POPULARITY
Send us a textIt's a blustery, moonless, and nearly starless night tonight, with the ever-present hint of rain in the air. So, why not come aboard the Erica for a while and reminisce about inconsequential things, the joy they bring, and how they form such strong bedrocks to our lives in an unsteady world?Journal entry:17th September, Wednesday“Summer has left And strewn all along the towpath Is the detritus of its sojourn. Rusting wires of sorrel and dock, Hogweed spokes like upturned Discarded umbrellas. Hawthorn berries Litter the ground Like carelessly flung confetti The wind has now blown out The willowherb candles A few whisps of seeds Hang like cobwebs.Now is the time For autumn's Fires Hips, haws, rowan, Bryony and firethorn.”Episode Information:In the episode I mention the wonderful and beautifully produced celebration to nature and life on the canals and rivers of Britain, The Mindful Narrowboat vlog.With special thanks to our lock-wheelers for supporting this podcast.Susan BakerMind ShamblesClare HollingsworthKevin B.Fleur and David McloughlinLois RaphaelTania YorgeyAndrea HansenChris HindsChris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.
See omnystudio.com/listener for privacy information.
See omnystudio.com/listener for privacy information.
In this no-holds-barred episode of the FinTech Hunting Podcast, host Michael Hammond sits down with the unstoppable Lady Jen Du Plessis—a billion-dollar producer, 3x podcast host, speaker, and coach—to challenge the status quo in the mortgage and lending industry.
New research has found that building materials on the Chatham Islands are rusting up to 50 times faster than on the mainland. Reporter Kate Green has the story.
Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references: Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions: Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins: Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden: Quite the circular story.Sam Mullins: Yeah, yeah. Thank you. Paul Marden: Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden: So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden: We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins: Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect, coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that. Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden: Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden: Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins: But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins: Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report
In 2019, the OECD warned that 14% of global jobs would be eliminated and another 32% would be dramatically transformed by automation. Fast-forward to today, and that prediction feels like an understatement. Generative AI like ChatGPT has accelerated change at a pace no one saw coming. The shelf life of a skill? Less than five years. In tech, sometimes less than three. In this episode with Dr. Bray, we're digging deep into what this seismic shift means for the future of work and how companies must respond. From CEOs to HR leaders, and from frontline managers to hourly workers, the pressure is on to rethink roles, retrain talent, and rebuild strategy from the ground up. What You'll Learn: Why upskilling alone isn't enough in today's AI-driven workplace The five paradigm shifts that define successful reskilling efforts Real-world examples from Amazon, Vodafone, Ericsson, CVS, and more Why reskilling is more than training—it's strategic, cultural, and collaborative We'll also explore how organizations can: Treat reskilling as a competitive advantage, not just a cost center Empower employees to navigate career shifts with confidence Break down internal silos and avoid ‘talent hoarding' Leverage partnerships with nonprofits, governments, and colleges to scale up fast Whether you're a leader navigating digital disruption, a workforce strategist, or simply curious about how AI is reshaping work, this episode delivers the practical insights and bold thinking you need to stay ahead. QUOTES BY DR. BRAY “You can't change people — but you can teach them how to adapt, how to learn, and how to be curious.” “Middle managers are the most important individuals in the organization.”
Here's a wild one: scientists found out that the Moon is rusting! Rust usually happens when metal reacts with water and oxygen, but the Moon doesn't have much of either. So, how's this happening? Turns out, tiny amounts of oxygen from Earth's atmosphere are traveling to the Moon, thanks to solar wind. Combine that with a bit of water from ice trapped in Moon rocks, and voilà—rust starts forming! It's super weird because the Moon is supposed to be too dry and airless for this. This bizarre discovery just shows how Earth and the Moon are connected in unexpected ways! CreditsCredit: Moon Mineralogy Mapper: By NASA, https://commons.wikimedia.org/w/index.php?curid=12245106 FiveStarShawki / Reddit Gordopolis_II / Reddit Animation is created by Bright Side. #brightside ---------------------------------------------------------------------------------------- Music from TheSoul Sound: https://thesoul-sound.com/ Listen to Bright Side on: Spotify - https://open.spotify.com/show/0hUkPxD34jRLrMrJux4VxV Apple Podcast - https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-podcast-bright-side/id1554898078 ---------------------------------------------------------------------------------------- Our Social Media: Facebook - https://www.facebook.com/brightside/ Instagram - https://www.instagram.com/brightside.official/ Tik Tok - https://www.tiktok.com/@brightside.official?lang=en Snapchat - https://www.snapchat.com/p/c6a1e38a-bff1-4a40-9731-2c8234ccb19f/1866144599336960 Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me Learn more about your ad choices. Visit megaphone.fm/adchoices
Ep 230/ 230 Support us at Patreon https://www.patreon.com/fireandsteelpodcast or buy our merch tshirts stickers Find us at Keith https://www.instagram.com/knifematerial.at/ https://www.instagram.com/fireandsteelpodcast/ https://www.instagram.com/murrillforge/ www.murrillforge.com Email info@murrillforge.co.uk Onur https://www.instagram.com/diesineveryfilm/ YouTube https://www.youtube.com/user/Diesineveryfilm Chris https://www.instagram.com/full_steam_designs/ Youtube https://www.youtube.com/chrispowellfsd Show sponsors Tree Swift Goods Knife Wax https://uknifemakersupplies.co.uk/products/knife-wax?_pos=1&_psq=wax&_ss=e&_v=1.0 UK Knife Maker Beginner Group https://www.facebook.com/groups/816973399135620/
For the last 200 years, industrial society has used a linear economic model that takes raw materials, makes them into products, sells them to consumers who then eventually throw them away. Natural resources are ‘lost' in this process and this model is widely regarded as unsustainable. Contrastingly in the circular economic model, resources are continuously reused, recycled and retained in the supply chain.In this episode, I talk about some opportunities for Potters to use the circular economy model and reuse materials in their work, such as; ♻️ - Copper from electrical waste ♻️ - Rusting iron ♻️ - Post-consumer glass (you could also use sea glass found on the beach!) ♻️ - Ash from wood-burning stoves and heaters ♻️ - Leaves naturally fallen from trees and shrubsThe book that inspired this episode is called ‘Doughnut Economics: Seven ways to think like a 21st-century Economist. By Kate Raworth published in 2017 by Random House. You can watch the video version of this episode on YouTube.-------------------------------Resources for Potters:⭐ Pottery eBooks⭐ Pottery Paperback Books available from AmazonFree Pottery Guides:
Maud Muir, Sadia Kabeya and Shaunagh Brown are back from York to review the first week of the Women's Six Nations as England extend their winning run to 30 matches.
