Former railway company in the United Kingdom
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Interview with David Greelish, Apple Lisa Documentary Patreon: https://www.patreon.com/FloppyDays Sponsors: 8-Bit Classics Arcade Shopper FutureVision Research Hello, and welcome to episode 150 of the Floppy Days Podcast for April, 2025. My name is Randy Kindig and I'm the host for this journey through the annals of home computer history. This month, I'm going to step aside from the ongoing series of episodes about the HP 97/67 programmable calculators to bring you a timely interview with a good friend about an interesting topic. That friend is David Greelish, a computer historian, and the topic is his recent publication of a film documentary about the Apple Lisa, called "Before Macintosh: The Apple Lisa". David tells us all about the film, why he produced it, why the Apple Lisa was an important part of home computer history, who he interviewed for the film (he had some amazing guests) and much more. It's a great film and should interest a lot of the listeners, so please consider going out and purchasing the film in order to support David's efforts. For upcoming shows, we do have one more episode in the series on the HP97 with HP calculator historian Wlodek Mier-Jedrzejowicz. I will air that episode very soon. New Acquisitions/What I've Been Up To Indy Classic Expo - https://www.indyclassic.org Vintage Computer Center - https://www.vintagecomputercenter.com OmniView 80 card for Atari 800 - https://archive.org/details/Atari_OMNIVIEW_manual Commodore 16 - https://en.wikipedia.org/wiki/Commodore_16 6502 Plus 4 upgrade for C16 from Lotharek - (https://lotharek.pl/productdetail.php?id=257 News Reboot of Compute's Gazette Magazine - https://www.computesgazette.com/iconic-computes-gazette-magazine-returns-after-35-years-expanding-focus-to-entire-retro-computing-community/ Upcoming Shows The 32nd Annual “Last” Chicago CoCoFEST! - May 2-3, 2025 - Holiday Inn & Suites Chicago-Carol Stream (Wheaton), Carol Stream, Illinois - https://www.glensideccc.com/cocofest/ VCF Europe - May 3-4 - Munich, Germany - https://vcfe.org/E/ Retrofest 2025 - May 31-June1 - Steam Museum of the Great Western Railway, Swindon, UK - https://retrofest.uk/ Vancouver Retro Gaming Expo - June 14 - New Westminster, BC, Canada - https://www.vancouvergamingexpo.com/index.html VCF Southwest - June 20-22, 2025 - Davidson-Gundy Alumni Center at UT Dallas - https://www.vcfsw.org/ Southern Fried Gaming Expo and VCF Southeast - June 20-22, 2025 - Atlanta, GA - https://gameatl.com/ Pacific Commodore Expo NW v4 - June 21-22 - Old Rainier Brewery Intraspace, Seattle, WA - https://www.portcommodore.com/dokuwiki/doku.php?id=pacommex:start KansasFest - July 18-20 - Virtual only - https://www.kansasfest.org/ VCF West - August 1-2 - Computer History Museum in Mountain View, CA - https://vcfed.org/2025/03/05/vcf-west-2025-save-the-date/ VCF Midwest - September 13-14, 2025 - Renaissance Schaumburg Convention Center in Schaumburg, IL - http://vcfmw.org/ Tandy Assembly - September 26-28 - Courtyard by Marriott Springfield - Springfield, OH - http://www.tandyassembly.com/ Portland Retro Gaming Expo - October 17-19 - Oregon Convention Center, Portland, OR - https://retrogamingexpo.com/ Chicago TI International World Faire - October 25 - Evanston Public Library, Evanston, IL - https://www.chicagotiug.org/home Schedule Published on Floppy Days Website - https://docs.google.com/document/d/e/2PACX-1vSeLsg4hf5KZKtpxwUQgacCIsqeIdQeZniq3yE881wOCCYskpLVs5OO1PZLqRRF2t5fUUiaKByqQrgA/pub Documentary and Classic Computing Links Classic Computing Website - https://www.classiccomputing.com/Classic_Computing/Blog/Blog.html https://www.youtube.com/watch?v=psAeTDYezdo - "Before Macintosh: The Apple Lisa" Full Documentary Film Exidy Sorcerer at VCFSE 2 - https://floppydays.libsyn.com/floppy-days-episode-17-the-exidy-sorcerer-live-from-vcfse-20 Stan Veit podcast - https://www.classiccomputing.com/CCPodcasts/Stan_Veit/Stan_Veit.html Classic Computing - the book! - https://www.classiccomputing.com/Classic_Computing/My_Book.html Documentary link at IMDB - https://www.imdb.com/title/tt31122934/
The HP97 Programmable Calculator - Part 2 - With Wlodek Mier-Jedrzejowicz Patreon: https://www.patreon.com/FloppyDays Video version of the episode at YouTube: https://www.youtube.com/channel/UC6DQ3cyp8h373H0lXSJ8yqQ Sponsors: 8-Bit Classics Arcade Shopper FutureVision Research New Acquisitions 1027 print heads - https://forums.atariage.com/topic/271589-revive1027-order-thread/ ABBUC (Atari Bit-Byter Users Club) - https://www.abbuc.de Best Electronics - https://www.best-electronics-ca.com/ inexpensive keyboard available on Amazon (for domes) - https://amzn.to/3FU9ASx “Atari 400/800 Student Pilot Reference Guide” by Atari - https://archive.org/details/atari_pilot-student-guide PortaCoCo - https://portacoco.com/ Tim Halloran video on making an adapter that allows you to run much of your CoCo off of battery - https://youtu.be/6UN1XvJG-bs Ian Mavric's TRS-80 store - https://www.ebay.com/str/trs80universe Upcoming Shows Midwest Gaming Classic - April 4-6 - Baird Center, Milwaukee, WI - https://www.midwestgamingclassic.com/ VCF East - April 4-6, 2025 - Wall, NJ - http://www.vcfed.org Indy Classic Computer and Video Game Expo - April 12-13 - Crowne Plaza Airport Hotel, Indianapolis, IN - https://indyclassic.org/ The Commodore Los Angeles Super Show - April 26-27 - Burbank VFW Hall, Burbank, CA - https://www.portcommodore.com/dokuwiki/doku.php?id=class:start The 32nd Annual “Last” Chicago CoCoFEST! - May 2-3, 2025 - Holiday Inn & Suites Chicago-Carol Stream (Wheaton), Carol Stream, Illinois - https://www.glensideccc.com/cocofest/ VCF Europe - May 3-4 - Munich, Germany - https://vcfe.org/E/ Retrofest 2025 - May 31-June1 - Steam Museum of the Great Western Railway, Swindon, UK - https://retrofest.uk/ Vancouver Retro Gaming Expo - June 14 - New Westminster, BC, Canada - https://www.vancouvergamingexpo.com/index.html VCF Southwest - June 20-22, 2025 - Davidson-Gundy Alumni Center at UT Dallas - https://www.vcfsw.org/ Southern Fried Gaming Expo and VCF Southeast - June 20-22, 2025 - Atlanta, GA - https://gameatl.com/ Pacific Commodore Expo NW v4 - June 21-22 - Old Rainier Brewery Intraspace, Seattle, WA - https://www.portcommodore.com/dokuwiki/doku.php?id=pacommex:start KansasFest - July 18-20 - Virtual only - https://www.kansasfest.org/ VCF Midwest - September 13-14, 2025 - Renaissance Schaumburg Convention Center in Schaumburg, IL - http://vcfmw.org/ Tandy Assembly - September 26-28 - Courtyard by Marriott Springfield - Springfield, OH - http://www.tandyassembly.com/ Portland Retro Gaming Expo - October 17-19 - Oregon Convention Center, Portland, OR - https://retrogamingexpo.com/ Chicago TI International World Faire - October 25 - Evanston Public Library, Evanston, IL - https://www.chicagotiug.org/home Schedule Published on Floppy Days Website - https://docs.google.com/document/d/e/2PACX-1vSeLsg4hf5KZKtpxwUQgacCIsqeIdQeZniq3yE881wOCCYskpLVs5OO1PZLqRRF2t5fUUiaKByqQrgA/pub User Groups HP Handheld Conference - annual conference in the US: Website - https://hhuc.us/ YouTube channel - https://www.youtube.com/@hpcalc HHC 2024 USB Drive - https://commerce.hpcalc.org/hhcusb.php Handheld and Portable Computer Club - https://www.hpcc.org/ Magazines/Newsletters HPX Exchange - http://www.hp41.org/LibView.cfm?Command=List&CategoryID=9 Hewlett Packard Journal: journals - http://www.hp41.org/LibView.cfm?Command=List&CategoryID=7 contents - https://www.vcalc.net/hp-jrnl.htm#JOURNAL Hewlett Packard Personal Calculator Digest Vol. 1, 1976 - (contents) - https://www.vcalc.net/hp-jrnl.htm#DIGEST HP KEYNOTES - https://www.vcalc.net/hp-jrnl.htm#KEY PPC Journal - produced by the PPC group: http://www.hp41.org/LibView.cfm?Command=List&CategoryID=14 available on USB drive from Jake Schwartz' PPC Archive - http://www.pahhc.org/ppccdrom.htm Datafile, the HPCC club journal: https://www.hpcc.org/datafile/index.html Back issues, excluding the current volume, are available on USB drive from Jake Schwartz - http://www.pahhc.org/ppccdrom.htm References Wikipedia - https://en.wikipedia.org/wiki/HP-67/97#67 Museum of HP Calculators (David Hicks) - https://www.hpmuseum.org/hp6797.htm
ANTIC Episode 115 In this episode of ANTIC The Atari 8-Bit Computer Podcast… we talk lots of contest news, Mr. Paint, a DIY Atari-themed monitor, and lots of other Atari 8-bit news. Plus, we find a book on “exhausting” Atari games! READY! Recurring Links Floppy Days Podcast AtariArchives.org AtariMagazines.com Kay's Book “Terrible Nerd” New Atari books scans at archive.org ANTIC feedback at AtariAge Atari interview discussion thread on AtariAge Interview index: here ANTIC Facebook Page AHCS Eaten By a Grue Next Without For Links for Items Mentioned in Show: What we've been up to Scanned stuff from Timothy Onders https://archive.org/details/stx_Atari_400_800_Personal_Computer_System_Operating_System_Listing_1981-02_CO16579 https://archive.org/details/stx_Atari_400_800_Personal_Computer_System_Hardware_Manual_CO16555_1980-10 https://archive.org/details/APX_Isopleth_Map-Making_Package_manual_APX-20103_1982-06 Pilot book - “Atari 400/800 Student Pilot Reference Guide” by Atari - https://archive.org/details/atari_pilot-student-guide Scanned JACG (Jersey Atari Computer Group) newsletters: October, 1985 - https://archive.org/details/jacg-newsletter-1985-october-vol-5-no-2 November, 1985 - https://archive.org/details/jacg-newsletter-1985-november-vol-5-no-3 Atari newsletters at Internet Archive - https://docs.google.com/spreadsheets/d/1RkznDDlOL2O_K-RrbkajIuo6DvYof6Ajrn7j9NTcoDM/edit?usp=sharing Recent Interviews ANTIC Interview 453 - Giann Velasquez, Atariteca - https://ataripodcast.libsyn.com/antic-interview-453-giann-velasquez-atariteca ANTIC Interview 452 - Dean Garraghty, DGS Software ANTIC Interview 454 - Steve Kranish, Parker Brothers Frogger News Mr. Paint by Wade Ripkowski: https://github.com/Ripjetski6502/MrPaint https://forums.atariage.com/topic/379270-mr-paint/ Atari ‘faux neon' LED logo sign, $40 on pre-order - https://atari.com/products/atari-neon-led-sign-white-12-x-13 “errant” on git - using Atari as a keyboard for a PC. Code and instructions posted: https://git.sdf.org/errant/keytari https://voidptr.org/ Arcade Centipede emulated on Atari 800XL - https://forums.atariage.com/topic/379015-centipede-emulator-for-the-atari-800xl/ FujiCup 2024 Results Announced: https://fujicup.pl/ results page for 2024 - https://fujicup.pl/wyniki2024 Video - https://www.youtube.com/watch?v=xW-z9tD1OW4 Download all 2024 games in ZIP archive Atari Homebrew Awards 2024: https://www.youtube.com/watch?v=0b3g4Czr0BE Best Atari 8-Bit/5200 Homebrew (Original) - https://forums.atariage.com/topic/379180-7th-annual-atari-homebrew-awards-atari-8-bit5200-homebrew-original/ Best Atari 8-Bit/5200 Homebrew (Port) - https://forums.atariage.com/topic/379181-7th-annual-atari-homebrew-awards-atari-8-bit5200-homebrew-port/ Best Atari 8-Bit/5200 WIP (Original) - https://forums.atariage.com/topic/379182-7th-annual-atari-homebrew-awards-atari-8-bit5200-wip-original/ Best Atari 8-Bit/5200 WIP (Port) - https://forums.atariage.com/topic/379183-7th-annual-atari-homebrew-awards-atari-8-bit5200-wip-port/ 800XL gets a mention in Hackaday article - https://hackaday.com/2025/02/21/genetic-algorithm-runs-on-atari-800-xl/ XCL10 Monitor - Marcin "Fokaszalot" - Baran - https://atarionline.pl/v01/index.php?ct=nowinki&ucat=1&subaction=showfull&id=1740334426 BASIC 10-Liner Contest - https://gkanold.wixsite.com/homeputerium/copy-of-games-list-2024 Via bill kendrick - https://www.timeextension.com/features/interview-it-was-a-suicide-mission-larry-siegel-reflects-on-ataris-failed-war-on-nintendo Compute! Magazine ATR by Issue #4 to #95 - Rory McMahon - https://discord.com/channels/1071168010427060324/1071168010427060327/1340108131690348607 https://www.eurogamer.net/40-years-on-rescue-on-fractalus-remains-a-rare-reminder-of-the-magic-of-lucasfilm-games Computer Dealer Demos: Selling Home Computers with Bouncing Balls and Animated Logos by Patryk Wasiak, Institute for Cultural Studies, University of Wrocław, Poland - https://www.academia.edu/10744534/Computer_Dealer_Demos_Selling_Home_Computers_with_Bouncing_Balls_and_Animated_Logos?email_work_card=title Why the N tools?” By Thomas Cherryhomes: https://fujinet.online/2025/02/21/atari-why-the-n-tools/ Video - https://youtu.be/BUR_KRTRWk0 1090XL Expansion case: https://forums.atariage.com/topic/318373-1090xl-remake/page/41/#findComment-5620900 Link to STLs: https://makerworld.com/en/models/1084156 Upcoming Shows Midwest Gaming Classic - April 4-6 - Baird Center, Milwaukee, WI - https://www.midwestgamingclassic.com/ VCF East - April 4-6, 2025 - Wall, NJ - http://www.vcfed.org Indy Classic Computer and Video Game Expo - April 12-13 - Crowne Plaza Airport Hotel, Indianapolis, IN - https://indyclassic.org/ VCF Europe - May 3-4 - Munich, Germany - https://vcfe.org/E/ Retrofest 2025 - May 31-June1 - Steam Museum of the Great Western Railway, Swindon, UK - https://retrofest.uk/ Vancouver Retro Gaming Expo - June 14 - New Westminster, BC, Canada - https://www.vancouvergamingexpo.com/index.html VCF Southwest - June 20-22, 2025 - Davidson-Gundy Alumni Center at UT Dallas - https://www.vcfsw.org/ Southern Fried Gaming Expo and VCF Southeast - June 20-22, 2025 - Atlanta, GA - https://gameatl.com/ Silly Venture SE (Summer Edition) - July 31-Aug. 3 - Gdansk, Poland - https://www.demoparty.net/silly-venture/silly-venture-2025-se Fujiama - August 11-17 - Lengenfeld, Germany - http://atarixle.ddns.net/fuji/2025/ VCF Midwest - September 13-14, 2025 - Renaissance Schaumburg Convention Center in Schaumburg, IL - http://vcfmw.org/ Portland Retro Gaming Expo - October 17-19 - Oregon Convention Center, Portland, OR - https://retrogamingexpo.com/ Event page on Floppy Days Website - https://docs.google.com/document/d/e/2PACX-1vSeLsg4hf5KZKtpxwUQgacCIsqeIdQeZniq3yE881wOCCYskpLVs5OO1PZLqRRF2t5fUUiaKByqQrgA/pub YouTube Videos The Atari 800 Quick Repair Guide ! - Paul Westphal - https://www.youtube.com/watch?v=5R7CpvJLERk Atari Pioneers Spill: 80s Gaming's Untold Stories! - Convention Coverage - https://www.youtube.com/watch?v=YexxqfHUeik Cutting Edge, Atari XL/XE 64 bytes intro - Freddy Offenga - https://www.youtube.com/watch?v=bcoGgFd-3Nc (From LoveByte 2025 - https://lovebyte.party/ ) "Abundance" 128 Byte Intro Atari XL/XE - gorgh Atari - https://www.youtube.com/watch?v=T6HmWxcGVrg New at Archive.org https://archive.org/details/addison-wesley-adventures-voor-uw-atari-xlxe https://archive.org/details/addison-wesley-afmattende-spelen-voor-uw-atari-600-xl-800-xl https://archive.org/details/great-lakes-atari-digest-june-1989-vol-1-no-4 https://archive.org/details/great-lakes-atari-digest-october-1989-vol-1-no-8 https://archive.org/details/catch-on-to-computers-with-atari-logo-post-cereal https://archive.org/details/computer-shopper-april-1987-vol-7-num-4-atari-articles https://archive.org/details/salespersons-guide-to-the-atari-400-home-computer-system/page/n1/mode/2up https://archive.org/details/excalibur-magazine/ https://archive.org/details/capitol-hill-atari-owners-society-software-library-disk-catalog-march-1987 https://archive.org/details/atari-price-list-june-1982-and-letters/mode/2up https://archive.org/details/grand-rapids-atari-systems-supporters-software-library-disk-catalog-1987 Commercial Atari XE Computer System Commercial (1988) - https://www.youtube.com/watch?v=LjWEE5r8Rak Feedback Chris Lorenzo - Vintage Gaming Memories (YouTube) - Atari Addict Collectors Issue Magazine
I am at London Paddington station, hub for the Great Western Railway serving the West of England and South Wales. There's disruption to many trains here and elsewhere in the country due to the earlier failure of the Network Rail communications system, known as GSM-R.This is an embarrassment for the government in a week in which ministers have assured the public that train delays can only get better.This podcast is free, as is Independent Travel's weekly newsletter. Sign up here to have it delivered every Friday. Hosted on Acast. See acast.com/privacy for more information.
