Podcasts about Luigi Cherubini

durée : 00:27:36 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, de l'opéra : "L'Or du Rhin" de Wagner, dirigé par Pablo Heras-Casado et mis en scène par Calixto Bieito et "Médée" de Luigi Cherubini, dirigé par Laurence Equilbey et mis en scène par Marie-Ève Signeyrole. - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Emmanuelle Giuliani Journaliste à La Croix

Luigi Cherubini (1760 - 1842) - Sinfonia in re maggiore (1815)1.       Largo - Allegro                                                [00:05]2.       Larghetto cantabile                                        [10:23]3.       Menuetto: Allegro non tanto - Trio                [18:37]4.       Finale: Allegro assai                                       [23:50] Orchestra Regionale della ToscanaDonato Renzetti, conductor

Eine tief enttäuschte Frau mordet sich den Frust vom Leib - daraus hat der griechische Dichter Euripides eine wegweisende Tragödie gemacht. Luigi Cherubini hat die dann 1797 vertont. Am Mainfrankentheater Würzburg hat "Medea" am Wochenende Premiere gefeiert und ist gut angekommen! Peter Jungblut berichtet vom Premierenabend live im Studio.

"El flexo" de Antonio Lucas y recomendamos: Sostener la nota. Perfiles de música popular (Ed. Debate) de David Remnick, El sacrificio como acto poético (Ed. Continta me tienes) de Angélica Liddell y Con Tango son tres (Ed. Kalandraka) de Justin Richardson y Peter Parnell. En el espacio "Tal vez no lo sabías", con Luismi Pascual, contamos cómo son las vacaciones más curiosas. Y es martes y nos sentamos en "La platea". Esta semana, con Andrés Salado, nos acercamos a la ópera Medea, de Luigi Cherubini, con la participación de la Orquesta de Extremadura y la dirección artística de Paco Azorín, que nos acompaña esta noche. El montaje inaugurará, los días 27 y 29 de junio, la septuagésima edición del Festival de Teatro Clásico de Mérida.Escuchar audio

Esta semana, con Andrés Salado, nos acercamos a la ópera Medea, de Luigi Cherubini, con la participación de la Orquesta de Extremadura y la dirección artística de Paco Azorín, que nos acompaña esta noche. El montaje inaugurará, los días 27 y 29 de junio, la septuagésima edición del Festival de Teatro Clásico de Mérida.Escuchar audio

durée : 01:27:15 - En pistes ! du jeudi 13 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Dans la playlist d'Emilie et Rodolphe ce matin, les œuvres d' Antonio Vivaldi, Robert Morton, Wolfgang Amadeus Mozart, Franz Schubert, Luigi Cherubini, Yüksel Koptagel, Johannes Brahms, nous écouterons également une pièce de la compositrice turque Nazife Aral-Güran. En pistes !

Oggi a Cult : Alberto Bentoglio firma "Maria Callas" (Carocci ed.); a Genova a Palazzo Ducale la prima tappa 2024 di "Segrete tracce di memoria"; Pippo Delbono in scena al Teatro Menotti con "La notte" da Bernard-Marie Koltès; al Teatro alla Scala la nuova produzione di "Médée" di Luigi Cherubini, diretta da Michele Gamba con la regia di Damiano Michieletto...

Luigi Cherubini (1760 - 1842) - Sinfonia in re maggioreLargo. AllegroLarghetto cantabileMinuetto: Allegro non tantoFinale: Allegro assaiOrchestra Filarmonica della ScalaRiccardo Chailly, conductor

Beethoven va admirar altres compositors de la seva generaci

durée : 01:27:52 - En pistes ! du jeudi 07 décembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce jeudi matin, Emilie et Rodolphe vous ont concocté un programme qui met en lumière les œuvres de Reynaldo Hahn, Piotr Ilitch Tchaïkowsky, Luigi Cherubini, mais aussi Georg Friedrich Haendel, sans oublier le compositeur hongrois Béla Bartok. En pistes!

Een muzikale zomerwandeling brengt ons op het pad van Georg Philip Telemann in zijn wereldlijke, zowel als zijn religieuze muziek. De zomer wordt mooi muzikaal beschreven door de Serenade van de Nachtegaal van Enrico Toselli en zo walsen wij de zomer in met een Wals in A van Antonín Dvořák. Vervolgens trekt Klassiekuur de plas over naar de U.S.A. waar George Gerswhin u vergast op Prelude nr 1 voor piano en Summertime. Zomertijd betekent ook tijd voor gebed, voor bezinning en daartoe krijgt u Marialiederen van Luigi Gordigiani en Luigi Cherubini te gehore, mede met een volks Marialied als afsluiter.

