Podcast appearances and mentions of King Louis

In 1682, Robert de La Salle embarked on an expedition to navigate the Mississippi River from its northern source near the Great Lakes to the Gulf of Mexico. During this expedition, La Salle and his party constructed a small fort along the Big Muddy called Fort Prud'homme in West Tennessee. Thereafter, he ultimately reached the mouth of the Mississippi, where he formally claimed the vast River Valley territory for France, naming it La Louisiane or Louisiana, in honor of Saint Louis and King Louis the Fourteenth. La Salle also encountered various Native American tribes along his journey, including the Natchez, whose contentious relationship with the French over the ensuing decades led to a dramatic climax in 1729; highlighting the complex interactions between European adventurers and Native American populations during this period of exploration and colonization. Check out the YouTube version of this episode at https://youtu.be/noijU07XBIo which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Natchez Indian books available at https://amzn.to/4l1Xs1O Mississippi River books available at https://amzn.to/4feWoDM LaSalle book available at https://amzn.to/4li1mmY ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Librivox: Historical Tales: Vol 2—American II by Charles Morris (Chapter 8, The French of Louisiana and the Natchez Indians) read by Kalynda.See omnystudio.com/listener for privacy information.

We close in on the end. In our real lives, Joe has watched the first episode of like four anime series and isn't that confident in how they'll turn out. Sarah, meanwhile, continues her quest to watch all of Survivor.In the Rose of Versailles, things are kicking off. Oscar is dying and possibly turning traitor (thank god!) while Andre is trying to keep it together long enough to make it to the end of the show. At Versailles, Queen Marie is trying to tamp down dissent with force while King Louis doesn't know what to do. The stage is set for the powder keg to blow. Only 4 episodes left!

On this Friday edition of Sid & Friends in the Morning, we're wishing the great Lou Rufino a very happy birthday! In news of the day, President Trump signs the executive order dismantling the Department of Education, the federal government blinks regarding their threat to kill congestion pricing in New York City, NYC Mayoral candidate and former Governor Andrew Cuomo is suing the NY State Comptroller's office, and the St. John's men's basketball team pummels Omaha in the first round of the NCAA Men's Basketball Tournament. Brian Kilmeade, Nicole Malliotakis, K.T. McFarland, Curtis Sliwa, Joe Tacopina, Cory Zelnik, Pete Morgan and Dr. Douglas Howard join Sid on this Friday installment of Sid & Friends in the Morning. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Charlie Higson uncovers the rather amazing story of King Louis Of England."Who's that", you say? Well, just over 800 years ago Louis, son and heir of the king of France, rode through the streets of London and was acclaimed king of England by cheering crowds.And yet you've probably not heard of him. Well, lucky for us, Cath Hanley is something of an expert on Louis having written the excellent book Louis: The French Prince who invaded England and she returns from her guest appearance in Series 1 to discuss the king we never knew we had. Hosted on Acast. See acast.com/privacy for more information.

Send us a textHey Mythic Fam!This episode is dedicated to my cat, Louis! King Louis the most well dressed cat ever.Cats in Ancient Egypt were practically worshipped and those in Medieval Europe were seen as the devil. Let's dive into an episode centered around one of the world's favorite animals. Send your cryptid experience or any other spooky stuff along with your thoughts on the episode to weirdmythicpodcast@gmail.comCheck it out! https://linktr.ee/WeirdmythicTwitter:@WeirdMythicInstagram:WeirdMythicPodcastFollow:Briauna (@briilikewii) | Instagram and Melancholy Monster (@melancholymonstr) | Instagram and @FleshwadYT on Twitter! https://t.co/xyClx0z56VThank you for all the Weird Mythic art!Original music by Jim Mazerik.Show Notes:Cats Rule in Ancient Egypt How Cats Became Divine Symbols in Ancient Egypt | HISTORYCats, Bastet and the Worship of Feline Gods - ARCEThe Temple of Bastet - Discover Egypt's Monuments - Ministry of Tourism and Antiquitieshttps://www.thegreatcat.org/theban-tombs-home-to-fantastic-representations-of-cats/ https://gwern.net/doc/cat/genetics/1990-yurko.pdfhttps://arce.org/resource/goddess-bastet-and-cult-feline-deities-nile-delta/ https://rhakotis.com/2022/08/08/bubastis/#:~:text=Her%20name%20means%20'She%20of,the%20head%20of%20a%20lioness.https://www.britannica.com/topic/Festival-of-Catshttps://www.bangor.ac.uk/news/2022-12-23-cats-in-the-middle-ages-what-medieval-manuscripts-teach-us-about-our-ancestors-petshttps://saintjoachim.net/vatican-corner-11-05-17/ https://www.medievalists.net/2023/05/cats-hated-medieval-europe/You can watch Secret of the Saqqara Tomb on Netflixhttps://egypt-museum.com/sarcophagus-of-cat-tamiu/ https://www.worldhistory.org/herodotus/ https://kattenstoet.be/en/home-en/

Iain Dale talks to Catherine Hanley about the life and disputed reign of King Louis in 1216.

King Louis the 14th of France, already dreamed of creating a great empire, and he did not want to inaugurate his reign by losing his colony in the new world. He realized that New France would never prosper as long as it was treated as a purely commercial operation. Changes were made and the Regiment Carignan-Salières were deployed to combat the Iroquois threat. The colony would now report directly to him and the royal administration through a governor and an intendant. Things would finally improve and change in New France under the energetic reign of the monarch that helped usher in the Golden Age of New France. Check out the YouTube version of this episode at https://youtu.be/XnSPjI8e4Ek which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Regiment Carignan-Salières book available at https://amzn.to/4c2wVvT  New France books available at https://amzn.to/3nXKYzy    Louis XIV books at https://amzn.to/3yWQess  THANKS for the many wonderful comments, messages, ratings and reviews. All of them are regularly posted for your reading pleasure on https://patreon.com/markvinet where you can also get exclusive access to Bonus episodes, Ad-Free content, Extra materials, and an eBook Welcome Gift when joining our growing community on Patreon or Donate on PayPal at https://bit.ly/3cx9OOL and receive an eBook GIFT. SUPPORT this series by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at no extra charge to you). It costs you nothing to shop using this FREE store entry link and by doing so encourages & helps us create more quality content. Thanks! Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus                                                            Mark's TIMELINE video channel at https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/MarkVinet_HNA  Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://parthenonpodcast.com/history-of-north-america TikTok: https://tiktok.com/@historyofnorthamerica Books: https://amzn.to/3j0dAFH                                                                              Linktree: https://linktr.ee/WadeOrganization  Audio Credit: Librivox — France and England in North America by Francis Parkman, Jr. (1823-93), Chapter 13: The Colony and the King: Royal Intervention 1661-65, The Old Régime in Canada.  See omnystudio.com/listener for privacy information.

The Newly crowned young monarch of France dreamed of creating a great empire, and he did not want to inaugurate his reign by losing his colony in the New World. He realized that New France would never prosper as long as it was treated as a purely commercial operation. Changes were made between 1661-65. The colony would now report directly to him and the royal administration through a governor and an intendant. Things would finally improve and change in New France under the energetic reign of King Louis the 14th of France.  Check out the YouTube version of this episode at https://youtu.be/oZHPkWt59Qc which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. New France books available at https://amzn.to/3nXKYzy    Louis XIV books at https://amzn.to/3yWQess    THANKS for the many wonderful comments, messages, ratings and reviews. All of them are regularly posted for your reading pleasure on https://patreon.com/markvinet where you can also get exclusive access to Bonus episodes, Ad-Free content, Extra materials, and an eBook Welcome Gift when joining our growing community on Patreon or Donate on PayPal at https://bit.ly/3cx9OOL and receive an eBook GIFT. SUPPORT this series by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at no extra charge to you). It costs you nothing to shop using this FREE store entry link and by doing so encourages & helps us create more quality content. Thanks! Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus                                                            Mark's TIMELINE video channel at https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/MarkVinet_HNA  Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://parthenonpodcast.com/history-of-north-america TikTok: https://tiktok.com/@historyofnorthamerica Books: https://amzn.to/3j0dAFH                                                                              Linktree: https://linktr.ee/WadeOrganization  Audio Credit: Librivox — France and England in North America by Francis Parkman, Jr. (1823-93), Chapter 13: The Colony and the King: Royal Intervention 1661-65, The Old Régime in Canada.  See omnystudio.com/listener for privacy information.

New France was proclaimed a Royal province with a new king who understood that a military presence would be necessary to deter the Iroquois menace. Newly crowned, this young monarch already dreamed of creating a great empire, and he did not want to inaugurate his reign by losing his colony in the New World. He realized that New France would never prosper as long as it was treated as a purely commercial operation. Changes were made. The colony would now report directly to him and the royal administration through a governor and an intendant. Things would finally improve and change in New France under the energetic reign of King Louis the 14th of France.  Check out the YouTube version of this episode at https://youtu.be/KvBCaCFk0OE which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. New France books available at https://amzn.to/3nXKYzy Iroquois books available at https://amzn.to/42Oal6k Louis XIV books at https://amzn.to/3yWQess Carignan Salières Regiment book at https://amzn.to/45xGh18 THANKS for the many wonderful comments, messages, ratings and reviews. All of them are regularly posted for your reading pleasure on https://patreon.com/markvinet where you can also get exclusive access to Bonus episodes, Ad-Free content, Extra materials, and an eBook Welcome Gift when joining our growing community on Patreon or Donate on PayPal at https://bit.ly/3cx9OOL and receive an eBook GIFT. SUPPORT this series by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at no extra charge to you). It costs you nothing to shop using this FREE store entry link and by doing so encourages & helps us create more quality content. Thanks! Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus                                                            Mark's TIMELINE video channel at https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/MarkVinet_HNA  Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://parthenonpodcast.com/history-of-north-america TikTok: https://tiktok.com/@historyofnorthamerica Books: https://amzn.to/3j0dAFH                                                                              Linktree: https://linktr.ee/WadeOrganization                                                        Source: Canada-A People's History Volume 1 by D. Gillmor & P. Turgeon (McClelland & Stewart Ltd. 2000). See omnystudio.com/listener for privacy information.

While Marie Antoinette and King Louis XVI were dealing with revolutionists in France, there was one person behind the scenes who has received very little recognition: Elisabeth de France, King Louis' youngest sister. Elisabeth grew up in the royal court of Versailles as a French Princess. While her education and upbringing was standard for the times, nothing could prepare her for the French Revolution that was to come. In this two part finale, we start off with the early life of young Elisabeth and the tumultuous climate of France that she was raised in.Support the Show.

In this episode, homes and buildings will sadly be blown away and destroyed, and you'll say “fireworks?” and I'll say “it sure does”. On this episode: we look at the Netherlands pyrotechnic super boner; we explore the fact that a time bomb could be ticking away in your area without you knowing; and we'll uncover one governments' habit of sweeping disasters under the rug by cleaving a transport plane through an apartment building. No real spoiler here, but this is one of those episodes where the bad guys carried on the shoulders of the courts like misunderstood anti-heroes, and the authorities in general show a fairly unhealthy disregard for human life. But to pull it back to a human level, these people had their overly-tall hairdos rearranged, and we coined a whole new phrase for this show: “gawk block”. I think I'll make some gawk blocker t-shirts  … one day.And if you were a Patreon supporter, you would also enjoy an additional 8 minutes where we discussed:•  why the Little Dutch boy was full of crap•  you'd learn how many dead children it would actually take to plug a significant dam break•  and you'd enjoy another whole minisode, all about the all-time deadliest firework related tragedy of all time which may come as a surprise – the wedding of Marie Antoinette to King Louis the XVI! If the idea of getting episodes a little early and ad-free with ridiculously interesting extra material strikes you as a good thing, you can find out more at:www.patreon.com/funeralkazoo All older episodes can be found on any of your favorite channelsApple : https://tinyurl.com/5fnbumdw Spotify : https://tinyurl.com/73tb3uuw IHeartRadio : https://tinyurl.com/vwczpv5j Podchaser : https://tinyurl.com/263kda6w Stitcher : https://tinyurl.com/mcyxt6vw Google : https://tinyurl.com/3fjfxatt Spreaker : https://tinyurl.com/fm5y22su Podchaser : https://tinyurl.com/263kda6w RadioPublic : https://tinyurl.com/w67b4kec PocketCasts. : https://pca.st/ef1165v3 CastBox : https://tinyurl.com/4xjpptdr Breaker. : https://tinyurl.com/4cbpfayt Deezer. : https://tinyurl.com/5nmexvwt Follow us on the socials for more Facebook : www.facebook.com/doomsdaypodcast Instagram : www.instagram.com/doomsdaypodcast Twitter : www.twitter.com/doomsdaypodcast If you like the idea of your podcast hosts wearing more than duct tape and bits of old Halloween costumes for clothes and can spare a buck or two, you can now buy me a coffee at www.buymeacoffee.com/doomsday or join the patreon at www.funeralkazoo.com/doomsday comedy, rescue, crime, danger, death, disaster, education, survival, engineering, history, horror, podcast, safety, scary, explosion, fireworks, Netherlands, Dutch, Europe, catastrophe

