look no further because this is your solution! We are going to talk about why you need to hire an operations assistant or a “director of operations,” what this role entails, and why I suggest it as one of the first roles that you hire for in your agency. The relationship between CEO and DOO is one that will continue to grow over time. It's a process, like any other personal or professional relationship. Don't let yourself get frustrated if it's not perfect overnight! This is a key role that will change the trajectory of your agency. I've seen it firsthand in my own business, and I hope that you will take this seriously, take it to heart, and hire your first Operations Assistant asap! (Or if you already have one, this will give you some guidance on what the relationship should look like!)We talk about:An Ops Assistant role vs. Project ManagerWhy this should be your first hireWhat duties and responsibilities this role entailsThe first step you can take today Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

In the third and final installment of our mini-series on work and the job application process, we welcome Justin's cousin, Courtney La Russo to talk about her Point of Doo as a Human Resources Manager. We discuss the responsibilities of an HR Manager and talk about the hiring process, what makes for a positive workplace environment, and how work has evolved over the last few years. Stay tuned for a surprise call back at the end of the episode ;) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pointofdoo/message

Lots of listener requests and a killer, brand new segment!

In radio news, we remember a sports radio announcer, and major groups report their second quarter revenue results. Next news on the street, and finally we conclude our look at the June Nielsen Personal People Meter ratings. This will be followed by those all inportant call letter and format changes. Next up a feature honoring the late Vin Scully. This will be followed by an interview of Chris Devin one of our pannelists. This weeks classic aircheck is the Doo wopp shop on WCBS FM. Finally we travel to Huntsville Al and fun 927 with their classic hits format.

New Slaughter Boys and more!

In part 1 of Point of Doo's 3 part mini-series on work and the job application process, Justin and Nick reflect on their experience going for interviews. They discuss the importance of confidence and enthusiasm is in the process, they compare and contrast over-the-phone, video call, and in-person interviews, and finally give their self-learned tips on how to ace the interview process. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pointofdoo/message

New stuff from Thee Saturday Knights, Brandy and the Butcher, Ex Parents, Smash the Granny, Tenement Rats, Mala Vista, Suzi Moon and more.

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Celebrating 12 years of the Manifesto!

This is really the Howlin' Hot Dog's episode but I also had a debut from the Newtown Neurotics!!

A great mix tape for your summer.

Caducous is an adjective that means easily detached and shed. The Latin word caducus (cah DOO coos) means ‘liable to fall.' Our word of the day entered the English language in the late 17th century with a meaning related mostly to botany. Here's an example: It's lovely to watch these plants bud at this time of year, especially to see the buds fall away. This kind of caducous act fascinates me as much as it does botanists.

All stuff released or reissued in 2022.

New Beaumonts and new Urban Voodoo Machine. In one night!

This month on It Ain’t Ogre ‘Til It’s Ogre, in the spirit of bringing back our favorite guests, Silly Sickos’ Anna Rigatti returns for another round of Ogre silliness! It’s been way too long since we’ve had Anna join us for some Shrek-related shenanigans, so we had a lot of fun catching up with our […]

What are some of the frequently asked questions about the  Director of Operations (DOO) certification program?  Today we are introducing a new series that will be super enlightening for where you are in your journey, called The DOO Download. It is perfect for people who are interested in becoming a DOO, and has good information for any operator, no matter what stage you are in. This series is co-hosted by our Director of Coaching, Amy Lockrin, and in it you will get the wisdom of two DOOs on common questions that pop up in our community. If you have questions that you would like answered, contact us at podcast@theopsauthority.com For full show notes, visit theopsauthority.com/podcast/154.  

Some new stuff and some classics.

"I got a call for a Mr. Doo?" "Uhh...Melvin Doo?" "Nah, Scooby." One of the greatest films in American history turned 20 this week. That's right, the live action Scooby Doo movie turned 20 and we're taking a brief deep dive into the movie, discussing the casting, the immaculate soundtrack, and the version of the movie we never got! Here's where you can find me on the Internet! Instagram: @theafternoonspecial Tiktok: @theafternoonspecial Podcast Instagram: @hiimbobbipodcast Twitter: @hiimbobbi Youtube: The Afternoon Special Don't forget to leave me an audio message or DM me with your hot takes/feedback/or just to say hi! --- Send in a voice message: https://anchor.fm/hiimbobbipodcast/message Support this podcast: https://anchor.fm/hiimbobbipodcast/support

In this release of the Canadian Investor Podcast, we cover the following earnings releases and news: Lululemon earnings Crowdstrike earnings Canopy Growth earnings BRP earnings CloudMD earnings Chewy earnings Public cloud valuations have plummeted Apple getting into the buy now and pay letter business   Tickers of stocks discussed: LULU, CRWD, WEED.TO, DOO.TO, DOC.V, CHWY, AAPL   Our Website Canadian Investor Podcast Twitter: @cdn_investing Simon's twitter: @Fiat_Iceberg Braden's twitter: @BradoCapital   Check out our portfolio by going to Jointci.com Sign up to Stratosphere for free

Have you heard us talk about the Strategic Mapping Model™, but are unsure of what it entails, and how it can be a valuable asset in your Director of Operations (DOO) business? Today we are talking about the Strategic Mapping Model™, which is the licensed material that we teach in the very first module of the DOO certification program. We have had students join us just to learn this information because it is such an incredible tool. For full show notes, visit theopsauthority.com/podcast/152.