Podcasts about k pop

IS THERE A DOCTOR IN THE HOUSE...YET? Still, no, but if it's K-Drama woes that ail you, we have the remedy with Dr. Noonas Prescription Service. This is the Part 2 of us asking listeners to write in with their drama related ailments so we could prescribe the perfect medicine. Whether it's a light and fluffy romcom you can watch with the kiddos or a thoughtful drama to help you through hard times, the doctors are at your service. And if you're bummed you missed out on getting your prescription filled, have no fear! The doctors will be back with future segments. All you have to do is fill out THIS FORM to let us know what you need! Ready to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for takes on Bangtan life. ★ Support this podcast on Patreon ★

This Postmodern Realities episode is a conversation with JOURNAL author So Ri Jung about his article, “K-pop: On the Altar of Excellence and Belonging“. https://www.equip.org/articles/k-pop-on-the-altar-of-excellence-and-belonging/One way you can support our online articles and podcasts is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10, which is the cost of a latte, lunch out, or coffee drink. To leave a tip, click here.Related articles and podcasts: Episode 473: Pop Culture's Idea of Shame and Spirituality: A Review of ‘K-Pop Demon Hunters'Pop Culture's Idea of Shame and Spirituality: A Review of ‘K-Pop Demon Hunters'Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.

This week on Toilet Radio: Maynard James Keenan wants to make you eat sushi in the desert. The guy from Skindred has one million grandchildren. King 810 is threatening to release a new album and tour the rust belt – what exactly happened to these guys? Snot is trying again and 90s funk metal will never die. Demon Hunter is suing the studio behind K-POP Demon Hunter and we take a deep dive into K-Pop, anime, and Christian metal. Charley Crockett is STILL trying to beef with Twin Temple and Jack White, who are getting huge boosts from Charley acting like a fucking freak online. Finally, Jack Osbourne is teasing a new Ozzfest – this time it’ll be a one-off somewhere in England. Weak. FOLKS….. it’s a good one. Music featured on this ‘sode: Night Roar – Satanic Ritual This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

The trans allegory of KPop Demon Hunters continues, again! This week we look at how transphobia becomes transphobes' entire personality, internalized transphobia, and the hypocrisy of those who claimed to love us but reject us once we come out to them. Jeremy Holt returns to discuss art school conversations and gross future heartbreakers! Do white people like pizza? JEREMY HOLT IG: https://www.instagram.com/jeremyholtbooks Bluesky: https://bsky.app/profile/jeremyholtbooks.com Website: https://www.jeremyholtbooks.com TEXT VERSION https://www.tillystranstuesdays.com/2026/08/25/the-imperfect-trans-allegory-of-kpop-demon-hunters-part-3/ FURTHER READING (topics discussed with essays available at https://TillysTransTuesdays.com ) Internalized Transphobia, Trans Parents (and Mother's Day), Trans Trauma 2: Societal Gaslighting, Cis Spousal and Partner Support, Cis Grief, Transmedicalism (and WPATH version 1), The 2022 US Trans Survey Report parts 1-4, Coming Out as Trans Special thanks to Daisy and Jane for the use of "Sorry Not Sorry" as our show's theme music. Please stop by and show your support at https://daisyandjane.bandcamp.com and https://soundcloud.com/daisyandjane --Please leave us a rating on Apple Podcasts/iTunes!-- Website: pendantaudio.com Bluesky: @pendantaudio.bsky.social‬

It's August (Not AgustD) and Arirang has wrapped Europe and is making its way through the last North American dates (concluding with LA in early September). Before Megan and Lea meet up at those concerts, we touched base to talk through what the last month has brought. Grab a white t-shirt and head into the rain!And remember--keep listening to Arirang top to bottom on your favorite streaming platform! And Come Over is now out on all platforms. Make sure to grab your copy on the iTunes Store. Also don't snooze on Normal! Watch, like, comment on the music video and add it to your playlists.Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Check out our sister pod www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest members of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Want to find more great BTS content? Head over to Afternoona Army for more takes on Bangtan life and links to our social media.

Sind alle in Korea reich? Für euch gehen wir auf den Grund, warum Korea weltweit am meisten für Luxus-Brands ausgibt. Hört rein!

The K-Pop sensation BTS has a new Oreo flavor out and the You Tried Dat?? crew is ready to taste it.  They put it up against Ashapops Himalayan Pink Salt and Trader Joe's Crispy Rice Milk Chocolate Bars.  They also discuss a strange encounter at the New York City zoo before diving into some more Would You Rather scenarios. Follow us on Instagram to see pictures of the snacks @youtrieddat.

Earlier this week during media interviews, BYU defensive coordinator Kelly Poppinga shared an opinion that sacks are the most overrated stat in football, and that 19 points per game allowed is all he really cares about. Mitch Harper and Nate Slack talk about why they do or don't agree with K-Pop before giving their expectations for this year's defensive unit.

We're getting a look at letters that White House aide Natalie Harp allegedly wrote to President Donald Trump . Eight people were killed after a charter plane crashed in Western Alaska. President Trump heads to South Carolina to stump for Sen. Darlene Graham after an embarrassing debate stumble. North Korea is sending more reinforcements to fight for Russia, according to a senior Ukrainian intelligence official. And Netflix is sued over “KPop Demon Hunters” - but the group who brought the suit might surprise you.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The squad is absolutely floored by a legendary Homie Helpline update from Roberto, who has officially chosen his wife's sister and admits he'll miss his cat, Milo, more than his ex-wife.

The morning begins with Lern trying to figure out whether Hubbard Media has a sewage problem or whether she personally needs to reevaluate some life choices. Thankfully, the mystery quickly leads us to Florida, where somebody learns one of nature's most important rules the hard way: do not jump on a manatee. Especially when you haven't taken the time to determine whether said manatee is, you know… alive.Rizz remembers the beautiful bonding experience of having baby vomit deposited directly into his mouth. Moon recalls an athletic encounter with an impressive amount of dog poop. And then Rafe casually unlocks a repressed memory from his days working in surgery that probably should've stayed repressed. There's gangrene. There's a sterile operating room. There's vomiting. There's mint extract that arrives WAY too late. At one point, breakfast officially files for divorce.Eventually, Rizz attempts to drag this funny podcast out of the biological danger zone by choosing joy. Unfortunately, he's Rizz, so even his daughter thanking him for making dinner turns into an existential crisis involving garlic, dementia, stuffed animals, retirement in Florida, and an imaginary future son-in-law handling his estate. Normal father-daughter stuff.Then we actually get GOOD NEWS. St. Charles runner Emma Kessler thought she'd be tackling a half marathon without her boyfriend Jason, who repeatedly insisted running wasn't his thing. Turns out Jason had secretly trained for months so he could surprise her and run alongside her. It's sweet. It's supportive. Nobody gets covered in anything. Naturally, Rizz's immediate concern is that this man is making every other partner look terrible.Apparently Gen X isn't going to enough concerts, so today we're solving the live music industry one folding chair and bottle of ibuprofen at a time.A concert promoter asking what it would take to get Gen X back out to shows. The answers? Bring back physical tickets. Give us cleaner bathrooms. Stop making everything cost approximately one kidney. Fine bands for showing up late. And while we're making demands, how about concerts that start at 3 p.m. and wrap by 6 so everybody can be home, showered and questioning their life choices before the evening news?The crew gets into the bigger problem facing live music right now, from third-party ticket sellers and ridiculous resale prices to mid-level artists trying to survive while fans blow their entire entertainment budget on one or two giant shows. Foo Fighters are stepping in to open for AC/DC in St. Louis, which leads to the very important question of how long the Foo Fighters actually get to play when they're technically the opener. There's also an update on Def Leppard guitarist Vivian Campbell and his continued battle with Hodgkin's lymphoma.The Jack White and Charley Crockett drama continues after Twin Temple was removed from dates on Crockett's tour. Jack White defended the band, Crockett fired back, White responded with a bizarre musical troll, and suddenly everybody is keeping track of who released more albums. Rafe likes Crockett's music but would also like everyone involved to calm down and simply make songs again.Then Demon Hunter enters the chat. The Christian metal band is suing over the KPop Demon Hunters name, arguing that the massive Netflix property and its live-event expansion could create confusion with their long-established band. King Scott once saw the band demon hunter perform KPOP.The Missouri State Fair has given us many things over the years, and today we can add freeze-dried pickles capable of removing every drop of moisture from the human body to the list.Then we return to one of the most important educational developments of our generation: Fart Corner.The teacher whose classroom fart corner went viral has responded to all the attention and clarified her intentions. Apparently, kids today have significantly less shame about letting one rip in class, so she created a designated location where students can handle their business and return to society. Fart Corner is now also The Gas Station.Then it's time for King Scott to host Matchup With Moon, and whatever intellectual credibility remained in the studio immediately leaves through the emergency exit.Rizz and Moon battle through trivia involving the longest-running television game show, Walter Mondale, the PGA Hall of Fame, malware and the Rice Krispies mascots before King Scott drops the Millard Fillmore tiebreaker.Round two somehow gets worse. The guys tackle the undefeated Miami Dolphins, continents, Louis Armstrong, bowling terminology and the origin of Spam. “Spiced ham” should have been easy, but instead we get guesses including separated ham, spectacular meats, special mail and surplus meat.Then comes the Great Bowling Debate of 2023.Another episode of daily comedy from The Rizzuto Show.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Boyfriend Secretly Trains For Two Months To Surprise Girlfriend and Run Alongside Her in Dreaded First Half-MarathonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this segment of Notorious Mass Effect, Analytic Dreamz analyzes BTS's 2026 MTV Video Music Awards nominations for “SWIM” from the album Arirang, including Song of the Year and Best K-Pop. The breakdown covers the full Best K-Pop field with BLACKPINK, Lisa, CORTIS, KATSEYE and LE SSERAFIM, Lisa's four nominations for “Dream,” overall leaders Madonna with 11 nods and Taylor Swift with nine, major category contenders, and the September 27 ceremony at Peacock Theatre in Los Angeles. Analytic Dreamz examines K-pop's expanded presence and the path for BTS following the group's reunion.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Brittany nearly fought a dude in an Orange Mustang. Prince Harry and Meghan Markle are moving back to the UK with the Kids. We discuss whatever the heck is going on with the sale of the Los Angeles Lakers, Tracy Tutor joins The Real Housewives of Beverly Hills and Drew Barrymore just sparked the conversation about being a midlife single woman.Keke Palmer is definitely one of us.KPOP MINNECON 2026 is back at the Saint Paul RiverCentre and Andrew Melendres joins to explain KPOP to me.Brittany is convinced The Studio is real and the word men will say when they really like you.Hot To Go with Harry and Meghan, Dakota Johnson and Ray J.Four and No More, the Potato Edition and Brittany and Mike are going Bye Bye!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