Storm Bert wreaks havoc across the railway with heavy flooding and high winds causing major disruption for trains. Richard visits Northampton station, which experienced major flooding when the River Nene burst its banks. Here's just a snapshot of some of the problems: Great Western Railway was running very limited services at the start of the week and advising people not to travel. Greater Anglia stopped running from Liverpool Street to Stansted Airport and Cambridge, along with other routes. The River Nene burst its banks at Northampton, causing severe disruption to London Northwestern and Avanti West Coast. Transport for Wales had widespread disruption across their network. Northern Rail services were cancelled on some routes because of heavy flooding. West Midlands Railway ran fewer trains. And ScotRail had to put some travel restrictions in place too. A new Network Rail and South Western Railway initiative is tackling leaf fall and wheel slip on the network. Plus… the Young Railway Photographer of the Year competition opens for entries. In this episode: (00:00) Intro (00:45) Storm Bert rail disruption (12:04) Network Rail and South Western Railway leaf fall initiative (27:43) Railway Benefit Fund (38:00) Thanks to Super Thanks and Members (39:42) Railway News Round Up (39:44) Bridge strike statistics (42:06) Northern trains strike 97 objects in a year (43:37) Most used stations in Britain (47:22) Jacobite steam train - West Coast Railways customer service (49:43) Young Railway Photographer of the Year (58:57) The Quiz (01:01:36) Colne Valley Viaduct wins an award Membership: If you want to see even more from Green Signals, including exclusive content, become a member and support the channel further too. YouTube - https://www.youtube.com/@GreenSignals/join Patreon - https://www.patreon.com/GreenSignals Green Signals: Website - http://www.greensignals.org Newsletter - http://www.greensignals.org/#mailing-list Follow: X (Twitter) - https://twitter.com/greensignallers LinkedIn - https://www.linkedin.com/company/green-signals-productions-ltd Instagram - https://instagram.com/greensignallers Credits: Presenters - Nigel Harris (@railnigel on X) & Richard Bowker CBE (@SRichardBowker). General Manager: Stef Foster (@stefatrail)
£1bn fleet of South Western Railway Class 170 Arterio trains in storage ‘because their windscreen wipers are too big'… but is that the real story? Great Western Railway's Fast Charge Battery Train – we find out more about this exciting project. Euston station gets a 5-point plan… but are we impressed? And Siemens' Goole Train Manufacturing Facility opens in Yorkshire! In this episode: 00:00 Intro South Western Railway Arterio windscreen wipers GWR Battery Train Euston station five-point plan Laura Shoaf is appointed Chair of Shadow Great British Railways Tim Shoveller, Freightliner interview preview Video updates, SuperThanks & Member thanks Railway News Round-Up Goole Train Manufacturing Facility opens Bristol's new Ashley Down station opens Grand Central strange tweet Business travel by rail rises 21% The Quiz Northern Yorkshire Dales Explorer Membership: If you want to see even more from Green Signals, including exclusive content, become a member and support the channel further too. YouTube - https://www.youtube.com/@GreenSignals/join Patreon - https://www.patreon.com/GreenSignals Green Signals: Website - http://www.greensignals.org Newsletter - http://www.greensignals.org/#mailing-list Follow: X (Twitter) - https://twitter.com/greensignallers LinkedIn - https://www.linkedin.com/company/green-signals-productions-ltd Instagram - https://instagram.com/greensignallers Credits: Presenters - Nigel Harris (@railnigel on X) & Richard Bowker CBE (@SRichardBowker). General Manager: Stef Foster (@stefatrail)
Train tickets just got more expensive… Rail fares go up by 4.9% sparking fury amongst passenger groups. Has the time come to reconsider the balance between fares and subsidy? Rail Minister Huw Merriman and driver's union ASLEF are at loggerheads again – and a resolution seems as far away as ever. Our adventures on Great Western Railway begin with the launch of our Pullman dining video (https://youtu.be/6fHub4_Vkb0?si=fsZMeiqBndjWFc_Z) and plenty more to look forward to. HS2 Limited delivers 1 million tonnes of construction material – by train of course! Green Signals: Website - http://www.greensignals.org Newsletter - http://www.greensignals.org/#mailing-list Follow: YouTube - https://www.youtube.com/@GreenSignals X (Twitter) - https://twitter.com/greensignallers LinkedIn - https://www.linkedin.com/company/green-signals-productions-ltd Instagram - https://instagram.com/greensignallers Credits: Presenters - Nigel Harris (@railnigel on X) & Richard Bowker CBE (@SRichardBowker). General Manager: Stef Foster (@stefatrail)
The craft of graphic design has changed dramatically since the 80s. Computers. The popularisation of branding. Over the past four plus decades John Rushworth, the design behemoth Pentagram's longest serving partner, has seen it all. Despite these seismic shifts, he believes the thinking and innate human ability it takes to do truly impactful work hasn't changed. Rushworth has had a huge impact on the world of design. He's delivered graphic solutions to clients across almost every industry from Polaroid to Great Western Railway with his in-dept approach to design. Working closely with his clients, he works to draw out what it is that truly makes them who they are. Then turns them into strategically focused and visually compelling brands. He's also had a huge impact on Vince Frost – he was his boss at Pentagram and the person who has influenced his career and design philosophy more than any other creative. Growing up in working class Yorkshire, he'd never heard the word design. It was a student teacher at his, “if I'm honest, pretty bad school,” who'd studied the craft that set a task to design an album cover that his eyes were opened. At age 14, he was good. At his Preston College of Art graduation show he was picked up by Conran Design Group. A year later he moved to Pentagram, just in time for their 10th birthday party. In 1987 he became the studio's first associate and two years later was the first employee to be invited to become a partner. The creative has been member of the Alliance Graphique Internationale (AGI) since 1994 and a Director of the Outset Contemporary Art Fund since 2012. His work has been exhibited worldwide and has received many international awards including a gold medal at the Lahti Poster Biennale and multiple D&AD silver pencils. Listen in as Vince and John discuss the business of design, the impact of computers and AI on the design process, and what Vince learned working under him at Pentagram in the 90s. https://www.pentagram.com/ See omnystudio.com/listener for privacy information.
On this week's episode, Martin and Eleanor head to Gloucestershire, a county which really does have it all!After a chat about Old St Andrew's Day and the Boar's Head Feast, they clickety-clack down the Great Western Railway to explore the history and folklore of Gloucestershire - from the Wye Valley, Gloucester Cathedral, and Chedworth Roman Villa to the Brockweir Mermaids, Beast of Dean, the Witch of Berkeley, ghosts, giants, dragons, and much more besides. Then it's time for the main event: Martin's telling of "The Torbarrow Guardian."The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...With Bonus Episodes released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus a range of exclusive content on Patreon, audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Season 2023 – Talk 02.2 – The Railways In The Railways Roger Hobbs tells two stories. First he talks about the development of the railways of Britain and then he tells us about the Great Western Railway. Click a thumbnail below to view the image gallery that accompanies the talk. The birth of the railways … Continue reading "TH2023 T02 2 The Railways" The post TH2023 T02 2 The Railways appeared first on The MrT Podcast Studio.
Welcome aboard to a captivating journey through time on today's episode. Join us as we delve into the annals of one of the most iconic railway networks – the Great Western Railway. Unravelling its rich history, we'll explore how this engineering marvel transformed communities and landscapes, forging connections that have stood the test of time. From the remarkable feats of engineering that birthed this railway titan to the tales of courage, determination and tragedies by individuals who made it all possible, our guest, author and historian Robin Wichard, takes us on an enthralling ride. But that's not all – brace yourselves for some accounts of the supernatural, as we venture into the mysteries that enshroud the Great Western Railway's past. So, whether you're a history enthusiast or simply seeking a nostalgic journey through picturesque landscapes, hop aboard our railway time machine as we uncover stories that have been preserved along this true country branch line of the old Great Western Railway. All aboard for a captivating expedition into the heart of railway heritage! My Special Guest is Robin Wichard Robin Wichard has worked as a teacher of history for over 30 years and now retired works in various capacities on the West Somerset Railway - Britain's longest preserved heritage railway. He has written a number of books from school resource books to texts on Victorian Photography and Re-living the 1940s. The West Somerset Railway Dating back to its construction, this railway behemoth carved its path through the picturesque countryside, connecting ten unique stations across a twenty-mile scenic journey. The legacy of historic steam locomotives, charming coaches, and steadfast wagons comes alive, echoing tales of an era long past. The intricate architecture of these stations, each a testament to a rich industrial heritage, traverse through the Quantock hills, Exmoor, and idyllic villages nestled in leafy lanes offering glimpses into unspoiled landscapes. Behold the breathtaking vistas of the Bristol Channel and distant South-Wales, with the confident spires of churches and the imposing presence of Dunster Castle. Isambard Brunel At the centre of the Great Western Railway's history is the visionary figure of Isambard Kingdom Brunel. A turning point came when a collective of West Somerset landowners sought Brunel's expertise to transform a concept into reality – the West Somerset Railway, a link connecting Watchet, a historic harbor town, to the region and beyond. The area's wealth of quarries necessitated a means of efficient transportation, and though a railway already existed in the form of the West Somerset Mineral Line, the connection to the Bristol and Exeter Railway was seen as vital. The railway eventually opened in 1862, three years after Brunel's passing. His indelible influence endures in the heritage line that stands today, the longest of its kind in England. In this episode, you will be able to: 1. Uncover some of the history, significance and social impact that the West Somerset Railway had. 2. Explore aspects of life on the railway and in the communities nearby. 3. Discover some of the paranormal reports and ghost lore attached to the line. 4. Examine the role the railway played during WWII and hear more about an upcoming immersive event. If you value this podcast and want to enjoy more episodes please come and find us on https://www.patreon.com/Haunted_History_Chronicles to support the podcast, gain a wealth of additional exclusive podcasts, writing and other content. Links to all Haunted History Chronicles Social Media Pages, Published Materials and more: https://linktr.ee/hauntedhistorychronicles Guest Links: Website for WSR including upcoming events: https://www.west-somerset-railway.co.uk/events --- Send in a voice message: https://podcasters.spotify.com/pod/show/hauntedchronicles/message
Standing at Hyde Park Corner in London, the Royal Artillery Memorial has been cited by one art critic as the finest work of sculpture of the 20th Century. Its creator, Charles Sergeant Jagger, was once described by Auguste Rodin as "The Master".Who was Charles Jagger? In this episode, we look at one of the finest sculptors of the human form to have lived, his work including the RA Memorial and his incredible piece which stands on Platform 1 at Paddington Station commemorating the dead of the Great Western Railway. Jagger served as an officer in the Worcestershire Regiment and was awarded an MC for his actions at Neuve Eglise during the German offensive in Spring 1918 where he was severely wounded. We look at the trials and tribulations that surrounded the creation of the Royal Artillery Memorial and look at his work on the magnificent "No Mans Land"Support the podcast:https://www.buymeacoffee.com/footstepsbloghttps://www.patreon.com/footstepsofthefallen
This week a delirious Keri and Matthew discuss The Barron Knights, Keri gluing herself to a fridge in protest at The Archers and the sex lives of Great Western Railway passengers circa 1997. In between paying homage to Ocotal's most famous twin city, we poured Pat's cold soup all over the following: Avengers Bellendgame : Tom keeps the sausage wagon running as Lee delivers a five-finger death-tickle.We was Robbed! He's back and he's in Swindon.Drills, Thrills and BL aches : Home Farm is where Stella's heart is. For now...Beatbox or Meatbox? Freddie gently refuses Vince's offer.To help us out with a lovely worded 5 star review hit the link below. Then scroll down to ‘Ratings and Reviews' and a little further below that is ‘Write a Review' (this is so much nicer than just tapping the stars
We apologise in advance for the less that perfect audio quality in some parts of this episode. This week, Christian discusses plans for rail investment in Cornwall with Great Western Railway's Mark Hopwood [00:36], attends the Parliamentary Reception supporting Growth Track 360's campaign for better public transport linking North Wales and North West England [10:43], examines positively the UK Government's financial support for Active Travel England [20:00] and welcomes the Welsh Government's Roads Review [23:44].