This episode delights with a witch who must master her powers; a girl who must prove that an entire greenhouse of plants is witnesses to a crime; a young girl ill-equipped for the world of King Louis the XIV's court; and, a family story that explores how we define progress and speaks to the impact of man's impact on geology and vice versa. In this episode of science, story, historical fiction, and world-building you will join these Black Rose Writing and She Write Press authors on a journey to find your next great read. Find out more about these authors at: D. J. Green - http://www.geologistwriter.com Ross Hightower and Deb Heim - https://rosshightower.com/ Ginny Rorby - http://www.ginnyrorby.org Peggy Joque Williams - https://peggywilliamsauthor.com/ LAUNCH PAD combines the best of book celebration and solid marketing strengths. Each on-air episode is hosted by Grace Sammon and celebrates book releases and the authors that create them. Each episode engages guests and listeners in the book launch journey from concept to publication. Applying her years of experience as an educator, entrepreneur, author, and storyteller herself, Grace brings to readers, reviewers, book club members, and more an intimate look at some of today's newest releases. Visit Grace at her website www.gracesammon.net. Contact Grace about being a guest on the show, email her at grace@gracesammon.net Follow Grace: On Facebook https://www.facebook.com/GraceSammonWrites/ On Instagram https://www.instagram.com/GraceSammonWrites/ On LinkedIn: https://www.linkedin.com/in/grace-sammon-84389153/ Visit author marketing coach, Mary Helen Sheriff at her website www.maryhelensheriff.com/marketing for more about information about how she can help you navigate this marketing of your book. Be sure to sign up for her marketing newsletter while you are there. Follow Mary On Facebook @maryhelensheriff On Instagram @maryhelensheriff On LinkedIn https://www.linkedin.com/in/maryhelensheriff/ On Book Bub @maryhelensheriff #launchpad #bookish #bookishroadtrip #roadtrip #bookmarketing #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #AuthorTalkNetwork #awardwinningfiction #womensfiction #memoir #historical fiction #WFW #womensfictionwritersassociation #nationalwomensbookassociation #awardwinningfiction #novelist #historicalfiction #bookdebut #debutnovel #booklaunch #launchpad #bookish #bookishroadtrip #roadtrip #bookmarketing #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #AuthorTalkNetwork #awardwinningfiction #womensfiction #memoir #historical fiction #WFW #womensfictionwritersassociation #nationalwomensbookassociation #awardwinningfiction #novelist #historicalfiction #bookdebut #debutnovel #booklaunch #SheWritesPress #BlackRoseWriting #paranormal #worldbuilding #YAFiction #Suspense #science LAUNCH PAD is a copyrighted work © of Grace Sammon and Authors on The Air Global Radio Network.

This episode delights with a witch who must master her powers; a girl who must prove that an entire greenhouse of plants is witnesses to a crime; a young girl ill-equipped for the world of King Louis the XIV's court; and, a family story that explores how we define progress and speaks to the impact of man's impact on geology and vice versa. In this episode of science, story, historical fiction, and world-building you will join these Black Rose Writing and She Write Press authors on a journey to find your next great read. Find out more about these authors at: D. J. Green - http://www.geologistwriter.com Ross Hightower and Deb Heim - https://rosshightower.com/ Ginny Rorby - http://www.ginnyrorby.org Peggy Joque Williams - https://peggywilliamsauthor.com/ LAUNCH PAD combines the best of book celebration and solid marketing strengths. Each on-air episode is hosted by Grace Sammon and celebrates book releases and the authors that create them. Each episode engages guests and listeners in the book launch journey from concept to publication. Applying her years of experience as an educator, entrepreneur, author, and storyteller herself, Grace brings to readers, reviewers, book club members, and more an intimate look at some of today's newest releases. Visit Grace at her website www.gracesammon.net. Contact Grace about being a guest on the show, email her at grace@gracesammon.net Follow Grace: On Facebook https://www.facebook.com/GraceSammonWrites/ On Instagram https://www.instagram.com/GraceSammonWrites/ On LinkedIn: https://www.linkedin.com/in/grace-sammon-84389153/ Visit author marketing coach, Mary Helen Sheriff at her website www.maryhelensheriff.com/marketing for more about information about how she can help you navigate this marketing of your book. Be sure to sign up for her marketing newsletter while you are there. Follow Mary On Facebook @maryhelensheriff On Instagram @maryhelensheriff On LinkedIn https://www.linkedin.com/in/maryhelensheriff/ On Book Bub @maryhelensheriff #launchpad #bookish #bookishroadtrip #roadtrip #bookmarketing #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #AuthorTalkNetwork #awardwinningfiction #womensfiction #memoir #historical fiction #WFW #womensfictionwritersassociation #nationalwomensbookassociation #awardwinningfiction #novelist #historicalfiction #bookdebut #debutnovel #booklaunch #launchpad #bookish #bookishroadtrip #roadtrip #bookmarketing #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #AuthorTalkNetwork #awardwinningfiction #womensfiction #memoir #historical fiction #WFW #womensfictionwritersassociation #nationalwomensbookassociation #awardwinningfiction #novelist #historicalfiction #bookdebut #debutnovel #booklaunch #SheWritesPress #BlackRoseWriting #paranormal #worldbuilding #YAFiction #Suspense #science LAUNCH PAD is a copyrighted work © of Grace Sammon and Authors on The Air Global Radio Network.

King Louis and his wife, Eleanor of Aquitaine, journey across Europe and traverse the hostile lands of Anatolia. They encounter multiple Turkic armies and face a near-total catastrophe before being whisked away to Antioch. Here, Eleanor is caught up in a romantic tangle with her uncle, Raymond.The History of Modern Greece Podcast covers the Greek people's events from the fall of Constantinople in 1453 to the Greek War of Independence in 1821-1832, through to the Greco-Turkish War from 1919 to 1922 to the present day.Website: www.moderngreecepodcast.comMusic by Mark Jungerman: www.marcjungermann.comCheck out our 2nd Podcast: www.antecedors.com

The crown of thorns, intended to mock Jesus' claims and increase His suffering, bears much significance. Though it was meant mockingly, the crown points to our true King. He went before us, faced an excruciating death and conquered the grave. He is our risen King!

Embark on a historical odyssey with us as we uncover the life and times of the formidable Eleanor of Aquitaine, whose zest for influence and power in a male-dominated society still resonates today. Picture a queen whose narrative rivals the most captivating of dramas; her marriage to Louis VII, her bold role in the Second Crusade, and her defiance of a court that tried to dim her radiance. Through tales of fervor and ambition, we unravel the true motivations behind her joining the crusade, which, as we'll reveal, may have been driven by a thirst for adventure and political clout rather than mere piety.Step into the medieval world of strategy and scandal as we analyze Eleanor's entangled relationships within the Crusader states. Discover the strategic marriage of Raymond of Antioch to Constance, the cultural ties that bound Eleanor to the Antioch court, and the marital discord with King Louis that sparked controversial whispers. We wade through the biased historical accounts to piece together the dance of alliances and personal connections that defined these tumultuous times, all while keeping an eye out for the fine line between fact and myth.Finally, our podcast disclaimer serves as a playful reminder that while we take a deep dive into history's rich tapestry, we do so with a pinch of salt and a sense of humor. We're not offering professional advice, just a thought-provoking look at the past. So join us for an episode that promises not only to enlighten but also to entertain, as we bring the vibrant tapestry of Eleanor of Aquitaine's life and legacy into the present.Support the showShow Notes: https://www.thepithychronicle.com/resourceshttps://www.tiktok.com/@thepithychroniclershttps://www.instagram.com/the.pithy.chronicle/

This episode will post during Women's History Month. One of history's most influential women is the Virgin Mary. What better way to begin the celebration that to explore The Black Madonna of Douvres-la-Délivrande? She is housed at the site of the oldest Marian Pilgrimage in all of Europe and has been visited by notable figures such as Victor Hugo, Saint Thérèse of Lisieux and King Louis the Pious. Blessings! To make a one time donation of any amount please donate to https://www.paypal.com/paypalme/BlackMadonnaHeart Become a Patron for the channel at https://www.patreon.com/TheBlackMadonnaSpeaks To purchase Black Madonna Speaks extra content, please visit https://www.patreon.com/theblackmadonnaspeaks/shop #divinefeminine #sacredfeminine #virginmary #ourlady  #blackmadonna  #anthroposophy #spiritualjourney  #camino  #pilgrimage #mothermary #spirituality #marianpilgrimage #normandy #france #Douvres-la-Délivrande --- Support this podcast: https://podcasters.spotify.com/pod/show/stephanie-georgieff/support

In part 2 of our series on the Ghosts of Versailles, we're looking into what transpired in the years following the initial incident. Charlotte Moberly and Eleanor Jourdain conducted intense research to figure out who or what they may have been interacting with on August 10th, 1901. That research led them, among many other things, to discover there was an insurrection on that exact day in 1792, 71 years earlier to the day. The Tuileries Place is not in Versailles but in Paris, 11 miles away. Revolutionaries with weapons wanted the Monarchy abolished. They waged an intense attack on the palace that Louis XVI and Marie Antoinette were now living in on lockdown. On that day, 650 of the Swiss Guard were massacred by Jacobins and a group known as the Paris Commune. Once the Swiss Guard ran out of ammunition, they were slaughtered, and their bodies dismembered and paraded about the palace grounds. King Louis and Marie Antoinette had moved to a safer location in the Legislative Assembly Building. Moberly and Jourdain wondered if they might have somehow intersected with what no doubt would have been Marie Antoinette's fearful and saddened state of mind that day. Is it possible she was reminiscing about happier times at her favorite place in the world, Le Petit Trianon? Could Moberly and Jourdain have somehow crossed paths with Antoinette's ghostly memories of happiness on the anniversary of the day that would mark the beginning of the end, not only for the King and herself but the Monarchy, too? We'll discuss that and our theories about what may have happened and how the Ghosts of Versailles evolved into the story it is today. Visit our website for a lot more information on this episode.

Two hundred and thirty-one years ago this month, King Louis XVI of France lost his head. His execution by guillotine was a precursor of the Reign of Terror, a 10-month period from 1793 to 1794 when French Revolutionaries executed nearly 17,000 of their countrymen. Tens of thousands more died in prison or were murdered without a trial.  The French Revolution, one of history's most profound examples of the power of ideas, erupted out of the Enlightenment. In the mid-eighteenth century, philosophers such as Voltaire and Diderot effectively argued that human reason and scientific inquiry, rather than religion, were the true path to progress and greater freedom. Diderot's hostility to Christianity also spilled over into his views of the nobility. After all, if there were no God then King Louis could not have been “divinely appointed.” And if the king had no sacred claim to power, he had no right to live in outrageous luxury at Versailles while the French people were living in famine.   Some took these ideas further than others. In 1789, a few days before a mob stormed the Bastille prison in Paris, one of its longtime prisoners was transferred to a mental asylum. In his cell, he left a manuscript that would eventually be published under the title 120 Days of Sodom. The author was the infamous Marquis de Sade.  De Sade thought his novel to be the “most impure tale ever written.” It depicted graphic scenes of sexual violence, torture, and murder. It was also, to the utter horror of de Sade's contemporaries and modern historians, semi-autobiographical. De Sade spent most of his life in prison or mental asylums because of his crimes against vulnerable young women and men, and his name is the source of our modern word “sadism.”  More than an awful story, his book was a philosophical proposal. While Enlightenment philosophers such as Voltaire and Diderot denied the existence of God, they still defended many distinctly Christian virtues, including the goodness of self-sacrifice and the dignity of the poor. De Sade, on the other hand, did not share these philosophical inconsistencies. According to author and pastor Andrew Wilson in his book Remaking the World: How 1776 Created the Post-Christian West, de Sade simply had “no time” for Christian morality:  [De Sade] thought we should admit that there is no natural basis whatsoever for loving other people, forgiving them, or showing compassion. “The doctrine of loving one's neighbor is a fantasy that we owe to Christianity and not to Nature,” [de Sade] explained. Virtue, likewise, is “just a way of behaving that varies according to climate and consequently has nothing real about it.”   A century after de Sade, another philosopher described in stark clarity what a world without God would look like. In his “Parable of the Madman,” Friedrich Nietzsche described the death of God as “unchaining this earth from its sun.” In terms of personal morality, the Marquis de Sade got there first. Like Nietzsche, he was willing to explore the realities of his evil ideas in practice.   Though even the most radical sexual revolutionaries today would hesitate to claim de Sade as their intellectual forefather, they must. Before Darwin, he embraced a world where the strongest survive and most brutal thrive. Before the sexual revolution, he explored sex as only a means of pleasure with no regard for the dignity of people or their bodies. His disgusting depictions of torture foreshadowed the horrifying medical experiments that would be performed by the Nazis in the twentieth century. His open hatred for Christianity (he called Jesus “a scoundrel, a lecher, a showman who performed crude tricks”) anticipated an argument common today that Christianity is not only anti-intellectual and anti-rational, but plain evil.   For de Sade, freedom was pure license without the constraints or consequences of morality or even, for that matter, biology. This is only thinkable in a world without God, and therefore a world without any design or moral order. Those who argue for such a world have neither cause nor moral means by which to denounce the despicable behavior of de Sade or, for that matter, of Jeffrey Epstein and the men exposed when court documents were unsealed earlier this week.  Thankfully, despite the terrible ideas of the Enlightenment and their consequences, the world remains securely chained to its Sun. In the real world, the freedom to be fully human is grounded in the way God made us. Thus, true freedom is always hemmed in by virtue. Among the many benefits of this worldview is the ability to fiercely repudiate the degeneracy of the Marquis de Sade, and to do so from sound philosophical footing.  For more resources to live like a Christian in this cultural moment, go to breakpoint.org. 

Pastor Louis invites you to reflect on how we can be a God-centred community of worshipers that already here on earth reflects what our worship in heaven will be like. So, come, let us worship our King together here on earth as in heaven!

