Podcasts about dinna

What kind of book do people ask for most often in prison? Romance Novels? No. The Bible? No. The most requested books by far are . . . dictionaries! A number of volunteer organizations gather and distribute used dictionaries to help inmates with reading, writing, and schoolwork. Plus: For some low-tech family fun, how about egg-tapping? Traditionally played after an Easter egg hunt, the game involves smacking a hard-boiled egg against an opponent's. The person who ends up with an uncracked egg wins. And: Just how common is it to give a goofy name to a household appliance? Even your garbage disposal might get a moniker! Also, chelidon, knock the stink off, pony keg, pineapple posture, sprunny, wash-ashores, trailblazer, a punny puzzle about song titles, a Norwegian idiom that means "empty-headed," and a bagpipe serenade. Dinna fash! Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/contact. Be a part of the show: call 1 (877) 929-9673 toll-free in the United States and Canada; worldwide, call or text/SMS +1 (619) 800-4443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary & Blake discuss everything YOU had say about to Outlander episode 7.14 - Ye Dinna Get Used To It. In this episode, discuss Lord John Grey's eye injury and the surgery performed by Claire to fix it. We also touch on the introduction of new characters like Percival Wainwright and the Marquis de Lafayette, and how they fit into the overall narrative. Brianna's skills with a shotgun during a confrontation at Lallybroch are highlighted, as well as the growing relationship between William, Jane, and Fanny, and how it helps viewers connect more with William's character. Also in this episode: The hosts express disappointment that the show has not yet included the bonus version of the theme song, speculating it may be saved for the season finale. Blake feels bad for Sophie Skelton's character Brianna, noting she's had to deal with "a bunch of junk" this season compared to other characters like Roger. We analyze the introduction of Lord John Gray's stepbrother Percival Wainwright, discussing how the show made it challenging to track who he was and whether viewers should trust him. Mary points out the interesting cultural context around Brianna casually mentioning having a gun, noting how that would be viewed differently in 18th century Scotland versus modern-day America. We praise the development of the relationship between William, Jane, and Fanny, agreeing it has helped make William's character more compelling and relatable. Blake expresses frustration with the show's overuse of historical figure cameos, feeling they are being shoehorned in without serving the larger narrative. We engage in a lengthy discussion about the visceral reactions people can have to depictions of eyes and other body parts, using examples from films like Black Swan and Hostel. Mary shares a personal anecdote about playfully teasing her male friends as a teenager by flicking their Adam's apples, which Blake finds deeply unsettling. We analyze how Jamie and Claire's behavior towards Lord John Gray seems out of character, speculating it may stem from unresolved guilt or embarrassment over their past relationship.     SUBSCRIBE TO OUTLANDER CAST: AN OUTLANDER PODCAST Apple Podcasts YouTube Spotify CONNECT WITH MARY & BLAKE  Like Our Facebook Page Join Our Facebook Group Join The #NerdClan Follow On Twitter  Follow On Instagram  UNLOCK BONUS EPISODES, PREMIUM PODCASTS & MORE -- www.JoinTheNerdClan.com Sign up  HERE for Blake's Book Club: DRUMS OF AUTUMN CHECK OUT THE BEST MERCH ON THE PLANET: THE MARY & BLAKE STORE Shop for all of our podcasts, sayings, and listener inspired designs in one easy place. FOLLOW ALL OF OUR PODCASTS AT MARY & BLAKE: This Is Us Too: A This Is Us Podcast The Pokemon Pokedex With Rhys & Felicity: A Pokemon Podcast The Percy Jackson Prophecy: A Percy Jackson Podcast The MCU Diaries: Essays On Marvel Television Podcast  Bridgerton With Mary & Blake: A Bridgerton Podcast Keep Calm And Crown On: The Crown Podcast Minute With Mary: A Younique Network Marketing Podcast Rise Up!: A Hamilton Podcast The Leftovers Podcast: The Living Reminders The North Remembers: A Game Of Thrones Podcast Wicked Rhody: A Podcast About Rhode Island Events and Life You've Been Gilmored: A Gilmore Girls Podcast ParentCast: A Podcast For New Parents Outlander Cast: An Outlander Podcast The Potterverse: A Harry Potter Podcast The Last Kingdom With Mary & Blake: A Podcast For The Last Kingdom House Of The Dragon With Mary & Blake: A Podcast For House Of The Dragon The Rings Of Power With Mary & Blake: A Rings Of Power Podcast READ OUR LATEST BLOGS AT MARY & BLAKE: Mary & Blake's Blog The MCU Diaries The Handmaid's Diaries Minute With Mary Outlander Cast Blog A huge thank you to all of our members at the #NERDCLAN for helping to make this podcast possible. EXECUTIVE PRODUCERS SuzyQ, Joanne Felci, Nadra Assaf, Siobhan M. O'Connor, Katy Valentine, Maryanne St. Laurent, Sara Zoknoen, MD, Martha, Anne Gavin, Bobbi Franchella, Peg Cumbie, Dana Mott-Bronson, Kirstie Wilson CO - PRODUCERS Kristina Mann, Candace Galbraith, Jennifer L. Dominick, Whitney Robins,  Tina Schneider, Sharon Stevenson-Kelley, Barbara Falk, Keelin Dawe, Meredith Bustillo, ASSOCIATE PRODUCERS Louan, Laura Dassrath, Suzanne Moss, Sarah Dietderich, Brenda Lowrie, Dianna Anderson, Stephanie Holm, Tracy Enos,  Jeffrey Zellan, Shonna Chapman, Dianne Karpowicz, Candy Hartsock, Carolyn Needham, Patricia Barron Tardio, Angie Leith, Karen Snelling, Christine Milleker, Marilyn L. Neenan    d

Hi, y'all - Allison and Julie got together remotely to chat about Starz's Outlander s7B ep 14, "Ye Dinna Get Used To It." They both really enjoyed this one! As Allison says, this episode has everything - fashion eyepatch, sexy cheese, and a slimy worm. Enjoy! Lots of love - Allison and Julie Photo courtesy of Starz

Mary & Blake recap and give reaction to Outlander episode 7.14 - Ye Dinna Get Used To It. In this episode, we praise Diana Gabaldon's handling of the writing, discuss the character development, particularly highlighting Lord John Gray's encounters and the relationship between William and Jane. We also touch on the pacing of the episode, noting that while it may have felt like "heavy lifting" to set up future events, Gabaldon executed it with levity and care. We also debate cheese and mold, share our theories and predictions about where the story might be headed, particularly in regards to the ongoing conflict with the British. Also in this episode: Praise for Diana Gabaldon's writing:  this episode required a lot of "heavy lifting" to set up future plot points, but they praise Gabaldon's execution, noting she was able to do so with levity and care. Analysis of Lord John Gray's character: Lord John's encounters with various people from his past, and how this is impacting his emotional state and allegiances, comparing it to listening to "tortured poets." Appreciation for the Jane-William dynamic:  the interesting relationship between Jane and William, noting how Jane serves as a foil to William's attempts to redefine himself after learning Jamie is his biological father. Speculation on Jane's fate: The hosts theorize that Jane's bold actions, such as killing a British captain, will likely lead to her demise by the season's end, and how this will profoundly impact William. Critique of the Rob Cameron storyline: boredom with this storyline, feeling it was "shoehorned in" just to get Bree back to the 18th century, and lacking a sense of urgency. Appreciation for the Ian-Rachel scene: thel ighting and character dynamics in the scene where Ian teaches Rachel how to do war paint, noting the symbolic significance of the candles behind them. Debate over historical accuracy: Claire's lack of knowledge about historical figures like Charles Lee, and speculate on how Jamie's relationship with George Washington might impact the story. Personal preferences and anecdotes: lighthearted discussion about their personal preferences, such as Blake's dislike for blue cheese and Mary's love of bangs.     SUBSCRIBE TO OUTLANDER CAST: AN OUTLANDER PODCAST Apple Podcasts YouTube Spotify CONNECT WITH MARY & BLAKE  Like Our Facebook Page Join Our Facebook Group Join The #NerdClan Follow On Twitter  Follow On Instagram  UNLOCK BONUS EPISODES, PREMIUM PODCASTS & MORE -- www.JoinTheNerdClan.com Sign up  HERE for Blake's Book Club: DRUMS OF AUTUMN CHECK OUT THE BEST MERCH ON THE PLANET: THE MARY & BLAKE STORE Shop for all of our podcasts, sayings, and listener inspired designs in one easy place. FOLLOW ALL OF OUR PODCASTS AT MARY & BLAKE: This Is Us Too: A This Is Us Podcast The Pokemon Pokedex With Rhys & Felicity: A Pokemon Podcast The Percy Jackson Prophecy: A Percy Jackson Podcast The MCU Diaries: Essays On Marvel Television Podcast  Bridgerton With Mary & Blake: A Bridgerton Podcast Keep Calm And Crown On: The Crown Podcast Minute With Mary: A Younique Network Marketing Podcast Rise Up!: A Hamilton Podcast The Leftovers Podcast: The Living Reminders The North Remembers: A Game Of Thrones Podcast Wicked Rhody: A Podcast About Rhode Island Events and Life You've Been Gilmored: A Gilmore Girls Podcast ParentCast: A Podcast For New Parents Outlander Cast: An Outlander Podcast The Potterverse: A Harry Potter Podcast The Last Kingdom With Mary & Blake: A Podcast For The Last Kingdom House Of The Dragon With Mary & Blake: A Podcast For House Of The Dragon The Rings Of Power With Mary & Blake: A Rings Of Power Podcast READ OUR LATEST BLOGS AT MARY & BLAKE: Mary & Blake's Blog The MCU Diaries The Handmaid's Diaries Minute With Mary Outlander Cast Blog A huge thank you to all of our members at the #NERDCLAN for helping to make this podcast possible. EXECUTIVE PRODUCERS SuzyQ, Joanne Felci, Nadra Assaf, Siobhan M. O'Connor, Katy Valentine, Maryanne St. Laurent, Sara Zoknoen, MD, Martha, Anne Gavin, Bobbi Franchella, Peg Cumbie, Dana Mott-Bronson, Kirstie Wilson CO - PRODUCERS Kristina Mann, Candace Galbraith, Jennifer L. Dominick, Whitney Robins,  Tina Schneider, Sharon Stevenson-Kelley, Barbara Falk, Keelin Dawe, Meredith Bustillo, ASSOCIATE PRODUCERS Louan, Laura Dassrath, Suzanne Moss, Sarah Dietderich, Brenda Lowrie, Dianna Anderson, Stephanie Holm, Tracy Enos,  Jeffrey Zellan, Shonna Chapman, Dianne Karpowicz, Candy Hartsock, Carolyn Needham, Patricia Barron Tardio, Angie Leith, Karen Snelling, Christine Milleker, Marilyn L. Neenan      

00:55 Jess and Sarah Weekly Recap 08:08 Episode Recap: Ye Dinna Get Used to It Happy 2025, Sassenachs! Welcome back to a new episode of Droughtlander Diaries. Catch up with Jess and Sarah as they recap the last week of 2024 and chat about New Year's Resolutions and even share a show recommendation outside of Outlander for anyone who's interested in another series with an upcoming Droughtlander. We breakdown Episode 714, Ye Dinna Get Used to It... highlighting key moments and character interactions. Plus, Jess has some history facts and background to share for the real historical figures that are woven into this story. Let us know what you think of the episode on Instagram or in the comment section! 

We're very confused as to why Claire and Jamie are being the absolute worst to Lord John and the fan fic nature this season is taking on.  Over on Patron, ALL members have access to my reading/analysis from the latest book in the Outlander series by Diana Gabaldon: Outlander Book Reading on Patreon You can find us over on Bluesky Mo: tvmoviemistresspod.bsky.social Sarah: TheeDonuts.bsky.social Juwan: jayteedee.bsky.social

As you can imagine, being an executive recruiter requires a good amount of intuitive skill to find and hire topline talent for companies. Intuition is the leading edge when pursuing and interviewing talent. I'm pleased to bring you my dear friend and client, Dinna Voges, Owner/President/CEO of Dinna.io to the podcast. Her leading edge in her 20+ year career is her intuition. As you will hear, interestingly, she interacts mostly with men all day serving them as clients and candidates. Dinna helps ambitious early-stage technology companies build world class teams by finding and attracting the right talent for their crucial Go-To-Market roles, which is the customer facing needs such as Sales Engineering, Customer Success, Marketing. You will hear stories about how by consistently accessing her instincts, not logic, she successfully hires the right fit for the company and role. She says when she has gone against her intuition, the results typically did not bode well. So, how often do you find this happens to you in your personal life? Work life? This is a very common concern of women. Wanting to lean into their intuition, but defaulting to their logic and critical thinking instead. If I had a dollar for every time I heard this, I'd be… well, you know the saying. Stick with us. We've got you covered.  Join us in a compelling conversation about being a driven, intuitive, high achieving woman in the tech industry and how Dinna navigates the balance of the feminine and masculine energies while fostering true partnerships and what she calls “raving fans” with her clients. She's a pro at it. You will definitely pick up golden nuggets from her wisdom. Links from the show: Website: www.dinna.io – email: Dinna@dinna.io and LinkedIn, dinna.io **Laser 1-1 coaching: https://marladiann.com/laser-coaching/ **CREATE Cohort 2025 with early rate enrollment now: https://marladiann.com/create/ **Free Higher Earning Power download, Top Recommended Success Books list, and Feed Your Creativity download: https://marladiann.com/free/ Intro call: https://calendly.com/successcoach-marladiann/connection?month=2024-10  

Thanks for listening to the Doric Express. In today's episode; Humza = Billy no mates; Dyce Marriot going for gold; Dinna miss @Mounthoolinrouge : Tributes to Kevin - aka Miss Cherry Bakewell; Parading aboot in Blue Toon/Alford/Laurencekirk; Buckie swicked; Fine morning, rainy afternoon in the shire; Cheers, Allan

Thanks for listening to the Doric Express. In the days affa exciting episode; Politicians waste taxpayers money shock; Mair new hooses at Brig O Don; King's new neighbour wants a great big hoose; Dinna miss yer bowel tests plea; Be careful if you're driving in Tiree; Forget aboot new boss says Shinnie Affa rainy day in the shire, even Torphins Cheers, Allan

Ang Kwentong Takipsilim ay dadalhin kayo sa mundo ng katatakutan at kababalaghan. True stories tagalog horror at tagalog fiction. #tagaloghorrorstoriesNais mo rin bang magpadala ng iyong karanasang nakakatakot? Email mo lang sa stories@kwentongtakipsilim.com o kaya naman ay imessage mo sa aming FBSupport KT, Check our Merch now !https://takipsilimclothing.com/Sitio Bangungot Podcasthttps://open.spotify.com/show/5PLrpsyco5qfFeJ5jygHsJ?si=28ef14f811664bcaFor Business Inquiries and story submissionstories@kwentongtakipsilim.com Hosted on Acast. See acast.com/privacy for more information.

