Podcast appearances and mentions of lady sings

Ain't over until the ‘VAT' lady sings: is this the final chapter for the GNU? Prof John Molepo weighs in by Radio Islam

Daily Dad Jokes (08 Feb 2025) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view ! Email Newsletter: Looking for more dad joke humour to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe ! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Interested in Business and Finance news? Then listen to our sister show: The Daily Business and Finance Show. Check out the website here or search "Daily Business and Finance Show" in your podcast app. The Christmas Jokes electronic button now available on Amazon. Perfect for stocking fillers, Secret Santa and Kris Kringle! Fun for all ages and guaranteed to provide laughs (and groans). Click here here to view ! Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: bobskimo, Yaguajay, Ok_Presence36, Onbuu, Man-e-questions, Turtlepower7777777, TacticalStupid, VisualEyez33, jmoney6, BroadwayBryce, 983115, DadJoker1988, , dragonslumber, SinixtroGamer123, SoshiSean, mentalstarvation, Joesdad65, thomasbrakeline, scarecrow53, HusbandAndWifi, PresentPrior8701 Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts Youtube Channel Social media: Instagram Facebook Twitter Tik Tok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) See omnystudio.com/listener for privacy information.

#shorts #fypviral #hummingsong #originalsong #prayersong #silentpraise #lute #acapella "Silent Praise" Original Song: Written, composed, sung & recorded by: © 2025 Bambi Noelani Brock Lyrics: O God in Zion Ooooo We wait before You In Silent Praise Ooooo And thus fulfill Our vows And because You answered prayer All mankind will come to You with their requests Ooooooooo O God in Zion We wait before You in Sieent Praise and thus fulfill our vows oooo O God in Zion We wait before You in Silent Praise and thus fulfill our vows Oooooo O God in Zion We wait before You

Rebecca and Tara have lots of books to share since their last book chat! Rebecca (@canadareadsamericanstyle): Lady Sings the Blues by Billie Holliday The Optimist's Daughter by Eudora Welty My Brilliant Career by Miles Franklin Testament of Youth by Vera Brittain Skid Dogs by Emelia Symington-Fedy The Silent Boy by Lois Lowry The Pearl by John Steinbeck Passing by Nella Larsen Recollections of My Nonexistence: A Memoir by Rebecca Solnit Tara (@onabranchreads): Winter Solstice by Rosamunde Pilcher The Frozen Thames by Helen Humphreys My Body is Distant: A Memoir by Paige Maylott The Memoirs of Miss Chief Eagle Testickle: Vol. 1 and 2: A True and Exact Accounting of the History of Turtle Island by Kent Monkman, Gisele Gordon I Don't Do Disability and Other Lies I've Told Myself by Adelle Purdham All the Sinners Bleed by S.A. Cosby  

Those old sayings. Who what where when and how? Some of those old sayings are not only ancient but still carry an impact today. One of them? It aint over until the fat lady sings...Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Those old sayings. Who what where when and how? Some of those old sayings are not only ancient but still carry an impact today. One of them? It aint over until the fat lady sings...Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Fay Victor is a Brooklyn-born vocalist and bandleader who earlier this year released Life is Funny That Way, an album reimagining the compositions of pianist Herbie Nichols. Nichols was known for composing the music for Billie Holiday's famous song, “Lady Sings the Blues.” Ahead of her first headlining set at Dizzy's Club at Jazz at Lincoln Center on July 24, Victor joins with her band for a special live performance.

Our final lookback of the series and we've made it to Kelly's wedding day! Will she fit in the dress? What will the buffet be like? Why is Betty putting weight on when all she's had is cabbage soup? All these questions answered in the final episode of our watchalong. Hosted on Acast. See acast.com/privacy for more information.

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bava metsia 79b: not over till the pregnant lady sings by “Dafsplaining”: daf yomi made simple

The pioneering feminist, journalist and activist Gloria Steinem made a name for herself in the 1960s and 70s through her journalism, which included going undercover at the New York Playboy Club to expose exploitative working conditions. She co-founded the Women's Action Alliance and in 1972 she co-founded Ms Magazine, putting conversations about gender equality, reproductive rights and social justice in the spotlight, and bringing the issues of the women's rights movement into the mainstream. Gloria has just celebrated her 90th birthday and joins Emma Barnett to talk about the current state of reproductive rights in the US, the importance of community and hosting her own women's talking circle.Nazanin Zaghari-Ratcliffe spent six years being held by the Iranian regime after visiting her family there in 2016. When she was finally released, she chose to speak first to Woman's Hour, in May 2022. Nazanin shared then what life was like in Iran's most notorious prison, how she survived being away from her daughter and her view on - as she put it - being used a political pawn between Iran and Britain. She returns to Woman's Hour for Emma's last programme, to talk about what she's been doing since she came home.From the X Factor to Lady Sings the Blues, Rebecca Ferguson has become one of the UK's most successful soul vocalists, renowned for her unique, crisp, husky vocals. Her hit albums include Heaven, Freedom and Superwoman. She has duetted with Lionel Ritchie, Andrea Bocelli and Christina Aguilera, and collaborated with John Legend and Nile Rodgers. Rebecca has also become a notable campaigner for change. Last year she was one of the main contributors to the government's Misogyny in Music report and played an integral part in the introduction of the Creative Industries Independent Standards Authority to protect women. She performs live in the studio, and talks to Emma about her work.

Is Layonne Holmes a diva? She certainly has the chops. But she doesn't have the attitude. Layonne is one of the most talented yet humble singers I know. But, boy, can she sing! This interview took place at the height of Covid - on my deck - so please excuse the less-than-perfect sound quality. But yes. . . she does sing with me!