We're closing season one with a bonus episode featuring: Moneyshot, Parker, Alkemy, Comfort, Paul-B, DJ Cuz, and Tony Prince! Credits: Roy 'Moneyshot' Spencer, Peter 'Parker' Hall, Eughine 'Alkemy' Dunnion, Ricardo 'Comfort' Banks, Paul Bettridge, Marcus 'DJ Cuz' Wood, Jonathan 'Blade' Wrate, and Tony Prince. Produced by: Dale Lewis and Luke Bailey for Fly Fidelity Media Art direction: Lloyd Bailey Special thanks to Friendly Rich (The Tom Green Show) About: From the producers of Fly Fidelity comes a candid and celebratory history of Welsh Hip Hop—featuring long-form, neglected and under-documented tales from Wales. Hosted by Luke Bailey, Hip Hop Cymru Wales dives into the notable and nuanced evolution of Welsh hip hop history and its impact, exploring the intimate road map to an incredible and powerful culture that's still enduring and changing lives today. A live exhibition coming Summer 2023 at the National Museum Cardiff in partnership with Avant Cymru supported by Heritage Lottery Fund Wales and Great Western Railway
This week, DMC finalist DJ Killer Tomato discusses his journey as DJ, from house parties and clubs to touring with Skinnyman and Goldie Lookin' Chain to supporting Jay-Z and Beyonce at Cardiff's principality stadium. We also reflect on his memories competing in the DMC Championships, crafting mixtapes , teaching Charlotte Church how to deejay, and more! Credits: Tom "Killer Tomato" Clugston, Joel "Elmono" Lipman, Peter "Parker" Hall aka Neuropol, Rhys "Eggsy" Hutchings and John "Cutmaster Swift" Swift Produced by: Dale Lewis and Luke Bailey for Fly Fidelity Media Art direction: Lloyd Bailey Special thanks to Friendly Rich(The Tom Green Show) About: From the producers of Fly Fidelity comes a candid and celebratory history of Welsh Hip Hop—featuring long-form, neglected and under-documented tales from Wales. Hosted by Luke Bailey, Hip Hop Cymru Wales dives into the notable and nuanced evolution of Welsh hip hop history and its impact, exploring the intimate road map to an incredible and powerful culture that's still enduring and changing lives today. A live exhibition coming Summer 2023 at the National Museum Cardiff in partnership with Avant Cymru supported by Heritage Lottery Fund Wales and Great Western Railway
Cardiff-born producer and award winning turntablist Keltech opens up about his career on this week's episode. Take a trip down memory lane as we discuss how he got into both deejaying and producing, collaborating with Johnny B (Xenith), being one of the first turntablists to go viral in the UK, as well as his creative insights into his craft! Credits: Jonathan "Johnny-B" Burgess, Sophie "Lil Miz" Barras, John "Cutmaster Swift" Swift, Andy Cowan(Hip Hop Connection and Terry "Rapster Tee" Cooper. Produced by: Dale Lewis and Luke Bailey for Fly Fidelity Media Art direction: Lloyd Bailey Special thanks to Friendly Rich(The Tom Green Show) About: From the producers of Fly Fidelity comes a candid and celebratory history of Welsh Hip Hop—featuring long-form, neglected and under-documented tales from Wales. Hosted by Luke Bailey, Hip Hop Cymru Wales dives into the notable and nuanced evolution of Welsh hip hop history and its impact, exploring the intimate road map to an incredible and powerful culture that's still enduring and changing lives today. A live exhibition coming Summer 2023 at the National Museum Cardiff in partnership with Avant Cymru supported by Heritage Lottery Fund Wales and Great Western Railway
Within hip-hop DJing and turntablism circles Joel Lipman is a legend of epic proportions. DJ, producer, record-maker, Joel's meticulous dedication to his craft stretches back to his role as a member of the crew of DJs – Optimas Prime – under the moniker Monkey. In this intimate conversation, we discuss his come up permeating hip hop in wales as one of the most skilled scratch DJ's and making music today as Elmono. Listen wherever you get your podcasts , including but not limited to the below streaming platforms: Credits: Paul "DJ PR-1" Robles, Peter "Parker" Hall aka Neuropol, Marcus "DJ Cuz" Wood, Rob "Joe Blow" Picton, Matt "Junior Disprol" Herbert, and Alfred "Daedelus" Darlington Produced by: Dale Lewis and Luke Bailey for Fly Fidelity Media Art direction: Lloyd Bailey Special thanks to Friendly Rich(The Tom Green Show) and Matt "Junior Disprol" Herbert About: From the producers of Fly Fidelity comes a candid and celebratory history of Welsh Hip Hop—featuring long-form, neglected and under-documented tales from Wales. Hosted by Luke Bailey, Hip Hop Cymru Wales dives into the notable and nuanced evolution of Welsh hip hop history and its impact, exploring the intimate road map to an incredible and powerful culture that's still enduring and changing lives today. A live exhibition coming Summer 2023 at the National Museum Cardiff in partnership with Avant Cymru supported by Heritage Lottery Fund Wales and Great Western Railway
This week we are featuring a chat with former member of Headcase Ladz and Goatboy—Swansea based turntablist and producer Dek Masha Slicer Man. Known as a chief pioneer of hip-hop in Wales, Slicer has uncompromisingly revolutionised the scope and sound of Welsh rap permeating the Welsh musical landscape and beyond! On this episode, we discuss his wonky and wonderful career and everything between! Credits: Dek Masha-Slicer Man, Rhys "Eggsy" Hutchings, Alfy "DJ Demo" Rossi, Andy Cowan (Hip Hop Connection), Marcus "DJ Cuz" Wood and Kaptin Barrett. Produced by: Dale Lewis and Luke Bailey for Fly Fidelity Media Art direction: Lloyd Bailey Special thanks to Friendly Rich (The Tom Green Show) About: From the producers of Fly Fidelity comes a candid and celebratory history of Welsh Hip Hop—featuring long-form, neglected and under-documented tales from Wales. Hosted by Luke Bailey, Hip Hop Cymru Wales dives into the notable and nuanced evolution of Welsh hip hop history and its impact, exploring the intimate road map to an incredible and powerful culture, that's still enduring and changing lives today. A live exhibition coming Summer 2023 at the National Museum Cardiff in partnership with Avant Cymru supported by Heritage Lottery Fund Wales and Great Western Railway
Now known as Bad Meaning Good, the iconic turntablist formerly known as DJ Excel is the next guest to join this very special episode of Hip Hop Cymru Wales. We sat down with the five time DMC finalist to discuss over three decades of experience and iconic-battles, including the DMC Championships and Vestax, as well as inventing the Twiddle Scratch/Crab scratch, and more! Credits: Miaer "Bad Meaning Good (fka DJ Excel)" Lloyd, Alfy "DJ Demo" Rossi, Richard "DJ Q-bert" Quitevis, John "Cutmaster Swift" Swift and Morgan Khan. Produced by: Dale Lewis and Luke Bailey for Fly Fidelity Media Art direction: Lloyd Bailey Special thanks to Friendly Rich (The Tom Green Show)and DW Smith About: From the producers of Fly Fidelity comes a candid and celebratory history of Welsh Hip Hop—featuring long-form, neglected and under-documented tales from Wales. Hosted by Luke Bailey, Hip Hop Cymru Wales dives into the notable and nuanced evolution of Welsh hip hop history and its impact, exploring the intimate road map to an incredible and powerful culture, that's still enduring and changing lives today. A live exhibition coming Summer 2023 at the National Museum Cardiff in partnership with Avant Cymru supported by Heritage Lottery Fund Wales and Great Western Railway
Welcome to the first episode of Hip Hop Wales Cymru Podcast. This episode, Cardiff based DJ and producer, Jason "Jaffa" Farrell is our first honorary guest, joining us to discuss his unique journey and enduring career. Known for rocking jams during hip hop's earliest development, Jaffa leveraged his success as a local staple into a permanent position as one of Wales' most recognised DJ's today. From recording with Jive Records as one half of Just The Duce, to attempting the world record for the longest continuous DJ marathon, to hosting a bi-weekly radio show, This That & The Third, Jaffa has remained a consistent force in hip hop for almost three decades. Credits: Jason "DJ Jaffa" Farrell, Ed "Mr Phormula" Holden, Sophie "LilMiz" Barras, Jonathan "Johnny B" Burgess, Tom "Killer Tom" Clugston, Ben "DW Smith" Cook, Huw Stephens, Robert "Joe Blow" Picton, Terry "Rapster-Tee" Cooper, Jaya Had a Dream, Samuel "Mudmowth" Jones, Ricardo "DJ Comfort" Banks, Kwam Chang, Mark "Bad Belly" Lang, Paul "Rollo", Motion Dance, Pete "Pedro", Joseph "Joe Dirt" Barker, Miles Day, Gem Squires, Dave Akton, Dek-Masha Slicer Man, Tom Wallace, Neil "DJ Lok" Archer, Roy "DJ Moneyshot" Spencer, MC Mercury, Kaptin Barritt. Produced by: Dale Lewis and Luke Bailey for Fly Fidelity Media Art direction: Mango Design Special thanks to Matt "Junior Disprol" Herbert and Friendly Rich (The Tom Green Show) About: From the producers of Fly Fidelity comes a candid and celebratory history of Welsh Hip Hop—featuring long-form, neglected and under-documented tales from Wales. Hosted by Luke Bailey, Hip Hop Cymru Wales dives into the notable and nuanced evolution of Welsh hip hop history and its impact, exploring the intimate road map to an incredible and powerful culture, that's still enduring and changing lives today. A live exhibition coming Summer 2023 at the National Museum Cardiff in partnership with Avant Cymru supported by Heritage Lottery Fund Wales and Great Western Railway
Il a 25 ans. Il est fils de cheminot et créateur d'une chaîne YouTube (Simply Railway) entièrement dédiée au train ! Après un an d'escapades sur les chemins de fer du monde entier, le succès est tel qu'il en arrive à en faire son métier principal. C'est à son retour de voyage dans les gares des États-Unis et du Maroc que nous l'avons invité. Passionné du rail, Thibault Constant publie un livre tiré de ses aventures : Trains de nuit, 30 trajets inoubliables, aux éditions Gallimard (rediffusion). Marina Mielczarek : Thibault Constant, comment vous définir ? Vous êtes influenceur sur les trains internationaux, blogueur, aventurier ? Thibault Constant : Un peu tout à la fois. On peut aussi dire youtubeur ! Vos dernières aventures sur votre chaîne YouTube Simply Railway, vous traversez le Maroc. Un pays engagé, dites-vous, dans le développement du train. Au Maroc, je suis allé dans les gares de Marrakech, de Casablanca, de Tanger. Les plus grandes villes du pays ont aujourd'hui des gares ultra modernes. Le gouvernement continue de s'impliquer dans le chemin de fer. Leur TGV (train à grande vitesse) s'appelle « Al Boraq », inauguré en 2018 et fabriqué en France. Et puis d'autres trains les « Al Atlas », permettent d'aller dans le désert et de traverser le Maroc de long en large. La qualité de leurs voies ferrées vous a aussi stupéfait, dites-vous. Oui ! C'est incroyable cette modernité dans les plus grosses villes. Avec un soin apporté aux containers, aux voitures et aux voies ferrées très bien entretenues. Alors certes, du point de vue matériel, le Maroc roule encore avec des anciens modèles importés de France. Ce sont d'anciens modèles de la SNCF (Société nationale des chemins de fer) mais le gouvernement est en train de rénover tout le parc et de développer le goût du train, la culture de ce moyen de transport auprès de la population. Ailleurs en Afrique, des pays qui vous tentent… J'aimerais beaucoup voyager dans les trains d'Afrique du Sud. Ils ont des trains de luxe qui doivent être vraiment très agréables à expérimenter. Et puis au Sénégal, Dakar a investi dans un train de banlieue, sur le modèle des RER français et fabriqué également en France par Alstom. La SNCF a aussi chapeauté le projet. Quant à l'Égypte, ce sont les champions des trains de nuit le long du Nil. Dans votre livre, Trains de nuit, 30 trajets inoubliables en Europe, vous partagez vos aventures nocturnes en donnant votre avis sur les services proposés à bord. À voir les autres pays, on a vraiment l'impression que les trains de nuit français sont démodés et mal équipés. En France, tout est à refaire ! La dernière rénovation des voitures de nuit date de l'an 2000 ! Dans ces trains, il n'y avait même pas de compartiments individuels pour des lits couchettes. Et même pas encore de prises électriques dans toutes les voitures. Aujourd'hui, c'est impossible, il faut que les voyageurs aient du courant pour brancher leur réveil… qui est sur leur téléphone portable ! Mais les choses changent, la SNCF est en train de rénover 90 nouvelles voitures couchettes. Il y a encore énormément de travail notamment sur les lignes entre villes secondaires en province. Un autre point à améliorer serait les réservations sur internet. Que pensez-vous de la relance du plan français l'an dernier en 2021, en faveur des trains de nuit ? C'est le choix incontournable. Dans tous mes voyages, je le constate, les jeunes étudiants ou les personnes qui ont de faibles revenus ne sont plus les seuls clients des voyages de nuit. Le train est le transport de l'avenir, rentable et moins polluant que l'avion. Dans l'un de vos films sur les trains de nuit, vous évoquez la formule magique des petits déjeuners au lit des trains de nuit anglais ! Alors qu'en France, il est impossible de trouver un service restauration correct ou même de petit déjeuner. Je vous conseille de vivre l'aventure absolument incroyable ! C'est à bord du train Night Riviera de la compagnie Great Western Railway. Entre Londres et Penzance Cornwall dans le sud-ouest du pays. L'hôtesse vient dans votre voiture et pose le plateau sur votre table de nuit, c'est génial ! La génération des 18-35 ans est convertie ? Depuis deux ans, et la crise de Covid-19 a amplifié les choses, l'avion perd sa popularité. Au cours de mes voyages en train, j'ai constaté le nombre croissant de voyageurs jeunes, mais aussi d'adultes convaincus d'être plus vertueux pour la préservation de la planète. Vous revenez juste des États-Unis. Là-bas le président Biden annonce son grand projet de développement des transports. Avec une belle part dédiée au train et aux constructions de voies ferrées, le chantier est énorme, un peu trop ambitieux selon vous ? Les États-Unis ne sont pas l'Europe ! En matière de trains, les Américains ne connaissent pratiquement pas ce moyen de déplacement. Ils comptent sur la voiture et l'avion. Autrefois dans les années 1950, c'était un transport privilégié. Aujourd'hui à part un triangle entre New-York, Washington Boston et le train, (le corridor nord-est) où des gares existent, il n'y a pas de services de trains. Si le président Biden veut développer le train, il aura tout à reconstruire ! Et puis, il lui faudra convaincre les gens de prendre le train, ce qui n'est pas une mince affaire. Aux États-Unis, le rail du transport de marchandises est-il modulable pour transporter des voyageurs ? Business as usual (l'argent avant tout) ! Aujourd'hui les voies ferrées qui servent au fret appartiennent à des compagnies privées. Or, le gouvernement aura beau leur proposer de partager ces lignes, c'est selon moi, quasi perdu d'avance ! Ces sociétés font trop de profits avec le transport de marchandises pour vouloir changer la donne. Ce qui est passionnant dans votre livre et sur vos images, c'est de voir le côté coulisses du monde ferroviaire que vous proposez. Ainsi, le nettoyage des TGV ou les différentes stratégies des positions de quais ou d'escaliers dans les gares du monde entier. Un aspect qui intéresse vraiment les gens ? Moi-même je suis étonné par le succès de ces séquences ! Vous êtes fils de cheminot, la transmission de père en fils ! Mon père et aussi mon frère conduisent des trains ! Moi, je filme mes voyages au travers le monde. Vous avez raison, c'est une affaire de famille ! Pour les images des coulisses, les jeunes les regardent beaucoup et en redemandent. Moi, j'aime partager cette passion avec eux. (REDIFFUSION)
In our latest episode of 'Transport Talks' we interviewed Katja Frisinger, a conductor for Great Western Railway, based out of Exeter.We discussed what an average day looks like for them and how the issue of women and girls' safety plays out in their role. Post-COVID transport looks like for them is also discussed. As well as what passengers should do when they witness others feeling uncomfortable on trains and the importance of reporting everything and anything they see.CIHT Statement: The opinions expressed in this article are those of the authors. They do not purport to reflect the opinions or views of the CIHT or its members. Neither the CIHT nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein.
In our latest episode of 'Transport Talks' we interviewed Katja Frisinger, a conductor for Great Western Railway, based out of Exeter. We discussed what an average day looks like for them and how the issue of women and girls' safety plays out in their role. Post-COVID transport looks like for them is also discussed. As well as what passengers should do when they witness others feeling uncomfortable on trains and the importance of reporting everything and anything they see. CIHT Statement: The opinions expressed in this article are those of the authors. They do not purport to reflect the opinions or views of the CIHT or its members. Neither the CIHT nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein.
In our latest episode of 'Transport Talks' we interviewed Katja Frisinger, a conductor for Great Western Railway, based out of Exeter. We discussed what an average day looks like for them and how the issue of women and girls' safety plays out in their role. Post-COVID transport looks like for them is also discussed. As well as what passengers should do when they witness others feeling uncomfortable on trains and the importance of reporting everything and anything they see. CIHT Statement: The opinions expressed in this article are those of the authors. They do not purport to reflect the opinions or views of the CIHT or its members. Neither the CIHT nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein.
Travel disruption struck early on the day of the Queen's state funeral, with the complete shutdown of the Great Western Railway in and out of London Paddington station.I'm at London Waterloo, which is providing an alternative escape route for travellers to South Wales and the West of England.More problems anticipated on Tuesday morning. Hosted on Acast. See acast.com/privacy for more information.
Britain's first modern high speed line may have been the Selby Diversion. Its first 300km/h line may have been High Speed 1. But the first inter-city railway that embodied the design elements we see of high speed lines today was - arguably - the Great Western Railway. 130 years after its opening it also became Britain's first 200km/h railway. It may have been over-engineered by Brunel, but this was very much in the favour of the engineers of the 1970s when they upgraded much of the GWR for 125mph running... This week's #RailNatter looks at what these upgrades involved - and we'll think on what we can learn from these works today. Enjoyed this? Please do consider supporting #RailNatter at https://patreon.com/garethdennis or throw loose change at me via https://paypal.me/garethdennis. Merch is at https://masquette.co.uk/collections/r.... Join in the discussion at https://garethdennis.co.uk/discord.