@PermissionToStanPodcast on Instagram (DM us & Join Our Broadcast Channel!), TikTok & YouTube!NEW Podcast Episodes every THURSDAY! Please support us by Favoriting, Following, Subscribing, & Sharing for more KPOP talk!KCON MEOVV / IZNA Giveaway by JOCO!Comebacks:TOMORROW X TOGETHER (TXT), MASHIRO (MADEIN/KEP1ER), ZEROBASEONE (ZB1), BIG BANG, OURBIRTHDAY, GEONROUNG ft JOOHONEY (MONSTA X), ENHYPEN, TUIDE, NEXZ, ALPHA DRIVE ONE, NCT 127, SF9, RIIZE, TWICE, TAEMIN (SHINEE)MVs: (Next week!)XDINARY HEROES Leader GUN-IL kicked out of groupKCON LA Day 2 & 3 recap: IZNA, ILLIT, ALPHA DRIVE ONE, TXT, MEOVV are JOCO's highlightsCORTIS Tour LA & SF shows recapMEOVV LA Offline Fansign pt. 1: MAKESTAR recap (KpopNara next week!)BTS JIN thanks ARMY for respecting his privacy at Six Flags theme parkBTS V shares his right ear dropped to 30% hearing capacitySTRAY KIDS "THIS & THAT" afterparty fanmeetAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Riley rapid-fires through the truth behind her viral Hermès moment, her corporate baddie starter pack, the Kandi trait she's fully accepted (crying when she's mad), and which castmate would quit a nine-to-five on day one.See omnystudio.com/listener for privacy information.

In this week's Uncensored, we chat about Megan's first BTS concert experience, check in with how our top 25 dramas are looking, and discuss if Kdramas are still making us swoon. Also... how's Janus? Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for takes on Bangtan life.  ★ Support this podcast on Patreon ★

Riley rapid-fires through the truth behind her viral Hermès moment, her corporate baddie starter pack, the Kandi trait she's fully accepted (crying when she's mad), and which castmate would quit a nine-to-five on day one.See omnystudio.com/listener for privacy information.

The trans allegory of KPop Demon Hunters continues! This week we deal with denial of our truth, and see how our first encounter with the trans community can truly change things for us... even as we fear losing the status society "gifted" us with when it declared we were cis. Comic writer Jeremy Holt returns to discuss needing to be creative and a single bag of cashews! JEREMY HOLT IG: https://www.instagram.com/jeremyholtbooks Bluesky: https://bsky.app/profile/jeremyholtbooks.com Website: https://www.jeremyholtbooks.com TEXT VERSION https://www.tillystranstuesdays.com/2026/08/18/the-imperfect-trans-allegory-of-kpop-demon-hunters-part-2/ FURTHER READING (topics discussed with essays available at https://TillysTransTuesdays.com ) Photos and Reflections, Gender Dysphoria, Boymode/Girlmode, Trans Politics 1: Stop Tolerating Transphobia, Internalized Transphobia, Tucking and Binding, The Trans Allegory of Barbie, Coming Out as Trans Special thanks to Daisy and Jane for the use of "Sorry Not Sorry" as our show's theme music. Please stop by and show your support at https://daisyandjane.bandcamp.com and https://soundcloud.com/daisyandjane --Please leave us a rating on Apple Podcasts/iTunes!-- Website: pendantaudio.com Bluesky: @pendantaudio.bsky.social‬

THE FARR SIDE. D'Marco has a bone to pick with Korean Pop star group BTS. Also why does he dislike Sam Darnold? D'Marco also talks about his trip to Kansas City. What ie next for the Lakers? With Mark Walter selling the team and the possibility of the Buss family selling what is going to happen? Rams 1st round draft pick Ty Simpson had a strong performing in his NFL Debut. Who is going to backup Stafford? TIP OR NO TIP. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alex Cooper had Paris Jackson on Call Her Daddy & forgot to ask a few things, Luigi Mangione supporters, Tom Segura breaks his silence, Meghan Markle handshake snub, Beverly Hills 90210 drug storylines, a new Bonerline, and Jim's Picks: Most Iconic Music Videos. Luigi Mangione is back in the news. He's looking to make a plea. Drew wants to call the Feds to make sure they don't do it! White House Spokeswoman Karoline Leavitt resigned today. AOC is freezing her eggs and Clavicular is popping off about "fixing" her. Josh Kushner & Bob Iger bought the Los Angeles Lakers for $12.5B. Paris Jackson was on Call Her Daddy with Alex Cooper and we didn't learn anything. A brand New Bonerline. This Perez Hilton story is the worst. K-Pop influencer killed herself live on TikTok. Tom Segura broke his silence over his divorce. The internet hates Ryan Sickler. Former Miss North Carolina Brittany Boltinhouse fights back after being dethroned. Brad Pitt was wasted at Taylor & Travis' wedding. Looks like he had a blast. Are you watching Hard Knocks? Meghan & Harry were at a charity event in Canada last week. David Foster snubbed the hell out of Meghan! Maz didn't answer on the first try. But of course he called back when we were wrapping up Harry & Meghan. So we stopped to call him back. Guess what...He didn't answer again. THEN, third time's a charm...We got him! Maz is still kind of down on baseball, but he's up on the Detroit Tigers. Tom was excited about Jemele Hill showing off her boobs. Then Tom cut out. Then Tom called back. Then he was gone again. The Nolan Wells case has been pretty quiet lately. Some people are saying that they should turn the phone over to the police already. Drew is nerding out on 90210 and all the awesome drug stories. Jim's Picks: Top 10 Most Iconic Music Videos. Merch is available if you want to rep the show. Word of mouth, brah. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).

