Podcasts about mutis

El zamorano David Muñoz Mateos ha presentado en la Biblioteca Antonio Martínez Asensio de Hoy por Hoy su novela 'Entre hojas escondido' (Muñeca infinita). La narración nos traslada a las remotas tierras de la Sierra de la Culebra, en plena raya entre España y Portugal. Allí sitúa una acción protagonizada por Samuel,  un adulto que de niño fue abandonado en el bosque y convivió con los lobos. Muñoz Mateos , a partir de esta historia de infancia feral, nos cuenta como se adapta, o no, a la civilización Samuel , y a la vez hace una gran elegía del entorno natural de la culebra cada vez más abandonado por el ser humano, invadido por la naturaleza y víctima de los incendios.  Una novela brutal para nuestro bibliotecario Antonio Martínez Asensio que arrancó contando un cuento en tres minutos un cuento a José Luis Sastre, concretamente “El encaje roto” de Emilia Pardo Bazán que está dentro del volumen 'el encaje roto: Antología de cuentos de violencia contra las mujeres" de Emilia Pardo Bazán, editado por Contraseña. Luego añadiría el libro que nos contará en su programa "Un libro, una hora"  que será  'El tumulto de las bestias' de Ykio Mishima (Alianza Editorial). Nuestro invitado David Muñoz Mateos nos donó para nuestras estanterías una gran tetralogía , la de Marilynne Robinson, compuesta por 'Gilead', 'En casa', 'Lila' y 'Jack' (Galaxia Gutenberg). Las novedades las trajo Pepe Rubio y fueron dos:  'Los falsarios' de Adolfo García Ortega (Impedimenta) y 'La bola' de Daniel Verdú (Alfaguara). Pascual Donate volvió a rescatar un libro abandonado en la redacción de la SER , en este caso  'Telégrafos del estado' de  Matilde Serao (Editorial Espinas). Y finalmente las donaciones de los oyentes que fueron : 'Las ovejas detectives' de Lionie Swann (Salamandra) , 'Inés y la alegría' de Almudena Grandes (Tusquets) y 'Empresas y tribulaciones de Maqroll el gaviero' de Álvaro Mutis (Alfaguara) . 

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

We welcome Emilia Mutis from Columbia who played in the 2025 Junior Golf Championships in the Girls 14-15 division at the Doral Golf Course in Miami, Florida. She shares her experiences and insights with us. Join us and listen in.

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Parlem amb l'equip del Festival Mutis, amb el seu director i fundador, Alberto Rizzo, i amb l'actriu Rita Ardiaca, que enguany torna al festival com a intèrpret. Fem un recorregut per l'esperit del Mutis com a espai de creació emergent, comunitat i risc, i descobrim les claus de la programació d'aquesta edició. A més, el festival s'allarga més enllà del març amb un post-Mutis fins al juny, que inclou noves representacions i jornades iberoamericanes (Xile i és possible que Mèxic), ampliant així el seu impacte i connexions.  Laura Clemente  La Clem Cultura Ona Cultural  teatre festivals Richy Vidal independent companyies creació interpretació

SAN ONOFRE-Mutis interviú: "La Mala Reputación" La música militar nunca nos supo levantar                            Angloentrevistas Traducidas, Vol.2  https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2  SAN ONOFRE reincidimos con Miguel Ernesto Sarró "Mutis". El co-director de "Doo Rags, del Blues al Ruido" lo ha vuelto a hacer. Contraviniendo su remoquete, este rebelde personaje prefiere morir que callarse. Ahora resulta que la FAL (Fundación Anselmo Lorenzo) le ha publicado su última perpetración escrita, "La Mala Reputación".  Sí, "perpetración"; nos movemos en los delictivos terrenos franco-españoles que surcan la fina línea entre la anarquía y el crimen.      Si la religión nos da algo contra lo que rebelarnos (ya decía la semana pasada en SAN ONOFRE Dick Subhuman que debería escalar muchos puestos en la lista de enemigos de la libertad) el crimen nos proporciona algo que celebrar. Sí, el crimen es sano, romántico y creativo porque socava los cimientos de asuntos tan perniciosos como la sociedad, el vil metal y el poder. Here´s to crime, dilecto Mutis. 

durée : 00:07:00 - L'invité de la rédaction de ICI Lorraine - L'Assemblée nationale a pour la seconde fois adopté mercredi la proposition de loi sur la fin de vie. Le texte qui crée un nouveau droit à l'aide à mourir doit encore passer au Sénat. Maryne Mutis, psychologue clinicienne du centre psychothérapique de Nancy, est l'invitée d'ICI Lorraine ce jeudi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Diese Podcastfolge behandelt einen Aspekt der Verfahrenspraxis des Internationalen Gerichtshofs, der in jüngerer Zeit verstärkt diskutiert wird: die Interventionen von Drittstaaten. Grundsätzlich stehen Staaten zwei Wege der Intervention offen: entweder auf Grundlage von Artikel 62 oder von Artikel 63 des Statuts des IGH. Während Art. 62 des IGH-Statuts Staaten den Beitritt zu einem Verfahren aufgrund eines möglichen „rechtlichen Interesses“ ermöglicht, „das durch die Entscheidung der Sache berührt werden könnte“, regelt Art. 63 des IGH-Statuts die Voraussetzungen einer Intervention bei der Auslegung von Verträgen. Wir analysieren die prozessualen Anforderungen, die an Interventionsgesuche gestellt werden und anhand welcher Kriterien deren Zulässigkeit bestimmt wird. Anschließend gehen wir der Frage nach, welche konkreten Möglichkeiten sich Staaten eröffnen, sofern ihre Intervention als zulässig erachtet wird. Interventionen von Drittstaaten führen in der Praxis durchaus zu Kontroversen, wie sowohl abgeschlossene als auch laufende Verfahren zeigen. Grundsätzlich stellt sich die Frage, ob die Intervention als verfahrensrechtliches Instrument einen „Mehrwert“ bietet oder vielmehr einen „ungerechtfertigten Verfahrenseingriff“ darstellt, der die bilaterale Streitbeilegung zwischen den Hauptparteien behindert. Vor dem Hintergrund der zuletzt beobachteten „Welle von Interventionen“ stellt sich zudem die Frage, ob diese Entwicklung eventuell zu einer weiteren Politisierung der Verfahren beiträgt.Um sich diesen Diskussionen vertieft zu widmen, hat der Völkerrechtspodcast Jane Hofbauer eingeladen, die den Hörer*innen das Instrument der Intervention näherbringt. Ergänzend beleuchtet Isabel Lischewski im Grundlagenteil die historische Entwicklung der Intervention. Wir sind gespannt auf eure Rückmeldungen! Lob, Anmerkungen und Kritik sind herzlich willkommen an ⁠podcast@voelkerrechtsblog.org⁠. Abonniert unseren Podcast ⁠via RSS⁠, über ⁠Spotify⁠ oder überall dort, wo es Podcasts gibt. Es gibt die Möglichkeit, auf diesen Plattformen den Völkerrechtspodcast zu bewerten, wir freuen uns über 5 Sterne!HintergrundinformationenAmmar Bustami & Verena Kahl, Intervention auf Irrwegen: Der Fall Südafrika gegen Israel und die problematische Rolle Deutschlands im Hauptverfahren, Verfassungsblog (2024).Khaled El Mahmoud, Measuring with Double Legal Standards Germany's Intervention in Support of Israel before the ICJ, Verfassungsblog (2024). Jane Hofbauer, Proceedings: Intervention in International Proceedings Expanding the Bilateral Dispute Settlement Model of International, in: Joanna Gomula & Stephan Wittich (Hrsg.), Research Handbook on International Procedural Law (2024), pp. 426-447. Haris Huremagić, Intervening for the community?—The law and politics of third-party intervention before the International Court of Justice, Journal of International Dispute Settlement 17 (2026).Juliette McIntyre, Less a Wave Than a Tsunami Procedural Implications for the ICJ of the Article 63 Interventions in Ukraine v. Russia, Völkerrechtsblog (2022). Penelope Ridings & Antonio José Guzmán Mutis, In Conversation with Dr Penelope Ridings, Völkerrechtsblog (2025).Bruno Simma, When “Community Interest” Intervenes: Article 62 of the ICJ Statute Facing Obligations erga omnes (partes), The Law & Practice of International Courts and Tribunals (2025). Moderation: ⁠Jasmin Wachau ⁠ & ⁠Rouven Diekjobst⁠Grundlagen: ⁠Dr. Isabel Lischewski⁠ ⁠Interview: Dr. Jane Hofbauer & Jasmin WachauSchnitt: ⁠Daniela RauCredits: United Nations, ICJ: Ukraine v. Russian Federation: Allegations of Genocide | 1st Round of Oral Arguments by Russia, 19 September 2023, https://www.youtube.com/watch?v=VTjit5jmTYU.  