We're making the most of the weather again and recording the podcast outside on location. As before you'll need to listen to find out where we were. As ever we start with a chat about what's been happening in the world of Hidden Wiltshire since the last podcast. And if it weren't for one or two of our wonderful contributors the answer would be “not much”. Elaine Perkins has “delivered” once again (this seems to be the word of the month at the moment)! She posted some great photos in the contributors' Facebook Group of a short evening walk she did taking in Old Sarum, Little Durnford and the Avon Trail. Elaine also ventured on an exploration of Amesbury and the surrounding area which we have now posted as a blog on the open Facebook site and the Hidden Wiltshire website. Amesbury may not be hidden but some of what Elaine found certainly was. You'll find a link to her blog below. Glyn managed to squeeze in one walk before he went on holiday, based around East and West Knoyle. There's a link to his blog and photos below. This is a beautiful part of Wiltshire and well worth a visit. Meanwhile Paul has once again deserted the county and undertaken walks in the New Forest (just over the Wiltshire border in Hampshire) and further afield on the stunning Dorset coast. But we can't talk about those! There have been a couple of Wiltshire Museum guided walks since the last podcast. A select few guests accompanied Glyn on a walk in the countryside around Castle Combe, an abbreviated version of the walk Paul did just after lockdown in July 2020. You'll find a link to Paul's walk below but Glyn managed to shorten this to a more manageable five miles. We've added a map of his walk to Paul's original blog. Glyn's article about Wiltshire's Blind Houses was featured in the August edition of Wiltshire Life. His original blog can be found below. Glyn also attracted a lot of attention on Twitter when he posted some aerial photographs of the parched landscape around Rybury Camp in Pewsey Vale. Local farmer (and constructor of long barrows) Tim Daw had noticed some interesting crop marks in his fields and invited Glyn to photograph them with his drone. You can see the photographs on both Hidden Wiltshire Facebook pages and on Glyn's Twitter feed. There appears to be a previously unknown enclosure and henge in the fields together with multiple possibly Iron Age storage pits. Whilst the hot dry weather creates many problems it does enable the land to reveal many of its hidden secrets. Finally in our review we wanted to mention a couple of Hidden Wiltshire followers. Firstly Bill Parncutt,who emailed us with some very kind comments about the podcast, and secondly Simon Lovett and his dad John for whom Simon bought a copy of our book as a birthday present. Paul delivered the book personally to John but stupidly didn't get the name of his lovely wife. But it was great to meet you Mrs Lovett! Before we moved onto the main subject of the podcast we had a chat about our location for the recording so do have a listen. The main subject in this episode was the walk Paul and his regular walking buddy Stu did in February 2022 starting in Lacock, their target being the Wilts & Berks Canal. Everyone knows Lacock so we didn't dwell on that for too long. But the canal is something that many don't know about. Completed in 1810 the canal stretches for 52 miles and its primary purpose was to carry coal. Ironically its heyday was the 1830s when it was used to carry the raw materials for the construction of the Great Western Railway which was to see its ultimate demise and abandonment in 1914. Then in 1977 a group of volunteers formed to begin the monumental task of restoring its entire length, a task that continues to this day under the auspices of the Wilts & Berks Canal Trust. If you want to support them in their endeavours, you'll find a link to their excellent website below. The rest of the walk takes in a number of fine Wiltshire houses including Ray Mill House, Pewsham House, Kilima Farm, Bowden Park and Bewley Court together with a rather pathetic looking Iron Age hillfort at Naish Hill and finally Lacock Abbey. In all the walk was about seven miles and you will find a link to Paul's blog with route map below. Then on to the wrap up: Steve Dixon's piece leading into our main subject is called “Dark and Lonely Water”. A rather depressing piece it includes the voiceover from a public information film from 1973 about the dangers of playing near water, narrated by Donald Pleasence! As ever the piece in the introduction and at the end of the podcast is entitled “The Holloway”. The great news is that, whilst Steve has provided us with a sizable library of music, he has of late become enthused and promised us some new work. Finally, don't forget to check out the Hidden Wiltshire online shop on the website if you'd like to help us keep the lights on. The first Hidden Wiltshire book has now sold out but the second book is still available at a specially discounted price from the website. The book is also available at Devizes Bookshop, Wiltshire Museum in Devizes and now Wiltshire's libraries. And don't forget to subscribe to the Hidden Wiltshire Newsletter from the website. You can also subscribe to alerts about new Blogs. Links: Glyn's article about Blind Houses can be found on our website here Blind Houses Elaine Perkins' blog about hidden Amesbury can be found here Exploring Amesbury Glyn's blog about his walk around East Knoyle and West Knoyle can be found here East Knoyle and West Knoyle Paul's blog about the Castle Combe walk, amended to include a map of the shorter walk Glyn did, can be found here Castle Combe and a Hint of Ancient History Paul's blog about the Lacock and Wilts & Berks Canal walk can be found here Lacock and The Wilts & Berks Canal The Wilts & Berks Canal Trust website can be found here Wilts & Berks Canal Trust Glyn's photographs can be seen on his Instagram feed @coy_cloud He is also very active on Twitter where his username is @Glyndle Paul's photography can be found on his website at Paul Timlett Photography and on Instagram at @tragicyclist Steve Dixon's sound art can be found on Soundcloud where his username is River and Rail Steve Dixon River and Rail. His photographs can be found on Instagram at @stevedixon_creative and his graphic design business website is at Steve Dixon Creative And finally you'll find the Hidden Wiltshire online shop here Hidden Wiltshire Shop and a link to Glyn's blog about the latest book and how to purchase a copy here Hidden Wiltshire from near and far
I have an odd professional life. I double as a financial writer and a comedian. It seems to work. I specialise in unacceptable songs. You're bound to have stumbled across one of them at some point. Apparently, I'm Nigel Farage's favourite comic. I've just made what many would consider a comical investment. I have put more money than I care to think about into a theatrical venture on which I am almost certainly going to lose my shirt. It's got a cast of over 50, a 15-piece orchestra and more. But I don't care, because this is more important than money. My father, Terence Frisby, had a full and successful life. His play There's A Girl In Soup was, for a time, the longest-running comedy in the history of the West End and a worldwide hit with runs on Broadway and across Europe (in Paris with Gérard Depardieu, in Rome with Domenico Modugno). It was made into a film with Peter Sellers and Goldie Hawn, and my father won the Writer's Guild Award for the screenplay. His sitcom Lucky Feller, starring David Jason as one of two working-class brothers living in a council flat in south-east London (sound familiar?) was one ITV's most successful sitcoms of the 1970s, and, another of his sitcoms, That's Love, would become one of ITV's most successful sitcoms of the 1980s. He made fortunes, lost fortunes, won awards, had a string of high profile court cases and beautiful girlfriends, a glamorous wife (my mum) - for a bit - and plenty of fresh air.But there was one thing that nagged away at him constantly, like squirrels in the attic of his mind. It was that he never saw the best thing he ever wrote on the West End stage or on screen. That thing is Kisses on a Postcard.How Kisses on a Postcard got its name In 1940, when my father was seven and his brother, my uncle Jack, was eleven, they were evacuated from their family in south-east London to escape the Blitz. Millions of children across the country met with the same fate. Neither they nor the parents knew where they were going, who they would be staying with or for how long.“Whatever happens, you stay together,” insisted their mum, my grandmother. “You got that? You stay together!” Then, to turn it into an adventure for the two boys, she invented a secret code for them. “When you get there,” she said, handing them a stamped, addressed postcard, “you find out your new address, you write it on this card and you post it to me. Got it? Now, here's the code. You know how to write a kiss - with a cross? Well, put one kiss if it's horrible and I'll come straight there and bring you back home. You put two kisses if it's all right. And three kisses if it's nice. Then I'll know.”The two boys were put on a train along with the rest of their school, each with a gas mask, some sandwiches and a label round their neck with their name on. They ended up in a tiny village in Cornwall, where they were herded into the school hall and picked at random by whichever local would take them.Jack and Terry were chosen by a Welsh ex-coal miner and his wife, Auntie Rose and Uncle Jack, who lived in a tiny cottage by the railway with their soldier son Gwyn. Inside, they found a room packed with things: a cat curled beside the stove: a canary in a cage; oil lamps - there was no electricity here; and two First-World-War shells in their cases, over six inches tall, standing on either side of the clock on the mantelpiece. Outside in the yard, there was a pig and chickens; beyond that a valley with endless woods, a rushing river, fish to catch, streams to dam, paths, tracks, a quarry to climb. And, best of all, at the bottom of the yard lay the main line from London to Penzance. Trains!That night, on a borrowed mattress on the floor, staring at the postcard, they considered their code. They covered the card with kisses and posted it the next morning.My father would spend the next four years in that Cornish village. While many had horrible experiences as vackies, my father didn't. He called it his second childhood. Kisses on a Postcard tells the story of those two boys and the tiny Cornish village during the war, with its conflicts, kindness, pettiness, generosity and gossip, turned on its head, first by the arrival of so many children, then by the arrival of American soldiers, prior to D-Day – a whole regiment of black GIs. No one in the village had ever seen a black man.Having had the theatre thrust upon me since an early age, I'm not as crazy about it as some. My view is that theatre disappeared up its own backside in somewhere around 1974 never to return - certainly the subsidised stuff, anyway. Kisses was only ever staged many years ago as a tiny community theatre project in North Devon, with mostly amateur performers, but it was like nothing I ever saw. Suddenly, I understood why Dad loved the theatre so much and just what a brilliant medium it can be. It became one of my lifetime missions to get Kisses on, and anyone who knows me will know that I have constantly been hustling for over 20 years trying to make it happen. I was hooked. I only stumbled upon my second career writing about money because I was trying to figure out how to raise the capital. A 1970s concept album for the internet eraMy father died in April 2020, probably not a bad time to shuffle off t his mortal coil, given what was going on at the time. As I was going through his things, I came across the script of Kisses. I took it home and stuck it on the shelf, to be dealt with at some later stage. But then, every day, as I looked up from my desk, it would catch my eye and look at me longingly, like a dog wanting a walk.After several months, I couldn't take it any more. “I can't let this die. It's too good to be just a script gathering dust on a shelf. If I don't do something about it, no one will.” To turn Kisses into a film or a West End show would require millions and, more crucially, powerful allies, neither of which I have. But, having spent a large chunk of my adult life in a sound studio - I do a lot of voiceovers as well as the financial writing and the comedy - I did have the means to make some kind of audio drama podcast thing out of it. Like a 1970s concept album, re-formatted for the internet.It needed a lot of re-writing. I could do that. The music still wasn't right - Gordon Clyde, the original composer, had died in 2008 and Dad had turned to various others to fill the gaps. Each did their bit beautifully, but the overall result was a bit disjointed, and needed unifying. I turned to one of my occasional collaborators, Martin Wheatley, a genius who has somehow managed to remain undiscovered his whole life. By coincidence, or as I call it, fate, Martin's father had also been evacuated to Cornwall. We set to work, composed about ten new songs as well as unearthing and reversioning a load of Cornish folk gems that only Martin and about three other people have ever heard of.We have been dogged with good luck ever since. John Owen-Jones - voted the best-ever Valjean in Les Mis and the longest-running phantom in you can guess what - would play the lead role of Uncle Jack, the man who became stand-in father to my dad and uncle. Uncle Jack was a Welsh former coal miner, now a platelayer on the Great Western Railway; fierce, humorous, passionately anti-war and anti-establishment. When I first spoke to John - I'm still not sure who was auditioning who - he said, “Les Mis, Jesus Christ Superstar - they all started as concept albums. If you were doing it any other way, I'd tell you to do it as a concept album first. It's how great things start.”We were all set to record with an orchestra at a London studio, which started totally breaking my balls over Covid regulations. I phoned round the other studios at the last minute, and Abbey Road had just had a cancellation. We recorded it at Abbey Road Studios! Another stroke of fortune.The result is this concept album/musical about an extraordinary time in British history. Those who were evacuated in 1940 will be in their late 80s and 90s now, if they are still with us at all. In many ways Kisses is a farewell to that generation. But I played it to some friends in the car last month, and during the evacuation scenes they all said, “that's exactly what's happening now in Ukraine.” The story remains so pertinent. Dad said he used to get letters from people in Germany who had been evacuated to escape Allied bombs. If you are anything like me, this story will disarm you in the most unexpected ways. I hope you will find yourself laughing and weeping, as I did, at just what wonderful things the kindest of human beings can be.The full four version of Kisses on a Postcard is available at Bandcamp, costing £16, with the 2-hour abridged version for £12. With parts 1 and 2, freely available as a podcast here via iTunes and other podcast platforms.Everything you need to know is here at the website. This article first appeared here in the Telegraph. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe
I have an odd professional life. I double as a financial writer and a comedian. It seems to work. I specialise in unacceptable songs. You're bound to have stumbled across one of them at some point. Apparently, I'm Nigel Farage's favourite comic. I've just made what many would consider a comical investment. I have put more money than I care to think about into a theatrical venture on which I am almost certainly going to lose my shirt. It's got a cast of over 50, a 15-piece orchestra and more. But I don't care, because this is more important than money. My father, Terence Frisby, had a full and successful life. His play There's A Girl In Soup was, for a time, the longest-running comedy in the history of the West End and a worldwide hit with runs on Broadway and across Europe (in Paris with Gérard Depardieu, in Rome with Domenico Modugno). It was made into a film with Peter Sellers and Goldie Hawn, and my father won the Writer's Guild Award for the screenplay. His sitcom Lucky Feller, starring David Jason as one of two working-class brothers living in a council flat in south-east London (sound familiar?) was one ITV's most successful sitcoms of the 1970s, and, another of his sitcoms, That's Love, would become one of ITV's most successful sitcoms of the 1980s. He made fortunes, lost fortunes, won awards, had a string of high profile court cases and beautiful girlfriends, a glamorous wife (my mum) - for a bit - and plenty of fresh air.But there was one thing that nagged away at him constantly, like squirrels in the attic of his mind. It was that he never saw the best thing he ever wrote on the West End stage or on screen. That thing is Kisses on a Postcard.How Kisses on a Postcard got its name In 1940, when my father was seven and his brother, my uncle Jack, was eleven, they were evacuated from their family in south-east London to escape the Blitz. Millions of children across the country met with the same fate. Neither they nor the parents knew where they were going, who they would be staying with or for how long.“Whatever happens, you stay together,” insisted their mum, my grandmother. “You got that? You stay together!” Then, to turn it into an adventure for the two boys, she invented a secret code for them. “When you get there,” she said, handing them a stamped, addressed postcard, “you find out your new address, you write it on this card and you post it to me. Got it? Now, here's the code. You know how to write a kiss - with a cross? Well, put one kiss if it's horrible and I'll come straight there and bring you back home. You put two kisses if it's all right. And three kisses if it's nice. Then I'll know.”The two boys were put on a train along with the rest of their school, each with a gas mask, some sandwiches and a label round their neck with their name on. They ended up in a tiny village in Cornwall, where they were herded into the school hall and picked at random by whichever local would take them.Jack and Terry were chosen by a Welsh ex-coal miner and his wife, Auntie Rose and Uncle Jack, who lived in a tiny cottage by the railway with their soldier son Gwyn. Inside, they found a room packed with things: a cat curled beside the stove: a canary in a cage; oil lamps - there was no electricity here; and two First-World-War shells in their cases, over six inches tall, standing on either side of the clock on the mantelpiece. Outside in the yard, there was a pig and chickens; beyond that a valley with endless woods, a rushing river, fish to catch, streams to dam, paths, tracks, a quarry to climb. And, best of all, at the bottom of the yard lay the main line from London to Penzance. Trains!That night, on a borrowed mattress on the floor, staring at the postcard, they considered their code. They covered the card with kisses and posted it the next morning.My father would spend the next four years in that Cornish village. While many had horrible experiences as vackies, my father didn't. He called it his second childhood. Kisses on a Postcard tells the story of those two boys and the tiny Cornish village during the war, with its conflicts, kindness, pettiness, generosity and gossip, turned on its head, first by the arrival of so many children, then by the arrival of American soldiers, prior to D-Day – a whole regiment of black GIs. No one in the village had ever seen a black man.Having had the theatre thrust upon me since an early age, I'm not as crazy about it as some. My view is that theatre disappeared up its own backside in somewhere around 1974 never to return - certainly the subsidised stuff, anyway. Kisses was only ever staged many years ago as a tiny community theatre project in North Devon, with mostly amateur performers, but it was like nothing I ever saw. Suddenly, I understood why Dad loved the theatre so much and just what a brilliant medium it can be. It became one of my lifetime missions to get Kisses on, and anyone who knows me will know that I have constantly been hustling for over 20 years trying to make it happen. I was hooked. I only stumbled upon my second career writing about money because I was trying to figure out how to raise the capital. A 1970s concept album for the internet eraMy father died in April 2020, probably not a bad time to shuffle off t his mortal coil, given what was going on at the time. As I was going through his things, I came across the script of Kisses. I took it home and stuck it on the shelf, to be dealt with at some later stage. But then, every day, as I looked up from my desk, it would catch my eye and look at me longingly, like a dog wanting a walk.After several months, I couldn't take it any more. “I can't let this die. It's too good to be just a script gathering dust on a shelf. If I don't do something about it, no one will.” To turn Kisses into a film or a West End show would require millions and, more crucially, powerful allies, neither of which I have. But, having spent a large chunk of my adult life in a sound studio - I do a lot of voiceovers as well as the financial writing and the comedy - I did have the means to make some kind of audio drama podcast thing out of it. Like a 1970s concept album, re-formatted for the internet.It needed a lot of re-writing. I could do that. The music still wasn't right - Gordon Clyde, the original composer, had died in 2008 and Dad had turned to various others to fill the gaps. Each did their bit beautifully, but the overall result was a bit disjointed, and needed unifying. I turned to one of my occasional collaborators, Martin Wheatley, a genius who has somehow managed to remain undiscovered his whole life. By coincidence, or as I call it, fate, Martin's father had also been evacuated to Cornwall. We set to work, composed about ten new songs as well as unearthing and reversioning a load of Cornish folk gems that only Martin and about three other people have ever heard of.We have been dogged with good luck ever since. John Owen-Jones - voted the best-ever Valjean in Les Mis and the longest-running phantom in you can guess what - would play the lead role of Uncle Jack, the man who became stand-in father to my dad and uncle. Uncle Jack was a Welsh former coal miner, now a platelayer on the Great Western Railway; fierce, humorous, passionately anti-war and anti-establishment. When I first spoke to John - I'm still not sure who was auditioning who - he said, “Les Mis, Jesus Christ Superstar - they all started as concept albums. If you were doing it any other way, I'd tell you to do it as a concept album first. It's how great things start.”We were all set to record with an orchestra at a London studio, which started totally breaking my balls over Covid regulations. I phoned round the other studios at the last minute, and Abbey Road had just had a cancellation. We recorded it at Abbey Road Studios! Another stroke of fortune.The result is this concept album/musical about an extraordinary time in British history. Those who were evacuated in 1940 will be in their late 80s and 90s now, if they are still with us at all. In many ways Kisses is a farewell to that generation. But I played it to some friends in the car last month, and during the evacuation scenes they all said, “that's exactly what's happening now in Ukraine.” The story remains so pertinent. Dad said he used to get letters from people in Germany who had been evacuated to escape Allied bombs. If you are anything like me, this story will disarm you in the most unexpected ways. I hope you will find yourself laughing and weeping, as I did, at just what wonderful things the kindest of human beings can be.The full four version of Kisses on a Postcard is available at Bandcamp, costing £16, with the 2-hour abridged version for £12. With parts 1 and 2, freely available as a podcast here via iTunes and other podcast platforms.Everything you need to know is here at the website. This article first appeared here in the Telegraph. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit frisby.substack.com/subscribe
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network and today we’re hopping off at Newton Abbot. We went to youth clubs along the network to find out about the lives of young people across the south of England. Let’s find out all about Newton Abbot together. See omnystudio.com/listener for privacy information.