Hi everyone, Jim here. We're taking a short pause on new episodes through the end of August. In the meantime, we're digging out some of our favorite conversations from the archive. This one is from November 2022, so a few of our references (and jobs!) are out of date, but the ideas have only gotten better. Enjoy this conversation with Lulu Cheng Meservey. Lulu Cheng Meservey is the Chief Communications Officer and Executive Vice President of Corporate Affairs at Activision Blizzard. She joins Infinite Loops to provide us with a masterclass in communications for startups. A must-listen for current and aspiring founders. Important Links: • Lulu's Twitter • Lulu's Substack • Episode summary from Podcasts Recapped Show Notes: • Why people write hit pieces • The insurgency framework • How to access your audience's neural real estate • How to develop a spontaneous elevator pitch • Tips for becoming better at reading the room • Speak directly and take the hits • Defining business objectives • Learning from other industries • Personalising your message • Overcoming resistance to the unknown, what Christianity can teach us about comms • Escaping corporate jargon • How comms resembles rugby • Taking ownership of comms • Moving to a new model of comms • "Don't let things happen to you. Go and happen to things." Books Mentioned: • The Network State: How To Start a New Country; by Balaji S. Srinivasan • The Hero with a Thousand Faces; by Joseph Campbell

Season 3 introduces the latest and most loved K-pop tracks of a variety of different genres. Specialized guests will also join in to entertain our listeners all over the world with K-pop and K-culture knowledge. Tune in and enjoy the best selection of the hottest K-pop!!

@PermissionToStanPodcast on Instagram (DM us & Join Our Broadcast Channel!), TikTok & YouTube!NEW Podcast Episodes every THURSDAY! Please support us by Favoriting, Following, Subscribing, & Sharing for more KPOP talk!KCON MEOVV / IZNA Giveaway by JOCO!Comebacks: KATSEYE, BOYNEXTDOOR, TOMORROW X TOGETHER (TXT), MASHIRO (MADEIN/KEP1ER), ZEROBASEONE (ZB1), BIG BANG, OURBIRTHDAY, GEONROUNG ft JOOHONEY (MONSTA X), ENHYPEN, TUIDE, NEXZ, ALPHA DRIVE ONE, NCT 127, SF9, RIIZE, TWICEMVs: WAYF BOYS, WAYV, STRAY KIDS, KIIIKIII, HEARTS2HEARTSHEAD IN THE CLOUDS (HITC) experience: Seeing KIIIKIII, LNGSHOT, XG, KATSEYEBLACKPINK 10th Anniversary: YG do better - Underwhelming / JISOO in tearsWAYF BOYS drama: Disappointing CEO & shots fired at LNGSHOT & CORTIS?BTS cancels soundcheck for tour stop in Baltimore due tornado??STRAY KIDS CHANGBIN birthday live SEUNGMIN stress fracture3RACHA launches video podcast seriesAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week Payne and Brandon join us to discuss the Harrisburg comedy zone, collectible cards, and K-Pop.

Pomoc dla Jacka Szustahttps://www.siepomaga.pl/jacek-szust(00:00) Nowy stary procesor(08:23) Kpop w kinie (Katseye: Wild Hearts)(10:40) Kołobrzeg(15:14) Premiery sierpniowe(17:11) Splatoon Raiders(22:00) Spider-Man i Anime(25:08) Pomoc dla Jacka Szusta(26:16) GTA 6 na Netflixie(30:00) Gracze wkurzeni na Take-Two(53:40) Co zyskuje Take-Two i Netflix(01:00:48) Gamescom i Twitch(01:07:14) OczekiwaniaSplatoon Raiders – Overview Trailer – Nintendo Switch 2https://youtu.be/x3pE9YRCM2g?si=NH0-lrSzNELyPDoqGrupa Rock i Borys na FB - https://www.facebook.com/groups/805231679816756/Podcast Remigiusz "Pojęcia Nie Mam" Maciaszekhttps://tinyurl.com/yfx4s5zzShorty Rock i Boryshttps://www.facebook.com/rockiboryshttps://www.tiktok.com/@borysniespielakSerwer Discord podcastu Rock i Borys!https://discord.com/invite/AMUHt4JEvdSłuchaj nas na Lectonie: https://lectonapp.com/p/rckbrsSłuchaj nas na Spotify: https://spoti.fi/2WxzUqjSłuchaj nas na iTunes: https://apple.co/2Jz7MPSProgram LIVE w niedzielę od osiemnastej - https://jarock.pl/live/rockRock i Borys to program o grach, technologii i życiu

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It's our back to school not at all special perfectly regular episode because while the children are returning to school, we didn't actually put any effort into making a special to celebrate. We've just been trying to survive the last vestiges of summer. From the battles we know we're about to fight about backpacks to tainted school pick up mirror tags to a whole bunch of other stuff we had no idea we were going to bring up, we're talking back to school. (And for those of you with September returns to the the classroom. Strength and honor are yours.) Gwenna's newest book We want to hear from you! Do you have questions, comments, jokes, or anything else you want us to know? Email us: Childproofmail@gmail.com ⁠Join our Patreon for pre-show bonus content⁠ Video version of ⁠Childproof available on Youtube ⁠ Be sure to check out our other show ⁠⁠Founded⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