Step into the enchanting world of "Monsieur Beaucaire," presented by Vintage Classic Radio as part of "Sunday Night Playhouse" and originally broadcasted by Lux Radio Theatre on April 14th, 1947, . This delightful radio play stars a remarkable cast, led by the legendary Bob Hope in the titular role of Monsieur Beaucaire, the barber to King Louis of France. Joining him are Joan Caulfield as the endearing Mimi, whose aspirations lead her to the royal court, and Kay Christopher as the unexpected visitor, the Queen. Bob Hope's comedic prowess shines as he navigates the whimsical complexities of his character, while Joan Caulfield's portrayal of Mimi adds a touch of romance and ambition to the story. The captivating performances of the talented supporting cast further enhance the experience, including Herb Lytton, Donald Morrison, Jay Novello, Luis Van Rooten, Charles Seel, Eric Snowden, Anne Stone, and Roland Varno, each contributing their unique talents to the unfolding tale. Additionally, the voice talents of Carlton KaDell and William Johnstone, along with the contributions of Laurette Fillbrandt, Norman Field, and others, create a symphony of characters that bring the world of "Monsieur Beaucaire" to life. The creative genius of screenwriters Norman Panama and Melvin Frank, known for their wit and humor, shines through in every scene. The play's foundation rests on the literary brilliance of author Booth Tarkington, whose storytelling transports audiences to a bygone era of courtly intrigue and comedic misadventures. Join Vintage Classic Radio this Sunday for a journey back in time, where radio was the ultimate form of entertainment, and immerse yourself in the mirthful world of "Monsieur Beaucaire." Experience the charm, wit, and timeless humor of this beloved radio play, brought to life by a cast that truly embodies the essence of the golden age of radio.

In this episode of political saints, Andrew Willard Jones, author of "Before Church and State", discusses the life of King St. Louis IX. Dr. Jones shows how Louis fulfilled his role as king within his role as laity. Instead of the modern way of viewing Church and State as in tension with one another, King Louis saw himself as a lay member of the Church sanctifying the temporal order.

In 1627, Cardinal Richelieu (1585-1642), chief minister to King Louis the XIII, chartered a French trading and colonization Company of One Hundred Associates to capitalize on the North American fur trade and to expand French colonies centered on the Saint Lawrence River valley. Check out the YouTube version of this episode at https://youtu.be/IbweoOt_ReA which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Cardinal Richelieu books available at https://amzn.to/47L1KEs    Samuel de Champlain books available at https://amzn.to/40Ty6ck New France books available at https://amzn.to/3nXKYzy  LibriVox available for Free at https://amzn.to/3E8a5EE  Thanks for the many wonderful comments, messages, ratings and reviews. All of them are regularly posted for your reading pleasure on https://patreon.com/markvinet where you can also get exclusive access to Bonus episodes, Ad-Free content, Extra materials, and an eBook Welcome Gift when joining our growing community on Patreon or Donate on PayPal at https://bit.ly/3cx9OOL and receive an eBook GIFT. Support this series by enjoying a wide-range of useful & FUN Gadgets at https://twitter.com/GadgetzGuy and/or by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3k8qrGM (Amazon gives us credit at no extra charge to you). It costs you nothing to shop using this FREE store entry link and by doing so encourages & helps us create more quality content. Thanks! Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus                                                            Mark's TIMELINE video channel at https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/MarkVinet_HNA  Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://parthenonpodcast.com/history-of-north-america TikTok: https://tiktok.com/@historyofnorthamerica Books: https://amzn.to/3k8qrGM Linktree: https://linktr.ee/WadeOrganization                                                              LibriVox: Founder of New France-A Chronicle of Champlain by C.W. Colby, read by K. McAsh. See omnystudio.com/listener for privacy information.

Friday of the 20th Week in Ordinary Time Optional Memorial of St. Louis of France, 1214-1270; was devoted to his people, founding hospitals, visiting the sick, and caring even for people with leprosy; every day he had 13 special guests from among the poor to dine with him; led a crusade to North Africa in 1270, where the army was decimated by disease, including King Louis, who died Office of Readings and Morning Prayer for 8/25/23 Gospel: Matthew 22:34-40

A daily news briefing from Catholic News Agency, powered by artificial intelligence. Ask your smart speaker to play “Catholic News,” or listen every morning wherever you get podcasts. www.catholicnewsagency.com - India's Catholic bishops celebrated along with the rest of the country this week after an Indian-built lunar lander touched down on the moon's surface Wednesday morning, a win for the country's still-developing space program. “The progress made by our scientists and engineers in the field of space research is truly commendable and fills our hearts with pride,” said the Catholic Bishops' Conference of India (CBCI) on August 23. Similar to the Indian bishops, Pope Francis has spoken about space exploration — recalling the 50th anniversary of the moon landing in 2019, the pope encouraged Catholics to look to that great event for inspiration to overcome injustices and mistreatment of the weak. https://www.catholicnewsagency.com/news/255179/indias-bishops-elated-after-successful-moon-landing A seminarian in Nigeria's Diocese of Makurdi on Monday narrowly escaped death when the car he was riding in was shot at by Islamist Fulani herdsmen. David Igba, a seminarian with Via Christi Society who was fulfilling his pastoral assignment at Sacred Heart Udei Parish in the Diocese of Makurdi, was traveling with two others when their car was sprayed with bullets by a group of gun-wielding Fulani herders in the August 21 incident. Igba said it was a miracle that he and the other two occupants of the car survived the ordeal. “I was very scared,” he said. “The killings here are too much. I have lost many relations to the Fulani herdsmen, but that was the closest I came so close to death at … their hands. I kept praying that God would protect us.” He said most of those living in the villages that are currently under siege by the Fulani have already abandoned their villages and are living in a state of despair. https://www.catholicnewsagency.com/news/255176/seminarian-in-nigeria-narrowly-escapes-shooting-by-islamist-fulani-attackers A Maryland circuit court ruled August 16 that the identities of almost all of those named in the attorney general's report on child sexual abuse in the Baltimore Archdiocese can now be released to the public. Maryland Attorney General Anthony Brown will be releasing all but three of the redacted names following last week's Circuit Court for Baltimore City's ruling authorizing him to do so on or after September 26. The report, first released in April of this year, outlines a four-year investigation that alleges that more than 600 children were abused by 156 people, most of whom have died. The names of 46 individuals were redacted. The allegations span a period beginning in the 1940s through 2002. The report alleges that Church officials attempted to cover up many of the abuses by protecting predator priests and dismissing complaints. All but three of the redacted names will be revealed. The 463-page report is not a criminal charging document but a statement of alleged facts for informational purposes. https://www.catholicnewsagency.com/news/255177/names-of-baltimore-clergy-in-sexual-abuse-report-can-be-revealed-judge-rules Today, the Church celebrates Saint Louis. As the king of France, his biographers have written of the long hours he spent in prayer, fasting, and penance, without the knowledge of his people. King Louis was renowned for his charity. Beggars were fed from his table, he washed their feet, ministered to the wants of the lepers, and daily fed over one hundred poor. Saint Louis was also a patron of architecture. He died of the plague near Tunis during the Second Crusade. https://www.catholicnewsagency.com/saint/st-louis-ix-of-france-570

This is the story of two skulls. It's actually the mystery of two skulls and a long, extraordinary investigation to find the identity of two people.  It  is a tale that features one of France's most famous explorers, pirates, shipwrecks, kidnappings, ambushes and, of course, murder...

This week we take a trip to the Jungle with Baloo, Bagheera, King Louis and Mowgli as we explore Walt Disney's final animated classic. We explain why this film means so much to us and look into the legacy that this film has left us with.

Synopsis The thick historical novels of the 19th century French writer Alexandre Dumas, Sr. are packed with some fact and a lot of fiction. Chapter 22 of "The Three Musketeers," for example, set during the 17th century reign of King Louis XIII, begins as follows: "Nothing was talked of in Paris but the ball which the aldermen were to give to the king and queen in which their Majesties were to dance the famous 'La Merlaison' — the favorite ballet of the king. Eight days had been spent preparing for the important evening. The city carpenters erected risers for the guests; the hall would be lit by two hundred huge candles of white wax, a luxury unheard of; and twenty violins were ordered, the price for them double the usual rate, since they would be playing all night." In this case, Dumas was referencing a real event. On today's date in 1635, at Chantilly castle, a gala ballet premiered. It depicted in stylized dance the Louis's favorite activity: hunting the blackbird ("la merlaison" in French). The choreography, the costumes, and music were all created by the King himself—who also danced several of the lead roles. It got a rave review in the press of the day. If there were any critics, we suspect Cardinal Richelieu, the dreaded power behind the throne in Dumas's novel—and in real life—had them hauled off and "dealt with." Ah yes, it's good to be King. Music Played in Today's Program Louis XIII Roi de France (1601 - 1643) Ballet de la Merlaison Ancient Instrument Ensemble of Paris; Jacques Chailley, conductor. Nonesuch LP H-71130 On This Day Births 1835 - Austrian composer and conductor Eduard Strauss, in Vienna; He was the youngest son of Johann Strauss, Sr.; 1864 - Norwegian composer, conductor and violinist Johan Halvorsen, in Drammen; 1901 - American composer Colin McPhee, in Montréal, Canada; 1926 - American composer Ben Johnston, in Macon, Ga.; 1928 - American composer Nicolas Flagello, in New York City; Deaths 1842 - Italian composer Luigi Cherubini, age 81, in Paris; 1918 - French composer Lili Boulanger, age 24, in Mezy; 1942 - Austrian composer Alexander von Zemlinsky, age 70, in Larchmont, N.Y.; Premieres 1807 - Beethoven: Symphony No. 4 (first public performance), in Vienna, at a benefit concert conducted by the composer; 1885 - Franck: symphonic poem "Les Dijinns" (The Genies), in Paris; 1897 - Rachmaninoff: Symphony No. 1 (Gregorian date: Mar. 27); 1908 - Ravel: "Rapsodie espagnole" (Spanish Rhapsody), in Paris; 1911 - Scriabin: Symphony No. 5 ("Prometheus: Poem of Fire"), in Moscow, conducted by Serge Koussevitzky and with the composer performing the solo piano part (Julian date: Mar. 2); 1981 - Stockhausen: opera "Donnerstag, aus Licht" (Thursday, from Light), in Milan at the Teatro alla Scala; This is one of a projected cycle of seven operas, each named after a day of the week; 1994 - Peter Maxwell Davies: "Chat Moss" (the name of a quagmire in Lancashire) for orchestra, in Liverpool by the orchestra of St. Edward's College, John Moseley conducting; 2000 - Corigliano: "Mr. Tambourine Man: Seven Poems of Bob Dylan," at Carnegie Hall, by soprano Sylvia McNair and pianist Martin Katz; An orchestrated version of this song-cycle premiered in Minneapolis on October 23, 2003, with soprano Hila Plitmann and the Minnesota Orchestra conducted by Robert Spano; Others 1895 - Italian tenor Enrico Caruso, age 22, makes his operatic debut at the Teatro Nuovo in Naples, singing the lead tenor role in Domenico Morelli's comic opera "L'Amico Francesco." Links and Resources On Louis XIII

Louis Philippe's reign began positively, but over time he faced mounting opposition. After abdicating he fled across the Channel to Britain where he died two years ...