It's a fact that has dumbfounded some of Wellington's city councillors. Why does the heart of New Zealand's government, the Parliamentary precinct, have the same heritage status as a giant rusting oil tank on the other side of the city? Derelict buildings with heritage status are something Wellingtonians have discussed for years, and now the Wellington City Council is supportive of the government changing the law. To discuss the issue, NZ Herald's Wellington issues reporter Georgina Campbell joined Nick Mills for the Capital Letter. LISTEN ABOVESee omnystudio.com/listener for privacy information.
Are you improving your organization? Not good enough! You have to, as Seth Godin says, "be better at being better." Continuous improvement, kaizen, is the name of the game. We talk about the signs that you're settling for less than that--and habits to improve your continuous improvement culture. Interested in coaching or training on these topics for you or your team? We'd love to hear from you! Email Mike and Mark.
The South China Sea is a major world shipping route bordered by a number of countries including China, the Philippines, Taiwan, Malaysia, all of whom have staked claims to various zones in this vast expanse of water. But tensions have grown in recent years between China who claim the majority of the South China Sea for themselves and the Philippines. Lately these tensions have escalated into a series of dangerous encounters as the two countries seek to enforce their right to disputed reefs and outcrops in these contested waters. At the heart of this particular dispute lies a rusting warship, which belongs to the Philippine navy. It has been berthed on a submerged reef, the Second Thomas Shoal, since 1999, an outpost that the Philippine government claim belongs to them. The Sierra Madre is manned by a small Filipino crew who need a continual supply of provisions from the mainland, but the supply ships are encountering increasingly dangerous stand-offs with the Chinese coast guard in the South China Sea. The Chinese claim these encounters are just aimed at blocking an ‘illegal transportation' of supplies. But there are concerns that this regional dispute could spark a wider conflict between China and the US, who are treaty-bound to come to the defence of the Philippines, should it come under attack. So, on this week's Inquiry, ‘What can a rusting warship tell us about tensions in the South China Sea?' Contributors: Dr Hasim Turker, Independent Researcher, Istanbul, Turkey Professor Steve Tsang, Director SOAS China Institute, London Professor Jay Batongbacal, Director, Institute for Maritime Affairs and Law of the Sea, U.P. Law Centre, Philippines Gregory Poling, Director Southeast Asia Programme and the Asia Maritime Transparency Initiative, Centre for Strategic and International Studies, USA Presenter: Tanya Beckett Producer: Jill Collins Researcher: Katie Morgan Technical Producer: Richard Hannaford Production Coordinator: Tim Fernley Editor: Tara McDermott Image: The Philippine ship BRP Sierra Madre in the disputed Second Thomas Shoal in the South China Sea.Credit: Lisa Marie David/Bloomberg via Getty Images.
Streams in northern Alaska are turning a cloudy orange, and scientists think the cause is metals like iron leaching from melting permafrost as the Arctic rapidly warms. Also, summer has barely begun in the Northern Hemisphere but extreme heat is already baking Pakistan, where climate disruption is also bringing frequent catastrophic floods. What it's like to be in Lahore right now, how people are trying to cope and why these climate disasters are compounding Pakistan's economic and security challenges. And Claudia Sheinbaum, the first woman to be elected President of Mexico, has a background in climate and energy, having co-authored two IPCC climate reports and later implemented clean transportation projects while mayor of Mexico City. She has pledged to boost renewable energy in Mexico but her political links with the current oil-friendly administration could present challenges to reaching green goals. -- One of the best ways you can support our journalism is by sharing Living on Earth with a friend! Learn more about your ad choices. Visit megaphone.fm/adchoices
Second Thomas Shoal, a feature in the South China Sea, is highly contested: both China and the Philippines claim sovereignty over this area and have confronted each other repeatedly around the shoal, stirring tensions that have escalated into a military confrontation between the two countries. The Chinese Embassy in Manila announced that the Chinese Coast Guard would continue law enforcement activities around the Second Thomas Shoal and condemned the Philippines' presence in the region; the government of the Philippines insists that it has sovereignty. Both sides state that the other is violating international law. China's sovereignty claims in the South China Sea have long been a point of contention for some Southeast Asian countries, the United States, and others. Conflict management in the Second Thomas Shoal has lasting implications for China's neighbors. On March 8, 2024, Jennifer Staats discusses rising tension in Second Thomas Shoal and China-Philippine relations with Jay Batongbacal and Frances Wang. About the speakers: https://www.ncuscr.org/event/south-china-sea-second-thomas-shoal/ Follow Jay Batongbacal on X: @JayBatongbacal Follow Frances Wang on X: @YapingW Subscribe to the National Committee on YouTube for video of this interview. Follow us on Twitter (@ncuscr) and Instagram (@ncuscr).
Sponsored by MasterClass - Go to http://masterclass.com/newsday to get an additional 15% off an annual membership.