Los tiempos del ruido - Expedición Botánica de Mutis: la gesta científica que duró 30 años by Javeriana919fm

Álvaro Mutis Jaramillo (Bogotá, 25 de agosto de 1923 – Ciudad de México, 22 de septiembre de 2013) fue un destacado poeta, novelista y ensayista colombiano, considerado una de las voces más singulares de la literatura hispanoamericana del siglo XX. Su obra se caracteriza por una fusión de poesía y narrativa, explorando temas como la errancia, la incertidumbre y el desarraigo. Mutis pasó su infancia en Bruselas debido al trabajo diplomático de su padre. Durante ese tiempo, realizó frecuentes viajes a Colombia, especialmente a la finca familiar en el Tolima, experiencias que marcaron profundamente su sensibilidad literaria. Estudió en el Colegio Mayor de Nuestra Señora del Rosario en Bogotá, donde fue alumno del poeta Eduardo Carranza.Inició su carrera como poeta, publicando su primer poemario, La balanza, en 1948. En 1953, publicó Los elementos del desastre, consolidando su voz lírica. Sin embargo, es más conocido por su serie de novelas protagonizadas por Maqroll el Gaviero, un personaje errante que refleja la condición humana contemporánea. Esta serie incluye obras como La nieve del almirante, Ilona llega con la lluvia y Abdul Bashur, soñador de navíos. A lo largo de su carrera, Mutis recibió numerosos premios, entre ellos: Premio Xavier Villaurrutia (1988). Premio Príncipe de Asturias de las Letras (1997). Premio Reina Sofía de Poesía Iberoamericana (1997). Premio Cervantes (2001). Premio Internacional Neustadt de Literatura (2002). Álvaro Mutis dejó una huella indeleble en la literatura latinoamericana. Su obra ha sido traducida a múltiples idiomas y continúa siendo objeto de estudio y admiración. Su estilo único, que combina la lírica con la narrativa, ofrece una profunda reflexión sobre la existencia humana.

Álvaro Mutis Jaramillo (Bogotá, 25 de agosto de 1923 – Ciudad de México, 22 de septiembre de 2013) fue un destacado poeta, novelista y ensayista colombiano, considerado una de las voces más singulares de la literatura hispanoamericana del siglo XX. Su obra se caracteriza por una fusión de poesía y narrativa, explorando temas como la errancia, la incertidumbre y el desarraigo. Mutis pasó su infancia en Bruselas debido al trabajo diplomático de su padre. Durante ese tiempo, realizó frecuentes viajes a Colombia, especialmente a la finca familiar en el Tolima, experiencias que marcaron profundamente su sensibilidad literaria. Estudió en el Colegio Mayor de Nuestra Señora del Rosario en Bogotá, donde fue alumno del poeta Eduardo Carranza.Inició su carrera como poeta, publicando su primer poemario, La balanza, en 1948. En 1953, publicó Los elementos del desastre, consolidando su voz lírica. Sin embargo, es más conocido por su serie de novelas protagonizadas por Maqroll el Gaviero, un personaje errante que refleja la condición humana contemporánea. Esta serie incluye obras como La nieve del almirante, Ilona llega con la lluvia y Abdul Bashur, soñador de navíos. A lo largo de su carrera, Mutis recibió numerosos premios, entre ellos: Premio Xavier Villaurrutia (1988). Premio Príncipe de Asturias de las Letras (1997). Premio Reina Sofía de Poesía Iberoamericana (1997). Premio Cervantes (2001). Premio Internacional Neustadt de Literatura (2002). Álvaro Mutis dejó una huella indeleble en la literatura latinoamericana. Su obra ha sido traducida a múltiples idiomas y continúa siendo objeto de estudio y admiración. Su estilo único, que combina la lírica con la narrativa, ofrece una profunda reflexión sobre la existencia humana.

In Riccardo Mutis 2015 gegründeten Opernakademie probt und erarbeitet er bedeutsame Werke der italienischen Oper mit jungen Dirigentinnen und Dirigenten, Sängern und dem von ihm gegründeten Orchestra Giovanile Luigi Cherubini. Zum dritten Mal zog es Muti dafür in die Fondazione Prada in Mailand. Geprobt und am Ende aufgeführt wurde diesmal an dem „Don Giovanni“ von Wolfgang Amadeus Mozart. Neun Dirigent/innen und vier Korrepetitoren, die sich aus Hunderten von Bewerbern qualifiziert hatten, stellten die aktiven Teilnehmer in dem öffentlich abgehaltenen Unterricht. Kirsten Liese war für Treffpunkt Klassik dabei.

Álvaro Mutis Jaramillo (Bogotá, 25 de agosto de 1923 – Ciudad de México, 22 de septiembre de 2013) fue un destacado poeta, novelista y ensayista colombiano, considerado una de las voces más singulares de la literatura hispanoamericana del siglo XX. Su obra se caracteriza por una fusión de poesía y narrativa, explorando temas como la errancia, la incertidumbre y el desarraigo. Mutis pasó su infancia en Bruselas debido al trabajo diplomático de su padre. Durante ese tiempo, realizó frecuentes viajes a Colombia, especialmente a la finca familiar en el Tolima, experiencias que marcaron profundamente su sensibilidad literaria. Estudió en el Colegio Mayor de Nuestra Señora del Rosario en Bogotá, donde fue alumno del poeta Eduardo Carranza.Inició su carrera como poeta, publicando su primer poemario, La balanza, en 1948. En 1953, publicó Los elementos del desastre, consolidando su voz lírica. Sin embargo, es más conocido por su serie de novelas protagonizadas por Maqroll el Gaviero, un personaje errante que refleja la condición humana contemporánea. Esta serie incluye obras como La nieve del almirante, Ilona llega con la lluvia y Abdul Bashur, soñador de navíos. A lo largo de su carrera, Mutis recibió numerosos premios, entre ellos: Premio Xavier Villaurrutia (1988). Premio Príncipe de Asturias de las Letras (1997). Premio Reina Sofía de Poesía Iberoamericana (1997). Premio Cervantes (2001). Premio Internacional Neustadt de Literatura (2002). Álvaro Mutis dejó una huella indeleble en la literatura latinoamericana. Su obra ha sido traducida a múltiples idiomas y continúa siendo objeto de estudio y admiración. Su estilo único, que combina la lírica con la narrativa, ofrece una profunda reflexión sobre la existencia humana.

En Radiophonium, el profesor James Torres presenta un cuadro económico de nuestro periodo colonial, hablando de moneda, comercio y de Mutis como minero.

En #LasVocesdelLibro conversamos con Diego Armando Varila Cajamarca, autor del libro “Poder, saber e Ilustración: la disputa entre Sebastián José López Ruiz y José Celestino Mutis, 1774-1808”.  Conoce más de este libro en:https://doi.org/10.12804/urosario9789585004559Conduce: María Camila NúñezPanelistas: David Mojica y Ana María MorenoProduce: Diego A. Garzón-Forero, J. Alexander Gonzalez Casallas y Juan Carlos Ruíz.Editorial de la Universidad del Rosario y URosario Radio

Escuche esta y más noticias de LA PATRIA Radio de lunes a viernes por los 1540 AM de Radio Cóndor en Manizales y en www.lapatria.com, encuentre videos de las transmisiones en nuestro Facebook Live: www.facebook.com/lapatria.manizales/videos

En la ola de desapariciones de información que mantiene el gobierno, es particularmente ominoso el mutis decretado por el Congreso de la plataforma llamada CompraNet

SAN ONOFRE-Dani y Mutis presentan su documental sobre Los Caballos de Düsseldorf: "Doo Rags-Del Blues al Ruido" Ya disponible nuestro librito jenkins Angloentrevistas Traducidas, Vol. 2 https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2 SAN ONOFRE nos quitamos el sombrero y berreamos ¡chapeau! ¡Qué auténtica maravilla el documental sobre , a cargo de Dani Quiñones y Miguel Sarró (Mutis)! SAN ONOFRE y demás cuates lo gozamos en su segundo pase, en la sede de la CNT de Guadalajara hace unas jornadas. Debemos de estar en estado de gracia (¿encinta de la Gracita Morales?) toda vez que los irresponsables de la tropelía se dignan a gastarse los cuartos con nosaltres. Step right up, folks, y aprovechen para chafardear de lo lindo sobre los mil y un entresijos y capitanías generales de Los Caballos de Düsseldorf y la órbita Alehop! ¡Albricias!