How can you tell where the real innovation in publishing is happening right now, and why is it emerging from the indie side first? How do you market your own book when you've spent 35 years marketing everyone else's? John Bond talks about Going Indie and what he's learned about authors who last. In the intro, my thoughts on writing with AI, Charles Dickens and encouragement for the 3-year-old dancing to K-Pop at the wedding, UK copyright law, The end of an era — Hugh Howey; Notre Dame, Paris; Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn John Bond is the co-founder of Whitefox, a premium publishing services agency, and has over 35 years in traditional publishing, from bookselling to marketing and management. He's also the co-author of Going Indie: Publishing Your Book Your Way, with James Silver. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why 2012 was a watershed moment for publishing in the UK Whether the snobbery around self-publishing has finally gone How to co-write a book with someone, and why there's no formula The pride swallowing involved in getting endorsement quotes for your own book The shadow economy of indie sales that no industry chart measures The hallmarks of writers who build a long-term career You can find John at wearewhitefox.com. Transcript of the interview with John Bond Jo: John Bond is the co-founder of Whitefox, a premium publishing services agency, and has over 35 years in traditional publishing, from bookselling to marketing and management. He's also the co-author of Going Indie: Publishing Your Book Your Way, with James Silver. So welcome back to the show, John. John: Thank you, Jo. Thanks so much for having me. Jo: You were last on the show in 2022. You've been on a couple of times, but just set the scene. Tell people a bit more about you and your long background in publishing. John: I suppose I could say I started as a marketing manager at Penguin back in the early 1990s in London, and that role eventually evolved into running sales and marketing, as it often does. I did that at Penguin and at HarperCollins. Then I ran one of the publishing divisions at HarperCollins, including 4th Estate, and published Hilary Mantel and Jonathan Franzen and Chimamanda Ngozi Adichie and others. I left that in 2011 and set up Whitefox in 2012, and it's a classic startup story. It was somebody I worked with at HarperCollins. We sat around a kitchen table, came up with an idea for a business, which was Whitefox, and that's grown into the creative agency that it is today. Jo: So back then, did you think, “I can do this better”? Was that the impetus, “I can do publishing better than Penguin and HarperCollins”? John: No, I thought we would solve a problem. There's something very attractive about that whole startup mentality and beginning something from scratch. I mean, I was in my early 50s. I'd had a long career in traditional publishing. On the plus side, I knew a lot of people, and I thought I could get meetings, people would reply to my phone calls or my emails. On the downside, I didn't necessarily have the energy of a 20 to 25-year-old. I knew a lot of people and I knew quite a lot of things, and I also knew what problems something like Whitefox could solve. We set up with this idea that if we could galvanise and organise the diaspora of freelancers in the publishing space and make them available to anybody that wanted to make a book, that that would be quite a powerful thing. These incredibly creative, wonderful people who were below the radar and were not particularly valued or managed or utilised properly. I thought if we could access that and make that available not just to traditional publishing people who know about these people, but to individual authors, businesses, brands, people that wanted to make a book, and if you added a layer of our expertise from traditional publishing, that could be quite powerful, I suppose. That's what I was thinking back then. Jo: It's funny, though. You said these wonderful freelancers who were not particularly valued or managed or utilised properly. That could also apply to a lot of authors in traditional publishing. John: Totally. Totally. But if I'm honest, I don't think I was thinking about that. What's really evolved since we started, even in that 2011, 2012 period, is so much has happened to independent writers, indie authors. The whole ecosystem has become much more vibrant, and what is accessible to those writers is much greater. I'd like to think we've played a part in that. What that's done is put power back into writers' hands, and that quickly became apparent in the business as a byproduct of what we'd set up. Jo: Yes, and 2012 I do think in the UK was a pivot point, because I got into self-publishing in 2006/2007 when the Americans did with the beginning of the Kindle and the iPhone. Really the American ecosystem grew first. I happened to be in Australia, and so I think I was able to escape the negativity of the vortex in the UK, which took a number more years to embrace self-publishing as a force to be reckoned with as opposed to an embarrassing thing in the corner for vanity press. Do you see 2012 as a changing point in UK publishing? John: I think we'd just come out of the Kindle moment, hadn't we? There were all sorts of conversations going on about how that was going to change things forever. I think no one quite knew what the upshot of that was going to be, but we knew that it was incredibly disruptive. In 2012, Penguin, as it was then, before Penguin Random House, had offered to buy Author Solutions for $115 million, presumably seen as some kind of defensive measure as to what the market was going to evolve into. I think it felt like a real period of change. In the UK, James Daunt took over running Waterstones, and he was then ultimately going to run Barnes & Noble. It felt like a bit of a watershed. I think we were lucky in that sense, that maybe in the UK and in London, what we were creating coincided with an opening up of opportunity and creativity, and people wanting access to more tools to be able to do things themselves. Getting this idea that you invest in your own talent and what that could mean for your ability to do things quicker, better. Some of it was happenstance, but lucky for us. As you say, we then became aware that in a sense a lot of these things had come to fruition earlier on the US side. In London, that whole idea of setting up something that wasn't a traditional rights-owning model, but where you wanted to be working with people creatively, felt actually really exciting and timely. Jo: And when you started to work with independent authors, probably a couple of years after that, you started to work with a lot more indie authors and things really started to change in terms of the business side. Did you feel any of the snobbery from the traditional industry? Like you mentioned, you have a lot of contacts, a lot of connections. I came to your wonderful launch party and there were just people from all over the industry. I wondered if you got any kickback, or if anyone raised their eyebrows a little bit at who you were choosing to work with? John: Oh, definitely. And I would say I really think that's gone. You may think differently, Jo, but from my perspective, I think there has been such an evolution in the nearly 15 years that we've been going. So any of that residual snobbery, looking down your nose at people that were going DIY, producing multiple books, learning from every single publication. We've spoken about this before. I remember you sat on the panel of a FutureBook conference in the UK, which was run by a trade magazine, with this idea of looking at the, in quotes, “digital future of the business.” It felt like there were a lot of things being talked about, but not a lot of action on the traditional side. I suppose some sort of awe that there was some magic going on with people who were making a success of self-publishing. But then quite a lot of people looking down their noses at things that shouldn't get through the gatekeepers. I do think that's gone. Or if it's not completely gone, I can see it on the way out of the door, because there's no room for that when agents are struggling to sell books to publishers because publishers are looking at the next indie author, the next Freida McFadden, the next Sarah J. Maas, the next Rebecca Yarros. So whoever it may be, or wherever they're publishing, whatever they're doing now, wherever they may be, knowing that a lot of those people will already be publishing and be on not their first, second, third or fourth, but potentially their 10th or 11th book. It's a race to see who can help those authors, as a traditional publisher would see it, amplify what they're doing. I think the idea that there's an us and them, if it did exist then, which it certainly did in certain publishing quarters, is gone. I used to go to those conferences, like the FutureBook Conference, and certain publishers would talk about publishing, and when they meant publishing, they meant a really tiny area of quite literary, traditional imprints. That's what publishing meant. They didn't even mean publishing to mean educational publishing, or children's publishing, or academic publishing, and certainly not Kindle or POD or whatever. So I think that's had to change for very good, sound, commercial, economic reasons. Jo: Yes, you're right. I definitely have heard, as we go to similar events sometimes, and you do hear agents used to talk a lot more about finding books very occasionally in a slush pile, or doing courses so you could meet people and do pitch events and all this. Now it's often build an audience on BookTok or whatever, and sell lots of books, and traditional publishing as an amplifier, as you said. That's how I always hear them pitch it now, the question of— What can traditional publishing still do when indie authors can do so much? It does seem to be, well, we can amplify you, we can get you into traditional press, we can get you in traditional bookstores, we can help you with film and movie deals, that kind of thing. So that's really interesting, because that's actually changed quite a lot. They don't now seem to say, “Oh, well, we can make sure we pay you,” or, “We are editorial success as such.” John: I think they don't say editorial success or quality or indeed marketing, because that was what used to be said. I think there's an understanding that a lot of indie writers are better marketeers of their own books than traditional publishers, and if you go into the publishing machine, then you'll get your slot. It lasts for a certain period of time and then that moves on to another book. Whereas obviously if you're writing your own book and you're marketing your own book, you're able to do that yourself 24/7 wherever you are in the world, and you will know more about your readers and your audience and how that evolves than a traditional publisher would. What they probably mean now is, as you said, as much as anything, distribution, or even physical distribution. Because to be part of that process, I think that is still where a large conglomerate is able to wield some muscle, with this idea that if you physically want to see your book in bricks and mortar retailers in X outlets around the world, that's potentially easier to do if that is your aim, via a traditional publisher. So it is constantly evolving, because it used to be that marketing was the silver bullet, and I don't think that's the case anymore. Jo: No. We'll come back to marketing, shall we? Struggling with marketing. So let's get into your book. You recently co-wrote Going Indie with James Silver, Publishing Your Book Your Way. Obviously you already knew a lot about indie authors, so I wonder, what did you discover in the process of researching the book and the interviews you did? And I was one of your interviews. Did anything come up that surprised you, since you're already pretty embedded in the world? John: I would say some of it was reinforcing what I knew. So how everything is so intertwined, how in some ways unlinear everything is. People are doing lots of things in a different order to the way that traditionally writers would perceive this relay race of a manuscript gets passed to an editor, an editor passes on. That's just not how it is or needs to be anymore. I still think there is—not even a misconception—but I think there's a received wisdom that when you're talking about self-publishing, you're talking about fiction. The majority of books that Whitefox produces are not fiction, they're