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network and today we’re hopping off at Oxford. Home to the world’s oldest university, people come from all around the world to see the city and its ‘dreaming spires’ Oxford’s also renowned for its stories. Authors like Lewis Carol, Philip Pullman, Oscar Wilde and J R R Tolkein lived and wrote in the city. Shall we find out more?See omnystudio.com/listener for privacy information.
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network and today we’re hopping off at Bristol. We went to youth clubs along the network to find out about the lives of young people across the south of England. There are quite a lot of railway stations in Bristol. Two of the biggest are Bristol Temple Meads and Bristol Parkway. Bristol Temple Meads is the largest and oldest. It was opened in 1840. Let’s find out more about Bristol…See omnystudio.com/listener for privacy information.
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network and today we’re going a bit wild! We went to youth clubs along the network to find out about the lives of young people across the south of England. We hopped off at Bristol and this gentleman told us all about zoos… See omnystudio.com/listener for privacy information.
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network. I don’t know about you, but I love the seaside. Your Great Western Railway ticket opens a world of possibilities including a bit of staycation’ing. We went to youth clubs along the network to find out about the lives of young people across the south of England. Today we’re in Fowey, served by Par station, and we’re finding out all about some of the area’s top beaches… See omnystudio.com/listener for privacy information.
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network and today we’re hopping off at Par station. We went to youth clubs along the network to find out about the lives of young people across the south of England. Sawmills boasts one of the most picturesque locations for a recording studio anywhere in the world. It’s in Fowey, and we’ve got some people here who can tell you all about and some of the biggest bands of today.See omnystudio.com/listener for privacy information.
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network and today we’re hopping off at Par and meeting Will. We went to youth clubs along the network to find out about the lives of young people across the south of England. Par station opened in 1859 and forms part of the Cornish Main Line between Penzance and Plymouth. Will’s here to tell us all about the history of Fowey, a stunning seaside town situated in a little bay along the south coast.See omnystudio.com/listener for privacy information.
Travel Guide for Kids: Exploring Countries & Cities Around the World
Trackside is all about stories from across the Great Western Railway network and today we’re hopping off at Exmouth in Devon. We went to youth clubs along the network to find out about the lives of young people across the south of England. Exmouth railway station is the terminus of the line from Exeter St Davids. It opened in 1861, connecting the City of Exeter and the port town of Exmouth. That line is called the Avocet Line, named after the pied avocet bird. See omnystudio.com/listener for privacy information.
When Britain's railways are placed within the context of the empire they helped to maintain, they are framed as one of the only ‘good' legacies of imperialism. In this episode, we focus on the original Great Western Railway and how it's linked to history within the British slave trade. Featuring Dr. Oli Betts, research lead at the National Railway Museum in York. The full episode transcript can be found here. CREDIT Written by Moya Lothian-McLean Editor and Producer Renay Richardson Researchers are Dr. Alison Bennett and Arisa Loomba Production Assistant is Rory Boyle Sound Design by Ben Yellowitz and the Smiley Sound Collective Social Assets by /Forward Slash. This is a Broccoli Production Learn more about your ad choices. Visit megaphone.fm/adchoices
Il a 25 ans. Il est fils de cheminot et créateur d'une chaîne YouTube (Simply Railway) entièrement dédiée au train ! Après un an d'escapades sur les chemins de fer du monde entier, le succès est tel qu'il en arrive à en faire son métier principal. C'est à son retour de voyage dans les gares des États-Unis et du Maroc que nous l'avons invité. Passionné du rail, Thibault Constant publie un livre tiré de ses aventures : « Trains de nuit, 30 trajets inoubliables », aux éditions Gallimard. Marina Mielczarek : Thibault Constant, comment vous définir ? Vous êtes influenceur sur les trains internationaux, blogueur, aventurier ? Thibault Constant : Un peu tout à la fois. On peut aussi dire Youtubeur ! Vos dernières aventures sur votre chaîne YouTube Simply Railway, vous traversez le Maroc. Un pays engagé, dites-vous, dans le développement du train. Au Maroc, je suis allé dans les gares de Marrakech, de Casablanca, de Tanger. Les plus grandes villes du pays ont aujourd'hui des gares ultra modernes. Le gouvernement continue de s'impliquer dans le chemin de fer. Leur TGV (train à grande vitesse) s'appelle « Al Boraq », inauguré en 2018 et fabriqué en France. Et puis d'autres trains les « Al Atlas », permettent d'aller dans le désert et de traverser le Maroc de long en large. La qualité de leurs voies ferrées vous a aussi stupéfait, dites-vous. Oui ! C'est incroyable cette modernité dans les plus grosses villes. Avec un soin apporté aux containers, aux voitures et aux voies ferrées très bien entretenues. Alors certes, du point de vue matériel, le Maroc roule encore avec des anciens modèles importés de France. Ce sont d'anciens modèles de la SNCF (Société nationale des chemins de fer) mais le gouvernement est en train de rénover tout le parc et de développer le goût du train, la culture de ce moyen de transport auprès de la population. Ailleurs en Afrique, des pays qui vous tentent… J'aimerais beaucoup voyager dans les trains d'Afrique du Sud. Ils ont des trains de luxe qui doivent être vraiment très agréables à expérimenter. Et puis au Sénégal, Dakar a investi dans un train de banlieue, sur le modèle des RER français et fabriqué également en France par Alstom. La SNCF a aussi chapeauté le projet. Quant à l'Égypte, ce sont les champions des trains de nuit le long du Nil. Dans votre livre, Trains de nuit, 30 trajets inoubliables en Europe, vous partagez vos aventures nocturnes en donnant votre avis sur les services proposés à bord. À voir les autres pays, on a vraiment l'impression que les trains de nuit français sont démodés et mal équipés. En France, tout est à refaire ! La dernière rénovation des voitures de nuit date de l'an 2000 ! Dans ces trains, il n'y avait même pas de compartiments individuels pour des lits couchettes. Et même pas encore de prises électriques dans toutes les voitures. Aujourd'hui, c'est impossible, il faut que les voyageurs aient du courant pour brancher leur réveil… qui est sur leur téléphone portable ! Mais les choses changent, la SNCF est en train de rénover 90 nouvelles voitures couchettes. Il y a encore énormément de travail notamment sur les lignes entre villes secondaires en province. Un autre point à améliorer serait les réservations sur internet. Que pensez-vous de la relance du plan français l'an dernier en 2021, en faveur des trains de nuit ? C'est le choix incontournable. Dans tous mes voyages, je le constate, les jeunes étudiants ou les personnes qui ont de faibles revenus ne sont plus les seuls clients des voyages de nuit. Le train est le transport de l'avenir, rentable et moins polluant que l'avion. Dans l'un de vos films sur les trains de nuit, vous évoquez la formule magique des petits déjeuners au lit des trains de nuit anglais ! Alors qu'en France, il est impossible de trouver un service restauration correct ou même de petit déjeuner. Je vous conseille de vivre l'aventure absolument incroyable ! C'est à bord du train Night Riviera de la compagnie Great Western Railway. Entre Londres et Penzance Cornwall dans le sud-ouest du pays. L'hôtesse vient dans votre voiture et pose le plateau sur votre table de nuit, c'est génial ! La génération des 18-35 ans est convertie ? Depuis deux ans, et la crise de Covid-19 a amplifié les choses, l'avion perd sa popularité. Au cours de mes voyages en train, j'ai constaté le nombre croissant de voyageurs jeunes, mais aussi d'adultes convaincus d'être plus vertueux pour la préservation de la planète. Vous revenez juste des États-Unis. Là-bas le président Biden annonce son grand projet de développement des transports. Avec une belle part dédiée au train et aux constructions de voies ferrées, le chantier est énorme, un peu trop ambitieux selon vous ? Les États-Unis ne sont pas l'Europe ! En matière de trains, les Américains ne connaissent pratiquement pas ce moyen de déplacement. Ils comptent sur la voiture et l'avion. Autrefois dans les années 1950, c'était un transport privilégié. Aujourd'hui à part un triangle entre New-York, Washington Boston et le train, (le corridor nord-est) où des gares existent, il n'y a pas de services de trains. Si le président Biden veut développer le train, il aura tout à reconstruire ! Et puis, il lui faudra convaincre les gens de prendre le train, ce qui n'est pas une mince affaire. Aux États-Unis, le rail du transport de marchandises est-il modulable pour transporter des voyageurs ? Business as usual (l'argent avant tout) ! Aujourd'hui les voies ferrées qui servent au fret appartiennent à des compagnies privées. Or, le gouvernement aura beau leur proposer de partager ces lignes, c'est selon moi, quasi perdu d'avance ! Ces sociétés font trop de profits avec le transport de marchandises pour vouloir changer la donne. Ce qui est passionnant dans votre livre et sur vos images, c'est de voir le côté coulisses du monde ferroviaire que vous proposez. Ainsi, le nettoyage des TGV ou les différentes stratégies des positions de quais ou d'escaliers dans les gares du monde entier. Un aspect qui intéresse vraiment les gens ? Moi-même je suis étonné par le succès de ces séquences ! Vous êtes fils de cheminot, la transmission de père en fils ! Mon père et aussi mon frère conduisent des trains ! Moi, je filme mes voyages au travers le monde. Vous avez raison, c'est une affaire de famille ! Pour les images des coulisses, les jeunes les regardent beaucoup et en redemandent. Moi, j'aime partager cette passion avec eux.
A veritable cornucopia of Millwall curios and items of significance on this show dear listeners. First up a wooden rattle (possibly WW2 vintage) from listener Dave McCann, a surreal pre-match photo from Millwall 1-4 Birmingham City 1957 - a photo of the captains at the Du Bonnet Cup 1911 and finally, a Great Western Railway handbill advertising Bristol Rovers v Millwall in the FA Cup from 1902.Do you have any Millwall memorabilia that you'd like us to feature on the show? Why not email us a photo to achtungmillwall@gmail.com or via DM on Twitter @AchtungMillwall ?Arrivederci MillwallNick Hosted on Acast. See acast.com/privacy for more information.
A veritable cornucopia of Millwall curios and items of significance on this show dear listeners. First up a wooden rattle (possibly WW2 vintage) from listener Dave McCann, a surreal pre-match photo from Millwall 1-4 Birmingham City 1957 - a photo of the captains at the Du Bonnet Cup 1911 and finally, a Great Western Railway handbill advertising Bristol Rovers v Millwall in the FA Cup from 1902.Do you have any Millwall memorabilia that you'd like us to feature on the show? Why not email us a photo to achtungmillwall@gmail.com or via DM on Twitter @AchtungMillwall ?Arrivederci MillwallNick See acast.com/privacy for privacy and opt-out information.