SAN ONOFRE-Miguel Palou Espinosa presta y se presta Ya disponible nuestro librito jenkins Angloentrevistas Traducidas, Vol. 2 https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2 SAN ONOFRE nos arrogamos el derecho de amontarazarnos a base de bien con el apátrida de Al-Andalus Miguel Palou. ¿Alguien sabe lo que es un photozine? Rediós, lo que se aprende con este hombre, que también presenta la más reciente magnvm opvs de Doce Fuegos en flamante placa de vinilo. Sí, "Quien Escucha Su Nombre, Oye". Tomen buena nota de todo lo que sale por la boquita de Mosén Palou y ladren a los perros. Y preservemos a las bestias y a los monstruos, que algo queda. En caso de urgencia, siempre podremos conseguir que haga horas extra el dragón de la guardia de nuestro amigo Arrington. Mutis y Dani, vaigan calentando, que los llamamos a filas en tres días para darle a la húmeda sobre el documental de Los Caballos de Düsseldorf. Alzamos bien alta la rebosante copa onofrita a la salud de todos Vstedes.

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Rubén García sobre los Santos Inocentes, celebramos los 25 años de Factorenergía y Don Paco Martínez Soria: aplausos y mutis por Óscar Abad García.

Tras 'Basilisco' y 'La araña' llega ahora "Matamonstruos", todas en Impedimenta, que cierra la saga de Jon Bilbao entorno al western y a su personaje fetiche John Dunbar. Se puede leer por separado, pero como sabemos que os va a crear adicción , mejor empezar por 'Basilisco" e ir tirando.  Habrá momentos que estarás en el Valle de La Muerte en California, otras en Ribadesella (Asturias) e incluso en la isla griega de Samos,  pero todo está conectado gracias a un vaquero que primero es sanguinario y poco a poco se va humanizando, salvo cuando saca el monstruo que lleva dentro ¿O no es verdad que todos llevamos un monstruo dentro? . Jon Bilbao nos ha donado además para la biblioteca dos novelones: 'El doctor Zhivago' de Boris Pasternak (Galaxia Gutemberg), 'Salambó' de Gustave Flaubert (Alianza). Nuestro bibliotecario Antonio Martínez Asensio vino cargado de recomendaciones 'tochas' para leer en navidad, que se supone que tenemos más tiempo: 'Antes que nada' Martín Caparrós (Random House) , 'La península de las casas vacías' de David Uclés (Siruela) , 'Las uvas de la ira'  de John Steinbeck (Alianza) y  'Por el camino de Swann' (primer tomo de "En busca del tiempo perdido) de Marcel Proust (Alianza).  Las novedades d ela semana llegaron de la mano de Pepe Rubio con  'Bad hombre' de Pola Oloixarac (Random House) y 'Nieve negra' de David Torres (Reino de Cordelia) . El libro perdido de Pascual Donate ha sido científico con conexiones literarias,  'El olor de las almendras amargas' de Daniel Torregrosa (Menos cuarto) . Martínez Asensio nos deja el libro de su programa "Un libro una hora"  que apuesta por la ciencia ficción clásica, 'El planeta de los simios' de Pierre Boulle ( Timun Mas Narrativa) y finalmente los oyentes que nos donaron 'Sostiene Pereira' de Antonio Tabucchi (Anagrama) y 'Empresas y tribulaciones' de Maqroll El Gaviero' de Álvaro Mutis (Alfaguara) 

Estos últimos días han llegado unos cuantos libros y hay un par de ellos más que me tienen que llegar:- La sangre maldita, de Eva Amuedo (Obscura Editorial). Tercera entrega de la saga “El despertar de Osharan” https://obscura.es/products/la-sangre-maldita?srsltid=AfmBOopU-zcOrkV0yV2iJH_WW95SfwAOrTHKFe-1OX1V635Kidm7Gu2a- Escritoras muertas, mujeres que revolucionaron la literatura, de Loreto ML, editado a través de una campaña en Verkami en abril de este año https://www.verkami.com/projects/37709-escritoras-muertas-mujeres-que-revolucionaron-la-literatura- Juan Caballero, de Luisa Carnés (Hoja de Lata) https://www.hojadelata.net/tienda/juan-caballero/Y me tienen que llegar:- Persépolis, de Marjane Satrapi (Reservoir Books, sello de Penguin Random House) https://www.penguinlibros.com/es/novela-grafica/37289-libro-persepolis-9788417910143- La habitación cerrada, de Loredana Volpe. Ilustrado por Javier Prado (ediciones Mutis) https://www.edicionesmutis.es/la-habitacion-cerradaSobre Eva Amuedo y su saga hablé en este otro capítulo: 65 - ¿Cuál es mi objetivo de lectura para el verano 2024? https://podcasters.spotify.com/pod/show/al-daily-podcast/episodes/65---Cul-es-mi-objetivo-de-lectura-para-el-verano-2024-e2lhbv8/a-abdcpknEfectivamente sobre el proyecto de Loreto ML hablé justo ¡en el segundo capítulo de Al Daily! 02 - ¿Cuál es el último crowdfunding en el que he participado? https://podcasters.spotify.com/pod/show/al-daily-podcast/episodes/02---Cul-es-el-ltimo-proyecto-de-crowdfunding-en-el-que-he-contribuido-e2hsb3c/a-ab4klt7Ya para terminar, te dejo mi entrevista en Radio Puerto: https://youtu.be/Fah-GIZvu-w?si=x5vor_tzOl2AkvEQY si acabas de llegar y no sabes nada acerca de mi libro, te dejo también por aquí el enlace a Amazon: “Taletober. Breves historias para las noches de octubre” https://amzn.eu/d/29tJlLKDime qué te ha parecido este capitulo y deja un comentario en ivoox o Spotify.Si lo prefieres, envíame un correo electrónico a la dirección de gmail almadailypodcast. En redes soy @almajefi y me encuentras en X / Twitter, Bluesky, Threads, Instagram y Telegram.

En nuestro episodio 395 conversamos con Gustavo Mutis, fundador del Centro de Liderazgo y Gestión sobre:+ El impacto del liderazgo evolutivo.+ El proyecto a cielo abierto más grande del mundo.+ El legado de sus padres y una estación de gasolina+ Una anécdota musical en la visita de Bill Clinton+ Tomar decisiones valientes+ Regenerar como factor clave para los líderes del futuro.+ Generar alianzas es clave para movilizar.+ Aprender de la naturaleza para dejar un mejor mundo.Atrévete a cambiar el futuro de Talento Humano en Hispanoamérica en la Academia Hackers del Talento Latam, aplica ahora acá: www.hackersdeltalento.com/academia-hackers-del-talentoAcá puedes conocer más sobre Hackers del Talento y Ricardo PinedaSuscríbete a nuestro newsletter Cartas al Talento donde reflexionamos sobre Talento Humano, el futuro del trabajo y la humanización

Las entrevistas de Radiophonium con el abogado Camilo Rodríguez, rosarista de toda la vida, quien recuerda su paso por la Quinta de Mutis y por el Claustro.