non-fiction. Some of them are quite mainstream, some of them are quite niche. That idea of connecting to your audience and your followers, and being slightly more scientific about how you find readers in your non-fiction niche, I think is still unspoken about in a way, in that genre fiction tends to be what people automatically assume the conversation is about. This probably doesn't surprise you, but I was pleasantly surprised to have it confirmed to me quite how much swapping and sharing there is of skills and knowledge in that space. I'm not saying indie writing is egoless at all, but there's quite a lot of sharing of knowledge and what works, and collaboration, which I think is great to see. Again, if you've, as I did many years ago, come out of corporate conglomerate publishing, traditional publishing, there's less of that by the very nature of the kind of organisation. And look, we just talked about marketing a little while ago. I do think this whole idea that the cutting edge of experimentation, it's not traditional publishing, it's indie writers. They are looking at not just how to find readers, but how to fulfil orders, how to make commercial sense of what they're doing from the absolute outset and get-go of what they're doing. And just how now the lines are blurring between what would be classified as traditional digital publishers and the writers who are doing their own thing, or doing their own thing on behalf of a few other writers. Those lines have completely blurred. There used to be this traditional hardback, paperback, X number of books a year, a year after hardback there's a paperback. This is the model we have been doing for centuries, and people doing things on their own. I think that's blurring massively, and the Venn diagrams of people's areas of expertise are just overlapping massively. Jo: Well, I think you're right there, and certainly the hardback special editions with sprayed edges and foil. A lot of us now are doing that first and not putting out the other, or putting out the rest of it at the same time. I dare say probably there are more indie authors with sprayed edge hardbacks than there are traditionally published authors. John: I'm sure that's right. And what's interesting is if you go to a traditional book printer, they are loving the direct communication with writers, that's not coming through traditional channels and traditional relationships. It's great business, it's interesting. I think that's something that's even developed in the last couple of years, that cutting out of some of the middle men required. Jo: Yes, and in terms of supporting freelancers and small publishing houses and printers and stuff, the other thing I've heard is that indie authors pay upfront, or they pay quickly, compared to some of these big publishers who are asking for long lead times and steep discounting. So actually a lot of these independent businesses are doing better under indie author work than they were under traditional. John: I think that's right, and that's what I mean also about the sharing of information and this collaborative idea of sharing creative knowledge. I mean, I'm making it sound like a kind of 19th century cooperative, which it isn't. I'm not suggesting that for a second. It's this idea that there's a lot of people learning a lot of things and there's a keenness to share some of that information, because if you've developed your own readership for your unique creative product, some of those learnings are very exciting. The printers I've spoken to love working on those kinds of things, because they are also being challenged to come up with new ways of developing ever more innovative physical product. Jo: Yes, I think it's a fun, creative time for sure. Things like Kickstarter, which you came on and talked about crowdfunding years ago, and I've obviously done. I think, what am I on now? Seven? I've just done my seventh. John: Wow. Jo: It's so much fun. But now what's happening is traditional publishers are arriving on Kickstarter and all that kind of thing. So we really see a blurring. Let's come back to your book, so Going Indie. You co-wrote it. Now obviously there are lots of positive sides of collaboration, but in terms of any challenges with collaboration and co-writing and the writing process of doing this? Because I've done this several times and I've found it very challenging. So tell us about the collaborative writing process. John: We thought a lot about it before we took it on. What I would say, having done it, is I am assuming there is no formula for how you do this. At Penguin I worked with a married couple who were crime writers, and they wrote books together. They merged their names so it appeared to be one name. I could not tell you, and they didn't share what that process was, whether they were writing different chapters or … I don't know. So I can only speak from my own experience. James is an established journalist. He's great with deadlines. He was very good at chivvying me along when I needed to be persuaded to hit the deadlines that I'd promised. I write blogs, I write newsletters, I write content for our website, but this is my first book. I've never written anything of this length. So in a way it started with the structure. It started with this idea that we would play to what we perceived as our respective strengths in terms of writing. We absolutely were not each writing every third word or anything like that. It was a process of trust in different parts. I thought, James had done some research and will be better at writing that. He deferred to me on areas that he took to be my areas of expertise. We did every interview for the book together. We went over the notes from those before they became part of the interviews for the book. And some of the book's elements are diagrammatic, so those are very easy to collaborate on. I think we tried to be professionally, creatively constructive with each other. So it was raising an eyebrow rather than shouting at each other if we didn't agree about something. A lot of it was down to the editing, and I don't know what your experience was like with a co-writer, but a lot of it came down to: here is something which is quite baggy. How do we, between us, make this as tight as we possibly can? I don't mean copy editing or proofreading. I mean the actual sort of, how do we get this into a pithy, usable, practical but discursive book? We didn't ever set out for this to be a pure reference book at all. We wanted to take a snapshot of what was going on. So a lot of it was genuinely trying to do some research and get people to feed into what was going on from lots of different perspectives, which is why we wanted to get mainstream traditional publishers, we wanted to get agents, we wanted to get indie writers, we wanted to get people who have all sorts of experiences and perspectives. That's what makes it what it is, which is, here's what we think are some of the interesting discussion points of what's going on now. Jo: It is a fantastic snapshot. I think it's really interesting—and obviously you also have seen my book, Successful Self-Publishing, which is on its fourth edition—this is one of the difficult things with snapshot type books. So have you already thought about that? I know this one has just come out, but have you thought, “Oh no, in five years we have to do it again”? John: Well, I think we thought we're going to have to address AI, which we do in the book, and we really tried to caveat that with saying, look, so much may change so quickly, and here we are talking about what we know now. We obviously tried to set the context for where we are now, and we tried as much as possible to make something which would last as long as we can. I think what we did think was, we have tried to make it as international a perspective as possible. But at the same time, we are a London-based agency, and a lot of the views will be from people based in the UK. So I think what I would like to explore is something that looks at potentially somewhere like the US, where I think there'll be different people that would perhaps have different perspectives on different things. So I think we thought about potentially there being future iterations of the book, but not yet. Jo: Not yet. This is the challenge with non-fiction, of course. On that, I would say what you just said around the US and stuff, the successful UK authors all use the same systems as the US. So I wouldn't say that the US … I mean, we all have the US companies we all use. I say Kobo is obviously Canadian, but I would say that we use the same ways of doing things. Obviously you might interview a different author, but … John: That was all I meant. I meant interviewing. Because we've interviewed agents and authors and publishers and they are largely UK based. So it was the idea that maybe there are some perspectives on things rather than systemic. Jo: Differences. John: Yes. Just that. Jo: So then I guess another challenge, we've kind of nodded to it so far, is marketing. So let's talk about the challenges of getting this book out in terms of publishing and marketing. Because you've been on the inner circle side, trying to do that for other people's books, but your own book, this is a whole nother thing. So tell us about that. John: Well, how do you do it, Jo? I mean, honestly, I've loved some of it. I get how you become completely obsessed with your book and trying to make sure that you can get it into the hands of the people that you want to get it into the hands of. We've got some great endorsement quotes, which was a task that, how can I say this? I would call it pride swallowing. The idea that you really try and get people to say nice things about your book and, if they don't reply, you think, “How much do I pester them? How much do I annoy them by asking them again nicely?” And the absolute sheer unadulterated joy when they come back with something positive that you can use and utilise in some way. So that whole process of waiting for feedback, I suppose, and hoping that people are going to like what you've done and help you spread the word for it. We had a launch event, we've given books away. We've published the book as ebook and POD. I think one of the great things about that is it's enabled us to be completely adaptable and make changes right up until the last minute. That drove everybody in my team completely crazy because we were making changes up until the last minute. So, is the book definitely going to be available on publication date? What's it going to do? You know, all of that kind of stuff. Also, just getting this idea that I suppose you can never stop. Is that a very obvious thing to say to a writer? It probably is. You just can't stop, because if you go, “Right, well, I've done it,” complacency is the enemy. Just as soon as you've got that quote, or someone said that they're going to give you an opportunity to talk about it on a platform, it's just another day and you've got to keep thinking about how you can spread the word and tell people that it exists. Jo: Yes, well, I think that's right, and particularly non-fiction, which unless it's very timely and you must get it out right now. But other than that— Most books you just have to keep marketing for years. Then just as you say, when do you stop? Well, you kind of never stop unless you want to, unless you want to retire and just give up, basically. Dean Wesley Smith, who's a big writer in the US and a kind of a mentor of mine in past years, he talks about it as this massive sea of books. And when a book arrives, he pictures it coming down and landing on the water. So the day you launch, it's landed on the water, and then it begins to sink. Then there are all these other books coming down. It's like this rain of books, and your book is sinking as soon as it lands. And your job is to keep it afloat somehow. John: Keep it afloat. Jo: Yes. John: I think you're right, and it's such an interesting perspective for us, who work with a lot of people who have one book. You know, they've spent 10 years writing it. It's their life story. It's their memoir. It's their self-help book. It's their book that accompanies them on their speaking journey, or whatever. Then there are the people who are writing constantly and can't stop writing because they're exercising that creative muscle all the time and wanting to get better, and wanting to improve and learn and understand why this works and why that hasn't worked. Just getting a glimpse into what it must be like for that person for whom writing is not a hobby. I kept saying