Podcasts about Laure Prouvost

In dieser Folge traf sich Lisa Zeitz mit der Künstlerin Laure Prouvost und sprach mit ihr über ihre neue Ausstellung WE FELT A STAR DYING, die derzeit mit LAS im Kraftwerk Berlin gezeigt wird. Hier taucht Prouvost tief in die Welt der Quantenphysik ein und verbindet wissenschaftliche Konzepte mit poetischer Bildsprache, sinnlichen Erfahrungen und verspielten Erzählstrukturen. Der "WELTKUNST-Podcast - Was macht die Kunst?" wird in Partnerschaft mit Volkswagen produziert.

Ceri examines how to liberate creative authenticity by offering ideas for artists who feel creatively blocked. She shares five actionable methods to escape creative paralysis and embrace your unique artistic voice. Ceri also provides examples from pioneering artists like Lindsey Mendick and Laure Prouvost, who dared to be different, and suggests exercises for practising these five ways to be bolder, braver, and weirder in your art. KEY TAKEAWAYS Bland is Boring – Stop Playing It Safe. If you don’t take risks, your work blends into the wallpaper of creative mediocrity. Push the thing that makes you Absurdity Unlocks Confidence. You don't have to make absurd, bonkers work but you do have to let yourself be surprised. Injecting a bit of the unexpected forces you into fresh territory—and that's where your best expression is waiting. Authenticity Attracts Your People. Stop second-guessing whether people will “like” your work. That’s not the goal. The goal is to make something only you could make. Embracing Mistakes Enhances Creativity. The fear of making mistakes is far more dangerous to your creativity than any actual mistake. If you’re constantly trying to avoid failure, you’ll never push your work into truly interesting, original territory. Trust Your Intuition. Overanalysing kills creative momentum. BEST MOMENTS “With AI churning out generic mush and tech pushing us towards sameness, what we need now is your gloriously weird, hyper-specific, totally you take on things.” “Playing it safe leads to forgettable work” “You don’t need everyone to love your work. You need your people to love it. The ones who get it.” “Your intuition is always talking to you. The trick is learning to hear and, more importantly, learning to trust it.” EPISODE RESOURCES PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Build Relationships The Easy WayOur self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/**** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This week, Dan & Steph Teitelbaum take the SmartArts reins and gallop effortlessly into another episode... this episode (as always) is jampacked with recommendations, artist deep dives and what's coming up in Melbourne's performing arts scene.Tai Snaith gives a raving review of ACCA's current exhibition Oui Move In You by artist Laure Prouvost for Art Attack. Director Gavin Webber, from the Queensland based dance-company ‘The Farm' comes into the studio to talk all things Hold Me Closer Tony Danza - an immersive dance production at Monash Performing Arts Centre running from May 1-3, 2024. Any one itching to be part of a dance off à la Michael Jackson's Beat It should not miss this one...Arts Wellbeing Collective's Head of Program Jim Rimmer joins the team to discuss the launch of Navigate Well a free resource/career guide for arts sector workers especially gig workers & freelancers.Anne-Marie Peard comes in to share all the theatre you should be seeing around Melbourne over the next couple of weeks - including an immersive dining experience? Delicious…PLUS Drag and visual artists, The Huxleys, beam in to tell all on their new exhibition as part of Southside Festival 2024 (May 10-19), Gender Fluids - exploring the gender fluidity of sea creatures.

Café Europa #S6E07: De Green Deal in de verdrukking - Diederik Samsom  Deze keer gaat Annette in gesprek met Diederik Samsom, oud-kabinetschef van Frans Timmermans en een van de architecten van de Europese Green Deal. Nu boeren in heel Europa protesteren tegen milieuregels en rechtse partijen niks moeten hebben van ambitieus klimaatbeleid, doemt de vraag op: wat blijft er over van de Europese groene agenda? Tips en verwijzingen uit deze aflevering:  - Diederik Samsom tipt ‘Na de bevrijding: de loodzware jaren 1945-1950' van Ad van Liempt - Annette raadt de documentaireserie ‘Staal' aan - Redacteur Pieter zag de tentoonstelling van Laure Prouvost in museum De Pont  - Chef redactie Freek tipt de tentoonstelling van Marina Abramovic in het Stedelijk Museum  - Diederik Samsom was oa voormalig kabinetschef van oud-Eurocommissaris Frans Timmermans en is een van de architecten van de Europese Green Deal - Annette van Soest is host van Café Europa en presentator voor o.a. Haagsch College en Follow the Money De podcast Café Europa is een initiatief van Haagsch College en Studio Europa Maastricht Deze aflevering werd mede mogelijk gemaakt door het Europees Parlement

Listen to ACCA's in conversation with Laure Prouvost and Annikka Kristensen, following a screening of 'They Parlaient Idéale' 2019. This program was recorded on Monday 18 March at ACMI as part of ACCA's exhibition 'Laure Prouvost: Oui Move In You'. Read more about the program here: https://acca.melbourne/program/screening-and-keynote-with-laure-prouvost-in-conversation-with-annika-kristensen/

Rencontre autour d'un café avec Laure Prouvost, une artiste ancrée dans son temps, honorée du Turner Prize en 2013, elle est à Melbourne pour l'ouverture de son exhibition "Oui move you" au ACCA (Australian Centre for Contemporary Arts)