Mandy and Jenny compare notes after Jenny's latest trip to Scotland!

Aujourd'hui dans "Porté", Dina Björn et Eric Vuades  ont accepté de parler à mon micro de l'école Bournonville, de son style avec sa richesse et ses spécificités. Si vous appréciez écouter le podcast « Porté » n'hésitez pas à le soutenir en lui attribuant cinq étoiles  sur Apple podcast et à laisser un commentaire , vous pouvez aussi me joindre à cette adresse email: charlottejacq.danse@gmail.com, je serai ravie de vous répondre.

Welcome to our conversation about staging your home! Dinna shares her tips and experiences with staging homes that: 1 - appeal to buyers and 2 - really help potential buyers envision themselves feeling at-home in your home.     Topics we cover: How is staging different than design? How can I help potential buyers envision living in my home? How much editing does your home design need when it is on the market? Should I stage my home in the style I would personally be looking for as a buyer? How can I optimize the great features of my home? How can I make my home look and feel bigger?  How do you stage your home and still continue your lifestyle, especially with kids? How many holiday decorations can I have when my home is on the market?   Thanks for listening in and we hope this episode has helped you get some good ideas for staging your home to sell fast!   Dinna Eckstein Designs  The Store IG @dinnaecksteindesigns

Check out this beautiful upscale-southern kitchen, dining room and family room at Fountain Drive.  Dinna designed this area for a family, two kids and a dog. It has a luxurious and cozy feel that invites you in and makes you want to take a seat. Listen in for details and tips about making an area feel larger than it is, designing nooks and crannies for storage and using patterns to carry design themes throughout the space!   Click here to see pictures!       Dinna Eckstein Designs  The Store IG @dinnaecksteindesigns IG @thestore.design houzz.com   Music credits to Dan Barker http://pianobarker.com

Welcome to the Designing Woman Podcast! I'm your host Dinna Eckstein and I'm joined by my producer Natalie Pyles.  I'm recording this podcast right in the middle of my interior design store here at Crabapple Market in Milton, Georgia.  We're excited to bring you this brand new show! We're talking about my journey as an interior designer, my signature upscale-casual style and opening my store!    Thanks for tuning in! Here's where you can find me: Dinna Eckstein Designs  The Store @dinnaecksteindesigns @thestore.design houzz.com   And special music credits to Dan Barker    