to myself, “This is not something you're doing as a hobby.” I want this book to be of value to people, and if I'm investing that time and effort into something that I want to get out there, you've got to commit to whatever it is you need to do to make sure you're not sinking. Jo: Yes. John: I will now not be able to get that image out of my head. Jo: Yes. I know there's people listening who don't have a mind's eye, which I always find fascinating, but for those of us with a mind's eye, you can now picture that and you will never forget it. The other thing, I guess, is that, having done a lot, over 40 books now, the inevitable thing is you cannot keep pushing all of those books back up to the surface. So when you do get the bug as such of writing, the most interesting thing for all of us is always the next book. It's always like, ooh, the next thing I'm doing, I'm very excited about. So you do have to pick your battles on marketing. So have you got the bug, do you think? Are you thinking of other books in general? Because as you said, you must be, I guess, in your 60s. John: I am. Jo: You could retire. John: I am. You were talking about that long career. I could. I mean, I really love doing it, and I would love to do more. I think one of the things that surprised me was just how many ideas came up while we were doing the book about tangents that one could take it. I have no desire to write a novel. I don't want to do that. I wouldn't be very good at that. I do think there are some interesting spaces around where there's a kind of intersection of creativity and learning, and how you can develop books that would help people who are trying to achieve different things in different sectors of publishing. So without getting too granular about it, this book doesn't really address brands who want to become publishers, and I think that is something that our business has developed into working with, not just individuals, but businesses and brands. I think there's definitely spin-offs of this book which are not about repeating what we've done so far. And this whole idea of what you've been doing for a long time, what we've been doing since 2011, 2012, it's evolving now at such a speed. I mean, who would have known what was going to come out of TikTok? As you talk about TikTok to Shopify, that whole kind of new ways of finding readers, of taking books to market. As you said, Kickstarter, crowdfunding. There's all sorts of things that I think will emerge, because in a funny sort of way traditional publishing at the moment feels quite conservative with a small c. I mean, the bestsellers. Dan Brown is number one in the bestseller list this week in the UK as I speak, who has been a bestseller forever. And obviously new writers come along the whole time, but the market feels a little bit as if it's waiting now for innovation. I think if that innovation's going to happen, it's probably going to happen in the indie space before it happens in mainstream publishing. So people are coming to us and thinking, does that represent a trend? Does that represent something which could be a way of looking at something a little bit deeper, doing some research around and creating something which is not a long book, not a massive thesis, but something which is indicative of something which could be useful for people. Jo: Just coming back on the Dan Brown is in the bestseller list. I think this is completely to do with the way that traditional publishing measures things. For many years, more than a decade, probably since the beginning of Kindle, certainly the beginning of Kindle Unlimited, there is a shadow economy, I call it, or a parallel economy. I would say that almost zero of my own personal sales are measured by any industry standards. Anyone who makes any money from Kindle Unlimited or Kickstarter or Shopify, or selling direct in any form, or selling books at conventions, none of this is measured by any traditional things. As you know, the New York Times list, for example, does not include Amazon sales in their bestseller list. So you've got indie authors in the UK who are incredibly successful who have to decide, say, someone like LJ Ross, for example, decides, “Okay, I'm going to set up a proper imprint with Gardners or whatever so that I can get in bookstores so that I can hit a Sunday Times list or something.” So I would say that seeing things like Dan Brown on a bestseller list has almost no meaning in the shadow indie economy. John: No, you're absolutely right. We're not even able to see audiobook sales. Jo: Yes, audio. Any kind of borrows, like Spotify. John: No, you're completely right. I suppose I was making a broader cultural point, that it doesn't feel like there's an enormous amount of innovation going on or risk taking within what I would call mainstream trade publishing. And there doesn't seem to be the need to be, because there will be more consolidation. Small companies will be bought by big companies, so there's growth through acquisition. There's still a hope that something will take off that is a surprise, and there's still an enormous reliance on established brands who, even through the traditional metrics of how you measure them, are probably selling less, but still at the top of the pile. I suppose that's what I was meaning. Jo: Yes, and I agree with what the industry looks at as signals. It's just, as we said, a lot of these signals are invisible. So coming onto innovation, at London Book Fair this year there were a lot of sessions on AI, and you mentioned AI briefly, and there is a chapter in Going Indie on generative AI. And of course there's a lot of negativity and drama and lawsuits and this, that and the other. But at the same time, at London Book Fair, a lot of traditional publishers talking about using it, and of course they always say, “Oh, we use AI only in marketing and business, not with the creative or editorial.” Everyone makes this distinction. What are your thoughts on what's happening and where's it going with AI? Is a lot of this stuff not happening in public and just going on behind closed doors? John: I think so. We do have a chapter in the book on AI. We've generated summaries of every chapter using AI, which we explicitly said in the book as well. We've got our Ten Commandments of what we think are useful guidelines. I think that there has to be an enormous amount being done, whether it's experimentation or speeding up for efficiency's sake, or things that slow you down, within mainstream publishing. There has to be more than just the guardrails around the creative process. And clearly when we're talking about metadata, book description, cover copy, presumably royalty calculations, presumably if you're trying to grow your newsletters. There has to be an enormous amount of activity going on. We're driven by the market, so we do not commission. Writers come to us and they either want to work with us and we want to work with them, or that doesn't happen. So we're in a sense seeing what the market is seeing, and that is a whole range of things. As I've said before, there's a lot of sweeping generalisations out there, which if you look back to that Kindle moment, we were talking a little while ago about what was going on in 2010/2011, about the enormous broad brush strokes that were being perceived as a result of Kindle. Kindle has affected some areas of publishing, it's affected some not at all. I think it will be absolutely fascinating when the sweeping generalisations stop and there becomes, I suppose, even more transparency. The thing that people are looking for, isn't it? A little bit less opaqueness as to what is really being done. Because everybody's being so careful about what they say they're doing and what they're not doing. I suppose ElevenLabs is the one where people are openly engaging on the audio side. I mean, everyone is being so careful and cautious. Jo: Me too. John: What do you think? We spoke a bit about AI within the book, and I'm interested to know what you think. Jo: Well, I've obviously been openly talking about it since 2016. I openly talk about using it, and I've got my Patreon community where we talk about how we're using it, and tips on how to use it. But then, because I have been writing and publishing since 2007, 2008, I'm very strong in my creative voice. I'm very strong in my understanding of what I consider to be my level of output, and what I publish under my own name is what I publish under my own name. John: Totally. Jo: So the problem is for people who are less confident, I think, in what they're doing creatively perhaps. I know some people feel like they're scared it will take over or something. When you're as strong-minded as me, it's not taking over anything. John: It's not going to take over anything. And the other side of the coin is how many people are finding Whitefox using ChatGPT. Jo: Mm. John: I'm thrilled that we are emerging, through very detailed briefing of AI, as something that is worth engaging with. Jo: Positive marketing. John: Yes, exactly. As you say, I think there's a lot of negativity, and I think it will settle down eventually. I think less hysteria. Jo: Yes, hopefully sooner rather than later. So as we come to an end, you've been in the publishing industry a long time and seen a lot of people who have disappeared, but also those who've lasted. I wondered if maybe you could comment on those who last, because I definitely feel like I'm in my 50s now, and I want to keep doing this. I'm pretty obsessed with— What are the hallmarks of people who have a long-term career? So reflections on that. John: Oh, that's such a good question. I think there's some common characteristics and themes. So I think authenticity, I think this idea of being continually curious. I think there are people who can't help but create, and this idea that once you've sort of expelled once, that's enough. I think there's people that just can't stop creating, whatever you do with it. But this idea that the more you do, the better you get, the more you evolve and keep an open mind. I think there's definitely entrepreneurial writers who love this idea of keeping their readers engaged, and how that conversation is something that evolves and that collaboration evolves, is fascinating. I think if you love that, and you listen, there's always an opportunity to keep building on what you do. I love the writers who we work with. I can think of a writer who we're working on his fourth novel at the moment, and he is a bundle of positivity. No matter the trials and tribulations, the things that have gone wrong, his expectations definitely not being met with his first book. He definitely has this idea that he wants to keep writing, he wants to get better, and he is getting better. It isn't a journey that has a beginning and an end. It's something that will continue for as long as he wants to write. Every single book that he has published, he has learned and gained confidence, gained a network of connections that he's utilised himself now to not make the first half a dozen mistakes he made on the first book. Who knows where it will end up? But certainly the satisfaction he's getting, and the sales he's getting, are growing as he becomes savvier and quicker to make the right choices and decisions. So I think that's my honest answer to that. I think there are definitely people who think, “Phew, I have really wanted to do this book. Now I can rest easy. I've done my book.” Then there are people who really, whatever their objective, whatever the definition of success is from the get-go, just can't help creating. I do love that and respect that. I don't think our book falls quite into that category, because I think it's a slightly different thing. I think there are people who are still making a success of what they do and redefining that as they go on, and who are really open to ideas and input from different people and are not closed off. I love working with those people. Jo: So where can people find Going Indie and everything you do online? John: Well, Going Indie is available online at all good bookshops. It's available at Amazon and anywhere you buy books online as ebook and POD. Our website is wearewhitefox.com, and you'll find information about not just our book there, but a lot of other things that we're doing on that site. Jo: Brilliant. Well, thanks so much for your time, John. That was great. John: Thank you so much, Jo. It's been a pleasure. The post Going Indie, Publishing Innovation, And The Challenges Of Book Marketing With John Bond first appeared on The Creative Penn.