Jonas Staal shares experiences on assemblies and internationalism contesting imperialist propaganda. Jonas Staal is a visual artist whose work deals with the relation between art, democracy, and propaganda. He is the founder of the artistic and political organization New World Summit (2012–ongoing). Together with Florian Malzacher he co-directs the training camp Training for the Future (2018-ongoing), and with human rights lawyer Jan Fermon he initiated the collective action lawsuit Collectivize Facebook (2020-ongoing). With writer and lawyer Radha D'Souza he founded the Court for Intergenerational Climate Crimes (2021-ongoing) and with Laure Prouvost he is co-administrator of the Obscure Union. Portrait of Jonas Staal, © Ruben Hamelink

Luís Silva é um escritor e curador que vive em Lisboa, onde atualmente é Diretor da Kunsthalle Lissabon, uma instituição de arte contemporânea que co-fundou com João Mourão em 2009. Uma seleção de exposições recentes que comissariou inclui solos de Teresa Solar, Sara Sadik, La Chola Poblete, Jonathas de Andrade, Gabriel Chaile, Federico Herrero, Manuel Solano, Sheroanawe Hakihiiwe, Ad Minoliti, Zheng Bo, Laure Prouvost, Caroline Mesquita, Engel Leonardo, Sol Calero, Naufus Ramirez-Figueroa e Nathalie Du Pasquier, para além de exposições em instituições como CRAC Alsace, Pivô, MAAT, Fundação Arpad Szenes - Vieira da Silva, MACE, Extra City e David Roberts Art Foundation. Em 2022 foi co-curador do Pavilhão de Portugal na 59ª Bienal de Veneza, com um projeto da artista plástica, cineasta e escritora Isadora Neves Marques. Em 2017-2019 foi co-curador da secção Disegni da Artissima, dedicada a desenvolvimentos recentes no desenho, e em 2015-2017 foi co-curador da Zona Maco Sur, a secção de projectos individuais da feira de arte contemporânea da Cidade do México. Para além da sua prática curatorial, Luís Silva tem contribuído para publicações como a Art Review, CURA. e Art Nexus e co-editou a série de livros "Performing the Institution(al)", abordando desenvolvimentos recentes na prática institucional, bem como várias monografias dedicadas à prática de artistas como Mariana Caló & Francisco Queimadela, Naufus Ramírez-Figueroa, Pedro Barateiro, André Guedes e Haris Epaminonda e Daniel Gustav Cramer.Links: https://www.kunsthalle-lissabon.org/ https://www.publico.pt/2021/11/17/culturaipsilon/noticia/pedro-neves-marques-vai-representar-portugal-bienal-arte-veneza-1985374 https://artguide.artforum.com/artguide/kunsthalle-lissabon-7816 https://www.pivo.org.br/en/exhibitions/rollypolly-kunsthalle-lissabon/ https://www.artecapital.net/entrevista-128-luis-silva-kunsthalle-lissabon https://www.andafala.org/Artistas/Joao_Mourao_e_Luis_Silva?site=walktalk&Edicao=2018 https://galeriasmunicipais.pt/programa-publico/conversa-entre-pedro-neves-marques-e-luis-silva/ https://contemporanea.pt/edicoes/04-05-06-2022/vampiros-no-espa%C3%A7o https://www.kunsthalle-lissabon.org/publicacoes/performing-the-institutional-volume-3 https://www.artissima.art/en/artissimalive-disegni-luis-silva-e-joao-mourao/ https://www.serralves.pt/en/atividades-serralves/23-jul-visita-orientada-carla-filipe/ https://iisforinstitute.icaphila.org/posts/conversation-with-joao-murao-and-luis-silva-kunsthalle-lissabon-part-i Episódio gravado a 04.12.2023 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa

On Friday's show: Gov. Greg Abbott traveled to Israel yesterday to show support amid the war on Hamas. The trip comes after a quick turn of events during when the governor said he believed the legislature could pass a school vouchers bill before the end of the special session. But, merely hours later, the bill had been almost completely stalled by the House. We learn why. Also this hour: We talk with the filmmakers behind the documentary Three Chaplains, which tells the story of Muslim chaplains in the U.S. military. The film can be seen Nov. 7 at 11 p.m. on Houston Public Media, TV 8. Then, we break down The Good, The Bad, and The Ugly of the week. And composition students at Rice University write pieces in response to artist Laure Prouvost's solo exhibition at the Moody Center for the Arts.

Recorded live at e-flux Screening Room on Tuesday, September 5, 2023 during a retrospective screening of selected works by Laure Prouvost. The pre-screening introduction by Amal Issa and Laure Prouvost is followed by a conversation between the artist and writer-curator Kathy Noble. The screening portion of the program featured a selection of works spanning the last decade: OWT (2007, 3 minutes), Finger Point Green (2010, 3 minutes), They Parlaient Idéale (29 minutes, 2019), Every Sunday, Grandma (2022, 7 minutes), OMA JE (You, My, Omma, Mama, Shadow Does, and A Walking Story) (2023, 22 minutes). Language—in its broadest sense—permeates the video, sound, installation, and performance work of Laure Prouvost. Known for her immersive and mixed-media installations that weave in film in humorous and idiosyncratic ways, Prouvost's work addresses miscommunication and ideas becoming lost in translation. Playing with language as a tool for the imagination, Prouvost is interested in confounding linear narratives and expected associations among words, images, and meaning. She combines existing and imagined personal memories with artistic and literary references to create complex works that muddy the distinction between fiction and reality. At once seductive and jarring, her approach to filmmaking employs layered storytelling, quick edits, montage, and wordplay, and is composed of a rich, tactile assortment of images, sounds, and spoken and written phrases.    Laure Prouvost (b. 1867, Lieumeconu, France) lives and works. Here a long list of museums and institutions. A line, interesting things, a coma, a line, a list of residencies and prizes. A selection of solo projects including: an Oma-je in Vienna, a flying Grandma in Oslo, Esmé Blue in Busan, Helsinki, and Madrid, an elastic arm hold in tight in Copenhagen, a Swallowing and Breathing in Eindhoven, a Smoking Mother in Copenhagen, a Melting Into Another in Lisbon and Sonsbeek, an Occupied Paradise in Aalst, Deep See Blue Surrounding You in Venice, Toulouse, and Lille, a Waiting Room with objects in Minneapolis, a New Museum for Granddad in Milano, a tearoom for Grandma in Derry, a karaoke room in Brussels, a new octopus ink vodka bar for Gregor in Rotterdam, A travel agency for an Uncle in Frankfurt, a lobby for love among the artists in the Hague and Luzern… tea bags, and wet floors and tentacules. Kathy Noble is a curator and writer based in New York, currently working as Senior Curator at Performa. There she previously served as Senior Curator and Head of Curatorial Affairs to oversee the program and curated numerous commissions. As Curator, Interdisciplinary, at Tate Modern she co-curated Tate Modern Live, The Long Weekend Festival, and Art in Action, the first program in The Tanks spaces. In 2016 she launched the inaugural Art Night festival with the Institute of Contemporary Arts, London, presenting ten site-specific projects at venues across Westminster. She has published numerous essays in books and magazines such as Artforum, frieze, and Mousse Magazine.