We need copper to prevent the body from literally RUSTING! Yes, we tell you why copper is so important to creating energy which is the core for balancing our hormones, enzymes, stress and our overall health. This information will change YOUR life and those who you share this with!Pet Health Cafe' is broadcast live at Thursdays 8PM ET.Pet Health Cafe' TV Show is viewed on Talk 4 TV (www.talk4tv.com).Pet Health Café Radio Show is broadcast on W4HC Radio - Health Café Live (www.w4hc.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Pet Health Café Podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
On this episode of Frist Ring Daily, Rust gets cashflow, Apple has a legacy, and sometimes you need a rebrand.
In this episode, we delve into the critical pre-painting process of steel preparation and tackle the persistent challenge of flash rusting. Join us as we talk with the experts in protective coatings, to unravel the mysteries of flash rusting and discover how their innovative solutions are helping steel structures stand strong against corrosion. Whether you're a professional in the coatings industry or simply interested in the science of protection, this episode offers invaluable insights into safeguarding steel surfaces and ensuring your next paint job endures the test of time.
We have a completely untapped resource in the U.S. that would help reduce emissions, decrease supply chain strain, not to mention reduce energy costs for many regions of the country. Why the U.S. can't tap into that, is the subject of the Jones Act. A century plus old piece of legislation that bans any ships operating within the U.S.' waterways that's not American built and crewed. In this episode, Cato Research Fellow Colin Grabow, joins me to give a refresher on the state of the law along with some very interesting case studies showing what life could be like without it. Spoiler alert, it'd be a lot better without it. If you'd like to check out the other episodes with Colin, one that explains the Jones Act in more detail as well as the starting of it, and another that dives deep into the U.S.' very own sugar cartel, which fixes and orchestrates the production of sugar in the states. Image generated by MidJourney (0:00) - Introduction (8:03) - The Jones Act and its Impact (10:40) - The Great Lakes and Canadian Fleet (14:39) - Missed Opportunities and Environmental Implications (25:18) - Impact on Energy Supply & the Environment (30:56) - The Impact on Puerto Rico (34:03) - The Damaging Aspect of the US Built Requirement (38:48) - The Cost of Building New Ships in the United States (1:02:30) - The impact of the Jones Act on the shipbuilding industry (1:05:46) - Creative Ways to Improve the Jones Act (1:09:29) - State of Play with the Jones Act
" The FSO Safer is an oil storage vessel, meant to store oil waiting to be shipped to the market. But when rebels took over the coast of Yemen, they held the ship hostage. That was in 2015. In the years since, nobody performed required maintenance and the ship has deteriorated, risking a spill or an explosion. -- At Plain English, we make English lessons for the modern world. -- Today's full English lesson, including a free transcript, can be found at: https://plainenglish.com/606 -- Learning English should be fun! That's why our lessons are about current events and trending topics you care about: business, travel, technology, health, science, politics, the environment, and so much more. Our free English lessons always include English expressions and phrasal verbs, too. -- Learn even more English at PlainEnglish.com, where we have fast and slow audio, translations, videos, online English courses, and a supportive community of English learners like you. Sign up free at PlainEnglish.com/Join -- Aprende inglés gratis en línea con nuestro curso de inglés. Se habla a una velocidad lenta para que todos entiendan. ¡Aprende ingles con nosotros ahora! | Aprenda Inglês online grátis com o Plain English, a uma velocidade menor, para que todos possam entender. Contact: E-mail jeff@plainenglish.com | WhatsApp +1 312 967 8757 | Facebook PlainEnglishPod | Instagram PlainEnglishPod | Twitter @PlainEnglishPod "
In this short podcast, Bryan talks about oxidation and all the buzz behind “magical air-cleaning oxides” and other similar IAQ products. Oxidation is the loss of electrons, and reduction is the gain of electrons; oxygen commonly loses electrons. Rusting is a common example of oxidation; it happens when iron and oxygen interact in air or water. Metals that are more likely to react with oxygen (or corrode) are “less noble” than more noble metals. Less-noble metals, known as anodes, are sometimes used sacrificially to prevent the oxidation of nobler base metals, known as cathodes. While iron oxidation results in corrosion, some IAQ products use the process to bind oxygen molecules to unwanted substances. The IAQ products that use oxidation use the natural tendency of oxygen to lose electrons when bonding with other molecules. Ozone is a common agent of these IAQ products because an ozone molecule is very unstable and has three oxygen atoms, meaning it combines with other molecules via oxidation; it stabilizes other unstable molecules. Ozone, however, also reacts similarly with cells in our respiratory system and can cause irritation. In our industry's efforts to reduce the negative effects of COVID-19 viruses, oxidation has generated a good deal of interest. Nowadays, some IAQ products use smaller amounts of ozone or use activated carbon to catch ozone before it enters the conditioned space. Many manufacturers that use oxidation as a strategy use other ion-based oxidizers, just not ozone. Some of these oxidizers can break pollutants into aldehydes and other chemicals that may harm our bodies. If you want to learn more, you can read Oxidizers and What It Has to Do With COVID-19. Learn more about the HVACR Training Symposium or buy a virtual ticket today at https://hvacrschool.com/symposium. If you have an iPhone, subscribe to the podcast HERE, and if you have an Android phone, subscribe HERE. Check out our handy calculators HERE.