We're back with more Better Late Than Single! This week, we're discussing season 2's reunion show, Better Late Than Single: After Service. There's a lot we liked about this six episode special, especially the nice, bite-sized episode length (30 minutes!). But do we still have suggestions on how to make things more helpful and meaningful to our eternal singles? Absolutely. We're here, Netflix! Bring us in for season 3!Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas. Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for takes on Bangtan life.  ★ Support this podcast on Patreon ★

Season 3 introduces the latest and most loved K-pop tracks of a variety of different genres. Specialized guests will also join in to entertain our listeners all over the world with K-pop and K-culture knowledge. Tune in and enjoy the best selection of the hottest K-pop!!

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Bradley and Dawn talk Brad Pitt's non sobriety and play Blinded by the item in the first hour.In the second hour, Dawn talks about Brooks Nadar being topless with her whole family, Bradley has a Perez Hilton update and Dawn talks about Matt Damon's Odyssey training, and then Bradley talks about scientifically altered protein lettuce. Baby Shark boy is now a K-Pop singer and Brad tells us when we should be eating dinner! In the third hour, how do you want to travel, new or familiar places? Dawn talks about Matthew Lillard has an awkward former fan interaction, Bradley has a Kardashian bunker conspiracy and the show ends with one star reviews and the five second rule!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kpop Demon Hunters has taken the world by storm, and settled itself deep in the hearts of many trans people, myself included. Is it a trans allegory? Let's take a look and see what this remarkable animated film has to say about transness. We discuss context, names, and dive in by timestamps! And yes, we talk about "Golden". Comic writer Jeremy Holt joins us to discuss the difference between gender and sexuality, and how it's never too late to reshape yourself if you just add water. Are you aggressively hetero? JEREMY HOLT IG: https://www.instagram.com/jeremyholtbooks Bluesky: https://bsky.app/profile/jeremyholtbooks.com Website: https://www.jeremyholtbooks.com TEXT VERSION https://www.tillystranstuesdays.com/2026/08/11/the-imperfect-trans-allegory-of-kpop-demon-hunters-part-1/ FURTHER READING (topics discussed with essays available at https://TillysTransTuesdays.com ) Sexuality is Not Gender, 2022 Trans Rep in Media, 2023 Trans Rep in Media, 2024 Trans Rep in Media, 2025 Trans Rep in Media, The Trans Allegory of Star Trek: Strange New Worlds' Ad Astra Per Aspera, The Trans Allegory of Silo, Internalized Transphobia, Implicit Queerphobia, Bodily Autonomy (and my tattoo), Gender Dysphoria, Trans Trauma 2: Societal Gaslighting, Gendered Childhoods, Trans History 1: How and Why We Name Trans People in History, The Constant Fight, Cis Grief, Cis Spousal and Partner Support, The Signs Were Always There Special thanks to Daisy and Jane for the use of "Sorry Not Sorry" as our show's theme music. Please stop by and show your support at https://daisyandjane.bandcamp.com and https://soundcloud.com/daisyandjane --Please leave us a rating on Apple Podcasts/iTunes!-- Website: pendantaudio.com Bluesky: @pendantaudio.bsky.social‬

Season 3 introduces the latest and most loved K-pop tracks of a variety of different genres. Specialized guests will also join in to entertain our listeners all over the world with K-pop and K-culture knowledge. Tune in and enjoy the best selection of the hottest K-pop!!

Season 3 introduces the latest and most loved K-pop tracks of a variety of different genres. Specialized guests will also join in to entertain our listeners all over the world with K-pop and K-culture knowledge. Tune in and enjoy the best selection of the hottest K-pop!!

Interview with Jessica Yoon begins around 52 minutes in!!Check out Jessica Yoon's work here: https://www.jessicayoon.com/This week on Authorized, we discuss the deluxe junior novelization of Kpop Demon Hunters, and then interview its author Jessica Yoon! Check out our pattern: pattern.com/authorizedpodInstagram: instagram.com/authorizedpodBluesky: https://bsky.app/profile/authorizedpod.bsky.social

#StreamBTSDynamiteNewSong! This week, V and Emily head back to the days of quarantine to look at an event that is... sigh. It showcases the culture differences between pre-2020 fandom and post-2020 fandom, Twitter fandom and the lineage of Livejournal-originated fandom, and corporate internet versus free internet. When fans take it upon themselves to become de facto employees for their blorbos, are they still acting out of fandom or does it become purely parasocial? Is there a difference? What is the line between self-interested fandom and selfish fandom? Plus, why -- yet again -- AO3 is different from other sites, and why those differences matter. We're very nervous putting this episode out. We've been told repeatedly not to cover BTS or we'll get yelled at. Please don't yell at us, we did our best!!1! #JIMIN!SourcesFanlore: BTS vs. AO3Fanlore: Kpop Stan TwitterKpop Army Battle Royale by Geoff GolbergFanlore: BTS ARMYFanlore: How BTS Became...Fanlore: BTSTime MagazineFandom ExileReading the Room: The Magicians, BTS, and the Responsibility of Creating Popular CulturePromoVirtual TGIF/F - Our friends at TGI Femslash have just announced a brand-new, online fan con happening this summer. On August 29–30, Virtual TGIF/F will bring femslash fans from around the world together for discussion panels, online events, and more. Registration opens June 1st. Find out more at tgifemslash.com/virtualconDragons in the Details - Dragons in the Details is the podcast that helps YOU better understand your favorite books. We never recap chapters—we find new insights, make new connections, and give you those WOW moments you love. WARNING: Once you hear these theories, you can't unhear them. Join Abby and Ronnie as we laugh, cry, and lose our minds diving deep into the internet's favorite stories! Aim High Brooch Designs - For 25% off any order on Aim High Brooch Designs on Etsy, including a custom brooch, bag charm, keychain, or magnet design, use the promo code TWIFH.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

準備賣房嗎？ 即日起至12月31日， 把房屋專任委託給台南住商不動產，即可參加「好友五吉」抽獎活動，賣房抽五機~有機會抽中最新 iPhone 18！ 錦上添花, 好運大獎拿不完! 詳情請洽台南住商任一加盟店。 https://sofm.pse.is/9fqf8f -- 出國前最怕匯率一直漲?中國信託銀行挺你聰明換匯 設定匯率到價智慧通知，匯率相對低點不錯過 再領優惠券享美金最高減3分等優惠 立即設定：https://sofm.pse.is/9fqff6 投資外幣如幣別轉換可能產生匯兌損失，應評估涉及自身情況審慎投資。 完整注意事項詳見網站資訊。 －－－－以上為 SoundOn 動態廣告－－－－ 蒙古國幅員廣大，人口僅350萬，礦產與稀土資源豐富，卻苦於沒有聯外港口，海陸運輸完全受制於中俄兩國。蒙古國與台灣的交流其實不少？當年在史達林施壓毛澤東之下，中國承認蒙古獨立，而蒙古至今仍經常有反中情緒，甚至封鎖運往中國的礦產要道？對蒙古國的人民而言，中國內蒙古的蒙古人和他們是同一民族嗎？蒙古任何貿易路線都必須經過中國或俄羅斯，前總理奧雲額爾登試圖打推動「第三鄰國」戰略，透過稀土貿易與美國建立合作，但俄羅斯和中國會坐視這種發展嗎？蒙古國內政治近兩年變動多，前總理9個月就下台，是什麼導致這種不穩定？內部政治分歧如何導致國家持續內耗，造成年輕人不願留下？夾在大國勢力間的蒙古，對於台灣在美中台三邊關係中面對「經濟依賴與安全戰略」的拉扯，有那些啟示？中國對台灣和周邊國家採取「結構未變、姿態鬆動」的溫水煮青蛙手法，台灣要如何防範？中國福建想利用廈門翔安機場推動什麼「對台融合示範區」的新招？精彩訪談內容，請鎖定@華視三國演議！ 本集來賓：#洪耀南 #矢板明夫 主持人：#汪浩 以上言論不代表本台立場 #投票 #反中 #第三鄰國 #稀土 電視播出時間

As BYU football opens fall camp this week, KSL Sports BYU Insider Mitch Harper breaks down the expectations for first-year defensive coordinator Kelly Poppinga. With Jay Hill now at Michigan, "K-Pop" inherits a defense that ranked sixth nationally in returning production and helped BYU go 23-4 over the past two seasons. Poppinga discussed the influence of learning the defense under Hill and the experiences that have prepared him for this moment — 18 years of coaching that trace all the way back to a defensive internship under Bronco Mendenhall. Mitch dives into what that means for BYU in 2026, how much continuity BYU fans should expect, and where Poppinga plans to add his own flavor with a talented and deep roster on that side of the ball. On the offensive side of the ball, Mitch dives into the wide receivers with Fesi Sitake. Who will emerge as WR1? The leaders, the young guys, Sitake gives insight into his room in a one-on-one conversation with Mitch. Also on today's episode, Mitch discusses BYU basketball, where the Cougars concluded summer practices. They also officially announced the signing of 6-foot-9 Polish center Jakub Urbaniak. The 23-year-old big man averaged 8.9 points and 5.7 rebounds across the EuroCup and PLK last season for Slask Wroclaw and brings FIBA national team experience with Poland. Head coach Kevin Young called Urbaniak a versatile player on both ends of the floor, praising his motor and competitiveness. With BYU still carrying two open roster spots, Mitch explores what Urbaniak's signing means for the Cougars' frontcourt and what Kevin Young may still have in the works before the 2026-27 season tips off. Subscribe to the Cougar Tracks Podcast to stay up-to-date with all the daily episodes. Cougar Tracks is on YouTube and X every weekday at Noon (MT), and KSL NewsRadio at 6:30 p.m. (MT). Apple: https://podcasts.apple.com/us/podcast/cougar-tracks/id1146971609 YouTube Podcast: https://kslsports.com/category/podcast_results/?sid=2035&n=Cougar%20Tracks Spotify: https://open.spotify.com/show/2NCF1KecDsE2rB1zMuHhUh Download the KSL Sports app Google: https://play.google.com/store/apps/details?id=com.bonneville.kslsports&hl=en_US  iOS: https://apps.apple.com/us/app/ksl-sports/id143593 Mitch Harper is a BYU Insider for KSLsports.com and hosts the Cougar Tracks Podcast daily on KSL Sports YouTube and KSL NewsRadio (SUBSCRIBE). Harper also co-hosts Cougar Sports Saturday (12–3 p.m.) on KSL NewsRadio. Follow Mitch’s coverage of BYU athletics in the Big 12 Conference on X (formerly Twitter) and Instagram: @Mitch_Harper. Want more coverage of BYU sports? Take us with you wherever you go. Download the new and improved KSL Sports app from Utah’s sports leader. Allows you to stream live radio and video, keeping you up-to-date on all your favorite teams.