The Prince is a political treatise, written by Niccolò Machiavelli, first distributed in 1513. It's infamous for its apparent advice to political leaders to lie, murder, and manipulate. It's still a fascinating read today, and is thought-provoking when considering any context where the true motives of actions may not be what they seem. Here, in my own words, is a summary of Niccoló Machiavelli's, The Prince. Is The Prince advice, satire, or sabotage? Machiavelli wrote The Prince while in exile from Florence. Since he opens it with a letter to Lorenzo d'Medici it seems like Machiavelli was trying to get a political position with the Medici, by demonstrating his political knowledge. (The Medici had recently returned to power in Florence, after themselves being exiled fifteen years.) But, some scholars think The Prince is satire. Others think the advice within was a ploy, in that if it were followed, the actions would weaken the power of the Medici. “The ends [justified] the means,” in Renaissance Italy Though the phrase isn't in the book, The Prince is the origin of the saying, “the ends justify the means.” In other words, if you have an important goal, morality doesn't matter. It's also the inspiration for the name of the personality trait of “Machiavellianism”, which is characterized by manipulativeness, insensitivity, and an indifference to morality. Psychologists include Machiavellianism in the “dark triad” personality traits, along with narcissism and psychopathy. Sixteenth century Italy was the perfect environment for advice like that in The Prince to flourish. There was constant conflict amongst small governing bodies, including the most-notable city-states of Florence, Milan, Rome, Naples, and Venice. Additionally, there were frequent invasions by Spain, France, or the Holy Roman Empire. If the numerous examples Machiavelli cites in The Prince are any indication, if you didn't lie, murder, and manipulate, you wouldn't stay in power, and probably would be murdered yourself. You don't have to be Machiavellian to learn from The Prince As you listen to this advice, it's not hard to think of similar, less-violent situations in our everyday lives, as we build relationships and careers, or watch others vie for power. So what is some of this juicy advice that has made The Prince and Niccolò Machiavelli so infamous? I'll break down this summary into two sections, followed by some historical examples Machiavelli cites, peppered with some quotes. Those two sections are: Gaining power Retaining power (Note this isn't how Machiavelli organizes The Prince.) 1. Gaining power First how to gain power. Machiavelli points out that the people within a state are eager to change rulers. People naturally expect change to improve their lives, so, they're willing to join in armed resistance against the ruling power. This attitude extends from the people, to other states. If a powerful foreigner invades a country, the states within want to help overturn the rule of the most-powerful state. But you have to be careful. It's normal to want to acquire more land, but when you try to do it by any means possible, you end up making dumb mistakes. How this applies to other domains As you hear this, you may already have some parallels to other domains bouncing around in your head. How many times have you bought a product just slightly different from one you already had, because you believed the change would make your life better? Marketers take advantage of this. I've read one marketing book that advised to think of the product you're marketing as a “new opportunity.” Changing leadership is a “new opportunity,” that temporarily makes you optimistic, like how we feel when a New Year comes around. But often, the new product, the new ruler, or the New Year doesn't make your life better. We get stuck in a cycle of wanting change and striving for it, only to find we aren't better off than before, which drives our desire to change once again. This is why, to quote Machiavelli: There is nothing more difficult to take in hand, more perilous to conduct, or more uncertain in its success, than to take the lead in the introduction of a new order of things. Because the innovator has for enemies all those who have done well under the old conditions, and lukewarm defenders in those who may do well under the new. —Niccolò Machiavelli The Prince In other words, you might get short-term support in the change you're trying to introduce, but the support you once had will soon wane, and those who were doing well before will try to overthrow you. 2. Retaining power This brings us to the second section, about retaining power. Being able to retain power starts with choosing carefully where and how you gain power. This is why Machiavelli warns: He who has not first laid his foundations may be able with great ability to lay them afterwards, but they will be laid with trouble to the architect and danger to the building. —Niccolò Machiavelli The Prince Any new state is extremely fragile, unless the person who unexpectedly gained power over that state is highly-skilled. You can gain power by getting the help of the people, or other states, but whoever helped you will probably be disappointed in what they get from it, and will no longer want to help you. Be especially careful not to make your allies much more powerful, because then they'll become threats. Additionally, they'll distrust you, because in the process of helping them, they saw how cunning you are. So, if you're invading a place, you want to be on the good side of the natives. However, if they're used to being free, you'll have to destroy them, or they'll destroy you. As Machiavelli said: Men ought to either be well treated or crushed, because they can avenge themselves of lighter injuries, of more serious ones they cannot. —Niccolò Machiavelli The Prince In other words, if they're dead, they can't get revenge. And: He who becomes master of a city accustomed to freedom and does not destroy it, may expect to be destroyed by it. —Niccolò Machiavelli The Prince If you want to retain power in a new state, you need to start a colony there. You don't have to spend a lot on the colony, because after you take the land and houses of people, they will be, “poor and scattered,” and can't hurt you. It's important to be in the place you're ruling, because otherwise you don't find out about things that go wrong until it's too late to fix them. Statecraft is a lot of work, because, as Machiavelli says: He who has relied least on fortune is established the strongest. —Niccolò Machiavelli The Prince How this applies to other domains Some of this advice may resonate with situations you've experienced. Some of it may be horrifying to you. Here's how it can apply to other domains. Imagine you're a CEO, and you've just acquired a new company. It's best to get it right the first time. If you make mistakes, you'll have a hard time leading the company. When a company acquires another, or a new leader comes into a company, you often see layoffs right away. This mirrors Machiavelli's related advice, which is: Injuries ought to be done all at one time, so that, being tasted less, they offend less; benefits ought to be given little by little, so that the flavor of them may last longer. —Niccolò Machiavelli The Prince If done according to Machiavelli's advice, after the brutal layoffs, there will be ice-cream socials, team-building exercises, and bonuses scattered over the coming months and years, hopefully without more massive layoffs. Whoever is in charge had better have close oversight to an office that's far away from headquarters, otherwise by the time you find out about problems, it's too late to fix them. How not to rule: King Louis XII A leader who Machiavelli uses as a warning for not ruling well is King Louis the XII, of France. The Venetians brought in King Louis, because they wanted to seize half the state of Lombardy. But they later realized, they had helped make Louis king of two-thirds of Italy. Louis was now well-positioned, but then his mistakes began. He helped Pope Alexander occupy the Romagna, divided the kingdom of Naples with the king of Spain, and turned around and tried to conquer Venice's territories. So, he weakened the minor power of Venice, losing their alliance, made a great power – the pope – even more powerful, and brought in a foreign power – Spain. He didn't settle in the land he had conquered, and didn't set up colonies. How to rule: Cesare Borgia Like Louis XII when the Venetians enlisted his help, Cesare Borgia came into power through fortune. Unlike Louis, he made what Machiavelli felt were wise decisions. Cesare was the son of Pope Alexander VI, who himself was cunning. He wanted to give Cesare a state to rule, but there weren't good options. For example, the Milanese or the Venetians would stop him, and anyone in Italy who might have helped knew better than to make the pope even more powerful. When the Venetians brought the French into Italy, Alexander didn't make a fuss, and even helped Louis out by dissolving his marriage. He provided some soldiers to help out in a military campaign in Romagna, and now his son, Cesare was the duke of Romagna. But Cesare wasn't thrilled with his military. The Orsini soldiers didn't seem psyched to take Bologna, and when he attacked Tuscany after taking over Urbino, Louis made him stop. So Cesare decided to figure out how to do things on his own. Cesare Borgia followed Machiavelli's advice (somewhat literally) Anywhere Cesare took power, he was sure to kill the nobles and their families. He weakened the Orsini and Colonna parties in Rome, by making them nobles and giving them a good salary. Then he brought in a Spaniard named Ramiro d'Orco (also known as Ramiro de Lorca) to govern the Romagna. The Romagna had been in disorder when Cesare took over, and d'Orco restored order, but through nasty means, using lots of torture, public executions, and fines. Once d'Orco had cleaned things up, Cesare – according to Machiavelli – didn't want to be associated with d'Orco's reign of terror. So, he had him publicly executed, and put his head on a stick in the town square. Machiavelli was an advisor to Cesare during this time, and felt that Cesare did almost everything right to make the best of the power he had gained through fortune, and lay a foundation that could withstand the inevitable death of his father, the pope. Machiavelli says: He told me that he had thought of everything that might occur at the death of his father, and had provided a remedy for all, except that he had never anticipated that, when the death did happen, he himself would be on the point to die. —Niccolò Machiavelli, The Prince (on Cesare Borgia) When the pope did die – sooner than expected – Cesare himself was nearly dead from malaria. Though he won the favor of the next pope, Pius III died after only twenty-six days. Machiavelli felt Cesare's one mistake was then helping elect Pope Julius II, who had promised him favors in return. As Machiavelli says: He who believes that new benefits will cause great personages to forget old injuries is deceived. —Niccolò Machiavelli, The Prince Cesare had slighted Julius in the past, and he wasn't going to forget that. Julius seized land from Cesare, and didn't support him. You can see a dramatization of the story of Pope Alexander and Cesare Borgia in Showtime's excellent-but-incomplete series, The Borgias. The Prince, today Machiavelli's advice – if it really is that – sounds brutal to modern ears, but it was a product of the reality of the time. Machiavelli was the only one brave enough – maybe desperate enough – to describe that reality. In many areas of life, business, and politics, the true effects of actions are often more complex than they appear on the surface. Sometimes this is an accident, many times it's deliberate. Why does a politician, a CEO, or a even a friend say what they say? I'm almost tempted to list The Prince on my best media books list, because the effect of a piece of media is always deeper than it appears on the surface. Political leaders in sixteenth-century Italy influenced perceptions through public events that could be described as media. You could say Cesare Borgia's public execution of Ramiro d'Orco was a pseudo-event. If so, Ryan Holiday's Trust Me, I'm Lying is like a modern day, The Prince: exposing the fundamentally-ugly reality of how a complex and brutal system that affects public perceptions works. Why Machiavelli's exile wasn't lonely Lest you have a low opinion of Niccolò Machiavelli from the content in The Prince, I want to leave you with something more endearing about him. When the Medici returned to power, they suspected Machiavelli of conspiring against them, so had him jailed and tortured – a decent reason to believe The Prince may have been satirical or, fittingly, a Machiavellian gambit to cause the Medici harm. Exiled to his farm estate, and stripped of his position as a political advisor, Machiavelli did his best to keep doing the work he loved, and retain a sense of dignity. In a letter to a friend, he described his daily ritual: When evening comes, I go back home, and go to my study. On the threshold, I take off my work clothes, covered in mud and filth, and I put on the clothes an ambassador would wear. Decently dressed, I enter the ancient courts of rulers who have long since died. There, I am warmly welcomed, and I feed on the only food I find nourishing and was born to savor. I am not ashamed to talk to them and ask them to explain their actions and they, out of kindness, answer me. Four hours go by without my feeling any anxiety. I forget every worry. I am no longer afraid of poverty or frightened of death. I live entirely through them. —Niccolò Machiavelli, Letter to Francesco Vettori There's your summary of Niccolò Machiavelli's The Prince If you enjoyed this summary, I highly recommend you read Niccolò Machiavelli's The Prince. There's also an excellent free online annotated version online, called The Annotated Prince. Thank you for having me on your podcasts! Thank you for having me on your podcasts. Thank you to David DeCelle for having me on The Model FA podcast. As always, you can find interviews of me on my interviews page. About Your Host, David Kadavy David Kadavy is author of Mind Management, Not Time Management, The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher YouTube RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »       Show notes: http://kadavy.net/blog/posts/the-prince-niccolo-machiavelli-summary/

Here's what's trending - If you are doing dry January Martha Stewart shows you what you can do with that vodka, dressing your mom as yourself is a thing right now, and Johnny Depp looking regal in his first role in the last 3 years.

The Filles du Roi or Daughters of the King, was a term used to describe roughly 800 young French women who's dowries and passage to the new world was paid for by King Louis the 14th in an attempt to correct the imbalance of men in New France and help encourage the creation of families and the agricultural settlement of the territory.  Between 1663 and 1673 these women braved the trip across the ocean to an unknown future for the hope of new life and possibly new love in the new world.

Welcome to November 18, 2022 on the National Day Calendar. Today we celebrate cold soup and a mighty mouse.  Though some like it hot, most people know the soup Vichyssoise is best served cold. Here in the States this French classic was first served at the Ritz Carlton by chef Louis Diat in the Summer of 1917. The chef was inspired to recreate the potato and leek soup of his childhood in France. But how did the French come to love cold soup anyway? Some believe that the tradition began with King Louis the XV who was so afraid of being poisoned that he had many servants taste his soup first. By the time it was approved for his consumption, the soup was cold and that is how King Louis came to prefer it. On National Vichyssoise Day we invite you to rediscover this culinary classic.   We give a shout out today to the world's most popular cartoon character: Mickey Mouse. Here are a few facts about Walt Disney's loveable rodent, that you might not have heard. His original name was Mortimer, but Disney's wife made him change it. His first appearance was in the 1928 silent cartoon, Steamboat Willie. Mickey didn't speak until the following year's animated feature The Carnival Kid, in which he worked as a food vendor. His first words were “Hot dog! Hot dog!” He was the first animated character to get a star on the Hollywood Walk of Fame in 1978. Today we celebrate the birthday of this little mouse who's made a big impact. I'm Anna Devere and I'm Marlo Anderson. Thanks for joining us as we Celebrate Every Day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Synopsis To most music lovers, the name Jean-Baptise Lully calls to mind pompous and courtly music for Louis XIV, the French “Sun King” who was his great patron. The Italian-born Lully is credited with “creating” French opera in the 17th century — and some of these works, usually based on subjects from classical mythology and poetry, are occasionally revived and recorded today. But that was only one side of Lully's personality, the “stuffy and serious” side, because Lully was also something of a clown — literally. For over seven years, he worked with the great French comedian and playwright Moliere to create joint stage works. In addition to composing the music, Lully acted, sang and danced in these satirical and slap-stick affairs. The most famous of the Lully-Moliere collaborations debuted on today's date in 1670, when, to cheer up King Louis after an embarrassing incident involving a bogus ambassador from Turkey, Lully and Moliere concocted a ballet spoof they called Le Turc Ridicule, preceded by a musical play about a wealthy upstart from the middle class, titled Le Bourgeois Gentilhomme. Lully played the role of the Grand Mufti, and Moliere the middle-class upstart with upper-class aspirations. Think of Abbot and Costello or Laurel and Hardy in powdered wigs, and you get the idea. Music Played in Today's Program Jean-Baptiste Lully (1632-1687) Le Bourgeois Gentilhomme Comedy-Ballet Le Concert des Nations; Jordi Savall, cond. Alia Vox 9807

Julie d'Aubigny is just getting started! Now an operatic celebrity under her stagename, La Maupin, she continues to dive into daring duels, forbidden loves, and hilarious crimes. But after a second pardon from King Louis, would she finally find a love that would settle her down? Find out in her exciting conclusion - en garde!See omnystudio.com/listener for privacy information.

Julie d'Aubigny was a 17th century French woman whose life sounds so chaotic and intense, she's in the running for our most ridiculous story yet. She would duel men all the time (and win), she pranked and embarrassed nobles just for fun, and she even set a convent on fire so she could run off with her forbidden lesbian lover! She pulled schemes so wild, King Louis couldn't even be mad about it. And that's all BEFORE she became a celebrity!See omnystudio.com/listener for privacy information.

Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Baby, Now That I've Found You" by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Turtles songs in the episode. There's relatively little information available about the Turtles compared to other bands of their era, and so apart from the sources on the general LA scene referenced in all these podcasts, the information here comes from a small number of sources. This DVD is a decent short documentary on the band's career. Howard Kaylan's autobiography, Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc.,  is a fun read, if inevitably biased towards his own viewpoint. Jim Pons' Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God is much less fun, being as it is largely organised around how his life led up to his latter-day religious beliefs, but is the only other book I'm aware of with a substantial amount of coverage of the Turtles. There are many compilations of the Turtles' material available, of which All The Singles is by far and away the best. The box set of all their albums with bonus tracks is now out of print on CD, but can still be bought as MP3s. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've spent a lot of time recently in the LA of summer 1967, at the point where the sunshine pop sound that was created when the surf harmonies of the Beach Boys collided with folk rock was at its apex, right before fashions changed and tight sunny pop songs with harmonies from LA became yesterday's news, and extended blues-rock improvisations from San Francisco became the latest in thing. This episode is the last part of this four-episode sequence, and is going to be shorter than those others. In many ways this one is a bridge between this sequence and next episode, where we travel back to London, because we're saying goodbye for a while to the LA scene, and when we do return to LA it will be, for the most part, to look at music that's a lot less sunshine and a lot more shadow. So this is a brief fade-out while we sing ba-ba-ba, a three-minute pop-song of an episode, a last bit of sunshine pop before we return to longer, more complicated, stories  in two weeks' time, at which point the sun will firmly set. Like many musicians associated with LA, Howard Kaylan was born elsewhere and migrated there as a child, and he seems to have regarded his move from upstate New York to LA as essentially a move to Disneyland itself. That impression can only have been made stronger by the fact that soon after his family moved there he got his first childhood girlfriend -- who happened to be a Mouseketeer on the TV. And TV was how young Howard filtered most of his perceptions -- particularly TV comedy. By the age of fourteen he was the president of the Soupy Sales Fan Club, and he was also obsessed with the works of Ernie Kovacs, Sid Caesar, and the great satirist and parodist Stan Freberg: [Excerpt: Stan Freberg, "St. George and the Dragonet"] Second only to his love of comedy, though, was his love of music, and it was on the trip from New York to LA that he saw a show that would eventually change his life. Along the way, his family had gone to Las Vegas, and while there they had seen Louis Prima and Keeley Smith do their nightclub act. Prima is someone I would have liked to do a full podcast episode on when I was covering the fifties, and who I did do a Patreon bonus episode on. He's now probably best known for doing the voice of King Louis in the Jungle Book: [Excerpt: Louis Prima, "I Wanna Be Like You (the Monkey Song)"] But he was also a jump blues musician who made some very good records in a similar style to Louis Jordan, like "Jump, Jive, an' Wail" [Excerpt: Louis Prima, "Jump, Jive, an' Wail"] But like Jordan, Prima dealt at least as much in comedy as in music -- usually comedy involving stereotypes about his Italian-American ethnic origins. At the time young Howard Kaylan saw him, he was working a double act with his then-wife Keeley Smith. The act would consist of Smith trying to sing a song straight, while Prima would clown around, interject, and act like a fool, as Smith grew more and more exasperated, and would eventually start contemptuously mocking Prima. [Excerpt: Louis Prima and Keeley Smith, "Embraceable You/I've Got It Bad and That Ain't Good"] This is of course a fairly standard double-act format, as anyone who has suffered through an episode of The Little and Large Show will be all too painfully aware, but Prima and Smith did it better than most, and to young Howard Kaylan, this was the greatest entertainment imaginable. But while comedy was the closest thing to Kaylan's heart, music was a close second. He was a regular listener to Art Laboe's radio show, and in a brief period as a teenage shoplifter he obtained records like Ray Charles' album Genius + Soul = Jazz: [Excerpt: Ray Charles, "One Mint Julep"] and the single "Tossin' and Turnin'" by Bobby Lewis: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] "Tossin' and Turnin'" made a deep impression on Kaylan, because of the saxophone solo, which was actually a saxophone duet. On the record, baritone sax player Frank Henry played a solo, and it was doubled by the great tenor sax player King Curtis, who was just playing a mouthpiece rather than a full instrument, making a high-pitched squeaking sound: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] Curtis was of course also responsible for another great saxophone part a couple of years earlier, on a record that Kaylan loved because it combined comedy and rock and roll, "Yakety Yak": [Excerpt: The Coasters, "Yakety Yak"] Those two saxophone parts inspired Kaylan to become a rock and roller. He was already learning the clarinet and playing part time in an amateur Dixieland band, and it was easy enough to switch to saxophone, which has the same fingering. Within a matter of weeks of starting to play sax, he was invited to join a band called the Nightriders, who consisted of Chuck Portz on bass, Al Nichol on guitar, and Glen Wilson on drums. The Nightriders became locally popular, and would perform sets largely made up of Johnny and the Hurricanes and Ventures material. While he was becoming a budding King Curtis, Kaylan was still a schoolkid, and one of the classes he found most enjoyable was choir class. There was another kid in choir who Kaylan got on with, and one day that kid, Mark Volman came up to him, and had a conversation that Kaylan would recollect decades later in his autobiography: “So I hear you're in a rock 'n' roll band.” “Yep.” “Um, do you think I could join it?” “Well, what do you do?” “Nothing.” “Nothing?” “Nope.” “Sounds good to me. I'll ask Al.” Volman initially became the group's roadie and occasional tambourine player, and would also get on stage to sing a bit during their very occasional vocal numbers, but was mostly "in the band" in name only at first -- he didn't get a share of the group's money, but he was allowed to say he was in the group because that meant that his friends would come to the Nightriders' shows, and he was popular among the surfing crowd. Eventually, Volman's father started to complain that his son wasn't getting any money from being in the band, while the rest of the group were, and they explained to him that Volman was just carrying the instruments while they were all playing them. Volman's father said "if Mark plays an instrument, will you give him equal shares?" and they said that that was fair, so Volman got an alto sax to play along with Kaylan's tenor. Volman had also been taking clarinet lessons, and the two soon became a tight horn section for the group, which went through a few lineup changes and soon settled on a lineup of Volman and Kaylan on saxes, Nichol on lead guitar, Jim Tucker on rhythm guitar, Portz on bass, and Don Murray on drums. That new lineup became known as the Crossfires, presumably after the Johnny and the Hurricanes song of the same name: [Excerpt: Johnny and the Hurricanes, "Crossfire"] Volman and Kaylan worked out choreographed dance steps to do while playing their saxes, and the group even developed a group of obsessive fans who called themselves the Chunky Club, named after one of the group's originals: [Excerpt: The Crossfires, "Chunky"] At this point the group were pretty much only playing instrumentals, though they would do occasional vocals on R&B songs like "Money" or their version of Don and Dewey's "Justine", songs which required more enthusiasm than vocal ability. But their first single, released on a tiny label, was another surf instrumental, a song called "Dr. Jekyll and Mr. Hyde": [Excerpt: The Crossfires, "Dr. Jekyll and Mr Hyde"] The group became popular enough locally that they became the house band at the Revelaire Club in Redondo Beach. There as well as playing their own sets, they would also be the backing band for any touring acts that came through without their own band, quickly gaining the kind of performing ability that comes from having to learn a new artist's entire repertoire in a few days and be able to perform it with them live with little or no rehearsal. They backed artists like the Coasters, the Drifters, Bobby Vee, the Rivingtons, and dozens of other major acts, and as part of that Volman and Kaylan would, on songs that required backing vocals, sing harmonies rather than playing saxophone. And that harmony-singing ability became important when the British Invasion happened, and suddenly people didn't want to hear surf instrumentals, but vocals along the lines of the new British groups. The Crossfires' next attempt at a single was another original, this one an attempt at sounding like one of their favourite new British groups, the Kinks: [Excerpt: The Crossfires, "One Potato, Two Potato"] This change to vocals necessitated a change in the group dynamic. Volman and Kaylan ditched the saxophones, and discovered that between them they made one great frontman. The two have never been excessively close on a personal level, but both have always known that the other has qualities they needed. Frank Zappa would later rather dismissively say "I regard Howard as a fine singer, and Mark as a great tambourine player and fat person", and it's definitely true that Kaylan is one of the truly great vocalists to come out of the LA scene in this period, while Volman is merely a good harmony singer, not anything particularly special -- though he *is* a good harmony singer -- but it undersells Volman's contribution. There's a reason the two men performed together for nearly sixty years. Kaylan is a great singer, but also by nature rather reserved, and he always looked uncomfortable on stage, as well as, frankly, not exactly looking like a rock star (Kaylan describes himself not inaccurately as looking like a potato several times in his autobiography). Volman, on the other hand, is a merely good singer, but he has a naturally outgoing personality, and while he's also not the most conventionally good-looking of people he has a *memorable* appearance in a way that Kaylan doesn't. Volman could do all the normal frontman stuff, the stuff that makes a show an actual show -- the jokes, the dancing, the between-song patter, the getting the crowd going, while Kaylan could concentrate on the singing. They started doing a variation on the routine that had so enthralled Howard Kaylan when he'd seen Louis Prima and Keeley Smith do it as a child. Kaylan would stand more or less stock still, looking rather awkward, but singing like an angel, while Volman would dance around, clown, act the fool, and generally do everything he could to disrupt the performance -- short of actually disrupting it in reality. It worked, and Volman became one of that small but illustrious group of people -- the band member who makes the least contribution to the sound of the music but the biggest contribution to the feel of the band itself, and without whom they wouldn't be the same. After "One Potato, Two Potato" was a flop, the Crossfires were signed to their third label. This label, White Whale, was just starting out, and the Crossfires were to become their only real hit act. Or rather, the Turtles were. The owners of White Whale knew that they didn't have much promotional budget and that their label was not a known quantity -- it was a tiny label with no track record. But they thought of a way they could turn that to their advantage. Everyone knew that the Beatles, before Capitol had picked up their contracts, had had their records released on a bunch of obscure labels like Swan and Tollie. People *might* look for records on tiny independent labels if they thought it might be another British act who were unknown in the US but could be as good as the Beatles. So they chose a name for the group that they thought sounded as English as possible -- an animal name that started with "the", and ended in "les", just like the Beatles. The group, all teenagers at the time, were desperate enough that they agreed to change their name, and from that point on they became the Turtles. In order to try and jump on as many bandwagons as possible, the label wanted to position them as a folk-rock band, so their first single under the Turtles name was a cover of a Bob Dylan song, from Another Side of Bob Dylan: [Excerpt: Bob Dylan, "It Ain't Me Babe"] That song's hit potential had already been seen by Johnny Cash, who'd had a country hit with it a few months before. But the Turtles took the song in a different direction, inspired by Kaylan's *other* great influence, along with Prima and Smith. Kaylan was a big fan of the Zombies, one of the more interesting of the British Invasion groups, and particularly of their singer Colin Blunstone. Kaylan imitated Blunstone on the group's hit single, "She's Not There", on which Blunstone sang in a breathy, hushed, voice on the verses: [Excerpt: The Zombies, "She's Not There"] before the song went into a more stomping chorus on which Blunstone sang in a fuller voice: [Excerpt: The Zombies, "She's Not There"] Kaylan did this on the Turtles' version of "It Ain't Me Babe", starting off with a quiet verse: [Excerpt: The Turtles, "It Ain't Me Babe"] Before, like the Zombies, going into a foursquare, more uptempo, louder chorus: [Excerpt: The Turtles, "It Ain't Me Babe"] The single became a national top ten hit, and even sort of got the approval of Bob Dylan. On the group's first national tour, Dylan was at one club show, which they ended with "It Ain't Me Babe", and after the show the group were introduced to the great songwriter, who was somewhat the worse for wear. Dylan said “Hey, that was a great song you just played, man. That should be your single", and then passed out into his food. With the group's first single becoming a top ten hit, Volman and Kaylan got themselves a house in Laurel Canyon, which was not yet the rock star Mecca it was soon to become, but which was starting to get a few interesting residents. They would soon count Henry Diltz of the Modern Folk Quartet, Danny Hutton, and Frank Zappa among their neighbours. Soon Richie Furay would move in with them, and the house would be used by the future members of the Buffalo Springfield as their rehearsal space. The Turtles were rapidly becoming part of the in crowd. But they needed a follow-up single, and so Bones Howe, who was producing their records, brought in P.F. Sloan to play them a few of his new songs. They liked "Eve of Destruction" enough to earmark it as a possible album track, but they didn't think they would do it justice, and so it was passed on to Barry McGuire. But Sloan did have something for them -- a pseudo-protest song called "Let Me Be" that was very clearly patterned after their version of "It Ain't Me Babe", and which was just rebellious enough to make them seem a little bit daring, but which was far more teenage angst than political manifesto: [Excerpt: The Turtles, "Let Me Be"] That did relatively well, making the top thirty -- well enough for the group to rush out an album which was padded out with some sloppy cover versions of other Dylan songs, a version of "Eve of Destruction", and a few originals written by Kaylan. But the group weren't happy with the idea of being protest singers. They were a bunch of young men who were more motivated by having a good time than by politics, and they didn't think that it made sense for them to be posing as angry politicised rebels. Not only that, but there was a significant drop-off between "It Ain't Me Babe" and "Let Me Be". They needed to do better. They got the clue for their new direction while they were in New York. There they saw their friends in the Mothers of Invention playing their legendary residency at the Garrick Theatre, but they also saw a new band, the Lovin' Spoonful, who were playing music that was clearly related to the music the Turtles were doing -- full of harmonies and melody, and inspired by folk music -- but with no sense of rebelliousness at all. They called it "Good Time Music": [Excerpt: The Lovin' Spoonful, "Good Time Music"] As soon as they got back to LA, they told Bones Howe and the executives at White Whale that they weren't going to be a folk-rock group any more, they were going to be "good time music", just like the Lovin' Spoonful. They were expecting some resistance, but they were told that that was fine, and that PF Sloan had some good time music songs too. "You Baby" made the top twenty: [Excerpt: The Turtles, "You Baby"] The Turtles were important enough in the hierarchy of LA stars that Kaylan and Tucker were even invited by David Crosby to meet the Beatles at Derek Taylor's house when they were in LA on their last tour -- this may be the same day that the Beatles met Brian and Carl Wilson, as I talked about in the episode on "All You Need is Love", though Howard Kaylan describes this as being a party and that sounded like more of an intimate gathering. If it was that day, there was nearly a third Beach Boy there. The Turtles knew David Marks, the Beach Boys' former rhythm guitarist, because they'd played a lot in Inglewood where he'd grown up, and Marks asked if he could tag along with Kaylan and Tucker to meet the Beatles. They agreed, and drove up to the house, and actually saw George Harrison through the window, but that was as close as they got to the Beatles that day. There was a heavy police presence around the house because it was known that the Beatles were there, and one of the police officers asked them to drive back and park somewhere else and walk up, because there had been complaints from neighbours about the number of cars around. They were about to do just that, when Marks started yelling obscenities and making pig noises at the police, so they were all arrested, and the police claimed to find a single cannabis seed in the car. Charges were dropped, but now Kaylan was on the police's radar, and so he moved out of the Laurel Canyon home to avoid bringing police attention to Buffalo Springfield, so that Neil Young and Bruce Palmer wouldn't get deported. But generally the group were doing well. But there was a problem. And that problem was their record label. They rushed out another album to cash in on the success of "You Baby", one that was done so quickly that it had "Let Me Be" on it again, just as the previous album had, and which included a version of the old standard "All My Trials", with the songwriting credited to the two owners of White Whale records. And they pumped out a lot of singles. A LOT of singles, ranging from a song written for them by new songwriter Warren Zevon, to cover versions of Frank Sinatra's "It Was a Very Good Year" and the old standard "We'll Meet Again". Of the five singles after "You Baby", the one that charted highest was a song actually written by a couple of the band members. But for some reason a song with verses in 5/4 time and choruses in 6/4 with lyrics like "killing the living and living to kill, the grim reaper of love thrives on pain" didn't appeal to the group's good-time music pop audience and only reached number eighty-one: [Excerpt: The Turtles, "Grim Reaper of Love"] The group started falling apart. Don Murray became convinced that  the rest of the band were conspiring against him and wanted him out, so he walked out of the group in the middle of a rehearsal for a TV show. They got Joel Larson of the Grass Roots -- the group who had a number of hits with Sloan and Barri songs -- to sub for a few gigs before getting in a permanent replacement, Johnny Barbata, who came to them on the recommendation of Gene Clark, and who was one of the best drummers on the scene -- someone who was not only a great drummer but a great showman, who would twirl his drumsticks between his fingers with every beat, and who would regularly engage in drum battles with Buddy Rich. By the time they hit their fifth flop single in a row, they lost their bass player as well -- Chuck Portz decided he was going to quit music and become a fisherman instead. They replaced him with Chip Douglas of the Modern Folk Quartet. Then they very nearly lost their singers. Volman and Kaylan both got their draft notices at the same time, and it seemed likely they would end up having to go and fight in the Vietnam war. Kaylan was distraught, but his mother told him "Speak to your cousin Herb". Cousin Herb was Herb Cohen, the manager of the Mothers of Invention and numerous other LA acts, including the Modern Folk Quartet, and Kaylan only vaguely knew him at this time, but he agreed to meet up with them, and told them “Stop worrying! I got Zappa out, I got Tim Buckley out, and I'll get you out.” Cohen told Volman and Kaylan to not wash for a week before their induction, to take every drug of every different kind they could find right before going in, to deliberately disobey every order, to fail the logic tests, and to sexually proposition the male officers dealing with the induction. They followed his orders to the letter, and got marked as 4-F, unfit for service. They still needed a hit though, and eventually they found something by going back to their good-time music idea. It was a song from the Koppelman-Rubin publishing company -- the same company that did the Lovin Spoonful's management and production. The song in question was by Alan Gordon and Gary Bonner, two former members of a group called the Magicians, who had had a minor success with a single called "An Invitation to Cry": [Excerpt: The Magicians, "An Invitation to Cry"] The Magicians had split up, and Bonner and Gordon were trying to make a go of things as professional songwriters, but had had little success to this point. The song on the demo had been passed over by everyone, and the demo was not at all impressive, just a scratchy acetate with Bonner singing off-key and playing acoustic rhythm guitar and Gordon slapping his knees to provide rhythm, but the group heard something in it. They played the song live for months, refining the arrangement, before taking it into the studio. There are arguments to this day as to who deserves the credit for the sound on "Happy Together" -- Chip Douglas apparently did the bulk of the arrangement work while they were on tour, but the group's new producer, Joe Wissert, a former staff engineer for Cameo-Parkway, also claimed credit for much of it. Either way, "Happy Together" is a small masterpiece of dynamics. The song is structured much like the songs that had made the Turtles' name, with the old Zombies idea of the soft verse and much louder chorus: [Excerpt: The Turtles, "Happy Together"] But the track is really made by the tiny details of the arrangement, the way instruments and vocal parts come in and out as the track builds up, dies down, and builds again. If you listen to the isolated tracks, there are fantastic touches like the juxtaposition of the bassoon and oboe (which I think is played on a mellotron): [Excerpt: The Turtles, "Happy Together", isolated tracks] And a similar level of care and attention was put into the vocal arrangement by Douglas, with some parts just Kaylan singing solo, other parts having Volman double him, and of course the famous "bah bah bah" massed vocals: [Excerpt: The Turtles, "Happy Together", isolated vocals] At the end of the track, thinking he was probably going to do another take, Kaylan decided to fool around and sing "How is the weather?", which Bonner and Gordon had jokingly done on the demo. But the group loved it, and insisted that was the take they were going to use: [Excerpt: The Turtles, "Happy Together"] "Happy Together" knocked "Penny Lane" by the Beatles off the number one spot in the US, but by that point the group had already had another lineup change. The Monkees had decided they wanted to make records without the hit factory that had been overseeing them, and had asked Chip Douglas if he wanted to produce their first recordings as a self-contained band. Given that the Monkees were the biggest thing in the American music industry at the time, Douglas had agreed, and so the group needed their third bass player in a year. The one they went for was Jim Pons. Pons had seen the Beatles play at the Hollywood Bowl in 1964, and decided he wanted to become a pop star. The next day he'd been in a car crash, which had paid out enough insurance money that he was able to buy two guitars, a bass, drums, and amps, and use them to start his own band. That band was originally called The Rockwells, but quickly changed their name to the Leaves, and became a regular fixture at Ciro's on Sunset Strip, first as customers, then after beating Love in the auditions, as the new resident band when the Byrds left. For a while the Leaves had occasionally had guest vocals from a singer called Richard Marin, but Pons eventually decided to get rid of him, because, as he put it "I wanted us to look like The Beatles. There were no Mexicans in The Beatles". He is at pains in his autobiography to assure us that he's not a bigot, and that Marin understood. I'm sure he did. Marin went on to be better known as Cheech Marin of Cheech and Chong. The Leaves were signed by Pat Boone to his production company, and through that company they got signed to Mira Records. Their first single, produced by Nik Venet, had been a version of "Love Minus Zero (No Limit)", a song by Bob Dylan: [Excerpt: The Leaves, "Love Minus Zero (No Limit)"] That had become a local hit, though not a national one, and the Leaves had become one of the biggest bands on the Sunset Strip scene, hanging out with all the other bands. They had become friendly with the Doors before the Doors got a record deal, and Pat Boone had even asked for an introduction, as he was thinking of signing them, but unfortunately when he met Jim Morrison, Morrison had drunk a lot of vodka, and given that Morrison was an obnoxious drunk Boone had second thoughts, and so the world missed out on the chance of a collaboration between the Doors and Pat Boone. Their second single was "Hey Joe" -- as was their third and fourth, as we discussed in that episode: [Excerpt: The Leaves, "Hey Joe"] Their third version of "Hey Joe" had become a top forty hit, but they didn't have a follow-up, and their second album, All The Good That's Happening, while it's a good album, sold poorly. Various band members quit or fell out, and when Johnny Barbata knocked on Jim Pons' door it was an easy decision to quit and join a band that had a current number one hit. When Pons joined, the group had already recorded the Happy Together album. That album included the follow-up to "Happy Together", another Bonner and Gordon song, "She'd Rather Be With Me": [Excerpt: The Turtles, "She'd Rather Be With Me"] None of the group were tremendously impressed with that song, but it did very well, becoming the group's second-biggest hit in the US, reaching number three, and actually becoming a bigger hit than "Happy Together" in parts of Europe. Before "Happy Together" the group hadn't really made much impact outside the US. In the UK, their early singles had been released by Pye, the smallish label that had the Kinks and Donovan, but which didn't have much promotional budget, and they'd sunk without trace. For "You Baby" they'd switched to Immediate, the indie label that Andrew Oldham had set up, and it had done a little better but still not charted. But from "Happy Together" they were on Decca, a much bigger label, and "Happy Together" had made number twelve in the charts in the UK, and "She'd Rather Be With Me" reached number four. So the new lineup of the group went on a UK tour. As soon as they got to the hotel, they found they had a message from Graham Nash of the Hollies, saying he would like to meet up with them. They all went round to Nash's house, and found Donovan was also there, and Nash played them a tape he'd just been given of Sgt Pepper, which wouldn't come out for a few more days. At this point they were living every dream a bunch of Anglophile American musicians could possibly have. Jim Tucker mentioned that he would love to meet the Beatles, and Nash suggested they do just that. On their way out the door, Donovan said to them, "beware of Lennon". It was when they got to the Speakeasy club that the first faux-pas of the evening happened. Nash introduced them to Justin Hayward and John Lodge of the Moody Blues, and Volman said how much he loved their record "Go Now": [Excerpt: The Moody Blues, "Go Now"] The problem was that Hayward and Lodge had joined the group after that record had come out, to replace its lead singer Denny Laine. Oh well, they were still going to meet the Beatles, right? They got to the table where John, Paul, and Ringo were sat, at a tense moment -- Paul was having a row with Jane Asher, who stormed out just as the Turtles were getting there. But at first, everything seemed to go well. The Beatles all expressed their admiration for "Happy Together" and sang the "ba ba ba" parts at them, and Paul and Kaylan bonded over their shared love for "Justine" by Don and Dewey, a song which the Crossfires had performed in their club sets, and started singing it together: [Excerpt: Don and Dewey, "Justine"] But John Lennon was often a mean drunk, and he noticed that Jim Tucker seemed to be the weak link in the group, and soon started bullying him, mocking his clothes, his name, and everything he said. This devastated Tucker, who had idolised Lennon up to that point, and blurted out "I'm sorry I ever met you", to which Lennon just responded "You never did, son, you never did". The group walked out, hurt and confused -- and according to Kaylan in his autobiography, Tucker was so demoralised by Lennon's abuse that he quit music forever shortly afterwards, though Tucker says that this wasn't the reason he quit. From their return to LA on, the Turtles would be down to just a five-piece band. After leaving the club, the group went off in different directions, but then Kaylan (and this is according to Kaylan's autobiography, there are no other sources for this) was approached by Brian Jones, asking for his autograph because he loved the Turtles so much. Jones introduced Kaylan to the friend he was with, Jimi Hendrix, and they went out for dinner, but Jones soon disappeared with a girl he'd met. and left Kaylan and Hendrix alone. They were drinking a lot -- more than Kaylan was used to -- and he was tired, and the omelette that Hendrix had ordered for Kaylan was creamier than he was expecting... and Kaylan capped what had been a night full of unimaginable highs and lows by vomiting all over Jimi Hendrix's expensive red velvet suit. Rather amazingly after all this, the Moody Blues, the Beatles, and Hendrix, all showed up to the Turtles' London gig and apparently enjoyed it. After "She'd Rather Be With Me", the next single to be released wasn't really a proper single, it was a theme song they'd been asked to record for a dire sex comedy titled "Guide for the Married Man", and is mostly notable for being composed by John Williams, the man who would later go on to compose the music for Star Wars. That didn't chart, but the group followed it with two more top twenty hits written by Bonner and Gordon, "You Know What I Mean" and "She's My Girl". But then the group decided that Bonner and Gordon weren't giving them their best material, and started turning down their submissions, like a song called "Celebrity Ball" which they thought had no commercial potential, at least until the song was picked up by their friends Three Dog Night, retitled "Celebrate", and made the top twenty: [Excerpt: Three Dog Night, "Celebrate"] Instead, the group decided to start recording more of their own material. They were worried that in the fast-changing rock world bands that did other songwriters' material were losing credibility. But "Sound Asleep", their first effort in this new plan, only made number forty-seven on the charts. Clearly they needed a different plan. They called in their old bass player Chip Douglas, who was now an experienced hitmaker as a producer. He called in *his* friend Harry Nilsson, who wrote "The Story of Rock & Roll" for the group, but that didn't do much better, only making number forty-eight. But the group persevered, starting work on a new album produced by Douglas, The Turtles Present The Battle of the Bands, the conceit of which was that every track would be presented as being by a different band. So there were tracks by  Chief Kamanawanalea and his Royal Macadamia Nuts,  Fats Mallard and the Bluegrass Fireball, The Atomic Enchilada, and so on, all done in the styles suggested by those band names. There was even a track by "The Cross Fires": [Excerpt: The Cross Fires, "Surfer Dan"] It was the first time the group had conceived of an album as a piece, and nine of the twelve tracks were originals by the band -- there was a track written by their friend Bill Martin, and the opening track, by "The US Teens Featuring Raoul", was co-written by Chip Douglas and Harry Nilsson. But for the most part the songs were written by the band members themselves, and jointly credited to all of them. This was the democratic decision, but one that Howard Kaylan would later regret, because of the song for which the band name was just "Howie, Mark, Johnny, Jim & Al". Where all the other songs were parodies of other types of music, that one was, as the name suggests, a parody of the Turtles themselves. It was written by Kaylan in disgust at the record label, who kept pestering the group to "give us another 'Happy Together'". Kaylan got more and more angry at this badgering, and eventually thought "OK, you want another 'Happy Together'? I'll give you another 'Happy Together'" and in a few minutes wrote a song that was intended as an utterly vicious parody of that kind of song, with lyrics that nobody could possibly take seriously, and with music that was just mocking the whole structure of "Happy Together" specifically. He played it to the rest of the group, expecting them to fall about laughing, but instead they all insisted it was the group's next single. "Elenore" went to number six on the charts, becoming their biggest hit since "She'd Rather Be With Me": [Excerpt: The Turtles, "Elenore"] And because everything was credited to the group, Kaylan's songwriting royalties were split five ways. For the follow-up, they chose the one actual cover version on the album. "You Showed Me" is a song that Roger McGuinn and Gene Clark had written together in the very early days of the Byrds, and they'd recorded it as a jangly folk-rock tune in 1964: [Excerpt: The Byrds, "You Showed Me"] They'd never released that track, but Gene Clark had performed it solo after leaving the Byrds, and Douglas had been in Clark's band at the time, and liked the song. He played it for the Turtles, but when he played it for them the only instrument he had to hand was a pump organ with one of its bellows broken. Because of this, he had to play it slowly, and while he kept insisting that the song needed to be faster, the group were equally insistent that what he was playing them was the big ballad hit they wanted, and they recorded it at that tempo. "You Showed Me" became the Turtles' final top ten hit: [Excerpt: The Turtles, "You Showed Me"] But once again there were problems in the group. Johnny Barbata was the greatest drummer any of them had ever played with, but he didn't fit as a personality -- he didn't like hanging round with the rest of them when not on stage, and while there were no hard feelings, it was clear he could get a gig with pretty much anyone and didn't need to play with a group he wasn't entirely happy in. By mutual agreement, he left to go and play with Crosby, Stills, Nash, and Young, and was replaced by John Seiter from Spanky and Our Gang -- a good drummer, but not the best of the best like Barbata had been. On top of this, there were a whole host of legal problems to deal with. The Turtles were the only big act on White Whale records, though White Whale did put out some other records. For example, they'd released the single "Desdemona" by John's Children in the US: [Excerpt: John's Children, "Desdemona"] The group, being the Anglophiles they were, had loved that record, and were also among the very small number of Americans to like the music made by John's Children's guitarist's new folk duo, Tyrannosaurus Rex: [Excerpt: Tyrannosaurus Rex, "Debora"] When Tyrannosaurus Rex supported the Turtles, indeed, Volman and Kaylan became very close to Marc Bolan, and told him that the next time they were in England they'd have to get together, maybe even record together. That would happen not that many years later, with results we'll be getting to in... episode 201, by my current calculations. But John's Children hadn't had a hit, and indeed nobody on White Whale other than the Turtles had. So White Whale desperately wanted to stop the Turtles having any independence, and to make sure they continued to be their hit factory. They worked with the group's roadie, Dave Krambeck, to undermine the group's faith in their manager, Bill Utley, who supported the group in their desire for independence. Soon, Krambeck and White Whale had ousted Utley, and Krambeck had paid Utley fifty thousand dollars for their management contract, with the promise of another two hundred thousand later. That fifty thousand dollars had been taken by Krambeck as an advance against the Turtles' royalties, so they were really buying themselves out. Except that Krambeck then sold the management contract on to a New York management firm, without telling the group. He then embezzled as much of the group's ready cash as he could and ran off to Mexico, without paying Utley his two hundred thousand dollars. The Turtles were out of money, and they were being sued by Utley because he hadn't had the money he should have had, and by the big New York firm, because  since the Turtles hadn't known they were now legally their managers they were in breach of contract. They needed money quickly, and so they signed with another big management company, this one co-owned by Bill Cosby, in the belief that Cosby's star power might be able to get them some better bookings. It did -- one of the group's first gigs after signing with the new company was at the White House. It turned out they were Tricia Nixon's favourite group, and so they and the Temptations were booked at her request for a White House party. The group at first refused to play for a President they rightly thought of as a monster, but their managers insisted. That destroyed their reputation among the cool antiestablishment youth, of course, but it did start getting them well-paid corporate gigs. Right up until the point where Kaylan became sick at his own hypocrisy at playing these events, drank too much of the complimentary champagne at an event for the president of US Steel, went into a drunken rant about how sick the audience made him, and then about how his bandmates were a bunch of sellouts, threw his mic into a swimming pool, and quit while still on stage. He was out of the band for two months, during which time they worked on new material without him, before they made up and decided to work on a new album. This new album, though, was going to be more democratic. As well as being all original material, they weren't having any of this nonsense about the lead singer singing lead. This time, whoever wrote the song was going to sing lead, so Kaylan only ended up singing lead on six of the twelve songs on what turned out to be their final album, Turtle Soup. They wanted a truly great producer for the new album, and they all made lists of who they might call. The lists included a few big names like George Martin and Phil Spector, but one name kept turning up -- Ray Davies. As we'll hear in the next episode, the Kinks had been making some astonishing music since "You Really Got Me", but most of it had not been heard in the US. But the Turtles all loved the Kinks' 1968 album The Kinks Are The Village Green Preservation Society, which they considered the best album ever made: [Excerpt: The Kinks, "Animal Farm"] They got in touch with Davies, and he agreed to produce the album -- the first time he did any serious outside production work -- and eventually they were able to persuade White Whale, who had no idea who he was, to allow him to produce it. The resulting album is by far the group's strongest album-length work, though there were problems -- Davies' original mix of the album was dominated by the orchestral parts written by Wrecking Crew musician Ray Pohlman, while the group thought that their own instruments should be more audible, since they were trying to prove that they were a proper band. They remixed it themselves, annoying Davies, though reissues since the eighties have reverted to a mix closer to Davies' intentions. Some of the music, like Pons' "Dance This Dance With Me", perhaps has the group trying a little *too* hard to sound like the Kinks: [Excerpt: The Turtles, "Dance This Dance With Me"] But on the other hand, Kaylan's "You Don't Have to Walk in the Rain" is the group's last great pop single, and has one of the best lines of any single from the sixties -- "I look at your face, I love you anyway": [Excerpt: The Turtles, "You Don't Have to Walk in the Rain"] But the album produced no hits, and the group were getting more and more problems from their label. White Whale tried to get Volman and Kaylan to go to Memphis without the other band members to record with Chips Moman, but they refused -- the Turtles were a band, and they were proud of not having session players play their parts on the records. Instead, they started work with Jerry Yester producing on a new album, to be called Shell Shock. They did, though bow to pressure and record a terrible country track called "Who Would Ever Think That I Would Marry Margaret" backed by session players, at White Whale's insistence, but managed to persuade the label not to release it. They audited White Whale and discovered that in the first six months of 1969 alone -- a period where they hadn't sold that many records -- they'd been underpaid by a staggering six hundred and fifty thousand dollars. They sued the label for several million, and in retaliation, the label locked them out of the recording studio, locking their equipment in there. They basically begged White Whale to let them record one last great single, one last throw of the dice. Jim Pons had, for years, known a keyboard player named Bob Harris, and had recently got to know Harris' wife, Judee Sill. Sill had a troubled life -- she was a heroin addict, and had at times turned to streetwalking to earn money, and had spent time in prison for armed robbery -- but she was also an astonishing songwriter, whose music was as inspired by Bach as by any pop or folk composer. Sill had been signed to Blimp, the Turtles' new production and publishing company, and Pons was co-producing some tracks on her first album, with Graham Nash producing others. Pons thought one song from that album, "Lady-O", would be perfect for the Turtles: [Excerpt: Judee Sill, "Lady-O"] (music continues under) The Turtles stuck closely to Sill's vision of the song. So closely that you haven't noticed that before I started talking, we'd already switched from Sill's record to the Turtles' version. [Excerpt: The Turtles, "Lady-O"] That track, with Sill on guitar backing Kaylan, Volman, and Nichol's vocals, was the last Turtles single to be released while the band were together. Despite “Lady O” being as gorgeous a melody as has ever been produced in the rock world, it sank without trace, as did a single from the Shell Shock sessions released under a pseudonym, The Dedications. White Whale followed that up, to the group's disgust, with "Who Would Ever Think That I Would Marry Margaret?", and then started putting out whatever they had in the vaults, trying to get the last few pennies, even releasing their 1965 album track version of "Eve of Destruction" as if it were a new single. The band were even more disgusted when they discovered that, thanks to the flurry of suits and countersuits, they not only could no longer perform as the Turtles, but White Whale were laying legal claim to their own names. They couldn't perform under those names -- Howard Kaylan, Mark Volman, and the rest were the intellectual property of White Whale, according to the lawyers. The group split up, and Kaylan and Volman did some session work, including singing on a demo for a couple of new songwriters: [Excerpt: Steely Dan, "Everyone's Gone to the Movies"] When that demo got the songwriters a contract, one of them actually phoned up to see if Kaylan wanted a permanent job in their new band, but they didn't want Volman as well, so Kaylan refused, and Steely Dan had to do without him. Volman and Kaylan were despondent, washed-up, has-been ex-rock stars. But when they went to see a gig by their old friend Frank Zappa, it turned out that he was looking for exactly that. Of course, they couldn't use their own names, but the story of the Phlorescent Leech and Eddie is a story for another time...