Born on March 26, 1944, Diana Ross is a legendary singer and actress. She got her start in the 1960s with her involvement in The Supremes. She contributed to the group's immense success before embarking on a solo career in the 1970s, producing hits like "Reach Out and Touch (Somebody's Hand)" and "Ain't No Mountain High Enough." Ross expanded into acting, notably starring in films such as "Lady Sings the Blues," earning an Academy Award nomination, along with roles in "Mahogany" and "The Wiz." In 1993, she was recognized by the Guinness Book of World Records as the most successful female music artist in history, having sold over 100 million records worldwide. Honored for her contributions, she was inducted into the Rock and Roll Hall of Fame in 1988 as a member of The Supremes alongside Florence Ballard and Mary Wilson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick is joined by broadcaster Rishi Persad to discuss the latest developments from around the racing world. They lead with yesterday's news that Opera Singer would likely miss the 1,000 Guineas, and Nick talks to Kelly Burke about the progress of her nearest market rival to that point, Moyglare winner Fallen Angel. Also on today's show, Dan Skelton looks beyond handicaps for Langer Dan following his 10lb hike in the weights, while Dan Barber gives Timeform's Top 5 Festival performances plus pays tribute to the grandest of old timers. Jimmy George gives advance notice of the Tattersalls breeze-up sales, while Whitsbury's Ed Harper celebrates not only the new opportunities afforded racing by the Immigration Salary List but also a debut success for his first season sire Sergei Prokofiev. Ben Atkins brings us the Thoroughbid weekly Point to Point wrap, while Nicolas de Chambure from Haras d'Etreham reflects on a golden Festival for his stallions.

Nick is joined by broadcaster Rishi Persad to discuss the latest developments from around the racing world. They lead with yesterday's news that Opera Singer would likely miss the 1,000 Guineas, and Nick talks to Kelly Burke about the progress of her nearest market rival to that point, Moyglare winner Fallen Angel. Also on today's show, Dan Skelton looks beyond handicaps for Langer Dan following his 10lb hike in the weights, while Dan Barber gives Timeform's Top 5 Festival performances plus pays tribute to the grandest of old timers. Jimmy George gives advance notice of the Tattersalls breeze-up sales, while Whitsbury's Ed Harper celebrates not only the new opportunities afforded racing by the Immigration Salary List but also a debut success for his first season sire Sergei Prokofiev. Ben Atkins brings us the Thoroughbid weekly Point to Point wrap, while Nicolas de Chambure from Haras d'Etreham reflects on a golden Festival for his stallions.

The Real Housewives of Miami (S06E20) wrapped up its chaotic and hilarious reunion with a musical moment that's both instantly forgettable and totally memorable. Grab tickets for the Netflix is a Joke Fest in LA and our European tour at watchwhatcrappens.com Watch this recap as a video and get our bonus episodes at Patreon.com/watchwhatcrappensSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"The 50th-Anniversay Edition with a Revised Discography"

In conversation with award-winning journalist and broadcaster Tracey Matisak Screen icon Billy Dee Williams is perhaps best known for his role as Lando Calrissian in the Star Wars movies The Empire Strikes Back, Return of the Jedi, and The Rise of Skywalker. His dozens of other film appearances, which date back to the 1950s, include roles in Lady Sings the Blues, Brian's Song, Mahogany, Nighthawks, and too many others to list; his similarly prolific television career includes starring turns, appearances, and cameos in more than 40 dramas, sitcoms, and TV movies; and he has acted in seven acclaimed Broadway plays. His many honors include induction into the Black Filmmaker's Hall of Fame, two NAACP Image Awards, a primetime Emmy nomination, a star on the Hollywood Walk of Fame, and recognition from the African-American Film Critics Association. Also a prolific and prize-winning painter, Williams has seen his work displayed in museums and galleries around the world. In What Have We Here, he tells the story of his childhood in 1930s Harlem, his remarkable career, and his triumph over Hollywood racism and typecasting. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 2/17/2024)

Movie Recommendations: Selma (2014): David Oyelowo's portrayal of Martin Luther King during the historic voting rights march from Selma to Montgomery, Alabama. Boycott (2001): Featuring Jeffrey Wright as Martin Luther King Jr. and focusing on the Montgomery bus boycott. Harriet (2019): Cynthia Erivo's performance as Harriet Tubman and her work on the Underground Railroad. The Birth of a Nation (2016): Depicting the story of Nat Turner, a historical figure central to African American history. Ray (2004): Jamie Foxx's remarkable portrayal of the legendary musician Ray Charles. What's Love Got to Do with It (1993): Angela Bassett's iconic role as Tina Turner, offering insights into her tumultuous life. Hidden Figures (2016): Celebrating the contributions of female scientists and mathematicians working at NASA during the space race. Concussion (2015): Will Smith's role as Dr. Bennet Omalu, a pathologist who investigates head injuries among football players. The United States vs. Billie Holiday (2021): Andra Day's performance as Billie Holiday and her struggle against federal persecution. Lady Sings the Blues (1972): Diana Ross's portrayal of Billie Holiday, offering a perspective on the jazz legend's life. Mandela: Long Walk to Freedom (2013): Idris Elba's portrayal of Nelson Mandela's life and journey to becoming South Africa's first black president. Hotel Rwanda (2004): Don Cheadle's role in a powerful yet challenging film about the 1994 Rwandan genocide. Judas and the Black Messiah (2021): A portrayal of the Black Panther Party and the tragic story of Fred Hampton. Panther (1995): A star-studded retelling of the Black Panther movement directed by Mario Van Peebles. Marshall (2017): Chadwick Boseman's depiction of Thurgood Marshall, the first black Supreme Court justice. 42 (2013): Chadwick Boseman's portrayal of Jackie Robinson, breaking the color barrier in Major League Baseball. One Night in Miami (2020): A fictional but thought-provoking film depicting a meeting between Malcolm X, Muhammad Ali, Sam Cooke, and Jim Brown. Continuing the List: The host briefly mentions additional films that have had a powerful impact on him personally, including "Fruitvale Station," "Remember the Titans," "Glory," "Rosewood," "Cooley High," and others. Conclusion: Emphasizing that these films are worth watching at any time of the year, not just during Black History Month. Encouraging viewers to explore these movies to gain a deeper understanding of African American history and culture.