Synopsis The thick historical novels of the 19th century French writer Alexandre Dumas, Sr. are packed with some fact and a lot of fiction. Chapter 22 of "The Three Musketeers," for example, set during the 17th century reign of King Louis XIII, begins as follows: "Nothing was talked of in Paris but the ball which the aldermen were to give to the king and queen in which their Majesties were to dance the famous 'La Merlaison' — the favorite ballet of the king. Eight days had been spent preparing for the important evening. The city carpenters erected risers for the guests; the hall would be lit by two hundred huge candles of white wax, a luxury unheard of; and twenty violins were ordered, the price for them double the usual rate, since they would be playing all night." In this case, Dumas was referencing a real event. On today's date in 1635, at Chantilly castle, a gala ballet premiered. It depicted in stylized dance the Louis's favorite activity: hunting the blackbird ("la merlaison" in French). The choreography, the costumes, and music were all created by the King himself—who also danced several of the lead roles. It got a rave review in the press of the day. If there were any critics, we suspect Cardinal Richelieu, the dreaded power behind the throne in Dumas's novel—and in real life—had them hauled off and "dealt with." Ah yes, it's good to be King. Music Played in Today's Program Louis XIII Roi de France (1601 - 1643) Ballet de la Merlaison Ancient Instrument Ensemble of Paris; Jacques Chailley, conductor. Nonesuch LP H-71130 On This Day Births 1835 - Austrian composer and conductor Eduard Strauss, in Vienna; He was the youngest son of Johann Strauss, Sr.; 1864 - Norwegian composer, conductor and violinist Johan Halvorsen, in Drammen; 1901 - American composer Colin McPhee, in Montréal, Canada; 1926 - American composer Ben Johnston, in Macon, Ga.; 1928 - American composer Nicolas Flagello, in New York City; Deaths 1842 - Italian composer Luigi Cherubini, age 81, in Paris; 1918 - French composer Lili Boulanger, age 24, in Mezy; 1942 - Austrian composer Alexander von Zemlinsky, age 70, in Larchmont, N.Y.; Premieres 1807 - Beethoven: Symphony No. 4 (first public performance), in Vienna, at a benefit concert conducted by the composer; 1885 - Franck: symphonic poem "Les Dijinns" (The Genies), in Paris; 1897 - Rachmaninoff: Symphony No. 1 (Gregorian date: Mar. 27); 1908 - Ravel: "Rapsodie espagnole" (Spanish Rhapsody), in Paris; 1911 - Scriabin: Symphony No. 5 ("Prometheus: Poem of Fire"), in Moscow, conducted by Serge Koussevitzky and with the composer performing the solo piano part (Julian date: Mar. 2); 1981 - Stockhausen: opera "Donnerstag, aus Licht" (Thursday, from Light), in Milan at the Teatro alla Scala; This is one of a projected cycle of seven operas, each named after a day of the week; 1994 - Peter Maxwell Davies: "Chat Moss" (the name of a quagmire in Lancashire) for orchestra, in Liverpool by the orchestra of St. Edward's College, John Moseley conducting; 2000 - Corigliano: "Mr. Tambourine Man: Seven Poems of Bob Dylan," at Carnegie Hall, by soprano Sylvia McNair and pianist Martin Katz; An orchestrated version of this song-cycle premiered in Minneapolis on October 23, 2003, with soprano Hila Plitmann and the Minnesota Orchestra conducted by Robert Spano; Others 1895 - Italian tenor Enrico Caruso, age 22, makes his operatic debut at the Teatro Nuovo in Naples, singing the lead tenor role in Domenico Morelli's comic opera "L'Amico Francesco." Links and Resources On Louis XIII

Synopsis If "Entertainment Tonight!" were around in Paris in 1831, they would probably have offered a breathless special edition report on a concert that occurred on today's date that year. Everybody who was anybody was there: from the literary world, the French novelist Victor Hugo, author of "Les Miz," don't you know, and the writer Alfred de Mussett, who they SAY was living in sin with that cross-dressing Baroness, who, despite her sex, went by the name of George Sand. Oh, and the German poet Heinrich Heine was there, and from the music world, three of the leading opera composers of the day: the foreign born Giacomo Meyerbeer and Luigi Cherubini, and popular native son, Jacques Halevy. And who could miss the dashing, lion-maned Hungarian pianist Franz Liszt also seated in the theater? They were all there to witness the Parisian debut of the most charismatic performer of his time, the Italian violinist Nicolo Paganini. It was whispered that the fourth string on his violin was made from the intestine of his mistress, murdered at his own hand, and that he had spent 20 years in prison for the crime, with his violin his sole companion. Others hinted he had actually made a pact with Satan, trading his immortal soul for superhuman virtuosity! He looked like death warmed over, thin and gaunt, but played like a man possessed. Beat THAT, Ozzy Osbourne! Music Played in Today's Program Niccolo Paganini (1782 - 1840) Caprice No. 10 James Ehnes, violin Telarc 80398

Luigi Cherubini (1760 - 1842) - Sinfonia in re maggiore (1815)1.       Largo - Allegro                                                 [00:05]2.       Larghetto cantabile                                       [10:23]3.       Menuetto: Allegro non tanto - Trio        [18:37]4.       Finale: Allegro assai                                       [23:50] Orchestra Regionale della ToscanaDonato Renzetti, conductor