A daily news briefing from Catholic News Agency, powered by artificial intelligence. Ask your smart speaker to play “Catholic News,” or listen every morning wherever you get podcasts. www.catholicnewsagency.com - A team of archaeologists uncovered new evidence this month about location of the house of Saint Peter. While excavating a fifth-sixth century Byzantine basilica at the el Araj archaeological site located on the shores of the Sea of Galilee in Israel, the team discovered a large Greek mosaic that seems to bolster the theory that the church was built over the home of Saints Peter and Andrew. The mosaic is inscribed with a petition that asks for the intercession of Saint Peter, who is referred to as “the chief and commander of the heavenly apostles.” The next excavation will take place in October. The team will complete the cleaning of the church, and hopes to uncover more inscriptions. https://www.catholicnewsagency.com/news/252110/st-peter-s-house-believed-found-shore-sea-of-galilee Patriarch Kirill of Moscow will not attend an interreligious summit in Kazakhstan in September, where it was hoped he would meet with Pope Francis to discuss a peaceful resolution to the six-month-long war in Ukraine. Pope Francis will travel to Kazakhstan for the VII Congress of Leaders of World and Traditional Religions in the city of Nur-Sultan on September 13th to 15th. There had been speculation that the two religious leaders — who met in Havana, Cuba, in 2016 — might meet in person, possibly in Jerusalem, to discuss Russia's invasion of Ukraine, which Kirill has publicly supported. The Vatican has said it stands ready to mediate peace talks between the two countries. https://www.catholicnewsagency.com/news/252118/patriarch-kirill-will-not-meet-pope-francis-in-kazakhstan Less than a week after abducting the bishop of Matagalpa and apostolic administrator of Estelí, Rolando Álvarez, the dictatorship of Daniel Ortega in Nicaragua has silenced another Catholic radio station. Radio Stereo Fe of the Diocese of Estelí lamented August 24 on Facebook that “almost 28 years of radio evangelization on FM have ended today.” The reason used by the telecommunications regulatory agency of the Ortega dictatorship “is that the radio station is functioning with the license in the name of Father Francisco Valdivia,” a deceased priest, “and that the new director doesn't have any permission.” The closure of the radio station took place just one day after the priests of the Diocese of Estelí released a statement calling on the authorities of the dictatorial regime of Ortega to convert, to allow them to work in peace, and to release Álvarez. https://www.catholicnewsagency.com/news/252114/daniel-ortega-regime-shuts-down-another-catholic-radio-station-in-nicaragua Shortly after Governor Kevin Stitt of Oklahoma denied clemency to death row inmate James Coddington on Wednesday, the Archbishop of Oklahoma City encouraged the state not to resort to the death penalty. Archbishop Paul Coakley urged prayer for an end to the death penalty and “that our leaders may have the wisdom and compassion to recognize the humanity in every person, regardless of their state in life.” The Diocese of Tulsa plans to hold a prayer vigil outside the Oklahoma State Penitentiary in McAlester. https://www.catholicnewsagency.com/news/252113/oklahoma-city-archbishop-disappointed-by-denial-of-clemency-to-death-row-inmate Today, the Church celebrates Saint Louis. As the king of France, his biographers have written of the long hours he spent in prayer, fasting, and penance, without the knowledge of his people. King Louis was renowned for his charity. Beggars were fed from his table, he washed their feet, ministered to the wants of the lepers, and daily fed over one hundred poor. Saint Louis was also a patron of architecture. He died of the plague near Tunis during the Second Crusade. https://www.catholicnewsagency.com/saint/st-louis-ix-of-france-570