In today's Hot Topics, the co-hosts discuss Jon Stewart's return to "The Daily Show" and his jabs at both Pres. Biden and former Pres. Trump for their age-related gaffes. Plus, the co-hosts weigh in on a psychologists' warning that romantic partners who are great in bed might be lacking in emotional needs, and whether there is a best time and place for a breakup.  Billy Dee Williams joins and looks back at his trailblazing career including roles in “Brian's Song,” “Lady Sings the Blues” and "Star Wars," and discusses his new memoir, "What Have We Here?" Learn more about your ad choices. Visit megaphone.fm/adchoices

If you haven't heard - or heard of - Layonne Holmes, I pity you. She is not just an incredible performer, she's also the definition of a diva, without the attitude. Oh, and we do a duet in this first episode of my "Best of Series," recorded outside during the height of Covid. Yes. I made sacrifices! Click below to listen.

Lady Sings The Blues CD1:Norah Jones “Don't Know Why”Aretha Franklin “(You Make Me Feel) Like A Natural Woman”Dusty Springfield “The Look Of Love”Etta James “I Just Wanna Make Love To You”Ella Fitzgerald “Night & Day”Billie Holiday “That Ole Devil Called Love”Dinah Washington “Mad About You”Nancy Wilson “All Night Long”June Christy “Something Cool”Sarah Vaughan “Misty”Erma Franklin “Piece Of My Heart”Bobbie Gentry “Son Of A Preacherman”Julie London “Cry Me A River”Dinah Shore & André Previn “My Funny Valentine”Ella Fitzgerald “Summertime”Nina Simone “I Loves You Porgy”Escuchar audio

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Daily Dad Jokes (25 Oct 2023) Back our electronic Dad Joke button on Kickstarter here! Early bird discounts available! Check it out here! Email Newsletter: Looking for more dad joke humour to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe ! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: bobskimo, WirelessHamster, prlugo4162, VisualEyez33, deafened, BroadwayBryce, 983115, PhoKit2, DadJoker1988, Joesdad65, jmoney6, dragonslumber, scarecrow53, thomasbrakeline, AcanthocephalaLow979, SoshiSean, scardeal, marshsmellow, HusbandAndWifi, Sloth72c, DinglebarryHandpump Subscribe to this podcast via: Spotify iTunes Google Podcasts Youtube Channel Social media: Instagram Facebook Twitter Tik Tok Discord Interested in advertising or sponsoring our show with +15k daily streams? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) See omnystudio.com/listener for privacy information.

The Real Housewives of Atlanta season 15 concludes with part 2 of the reunion (S15E18). Sure, there's some stuff about Marlo and Kandi and Sanya, but this episode is really about Drew and Ralph, and Bravo trying to make it into a larger scandal than it is. The whole thing climaxes with Drew singing in Ralph's face in an iconic reunion moment.Watch the recap here: https://www.patreon.com/posts/89166180See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Snub Club, the crew discusses 1972's Lady Sings The Blues. Directed by Sidney J. Fury and starring Diana Ross, Lady Sings the Blues was nominated for five Academy Awards but it couldn't get any satisfaction. In this episode, Danny, Sarah and Caleb discuss Hulu remakes, Billy Dee Williams, and the musical biopic genre.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: On this episode of The Snub Club, the crew discusses 1972's Lady Sings The Blues. Directed by Sidney J. Fury and starring Diana Ross, Lady Sings the Blues was nominated for five Academy Awards but it couldn't get any satisfaction. In this episode, Danny, Sarah and Caleb discuss Hulu remakes, Billy Dee Williams, and the musical biopic genre.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Here It Comes by Tracktribe

Before MGM, the Oscars, and fame, Hattie McDaniel was a struggling stage actress and singer.  The daughter of a Union soldier, her family endeavored to find a better way of life in the aftermath of the Civil War. But injustice, poverty, and discrimination hindered them at every turn. Amid the strife and uncertainty of their youth, the McDaniel children would find salvation through performance. As a black woman, strict societal standards regulated every facet of her life. But up on the stage, Hattie found the freedom to express her desires, anger, heartache, and laughter. 

Jessica is front row center when the drama reserved for the opera stage is playing out in real life. Let's take out our opera glasses and watch as Jessica and Dennis Stanton try to unravel a convoluted storyline before the final curtain falls on star Tenor Rosanno Bertolucci. https://www.patreon.com/Thefletcherfiles Three to four extra episodes a month related to cozy mysteries and Hallmark themes with movie and book reviews.

This week on And the Runner-Up Is, Kevin welcomes writer/Instagram star Mark O'Donovan to discuss the 1972 Oscar race for Best Actress, where Liza Minnelli won for her performance in "Cabaret," beating Diana Ross in "Lady Sings the Blues," Maggie Smith in "Travels with My Aunt," Cicely Tyson in "Sounder," and Liv Ullmann in "The Emigrants." We discuss all of these nominated performances and determine who we think was the runner-up to Minnelli.  0:00 - 14:09 - Introduction 14:10 - 37:41 - Diana Ross 37:42 - 57:45 - Maggie Smith 57:46 - 1:18:42 - Cicely Tyson 1:18:43 - 1:35:09 - Liv Ullmann 1:35:10 - 1:54:26 - Liza Minnelli 1:54:27 - 2:32:23 - Why Liza Minnelli won / Twitter questions 2:32:23 - 2:35:25 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Mark O'Donovan on Twitter and Instagram Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