While recovering from his injuries, Lemuel Roberts (The Deadeye Kid) must try and make peace between two local factions - a group of Swedish loggers (please overlook our sincere attempt at translation) and a team of Yorkshire miners - neither of which speaks any English that Lem can understand... Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid - J. Spyder Isaacson Clarence Fanshaw - J. Hoverson Doc - Russell Gold Mrs. Doc - Gwendolyn Gieseke-Woodard Ezra - Reynaud LeBoeuf Mrs. Beamish - Judith Moore The Yorkshire Miners: Scabby Bill:  John Lingard Will Watt Stevie K. Farnaby Danar Hoverson Paul Green The Swedish Loggers: Oly - Lothar Tuppan Nels - Danar Hoverson Mark Olson Cary Ayers Bill Jones Reynaud Leboeuf Julie Hoverson Cover Design:  Brett Coulstock Announcer:  Glen "Ole Hoss" Hallstrom Opening theme:  "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson No gunshots herald his approach. No trademark left behind him when he leaves.  The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify.   Some say he rides alone.  That's the Deadeye Kid. **********************************************************************   Taste of the Beholder [DeK6] Taste of the Beholder [DeK6] EPISODE 5 FANSHAW    Lem!  Everyone's gathering!  It looks a bit of a party. LEM    What's them Swedes a-doin? FANSHAW    They're standing by.  Like a menacing wall of blonde. LEM    [laugh, then coughs] FANSHAW    Are you quite sure you're up for this?  The doctor said you'd worn yourself nearly into a relapse. LEM    Why you think I'm a-lyin here, stead-a being out there? MRS. DOC    [behind door] You all right in there?  May I come in? LEM    [up] Yes ma'am.  SOUND    DOOR OPENS, SHE ENTERS LEM    Jest tryin t'sort out some words as might work with these fellers. MRS. DOC    That sounds wise.  You've already done wonders.  But I have a favor--? LEM    Anythin' ma'am. MRS. DOC    [hesitant] If you can, can you perhaps get them to-- uh-- LEM    Go on? MRS. DOC    To fix my window, there?  They are the ones that broke it. LEM    I already planned on jest that, ma'am.  Donchoo worry. MRS. DOC    Mr. Roberts, you are a veritable angel. LEM    Oh, no ma'am.  Just a man of plain talkin. [laughs, then coughs a bit] MRS. DOC    Get you round a bit more of this and rest you til you're good and ready to come on out.  They can just hold their hosses. FANSHAW    I'll go and see how far the "royal progress" has come.     FADE SOUND    OUTSIDE FANSHAW    [sigh] Still out of sight.  Come along Ezra, let us see if we can catch a glimpse of this mysterious lady. EZRA    Are they gonna fight? FANSHAW    [definite] No.  My friend Lem has maneuvered them into peace talks.  EZRA    It would be fun to watch them fight, but ain't very angelic, is it? FANSHAW    No.  Wouldn't want anyone to get hurt, now, would we?  EZRA    Is that the lady, in the cart?  With the big hat and veil? FANSHAW    I would assume so.  A bit of an affectation for the wilds, but everyone has their little vanities. EZRA    Why'ud a lady wear a veil?  Is she really ugly? FANSHAW    I don't know about this particular lady, but many ladies wear them to protect their delicate skin from the harsh sun. EZRA    Ain't much sun under all these trees. FANSHAW    And some ladies, well, they wear a veil to put men at a disadvantage.  No one is entirely comfortable talking to someone they cannot rightly see.  [pause]  I need to let Lem know what all is going on.  I'll be back shortly. SOUND    SHOUTS FANSHAW    What? EZRA    Thought you said they wasn't a-gonna fight! FANSHAW    They weren't supposed to!  Blast!  That looks like more of the Swedes, taking the cart! MRS. BEAMISH    [screams]  Tyke yer bleedin' 'ands off me, ye dodgy swine! FANSHAW    Not much of a lady.  And nothing much we can do here. EZRA    Oh, lookee!  That feller got punched right off the cart! SOUND    GRUNTS FANSHAW    I need to go and tell Lem.  Would you stay with them and see where they go? EZRA    [eager] That would help ya? FANSHAW    It would be very helpful. EZRA    I'm your man.  [distracted] Oh goodness!  That fellow slammed into the tree!  That's gotta smart something fierce!     FADE LEM    They here yet? DOC    No.  It's not so far from the camp that they shouldn't be in sight yet. FANSHAW    Lem!  Ambush! LEM    [quiet] Aw hell. DOC    What? LEM    [sigh, considering best way to say]  I think I ...heard something. DOC    [more joking than suspicious] You must have the plumb smartest ears I ever did encounter, Mr. Roberts.  The way you keep hearing things. LEM    [covering] Uh... Gotta be, livin' raw on the range.  Ya don't hear sumpin a-comin up on you, well, you deserve whatever ya get. DOC    I reckon so. LEM    And with the window broken, sound can get in more. DOC    What is it you heard? LEM    Fighting.  Or leastways a yell.  Sumpin that spoke "fight" to ma mind. DOC    You think there's still trouble? LEM    I'll lay odds that lady ain't gonna make it here any time soon. DOC    Dag nabbit. SOUND    STORMS OUT OF ROOM FADE SOUND    OUTSIDE SOUND    SOMEONE RUNS UP OLY    Vad är det? [What is it?] KJELL    [out of breath] Vi tog henne! [We took her!] OLY    [incredulous and angry] Du gjorde vad? [You did WHAT?] KJELL    [uncertain] Vi ... tog kvinnan tillbaka.  [We ... took the woman back.] SVEN    Bra! Nu har vi vad vi betalat för!  [Good!  Now we have what we paid for!] OLY    Du idioter! Nu blir det krig! [You idiot!  Now there will be war!]     FADE FITCH    What wasp flee up thon jacksey? [what got into them?] SCABBY BILL    'Appen t'were skrike I heered? Lads-- [That might have been a shout.  The lads--] PIKEY    Clack on't devil!  Eyup Jimmy!   [speak of the devil.]  SOUND    RUNNING FEET JAMES    [gasping and in some pain]  Eyup!  Them brutes come out't snicket, 'ave cart upskelled and auld lass gone, bahn for none can ken, afore aught'n us could raise 'and. [those fellows come out of the bushes and attacked!  Tipped the cart and took the woman before we could react!] FINCH    Good night!  Could smell t beer, sae close to settlin' t' slate, and such 'appens. [Damn!  Just when this was going to settle peacefully, this happens.] JAMES    Canna settle now!  Yon 'eads want thumpin'!  Paid in full.  [too late to make peace! I want to beat some heads!  They deserve it!] FINCH    Dustup does nae good for aught-- [a fight won't do anyone any good] PIKEY    [playing devil's advocate] Nae, lad.  Tha path's neither nowt nor summat.  Time fer muckin out.  Nae room fer them as tek such libertines - to clamber out t' shrubbery and ketch up what's nowt fer them.  [no, lad.  Your way is doing no good.  Time to clean this up.  There's no place for those who would lay in ambush.] SCABBY BILL    Tha's the pot!  Us'm tek'er first!  [You're one to talk!  We took her first] PIKEY    [making his point]  S'truth, do we chance to scutch, mayhap yan or two might fall - and then us left must delve t' more. [Of course, if we fight, if we strike a blow, some of us may die - which leaves the rest of us to work even harder at digging.] MINERS    [mutters]  "s'truth."  "Ba gum."  "It gets right up ma cuff."  "'Arsh, that."  "Toes up o'er grub?  Nae!" JAMES    Us'll clean them clocks!  [we won't lose!] PIKEY    Ne'er seen clock tha could clean. DOC    [loud, trying to get all attention] CALM DOWN! ALL GO QUIET DOC    Bother.  That's about all I got.     FADE LEM    This's how wars get lit. FANSHAW    Who is this woman anyway?  Helen of Troy? LEM    Was she on the stage or sumpin? FANSHAW    [chuckles] no, she was a king's wife who was abducted by another king and a great and glorious war was begun. LEM    Ain't no war great and glorious.  Not till everyone as been there's long dead. FANSHAW    Oh. LEM    How'd they end that war? FANSHAW    [a bit embarrassed] They made a giant wooden horse. LEM    [laughs] I think mebbe you gotta tell me this story later, when we ain't about to have all hell cut loose on us.  [groans, getting up] SOUND    RUSTLING OF CLOTHES, ETC. FANSHAW    Don't--! LEM    Ain't no choice here.  Both them top fellers seem to lissen t'me.  Much as doc's a good man, he don't have the touch. SOUND    DOOR OPENS FANSHAW    Speak of the devil! DOC    Here now!  What are you doing, Mister roberts? LEM    I'm planning on facing them in full gear fer once.  DOC    You are not facing them at all... you know what's happening? LEM    I gotta right good guess.  Since the miners were a-bringing her here, I spect twas the loggers jumped em and done took her.  DOC    I think so. LEM    Hitch up the cart.  We're gonna mosey to the logging camp.     FADE SOUND    OUTSIDE LARS    [commanding] Du! Kock! [You!  "cook"] MRS. BEAMISH    [snide] Ain't never understood one bloomin word out ye mouf, but vat sounds rigth filthy ye cheesehead! LARS    Du kom hit för att laga mat för oss. Du är skyldig en skuld.  [you came here to cook for us.  You owe a debt.]  MRS. BEAMISH    Gah-on.  Say somfing in normal talk.  Ah dare ya. LARS    [to Kjell] Tror du att hon förstår? [Do you think she understands?] ARN    Hon låter lite arg. [She sounds a little angry.] FREDEK    Jag tror att hon låter galen. [I think she sounds insane.] NELS    Sure, it is like standing to the knees in a mire. EZRA    Why's that, Mr. Nels? NELS    You!  Can you do something? EZRA    What should I do? NELS    Get that woman over here.  The one that was calling out. EZRA    Who?  Oh!  [laughs] That's no woman!  That's Mr. Fanshaw. NELS    Well, he sounds like one to me.  Is there anything he can do?     FADE DOC    Brought the wagon round.  Come on then, lemme give you a hand. LEM    You kin carry my kit, if you would. DOC    You need support-- LEM    [definite] No.  Gettin me to the door, that's right fine, but outside, I gotta put the fear o' god in them, best I can.  And being carried round like a cripple sorta puts a bonnet on that. DOC    I'll be right behind you, then.  Just in case. SOUND    FOOTSTEPS MRS. DOC    [slightly defiant] I, on the other hand, could use all the support you care to give. DOC    Irene? MRS. DOC     Not from you, dear.  Mr. Roberts, if you might give me your arm, sir? DOC    Irene! MRS. DOC    I've already got my hat on, husband.  We might as well get moving. DOC    What exactly do you think you are doing, woman? MRS. DOC    [super sweet] Why, I'm accompanying my beloved husband and his patient on a little wagon ride. LEM    [tries not to laugh] DOC    I forbid it! MRS. DOC    [sweetly]  Oh, of course, dear!  If you prefer, I can wait here at home, the home these silly men have already broken into - from both sides, I might add.  Wait until someone decides that the easiest way to get this to end is perhaps to take me hostage, or threaten-- DOC    [losing steam] Oh hush!!  LEM    The lady has a point, doc.  Seein as I still think we gotta a fair chance of stoppin this without none getting hurt, it'ud likely be safer, ma'am, if you were to stay by us. MRS. DOC    Good.  Now take my arm, Mr. Roberts, for goodness sake!  You're swaying like a sapling.     FADE EZRA    Mr. Fanshaw!  [laughs]  Nels says you sound like a lady. FANSHAW    It is just my accent.  The way I talk.  EZRA    You do talk funny. FANSHAW    Can you go and ask Nels if his men understand a white flag of truce? EZRA    What is that? FANSHAW    When men - or even armies - want to talk rather than fight, they will come bearing a white flag. EZRA    Where do they get a white flag? FANSHAW    They just make one.  Please.  It is important that we know.     FADE SOUND    OUTSIDE SOUND    SCUFFLE MINERS    [Arguing]  "More brass'n brains"  "near as makes n'matter" " that's a threp in't steans"  "caffelin' t' 'oil works, am I." SWEDES    [arguing] SOUND    FOOTSTEPS LEM    [sigh]  Shut up! SOUND    STILL FIGHTING LEM     Pardon me ma'am.  Step aside if you please. SOUND    HER STEPS SOUND    GUNSHOT ALL    [go quiet] SOUND    SOMETHING DROPS     Taste of the Beholder [DeK6] EPISODE 6 1_MOVING OUT LEM    You miners.  You... uh... manskers.  Um.  [slowly, with gestures]  We go in cart to your-- OLY    Mig? LEM    Yes, your camp.  You lead us.  SCABBY BILL    [slightly out of breath] Right.  Nowt wait aught mair.  Us'm goin - wi'thee, or nowt. LEM    We's all a-goin.  [to Mrs. Doc] You get on up in the wagon now, ma'am. MRS. DOC    [a bit shaky]  All right.  DOC    [quiet]  Doesn't look like anyone is hurt too bad. LEM    They's all still on their feet. OLY    [slowly, trying to be understood]  detta var inte min idé.  Inte jag.  Jag kommer att tala strängt till dem. [this was not my idea.  Not me.  I will speak sternly to them.] LEM    You lead.  [turns to Scabby Bill]  You follow.  Reckon? SCABBY BILL    Reckon.  FADE 2_GRADY1 SOUND    SOMEONE RUNNING IN PANIC GRADY    [gasping muttered mantra]  Don't slow down, don't slow down.  A log!  Oh sweet Jesus! SOUND    THUMP, SCRAMBLE, SLOW MOVEMENT SOUND    BEHIND HIM, MEN MAN1    Keep heading downhill! MAN2    Brush too thick over there!  This way! GRADY    [barely there prayer] Pity me!  [couple of deep breaths] [sound of exertion] SOUND    RUNNING AGAIN FADE 3_AGREEING SOUND    CART PLODDING DOC    [quietly] That was a foolhardy thing you done back there, Irene.  MRS. DOC    I cannot disagree. DOC    You should never've - what? MRS. DOC     [sweet] I was merely agreeing with you, husband. LEM    [quiet chuckle] DOC    [trying to stay annoyed] But-but you-- [loses it, laughs]  My mother always said you would be a handful. MRS. DOC    I believe mine said something very similar. DOC    About me? MRS. DOC    [laughing] No, about me. LEM    If I was a man to interfere, I might say you're a lucky feller. DOC    I cannot disagree. LEM    Lucky the lady is on your side, if you don't mind me saying so, ma'am. ALL    [laugh]     FADE 4_LOGGING CAMP FREDEK    Många män kommer! [Many men are coming!] LARS    Vi kommer inte ge upp! [We will not surrender!] FREDEK    Detta är inte något att dö för! [This is not something to die for!] ARN    Jag skulle hellre dö än att äta en annan måltid tillagad av dig. [I would rather die than eat another meal cooked by you.] LARS    Jag ser Oly. [I see Oly.] ARN    Han ser arg. [He looks angry.] FREDEK    De måste ha vapen. [They must have guns.] NELS    Nothing worse than to have to sit and listen to them babble. OLY    [off, yelling] Alla ni! Stå vid sidan! [All of you!  Stand aside!] NELS    And cannot do anything when Oly tells them to calm down. LARS    [yelling] Är de hotar dig? [Are they threatening you?] OLY    [off, yelling, pissed off] Du är en idiot! Vi var överens. Då har du stört! Du står åt sidan! [You are an idiot!  We were in accord.  Then you interfered!  You stand aside!] FADE 5_CHUCKIE JAMES    Tha gormless bastard!  Guns or nowt, us could take 'em! [Idiot.  Even with the guns, we could win.] PIKEY    And 'oo ist 'aveta send tha mam word o thy beefing.  Appen I should say 'er son died of 'is own barm, or sweeten tha death wi' claims thee lost fight to a chuckie. [And I will have to write to your mother.  What would you like me to tell her, that you died of being stupid, or that you lost a fight to a chicken?] TED    [sigh]  And us start sommat, it'll nae stop 'ere.  [If we do start something, the fighting will not end here.] FITCH    I dinna feel fer the fight.  Yon stormcloud, 'im seems a fair measure.  [I don't feel like fighting.  That fellow - he seems fair.] PIKEY    Cud gang fer a slurp missen.  [This would be a good time for a drink.] FADE 6_GRADY2 SOUND    RUNNING MAN1 and MAN2    [closer than before] [yelling "Just over that ridge!"  "Get him!" "Yeller bastard!"] GRADY    [gasping and ragged]  Good god above, [gasp] please, [gasp] send me into a river.  Anything.  [gasp] Just to get me [gasp] get me away... FADE 7_CART SOUND    HORSES.  CART NOT MOVING. DOC    [whispered]  Irene, I prefer strongly that you remain in the cart.  MRS. DOC    As always, I defer to your wisdom, dear husband. DOC    [rueful laugh] Hah.  Good. SOUND    HE CLIMBS DOWN MRS. DOC    I'll also keep a close eye on the shotgun. DOC    The what? LEM    I'll leave my satchel here as well, if you please, ma'am. MRS. DOC    Happy to be useful.  [like speaking to kids] You two go on now and make peace. FADE 8_OLY KOMMER FREDEK    Oly! De kommer! [Oly!  They are coming!] OLY    Var inte dum. De är redan här. [Do not be stupid.  They are already here.] FREDEK    Fler män! Bakom åsen! [More men!  Behind the ridge!] NELS    Sure I do not think those fellows are of these men.  EZRA    More fighting? FANSHAW    And this must be Nels. NELS    And you must be from England. FANSHAW    Why, yes.  Though I do not sound much like my "countrymen" down there. NELS    Nay.  You sound like most Britishers. FANSHAW    I suppose I do. NELS    Just like a woman. FANSHAW    I do not! EZRA    You do a bit. FANSHAW    [grinding out, trying to change the subject] You said something about more men? NELS    Sure, over the ridge.  Quite a ways off.  I can barely get close enough to see, but they are traveling fast, for men on foot. FANSHAW    We'll have to keep an eye out for them, though I am quite certain that all the men I've seen - on either side - are here. EZRA    Mister Fanshaw? NELS    All of my men are here.  Even those with a head full of porridge. FANSHAW    That's a blessing anyway. EZRA    Mister Fanshaw! FANSHAW    I am so sorry, Ezra.  I was lost in thought.  EZRA    You want I should go and look at the men a-coming? FANSHAW    They sound like they're rather far off. EZRA    I can go real far off. FANSHAW    [interested] Really.  Very well.  You'll go and see how many there are? EZRA    I'll find out everything for ya. FANSHAW    I wonder just how far "real far" is. FADE 9_teh dam SOUND    CROWD RUMBLE, BUT NO TALKING SOUND    LEM'S SLOW FOOTSTEPS LEM    Um, [to Oly] Dam? OLY    Ta kvinnan här! [Bring the woman out here!] LARS    [grumbling] Vi var bara försökte hjälpa [We were only trying to help] OLY    Go! [Go!] NELS    If they wanted to help so bad, sure, why did they never make the time for to learn some words? FANSHAW    Always much easier to see mistakes when it is too late. NELS    Ya. SOUND    DOOR OPENS, LARS AND MRS. BEAMISH COME OUT FANSHAW    This?  This is the woman all the trouble has been over?  She's ...hardly what I expected. LEM    Ma'am.  They's been quite a ruckus over you. BEAMISH    Oh, Luvly.  Anuvver what don't speak the Queen's English. LEM    I guess I speak American, then.  But I hazard you understand me fine. BEAMISH    [begrudging] I kin mike yer out. LEM    That's good.  Now these fellers, they have some claim to you? NELS    Sure, she owes us five years service. BEAMISH    [grudgingly admitting] Aye... They do. LEM    Five years.  Legal. BEAMISH    [annoyed sigh] Aye. DOC    [whispered] How'd you get that? LEM    [whispered] Guessed.  Standard indenture. DOC    Ah! BEAMISH    [whining a bit] But I can't unnerstand a bleeding word outtav'em! FANSHAW    I say, Nels, you paid for that?  Under all that veiling, she sounds rather... old. NELS    What do you expect in a cook?  Sure we don't have to look at her while we eat. FANSHAW    A cook!  Good gad! LEM    But you had no trouble doing the work they put you to? BEAMISH    Good plain cooking.  Even such as they musta liked it, for I dessay they never let a plate go cold. DOC    Cooking?  They're willing to fight over a cook? LEM    I reckon with a wife like your good missus, you've never had to eat day-old burnt scratch.  DOC    Well... MRS. DOC    [calling from off, excited] Husband? LEM    Go on. DOC    [walking off] Yes, dear? FADE 10_grady hides SOUND    MEN SLOWLY SEARCHING SOUND    BREATHING, IN A TIGHT SPACE GRADY    [trying to quiet his breathing] EZRA    That's a lot of men to send out fer one fella.  You must be a bad man. GRADY    [whispered]  Someone up there, please help me! MAN1    I think I heard something! FADE 11_shares LEM    [whispered, to fanshaw]  Ask Nels the word for "share". FANSHAW    You're thinking to split the baby again. LEM    Amazing how many problems boil down to something that simple. DOC    Lem?  We - my wife and I - might have a congenial answer for all this fuss. LEM    Do tell. DOC    Well, Mrs. - uh - Beamish, is it? BEAMISH    Beamish.  Aye. DOC    My good lady wife suggested I extend an invitation for you to stay with us. BEAMISH    Where's 'at, then? DOC    Our house.  It's rather in the middle of all this.  BEAMISH    Won't say no to sleepin in proper 'ouse.  Not them shanties. DOC    [a bit slowly, trying to make it understandable to all]  You stay our house-- SOUND    [rumble of muttering on both sides] DOC    Cook.  Cook a lot. BEAMISH      I dearly 'ope you're tryin'a talk t'them, cos I ain't that bleeding thick. DOC    They are the ones who need to agree. BEAMISH    Go'ahn then. DOC    [to miners] You come. Eat. [to loggers] You.  Eat. LEM    [quiet] Eat?  Nels? NELS    [Eat] ata LEM    Thankee.  [up, to doc] "ata" DOC    Oh?  All right.  You.  Come to house.  "ata". LARS    [annoyed] Jag tror att han säger att hon ska laga för honom. [I think he is saying she will cook for him.] NELS    Sure, they do not want to give her over to the doctor either.  He has a wife to cook for him. OLY    Nej, säger han vi äter, också.  Tror jag. [No, he says we eat, also.  I think.] FANSHAW    No, no.  He's trying to say that the woman will be in the middle, and both sides can come and eat in peace.  No more fighting. NELS    Tell them ["You eat too"]  du äter för. FANSHAW    Lem?  Did you-- LEM    Doo ah-ter fore. OLY    Ya.  Mycket bra. [Yes. very good] LEM    And you all? PIKEY    Nae more tae eat bab out Bill?  [snort] I don't gi' a chuff where's hersen rest.  [No more eating the shit Bill cooks?  I don't care where she stays.] TED    'Appen 'at's a relief! [That's for sure!] JAMES    Eh, by gum. SCABBY BILL    Ere, now! PIKEY    Tha noz thee's no' called Scabby fer Nowt.  [You know they don't call you scabby for nothing.] LEM    Good.  DOC    Nice to know that people can be peaceable, even-- SOUND    GUNSHOTS, DISTANT LEM    Damn! ALL    [reactions!  Gasps, expletives] "Hellfire!" "Wha's't faff?" "flipping 'eck!" EZRA    Mister Fanshaw?  I think they's heading this way.     Taste of the Beholder [DeK6] EPISODE 7 MUSIC SCENE 1.    AMB    OUTSIDE LEM    [urgent, but even voice] Doc, I fancy it's time you take the ladies back to that fine house of your'n. DOC    But I can help-- LEM    [more forceful] BY taking THEM to safety.  If we's needin you atall, it's like to be after the battle.  SOUND    GUNSHOTS, DISTANT MRS. DOC    [off, a bit worried] Husband? LEM    Mrs. Beamish, you go on now with these good folk.  We got some rough work ahead of us. MRS. BEAMISH    Ain't never been one to run, but finking feedin th'lads come vict'ry's more my place. SOUND    SHE WALKS TO WAGON DOC    [quiet, but knowing it will do no good] You should come with us. LEM    And hosses should lay eggs. [chuckles]  I'll stay still as I can.  But I'm the king pin yokin these fellers one side t'other.  Go on now.  [up] Ma'am, if you could hand me down my sack?  I might find myself in need of a few more shells. MRS. DOC    Here you go.  [very concerned] You make sure and look after yourself, you hear?  My husband put a lot of work into you. DOC    [amused but still worried]  You heard her - and you know how ornery she can be. LEM    I reckon I do. DOC     [confidential] You fire three shots in the air, all at once, and I'll be back lickety-split with the shotgun. LEM    Preciate it. SOUND    DOC WALKS OFF SCENE 2.    LEM    [slight groan]  Quickly - You, Bill.  You, Oly. SCABBY BILL    Right. OLY    Ja? SOUND    SCRATCHING IN THE DIRT LEM    [talking while drawing terrain and pointing at things]  Sun.  There.  Hill. There.  Ja? OLY    Ja.  Bäck. Ge. [stream.  Give.] LEM    Take it. SOUND    MORE SCRATCHING SCABBY BILL    Thass river? OLY    Bäck. [stream] LEM    Close enough I think.  Bill, can y'all circle round here, over to the left, with yer fellas, and come up alongside?  They got guns and you don't, so I suggest comin on 'em from hidin. SCABBY BILL    Us'm? LEM    Course, it ain't yer fight, but-- SCABBY BILL    Nay problem, lad.  Lads're pantin' fer a good donnybrook.  [shrug] Canna beat on't Swedes, them ticks'll haveta play the Judy. LEM    All righty then, sounds like yer all in.  Go on.  Get ye some stout branches and knock em down, but try not t'kill em.  SCABBY BILL    Why them tea party manners? LEM    In case they ain't the villians here. SCABBY BILL    Ah.  Right.  We're bahn. SOUND    WALKS OFF SCABBY BILL    [off, calling] Ayup lads!  There'll be cracked pates afore sundown, I'll be bahn! LEM    Now for the tricky one. OLY    Du vill att vi ska åka på detta sätt. Runt den andra sidan. Och angrepp från bakhåll? [You want us to go this way.  Around the other side.  And attack from ambush?] NELS    He says do you want our men to go around the other way and attack from ambush as well? LEM    [startled laugh]  Oly, old son, we'll get you tricked up with English talkin yet. OLY    vad är det?  [What is that?] LEM    Later. After dust settles. NELS    Tell him "senare" [Later] LEM    Senare OLY    Ja.  Bakhåll?  Ja?  [Ambush] NELS    [translating] Attack from behind. LEM    Ya.  Go on. OLY    [going off] komma mäniskor! Dags att slå några huvuden! [come on men!  Time to beat some heads!] LEM    [heavy sigh, slight groan] FANSHAW    Lem? LEM    [quiet]  I'm alright.  I'm alright.  Just tuckered out.  Ain't nothin better for fellers like these, but to fight together 'gainst some other varmints.  Think this will end it once and fer all. FANSHAW    I certainly hope so.  LONG MUSIC SCENE 3.    AMB    NIGHT, CAMPFIRE ON LEFT OLY    [clearly storytelling] Vi reste snabbt och tyst. Då vi hörde dem. Arn gömde sig bakom ett träd. Lars var under en fallen stock. [We traveled fast and quiet.  Then we heard them.  Arn hid behind a tree.  Lars was beneath a fallen log.] ARN    Hah!  Bra att vara kort, eh, Lars? [Hah!  Good to be short, eh, Lars?] LARS    Bah! SWEDES     [general laughter] OLY    Vi ser tre kommer! En lång en i en hatt och två andra.  Gräslig. Cruel söker. De rör sig långsamt, letar efter något-- [We see three coming!  A tall one in a hat and two others.  Ugly.  Cruel looking.  They move slowly, looking for something--] MUSIC WIPE ACROSS THE SOUNDSCAPE SCENE 4.    AMB    CAMPFIRE ON RIGHT SCABBY BILL    Nowt but three up't front, but us cud 'ear more clamberin in't lee.  PIKEY    [bragging]  Like scratch hisself in't garden, I were oop on deadfall like bird in't nest.  Thass nowt ne surer as none'll raise them eyen. [I'd crawled like snake up along a fallen trunk, like a bird in a nest.  And no one ever looks up] SCABBY BILL    Aye, lad.  Ain't soul in t' world cud suss windy sot might drop out of clear blue ont' im's pate. [I'll give you that.  No one expects a flatulant drunk to fall out of the sky on his head.] MINERS    [general laughter] PIKEY    [correcting him haughtily] Nay, nay.  Windy sot wieldin' t' grandest thump 'im ever see'd. [A flatulant drunk with a great big stick, I remind you!] MINERS    [more laughter] MUSIC WIPE SCENE 5.    AMB    CAMPFIRE ON LEFT OLY    Att en - med skriande skratt - var upp i ett träd. Jag fruktade för dig som han tappade på toppen av. [That one - with the braying laugh - was up a tree.  I feared for anyone he dropped atop of.] ARN    Åtminstone var det inte oss! [At least it wasn't us!] SWEDES    [general laughter] OLY    Han vinkade till mig. Då pekade förbi männen. Sedan lyfte han två händer fingrar. Många män skulle komma! [He waved to me.  Then pointed past the men.  Then he raised two hands of fingers.  Many men were coming!] FANSHAW    It sounds like a fascinating story.  I wish I could understand a word of it. NELS    He was saying that the noisy fellow-- FANSHAW    Aren't they all rather noisy? NELS    [laughs]  THAT one - got above.  High up.  Counted the men coming behind.  Showed him fingers for the count. FANSHAW    Accord without a single word.  Lovely. MUSIC WIPE SCENE 6.    AMB    CAMPFIRE ON RIGHT FITCH    Beyond tha' ken, Bill, our Pikey gives the wrist to yon tall tallow hair. [girlish noise] Ooooh!  Tis in ma mind him's a sight too long wi'out a damp scuffle. [But what YOU didn't see, Bill, was Pikey making obscene hand gestures across to the tall blonde fellow.  I think he's been alone too long.] SOUND    SLIGHT SCUFFLE - FRIENDLY SMACK PIKEY    Dinna fash.  Tha'd be first choice, fitchy m'lad.  Smack afore yows and kine.  Past that, mayhaps Swede.  Blondes ain't nivver turned ma top. [kiss kiss noise]  [You'd be my first choice, Fitch, right before ewes and cows.  I have never been fond of blondes.]  FITCH    [teasing] Ooh-ah.  Get a good scrub on thee aught often, afore thee clack.   [Bathe.  Then we'll talk.] MINERS    [general laughter] SCABBY BILL    Right.  'oo's keeping a tally?  [jokingly making a list] Needed f'r camp - butter, shot, tobacy, loose females. [Right.  Someone make a list of things we need for the camp.  Start with some loose women.] MINERS    [hysterical laughter] MUSIC SCENE 7.    AMB    CAMPFIRE ON LEFT OLY    De var fortfarande ute. Kanske för en person. Kanske för ett djur. Något som kunde dölja sig. Vi sprider vidare bakom dem, lugn och vaksam. [They were still looking.  Maybe for a person.  Maybe for an animal.  Something that could hide itself.  We spread further behind them, quiet and watchful.] LARS    Jag var längst.  När den sista passerade, jag slog ner honom snabbt.  [hit noise] [I was furthest.  When the last passed by, I hit him down quickly.] SWEDES    [approving mumble] MUSIC WIPE SCENE 8.    AMB    CAMPFIRE ON RIGHT SOUND    WAGON SLOWLY MOVING IN FROM A DISTANCE PIKEY    Afore mine eyen, them axes circle up the jacksey, and I knew us'd ne'er let it be said us'd come up short in t' tally! [I saw them blonde fellers moving behind.  I knew we'd never want to lag behind.] SCABBY BILL    No.  So... Pikey made t' shrill-- SOUND    SHARP WHISTLE SCABBY BILL    [reacts in pain] NOWT up ma lug!  [angry sigh] Wi' a cry t' lads pounced! [Not in my ear!  And we attacked] FITCH    Like yoked set of dannys, us come right side, cack side!  And them'us jiggered like clemmy shale.  [Like a pair of hands, we came from right and left.  They broke like lose rock.] MUSIC WIPE SCENE 9.    AMB    LEFT CAMPFIRE OLY    Var och en föll. Slås ner av våra modiga händer. Eller våra vänner händer. [Every one fell.  Struck down by our brave hands.  Or our friends' hands.  [raising his voice]] ALL GOOD! SCABBY BILL    [off] I hears that!  [yelling back] Ayup lads?  ALL GOOD! SWEDES and MINERS [not very much in unison- just loud] ALL GOOD! DOC    [off] Ho there!  Sounds like it's safe to approach? MUSIC SCENE 10.    AMB    INSIDE SOUND    [OUTSIDE] THE MEN YELLING AND LAUGHING FANSHAW    Lem? LEM    [rousing from half sleep]  Yup?  Sounds like peace at last. FANSHAW    And the doctor just arrived.  [chuckles] With a kettle of something hearty, and some lovely- LEM    Biscuits?  [chuckles] FANSHAW    [chuckles too]  He'll be in here in a moment, I'm sure.  [beat]  The men - both factions - were rather impressive.  Possibly less impressive than the tales they're telling at the moment, but they did very well. LEM    Who was it they's up against? FANSHAW    Looks like outlaws.  Chasing a fugitive. LEM    And the feller they'us after? FANSHAW    [sigh]  He was already ... done for.  Gone. LEM    [sigh]  The Doc's spare room is looking like heaven just about now. DOC    [outside]  Mister Roberts? LEM    [a bit weaker] In here! LONG MUSIC SCENE 11.    AMB    DOC'S HOUSE DOC    I will not hear of you leaving that bed for at least a week, Mister Roberts.  MRS. DOC    [from off]  Don't you get it into your head that you'll be able to sweet-talk your way past me neither. LEM    I got no plans to budge aught farther than the broth and biscuits require to reach my mouth. DOC    Good. MUSIC SCENE 12.    AMB    DOC'S HOUSE LEM    Alone? FANSHAW    They're all in the kitchen, yes.  From the smells, that Beamish woman is very nearly as accomplished in the kitchen as our lady hostess, despite her lack of - ahem - refinement.  They have set the men to building a sort of cookhouse.  Just an annex big enough for her to serve out of.  The doctor's wife objected, you see, to having all these men troop through the house at mealtimes. LEM    Cain't say that I blame her.  Catch me up a bit? FANSHAW    They say the way to man's heart is through his stomach - and we now have clear evidence this works for groups of men as well as it works on individuals.  They've all become the best of chums.  And those Swedish follows are learning English, bit by bit. LEM    One more victory for-- FANSHAW    Civilization? LEM    [down]  I was gonna say salvation.  Had a might too much time to ponder my past while I been laid up here. FANSHAW    I shan't pry, but you know I will gladly listen to anything you feel the need to unburden yourself of. LEM    Thankee kindly, but my burden is my own. FANSHAW    Well.  When you are up to visting, We should make a trip to speak to the fellow who was being chased by the outlaws. LEM    Where ARE they, anyway? FANSHAW    Several of the men took them down a flatboat on the river to the next landing.  Haven't made the return yet - I gather it takes a few days. LEM    Mm.  Good. FANSHAW    But, you see... this fellow was ...killed a bit further out than I can reach.  It's very frustrating.  Ezra, though... LEM    Oh, yup - this Ezra you been talking about?  How come I ain't seen him, never? FANSHAW    I don't know.  He's a child.  A spirit.  Who prefers to think of himself an angel.  I rather think he's been here quite a long time.  And Lem... LEM    Yup? FANSHAW    I-I feel quite dreadful about this, but - you understand, I have been endeavoring to find some way to help him pass on.  But there's this--- LEM    Spit it out and let's see what color it is. FANSHAW    Ezra can go just about anywhere within the entire valley.  That is rather a long distance.  He seems to have very few of the limitations that I find myself so hampered by.  I don't understand it one bit, and I have this - notion - to try and figure out why.  Before I help him find his way onward. LEM    Guess it's a good thing I'm laid up, then, ain't it?    