Hem parlat amb l'escriptora Eugenia Kléber, que ha publicat recentment la seva darrera obra de teatre, 'Silenciosa sombra de un perro' a Ediciones Mutis, sobre les jornades 'Lecturas dramatizadas iberoamericanas Mutis: Chile' que tenen lloc a Sala Fènix del 27 al 28 de juny', que coordinen ella i Cristofer Caro, dramaturga xilena que resideix aquí. Els textos que es presenten, 'María Estuardo viene a por mí', 'Inundación', 'La pelo feo' i 'Hombre muerto tirado en el suelo', han estat guanyadors del I Certamen de Dramaturgias Escenas en Contextos. Aquestes lectures estan presentades pel Festival Mutis, el festival de teatre independent de Barcelona que la majoria del nostre públic ja coneix. Ona Cultural Laura Clemente La Clem Cultura cultura teatre teatro Xile Chile

Disponible mi primer libro en Amazon Crónicas Vampíricas de Vera 🖤Olga Paraíso. También en formato e-book 📘 https://amzn.eu/d/aIFNffz 🎙 Os presento una serie de historias cortas protagonizadas por el matrimonio de detectives Tommy y Tuppence escritas por Agatha Christie en el año 1922 , estos relatos fueron adaptados para la televisión en 1983 y tuvieron mucho éxito. 🔍 Cuando el amable Tommy Beresford queda desempleado y sin perspectivas de futuro al finalizar la Primera Guerra Mundial, se percata de que la vida no es como él imaginaba. No obstante, al reencontrar una vieja amiga de infancia, Prudence Cowley, más conocida como Tuppence, su vida cobra un interés inimaginado. Ambos sin dinero y sin trabajo deciden fundar la Young Adventures Limited, colocando un anuncio en el The Times, donde Tommy y Tuppence prometen: «… hacemos de todo, vamos a cualquier parte…». Claro que este irresistible dúo está apasionado por la intriga, y uno por el otro. No pierden la oportunidad de comprar y gerenciar la Agencia Internacional de Detectives Blunt. Juntos, resolverán una serie de casos de una forma que ilustra con algo de humor y en gran estilo la manera de actuar de los mayores detectives del mundo. Tommy y Tuppence se divierten hasta más no poder, mientras intentan resolver los casos más siniestros y mortíferos. En la lista de personajes envueltos en la acción se encuentra una bella actriz, un explorador del Ártico, un embajador americano y muchos más. Cada aventura guía a los recién casados tras la pista de joyas desaparecidas, documentos secretos, chocolates envenenados y otros extraños artículos. Lo más difícil en su tarea es descifrar quién es inocente y quién es realmente culpable. Si esta historia te ha cautivado y deseas unirte a nuestro grupo de taberneros galácticos, tienes la oportunidad de contribuir y apoyar mi trabajo desde tan solo 1,49 euros al mes. Al hacerlo, tendrás acceso exclusivo a todos las historias para nuestros mecenas y podrás disfrutar de los episodios sin interrupciones publicitarias. ¡Agradezco enormemente tu apoyo y tu fidelidad!. Aquí te dejo la página directa para apoyarme:🍻 😈https://www.ivoox.com/support/552842 Voz y sonido: Olga Paraíso. Una producción de Historias para ser leídas 🎙 Música y Efectos Epidemic Sound con licencia premium autorizada. Intro y cierre musical: Wicked Man - Martin Landstrom Fondo musical: Something's Telling Me (Instrumental Version) - Niklas Gabrielsson with Martin Landstrom & His Orchestra 🛑BIO Olga Paraíso: https://instabio.cc/Hleidas 📢Nuevo canal informativo en Telegram: https://t.me/historiasparaserleidas ▶️Canal de YouTube Historias para ser Leídas con nuevo contenido: https://www.youtube.com/c/OlgaParaiso ▶️YouTube Shorts Historias para ser Leídas: https://www.youtube.com/@historiasparaserleidas/shorts 🚀🚀🚀🚀🚀🚀🚀 Canal WhatsApp Historias para ser leídas: ✅https://whatsapp.com/channel/0029VaCmoVmLtOjEBDYgYc00 🚀❤️ 🔍PLAYLIST DE LAS AVENTURAS DE TOMMY Y TUPPENCE: https://go.ivoox.com/bk/11000168 🚀 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

IN THIS EPISODE: It's #ThrillerThursday, and in this episode I have a story from award-winning writer Karen Russell entitled, “The Graveless Doll of Eric Mutis” from her book, “Vampires In The Lemon Grove.”SOURCES AND REFERENCES FROM THE EPISODE…“The Graveless Doll of Eric Mutis” by Karen Russell from the book ‘Vampires In The Lemon Grove': https://amzn.to/3ydR4knWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: May 09, 2024

En la segunda conferencia del ciclo “Un siglo de expediciones científicas españolas”, el  historiador cultural de la ciencia e investigador científico del CSIC, Juan Pimentel, aborda la figura del científico naturalista José Celestino Mutis, médico del virrey de Nueva Granada y estudioso de la viruela que acabó dirigiendo una de las expediciones científicas más importantes de la Ilustración, La Real Expedición Botánica del Nuevo Reino de Granada. De ella se conserva una de las mayores colecciones iconográficas sobre la flora de Bogotá, formada por más de 3.000 acuarelas, temples y miniaturas iluminadas, conservada hoy en el Real Jardín Botánico de Madrid. Más información de este acto

Entrevistem Daniel Naranjo, autor i director, Sara Soneira i Marçal Gene, intèrprets, de 'Repoblar l'ànima en temps de mascareta', producció de Maravilla Theater que va guanyar el Festival Mutis de teatre independent de Barcelona i s'estrena a la sala Dau al Sec del 13 al 17 de desembre de 2023. Aquest és un espectacle ritual de teatre corporal i performatiu basat en els principis de Grotowsky. Inspirat en un fet real esdevingut durant la pandèmia i la supervivència a la malaltia a nivell existencial i filosòfic. El públic acompanyarà en el viatge a quatre performers que posaran a prova el cos i les emocions, tot un repte d'interpretació que va més enllà. Ona Cultural teatre performance autor direcció metateatre textos interpretació producció festival Laura Clemente La Clem Cultura  Ona de Sants  Ràdio Hostafrancs 

1.   Informe de Auditoría de la Junta de Licenciamiento y Disciplina Médica publicada ayer confirma la investigación de En Blanco y Negro con Sandra del 2019 al 2021 2.   Vigila mañana por caos en el Archivo General y el director del ICP no está en funciones sino que nombra interinos 3.   El misterio de la PR-10 Utuado —> Adjuntas . Gastan $552 millones en 7.5 kilómetros de carretera, denuncia la Rep. Mariana Nogales 4.    En PR se libra una lucha de poder político distinta para las próximas elecciones 5.   La 7 veces campeona del boxeo Amanda Serrano renuncia al CMB por prejuicio contra las mujeres. 6.   Las mujeres seguimos atrás en el campo laboral donde impera el machismo. Sólo un 22% son supervisoras 7.   Mutis de la Unión de empleados CFSE por pesquisa de Justicia 8.  EL PPD cuestiona la doble vara del PNP [ahora hasta la policía participa con candidatos en las elecciones] 9.  Un dominicano fue peor que la boricua: El exilio cubano dice que Manuel Rocha supera a la espía Ana Belén 10. Reguetón y raza: las caras lindas de mi gente negra  Estas son algunas de las noticias que tenemos hoy En Blanco y Negro con Sandra.  AUDIO: Este es un programa independiente y sindicalizado. Esto significa que se transmite simultáneamente por una serie de emisoras de radio y medios que son los más fuertes en sus respectivas regiones, por sus plataformas digitales, aplicaciones para dispositivos móviles y redes sociales. Estos medios son: 1.     Cadena WIAC - WYAC 930 AM Cabo Rojo- Mayagüez 2.   Cadena WIAC – WISA 1390 AM Isabela 3.   Cadena WIAC – WIAC 740 AM Área norte y zona metropolitana 4.   WLRP 1460 AM Radio Raíces La voz del Pepino en San Sebastián 5.   X61 – 610 AM en Patillas 6.   X61 – 94.3 FM Patillas y todo el sureste 7.    WPAB 550 AM - Ponce 8.   ECO 93.1 FM – En todo Puerto Rico 9.   Mundo Latino PR.com  Podcast disponible en Spotify, Soundcloud, Apple Podcasts, Google Podcasts y otras plataformas https://anchor.fm/sandrarodriguezcotto  También nos pueden seguir en: REDES SOCIALES:Facebook, X (Twitter), Instagram, Threads, LinkedIn, Tumblr, TikTok  BLOG:  En Blanco y Negro con Sandra http://enblancoynegromedia.blogspot.com  SUSCRIPCIÓN: Substack, plataforma de suscripción de prensa independiente https://substack.com/@sandrarodriguezcotto  OTROS MEDIOS DIGITALES: ¡Ey! Boricua, Revista Seguros. Revista Crónicas y otros         --- Support this podcast: https://podcasters.spotify.com/pod/show/sandrarodriguezcotto/support