Here's what's on tap for our third installment for Pirate Cat Radio 101.9 FM Santa Cruz: We stop by a street festival with a skate competition on the East Side to snag an interview with talented Santa Cruz artist Jimbo Phillips—who tells me about the role of the ocean in his creative process; we rolled into downtown San Francisco for a chat with MC "all the way from Germany" Fava and Hospital Records DJ / producer extraordinaire Hugh Hardie; plus, a garage sale stop turns into an amazing original poem about the character of this particular surf town. These tasty morsels are interspersed between grinding house, watery indie, emotive drum n' bass and exploratory techno. Listen live Fridays from 10pm-midnight Pacific time (http://kpcr.org or via the TuneIn app). Theme: Butterflywingtip "BBB" @truezoorecords-com https://www.youtube.com/watch?v=8ugoF4BnK7Y Original air date: Aug. 18, 2023. If you like the songs selected for this nonprofit radio broadcast, please support the artists by purchasing their music!!! I have included links to the artists pages below to help with this. Music: Pelada "La Gente Se Levanta" https://pelada.bandcamp.com/track/la-gente-se-levanta-feat-backxwash Soulwax "Krack" @soulwaxofficial Disclosure "Higher Than Ever Before" @disclosuremusic Tom Jarmey "Lurk" @tom-jarmey Jimbo Phillips interview http://jimbophillips.com/ Lavish Habits "Dance Wit You" https://robsoulrecordings.bandcamp.com/track/lavish-habits-dance-wit-you LTJ Bukem "Cosmic Interlude" @ltj-bukem Bored Lord "Keep Your Hands off My Body" @boredlord-music MC Fava and Hugh Hardie https://www.facebook.com/FavaMC/ @mcfava https://www.instagram.com/hughhardie/ @hugh-hardie Hugh Hardie "Deckard's Chords" Keeno "Perspective (feat. MC Fava)" @keenodnb John Tejada "Sucre (feat. Qzen)" @johntejadaofficial King Gizzard & The Lizard Wizard "Interior People" @king-gizzard-the-lizard-wizard 5 Revolutions "Fwe Bena Zambia" @5revolutions-music Cocteau Twins "Ivo" @cocteau-twins Menomena "Wet and Rusting" https://www.youtube.com/watch?v=2iqg3LVx2Ws Metric "Just The Once" @metric-band https://www.youtube.com/watch?v=VYW4F5q7XBE Aadat - DJ NYK Remix ft. Archit Tak - Atif Aslam https://www.facebook.com/watch/?v=2146378205527583 Detboi "Never Be Lonely" https://xlr8r.com/tag/detboi/ Nathan Boost "Le Papillon" @nthnboost Tanukichan "Thin Air (feat. Enumclaw)" @tanukichan-thin-air-feat Tim Hecker "Glissalia" @timhecker Navdep "Tabla Bounce" https://www.instagram.com/p/CbhyUC7gtHw/ Young Marble Giants "Brand - New - Life" @young-marble-giants artbat "horizon" @artbatmusic Nicola Cruz "Sequencia De Luz" @nicolacruz Isaac D Maggard-Lamothe "Interlude 1" @https://music.apple.com/us/album/interlude-1-single/1702117825
Welcome to Brown Table Talk! Today, our hosts Dee C. Marshall and Mita Mallick talk about why you're rusting out at work! We've all experienced the dreaded workplace burnout, but have you ever heard of 'rusting out'? Join us as we explore this often overlooked issue This powerful episode is packed with valuable insights and advice on how to navigate that tricky terrain without burning bridges. Tune in for juicy stories, insights, and of course some tips on how to defuse and handle the situation. Are you ready? Buckle up! Check Out Our Website! https://www.browntabletalkpodcast.com/ Check out Mita's new book! https://www.amazon.com/Reimagine-Inclusion-Mita-Mallick/dp/1394177097 Connect With Dee and Mita on LinkedIn! Dee C. Marshall Mita Mallick
Hosts Breann, Amanda, and Chris chat about a new idea called rusting out. Similar to burn out the idea of rusting out is the lack of fulfillment and stimulation in work, relationships, and in yourself. They discuss there personal experience when they felt this way and give tips on how to help get out of a rusty funk.Connect with us:NAMI Orange County Website Email us: anxietysucks@namioc.orgInstagram: @nami_ocTikTok @nami_ocYoutube: NAMI Orange County Spotify Resources:NAMI-OC Podcast Survey OC WarmLine, call or text at (714) 991-6412NAMI-OC's Teens and Young Adult Virtual Bulletin BoardNAMI-OC's Peer Connector ProgramCrisis line, OC WarmLine, and crisis groupsNAMI-OC Eventbrite Disclaimer:NAMI OC's Anxiety Sucks is for informational/educational and/or entertainment purposes only and is not a substitute for medical or psychiatric advice, diagnosis, or treatment.NAMI OC's Anxiety Sucks is funded by: OC Health Care Agency (HCA), Mental Health and Recovery Services, Office of Suicide Prevention, Mental Health Services Act/Prop. 63.