What kind of book do people ask for most often in prison? Romance Novels? No. The Bible? No. The most requested books by far are . . . dictionaries! A number of volunteer organizations gather and distribute used dictionaries to help inmates with reading, writing, and schoolwork. Plus: For some low-tech family fun, how about egg-tapping? Traditionally played after an Easter egg hunt, the game involves smacking a hard-boiled egg against an opponent's The person who ends up with an uncracked egg wins. And: Just how common is it to give a goofy name to a household appliance? Even your garbage disposal might get a moniker! Also, chelidon, knock the stink off, pony keg, pineapple posture, sprunny, wash-ashores, trailblazer, a punny puzzle about song titles, a Norwegian idiom that means "empty-headed," and a bagpipe serenade. Dinna fash! Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/contact. Be a part of the show: call 1 (877) 929-9673 toll-free in the United States and Canada; worldwide, call or text/SMS +1 (619) 800-4443. Email words@waywordradio.org. Twitter @wayword. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Da jeg mødte Dinna Iben Arbo online for første gang, så tænkte jeg, at hun var lige så sprudlende som den champagne, hun sælger på abonnement. Det er hun også. Men på en helt anden måde. Ikke på den måde, hvor hun fylder meget. Faktisk er hun meget mere ligesom mig. Hun foretrækker køkkenfesten, når der er netværksmøder, og egentlig vil hun hellere nørde bag sin computerskærm end at trykke hænder og præsentere sig.Vi taler i denne episode om, hvor vigtigt netværk skulle vise sig at være - og hvordan Dinna lærte sig selv at være "på". Vi taler også om, hvor vigtigt det er at prioritere netværket, især når man tror, man ikke har tid. Og så taler vi om - og det her er vigtigt - bagsiden af medaljen. Dinna og hendes mand har vundet flotte priser og stor anerkendelse for deres abonnementsforretning, som er eksploderet under pandemien. Men successen har også en pris, og det, synes Dinna, er vigtigt at dele med netværket også. Det kunne ikke passe bedre end at udgive årets sidste afsnit d. 31. december med Dinna Arbo. Lyt med!

Du möchtest dazu beitragen, dass Organisationen widerstandsfähiger gegen Cyberangriffe werden und findest die Möglichkeiten im Bereich Cyber Security mit Schwerpunkt Banken oder Versicherungen spannend? Als Teil unseres Cyber Security-Teams sorgst du dafür, dass unsere Mandant:innen und ihre Informationen sowie ihre IT umfassend geschützt sind. Erfahre mehr im EY Joblight mit Dinna! Viel Spaß beim Zuhören!   Hier findest du die dazugehörige Stellenausschreibung, um dich direkt zu bewerben: Senior Consultant Cyber Security mit Schwerpunkt Banken oder Versicherungen - Consulting (w/m/d). Solltest du noch offene Fragen zur Position haben, vernetze dich gerne direkt mit Dinna.

Welcome back for another episode of The Sassenach Files. This week I'm chatting 413: “Man of Worth”. Join me as I talk about my thoughts on Murtagh and Jocasta's relationship, Ian's journey to manhood, and the phenomena of Ottertooth's ghost. I also take a good portion of the episode to discuss the confrontation between Jamie and Roger, and how, for once, I'm not on Jamie's side. There were also a few things missing from this episode that I lament the loss of as well, so dust off your earbuds, and pull up a chair as I break down all the juicy details of Outlander's Season Four finale!