On Tuesday's show: The energy transition -- we see incremental changes here and there in our daily lives, like more electric cars on the road. But is that transition happening fast enough for us to meet our climate change goals? We learn what a new report has to say. Also this hour: Former U.S. Senator Russ Feingold discusses efforts to establish a constitutional convention, why we should pay attention to that movement, and how, if it succeeds, it could lead to radical changes in our system of government. Feingold is the co-author of a new book called The Constitution in Jeopardy, which he'll discuss at Brazos Bookstore on Friday. Then, perhaps you've heard of "quiet quitting" – the trend of some employees doing just the absolute bare minimum required to keep their job. Well, there's an employer trend out there called "quiet cutting" – it involves moving employees around into new roles or hours in the hopes they'll eventually quit so you don't have to pay severance. It's rife with ethical and sometimes legal ramifications as we learn from a local HR expert. And French artist Laure Prouvost talks about her new exhibition at the Moody Center for the Arts at Rice University, featuring surrealist installations that evoke the natural world and the environmental challenges we place on it.

Birds and cats is the ninth episode that follows a conversation with artist Laure Prouvost. The title of this podcast stems from one of the first questions Sonia Fernández Pan, the curator of this podcast asked Laure Prouvost during the conversation, inspired by the multiple characters Laure embodies through her projects. Her answer to the question about who she would like to be if she wasn't herself was "a bird", commenting on this animal's ability to fly. Sonia added that she would like to be a cat, perhaps because one of its great talents is the daily right to laziness in a world where life works relentlessly. They ended the conversation by returning to our animal relationship as bird and cat, with Laure flirting with the possibility that one catches and eats the other.  In the many biographies that Laure Prouvost has written about herself over the years the artist strays from traditional artist biographies, describing her work according to the narrative and experiential drive of her projects and her way of naming them to ones where the institutional curriculum is replaced by a list of situations that her projects were able to create: Melting Into Another, an Occupied Paradise, Deep See Blue Surrounding You, a Waiting Room with objects, a New Museum for Grand Dad, A tearoom for Grand Ma, a lobby for love among the artists… Within these places we are no longer an impersonal audience, but characters who enter temporal worlds where fiction becomes materially present and real. The difference between fiction and lying is a question Sonia Fernández Pan also shared with Laure Prouvost, inspired by how she never fully reveals what is fiction and what is not in her work. The storytelling surrounding her artistic practice is another element of her work, strategically confusing spheres that the traditional art system insists on keeping apart. This conversation with Laure Prouvost took place in April 2022 in separate places. Sonia Fernández Pan was listening to Laure Prouvosts words from the computer and paying attention to the sound of the strokes of a drawing that Laure brought into their meeting. There are many similarities between writing and drawing. Both arise from the body; both produce a physical and intimate relationship between head and hands. The strokes of Laure's drawing added sound textures to her words. To listen to her voice and strokes, come in and enjoy.

Birds and cats is the ninth episode that follows a conversation with artist Laure Prouvost. The title of this podcast stems from one of the first questions Sonia Fernández Pan, the curator of this podcast asked Laure Prouvost during the conversation, inspired by the multiple characters Laure embodies through her projects.  Her answer to the question about who she would like to be if she wasn't herself was "a bird", commenting on this animal's ability to fly. Sonia added that she would like to be a cat, perhaps because one of its great talents is the daily right to laziness in a world where life works relentlessly. They ended the conversation by returning to our animal relationship as bird and cat, with Laure flirting with the possibility that one catches and eats the other.  In the many biographies that Laure Prouvost has written about herself over the years the artist strays from traditional artist biographies, describing her work according to the narrative and experiential drive of her projects and her way of naming them to ones where the institutional curriculum is replaced by a list of situations that her projects were able to create: Melting Into Another, an Occupied Paradise, Deep See Blue Surrounding You, a Waiting Room with objects, a New Museum for Grand Dad, A tearoom for Grand Ma, a lobby for love among the artists… Within these places we are no longer an impersonal audience, but characters who enter temporal worlds where fiction becomes materially present and real. The difference between fiction and lying is a question Sonia Fernández Pan also shared with Laure Prouvost, inspired by how she never fully reveals what is fiction and what is not in her work. The storytelling surrounding her artistic practice is another element of her work, strategically confusing spheres that the traditional art system insists on keeping apart. This conversation with Laure Prouvost took place in April 2022 in separate places. Sonia Fernández Pan was listening to Laure Prouvosts words from the computer and paying attention to the sound of the strokes of a drawing that Laure brought into their meeting. There are many similarities between writing and drawing. Both arise from the body; both produce a physical and intimate relationship between head and hands. The strokes of Laure's drawing added sound textures to her words. To listen to her voice and strokes, come in and enjoy.