Here is the YouTube link to see all the crazy deck pictures https://youtu.be/MSAKmCC0OlA In this 75th episode of About the House with Troy Galloway, Troy talks about deck and porch safety. Each May, the North American Deck and Railing Association (NADRA) raises awareness about the importance of checking your deck through a national deck safety campaign, which makes it a perfect time for Troy to share some of the crazy things he's seen while inspecting decks and porches. Submit your questions at the Galloway Building Services Facebook page https://www.facebook.com/GallowayBuildingServices About the House brought to you by http://gallowaybuildingservices.com/ 2:44 Deck VS porch | Don't BBQ on your porch | Screened in porch | Deck disasters | Hot tub on deck 7:22 Piers 9:55 Support post | Keep wooden posts off the ground | Treated wood rots 15:29 Floor joist to band board | Rusting bolts | Rusting nails 25:13 Decking 33:19 Handrails | Handrails deteriorate the quickest 39:55 Stairs | Concrete landing
We are enswirled in this episode, Slushies, enswirled! We discuss three poems by John Sibley Willliams, two of which are ghazals. Williams' poems are the gravitational force around which our conversation about craft, form, fluidity, identity, and the flux and spaciousness found inside poetry spirals. Williams' poems draw the swirl of our attention not only to the choices he makes on the page but to Agha Shahad Ali's rules for real ghazals, Williams' poetic conversation with Tarfia Faizullah, and his nod to Kavek Akbar's “Gloves”. There is a pun these show notes want to make about guzzling ghazals, Slushies, but we are trying hard to resist it… At the table: Marion Wrenn, Jason Schneiderman, Kathleen Volk Miller, Dagne Forrest, Samantha Neugebauer This episode is brought to you by one of our sponsors, Wilbur Records, who kindly introduced us to the artist A.M.Mills, whose song “Spaghetti with Loretta” now opens our show. John Sibley Williams is the author of nine poetry collections, most recently Scale Model of a Country at Dawn (Cider Press Review Poetry Award) and The Drowning House (Elixir Press Poetry Award). He serves as editor of The Inflectionist Review, Poetry Editor at Kelson Books, and founder of the Caesura Poetry Workshop series. He lives in Portland, Oregon with his partner, twin biracial six-year-olds (one of whom is beautifully transgender), a boisterous Boston Terrier, and a basement full of horror movie memorabilia. Author website, Facebook @ john.sibleywilliams Ghazal for Transparency / for Reflection My ghosts breathe accusingly—a winter mass, a mirror's impermanent erasure—again shaving I'm sorry from the face over my face in the glass. It's not just the birds—their abridged flight, the stains the sky wears today through this washable window—but my children's tiny hands absolving the glass. Of guilt? Of shame? Is it his blood raging generations through my veins or this white- washed silence compelling me to pull our history, face-by-face, from its frames of glass? All this uneaten grain filling silo after silo—always at dusk, in my mind—swarmed now with mealworms & mites & someone else's hunger. How it cuts the tongue like shards of glass. & those goddamned honeycombs, failing again. How our neighbor's unable to keep his bees close enough to cultivate. Our house too is a small box of dust & wing & against the glass separating us from the world curtains blur our reflections like rain. Like stars cutting through cloud, a sustainable song. May my girls never be dead enough to fear themselves in our glass. Ghazal Beginning & Ending with Lines from Tarfia Faizullah Let me break free from these lace-frail microscopic bodies. My breath (always shared); trace it back to unmasked foreign bodies. Taking that last winter deep into her lungs. Breathe, I remind her. & remember me a child, Mom, not this unrecognizable foreign body. The sky's aperture widens. Sight ≠ witness. The organ's rusty song catches in the rafters (unascended). & all this rain leaking down on us like foreign bodies. Grey fox. White cells. Families fleeing one home for (hopes of) another. Some borders, perhaps, are meant to be trespassed by unforeign bodies. Row after perfect row = harvest. Harvest ≠ everyone is fed. Sated. Breaking up from the earth beneath, star thistle & bindweed. To us, foreign bodies. The day an autumn orphan, & we're yanking roots. My daughter's tiny misgendered fingers in mine, (pulling. Together), no body is foreign. Field of Anchors — for Kaveh Akbar Darkness on both sides. & wild grasses. Sun-hurt. Browning. So as not to drift. Too far from shore. A man. Palms the tiny church inside. The warm casing. Inside a god. Prays to another god. For more. Of himself. More devotion. One more detonation. Of roses. Less blood next time. Less field. Without end. Or is it more. That's required to make a mirror. Of each window. All that untilled light. All that goddamn reflection. The old maple out back. No longer. A noose swinging from it. Lifts its arms. In praise of its leaves. Fallen & otherwise. Only a god. My grandmother promised. Can beat the trees. Of its birds. Can lullaby. The field into paradise. Only fear can. Halleluiah the anchors from their green. Deerless. Wolf-filled. Moorings. Or is it. Love. When I open the front gate. Rusting. Still. Despite drought. Despite me. I hear. My children playing with. The blood inside. The roses. Inside the bullet. An impossible anchor. A darkness. That gives a people. Its name.
147 odcinek jest odcinkiem specjalnym i nieplanowanym. Kontuzja nosa sprawiła, że nie mogłem nagrać zaplanowanej wcześniej rozmowy. Postanowiłem jednak nagrać krótkie przemyślenia dotyczące narzekania i negatywnego myślenia w obliczu trudności. Znalezienie pozytywów w trudnej sytuacji może być trudne, ale jest to bardzo ważne, aby uniknąć wpadnięcia w pułapki negatywnych myśli i uczuć. W odcinku kilka sposobów, które mogą pomóc w znalezieniu pozytywów w trudnej sytuacji. Wesprzyj moje działania i postaw mi wirtualną kawę: https://buycoffee.to/championswaypodcast-mateuszbrela Dzięki! Badania cytowane w odcinku: Baumeister, R. F., Bratslavsky, E., Finkenauer, C., & Vohs, K. D. (2001). Bad is stronger than good. Review of general psychology, 5(4), 323-370. Cioffi, D., & Garner, R. (2002). On doing the decision: effects of active versus passive choice on commitment and self-perception. Personality and Social Psychology Bulletin, 28(11), 1460-1469. Kross, E., Verduyn, P., Demiralp, E., Park, J., Lee, D. S., Lin, N., ... & Ybarra, O. (2013). Facebook use predicts declines in subjective well-being in young adults. PloS one, 8(8), e69841. Pennebaker, J. W., & Graybeal, A. (2001). Patterns of natural language use: Disclosure, personality, and social integration. Current directions in psychological science, 10(3), 90-93. Rusting, C. L. (1998). Personality, mood, and cognitive processing of emotional information: three conceptual frameworks. Psychological bulletin, 124(2), 165-196. Wood, J. V., Perunovic, W. Q. E., & Lee, J. W. (2009). Positive self-statements: Power for some, peril for others. Psychological Science, 20(7), 860-866. Koniecznie daj mi znać, co sądzisz w social mediach! Już teraz zapraszam na kolejne odcinki - planuję rozmowy z inspirującymi gośćmi! Daj mi znać w social mediach, co zabierzesz dla siebie z tego nagrania. Książkę o moim dziadziusiu znajdziesz tutaj: https://www.empik.com/czas-pogardy-yarek-aranowicz,p1363085592,ksiazka-p?mpShopId=0&cq_src=google_ads&cq_cmp=15083288390&cq_term=&cq_plac=&cq_net=u&cq_plt=gp&gclid=EAIaIQobChMIoJOCtu3L_QIV5gWiAx3V8wfcEAQYBCABEgL2cfD_BwE&gclsrc=aw.ds Partnerem tego odcinka jest firma HealthLabs Care. Bohaterem dzisiejszego odcinka jest witamina D3, którą znajdziesz w tym linku https://healthla.bs/Mbrela10VitaminDNatural A z kodem MBRELA10 Twój koszyk zostanie zrabatowany o 10%. Pytania, które odblokują Twój potencjał znajdziesz tutaj: https://www.instagram.com/p/CmJ-xgKI4FR/.