Military brought in to help with Covid jabs/Dinna be alarmed, but venomous spiders are on the increase!/Rail industry asks us to "get back on track"/Dangers of body image in sport/Walter Smith a hard man who also had warmth says Richard Gordon...all get a wee mention in today's Doric Express

Dinna Iben Arboer founder og CEO i Champagnekassen. Hun har sammen med sin mand skabt en abonnementsløsning, hvor de sender champagne ud til medlemmer på månedlig basis. I dette afsnit af Iværksætterhistorier fortæller Dinna om hvordan hun blev iværksætter ved et tilfælde og om hvordan hun har skabt en virksomhed, der har succes uden at anvende så meget som en krone på markedsføring. Hun fortæller også om hvordan de måtte google sig frem til hvordan man fik et CVR nummer og hvordan man forholder sig til at have en virksomhed hvor man ikke kan tage flere abonnenter ind.   Dette er Dinnas iværksætterhistorie. Hør mere i vores podcast. Produceret af Podtribe media. Episoden er bragt sammen med vores kunde Nemlig.com Hvis du vil støtte vores lille medie, så kan du gøre det her på Patreon. Iværksætter ved et tilfælde For Dinna og manden Michael er spontanitet og handlekraft udpræget. Champagnekassen blev stiftet ved lidt af et tilfælde. Dinna og Michael var på en rejse til Frankrig, hvor de besøgte store champagnehuse og små champagnebønder. Med sig hjem fra denne rejse havde de champagne i hele bagagerummet, som de delte med venner og familie. De modtog positiv feedback hvilket gav parret lyst til at prøve det af som en virksomhed. En tirsdag aften kiggede ægteparret på hinanden og besluttede sig for at oprette et CVR nummer. Da hverken Dinna eller Michael har en iværksætter baggrund måtte de en tur på google for at finde ud af hvordan man greb en sådan oprettelse an. Det lykkedes, og Michael startede bilen og kørte til Frankrig, hvor han fyldte bagagerummet med champagne endnu engang. Han ringede til bankrådgiveren på vejen og meddelte at de hævede opsparingen, der ellers var afsat til ny vaskemaskine og tørretumbler. Under hans rejse oprettede Dinna en Facebookside og begyndte at poste om hans tur rundt mellem små champagnebønder. Hurtigt opstod der en interesse baseret på organisk reach på de sociale medier og 3 timer efter at Michael var landet i Danmark var han booket til første champagnesmagning nogensinde. Champagnesmagning tubberware style Champagnesmagninger i private hjem blev startskuddet til forretningen. Senere skabte de selve konceptet omkring abonnementsløsningen med en champagnekasse. De havde håbet på 50 medlemmer på den første måned, men salget gik over forventning og de fik 126 medlemmer. Michael kørte ud og afleverede en stor del af kasserne personligt. Det gav positiv goodwill at han kom med kassen og præsenterede indholdet og virksomheden. Kundeintimiteten og nærheden har gjort at de har mange medlemmer der har været med fra start. Deres DNA er at man ikke blot køber en vare, men en oplevelse. Med i den oplevelse er kundeintimiteten.  De har desuden skabt en vidensbank – her deler de ud af deres store viden om alt fra hvordan skal man åbne en flaske korrekt, de rette temperaturer og andre tips og tricks. De mener at viden gør champagne til alle mands eje og det er en del af deres strategi.  Ramt af succes med 0 kr. i marketing Champagnekassen blev startet som en hobby og en passion, som blev til en virksomhed. De startede i 2017 og herefter er det gået stærkt. I 2018 gik Michael fuld tid og i marts 2020 – samme måned som Danmark lukkede ned med corona, fulgte Dinna med og sagde sit job op. ”Det var ikke en særlig planlagt beslutning. Vi var på en ferie i februar og så er vi jo spontane. Vi vælter en væg en tirsdag aften og skaffer et CVR nummer meget spontant. Så det var på den her ferie hvor Michael sagde; hvorfor siger du ikke bare dit job op og så prøver vi det her. Så det var ikke noget vi havde gået og kalkuleret med eller lagt budgetter for hvordan vi gør. Det var en ligeså spontan beslutning som alt det andet vi har gjort. Så det var en mavepuster og jeg startede med at tænke at det er det dummeste jeg har gjort i hele mit liv nu hvor alt lukker ned og hvor risikoen og så kæmpe stor ved det her.”  Champagnekassen var en fin forretning i marts 2020, men da Danmark lukkede ned grundet corona ændrede forbrugerens købsadfærd sig. Corona nedlukningen gjorde at forretningen eksploderede, da forbrugeren ikke længere kunne komme ud i byen, men ønskede at bringe hverdagsluksus hjem.   Dinna og Michael havde anvendt 0 kroner i markedsføring indtil marts 2020. I marts begyndte de at lave AdWords og dermed nåede de ud til flere, da det ikke kun var betinget af organisk eksponering. De vækstede helt vanvittigt fra den ene dag til den anden og måtte ansætte medarbejdere og flytte lager hjemmefra egen bolig og ud til et rigtigt lager. Efter 9 måneder måtte de igen flytte til et endnu større lager. Nej til flere abonnenter Parrets plan har aldrig været at bygge en stor forretning, så de har sat et max på at de højest vil have 2.100 abonnenter. Dette har de gjort af respekt for champagnebønderne og konceptet. Nogle af bønderne køber de et helt årsværk fra – altså alt hvad de producerer på et år og disse ville de blive tvunget til at udelukke hvis kvantiteterne blev højere. De har i dag 2.100 medlemmer, så nye medlemmer kan først komme ind når nogle andre melder sig ud. På trods af at Champagnekassen har besluttet ikke at have flere abonnenter står udviklingen dog langt fra stille i virksomheden. Næste skridt for Champagnekassen er ”Champagnekassen Business”. Konceptet er udviklet for at få champagne ud i virksomheder. Derudover skal Champagnekassen videre til version 2.0 og de har derfor omdannet virksomheden fra iværksætter virksomhed til et A/S. Dertil har de fået en professionel bestyrelse – eller som Dinna udtrykker det ”en voksen man kan ringe til” når der er behov for erfaringer at trække på eller profiler der kan give sparring.   Alt dette og meget mere taler vært Mark Anthony og gæst Dinna Iben Arbo om i dette afsnit af Iværksætterhistorier.    See omnystudio.com/listener for privacy information.

Eve Eurydice speaks with Dinna Alexanyan. A man needs to go to a woman to have children. A man needs to Own exclusive rights to a womb. That's the real reason for the Patriarchy. The primal Reason for Marriage & Monogamy. We eliminated that reason long ago with DNA and paternity tests. We are going through the rituals of marriage and monogamy but the Meaning and the Necessity is absent. The Real Justification is Missing. It's a Cultural Lie. The old Need for Marriage for the Perpetuation of Species is no longer. It's a primordial Habit. It's a Bad Habit we can Break. We have legally and scientifically separated Sex and Love from procreation. It's a legal & scientific fact, but it's not a social & moral fact yet. Socially we are lagging far behind our own science. We must update our mores and conventions. In Patriarchy, we understand Relationship as Ownership. Because our knowledge of it all starts with man seeking an exclusive ownership of the womb. And man's urge gets mirrored back by women in love. We now conflate possession, esp. monetary possession, with love. We understand love as ownership, and love choice as risk ratio (the more you're willing to risk, the more you show your love). Monogamy is procreatively obsolete but in our Patriarchy, love is driven by who's the highest bidder. If we want true love, we must get the Government Out of Marriage. In place of Marriage, a couple can Come up with a public Marrying (& need be an advance Unmarrying) Ritual. If society takes the $ & perks out of Marriage, and if neither partner will lose the children, the property, the inheritance if they separate, if neither partner gets punished, if there's a preexisting legal agreement in case of an uncoupling, only then can a coupling begin to be authentic and not enforced and transactional. ⚡️ Dinna Alexanyan is a licensed Psychotherapist, Theta Healer, teacher, Mediator, ordained Minister with a private practice of over 18 years serving clients nationally and internationally clients coping with trauma. Dinna is the Founder and Director of Sybarite Productions, a nonprofit organization committed to the mentoring and employment of youth in the arts, while teaching the importance of mental, physical and spiritual wellbeing, including its infamous, 15+ year running, quarterly music, dance, film and art festival event - LOVEisLOVE Miami 10/16/21 and LOVEisLOVE WORLDWIDE. @sybariteproductions⚡️ For more Speak Sex, go to https://Speaksexpodcast.com ⚡️ For books, art, go to https://Eurydice.net ⚡️ For Apple podcast, subscribe to https://podcasts.apple.com/us/podcast/speak-sex-with-eve/id1448261953 ⚡️For video episodes, subscribe to https://YouTube.com/SpeakSexwithEveEurydice ⚡️ For support, go to https://anchor.fm/speaksex/support ⚡️ #speaksex #eveEurydice #Eurydice @eveeurydice --- Send in a voice message: https://anchor.fm/speaksex/message