On this Tuesday edition of Sid & Friends in the Morning, Sid reacts to the New York Rangers' season coming to an end last night as the fat lady has officially sung on their Stanley Cup hopes. A lot of questions need to be answered this off season regarding the immediate direction of the franchise. In other news of the day, President Biden lied again yesterday in claiming he's cut the federal deficit by $1.7 trillion, Sid tears apart Alejandro Mayorkas' appearance on Meet the Press with Chuck Todd, Karine Jean-Pierre praises the President's actions regarding the border crisis and has Americans wondering what the hell she's talking about, Governor Kathy Hochul joins Errol Louis on NY1 to spew nonsense about her budget proposal, Mayor Eric Adams implies that Texas Governor Greg Abbott is being racist for sending migrants to NYC, and Ron Johnson exposes Secretary of State Antony Blinken for lying under oath regarding his past communications with Hunter Biden. Bo Dietl, Mayor Eric Adams, Noam Laden, Gordon Chang, Larry Kudlow and Peter Gaudio join the program on this Tuesday installment of New York City's best radio show. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with part 1 of our r&b/pop diva double feature with Mahogany (1975), directed by Berry Gordy and starring THE BOSS, Diana Ross, Billy Dee Williams, and Anthony Perkins. In this episode, we dive into this groundbreaking movie and Diana's career as a Supreme, 1970s racism and masculinity, and, of course, fashion. This week's recommendations: The Devil Wears Prada (2006), Lady Sings the Blues (1972), and Dreamgirls (2006). Support your girls with a ko-fi! ko-fi.com/blackgirlfilmclub Check out the rest of our socials (including our BRAND NEW WEBSITE!!!) at linktr.ee/blackgirlfilmclub

Lillian and Piper discuss our first opera adaptation. It's also Lillian's first opera ever and she left the experience feeling more like a crying clown than a triumphant Valkyrie. Stay tuned to the end for a special lgbtq round of Jane Eyre fan-casting!

This week Justin and I read Billie Holiday's incredible 1956 memoir Lady Sings the Blues, the story of one woman's journey through a 20th century America saturated in the legacy of slavery and social violence. We discuss the book as a visceral lesson in the lived experience of racial capitalism, tracking how a voice haunted by history carries her through fame, money, drugs, exploitation, incarceration, and death. Why does Holiday's life and voice still speak to us? And what does she have to say? Check out the whole episode here: https://www.patreon.com/posts/episode-358-lady-80456339

Join us as we discuss Avatar: The Way of Water and Infinity Pool! Then sip on your best glass as we sit down and talk about Billie Holiday, the queen of the jazz and powerhouse to all women. For all the struggles she endured to share her heart with us, let's celebrate Lady Day!  To send in topics of interest, please email quiteabitpodcast@gmail.comFollow us on instagram/facebook/youtube:https://linktr.ee/quiteabitpodcastSources for this episode:Lady Sings the Blues - An Autobiography by Billie Holiday and William Dufthttps://billieholiday.com/bio/https://en.wikipedia.org/wiki/Billie_Holiday 