It's the BBC's 99th birthday! Well it was on the day this episode landed. So for episode 37, here's the podcast's story so far... Between season 2 (covering the BBC in 1922) and season 3 (the BBC in 1923), we're on a run of specials. So here we summarise EVERYTHING we've learned so far. 36 episodes condensed into one. Condensed, yet also extended - because we recorded a shorter version of this episode for The History of England Podcast. So to lure in folks who've heard that already, I've added a ton of new stuff, including some brand new bits. By which I mean, very old bits. As well as hearing the voices of: First teenager to listen to the radio in his bedroom GuglielmoMarconi First major broadcast engineer Captain HJ Round First voice of the BBC Arthur Burrows First regular broadcaster Peter Eckersley First slightly terrifying boss John Reith …You'll now also hear from: First broadcast singer Winifred Sayer First BBC pianist Maurice Cole (the most wonderful accent, “off" = "orff") First BBC singer Leonard Hawke (although WE know from episode 28 that the Birmingham and Manchester stations broadcast music the day before - but the BBC didn't know that) That's a lot of firsts. Plus more recent voices - hear from these marvellous experts: Professor Gabriele Balbi of USI Switzerland Marconi historian Tim Wander (buy his book From Marconi to Melba) Radio historian Gordon Bathgate (buy his book Radio Broadcasting: A History of the Airwaves) SHOWNOTES: This podcast is NOTHING to do with the present-day BBC - it's entirely run, researched, presented and dogsbodied by Paul Kerensa You can email me to add something to the show. eg. Send your ‘Firsthand Memories' - in text form, a time you've seen radio or TV being broadcast before your eyes: a studio, an outside broadcast - what were your behind-the-scenes insights? Or record your ‘Airwave Memories' (AM) - a voice memo of 1-2mins of your earliest memories hearing/seeing radio/TV. Be on the podcast! My new one-man play The First Broadcast is now booking for dates in 2022. Got a venue? Book me for your place. Here's one - The Museum of Comedy. Join me, in April or in November on the very date of the BBC's 100th birthday! Thanks for joining us on Patreon if you do - or if you might! It supports the show, keeps it running, keeps me in books, which I then devour and add it all to the mixing-pot of research for this podcast. In return, I give you video, audio, advance writings, an occasional reading from C.A. Lewis' 1924 book Broadcasting From Within etc. Thanks if you've ever bought me a coffee at ko-fi.com/paulkerensa. Again, it all helps keep us afloat. Like our British Broadcasting Facebook page, or better still, join our British Broadcasting Century Facebook group where you can share your favourite old broadcasting things. Follow us on Twitter if you're on the ol' Twits. I have another podcast of interviews, A Paul Kerensa Podcast, inc Miranda Hart, Tim Vine, Rev Richard Coles and many more. Give us a listen! Please rate and review this podcast where you found it... and keep liking/sharing/commenting on what we do online. It all helps others find us. My mailing list is here - sign up for updates on all I do, writing, teaching writing, stand-up, radio etc. My books are available here or orderable from bookshops, inc Hark! The Biography of Christmas. Coming in 2022: a novel on all this radio malarkey. Archive clips are either public domain or used with kind permission from the BBC, copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. Oh yes they are. Next time: What Marconi Thought of Broadcasting - plus 1920s adverts, voiced by listeners... APPROX TRANSCRIPT: Marconi himself appeared on the BBC in 1936, playing himself in a reconstruction of when he first sent Morse code across the Atlantic in 1901... Those are Marconi's last recorded words before he died, there with his assistants Pagett and Kemp, though Kemp was played by an actor. They're recreating the moment when they sent Morse Code from Poldhu in Cornwall to Newfoundland, 2000+ miles away. Prior to that 255 miles was the wireless record. Marconi was always outdoing himself. As a teenager he'd sent radiowaves across his bedroom – a transmitter and receiver ringing a bell. Then outside, asking his assistant across a field to fire a gunshot if the wireless signal reached him. Then over water. Then... in 1896 the 21yr old Marconi came to England. The Italian army weren't interested in his new invention, so he thought he'd try the influential engineers of London. I think it's that decision that set London and the BBC as the beating heart of broadcasting a couple of decades later. There was a magical moment where Marconi strode into Toynbee Hall in East London, with two boxes. They communicated, wirelessly, and he simply said: “My name is Gooly-elmo Marconi, and I have just invented wireless.” That's a drop mic moment. If they had a mic to drop. Others played with this technology. In December 1906, Canadian inventor Reginald Fessenden managed to make a very faint speech broadcast for ships near Brant Rock Massachusetts – making the first entertainment show for radio. He played a record, Handel's Largo, played O Holy Night on violin, and read from Luke's gospel, chapter 2. Well it was Christmas Eve. This was actually my way in to this whole radio story. I wrote a book on the history of Christmas, called Hark! The b of C. So I researched Fesseden's Christmas entertainment first... and also the first BBC Christmas of 1922. When I read that the Beeb had 35,000 listeners at that point, but 4 employees, I had to know who these 4 employees were! I started digging. When I discovered that 2 of those people had an on-air feud, one of them was John Reith, an arguably immoral moralist, and the 4th was soon sacked by him... I thought, there's a book in this. So as I research and write that, I'm podcasting as I go on the BBCentury. I love that this medium of podcasting owes so much to those early pioneers... and I'm no engineer. For me, it's all about the characters. We'll get to the BBC pioneers soon enough, but Marconi, he was one of those characters. Through the 1910s, business was booming for Marconi, but he still saw radio as a two-way thing – we ‘radio' for help. Marconi took the credit for radio's use in catching criminals – Dr Crippen, who'd escaped on a ship across the ocean. And saving lives, onboard Titanic. Soon every major vessel carried radios and a Marconi operator – for a fee of course. He made his money in sending messages, the world over, between two people. The broadcast aspect was an accident – a pitfall of radio being too ‘leaky'. So the first listeners were actually called ‘listeners-in' – the messages weren't intended for them. So it was at a more amateur level – the radio hams – who'd be experimenting with ‘broadcasting'. Britain's first DJ, technically, was a woman called Gertrude Donisthorpe in WWI. Her husband Horace was the eager experimenter, an army wireless trainer by day, and at night the couple would cycle to a field near Worcester, he'd set up one side, her on the other, and she'd play records and recite rhymes just for her audience of 1 – her husband, to see if it worked. She'd cycle across the field to see if it had, often finding he'd cycled off to tell her via a different route. As they progressed, they started transmitting limited wireless concerts for some local troops. And they were popular. Radio amateurs enjoyed what they heard, when they could hear it. There was demand for wireless entertainment... just not much supply. But the engineers like those at the Marconi Company, were continually strengthening and improving the technology. Marconi's right-hand man Captain Round for example... No fan of red tape... this Churchill lookalike, round face, cigars and no-nonsense... joined 1902, genius... designed radios... especially for aircraft... Jutland direction-finding... But Captain Round is a name to watch. After the war, 1919, just months from the birth of broadcasting, The Marconi Company still had no real interest in radio as an artform or entertainment or anything other than point to point messaging. Apart from one person, their Head of Publicity, Arthur Burrows... In 1918 Burrows wrote: “There appears to be no serious reason why, before we are many years older, politicians speaking, say, in Parliament, should not be heard simultaneously by wireless in the reporting room of every newspaper office in the United Kingdom. . . . The field of wireless telephone, however, is by no means restricted to newspaper work. The same idea might be extended to make possible the correct reproduction in all private residences of Albert Hall or Queen's Hall concerts or the important recitals at the lesser rendezvous of the musical world. . . . There would be no technical difficulty in the way of an enterprising advertisement agency arranging for the interval in the musical programme to be filled with audible advertisements, pathetic or forcible appeals—in appropriate tones—on behalf of somebody's soap or tomato ketchup.” We'll come back to Arthur Burrows. Around the same time in America, future radio mogul David Sarnoff sent a memo referring to a “radio music box”, that could “listeners-in” could have in their homes, playing the music broadcast by wireless stations, that were cropping up, especially in America, and a steadily increasing rate. In Britain, Captain Round of the Marconi Company continued to experiment. Rightly medalled after the war, he switched his attention from using radio to find enemy ships, to using radio to transmit the human voice further and stronger than ever before. This meant tests. Now the nature of radio, the quirk of it, is that it's not private. You can't experiment without anyone with a set listening in – and since the war there were more and more ex wireless operators and amateur radio “hams”. So as Round experimented, in Chelmsford at the end of 1919, with his assistant William Ditcham, across Britain and even into Europe, people heard him. Ditcham had to read out something into his microphone – just the candlestick part of an old telephone. Ditcham would begin by addressing those listening – the ‘leaky' nature of these radio experiments meant the engineers actually used those cheekly listening in to find their range and signal strength. So Ditcham would begin: “MZX calling, MZX calling! This is the Marconi valve transmitter in Chelmsford, England, testing on a wavelength of 2750metres. How are our signals coming in today? Can you hear us clearly? I will now recite to you my usual collection of British railway stations for test purposes... ...The Great Northern Railway starts Kings cross, London, and the North Western Railway starts from Euston. The Midland railway starts from St Pancras. The Great Western Railway starts from...” Railway timetables! And they were a hit. Mr Ditcham became an expert is this new art of broadcasting, before the word was even invented. He noted: “Distinct enunciation is essential and it's desirable to speak in as loud a tone as possible!” Word spread. Letters to newspapers said how much radio amateurs were enjoying Ditcham and Round's wireless experiments... but the content could do with being a bit more exciting. How about a newspaper? So in January 1920, William Ditcham became our first broadcast newsreader, literally reading the news, from a paper he'd bought that morning. Well, he'd sit on it a day, and read yesterday's paper... The press might have a problem with their copyrighted news being given away for free. And thus begins the rocky relp between broadcasters and the press. It's worth keeping them on side... In Jan 1920, there are 2 weeks of ‘Ditcham's News Service' – that's Britain's first programme title. That gains over 200 reports from listeners-in, as far as Spain, Portgula, Norway... up to 1500 mi away. So the transmitter is replaced, from 6kw to 15kw. Ditcham ups his game too. Throws in a gramophone record or two. 15mins of news, 15mins of music. A half hour in total – that seems a good length for a programme – really it was what the licence allowed, but it's clearly stuck – at least till Netflix and the like mean programme length has becoame a little more variable, a century later. Then in Feb, there's live music – just a few fellow staff at the Marconi Works in Chelmsford, including Mr White on piano, Mr Beeton on oboe and Mr Higby on woodwind. At Marconi HQ, Arthur Burrows, that publicity director who wrote of possible wireless concerts and ketchup sponsors, he gets behind this in a big way. He heads to Chelmsford, supports Ditcham and Round, and even joins the band. And you know who else joins the band... ...from the neighbouring works building – Hoffman's Ball Bearings - a singer, Miss Winifred Sayer. Now as she's not a Marconi employee, she needs to be paid... so she's radio's first professional Previous broadcasts had been a little luck of the draw, but this one, well it would be nice to tell people it's going to happen. So Captain Round sends out the first listings – the pre Radio Times, radio... times... you can hear Winifred Sayer and the band: 11am and 8pm, Feb 23rd till March 6th That memo goes out to all the Marconi land stations and ships at sea. The first song Winifred sang was called Absent – she later called it a “punch and judy show”, and enjoyed her ten shillings a show. As she left, the MD of Marconi's said to her: “You've just made history.” So, we have radio, right? Not so fast! The fun is just beginning... The press, you see, were worth keeping on side. The Daily Mail got wind of this. Arthur Burrows, that publicity chap and radio prophet, he became friends in the war with Tom Clarke, now editor of the Daily Mail. And the Mail loved a novelty. They'd sponsor air races and car dashes and design-a-top-hat competitions. Radio was right up their fleet street. But they'd need a bigger singer than Winifred Sayer from Hoffman's Ball Bearings. They wanted to see how big an audience there'd be for broadcasting – a word just coming into use, a farming term, about how you spread seed, far and wide, scattershot, never quite knowing how far it reaches, and whether it will be well received and grow into something. So the Daily Mail fund one of the world's biggest singers: Dame Nellie Melba – of Peach Melba fame. She was over in England at the Albert Hall doing some shows, so for a thousand pounds – enough to buy a house – she came to Chelmsford. Outside broadcasts didn't exist at the time, given the size of the kit. Ditcham and Round prepared the Chelmsford Works building, although that involved a small fire, a carpet Melba rolled away as soon as she saw it, and a microphone made from an old cigar box and a hat rack. Arthur Burrows gave Madame Melba a tour when they weren't quite ready... She took one look at the 450ft radio mast and said “Young man if you think I'm going to climb up there, you are greatly mistaken.” She broadcasts on June 15th 1920, and it's a huge hit, despite a shutdown just before finishing her last song. Captain Round makes her do it again, without telling her of the shutdown, by simply asking for an encore. Arthur Burrows gives the opening and closing announcements, instead of William Ditcham, because this has been Burrows' dream. Broadcast radio concerts. So what next? It spanned Britain, reached Madrid, parts of the Middle East... But it's too successful. The Air Ministry finds planes couldn't land during the concert. It dominated the airwaves. So despite a few extra professional concerts from Chelmsford that summer – opera stars like Lauritz Melchior, and Dame Clara Butt – the govt step in and shut all radio experiments down. Arthur Burrows finds himself at sea, literally, that summer, demonstrating radio to the press on the way to an interionational press event... but without govt backing, journalists now see radio as maybe a means to communicate newsroom to newsroom. Ditcham's news and Melba's music seem to be all that broadcasting amounted to. For 18 months, nothing. Radio amateurs, and indeed Arthur Burrows at Marconi, petition the PostmasterGeneral to reconsider. And finally... it worked. Because while the ether had fallen silent in Britain, it continued in Holland, a bit in France, and in America radio is booming. Not wanting to be left behind, the British govt say ok, you can have one radio station. The Marconi Company is granted a permit. But much to Burrows dismay... the job lands on the desk of another person I want to introduce you to... Peter Eckersley Eckersley was with the Designs Dept of the Aircraft Section of Marconi's. His team had helped create air traffic control; Eckersley had been there in the war for the first ground to air wireless communication, and now in their spare team, his team in a muddy field in the village of Writtle in Essex, not far from Chelmsford, would have to fit this broadcasting malarkey in in their spare time, for an extra pound a show, not much. It was odd. Radio amateurs wanted it. Burrows the Marconi publicity guy wanted it. Eckersley and his team couldn't give two hoots about it – in fact they celebrated when the govt banned radio 18 months earlier, as finally the airwaves were clear for them and their serious work, instead of constant blinking opera from Chelmsford. But it's Eckersley's job, to start Britain's first regular radio station: 2MT Writtle. And from Feb 14th 1920, for the first few weeks it sounds pretty normal. They play gramophone records, chosen by Arthur Burrows at head office. Burrows has arranged a sponsorship deal – not with ketchup with a gramophone company, who provide a player so long as it's mentioned on air. Peter Eckersley's team of boffins break the gramophone player. There was a live singer – the first song on the first regular broadcast radio show was the Floral Dance, though the Times called it only “faintly audible”. It is not a hit. For 5 weeks this continues, bland introductions to records, a live singer or two. And Peter Eckersley, the man in charge, goes home each night to hear the show his crew put out on the wireless. Until week 6, when he stays, for a pre-show gin and fish and chips and more gin at the pub. Then he... runs down the lane to the hut and reaches the microphone first! And he starts talking...... Eckersley talks and talks and mimics and carouses... He plays the fool, plays the gramophone records, off-centre, or covered in jam... ...the strict licence meant closing down for 3mins in every 10, to listen for govt messages, in case they have to stop broadcasting. Eckersley doesn't shut down for 3mins. The licence limited them to half an hour. Not Eckersley. Over an hour later, he stops. And sleeps it off. Next day, his team gather round and tell him what he said. Our man Arthur Burrows gets in touch. A stern admonishment! Burrows' dream of broadcasting, had been dashed on the rocks by Eckersley, a man drinking, on the rocks. But accompanying Burrows' angry missive came a postbag of listener fanmail. “We loved it” they said. “Do it again.” Burrows was a lone voice against Eckersley's antics, so the following Tuesday, and every Tuesday in 1922, Peter Eckersley seized the mic again and again. Demand for radio sets boomed. Ports stopped receiving ships when Peter Eckersley was on. Parliament even closed their sessions early to hear him. He was our first radio star. And he helped spawn an industry. Burrows is still fuming, but there is no greater demand for radio. So he applies for a 2nd licence, for a London station – let's do this radio thing properly. 2LO in London is granted that licence, and Burrows isn't taking any chances – HE will be the primary broadcaster. Poetry readings, sports commentary, opening night boxing match. Later in the summer, garden party concerts. And as Burrows is a publicity and demonstration man, many of these broadcast concerts are for private institutions, charity events, a chance to show what broadcasting can do. Other wireless manufacturers other than Marconi's express an interest, they ask the PMG for a licence to broadcast too. MetroVick in Manchester, they want in, so the PMG says fine. Kenneth Wright is the engineer at MetroVick who gets the job of launching in Manchester. Wright continues in Manchester... Eck continues in Writtle in Essex... Burrows continues in London... But Eckersley mocks Burrows. In fact people write to Arthur Burrows saying how much they enjoy his broadcasts on 2LO London, but could he stop broadcasting every Tuesday evening for the half hour Eckersley's on, cos listeners want to hear Eckersley lampoon Burrows. For instance, Burrows played the Westminster chimes in the studio – this is 18mths before Big Ben's chimes would be heard on the BBC. So Eckersley outdoes Burrows by finding all the pots, pans, bottles and scrap metal he can, and bashing it all with sticks. Messy chaos! He loved it. He's another, retold by Eckersley and Burrows themselves, some 20 years apart... You see, both would close their broadcasts with a poem. All through the spring and summer of 1922, each broadcast is still experimental. Official broadcasting hasn't quite yet begun – because no one knows if there's a future in this. In fact the Marconi Company largely thought all this was one big advert to show consumers how easy wireless communication is, and how they should all pay Marconi's to help them send point-to-point messages. But the bug grows. The press want in. The Daily Mail apply for a licence for to set up a radio station. They're turned down – it would be too powerful for a a newspaper to have a radio station. It only took Times Radio 100 years... In Westminster, the PostGen is inundated by applications for pop-up radio stations. He can't just keep licensing all of them. What is this, America?! Arthur Burrows... In May 1922, the PostGen says to the wireless manufacturers, look. I can't have all of you setting up rival radio stations. But I will licence one or maybe two of you. Get together, chat it through, work out how you can work together. For a while, it looks like there will be two british Broadcasting companies – a north and a south. Kenneth Wright... ...but after weeks, even months of meetings, primareily with the big 6 wireless firms, an agreement is struck. ...You may wonder where Reith is in all this. Wasn't he meant to be the fella who started the thing!? He arrives when the BBC is one month old. For now, he's leaving a factory management job in Scotland, settling down with his new wife, having moved on from a possibly gay affair with his best friend Charlie... and he's about to try a career in politics. He's never heard of broadcasting at this stage. But for those who have, in the summer of 1922, Parliament announces there will be one broadcasting company, funded by a licence fee..... One British Broadcasting Company. Marconi, MetroVick, Western Electric, General Electric and so on... each will have one representative on the board of this BBC, and then broadcasting can continue, they'll all sell wireless radio sets, and to fund the operation, there'll be a licence fee. The name ‘BBCo' is coined by one of the wireless manufacturer bosses in one of those meetings, Frank Gill, who notes in a memo before the name ‘broadcasting company', the word ‘British'. A few lines down, he's the first to write the word ‘pirates' regarding those broadcasting without a licence. But there's one more hurdle to conquer – news. That takes some time to iron out with the press, and finally it's agreed that us broadcasters will lease the news from them, for a fee, and no daytime news, to ensure readers still bought papers. The press and the broadcasters still have an uneasy relationship, so whenever you see the newspapers having a pop at the BBC, know that the Daily Mail sponsored the first ever broadcast with Dame Melba, they were turned down for a radio station when they applied, and for years they were annoyed this radio upstart was trying to steal their readers. With the starting pistol sounded, Arthur Burrows gets his dream: he's convinced his employer, the Marconi Company that radio isn't just about sending messages to individuals, it's about reaching many listeners... or better still, it's still about reaching individuals, just lots of them. Flash forward to Terry Wogan's sad goodbye from his Radio 2 Breakfast Show. “Thank you for being my friend.” Singular. Radio – even podcasts like this – still speak to one listener at a time. I make a connection with you. Arthur Burrows and Peter Eckersley, were among the first to realise that. But which of them would launch or join the BBC? The wild unpredictable Eckersley, who created demand for radio, and was still mocking Burrows in his field hut in an Essex village? Or the straight-laced Arthur Burrows, who's prophesied broadcasting for years? I think we know the answer to that. Playing it safe, The Marconi Company kept 2LO as part of this new British Broadcasting Company, as well as 2ZY Manchester under MetroVick, and a new station in Birmingham, 5IT, run by Western Electric. Marconi's would also build new stations, in Newcastle, Cardiff, Glasgow, and more, growing in reach and ambition. But it starts in London, on November 14th 1922, with a souped-up transmitter, rebuilt by good old Captain Round, the Marconi whizz who helped start it all. Arthur Burrows is before the mic, achieving his dream, to see broadcasting come to fruition. There are no recordings of that first broadcast, but we recreated it... The next day, the Birmingham station 5IT launches – they quickly bring in the first regular children's presenters, Uncle Edgar and Uncle Tom. An hour after they launch, Manchester 2ZY starts under the BBC banner, with more children's programming there, plus an early home for an in-house BBC orchestra. When the jobs go out for the this new BBC, bizarrely after it's actually launched, there are just 4 employees hired before the end of the year, and Burrows is first, a shoo-in for Director of Programmes. John Reith applies for General Managership, having tried a bit of politics, but been pointed towards the BBC advert by his MP boss. On arriving, one of the first things he says is: ‘So what is broadcasting?' As for Peter Eckersley, he continues at 2MT Writtle, every Tuesday evening into January 1923. The only non-BBC station to share the airwaves till commercial, pirate or... well there's Radio Luxembourg but that's for a future episode. But Eckersley too is ultimately convinced to join the good ship BBC. And all it takes is an opera, broadcast live from the Royal Opera House in January 1923 – one of the first outside broadcasts. A penny drops for Eckersley, and he realises the power and potential of this broadcasting lark. Reith convinces him to stop his frivolous Tuesday show in Essex, and offers him a job as the BBC's first Chief Engineer. And here Eckersley prospers, giving us new technology, nationwide broadcasting, the world's first high-power long-wave transmitter at Daventry, he brings choice to the airwaves, with a regional and national scheme. Without Burrows, without Eckersley, without Reith, British broadcasting would look very different. There's one other name, among many, I'm particularly enthusiastic about: Hilda Matheson. An ex-spy who becomes the first Director of Talks, who reinvents talk radio and gives us the basis for Radio 4 and speech radio and indeed podcasting, you could argue, as we know it. She's a fascinating character – part of a gay love triangle with the poet Vita Sackville West and Virginia Woolf. She's the only BBC employee allowed to bring a dog to work. And so much more, we'll unpack on the British Broadcasting Century podcast, plus the Pips, the Proms, the Radio Times, and everything else you know and love, tolerate or loathe about British broadcasting today.