Reissue of one of 19 Nocturne's earliest episodes (from October 2008). Includes notes from Julie about the history and making of 19 Nocturne Boulevard.  (transcript below cast list) THE THRICE TOLLED BELL (TW:  Insensitive archaic references and representations of people who might be in a "sanitarium".) An homage to classic Hammer films. Cast List Dracula - Bryan Hendrickson Van Helsing - Rick Lewis Wallace - Gene Thorkildsen Dr. Pettigrew -      Michael Faigenblum Miranda Locksley -      Rhys Torres-Miller Dr. Trevalian -      Mathias Rebne-Morgan Mrs. Farge - Molly Tollefson Gorvi - Joel Harvey Britt - Julie Hoverson Nurse - Krystal Baker MUSIC All works composed by Harlan Glotzer (© 2008) [BMI] {harglo@gmail.com} Concertina - Harlan Glotzer Violoncello - Rachael Beaver & Tracy Hagen Toy Piano - Dana Wen & Roger Nelson Clavichord - Dana Wen     Toy-Box Trio (http://www.myspace.cpm/toyboxtrio) toyboxtrio@gmail.com Voices recorded with the assistance of Ryan Hirst of Neohoodoo Studio Editing and Sound:   Julie Hoverson Assistant Director:  Reynaud LeBoeuf 19 Nocturne Theme Music:  Kevin MacLeod     (Incompetech.com) Cover Photo:   Vickie Mathews              (courtesy of Stock Xchange.com) "What kind of a place is it? Why it's an Edwardian insane asylum, can't you tell?" __________________________________________________ THE THRICE TOLLED BELL intro   This was one of the first ten episodes of 19 Nocturne Boulevard that I made and put out, back in late 2008.  I can't recall, specifically, what order I made them in. I've mentioned previously that Brokensea audio hosted a new spooky episode every day in October for a big spooky month event, and several of my first batch of episodes debuted during that event. But this episode, in particular, is literally attributable to Bill Hollweg, the master of disaster of Brokensea, he who will ever be missed.  In the couple of months leading up to the October event, he posted a challenge to all comers, to write him a script with the following parameters: It must be in the style of a Hammer Studios Dracula film (the 1960s-70s classics that starred the mesmerizing Christopher Lee); It may only include Dracula and Van Helsing (no other Hammer standard characters or monsters); and It must include a broken bell, a wooden leg, and use the line "It's never done that before!" ...To the best of my memory, anyway. So I sat down and wrote The Thrice Tolled Bell, but then didn't want to give the script up to anyone else!  I don't recall if he had any other entries, but Bill took it all with a roaring laugh and loved what I made. I loved including the stock types of characters - the lunkheaded servant; the straight-laced housekeeper; and the sexy chick played by (in this case) my best Britt Eckland voice.  I even snuck in an obviously semi-nude scene, just because I could, and it fit the genre. This was also my first attempt at commissioning music, since for once I couldn't find *quite* what I wanted among the massive catalog (even back then) of Kevin MacLeod of Incompetech.com, who I can never thank enough for what he makes available for beginning and not for profit storytellers of all kinds.  I don't recall much of the process, but I got one piece of music that I used bits of throughout and it was quite effective. When I was casting this piece, I still had a limited pool to draw from, since I was trying to stay local and work mainly with people I could actually direct in the studio.  One of my actors, Beverly Poole, was still in high school, and the doctors in this piece were some of her classmates.  But I needed the right voice for Mrs. Farge, the irascible housekeeper. I was still seeking when I went to Beverly's school play Twelfth Night (which did a lot of gender cross casting, and Beverly played Malvolio to extreme hilarity), and the voice of Fabian (pretty sure that was the role) struck me and after the play I caught up with Beverly and shouted (well, not shouted, but it was excited and urgent) "Bring me that voice!" and Molly Tollefson was recruited, accent and all. I've never cared much for auditions.  Either doing them or holding them.  It's just me.  I'd always rather grab an actor I've heard, or recruit someone from a show I like than have to evaluate from a bunch of recorded voices.  Plus, I hate being "mean" and having to turn everyone else down. ____________________________________________________ SCRIPT THE THRICE TOLLED BELL (an homage to Hammer Studio horror films)   TW:  disrespectful references to sanitarium patients and a "halfwit" character, in keeping with the time the script is set as well as the general character types of the Hammer Films franchise.  ...also nudity.   Cast (All various British accents except Dracula): Dracula (M), immortal vampire Van Helsing (M), Vampire Hunter Dr. Michael Pettigrew (20s/M), new head of the asylum Miranda Locksley(20s/F), Pettigrew's nurse/fiancée Mrs. Farge (30s/F), housekeeper Gorvi (30s/M), trustee Wallace (40s/M), cheery orderly Dr. Trevalien (40s/M), rival Britt Mecklin (20s/F), hapless blonde Nurse (F any) OLIVIA      What do you mean, what kind of a place is it?  Why, it's an Edwardian asylum, can't you tell?  MUSIC SOUND      HEAVY DOOR CRASHES SHUT SOUND     FOOTSTEPS - ONE SET LIMPS ODDLY WALLACE     Right through here - sir, miss.  Now this is one of the saddest cases we have, sir, truth be told.  Once he was the finest psychiatric mind in Europe - perhaps even the world.  MICHAEL     Always tragic when a good mind snaps.  The same fire that feeds genius also devours and leaves madness in its wake. WALLACE     Yessir. MIRANDA     What sort of madness does he suffer from? WALLACE     Miss?  I dunno that I should-- MICHAEL     Go ahead, Wallace.  Miss Locksley is not merely my fiancée, but a very competent and highly trained psychiatric nurse.  We will be working in tandem to try and bring my late father's asylum into the 20th century. MIRANDA     [sadly] From what I've seen, it will take quite some doing. WALLACE     [stiff] Sir, I dunno 'bout that, but your father was a very good and brilliant man - though the last ten years or so, since your mother died, begging your pardon, sir, he seemed to lose interest in everything. MICHAEL     Did he - not even treat the patients? WALLACE      He left much of that in the hands of Dr. Trevalian.  MICHAEL     Why did he not send for me?  I could have spent my residency here instead of in Budapest.  I could certainly have learned as much from father as I did from Dr. Bulovic! WALLACE     Sir, if you don't mind me speaking above me place, I think your father - well, he didn't want you to see him... like that. MICHAEL     But I might have been able to help him! WALLACE     I don't think naught could have helped him - not at the end, there.  MICHAEL     [British agony] He should have sent for me. MIRANDA     Dearest.  He did what he thought was best.  I'm sure your father thought very highly of you - otherwise, why should he have left this institution under your care? MICHAEL     Of course, you're right.  [condescending] Always the practical one. MIRANDA     One of us needs to be, and you must save your energy for the needs of the patients. MICHAEL     Well, show us this paragon, Wallace. WALLACE     Sir? MICHAEL     The doctor you say was so sadly struck down. WALLACE     Oh, yes sir - sad it is to see great men crumble.  SOUND     KNOCK ON HUGE IRON BOUND DOOR WALLACE     Herr Doktor?  Young Doctor Pettigrew wishes to speak with you. VAN HELSING     [muffled, behind the door] Enter. WALLACE     Ah.  Here we go, then.  SOUND     OPENING LOCKS AND BARS ON DOOR WALLACE     Dr. Pettigrew, Miss Locksley--  [ta-da!] Doctor Van Helsing. MUSIC GORVI     Gorvi done mopping.  Gorvi eat now? MRS. FARGE     Tis not dinner time yet, ye pillock.  Yer s'posed to muck out the barn t'make room for that motorcar the new head brought wi' 'im. GORVI     Mo-to-cah?  What is mo-to-cah? MRS. FARGE     An engine of Satan.  If god had wanted us to speed about in great smoking heaps of metal, he wouldn'a made horses. GORVI     [wail] Gorvi hungry! MRS. FARGE     Off wi' ye!  I've no time for this today - must have everything ready for inspection by the new head.  And here's hoping he doesna choose to sack us all.  Shoo! SOUND     GORVI LEAVES - HEAVY FOOTSTEPS, RICKETY DOOR OPENS, CLOSES AMBIANCE     OUTSIDE BRITT     [off, barely audible, singing]  When that I was and a little tiny boy-- GORVI     [leering chuckle] SOUND     FOOTSTEPS ON GRASS SPEED UP GORVI     Pretty pretty britty.  Pretty... golden... BRITT     With a hey-ho, the wind and the rain-- SOUND     FINGERS SQUEAK ACROSS GLASS, TINY WINDOW SLIDES OPEN - SINGING IS NOW CLEAR, WITH SLOSHING OF WATER, BATHING GORVI     Oh-ho! BRITT     A foolish thing was but a toy, for the rain it raineth every day... GORVI     [smothering his delighted chuckles] SOUND     DRIPPING AS A LEG IS RAISED OUT THE WATER.  BRUSH SCRUBS BRITT     Hey-ho, the wind and the rain, for the rain it raineth every day... GORVI     [Bursts out with a shriek of delight] BRITT     What?  [gasps]  Oh no! SOUND     HEAVY FOOTSTEPS RUNNING ON GRAVEL GORVI     [breathing heavily]  No scream, no scream.  Gorvi not bad.  No scream, pretty Britty. SOUND     SHIFT TO INSIDE BRITT     [screams piercingly] SOUND     [INSIDE] DOOR OPENS, FEET RUSH IN NURSE     What is it miss? BRITT     Someone was looking at me!  A man! NURSE     [condescending, fading out]  Of course.  Don't you worry.  We'll sort it all out... SOUND     SHIFT TO OUTSIDE SOUND     GORVI RUNNING GORVI     [panting with exertion] SOUND     OPENS HUGE OLD DOOR, RUNS IN MUSIC MICHAEL     After Wallace's admonitions, this is hardly what I expected. VAN HELSING     I am quite aware of my condition, my dear doctor Pettigrew.  You're fortunate enough to catch me on a good day.  MICHAEL     Perhaps you would indulge me with your own diagnosis? VAN HELSING     Simple, really.  Bouts of severe depression, which, I am ashamed to admit, I... treat... unsuccessfully... with over-use of alcohol. MICHAEL     Dipsomania? VAN HELSING     I would consider it more a symptom than a core disease, but you understand how difficult it is to be objective. MICHAEL      I appreciate your frankness. MIRANDA     I trust you are comfortable here, doctor - this is hardly a typical cell.  More like a suite in an expensive hotel. VAN HELSING     Dr. Pettigrew - the elder - was very kind, and understood that reading... helps me to ...moderate... my humors. MICHAEL     If only more patients could respond to such simple, constructive therapies.  [chuckles] VAN HELSING     [slight chuckle, indulgent] MIRANDA     The human mind is a fabulous, complex organ.  VAN HELSING     It is amazing. MUSIC AMBIANCE     ECHOEY ROOM - ABANDONED CHURCH GORVI     [muttering] Pretty pretty.  Gorvi likes pretty golden Britt.  [heavy sigh]   Britty no like Gorvi.  Gorvi only look. DRACULA     [creepy echoey voice]  Do you want her? GORVI     Who... is there?  Please? DRACULA     [creepy echoey voice]  Help me, and I shall help you in return. GORVI     Where are you?  Gorvi is alone? DRACULA     [creepy echoey voice]  Return later and bring a shovel.  I shall show myself. GORVI     You - new doctor? DRACULA     [creepy echoey voice]  Do you want this pretty Britt you long for? GORVI     Oh, want!  [licks his lips]  Yes. MUSIC AMBIANCE     DINNER NOISES SOUND     LARGE PLATTER SET DOWN MIRANDA     [cold] Thank you, Mrs. Farge.  SOUND     FOOTSTEPS TAP AWAY MIRANDA     [anxious]  Are you certain you want to do this, Michael?   I realize your father-- TREVALIAN     They expect it, even look forward to it.  Besides, they should be given the chance to meet the two of you.  You needn't worry, it is only the most stable of the inmates. SOUND     FEET RETURN MRS. FARGE     [announcing] Miss Mecklin. TREVALIAN     Miss Locksley, Dr. Pettigrew, may I present Miss Britt Mecklin. BRITT     Pleased to meet you, Doctor.  Miss Locksley. MICHAEL     Charmed. MIRANDA     Lovely. TREVALIAN     Will you have a seat? SOUND     CHAIRS SHIFT AS HE SEATS HER, THEN THEY SIT MIRANDA     It would be somewhat indelicate to discuss cases during dinner.  There will be time tomorrow to familiarize ourselves-- MICHAEL     Of course. BRITT     I have nothing to hide.  I have come to realize that it is only in my subconscious that people watch me.  Understanding it is all in my head does not stop it from frightening me, but makes it more bearable. MICHAEL     [reassuring] We shall work on that. MUSIC AMBIANCE     STORMY NIGHT OUTSIDE ECHOEY STONE ROOM SOUND     SQUEAKY DOOR OPENS, GORVI'S FOOTSTEPS GORVI     Gorvi brings shovel! DRACULA     [creepy echoey voice]  Have you light? GORVI     Gorvi have a candle. DRACULA     Do you see the bell? GORVI     Bell?  DRACULA     The bell.  You must move the bell. GORVI     No bell.  Gorvi see no bell. DRACULA     It is metal.  It is large.  Move it, or I shall unleash the fires of hell upon you! GORVI     Ahhhhh! SOUND     SHOVEL CLATTERS TO FLOOR, FEET RUN, SLAM MUSIC SOUND     WATER INTO METAL TUB.  DISHES BEING WASHED SOUND     DOOR SLAMS OPEN MRS. FARGE     Don't you dare--! [surprised] Oh! Lucas! TREVALIAN     Lena.  I simply couldn't take it any more.  Having to kow-tow to that ... boy doctor and his miserable cold fiancée. MRS. FARGE     Lucas.  You shoulda been put in charge! TREVALIAN     I know.  [snarl] Blood runs thick.  MRS. FARGE     Dr. Pettigrew shouldna've looked over yuir years o'loyalty - Yuir unstinting devotion! TREVALIAN     There's no time for that now.  We must bide and see what they decide to alter -- SOUND     BACK DOOR SLAMS OPEN, GORVI RUNS IN MRS. FARGE     What the divvil is wrong with ye, y'idiot? Running about in the rain like a madman! TREVALIAN     Calm yourself, Lena. MRS. FARGE     Tis easy for ye to be charitable.  Ye dinna haveta squeeze work outta him like blood from a turnip.  Turnip!  That's what y'are! GORVI     Gorvi not turnip.  Gorvi scared. TREVALIAN     What frightened you? MRS. FARGE     [over her shoulder] Perhaps a slight breeze. TREVALIAN     Shh.  Gorvi, tell me everything. MUSIC SOUND     VAN HELSING'S DOOR UNLOCKS, OPENS VAN HELSING     Right on time. WALLACE     'Ave I ever missed?  SOUND     DOOR SHUTS, WOODEN LEG FOOTSTEPS WALLACE     Were it a good idea, d'yer think, to tell them you was an alcoholic?  VAN HELSING     I needed a reason for my presence here that wouldn't require overmuch explanation.  Speaking of spirits, have you--? WALLACE     [chuckling]  'Course.  Would I let yer down? SOUND     SITS.  ODD, HEAVY UNSCREWING NOISE VAN HELSING     Your thoughts on the new administrators? WALLACE     Well, 'e'll never 'ave an 'appy life, not wit' that one.  She's cold, and no mistake. VAN HELSING     Truer words were never said. WALLACE     'Ee seems... well-intentioned... but I don't see 'ow you'll be able to tell 'im much.  Not wi'out proof. SOUND     BOTTLE PULLED OUT OF WOODEN SHELL WALLACE     And there y'are.  Better use for me wooden leg, I'll never know.  [hinting] 'Cept the one... SOUND     BOTTLE OPENS VAN HELSING     Care to stay for a game of chess before you strap it back on? WALLACE     Don't mind if I do. MUSIC AMBIANCE     STORMY NIGHT GORVI     There door.  Gorvi no go in again. TREVALIAN     In the old chapel?  Dr. Pettigrew always insisted it was on the verge of falling in.  [sigh, to Gorvi]  Not safe.  No go in. GORVI     He say Gorvi move bell.  He yell at Gorvi. TREVALIAN     Poor halfwit.  TREVALIAN     Run along back to the kitchen, Gorvi.  No need to wait out here in the wet. GORVI     Doctor be careful! TREVALIAN     Of course.  Go on. SOUND     GORVI RUNS OFF SOUND     SQUEAKY OLD DOOR OPENS TENTATIVELY TREVALIAN     Hmm.  Sounder than I expected. SOUND     DOOR SHUTS, MUFFLES SOUND OF RAIN SOUND     TAP ON WALL TREVALIAN     Here's the shovel-- SOUND     PICKS UP SHOVEL TREVALIAN     And that must be the bell... SOUND     SLOW FOOTSTEPS TREVALIAN     That explains a lot - who's ever seen a huge bell sitting on the floor?  Hardly even recognizable under all those cobwebs.  Must have fallen... DRACULA     [creepy distant whisper, piteous]  Help me. TREVALIAN     Hello? DRACULA     Help.  Please.  The bell.  It came down and trapped me. TREVALIAN     I see.  Hmm.  [thinking]  Wait, the cracks in the flags below it are... covered in dust - that bell fell ages ago! DRACULA     Please.  Help. TREVALIAN     Where could that voice be coming from? DRACULA     [closer whisper, becomes command]  Move the bell.  Anything you want - it will be yours. TREVALIAN     I doubt you could give me what I truly want. DRACULA     Oh, yes.  I can give you such things....  Come, close to the crack in the bell, and tell me what it is you... crave. MUSIC MICHAEL     Darling? MIRANDA     Yes, Michael? MICHAEL     Do you think you can stick it here? MIRANDA     Of course.  You know I'm fully prepared to take on anything you need me to do. MICHAEL     I know, but - well, you won't hate it or anything, living in the country like this? MIRANDA     I shall immerse myself in work.  Just as you will.  Side by side. MICHAEL     Should I--  May I-- sit next to you there on the settee, then? MIRANDA     Michael!  We are to be wed in the spring.  I just want to make certain - living here without a proper chaperone, and all--  MICHAEL     Of course, darling.  I - I think I shall turn in.  