Welcome to our first episode of the new year, which is also our first episode of Season 5. Thank you for continuing to join us on this amazing journey. On today's episode, we head back to Christmas of 1980, when pop music superstar Neil Diamond would be making his feature acting debut in a new version of The Jazz Singer. ----more---- EPISODE TRANSCRIPT From Los Angeles, California, the entertainment capital of the world, this is The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   It's 2023, which means we are starting our fifth season. And for our first episode of this new season, we're going back to the end of 1980, to take a look back at what was supposed to be the launch of a new phase in the career of one of music's biggest stars. That musical star was Neil Diamond, and this would end up becoming his one and only attempt to act in a motion picture.   We're talking about The Jazz Singer.   As I have said time and time again, I don't really have a plan for this show. I talk about the movies and subjects I talk about often on a whim. I'll hear about something and I'll be reminded of something, and a few days later, I've got an episode researched, written, recorded, edited and out there in the world. As I was working on the previous episode, about The War of the Roses just before my trip to Thailand, I saw a video of Neil Diamond singing Sweet Caroline on opening night of A Beautiful Noise, a new Broadway musical about the life and music of Mr. Diamond. I hadn't noticed Diamond had stopped performing live five years earlier due to a diagnosis of Parkinson's, and it was very touching to watch a thousand people joyously singing along with the man.   But as I was watching that video, I was reminded of The Jazz Singer, a movie we previously covered very lightly three years ago as part of our episode on the distribution company Associated Film Distribution. I was reminded that I haven't seen the movie in over forty years, even though I remember rather enjoying it when it opened in theatres in December 1980. I think I saw it four or five times over the course of a month, and I even went out and bought the soundtrack album, which I easily listened to a hundred times before the start of summer.   But we're getting ahead of ourselves yet again.   The Jazz Singer began its life in 1917, when Samson Raphaelson, a twenty-three year old undergraduate at the University of Illinois, attended a performance of Robinson Crusoe, Jr., in Champaign, IL. The star of that show was thirty-year-old Al Jolson, a Russian-born Jew who had been a popular performer on Broadway stages for fifteen years by this point, regularly performing in blackface. After graduation, Raphaelson would become an advertising executive in New York City, but on the side, he would write stories. One short story, called “The Day of Atonement,” would be a thinly fictionalized account of Al Jolson's life. It would be published in Everybody's Magazine in January 1922.   At the encouragement of his secretary at the advertising firm, Raphaelson would adapted his story into a play, which would be produced on Broadway in September 1925 with a new title…   The Jazz Singer.   Ironically, for a Broadway show based on the early life of Al Jolson, Jolson was not a part of the production. The part of Jake Rabinowitz, the son of a cantor who finds success on Broadway with the Anglicized named Jack Robin, would be played by George Jessel. The play would be a minor hit, running for 303 performances on Broadway before closing in June 1926, and Warner Brothers would buy the movie rights the same week the show closed. George Jessel would be signed to play his stage role in the movie version. The film was scheduled to go into production in May 1927.   There are a number of reasons why Jessel would not end up making the movie. After the success of two Warner movies in 1926 using Vitaphone, a sound-on-disc system that could play music synchronized to a motion picture, Warner Brothers reconcieved The Jazz Singer as a sound movie, but not just a movie with music synchronized to the images on screen, but a “talkie,” where, for the first time for a motion picture, actual dialogue and vocal songs would be synchronized to the pictures on screen. When he learned about this development, Jessel demanded more money.    The Warner Brothers refused.   Then Jessel had some concerns about the solvency of the studio. These would be valid concerns, as Harry Warner, the eldest of the four eponymous brothers who ran the studio, had sold nearly $4m worth of his personal stock to keep the company afloat just a few months earlier.   But what ended up driving Jessel away was a major change screenwriter Alfred A. Cohen made when adapting the original story and the play into the screenplay. Instead of leaving the theatre and becoming a cantor like his father, as it was written for the stage, the movie would end with Jack Robin performing on Broadway in blackface while his mom cheers him on from one of the box seats.   With Jessel off the project, Warner would naturally turn to… Eddie Cantor. Like Al Jolson, Eddie Cantor was a Jew of Russian descent, although, unlike Jolson, he had been born in New York City. Like Jolson, he had been a star on Broadway for years, regularly performing in and writing songs for Florenz Ziegfeld' annual Follies shows. And like Jolson, Cantor would regularly appear on stage in blackface. But Cantor, a friend of Jessel's, instead offered to help the studio get Jessel back on the movie. The studio instead went to their third choice…   Al Jolson.   You know. The guy whose life inspired the darn story to begin with.   Many years later, film historian Robert Carringer would note that, in 1927, George Jessel was a vaudeville comedian with one successful play and one modestly successful movie to his credit, while Jolson was one of the biggest stars in America. In fact, when The Vitaphone Company was trying to convince American studios to try their sound-on-disc system for movies, they would hire Jolson in the fall of 1926 for a ten minute test film. It would be the success of the short film, titled A Plantation Act and featuring Jolson in blackface singing three songs, that would convince Warners to take a chance with The Jazz Singer as the first quote unquote talkie film.   I'll have a link to A Plantation Act on our website, The80sMoviePodcast.com, if you're interested in seeing it.   Al Jolson signed on to play the character inspired by himself for $75,000 in May 1927, the equivalent to $1.28m today. Filming would be pushed back to June 1927, in part due to Jolson still being on tour with another show until the end of the month. Warners would begin production on the film in New York City in late June, starting with second unit shots of the Lower East Side and The Winter Garden Theatre on Broadway, shooting as much as they could until Jolson arrived on set on July 11th.   Now, while the film has been regularly touted for nearly a century now as the first talking motion picture, the truth is, there's very little verbal dialogue in the film. The vast majority of dialogue in the movie was still handled with the traditional silent movie use of caption cards, and the very few scenes featuring what would be synchronized dialogue were saved for the end of production, due to the complexity of how those scenes would be captured. But the film would finish shooting in mid-September.   The $422k movie would have its world premiere at the Warner Brothers theatre in New York City not three weeks later, on October 6th, 1927, where the film would become a sensation. Sadly, none of the Warner Brothers would attend the premiere, as Sam Warner, the strongest advocate for Vitaphone at the studio, had died of pneumonia the night before the premiere, and his remaining brothers stayed in Los Angeles for the funeral. The reviews were outstanding, and the film would bring more than $2.5m in rental fees back to the studio.   At the first Academy Awards, held in May 1929 to honor the films released between August 1927 and July 1928, The Jazz Singer was deemed ineligible for the two highest awards, Outstanding Production, now known as Best Picture, and Unique and Artistic Production, which would only be awarded this one time, on the grounds that it would have been unfair to a sound picture compete against all the other silent films. Ironically, by the time the second Academy Awards were handed out, in April 1930, silent films would practically be a thing of the past. The success of The Jazz Singer had been that much a tectonic shift in the industry. The film would receive one Oscar nomination, for Alfred Cohn's screenplay adaptation, while the Warner Brothers would be given a special award for producing The Jazz Singer, the “pioneer outstanding talking picture which has revolutionized the industry,” as the inscription on the award read.   There would be a remake of The Jazz Singer produced in 1952, starring Danny Thomas as Korean War veteran who, thankfully, leaves the blackface in the past, and a one-hour television adaptation of the story in 1959, starring Jerry Lewis. And if that sounds strange to you, Jerry Lewis, at the height of his post-Lewis and Martin success, playing a man torn between his desire to be a successful performer and his shattered relationship with his cantor father… well, you can see it for yourself, if you desire, on the page for this episode on our website. It is as strange as it sounds.   At this point, we're going to fast forward a number of years in our story.   In the 1970s, Neil Diamond became one of the biggest musical stars in America. While he wanted to be a singer, Diamond would get his first big success in music in the 1960s as a songwriter, including writing two songs that would become big hits for The Monkees: I'm a Believer and A Little Bit Me, A Little Bit You.   And really quickly, let me throw out a weird coincidence here… Bob Rafelson, the creator of The Monkees who would go on to produce and/or direct such films as Easy Rider and Five Easy Pieces, was the nephew of Samson Raphaelson, the man who wrote the original story on which The Jazz Singer is based.   Anyway, after finding success as a songwriter, Diamond would become a major singing star with hits like Girl, You'll Be a Woman Soon, Sweet Caroline, and Song Sung Blue. And in another weird coincidence, by 1972, Neil Diamond would become the first performer since Al Jolson to stage a one-man show at the Winter Garden Theatre on Broadway.   By 1976, Neil Diamond is hosting specials on television, and one person who would see one of Diamond's television specials was a guy named Jerry Leider, an executive at Warner Brothers in charge of foreign feature production. Leider sees something in Diamond that just night be suited for the movies, not unlike Elvis Presley or Barbra Streisand, who in 1976 just happens to be the star of a remake of A Star Is Born for Warner Brothers that is cleaning up at the box office and at records stores nationwide. Leider is so convinced Neil Diamond has that X Factor, that unquantifiable thing that turns mere mortals into superstars, that Leider quits his job at Warners to start his own movie production company, wrestling the story rights to The Jazz Singer from Warner Brothers and United Artists, both of whom claimed ownership of the story, so he can make his own version with Diamond as the star.   So, naturally, a former Warners Brothers executive wanting to remake one of the most iconic movies in the Warner Brothers library is going to set it up at Warner Brothers, right?   Nope!   In the fall of 1977, Leider makes a deal with MGM to make the movie. Diamond signs on to play the lead, even before a script is written, and screenwriter Stephen H. Foreman is brought in to update the vaudeville-based original story into the modern day while incorporating Diamond's strengths as a songwriter to inform the story. But just before the film was set to shoot in September 1978, MGM would drop the movie, as some executives were worried the film would be perceived as being, and I am quoting Mr. Foreman here, “too Jewish.”   