Luigi Cherubini – MedeaMedea, Maria CallasGlauce, Ivana TosiniNeris, Giulietta SimionatoGiasone, Jon VickersCreonte, Nicolai GhiaurovCapitano, Alfredo Giacomottiprima ancella, Edith Martelliseconda ancella, Maddalena BonifaccioCoro e Orchestra del Teatro alla ScalaThomas Schippers, direttore

Podcast 22.11.2022 La Roma dei giovani: Luigi Cherubini

Welcome to the first episode of Front Row Center with host Mike Bolton. For this inaugural podcast, we'll look at Luigi Cherubini's Medea. A work rarely staged in the United States, but the spotlight is on this work as the Metropolitan Opera opens its season with it in a new production starring superstar soprano Sondra Radvanovsky. In S1E1 of Front Row Center, we'll delve into the mythology and Medea with Classics professor Dr. Grace Ledbetter from Swarthmore College. Psychiatrist Dr. Laure Duval talks about women who commit filicide; Milan-based musicologist Dr. Carlo Lanfossi discusses Cherubini and Médée… or Medea; critic and lecturer David Shengold invokes the specter of Maria Callas on this particular opera. Enjoy the view from Front Row Center.

This episode is also available as a blog post: https://thecitylife.org/2022/09/17/works-process-at-the-guggenheim-announces-the-metropolitan-opera-medea-by-luigi-cherubini-september-19-2022-at-730pm/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Festival Ljubljana je letos drugič gostil igralca Johna Malkovicha, ki ga dobro poznamo s filmskih platen, njegovo odrsko ustvarjanje pa sega v same začetke njegove kariere. Napovedali bomo tudi nocojšnja koncerta evropskega mladinskega orkestra in Mladinskega orkestra Luigi Cherubini, ki bosta v portoroškem Avditoriju in ljubljanski Gallusovi dvorani. Foto: Sandi Fišer

Cada mañana nuestro programa “Obras de Cámara” les invita a escuchar una selección del amplio repertorio de composiciones para conjuntos instrumentales escritas por destacados músicos a lo largo de la historia.  Producción y selección realizada por Carolina Valdés.  Lunes a viernes a las 9:30 hrs. en el 95.1 FM y www.radioudec.cl

Synopsis For their February 2013 cover story, the editors of BBC Music Magazine, came up with a list of the 50 most influential people in the history of music.  Bach was on it, as you might expect – but so was Shakespeare. Any music lover can see the logic in that, and cite pieces like Mendelssohn's music for “A Midsummer Night's Dream” or Tchaikovsky's Overture-Fantasy entitled “Romeo and Juliet,” or all the great operas based on Shakespeare's plays, ranging from Verdi's “Falstaff” to a recent setting of “The Tempest” by Thomas Adès. And speaking of “The Tempest,” in New York on today's date in 1981, Sharon Robinson premiered a new solo cello suite she commissioned from the American composer Ned Rorem,  a work titled “After Reading Shakespeare.” “Yes,” says Rorem,  “I was re-reading Shakespeare the month the piece was accomplished… Yet the experience did not so much inspire the music itself as provide a cohesive program upon which the music be might formalized, and thus intellectually grasped by the listener.” Rorem even confessed that some of the titles were added AFTER the fact, “as when parents christen their children.“   After all, as Shakespeare's Juliet might put it, “What's in a name?” Music Played in Today's Program Ned Rorem (b. 1923) — After Reading Shakespeare (Sharon Robinson, cello) Naxos 8.559316 On This Day Births 1835 - Austrian composer and conductor Eduard Strauss, in Vienna; He was the youngest son of Johann Strauss, Sr.; 1864 - Norwegian composer, conductor and violinist Johan Halvorsen, in Drammen; 1901 - American composer Colin McPhee, in Montréal, Canada; 1926 - American composer Ben Johnston, in Macon, Ga.; 1928 - American composer Nicolas Flagello, in New York City; Deaths 1842 - Italian composer Luigi Cherubini, age 81, in Paris; 1918 - French composer Lili Boulanger, age 24, in Mezy; 1942 - Austrian composer Alexander von Zemlinsky, age 70, in Larchmont, N.Y.; Premieres 1807 - Beethoven: Symphony No. 4 (first public performance), in Vienna, at a benefit concert conducted by the composer; 1885 - Franck: symphonic poem "Les Dijinns" (The Genies), in Paris; 1897 - Rachmaninoff: Symphony No. 1 (Gregorian date: Mar. 27); 1908 - Ravel: "Rapsodie espagnole" (Spanish Rhapsody), in Paris; 1911 - Scriabin: Symphony No. 5 ("Prometheus: Poem of Fire"), in Moscow, conducted by Serge Koussevitzky and with the composer performing the solo piano part (Julian date: Mar. 2); 1981 - Stockhausen: opera "Donnerstag, aus Licht" (Thursday, from Light), in Milan at the Teatro alla Scala; This is one of a projected cycle of seven operas, each named after a day of the week; 1994 - Peter Maxwell Davies: "Chat Moss" (the name of a quagmire in Lancashire) for orchestra, in Liverpool by the orchestra of St. Edward's College, John Moseley conducting; 2000 - Corigliano: "Mr. Tambourine Man: Seven Poems of Bob Dylan," at Carnegie Hall, by soprano Sylvia McNair and pianist Martin Katz; An orchestrated version of this song-cycle premiered in Minneapolis on October 23, 2003, with soprano Hila Plitmann and the Minnesota Orchestra conducted by Robert Spano; Others 1895 - Italian tenor Enrico Caruso, age 22, makes his operatic debut at the Teatro Nuovo in Naples, singing the lead tenor role in Domenico Morelli's comic opera "L'Amico Francesco." Links and Resources On Ned Rorem An essay on "Shakespeare and Music"