August 25: Saint Louis1214–1270Optional Memorial; Liturgical Color: WhitePatron Saint of barbers, grooms, and Saint Louis, MissouriA king leads in piety, mortification, and faith, and dies crusading for the King of allJesus said, “If any want to become my followers, let them deny themselves and take up their cross and follow me” (Mt 16:24). Today's saint fulfilled Christ's commandment in two ways. First and most obviously, King Louis IX of France, or Saint Louis, took up his cross by practicing serious physical mortifications his entire life. He wore a hair shirt, fasted, never took God's name in vain, and would not tell jokes or even laugh on Fridays. Secondly, he had a cloth cross woven onto his tunic and thus became a knight crusader. Louis and countless other medieval knights understood the commandment to “take up their cross” to be fulfilled not merely through physical mortification but by wading into battle with the sign of Christ on their chests. That visible cloth cross boldly proclaimed a man's commitment to liberating the Holy Land from Muslim control through hard battle.When Louis was a child his mother told him, “I would rather see you dead at my feet than that you should ever commit a mortal sin.” He never forgot her words. After his father's early death, Louis was crowned, or anointed, king in the quasi-liturgical ceremony whose main elements can still be seen at modern coronations. He married at twenty, and he and his wife had eleven children. He was totally devoted to Christ and the Church. He prayed the breviary every day, attended daily Mass, and constructed stunning churches, including Paris' Saint Chapelle to house his collection of relics, including the true Cross of Christ. He was so disturbed by the sin of blasphemy that he promulgated a law that all blasphemers be branded on the lips. He waged war against the Cathars of Southern France and, together with the Dominicans and the Inquisition, vanquished their heretical movement.Louis possessed an elusive charisma that made people not only want to be in his presence but also to touch his person. He was well educated, friendly, curious, and truly humble. Every man was his friend. He invited the quiet Saint Thomas Aquinas, who was studying in Paris at the time, over to dinner for the joy of theological conversation. He promulgated laws respecting the presumption of innocence and due process for everyone. He was, in short, a model Christian king who reigned over a golden century in which France was the largest, most unified, and wealthiest kingdom in Europe.Despite his fame and the creature comforts of home, Louis made the courageous, if reckless, decision to personally lead two crusades. The first was initially successful but ended disastrously with Louis's capture and his army being crushed in battle. Only a king's ransom secured his release. The second crusade he embarked on was even more disastrous. King Louis died of typhus, along with many men in his camp, on the shores of modern Tunisia, having just begun their journey. One of his last acts was to kneel by his bed to receive Holy Communion. He had wanted to die a martyr, or a confessor, for the faith. His desire was not technically fulfilled. But he did give his life sacrificially in the noble, centuries-long, quixotic quest to reconquer Jerusalem and the Holy Land for Christian pilgrimage. He was canonized in 1297.  Saint Louis of France, you were intrepid in your love for Christ and the Church. Impart from heaven to all modern Catholics some of your same daring spirit—to be courageous in living and spreading the faith, to give and not count the cost.