LONGEST LOCK-IN EVER Rust out or Burn out Funny story: Three years in a row we had the same event happen on one of our toughest annual youth road trips. Every year we took middle schoolers to the mountains in the winter time (most of those years we had a sleeper bus). The “Skittles Event” came out of one middle school boy on this trip 3 years in a row. You will have to listen to the this episode to know what happened. Noah longest lock-in ever! 120 years to build the Ark. Stayed on the boat for 150 days. He left the boat on the 27th day of the second month of Noah's 601st year of life. How do you like that for a fun boat trip? I found this article on my LINKEDIN account: “Burnout at work is a well-known problem. But a new opposite term has recently surfaced in wellbeing discussions: rust-out. Rust-out occurs when employees feel underutilized and under-stimulated in their jobs. Work seems monotonous and devoid of personally meaningful aspects, which can hurt performance and mental health. Gallup's global workplace report for 2022 found that only 21% of people feel engaged in their jobs. Europe was the region with the lowest percentage of engaged employees at 14%.” This came from an ER Doctor responding to the mentioned post above. I think leaders may help rust out by: 1. Setting challenging and meaningful goals. 2. Providing opportunities for learning and growth. 3. Offering job rotation or cross-training. 4. Recognizing and rewarding accomplishments. 5. Asking their team, "what are you interested in" and how can I help? The bottom line is that it is critical to create a culture of trust where leaders are asking the right questions and employees feel comfortable sharing their honest opinions. People who feel like they're rusting on the job can share with their managers, look for a new role, and re-inject enjoyable activities into their personal life. Bosses who spot rusty workers should help them speak up and co-develop a progression plan. My thoughts: This happens especially. If the staff, congregation, or whatever organization you are a part of, if they have not run you off in the first 1 to 2 years, then they may just let you run yourself in to the ground being satisfied with what they are getting out of you and giving you no room for growth or expansion. Especially if we are doing work on a God Size scale, we need God Size Rest. Like Jesus or the prophets of old. Rusting out may be better than burning out!? But Burning UP… while often reducing stress and taking breaks like Jesus did is better, because Burning Up includes, Rest, Fuel, Encouragement, Fresh Ideas, Spiritual Food, Physical Food, Mental Renewal, and Creativity… Plus, Plus!!! God gives us no more than we can endure if we're following him and depending on him. That's why Matthew 11:28-30 is some of my favorite verses. (Matthew 11:28–30 NLT) - Jesus said, “Come to me all of you who are weary and carry heavy burdens, and I will give you rest. Take my yoke upon you let me teach you, because I am humble and gentle at heart and you will find rest for your souls, for my yoke is easy my burden is light...” And yoke meaning that thing that's around an oxen or animals neck. It helps pull whatever load it is. So get His yoke, the thing that's going to make your burdens easier, because it's when it's Him it's light and it is easy. I found my way is complex and hard. What about you? Are you frustrated doing things your way instead of getting God's game plan? _______________________________ Looking for a new student ministry resource? You can read my book “Burn Up Not Out: A Student Ministry Fire Builder's Guidebook” here: https://amzn.to/3PtBTIy Listen to more episodes from the Youth Worker On Fire Podcast here: https://bit.ly/3saDyYq _______________________________ EPISODE CREDITS Email us at: youthworkeronfire@gmail.com Hosted by: Doug Edwards Theme Song: "The One and Only" by The 808 (Listen to more at: https://bit.ly/3FTYIAJ ) Intro/Outro Voiceover: Michael Helms ( https://www.youtube.com/@MichaelTheSoundGuy ) Edited by: Secret Roots Music House
How do I fix an ABS light on an Accord? Does my 2019 Chevy Tahoe have warranty left? Is my Turbo bad on my Eco boost Ford F150? NATT Batt Battery Convention Why does my 2002 F250 V10 not start after refueling? Why does my 2018 Ram Truck have no heat? Battery Recycling for EV cars Ethanol and Fuel Mileage why can it be better. Why does my 2003 Chevy not shift?
In this episode, Adam has another interesting case study about a customer who was concerned about a rusting lally column. He explains how important it is to maintain one's lally columns.
Daily Radio Program with Charles Stanley - In Touch Ministries
Did you know it's possible to actively serve God but still experience calm and contentment?