American Film Distribution, the American distribution arm of British production companies ITC and EMI, would pick the film up in turnaround, and set a May 1979 production start date. Sidney J. Furie, the Canadian filmmaker who had directed Diana Ross in Lady Sings the Blues, would be hired to direct, and Jacqueline Bisset was pursued to play the lead female role, but her agent priced their client out of the running. Deborah Raffin would be cast instead. And to help bring the kids in, the producers would sign Sir Laurence Olivier to play Diamond's father, Cantor Rabinovitch. Sir Larry would get a cool million dollars for ten weeks of work.   There would, as always is with the case of making movies, be setbacks that would further delay the start of production. First, Diamond would hurt his back at the end of 1978, and needed to go in for surgery in early January 1979. Although Diamond had already written and recorded all the music that was going to be used in the movie, AFD considered replacing Diamond with Barry Manilow, who had also never starred in a movie before, but they would stick with their original star.   After nearly a year of rest, Diamond was ready to begin, and cameras would roll on the $10m production on January 7th, 1980. And, as always is with the case of making movies, there would be more setbacks as soon as production began. Diamond, uniquely aware of just how little training he had as an actor, struggled to find his place on set, especially when working with an actor of Sir Laurence Olivier's stature. Director Furie, who was never satisfied with the screenplay, ordered writer Foreman to come up with new scenes that would help lessen the burden Diamond was placing on himself and the production. The writer would balk at almost every single suggestion, and eventually walked off the film.   Herbert Baker, an old school screenwriter who had worked on several of the Dean Martin and Jerry Lewis movies, was brought in to punch up the script, but he would end up completely rewriting the film, even though the movie had been in production for a few weeks. Baker and Furie would spend every moment the director wasn't actively working on set reworking the story, changing the Deborah Raffin character so much she would leave the production. Her friend Lucie Arnaz, the daughter of Desi Arnaz and Lucille Ball, would take over the role, after Cher, Liza Minnelli and Donna Summer were considered.   Sensing an out of control production, Sir Lew Grade, the British media titan owner of AFD, decided a change was needed. He would shut the production down on March 3rd, 1980, and fire director Furie. While Baker continued to work on the script, Sir Grade would find a new director in Richard Fleischer, the journeyman filmmaker whose credits in the 1950s and 1960s included such films as 20,000 Leagues Under the Sea, Compulsion, Fantastic Voyage and Doctor Doolittle, but had fallen out of favor with most studios after a string of flops. In fact, this would be the second film in a year where Fleischer was hired to replace another director during the middle of production, having replaced Richard C. Sarafian on the action-adventure film Ashanti in 1979.   With Fleischer aboard, production on The Jazz Singer would resume in late March, and there was an immediate noticeable difference on set. Where Furie and many members of the crew would regularly defer to Diamond due to his stature as an entertainer, letting the singer spiral out of control if things weren't working right, Fleischer would calm the actor down and help work him back into the scene. Except for one scene, set in a recording studio, where Diamond's character needed to explode into anger. After a few takes that didn't go as well as he hoped, Diamond went into the recording booth where his movie band was stationed while Fleischer was resetting the shot, when the director noticed Diamond working himself into a rage. The director called “action,” and Diamond nailed the take as needed. When the director asked Diamond how he got to that moment, the singer said he was frustrated with himself that he wasn't hitting the scene right, and asked the band to play something that would make him angry. The band obliged.    What did they play?   A Barry Manilow song.   Despite the recasting of the leading female role, a change of director and a number of rewrites by two different writers during the production, the film was able to finish shooting at the end of April with only $3m added to the budget.   Associated Film would set a December 19th, 1980 release date for the film, while Capitol Records, owned at the time by EMI, would release the first single from the soundtrack, a soft-rock ballad called Love on the Rocks, in October, with the full soundtrack album arriving in stores a month later.   As expected for a new Neil Diamond song, Love on the Rocks was an immediate hit, climbing the charts all the way to #2 on the Billboard Hot 100.   Several days before the film opened in 241 theatres on December 19th, there was a huge, star-studded premiere at the Plitt Century Plaza Cinemas in Los Angeles. Peter Falk, Harvey Korman, Ed McMahon, Gregory Peck, Cesar Romero and Jon Voight were just a handful of the Hollywood community who came out to attend what was one of the biggest Hollywood premieres in years. That would seem to project a confidence in the movie from the distributor's standpoint.   Or so you'd think.   But as it turned out, The Jazz Singer was one of three movies Associated Film would release that day. Along with The Jazz Singer, they would release the British mystery film The Mirror Crack'd starring Angela Lansbury and Elizabeth Taylor, and the Richard Donner drama Inside Moves. Of the three movies, The Jazz Singer would gross the most that weekend, pulling in a modest $1.167m, versus The Mirror Crack'd's $608k from 340 screens, and Inside Moves's $201k from 67 screens.   But compared to Clint Eastwood's Any Which Way You Can, the Richard Pryor/Gene Wilder comedy Stir Crazy, and Dolly Parton/Lily Tomlin/Jane Fonda comedy 9 to 5, it wasn't the best opening they could hope for.   But the film would continue to play… well, if not exceptional, at least it would hold on to its intended audience for a while. Sensing the film needed some help, Capitol Records released a second single from the soundtrack, another power ballad called Hello Again, in January 1981, which would become yet another top ten hit for Diamond. A third single, the pro-immigration power-pop song America, would arrive in April 1981 and go to number eight on the charts, but by then, the film was out of theatres with a respectable $27.12m in tickets sold.   Contemporary reviews of the film were rather negative, especially towards Diamond as an actor. Roger Ebert noted in his review that there were so many things wrong in the film that the review was threatening to become a list of cinematic atrocities. His review buddy Gene Siskel did praise Lucie Arnaz's performance, while pointing out how out of touch the new story was with the immigrant story told by the original film. Many critics would also point out the cringe-worthy homage to the original film, where Diamond unnecessarily performs in blackface, as well as Olivier's overacting.   I recently watched the film for the first time since 1981, and it's not a great movie by any measurable metric. Diamond isn't as bad an actor as the reviews make him out to be, especially considering he's essentially playing an altered version of himself, a successful pop singer, and Lucie Arnaz is fairly good. The single best performance in the film comes from Caitlin Adams, playing Jess's wife Rivka, who, for me, is the emotional center of the film. And yes, Olivier really goes all-in on the scenery chewing. At times, it's truly painful to watch this great actor spin out of control.   There would be a few awards nominations for the film, including acting nominations for Diamond and Arnaz at the 1981 Golden Globes, and a Grammy nomination for Best Soundtrack Album, but most of its quote unquote awards would come from the atrocious Golden Raspberry organization, which would name Diamond the Worst Actor of the year and Olivier the Worst Supporting Actor during its first quote unquote ceremony, which was held in some guy's living room.   Ironically but not so surprisingly, while the film would be vaguely profitable for its producers, it would be the soundtrack to the movie that would bring in the lion's share of the profits. On top of three hit singles, the soundtrack album would sell more than five million copies just in the United States in 1980 and 1981, and would also go platinum in Canada, South Africa, and the United Kingdom. While he would earn less than half a million dollars from the film, Diamond's cut of the soundtrack would net him a dollar per unit sold, earning him more than ten times his salary as an actor.   And although I fancied myself a punk and new wave kid at the end of 1980, I bought the soundtrack to The Jazz Singer, ostensibly as a gift for my mom, who loved Neil Diamond, but I easily wore out the grooves of the album listening to it over and over again. Of the ten new songs he wrote for the soundtrack, there's a good two or three additional tracks that weren't released as singles, including a short little ragtime-inspired ditty called On the Robert E. Lee, but America is the one song from the soundtrack I am still drawn to today. It's a weirdly uplifting song with its rhythmic “today” chants that end the song that just makes me feel good despite its inherent cheesiness.   After The Jazz Singer, Neil Diamond would only appear as himself in a film. Lucie Arnaz would never quite have much of a career after the film, although she would work quote regularly in television during the 80s and 90s, including a short stint as the star of The Lucie Arnaz Show, which lasted six episodes in 1985 before being cancelled. Laurence Olivier would continue to play supporting roles in a series of not so great motion pictures and television movies and miniseries for several more years, until his passing in 1989. And director Richard Fleischer would make several bad movies, including Red Sonja and Million Dollar Mystery, until he retired from filmmaking in 1987.   As we noted in our February 2020 episode about AFD, the act of releasing three movies on the same day was a last, desperate move in order to pump some much needed capital into the company. And while The Jazz Singer would bring some money in, that wasn't enough to cover the losses from the other two movies released the same day, or several other underperforming films released earlier in the year such as the infamous Village People movie Can't Stop the Music and Raise the Titanic. Sir Lew Grade would close AFD down in early 1981, and sell several movies that were completed, in production or in pre-production to Universal Studios. Ironically, those movies might have saved the company had they been able to hang on a little longer, as they included such films as The Dark Crystal, Frances, On Golden Pond, Sophie's Choice and Tender Mercies.   Thank you for joining us. We'll talk again soon, when Episode 99 is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Neil Diamond and The Jazz Singer.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Chelsea and Lynae (Parking Lot Pimpin') celebrate the HOLIDAYS with a little... Billie HOLIDAY. They dive into her 1956 memoir Lady Sings the Blues which is filled with music, trauma, marriages, racism, prison, gardenias, heroin, and the infamous court case “The United States vs Billie Holiday."    For more book recaps & gentle tea, follow Chelsea on Instagram @chelseadevantez   To join the community and get access to bonus episodes, click here to become a member of the Celebrity Book Club Patreon     