Get an early start in the morning. MIRANDA     That sounds very wise. SOUND     TAP ON DOOR MIRANDA     Yes? SOUND     DOOR OPENS, MRS. FARGE ENTERS, PICKS UP TRAY MRS. FARGE     Did ye need anything further tonight? MIRANDA     No, we were--- SOUND     IN THE DISTANCE, A BELL TOLLS SOUND     TRAY CLATTERS TO FLOOR MRS. FARGE     [gasp!] MICHAEL     Why Mrs. Farge, whatever is the matter? MRS. FARGE     [haunted]  That be the bell up t'old kirk.  MICHAEL     Come, now, it's never done that before? MRS. FARGE     [ominous] Nay - I've been here nigh on 15 years, and that bell has nivver rung. SOUND     FOOTSTEPS AWAY MRS. FARGE     [slightly off] But I wouldna go seeking it - not even if m'very life depended on it. MUSIC VAN HELSING     [considering]  Mmm.  Check. SOUND     BELL TOLLS IN THE DISTANCE WALLACE     Wazzat? VAN HELSING     What? WALLACE     [worried] The bell - don't you hear it? VAN HELSING     Nonsense.  Hmm....  Go and check it.  If it is, we might have a problem on our hands. SOUND     BELL TOLLS IN THE DISTANCE WALLACE     I'll get going-- SOUND     QUICKLY STRAPPING LEG BACK ON VAN HELSING     Wait!  Just in case. SOUND     BOTTLE SLOSHES WALLACE     Is it--? VAN HELSING     It should help. WALLACE     Every bit does.  Leave the door open, shall I? MUSIC BRITT     [waking]  Eyes!  Someone at the window?  [muttered] I will not go look.  I will not-- SOUND     TAPPING AT THE WINDOW DRACULA     [creepy voice]  Open the window that I may bask in your radiance. BRITT     [breathing heavily, bosom heaving] It is not real.  I must take my solace in the lord. SOUND     OPENS DRAWER, TAKES OUT BIBLE BRITT     God, please give me strength! SOUND     SOMETHING FLAPS AWAY INTO THE NIGHT, ANNOYED MUSIC MICHAEL     Are you certain you'll be all right?  I could bring in a cot - there's a couch in my dressing room--? MIRANDA     No, Michael, I will be fine.  Kiss me quickly and go to bed. SOUND     QUICK KISS MIRANDA     Sleep well. SOUND     DOOR SHUTS MIRANDA     [sighs]   Men.  [chuckles]  SOUND     RAP AT THE WINDOW, BUT SHE DOESN'T NOTICE DRACULA     [distant, creepy, heavy breathing]  Yessss. SOUND     LETS HER HAIR DOWN, BEGINS TO REMOVE CLOTHES MIRANDA     [humming to herself] SOUND     HEAVY GOWN LAID ON THE BACK OF A CHAIR SOUND     STEPS APPROACH THE WINDOW SOUND     TAPPING SOUNDS ON THE GLASS DRACULA     [creepy whisper]  Open the window. MIRANDA     Hmm?  MIRANDA     How vexing.  Tree branch?  We'll see about that--! SOUND     LATCH TURNS MUSIC MIRANDA      [Off, scream!] MICHAEL     Good god! SOUND     FLINGS OFF BEDCLOTHES, FOOTSTEPS MICHAEL     [calling] Miranda!  Darling!  I'll be right there! SOUND     DOOR FLINGS OPEN, A FEW STEPS.  DOORKNOB RATTLES, POUNDING ON THE DOOR MICHAEL     [frantic]  Miranda!  Open the door! SOUND     KNOCKING MICHAEL     I'm coming in! SOUND     HEAVY THUMP MIRANDA     [calling from behind the door, spooky sounding]  Michael?  Whatever are you doing? MICHAEL     Are - are you - all right? SOUND     DOORKNOB RATTLES MIRANDA     [close now] Of course, darling.  I woke from a... strange dream.  Nothing to fret over. MICHAEL     [off] If... you're... quite certain. MIRANDA     When am I not? MICHAEL     [off] Well.  Sorry.  I-- MIRANDA     Go back to bed, dear.  We'll talk tomorrow. SOUND     [off] MICHAEL'S FOOTSTEPS RECEDE MIRANDA     [long sigh]  Well...? DRACULA     [husky] Very good, my most delectable one... SOUND     SEXY NECK NIBBLING MIRANDA     [ecstatic gasp] MUSIC SOUND     WOODEN LEG STEPS SOUND     BRISK KNOCK ON A DOOR WALLACE     Doctor, sir?  It's morning, it is. MICHAEL     Come on in, Wallace.  I'm up.  SOUND     DOOR OPENS, STEPS APPROACH MICHAEL     Is Miranda-- Miss Locksley up? WALLACE     Feeling poorly, she says.  Wooden even 'ave the drapes open.  Travel don't suit 'er? MICHAEL     Hmm.  I suppose I might breakfast with Dr. Trevalian, then. WALLACE     I ain't sure where 'e can be found, sir.  Went out last night and ain't come back.  MICHAEL     Does he do that often? WALLACE     Can't say, sir. MICHAEL     [sigh]  I hate to breakfast alone. WALLACE       Ahem, sir.  Doctor Van Helsing would be glad of your company. MUSIC MRS. FARGE     Gorvi!  Gorvi! Where is that bloody idiot? SOUND      DOOR OPENS GORVI     [whimper] MRS. FARGE     What the divvil is wrong wit' ye, ye mongrel?  Get out here! GORVI     [whimpering]  Gorvi no like! MRS. FARGE     Gorvi like breakfast? GORVI     Yes.  Please. MRS. FARGE     Gorvi will get up and work, then! GORVI     Aye, Mrs. Farge. MRS. FARGE     Go fetch some water from the well, ye brute - and while you're out, you might look where you last left Lucas-- Dr. Trevalien, that is - and see wha' he's been up to all night. GORVI     No!  No go to old door!  No! MRS. FARGE     I'll get the whip! GORVI     [whimper] SOUND     SCUTTLES OUT THE DOOR MUSIC SOUND     VAN HELSING'S DOOR OPENS VAN HELSING     Come in, dear fellow!  Wallace? WALLACE     [leans in] Yessir? VAN HELSING     [muttered] The chapel? WALLACE     [muttered] Never made it, sir, the inmates was restless last night. VAN HELSING     Today then? WALLACE     Better anyway.  [significant]  Better light. VAN HELSING     I hope so. SOUND     MICHAEL ENTERS MICHAEL     Sorry?  Do you mind if I sit down with you? VAN HELSING     Never meant to exclude you, dear boy.  Simply thought I'd heard something last night that couldn't have been. MICHAEL     The bell? VAN HELSING     You heard it as well? MICHAEL     Of course.  Why? VAN HELSING     Would you do me an enormous favor? MICHAEL     If I can - I have a busy day ahead of me, and Miranda's - a bit under the weather. VAN HELSING     Soon as we finish here, then, go along with Wallace to the old chapel.  Take a look at the bell.  Would you? MICHAEL     Why? VAN HELSING     [considers]  Hmm.  That's a tale for after you've looked.  [changing tone, chatty]  Do you, by any chance, play chess? MUSIC SOUND     KNOCK ON THE DOOR MIRANDA     [dead tired] Go away! MRS. FARGE     Dinna want to start organizing everything? MIRANDA     Oh, blast.  SOUND     STUMBLING FEET, DOOR OPENS MIRANDA     Can you help me?  I feel weak as a kitten. MRS. FARGE     You do look a wee bit pale.  I'll fetch something hearty to drink. MIRANDA     [shudder] I couldn't face anything heavy. MUSIC AMBIANCE     OUTSIDE SOUND     WALLACE AND MICHAEL WALKING OUT TO CHAPEL MICHAEL     Humoring a delusion is not the right answer - in most cases. WALLACE     You 'eard the bell, too, sir. MICHAEL     But why go look at a bloody bell? SOUND     DOOR CREAKS OPEN WALLACE     Come along, then. SOUND     FOOTSTEPS GO IN, SLOW, THEN STOP SOUND     DOOR SHUTS WALLACE     [quiet but fervent] Oh, my gracious lord. MICHAEL     What is it?  Oh!  That must have been-- SOUND     DASHING FORWARD MICHAEL     [urgent] Help me move it! WALLACE     I fear it's too late for Dr. Trevalian. MICHAEL     Help me! BOTH     [grunting and heaving] SOUND     BELL ROLLS, BUMPS, AND THUMPS INTO A WALL MICHAEL     Good god! WALLACE     Sir? MICHAEL     You're right.  He's gone.  That thing must have fallen and crushed him. WALLACE     Shouldn't there be more blood, sir? MICHAEL     Not necessarily.  We'll get him back to the infirmary and take a look. WALLACE     I'll go for a stretcher, then, shall I? MICHAEL     Just a moment!  Is this the bell we heard? WALLACE     Yes, sir. MICHAEL     [echoey - inside the bell] But there's not even a clapper! WALLACE     'asn't been rung in decades, sir. MICHAEL     What are all these markings on the inside? WALLACE     Wouldn't know, sir.  Though I don't doubt Doctor Van Helsing could 'elp you. MICHAEL     [coming out] Really - why would he--? WALLACE     I think 'e was 'ere when the bell fell, sir. MICHAEL     It must have been sitting here - the clear circle on the ground - but this is odd-- MUSIC SOUND     DOOR BURSTS OPEN, MICHAEL STORMS IN MICHAEL     I demand an explanation.  Who, precisely, was trapped under that bell? VAN HELSING     [calm] What? MICHAEL     I saw the marks of fingernails!  Trying to scratch a way out!  Wallace said you were there, along with my father.  I want to know what you did. VAN HELSING     Sit.  [up]  Wallace? WALLACE     Yes, Sir? VAN HELSING     Please check on the residents, particularly any comely females. SOUND     WALLACE GOES OUT, SHUTS DOOR CAREFULLY VAN HELSING     Now, my boy... MICHAEL     You're not "mad" at all, are you?  You've lived here all this time-- VAN HELSING     Shh. Shh.  You need to hear this.  15 years ago, your father called upon my services to help him with a rather difficult problem - a rash of unusual deaths and nightmares among the female inmates.  Having had a great deal of experience with such obsessions and delusions, I was able to spot the problem immediately - a vampire. MICHAEL     [incredulous] A vampire?  One who believes he must steal life from the living?  VAN HELSING     No delusion - a true creature of the night. MICHAEL     Preposterous! VAN HELSING     Humor an old man.  This was not just any vampire, but Dracula - the lord of all vampires, whom I have sworn to destroy.  MICHAEL     But the bell? VAN HELSING     We trapped him.  Blessings etched on the inside - some from when it called the faithful, others we added - kept him penned.  Simply putting a stake through his heart, as would do for most vampires, is not sufficient for Dracula.  Far too simple for those who follow the dark arts to summon him back across the dark divide! MICHAEL     But there must be a way-- VAN HELSING     What do you think I have been researching all these years?  I believe I have the answer, but first we must locate him. MICHAEL     Why should I believe any of this? VAN HELSING     Ask your fiancée. MUSIC MRS. FARGE     Let me fetch the doctor. BRITT     Yes.  You can't be too careful! MIRANDA     [trying to be strong] Nonsense.  I'm just tired.  I'm... not used to the country. BRITT     Someone was looking into my room last night. MRS. FARGE     Nonsense.  You know that's all in your mind. BRITT     No, it was real!  Eyes.  At the window. MIRANDA     Red eyes? BRITT     You saw them too? MIRANDA     [evasive] Don't be silly.  How could it be? SOUND     DOOR BURSTS OPEN, FEET DASH IN, THEN STOP MIRANDA     [gasp] MICHAEL     Oh, goodness.  I'm sorry, but darling, there's something I must ask-- VAN HELSING     [coming on, commanding]  Remove that scarf and show us your neck, if you please. MIRANDA     [gasps and faints noisily] SOUND     BODY DROP MUSIC VAN HELSING     --resting normally.  Despite the slight anemia, she should recover.  We must watch her very closely, though, my young friend. MICHAEL     How could this have happened?  Miranda is the most sensible of women-- VAN HELSING     Does it take a fanciful mind to be attacked by a rabid dog?  No!  In fact, a more fanciful mind is often better prepared to ward off such evil.  Witness Miss Mecklin. BRITT     Me? VAN HELSING     What did he say to you, at your window? BRITT     It was just noises - scratching. VAN HELSING     Come now, there were words - if not in your ears, then in your mind, were there not? BRITT     [sniffling] It's my subconscious.  Not real. VAN HELSING     This time, I'm afraid, is much different.  You must help us. BRITT     He just said "open the window".  VAN HELSING     But it was definitely a "he?" BRITT     It is always men who are watching me. VAN HELSING     Did he say where he might hide by day? BRITT     No.  I am so sorry! VAN HELSING     Never mind.  You did well.  Keep your bible close tonight. BRITT     Oh, yes! MUSIC GORVI     [muttering]  No more for Gorvi.  He will sleep now.  No more work.  Gorvi will-- SOUND     DOOR OPENS, QUICK STRUGGLE DRACULA     [hissing whisper]  Silence! GORVI     [hand over his mouth]  Mmm! DRACULA     Shut the door. SOUND     DOOR SHUTS DRACULA     You did not release me, but I can overlook that, if you will serve me now. GORVI     [muffled] Mm-hm! [yes] DRACULA     Good.  I still know what you want.  The oh-so-lovely miss Britt. GORVI     [muffled] Mm-hm! [eager yes] DRACULA     Then this is what you must do... MUSIC SOUND     DOORS BEING LOCKED, WINDOW SHUTTERS SECURED VAN HELSING     I appreciate your humoring me, Michael. MICHAEL     Of course. VAN HELSING     Bringing everyone here to my rooms. MICHAEL     I assume you think we may be safe here? VAN HELSING     As safe as anywhere else. MIRANDA     How can we all sleep? VAN HELSING     You may lie on the couch, if you need to.  Michael and I will remain awake.  On guard. BRITT     I can help guard as well. VAN HELSING     Did you bring your bible? BRITT     I could not find it! VAN HELSING     Never mind, I think we have whatever we may need.  Wallace? WALLACE     [grim] Absolutely, sir. MICHAEL     What if he doesn't come here? VAN HELSING     He must.  I circled the patient rooms and staff quarters with poppy seeds and salt.  He will never get across that.  MICHAEL     So he will have to come here, or--? VAN HELSING     --or starve. MUSIC     TIME PASSES VAN HELSING     We can slow him with spells, or stake him through his heart, but to truly banish his soul to the purgatory he so richly deserves, only holy water will suffice - and not a mere sprinkling, a veritable dousing. MUSIC     TIME PASSES VAN HELSING     Vampires are irredeemably evil.  The only way to save miss Locksley from this hellish fate is to destroy this monster before she loses the last spark of humanity.  As long as her soul does not depart her body, she can be saved. MUSIC     TIME PASSES SOUND     MOST ARE SLEEPING VAN HELSING     This will be it.  Are you ready? WALLACE     Can't wait to see how it turns out, sir.  VAN HELSING     Good man. SOUND     KNOCK AT THE DOOR VAN HELSING     Ah...  It begins. GORVI     [muffled] Gorvi is alone?  Let Gorvi in! WALLACE     Bloody idiot. VAN HELSING     You may be more correct than you know.  Wait for my signal.  Michael, wake up, get the ladies into the dressing room, back there.  Whatever you do, do not open the door until you are certain it is morning - you may have to restrain miss Locksley, if Dracula has enough of a hold over her.  Can you? MICHAEL      Yes, I think so. VAN HELSING     Move, then.  There's a good lad. VAN HELSING     Take this-- SOUND     RATTLE OF NECKLACE CHAIN VAN HELSING     It offers some protection. SOUND     CROWD GOES OUT, DOOR SHUTS VAN HELSING     Now. WALLACE     Right.  Gorvi?  Is there anyone with you? GORVI     [muffled, but clearly lying] No.  Who would be with Gorvi? VAN HELSING     [laugh] No one alive.  Throw open the gate. WALLACE     A'right.  Just a moment. SOUND     DOOR THUMPS VAN HELSING     [hissed] Stay back. SOUND     DOOR SLAMS OPEN, HITS WALLACE WALLACE     Uhh! SOUND      BODY DROPS AND SLIDES ACROSS FLOOR VAN HELSING     Wallace! WALLACE     uhh...[out cold] SOUND     HEAVY BOOTS STRIDE CONFIDENTLY INTO ROOM VAN HELSING     Dracula! DRACULA     You stand between me and destiny, old man.  Step aside and I shall kill you quickly. VAN HELSING     Never.  Back, foul fiend! DRACULA     [hisses]  You believe you can tame me?  I have seared my flesh on your so-clever prison walls so many times, I have scars. VAN HELSING     And yet, you do not approach. DRACULA     Only a fool uses his hands to dig when he has a shovel... Gorvi! GORVI     [flying leap] Master! SOUND     BODY DROP - CROSS DROPS VAN HELSING     Unh! DRACULA     [evil laugh]  And now, my most precious enemy, prepare to meet your well-deserved fate! SOUND     DOOR SLAMS OPEN MICHAEL     No! SOUND     MICHAEL STORMS IN VAN HELSING     Dammit, boy!  You've ruined it!  Do what you want with me-- DRACULA     Of course, herr doktor!  You have always cared more for others than for yourself.  [commanding, hot] Come to me, my darling! MIRANDA     [breathless] I must go--! MICHAEL     No!  Get back! BRITT     Miss Miranda, you can't! GORVI     Britt! MIRANDA     [snarling]  Let me pass, strumpet! SOUND     SHORT CATFIGHT MIRANDA     Ugh! [hurling Britt] SOUND     BRITT ENDS UP IN DRAC'S ARMS GORVI     [upset] Britt! DRACULA     A gift?  For me?  You are too kind. MIRANDA     My love!  You don't want her! DRACULA     She is merely the aperitif, my dearest darling - [hot] you alone can satisfy me. MIRANDA     [ecstatic sigh] DRACULA     Now, my pale blonde flower.. BRITT     [struggles for a moment, then goes limp with a sigh, breathing hard] SOUND     FANGY NOISE GORVI     No!  Gorvi wants Britt! VAN HELSING     Wallace!  Ready! DRACULA     Imbecile! SOUND     THUMP AS GORVI HITS DRACULA SOUND     HEAVY THROW, BODY HITS WALL, NECK CRUNCH GORVI     [dying noises] DRACULA     Miranda, show your devotion - come and hold this delectable morsel for me. SOUND     RUNNING FEET WALLACE     Yaaaah! VAN HELSING     Kick him! DRACULA     [very slight] Oof.  WALLACE     [struggling] DRACULA     [chuckles nastily] And now what do you do?  I have your leg. WALLACE     [triumphant] Yes! SOUND     CLICK, SMALL EXPLOSION SOUND     MUCH WATER SPLASHES, HISSING BURNING NOISE DRACULA     What?  No!  [shrieking in agony] Ahhh! MICHAEL     Good God! VAN HELSING     Holy water!.  DRACULA     But how?  I would have seen a bottle.  Ahh! VAN HELSING     Wooden leg.  WALLACE     And a small blasting cap. DRACULA     Ahh! [receding] SOUND     LIQUIDY HORRIBLE PUDDLY NOISE WALLACE     Uh, Sir?  Can I get a hand? VAN HELSING     Certainly.  I'll even give you a leg up. MUSIC END  