La escritura de la chilena Lina Meruane es a la vez real y mágica, como un homenaje a las viejas generaciones del realismo mágico latinoamericano. Su presencia en la Biblioteca de Antonio Martínez Asensio en Hoy por Hoy ha sido para donar su último libro  "Avidez", 13 relatos de una potencia literaria infinita y que temáticamente definen toda sus trayectoria por haber sido escritos, además, en diferentes momentos. En ellos están presentes todos los grandes temas de la autora  de "Sangre en el ojo" : las madres y los padres, las mujeres y los hombres, la maternidad, la soledad, la violencia ,el castigo,  la miseria, el hambre, el hombre frente al mundo animal, la sensualidad , el sexo, la vulnerabilidad, el placer o el amor. Además de Lina Meruane, han entrado en la biblioteca el nobel Jon Fosse, Slavenka Drakulic, Virginia Mendoza, Carlos Drogett, Rachel Yoder, María Carolina Geel, María Luisa Bombal, John Irving, Ian McEwan, Jacobo Bergareche y Álvaro Mutis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4262462/advertisement

Para el capítulo de hoy les traemos la mesa celebrada en homenaje al escitor y poeta colombiano Álvaro Mutis en la Biblioteca los Fundadores del Gimnasio Moderno el pasado 5 de septiembre de 2023, junto con Fernando Quiróz, Ramón Cote Baraibar y Gonzalo Mallarino. --- Support this podcast: https://podcasters.spotify.com/pod/show/paredropodcast/support

En Calamares en su tinta nos unimos a la celebración del primer centenario de Álvaro Mutis, uno de los más grandes poetas y escritores de la lengua española, creador de un personaje desastrado y enigmático, lúcido y profético: Maqroll el Gaviero. En esta salida, algunas claves de la vida y la obra de un escritor sin igual que se merece todos los homenajes

“Lo que está haciendo el gobierno de Boluarte con EsSalud es de espanto. Los nombramientos en la institución son de un nivel de incompetencia que asegura que la entidad irá a la deriva. ¿Qué ha dicho la Confiep al respecto, teniendo, como tiene, dos miembros en el directorio? Mutis absoluto”Encuentra más en https://sudaca.pe/https://www.facebook.com/sudacaperu.pehttps://www.twitter.com/SudacaPeruhttps://www.linkedin.com/company/suda...https://www.instagram.com/sudacaperu/https://www.tiktok.com/@sudacaperuLima – Perú#juancarlostafur #sudacaperú #conflictossociales  #Inversiónprivadahttps://open.spotify.com/episode/Juancarlostafur690

On this week's episode, we sit down with girls soccer captains, Stella Whitney and Sofia Mutis, to hear about their season.

1. Mutis en Salud sobre los casi $900 millones de descuadre en plan Vital del dinero que ganan aseguradoras y revelamos ayer aquí en exclusiva. Estudio actuarial del Plan Vital revela que es mayor la diferencia en fondos. Las aseguradoras se llevan más dinero del que se creía. 2. Apropiación de un acceso a la playa – Denuncian cierre de una carretera y acceso de dominio público que brinda acceso a la Playa Sardinera en Hatillo – Atribuyen a la alegada acción de la iglesia Misión Evangélica, dueños de los terrenos aledaños de la cual la vicepresidenta es la senadora Keren Riquelme. 3. Caos y más chanchullos con la venta del parque en El Condado. Resulta que la propiedad aledaña ya había robado terreno al parque. Tenemos los documentos del CRIM. 4. Se va descifrando la campaña de propaganda en la Policía. Extensa la lista de los más buscados. 5. Principal testigo en caso de asesinato de su amiga se casa con el sospechoso. La defensa de Lemuel Cruz Cruz invocó el privilegio cónyuge-testigo en el caso que se lleva en su contra por el asesinato en junio de 2020 de Alexandra Cardona Torrado. 6. Las cuitas del PIP: Aunque no hay seriedad en las quejas por acoso laboral y sexual, el silencio afecta imagen del liderato pipiolo. 7. Cuando los jueces envían mensajes. Cada día son más los jueces que usan su estrado para enviar mensajes políticos, olvidando los cánones de ética que rigen esa posición. El debate tiene que recordarles su rol. 8. Hay un 19% de reducción en la matrícula en la UPR. Si eso es así en el principal centro docente, ¿qué pasará con las universidades privadas? 9. En 10 días Julia Keleher sale de cumplir su condena en prisión. Saldrá de la cárcel el 22 de julio del 2022. 10. Este viernes y sábado se celebrará el periodo de ventas libres de IVU para artículos escolares. 11. Visas laborales y medidas contra la inflación: las claves de la reunión que sostendrán López Obrador con Biden en la Casa Blanca Éstas y otras noticias, hoy En Blanco y Negro con Sandra. - - - Este programa se transmite por las siguientes emisoras, y por sus respectivas plataformas digitales, y aplicaciones para dispositivos Apple y Android: 1. Cadena WIAC - WYAC 930 AM: Cabo Rojo-Mayagüez 2. Cadena WIAC – WISA 1390 AM Isabela 3. Cadena WIAC - WIAC 740 AM: Área metropolitana 4. WLRP 1460 AM Radio Raíces: La voz del Pepino en San Sebastián 5. Radio Grito 1200AM: Lares 6. Radio Grito 93.3 FM Aguadilla 7. Radio Grito 92.1 FM: Arecibo-Ponce 8. X61 610 AM: Patillas y toda la zona sureste 9. X61 94.3 FM: Patillas-Guayama 10. Mi Podcast: Anchor, SoundCloud y demás. https://anchor.fm/sandrarodriguezcotto Redes Sociales: FACEBOOK, TWITTER, INSTAGRAM, LINKEDIN · E-mail: Enblancoynegroconsandra@gmail.com · BLOG: http://enblancoynegromedia.blogspot.com --- Support this podcast: https://anchor.fm/sandrarodriguezcotto/support

1. Una disputa entre 11 hermanos de la familia del Dr. Richard Machado vincula directamente al cuñado del gobernador, Andy Guillemard. Al centro de la polémica está una herencia de más de $100 millones y las vida de dos envejecientes, incluyendo al Dr. que era dueño de los hospitales Hermanos Meléndez y Children Hospital en Bayamón y fue candidato político por el Partido Popular. 2. Mutis de la Secretaria de la Familia Carmen Ana González Magaz a las serias irregularidades y maltrato institucional y el uso de fondos federales por parte de empleados del Proyecto Liderazgo Transformacional que incluyen a su directora, una que el gobernador Pierlusi le dio el premio Manuel A. Pérez a la excelencia en el servicio público. 3. Aseguran que Aaron Vick se entregó a las autoridades en el Tribunal de San Juan. El empresario está vinculado con la fallida compra de pruebas rápidas de COVID-19 a principios de la pandemia. 4. Incautan 360 Kilos de cocaína en una embarcación cerca de Rincón. El valor estimado en el mercado negro de la droga hubiera alcanzado los $7.5 millones. 5. Siguen los destrozos a las playas del país. DRNA asegura que “habrá consecuencias” en controversia de casa rodante en playa de Joyuda; entrega permiso firmado por exsecretario Machargo. La secretaria interina negó que reciba presiones ‘desde arriba' para afectar las pesquisas que hace el DRNA. 6. Encuentran manatí muerto en costa de Guayama. Ya son tres las fatalidades reportadas en lo que va de año. 7. La EPA impone sanciones al gobierno de Puerto Rico por no entregar el plan de cumplimiento de calidad del aire. 8. La alcaldesa de Morovis demanda a la Autoridad de Acueductos y Alcantarillados. Pide al Tribunal Federal que les reconozca a los ciudadanos un derecho constitucional al servicio de agua potable. 9. Pierluisi solicita al Congreso $1,000 millones en fondos para el PAN. El gobernador también insistió en que para la implementación y administración exitosa de estos beneficios es sumamente necesario modernizar la programación y digitalización de los registros. 10. Comisión senatorial aprueba informe a favor de polémico proyecto que restringe el aborto. 11. Hablamos en detalle de MUERTO EN VIDA, una ‘desconocida' obra del Maestro Dramaturgo Francisco Arriví 12. Resumen de noticias --- Support this podcast: https://anchor.fm/sandrarodriguezcotto/support