durée : 01:28:30 - Luigi Cherubini, compositeur (2/2) - par : François-Xavier Szymczak - Enfant de Florence, Luigi Cherubini a traversé de nombreuses tempêtes de l'histoire de France, de la Révolution à la Restauration, en passant par l'Empire napoléonien. - réalisé par : Emmanuel Benito

durée : 01:28:46 - Luigi Cherubini, compositeur (1/2) - par : François-Xavier Szymczak - Enfant de Florence, Luigi Cherubini a traversé de nombreuses tempêtes de l'histoire de France, de la Révolution à la Restauration, en passant par l'Empire napoléonien. - réalisé par : Emmanuel Benito

Luigi Cherubini (1760 - 1842) - Sinfonia in re maggiore (1815)1.       Largo - Allegro                                               [00:05]2.       Larghetto cantabile                                       [10:23]3.       Menuetto: Allegro non tanto - Trio               [18:37]4.       Finale: Allegro assai                                       [23:50] Orchestra Regionale della ToscanaDonato Renzetti, conductor

Donald Macleod explores the life and work of composer, Luigi Cherubini An octogenarian when he died in 1842, Cherubini's long life places him alongside three giants of the age, Mozart, Haydn and Beethoven. When he was born in 1760, Mozart was four years old, and Haydn was in his thirties. Beethoven was born a decade after Cherubini. Standing among these luminaries, all of whom he admired, Cherubini was a composer, conductor, teacher, administrator, theorist and music publisher, who enjoyed a much higher standing in his own lifetime than his present day reputation might suggest. Beethoven and latterly Wagner are just two of a long list of notables who hugely admired his music. These days it's perhaps through his masses that many people come to his music, so it may be a surprise to discover that he followed the fashion of his day, and produced a considerable number of successful operas. This week Donald Macleod follows Cherubini's progress from his Florentine childhood to Paris, where he was to settle and see his theatrical ambitions realised, in addition to taking on the directorship of the Paris Conservatoire, a position which gave him considerable influence over successive generations. Music Featured: Lo sposo di tre e marito di nessuna, Overture Il Giocatore:, Intermezzo Mass in F minor (Chimay) (excerpt) Sonata for harpsichord no 3 in B flat major Nemo gaudeat in festo septem dolorum BV virginis a 8 voci Il Giulio Sabino, Sinfonia (3rd mvt) Horn sonata No 2 in F major Symphony in D major (1st mvt, Largo – Allegro) Mass No 2 in D minor (Kyrie) Il Giulio Sabino, Act 1: Aria, I mesti affetti miei Overture in G major Lodoïska, Act 1: Aria, Triomphons avec noblesse Démophon, Overture Lodoiska, Act 2 (excerpts) Eliza, ou Le voyage aux glaciers du Mont St. Bernard, Overture Clytemnestre, recit Aux lois d'Agamemnon Marcia per il signore Baron di Braun Faniska, Overture Chant sur la mort de Joseph Haydn (excerpt) Les deux journées, ou le porteur d'eau, Act 2 (excerpt) Medea, Act 3 Finale Les Abencérages, Overture Anacréon, Overture Requiem No 1 in C minor (excerpt) String Quartet No 2 (1st mvt, Lent – Allegro) Requiem No 2 in D minor for male chorus & orchestra (Agnus Dei) Presented by Donald Macleod Produced by Johannah Smith for BBC Cymru Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Luigi Cherubini (1760-1842) https://www.bbc.co.uk/programmes/m0011bml And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

15th-20th CenturiesThis week we hear works by Philippe Verdelot, Gasparo Alberti, Peter Philips, Juan Hidalgo, Jean-Philippe Rameau, Luigi Cherubini, Józef Wieniawski, John Foulds, and Howard Blake.138 Minutes – Weeks of September 27 and October 04, 2021