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In Doric: Dinna fash yersel. In English: Don't trouble yourself. Just to keep you on your linguistic toes, ‘fash' can also mean ‘fish' in Doric!.

Follow us on Twitter and Instagram and don't forget to check out our GoodReads!You can also email us at thephoenixnestpod@gmail.com.The ladies of The Phoenix Nest would like to remind you to shop independent! Follow the link to shop our favorite local independent bookstore, Mostly Books!

Andrew Crookes joins the show and we talk Sweet 16 Matchups, along with who won the NBA Trade deadline...other the WOJ's Twitter account.

Direkam pada tanggal 13 Maret 2021 "Ada Apa Dengan Myanmar?" Negara tetangga yang juga tergabung di ASEAN saat ini tengah mengalami krisis kemanusiaan. Sejak Februari kemarin, junta militer melakukan kudeta atas pemerintah terpilih. Sejak saat itu situasi Myanmar sangat tidak kondusif dan ratusan warga sipil menjadi korban. Lantas, bagaimana kondisi Myanmar saat ini? Apa yang bisa kita lakukan untuk setidaknya menurunkan tensi serangan atas masyarakat sipil? Simak obrolan bersama Dinna Prapto Raharja, P.hd, associate Professor ilmu Hubungan Internasional Universitas Bina Nusantara dan juga pendiri lembaga Sinergy Policies yang akan bercerita mengenai kondisi serta analisa konflik Myanmar.

Jingle Bells, Jingle Bells, Jingle Bells DOC! We finally kick right into the Tenth Doctor's era with first first story and Doctor Who's first ever Christmas Special

What kind of book do people ask for most often in prison? Romance Novels? No. The Bible? No. The most requested books by far are . . . dictionaries! A number of volunteer organizations gather and distribute used dictionaries to help inmates with reading, writing, and schoolwork. Plus: For some low-tech family fun, how about egg-tapping? Traditionally played after an Easter egg hunt, the game involves smacking a hard-boiled egg against an opponent's The person who ends up with an uncracked egg wins. And: Just how common is it to give a goofy name to a household appliance? Even your garbage disposal might get a moniker! Also, chelidon, knock the stink off, pony keg, pineapple posture, sprunny, wash-ashores, trailblazer, a punny puzzle about song titles, a Norwegian idiom that means "empty-headed," and a bagpipe serenade. Dinna fash! Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/. Email words@waywordradio.org. Twitter @wayword. Our listener phone line 1 (877) 929-9673 is toll-free in the United States and Canada. Elsewhere in the world, call +1 (619) 800-4443; charges may apply. From anywhere, text/SMS +1 (619) 567-9673. Copyright Wayword, Inc., a 501(c)(3) corporation.

Hey Obsassenachs! Thanks for joining me for another episode of The Sassenach Files. This week I'm talking episode 304 of Outlander: “Of Lost Things” in all it's heartbreaking glory. Join me as I take a dive deep into Geneva's motivations for blackmailing Jamie, John and Jamie's growing friendship, and why I flipping LOVE Isobel. But most importantly, I discuss how a pasture full of cow patties ended up giving Jamie the biggest silver lining of his life: his son.

Dora and Jon continue down the communication pathway. In this episode they discuss what could be the daily dilemma of "What's for dinna?" and how do we get to the desired outcome? However this conversation is more than what's on the menu but how we make a partnered decision on different situations that come up in our relationships. Let's take a listen! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Dora and Jon continue down the communication pathway. In this episode they discuss what could be the daily dilemma of "What's for dinna?" and how do we get to the desired outcome? However this conversation is more than what's on the menu but how we make a partnered decision on different situations that come up in our relationships. Let's take a listen!

DINNA Prapto Raharja atau Dinna Wisnu melalukan riset soal pandemi virus corona. Dia dosen Universitas Bina Nusantara dan Universitas Paramadina, alumnus Ohio State University, AS. Juga praktisi hubungan internasional dan kebijakan publik sekaligus co-Founder Synergy Policies. Menjelaskan bagaimana China mengontrol informasi saat Covid-19 awalnya mewabah. Juga menanggapi isu soal miliarder Bill Gates dan George Soros punya kepentingan bisnis di balik pandemi ini. Dinna Wisnu menjadi salah satu pembicara dalam dialog virtual memperingati Hari Lahir Pancasila yang digelar Tribun Timur dan Forum Dosen Majelis Tribun Timur, Senin, 1 Juni 2020. Kali ini membahas soal apakah pandemi virus corona murni karena alam, atau ada motif bisnis dan konspirasi. Bersama narasumber: 1. Prof dr Irawan Yusuf PhD, Guru Besar Fakultas Kedokteran Unhas dan Komisaris RS Siloam Makassar 2. Prof Dr Idrus A Paturusi SpOB, survivor Covid-19 dan mantan Rektor Unhas 3. Erwin Aksa, pengusaha dan Wakil Ketua Umum Kadin 4. Dinna Wisnu PhD, praktisi hubungan internasional dan kebijakan publik dari Synergy Policies 5. M Imran Hanafi MA, Atase Dikbud KBRI Canberra Australia. Dipandu Adi Suryadi Culla, dosen FISIP Unhas. Tonton videonya di sini https://bit.ly/3frtXUS --- Send in a voice message: https://anchor.fm/tribun-timur/message

Hey there Obsassenachs, we're back to talk episode 105 of Outlander, "Rent". Hamilton and Twilight make cameos in this week's episode. Dinna fash, we talk plenty of Outlander including our growing love for Jamie, Claire's inability to shut up, and what women REALLY want from men.

--- Send in a voice message: https://anchor.fm/DaDamnDinnaTable/message

WAAAUGH

Macak Podcast episode kali ini bersama Dinna Arifa. Kami berbincang tentang pengalamanya menetap selama 7 tahun di USA untuk kuliah dan bekerja, bagaimana kondisi sosial dan lingkungan yang ada disana, langkah langkah yang dilakukan agar bisa survive menjalani kerasnya hidup di negeri orang, hingga masih banyaknya orang orang Indonesia yang suka membandingkan kondisi di negara ini dengan negara lain, yang kadang tidak apple to apple untuk dibandingkan. Selengkapnya, selamat mendengarkan!

We are delighted an privileged to dedicate oor 60th Scots Radio programme to Professor Gary West s new book an play Jocks Jocks . The content is based on stories collected bi traditional singer an collector, Jock Duncan, fae 1st World War Veterans. Gary jines us in the studio tae taak us on this very special journey. Dinna hing aboot jist come wi us.

A discussion about what I call Drive Through Deliverance and a discussion on what our area of authority is for doing spiritual warfare and what the Lord told one precious saint about that.   Nicole's website, mentioned in this podcast:   http://wingsofwarfare.blogspot.com   My website:   www.justpraisehim.today   My Assistant's name in the comments on my website:  Rover_Radar (her name is Dinna). Please be sure to thank her if she helps you!    

Dinna ging castin ony cloots afore May is oot. An afore onybody says – it’s the Mayfloor wir spikkin aboot – itherwise kent as the Hawthorn.  In Episode 58 o Scots Radio, wi hear fae Rosemary Ward fae the Scottish Book Trust aboot plans for this year – includin a spleet new award for publishers […]

Bedah Musik Oldskul eps Take That bersama Uga, Heyckel, Unggul, Dinna dan Yoshi.

Ngobrol seru di Bedah Musik Oldskul eps Stevie Wonder bersama Uga, Unggul, Yoshi, Heyckel dan Dinna.

No podcast #50 da série, Raiam Santos entrevista Shuli Sun Dinna, jovem de 24 anos que largou a carreira corporativa como engenheira mecânica numa grande fábrica no norte da China e resolveu empreender como "diplomata de negócios". Shuli fundou a Free Tour Asia junto com uma sócia norte-americana e hoje trabalha na "Nova York do Oriente" Shanghai e faz o elo entre o ocidente e este universo misterioso chamado China. TÓPICOS ABORDADOS NO PODCAST: - NOME CHINÊS X NOME AMERICANO: Pessoas na China costumam ter uma versão americana do próprio nome para facilitar a comunicação. - A IMPORTÂNCIA DE APRENDER IDIOMAS: Como saber diversos idiomas ajuda os chineses a alcançar o sucesso profissional na China e no mundo. - VIRADA NA CARREIRA: Como Shuli deixou para trás a carreira de Engenheira para investir em um novo rumo profissional envolvendo viagens pelo mundo. - O AMOR PELA AMERICA LATINA: Shuli conta as coisas que fizeram ela se apaixonar pela América latina e conta como o nosso jeito latino conquistou o coração da nossa convidada. - BEIJING X SHANGHAI: As diferenças entre as duas cidades tendo Beijing como algo mais tradicional enquanto Shanghai é considerada uma cidade mais moderna e focada em negócios. - A POLÊMICA CULINÁRIA CHINESA: Shuli conta como é a tradição de consumir carne de cachorro em restaurantes e também de outros animais como pombos e escorpiões e como esta tradição funciona para eles. - ESTRANGEIROS VIP: A diferença de tratamento em Shanghai entre locais e estrangeiros, envolvendo até entradas gratuitas nos bares da cidade; - O ESFORÇO E A DISCIPLINA: Como eles são educados para levar a sério a prática de esportes e também, a educação e os resultados dessa persistência contínua. - O TOURO DE SHANGHAI: Lá na China também têm a versão asiática do touro de Wall Street, um dos símbolos de Nova York e o que ele significa para os chineses. - JEITINHO CHINÊS: É ilegal mexer nas redes sociais na China, mas como os Brasileiros, Shuli conta um “jeitinho” chinês para resolver essa questão. - BBB DA VIDA REAL: A China é um país seguro com um sistema de segurança de dar inveja. Neste podcast, nossa convidada comenta sobre a segurança e câmeras no país dela. - CONSELHO INSPIRADOR: Quando você segue seu coração, as coisas acontecem. Nunca é impossível realizar um sonho, o importante é acreditar.   Patrocínio: http://groubie.com/ Para comprar um dos 7 livros de Raiam Santos http://bit.ly/livrosraiam Livro WALL STREET: A SAGA DE UM BRASILEIRO EM NOVA YORK http://amzn.to/1SoCVo3 Ubook: o Netflix dos Audiolivros: http://try.ubook.com/raiam99 Audible: Audiolivros em inglês: http://goo.gl/EjdvE5

Bedah Musik Oldskul eps Slank bersama Uga (thedyingsirens), Ardi Smith (Stereomantic), Heyckel (Divine) dan Dinna.

Bedah Musik Oldskul eps Madonna bersama Uga, Yoshi, Putra dan Dinna.

Bedah Musik Oldskul eps U2 bersama Uga (thedyingsirens), Ardi Smith (Stereomantic), Heyckel (Divine) dan Dinna.

Bedah Musik Oldskul eps The Beatles bersama Uga (thedyingsirens), Ardi Smith (Stereomantic), Heyckel (Divine) dan Dinna.

Bedah Musik Oldskul eps Garbage bersama Uga (thedyingsirens), Dinna dan Heyckel (Divine).

Bedah Musik Oldskul eps Radiohead bersama Uga (thedyingsirens), Dinna dan Acha (Otak and Chair).

Bedah Musik Oldskul eps No Doubt bersama Uga, Dinna dan Nessa.

It s jist fan ye think it s nae afore time ye find ye canna pit aff time. That jist sums up this last few wiks wiv been flat oot. An it gies us great pleasure tae tak ye aff tae the Tartan Heart Festival at Belladrum tae spik tae the past Scots Screiver, an the Edinburgh Festival and Fringe wi Aye, Elvis an Joyce Falcoer, an a preview o the Findhorn Bay Festival wi Kresanna Aigner. Bit enjoy yirsel fan ye can ye hiv tae knuckle doon an read the Draft Cultural Strategy Document fae the Scottish Government. Dinna worry, Donald Smith taaks us through the pages. Jine us in Episode 52 o Scots Radio. Dinna pit aff time.

Despite half the group being sick, the show must go on. This week we find out that Jimmy has finally won at something. Matt has an interesting Walmart experience. Brad might have lost his marbles. And both Ryan and Matt might be taking “No Shave November” a little too far. A friend of STV has recently had a surgery and we are glad that everything went well. STV will be going mobile at some point in the coming weeks for an on air visit.

In the Talking Indonesia podcast, Dr Dave McRae and Dr Ken Setiawan alternately present extended interviews each fortnight with experts on Indonesian politics, foreign policy, culture, language and more. Photo credit: Indonesian Representative to AICHR. Find all the Talking Indonesia episodes and more at the Indonesia At Melbourne blog.

Dinna be coorse in Doric Translates to English as Don't be naughty Co hosts : Good ol Boy Mike , Good ol Boy Dave, and Good ol Gal Julieanna SIPS Episode – We discuss Speyside scotch and plenty of fun with a drinking game using the Doric dialect.   We review the following products on this show: Balvenie Portwood 21 Balvenie Caribbean Cask 14 Aberlour a'Bunadh Abelour 21 (1970) Macallan 30 (1974)            Dowmore Cigar Malt Reserve   Sips, Suds, & Smokes info@sipssudsandsmokes.com @sipssudssmoke

Dinna be coorse in Doric Translates to English as Don’t be naughty Co hosts : Good ol Boy Mike , Good ol Boy Dave, and Good ol Gal Julieanna SIPS Episode – We discuss Speyside scotch and plenty of fun with a drinking game using the Doric dialect. We review the following products on this show: Balvenie Portwood 21 Balvenie Caribbean Cask 14 Aberlour a’Bunadh Abelour 21 (1970) Macallan 30 (1974) Dowmore Cigar Malt Reserve Sips, Suds, & Smokes info@sipssudsandsmokes.com @sipssudssmoke Hosted online at Spreaker and available on iTunes, TuneIn, Stitcher, Soundcloud, and YouTube. Download our Android app or subscribe on iTunes to enjoy this and all of our episodes.

All will become clear when you listen to the Mum Mum Mum Section. But first listen to my review of iMake's e-Magazine. You can buy it via http://imakemagazine.com/ and http://www.etsy.com/uk/shop/iMakeShop and http://www.craftsy.com/user/599970/pattern-store?SSAID=314743 And do listen to her podcast iMake Also included is the Wots e Craic, http://www.theyarncake.co.uk/The%20Glasgow%20School%20of%20Yarn/ for the Glasgow School of Yarn information 18/19 October 2013 Swap Section Me Me Me Section Wotcha Doing Segment And we have a Drams with an Arran 10 year old Single Malt Whisky. Contact me via caithnesscraftcollective@gmail.com Ravelry - LouiseHunt Twitter, Facebook, Instagram, Pinterest and Etsy as CaithnessCraft  www.caithnesscraftcollective.podbean.com The music is from the Thurso pipe band.

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