In this episode Patrick Allinson, Operations Control Manager at Great Western Railway, talks about his experience of the G-FORCE Tool. Used in the GWR control centre for nearly 12 months, Patrick talks about his experience and some of the incidents when G-FORCE has been used to speed decision making.01:39 About Patrick.02:30 How decision making is handled.03:49 Who has used the tool and who could use G-FORCE in future.05:12 When and how G-FORCE might be used, and when it should not, with some examples .09:10 Why Patrick feels the industry needs G-FORCE and the benefits that it can bring.Resources mentioned in this episode:G-FORCE: A Model to Improve Decision-Making Capability https://www.rssb.co.uk/safety-and-health/improving-safety-health-and-wellbeing/understanding-human-factors/operational-decision-making/gforce-a-model-to-improve-decision-making-capability Related resources:You can find all the G-FORCE-related resources from this RSSB web page: https://www.rssb.co.uk/search#search-results_e=0&search-results_q=G-Force
What I learned from reading Isambard Kingdom Brunel: The Definitive Biography of The Engineer, Visionary, and Great Briton by L.T.C. Rolt.Sign up to listen to the rest of this episode. You will unlock 209 full length episodes and get lifetime access to every future episode.You will learn the key insights from biographies on Steve Jobs, Elon Musk, John D. Rockefeller, Coco Chanel, Andrew Carnegie, Enzo Ferrari, Estee Lauder, Jeff Bezos, Warren Buffett, Charlie Munger, Phil Knight, Joseph Pulitzer, Arnold Schwarzenegger, Alexander Graham Bell, Bill Gates, P.T. Barnum, Edwin Land, Henry Ford, Walter Chrysler, Thomas Edison, David Ogilvy, Ben Franklin, Howard Hughes, George Lucas, Levi Strauss, Walt Disney and so many more. You will learn from the founders of Nike, Patagonia, Apple, Microsoft, Hershey, General Motors, Ford, Standard Oil, Polaroid, Home Depot, MGM, Intel, Federal Express, Wal Mart, JP Morgan, Chrysler, Cadillac, Oracle, Hyundai, Seagram, Berkshire Hathaway, Teledyne, Adidas, Les Schwab, Renaissance Technologies, IKEA, Sony, Ferrari, and so many more. WHAT OTHER PEOPLE ARE SAYING:“Without a doubt, the highest value-to-cost ratio I've taken advantage of in the last year is the Founders podcast premium feed. Tap into eons of knowledge and experiences, condensed into digestible portions. Highly, highly recommend. “Uniquely outstanding. No fluff and all substance. David does an outstanding job summarizing these biographies and hones in on the elements that make his subjects so unique among entrepreneurs. I particularly enjoy that he focuses on both the founder's positive and negative characteristics as a way of highlighting things to mimic and avoid.”“I just paid for my first premium podcast subscription for Founders podcast. Learning from those who came before us is one of the highest value ways to invest time. David does his homework and exponentially improves my efficiency by focusing on the most valuable lessons.”“I haven't found a better return on my time and money than your podcast for inspiration and time-tested wisdom to help me on my journey.“I've now listened to every episode. From this knowledge I've doubled my business to $500k a year. Love your passion and recommend your podcast to everyone.”“Founders is the only podcast I pay for and it's worth 100x the cost.”“I have listened to many podcasts on entrepreneurship (HIBT, Masters of Scale, etc.) and find Founders to be consistently more helpful than any other entrepreneurship podcast. David is a craftsperson, he carefully reads biographies of founders, distills the most important anecdotes and themes from their life, and draws commonalities across lives. David's focus is rightfully not on teaching you a formula to succeed but on constantly pushing you to think different.”“I highly highly recommend this podcast. Holy cow. I've been binge listening to these and you start to see patterns across all these incredible humans.”“After one episode I quickly joined the Misfit feed. Love the insight and thoughts shared along the way. David loves what he does and it shines through on the podcast. Definitely my go-to podcast now.”“It is worth every penny. I cannot put into words how fantastic this podcast is. Just stop reading this and get the full access.”“Personally it's one of my top 3 favorite podcasts. If you're into business and startups and technology, this is for you. David covers good books and I've come to really appreciate his perspective. Can't say enough good things.”“I quickly subscribed and it's honestly been the best money I've spent all year. It has inspired me to read biographies. Highly recommend.”“This is the most inspirational and best business podcast out there. David has inspired me to focus on biographies rather than general business books. I'm addicted.”“Anyone interested in business must find the time to listen to each any every Founders podcast. A high return on investment will be a virtual certainty. Subscribe and start listening as soon as possible.”“David saves you hundreds of hours by summarizing bios of legendary business founders and providing valuable insight on what makes an individual successful. He has introduced me to many founders I would have never known existed.”“The podcasts offer spectacular lessons on life, human nature and business achievement. David's enthusiasm and personal thoughts bring me joy. My journey has been enhanced by his efforts.”"Founders is the best self investment that I've made in years."GET LIFETIME ACCESS TO FOUNDERS
Follow the Great Western Railway from Penzance to Paddington with its 'perishable' trains which carried fish and flowers to market from the 1860s, transforming the landscape and fortunes of the temperate Scilly Isles.
Chuir an comhlacht ‘Great Western Railway’ tús le obair athchóirithe ar an sean stáisiún traenach ar an Teach Dóite ag tús na bliana seo caite. Rinne Peter cur síos ar an dul chun cinn atáthar a dhéanamh leis an togra.
God's Wonderful Railway is a BBC TV series that tells the history of a Great Western Railway branch line through the perspective of children who lived and worked in each era. Avril Rowlands, the author and screenwriter for the series,… The post God's Wonderful Railway appeared first on The Roundhouse.
Holy haggis! It's a new episode of American Idiots Abroad, hosted by aforementioned American idiots Megan and AJ. But there's a Scottish twist! Editor-in-chief of Guinness World Records Craig Glenday is here to make the podcast less sucky with his Scottish wisdom and that! On this episode, we talk about dinosaur vomit, giggle at the word bahoochie, and reveal the Guinness World Record AJ set as a child. You can follow Craig at @craigglenday and Guinness World Records at @GWR, but don't forget about your hosts, who can be reached by searching @iamsolamusic and @ajmarksofficial into any social media platform. The songs played in this episode are "Almost Famous" and "Back to School Blues" by Black Diamonds. We encourage you to direct your questions/comments/Great Western Railway complaints to AIAhosts@gmail.com.
Hello and welcome back once again, we hope that everyone is having a fabulous time. This week we celebrate many achievements that are pure catnip for Nerds, to start with the eventual launch of the Falcon heavy rocket, also the first image of a black hole, my goodness, so much interstellar goodness. The first topic up this week is about electrical stimulation of the brain and how it can help improve memory. Now that doesn’t mean that any students should go out and start electrocuting themselves…although we all know that one person we want to zap. Research is still being developed on application of electrolysis in the treatment of Alzheimers and other issues, and NO, do not got out and electrocute the elderly, that is not cool. Next up we look at a lawyer and a lobbyist who has been banned from Eve online, apparently he claims to be innocent. It is all a misunderstanding or something is his defence, please I used that when I was 8 as an excuse, surely he can do better. Next he will be saying it was his dog did it. Then DJ has news about the cast being announced for the live action series of Cowboy Beebop. We are all nervous but hopefully this one will work, of course we aren’t holding our breathe. After all, they have to get one right eventually don’t they? What do you think is the worst live action adaption from anime? Drop us a line and let us know, also which is you favourite anime you would recommend? Then we have the games of the week, shout outs, remembrances, events of interest, and birthdays. Hot diggedy do, now that is looking like a great show. As always, take care and look out for each other and stay hydrated.EPISODE NOTES:Electrical Stimulation - https://www.livescience.com/65177-electrical-stimulation-brain-memory.htmlLobbyist banned on EVE - https://www.pcgamer.com/a-real-life-lobbyist-was-just-permanently-banned-in-eve-online-for-corruption/Cowboy Bebop cast announced - https://variety.com/2019/tv/news/cowboy-bebop-netflix-live-action-series-cast-1203180399/Games currently playingBuck– Deceit - https://store.steampowered.com/app/466240/Deceit/DJ– Apex Legends - https://www.ea.com/games/apex-legendsProfessor– Krunker - https://krunker.io/Other topics discussedElectroconvulsive therapy (ECT)- https://en.wikipedia.org/wiki/Electroconvulsive_therapyECT wipes 30 years of person’s memory- https://www.mdedge.com/psychiatry/article/62301/ect-wipes-out-30-years-memoriesSoviet Union aka CCCP- https://en.wikipedia.org/wiki/Soviet_UnionSpike Spiegel (Cowboy Bebop character)- https://cowboybebop.fandom.com/wiki/Spike_SpiegelDeath Note (2017 Netlfix film)- https://en.wikipedia.org/wiki/Death_Note_(2017_film)Ghost in the Shell (2017 film)- https://en.wikipedia.org/wiki/Ghost_in_the_Shell_(2017_film)Katie Bouman: The woman behind the first black hole image- https://www.bbc.com/news/science-environment-47891902Shoutouts5th – 7th Apr 2019 – Melbourne Supanova 2019, Shaun from Comics2movies was there. - https://www.facebook.com/Comics2movies/7 Apr 1832 – Local farmer Joseph Thompson, a local farmer who was married in the year 1829, to his present wife was sold to Henry Mears, a pensioner, for the sum of 20 shillings and his Newfoundland dog - https://www.onthisday.com/articles/the-man-who-sold-his-wife10 Apr 2019 – Falcon Heavy Rocket launch - https://www.nbcnews.com/mach/science/spacex-s-falcon-heavy-rocket-set-first-commercial-launch-here-ncna992446Remembrances9 Apr 1926 – William Henry Johnson also known as Zip the Pinhead, was an American freak show performer famous for his tapered head. He was born one of six children to a very poor African-American family. His parents were William and Mahalia Johnson, former slaves. As he grew, his body developed normally but his head remained small. His tapering cranium and heavy jaw made him attractive to agents from van Emburgh's Circus in Somerville, New Jersey. His unusual appearance caused many to believe that he was a "pinhead", or microcephalic. It is estimated that during his 67 years in show business, Zip entertained more than one hundred million people. He died of bronchitis at 68 in New York, New York - https://en.wikipedia.org/wiki/Zip_the_Pinhead9 Apr 1959 - Frank Lloyd Wright, an American architect, interior designer, writer, and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. His famous works include Solomon R. Guggenheim Museum aka The Guggenheim and Fallingwater. He died of surgical complications at 91 in Phoenix, Arizona - https://en.wikipedia.org/wiki/Frank_Lloyd_Wright11 Apr 2007 – Ronald C. Speirs, a United States Army officer who served in the 506th Parachute Infantry Regiment of the 101st Airborne Division during World War II. He was initially assigned as a platoon leader in B Company of the 1st Battalion of the 506th Parachute Infantry Regiment. Speirs was reassigned to D Company of the 2nd Battalion prior to the invasion of Normandy in June 1944 and later assigned as commander of E Company during an assault on Foy, Belgium after the siege of Bastogne was broken during the Battle of the Bulge. Speirs also served in Korea, where he was assigned both as a rifle company commander and as a staff officer. He later became the American governor for Spandau Prison in Berlin. He reached the rank of captain while serving in the European Theater during World War II, major during the Korean War and retired as a lieutenant colonel. Speirs was portrayed in the television miniseries Band of Brothers by Matthew Settle. He died at 86 in Saint Marie, Montana - https://en.wikipedia.org/wiki/Ronald_SpeirsFamous Birthdays9 Apr 1806 - Isambard Kingdom Brunel, English mechanical and civil engineer who is considered "one of the most ingenious and prolific figures in engineering history", "one of the 19th-century engineering giants", and "one of the greatest figures of the Industrial Revolution, [who] changed the face of the English landscape with his ground-breaking designs and ingenious constructions". Brunel achieved many engineering firsts, including assisting in the building of the first tunnel under a navigable river and development of SS Great Britain, the first propeller-driven, ocean-going, iron ship, which, when built in 1843, was the largest ship ever built. Brunel built dockyards, the Great Western Railway, a series of steamships including the first propeller-driven transatlantic steamship, and numerous important bridges and tunnels. His designs revolutionised public transport and modern engineering. Born in Portsmouth,Hampshire - https://en.wikipedia.org/wiki/Isambard_Kingdom_Brunel9 Apr 1926 – Hugh Hefner, American magazine publisher and life-stylist. He was the founder and editor-in-chief of Playboy magazine, a publication with revealing glamour photographs and sensational articles that provoked charges of obscenity. The first issue of Playboy, published in 1953, featured Marilyn Monroe in a nude calendar shoot and sold over 50,000 copies. Hefner extended the Playboy brand into a world network of Playboy Clubs. He also resided in luxury mansions where Playboy ‘playmates’ shared his wild partying life, fuelling keen media interest. An advocate of sexual liberation and freedom of expression, Hefner was a political activist in other causes; those causes included the Democratic Party, First Amendment rights, animal rescue, and the restoration of the Hollywood Sign. Born in Chicago, Illinois - https://en.wikipedia.org/wiki/Hugh_Hefner10 Apr 1915 – Harry Morgan, American actor and director whose television and film career spanned six decades. Morgan's major roles included Pete Porter in both December Bride and Pete and Gladys; Officer Bill Gannon on Dragnet; Amos Coogan on Hec Ramsey; and his starring role as Colonel Sherman T. Potter in M*A*S*H and AfterMASH. Morgan appeared in more than 100 films. Born in Detroit, Michigan - https://en.wikipedia.org/wiki/Harry_Morgan10 Apr 1929 - Max Von Sydow, Swedish-born French actor. He has held French citizenship since 2002. He has appeared in many European and American films in several languages, including Swedish, English, Norwegian, Danish, German, French, Italian, and Spanish. Von Sydow has appeared in well over a hundred films and TV shows. His famous works include Jesus in The Greatest Story Ever Told, Father Lankester Merrin in The Exorcist, Ming the Merciless in Flash Gordon, the villain Ernst Stavro Blofeld in the James Bond film Never Say Never Again, Liet-Kynes in Dune, Lamar Burgess in Minority Report, Josiah Kane in Solomon Kane, Sir Walter Loxley in Robin Hood and the Three-eyed Raven in Game of Thrones. Born in Lund, Sweden - https://en.wikipedia.org/wiki/Max_von_SydowEvents of Interest9 Apr 1959 – NASA introduces America’s first astronauts to the press - https://www.history.com/this-day-in-history/first-astronauts-introduced10 Apr 1912 – The Titanic makes it maiden voyage - https://en.wikipedia.org/wiki/RMS_Titanic11 Apr 1970 – Apollo 13 launched to the Moon - https://www.history.com/this-day-in-history/apollo-13-launched-to-moonIntroArtist – Goblins from MarsSong Title – Super Mario - Overworld Theme (GFM Trap Remix)Song Link - https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJFollow us on Facebook - https://www.facebook.com/NerdsAmalgamated/Email - Nerds.Amalgamated@gmail.comTwitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094RSS - http://www.thatsnotcanonproductions.com/topshelfnerdspodcast?format=rss
Ursula Ledwith: In episode 2, we hear from the railway workers about their memories of the Midland Great Western Railway Station in Athlone.