God does not intend for us to wander in the wilderness of disheartened commitment. He has promised us a spiritual rest, a sabbath of the soul. Dr. Stanley gives biblical examples of the rest we all need. It is possible for us to work, serve, and achieve the accomplishments God has set for us while still experiencing calm and contentment. To support this ministry financially, visit: https://www.oneplace.com/donate/1273/29
God does not intend for us to wander in the wilderness of disheartened commitment. He has promised us a spiritual rest, a sabbath of the soul. Dr. Stanley gives biblical examples of the rest we all need. It is possible for us to work, serve, and achieve the accomplishments God has set for us while still experiencing calm and contentment. To support this ministry financially, visit: https://www.oneplace.com/donate/1273/29
Support the show: https://vision.org.au/in-touch-with-charles-stanley/See omnystudio.com/listener for privacy information.
We're all rusting from the inside, antioxidants help us stop!
Great courses are designed to engage the curiosity of students. In this episode Dr. David Gardenghi explains how he roots his chemistry for engineers course in the central engineering problem of corrosion.
Great courses are designed to engage the curiosity of students. In this episode Dr. David Gardenghi explains how he roots his chemistry for engineers course in the central engineering problem of corrosion.
Joan Knowlden, a Licensed Marriage Family Therapist, guides us on our loved ones who are addicted to their business, helping employees fixated on Ukraine and other events, HR tools for business owners who can't afford an HR department, and...what is a knight in rusting armor?
Joan Knowlden, a Licensed Marriage Family Therapist, guides us on our loved ones who are addicted to their business, helping employees fixated on Ukraine and other events, HR tools for business owners who can't afford an HR department, and...what is a knight in rusting armor?
I'm tired mate. I'm exhausted with trying to please you, with trying to second-guess you. I think it's the best part of a decade we've known each other, and yet it turns out I didn't know you at all. You're the tin man, mate. You've got not heart, mate. You never made it to the emerald city. You're just sat in the enchanted forest. Rusting. Tired. Like me. Tired as fuck.
This week on Outdoor Journal Radio, the boys are answering all your spring fishing questions.But before they get to that, a few quick, pressing matters were discussed, including: Ang's new diet; Pete's outdoor expertise; Deja Vu; and almond juice.With those important matters out of the way, Ang and Pete get to answering your questions. Topics discussed include: fizzing bass; barotrauma; Lake Trout burps; bobber fishing for pike; ice out Lake Trout strategy; the perfect Walleye rod; Antidisestablishmentarianism; western walleye fishing; search baits; dropshot weights; Great Lakes Brown Trout; fishing with Ang and Pete; Rusting hooks; tin boats; freezing fluorocarbon; early season Crappie; and much more!To never miss an episode of Outdoor Journal Radio, be sure to like, subscribe, and leave a review on your favourite podcast app!More from Angelo and Pete:► WEBSITE► FACEBOOK► INSTAGRAM► YOUTUBEC'mon now!
Ladies and Gents... it's been a while! Life is hectic and we've taken some hiatuses, but we are back this week with an amazing episode with our guest Theresa Attobrah!! Does fear get in the way of accomplishing goals? Do you have self doubt? Are you an over thinker? Most likely, you're all of those things to SOME degree. Theresa (T) has taken a lot of major courageous leaps in the past few years for herself, and we dive into how she made those choices, how she overcame the fear of the unknown, and WHAT those leaps were. Of course, we couldn't chat with her without stirring the pot on what Culinary school was like and where it's helped lead her today. Our intro, as always- is a MAJOR shitshow featuring your two hosts being fatigued, loopy, and talking about spicy subway rides and public humiliation. You won't wanna miss this one!
Do you ever look at someone in your life, see how wealthy and put together they are, and get a bit jealous? Well fear not, it's often not what it seems. In today's episode, host Travis Shelton discusses his experience seeing what's behind the curtain for families who seemingly have it made. Spoiler alert: it's not usually what you'd expect. Some people put so much effort (and money) into portraying a certain image, it hinders their ability to actually have financial stability. However, this isn't about pointing the finger at others. We each need to look in the mirror and ask ourselves how we're going to handle our own life and our own finances. If (and that's a big if) we can stop caring about what others think about us, do the right thing for the right reasons, and set a strong foundation, we can set ourselves up for decades to come. And as always, it's not about the money. Money is never about the money.....it's always about something bigger! If you have questions or would like to connect with us outside of the podcast, here's where you can find us: Online Course: www.meaningover.money (podcast listeners can get 25% off by using the promo code "podcast25") YouTube: https://www.youtube.com/channel/UCasnj17-bOl_CZ0Cb9czmyQ Instagram: www.instagram.com/meaning_over_money Travis's Instagram: www.instagram.com/travis_shelton_ Travis's website: www.travisshelton.com E-Mail Us: meaningovermoneypodcast@gmail.com --- Send in a voice message: https://anchor.fm/meaning-over-money/message