Synopsis Today's date marks the birthday in 1885 of María Joaquina de la Portilla Torres, in the Mexican state of Guanajuato. Under her married name of Maria Grever, she became the first female Mexican composer to achieve international fame. She composed her first song at age four, studied in France with Claude Debussy among others, and at 18, one of her songs sold 3 million copies. At age 22, she married Leo A. Grever, an American oil company executive, moved to New York City, and by the 1930s was composing for Paramount and 20th Century Fox films. Her best-known song is probably "What A Difference A Day Makes" (originally "Cuando vuelva a tu lado"), written in 1934. Her songs have been recorded by singers ranging from the Andrews Sisters and Frank Sinatra to Dinah Washington and Aretha Franklin to Plácido Domingo and Juan Diego Flórez. “I am interested in Jazz and Modern Rhythms,” said Grever, “but above all, in Mexican Music … There is such a cultural richness in Mexican Music, its Hispanic and indigenous origins ... It is my wish and yearning to present these native rhythms and tunes from a real perspective, but with the necessary flexibility to appeal to a universal audience." Music Played in Today's Program María Grever (1885 – 1951) – Júrame (Juan Diego Flórez, tenor; Fort Worth Symphony; Miguel Harth-Bedoya, cond.) Decca 4757576 On This Day Births 1737 - Austrian composer Johann Michael Haydn, in Rohrau; He was the younger brother of Franz Joseph Haydn (b. 1732); 1760 - Italian composer Luigi Cherubini, in Florence (although August 14 is occasionally cited as his birthdate); 1910 - American composer and eminent theatrical conductor Lehman Engel, in Jackson, Miss.; 1910 - Swiss composer Rolf Liebermann, in Zurich; Premieres 1854 - Bruckner: Mass in Bb ("Missa Solemnis") in St. Florian, Austria; 1952 - Frank Martin: Concerto for Harpsichord, in Venice; 1954 - Britten: opera "The Turn of the Screw," in Venice at the Teatro La Fenice; 1968 - Shostakovich: String Quartet No. 12, in Moscow, by the Beethoven Quartet; 1978 - Barber: Third Essay for Orchestra, by the New York Philharmonic conducted by Zubin Mehta; 1994 - Richard Danielpour: Cello Concerto, commissioned and performed by San Francisco Symphony conducted by Herbert Blomstedt, with soloist Yo-Yo Ma; 1996 - Stockhausen: "Freitag aus Licht" (Friday from Light), at the Leipzig Opera; 1997 - Saariaho: "Graal Théâtre" (chamber version), in Helsinki, by the Avanti Ensemble and violinist John Storgards. 2002 - David Amram: Flute Concerto ("Giants of the Night"), in New Orleans by the Louisiana Philharmonic conducted by Klauspeter Seibel, with James Galway the soloist; 2002 - Colin Matthews, Judith Weir, Poul Ruders, David Sower, Michael Torke, Anthony Payne, and Magnus Linberg: "Bright Cecilia: Variations on a Theme by Purcell," at Royal Albert Hall in London, with the BBC Symphony, Leonard Slatkin conducting; This set of orchestral variations on a Purcell theme was commissioned by BBC Music magazine to celebrate its 10th anniversary; Others 1731 - J.S. Bach performs organ recitals in Dresden on Sept. 14-21; 1741 - Handel finishes scoring his famous oratorio, "Messiah," begun on August 22 (The entire work was composed in a period of 24 days); These dates are according to the Julian "Old Style" calendar (Gregorian dates: Sept 2 to Sept. 25); 1914 - W. C. Handy copyrights his most famous song, "The St. Louis Blues"; 1973 - The Philadelphia Orchestra gives a concert in Beijing, the first American orchestra to perform in Red China; Eugene Ormandy conducts symphonies by Mozart (No. 35), Brahms (No. 1) and the American composer Roy Harris (No. 3).

Luigi Cherubini Requiem in do minore, seconda parte con Maria Cecilia Farina

Luigi Cherubini Requiem in do minore, prima parte con Maria Cecilia Farina

En clave de Dios (CXXXII): 'El Monte de las Ánimas' (Bécquer). Obras de Cherubini, Mendelssohn, Verdi y Berlioz. Programa especial dedicado a la poesía y la prosa de Gustavo Adolfo Bécquer (1836-1870). Ofrecemos varios extractos de la leyenda soriana 'El Monte de las Ánimas' mientras escuchamos fragmentos de las siguientes obras musicales coetáneas al poeta sevillano con que ilustramos la narración: el Réquiem en re menor de Luigi Cherubini, la cantata 'La primera noche de Walpurgis' op. 60 de Felix Mendelssohn, las óperas 'Il trovatore' y 'Giovanna d'Arco' de Giuseppe Verdi y la 'Grande messe des morts' op. 5 de Hector Berlioz.