Season 3 introduces the latest and most loved K-pop tracks of a variety of different genres. Specialized guests will also join in to entertain our listeners all over the world with K-pop and K-culture knowledge. Tune in and enjoy the best selection of the hottest K-pop!!

Hi Jews and Jew Lovers!It's been an exhausting week running the world, but we still had some time to sit and catch up about Spain, Morocco, water guns and the kingdom of Cerritos Auto Square (mentioning them in case they want to sponsor the podcast.)Have a question?? Askajewpod@gmail.comAlso:* J-Pop is the new K-Pop.* If Chaya Leah's hair looks good but nobody can see it, does it still look good?* Can you use a water gun on Shabbat?* Stop calling everyone an antisemite, some people are just stupid.* Tell us if you experienced an antisemitism and we'll tell you if you really did (that number again is askajewpod@gmail.com)* Our apperance on the Josh Szeps show! Want to listen? How about a 7-day free trial to his channel?? Click here.* Albanians are cool, except that one guy who didn't let my friends in his restaurant.* Anyone in London?? Hit us up.* You can now watch Mark Dubowitz of the FDD talk about whether the Iranian leadership is hot on YouTube. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit askajew.substack.com/subscribe

This week we have a power-trio and the girls outnumber the boys!! Have a listen as we talk about a couple of animated films whose songs will get stuck in your head.

Season 3 introduces the latest and most loved K-pop tracks of a variety of different genres. Specialized guests will also join in to entertain our listeners all over the world with K-pop and K-culture knowledge. Tune in and enjoy the best selection of the hottest K-pop!!

@PermissionToStanPodcast on Instagram (DM us & Join Our Broadcast Channel!), TikTok & YouTube!NEW Podcast Episodes every THURSDAY! Please support us by Favoriting, Following, Subscribing, & Sharing for more KPOP talk!KCON MEOVV / IZNA Giveaway by JOCO!HEAD IN THE CLOUDS this weekend!Comebacks: ME:I, STRAY KIDS, ARTMS, WAYV, KIIIKIII, HEARTS2HEARTS, KATSEYE, BOYNEXTDOORMVs: TWS, CORTIS "BIG BANG Haru Haru Cover", WAYF BOYS, DINO "PICHEOLIN" (SEVENTEEN), DAYOUNG x JAY PARK, OURBIRTHDAY, RED VELVET, HEARTS2HEARTS (The First Take), KIIIKIII, KISS OF LIFE, AESPA ft. TY DOLLA SIGN, BABYMONSTERTWICE JIHYO attending WATERBOMB TaiwanTWICE MOMO covered all travel expenses for her parents to go to every stop of their world tourBIG BANG 20th anniversary light stickEPIK HIGH TABLO x CORTIS MARTIN & JAMES legendary podcast episode: To Be Crings Is To Be FreeKIIIKIII behind the scenes getting ready for Seoul Music AwardsXG vlog in LA: bbq, shopping, & Dodgers baseballKATSEYE "Animal" music video behind the scenesGrammy CEO responds to BTSBTS RM gives fans a candid look at his leadership philosophy in interviewSTRAY KIDS performs "Hellevator" & "Distrct 9" finally again in new world tourFELIX bbq chicken collaboration w/ Jordan the stallionAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Better Late Than Single is back for a second season, and your noonas are back to see if producers heard our pleas after watching Season 1. Spoiler--they heard some, but not all. So hop on board as we sail back into the lives of this year's eternal singles to see if they find love or--at the very least--find the confidence needed to continue the search once the show comes to an end. Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas. Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for takes on Bangtan life.  ★ Support this podcast on Patreon ★

In episode 2101, Jack and Miles are joined by co-host of Jordan, Jesse, Go! and author of Youth Group, Jordan Morris, to discuss… Fascist Babysitter Club Not Having A Good Time With Iran War, Elon Musk Sues Minnesota To Defend Grok’s Sex Crimes, Forget “Shark Week,” It’s “Crappy Shark Movie Year” and more! Trump’s Big Gamble Blows Up in His Face in Devastating Poll ‘Exasperated’ Trump’s Secret Fury Over Big Failure Is Leaked xAI’s last-minute scramble to stop Minnesota’s anti-nudification app law Where to Watch Shark Week 2026 Online: Schedule, Streaming Guide Just when you thought it was safe … the shark movie is back for more Craving a Summer Blockbuster? Watch My Nephew's New Movie Netflix Officially Drops the Most Ambitious Horror Scene of 2026 With Its New Shark Thriller Shark Thrash trailer: The Asylum’s latest mockbuster gets a digital release Why Are We Still So Obsessed With Shark Attack Movies? Why Shark Movies Are Such Reliable Box Office Bets: A Deep Dive ‘Water Park Shark’ Poster – New Shark Attack Movie from ‘Sharknado’ Director Coming Soon This Ai Shark Movie Is Genuinely Horrible ‘Chum’ Review – Get Your A.I. Trash Machine Out of Our Animal Attack Films! Chum Heathcliff Ham Limit: Okay, I figured out what Beef-ade is, but Ham Limit? Heath Cliff Summer Mummy: Why....why is there a sand flavor? LISTEN: 3:06 by Clutchy HopkinsSee omnystudio.com/listener for privacy information.

Sony responds to the backlash from going all digital, Elden Ring's movie has wrapped filming, and EA is set to close its 55 billion dollar deal next week. Thank you for the support! Run of Show - 00:00:00 - Start 00:06:15 - Sony says it hears PlayStation disc backlash but will continue its plans - Chris Scullion @ VGC 00:19:34 - A24's Elden Ring movie hits crucial milestone as production nears end - Michael Mcwhertor @ Polygon 00:25:25 - Ad 00:27:22 - Electronic Arts Set to Close $55 Billion Go-Private Deal Next Week - Jennifer Maas @ Variety 00:32:30 - Shift-Up promotes Stellar Blade 2 with AI-generated KPop music video featuring the game's main character - Connor Makar @ Eurogamer 00:40:05 - Wee News! 00:45:00 - SuperChats & You‘re Wrong Learn more about your ad choices. Visit megaphone.fm/adchoices

After taking some time to reflect, Trish is getting unfiltered about Morgan Adams clapping back at Tana Mongeau in defense of Shane Dawson. Plus, is it true she was blacklisted from both Kim Kardashian's influencer event AND the Spider-Man red carpet premiere?

The US military says it has completed a "heavy wave" of strikes against Iran in retaliation for Tuesday's attempted ballistic missile attacks on American forces. Also on the programme, a  teenager who travelled from Norway to the UK to carry out a "hit" for a Swedish organised crime group has been found guilty of conspiracy to murder; and, why K-Pop sensation BTS are boycotting the next year's Grammys.(Photo: A woman walks next to anti-US graffiti on a street in Tehran, Iran, 20 July 2026. Abedin Taherkenareh EPA/Shutterstock.)

Lazlo and SlimFast do not understand K-Pop. Slim is a BIG stepper, and Carol should NOT get the prize. Things are expensive, and Lebron finally chose a team. Lazlo and Summer argue about cheating. A TikTok trend has turned deadly, and Lazlo argues with Rick on Twitch. Stream the podcast on Apple Podcasts, Spotify, or wherever you get your podcasts!