1. Vidas humanas y especies están en peligro en Mayagüez porque la Autoridad de Tierras intenta vender terrenos prohibidos en el Bosque Cerro Las Mesas en Mayagüez a pesar de que es ilegal, afecta a comunidades aledañas y tiene la oposición del gobierno municipal. 2. Un grupo de residentes, biólogos, ingenieros, científicos y varios líderes políticos, incluyendo al alcalde interino de Mayagüez, Jorge Ramos Ruiz, la representante Mariana Nogales y el excandidato independiente Eliezer Molina, se reunieron ayer en el Cerro las Mesas para conocer los resultados de un estudio sobre el nefasto impacto que tendrá la propuesta venta de terrenos del bosque en la zona. La evidencia científica demostró que destruiría especies endémicas, y pone en peligro la vida en urbanizaciones y comunidades pobres cercanas. 3. Jorge Galva deja caos en ASES. En EXCLUSIVA adelantamos que el Departamento de Salud negocia tarifas con aseguradoras para no perder fondos del Plan Vital. 4. Mutis del alcalde interino de Mayagüez, Jorge Ramos Ruiz, de si se postulará tras la suspensión del incumbente José Guillermo “Guillito” Rodríguez por corrupción. 5. Presupuesto, Código Electoral, reforma laboral y el aborto: cargada agenda legislativa ante el fin de la sesión. Termina el 25 de junio. 6. Full Measure y medios en Estados Unidos presentan reportajes de cómo empresarios extranjeros se benefician de paraíso fiscal en Puerto Rico. El enfoque ahora es la industria farmacéutica. Empresa de China busca crecer aquí. 7. Beneficiarios de la Ley 60 argumentan que enfrentan los mismos problemas que los empresarios locales. Inversionistas en el área de la salud, energía renovable y ganadería insisten en que los beneficios contributivos son vitales para mejorar la economía. 8. Regresa en junio a las Naciones Unidas el caso político de Puerto Rico. El Comité de Descolonización de la ONU volverá a considerar una resolución en reclamo del derecho de la Isla a su libre determinación e independencia. 9. Bad Bunny debuta como comentarista en la victoria de sus Cangrejeros sobre los Gigantes. La presencia del intérprete atrajo la atención de fanáticos, que se apostaron en las esquinas cercanas a la mesa donde narraba en busca de una oportunidad para una foto. Éstas y otras noticias, hoy En Blanco y Negro con Sandra. - - - Este programa se transmite por las siguientes emisoras, y por sus respectivas plataformas digitales, y aplicaciones para dispositivos Apple y Android: 1. Cadena WIAC - WYAC 930 AM: Cabo Rojo-Mayagüez 2. Cadena WIAC – WISA 1390 AM Isabela 3. Cadena WIAC - WIAC 740 AM: Área metropolitana 4. WLRP 1460 AM Radio Raíces: La voz del Pepino en San Sebastián 5. Radio Grito 1200AM: Lares 6. Radio Grito 93.3 FM Aguadilla 7. X61 610 AM: Patillas y toda la zona sureste 8. X61 94.3 FM: Patillas-Guayama 9. Mi Podcast: Anchor, SoundCloud y demás. https://anchor.fm/sandrarodriguezcotto Redes Sociales: FACEBOOK, TWITTER, INSTAGRAM, LINKEDIN · E-mail: Enblancoynegroconsandra@gmail.com · BLOG: http://enblancoynegromedia.blogspot.com --- Support this podcast: https://anchor.fm/sandrarodriguezcotto/support

Entrevista A Enrique Arbeláez Mutis - Inf. Del Mediodía - Mar. 3 Mayo by LA PATRIA

On this weeks' episode, we sit down with girls soccer players to hear about their season so far.

Subscribe Apple | Google | Spotify | Stitcher | iHeart   Support The Daily Gardener Buy Me A Coffee   Connect for FREE! The Friday Newsletter | Daily Gardener Community   Historical Events 1528 Today is the anniversary of the death of the German painter, engraver, printmaker, mathematician, and theorist from Nuremberg, Albrecht Dürer (books about this person). Albrecht's work was extraordinary, and by the time he was in his 20s, he was already quite famous. During Albrecht's lifetime, explorers shifted their focus from medicinal plants to ornamental plants. As an artist, Albrecht captured many new exotic plants with incredible attention to detail. If you're looking for bunny art, you should check out Albrecht Dürer's watercolor called Young Hare. It's a beautiful piece, remarkable for its accuracy and realism. One of Albrecht's most famous pieces is The Great Piece of Turf (German: Das große Rasenstück), which he created in 1503. This exceptional watercolor shows a very natural grouping of natural plants together in community and features grass that has gone to seed, plantain, and dandelion.   1732 Birth of José Celestino Mutis (books about this person), Spanish priest, botanist, and mathematician. He's remembered as the architect of the Royal Botanical Expedition of the Kingdom of Granada (what is now Columbia) in 1783. For almost 50 years, José worked to collect and illustrate the plants in Colombian lands. In Columbia, José created an impressive botanical library and a herbarium with over 24,000 species. During his lifetime, only Joseph Banks had a bigger herbarium than José.  José's study of the Cinchona tree (Cinchona officinalis) at the Bogota Botanical Garden helped develop a cure for yellow fever or malaria. The Cinchona tree grows in the cloud forests of Venezuela, Colombia, Ecuador, and Peru. The bark of the cinchona tree contains quinine, the chemical used to create medicines. During José's lifetime, Cinchona was believed to have the potential to cure all diseases, and so the Spanish crown encouraged José to continue his work with Cinchona. José sent thousands of specimens back to the Madrid Botanical Garden. He also used local artisans to create over 6,500 pieces of botanical art. The majority of the collection remained in shipping crates until 2010 when they were finally exhibited at Kew. Today, thousands of pieces of the Mutis collection are housed at the Botanical Garden in Madrid, Spain. The pieces are significant - mostly folio size - and since they haven't seen much daylight over the past two centuries, they are in immaculate condition. The old 200 pesos banknote in Colombia bears the portrait of José Mutis, and the Bogota Botanical Garden is named in his honor.   1759 Death of Johann Zinn, German anatomist and botanist. He died young from tuberculosis at 32. Johann accomplished much in his short life, and he focused on two seemingly disconnected areas of science: human anatomy and botany. From an anatomy standpoint, Johann focused on the eye. He wrote an eye anatomy book and became the first person to describe the Iris. Today, several parts of the eye are named in Johann's honor, including the Zinn zonule, the Zinn membrane, and the Zinn artery. As a young man, Johann was appointed the University Botanic Garden director in Göttingen (pronounced "Gert-ing-en"). He initially thought the University wanted him to teach anatomy, but that job was filled, so he took the botany job instead. One day, Johann received an envelope of seeds from the German Ambassador to Mexico. After growing the plants, Johann wrote about them, drew the blossoms, and shared the seed with other botanists throughout Europe. Those seeds were the Zinnia (click here to order Zinnia seeds).  When Johann died so young, Linnaeus named the Zinnia in his honor. The Aztecs had a word for Zinnia, which basically translates to "the evil eye" or "eyesore." The original Zinnia was a weedy-looking plant with a dull purple blossom. This is why the Zinnia was initially called the crassina, which means "somewhat corse." Once the French began hybridizing Zinnias, the dazzling colors began turning the heads and hearts of gardeners. This gradual transformation of zinnias from eyesores to beauties is how Zinnias earned the common name Cinderella Flower. Zinnia's are a favorite flower of gardeners, and it is Indiana's state flower. In addition to their striking colors, zinnias can be directly sown into the garden, they attract pollinators like butterflies, and they couldn't be easier to grow.   2021 On this day, The Book of Difficult Fruit: Arguments for the Tart, Tender, and Unruly by Kate Lebo was released.  In her book, Kate Lebo - essayist, poet, and pie lady - shares a natural, culinary, medical, and personal history of twenty-six fruits, including: Aronia or chokeberry - a member of the apple family and it is not poisonous. Like raspberries, the Aronia pigment stains clothes. Durian - fruit from the tree of the hibiscus, or mallow, family. The unique rind contains a sweet freet. But the durian is very pungent - the odor subtly shifts between sweet and stringent on a spectrum from peaches to garlic. Medlar - a very squishy and very sweet fruit. It tastes similar to an over-ripe date, toffee apples, or apple butter. Medlar is beloved by gardeners for its flowers. Quince - has a bright fragrance of pear, apple, and citrus. Once cooked, quince softens and the flesh transforms from white to pink. Kate's book includes one essay along with recipes for each fruit. The fruits that Kate profiles are notoriously challenging. They might be difficult to grow or harvest. The window of ripeness might be very brief. The fruit may have a toxic aspect. Or, it may be invasive and not suitable for the garden. But in Kate's book, these fruits make the cut, and she shares all kinds of insights and culinary uses for these fruits. Kate reveals all kinds of tips, including why Willa Cather included the pits in her plum jam. Great book. The Book of Difficult Fruit was named a Best Book of the Year by The Atlantic, New York Magazine, and NPR.   Grow That Garden Library™ Book Recommendation Private Gardens of South Florida by Jack Staub By the way, I should mention that Rob Cardillo took the fantastic photographs in this book. This book is a treat, and I am thrilled to share it with you on today's show. It's been out for about six years, which means that this book's used prices have gone down. This was a $50 book when it came out, but you can now get copies for about $12, which is such a deal. In this book, twenty-two private gardens from South Florida are featured. And if you love tropical gardens, you've got to get this book because it's the only way you'll see some of these secret gardens and grounds that are so unbelievably designed. For instance, you'll meet a painter-turned-horticulturist who transformed her garden into a mysterious forestlike escape. There's a couple that created their garden after being inspired by the Near East, so their garden is something that you might see in a Persian Royal Garden. And of course, all the gardens are set in Florida, so you're going to see all kinds of pools, fountains, ocean views, and just incredible vistas - not to mention avenues of palms. (That's something I love because clearly, we will never have that here in Minnesota.) The palms add such a stately majestic aspect to tropical gardens. Now, of course, Jack himself gardens on Hortulus Farm in Pennsylvania. His main concern was finding diverse gardens to feature in his book. Jack really wanted to show the full spectrum of private gardens - everything from a grand estate to tiny, hidden oases. Jack also wanted to find gardens that had owners that were very invested in them, that actually cared about them, and had a significant relationship with their gardens. And I think to me, that makes all the difference in the way these gardens are portrayed because you can tell that these gardens are loved. One other thing I want to mention about Jack Staub and his writing is that he is such a compelling writer. Jack, himself is passionate about gardens, which comes through in how he writes about gardens. For instance. One garden is introduced by Jack this way: There is something very Hansel and Gretel about this garden as it reveals itself so slowly and circuitously. One is nearly sufficiently disoriented to strew a trail of crumbs behind one so that one is guaranteed away out of the forest. People just don't write like that about gardens - and so I appreciate that about Jack and his writing. And while you might be sitting there going, why would I get a book about the gardens of South Florida? Well, I would say stretch yourself. This book may show you gardens that are out of your growing zone - that are a little foreign -but you will learn a ton about composition, design, and how to look at gardens through the wise eyes of Jack. And that, my friends, is very much worth investigating. This book is 256 pages of enchanting properties that will inspire you not only to partner with nature and design in new ways but also to create your little slice of paradise right in your backyard. You can get a copy of Private Gardens of South Florida by Jack Staub and support the show using the Amazon link in today's show notes for around $12.   Botanic Spark 1809 Birth of Alfred Lord Tennyson (books by this author), English poet. During most of Queen Victoria's reign, he was England's Poet Laureate. Today, you can take a tour of Tennyson's walled garden on the Isle of Wight. Both his home and the garden have been restored to their former glory, and the property gets top ratings on TripAdvisor. Tennyson loved his "careless-ordered" garden. In 1863, he wrote, I hope no one will pluck my wild Irises which I planted. ...if they want flowers there is the kitchen garden — nor break my new laurels, etc. whose growth I have been watched... I don't like children croquetting on that lawn. I have a personal interest in every leaf about it. And here's Tennyson's most quoted sentiment is a favorite among gardeners: If I had a flower for every time I thought of you… I could walk through my garden forever.   Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