Welcome to June 22nd, 2022 on the National Day Calendar. Today we celebrate carbs fit for a king and great moments in greasy spoon history.  Not much is known about the origin of eclairs, but we do know they became famous in nineteenth century France. Chef Careme is thought to be their creator, as he baked them at the Court of King Louis the 18th. The word eclair means flash of lightning, which may be a nod to its shiny frosting. Or it could be the speed at which Louis devoured his favorite pastry. Today, chocolate eclairs can be found in bakeries around the world, although they shouldn't be confused with the Long John. This is a doughnut that's shaped like an eclair with a cream filling and chocolate glaze. On National Chocolate Eclair Day, celebrate in courtly style, with the pastry that still goes down like lightning.   It's not often that a fried food becomes a lightning rod for controversy, but on June 10, 2007, that's exactly what happened to onion rings. After 6 seasons, The Sopranos took its final bow. But rather than the series ending with a bang, it ended with the main character sitting in a diner, eating an onion ring. The frustration at this show's “big finale” is understandable, but so is the moment of solace that Tony Soprano gets from this diner grub. Usually French fries get all the love, but there's really nothing better with a burger than a crispy order of onion rings. Whether thickly battered or lightly fried, this comfort food is absolute heaven. On National Onion Rings Day, hook up your meal with the side dish that truly satisfies.  I'm Anna Devere and I'm Marlo Anderson. Thanks for joining us as we Celebrate Every Day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there anything worse than seeing a dead pub? Somewhere that once played host to thousands of sessions, reduced to nothing more than the local version of a chain supermarket. It's important we don't forget that these establishments existed, and this week's guest is someone that is fighting to keep their legacies alive; it's Jimmy McIntosh, creator of London Dead Pubs.London Dead Pubs is an Instagram account where Jimmy documents the pubs of London that are no longer with us. Some have been redeveloped, some have been knocked down; but thanks to Jimmy we're able to gain an insight into some of the lost pubs that graced London. But will his dream pub be reminiscent of somewhere old or new?Want to hear an extended version of this episode, gain access to our bonus podcast ‘Behind The Cellar Door' and support the upkeep of the pub? If so, head to moonunderpod.com and sign up to our Patreon! See acast.com/privacy for privacy and opt-out information.

*This is part 2 of Jimmy McIntosh's episode. Though you are free to listen in whichever order you so desire we really do recommend listening to part 1 first or things might be slightly confusing*Is there anything worse than seeing a dead pub? Somewhere that once played host to thousands of sessions, reduced to nothing more than the local version of a chain supermarket. It's important we don't forget that these establishments existed, and this week's guest is someone that is fighting to keep their legacies alive; it's Jimmy McIntosh, creator of London Dead Pubs.London Dead Pubs is an Instagram account where Jimmy documents the pubs of London that are no longer with us. Some have been redeveloped, some have been knocked down; but thanks to Jimmy we're able to gain an insight into some of the lost pubs that graced London. But will his dream pub be reminiscent of somewhere old or new?Want to hear an extended version of this episode, gain access to our bonus podcast ‘Behind The Cellar Door' and support the upkeep of the pub? If so, head to moonunderpod.com and sign up to our Patreon! See acast.com/privacy for privacy and opt-out information.

King Louis gives the queen an ultimatum. D'Artagnan is given another deadly mission.  Learn more about your ad choices. Visit megaphone.fm/adchoices

A duck, a Rooster, and a sheep wander into a wicker basket. This is not a joke it is the start of our podcast and the beginning of the ability for humans to fly. 19 September 1783 at 1 PM a cannon blasts and our Heroes of the air walk and waddle their way into history in the courtyard of Versailles in front of 130,000 people including the Queen, Marie Antoinette and King Louis.Joseph and Étienne Montgolfier had spent the years earlier experimenting with hot air and in the beginning, laundry to develop their hot air balloon.Take a listen and find out how we began flying. See acast.com/privacy for privacy and opt-out information.

Welcome to my canning cellar! This is where I don't want to tell you how to can but rather tell you how I can. Everyone has to do his or her own research and use the information that makes them feel the most comfortable and confident. I utilize the guidelines put out by the national center for home food preservation which I'll link to in the show description. I do, however, research other tried and true canning ways and decide which seems safe to me and which don't.So, season 2, episode 16: mushrooms. We aren't big mushroom eaters and historically whenever I bought a package, most would go bad before getting eaten. But when I recently saw them on clearance, I bought three one-pound packages of sliced white mushrooms. The store worker was just putting the clearance stickers on them so I knew they would be ok. So what I used for ingredients were simply those 3 pounds of sliced white mushrooms, and water. I don't buy distilled water for any of my food canning projects, I just use the town water from the tap.For equipment I used a large bowl, a large strainer, a dutch oven pot, a slotted spoon, a smaller pot for boiling water, 8 half-pint jars with lids and rings, a debubbler, and a jar remover.I first soaked the mushrooms in cold water for ten minutes and that was to remove any extra dirt. Then I drained and rinsed them again, then drained and put into a dutch oven pot, covered with water, and brought that to a boil. It boiled for ten minutes. I also boiled some water to use in topping off the jars. The directions did not say to drain these after this step but I did anyway just to feel more confident about their cleanliness.I packed 8 half-pint jars with mushrooms, filled the jars with the fresh hot water, used the debubbler around and in the middle of the mushrooms, and topped them off with more hot water to the one inch headspace. If you don't have an official debubbler or can't find yours like sometimes is like my dilemma, you could use a thin handle wooden spoon or a chopstick. I never use a knife or anything metal to avoid shocking the glass jars and maybe breaking one.I then wiped the rims with hot water, put on the lids and finger tightened the rings. I pressure canned them for 45 minutes. I have rarely bought mushrooms as I said before because my husband usually won't eat them. But something about smelling their rich aroma as they boiled for the ten minutes has made me want to explore using them more often. I know mushrooming is a huge secretive deal to some people. I once was introduced to an elderly woman for whom I was to be her companion/caretaker, and the first thing she told her niece who was introducing us, was ‘don't tell her where I go mushrooming!' Some interesting facts, at least to me, that I found online is that the mushroom capital of the world is said to be Kennett Square, Pennsylvania, as it produces the most fresh cultivated mushroom yearly. Some of the earliest commercial mushroom farms were in French caves during King Louis the 14th's reign of 1638 to 1715.There is a honey mushroom that covers 3.4 square miles of land in Eastern Oregon's Blue Mountains, and it is said to be the largest living organism ever found. Thanks for visiting my canning cellar. Talk soon. Stay safe. https://nchfp.uga.eduhttps://www.healthycanning.com/canning-mushrooms#wprm-recipe-container-14948 https://www.mushroomcouncil.org/all-about-mushrooms/history

ALL FOR ONE AND ONE FOR ALL! Welcome, lil onions, to the final week of our theme on Knights and Kings! This week, the siblings cover The Man in the Iron Mask (1998), a fictionalization of 17th century France under the reign of King Louis the Sun King based on Alexander Dumas' novels surrounding the deeds of The Three Musketeers. Ross cannot abide John Malkovich's lack of accent, Carie cannot get over Leo Decaprio's hair extensions, and the siblings discuss the thematic application of a knight's service to his king.  Copyright Sorry Mom Productions

In this episode, we will discuss the early life of the legendary Eleanor of Aquitaine and her unhappy marriage, and subsequent annulment, to her first husband, King Louis of France.   --- Support this podcast: https://podcasters.spotify.com/pod/show/kelly389/support

Join Host Bree Carlile as she reads the sixth chapter of The Three Musketeers by Alexandre Dumas. Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Get exclusive Behind the Scenes content on our PatreonWe are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story Tuesdays wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

The mighty Charlemagne (742-814), King of the Franks, united most of Western Europe under his crown. He was a visionary who advanced education and reformed the laws, economy, and culture of Europe. When Charlemagne died, his son Louis I, assumed the throne. At first, all went well. But in 817, he began diving the empire among his nephews and his four sons, causing no end of problems. Twice he was deposed by his sons, and, though he regained his throne both times, he was never again able to rest securely. Caught in the middle of this epic family conflict was Theodulph, Bishop of Orleans, a city south of Paris. Theodulph, born in Spain about 750, had gone to France as a church leader at Charlemagne's request. He was a brilliant man who worked hard to reform the clergy. He established schools and advanced education. He advocated high morals, built churches, and composed hymns of praise to God. But during the political intrigues of Louis' reign, Theodulph was accused (falsely, it seems) of conspiring with King Bernard of Italy; and on Easter Sunday, 818, he was imprisoned in the monastery of Angers, a city southwest of Paris. There, as he meditated on our Lord's triumphal entry into Jerusalem prior to His Crucifixion and Resurrection, Theodulph wrote the great Palm Sunday hymn, “All Glory, Laud, and Honor.” According to a tradition that can be neither confirmed nor denied, when King Louis later visited Angers, he momentarily halted by the monastery where Theodulph was helped, and the bishop appeared at the window, singing “All Glory, Laud, and Honor.” The king was reportedly so moved that he order the bishop's release. For whatever reason, we know Theodulph was released in 821, but he died on his way back to Orleans, or shortly after his return there. Originally there were 78 verses to this hymn! Theodulph had lots of time in his prison-monastery. The first several are the ones we commonly sing today. One stance that has called by the wayside is this verse: “By Thou, O Lord, the Rider; and we the little ass, That to God's holy city together we may pass.” The resources used for the podcast include, but not limited to; “How Great Thou Art” written by Robert J. Morgan and Hymnary.org

Join us for a wild ride through Vienna and Paris. We will hang out with Mozart, Marie Antoinette, and the incredible Dr Mesmer. We will drink cocktails and stay up way too late. All in an effort to answer the question: Is it possible that being blinded could help you see new things?I'm not talking about literal blindness here, I mean when you intentionally deny yourself some key piece of information.If you are hiring someone and are conducting interviews, would you make better decisions if the candidates were sitting behind a screen? Is a psychological study less valid if the participants already know what aspect of their behaviour you are measuring? And are there situations when the subjects and the experimenters have to be blinded?These science stories from history help shed light on the modern research being done on Type 2 Diabetes. Specifically, we highlight the work of SciMar as they examine the hormone hepatalin and the effect it has on glucose levels in people who are living with type 2 diabetes. www.SciMar.ca