My guest today is Professor Mark Ferraguto, he is an Associate Professor of Musicology at Penn State University. He will talk to us about his very interesting book “Beethoven 1806”, which was published by Oxford University Press in 2019. 0:30 Can you describe your musical background? 1:36 What were the things that bothered you about the way Beethoven was discussed? 3:08 Was Beethoven himself to blame for this because of the way he marketed himself? 4:27 The bust of Beethoven in a Liszt painting 4:53 Beethoven anecdote arguing with a violinist 5:36 How did you come to choosing 1806 for research? 6:20 What are the 3 periods of Beethoven? 7:16 How do these non-heroic works of 1806 appear in his middle period? 8:34 Career-wise, how was Beethoven doing in 1806 9:37 What was Beethoven's music education? 11:22 Was Beethoven a child prodigy? 12:16 Could Beethoven play the complete Bach Well Tempered Clavier as a child? 12:55 Was Beethoven aware of the growing culture of Romanticism around him? 14:05 Leonore Overture 15:13 Was Opera not really his thing? 15:47 How did Luigi Cherubini affect Fidelio and Beethoven? 16:50 Did Beethoven have good things to say about his contemporaries and what did he think of Cherubini? 18:00 Is there an Italian connection with Beethoven? 19:03 The 4th Piano Concerto and Violin Concerto and the terminology of the term “Virtuoso” 20:46 What are these new sources that might be of interest to Beethoven scholars? 22:17 How did the French Érard Piano affect the composition of the 4th piano concerto? 23:55 Is the Violin concerto a virtuoso piece? 25:11 What are the distinctive musical features of the 4th piano concerto? 27:25 Did the public want the virtuosity or something else? 29:13 Was Beethoven making fun of Russians with his Razumovsky String Quartets? 30:27 Were the criticisms of the string quartets modern or contemporary? 32:53 What does the learned style or approach mean and what is it contrasted with? 34:25 Were the terms stile antico used in the 18th century? 35:27 How famous was Joseph Haydn in 1806? 36:48 Is the 4th symphony a regression as compared to the 3rd symphony? 37:39 How did the French Érard piano lead to the composition of the 32 variations in C minor? 40:34 Is there an evolution in piano writing in these variations compared to his previous variations? 42:19 The Coriolan overture as a return to the Heroic 44:20 What's the significance of the playwright and the Corialan overture? 45:25 What do you mean by the term Everyday Beethoven? 46:26 What were the most surprising things about your research? 47:38 How has Beethoven research changed over the last couple of decades? 49:17 Was Beethoven actually not deaf? 51:19 Can you recommend any sections from Beethoven's music that people should listen to? 54:19 Wrapping Up

durée : 00:58:38 - Beethoven rencontre Cherubini - par : Aurélie Moreau - Beethoven rencontre le compositeur Luigi Cherubini venu à Vienne en 1805. Toute sa vie, il sera un fervent admirateur du compositeur franco-italien, même si celui-ci n'ést pas toujours bienveillant à l'égard du maître de Bonn qu'il définit comme « un ourson mal léché ». - réalisé par : Bruno Riou-Maillard

durée : 01:56:52 - En pistes ! du lundi 02 mars 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : "Agrippina" le troisième opéra du jeune Handel porté par Joyce Di Donato et l'ensemble Il Pomo d'Oro, l'Orchestre Symphonique du Lichtenstein célèbre les 300 ans de son pays avec un nouvel enregistrement, Selim Mazari manie l'art de la variation dans son premier disque... - réalisé par : Olivier Guérin

durée : 01:57:46 - Musique à Florence (5/5) - par : François-Xavier Szymczak - Oeuvres de Giacomo Puccini, Piotr Ilitch Tchaikovski, Serge Rachmaninov, Ottorino Respighi, Benjamin Godard, Maurice Jarre, Luigi Cherubini, Charles Villiers Stanford et Pupo. - réalisé par : Céline Parfenoff

Ausgelöst durch den schmerzlichen Verlust seines Vaters gerät Luigi Cherubini in eine tiefe Schaffenskrise. Zurückgezogen in eine Klause abseits von Paris versuchte er seinen Sorgen Herr zu werden. Etwas Ablenkung war ihm in der Einsamkeit durchaus willkommen und wenn es nur das tägliche Holzhacken war.

Världsdirigenten Riccardo Muti har vigt sitt liv åt italiensk musik, som Verdis. Det här är en dokumentär om hur det är att brinna för musiken när det italienska kulturlivet knakar i fogarna. Lyssna på alla avsnitt i Sveriges Radio Play. Riccardo Mutis engagemang tar sig rent konkreta uttryck. Under en föreställning av Giuseppe Verdis "Nabucco" 2011 vände han sig till publiken på Rom-operan och bad dem sjunga med i "Fångarnas kör", som en politisk markering mot neddragningarna av bidrag till det italienska kulturlivet under Berlusconi-regeringen. Riccardo Mutis hustru Cristina Muti påverkar också den italienska scenen, inte minst i egenskap av konstnärlig ledare för en festival med klassisk musik i staden Ravenna vid Adriatiska havets kust. I den här dokumentären berättar de båda hur de gör för att hålla både historien och sina framtidsdrömmar vid liv i det populistiska Italien. Vid sidan av dem medverkar musikern Patrizia Bovi som också forskar i tidig musik, jazzpianisten och kompositören Stefano Bollani, operasångaren Luca Salsi samt musiker ur Mutis ungdomsorkester Luigi Cherubini. En P2 Dokumentär av Sofia Nyblom.