“À mains nues“Exposition de la collection 2022-2023au MAC VAL, musée d'art contemporain du Val-de-Marne, Vitry-sur-Seineà partir 9 janvier 2022, pour toute l'année 2022 et jusqu'à la fin de 2023Interview de Alexia Fabre, directrice du MAC VAL,par Anne-Frédérique Fer, à Vitry-sur-Seine, le 20 janvier 2022, durée 15'37.© FranceFineArt.Communiqué de presse Commissariat : Alexia Fabre, directrice du MAC VALPour entamer 2022 sous les meilleurs auspices, le musée départemental du Val-de-Marne invite ses visiteurs à partir de début janvier et pendant toute l'année, à une plongée vivifiante dans l'art le plus actuel. Sous l'intitulé de « À mains nues », la nouvelle exposition de la collection du MAC VAL poursuit l'exploration de l'humain en rassemblant des œuvres récentes ou plus anciennes d'artistes illustrant la vivacité de la création contemporaine autour du fil conducteur du corps, de son langage, de son pouvoir et de sa puissance de réinvention. Toutes les œuvres présentées évoquent la réinvention de soi, le futur qu'il appartient à chacun de créer, à mains nues. Après l'expérience partagée de la pandémie, d'empêchement de l'autre, de son contact, du violent constat de la fragilité corporelle et du statut de corps vivant, pour cette nouvelle proposition le MAC VAL a souhaité cette fois se projeter dans le futur en l'envisageant avec désir, élan et espoir.Les œuvres ici réunies racontent d'une part la corporéité et son langage, les fluides vitaux, les membres, dont les mains, qui incarnent la question de la réinvention de soi contre la réalité, la fatalité ou les déterminismes sociaux. La fiction, le récit, la mise en scène, le travestissement sont autant de stratégies mises en œuvre par les artistes pour engager cette réinvention, douce, déterminée ou plus guerrière. L'adresse à l'autre, à son regard comme à son corps est au cœur des œuvres, à travers la fabrication de sa propre image, portraits ou autoportraits qui résonnent ainsi avec les phénomènes historiques et contemporains de l'invention de soi.Point saillant de l'exposition, l'artiste Gaëlle Choisne, invitée par Alexia Fabre pendant toute cette année 2022, introduit le vivant dans les salles du musée : elle accueille le corps des visiteurs comme sujet même du projet et met en œuvre le principe d'hospitalité, colonne vertébrale de la programmation du musée, afin de l'envisager et d'en prendre soin.Avec les artistes : Boris Achour, Pierre Ardouvin, Bianca Argimón, Kader Attia, Élisabeth Ballet, Jean-Luc Blanc, Éric Baudart, Nina Childress, Gaëlle Choisne, Clément Cogitore, Mathilde Denize, Angela Detanico et Rafael Lain, Edi Dubien, Mario D'Souza, Mimosa Echard, Éléonore False, Sylvie Fanchon, Valérie Favre, Esther Ferrer, Nicolas Floc'h, Mark Geffriaud, Shilpa Gupta, Kapwani Kiwanga, Thierry Kuntzel, Emmanuel Lagarrigue, Ange Leccia, Natacha Lesueur, Annette Messager, Marlène Mocquet, Charlotte Moth, Frédéric Nauczyciel, Romina de Novellis, Melik Ohanian, Bruno Perramant, Françoise Pétrovitch, Abraham Poincheval, Laure Prouvost, Judit Reigl, Jean-Luc Verna, Catherine Viollet, We Are The Painters… Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

ART EXPO NEWS - Décrochage bruxellois mercredi et vendredi à 9h10 et 12h10. Chronique animée par Julie Gabrielle Chaizemartin, Stéphane Dubreil ou Paul Ernst sur l'actualité des expositions et des manifestations culturelles. Ce mois-ci, Paul Ernst nous parle des oeuvres de Laure Prouvost (lauréate du Turner Prize en 2013, l'artiste a représenté la France lors de la 58e Biennale de Venise en 2019) que le public belge à pu découvrir récemment. Notamment une grande pieuvre échouée sur la Plage de La Panne dans le cadre de la Triennale Beaufort 21 (visible jusqu'au 9 novembre) ou encore lors des Nuits Sonores organisées à Bozar à Bruxelles par le collectif lyonnais Arty Farfy début octobre.

Ona Lozuraitytė ir Petras Išora – architektai, kuriantys tiltus. Tikrus ir metaforiškus. Tai ir garsusis ekologinis tiltas Seule, Pietų Korėjoje, tarsi miško kelias, 2017 m. tarptautinio konkurso laureatas, ir naujai statomas Užvingio salos tiltas Vilniuje, tarp Vingio parko ir Litexpo, kurį projektuojant galvota ne tik apie pėsčiuosius ir dviratininkus, bet ir apie varles. Ona ir Petras buvo vieni iš Baltijos paviljono Venecijos architektūros bienalėje (2016) kuratorių, Nacionalinės dailės galerijos (NDG) pastovios XX a. II pusės – XXI a. ekspozicijos architektai, sukūrė parodos „Protesto menas: sovietmečio nepaklusnieji“ Radvilų rūmuose architektūrą, kuravo parodą „Formuojant peizažą“ apie Vilniaus kraštovaizdžio kaitą NDG (2017), bendradarbiavo su menininkais Laure Prouvost, Pakui Hardware, Žilvinu Landsbergu ir kt. Jų erdvės formavimo principus galima gyvai stebėti kultūros komplekse SODAS 2123, kur keičiasi ne tik interjeras ir eksterjeras, bet ir atveriami miesto istorijos klodai panaudojant buvusių Profsąjungų rūmų kolonas ir laiptus. Daugiau apie architektų projektus: www.ail.ltVed. Laima Kreivytė.