The Palacio de Lecumberri is a large building, formerly a prison, in the northeast of Mexico City, Mexico, which now houses the General National Archive. Known in popular culture as The Black Palace of Lecumberri, it served as a penitentiary from 1900 to 1976. It was inaugurated by President Porfirio Díaz. The Diary of Lecumberri by Colombian Poet Álvaro Mutis, describes his time thereafter being imprisoned in 1958. The living conditions within the prison were very dangerous due to the inmates' treatment by the guards or staff. Torture and beatings were common. Corruption was also present within the prison system. As always, I really appreciate your thoughts and feedback about the show. You can reach out to me :Email: InterSpanishPodcast@gmail.comYouTube: https://www.youtube.com/channel/UCUn1MRmbmxL0ePiYDGfsJVwFacebook: https://www.facebook.com/interspanishPodcast/about/?ref=page_internalInstagram: https://www.instagram.com/interspanish/

Caos en el servicio eléctrico provoca que empiecen a rodar cabezas, como la del presidente de la Junta de Gobierno, Ralph Kreill Asignan FEI al alcalde de Mayagüez, José Guillermo Rodríguez, algo que ya se esperaba. La pregunta es ¿lo hicieron ahora para intentar desviar el caos con LUMA ante la opinión pública? Mutis del Dr. Víctor Ramos y del Colegio de Médicos Cirujanos ante el nuevo audio que se filtró ayer en el que dice que es un “tumba cabezas de cualquiera que se le ponga de frente” como sus pasados contendientes, el Dr. Eduardo Ibarra y del actual secretario de Salud, Dr. Carlos Mellado. Tal y como dijimos ayer, ya van 2 niños muertos en menos de una semana. Bebé intoxicado con cocaína murió, pero no dicen nada de cómo prevenir el maltrato a los niños. Ante todos estos caos, siguen hablando de dinero. Se anuncia que el Departamento de la Familia repartirá esta semana más de $35 millones a las familias que reciben el PAN. Senado investigará el acoso vecinal en condominios cuando un vecino o una junta de directores, que altera la vida cotidiana del titular. Telecomunicaciones y guerra del siglo 21: La liberación de la heredera Huawei y las armas supersónicas que desarrollan en China aumentan tensiones entre la potencia asiática con Estados Unidos y Canadá. Política española fue a Nueva York a regar su racismo. "El indigenismo es el nuevo comunismo": Los dichos racistas de la presidenta de Madrid para reivindicar la "hispanidad" en Nueva York. La política aseguró que el reconocimiento que hacen los países de la región al legado de sus culturas ancestrales es "una revisión maniquea" que busca "deshacer la historia de España". El avance de un político de ultraderecha: saldos de las elecciones primarias en Argentina y América Latina. Jurassic Park vive: científicos quieren "resucitar" mamuts para salvar el planeta. Éstas y otras noticias, hoy En Blanco y Negro con Sandra. - - - Este programa se transmite por las siguientes emisoras, y por sus respectivas plataformas digitales, y aplicaciones para dispositivos Apple y Android: Radio Grito 1200AM: Lares Radio Grito 93.3 FM Aguadilla X61 610 AM: Patillas y toda la zona sureste X61 94.3 FM: Patillas-Guayama Cadena WIAC - WYAC 930 AM: Cabo Rojo-Mayagüez Cadena WIAC – WISA 1390 AM Isabela Cadena WIAC - WIAC 740 AM: Área metropolitana WLRP 1460 AM Radio Raíces: La voz del Pepino en San Sebastián Mi Podcast: Anchor, SoundCloud y demás. https://anchor.fm/sandrarodriguezcotto Redes Sociales: FACEBOOK, TWITTER, INSTAGRAM, LINKEDIN E-mail: Enblancoynegroconsandra@gmail.com BLOG: http://enblancoynegromedia.blogspot.com --- Support this podcast: https://anchor.fm/sandrarodriguezcotto/support

We discuss: - Fine art photographers often teach, marry or are born into wealth, or work in property - being a juror for competitions and grants - being an expat artist - Latin American photography - the fact that english is the prominent language in the art world - gear heads in photography - self-segregation within the photo world - renting vs owning digital cameras - how to take family stories and make them art - using text and image - making personal stories approachable - getting a photobook published - look for the side door instead of standing in line at the front door - see what you can offer people - how to format a competition submission - how to write an artist statement   3 artists he recommends: Juanita Escobar - https://juanita-escobar.format.com/ Hector Abad Faciolince - https://www.amazon.com/H%25C3%25A9ctor-Abad-Faciolince/e/B001JOI5EO%3Fref=dbs_a_mng_rwt_scns_share Álvaro Mutis - https://en.wikipedia.org/wiki/%C3%81lvaro_Mutis     People + Places mentioned: F. Holland Day - https://en.wikipedia.org/wiki/F._Holland_Day Photolucida - https://www.photolucida.org Prix Pictet - https://prixpictet.com John Szarkowski - https://en.wikipedia.org/wiki/John_Szarkowski Margaret Bourke-White - https://www.icp.org/browse/archive/constituents/margaret-bourke-white?all/all/all/all/0 Paul Kwiatkowski - http://www.ghostguessed.com/ Mesa Estándar - https://www.mesaestandar.com/ KWY Editions - http://kwyediciones.com Gabriel García Márquez - https://cs.wikipedia.org/wiki/Gabriel_Garc%C3%ADa_M%C3%A1rquez   https://www.tomgriggs.net http://www.fototazo.com   Hosted by Matthew Dols http://www.matthewdols.com   Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org             and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no               Transcript available here: https://wisefoolpod.com/transcript-for-episode-156-photographer-writer-tom-griggs-colombia-mexico/