Ursula Ledwith: In episode 2, we hear from the railway workers about their memories of the Midland Great Western Railway Station in Athlone.
What I learned from reading Against the Odds: An Autobiography by James DysonI am a creator of products, a builder of things. [0:01]This book is the story of 15 years of struggle to finally invent, own, and sell his own product. [1:35]This is the exposition of a business philosophy which is very different from anything you might have encountered before. [2:11]The first 75% to 80% of the book is just struggle after struggle. [2:47]Dyson had a bunch of people that he looked up to that motivated him as a young man. Thomas Edison is one of those people. [4:51]Such reverence has been accorded to the miserable wheel —that perhaps that alone can account for the fact it was never improved. Perhaps millions of people in the last few years had ideas for improving it. All I did was take things a little further than just having an idea. [6:10]The look of the product —the intangible style that sets one thing apart from another—is still closest to my heart. [7:04]After the idea there is plenty of time to learn the technology. My first cyclonic vacuum cleaner was built out of cereal packets and masking tape long before I understood how it worked. [8:09]The greatest lesson for aspiring inventors was yet to come. The actual making of money. Paper stuff in thick wads which they finally give to you because you have done something good. [8:40]The best kind of business is one where you could sell a product at a high price with a good margin and in enormous volumes. That type of investment is long term, high risk, and not very British. Or at least it looks like a high-risk policy. It is not so likely to prove hazardous to one's financial health as simply following the herd. [9:25]Difference for the sake of it. In everything. Because is must be better. From the moment the ideas strikes, to the running of the business. Difference, and retention of total control. [10:39]This is not even a business book. If anything it is a book against business, against the principles that have filled the world with ugly, useless objects. [11:37]Everybody told James over and over and over again “Who are you to think that you could invent a better vacuum cleaner? If that was possible Hoover would have done it already." [12:44]We all want to make our mark. We all want to make beautiful things and a little money. We all have our own ideas about how to do it. What follows just happens to be my way. [13:15]I have been a misfit throughout my professional life, and that seems to have worked for my advantage. Misfits are not born or made. They make themselves. [13:45]I took on the big boys at their own game, made them look very silly, just by being true to myself. [15:56]There was no dad to teach me how to run. There was no dad to tell me how great I was. Herb Elliot was a big name [in running] at the time, so I read a few books about him and discovered that his coach had told him that the way to develop stamina and strengthen the leg muscles was to run up and down sand dunes. This suited me fine. I would get up at six in the morning and run dunes for hours, or put on my running kit at ten o' clock at night and not reappear until after midnight. Out there alone on the dunes I got a terrific buzz knowing that I was doing something that no one else was—they were all tucked away in bed. I knew I was training myself to do something better than anyone else would be able to do. [18:14]Running is a wonderful thing. It isn't like a team sport where you depend on other people. There is no question of your performance being judged. You either run faster than everyone else or you do not. In running your performance is absolute. I was out there [on the sand dunes] learning how to do something, and getting a visible result. [19:34]As I started to win by greater and greater margins I did it [run sand dunes] more and more because I knew the reason for my success was that out on the sand dunes I was doing something else no one else was doing. They were all running around the track like a herd of sheep and not getting any quicker. Difference itself was making me come in first. [20:50]I was learning about the physical and psychological strength that keeps you competitive. I was learning about obstinacy. I was learning how to overcome nerves, and as I grew more and more neurotic about being caught from behind, I trained harder to stay in front. To this day it is the fear of failure, more than anything else, that keeps me working at success. [21:31]The only way to make a genuine breakthrough was to pursue a vision with single-minded determination in the face of criticism. [22:26]Isambard Kingdom Brunel was unable to think small, and nothing was a barrier to him. The mere fact that something had never been done before presented, to Brunel, no suggestion that the doing of it was impossible—he was fired by an inner strength and self-belief almost impossible to imagine in this feckless age. I have tried to be as confident in my vision as he was. And at times in my life when I have encountered difficulty and self-doubt I have looked to his example to fire me on. [22:55]I have told myself, when people tried to make me modify my ideas, that the Great Western Railway could not have worked as anything but the vision of a single man, pursued with dogged determination that was nothing less than obsession. Throughout my story I will return to Brunel, and to other designers and engineers, to show how identifying with them, and seeing parallels with every stage of my own life, enabled me to see my career as a whole and to know that it would all turn out the way it has. [24:59]Remember that I am celebrating only my stubbornness. I am claiming nothing but the virtues of a mule. [25:42]So my dream was to be a Isambard Kingdom Brunel. [26:40]The public has been easily convinced by advertising, and receptiveness to revolution has dwindled. Such ‘invention' as is now allowed is the prerogative of multinationals, not people. Where are our Wright Brothers? Where have the Edisons gone? And the Henry Fords? They are not here. We have broken new frontiers, but where are the names? Who invented the space shuttle? The nuclear submarine? The wind farm? When you go for backing for your crazy scheme it is not enough to be a man, you have to be a group of men. And where is the fun in that? [26:56]I learnt a crucial business principle: The only way to make real money is to offer the public something entirely new, that has style value as well as substance, and which they cannot get anywhere else. [28:03]College had taught me to revere experts and expertise. Jeremiah Fry ridiculed all that; as far as he was concerned, with enthusiasm and intelligence anything was possible. It was mind-blowing. And as we proceeded I could see that we were getting on extremely quickly. The more I observed his method, the more it fascinated me. [31:07]I learned one of the most crucial business lessons of my life; to stint on investment in the early stages, to try to sell a half-finished product, is to doom from the start any project you embark on. [32:13]People do not want all-purpose; they want high-tech specificity. [34:11]You simply cannot mix your messages when selling something new. A consumer can barely handle one great new idea, let alone two, or even several. [34:20]Only by trying to sell the thing that you have made yourself, by dealing with consumers' problems and the product's failings as they arise, can you really come to understand what you have done. Only the man who has brought the thing into the world can presume to foist it on others, and demand a heavy price, with all his heart. [35:52]It was an interesting lesson in psychology, teaching me that the entrenched professional is always going to resist far longer than the private consumer. [36:26]Editorials are the very best way of convincing the public. One decent editorial counts for a thousand advertisements. [39:20]One fo the strains of this book is about CONTROL. If you have the intimate knowledge of a product that comes with dreaming it up and then designing it, then you will be the better able to sell it and then, reciprocally, to go back to it and improve it. From there you are in the best possible position to convince others of its greatness. To see it through all the way to its optimum point. To total fruition, if you like. [42:04]I was stopped by one of them with the words I was to hear over and over and over again for the next ten years. ‘But James, your idea can't be any good. If there were a better kind of vacuum cleaner, Hoover would have invented it.' [48:07]We always want to create something new out of nothing, and without research, and without long hard hours of effort. But there is no such thing as a quantum leap. There is only dogged persistence—and in the end you make it look like a quantum leap. [51:38]A vacuum cleaner designed entirely by me, incorporating innovations up to the very latest point at which my technology had arrived, to be produced and marketed and sold under my own exclusive direction was, to be frank, what this whole thing had been all about. [1:02:48]It was a fantastic environment to work in, for it was just engineers and designers, and no one to mess us around. There were no salesmen, no advertising people, no marketing managers, to interfere and try to guide us in their direction. We had nothing to do but deduce our own dream product. [1:04:48]Everyday products sell. Although it is harder to improve a mature product, if you succeed there is no need to create a market. Try out current products in your own home, and make a list of things that you don't like about them. I found about 20 things wrong with my Hoover Jr. at the first attempt. [1:07:19]Total control. From the first sprouting of the idea, through research and development, testing and prototyping, model making and engineering drawings, tooling, production, sales and marketing, all the way into the homes, it is most likely to succeed if the original visionary (or mule) sees it right through. [1:11:43]On 2 May 1992, I found myself looking at the first, fully operational, visually perfect, Dyson Dual Cyclone. I was thirty-one years old when I tore the bag off my Hoover and stuck a cereal packet in the hole. 2 May 1992 was my forty-fifth birthday. [1:12:24]We were selling more vacuum cleaners than anyone else despite costing twice as much. [1:14:32]In other words: if you make something, sell it yourself. And so we did. And absolutely nothing went bang. Except, of course, everyone else's market slice. [1:17:57]Encourage employees to be different, on principle. This is part of my anti-brilliance campaign. Very few people can be brilliant. Those who are, rarely do anything worthwhile. You are just as likely to solve a problem by being unconventional and determined as by being brilliant. And if you can't be unconventional, be obtuse. Be deliberately obtuse, because there are 5 billion people out there thinking in train tracks, and thinking what they have been taught to think. [1:21:18]“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested, so my poor wallet suffers.”— GarethBe like Gareth. Buy a book. It's good for you. It's good for Founders. A list of all the books featured on Founders Podcast.
From our conference The Future of Rail 2016, Richard Rowland, Customer Service and Transformation Director at Great Western Railway presents the case study: 'The Great Western Route: The challenges of electrifying a major route'. View our programme for our upcoming Future Rail Infrastructure conference here >> http://bit.ly/2wIZLll
Bad news folks! As we all know the entire game is about the Sidhe and how wonderful they are and how they’d never do anything at all even remotely evil or ethically questionable. We know we said at the end of the last episode that were were going to spend this conversation praising our glorious sharp-eared overlords but that was recorded before C20 landed. C20 introduced three new commoner kiths and they’re awesome. Before we get to the beneficent and not at all wicked lords and ladies of dream we’re going to finish off talking about the commoners with the three new Kithain: the Clurichauns, the Piskies, and the Selkies. We’re sorry to elf-tease you. Next time we’re talking about the Sidhe for realsies. Pinky-swear. The readings from this conversation were from American Gods by Neil Gaiman, Legend land Being a collection of some of the old tales told in these Western part of Britain served by the Great Western Railway now retold by Lyonesse, and Selkie by Robin Robertson. The music from this conversation was LSD by Monplaisir and Late Snows of Winter, written by Mark Seibert and arranged and recorded by JMR.
Listen to rail passengers, county council Cabinet Member for Environment and Planning Mike Goodman and Great Western Railway give their views on the enormous economic benefits of fully electrifying the North Downs Line to BBC #Surrey. It has been estimated that upgrading the last two sections of the Reading to Gatwick like would generate 8,000 jobs and almost £1.9 billion for the economy.
A civil engineer educated in Hove and famed for his bridges, dockyards and for the construction of the first major British railway, The Great Western Railway. Brunel also came second in a poll to find the greatest Briton of all time.
Find out how the development of the railways transformed the landscape of Great Britain and became the agent of enormous social change. Bruno Derrick explores the early years of the Great Western Railway, from its foundation to the death of Isambard Kingdom Brunel in 1859, and brings to light the vast collection of records in the custody of The National Archives.
Find out how the development of the railways transformed the landscape of Great Britain and became the agent of enormous social change. Bruno Derrick explores the early years of the Great Western Railway, from its foundation to the death of Isambard Kingdom Brunel in 1859, and brings to light the vast collection of records in the custody of The National Archives.
The role of the Canadian Wheat Board is being challenged by the Harper Government. There are implications for the future of grain farming and the security of the Canadian food supply. This is your opportunity to listen to and question candidates for the CWB District 3 directorship as they debate their visions for the future of the Canadian Wheat Board. Speakers: Larry Wayne Hill Incumbent director Larry and his wife Sandra are full time farmers in the Swift Current area of Saskatchewan. In his role as Chair of CWB Trade Committee, Larry has represented the CWB at WTO (world trade organization) discussions, and has worked on US trade challenges on Canadian grain exported to US. Larry supports the single-desk selling power of the CWB. Conrad Johnson Conrad and his wife Fay have been farming in the Bracken area of Saskatchewan for over 30 years. Conrad is a director of the Western Canadian Wheat Growers and the Chairman of the Board of Great Western Railway. Conrad believes in making the CWB voluntary. Stephen John Vandervalk Stephen is a fourth generation farmer from the Ft. McLeod area. Stephen is a director of the Western Canadian Wheat Growers and the Alberta Winter Wheat Producers Commission. Stephen believes in making the CWB voluntary. SESSION PRESENTED IN ASSOCIATION WITH LETHBRIDGE PUBLIC LIBRARY 7:00 - 9:00 p.m. in the Theatre Gallery Admission free, donations gratefully received
The role of the Canadian Wheat Board is being challenged by the Harper Government. There are implications for the future of grain farming and the security of the Canadian food supply. This is your opportunity to listen to and question candidates for the CWB District 3 directorship as they debate their visions for the future of the Canadian Wheat Board. Speakers: Larry Wayne Hill Incumbent director Larry and his wife Sandra are full time farmers in the Swift Current area of Saskatchewan. In his role as Chair of CWB Trade Committee, Larry has represented the CWB at WTO (world trade organization) discussions, and has worked on US trade challenges on Canadian grain exported to US. Larry supports the single-desk selling power of the CWB. Conrad Johnson Conrad and his wife Fay have been farming in the Bracken area of Saskatchewan for over 30 years. Conrad is a director of the Western Canadian Wheat Growers and the Chairman of the Board of Great Western Railway. Conrad believes in making the CWB voluntary. Stephen John Vandervalk Stephen is a fourth generation farmer from the Ft. McLeod area. Stephen is a director of the Western Canadian Wheat Growers and the Alberta Winter Wheat Producers Commission. Stephen believes in making the CWB voluntary. SESSION PRESENTED IN ASSOCIATION WITH LETHBRIDGE PUBLIC LIBRARY 7:00 - 9:00 p.m. in the Theatre Gallery Admission free, donations gratefully received