Je suis très heureuse de vous retrouver pour cette nouvelle saison de Femmes d’art. J’espère que vous avez passé un bel été et que vous êtes bien reposé.e.s. Si vous écoutez Femmes d’art pour la première fois, sachez qu’il vous reste 20 épisodes à rattraper. Si vous êtes un.e habitué.e du podcast, et que vous aimez ces entretiens, n’hésitez pas à me le dire, en ajoutant cinq étoiles sur votre plateforme d’écoute préférée, ou en me laissant un commentaire. Vous pouvez aussi me suivre sur Instagram : @femmesdart_ (ou via le lien en bas de cette note). Cette semaine pour le premier épisode de la saison 2, je vous emmène à la rencontre d’une femme au parcours et à la carrière impressionnants. On dit d’elle qu’elle est une business woman, qu’elle est passionnée et qu’elle a un véritable flair… Nathalie Obadia sait où elle va, elle sait aussi ce qu’elle veut. Très jeune, ses parents, collectionneurs, l’embarquent dans les foires, dans les galeries, une enfance qui lui inspire sa future carrière professionnelle : Nathalie sera galeriste. Une voie qu’elle suit aujourd’hui depuis 27 ans. Et avant de se lancer dans les études de droit et Sciences-Po, Nathalie Obadia a une conviction chevillée au corps : elle ouvrira sa propre galerie, avant ses trente ans. Moins de cinq ans après ses débuts aux côtés du galeriste Daniel Templon, elle ouvre effectivement son propre espace, et représente des artistes en lesquels elle croit, fait ses choix, quand bien même ceux-ci iraient à l’encontre des canons du marché de l’art de l’époque. Aujourd’hui, Nathalie Obadia représente des artistes de renom, qu’elle suit pour la plupart depuis des années… parmi lesquels de nombreuses femmes : Laure Prouvost, Fiona Rey, Rina Banerjee, Carole Benzaken ou encore Shirley Jaffe. Sa voix est énergique, son débit, rapide… Et ses convictions artistiques contagieuses. Vous verrez, c’est passionnant ! Je ne vous en dis pas plus, le reste est dans l’épisode. Bonne écoute ! • Pour en savoir plus sur la galerie et sur Nathalie Obadia : https://www.nathalieobadia.com/ Et pour être informé.e.s des prochaines expositions : https://www.nathalieobadia.com/exhibitions.php • Crédits : Femmes d’art est un podcast produit et réalisé par Marie-Stéphanie Servos Musique libre de droits www.femmes-dart.com www.instagram.com/femmesdart_ Contact : femmesdart@gmail.com

(2 de marzo 2020) Contingencia, Top 50 de películas, Laure Prouvost.

Après sept semaines de fermeture, les galeries d’art ont ouvert leurs portes la semaine dernière en France. Quel impact a eu la pandémie du coronavirus et comment se dessine l’avenir ? Dans le quartier du Marais, à Paris, non loin du Centre Pompidou, se concentrent nombre de galeries d’art contemporain. La Galerie Thaddaeus Ropac, installée d’abord à Salzbourg et récemment à Londres, fête ses 30 ans cette année à Paris. La galerie défend plus particulièrement des artistes germaniques et américains et s’ouvre de nouveau aux collectionneurs et visiteurs, après avoir tenté de garder le contact par Internet. « Autant les médiums en ligne qui se sont développés sont formidables, mais ils ne remplaceront jamais la physicalité des œuvres », affirme Bénédicte Burrus, la directrice de la galerie. Des artistes plus autonomes ? Nathalie Obadia dispose de deux espaces dans le Marais à Paris et un autre à Bruxelles. Elle défend beaucoup d’artistes français dont Laure Prouvost qui a représenté la France à la Biennale de Venise l’année dernière. Selon Obadia, c’est justement une certaine frange d’artistes qui sera aujourd’hui privilégiée : « Nous allons avoir peut-être un peu plus d’artistes qui sont autonomes dans leur processus de création. Donc, ce sont les peintres, les dessinateurs, les sculpteurs... Ceux qui n’ont pas été obligés d’être dépendant d’ateliers de production extérieurs. Ceux qui ne sont pas obligés d’avoir des coûts de production très importants. » « Il faut du temps pour regarder une œuvre d'art » Avant la pandémie, la mondialisation battait son plein et le marché de l’art n’avait pas de frontières. Baudoin Lebon, qui privilégie la photographie dans sa galerie, doute de l’intérêt des foires à profusion. « Depuis quelques années, effectivement, le nombre de foires, 300 ou 400 dans le monde, ce n’est plus possible, parce qu’il faut du temps pour regarder une œuvre d’art, il faut des explications. Ce n’est pas en voyant mille ou deux mille œuvres dans la journée qu’on peut acheter une œuvre. Du coup, cela a provoqué de plus en plus de produits "flashy", faciles à regarder, et qui ont tourné l’art à autre chose : plus vers le design ou l’art décoratif que vers l’art, même si je radicalise un peu... » La crise et la solidarité À terme, la crise aura-t-elle un impact sur l’existence des multiples foires d’art ? En tout cas, aujourd’hui, elle affecte les galeries en général, et bien sûr les plus jeunes sont les plus touchées. « Il y a de très belles initiatives qui se sont mis en place, par exemple l’hébergement en ligne de jeunes galeries, explique Bénédicte Burrus. Nous, nous avons décidé d’accueillir Jeune création, une association d’artistes, en septembre, à Pantin. Cela va leur permettre de montrer et éventuellement vendre leur travail. Je trouve que c’est aussi un aspect important de cette crise : la solidarité. » Une solidarité qui sauvera peut-être les plus vulnérables. ► À lire aussi : L’espace virtuel du Jeu de Paume: «Il n’y aura pas de retour en arrière» ► À lire aussi : Arts: «créer de nouvelles croyances pour résister au monde actuel» ► À lire aussi : «L’art est absolument crucial», le Centre Pompidou au temps du coronavirus ► À lire aussi : «Congo in Conversation» de Finbarr O’Reilly, lauréat du prix Carmignac ► À lire aussi : L’extérieur e(s)t l’intérieur, la photographie au temps du coronavirus