Tom Waits "Get Behind the Mule"Merle Haggard "This Town's Not Big Enough"Fiona Apple "On the Bound"Sebadoh "Pink Moon"Robert Belfour "Black Mattie"New Moon Jelly Roll Freedom Rockers "If Blues Was Money"Hank Williams "Long Gone Lomesome Blues"Ruth Brown "Mama He Treats Your Daughter Mean"Mississippi Fred McDowell "Amazing Grace"Taj Mahal "Statesboro Blues"Dan Penn "The Dark End of the Street"Aretha Franklin "Good to Me As I Am to You"Bonnie "Prince" Billy "Make Worry for Me"Bob Wills and his Texas Playboys "Draggin' The Bow"Mavis Staples "Wrote a Song for Everyone"John R. Miller "Holy Dirt"Built to Spill "Conventional Wisdom"John Mayall & The Bluesbreakers "Have You Heard"Solomon Burke "The Judgement"Steve Earle & The Dukes "Sweet Little '66"Elvis Costello & The Attractions "Why Don't You Love Me (Like You Used To Do)?"Magnolia Electric Co. "The Night Shift Lullaby"Lucero "The Last Song"Connie Smith "Over The Next Hill"Cory Branan & Jon Snodgrass "The Corner"Holly Golightly & the Brokeoffs "Tank"Matt Woods "Ghosts of the Gospel"Otis Gibbs "Caroline"Billy Joe Shaver "Georgia On A Fast Train"Bob Dylan "If You Ever Go To Houston"Bukka White "Aberdeen Mississippi Blues"Mississippi Fred McDowell "61 Highway"Soltero "The Good Times"Louis Jordan "Junco Partner"Lucinda Williams "Real Live Bleeding Fingers and Broken Guitar Strings"Willie Mae Williams "Don't Want To Go There"The Black Keys "I Got Mine"James Brown "Give It Up Or Turnit a Loose"fIREHOSE "Brave Captain"S.G. Goodman "Teeth Marks"Billie Holiday "Lady Sings the Blues"Superchunk "The Question Is How Fast"Otis Redding "Nobody's Fault But Mine"Drive-By Truckers "Wilder Days"