The Hake Report, Thursday, June 17, 2021: Democrats and RINOs converge to support Juneteenth, but it's not a holiday, but a hater day. Putin melodrama by U.S. media and politician posers: Putin brings up Ashli Babbitt, political prosecutions of Capitol protestors, and BLM riots. MUSIC: Menomena - "Wet and Rusting," "Posh Isolation" Also check out Hake News from today. CALLERS Samuel, Sweden - will have Hake as a guest on his show Sunday! Earl, MI - argues with Hake about whether it's opinion Dems are evil. T, AL - claims he's independent, and tries to undermine JLP on Hake's show. Art, OH - responds to the show's topics Maze, Dayton, OH - re: Juneteenth, John Brown, etc. Ben, NYC - comment about the 'In The Heights' film TIME STAMPS 0:00 Thu, Jun 17, 2021 1:37 Wet and Rusting, Menomena 5:17 Hey, guys! 7:06 June-blah-blah Hater Day 24:01 Samuel, Sweden 27:53 Super Chats, Ben Burgis 34:18 Earl, MI 44:52 Putin melodrama 55:34 Putin on Capitol protest 58:56 Twitter for Feds 1:01:58 Posh Isolation, Menomena 1:04:26 Chat, announcements 1:07:15 Putin on BLM 1:13:45 T in AL 1:22:42 Art in OH 1:34:03 GOP against June-blah-blah 1:38:35 Maze, Dayton, OH 1:49:43 Brad Raffensperger 1:53:52 Ben, NYC 1:57:05 Thanks, all! 1:57:25 Cold Step, MK2 HAKE LINKS VIDEO ARCHIVE: BitChute | Rumble | Facebook | Periscope/Twitter | NO YouTube (due to strike, 1-week suspension) | Audio podcast links below PODCAST: Apple | Podcast Addict | Castbox | Stitcher | Spotify | Amazon | PodBean | Google LIVE VIDEO: Trovo | DLive | Periscope | Facebook | Twitch* | NOT YouTube (due to strike, 1-week suspension)* SUPPORT: SubscribeStar | Patreon | Teespring | SUPER CHAT: Streamlabs | Trovo Call in! 888-775-3773, live Monday through Friday 9 AM (Los Angeles) https://thehakereport.com/show Also see Hake News from JLP's show today. *NOTE: YouTube and Twitch have both censored James's content on their platforms lately, over fake "Community Guidelines" violations. BLOG POST: https://www.thehakereport.com/blog/2021/6/17/061721-thu-june-national-hater-day-putin-scapegoat-of-enemies-within
Stranded on a station that has seen better days, the Argo crew seeks help from a new friend. --Content warnings can be found at the end of the show notes. The transcript can be found at https://khorapodcast.github.io/khorapod_transcripts/--Khôra Podcast is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This episode was produced by A.L Emmet and directed by Sats Di Stefano, Celeste Lang, and Ibrahim Steel. It starred Kit MacNeil as Medea, Mq Quinlan as Atalanta, Kat Hawthorne as ECHO, Clary Cheung as Medusa, and Alexah Joseph as Ariadne. Additional voices by Jules Violet, Anjali Pasupathy, Lucas Robins, and Sats Di Stefano. Knossos May Be Rusting was written by Jules Violet, Georgia Lupinacci, and Rey Bailey. All of the original music was created by the Khôra team. The ambiance of the Knossos night market was provided by the BBC sound archive. Sound design for this episode was provided by Ibrahim Steel, Maxwell Beckett, Kit MacNeil, and Mq Quinlan, and the poster art is drawn and designed by Lucas Robins and Emily Aiken. The Khôra cover art is drawn and designed by Jules Violet and Clary Cheung. Season one of Khôra Podcast was outlined by Sats Di Stefano, Clary Cheung, and A.L Emmet. --Follow us on Tumblr, Twitter, or Instagram where we are always @KhoraPodcast. You can post about the show using #KhoraPodcast.--Content Warnings: Vehicular crash, sword fights, injury
Learning Calligraphy (0:04:20) Do you love going out of your way to make your handwriting look prim and proper? Or maybe you simply appreciate the beauty of a good-looking letter every once and a while. Wherever you fall between these two scenarios, chances are you've probably considered learning modern calligraphy at some point. Calligraphy has the power to take nearly any word in the English language and make it a beautiful centerpiece worthy of attention. Joining us today is Becca Courtice, a calligraphy teacher and founder of the YouTube channel “The Happily Ever Crafter”. We'll be discussing the beauty of modern calligraphy and how you can get started learning, too. Nigerian America (0:19:47) The black immigrant population has risen 137 percent from 2000 to 2013 with about 2 million black immigrants entering the country every year on average. 327 thousand of those immigrants are from Nigeria, making up the majority of the black immigrant population. These African immigrants don't necessarily experience the same kind of racism as American born people of color. Here to discuss his experience with race in America is Macmillan Agbonavbare. He was born in Nigeria and moved to the US about 4 years ago with plans to eventually gain citizenship. Family Staycations (0:35:52) Some of my favorite childhood memories are from family trips we took as a kid. And while I didn't always remember the place, I do remember the time spent with my family. And now that I'm a parent, I wonder “why not just focus on that part?” and take stay-cations instead? It includes all the fun family time with half the stress and expense. That's we asked friend of the show Carrie Ann Rhodes to talk with us about stay-cations and how to get the most out of yours! Boosting Your Immune System (0:56:28) Nothing is better at protecting us then our own bodies. Our immune systems are incredible at fighting any infection or virus that tries to attack us. But, if we don't take care of our bodies, our immune system becomes weak and we become more prone to illness and disease. So, what can we do to boost our immune systems? This is especially important as we continue to deal with a worldwide pandemic and prepare to send our kids back to school. So, we invited pediatrician and friend of the show Dr. Weston Spencer on the show to share his tips! Back to School Haircuts (1:12:43) During the summer our kids run wild and grow their locks out. But almost every family emphasizes the importance of getting a back to school haircut each year. It's time to clean up our kids' looks so they look sharp for those back to school pictures that'll be memorialized in yearbooks forever. But as COVID continues to exist, you might be considering cutting your own kid's hair. So we invited hairstylist and mom, Jerilyn Anderson on the show to give us some advice on cutting hair at home. Getting Rusty with Age (1:28:39) Now when we talk about health and anti-aging products or methods, the conversation tends to center on the outside of our bodies, rather than what is happening within. We sometimes forget that the outside is a manifestation of what is going on inside. Well today, we are speaking with a health and nutrition expert, Dr. Jonny Bowden, about ways to improve our health and prevent “rusting within” by lessening something called free radical damage.
Rusting nails in siding can make your whole home look worn. Learn what causes nails to rust and the options to slow prevent future rusting nails. Learn more about your ad choices. Visit podcastchoices.com/adchoices