Mark Manders heeft een overzichtstentoonstelling in het Bonnefantenmuseum in Maastricht. Cultuurfilosoof Stéphane Symons verdiept zich in 'De kunst van het vergeten'. Elisé Dupré trok naar Netwerk Aalst, waar Laure Prouvost en Alex Cecchetti een bijzondere omgeving creëren.

L'artiste contemporaine Laure Prouvost et la commissaire d'exposition Martha Kirszenbaum, duo à l'origine du pavillon français de la Biennale de Venise 2019 sont les invitées du premier épisode du cycle L'art & La Poudre en partenariat avec l'association Aware. Avec Lauren Bastide, elles ont parlé d'art, de femmes et de poulpe.L'édito de Lauren :L'art n'a pas de nation. L'art n'a pas de temps. L'art n'a pas de sexe. Ou si ? En mai, après l'ouverture de la Biennale, à Venise, l'eau s'est mise à monter. Je suis allée sur le toit du pavillon français. J'ai embarqué dans un bateau, avec deux femmes. C'était Laure Prouvost, l'artiste, et Martha Kirszenbaum, la commissaire. Grandes, lumineuses, musclées, invincibles, belles… On a vogué des jours. On a vogué des nuits. On a atteint une île et on a accosté. Sur le sol, au bord de l'eau, des micros. On s'est assises, et on a parlé. Résumé de l'épisode :Quelle place pour les femmes dans l'art contemporain ? Comment les artistes françaises entrent-elles dans les musées, les foires et prix internationaux, les institutions ? Laure Prouvost, née en 1978 à Croix, est l'une des artistes contemporaines les plus reconnues de sa génération. Avec Martha Kirszenbaum, jeune commissaire d'exposition née en 1983 à Vitry-sur-Seine, elle a réalisé le pavillon français à la Biennale de Venise 2019. L'œuvre qui en a résulté, Deep Sea Blue Surrounding You (Vois ce bleu profond te fondre) est un voyage sensoriel et initiatique, l'épopée mystique et transfrontalière d'une douzaine de personnages, de la banlieue parisienne à la lagune vénitienne. Toutes deux passées par un parcours international (05:15), elles revendiquent la liberté que leur a apporté ce changement de paradigme (09:30) et le questionnement sur les identités et les frontières qu'il entraîne. Un questionnement qui fait partie intégrante de leur proposition à la Biennale (10:06). Elles ont pourtant grandi en France : Laure Prouvost dans le Nord (18:32), une enfance campagnarde et réfractaire à l'autoritarisme du système scolaire, et Martha Kirszenbaum en région parisienne (22:46), entre classicisme versaillais et parents moins conventionnels.C'est l'Angleterre qui accueille Laure Prouvost dès ses débuts et lui remet le prix Turner. Elle devient ainsi la première française à recevoir cette prestigieuse récompense pour une œuvre qui, déjà, questionnait les frontières et les moyens de les contourner (31:39). Pour Martha, ce sont les États-Unis qui lui offrent la possibilité de diriger un centre d'exposition, alors qu'elle manquait de modèles de femmes commissaires d'exposition dans son pays d'origine (26:00).Au-delà de ces problématiques géographiques, Laure Prouvost évoque au micro de Lauren Bastide sa propre féminité (39:24) mais aussi sa mise en scène du corps féminin dans ses œuvres (43:00). Sensibles à la place des femmes et à leur représentation dans l'art, elles sont d'ailleurs toutes les deux signataires de l'appel « Not suprised » qui dénonce les violences sexuelles dans le monde de l'art (55:57). Un monde où les femmes peinent encore à trouver leur place et un équilibre entre vie privée et vocation (1:01:25).Bonne écoute, et continuez de faire parler La Poudre ! Les extraits sonores et les morceaux de Lafawndah et Flavien Berger que vous entendez dans l'épisode sont extraits de l'œuvre Deep Sea Blue Surrounding You (Vois ce bleu profond te fondre). Merci à Laure Prouvost pour son autorisation.La Poudre est une émission produite par Nouvelles ÉcoutesRéalisation et générique : Aurore Meyer-MahieuProgrammation et coordination : Gaïa MartyMixage : Clotilde Fauchille

durée : 00:28:16 - La Grande table (1ère partie) - Alors que la 58ème Biennale d'art de Venise s'est ouverte le 11 mai, la vidéaste et plasticienne Laure Prouvost a investi le pavillon français. Elle nous parle de son installation tentaculaire, immersion dans un univers aquatique et sensuel.

durée : 00:28:16 - La Grande table (1ère partie) - Alors que la 58ème Biennale d'art de Venise s'est ouverte le 11 mai, la vidéaste et plasticienne Laure Prouvost a investi le pavillon français. Elle nous parle de son installation tentaculaire, immersion dans un univers aquatique et sensuel.