Here's the thing about icons, after a while people take them for granted. No one should ever do that with the inimitable Billie Holiday. CW: We briefly mention the assault Holiday experienced as a child and later racial violence during our discussion of the song, Strange Fruit.

Eddie vows to try again with Lissy. Craig returns home to confront his abusive father. Lindy Jones, our music journalist narrator, reveals the dark secret of Lissy's childhood.   This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/RAINBOWGIRL and get on your way to being your best self.See omnystudio.com/listener for privacy information.

Amber and Athena are back in this special update episode! They have lots of juicy details to share regarding Ben's trial as well as more info on their upcoming docuseries, catching the eye of Dr. Phil, updates on all of Ben's victims and so much more!Read the full Daily Dot article here: https://www.dailydot.com/irl/ex-wives-undercover/Support the showDO YOU HAVE YOUR OWN STORY TO SHARE? EMAIL US at ExWivesUndercover@gmail.comLIKE THE PODCAST? If so, please give us a 5-star rating and help us spread the word and protect other women from falling victim to these types of men.VISIT OUR WEBSITE: www.ExWivesUndercover.com

Brian is in the booth recording Season Three of World's Greatest Con but in the meantime, Dog and Pony Show Audio has a new series for you: Don't Explain.Every time you go to the theater, you're experience an onslaught of movie tropes. Every romantic comedy has the down-on-her-luck best friend. Every action movie has the badass one-liners. Every Oscar-bait drama has that tear-jerker ending.But where do those tropes come from? How do audiences become so aware of Hollywood's bag of tricks, parody movies can become a massive genre on their own?This series explores the birth, death, and rebirth of one of the most successful cinematic genres ever: the rockstar biopic. In this episode, we start from the beginning, focusing on the earliest established tropes of the genre.Lady Sings the Blues, The Buddy Holly Story, and 8 Mile.The first episode is available now in this feed and the reminder of the season is ready to binge on the Don't Explain feed on all podcast platforms. Hosted on Acast. See acast.com/privacy for more information.

Dog and Pony Show Audio has a new series for you: Don't Explain. Every time you go to the theater, you're experience an onslaught of movie tropes. Every romantic comedy has the down-on-her-luck best friend. Every action movie has the badass one-liners. Every Oscar-bait drama has that tear-jerker ending. But where do those tropes come from? How do audiences become so aware of Hollywood's bag of tricks, parody movies can become a massive genre on their own? This series explores the birth, death, and rebirth of one of the most successful cinematic genres ever: the rockstar biopic. In this episode, we start from the beginning, focusing on the earliest established tropes of the genre. Lady Sings the Blues, The Buddy Holly Story, and 8 Mile. The first episode is available now in this feed and the reminder of the season is ready to binge on the Don't Explain feed on all podcast platforms.

Our faithful editor Will Sattelberg has a new podcast. This is Don't Explain. Every time you go to the theater, you're experience an onslaught of movie tropes. Every romantic comedy has the down-on-her-luck best friend. Every action movie has the badass one-liners. Every Oscar-bait drama has that tear-jerker ending. But where do those tropes come from? How do audiences become so aware of Hollywood's bag of tricks, parody movies can become a massive genre on their own? This season explores the birth, death, and rebirth of one of the most successful cinematic genres ever: the rockstar biopic. In this episode, we start from the beginning, focusing on the earliest established tropes of the genre. Lady Sings the Blues, The Buddy Holly Story, and 8 Mile.

James, Jerah and Jonathan along with special guest Sura Khan, review the 1972 Oscar-nominated Billie Holiday biopic “Lady Sings the Blues”. It follows the iconic jazz singer's life from childhood into her controversial music career and eventual drug addiction. The film is co-written by Suzanne de Passe and stars Diana Ross, Richard Pryor, Billy Dee Williams, and Virginia Capers.  Produced by Melisa D. Monts Edited by Diane Kang Executive produced by Brett Boham, Joe Cilio, Alex Ramsey Listen to Black Men Can't Jump [In Hollywood] Ad-Free on Forever Dog Plus: https://foreverdogpodcasts.com/plus FOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]: https://twitter.com/blackmenpodcast https://www.instagram.com/blackmenpodcast BUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH: https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywood SUPPORT BLACK MEN CAN'T JUMP [IN HOLLYWOOD] ON PATREON: https://www.patreon.com/BMCJ BLACK MEN CAN'T JUMP [IN HOLLYWOOD] IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/black-men-cant-jump-in-hollywood Learn more about your ad choices. Visit megaphone.fm/adchoices

The Interns start their harrowing escape from the Tabulian Lair with the help of an old friend. Will they make it out with all their limbs intact? Find out in the thrilling conclusion to the Armageddon arc!  Follow us on social media: https://linktr.ee/TalesFromTheStinkyDragon Check our our merch: https://store.roosterteeth.com/collections/tales-from-the-stinky-dragon Red Web is available wherever you listen to podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Fat Tootsie, my bicycle falls apart, Adam Kokesh calls in, too much busting balls, the Girl Boss Nightmare, microplastics, and the Ministry of Truth; all that and more this week on The Dick Show!

Joe Biden laughs at you while the economy shrinks, stocks dip, and inflation surges, the DHS Secretary denies that he's sending a cat lady to censor you, Twitter's board accepts Elon Musk's buyout offer, and much more. For reference material, see the YouTube post of this episode: https://youtu.be/GpA0YkcOtFM      For all things show-related, visit www.mattchristiansenmedia.com