Pelican Harbor Seabird Station is dedicated to the rescue, rehabilitation, and release of sick, injured or orphaned brown pelicans, seabirds, and other native wildlife; and the preservation and protection of these species through educational and scientific means. As a trusted wildlife rehab center, Pelican Harbor Seabird Station embodies professionalism, compassion, and integrity. Through innovation, education, and outreach, we provide the highest quality of patient care while promoting the importance of conservation in the community. Ken Russell Miami Podcast Signup for our newsletter: https://forms.gle/gN5XhGcrWS9BHscZA Guest Links & contact: Pelican Harbor Seabird Station https://www.pelicanharbor.org

1. Problemas de transición: en San Juan, Vega Alta, Guánica y Maunabo. Todavía no hay alcaldes oficiales por tranques en la transición, o porque tiene que haber un recuento electoral 2. Aparecen sobres de voto adelantado por correo en las afueras del coliseo Roberto Clemente contienen copias de las identificaciones de los electores y se presume que las papeletas que tenían en su interior ya fueron contabilizadas. 3. Disputa electoral en San Juan debe ser resuelta esta semana. Comisionados electorales del PIP y PPD proyectan que la CEE emita la certificación final al alcalde electo. 4. Atención consumidores: Mutis al aumento en el precio del gas licuado 5. Municipios se preparan para la vacunación masiva. Crearán 11 centros para vacunar a la población contra el Covid-19. 6. Se mantiene estable el índice de positividad. Según Salud, menos del 10% de la prueba para detectar Covid-19 obtiene un resultado positivo 7. Pero… Secretario de Salud Lorenzo González admite que están cortos de personal para atender querellas por violación a Orden Ejecutiva que empieza hoy. Sin embargo, asegura que todas serán investigadas. 8. Regreso a clases presenciales en enero dependerá de nivel de contagios y vacunaciones contra el COVID-19. El actual secretario de Salud y el entrante jefe de la agencia evalúan planes en coordinación, pero subrayaron que no hay una fecha clara sobre cuándo sería recomendable reabrir las escuelas 9. Hoy: Hablamos de la Operación-Pulpo en la República Dominicana 10. En EXCLUSIVA: Conversamos con la periodista Elizabet Ostos desde Caracas, sobre las elecciones en Venezuela 11. Seguimiento a lo que pasa con los artistas en Cuba 12. Por primera vez en 64 años un álbum en español encabeza la lista de Billboard 200. ¿Cuál es? El de Bad Bunny Éstas y otras noticias, hoy En Blanco y Negro con Sandra. - - - Este programa se transmite por las siguientes emisoras, y por sus respectivas plataformas digitales, y aplicaciones para dispositivos Apple y Android: 1. Radio Grito 1200AM: Lares 2. Radio Grito 93.3 FM Aguadilla 3. X61 610 AM: Patillas y toda la zona sureste 4. X61 94.3 FM: Patillas-Guayama 5. Cadena WIAC - WYAC 930 AM: Cabo Rojo-Mayagüez 6. Cadena WIAC - WIAC 740 AM: Área metropolitana 7. WLRP 1460 AM Radio Raíces: La voz del Pepino en San Sebastián 8. Mi Podcast: Anchor, SoundCloud y demás. https://anchor.fm/sandrarodriguezcotto 9. La retransmisión del programa a las 8 PM en diferido por la emisora en la web Radio Acromática.com por TuneIn Radio Redes Sociales: FACEBOOK, TWITTER, INSTAGRAM, LINKEDIN · E-mail: Enblancoynegroconsandra@gmail.com · BLOG: http://enblancoynegromedia.blogspot.com --- Support this podcast: https://anchor.fm/sandrarodriguezcotto/support

1. Todo el mundo sabe que la pobreza es el problema principal en Puerto Rico, pero nadie quiere admitirlo. Y la pobreza empieza en la niñez. Ahora mismos con la pandemia del Coronavirus un 68% de los niños serán más pobres. Hoy conversamos con Amanda Rivera, directora ejecutiva y María Enchautegui, Directora de Investigación y Política Pública, del Instituto de Desarrollo de la Juventud, que acaba de presentar un estudio bien importante sobre la pobreza infantil. 2. A los tribunales el PPD por la representación del “no”. La CEE adjudicó al PIP la representación de esta opción en el plebiscito de noviembre 3. El Colegio de Abogados y Abogadas de Puerto Rico celebra primer foro con canditat@s y precandidat@s a la gobernación sobre el tema de agricultura, en el conversatorio virtual "Propuestas para el desarrollo agrícola de Puerto Rico". Participaron Juan Dalmau del Partido Independentista Puertorriqueño, Charlie Delgado Altieri, del Partido Popular Democrático, Alexandra Lúgaro de Victoria Ciudadana, César Vázquez de Proyecto Dignidad, y el candidato independiente Eliezer Molina. Los grandes ausentes: En el PPD: Eduardo Bhatia yCarmen Yuilín Cruz, y por el PNP, Pedro Pierluisi y la gobernadora Wanda Vázeuez 4. Salud procederá legalmente para no pagar por las pruebas que desautorizó la FDA. La agencia no había desembolsado ningún pago por los exámenes debido a que supuestamente Castro Business no entregó la documentación necesaria 5. $2 millones de fianza a Pablo Casellas Éstas y otras noticias, hoy En Blanco y Negro con Sandra. Este programa se transmite por las siguientes emisoras, y por sus respectivas plataformas digitales, y aplicaciones para dispositivos Apple y Android: 1. WMDD El 1480 AM: Fajardo-San Juan 2. X-61 610 AM: Patillas y toda la zona sureste 3. 94.3 FM: Patillas-Guayama 4. Radio Grito WGDL 1200AM: Lares 5. WYAC 930 AM: Cabo Rojo-Mayagüez 6. WIAC 740 AM: Área metropolitana 7. WLRP 1460 AM Radio Raíces: La voz del Pepino en San Sebastián 8. Mi Podcast: Anchor, SoundCloud y demás. https://anchor.fm/sandrarodriguezcotto 9. La retransmisión del programa a las 8 PM en diferido por la emisora en la web Radio Acromática.com por TuneIn Radio 10. Redes Sociales: Para cualquier comentario, duda, crítica constructiva o para contactarnos: - FACEBOOK: SandraRodriguezCotto - TWITTER e INSTAGRAM: @SRCSANDRA - LINKEDIN: Sandra Rodríguez Cotto 11. E-mail: Enblancoynegroconsandra@gmail.com 12. BLOG: http://enblancoynegromedia.blogspot.com --- Support this podcast: https://anchor.fm/sandrarodriguezcotto/support

The Materialists are…. Becky O'Sullivan (Public Archaeology Coordinator, FPAN West Central Region) Nigel Rudolph (Public Archaeology Coordinator, FPAN Central Region) For more info on FPAN please visit http://fpan.us/ We would like to thank…. The Florida Public Archaeology Network, The University of South Florida - Department of Anthropology, and The Crystal River Preserve and Archaeological State Park. For more info on USF Anthro Department please visit their website at https://www.usf.edu/arts-sciences/departments/anthropology/ For More info about the Crystal River Archaeological State Park please visit their website at https://www.floridastateparks.org/parks-and-trails/crystal-river-archaeological-state-park Thank you to the band Have Gun, Will Travel for the use of their song Silver and the Age of Opulence for our intro music. For more information on HGWT please visit their website at http://hgwtmusic.com/ For questions or concerns about the podcast please email us at the materialistspodcast@gmail.com Mini-Episode 4: The Language of People: Mario Mutis http://marioamutis.com/ https://news.sfcollege.edu/2015/11/04/annual-faculty-visual-arts-exhibit-opens-nov-20-at-sf/