Ben Luke and Jane Morris review the main exhibition and we speak to the artists Laure Prouvost and Dominique Gonzalez-Foerster about their works in the show. Plus, we talk about climate change and the challenges Venice is facing as the surrounding waters rise. See acast.com/privacy for privacy and opt-out information.

Au sommaire : L'instantané de la semaine Les chroniqueurs évoquent la photo marquante de la semaine et proposent cinq mots clefs sur le compte Instagram de l'émission. Capitaine Maalouf L'écrivain franco-libanais Amin Maalouf, élu à l'Académie française en 2011, a reçu à Bruxelles le prix international Nessim-Habif, décerné par l'Académie royale belge de langue et de littérature françaises, pour l'ensemble de son oeuvre. Amin Maalouf est également de retour avec un essai intitulé « Le Naufrage des civilisations ». Une expo flamboyante Le musée national Jean-Jacques Henner accueille l'exposition Roux ! De Jean-Jacques Henner à Sonia Rykiel. À découvrir jusqu'au 20 mai 2019 à Paris. Entretien avec Martha Kirszembaum Elle est la commissaire du pavillon français de la Biennale d'art et d'architecture de Venise, du 11 mai au 24 novembre 2019. Martha Kirszembaum nous parle de la plasticienne et vidéaste Laure Prouvost qui représente la France à l'occasion de cette 58e édition. Du documentaire à la fiction Le Français Emmanuel Hamon a été assistant de Maurice Pialat et de Patrice Chéreau avant de réaliser des documentaires politiques. Dans « Exfiltrés », son premier long-métrage, il raconte le parcours d'une jeune femme qui quitte volontairement la France avec son fils, pour rejoindre la Syrie, et le combat de son mari pour les faire revenir. Un film inspiré de faits réels. Invitée : Martha Kirszembaum, commissaire du pavillon français de la Biennale d'art et d'architecture de Venise. Présentation : Guillaume Durand. Avec la participation de Michel Cerutti (RTS), Sylvestre Defontaine (RTBF), Myriam Fehmiu (Radio-Canada), Laura Tenoudji (France Télévisions), Slimane Zeghidour (TV5MONDE), Estelle Martin (TV5MONDE). Depuis la Fondation d'entreprise Louis Vuitton à Paris.

Nicky Aerts presenteert u vandaag de Brusselse Biënnale voor Performancekunst Performatik, de tentoonstelling van Laure Prouvost in M HKA en de Nietzsche-biografie 'Ik ben dynamiet'.

Michael Petry, author, artist and Director of the Museum of Contemporary Art in London talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about his new book “The Word Is Art” that addresses how contemporary global artists incorporate text and language into their works that speaks to some of the most pressing issues of the 21st century. In the digital and online age words have become more important than ever with text becoming information and information striving to become a free form of expression. “The Word Is Art” looks at the work of a diverse range of artists including Annette Messager, Barbara Kruger, Cerith Wyn Evans, Christian Marclay, Christopher Wool, Chun Kwang Young, eL Seed, Fiona Banner, Ghada Amer, Glenn Ligon, Harland Miller, Jenny Holzer, Kay Rosen, Laure Prouvost, Martin Creed, Rachel Whiteread, Raymond Pettibon, Roni Horn, Tania Bruguera, Zhang Huan and many more interpreting how the digital and online age have made words more important than ever. “The Word Is Art” takes us on a fascinating and richly illustrated tour interpreting these trending global art forms. We talked to Michael about his inspiration for creating this book and his spin on our LGBTQ issues. When asked what his personal commitment is to LGBTQ civil rights Petry stated, “I’m one of the ancients who’s been around fighting for LGBTQ rights since the early eighties and I’ve been involved in so many different ways over the years. I consider myself queer because I think that is a broader term that for me represents who I am and what I think and part of that commitment as a queer who is an artist and who also is an author and a curator is to try and bring queer artists to the foreground of the art world. We only have to think back a few years to realize that LGBTQ artists were very marginalized and that’s still the case for many people. In the LGBTQ movement every year I curate a Pride Exhibition in London which I really hope to introduce LGBTQ artists not only to that community but to the straight community and I work within all the structures that are available whether that’s museums or the corporate structure to get that recognition for LGBTQ people because I think what is at issue in the broader political sphere is this notion of fear. Fear of others and of course that fear is not limited to the general public. It’s also in the art world.” Michael Petry has written a number of books, including “Installation Art”, “The Art of Not Making: the new artist/artisan relationship”, “Nature Morte: Contemporary Artists Reinvigorate the Still-Life Tradition” and his most recent work “The Word Is Art” all published by Thames & Hudson. In 2019 he will be speaking and exhibiting his work worldwide.For More Info: michaelpetry.com Hear 450+ LGBT Interviews @OUTTAKE VOICES