Världsdirigenten Riccardo Muti har vigt sitt liv åt italiensk musik, som Verdis. Det här är en dokumentär om hur det är att brinna för musiken när det italienska kulturlivet knakar i fogarna. Riccardo Mutis engagemang tar sig rent konkreta uttryck. Under en föreställning av Giuseppe Verdis "Nabucco" 2011 vände han sig till publiken på Rom-operan och bad dem sjunga med i "Fångarnas kör", som en politisk markering mot neddragningarna av bidrag till det italienska kulturlivet under Berlusconi-regeringen. Riccardo Mutis hustru Cristina Muti påverkar också den italienska scenen, inte minst i egenskap av konstnärlig ledare för en festival med klassisk musik i staden Ravenna vid Adriatiska havets kust. I den här dokumentären berättar de båda hur de gör för att hålla både historien och sina framtidsdrömmar vid liv i det populistiska Italien. Vid sidan av dem medverkar musikern Patrizia Bovi som också forskar i tidig musik, jazzpianisten och kompositören Stefano Bollani, operasångaren Luca Salsi samt musiker ur Mutis ungdomsorkester Luigi Cherubini. En P2 Dokumentär av Sofia Nyblom.

Garsusis dirigentas Riccardo Muti, šiuo metu einantis Čikagos simfoninio orkestro muzikos direktoriaus pareigas, surengė istorinius taikos koncertus Irano sostinėje Teherane ir Italijoje, Ravenos festivalyje. Šiuose koncertuose susijungė du orkestrai – europietiškasis Luigi Cherubini jaunimo orkestras ir Teherano simfoninis orkestras. Skandalai prestižiniame muzikos universitete – Zalcburgo „Mozarteume“: net nepradėjęs eiti pareigų atsistatydino išrinktasis rektorius.Lietuvaitė džiazo vokalistė Viktorija Gečytė dalyvaus Birmingemo, Solihullo ir Sandwello džiazo ir bliuzo festivalyje. Didžiosios Britanijos roko žvaigždė Stingas pirmadienį pranešė, kad piniginę premiją, gautą kartu su prestižiniu Švedijos muzikiniu apdovanojimu „Polar Music Prize“, paaukojo pelno nesiekiančiam projektui. Jis padeda jauniems pabėgėliams integruotis į Švedijos visuomenę per muziką. Lietuvos pajūrio dangų nušvies II-asis tarptautinis festivalis „Impresijos“. Studijoje svečiuosis viena iš festivalio dalyvių – aktorė Virginija Kochanskytė. Paskutinis pusvalandis skirtas vokiečių dainininkei Dianai Damrau. Klausysimės jo atliekamų Vienos operečių, Brodvėjaus miuziklų ir Holivudo filmų fragmentų.

Garsusis dirigentas Riccardo Muti, šiuo metu einantis Čikagos simfoninio orkestro muzikos direktoriaus pareigas, surengė istorinius taikos koncertus Irano sostinėje Teherane ir Italijoje, Ravenos festivalyje. Šiuose koncertuose susijungė du orkestrai – europietiškasis Luigi Cherubini jaunimo orkestras ir Teherano simfoninis orkestras. Skandalai prestižiniame muzikos universitete – Zalcburgo „Mozarteume“: net nepradėjęs eiti pareigų atsistatydino išrinktasis rektorius.Lietuvaitė džiazo vokalistė Viktorija Gečytė dalyvaus Birmingemo, Solihullo ir Sandwello džiazo ir bliuzo festivalyje. Didžiosios Britanijos roko žvaigždė Stingas pirmadienį pranešė, kad piniginę premiją, gautą kartu su prestižiniu Švedijos muzikiniu apdovanojimu „Polar Music Prize“, paaukojo pelno nesiekiančiam projektui. Jis padeda jauniems pabėgėliams integruotis į Švedijos visuomenę per muziką. Lietuvos pajūrio dangų nušvies II-asis tarptautinis festivalis „Impresijos“. Studijoje svečiuosis viena iš festivalio dalyvių – aktorė Virginija Kochanskytė. Paskutinis pusvalandis skirtas vokiečių dainininkei Dianai Damrau. Klausysimės jo atliekamų Vienos operečių, Brodvėjaus miuziklų ir Holivudo filmų fragmentų.

Luigi Cherubini, Charles-Henri Plantade | Requiem C-Moll, Requiem D-Moll |Le Concert Spirituel, Hervé Niquet

EPISODIO 07. TEMPORADA 011789 é para a historiografía un ano singular: marca o comezo da Revolución Francesa, mais, ao mesmo tempo, da Idade Contemporánea. Neste episodio analizaremos o simbolismo desta data e dalgúns dos acontecementos que tiveron lugar. Por outra banda, preguntarémonos sobre as causas que levaron a que neste ano comezase a Revolución Francesa.Música da sintonía: http://audionautix.com/ (The voyage, PennyWhistle, TriumphantReturn).As músicas de Facemoshistoria:Marias Callas. Luigi Cherubini:https://musopen.org/music/1306/various/maria-callas-by-various-artists/Son de multitude:www.freesound.org/people/Robinhood76/sounds/63717/

EPISODIO 07. TEMPORADA 011789 é para a historiografía un ano singular: marca o comezo da Revolución Francesa, mais, ao mesmo tempo, da Idade Contemporánea. Neste episodio analizaremos o simbolismo desta data e dalgúns dos acontecementos que tiveron lugar. Por outra banda, preguntarémonos sobre as causas que levaron a que neste ano comezase a Revolución Francesa.Música da sintonía: http://audionautix.com/ (The voyage, PennyWhistle, TriumphantReturn).As músicas de Facemoshistoria:Marias Callas. Luigi Cherubini:https://musopen.org/music/1306/various/maria-callas-by-various-artists/Son de multitude:www.freesound.org/people/Robinhood76/sounds/63717/

En clave de Dios (IX): Luigi Cherubini. Programa dedicado a la figura del compositor italiano afincado en París Luigi Cherubini (1760-1842), en el que se convocan algunas de sus más emblemáticas composiciones sacras, como el 'Réquiem en Do menor a la memoria de Luis XVI' (1816), la 'Missa Solemnis en Re menor para el príncipe Esterházy' (1811) o la 'Missa Solemnis en Sol mayor para la coronación de Luis XVIII' (1819).

 You all know of my great praise for dear Marisa Galvany, and you have responded with praise to my podcasts of her material. Here is another selection of her material, with some repeats, but sometimes it is more valuable to hear a compilation.  Included are scenes and arias from Ernani,Traviata, Cavalleria (with Domingo), and Aida (as Aida and Amneris.)  (58 min.) Galvany studied primarily under Armen Boyajian (also the teacher of Paul Plishka and Samuel Ramey). She made her professional opera debut at the Seattle Opera in 1968 in the title role of Giacomo Puccini's Tosca. The following year, she portrayed the title heroine in Simon Mayr's Medea in Corinto in New York City, a performance which was recorded for Vanguard. She made her first international appearance in 1972 at the Palacio de Bellas Artes in Mexico City in the title role of Giuseppe Verdi's Aida. In 1972 Galvany was offered a contract to join the roster of principal singers at New York City Opera by Julius Rudel. She accepted, making her debut with the company later that year as Elisabetta in Gaetano Donizetti's Maria Stuarda opposite Beverly Sills in the title role. She continued to sing regularly with that company through 1983, portraying such roles as Abigaille in Nabucco, Amelia in Un ballo in maschera, , Odabella in Attila, Santuzza in Cavalleria rusticana, Violetta in La traviata, and the title roles in Anna Bolena and Luigi Cherubini's Médée. She also sang in several different productions of Tosca where she partnered such tenors as José Carreras and Harry Theyard. In 1973, Galvany filmed her acclaimed Lady Macbeth, in Macbeth, for the Canadian Broadcasting Company, opposite Louis Quilico. That same year she made her first appearance with the Philadelphia Lyric Opera Company as Aida with Pier Miranda Ferraro as Radamès, Joann Grillo as Amneris, and Gianfranco Rivoli conducting. In 1974 she made her first appearance at the New Orleans Opera opening the 1974-1975 season as Rachel in Fromental Halévy's La Juive with Richard Tucker as Eléazar. She returned to open the company's next two consecutive seasons as Aida and Valentin in Les Huguenots, the latter production with Rita Shane and Susanne Marsee. She later returned to New Orleans to sing Salomé in Jules Massenet's Hérodiade. Galvany made her debut at the Metropolitan Opera in 1979, in the title role of Norma. In 1985, the singing-actress sang Gertrud in Hänsel und Gretel and Ortrud in Lohengrin on tour with the company, then the Kostelnička in Jenůfa during the Fall Season in the theatre. At the Cincinnati Opera, she appeared in Turandot (with Harry Theyard) and Salome (with Ticho Parly as Herod). During the mid 1980s, Galvany began to add mezzo-soprano roles to her repertoire. She sang Amneris in Aida at the Cincinnati Opera in 1985. In 1992 she sang the title role in Bizet's Carmen with the New York Grand Opera. (NYGO) She performed frequently with the NYGO up into the early 2000s. On the international stage Galvany has appeared at the Opern- und Schauspielhaus Frankfurt, the Liceu, the Great Theatre, Warsaw, the National Theatre in Prague, and the National Theatre in Belgrade among others. She has also sang in operas in Brazil and Venezuela. References The Metropolitan Opera Encyclopedia, edited by David Hamilton, Simon and Schuster, 1987. ISBN 0-671-61732-X Galvany, Marisa biography at operissimo.com (in German)

Der Tod seines Vaters trieb den 33-jährigen Luigi Cherubini in eine tiefe Schaffenskrise. So sehr, dass sich der längst erfolgreiche Komponist in eine Klause abseits von Paris zurückzog, um seiner Sorgen Herr zu werden. Ein Zoom von Wolfgang Antesberger.

Donald Macleod investigates the life and work Luigi Cherubini, a composer often spoken of as 'an Italian composer writing German opera for a French audience'

Programme de Philippe Pannetier et Macrosillons pour webSYNradio : EUROPE maiS PAS SALOPE 1/ Lars von Trier, Kirsten Olesen,1988 2/ Pier Paolo Pasolini, Maria Callas, 1969 3/ Luigi Cherubini 1797, Médée « E CHE? IO SON MEDEA! » – Milan, 1953