Flat Time house located at 210 Bellenden Road, Peckham, London is the former studio and home of John Latham (1921-2006) a pioneer of British conceptual art, who, through painting, sculpture, performances, assemblages, films, installation and extensive writings, fuelled controversy and continues to influence artists today. Latham transformed 210 Bellenden Road into a ‘living sculpture’ in 2003, naming it Flat Time House (FTHo) after his theory of Flat Time. A giant cantilevered book emerges through the glass facade of the building and onto the street. Inside, Latham designated specific rooms with anthropomorphic attributes of the living body, with the intention of communicating to visitors that Flat Time House exists as a living sculpture to be navigated as both a physical and metaphorical entity. Until his death in 2006, Latham opened his door to anyone interested in thinking and talking about art. In 2008, the Latham family opened Flat Time House to the public as a gallery, an artist’s residency and centre for alternative learning that is currently under the direction of Gareth Bell-Jones. Flat Time house operates as a discursive space to explore John Latham’s practice, his theoretical ideas and their continued relevance today. Gareth Bell-Jones (b. 1982) is the curator/director of Flat Time House. After graduating from the MA in Curating Contemporary Art at the RCA in 2010 he worked as curator for Wysing Arts Centre, Cambridge, for four and a half years. There he curated residencies, exhibitions, retreats, events, publications and an annual music festival with artists such as Ed Atkins, Michael Dean, Gustav Metzger, Elizabeth Price, Keren Cytter and Cally Spooner. From 2010-14 he was a regular visiting tutor to the RCA, Curating Contemporary Art Department. Previously he was curator of Tricycle Gallery, London from 2007-09. He has recently written catalogue texts for artists including Laure Prouvost, Marlie Mul, Barbara Visser and Agata Madejska. Lisson...ON AIR is written and presented by Hana Noorali

Marie-Eve Lafontaine meets Margot Norton in this illuminating and insightful conversation covering the prolific curator's journey to the New Museum, where she has curated the current Sarah Lucas exhibition. Norton joined the New Museum in 2011 as an assistant curator, and today, having risen to the post of Curator, has worked on “Here and Elsewhere”, “NYC 1993: Experimental Jet Set, Trash and No Star". She's also collaborated on projects involving Chris Ofili, Ragnar Kjartansson and Laure Prouvost.

The second episode within the Lisson…ON AIR series of podcasts is focused on the sound work and the collaborative music endeavours of Laure Prouvost. It will air during her inaugural exhibition at Lisson Gallery that is taking place at our 10th Avenue gallery space in New York. Lisson presents… ON AIR is written and made by Hana Noorali. The episode includes the following track list: This Voice is a Big Whale, 2013 Sound work by Laure Prouvost We are Waiting for you, 2017 Lyrics by Sam Belinfante & Laure Prouvost Music by Eli Keszler This song was co-commissioned by The Walker, Minneapolis, USA and EMPAC/Rensselaer, Troy, NY, USA and was included in Laure Prouvost’s performance for stage at both of these institutions. Tea-song, 2014 Lyrics by Laure Prouvost Music by Dan Aran Grand dad, 2010 Lyrics by Laure Prouvost Music by Sal Cemolonskas UKstaywithusEU, 2018 Lyrics by Laure Prouvost & Nick Aitkens Music by Frederick Macpherson This song was commissioned by the Van Abbemuseum, Eindhoven, Netherlands in 2017. Image: Laure Prouvost, Monteverdi ici, (detail) 2018, HD video, Dimensions variable 5 minutes 53 seconds Courtesy the artist and Lisson Gallery

Worlds within worlds - Matthew Sweet talks to filmmaker and author Neil Jordan about his new novel Carnivalesque, which features a hall of mirrors and stolen children. He makes a tour of Flat Time House in south London and speaks to the Turner Prize-winning artist Laure Prouvost and curator Gareth Bell-Jones about the house's creator, the pioneering British conceptual artist John Latham (1921-2006). And to round things off, he ventures into the lush green world of the Teletubbies with broadcaster Samira Ahmed and child psychologist Sam Wass to explore the show's enduring fascination twenty years after it first appeared on television.Neil Jordan's latest novel is called Carnivalesque. A World View: John Latham is on at London's Serpentine Gallery from March 2nd to May 21st and includes a series of events at http://flattimeho.org.uk/Producer: Zahid Warley

Art critic for The Times Rachel Campbell-Johnston profiles the work of Laure Prouvost, winner of the Turner Prize 2013. Theatre critic Mark Shenton and Dr Caroline Warman review a new staging of Leonard Bernstein's Candide, choreographed by former Royal Ballet star Adam Cooper. Writers Hermione Lee and Simon Garfield discuss the insight personal letters give into writers' lives and creative processes. And Night Waves reflects on how experimental band Can melded the ideas of Karlheinz Stockhausen and free jazz to revolutionise 60s' German pop.

Mark Lawson presents a special programme from Derry~Londonderry, UK City of Culture 2013. This year's Turner Prize for contemporary art is on show in Derry~Londonderry and features artists Tino Sehgal, Laure Prouvost, David Shrigley and Lynette Yiadom-Boakye. David Shrigley and Laure Prouvost discuss their work and critic Philip Hensher delivers his verdict on the show. Derry-based writer Jennifer Johnston was shortlisted for the Booker Prize for her novel Shadows on Our Skin. Her Three Monologues, in response to The Troubles, are being performed as part of the City of Culture celebrations and her new novel A Sixpenny Song is published this month. She discusses the impact of the 2013 celebrations on the atmosphere in the city. Gerald Barry's comic opera The Importance of Being Earnest is being performed in Derry this week and then in Belfast, Cork and Dublin later in the year. He explains how he went about filleting Oscar Wilde's text and why Lady Bracknell was always going to be cast as a basso profondo. The inaugural City of Derry International Choral Festival is being hosted by local chamber choir Codetta. The festival's artistic director Dónal Doherty and soprano Laura Sheerin discuss how it feels to be taking part. Producer Ellie Bury.